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These are the user uploaded subtitles that are being translated: 1 00:00:02,336 --> 00:00:02,536 . 2 00:00:02,570 --> 00:00:03,737 - 15 YEARS AGO, YOU'RE A GIRL BARELY SURVIVING ON THE STREET. 3 00:00:04,538 --> 00:00:06,307 NOW YOU'RE BEING COURTED BY THE FEDS. 4 00:00:06,340 --> 00:00:07,808 I'M PROUD OF YOU, ERIN. 5 00:00:07,841 --> 00:00:09,343 - IMAGINE HOW HEARTBROKEN YOU'D BE 6 00:00:09,377 --> 00:00:11,245 NOT SEEING MY SMILING FACE EVERY DAY. 7 00:00:11,279 --> 00:00:13,081 - IT'S HER. - HER WHO? 8 00:00:13,114 --> 00:00:14,315 - MY EX-PARTNER, JENN CASSIDY. 9 00:00:14,348 --> 00:00:16,150 - HEARD A LOT ABOUT YOU. 10 00:00:16,184 --> 00:00:18,319 - HOW DID WE BREAK UP AND JUST TWO WEEKS LATER 11 00:00:18,352 --> 00:00:19,320 YOU'RE ENGAGED? - JUST SHUT UP! 12 00:00:19,353 --> 00:00:21,322 - I PUT JUST AS MUCH OF MYSELF INTO THIS JOB-- 13 00:00:21,355 --> 00:00:23,124 [doorbell rings] [gunshot] 14 00:00:25,193 --> 00:00:27,428 - HERE, PUT PRESSURE ON THIS. - OKAY. 15 00:00:27,461 --> 00:00:29,430 - PRESS, PRESS! - I GOT IT. I GOT IT. 16 00:00:29,463 --> 00:00:32,500 - 10-1, 10-1! SHOTS FIRED AT 3316 WEST 21ST STREET. 17 00:00:32,533 --> 00:00:34,402 MY PARTNER'S BEEN SHOT! 18 00:00:34,435 --> 00:00:36,137 - SHE'S LOSING A LOT OF BLOOD. I CAN'T TELL WHERE SHE'S HIT. 19 00:00:36,170 --> 00:00:37,238 - PUT PRESSURE! 20 00:00:37,271 --> 00:00:39,273 - GO! - YOU GOT NO COVER. 21 00:00:39,307 --> 00:00:41,309 - GO! 22 00:00:51,685 --> 00:00:53,087 HOW LONG ON THAT AMBULANCE? 23 00:00:53,121 --> 00:00:55,089 I GOT AN OFFICER IN BAD SHAPE HERE. 24 00:00:55,123 --> 00:00:57,125 - [over radio] BUS IS 3 MINUTES OUT. 25 00:01:29,657 --> 00:01:31,392 - NO, THAT'S UNDERSTOOD. YEAH, COPY. 26 00:01:31,425 --> 00:01:32,726 HALSTEAD, GET BACK UPSTAIRS, 27 00:01:32,760 --> 00:01:34,262 GET VOIGHT. - WHAT'S GOING ON? 28 00:01:34,295 --> 00:01:36,164 - BURGESS WAS SHOT, CONDITION UNKNOWN. 29 00:01:36,197 --> 00:01:38,566 GO GET YOUR SERGEANT DOWN HERE NOW! 30 00:01:38,599 --> 00:01:40,368 [gate beeps, buzzes] 31 00:01:46,440 --> 00:01:48,876 [wood creaks] 32 00:02:16,204 --> 00:02:18,172 - [coughs] 33 00:02:24,578 --> 00:02:27,515 [thrash metal music] 34 00:03:19,367 --> 00:03:19,567 . 35 00:03:19,600 --> 00:03:19,933 [siren blares] 36 00:03:27,875 --> 00:03:29,243 - KIM! - SHE'S NONRESPONSIVE. 37 00:03:29,277 --> 00:03:30,911 STRUCK HER HEAD ON THE FALL. 38 00:03:30,944 --> 00:03:31,979 OFFENDER SHOT THROUGH THE FRONT DOOR. 39 00:03:32,012 --> 00:03:33,113 - WHERE'S ROMAN? - INSIDE. 40 00:03:33,146 --> 00:03:34,882 HE WENT AFTER THE SHOOTER. PATROLMEN ARE LOCKING DOWN 41 00:03:34,915 --> 00:03:36,350 THE STREET. [gunshot] 42 00:03:37,885 --> 00:03:41,021 - HOLD HERE. STAND DOWN! 43 00:03:41,054 --> 00:03:44,024 [music continues blasting] 44 00:03:44,057 --> 00:03:51,665 * 45 00:03:51,699 --> 00:03:53,767 - SARGE! 46 00:03:55,969 --> 00:03:57,004 - ROMAN! 47 00:03:57,037 --> 00:03:59,740 - THE WHOLE DAMN HOUSE IS RIGGED! 48 00:03:59,773 --> 00:04:01,008 - WHERE'S THE SHOOTER? 49 00:04:01,041 --> 00:04:02,543 - HUH?! - SHOOTER?! 50 00:04:02,576 --> 00:04:04,878 - NO, THERE'S NO SHOOTER! 51 00:04:04,912 --> 00:04:07,247 I DON'T KNOW WHAT HAPPENED. 52 00:04:09,049 --> 00:04:11,452 [music stops] 53 00:04:11,485 --> 00:04:14,555 I ENTERED THE ROOM AND STEPPED THROUGH THAT TRIPWIRE, 54 00:04:14,588 --> 00:04:16,023 WHICH IS RIGGED TO THAT THING. 55 00:04:16,056 --> 00:04:18,025 I GOT LOW AND TRIGGERED THE DEVICE. 56 00:04:18,058 --> 00:04:20,894 THERE'S A BODY IN THE TUB. 57 00:04:20,928 --> 00:04:22,930 IT'S--IT'S DISSOLVED. 58 00:04:22,963 --> 00:04:24,498 - YOU NEED MEDICAL ATTENTION? 59 00:04:24,532 --> 00:04:27,835 - STAY OUT OF THE HOUSE! GET EVERYONE ACROSS THE STREET! 60 00:04:27,868 --> 00:04:29,002 - COPY THAT, SARGE. 61 00:04:29,036 --> 00:04:30,904 - HOLD ON. 62 00:04:30,938 --> 00:04:32,740 THIS IS SERGEANT VOIGHT. 63 00:04:32,773 --> 00:04:35,709 ADVISE PATROL TO EVACUATE THE BLOCK. 64 00:04:35,743 --> 00:04:38,346 DISPATCH BOMB SQUAD AND FORENSICS. 65 00:04:38,379 --> 00:04:40,381 I'M INITIATING A PLAN ONE. 66 00:04:40,414 --> 00:04:42,650 ROMAN. - COPY THAT, SARGE. 67 00:04:42,683 --> 00:04:44,017 - YEAH? 68 00:04:44,051 --> 00:04:45,419 - ARE YOU ALL RIGHT? 