All language subtitles for Hunter S02E03 - The Biggest Man in Town

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,239 --> 00:00:07,249 OFFICER, WOULD YOU MIND TELLING ME WHY I WAS STOPPED? 2 00:00:07,273 --> 00:00:10,143 THE WAY HE WAS KILLED, IT LOOKS LIKE AN EXECUTION. 3 00:00:10,176 --> 00:00:11,544 WELL, IT'S A VERY SMALL TOWN. 4 00:00:11,578 --> 00:00:13,113 AND YOU'RE IN MY JURISDICTION. 5 00:00:13,146 --> 00:00:15,382 I ALSO HAVE THE RIGHT TO ARREST YOU, SHERIFF. 6 00:00:16,616 --> 00:00:18,585 I DO HAVE A SORT OF A PART-TIME PRIVATE LIFE. 7 00:00:18,618 --> 00:00:19,819 ARE YOU FOR REAL, DEE DEE? 8 00:00:19,853 --> 00:00:21,554 WE'RE GOING TO TAKE A RIDE. 9 00:00:23,189 --> 00:00:24,791 WHAT IS THIS... SOME KIND OF A JOKE? 10 00:00:24,824 --> 00:00:25,792 BINGO. 11 00:00:25,825 --> 00:00:27,527 YOU KNOW WHAT WOULD TOP THAT OFF? 12 00:01:24,818 --> 00:01:26,853 IT WORKS FOR ME. 13 00:01:36,396 --> 00:01:39,666 YOUR LUNCH GUEST HAS ARRIVED, MR. SMITH. 14 00:01:39,699 --> 00:01:41,601 YOUR WAITER WILL BE RIGHT WITH YOU. 15 00:01:41,634 --> 00:01:43,703 THANK YOU. 16 00:01:43,736 --> 00:01:44,604 ALL RIGHT, CHARLIE, 17 00:01:44,637 --> 00:01:47,407 LET'S GET THIS OVER WITH AS SOON AS WE CAN. 18 00:01:47,440 --> 00:01:48,808 I'VE GOT A 2:00 APPOINTMENT. 19 00:01:54,981 --> 00:01:56,282 IT'S ALL THERE. 20 00:01:56,316 --> 00:01:57,517 YOU DON'T HAVE TO COUNT IT. 21 00:01:59,953 --> 00:02:02,255 "MR. SMITH." 22 00:02:02,288 --> 00:02:05,325 THAT'S REAL SHARP. I GOT TO HAND IT TO YOU, CHARLIE. 23 00:02:05,358 --> 00:02:07,494 YOU WON TODAY. YOU GOT YOUR MONEY. 24 00:02:07,527 --> 00:02:10,396 BUT IF YOU EVER TRY TAPPING IN TO ME AGAIN, 25 00:02:10,430 --> 00:02:12,665 OR IF I EVER HAPPEN TO SEE YOU AGAIN, 26 00:02:12,699 --> 00:02:15,802 I'M GOING TO TURN YOU INTO THE LOSER YOU'VE ALWAYS BEEN. 27 00:02:15,835 --> 00:02:17,937 YOU WON'T SEE ME AGAIN, MR. BELLAMY. 28 00:02:17,971 --> 00:02:20,673 I'VE GOT ALL I WANT AND ALL I NEED. 29 00:02:20,707 --> 00:02:22,275 GOOD. 30 00:02:22,308 --> 00:02:24,277 ARE THE GENTLEMEN READY TO ORDER? 31 00:02:24,310 --> 00:02:25,545 UH, NOTHING FOR ME. 32 00:02:25,578 --> 00:02:26,779 I'M STARVING. 33 00:02:26,813 --> 00:02:29,315 Bellamy: I'LL HAVE A PRIME RIB, 34 00:02:29,349 --> 00:02:31,317 TOSSED GREEN SALAD, NO DRESSING, 35 00:02:31,351 --> 00:02:32,652 AND A POT OF COFFEE. 36 00:02:32,685 --> 00:02:33,820 BRING THAT TO ME NOW. 37 00:02:33,853 --> 00:02:35,955 OUI, MONSIEUR. AND FOR YOU, SIR? 38 00:02:35,989 --> 00:02:37,290 PERHAPS I COULD INTEREST YOU 39 00:02:37,323 --> 00:02:38,558 IN THE SPECIALITE DE LA MAISON. 40 00:02:38,591 --> 00:02:39,792 NOTHING, THANK YOU. 41 00:02:39,826 --> 00:02:42,929 WHAT ARE YOU GOING TO DO, CHARLIE? 42 00:02:42,962 --> 00:02:45,265 YOU GOING TO USE THAT BACK EXIT OVER THERE 43 00:02:45,298 --> 00:02:48,835 FOR A GETAWAY AS SOON AS I LET YOU TAKE THE MONEY? 44 00:02:49,736 --> 00:02:52,338 YOU WERE ALWAYS IN CONTROL, MR. BELLAMY. 45 00:02:52,372 --> 00:02:55,241 OR ALWAYS HAD THE ANSWERS. TELL ME, HOW DOES IT FEEL 46 00:02:55,275 --> 00:02:57,677 TO HAVE SOMEONE ELSE DICTATING THE TERMS? 47 00:02:57,710 --> 00:02:59,445 GOOD-BYE, CHARLIE. 48 00:03:58,438 --> 00:04:00,974 THIS IS THE POLICE! 49 00:04:01,007 --> 00:04:02,642 PULL OVER TO THE SIDE OF THE ROAD! 50 00:04:02,675 --> 00:04:04,711 GET OUT OF THE CAR! 51 00:04:13,853 --> 00:04:16,022 OFFICER, WOULD YOU MIND TELLING ME WHY I WAS STOPPED? 52 00:04:32,639 --> 00:04:35,375 YOU KNOW WHAT WOULD TOP THAT OFF? 53 00:04:35,408 --> 00:04:36,776 Waiter: OUI, MONSIEUR? 54 00:04:36,809 --> 00:04:39,112 A HOT SLICE OF APPLE PIE. 55 00:04:51,424 --> 00:04:52,592 IT'S A RENTED CAR. 56 00:04:52,625 --> 00:04:54,560 TWO PACKED SUITCASES IN THE TRUNK, 57 00:04:54,594 --> 00:04:56,396 ONE AIRLINE TICKET TO SAN DIEGO 58 00:04:56,429 --> 00:04:57,506 UNDER THE NAME OF CHARLES SMITH, 59 00:04:57,530 --> 00:05:00,833 AND ONE FULL PACK OF MATCHES IN THE ASHTRAY. THAT'S IT. 60 00:05:02,068 --> 00:05:04,037 WELL, THE "CHARLES" IS RIGHT. 61 00:05:04,070 --> 00:05:05,638 CALIFORNIA DRIVER'S LICENSE 62 00:05:05,672 --> 00:05:07,440 SAYS THIS GUY'S NAME IS CHARLES LATTIMER. 63 00:05:07,473 --> 00:05:09,142 LIVES IN CAMPO ALTO, CALIFORNIA, 64 00:05:09,175 --> 00:05:11,744 43 YEARS OF AGE AND SINGLE. 65 00:05:11,778 --> 00:05:13,780 YOU CAN RULE OUT ROBBERY. 66 00:05:13,813 --> 00:05:16,849 THIS GUY HAD OVER 900 BUCKS IN HIS WALLET. 67 00:05:16,883 --> 00:05:18,384 YOU GOT HIM, BOYS. 68 00:05:23,122 --> 00:05:25,058 SO, WHAT DO YOU THINK? 69 00:05:25,091 --> 00:05:26,893 I DON'T KNOW. IT'S WEIRD. 70 00:05:26,926 --> 00:05:27,894 THE WAY HE WAS KILLED, 71 00:05:27,927 --> 00:05:30,763 IT LOOKS LIKE AN EXECUTION, LIKE GANGLAND STYLE, 72 00:05:30,797 --> 00:05:33,833 BUT THE REST OF IT'S... I DON'T KNOW. "SMITH"? 73 00:05:33,866 --> 00:05:36,769 IT SOUNDS LIKE SOME GUY CHEATING ON HIS WIFE. 74 00:05:36,803 --> 00:05:38,438 PACK OF MATCHES COULD HAVE BEEN LEFT 75 00:05:38,471 --> 00:05:40,173 BY THE LAST RENTER. 76 00:05:40,206 --> 00:05:42,008 "LE ROUGE." 77 00:05:42,041 --> 00:05:43,843 PIERRE! 78 00:05:43,876 --> 00:05:46,879 OUI, MADEMOISELLE. MAY I BE OF SERVICE? 79 00:05:46,913 --> 00:05:49,449 PIERRE, THESE PEOPLE ARE POLICE OFFICERS, 80 00:05:49,482 --> 00:05:51,617 AND THEY WANT TO KNOW ABOUT THE TWO GENTLEMEN 81 00:05:51,651 --> 00:05:53,586 THAT SAT AT TABLE 11 DURING LUNCH. 82 00:05:53,619 --> 00:05:54,887 THIS IS ONE OF THEM. 83 00:05:54,921 --> 00:05:57,023 YEAH! TABLE 11, RIGHT? 84 00:05:58,157 --> 00:06:01,461 HEY, THE NAME'S REALLY CHUCK. I'M BETWEEN ACTING JOBS. 85 00:06:01,494 --> 00:06:02,862 YEAH, THOSE TWO ON TABLE 11. 86 00:06:02,895 --> 00:06:04,664 ONLY ONE ORDERED LUNCH... THE OLDER GUY. 87 00:06:04,697 --> 00:06:06,599 THE OTHER ONE TOOK HIS BRIEFCASE AND LEFT 88 00:06:06,632 --> 00:06:08,134 BEFORE I EVEN GOT BACK WITH THE FOOD. 89 00:06:08,167 --> 00:06:09,836 DID HE PAY WITH A CREDIT CARD? 90 00:06:09,869 --> 00:06:12,105 N-O. CASH ALL THE WAY. 91 00:06:13,072 --> 00:06:17,543 UNDERCOVER? WHY? YOU TWO NEED A NEW WARDROBE? 92 00:06:19,645 --> 00:06:20,613 YEAH. 93 00:06:20,646 --> 00:06:21,814 SEND HIM IN. 94 00:06:22,648 --> 00:06:24,016 WHY UNDERCOVER? 95 00:06:24,050 --> 00:06:26,552 BECAUSE LATTIMER LIVED IN CAMPO ALTO ALL HIS LIFE. 96 00:06:26,586 --> 00:06:27,854 NOW, HE HAS NO CRIMINAL RECORD, 97 00:06:27,887 --> 00:06:29,722 NOT EVEN... A TRAFFIC CITATION. 98 00:06:29,756 --> 00:06:32,024 HE LEFT THERE SUDDENLY ABOUT 10 DAYS AGO, 99 00:06:32,058 --> 00:06:33,826 REGISTERED HERE UNDER A FALSE NAME, 100 00:06:33,860 --> 00:06:35,461 AND TODAY HE GETS BLOWN AWAY 101 00:06:35,495 --> 00:06:36,605 LIKE SOME NEW YORK GANG CHIEF 102 00:06:36,629 --> 00:06:38,598 AND LEFT WITH A WALLET FULL OF MONEY. 103 00:06:38,631 --> 00:06:40,833 DIDN'T ANSWER MY QUESTION. 104 00:06:40,867 --> 00:06:42,001 Wyler: WHY UNDERCOVER? 