All language subtitles for Hunter S02 E19 - The Setup.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,839 --> 00:00:07,307 Woman: SOMEBODY HELP! 2 00:00:07,340 --> 00:00:08,675 YOU’RE SAYING I KILLED HER? 3 00:00:08,708 --> 00:00:11,511 YOU DON’T GO AROUND ACCUSING MICHAEL VARNE OF MURDER. 4 00:00:11,544 --> 00:00:13,413 YOU’RE GOING TO PAY A HELL OF A PRICE FOR IT. 5 00:00:13,446 --> 00:00:15,727 SO, WHAT DO YOU THINK IS THE WORST THAT COULD HAPPEN TO US? 6 00:00:17,550 --> 00:00:21,287 WHY ARE YOU RUNNING AROUND TOWN LIKE A RAMPAGING BABOON, 7 00:00:21,321 --> 00:00:23,423 ACCUSING ME OF MURDERING HER? 8 00:00:23,456 --> 00:00:25,558 SO IF HE DIDN’T DO IT, AND THE BURGLARY WAS A FAKE, 9 00:00:25,592 --> 00:00:26,559 THEN WHO KILLED HER? 10 00:00:26,593 --> 00:00:28,762 THERE’S THE MAN WHO DID THIS. 11 00:00:28,795 --> 00:00:32,399 SERGEANT HUNTER, THE D.A. HAS ORDERED ME TO ARREST YOU 12 00:00:32,432 --> 00:00:34,701 AND BOOK YOU ON A CHARGE OF FELONIOUS ASSAULT. 13 00:01:29,856 --> 00:01:31,658 IT WORKS FOR ME. 14 00:02:21,641 --> 00:02:24,244 I CAN STAY. 15 00:02:24,277 --> 00:02:25,612 NO. 16 00:02:25,645 --> 00:02:27,580 NIKKI, WHAT IS WITH THIS PLACE? 17 00:02:27,614 --> 00:02:30,517 THIS IS YOUR HOME. THIS IS WHERE YOU LIVE. 18 00:02:30,550 --> 00:02:32,852 WHAT ARE YOU SO DAMNED AFRAID OF? 19 00:02:35,021 --> 00:02:38,391 LISTEN, JUST GIVE ME A LITTLE BIT MORE TIME. 20 00:03:09,556 --> 00:03:11,925 NIKKI, COME WITH ME! 21 00:03:11,958 --> 00:03:13,393 I LOVE YOU! 22 00:04:29,435 --> 00:04:31,571 WELL, WILLEM SUNDERSON. 23 00:04:31,604 --> 00:04:32,705 WANT SOME GOODIES? 24 00:04:32,739 --> 00:04:34,040 WHAT DO YOU WANT? 25 00:04:34,073 --> 00:04:36,376 THE MAN ISN’T HAPPY YOU’RE BREAKING YOUR WORD, 26 00:04:36,409 --> 00:04:37,944 GETTING INDEPENDENT. 27 00:04:37,977 --> 00:04:41,114 NEXT THING, YOU’LL BE TALKING ABOUT HIM ON JOHNNY CARSON. 28 00:04:41,147 --> 00:04:45,351 YEAH? WELL, YOU TELL THE MAN TO TURN OFF HIS TV. 29 00:04:45,385 --> 00:04:48,488 YOU KNOW, NIKKI, YOU’RE THE EXCEPTION 30 00:04:48,521 --> 00:04:50,623 TO ONE OF THE BASIC RULES OF HIS LIFE. 31 00:04:50,657 --> 00:04:51,924 THAT’S WHY YOU’RE ALIVE. 32 00:04:51,958 --> 00:04:53,660 BUT WHAT YOU’RE DOING NOW... 33 00:04:53,693 --> 00:04:56,896 TALKING ABOUT GETTING SERIOUS WITH THAT GUY IN THE CAR... 34 00:04:56,929 --> 00:04:58,765 THAT’S OUT. 35 00:04:58,798 --> 00:05:01,567 YOU TELL HIM TO TAKE A FLYING LEAP. 36 00:05:01,601 --> 00:05:03,469 BUT I ALREADY HAVE. 37 00:05:03,503 --> 00:05:06,506 I TOLD HIM THAT’S EXACTLY WHAT YOU WOULD SAY, 38 00:05:06,539 --> 00:05:08,808 AND YOU KNOW WHAT HE TOLD ME? 39 00:05:08,841 --> 00:05:11,944 IF SHE DOES, OFF HER. 40 00:06:07,166 --> 00:06:08,167 Man: HEY, HUNTER. 41 00:06:08,201 --> 00:06:09,878 Hunter: HOW YOU DOING, BUDDY? WHAT HAVE YOU GOT? 42 00:06:09,902 --> 00:06:11,637 WELL, LOOKS LIKE A YOUNG LADY 43 00:06:11,671 --> 00:06:13,039 WITH A BULLET HOLE IN HER HEAD. 44 00:06:13,072 --> 00:06:14,207 LOOKS LIKE SHE CAME HOME, 45 00:06:14,240 --> 00:06:16,809 SURPRISED A BURGLAR, SAYONARA. 46 00:06:16,843 --> 00:06:19,679 HOUSEKEEPER FOUND THE BODY. 47 00:06:19,712 --> 00:06:21,180 YEAH, I KNOW. 48 00:06:21,214 --> 00:06:23,716 HER ROOM’S ON THE OCEAN SIDE OF THE HOUSE. 49 00:06:23,750 --> 00:06:25,051 I DOUBT SHE HEARD ANYTHING. 50 00:06:25,084 --> 00:06:25,952 DID YOU KNOW HER? 51 00:06:25,985 --> 00:06:28,054 YEAH, I QUESTIONED HER A COUPLE YEARS AGO. 52 00:06:28,087 --> 00:06:29,055 WAS SHE RAPED? 53 00:06:29,088 --> 00:06:31,190 NO, AT LEAST SHE WAS SPARED THAT. 54 00:06:33,126 --> 00:06:35,762 .22 WITH A SILENCER. 55 00:06:35,795 --> 00:06:37,630 YEAH, WELL, IT WASN’T A BURGLAR, EITHER. 56 00:06:37,663 --> 00:06:38,798 THAT WAS FAKED. 57 00:06:44,771 --> 00:06:46,038 MISS MONTGOMERY? 58 00:06:46,072 --> 00:06:48,040 SERGEANT McCALL AND SERGEANT HUNTER. 59 00:06:48,074 --> 00:06:50,643 DO YOU MIND IF WE STEP OUTSIDE HERE 60 00:06:50,676 --> 00:06:52,945 AND HAVE A TALK? 61 00:06:52,979 --> 00:06:54,680 YOU KNOW, YOU MAY OR MAY NOT REMEMBER ME. 62 00:06:54,714 --> 00:06:56,749 I CAME BY A COUPLE OF YEARS AGO TO TALK TO NIKKI 63 00:06:56,783 --> 00:06:58,618 ABOUT THE DEATH OF NAT CLAYPO. 64 00:06:58,651 --> 00:07:01,487 YES, YOU DO LOOK FAMILIAR. 65 00:07:01,521 --> 00:07:02,989 WHO PAID FOR NIKKI’S BILLS? 66 00:07:03,022 --> 00:07:04,624 DID SHE HAVE A BOYFRIEND? 67 00:07:04,657 --> 00:07:06,559 YOU MEAN WAS SOMEBODY KEEPING HER? 68 00:07:06,592 --> 00:07:08,528 SHE WAS NOT THAT KIND OF GIRL! 69 00:07:08,561 --> 00:07:10,797 NO, MA’AM, I THINK WHAT SERGEANT HUNTER 70 00:07:10,830 --> 00:07:12,598 IS TRYING TO DETERMINE IS WHETHER OR NOT 71 00:07:12,632 --> 00:07:14,072 IT WAS SOMEBODY OTHER THAN A BURGLAR. 72 00:07:14,100 --> 00:07:17,003 ONCE OR TWICE A WEEK, A CAR WOULD PULL UP OUTSIDE, 73 00:07:17,036 --> 00:07:18,538 AND NIKKI WOULD BE WAITING. 74 00:07:18,571 --> 00:07:20,673 ALWAYS BROUGHT HER HOME AT NIGHT. 75 00:07:20,706 --> 00:07:23,276 WELL, DID YOU ASK HER WHO IT WAS, WHERE SHE WENT? 76 00:07:23,309 --> 00:07:25,144 I THINK THIS WILL HELP YOU. 77 00:07:25,178 --> 00:07:26,546 WHAT’S THAT? 78 00:07:26,579 --> 00:07:29,682 THE LICENSE NUMBER. I COPIED IT DOWN. 79 00:07:42,829 --> 00:07:45,198 Woman: NO, NO, STOP IT! NO, NO. 80 00:07:45,231 --> 00:07:49,101 I’M SERIOUS. COME ON. 81 00:07:49,135 --> 00:07:53,072 IT’S MY TURN. LET ME TAKE YOUR PICTURE. 82 00:07:54,807 --> 00:07:57,577 WELL? SAY SOMETHING. 83 00:07:57,610 --> 00:07:58,644 THAT’S NIKKI'S VOICE. 84 00:07:58,678 --> 00:08:00,213 WHAT DO YOU WANT ME TO DO? 85 00:08:00,246 --> 00:08:04,550 I JUST CAN’T BE NATURAL. 