69 00:04:45,453 --> 00:04:48,021 - I'M GOOD. LET'S GO. 70 00:04:48,055 --> 00:04:50,358 [police radio chatter] 71 00:04:50,391 --> 00:04:54,395 - HEY, I WANT TWO CARS ESCORTING THAT AMBULANCE TO CHICAGO MED. 72 00:04:54,428 --> 00:04:55,529 - ON IT. 73 00:04:55,563 --> 00:04:58,566 RUZEK, STAY HERE. YOU'RE INSIDE. 74 00:05:01,068 --> 00:05:01,969 - HEY, ADAM, LISTEN-- 75 00:05:02,002 --> 00:05:04,071 - I'LL GET THE PARTICULARS LATER, JUST-- 76 00:05:04,104 --> 00:05:07,508 HOUSE IS OWNED BY LUTHER MARKOV. 77 00:05:07,541 --> 00:05:10,010 - YEAH. - WE GOTTA ROLL. 78 00:05:14,047 --> 00:05:15,416 [siren blares] 79 00:05:15,449 --> 00:05:16,684 - NO, WE DON'T KNOW YET. 80 00:05:16,717 --> 00:05:20,821 JUST GET ALL AVAILABLE OFFICERS OVER TO OGDEN AND SHUT IT DOWN. 81 00:05:28,696 --> 00:05:31,331 - CAN YOU HEAR ME? 82 00:05:33,734 --> 00:05:36,470 [siren blares] 83 00:06:00,661 --> 00:06:02,162 - 4-INCH LACERATION TO THE BACK OF THE HEAD. 84 00:06:02,195 --> 00:06:03,897 POSSIBLE BROKEN HUMERUS. 85 00:06:03,931 --> 00:06:05,833 GUNSHOT WOUNDS TO THE LEFT SIDE. CAN'T FIND AN EXIT WOUND. 86 00:06:05,866 --> 00:06:07,034 COULD HAVE A PIERCED LUNG. 87 00:06:07,067 --> 00:06:08,569 - GET HER TO TRAUMA BAY ONE. 88 00:06:08,602 --> 00:06:11,071 PREP HER FOR CT. CALL X-RAY. 89 00:06:11,104 --> 00:06:13,541 - YOU WERE AT THE SCENE? - YEAH. SHE'S MY PARTNER. 90 00:06:13,574 --> 00:06:16,610 - YOU KNOW WHAT I'M GONNA FIND? - I DUNNO--LOOKED LIKE BIRDSHOT. 91 00:06:17,978 --> 00:06:19,813 I DON'T KNOW WHAT THE HELL THAT WAS, 92 00:06:19,847 --> 00:06:21,081 BUT I GOTTA FIND OUT WHO DID THIS. 93 00:06:21,114 --> 00:06:22,583 DISTRICT WILL SEND PEOPLE. 94 00:06:22,616 --> 00:06:24,017 - THEN I'LL WAIT TILL THEY GET HERE. 95 00:06:24,051 --> 00:06:25,819 WE SHOULDN'T HAVE BEEN SCRAPPING. 96 00:06:25,853 --> 00:06:28,055 WE SHOULD HAVE BEEN AT THAT DOOR. 97 00:06:28,088 --> 00:06:30,057 - I WANT YOU NOT TO BE HERE WHEN I COME BACK. 98 00:06:30,090 --> 00:06:31,425 WE'RE BAD LUCK, JENN. 99 00:06:31,459 --> 00:06:32,926 MY PARTNER DOESN'T NEED YOU HERE, 100 00:06:32,960 --> 00:06:35,863 AND I SURE AS HELL DON'T WANNA SEE YOU AGAIN, NOT TONIGHT. 101 00:06:35,896 --> 00:06:37,898 - HEY, SEAN. 102 00:06:39,066 --> 00:06:41,602 - YEAH, BOMB UNIT DID A SWEEP OF THE PLACE. 103 00:06:41,635 --> 00:06:44,772 BACK DOOR WAS LINKED TO AN IMPROVISED NAPALM GRENADE. 104 00:06:46,940 --> 00:06:50,043 - I THOUGHT YOU WERE OFFICIALLY DETAILED TO TASK FORCE. 105 00:06:50,077 --> 00:06:51,712 - I PUSHED IT A DAY. 106 00:06:52,980 --> 00:06:54,948 SHOOTER WAS WAITING FOR HER HERE. 107 00:06:54,982 --> 00:06:57,551 - THERE WAS NO SHOOTER. 108 00:06:57,585 --> 00:06:59,953 - NO SHOOTER? WHO PULLED THE TRIGGER? 109 00:06:59,987 --> 00:07:02,155 - THE BUZZER WAS RIGGED TO THE TRIGGER OF THE GUN. 110 00:07:02,189 --> 00:07:05,993 BURGESS DEPRESSES THE BUTTON... 111 00:07:06,026 --> 00:07:09,763 - SO OUR KILLER IS WHAT, SOME KIND OF BRILLIANT TECH WHIZ? 112 00:07:09,797 --> 00:07:11,899 - DON'T GIVE HIM TOO MUCH CREDIT. 113 00:07:11,932 --> 00:07:14,935 IT'LL ONLY DISAPPOINT YOU WHEN WE CATCH HIM. 114 00:07:24,011 --> 00:07:27,681 - HOW DO YOU LET THIS PSYCHO GET THE JUMP ON YOU TWICE, HUH? 115 00:07:27,715 --> 00:07:30,484 - FREAK HAD A TRIPWIRE. - YEAH, WE SAW. 116 00:07:30,518 --> 00:07:32,720 - YOU FOUND THE SENSOR IN THE BATHROOM? 117 00:07:35,022 --> 00:07:37,858 - NO, LET'S SEE IT. 118 00:07:41,662 --> 00:07:44,031 - THERE ARE SOME UNIQUE COMPOUNDS IN THE ACID. 119 00:07:44,064 --> 00:07:45,899 THIS WASN'T STORE-BOUGHT. 120 00:07:45,933 --> 00:07:48,201 - IF IT'S SOMETHING EXOTIC, WE CAN TRACE THE PURCHASE. 121 00:07:48,235 --> 00:07:50,538 HOW LONG TO I.D. THE BODY? 122 00:07:50,571 --> 00:07:51,972 - WE ASSUMED IT WAS THE OWNER OF THE HOUSE. 123 00:07:52,005 --> 00:07:54,642 - IT'S THIS TILE RIGHT HERE. 124 00:07:57,310 --> 00:08:00,147 ARE HIS TEETH INTACT? - GONE-ZO. 125 00:08:00,180 --> 00:08:02,149 - IT'S A WEIGHT SENSOR. 126 00:08:02,182 --> 00:08:04,785 - SO THE WAY THIS GOES IS I ENTER, I STEP ON THAT THING, 127 00:08:04,818 --> 00:08:07,054 THE MUSIC STARTS BLASTING IN THE BEDROOM. 128 00:08:07,087 --> 00:08:08,689 I GO TO TURN THE MUSIC OFF, 129 00:08:08,722 --> 00:08:10,624 AND THAT'S WHEN I TRIP THE SHOTGUN RIG. 130 00:08:10,658 --> 00:08:13,293 - AND THE HOMEOWNER'S ON A PERSON OF INTEREST LIST. 131 00:08:13,326 --> 00:08:17,197 WE GOT MR. UNIDENTIFIED TAKING A BATH. 132 00:08:17,230 --> 00:08:21,034 THIS NUT KNEW WE WERE COMING. 