105 00:06:43,136 --> 00:06:44,604 YEAH. 106 00:06:44,637 --> 00:06:46,739 I'LL SEE HIM IN 5 MINUTES. 107 00:06:46,773 --> 00:06:48,574 INTELLIGENCE SAYS THAT THE LAW THERE 108 00:06:48,608 --> 00:06:50,109 IS REAL INBRED, VERY UPTIGHT. 109 00:06:50,143 --> 00:06:51,811 THINKS WE'LL DO A LOT BETTER IF WE GO IN 110 00:06:51,844 --> 00:06:52,845 AND NOT FLASH OUR BADGES. 111 00:06:52,879 --> 00:06:55,181 EXCUSE ME, SIR. BILLINGS IS HERE. 112 00:06:55,214 --> 00:06:56,582 SHALL I SEND HIM UP TO I.A.? 113 00:06:56,616 --> 00:06:58,251 NO, I WANT TO SEE HIM. 114 00:06:58,284 --> 00:06:59,986 HOW MUCH? 115 00:07:00,019 --> 00:07:03,623 OH, ABOUT $100 A DAY AND THE RENTAL OF A NEW JAG. 116 00:07:04,290 --> 00:07:05,258 JAG? 117 00:07:05,291 --> 00:07:07,160 NOT A CHEVY? 118 00:07:07,193 --> 00:07:09,695 CAN'T MAKE DO WITH A... FORD, CHRYSLER? 119 00:07:09,729 --> 00:07:11,197 NO, SIR. YOU SEE, WE CHECKED IT OUT. 120 00:07:11,230 --> 00:07:13,166 THERE'S NO PLACE IN TOWN THAT CAN HANDLE A JAG. 121 00:07:13,199 --> 00:07:15,168 HE'S GOING TO BREAK DOWN JUST OUTSIDE OF TOWN. 122 00:07:15,201 --> 00:07:17,079 THE PART HE NEEDS WILL TAKE AT LEAST A WEEK TO GET. 123 00:07:17,103 --> 00:07:18,647 WHAT ARE YOU GOING TO DRIVE... A MERCEDES? 124 00:07:18,671 --> 00:07:20,840 NO, SIR. AS SOON AS WE DETERMINE 125 00:07:20,873 --> 00:07:23,609 WHAT MY COVER WILL BE, I'LL GO IN ON THE BUS. 126 00:08:01,781 --> 00:08:03,716 Hunter: BOY, YOU GOT A NICE TOWN HERE. 127 00:08:03,749 --> 00:08:05,318 KIND OF LIKE A PICTURE POSTCARD. 128 00:08:05,351 --> 00:08:07,053 YEAH, WE LIKE IT. I'M GOING TO 129 00:08:07,086 --> 00:08:08,054 HAVE TO SEND FOR A NEW WATER PUMP. 130 00:08:08,087 --> 00:08:10,957 COULD TAKE UP TO A WEEK TO GET YOU ANOTHER ONE. 131 00:08:10,990 --> 00:08:13,159 Hunter: HOPE YOU DON'T MIND WATCHING THIS STUFF 132 00:08:13,192 --> 00:08:14,293 WHILE YOU WORK ON THE CAR. 133 00:08:14,327 --> 00:08:15,661 Mechanic: SURE, NO BOTHER. 134 00:08:15,695 --> 00:08:17,005 I'LL KEEP IT LOCKED UP IN THE OFFICE FOR YOU. 135 00:08:17,029 --> 00:08:20,132 I SEE YOU DO SOME DIVING. TOO BAD. 136 00:08:20,166 --> 00:08:21,934 WE GOT EVERYTHING IN CAMPO ALTO 137 00:08:21,968 --> 00:08:23,035 EXCEPT DEEP WATER. 138 00:08:23,069 --> 00:08:25,271 YEAH, I'M AN OCEANOGRAPHER ON MY WAY TO CORPUS CHRISTI. 139 00:08:25,304 --> 00:08:26,739 NEED A PLACE TO STAY? 140 00:08:26,772 --> 00:08:27,773 YEAH. 141 00:08:27,807 --> 00:08:29,108 TRY THE ROYAL ARMS MOTEL. 142 00:08:29,141 --> 00:08:31,577 I'LL GIVE YOU A CALL THERE WHEN I KNOW WHERE WE STAND. 143 00:08:31,611 --> 00:08:32,578 THE ROYAL ARMS. 144 00:08:32,612 --> 00:08:33,813 RIGHT. 145 00:08:34,647 --> 00:08:35,815 "TANKS." 146 00:08:41,754 --> 00:08:42,822 McCALL. 147 00:08:42,855 --> 00:08:43,923 Hunter: YEAH, IT'S ME. 148 00:08:43,956 --> 00:08:45,124 REMEMBER LAST JANUARY, 149 00:08:45,157 --> 00:08:48,027 WHEN WE BUSTED THAT SLEAZEBALL MOLINAS? 150 00:08:48,060 --> 00:08:50,029 YOU HAD TO DO SOME SINGING AT THE... 151 00:08:50,062 --> 00:08:52,098 AT A NIGHTCLUB, RIGHT? WERE YOU ANY GOOD? 152 00:08:52,131 --> 00:08:54,033 I HAD THEM STANDING IN THE AISLES. WHY? 153 00:08:54,066 --> 00:08:58,037 WELL, THE BAND AT THE CAMPO ALTO COUNTRY CLUB NEEDS A SINGER. 154 00:08:58,070 --> 00:09:00,106 THE ONE THEY'VE GOT IS PREGNANT AND, UH... 155 00:09:00,139 --> 00:09:01,316 UH, DO YOU THINK YOU CAN HANDLE IT? 156 00:09:01,340 --> 00:09:04,210 THEY'LL BE OFFERING ME A LONG-TERM CONTRACT. 157 00:09:04,243 --> 00:09:06,012 DON'T GET CARRIED AWAY. A WEEK WILL DO. 158 00:09:06,045 --> 00:09:08,614 I'M STAYING HERE AT THE ROYAL ARMS MOTEL. 159 00:09:08,648 --> 00:09:10,283 HOW'S THINGS GOING? ANYTHING TO REPORT? 160 00:09:10,316 --> 00:09:12,652 YEAH, I DO, McCALL. THE, UH... 161 00:09:13,886 --> 00:09:15,221 THE VIEW HERE IS GREAT. 162 00:09:20,393 --> 00:09:21,360 MORNING. 163 00:09:21,394 --> 00:09:22,728 MORNING. 164 00:09:26,832 --> 00:09:28,401 THERE'S NOTHING EVER GOOD IN THE NEWS, 165 00:09:28,434 --> 00:09:29,802 IS THERE, MR. LATTIMER? 166 00:09:29,835 --> 00:09:30,803 EH... 167 00:09:30,836 --> 00:09:32,271 ALL IT DOES IS GET YOU DEPRESSED. 168 00:09:32,305 --> 00:09:34,006 OH, EXCUSE ME. 169 00:09:35,241 --> 00:09:36,208 THERE YOU GO. 170 00:09:36,242 --> 00:09:37,410 THANKS. 171 00:09:38,844 --> 00:09:40,012 Hunter: EXCUSE ME. 172 00:09:40,846 --> 00:09:41,981 MR. LATTIMER? 173 00:09:42,014 --> 00:09:43,082 YES? 174 00:09:43,115 --> 00:09:46,819 YOU WOULDN'T HAPPEN TO BE FROM KANSAS CITY, WOULD YOU? 175 00:09:47,954 --> 00:09:50,723 Lattimer: NO... MY BOY WASN'T MARRIED. 176 00:09:50,756 --> 00:09:54,794 HAD A FIANCEE, THOUGH. REAL NICE GIRL. 177 00:09:54,827 --> 00:09:56,862 GOOD EDUCATION, GOOD BREEDING. 178 00:09:56,896 --> 00:09:59,198 ASSISTANT LIBRARIAN HERE. 179 00:09:59,231 --> 00:10:02,401 SHE TOOK MY BOY'S DEATH PRETTY HARD. 180 00:10:02,435 --> 00:10:04,737 HOW ABOUT YOU, MR. STONER? 181 00:10:04,770 --> 00:10:05,805 YOU A MARRIED MAN? 182 00:10:05,838 --> 00:10:09,241 NO, I'M NOT, MR. LATTIMER, BUT I'M THINKING ABOUT IT. 183 00:10:11,277 --> 00:10:13,279 Hunter: I'M STAYING AT THE ROYAL ARMS MOTEL. 184 00:10:16,315 --> 00:10:17,249 OK. 185 00:10:17,283 --> 00:10:21,387 JUST HAVE THE BOOKS BACK BY FRIDAY, MR. STONER. 186 00:10:22,221 --> 00:10:24,223 FRIDAY. THANK YOU. 187 00:10:27,793 --> 00:10:29,762 OH, YOU WOULDN'T HAPPEN TO KNOW 188 00:10:29,795 --> 00:10:31,897 A REAL GOOD PLACE TO EAT IN TOWN, WOULD YOU? 189 00:10:31,931 --> 00:10:34,767 WELL, THE NICEST PLACE IS THE COUNTRY CLUB. 190 00:10:34,800 --> 00:10:36,769 YOU DON'T HAVE TO BE A MEMBER TO DINE, 191 00:10:36,802 --> 00:10:38,804 AND THE FOOD IS GREAT. 192 00:10:38,838 --> 00:10:41,007 WHAT I REALLY NEED IS SOMEONE 193 00:10:41,040 --> 00:10:43,743 TO SHARE DINNER WITH, BUT... MY LUCK, 194 00:10:43,776 --> 00:10:46,445 YOU'RE PROBABLY MARRIED AND HAVE 10 KIDS, RIGHT? 195 00:10:47,480 --> 00:10:49,081 NO, I'M NOT MARRIED. 196 00:10:49,115 --> 00:10:52,018 OH... YOU GOT ANY KIDS? 197 00:10:53,052 --> 00:10:55,254 CERTAINLY NOT. 198 00:10:55,287 --> 00:10:57,189 WELL, ARE YOU ENGAGED? 199 00:10:58,424 --> 00:10:59,492 NO. 200 00:10:59,525 --> 00:11:01,394 NOT ANYMORE. 201 00:11:32,224 --> 00:11:34,427 HAVEN'T WE DONE THIS BEFORE? 202 00:11:34,460 --> 00:11:37,296 YES, AND ONCE WAS ENOUGH. 203 00:11:37,329 --> 00:11:39,065 I MEAN, THIS IS EMBARRASSING. 204 00:11:39,098 --> 00:11:39,965 DON'T YOU HAVE YOUR OWN BATHROOM? 205 00:11:39,999 --> 00:11:44,870 I DON'T EVEN HAVE MY OWN ROOM UNTIL 5:00. 206 00:11:44,904 --> 00:11:47,873 YOU WANT TO HAND ME A TOWEL, PLEASE? 207 00:11:47,907 --> 00:11:50,943 AND I DON'T MEAN A WASHCLOTH. 208 00:11:55,047 --> 00:11:57,016 McCall: I JUST DECIDED IT WOULDN'T BE A GOOD IDEA 209 00:11:57,049 --> 00:11:59,018 IF I CALLED YOU, OR WAS EVEN SEEN WITH YOU, 210 00:11:59,051 --> 00:12:01,420 SO I JUST PICKED THE LOCK AND LET MYSELF IN. 211 00:12:01,454 --> 00:12:03,155 SO SAY HELLO, HUNTER. 