86 00:08:04,584 --> 00:08:07,286 YOU HAVE TO TELL ME WHAT I’M SUPPOSED TO DO. 87 00:08:07,320 --> 00:08:11,657 OK. NO, STOP THAT! 88 00:08:13,059 --> 00:08:14,060 Hunter: GREG AVADON? 89 00:08:14,093 --> 00:08:15,904 Nikki: WHAT’S SO FUNNY? ARE YOU LAUGHING AT ME? 90 00:08:15,928 --> 00:08:17,763 METRO P.D. HOMICIDE. 91 00:08:17,797 --> 00:08:19,198 ANSWER ME, GREG. 92 00:08:19,232 --> 00:08:23,569 GREG, YOU’RE MAKING ME FEEL SELF-CONSCIOUS! 93 00:08:23,603 --> 00:08:25,738 Avadon: SHE’S DEAD. 94 00:08:27,039 --> 00:08:28,741 WELL, HOW DO YOU KNOW THAT? 95 00:08:28,774 --> 00:08:31,711 I CALLED THIS MORNING ON HER PRIVATE LINE. 96 00:08:33,746 --> 00:08:35,982 THE HOUSEKEEPER ANSWERED. 97 00:08:36,015 --> 00:08:37,083 SHE TOLD ME. 98 00:08:37,116 --> 00:08:38,260 YOU SURE YOU DIDN’T KNOW ABOUT IT 99 00:08:38,284 --> 00:08:39,785 MAYBE A LITTLE SOONER THAN THAT? 100 00:08:41,687 --> 00:08:44,790 JUST WHAT DO YOU MEAN BY THAT? 101 00:08:44,824 --> 00:08:46,759 YOU’RE SAYING THAT I KILLED HER? 102 00:08:46,792 --> 00:08:48,070 WELL, WAS THERE ANYBODY ELSE INVOLVED 103 00:08:48,094 --> 00:08:49,262 IN HER LIFE OTHER THAN YOU? 104 00:08:49,295 --> 00:08:50,730 THERE WASN’T ANOTHER MAN, 105 00:08:50,763 --> 00:08:52,031 IF THAT’S WHAT YOU’RE SAYING. 106 00:08:52,064 --> 00:08:53,833 THEN YOU WERE THE ONE WHO PAID HER BILLS. 107 00:08:53,866 --> 00:08:55,801 NO. 108 00:08:55,835 --> 00:08:58,271 WELL, SHE DIDN’T WORK. HOW’D SHE GET HER MONEY? 109 00:08:58,304 --> 00:09:00,206 I DON’T KNOW. 110 00:09:00,239 --> 00:09:02,775 I’M BEGINNING TO WONDER IF YOU REALLY KNEW HER AT ALL. 111 00:09:02,808 --> 00:09:04,987 SURE YOU DIDN’T HAVE A LITTLE WIFE TUCKED AWAY SOMEWHERE? 112 00:09:05,011 --> 00:09:07,880 HEY, GET OFF MY CASE, WILL YOU? 113 00:09:07,914 --> 00:09:10,116 WELL, LOOK AT IT. YOU PICKED HER UP, YOU DROPPED HER OFF. 114 00:09:10,149 --> 00:09:11,784 YOU NEVER EVEN SET FOOT IN HER HOUSE. 115 00:09:11,817 --> 00:09:12,828 WHAT WERE YOU SO AFRAID OF? 116 00:09:12,852 --> 00:09:13,786 WHAT WERE YOU TRYING TO HIDE FROM? 117 00:09:13,819 --> 00:09:17,290 IT WAS NIKKI WHO WAS HIDING. SHE WAS SCARED! 118 00:09:17,323 --> 00:09:18,291 OF WHAT? 119 00:09:18,324 --> 00:09:21,594 I DON’T KNOW. I’D ASK HER... 120 00:09:25,097 --> 00:09:28,167 BUT THAT LOOK WOULD COME OVER HER FACE, AND... 121 00:09:29,268 --> 00:09:31,737 THAT WOULD BE IT. SHE WOULDN’T SAY... 122 00:09:31,771 --> 00:09:35,675 SHE NEVER DID... WHO SHE WAS OR... 123 00:09:35,708 --> 00:09:37,677 WHERE SHE CAME FROM. 124 00:09:37,710 --> 00:09:40,813 WHEN WE WENT OUT, WE WENT TO SANTA BARBARA. 125 00:09:43,015 --> 00:09:45,251 HEY, I’M TELLING YOU THE TRUTH! 126 00:09:45,284 --> 00:09:48,287 AT FIRST I THOUGHT, YEAH, THERE’S GOT TO BE ANOTHER GUY. 127 00:09:51,257 --> 00:09:53,359 AND THEN I REALIZED IT WASN’T THAT SIMPLE. 128 00:09:53,392 --> 00:09:55,161 BY THEN, I DIDN’T CARE. 129 00:09:55,194 --> 00:09:59,298 I ASKED HER TO MARRY ME, AND SHE SAID YES. 130 00:10:00,733 --> 00:10:02,301 YOU WERE GOING TO BE MARRIED? 131 00:10:02,335 --> 00:10:05,438 "WHERE ARE WE GOING TO LIVE," I SAID, 132 00:10:05,471 --> 00:10:07,073 "A DESERT ISLAND?" 133 00:10:07,106 --> 00:10:09,308 THEN SHE SAID, 134 00:10:09,342 --> 00:10:13,913 "THE DAY THAT I BECOME YOUR WIFE..." 135 00:10:15,414 --> 00:10:17,883 "IS THE DAY I STOP HIDING." 136 00:10:17,917 --> 00:10:20,419 WE’LL SHOW OURSELVES OUT. 137 00:10:20,453 --> 00:10:23,723 DO YOURSELF A FAVOR, GREG. 138 00:10:23,756 --> 00:10:25,424 PUT THE TAPES AWAY, HUH? 139 00:10:39,939 --> 00:10:43,109 McCall: I DON’T THINK HE DID IT. 140 00:10:43,142 --> 00:10:46,178 WELL, I HAPPEN TO AGREE WITH YOU. 141 00:10:46,212 --> 00:10:47,713 SO IF HE DIDN’T DO IT, 142 00:10:47,747 --> 00:10:48,981 AND THE BURGLARY WAS A FAKE, 143 00:10:49,015 --> 00:10:50,249 THEN WHO KILLED HER? 144 00:10:52,051 --> 00:10:53,819 YOU KNOW, I’M VERY, VERY GLAD 145 00:10:53,853 --> 00:10:55,087 YOU ASKED ME THAT QUESTION. 146 00:10:55,121 --> 00:10:56,088 Hunter: RECOGNIZE HIM? 147 00:10:56,122 --> 00:10:57,089 McCall: MICHAEL VARNE. 148 00:10:57,123 --> 00:10:58,958 YEP. NIKKI RICHMAN WAS HIS MISTRESS 149 00:10:58,991 --> 00:11:01,761 WHEN NAT CLAYPO WASHED UP ON A BEACH. 150 00:11:01,794 --> 00:11:04,363 THEY NEVER SOLVED THAT CASE, DID THEY? 151 00:11:04,397 --> 00:11:06,399 NO, I NEVER DID. 152 00:11:56,115 --> 00:11:57,883 COME ON, GUYS, YOU DON’T GO AROUND 153 00:11:57,917 --> 00:11:59,318 ACCUSING MICHAEL VARNE OF MURDER 154 00:11:59,351 --> 00:12:01,554 BECAUSE SOMEBODY’S BURGLARY WENT SOUR. 155 00:12:01,587 --> 00:12:03,289 THAT’S LIKE ACCUSING HOWARD HUGHES 156 00:12:03,322 --> 00:12:04,957 OF RIGGING A VOLLEYBALL GAME. 157 00:12:04,990 --> 00:12:07,860 LOOK, LIEUTENANT, REMEMBER THE NAT CLAYPO MURDER CASE? 158 00:12:07,893 --> 00:12:10,029 YEAH. I HAVEN’T BEEN LIVING IN A CAVE. 159 00:12:10,062 --> 00:12:13,199 NAT CLAYPO AND MICHAEL VARNE WERE BUSINESS ASSOCIATES. 160 00:12:13,232 --> 00:12:15,201 DOPE SMUGGLING FROM COLOMBIA. 161 00:12:15,234 --> 00:12:16,278 BOTH BECOME EXTREMELY WEALTHY. 162 00:12:16,302 --> 00:12:19,972 WELL, ONE DAY, CLAYPO WINDS UP ON THE BEACH, DEAD. 163 00:12:20,005 --> 00:12:22,141 NOW, IT WAS MY FEELING THEN, AS IT IS NOW, 164 00:12:22,174 --> 00:12:23,209 THAT VARNE HAD HIM KILLED. 165 00:12:23,242 --> 00:12:24,543 WAIT A MINUTE, WAIT A MINUTE. 166 00:12:24,577 --> 00:12:26,545 ARE WE TALKING ABOUT THE SAME MICHAEL VARNE? 