133 00:08:21,068 --> 00:08:24,004 HE WANTED TO HURT COPS. 134 00:08:33,847 --> 00:08:35,849 - HEY, GUYS. - HEY. 135 00:08:37,651 --> 00:08:38,652 - HEY. 136 00:08:42,690 --> 00:08:45,693 [monitor beeping] 137 00:09:24,064 --> 00:09:26,099 - AGENT LANG, DID YOU GET MY TEXT? 138 00:09:26,133 --> 00:09:28,068 - I WAS EXPECTING YOU AT TASK FORCE TODAY. 139 00:09:28,101 --> 00:09:29,937 - A PATROLMAN IN OUR DISTRICT WAS SHOT. 140 00:09:29,970 --> 00:09:31,672 - I HEARD. 141 00:09:31,705 --> 00:09:33,073 - I NEED TO SEE THIS THROUGH. 142 00:09:33,106 --> 00:09:34,708 I DON'T EXPECT YOU GUYS TO WAIT FOR ME. 143 00:09:34,742 --> 00:09:36,644 - THIS GUY YOU'RE GOING AFTER-- 144 00:09:36,677 --> 00:09:40,113 YOU NEED HELP ON THE FEDERAL SIDE, JUST REACH OUT. 145 00:09:40,147 --> 00:09:42,015 I WANT HIM CAUGHT FOR WHAT HE DID 146 00:09:42,049 --> 00:09:43,817 AND THEN I WANT YOU ON MY TEAM. 147 00:09:43,851 --> 00:09:46,053 - THANK YOU. 148 00:09:56,697 --> 00:09:57,798 - YOU WANTED TO SEE ME. 149 00:09:57,831 --> 00:09:59,700 - YEAH. 150 00:09:59,733 --> 00:10:01,802 YOU KNOW WHY YOU'RE UP HERE, ROMAN? 151 00:10:01,835 --> 00:10:04,237 - BECAUSE I SCREWED UP. 152 00:10:04,271 --> 00:10:07,040 - YOU'RE UP HERE BECAUSE YOU'RE THE REAL POLICE. 153 00:10:09,109 --> 00:10:10,410 LOOK, I WASN'T AT THE SCENE, 154 00:10:10,443 --> 00:10:13,246 BUT I KNOW THAT YOU DID ALL YOU COULDA DONE. 155 00:10:13,280 --> 00:10:16,684 LOOK, THIS IS HOW YOU MAKE IT UP TO HER-- 156 00:10:16,717 --> 00:10:19,252 YOU TAKE DOWN THE GUY WHO HURT HER. 157 00:10:19,286 --> 00:10:21,722 - THANK YOU, SERGEANT. 158 00:10:23,390 --> 00:10:25,859 - YOU CAN LEAVE THE DOOR OPEN. 159 00:10:34,167 --> 00:10:36,236 - THEY TOOK THREE PELLETS OUT OF HER CHEST. 160 00:10:36,269 --> 00:10:38,672 NO INTERNAL DAMAGE, SO THAT'S-- THAT'S GOOD. 161 00:10:38,706 --> 00:10:41,141 THEY LEFT TWO IN HER ARM. I GUESS IT'S IN A SAFE POSITION, 162 00:10:41,174 --> 00:10:43,310 WHATEVER THE HELL THAT MEANS. - WELL, SHE'S TOUGH, THAT ONE. 163 00:10:43,343 --> 00:10:46,013 BUT SHE'D WANT YOU FOCUSED RIGHT HERE, OKAY, 164 00:10:46,046 --> 00:10:48,181 SO LET'S-- LET'S GET TO WORK. 165 00:10:48,215 --> 00:10:51,084 - POSITIVE I.D. ON OUR VICTIM IN THE TUB-- 166 00:10:51,118 --> 00:10:53,721 LUTHER MARKOV, 73 YEARS OLD. 167 00:10:53,754 --> 00:10:57,858 RETIRED DEAN OF PSYCHOLOGY AT CENTRAL CHICAGO UNIVERSITY. 168 00:10:57,891 --> 00:10:59,793 HE'S DIVORCED. FAMILY ISN'T LOCAL. 169 00:10:59,827 --> 00:11:02,095 NOTHING IN HIS BACKGROUND. HE WAS A MODEL CITIZEN. 170 00:11:02,129 --> 00:11:03,296 - WELL, WHAT ABOUT THE POLITICAL CONNECTION, 171 00:11:03,330 --> 00:11:04,965 THE BULGARIAN EMBASSY? 172 00:11:04,998 --> 00:11:06,266 THAT'S HOW WE ENDED UP AT HIS DOOR IN THE FIRST PLACE. 173 00:11:06,299 --> 00:11:08,802 - I SENT HIS BLOG TO A CONTACT AT THE FBI 174 00:11:08,836 --> 00:11:10,971 TO DO A THREAT ASSESSMENT. 175 00:11:11,004 --> 00:11:12,840 YEAH, I KNOW. I'M ALL FANCY NOW. 176 00:11:12,873 --> 00:11:15,375 FOR WHAT IT'S WORTH, I DON'T THINK THE POLITICS IS RELATED. 177 00:11:15,408 --> 00:11:17,177 - THIS MURDER WAS VICIOUS. 178 00:11:17,210 --> 00:11:19,780 IT'S NOT A ROBBERY. IT'S SOMETHING PERSONAL. 179 00:11:19,813 --> 00:11:22,082 - OH, SARGE, I RAN THE PLATE ON THE VICTIM'S VEHICLE. 180 00:11:22,115 --> 00:11:24,985 NOTHING MATCHED--MAKE, MODEL, VIN NUMBER. NOTHING. 181 00:11:25,018 --> 00:11:26,053 - SOMEONE SWAPPED HIS LICENSE PLATE. 182 00:11:26,086 --> 00:11:28,055 - THAT'S WHAT I'M SAYING. - WHOSE TAGS ARE THEY? 183 00:11:28,088 --> 00:11:30,090 - REGISTERED TO A TRAVIS WEBBER. 184 00:11:30,123 --> 00:11:32,025 A METH-HEAD WITH MULTIPLE DRUG CASES, 185 00:11:32,059 --> 00:11:33,260 TYPICAL BURGLARY ARRESTS. 186 00:11:33,293 --> 00:11:36,029 - MAYBE HE BROKE IN, KILLED THE OLD MAN, RIGGED THE HOUSE. 187 00:11:36,063 --> 00:11:38,231 - I DON'T KNOW, MAN. HE DOESN'T SOUND THAT CLEVER. 188 00:11:38,265 --> 00:11:40,233 I MEAN, WHY BOTHER GOING THROUGH ALL THAT TROUBLE IN THE HOUSE 189 00:11:40,267 --> 00:11:41,368 AND THEN LEAVING YOUR PLATES BEHIND? 