212 00:12:03,189 --> 00:12:05,458 HELLO, HUNTER. WHEN DID YOU GET IN? 213 00:12:05,491 --> 00:12:08,160 THIS MORNING. IT WAS REALLY HOT. 214 00:12:08,194 --> 00:12:10,096 TOOK A CAB ON OVER TO THE COUNTRY CLUB, 215 00:12:10,129 --> 00:12:11,097 MET THE BANDLEADER. 216 00:12:11,130 --> 00:12:16,068 ARE YOU READY FOR THIS? HIS NAME IS IZZY O'DAY. 217 00:12:16,102 --> 00:12:17,436 ANYWAY, I TRIED OUT. 218 00:12:19,438 --> 00:12:20,806 WELL, WAS THAT IT? 219 00:12:20,840 --> 00:12:21,807 THEY LIKED ME. 220 00:12:21,841 --> 00:12:23,275 I GOT TO BE OVER THERE TONIGHT 221 00:12:23,309 --> 00:12:24,553 FOR REHEARSALS IN JUST A COUPLE HOURS. 222 00:12:24,577 --> 00:12:25,878 THAT'S WHY I NEEDED A BATH. 223 00:12:25,911 --> 00:12:28,314 THE BUS WAS LARGE, BUT INTIMATE. 224 00:12:28,347 --> 00:12:30,816 DID THEY ASK YOU HOW YOU FOUND OUT ABOUT THE JOB? 225 00:12:30,850 --> 00:12:32,327 I JUST TOLD HIM WOODY ZALLER PUT ME ON TO HIM. 226 00:12:32,351 --> 00:12:34,553 WOODY OWES ME. HE'S READY IF THEY CALL. 227 00:12:34,587 --> 00:12:37,123 BY THE WAY, THANKS FOR THE COVER. 228 00:12:37,156 --> 00:12:38,057 YOU NEVER KNOW. 229 00:12:38,090 --> 00:12:39,892 MAYBE THEY'LL LET ME DO ONE OF MY OWN SONGS. 230 00:12:39,925 --> 00:12:41,093 ONE OF YOUR OWN SONGS? 231 00:12:41,127 --> 00:12:43,496 YEAH. WHEN I'M NOT PUTTING MY BODY AND SOUL 232 00:12:43,529 --> 00:12:45,030 ON THE LINE FOR METRO P.D., 233 00:12:45,064 --> 00:12:47,142 I DO HAVE SORT OF A PART-TIME PRIVATE LIFE, YOU KNOW. 234 00:12:47,166 --> 00:12:49,001 YOU WRITE YOUR OWN SONGS? 235 00:12:49,034 --> 00:12:51,270 YEAH. I ALSO BAKE CAKES. 236 00:12:51,303 --> 00:12:52,538 YOU GOT ANY OTHER SECRETS 237 00:12:52,571 --> 00:12:54,140 YOU'VE BEEN KEEPING FROM ME, McCALL? 238 00:12:54,173 --> 00:12:56,542 UH-HUH. YOU KNOW WHAT MAKES THEM SECRETS? 239 00:12:56,575 --> 00:12:58,911 I DON'T TELL 'EM TO ANYONE. 240 00:13:00,212 --> 00:13:02,014 SLOPPY. 241 00:13:02,047 --> 00:13:04,450 YEAH. LET ME USE YOUR TOWEL, WILL YA? 242 00:13:14,326 --> 00:13:15,995 NICE PLACE, ISN'T IT? 243 00:13:16,028 --> 00:13:17,463 WELL, IT SHOULD BE. 244 00:13:17,496 --> 00:13:19,365 THE BOARD OF DIRECTORS READS LIKE A PAGE 245 00:13:19,398 --> 00:13:21,567 OUT OF MILLIONAIRES' QUARTERLY. 246 00:13:21,600 --> 00:13:23,502 THE MEN AT THAT TABLE... 247 00:13:23,536 --> 00:13:26,639 COULD PROBABLY HELP BALANCE THE NATIONAL DEBT. 248 00:13:29,408 --> 00:13:32,178 Announcer: THANK YOU. THANK YOU, LADIES AND GENTLEMEN. 249 00:13:32,211 --> 00:13:35,014 NOW, SOMETHING A BIT UNEXPECTED, 250 00:13:35,047 --> 00:13:36,582 A DELIGHTFUL SURPRISE. 251 00:13:36,615 --> 00:13:38,184 I'D LIKE TO INTRODUCE YOU TO... 252 00:13:38,217 --> 00:13:40,586 IT'S HER FIRST TIME IN CAMPO ALTO... 253 00:13:40,619 --> 00:13:41,987 SO LET'S GIVE A NICE, WARM WELCOME 254 00:13:42,021 --> 00:13:44,557 TO MISS DEE DEE BENNETT. 255 00:13:49,328 --> 00:13:50,462 THANK YOU. 256 00:14:16,055 --> 00:14:18,390 WELL, YOU SAID YOU WEREN'T ENGAGED ANYMORE. 257 00:14:18,424 --> 00:14:19,701 WHAT HAPPENED? WANT TO TALK ABOUT IT? 258 00:14:19,725 --> 00:14:21,026 I'M A GOOD LISTENER. 259 00:14:21,060 --> 00:14:23,128 OH, I'M SURE YOU ARE, BUT... 260 00:14:27,199 --> 00:14:29,702 MY FIANCE WAS KILLED, MURDERED. 261 00:14:29,735 --> 00:14:31,637 OH, AMY, I'M SORRY. 262 00:14:31,670 --> 00:14:34,473 HE WAS SHOT IN LOS ANGELES, 263 00:14:34,506 --> 00:14:36,475 WITH THE KIND OF GUN THAT GANGSTERS USE. 264 00:14:36,508 --> 00:14:39,111 BUT HE WAS AN ACCOUNTANT 265 00:14:39,144 --> 00:14:40,446 WITH BELLAMY ENTERPRISES HERE, 266 00:14:40,479 --> 00:14:43,182 AND HE NEVER DID ANYTHING ILLEGAL IN HIS WHOLE LIFE. 267 00:14:43,215 --> 00:14:45,150 WELL, DO THE POLICE KNOW WHO DID IT? 268 00:14:46,185 --> 00:14:49,288 DID ANYTHING UNUSUAL HAPPEN BEFORE HE WAS KILLED? 269 00:14:50,055 --> 00:14:53,459 WELL, HE ASKED ME TO MARRY HIM. 270 00:14:53,492 --> 00:14:54,703 HE SAID HE WANTED TO QUIT HIS JOB 271 00:14:54,727 --> 00:14:56,328 AND GO DOWN TO MEXICO 272 00:14:56,362 --> 00:14:58,097 AND JUST FISH AND LIE IN THE SUN. 273 00:14:58,130 --> 00:14:59,531 WELL, THE POLICE KNOW ABOUT THAT? 274 00:14:59,565 --> 00:15:01,700 OH, YEAH, I TOLD SHERIFF JOHNSON. 275 00:15:01,734 --> 00:15:05,704 ♪ LOVE SO NEW... 276 00:15:05,738 --> 00:15:07,339 I'D LIKE TO SPEAK TO THAT YOUNG LADY 277 00:15:07,373 --> 00:15:09,174 AS SOON AS YOU GET A CHANCE. 278 00:15:26,725 --> 00:15:28,027 WHO IS IT? 279 00:15:28,060 --> 00:15:29,595 McCall: HUNTER, IT'S ME. 280 00:15:31,163 --> 00:15:32,331 I WAS BEGINNING TO THINK 281 00:15:32,364 --> 00:15:33,608 THIS WAS GOING TO BE AN ALL-NIGHTER. 282 00:15:33,632 --> 00:15:36,035 CAN I HELP IT IF THE BIGGEST MAN IN TOWN 283 00:15:36,068 --> 00:15:38,170 THINKS I'M WONDERFUL? 284 00:15:38,203 --> 00:15:40,673 YOU MEAN THE HEAVYWEIGHT WITH THE WHITE SIDEWALLS? 285 00:15:40,706 --> 00:15:42,174 RAYMOND BELLAMY, 286 00:15:42,207 --> 00:15:44,710 PRESIDENT OF BELLAMY ENTERPRISES. 287 00:15:44,743 --> 00:15:47,346 DID YOU NOTICE SOMETHING REAL INTERESTING ABOUT HIM? 288 00:15:47,379 --> 00:15:50,115 YEAH, BELLAMY FITS THE DESCRIPTION 289 00:15:50,149 --> 00:15:51,589 THE WAITER GAVE US LIKE A SILK GLOVE. 290 00:15:51,617 --> 00:15:53,619 ALSO, LATTIMER WORKED FOR BELLAMY. 291 00:15:53,652 --> 00:15:56,455 BINGO. THINK WE OUGHT TO BRING THAT WAITER DOWN HERE 292 00:15:56,488 --> 00:15:57,423 TO I.D. THE MAN? 293 00:15:57,456 --> 00:15:58,800 WHY DON'T WE JUST GET SOME PHOTOGRAPHS OF HIM? 294 00:15:58,824 --> 00:16:00,292 IT WILL BE CHEAPER. 295 00:16:00,326 --> 00:16:02,628 AND WHO GETS TO TAKE THE PICTURES? 296 00:16:04,430 --> 00:16:06,031 WELL, HE DID INVITE ME 297 00:16:06,065 --> 00:16:07,733 OVER TO HIS HORSE RANCH TOMORROW. 298 00:16:14,707 --> 00:16:17,609 YEAH... BEAUTY, HUH? 299 00:16:17,643 --> 00:16:19,311 YES, THE BEST MONEY CAN BUY. 300 00:16:19,345 --> 00:16:21,513 I CAN SPOT A WINNER EVERY TIME. 301 00:16:21,547 --> 00:16:22,648 SHE'S A BEAUTY. 302 00:16:22,681 --> 00:16:25,551 AND I CAN ALSO SPOT A KIND OF PROBLEM. 303 00:16:25,584 --> 00:16:27,219 WHAT KIND OF PROBLEM IS THAT? 304 00:16:27,252 --> 00:16:30,723 YOU KNOW THAT GIRL THAT LATTIMER WAS ENGAGED TO? 305 00:16:30,756 --> 00:16:31,890 AMY. YEAH. 306 00:16:31,924 --> 00:16:35,627 EVERYBODY'S TALKING ABOUT HOW HARD SHE'S TAKING HIS DEATH. 307 00:16:35,661 --> 00:16:38,364 WELL, LAST NIGHT SHE SASHAYED INTO THE CLUB 308 00:16:38,397 --> 00:16:41,367 ON THE ARM OF THIS TALL GUY I'VE NEVER SEEN BEFORE. 309 00:16:41,400 --> 00:16:43,702 NOW, IF SHE'S NURSING A BROKEN HEART... 310 00:16:43,736 --> 00:16:46,839 I'M ANN LANDERS. I WANT YOU TO FIND OUT 311 00:16:46,872 --> 00:16:50,376 WHO THIS GUY IS AND HOW HE GOT TOGETHER WITH HER. 312 00:16:51,677 --> 00:16:54,079 I'LL TAKE CARE OF THAT, MR. BELLAMY. 313 00:17:17,803 --> 00:17:19,438 HOW'S IT GOING? 314 00:17:19,471 --> 00:17:20,806 HI. 315 00:17:20,839 --> 00:17:23,409 I'M SHERIFF CARL JOHNSON. 