167 00:12:26,579 --> 00:12:28,380 THE INTERNATIONAL FINANCIER, 168 00:12:28,414 --> 00:12:30,216 BUYS HIMSELF SMALL PLANETS, THAT GUY? 169 00:12:30,249 --> 00:12:31,183 YES. 170 00:12:31,217 --> 00:12:34,153 AND YOU WERE GOING AROUND SHOWING HIS PICTURE 171 00:12:34,186 --> 00:12:35,087 TO TRY TO FLUSH HIM OUT? 172 00:12:35,121 --> 00:12:37,089 WE TRIED TO FIND HIM AT HIS HOUSE IN BEL AIR, 173 00:12:37,123 --> 00:12:38,433 AT HIS YACHT, HIS PLACE IN THE SPRINGS. 174 00:12:38,457 --> 00:12:40,035 IT WAS LIKE TRYING TO FIND THE PRESIDENT. 175 00:12:40,059 --> 00:12:42,394 I DON’T BELIEVE YOU GUYS. ROOTING HIM OUT THIS WAY, 176 00:12:42,428 --> 00:12:43,395 THAT’S NEVER GOING TO WORK. 177 00:12:43,429 --> 00:12:44,997 HUNTER? THERE’S A GUY OUT FRONT. 178 00:12:45,030 --> 00:12:47,233 SOMETHING ABOUT MICHAEL VARNE WANTING TO SEE YOU. 179 00:12:49,935 --> 00:12:51,095 HANG THAT UP FOR ME, WILL YOU? 180 00:12:55,941 --> 00:12:57,076 Chauffeur: SERGEANT HUNTER? 181 00:12:57,109 --> 00:12:58,144 YEP. 182 00:12:58,177 --> 00:13:02,114 MR. VARNE IS READY TO SEE YOU NOW. 183 00:13:02,148 --> 00:13:03,182 IS HE IN THERE? 184 00:13:03,215 --> 00:13:05,417 NO. A PLACE OF HIS CHOOSING. 185 00:13:05,451 --> 00:13:08,154 A SECRET PLACE THAT HE WISHES TO REMAIN SECRET. 186 00:13:08,187 --> 00:13:09,498 YOU’RE GOING TO TAKE US TO HIM, RIGHT? 187 00:13:09,522 --> 00:13:11,223 IF YOU AGREE TO THE RULES. 188 00:13:11,257 --> 00:13:13,159 FIRST, YOU WILL NOT KNOW WHERE WE’RE GOING, 189 00:13:13,192 --> 00:13:14,302 AND THE DOORS WILL BE LOCKED, 190 00:13:14,326 --> 00:13:16,562 AND YOU WILL AGREE TO HAND YOUR WEAPONS 191 00:13:16,595 --> 00:13:18,364 OVER TO ME UNTIL WE RETURN. 192 00:13:18,397 --> 00:13:21,567 SORRY. METRO P.D. POLICY IS NOT TO GIVE UP OUR GUNS. 193 00:13:21,600 --> 00:13:24,036 IF YOU WANT TO SEE MR. VARNE, YOU WILL. 194 00:13:24,069 --> 00:13:25,113 HOW LONG ARE WE GOING TO BE GONE? 195 00:13:25,137 --> 00:13:28,207 THAT DEPENDS UPON THE LENGTH OF YOUR DISCUSSIONS. 196 00:13:28,240 --> 00:13:30,342 A MINIMUM OF TWO AND A HALF HOURS. 197 00:13:30,376 --> 00:13:33,579 JOHNNY, TAKE THE VEHICLE I.D. NUMBER DOWN 198 00:13:33,612 --> 00:13:34,880 ON THIS LIMO, WILL YOU? 199 00:13:34,914 --> 00:13:36,191 WE’RE GOING TO GO SEE MICHAEL VARNE. 200 00:13:36,215 --> 00:13:39,285 IF WE’RE NOT BACK IN ABOUT 3 HOURS, PUT OUT AN A.P.B. FOR US. 201 00:13:39,318 --> 00:13:40,319 YOU GOT IT, HUNTER. 202 00:13:51,630 --> 00:13:54,166 SO, WHAT DO YOU THINK IS THE WORST THAT COULD HAPPEN TO US? 203 00:13:54,200 --> 00:13:55,167 THE WORST THAT COULD HAPPEN 204 00:13:55,201 --> 00:13:57,203 IS VARNE TURNING US OVER TO WYLER 205 00:13:57,236 --> 00:13:58,437 FOR GIVING UP OUR GUNS, RIGHT? 206 00:13:58,470 --> 00:14:01,574 YEAH, AND THE SECOND WORST IS HE COULD KILL US. 207 00:14:58,430 --> 00:15:02,034 YOU’LL FIND MR. VARNE THROUGH THAT DOOR. 208 00:15:39,471 --> 00:15:40,572 Sunderson: IN HERE. 209 00:15:53,752 --> 00:15:55,387 UP AGAINST THE WALL, BOTH OF YOU. 210 00:15:55,421 --> 00:15:56,731 THEY TOOK OUR GUNS. YOU KNOW THAT. 211 00:15:56,755 --> 00:15:57,723 I DON’T CARE! 212 00:15:57,756 --> 00:15:58,756 HEY! 213 00:16:01,460 --> 00:16:03,028 Varne: GENTLEMEN! 214 00:16:08,133 --> 00:16:12,771 YOU KNOW, THAT’S WHAT I LIKE ABOUT L.A. 215 00:16:12,805 --> 00:16:15,274 ONE NIGHT A MAN WALKS ON FIRE, 216 00:16:15,307 --> 00:16:19,712 THE NEXT DAY HIS RENT CHECK BOUNCES. 217 00:16:19,745 --> 00:16:24,817 YOU KNOW, I SPEND A LOT OF MONEY 218 00:16:24,850 --> 00:16:26,819 JUST TO AVOID PUBLICITY, 219 00:16:26,852 --> 00:16:30,422 JUST TO KEEP MY NAME OFF OF PEOPLE’S TONGUES. 220 00:16:32,291 --> 00:16:33,726 AND THEN YOU COME ALONG. 221 00:16:33,759 --> 00:16:34,869 WELL, YOU SEE, WE’RE THE POLICE, 222 00:16:34,893 --> 00:16:36,771 AND WE’RE INVESTIGATING THE MURDER OF NIKKI RICHMAN. 223 00:16:36,795 --> 00:16:39,598 YES, I KNOW THAT, 224 00:16:39,631 --> 00:16:41,333 BUT I NEVER MET HER. 225 00:16:41,367 --> 00:16:45,337 WHY ARE YOU RUNNING AROUND TOWN LIKE A RAMPAGING BABOON 226 00:16:45,371 --> 00:16:47,439 ACCUSING ME OF MURDERING HER? 227 00:16:47,473 --> 00:16:48,774 OH, YOU MET HER, ALL RIGHT. 228 00:16:52,678 --> 00:16:56,081 PEOPLE LIKE YOU ARE DANGEROUS, YOU KNOW THAT? 229 00:16:56,115 --> 00:16:59,485 PEOPLE LIKE YOU OUGHT TO BE STOPPED. 230 00:16:59,518 --> 00:17:01,286 JUST LIKE YOU STOPPED NIKKI RICHMAN? 231 00:17:01,320 --> 00:17:03,622 YOU DON’T KNOW WHAT YOU’RE FREAKIN' TALKING ABOUT. 232 00:17:03,655 --> 00:17:04,857 NIKKI WAS YOUR MISTRESS 233 00:17:04,890 --> 00:17:06,501 WHEN YOU LIVED DOWN IN THE CAYMAN ISLANDS. 234 00:17:06,525 --> 00:17:08,460 I NEVER MET HER. 235 00:17:08,494 --> 00:17:10,796 YEAH, AND I QUESTIONED HER ABOUT 3 YEARS AGO, 236 00:17:10,829 --> 00:17:12,865 WHEN NAT CLAYPO’S BODY WASHED UP ON THE BEACH. 237 00:17:12,898 --> 00:17:16,135 YOU WERE KEEPING HER THEN, AND YOU PROBABLY STILL WERE, 238 00:17:16,168 --> 00:17:17,870 UP UNTIL ABOUT, OH, TWO DAYS AGO. 239 00:17:17,903 --> 00:17:20,205 WHAT A WORK OF FICTION. 240 00:17:20,239 --> 00:17:23,409 UNFORTUNATELY FOR NIKKI, SHE SAW YOU MURDER NAT CLAYPO. 241 00:17:23,442 --> 00:17:24,443 ISN’T THAT RIGHT? 242 00:17:24,476 --> 00:17:26,879 IF YOU DON’T STOP EMBARRASSING ME 243 00:17:26,912 --> 00:17:29,481 WITH THESE RABID ACCUSATIONS, 244 00:17:29,515 --> 00:17:31,850 YOU’RE GOING TO PAY A HELL OF A PRICE FOR IT. 245 00:17:31,884 --> 00:17:34,486 IS THAT ALL? 246 00:17:34,520 --> 00:17:36,422 IT WILL BE. 247 00:17:48,867 --> 00:17:50,335 McCall: DEAD END, HUH? 248 00:17:50,369 --> 00:17:52,171 Hunter: WELL, I WOULDN’T SAY IT WAS A DEAD END. 249 00:17:52,204 --> 00:17:53,539 I THINK WE MADE THE GUY NERVOUS, 250 00:17:53,572 --> 00:17:54,773 AND WHEN VARNE GETS NERVOUS, 251 00:17:54,807 --> 00:17:56,241 HE USUALLY DOES SOMETHING. 