190 00:11:41,401 --> 00:11:42,870 - LET'S ASK HIM. 191 00:11:42,903 --> 00:11:44,071 - WELL, HE LIVES IN PORTAGE PARK, 192 00:11:44,104 --> 00:11:46,106 WORKS AT A BIKE SHOP NEARBY. - ALL RIGHT, WE'LL SPLIT UP. 193 00:11:46,139 --> 00:11:48,175 LINDSAY, HALSTEAD, RUZEK-- WE'LL CHECK HIS WORK. 194 00:11:48,208 --> 00:11:50,744 WHOA. WHOA. 195 00:11:50,778 --> 00:11:52,012 WE'RE KNOCKING HIS DOOR DOWN, 196 00:11:52,045 --> 00:11:53,781 WE'RE DOING IT WITH THE BOMB UNIT. 197 00:11:59,787 --> 00:12:02,823 HALSTEAD, GO AROUND THE BACK. 198 00:12:04,157 --> 00:12:06,193 HOW YOU DOIN', RAY? 199 00:12:06,226 --> 00:12:08,461 - HANK. 200 00:12:08,495 --> 00:12:10,463 - SO ARE WE CRAZY HERE? - I DON'T KNOW YET. 201 00:12:10,497 --> 00:12:13,934 WE RAN AN RF SCAN WITH THE SPECTRUM ANALYZER-- 202 00:12:13,967 --> 00:12:15,936 PICKING UP SOME RADIO ACTIVITY IN THE SHOP. 203 00:12:15,969 --> 00:12:17,938 WE NEED A VISUAL. 204 00:12:17,971 --> 00:12:20,140 - WELL, LET ME TAKE A LOOK. 205 00:12:21,274 --> 00:12:22,309 - YEAH, JUST-- 206 00:12:22,342 --> 00:12:25,946 - MY HANDS ARE STEADY. 207 00:12:25,979 --> 00:12:28,015 - YEAH, HE'S GOOD. 208 00:12:56,009 --> 00:12:56,209 . 209 00:12:56,243 --> 00:12:57,144 - IT LOOKS LIKE THE SAME SETUP FROM THE HOUSE. 210 00:12:59,312 --> 00:13:00,848 - THERE'S NO DOORBELL. 211 00:13:00,881 --> 00:13:03,416 - ALL RIGHT, HOLD UP. 212 00:13:07,120 --> 00:13:09,422 UH, OKAY, NOBODY MOVE. - WHAT IS IT? 213 00:13:09,456 --> 00:13:11,458 - IT'S A VIBRATION SENSOR ON THE BACK OF THE DOOR. 214 00:13:11,491 --> 00:13:13,827 JUST, YOU KNOW, DON'T MOVE. 215 00:13:13,861 --> 00:13:15,362 - BACK DOOR'S CLEAR. 216 00:13:15,395 --> 00:13:19,032 - STAND DOWN. NOBODY GOES TILL I SAY SO. 217 00:13:19,066 --> 00:13:21,068 - COPY THAT, SARGE. 218 00:13:25,438 --> 00:13:26,473 - HEY. 219 00:13:26,506 --> 00:13:27,607 WHAT DO YA GOT? BACK DOOR'S COVERED. 220 00:13:27,640 --> 00:13:30,110 - ANOTHER SHOTGUN RIG, SAME KIND THAT TOOK BURGESS DOWN. 221 00:13:30,143 --> 00:13:31,879 - IT'S GONNA TAKE A WHILE TO DISABLE. 222 00:13:34,647 --> 00:13:37,284 - GET YOUR SHIELDS. 223 00:13:51,932 --> 00:13:52,900 - SHOULD DO IT. 224 00:13:52,933 --> 00:13:55,969 - ALL RIGHT, HERE WE GO. 225 00:13:56,003 --> 00:13:58,505 [gunshot] 226 00:14:02,109 --> 00:14:05,112 - POLICE! SEARCH WARRANT! 227 00:14:08,415 --> 00:14:11,184 - ALL RIGHT, LET'S GO. 228 00:14:21,094 --> 00:14:23,230 BODY! 229 00:14:25,933 --> 00:14:28,969 - TRAVIS WEBBER? - YEAH, LOOKS LIKE. 230 00:14:31,071 --> 00:14:33,406 - SPOKE TO OUR VICTIM'S WIFE? - YEAH, SHAUNA WEBBER. 231 00:14:33,440 --> 00:14:35,408 SHE'S IN THERE RIGHT NOW. SAYS HER HUSBAND'S A SAINT. 232 00:14:35,442 --> 00:14:37,010 HOW HE CAN'T CHANGE A LIGHT BULB. 233 00:14:37,044 --> 00:14:38,611 - SHE DOESN'T THINK HE WAS OUR MASTERMIND. 234 00:14:38,645 --> 00:14:39,913 - NO, SHE DOES NOT. 235 00:14:39,947 --> 00:14:42,315 - WHY DON'T I BELIEVE YOU, SHAUNA? 236 00:14:42,349 --> 00:14:43,951 - WHAT ARE YOU ASKING? 237 00:14:43,984 --> 00:14:47,254 DID TRAVIS KILL SOMEONE? NO WAY. 238 00:14:47,287 --> 00:14:49,356 - WHY WAS HIS LICENSE PLATE ON A CAR WE FOUND 239 00:14:49,389 --> 00:14:52,259 AT A MURDER SCENE LAST NIGHT? - I HAVE NO IDEA. 240 00:14:52,292 --> 00:14:53,961 - ALL RIGHT, WHERE WAS HE LAST NIGHT? 241 00:14:53,994 --> 00:14:57,364 - WE WENT BOWLING. I ROLLED A 168. 242 00:14:57,397 --> 00:15:00,167 - HELP US CONNECT THE DOTS. 243 00:15:00,200 --> 00:15:04,071 THE FIRST MURDER LED US RIGHT TO TRAVIS'S DOOR. 244 00:15:04,104 --> 00:15:06,373 - HE EVER MENTION THE OTHER VICTIM? 245 00:15:06,406 --> 00:15:09,509 LUTHER MARKOV, OLDER GUY, PSYCH PROFESSOR. 246 00:15:11,678 --> 00:15:13,680 - WE HAD DINNER WITH LUTHER TWO WEEKS AGO. 247 00:15:15,482 --> 00:15:18,485 LUTHER WORKS WITH TRAVIS'S DAD. THEY'RE FRIENDS. 248 00:15:18,518 --> 00:15:20,020 HE--HE'S-- 249 00:15:20,053 --> 00:15:23,023 - HE WAS KILLED. 250 00:15:23,056 --> 00:15:26,059 WHO'S TRAVIS'S FATHER? 251 00:15:31,464 --> 00:15:33,166 - YOU SHOULDN'T HAVE. - YEAH. 252 00:15:33,200 --> 00:15:35,402 YOU KNOW, IT'S TO REMEMBER US BY. 253 00:15:38,071 --> 00:15:39,639 YOU KNOW, 254 00:15:39,672 --> 00:15:42,109 THERE WAS A TIME WHEN THIS THING 255 00:15:42,142 --> 00:15:43,977 WAS MY CLOSEST FRIEND. 256 00:15:44,011 --> 00:15:46,046 USED TO TAKE HER OUT ON STAKEOUTS. 257 00:15:46,079 --> 00:15:48,115 - DIFFERENT RULES BACK THEN. 258 00:15:48,148 --> 00:15:51,018 - WELL, SAME RULES, JUST DIFFERENT COPPERS. 259 00:15:54,421 --> 00:15:57,057 STERILIZED IT FOR YOU. 260 00:16:00,193 --> 00:16:01,561 - DR. ISAAC WEBBER, 261 00:16:01,594 --> 00:16:04,197 PROFESSOR OF PSYCHOLOGY AT CENTRAL CHICAGO UNIVERSITY. 