316 00:17:23,442 --> 00:17:24,576 YOU'RE RICK STONER. 317 00:17:24,610 --> 00:17:26,779 HOW ARE YOU DOING? WANT SOME TOAST? 318 00:17:26,812 --> 00:17:28,781 NO, THANKS. I UNDERSTAND 319 00:17:28,814 --> 00:17:30,816 YOU'RE WAITING ON A PART FOR YOUR CAR. 320 00:17:30,849 --> 00:17:33,185 MUST BE TOUGH BEING STRANDED IN A STRANGE TOWN, 321 00:17:33,218 --> 00:17:34,496 WAITING AROUND FOR YOUR CAR TO BE FIXED. 322 00:17:34,520 --> 00:17:36,188 ME, I'D GO CRAZY. 323 00:17:36,221 --> 00:17:37,365 YOU GOT A REAL NICE TOWN HERE, SHERIFF. 324 00:17:37,389 --> 00:17:38,390 MAKES IT EASIER. 325 00:17:38,424 --> 00:17:40,659 MIND IF I ASK YOU A PERSONAL QUESTION, MR. STONER? 326 00:17:40,692 --> 00:17:42,327 WELL, YOU CAN ASK. 327 00:17:42,361 --> 00:17:44,663 THERE WAS A MURDER OUTSIDE OF MY JURISDICTION, 328 00:17:44,696 --> 00:17:46,432 BUT IT CONCERNS THIS TOWN. 329 00:17:46,465 --> 00:17:48,467 A LONGTIME RESIDENT WAS KILLED... 330 00:17:48,500 --> 00:17:50,469 CHARLIE LATTIMER. NOW, HE WAS ENGAGED 331 00:17:50,502 --> 00:17:52,704 TO A YOUNG LADY NAMED AMY LAURTON. 332 00:17:52,738 --> 00:17:55,474 HEAR SHE WAS PRETTY SHOOK UP ABOUT WHAT HAPPENED. 333 00:17:55,507 --> 00:17:57,342 THEN I GET A REPORT THAT SHE COMES WALTZING 334 00:17:57,376 --> 00:17:58,677 INTO THE COUNTRY CLUB LAST NIGHT 335 00:17:58,710 --> 00:18:00,813 WITH A MAN THAT NOBODY SEEMS TO KNOW. 336 00:18:00,846 --> 00:18:03,248 WONDER IF YOU COULD TELL ME ABOUT THAT? 337 00:18:03,282 --> 00:18:04,583 I'D LIKE TO, BUT I DON'T SEE IT 338 00:18:04,616 --> 00:18:06,718 AS BEING ANY OF YOUR BUSINESS. 339 00:18:06,752 --> 00:18:08,854 WELL, MAYBE I CAN HELP YOU THERE. 340 00:18:08,887 --> 00:18:10,556 YOU SEE, IT IS MY BUSINESS 341 00:18:10,589 --> 00:18:12,458 BECAUSE I'M MAKING IT MY BUSINESS. 342 00:18:12,491 --> 00:18:14,660 NOW, THIS CITIZEN WAS MURDERED IN LOS ANGELES. 343 00:18:14,693 --> 00:18:15,727 ARE YOU FROM LOS ANGELES? 344 00:18:15,761 --> 00:18:17,162 SAN DIEGO. 345 00:18:17,196 --> 00:18:18,740 WELL, I DON'T KNOW HOW IT WORKS IN SAN DIEGO, 346 00:18:18,764 --> 00:18:20,299 BUT HERE IN CAMPO ALTO, 347 00:18:20,332 --> 00:18:21,700 WHEN I ASK SOMEONE A QUESTION, 348 00:18:21,733 --> 00:18:22,801 I DON'T EXPECT TO BE TOLD 349 00:18:22,835 --> 00:18:23,836 IT'S NONE OF MY BUSINESS. 350 00:18:23,869 --> 00:18:24,903 YOU GET MY MEANING? 351 00:18:24,937 --> 00:18:27,639 LOOK, SHERIFF, I DIDN'T HAVE ANYTHING TO DO ONE DAY, 352 00:18:27,673 --> 00:18:29,174 SO I WAS WALKING DOWN THE STREET, 353 00:18:29,208 --> 00:18:30,576 AND I WENT INTO THE LIBRARY 354 00:18:30,609 --> 00:18:32,711 TO CHECK OUT A COUPLE OF BOOKS. 355 00:18:32,744 --> 00:18:35,347 I SAW AMY, SO I STARTED TALKING TO HER. 356 00:18:35,380 --> 00:18:38,283 I ASKED HER TO DINNER. SHE SAID SHE'D GO. THAT'S IT. 357 00:18:38,317 --> 00:18:40,252 I'M SURE WE'LL HAVE YOUR CAR FIXED FOR YOU 358 00:18:40,285 --> 00:18:43,455 REAL SOON, MR. STONER, I'LL SEE YOU AROUND. 359 00:18:47,526 --> 00:18:50,529 BOY, THESE ARE BEAUTIES. 360 00:18:50,562 --> 00:18:53,198 I LOVE HORSES. 361 00:18:53,232 --> 00:18:54,666 I LOVE TO RIDE THEM. 362 00:18:54,700 --> 00:18:55,968 I LOVE TO TAKE PICTURES OF THEM. 363 00:18:57,236 --> 00:18:58,337 LIKE TO PAINT THEM, TOO. 364 00:18:58,370 --> 00:18:59,705 YEAH, I'LL BET YOU DO. 365 00:18:59,738 --> 00:19:01,573 THERE'S A PHONE CALL FOR YOU, MR. BELLAMY. 366 00:19:01,607 --> 00:19:03,575 I'LL JUST BE A SECOND. 367 00:19:03,609 --> 00:19:05,277 BYE. 368 00:19:12,484 --> 00:19:13,585 BELLAMY HERE. 369 00:19:13,619 --> 00:19:15,454 Johnson: I TALKED TO HIM, MR. BELLAMY. 370 00:19:15,487 --> 00:19:17,289 HIS NAME IS RICK STONER. 371 00:19:17,322 --> 00:19:18,524 CLAIMS HE'S AN OCEANOGRAPHER. 372 00:19:18,557 --> 00:19:20,592 HE'S WAITING FOR HIS CAR TO BE FIXED. 373 00:19:20,626 --> 00:19:22,570 THERE'S SOMETHING ABOUT THIS GUY I JUST DON'T LIKE. 374 00:19:22,594 --> 00:19:24,630 IF YOU'RE WORRIED, CARL, SO AM I. 375 00:19:24,663 --> 00:19:26,431 HANDLE IT. 376 00:19:33,505 --> 00:19:34,940 HOW DID YOU GET IN HERE? 377 00:19:34,973 --> 00:19:37,242 Hunter: THROUGH THE BACK DOOR. 378 00:19:37,276 --> 00:19:39,578 BUT WHY? 379 00:19:40,646 --> 00:19:42,414 SIT DOWN, AMY. 380 00:19:45,017 --> 00:19:47,486 I'M SERGEANT HUNTER, L.A. HOMICIDE. 381 00:19:47,519 --> 00:19:48,720 I'M HERE IN TOWN 382 00:19:48,754 --> 00:19:50,355 TO INVESTIGATE THE MURDER OF YOUR FIANCE. 383 00:19:50,389 --> 00:19:51,423 I DON'T UNDERSTAND... 384 00:19:51,456 --> 00:19:53,492 LOOK, AMY, I HATE TO TELL YOU THIS, 385 00:19:53,525 --> 00:19:54,826 BUT I THINK CHARLIE WAS INVOLVED 386 00:19:54,860 --> 00:19:56,728 IN SOME SORT OF EXTORTION OR BLACKMAIL. 387 00:19:56,762 --> 00:19:58,730 HE WAS KILLED THE DAY HE WAS PAID OFF. 388 00:19:58,764 --> 00:20:01,600 YOU'RE WRONG. THE CHARLES I KNEW 389 00:20:01,633 --> 00:20:03,502 WOULDN'T EVEN CHEAT ON HIS INCOME TAX. 390 00:20:03,535 --> 00:20:05,804 CAN YOU EXPLAIN HOW HE PLANNED TO MOVE TO MEXICO? 391 00:20:05,837 --> 00:20:08,507 CHARLES LIVED VERY SIMPLY, AND HE HAD INVESTMENTS. 392 00:20:08,540 --> 00:20:10,742 THAT'S WHAT WE WERE GOING TO LIVE ON. 393 00:20:11,910 --> 00:20:13,579 TELL ME ABOUT RAYMOND BELLAMY. 394 00:20:13,612 --> 00:20:15,681 MR. BELLAMY AND CHARLES HAVE BEEN TOGETHER 395 00:20:15,714 --> 00:20:18,550 EVER SINCE MR. BELLAMY STARTED HIS FIRST BUSINESS. 396 00:20:18,584 --> 00:20:20,586 IT WAS BELLAMY INSURANCE COMPANY THEN. 397 00:20:20,619 --> 00:20:22,330 WELL, JUDGING FROM THE SIZE OF HIS BUILDING, 398 00:20:22,354 --> 00:20:24,323 HE MUST HAVE SOLD AN AWFUL LOT OF INSURANCE. 399 00:20:24,356 --> 00:20:25,596 OH, HE WENT INTO OTHER THINGS... 400 00:20:25,624 --> 00:20:27,326 RANCHING, MINING. 401 00:20:27,359 --> 00:20:30,462 LOOK, HE'S POPULAR AND RESPECTED, AND HIS RECORD 402 00:20:30,495 --> 00:20:32,965 IS PROBABLY EVERY BIT AS CLEAN AS CHARLES'. 403 00:20:32,998 --> 00:20:34,466 YEAH, IT IS. I CHECKED IT OUT. 404 00:20:34,499 --> 00:20:35,634 BUT YOU KNOW SOMETHING, 405 00:20:35,667 --> 00:20:36,811 YOU DON'T DIE THE WAY CHARLES DID 406 00:20:36,835 --> 00:20:38,604 WITHOUT BEING A DIRECT THREAT TO SOMEBODY. 407 00:20:40,038 --> 00:20:41,873 THERE'S GOT TO BE ANOTHER EXPLANATION. 408 00:20:41,907 --> 00:20:45,010 MAYBE CHARLES WAS MISTAKEN FOR SOMEBODY ELSE. 409 00:20:45,043 --> 00:20:46,878 YOU DON'T BELIEVE THAT, DO YOU, AMY? 410 00:20:48,580 --> 00:20:50,482 UH, WHO IS IT? 411 00:20:50,515 --> 00:20:51,617 SHERIFF JOHNSON. 412 00:20:51,650 --> 00:20:54,019 LIKE TO TALK TO YOU, AMY. 413 00:20:54,052 --> 00:20:57,689 UH, JUST ONE MINUTE. 414 00:21:05,631 --> 00:21:07,599 MAY I COME IN? 415 00:21:07,633 --> 00:21:09,368 THANK YOU. 416 00:21:12,037 --> 00:21:14,006 WOULD YOU LIKE TO SIT DOWN? 417 00:21:14,039 --> 00:21:15,607 NO, I JUST HAVE A MINUTE. 418 00:21:15,641 --> 00:21:18,010 AMY, EVEN THOUGH IT HAPPENED IN LOS ANGELES, 419 00:21:18,043 --> 00:21:20,612 I'M DOING EVERYTHING I CAN TO SOLVE CHARLIE'S MURDER. 