252 00:17:56,275 --> 00:17:58,677 I WISH YOU HADN’T SAID THAT. 253 00:18:30,275 --> 00:18:31,643 IF HE KEEPS DOING THAT, 254 00:18:31,677 --> 00:18:34,480 I’M GOING TO HAVE TO GIVE HIM A TICKET. 255 00:18:34,513 --> 00:18:36,515 I’M GOING TO STICK MY HEAD IN THE COMPUTER ROOM. 256 00:18:36,548 --> 00:18:37,549 WANT TO COME ALONG? 257 00:18:37,583 --> 00:18:39,351 OH, THAT SOUNDS LIKE A GREAT EVENING, 258 00:18:39,384 --> 00:18:42,888 BUT AFTER SUCH AN EVENTFUL DAY, I AM EXHAUSTED. 259 00:18:42,921 --> 00:18:44,389 MY FEET ARE KILLING ME. 260 00:18:44,423 --> 00:18:45,567 I’M GOING TO GO HOME AND GO TO BED. 261 00:18:45,591 --> 00:18:46,525 I DON’T BLAME YOU. 262 00:18:46,558 --> 00:18:47,669 IF YOU FIND OUT ANYTHING, GIVE ME A CALL, OK? 263 00:18:47,693 --> 00:18:48,827 YEAH. 264 00:18:48,861 --> 00:18:52,231 OH, AND BY THE WAY, YOU’D BETTER LAY OFF THE DOUGHNUTS. 265 00:18:52,264 --> 00:18:54,399 YOU’RE STARTING TO GET A LITTLE, UH... 266 00:19:05,811 --> 00:19:08,247 OH! HEY, HUNTER. HEY, I WAS JUST LOOKING FOR YOU. 267 00:19:08,280 --> 00:19:09,314 YEAH, I CAN SEE THAT. 268 00:19:09,348 --> 00:19:11,550 I HAVE SOME INFORMATION FOR YOU ON NIKKI RICHMAN. 269 00:19:11,583 --> 00:19:12,718 YEAH, WHAT ABOUT HER? 270 00:19:12,751 --> 00:19:14,319 PLACE WHERE SHE WORKED. 271 00:19:14,353 --> 00:19:15,988 WAIT A MINUTE, BUZZ, SHE DIDN’T WORK. 272 00:19:16,021 --> 00:19:17,723 NO, SHE DIDN’T WORK, TECHNICALLY, 273 00:19:17,756 --> 00:19:19,725 BUT SHE WAS ON THE PAYROLL. 274 00:19:19,758 --> 00:19:21,994 MAKING A PRETTY NICE SALARY, TOO. 275 00:19:22,027 --> 00:19:23,629 WAIT A MINUTE, WHAT PAYROLL? 276 00:19:23,662 --> 00:19:24,930 METRO COMPUTER ROOM. 277 00:19:24,963 --> 00:19:26,798 IT’S AN OVERSEAS HOLDING COMPANY. 278 00:19:26,832 --> 00:19:28,800 IT’S MULTINATIONAL GENERAL CORPORATION. 279 00:19:28,834 --> 00:19:29,835 YEAH? 280 00:19:29,868 --> 00:19:31,904 Man on phone: I’M LOOKING FOR SERGEANT HUNTER. 281 00:19:31,937 --> 00:19:34,907 IT’S FOR YOU. 282 00:19:34,940 --> 00:19:36,508 YEAH, HUNTER. 283 00:19:36,542 --> 00:19:37,652 HEY, MAN, YOU KNOW HOW HARD IT IS 284 00:19:37,676 --> 00:19:38,810 TO GET A HOLD OF YOU? 285 00:19:38,844 --> 00:19:41,647 LISTEN, I HEARD YOU WERE ASKING ABOUT A GUY NAMED VARNE. 286 00:19:41,680 --> 00:19:43,849 YEAH, WELL, I GOT SOMETHING FOR YOU, OK? 287 00:19:43,882 --> 00:19:47,753 SOMETHING REAL JUICY. 288 00:19:47,786 --> 00:19:49,697 YEAH, BUT IT’S GOING TO COST YOU A COUPLE OF BIG FAVORS, 289 00:19:49,721 --> 00:19:50,689 YOU KNOW WHAT I MEAN? 290 00:19:50,722 --> 00:19:51,890 WHAT DO YOU GOT, ROCKET? 291 00:19:51,924 --> 00:19:52,958 WHAT ARE YOU, KIDDING? 292 00:19:52,991 --> 00:19:55,727 YOU THINK I’M GOING TO TELL YOU OVER THE PHONE? 293 00:19:55,761 --> 00:19:58,463 LISTEN, I’M STAYING AT THIS FLEABAG DOWNTOWN, 294 00:19:58,497 --> 00:19:59,464 BUT I DON’T WANT TO BE SEEN 295 00:19:59,498 --> 00:20:01,033 TALKING TO ANY COPS, ALL RIGHT? 296 00:20:01,066 --> 00:20:03,335 MAKE UP YOUR MIND. WHAT DO YOU WANT TO DO HERE? 297 00:20:03,368 --> 00:20:04,612 ALL RIGHT, ALL RIGHT, JUST HOLD ON, ALL RIGHT? 298 00:20:04,636 --> 00:20:06,004 LET ME THINK A MINUTE. 299 00:20:07,806 --> 00:20:09,274 ALL RIGHT, LISTEN. 300 00:20:09,308 --> 00:20:11,944 THERE’S THIS ALLEY BEHIND THE HOTEL. 301 00:20:11,977 --> 00:20:13,011 WHAT HOTEL? 302 00:20:13,045 --> 00:20:16,014 THE EDISON. 20th AND VERMONT. 303 00:20:16,048 --> 00:20:19,451 OH, AND HUNTER, IF I WERE YOU, I’D BE CAREFUL, 304 00:20:19,484 --> 00:20:21,853 BECAUSE IT’S KIND OF A ROUGH NEIGHBORHOOD, OK? 305 00:20:21,887 --> 00:20:24,890 KEEP YOUR DOORS LOCKED UNTIL I GET THERE. 306 00:21:04,563 --> 00:21:07,833 Woman: HELP! SOMEBODY HELP! 307 00:21:07,866 --> 00:21:11,703 HELP! SOMEBODY HELP! 308 00:21:11,737 --> 00:21:13,672 MA’AM, I'M THE POLICE. WHAT’S HAPPENED? 309 00:21:13,705 --> 00:21:16,074 HE... SOMEBODY BEAT HIM. 310 00:21:16,108 --> 00:21:18,410 YOU CAN’T BELIEVE WHAT THEY DID TO HIM! 311 00:21:18,443 --> 00:21:19,511 WHERE IS HE? 312 00:21:19,544 --> 00:21:21,913 ROOM... ROOM 207. PLEASE HELP! 313 00:21:21,947 --> 00:21:24,416 ALL RIGHT. STAY RIGHT HERE. 314 00:21:50,542 --> 00:21:51,810 FREEZE! 315 00:22:04,823 --> 00:22:06,825 CAN YOU TALK? 316 00:22:06,858 --> 00:22:09,394 WHO DID THIS TO YOU? 317 00:22:16,435 --> 00:22:18,070 HEY, YOU GOT A TELEPHONE? 318 00:22:18,103 --> 00:22:20,405 MY WIFE ALREADY CALLED THE COPS! 319 00:22:29,915 --> 00:22:32,617 IS HE GOING TO BE ALL RIGHT? 320 00:22:32,651 --> 00:22:34,152 LOOKS LIKE IT. 321 00:22:34,186 --> 00:22:35,153 AND MOST OF THE INJURIES, 322 00:22:35,187 --> 00:22:37,122 BAD AS THEY LOOK, ARE SUPERFICIAL. 323 00:22:37,155 --> 00:22:39,024 Man: WHAT’D YOU SAY HIS NAME WAS? 324 00:22:39,057 --> 00:22:40,025 EUGENE RAYMARK. 325 00:22:40,058 --> 00:22:42,127 HE’S THE PRESIDENT OF THE BEVERLY HILLS BANK. 326 00:22:43,595 --> 00:22:45,097 THAT’S WHAT IT SAID IN HIS WALLET. 327 00:22:45,130 --> 00:22:48,567 OK, DOC, IF I ASK HIM A FEW QUESTIONS? 328 00:22:50,168 --> 00:22:52,471 KEEP IT SHORT. 329 00:22:55,107 --> 00:22:58,143 MR. RAYMARK, CAN YOU HEAR ME? 330 00:23:00,145 --> 00:23:02,714 I’M SERGEANT CALIFAGNO. 331 00:23:02,748 --> 00:23:04,783 MR. RAYMARK, DO YOU HAVE ANY IDEA 332 00:23:04,816 --> 00:23:07,619 WHO COULD HAVE DONE THIS TO YOU? 333 00:23:17,062 --> 00:23:18,864 THERE. 334 00:23:20,232 --> 00:23:22,934 THERE’S THE MAN WHO DID THIS. 335 00:23:25,971 --> 00:23:28,240 MR. RAYMARK, I DON’T THINK YOU UNDERSTAND. 