262 00:16:04,231 --> 00:16:06,466 - THE FIRST VICTIM WE FOUND WAS WEBBER'S MENTOR, 263 00:16:06,499 --> 00:16:08,068 LIFELONG FRIENDS. 264 00:16:08,101 --> 00:16:10,170 - CAN'T BE A COINCIDENCE THAT HIS MENTOR AND HIS SON 265 00:16:10,203 --> 00:16:12,405 BOTH WIND UP DEAD INSIDE 24 HOURS. 266 00:16:12,439 --> 00:16:14,141 - IT'S NOT A COINCIDENCE. THE SON'S LICENSE PLATE 267 00:16:14,174 --> 00:16:16,143 WAS FOUND AT THE MURDER SCENE. - RIGHT, BUT HIS PRINTS WEREN'T. 268 00:16:16,176 --> 00:16:18,311 - WE RECOVERED TWO SHOTGUNS. BOTH HAD DEFACED SERIAL NUMBERS 269 00:16:18,345 --> 00:16:19,779 AND NO BALLISTIC MATCHES. 270 00:16:19,812 --> 00:16:22,682 - THE LIQUID IN THE TUB WAS HOMEMADE NITRIC ACID, 271 00:16:22,715 --> 00:16:24,684 AND VICTIM HAD BEEN IN THERE FOR TWO DAYS. 272 00:16:24,717 --> 00:16:26,319 THEN ALL OF A SUDDEN OUTTA THE BLUE, 273 00:16:26,353 --> 00:16:28,255 WE GET CALLED TO THE HOUSE TO DO A SPOT CHECK? 274 00:16:28,288 --> 00:16:30,623 COME ON. THERE WERE NO MISTAKES. 275 00:16:30,657 --> 00:16:33,126 SOMEONE WANTED TO LINK TRAVIS WEBBER TO THAT MURDER. 276 00:16:33,160 --> 00:16:35,028 THAT LICENSE PLATE WAS PLANTED. - HOLD ON. HOLD ON. 277 00:16:35,062 --> 00:16:37,730 I GOT SOMETHING. - THIS IS A RESTRAINING ORDER 278 00:16:37,764 --> 00:16:40,167 WEBBER TOOK OUT AGAINST ONE OF HIS STUDENTS. 279 00:16:40,200 --> 00:16:42,502 KID NAMED SPENCER YORK. 280 00:16:42,535 --> 00:16:44,271 - LET'S GET HIM DOWN HERE. 281 00:16:44,304 --> 00:16:46,706 I WANNA KNOW WHERE HE'S BEEN THE LAST TWO DAYS. 282 00:16:51,411 --> 00:16:55,048 - EXCUSE ME, WE'RE LOOKING FOR DR. WEBBER'S CLASS. 283 00:16:55,082 --> 00:16:57,284 - FOUND IT. I'M ABBY. I'M HIS TEACHING ASSISTANT. 284 00:16:57,317 --> 00:16:59,086 HE WAS LATE, SO I CANCELED CLASS. 285 00:16:59,119 --> 00:17:01,754 - DID HE CALL IN TODAY? DID HE E-MAIL YOU? 286 00:17:01,788 --> 00:17:04,191 - UH, NO. IS SOMETHING WRONG? 287 00:17:04,224 --> 00:17:06,759 - DO YOU KNOW A SPENCER YORK? 288 00:17:06,793 --> 00:17:09,496 - WE'RE BOTH GETTING OUR DOCTORATE DEGREES 289 00:17:09,529 --> 00:17:11,598 OR, HE WAS, UNTIL HE CRACKED UP. 290 00:17:11,631 --> 00:17:14,701 - CRACKED UP? - YEAH. HE-- 291 00:17:14,734 --> 00:17:17,437 HERE, I HAVE A VIDEO. 292 00:17:17,470 --> 00:17:19,772 THREE WEEKS AGO, SPENCER WAS DEFENDING HIS THESIS. 293 00:17:19,806 --> 00:17:21,741 HE'D BEEN SPIRALING FOR MONTHS-- 294 00:17:21,774 --> 00:17:24,711 UNTREATED BIPOLAR DISORDER, HE WASN'T SLEEPING. 295 00:17:24,744 --> 00:17:27,547 I HEARD DR. WEBBER TOOK OUT A RESTRAINING ORDER 296 00:17:27,580 --> 00:17:29,682 AFTER THE...MELTDOWN. 297 00:17:32,385 --> 00:17:36,189 - YOUR INABILITIES TO FOLLOW MY NOTES 298 00:17:36,223 --> 00:17:39,526 HAVE EVERYTHING TO DO WITH YOUR MENTAL CAPACITY 299 00:17:39,559 --> 00:17:42,295 AND NOTHING TO DO WITH MY RESEARCH OR MY NOTES 300 00:17:42,329 --> 00:17:44,564 OR ANYTHING LIKE-- DON'T INTERRUPT ME! 301 00:17:46,766 --> 00:17:48,868 ISAAC, I NEED YOU TO UNDERSTAND 302 00:17:48,901 --> 00:17:51,871 BECAUSE YOU SOMEHOW CAN'T GET IT THROUGH YOUR HEAD THAT THIS-- 303 00:17:51,904 --> 00:17:53,373 - SIR, CALM DOWN. - DON'T TOUCH ME! 304 00:17:53,406 --> 00:17:55,375 DON'T TOUCH-- 305 00:17:55,408 --> 00:18:00,613 ISAAC. ISAAC! THIS ISN'T-- I WASN'T FINISHED, ISAAC! 306 00:18:00,647 --> 00:18:03,850 - SPENCER'S THESIS WAS TITLED SPHERES OF INFLUENCE, 307 00:18:03,883 --> 00:18:07,854 HOW ONE PERSON CAN TRANSFER PSYCHIC TRAUMA ONTO ANOTHER. 308 00:18:07,887 --> 00:18:10,490 - SO NOW HE'S TRYING TO FINISH HIS THESIS IN THE REAL WORLD? 309 00:18:10,523 --> 00:18:12,459 - YEAH, SURE. YORK GETS BOOTED OUTTA SCHOOL, 310 00:18:12,492 --> 00:18:13,760 DECIDES TO TAKE IT OUT ON HIS OLD PROFESSOR. 311 00:18:13,793 --> 00:18:15,595 - ONLY HE DOESN'T ATTACK HIM. 312 00:18:15,628 --> 00:18:18,498 - HE ATTACKS THE PEOPLE IN HIS SPHERE. 313 00:18:18,531 --> 00:18:21,468 FIRST WEBBER'S MENTOR. - THEN, HIS SON. 314 00:18:21,501 --> 00:18:23,370 - DR. WEBBER WAS A FATHER FIGURE, 315 00:18:23,403 --> 00:18:25,438 OR SPENCER WANTED HIM TO BE. 316 00:18:25,472 --> 00:18:28,508 - [sighs] SO WHO'S NEXT IN HIS SPHERE? 317 00:18:28,541 --> 00:18:30,510 - I MEAN, HIS WIFE'S THE LOGICAL ANSWER, 318 00:18:30,543 --> 00:18:32,879 IF LOGIC IS APPLICABLE HERE. THANK YOU. 319 00:18:32,912 --> 00:18:34,747 WE GOTTA GET TO YORK'S. 320 00:18:34,781 --> 00:18:36,783 I'M GONNA HAVE VOIGHT TRACK DOWN DR. WEBBER. 