420 00:21:20,646 --> 00:21:23,015 MR. BELLAMY FEELS THE SAME AS I DO. 421 00:21:23,048 --> 00:21:25,617 HE'S POSTING A REWARD FOR INFORMATION LEADING TO 422 00:21:25,651 --> 00:21:28,020 THE APPREHENSION OF THE KILLER OR KILLERS. 423 00:21:28,053 --> 00:21:30,722 I KNOW YOU'RE DOING EVERYTHING YOU CAN, SHERIFF. 424 00:21:30,756 --> 00:21:32,658 THIS, UH... 425 00:21:32,691 --> 00:21:34,826 THIS FELLA YOU'VE BEEN SEEN WITH, 426 00:21:34,860 --> 00:21:36,595 THIS RICK STONER. 427 00:21:36,628 --> 00:21:38,030 NOW, HE COULD BE INVOLVED. 428 00:21:38,063 --> 00:21:40,499 I PICKED UP A SET OF FINGERPRINTS OFF HIS CAR. 429 00:21:40,532 --> 00:21:41,733 HE'S FROM CHICAGO, 430 00:21:41,767 --> 00:21:43,969 AND HE HAS A RAP SHEET 10 YARDS LONG. 431 00:21:44,002 --> 00:21:46,838 I THINK HE'S AFTER SOMETHING FROM YOU. 432 00:21:46,872 --> 00:21:49,107 I DON'T KNOW WHAT IT COULD BE... 433 00:21:49,141 --> 00:21:50,976 WE TALKED ABOUT HIS JOB, MY JOB, 434 00:21:51,009 --> 00:21:53,679 THINGS WE LIKE TO DO... 435 00:21:53,712 --> 00:21:54,579 YOU MEAN TO TELL ME 436 00:21:54,613 --> 00:21:56,615 HE DIDN'T ASK YOU ANYTHING ABOUT CHARLIE? 437 00:21:59,484 --> 00:22:01,820 YOU WOULDN'T BE HOLDING ANYTHING BACK FROM ME, 438 00:22:01,853 --> 00:22:02,888 WOULD YOU, AMY? 439 00:22:02,921 --> 00:22:04,089 NO, I'M NOT! 440 00:22:25,877 --> 00:22:27,779 I DON'T KNOW WHAT ANYONE WITH A CRIMINAL RECORD 441 00:22:27,813 --> 00:22:30,849 WOULD POSSIBLY WANT WITH ME. 442 00:22:30,882 --> 00:22:33,852 WELL... AMY, FOR ALL WE KNOW, 443 00:22:33,885 --> 00:22:36,455 STONER COULD HAVE KILLED CHARLIE, 444 00:22:36,488 --> 00:22:39,725 SO I DON'T WANT YOU TO LEAVE ANYTHING OUT. 445 00:22:39,758 --> 00:22:42,861 I'M NOT LEAVING ANYTHING OUT, SHERIFF. 446 00:22:42,894 --> 00:22:45,597 I TOLD YOU ALL THERE IS. 447 00:22:47,466 --> 00:22:50,802 NOW, IF HE CALLS OR COMES BY, ANYTHING... 448 00:22:52,471 --> 00:22:54,439 YOU GET IN TOUCH WITH ME. 449 00:22:54,473 --> 00:22:56,007 I'LL SEE YOU. 450 00:22:59,478 --> 00:23:01,680 Hunter: THANKS, AMY. 451 00:23:07,486 --> 00:23:08,587 WHERE WERE YOU? 452 00:23:08,620 --> 00:23:10,455 BEHIND THAT VERY TINY DOOR. 453 00:23:10,489 --> 00:23:12,991 AND THANKS FOR HAVING SOME FAITH IN ME IN THERE. 454 00:23:13,024 --> 00:23:14,059 I APPRECIATE THAT. 455 00:23:14,092 --> 00:23:15,727 WELL, GIVE ME A GOOD REASON 456 00:23:15,761 --> 00:23:18,630 TO HAVE SOME FAITH IN YOU. WHO ARE YOU? 457 00:23:20,899 --> 00:23:22,243 THIS TELEPHONE NUMBER IS A DIRECT LINE 458 00:23:22,267 --> 00:23:25,570 INTO THE L.A. HOMICIDE. CALL THEM AND ASK THEM 459 00:23:25,604 --> 00:23:27,139 IF HUNTER IS ASSIGNED TO THIS DIVISION. 460 00:23:27,172 --> 00:23:29,040 HAVE THEM DESCRIBE ME TO YOU. 461 00:23:30,776 --> 00:23:32,177 ALL RIGHT. 462 00:23:32,210 --> 00:23:34,846 IF YOU ARE A POLICE OFFICER... 463 00:23:35,781 --> 00:23:36,982 WHAT DO YOU WANT FROM ME? 464 00:23:37,015 --> 00:23:41,019 ♪ I 465 00:23:41,052 --> 00:23:44,122 ♪ LIE TO A HISTORY 466 00:23:44,156 --> 00:23:49,161 ♪ GOOD-BYE TO OUR MYSTERY 467 00:23:49,194 --> 00:23:55,600 ♪ GOOD-BYE 468 00:23:58,837 --> 00:24:03,508 ♪ GOOD-BYE TO ALL AND I 469 00:24:03,542 --> 00:24:10,882 ♪ GOOD-BYE 470 00:24:17,556 --> 00:24:18,757 HI. 471 00:24:18,790 --> 00:24:21,059 HEY, WHAT'S GOOD TO EAT? I AM STARVED. 472 00:24:21,092 --> 00:24:22,260 MM-HMM. 473 00:24:26,031 --> 00:24:27,999 RAY, IS SOMETHING WRONG? 474 00:24:28,033 --> 00:24:29,601 YOU SEE THAT TALL GUY 475 00:24:29,634 --> 00:24:32,003 SITTING OVER THERE WITH THAT PRETTY BLONDE? 476 00:24:32,037 --> 00:24:33,605 YEAH. 477 00:24:33,638 --> 00:24:37,008 I UNDERSTAND YOU'RE BOTH STAYING AT THE SAME MOTEL. 478 00:24:37,042 --> 00:24:39,010 YEAH? IT'S NEWS TO ME. 479 00:24:39,044 --> 00:24:40,312 WELL, YOU ARE. 480 00:24:40,345 --> 00:24:42,848 NOW, WHAT'S THE CONNECTION BETWEEN YOU TWO? 481 00:24:44,182 --> 00:24:46,885 RAY, I'VE NEVER SEEN THAT GUY BEFORE IN MY LIFE. 482 00:24:46,918 --> 00:24:49,988 NOW, LISTEN. YOU BOTH CAME INTO TOWN THE SAME TIME, 483 00:24:50,021 --> 00:24:53,158 AND YOU'RE BOTH REGISTERED AT THE SAME MOTEL. 484 00:24:54,326 --> 00:24:58,029 RAY, HOW MANY MOTELS ARE THERE IN THIS TOWN? 485 00:24:59,130 --> 00:25:02,033 YEAH, YEAH, YOU'RE RIGHT. 486 00:25:02,834 --> 00:25:04,936 YEAH, THERE'S ONLY ONE GOOD MOTEL, 487 00:25:04,970 --> 00:25:06,104 AND YOU'RE STAYING IN IT. 488 00:25:06,137 --> 00:25:07,339 YEAH. 489 00:25:09,040 --> 00:25:12,010 I JUST WANTED TO SEE IF YOU WERE GOING TO BLINK... 490 00:25:12,043 --> 00:25:13,678 AND YOU DIDN'T. 491 00:25:16,214 --> 00:25:18,683 SHERIFF JOHNSON'S PROBABLY GONNA CALL ME TONIGHT. 492 00:25:18,717 --> 00:25:20,194 HE'S GONNA WANT TO KNOW WHAT WE TALKED ABOUT. 493 00:25:20,218 --> 00:25:21,319 WHAT SHOULD I TELL HIM? 494 00:25:21,353 --> 00:25:23,054 TELL HIM YOU HAD A GOOD TIME, 495 00:25:23,088 --> 00:25:24,155 TELL HIM I DID NOT TRY 496 00:25:24,189 --> 00:25:25,957 TO GET ANY INFORMATION OUT OF YOU AT ALL, 497 00:25:25,991 --> 00:25:28,627 AND THAT I INVITED YOU BACK TO MY MOTEL ROOM 498 00:25:28,660 --> 00:25:29,928 FOR THE EVENING. 499 00:25:32,364 --> 00:25:34,833 AND WHAT DID I SAY? 500 00:25:34,866 --> 00:25:37,702 WHAT WOULD SHERIFF JOHNSON EXPECT YOU TO SAY? 501 00:25:37,736 --> 00:25:40,272 HE'D EXPECT ME TO SAY NO. 502 00:25:43,074 --> 00:25:45,310 THEN YOU SAID NO. 503 00:25:45,343 --> 00:25:47,245 I HOPE HE BELIEVES ME. 504 00:25:49,347 --> 00:25:51,783 I WONDER WHAT HE'S DOING RIGHT NOW. 505 00:25:54,052 --> 00:25:55,220 Johnson: WHAT DO YOU GOT? 506 00:25:55,253 --> 00:25:56,821 NOTHING. JUST THESE PAMPHLETS. 507 00:25:56,855 --> 00:26:01,893 GARBAGE. LET'S TAKE A LOOK AT THAT SINGER'S ROOM. 508 00:26:01,927 --> 00:26:04,696 ♪ GONE OUT ANOTHER NIGHT 509 00:26:06,898 --> 00:26:12,804 ♪ LIVE TO TELL THE TALE 510 00:26:19,010 --> 00:26:22,747 ♪ LOVE DON'T TELL... 511 00:26:22,781 --> 00:26:25,183 JUST TALKED TO FREDDY. HE SAID YOUR PART CAME IN. 512 00:26:25,216 --> 00:26:26,851 I KNOW HOW ANXIOUS YOU ARE 513 00:26:26,885 --> 00:26:29,154 TO BE ON YOUR WAY, MR. STONER, 514 00:26:29,187 --> 00:26:32,724 SO I ASKED FREDDY TO DO ME A LITTLE FAVOR AND WORK LATE. 515 00:26:32,757 --> 00:26:36,728 SAID YOUR CAR WOULD BE READY BY 8 A.M. SHARP. 516 00:26:36,761 --> 00:26:38,296 I DO HOPE YOU'VE ENJOYED YOUR STAY 517 00:26:38,330 --> 00:26:40,665 IN OUR LITTLE TOWN, MR. STONER. 518 00:26:42,367 --> 00:26:44,869 ♪ DON'T YOU CROSS 519 00:26:44,903 --> 00:26:48,773 ♪ CAN'T BELIEVE 520 00:27:04,089 --> 00:27:05,824 HIYA, SHERIFF. 521 00:27:05,857 --> 00:27:08,827 FREDDY TELLS ME YOU DIDN'T SHOW TO PICK UP YOUR CAR. 522 00:27:08,860 --> 00:27:11,129 HERE IT IS, NOON, 523 00:27:11,162 --> 00:27:13,431 AND YOU'RE STILL IN OUR LITTLE TOWN. 524 00:27:13,465 --> 00:27:14,933 WELL, LIKE I SAID, 525 00:27:14,966 --> 00:27:16,334 I LIKE IT IN THIS LITTLE TOWN. 526 00:27:16,368 --> 00:27:18,737 I MET A GIRL I LIKE, TOO. SHE LIKES ME. 527 00:27:18,770 --> 00:27:20,772 SO I THOUGHT I'D STAY AROUND A LITTLE BIT. 528 00:27:20,805 --> 00:27:22,841 BESIDES, I DON'T HAVE TO BE IN CORPUS CHRISTI 529 00:27:22,874 --> 00:27:25,210 TILL ABOUT, OH, THE 28th, 29th OF THE MONTH. 