336 00:23:28,273 --> 00:23:29,775 THIS IS SERGEANT HUNTER. 337 00:23:29,808 --> 00:23:30,809 NO! 338 00:23:30,842 --> 00:23:31,743 HE’S A POLICE OFFICER. 339 00:23:31,777 --> 00:23:32,644 HE’S THE ONE WHO FOUND YOU, MR. RAYMARK. 340 00:23:32,677 --> 00:23:36,782 HE’S THE MAN WHO LURED ME TO THAT ROOM. 341 00:23:36,815 --> 00:23:38,583 HE DID THIS! 342 00:23:38,617 --> 00:23:41,653 MR. RAYMARK, WHY ON EARTH 343 00:23:41,686 --> 00:23:43,588 WOULD SERGEANT HUNTER DO A THING LIKE THAT? 344 00:23:43,622 --> 00:23:46,191 I DON’T KNOW. 345 00:23:48,827 --> 00:23:51,530 WHY DON’T YOU ASK SERGEANT HUNTER? 346 00:23:57,536 --> 00:23:59,771 Captain Wyler: SERGEANT, IT IS MY DUTY TO INFORM YOU 347 00:23:59,805 --> 00:24:02,207 THAT YOU ARE IMMEDIATELY SUSPENDED FROM ALL DUTIES. 348 00:24:02,240 --> 00:24:05,177 YOU WILL BE STRIPPED OF BADGE AND GUN 349 00:24:05,210 --> 00:24:07,012 UNTIL AN INVESTIGATION OF FELONY CHARGES 350 00:24:07,045 --> 00:24:10,715 AGAINST YOU IS COMPLETED, AND IF SAID CHARGES 351 00:24:10,749 --> 00:24:12,293 PROVE TO BE CORRECT, THAT YOU BE DISCHARGED 352 00:24:12,317 --> 00:24:14,119 SUMMARILY FROM THIS DEPARTMENT TO ANSWER 353 00:24:14,152 --> 00:24:16,121 ALL CIVIL AND CRIMINAL CHARGES AGAINST YOU. 354 00:24:16,154 --> 00:24:17,298 DO YOU UNDERSTAND THESE INSTRUCTIONS? 355 00:24:17,322 --> 00:24:19,558 YES, I DO. 356 00:24:20,826 --> 00:24:23,695 SO, NOW IT’S IN THE HANDS OF INTERNAL AFFAIRS. 357 00:24:23,728 --> 00:24:25,730 THERE’S NOTHING MORE WE CAN DO, 358 00:24:25,764 --> 00:24:27,632 UNLESS ANYONE HAS ANY SUGGESTIONS. 359 00:24:27,666 --> 00:24:28,834 I’VE GOT ONE. 360 00:24:28,867 --> 00:24:29,944 WHEN ARE YOU GUYS GOING TO START 361 00:24:29,968 --> 00:24:31,112 USING YOUR HEADS ON THIS DEAL? 362 00:24:31,136 --> 00:24:32,180 HUNTER, WE CHECKED OUT THIS GUY RAYMARK 363 00:24:32,204 --> 00:24:33,738 PRETTY THOROUGHLY. 364 00:24:33,772 --> 00:24:35,540 HE’S A HIGHLY RESPECTED BEVERLY HILLS BANKER. 365 00:24:35,574 --> 00:24:36,508 IT’S KIND OF HARD TO BELIEVE THAT... 366 00:24:36,541 --> 00:24:39,611 BERNIE, WHAT WAS THAT HIGHLY RESPECTED BANKER 367 00:24:39,644 --> 00:24:41,313 DOING IN THAT SLUM HOTEL TO BEGIN WITH? 368 00:24:41,346 --> 00:24:43,191 AND HOW ABOUT ROCKET, MY SNITCH? WHAT HAPPENED TO HIM? 369 00:24:43,215 --> 00:24:44,625 AND THE SCREAMING WOMAN THAT CAME OUT 370 00:24:44,649 --> 00:24:45,684 OF THE HOTEL IN THE RAIN? 371 00:24:45,717 --> 00:24:46,985 WHAT HAPPENED TO HER? 372 00:24:47,018 --> 00:24:47,986 VARNE. 373 00:24:48,019 --> 00:24:49,297 RAYMARK TOOK THAT KIND OF BEATING 374 00:24:49,321 --> 00:24:51,590 AS SOME KIND OF FAVOR? 375 00:24:51,623 --> 00:24:53,091 I FIND THAT HARD TO BELIEVE. 376 00:24:53,124 --> 00:24:54,092 CAPTAIN, THE DOCTOR SAID 377 00:24:54,125 --> 00:24:55,694 HE WASN’T THAT BADLY BEATEN UP. 378 00:24:55,727 --> 00:24:58,296 COME ON, IT WAS A COSMETIC BEATING, FOR CRYING OUT LOUD. 379 00:25:01,299 --> 00:25:04,269 COME ON, GET WITH THE PROGRAM, YOU GUYS! WAKE UP! 380 00:25:04,302 --> 00:25:07,873 AN HOUR AGO, A BLOOD CLOT CAUSED BY THE BEATING 381 00:25:07,906 --> 00:25:09,808 LODGED IN RAYMARK’S BRAIN. 382 00:25:09,841 --> 00:25:13,078 HE’S IN SURGERY RIGHT NOW. CRITICAL CONDITION. 383 00:25:13,111 --> 00:25:14,980 BARNEY, THE BLOOD CLOT WAS AN ACCIDENT. 384 00:25:15,013 --> 00:25:17,983 GIVING SOMEBODY A FAKE BEATING IS NOT AN EXACT SCIENCE. 385 00:25:18,016 --> 00:25:21,086 SERGEANT HUNTER, THE D.A. HAS ORDERED ME 386 00:25:21,119 --> 00:25:22,888 TO ARREST YOU AND BOOK YOU 387 00:25:22,921 --> 00:25:24,756 ON A CHARGE OF FELONIOUS ASSAULT. 388 00:25:24,789 --> 00:25:25,957 THAT’S GREAT. LET’S GET 389 00:25:25,991 --> 00:25:27,001 THE PRELIMINARY HEARING OUT OF THE WAY 390 00:25:27,025 --> 00:25:28,135 AND GET THIS THING OVER WITH, HUH? 391 00:25:28,159 --> 00:25:29,861 NO PRELIM. NOT YET. 392 00:25:29,895 --> 00:25:30,862 D.A. WANTS TO WAIT TO SEE 393 00:25:30,896 --> 00:25:32,631 WHETHER RAYMARK LIVES OR DIES. 394 00:26:13,772 --> 00:26:15,273 YOU KNOW GINGER? 395 00:26:15,307 --> 00:26:17,709 SHE’S ONE OF GYPSY’S GIRLS? 396 00:26:17,742 --> 00:26:20,278 SHE’S LOOKING FOR ROCKET. YOU SEEN HIM? 397 00:26:24,416 --> 00:26:26,751 ALL RIGHT, WELL, LISTEN. IF YOU HEAR ANYTHING, 398 00:26:26,785 --> 00:26:28,153 GET IN TOUCH WITH BOOZIE 399 00:26:28,186 --> 00:26:30,622 OVER AT REGGIE’S BAR, WILL YOU? 400 00:27:17,335 --> 00:27:19,838 ALL RIGHT, YOU LIE TO ME, I’M GOING TO BREAK YOUR NECK. 401 00:27:19,871 --> 00:27:22,374 WHERE’S THE ROCKET HIDING? 402 00:27:22,407 --> 00:27:23,742 COME ON... 403 00:27:35,353 --> 00:27:37,822 YOU’RE BUSTED. GET IN. 404 00:27:43,228 --> 00:27:46,164 THEY JUST FOUND HUNTER’S MISSING SNITCH. 405 00:27:46,197 --> 00:27:48,833 WELL, THANK GOD. LET’S GO TELL HIM. 406 00:27:48,867 --> 00:27:52,137 I THINK HE ALREADY KNOWS. 407 00:28:24,335 --> 00:28:26,237 SOMEBODY FOUND HIM JUST IN TIME. 408 00:28:26,271 --> 00:28:27,972 ANOTHER 20 SECONDS, HE’D HAVE BEEN BURIED 409 00:28:28,006 --> 00:28:30,742 UNDER 300 TONS OF CONCRETE. 410 00:28:32,210 --> 00:28:33,778 SORRY, HUNTER. 411 00:28:33,812 --> 00:28:35,480 YOU KNOW, I THINK VARNE OUTSMARTED HIMSELF 412 00:28:35,513 --> 00:28:37,282 WITH THAT RAYMARK DEAL. 413 00:28:37,315 --> 00:28:40,318 RAYMARK’S IN PRETTY BAD SHAPE, EVEN IF HE WOULD TALK. 414 00:28:40,351 --> 00:28:41,453 YOU’D BETTER GET A GUARD 415 00:28:41,486 --> 00:28:42,987 OVER TO THE HOSPITAL REAL QUICK. 416 00:28:43,021 --> 00:28:45,256 I WILL IF YOU THINK IT’LL DO ANY GOOD. 417 00:28:45,290 --> 00:28:47,859 RAYMARK’S HOLDING ON BY A THREAD AS IT IS. 418 00:28:47,892 --> 00:28:50,295 LOOK, HUNTER, DON’T LET THIS 419 00:28:50,328 --> 00:28:52,230 MAKE YOU DO ANYTHING STUPID. 