321 00:18:40,953 --> 00:18:43,156 - "MAYOR EMANUEL"? 322 00:18:43,190 --> 00:18:45,225 PFFT! JEEZ, MOVING UP IN THE WORLD. 323 00:18:45,258 --> 00:18:47,126 - HEY, SARGE. 324 00:18:49,229 --> 00:18:51,364 [sighs] THEY TOOK HER BACK TO THE O.R. 325 00:18:51,398 --> 00:18:53,733 SHE WAS DEVELOPING COMPARTMENT SYNDROME OR SOMETHING. 326 00:18:53,766 --> 00:18:56,603 SO THEY HAD TO RELEASE SOME PRESSURE. 327 00:18:56,636 --> 00:18:59,572 - TWO SURGERIES IN ONE DAY? 328 00:18:59,606 --> 00:19:02,141 - YEAH. 329 00:19:03,943 --> 00:19:06,145 - THIRD ONE GETS YOU FREE TOPPINGS. 330 00:19:08,548 --> 00:19:10,450 SORRY. 331 00:19:17,524 --> 00:19:19,526 IT'S REALLY GOOD YOU'RE HERE. 332 00:19:22,595 --> 00:19:25,565 - [sighs] 333 00:19:29,736 --> 00:19:32,539 - YOU KNOW I GOT SHOT IN THE ASS, RIGHT? 334 00:19:34,774 --> 00:19:37,477 SURE, YOU TELL PEOPLE IT'S THE HIP, 335 00:19:37,510 --> 00:19:39,546 THE LOWER, LOWER BACK SIDE OF THE HIP, 336 00:19:39,579 --> 00:19:42,515 BUT I GOT SHOT IN THE ASS. 337 00:19:42,549 --> 00:19:44,884 - JEEZ, I'M SORRY TO HEAR THAT. 338 00:19:44,917 --> 00:19:48,355 - WELL, IT WAS DIFFERENT, BEING A LADY POLICE. 339 00:19:48,388 --> 00:19:50,623 THEY DIDN'T WANT YOU, A LOT OF GUYS. 340 00:19:50,657 --> 00:19:53,926 SO WHEN I WOKE UP, NO ONE WAS THERE. 341 00:19:53,960 --> 00:19:56,763 DAWSON WAS INTERROGATING THE JAGOFF THAT SHOT ME. 342 00:19:56,796 --> 00:19:58,431 INTERROGATING. BROKE HIS JAW. 343 00:19:58,465 --> 00:20:00,433 I UNDERSTOOD THIS, 344 00:20:00,467 --> 00:20:02,802 BUT WHEN YOU'RE WAKING UP... 345 00:20:04,871 --> 00:20:06,973 I SHOULDN'T HAVE BEEN ALONE. 346 00:20:09,542 --> 00:20:11,811 [cell phone buzzes] 347 00:20:16,783 --> 00:20:19,286 - THEY'RE CLOSING IN ON A SUSPECT. 348 00:20:19,319 --> 00:20:21,754 - HEY, IF YOU CAN HELP FIND THIS GUY, GO. 349 00:20:21,788 --> 00:20:23,356 - YOU'D STAY? 350 00:20:23,390 --> 00:20:25,792 - THEY'D HAVE TO DRAG ME AWAY. 351 00:20:25,825 --> 00:20:29,362 PLUS, YOU KNOW, THEY GOT, LIKE, FIVE HBOs HERE. 352 00:20:29,396 --> 00:20:32,299 - THANK YOU, SARGE. - YEAH. 353 00:20:38,971 --> 00:20:41,341 - HEY, HOW'S BURGESS? 354 00:20:41,374 --> 00:20:45,412 - SHE'S GREAT. GREAT. JUST A LITTLE FOLLOW-UP THING. 355 00:20:45,445 --> 00:20:47,914 - OKAY. YORK'S GOT THE SECOND FLOOR UNIT. 356 00:20:47,947 --> 00:20:50,850 EVERYBODY LOOK SHARP. 357 00:20:56,423 --> 00:20:59,726 [step creaks, car alarm blares] 358 00:21:01,461 --> 00:21:04,564 - I'LL CHECK IT OUT. 359 00:21:11,838 --> 00:21:13,673 - WHAT IS IT? 360 00:21:13,706 --> 00:21:15,007 - THIS STEP IS LOOSE. 361 00:21:29,456 --> 00:21:30,790 - OH. - THAT'S IT. 362 00:21:30,823 --> 00:21:32,058 WE NEED TO CALL THE BOMB UNIT. 363 00:21:32,091 --> 00:21:33,860 THIS WHOLE PLACE COULD BE RIGGED. 364 00:21:33,893 --> 00:21:34,927 - THERE COULD BE HOSTAGES INSIDE. 365 00:21:34,961 --> 00:21:37,764 - ARE WE GOING OR ARE WE WAITING? 366 00:21:37,797 --> 00:21:39,466 - I'M GONNA CALL THE BOMB UNIT. 367 00:21:45,705 --> 00:21:47,674 - RUZEK! 368 00:21:54,046 --> 00:21:54,447 . 369 00:21:54,481 --> 00:21:54,781 - [groaning] 370 00:21:56,383 --> 00:21:58,518 - YOU OKAY? - YEAH. YOU? 371 00:21:58,551 --> 00:21:59,519 - YEAH. 372 00:22:01,654 --> 00:22:04,357 - YOU OKAY? - YEAH, WE'RE OKAY. 373 00:22:04,391 --> 00:22:06,393 - THE CAR WAS RIGGED. 374 00:22:06,426 --> 00:22:08,761 - I KNOW, THAT'S WHY I YELLED, "RUZEK, NO." 375 00:22:10,162 --> 00:22:11,398 - SO NOW YOU'RE JOHNNY ON THE SPOT. 376 00:22:11,431 --> 00:22:13,533 - WHAT'S THAT SUPPOSED TO MEAN? - WHAT DO YOU THINK IT MEANS? 377 00:22:13,566 --> 00:22:15,602 WHAT HAPPENED LAST NIGHT? - HEY, MAN, WHAT'S YOUR PROBLEM? 378 00:22:15,635 --> 00:22:17,437 - I'M NOT GONNA HIT YOU. - HEY, I MIGHT HIT ONE OF YOU! 379 00:22:17,470 --> 00:22:18,871 SAME TEAM, GUYS. COME ON. 380 00:22:18,905 --> 00:22:20,607 - RUZEK, TAKE A WALK. - COME ON. 381 00:22:20,640 --> 00:22:22,675 - TAKE A WALK! 382 00:22:22,709 --> 00:22:24,777 HEY, WE GOTTA CHECK THE BUILDING FOR VICTIMS. 383 00:22:24,811 --> 00:22:26,546 - WE GOTTA GET THE BOMB UNIT OUT HERE FIRST 384 00:22:26,579 --> 00:22:28,581 AND CROWD CONTROL. 385 00:22:28,615 --> 00:22:31,451 - HALSTEAD. THANK GOD. 386 00:22:31,484 --> 00:22:32,885 HEY, ISAAC WEBBER TURNED UP. 387 00:22:32,919 --> 00:22:34,787 YORK HAD HIM TIED UP, BUT HE'S FINE. 388 00:22:34,821 --> 00:22:36,889 ANTONIO AND OLINSKY ARE HEADED OVER THERE NOW. 389 00:22:36,923 --> 00:22:38,991 THANKS. 