530 00:27:25,243 --> 00:27:26,778 BUT YOU CAN TELL FREDDY 531 00:27:26,811 --> 00:27:30,715 I'LL COME BY THIS AFTERNOON AND PICK MY CAR UP. 532 00:27:30,749 --> 00:27:31,716 THERE'S NO LAW 533 00:27:31,750 --> 00:27:34,919 SAYING YOU CAN'T STAY IN THIS TOWN, MR. STONER, 534 00:27:34,953 --> 00:27:37,856 BUT IF I WERE YOU... 535 00:27:37,889 --> 00:27:39,457 I'D WATCH OUT FOR THIS SUN. 536 00:27:40,458 --> 00:27:44,262 YOU GET TOO MUCH OF IT, AND IT WILL KILL YOU. 537 00:28:43,822 --> 00:28:46,224 YES, SIR, MR. STONER. 538 00:28:46,257 --> 00:28:51,329 YOU MADE A BIG MISTAKE, COMIN' INTO OUR LITTLE TOWN. 539 00:28:51,362 --> 00:28:53,798 I ASK YOU A POLITE, SIMPLE QUESTION, 540 00:28:53,832 --> 00:28:55,433 YOU TELL ME IT'S NONE OF MY BUSINESS. 541 00:28:55,467 --> 00:28:57,836 WELL, I DON'T LIKE ANYBODY TELLING ME MY BUSINESS, 542 00:28:57,869 --> 00:29:00,038 AND I ESPECIALLY DON'T LIKE YOU. 543 00:29:00,071 --> 00:29:01,940 OHH! 544 00:29:03,475 --> 00:29:04,919 DON'T EVEN THINK ABOUT COMING BACK HERE 545 00:29:04,943 --> 00:29:06,578 AND PRESSING CHARGES ON ME. 546 00:29:06,611 --> 00:29:07,946 WHAT HAPPENED HERE TONIGHT 547 00:29:07,979 --> 00:29:09,190 IS GOING TO BE OUR LITTLE SECRET. 548 00:29:09,214 --> 00:29:10,348 MY PALS HERE, 549 00:29:10,381 --> 00:29:12,317 THEY DON'T EVEN LIVE IN CAMPO ALTO, 550 00:29:12,350 --> 00:29:14,285 AND YOU'LL HAVE A HELL OF A TIME FINDING THEM. 551 00:29:14,319 --> 00:29:16,321 GIVE ME THE KEY. 552 00:29:16,354 --> 00:29:18,056 HERE, YOUR BAGS ARE IN THE TRUNK, 553 00:29:18,089 --> 00:29:20,325 AND THIS ROAD LEADS STRAIGHT TO CORPUS CHRISTI, 554 00:29:20,358 --> 00:29:23,561 IN THE BEAUTIFUL LAND OF TEXAS. 555 00:29:23,595 --> 00:29:24,929 ADIOS. 556 00:29:26,231 --> 00:29:27,465 SHERIFF. 557 00:29:32,070 --> 00:29:33,204 UH... 558 00:29:34,239 --> 00:29:37,041 YOU KNOW, THE ONE THING I DON'T UNDERSTAND IS... 559 00:29:38,576 --> 00:29:39,911 HOW IN THE HECK DO YOU... 560 00:29:42,080 --> 00:29:45,083 OK, COWBOYS, BACK UP. MOVE! 561 00:29:45,116 --> 00:29:46,317 NOW, TAKE THOSE GUNS, 562 00:29:46,351 --> 00:29:48,586 AND THROW THEM RIGHT OVER THERE ON THAT DIRT. 563 00:29:48,620 --> 00:29:51,122 THAT'S REAL GOOD. THAT'S REAL NICE. 564 00:29:51,156 --> 00:29:54,926 NOW, ALL YOU IDIOTS GET ON THE GROUND. MOVE! 565 00:29:57,095 --> 00:29:58,463 Hunter: YEAH... 566 00:29:58,496 --> 00:30:00,331 YOU LOOK GOOD DOWN THERE. 567 00:30:10,041 --> 00:30:12,010 DON'T YOU GUYS HAVE ANYTHING BETTER TO DO 568 00:30:12,043 --> 00:30:14,312 THAN TO LAY AROUND OUT HERE? 569 00:30:15,446 --> 00:30:16,581 CIAO. 570 00:30:30,628 --> 00:30:32,964 THOUGHT YOU KNOT HEADS COULDN'T BE FOUND. 571 00:30:38,436 --> 00:30:41,206 SERGEANT HUNTER, L.A. METRO HOMICIDE. 572 00:30:41,239 --> 00:30:43,474 I'M INVESTIGATING THE MURDER OF CHARLES LATTIMER. 573 00:30:43,508 --> 00:30:44,652 I'M OFFICIALLY LETTING YOU KNOW 574 00:30:44,676 --> 00:30:45,610 I'M IN TOWN, SHERIFF, 575 00:30:45,643 --> 00:30:48,379 AND I FULLY EXPECT THE COOPERATION AND COURTESY 576 00:30:48,413 --> 00:30:50,081 AFFORDED A FELLOW POLICE OFFICER 577 00:30:50,114 --> 00:30:51,416 IN THE STATE OF CALIFORNIA. 578 00:30:51,449 --> 00:30:53,518 WHAT IS THIS... SOME KIND OF A JOKE? 579 00:30:53,551 --> 00:30:55,386 MURDER'S NO JOKE, SHERIFF. 580 00:30:55,420 --> 00:30:56,988 YOU'RE NOT IN LOS ANGELES NOW. 581 00:30:57,021 --> 00:30:57,956 YOU'RE IN MY JURISDICTION. 582 00:30:57,989 --> 00:31:00,358 I ALSO HAVE THE RIGHT TO ARREST YOU, SHERIFF, 583 00:31:00,391 --> 00:31:02,060 OR ANYBODY THAT I FIND MEDDLING 584 00:31:02,093 --> 00:31:03,328 IN MY INVESTIGATION. 585 00:31:03,361 --> 00:31:05,563 I ALSO HAVE THE RIGHT TO INVESTIGATE ANYBODY 586 00:31:05,597 --> 00:31:07,198 I FEEL IS INVOLVED IN THIS HOMICIDE, 587 00:31:07,232 --> 00:31:09,934 INCLUDING YOU... AND MR. BELLAMY. 588 00:31:09,968 --> 00:31:11,603 WHAT DO YOU MEAN, QUESTION MR. BELLAMY? 589 00:31:11,636 --> 00:31:13,071 YOU HEARD ME, PAL. 590 00:31:13,104 --> 00:31:14,939 SO WHY DON'T YOU GET ON THE HORN 591 00:31:14,973 --> 00:31:16,407 AND CALL MR. BELLAMY, 592 00:31:16,441 --> 00:31:18,142 AND TELL HIM WE'RE ON OUR WAY OUT? 593 00:31:33,658 --> 00:31:35,326 WELL... 594 00:31:35,360 --> 00:31:37,729 SHERIFF JOHNSON HERE TELLS ME THAT YOU 595 00:31:37,762 --> 00:31:40,465 WANT TO TALK TO ME ABOUT CHARLES LATTIMER'S DEATH. 596 00:31:40,498 --> 00:31:43,501 YES, I DO. CHARLES LATTIMER MET A MAN 597 00:31:43,534 --> 00:31:45,737 IN A LOS ANGELES RESTAURANT CALLED LE ROUGE. 598 00:31:45,770 --> 00:31:48,373 THE WAITER AND THE HOSTESS AT THAT RESTAURANT 599 00:31:48,406 --> 00:31:49,707 IDENTIFIED YOU AS THAT MAN. 600 00:31:49,741 --> 00:31:51,376 YES, I WAS THERE. 601 00:31:51,409 --> 00:31:53,211 CHARLIE CALLED ME AND WANTED TO KNOW 602 00:31:53,244 --> 00:31:54,355 IF I'D MEET HIM IN LOS ANGELES. 603 00:31:54,379 --> 00:31:57,081 WELL, I WAS... I WAS FLYING UP THERE ANYWAY, 604 00:31:57,115 --> 00:31:58,483 AND I TOLD HIM I WOULD. 605 00:31:58,516 --> 00:31:59,751 Bellamy: AFTER ALL, 606 00:31:59,784 --> 00:32:02,053 YOU KNOW, THE MAN WORKED FOR ME FOR 20 YEARS. 607 00:32:02,086 --> 00:32:04,222 Hunter: YEAH, SO I HEAR. WHAT DID YOU TALK ABOUT? 608 00:32:04,255 --> 00:32:07,558 WELL, HE TOLD ME THAT HE WAS LEAVING THE COUNTRY. 609 00:32:07,592 --> 00:32:08,726 I WISHED HIM WELL. 610 00:32:08,760 --> 00:32:11,162 WE HAD A PLEASANT LUNCH. THAT WAS IT. 611 00:32:11,195 --> 00:32:12,597 NO, YOU ATE ALONE. 612 00:32:12,630 --> 00:32:14,532 YOU SEE, HE LEFT BEFORE YOU ORDERED. 613 00:32:14,565 --> 00:32:15,533 HEY, WAIT A MINUTE. 614 00:32:15,566 --> 00:32:17,311 YOU DON'T HAVE TO PUT UP WITH THIS, MR. BELLAMY. 615 00:32:17,335 --> 00:32:19,704 SERGEANT HUNTER HERE ASKED A QUESTION. 616 00:32:19,737 --> 00:32:21,339 I THINK HE DESERVES AN ANSWER. 617 00:32:21,372 --> 00:32:24,275 SEE, CHARLIE WAS COMPLAINING AGAIN, UH... 618 00:32:24,309 --> 00:32:26,778 I PASSED HIM OVER ON A BIG PROMOTION. 619 00:32:26,811 --> 00:32:28,780 WE'D HAD IT OUT BEFORE. I DIDN'T THINK 620 00:32:28,813 --> 00:32:30,481 IT WAS NECESSARY TO GO THROUGH IT AGAIN. 621 00:32:30,515 --> 00:32:31,649 I TOLD HIM SO. 622 00:32:31,683 --> 00:32:33,751 HE GOT ANGRY, GOT UP, AND LEFT. 623 00:32:33,785 --> 00:32:36,154 15 MINUTES LATER, HE WAS DEAD? 624 00:32:36,187 --> 00:32:37,055 IF YOU'RE INSINUATING 625 00:32:37,088 --> 00:32:38,365 THAT I HAD SOMETHING TO DO WITH HIS DEATH, 626 00:32:38,389 --> 00:32:40,491 YOU'RE GOING TO NEED MORE THAN THE FACT 627 00:32:40,525 --> 00:32:42,193 THAT CHARLIE AND I MET IN A RESTAURANT 628 00:32:42,226 --> 00:32:43,594 BEFORE HE WAS KILLED. 