420 00:28:52,263 --> 00:28:54,032 WHAT, LIKE LOSE MY BADGE? 421 00:28:57,035 --> 00:29:01,139 HUNTER, YOU OK? YOU ALL RIGHT? 422 00:29:01,172 --> 00:29:02,540 NO. 423 00:29:02,574 --> 00:29:04,042 WHERE YOU GOING? 424 00:29:04,075 --> 00:29:05,543 TO MY BED. 425 00:29:33,271 --> 00:29:36,040 MR. HUNTER, ARE YOU ALL RIGHT? 426 00:29:39,277 --> 00:29:41,579 DROP IT, OR I’LL BLOW YOUR BRAINS OUT. 427 00:29:41,613 --> 00:29:43,081 MR. HUNTER? 428 00:29:43,114 --> 00:29:44,949 IT’S ALL RIGHT, MRS. RODNEY. GO BACK TO BED. 429 00:29:44,983 --> 00:29:45,983 COME ON. 430 00:29:52,290 --> 00:29:54,325 WHAT YOU GOT HERE? 431 00:29:58,163 --> 00:29:59,573 WHAT THE HELL DO YOU THINK YOU’RE DOING? 432 00:29:59,597 --> 00:30:00,598 TRYING TO KILL YOU! 433 00:30:00,632 --> 00:30:01,933 WHO ARE YOU? 434 00:30:01,966 --> 00:30:03,501 GLORIA RAYMARK! 435 00:30:03,535 --> 00:30:05,303 GLORIA RAYMARK? 436 00:30:06,404 --> 00:30:08,039 COME HERE! 437 00:30:08,072 --> 00:30:09,474 NOW LISTEN! 438 00:30:09,507 --> 00:30:11,543 SETTLE DOWN, OR I’M GOING TO TAKE YOU DOWNTOWN 439 00:30:11,576 --> 00:30:12,544 AND BOOK YOU ON ATTEMPTED MURDER. 440 00:30:12,577 --> 00:30:13,545 WHAT ARE YOU GOING TO TRY AND DO, 441 00:30:13,578 --> 00:30:14,622 BEAT ME UP LIKE YOU DID MY FATHER? 442 00:30:14,646 --> 00:30:15,880 I DON’T EVEN KNOW YOUR OLD MAN. 443 00:30:15,914 --> 00:30:17,282 NEVER LAID A HAND ON HIM. 444 00:30:17,315 --> 00:30:18,650 THERE’S NO MISTAKE! 445 00:30:18,683 --> 00:30:20,919 HE... HE WAS POSITIVE WHEN HE POINTED YOU OUT! 446 00:30:20,952 --> 00:30:22,329 OH, HE WAS POSITIVE, ALL RIGHT. THAT’S BECAUSE 447 00:30:22,353 --> 00:30:23,321 HE’S TAKING INSTRUCTIONS FROM MICHAEL VARNE. 448 00:30:23,354 --> 00:30:24,355 YOU’RE CRAZY! 449 00:30:24,389 --> 00:30:26,658 I DON’T EVEN THINK MY FATHER KNOWS MICHAEL VARNE! 450 00:30:26,691 --> 00:30:29,394 OH, HE KNOWS HIM, ALL RIGHT. HE TOOK A BEATING FOR HIM. 451 00:30:29,427 --> 00:30:30,495 LET ME GO. 452 00:30:30,528 --> 00:30:31,396 LOOKIT. 453 00:30:31,429 --> 00:30:34,365 SIT DOWN NOW. GET THIS THROUGH YOUR HEAD. 454 00:30:34,399 --> 00:30:35,667 VARNE’S TRYING TO GET AT ME, 455 00:30:35,700 --> 00:30:37,502 WHICH MEANS HE’S GOT SOMETHING ON YOUR OLD MAN. 456 00:30:37,535 --> 00:30:39,103 YOU’RE LYING. 457 00:30:39,137 --> 00:30:41,039 REALLY? 458 00:30:41,072 --> 00:30:42,207 STAY RIGHT THERE. 459 00:30:49,514 --> 00:30:51,583 COME ON. McCALL? 460 00:30:51,616 --> 00:30:55,386 MEET ME AT MY HOUSE. MAKE IT QUICK. 461 00:30:55,420 --> 00:30:57,655 MEET GLORIA RAYMARK. 462 00:30:57,689 --> 00:30:59,057 SHE’S 19. 463 00:30:59,090 --> 00:31:01,059 SHE JUST TRIED TO KILL ME, DIDN’T YOU? 464 00:31:01,092 --> 00:31:04,429 NOW, WHAT I WANT YOU TO DO, I WANT YOU TO TALK TO HER. 465 00:31:04,462 --> 00:31:05,630 TRY AND WAKE HER UP. 466 00:31:05,663 --> 00:31:08,633 AND WHEN YOU DO, COME WAKE ME UP, 467 00:31:08,666 --> 00:31:12,203 ’CAUSE I'M GOING TO BED. GOOD NIGHT. 468 00:31:20,278 --> 00:31:22,113 SO, YOU DO THIS SORT OF THING OFTEN? 469 00:31:22,146 --> 00:31:25,216 DON’T PATRONIZE ME. 470 00:31:25,250 --> 00:31:27,118 HUNTER’S ADDRESS ISN’T LISTED. 471 00:31:27,151 --> 00:31:28,329 HOW DID YOU FIND OUT WHERE HE LIVES? 472 00:31:28,353 --> 00:31:30,355 I NEVER TAKE NO FOR AN ANSWER. 473 00:31:30,388 --> 00:31:32,123 MAYBE THAT’S YOUR PROBLEM. 474 00:31:34,025 --> 00:31:36,628 WHY DON’T WE GO HAVE SOME COFFEE AND TALK? 475 00:31:38,296 --> 00:31:39,464 COME ON. 476 00:31:50,141 --> 00:31:53,111 YOU KNOW, WHAT YOU DID HERE TONIGHT, 477 00:31:53,144 --> 00:31:55,647 IT’S CALLED ATTEMPTED HOMICIDE. 478 00:31:55,680 --> 00:31:58,216 COULD GET YOU 10 TO 20 YEARS IN THE STATE PEN, 479 00:31:58,249 --> 00:31:59,651 REGARDLESS OF THE REASONS. 480 00:31:59,684 --> 00:32:01,653 IF IT WAS YOUR FATHER, HOW WOULD YOU FEEL? 481 00:32:01,686 --> 00:32:03,054 WHAT DO YOU THINK YOU’D DO? 482 00:32:03,087 --> 00:32:05,990 I THINK I WOULD TRY TO GET ALL THE FACTS 483 00:32:06,024 --> 00:32:07,659 BEFORE I TOOK A SHOT AT SOMEBODY. 484 00:32:07,692 --> 00:32:10,261 LOOK, AFTER MY MOM DIED, 485 00:32:10,295 --> 00:32:12,397 THERE WASN’T ANYBODY BUT DAD AND ME. 486 00:32:12,430 --> 00:32:14,032 WE LOOK OUT FOR EACH OTHER. 487 00:32:14,065 --> 00:32:15,733 I DON’T THINK YOU’RE HEARING ME. 488 00:32:15,767 --> 00:32:17,335 YOU WANT FACTS? 489 00:32:17,368 --> 00:32:19,304 I TALKED TO THE DOCTORS PERSONALLY. 490 00:32:19,337 --> 00:32:21,105 MY FATHER WASN’T CONFUSED. 491 00:32:21,139 --> 00:32:22,707 HE WASN’T DAMAGED... NOT YET. 492 00:32:22,740 --> 00:32:25,143 HE KNEW EXACTLY WHO HE WAS ACCUSING. 493 00:32:25,176 --> 00:32:27,612 YEAH, HE DID. 494 00:32:27,645 --> 00:32:29,380 THAT’S BECAUSE HE WAS ORDERED TO. 495 00:32:31,316 --> 00:32:33,685 GLORIA, HOW WELL DO YOU KNOW YOUR FATHER? 496 00:32:33,718 --> 00:32:34,752 WELL. 497 00:32:34,786 --> 00:32:36,754 I MEAN, HOW WELL DO YOU KNOW HIM AS A BUSINESSMAN, 498 00:32:36,788 --> 00:32:39,223 AS A BANKER WHO DEALS IN MILLIONS OF DOLLARS EVERY DAY, 499 00:32:39,257 --> 00:32:41,259 MOSTLY IN OVERSEAS TRANSACTIONS? 500 00:32:41,292 --> 00:32:44,429 MY FATHER IS AN HONEST MAN, 501 00:32:44,462 --> 00:32:46,264 A WONDERFUL MAN. 502 00:32:46,297 --> 00:32:49,133 LET ME ASK YOU AGAIN. 503 00:32:50,401 --> 00:32:52,203 HOW WELL DO YOU KNOW YOUR FATHER? 504 00:32:59,477 --> 00:33:01,012 HUNTER? 