390 00:22:39,025 --> 00:22:40,126 - HEY, JAY. - YEAH. 391 00:22:40,159 --> 00:22:44,497 - DON'T LOOK NOW...BEHIND US, THERE'S A GUY WATCHING. 392 00:22:50,202 --> 00:22:52,739 - SHAVED HEAD, TAN JACKET? - YEAH. 393 00:22:52,772 --> 00:22:55,475 - I KNEW SPENCER WAS UNWELL. 394 00:22:55,508 --> 00:22:58,445 I SHOULD HAVE DONE MORE, BUT HE WAS LOST IN HIS WORK. 395 00:22:58,478 --> 00:22:59,846 HE WAS FIXATED ON IT. 396 00:22:59,879 --> 00:23:01,514 - HE INDICATE WHERE HE WAS HEADED? 397 00:23:01,548 --> 00:23:05,017 - NO, HE CAME HERE, HE TIED ME UP. HE HAD A GUN. 398 00:23:05,051 --> 00:23:07,920 HE WAS NONVERBAL. HE WAS MUTTERING. 399 00:23:07,954 --> 00:23:10,490 HE'S IN A SCHIZOPHRENIC STATE. HE'S PARANOID. 400 00:23:10,523 --> 00:23:12,091 - ISAAC, WHERE'S YOUR WIFE RIGHT NOW? 401 00:23:12,124 --> 00:23:14,627 - SUSANNAH? WHY? - IS SHE AT WORK? 402 00:23:14,661 --> 00:23:17,464 - I-I DON'T KNOW. SHE WENT TO MEET A CLIENT. 403 00:23:17,497 --> 00:23:20,667 SHE LEFT AND--I DON'T REMEMBER-- YOU THINK YORK WHEN AFTER HER? 404 00:23:20,700 --> 00:23:22,469 - HEY, SLOW DOWN. WHERE WAS SHE HEADED? 405 00:23:22,502 --> 00:23:24,504 - I DON'T KNOW! 406 00:23:47,960 --> 00:23:50,029 - WHERE YOU GOING, SPENCER? 407 00:23:56,636 --> 00:23:58,771 YOU'VE BEEN BUSY. 408 00:23:58,805 --> 00:24:02,675 TWO BODIES WE FOUND SO FAR. 409 00:24:02,709 --> 00:24:05,044 HOW MANY MORE ARE WE GONNA FIND? 410 00:24:07,079 --> 00:24:09,048 - WE ALSO FOUND YOUR FINGERPRINTS 411 00:24:09,081 --> 00:24:11,484 AT BOTH CRIME SCENES. 412 00:24:11,518 --> 00:24:15,555 WE HAVE YOU ON VIDEO AT RADIOSHACK BUYING WIRING 413 00:24:15,588 --> 00:24:18,558 AND TRANSMITTING DEVICES. 414 00:24:18,591 --> 00:24:20,727 - YOU CAN'T PUT THE HOUSE BACK TOGETHER. 415 00:24:20,760 --> 00:24:25,498 - UH-HUH. WHERE IS SUSANNAH WEBBER? 416 00:24:25,532 --> 00:24:26,766 YOU DIDN'T RUN, 417 00:24:26,799 --> 00:24:29,602 SO YOU WANTED TO BE CAUGHT? 418 00:24:35,107 --> 00:24:38,210 TELL US WHERE SHE IS. 419 00:24:40,613 --> 00:24:43,683 - YOUR FATHER DIED WHEN YOU WERE A KID. 420 00:24:43,716 --> 00:24:46,252 THAT RIGHT, SPENCER? 421 00:24:49,121 --> 00:24:52,759 DR. WEBBER, HE WAS LIKE A FATHER FIGURE. 422 00:24:52,792 --> 00:24:56,763 ONLY HE LET YOU TWIST WHEN YOUR MIND WENT. 423 00:24:56,796 --> 00:24:59,532 THAT'S CRUEL. 424 00:24:59,566 --> 00:25:01,568 THAT MUSTA HURT. 425 00:25:01,601 --> 00:25:05,872 BUT, SPENCER, IF YOU THINK THAT HURT, 426 00:25:05,905 --> 00:25:08,908 IF YOU THINK THAT'S REAL PAIN, 427 00:25:08,941 --> 00:25:10,743 YOU KEEP IGNORING US. 428 00:25:10,777 --> 00:25:13,179 'CAUSE EITHER YOU'RE GONNA TELL US OR WE'RE GONNA FIND HER, 429 00:25:13,212 --> 00:25:16,616 AND I HOPE FOR YOUR SAKE THAT WHEN WE DO, SHE'S ALIVE! 430 00:25:22,288 --> 00:25:25,558 SO WHERE IS SHE? 431 00:25:25,592 --> 00:25:27,594 WHERE'S SUSANNAH WEBBER? 432 00:25:32,865 --> 00:25:36,936 - YOU CAN'T PUT THE HOUSE BACK TOGETHER. 433 00:25:44,611 --> 00:25:47,346 - STILL NO LEADS ON SUSANNAH WEBBER'S LOCATION. 434 00:25:47,379 --> 00:25:49,281 - NO, WE PINGED HER PHONE, GOT NO RESPONSE. 435 00:25:49,315 --> 00:25:51,350 I CHECKED WITH HER CLIENT-- SHE MISSED THEIR MEETING. 436 00:25:51,383 --> 00:25:53,586 - ALL RIGHT, SO HE MAKES IT IN THE BIG CITY 437 00:25:53,620 --> 00:25:54,687 ON A PROFESSOR'S SALARY. 438 00:25:54,721 --> 00:25:57,189 SHE LOOKS EXPENSIVE TO MAINTAIN. HOW DOES THAT WORK? 439 00:25:57,223 --> 00:25:59,859 - MAKES HER OWN MONEY. SHE FLIPS HIGH-END HOUSES. 440 00:25:59,892 --> 00:26:02,228 SOLD THIS ONE FOR 4.2 MILLION LAST YEAR. 441 00:26:02,261 --> 00:26:04,964 - YORK ISN'T FINISHED, OKAY? HE PLANNED ALL THIS. 442 00:26:04,997 --> 00:26:06,666 IF WE CAUGHT HIM THAT EASY, 443 00:26:06,699 --> 00:26:08,034 IT'S 'CAUSE THERE'S SOMETHING ELSE HE WANTS US TO FIND. 444 00:26:08,067 --> 00:26:09,301 - WELL, HE WANTS TO BREAK HIS OLD MENTOR. 445 00:26:09,335 --> 00:26:11,370 SO WHERE'D HE STASH THIS GUY'S WIFE? 446 00:26:11,403 --> 00:26:13,740 WHERE'S HE LEADING US NEXT? - AND WHAT'S WITH THE NUMBER? 447 00:26:13,773 --> 00:26:15,074 - THE SOLE CONTENTS OF THE WALLET 448 00:26:15,107 --> 00:26:17,810 WE PULLED OFF SPENCER YORK. HAZARD A GUESS. 449 00:26:17,844 --> 00:26:19,679 [telephone rings] 450 00:26:19,712 --> 00:26:21,748 - UNTRACEABLE, UNLISTED, UNHELPFUL. 