629 00:32:43,628 --> 00:32:46,798 I HAVE, MR. BELLAMY. I HAVE. 630 00:32:46,831 --> 00:32:48,466 OH, UH... 631 00:32:48,499 --> 00:32:51,069 BOTH OF YOU ENTERED THAT RESTAURANT WITH BRIEFCASES. 632 00:32:51,102 --> 00:32:52,403 DID HE LEAVE WITH HIS? 633 00:32:54,539 --> 00:32:55,540 YES. 634 00:32:55,573 --> 00:32:57,442 Bellamy: WHY? 635 00:32:57,475 --> 00:32:58,743 OH, I'M JUST CURIOUS. 636 00:32:58,776 --> 00:33:00,345 YOU KNOW, IT'S A FUNNY THING, 637 00:33:00,378 --> 00:33:02,056 I HAVE AN IDEA I'M GOING TO FIND THAT BRIEFCASE 638 00:33:02,080 --> 00:33:05,083 RIGHT HER IN CAMPO ALTO. WHAT DO YOU THINK? 639 00:33:05,116 --> 00:33:07,218 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 640 00:33:07,251 --> 00:33:09,387 OH, YOU DON'T? WELL, I'LL TELL YOU WHAT... 641 00:33:09,420 --> 00:33:11,756 AS SOON AS I FIND OUT WHAT WAS IN THAT BRIEFCASE, 642 00:33:11,789 --> 00:33:14,559 YOU'LL BE THE FIRST ONE TO KNOW. 643 00:33:23,234 --> 00:33:24,736 I'LL TALK TO YOU LATER. 644 00:33:39,217 --> 00:33:40,217 HI, BABE. 645 00:33:43,755 --> 00:33:45,089 YES? 646 00:33:45,123 --> 00:33:47,825 MR. BELLAMY, THIS IS AMY LAURTON. 647 00:33:47,859 --> 00:33:50,428 I HAVE SOMETHING I WANT TO DISCUSS WITH YOU. 648 00:33:50,461 --> 00:33:52,497 WELL, I'M SURE IF YOU CALL MY OFFICE, 649 00:33:52,530 --> 00:33:53,831 MY SECRETARY WILL BE HAPPY 650 00:33:53,865 --> 00:33:55,700 TO MAKE AN APPOINTMENT FOR YOU, MISS LAURTON. 651 00:33:55,733 --> 00:33:58,202 I DON'T THINK YOU WANT ME TO CALL YOUR SECRETARY. 652 00:33:58,236 --> 00:33:59,370 WE'LL BE DISCUSSING SOMETHING 653 00:33:59,404 --> 00:34:02,173 ABOUT THE INSURANCE BUSINESS THAT I'M SURE 654 00:34:02,206 --> 00:34:04,575 YOU'LL WANT TO KEEP VERY PRIVATE. 655 00:34:05,810 --> 00:34:07,111 WHERE WOULD YOU LIKE TO MEET? 656 00:34:07,145 --> 00:34:09,514 SOMEPLACE VERY PUBLIC. 657 00:34:09,547 --> 00:34:12,784 SAY, UH... THE PARK IN THE CENTER OF TOWN... 658 00:34:12,817 --> 00:34:15,319 IN 20 MINUTES. 659 00:34:25,129 --> 00:34:27,632 YOU WANT TO TELL ME WHY I'M HERE? 660 00:34:27,665 --> 00:34:29,634 LET ME TELL YOU THE STORY 661 00:34:29,667 --> 00:34:31,636 OF THE MOST IMPORTANT MAN IN CAMPO ALTO. 662 00:34:31,669 --> 00:34:34,372 HE COMES TO OUR TOWN ABOUT 20 YEARS AGO, 663 00:34:34,405 --> 00:34:35,606 MAKES LOTS OF FRIENDS, 664 00:34:35,640 --> 00:34:38,443 AND OPENS HIS OWN INSURANCE COMPANY. 665 00:34:38,476 --> 00:34:39,610 HE GETS THE ACCOUNT 666 00:34:39,644 --> 00:34:40,921 TO INSURE PUBLIC WORKS IN THE COUNTY, 667 00:34:40,945 --> 00:34:42,914 THINGS LIKE BRIDGES AND AQUEDUCTS. 668 00:34:42,947 --> 00:34:47,251 WHATEVER HAPPENS TO A BRIDGE... OR AN AQUEDUCT? 669 00:34:47,285 --> 00:34:50,455 SO, HE DOESN'T SEND THE POLICIES IN TO THE HOME OFFICE. 670 00:34:50,488 --> 00:34:52,523 HE POCKETS THE PREMIUMS HIMSELF. 671 00:34:52,557 --> 00:34:55,526 I SEE CHARLIE DID TALK TO YOU. 672 00:34:55,560 --> 00:34:57,628 I DIDN'T THINK HE WOULD. 673 00:34:57,662 --> 00:34:59,664 NOT ONLY DID WE TALK... 674 00:34:59,697 --> 00:35:02,266 CHARLES GAVE ME COPIES OF THE POLICIES. 675 00:35:02,300 --> 00:35:03,601 SO, YOU WANT THE MONEY 676 00:35:03,634 --> 00:35:05,203 THAT CHARLIE WAS SUPPOSED TO GET. 677 00:35:05,236 --> 00:35:07,772 I'M NOT AS TIMID AS CHARLES. 678 00:35:07,805 --> 00:35:09,173 I WANT MORE. 679 00:35:09,207 --> 00:35:11,476 OH, AND IT WOULD BE STUPID TO TRY TO KILL ME. 680 00:35:11,509 --> 00:35:12,443 SERGEANT HUNTER ALREADY KNOWS 681 00:35:12,477 --> 00:35:15,413 THAT IT WAS BLACKMAIL THAT GOT CHARLES KILLED, 682 00:35:15,446 --> 00:35:17,482 AND HE'S PRETTY SURE IT WAS YOU, 683 00:35:17,515 --> 00:35:21,285 BUT... UNLESS HE KNOWS WHY... 684 00:35:21,319 --> 00:35:23,688 HE REALLY CAN'T DO MUCH ABOUT IT, CAN HE? 685 00:35:23,721 --> 00:35:25,623 NOW, HOW MUCH DID CHARLIE TELL YOU 686 00:35:25,656 --> 00:35:26,824 THAT I AGREED TO PAY HIM? 687 00:35:26,858 --> 00:35:28,659 DOESN'T MATTER. 688 00:35:28,693 --> 00:35:30,895 WELL, HE SAID 1 MILLION, 689 00:35:30,928 --> 00:35:32,897 BUT I WANT 2 MILLION. 690 00:35:32,930 --> 00:35:33,998 I'VE GIVEN AN ENVELOPE 691 00:35:34,031 --> 00:35:37,502 TO A CERTAIN PERSON LIVING OUT OF STATE, WHOM I TRUST. 692 00:35:37,535 --> 00:35:40,872 AND IF ANYTHING HAPPENS TO ME, 693 00:35:40,905 --> 00:35:42,240 THAT ENVELOPE GOES STRAIGHT 694 00:35:42,273 --> 00:35:44,675 TO THE DISTRICT ATTORNEYS IN LOS ANGELES. 695 00:35:52,550 --> 00:35:54,452 Bellamy: I DON'T LIKE ANYONE 696 00:35:54,485 --> 00:35:56,654 WAVING A MURDER ONE TAG OVER MY HEAD. 697 00:35:56,687 --> 00:35:59,757 SHE DECIDES TO BURN US, WE'RE DEAD. 698 00:35:59,790 --> 00:36:02,627 WE GOT TO FIND OUT WHO SHE GAVE THAT STUFF TO. 699 00:36:03,494 --> 00:36:05,263 I THINK I KNOW WHO. 700 00:36:05,296 --> 00:36:06,631 NOW, SHE HASN'T LEFT TOWN 701 00:36:06,664 --> 00:36:08,566 FOR THE PAST 6 MONTHS. I'VE CHECKED. 702 00:36:08,599 --> 00:36:09,910 SHE'S NOT ABOUT TO SEND THAT STUFF 703 00:36:09,934 --> 00:36:11,669 THROUGH THE MAIL. MAIL GETS LOST. 704 00:36:11,702 --> 00:36:14,438 NO, IT HAD TO BE SOMEONE RIGHT HERE IN TOWN. 705 00:36:14,472 --> 00:36:17,608 MM-HMM. HOW ABOUT CHARLIE'S OLD MAN? 706 00:36:17,642 --> 00:36:19,510 YOU GOT IT, MR. BELLAMY. HE'S CRAZY ABOUT HER. 707 00:36:19,544 --> 00:36:21,245 HE'D DO ANYTHING SHE ASKED. 708 00:36:21,279 --> 00:36:24,615 ALL RIGHT. MAKE IT LOOK LIKE A BREAK-IN AND ROBBERY. 709 00:37:08,926 --> 00:37:12,697 Bellamy: HEY! YOU NEVER CEASE TO AMAZE ME. 710 00:37:12,730 --> 00:37:14,632 THERE'S A PHONE CALL FOR YOU, MR. BELLAMY. 711 00:37:14,665 --> 00:37:15,566 OK. 712 00:37:15,600 --> 00:37:17,802 HERE, WHY DON'T YOU COOL THEM ON DOWN, HUH? 713 00:37:17,835 --> 00:37:19,003 YEAH. 714 00:37:23,541 --> 00:37:24,809 YEAH, THANKS. 715 00:37:24,842 --> 00:37:26,577 YEAH? 716 00:37:26,611 --> 00:37:28,713 MR. BELLAMY, WE HAVE ANOTHER PROBLEM. 717 00:37:28,746 --> 00:37:30,047 ANOTHER PROBLEM? WHAT'S THAT? 718 00:37:30,081 --> 00:37:32,817 WELL, THE NIGHT CLERK AT THE ROYAL ARMS SAW HUNTER 719 00:37:32,850 --> 00:37:34,628 COMING OUT OF THE WING WHERE THAT NEW SINGER'S STAYING. 720 00:37:34,652 --> 00:37:36,020 MAKES YOU KIND OF WONDER, 721 00:37:36,053 --> 00:37:37,755 HUNTER'S ROOM BEING IN THE OTHER WING. 722 00:37:37,788 --> 00:37:40,891 THEY'VE GOT TWO DOZEN BEDROOMS IN THAT WING. 723 00:37:40,925 --> 00:37:43,361 LISTEN, CARL, WE GOT ENOUGH PROBLEMS. 724 00:37:43,394 --> 00:37:45,329 DON'T GO INVENTING ANY. 725 00:37:45,363 --> 00:37:46,797 WHATEVER YOU SAY, MR. BELLAMY. 726 00:37:46,831 --> 00:37:48,032 I'LL GET THE BALL ROLLING 727 00:37:48,065 --> 00:37:49,533 TO GET HUNTER OFF OUR BACK. 728 00:37:49,567 --> 00:37:51,936 YOU WANT MY OPINION, SHE'S HIS BACK-UP. 729 00:37:51,969 --> 00:37:53,671 SHE SHOULDN'T BE RUNNING AROUND LOOSE. 730 00:37:53,704 --> 00:37:56,440 YEAH? WELL, MAYBE YOU'RE RIGHT. 731 00:37:56,474 --> 00:37:57,842 MAYBE YOU'RE RIGHT. 