505 00:33:02,513 --> 00:33:04,649 YEAH? 506 00:33:04,682 --> 00:33:07,385 GLORIA HAS SOMETHING SHE WANTS TO SAY TO YOU. 507 00:33:07,418 --> 00:33:10,321 SERGEANT HUNTER, I WAS LISTENING TO MISS McCALL 508 00:33:10,355 --> 00:33:13,124 TELL THE STORY ABOUT, YOU KNOW, 509 00:33:13,157 --> 00:33:15,393 YOU AND THE MURDER OF NIKKI RICHMAN 510 00:33:15,426 --> 00:33:17,261 AND MR. VARNE, AND... 511 00:33:17,295 --> 00:33:19,630 I WAS JUST WONDERING... 512 00:33:21,299 --> 00:33:23,234 KEYS TO HER DAD’S HOUSE. 513 00:33:26,337 --> 00:33:28,239 HELLO? 514 00:33:28,272 --> 00:33:31,242 YES, THIS IS GLORIA RAYMARK. 515 00:33:32,543 --> 00:33:34,145 OH, THAT’S WONDERFUL. 516 00:33:34,178 --> 00:33:36,614 YES, THANK YOU FOR CALLING. 517 00:33:36,647 --> 00:33:38,316 THEY REMOVED THE BLOOD CLOT, 518 00:33:38,349 --> 00:33:39,784 AND THEY SAY HE MAY BE ALL RIGHT. 519 00:33:39,817 --> 00:33:40,785 THAT’S GREAT NEWS, GLORIA. 520 00:33:40,818 --> 00:33:42,186 GREAT. 521 00:33:42,220 --> 00:33:44,689 LET’S GET BUSY. 522 00:34:15,453 --> 00:34:16,530 WHAT HAVE YOU GOT OVER THERE? 523 00:34:16,554 --> 00:34:17,655 NOTHING. HOW ABOUT YOU? 524 00:34:17,688 --> 00:34:20,291 WELL, I MIGHT HAVE SOMETHING HERE. 525 00:34:24,929 --> 00:34:27,131 WHEN I TELL YOU TO, PICK UP THAT PHONE. 526 00:34:27,165 --> 00:34:28,366 WHY? WHAT HAVE YOU GOT? 527 00:34:28,399 --> 00:34:33,704 WELL, WHEN I PRESS THIS REDIAL BUTTON HERE ON THE TELEPHONE, 528 00:34:33,738 --> 00:34:35,139 IT MAY GIVE US THE PHONE NUMBER 529 00:34:35,173 --> 00:34:36,550 OF WHO GLORIA’S FATHER TALKED TO LAST. 530 00:34:36,574 --> 00:34:38,543 AH, MODERN TECHNOLOGY. 531 00:34:38,576 --> 00:34:40,678 NOW, IF SOMEONE ANSWERS, AD LIB. 532 00:34:40,711 --> 00:34:42,713 WAIT A MINUTE, I DON’T WANT TO AD LIB. YOU AD LIB. 533 00:34:52,223 --> 00:34:53,424 I SAID AD LIB. 534 00:34:53,458 --> 00:34:54,802 I DON’T WANT TO. I ALWAYS HAVE TO. YOU DO IT! 535 00:34:54,826 --> 00:34:56,794 THAT’S RIGHT. AD LIB. 536 00:34:56,828 --> 00:34:58,830 Man on phone: HELLO? 537 00:34:58,863 --> 00:35:00,898 HI, IS JIMMY THERE? 538 00:35:00,932 --> 00:35:02,500 I’M SORRY, YOU HAVE THE WRONG NUMBER. 539 00:35:03,534 --> 00:35:05,303 THAT WAS VARNE’S CHAUFFEUR. 540 00:35:05,336 --> 00:35:06,336 I RECOGNIZE THE VOICE. 541 00:35:19,584 --> 00:35:21,252 1... 542 00:35:22,687 --> 00:35:24,856 7, 1... 543 00:35:26,757 --> 00:35:28,159 4... 544 00:35:29,494 --> 00:35:30,561 5... 545 00:35:31,863 --> 00:35:33,764 5... 546 00:35:33,798 --> 00:35:35,700 5... 547 00:35:37,768 --> 00:35:39,537 1, 1... 548 00:35:41,372 --> 00:35:42,607 5... 549 00:35:43,808 --> 00:35:45,243 2. 550 00:35:46,477 --> 00:35:48,546 714... THAT’S GOT TO BE VARNE’S HIDEAWAY. 551 00:35:48,579 --> 00:35:49,957 THAT HAS TO BE WHERE THE CHAUFFEUR TOOK US. 552 00:35:49,981 --> 00:35:51,415 YEP, SURE DOES. 553 00:35:51,449 --> 00:35:52,483 HERE, GLORIA. 554 00:35:52,517 --> 00:35:55,620 MAKE SURE EVERYTHING IS WRAPPED UP TIGHT HERE, HUH? 555 00:36:16,841 --> 00:36:19,243 McCall: LOOK, THIS IS URGENT. I CA... 556 00:36:19,277 --> 00:36:21,312 NO, I’M NOT GOING TO SPELL IT OUT FOR YOU! 557 00:36:21,345 --> 00:36:23,414 YOU’VE BEEN STALLING ME FOR 4 HOURS ALREADY. 558 00:36:23,447 --> 00:36:25,526 NOW WHAT THE HELL DO I HAVE TO DO, GO TO CAPTAIN WYLER? 559 00:36:25,550 --> 00:36:27,585 GO TO THE CHAIRMAN OF THE POLICE COMMISSION, WHAT? 560 00:36:33,357 --> 00:36:35,326 GOT IT. 561 00:36:35,359 --> 00:36:36,594 LET’S GO. 562 00:36:36,627 --> 00:36:38,496 Avadon: EXCUSE ME. 563 00:36:40,498 --> 00:36:42,333 I WAS JUST WONDERING IF I’M STILL A SUSPECT, 564 00:36:42,366 --> 00:36:45,002 OR IF I’M FREE TO LEAVE TOWN. 565 00:36:45,036 --> 00:36:45,937 WELL, I REALLY DON’T THINK 566 00:36:45,970 --> 00:36:47,838 IT’S A VERY GOOD IDEA TO LEAVE RIGHT NOW. 567 00:36:47,872 --> 00:36:49,507 WHY, WHERE DID YOU WANT TO GO? 568 00:36:49,540 --> 00:36:51,475 THE CARIBBEAN. 569 00:36:51,509 --> 00:36:52,853 I’VE GOT TO FIND OUT WHO THE HELL SHE WAS. 570 00:36:52,877 --> 00:36:54,312 I WOULDN’T DO THAT. 571 00:36:56,881 --> 00:36:58,716 DO YOU ALREADY KNOW? 572 00:36:58,749 --> 00:37:00,451 IF YOU DO, TELL ME, ’CAUSE I'M GOING 573 00:37:00,484 --> 00:37:01,562 TO FIND OUT ONE WAY OR THE OTHER. 574 00:37:01,586 --> 00:37:03,754 LOOK, GREG, A COUPLE OF YEARS AGO, 575 00:37:03,788 --> 00:37:05,732 NIKKI WAS SLEEPING WITH A MAN BY THE NAME OF MICHAEL VARNE. 576 00:37:05,756 --> 00:37:08,326 YOU KNOW WHO HE IS? 577 00:37:08,359 --> 00:37:11,996 WELL, WE THINK SHE SAW HIM KILL HIS BUSINESS PARTNER, 578 00:37:12,029 --> 00:37:14,465 A GUY BY THE NAME OF NAT CLAYPO, A COUPLE YEARS AGO. 579 00:37:14,498 --> 00:37:17,034 NOW, THAT WAS OK WITH VARNE UNTIL YOU CAME ALONG 580 00:37:17,068 --> 00:37:18,603 AND THREATENED TO MAKE HER INDEPENDENT. 581 00:37:18,636 --> 00:37:20,871 YOU MEAN SHE DIED BECAUSE OF ME? 582 00:37:20,905 --> 00:37:22,840 NO, SHE DIED BECAUSE OF MICHAEL VARNE. 583 00:37:22,873 --> 00:37:27,545 NOW, WE MAY NEED YOU, SO DON’T LEAVE TOWN, OK? 584 00:37:27,578 --> 00:37:28,946 LET’S GO. 585 00:37:56,907 --> 00:37:59,577 ALL RIGHT, WE’RE GOING TO STICK TO THE PLAN, RIGHT? 586 00:37:59,610 --> 00:38:00,678 RIGHT. 587 00:38:00,711 --> 00:38:03,447 ALL WE’RE GOING TO DO IS RECONNOITER. 588 00:38:03,481 --> 00:38:05,492 WE’RE GOING TO COME BACK WITH A SEARCH WARRANT, RIGHT? 589 00:38:05,516 --> 00:38:06,717 RIGHT. 590 00:38:58,169 --> 00:38:59,603 Hunter: THAT’S IT. 591 00:39:08,512 --> 00:39:09,747 IT’S GLORIA! 592 00:39:14,652 --> 00:39:17,588 GLORIA! COME ON, IT’S US! 593 00:39:17,621 --> 00:39:19,924 KEEP RUNNING! KEEP RUNNING! 