732 00:37:59,910 --> 00:38:01,512 OK, I'LL LOOK INTO IT. 733 00:38:01,545 --> 00:38:04,815 Woman: AMY? HAVEN'T YOU HEARD? 734 00:38:04,849 --> 00:38:05,850 HEARD WHAT? 735 00:38:05,883 --> 00:38:07,785 OH, GOD. I'M SO SORRY. 736 00:38:07,818 --> 00:38:10,655 THEY JUST FOUND MR. LATTIMER, CHARLIE'S FATHER, DEAD. 737 00:38:10,688 --> 00:38:11,689 DEAD? 738 00:38:11,722 --> 00:38:14,425 HIS HOUSE WAS RANSACKED, AND SHERIFF JOHNSON THINKS 739 00:38:14,458 --> 00:38:18,029 THAT HE WALKED IN ON SOMEONE BURGLARIZING HIS HOUSE. 740 00:38:18,062 --> 00:38:19,530 WHEN DID IT HAPPEN? 741 00:38:19,563 --> 00:38:21,499 ABOUT 40 MINUTES AGO. 742 00:38:21,532 --> 00:38:24,468 YOU WONDER IF ANYONE'S SAFE ANYMORE. 743 00:38:51,095 --> 00:38:52,963 HEY, GAINES, WHY DON'T YOU TAKE THOSE HORSES 744 00:38:52,997 --> 00:38:54,398 OVER TO THE HOTWALKER? 745 00:38:54,432 --> 00:38:55,666 YES, SIR. 746 00:38:56,634 --> 00:38:57,635 BUSINESS? 747 00:38:57,668 --> 00:39:00,004 COULD BE. WANT A DRINK? 748 00:39:00,037 --> 00:39:01,439 YEAH. 749 00:39:09,013 --> 00:39:11,682 RAY, WHAT IS THIS? IS THIS FOR REAL? 750 00:39:11,716 --> 00:39:13,117 ARE YOU FOR REAL, DEE DEE? 751 00:39:13,150 --> 00:39:13,984 WHAT DOES THAT MEAN? 752 00:39:14,018 --> 00:39:15,195 LOOK, I DON'T THINK THIS IS VERY FUNNY. 753 00:39:15,219 --> 00:39:16,787 I DIDN'T INTEND IT TO BE. 754 00:39:16,821 --> 00:39:19,190 WHAT WAS THAT HUNTER DOING IN YOUR ROOM LAST NIGHT? 755 00:39:19,223 --> 00:39:20,691 HU... WHO'S HUNTER? 756 00:39:20,725 --> 00:39:22,793 HE'S THAT FELLA THAT I ASKED YOU ABOUT AT THE CLUB. 757 00:39:22,827 --> 00:39:25,029 SERGEANT HUNTER, AS IF YOU DIDN'T KNOW. 758 00:39:25,062 --> 00:39:26,197 I DON'T KNOW. 759 00:39:26,230 --> 00:39:27,698 THE GUY WAS NOT IN MY ROOM LAST NIGHT 760 00:39:27,732 --> 00:39:28,899 OR ANY OTHER NIGHT. 761 00:39:28,933 --> 00:39:30,501 BESIDES, WHO SAYS HE WAS, ANYWAY? 762 00:39:30,534 --> 00:39:31,902 THE NIGHT CLERK SAID HE SAW HIM 763 00:39:31,936 --> 00:39:33,704 COMING OUT OF THE WING AT YOUR MOTEL. 764 00:39:35,005 --> 00:39:36,750 COME ON, RAY, THAT... THAT PUTS HIM IN MY ROOM? 765 00:39:36,774 --> 00:39:39,143 WELL, MAYBE YOU ARE WHAT YOU CLAIM TO BE. 766 00:39:39,176 --> 00:39:40,644 THEN AGAIN, MAYBE YOU'RE NOT, 767 00:39:40,678 --> 00:39:42,213 AND I HAVEN'T DECIDED WHICH. 768 00:39:42,246 --> 00:39:43,881 YOU KNOW, YOU MIGHT BE A COP. 769 00:39:43,914 --> 00:39:45,516 DO I LOOK LIKE A COP? 770 00:39:45,549 --> 00:39:47,918 NEVER SAW A FEMALE COP THAT DID. 771 00:39:47,952 --> 00:39:49,053 THEN YOU AND HUNTER 772 00:39:49,086 --> 00:39:50,688 ARRIVED IN TOWN THE SAME TIME 773 00:39:50,721 --> 00:39:52,189 AND REGISTERED AT THE SAME MOTEL. 774 00:39:52,223 --> 00:39:53,457 AND ALL OF A SUDDEN, 775 00:39:53,491 --> 00:39:54,825 I GOT MYSELF A SLEW OF PROBLEMS 776 00:39:54,859 --> 00:39:56,227 THAT I NEVER HAD BEFORE. 777 00:39:56,260 --> 00:39:57,862 YEAH, WELL, I'M NOT ONE OF THEM. 778 00:39:57,895 --> 00:40:00,064 WELL, MAYBE I'M MAKING A MISTAKE ABOUT YOU, HONEY. 779 00:40:00,097 --> 00:40:01,699 AND THEN AGAIN, MAYBE I'M NOT. 780 00:40:01,732 --> 00:40:03,834 BUT IF I AM, I'M GOING TO HAVE TO LIVE WITH IT. 781 00:40:03,868 --> 00:40:05,236 NOW, WE'RE GOING TO TAKE A RIDE. 782 00:40:05,269 --> 00:40:07,838 WE'RE GOING IN THAT TRUCK, SO COME ON. 783 00:40:10,741 --> 00:40:11,909 HELLO. 784 00:40:11,942 --> 00:40:14,512 RICK? IT'S AMY. 785 00:40:14,545 --> 00:40:16,714 I THINK I FOUND COPIES OF WHAT CHARLIE WAS USING 786 00:40:16,747 --> 00:40:18,549 TO BLACKMAIL MR. BELLAMY WITH. 787 00:40:18,582 --> 00:40:20,885 IT'S ALL HERE, EVERYTHING. 788 00:40:20,918 --> 00:40:22,062 WELL, AMY, WHY DON'T YOU MEET ME 789 00:40:22,086 --> 00:40:23,120 OVER HERE AT THE MOTEL? 790 00:40:23,154 --> 00:40:25,489 I THINK IT'S SAFER IF WE MEET SOMEPLACE OUT OF TOWN 791 00:40:25,523 --> 00:40:27,091 SO WE'RE NOT SEEN TOGETHER. 792 00:40:27,124 --> 00:40:29,927 THERE'S A TURN-OFF ABOUT 3 MILES SOUTH OUT OF TOWN, 793 00:40:29,960 --> 00:40:32,029 ON OLD SAN ROSA ROAD. 794 00:40:32,062 --> 00:40:33,264 I'M ON MY WAY. 795 00:41:26,217 --> 00:41:30,054 YOU MAKE ONE FALSE MOVE OR TRY TO SIGNAL HUNTER, 796 00:41:30,087 --> 00:41:32,089 I'LL BLOW YOU AWAY, YOU UNDERSTAND? 797 00:41:32,122 --> 00:41:33,657 YOU UNDERSTAND?! 798 00:42:18,068 --> 00:42:19,036 OW! HEY! 799 00:42:19,069 --> 00:42:20,389 WHAT THE HELL ARE YOU DOING, LADY? 800 00:42:24,842 --> 00:42:26,644 Hunter: I'LL TAKE THAT, BELLAMY. 801 00:42:28,913 --> 00:42:29,880 YOU ALL RIGHT? 802 00:42:29,914 --> 00:42:30,948 McCall: YEAH. 803 00:42:30,981 --> 00:42:32,750 Hunter: NOW GET ON THE GROUND! MOVE IT! 804 00:42:45,796 --> 00:42:47,064 DROP IT, SHERIFF! 805 00:43:24,368 --> 00:43:26,103 I'M GOING TO MAKE YOU A DEAL, SHERIFF, 806 00:43:26,136 --> 00:43:28,256 THAT MIGHT KEEP YOU OUT OF THE CALIFORNIA GAS CHAMBER. 807 00:43:29,974 --> 00:43:31,342 BELLAMY'S THE ONE WE WANT 808 00:43:31,375 --> 00:43:33,344 FOR THE MURDER OF CHARLES LATTIMER. 809 00:43:33,377 --> 00:43:35,446 NOW, WE KNOW YOU PULLED THE TRIGGER ON HIM, 810 00:43:35,479 --> 00:43:36,947 BUT MAYBE THE DISTRICT ATTORNEY 811 00:43:36,981 --> 00:43:38,949 WILL DROP THE SPECIAL CIRCUMSTANCES CHARGES 812 00:43:38,983 --> 00:43:40,684 FOR A LITTLE COOPERATION. 813 00:43:41,785 --> 00:43:44,755 GIVE ME AN ANSWER, OR I'LL OFFER THE DEAL TO BELLAMY. 814 00:43:47,725 --> 00:43:49,994 I'LL THINK ABOUT THE DEAL. 815 00:43:55,799 --> 00:43:56,700 WELL, RICK... 816 00:43:56,734 --> 00:44:00,270 DID MR. BELLAMY TELL YOU ANYTHING ABOUT ME? 817 00:44:00,304 --> 00:44:01,472 WELL, LIKE WHAT? 818 00:44:01,505 --> 00:44:04,842 LIKE I TRIED TO BLACKMAIL HIM. 819 00:44:06,744 --> 00:44:08,846 YOU DID, HUH? 820 00:44:08,879 --> 00:44:11,215 YEAH, I TOLD HIM I FOUND COPIES 821 00:44:11,248 --> 00:44:12,816 OF THE INSURANCE POLICIES 822 00:44:12,850 --> 00:44:14,818 THAT HE DIDN'T SEND IN TO THE HOME OFFICE. 823 00:44:14,852 --> 00:44:16,353 WELL, AMY, I DON'T THINK MR. BELLAMY 824 00:44:16,387 --> 00:44:18,155 IS GOING TO BE TAKING THE WITNESS STAND. 825 00:44:18,188 --> 00:44:20,858 AND SOMEHOW, I DON'T THINK THE INSURANCE POLICIES 826 00:44:20,891 --> 00:44:22,493 OR YOUR NAME IS GOING TO COME UP. 827 00:44:22,526 --> 00:44:24,762 BUT I DID TRY TO BLACKMAIL HIM. 828 00:44:24,795 --> 00:44:27,031 BUT, AMY, NOBODY IS GOING TO HAVE TO CALL ON YOU. 829 00:44:27,064 --> 00:44:29,800 LOOK, SHERIFF JOHNSON DECIDED TO TURN STATE'S EVIDENCE. 830 00:44:29,833 --> 00:44:31,802 THERE IS NOT AN ATTORNEY ANYWHERE THAT COULD KEEP 831 00:44:31,835 --> 00:44:33,904 BELLAMY FROM BEING CONVICTED OF CHARLES' MURDER. 832 00:44:33,937 --> 00:44:36,140 AND, AMY, YOU DO HAVE THE RIGHT TO REMAIN SILENT... 833 00:44:36,173 --> 00:44:38,042 AND I SUGGEST YOU DO. 834 00:44:39,476 --> 00:44:43,080 THANKS... BUT I WANT YOU TO KNOW... 835 00:44:43,113 --> 00:44:45,349 I NEVER WOULD HAVE DONE IT IF HE HADN'T KILLED CHARLES. 59893

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