594 00:40:04,802 --> 00:40:06,537 UGH! 595 00:40:20,050 --> 00:40:21,185 Hunter: COME ON! 596 00:40:48,813 --> 00:40:52,049 HEY, GIVE ME A HAND HERE. WILLY’S HURT REAL BAD. 597 00:41:00,624 --> 00:41:02,059 WHAT DO YOU WANT? 598 00:41:02,092 --> 00:41:03,861 HOW DID YOU GET IN HERE? 599 00:41:03,894 --> 00:41:06,564 MR. RAYMARK, I WANT YOU TO STOP THE LIES. 600 00:41:06,597 --> 00:41:08,699 I WANT YOU TO TELL ME WHO YOU TOOK THIS BEATING FOR. 601 00:41:08,732 --> 00:41:10,201 GET OUT OF HERE. 602 00:41:10,234 --> 00:41:12,803 GIVE ME THAT. 603 00:41:12,837 --> 00:41:14,014 YOU KNOW, YOUR DAUGHTER WAS ALMOST KILLED 604 00:41:14,038 --> 00:41:15,081 BY VARNE’S MEN THIS AFTERNOON. 605 00:41:15,105 --> 00:41:15,973 SHE WOULD HAVE BEEN KILLED 606 00:41:16,006 --> 00:41:17,708 IF IT HADN’T BEEN FOR ME AND MY PARTNER. 607 00:41:17,741 --> 00:41:20,010 I DON’T BELIEVE A WORD YOU’RE SAYING. 608 00:41:20,044 --> 00:41:21,278 REALLY? 609 00:41:26,350 --> 00:41:28,085 GIVE ME THE ADMITTING DESK. 610 00:41:29,820 --> 00:41:31,322 HEY, YOU CAN’T DO THAT! 611 00:41:31,355 --> 00:41:34,024 Gloria: I ASKED THEM TO. 612 00:41:49,240 --> 00:41:50,908 MY GOD! 613 00:41:50,941 --> 00:41:53,677 IT WAS VARNE’S MEN WHO SHOT ME, FATHER. 614 00:41:53,711 --> 00:41:55,679 BABY, I’M SORRY... 615 00:41:55,713 --> 00:41:57,882 SO SORRY. 616 00:41:57,915 --> 00:42:01,318 I NEVER DREAMED YOU’D BECOME INVOLVED IN THIS. 617 00:42:01,352 --> 00:42:03,320 ARE YOU OUT OF YOUR MINDS? 618 00:42:03,354 --> 00:42:05,055 THIS PATIENT JUST CAME OUT OF SURGERY. 619 00:42:05,089 --> 00:42:06,991 NURSE, GET THE PATIENT BACK TO HER ROOM. 620 00:42:07,024 --> 00:42:07,892 AND AS FOR YOU TWO... 621 00:42:07,925 --> 00:42:10,261 DR. JARVIS, GIVE ME A FEW MINUTES, PLEASE. 622 00:42:15,132 --> 00:42:19,103 I DON’T HAVE TO EXPLAIN, DO I? 623 00:42:19,136 --> 00:42:20,704 YOU PROBABLY KNOW THE ANSWERS. 624 00:42:20,738 --> 00:42:23,073 WELL, JUST THAT YOU COULDN’T SAY NO TO VARNE. 625 00:42:23,107 --> 00:42:24,708 I COULD’VE. 626 00:42:26,644 --> 00:42:27,912 I SHOULD’VE. 627 00:42:27,945 --> 00:42:29,780 WELL, WHY DIDN’T YOU? 628 00:42:31,949 --> 00:42:35,185 12 YEARS AGO, I WAS BANKRUPT. 629 00:42:35,219 --> 00:42:37,254 VARNE OFFERED ME A WAY OUT... 630 00:42:38,956 --> 00:42:40,991 FOR 80% OF THE PROFITS. 631 00:42:41,025 --> 00:42:44,662 LATER, I STARTED SKIMMING A BIT FOR MYSELF, 632 00:42:44,695 --> 00:42:48,098 AND HE DISCOVERED IT, BUT DID NOTHING, 633 00:42:48,132 --> 00:42:51,168 AND HE DIDN’T CALL IN MY I.O.U. UNTIL A WEEK AGO. 634 00:42:53,103 --> 00:42:55,205 CAN YOU FORGIVE ME? 635 00:42:55,239 --> 00:42:57,641 EVEN IF WE DON’T GET VARNE FOR MURDER, 636 00:42:57,675 --> 00:43:00,010 YOUR TESTIMONY’S GOING TO PUT HIM AWAY FOR A LONG TIME. 637 00:43:00,044 --> 00:43:02,646 WE’RE GOING TO GET HIM FOR MURDER. 638 00:43:06,750 --> 00:43:08,786 Lieutenant: LOOKS AWFULLY QUIET. 639 00:43:08,819 --> 00:43:10,788 YOU SUPPOSE THEY GOT THE WORD? 640 00:43:10,821 --> 00:43:13,090 WELL, IF HE DID, HE’D BE LONG GONE BY NOW. 641 00:43:13,123 --> 00:43:15,059 AND IF HE DIDN’T? 642 00:43:15,092 --> 00:43:17,728 WELL, IF HE DIDN’T, THEN IT’LL STOP 643 00:43:17,761 --> 00:43:19,229 BEING QUIET REAL FAST, NOW, WON’T IT? 644 00:43:21,231 --> 00:43:22,800 MR. VARNE! 645 00:43:22,833 --> 00:43:26,403 SHERIFFS’ CARS OUTSIDE, 3 OF THEM! 646 00:43:31,342 --> 00:43:32,943 ALL RIGHT, HOLD THEM OFF. 647 00:43:32,977 --> 00:43:34,778 I NEED 10 MINUTES. 648 00:43:43,954 --> 00:43:47,257 STAY IN YOUR CARS, BOYS, BUT COVER ME GOOD. 649 00:43:47,291 --> 00:43:49,860 I WANT TO TRY AND SERVE THIS WARRANT WITHOUT ANY FIREWORKS. 650 00:45:36,166 --> 00:45:37,166 AHH! 651 00:45:42,072 --> 00:45:44,908 LOOK, HUNTER, YOU DID WHAT NOBODY ELSE COULD DO... 652 00:45:44,942 --> 00:45:47,077 YOU LOCKED HIM UP, AND YOU PUT HIM AWAY. 653 00:45:47,111 --> 00:45:48,378 YEAH, ON SUCH CHARGES 654 00:45:48,412 --> 00:45:51,014 AS CONSPIRACY TO COMMIT PERJURY, 655 00:45:51,048 --> 00:45:53,484 ASSAULT WITH A DEADLY WEAPON, RESISTING ARREST, 656 00:45:53,517 --> 00:45:55,853 POSSESSION OF AUTOMATIC WEAPONS... 657 00:45:55,886 --> 00:45:57,821 WHAT DID YOU WANT TO DO, WATCH HIM WALK? 658 00:45:57,855 --> 00:45:59,399 LET ME TELL YOU SOMETHING... FOR A GUY WHO’S TRASHED 659 00:45:59,423 --> 00:46:00,991 AS MANY LIVES AS HE’S TRASHED, 660 00:46:01,024 --> 00:46:02,035 KILLED AS MANY PEOPLE AS HE’S KILLED, 661 00:46:02,059 --> 00:46:03,570 I WOULD LIKE TO SEE SOMETHING A LITTLE MORE HARSH 662 00:46:03,594 --> 00:46:05,896 COME DOWN ON HIM, SOMETHING LIKE, UH, DEATH ROW. 663 00:46:05,929 --> 00:46:07,331 I KNOW THAT, BUT THERE’S REALLY 664 00:46:07,364 --> 00:46:09,066 NOT TOO MUCH MORE WE CAN DO ABOUT IT NOW. 665 00:46:09,099 --> 00:46:10,134 SERGEANT HUNTER? 666 00:46:10,167 --> 00:46:12,870 WELL, IF IT ISN’T 667 00:46:12,903 --> 00:46:14,371 OUR FAVORITE CHAUFFEUR. 668 00:46:14,404 --> 00:46:15,606 WHAT DO YOU WANT? 669 00:46:15,639 --> 00:46:17,341 WE HAVE A MUTUAL FRIEND IN THE HOSPITAL 670 00:46:17,374 --> 00:46:18,842 THAT WANTS TO TALK TO YOU. 671 00:46:18,876 --> 00:46:20,244 WHO’S THAT? 672 00:46:20,277 --> 00:46:21,979 WILLEM SUNDERSON. 673 00:46:22,012 --> 00:46:25,149 NOW, WHY WOULD I WANT TO TALK TO WILLEM SUNDERSON? 674 00:46:25,182 --> 00:46:27,050 BECAUSE MR. VARNE LEFT HIM FOR DEAD 675 00:46:27,084 --> 00:46:28,218 BY THE SIDE OF THE ROAD. 676 00:46:28,252 --> 00:46:31,555 WHY WOULD I WANT TO TALK TO WILLEM SUNDERSON ABOUT THAT? 677 00:46:31,588 --> 00:46:34,925 BECAUSE HE’S WILLING TO TELL YOU ALL ABOUT MR. VARNE. 678 00:46:34,958 --> 00:46:36,593 HE’S WILLING TO MAKE A DEAL. 679 00:46:38,128 --> 00:46:39,196 YEAH? WH 48913

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