451 00:26:21,781 --> 00:26:24,684 IT'S A WEIRD ONE. 452 00:26:26,385 --> 00:26:28,621 - ALL RIGHT, I'LL BE RIGHT THERE. 453 00:26:28,655 --> 00:26:31,791 BOSS. - GO. 454 00:26:55,815 --> 00:26:56,015 . 455 00:26:56,048 --> 00:26:57,016 - SLEEPING BEAUTY STILL AWAITS TRUE LOVE'S KISS. 456 00:26:58,450 --> 00:27:00,753 - HOW'D YOU KNOW ABOUT US ANYWAY? 457 00:27:00,787 --> 00:27:03,255 - I PASSED THE DETECTIVE EXAM TWICE 458 00:27:03,289 --> 00:27:05,357 IN MY STORIED CAREER AT THE POLICE, YOU KNOW. 459 00:27:05,391 --> 00:27:07,226 - YOU DIDN'T, LIKE, TELL ANYONE? 460 00:27:07,259 --> 00:27:10,396 - I DETEST GOSSIP OF ANY KIND. ABHOR IT. 461 00:27:10,429 --> 00:27:12,799 THIS WAS BOUGHT OUT OF DESPERATION. 462 00:27:12,832 --> 00:27:15,034 I PLAN ON BILLING THE DEPARTMENT. 463 00:27:15,067 --> 00:27:16,703 - [moans] 464 00:27:16,736 --> 00:27:19,171 - HEY. 465 00:27:25,011 --> 00:27:28,047 - HEY, I'M HERE, TOO. 466 00:27:29,982 --> 00:27:32,051 - I'LL COME BACK. 467 00:27:32,084 --> 00:27:35,354 BURGESS, NEXT TIME, LITTLE TIP FROM A SUPERIOR. 468 00:27:35,387 --> 00:27:37,156 DUCK. 469 00:27:37,189 --> 00:27:39,191 - THAT'S GREAT ADVICE, SERGEANT. 470 00:27:42,294 --> 00:27:45,264 - OH, NO, I THINK-- - TAKE THIS OFF. 471 00:27:45,297 --> 00:27:47,900 - LET ME HELP YOU. 472 00:27:49,969 --> 00:27:51,771 - HEY. - HI. 473 00:27:51,804 --> 00:27:53,840 - HOW YA FEELING? 474 00:27:53,873 --> 00:27:57,109 - I FEEL LIKE A--LIKE-- LIKE A PUPPET 475 00:27:57,143 --> 00:27:59,746 WHO SOMEONE ELSE IS MAKING TALK. 476 00:28:01,280 --> 00:28:03,983 HOW LONG WAS I OUT? 477 00:28:04,016 --> 00:28:06,118 - WELL, THE DOCTOR HAD TO TAKE YOU BACK 478 00:28:06,152 --> 00:28:07,253 AND GET THOSE PELLETS OUTTA YOUR ARM. 479 00:28:07,286 --> 00:28:09,989 YOU REMEMBER YOU WERE SHOT? 480 00:28:10,022 --> 00:28:12,959 - WHAT? I WAS SHOT? 481 00:28:12,992 --> 00:28:14,360 WHAT YEAR IS THIS? 482 00:28:14,393 --> 00:28:16,395 WHO IS THE PRESIDENT? WHAT IS THE INTERNET? 483 00:28:16,428 --> 00:28:18,297 - YOU ARE VERY FUNNY. 484 00:28:18,330 --> 00:28:23,002 I'M NOT STRONG ENOUGH TO BE MESSED WITH RIGHT NOW. 485 00:28:23,035 --> 00:28:26,438 - HEY. 486 00:28:26,472 --> 00:28:28,808 YOU WERE WORRIED ABOUT ME. 487 00:28:28,841 --> 00:28:30,743 - YOU HAVE NO IDEA. 488 00:28:30,777 --> 00:28:33,179 - IT'S OKAY. 489 00:28:33,212 --> 00:28:36,015 - I LOVE YOU, YOU KNOW? 490 00:28:39,318 --> 00:28:42,188 - I LOVE YOU, TOO. 491 00:28:42,221 --> 00:28:44,290 - WELL, WE HAVE THAT IN COMMON. 492 00:28:44,323 --> 00:28:45,825 - [laughs] YES. 493 00:28:45,858 --> 00:28:48,027 - YES. 494 00:28:51,831 --> 00:28:53,800 - WE TRIED COMMUNICATING WITH YORK. 495 00:28:53,833 --> 00:28:55,868 WE'RE NOT GETTING ANYTHING. 496 00:28:55,902 --> 00:28:57,870 - HE KEPT REPEATING THE SAME THING. 497 00:28:57,904 --> 00:29:00,172 MAYBE IT MEANS SOMETHING TO YOU. 498 00:29:00,206 --> 00:29:02,508 "YOU CAN'T PUT THE HOUSE BACK TOGETHER." 499 00:29:02,541 --> 00:29:04,376 - LOOK, HE KILLED MY SON. MY WIFE IS MISSING. 500 00:29:04,410 --> 00:29:06,245 I HAVE NO IDEA WHAT THAT PHRASE MEANS. 501 00:29:06,278 --> 00:29:08,014 IS IT A CLUE? I DON'T KNOW. 502 00:29:08,047 --> 00:29:09,215 THAT FALLS UNDER YOUR PURVIEW. 503 00:29:09,248 --> 00:29:12,251 - A GUY COMES TO ME, WANTS ME TO HELP HIM FIND HIS WIFE, 504 00:29:12,284 --> 00:29:14,553 USUALLY HE CAN'T STOP TALKING. 505 00:29:14,586 --> 00:29:17,256 EVERY LITTLE DETAIL HE THINKS MIGHT HELP. 506 00:29:17,289 --> 00:29:20,226 YOU'RE SAYING VERY LITTLE, PROFESSOR. 507 00:29:20,259 --> 00:29:23,195 - WE NEED TO KNOW EVERYTHING. 508 00:29:23,229 --> 00:29:26,165 EVEN IF IT'S SOMETHING YOU DON'T WANT TO TALK ABOUT. 509 00:29:31,070 --> 00:29:33,405 - 25 YEARS OF MARRIAGE, THINGS-- 510 00:29:35,407 --> 00:29:39,278 SHE WAS HAVING AN AFFAIR. WITH A CLIENT. 511 00:29:39,311 --> 00:29:42,048 I DON'T KNOW HIS NAME. I DIDN'T WANT TO KNOW. 512 00:29:42,081 --> 00:29:43,382 - A CLIENT. 513 00:29:43,415 --> 00:29:45,184 SHE WAS BUILDING A HOUSE FOR HIM. 514 00:29:45,217 --> 00:29:47,820 - HA. - [sighs] 515 00:29:47,854 --> 00:29:51,157 WE'VE BEEN TRYING TO FIGURE OUT WHERE YORK WOULD TAKE YOUR WIFE. 516 00:29:51,190 --> 00:29:53,826 IF HE KNOWS ABOUT THE AFFAIR, HE COULD BE TRYING TO EXPOSE IT 517 00:29:53,860 --> 00:29:55,094 TO SHAME YOU. 518 00:29:55,127 --> 00:29:58,998 - WE NEED THE ADDRESS OF EVERY PROJECT YOUR WIFE IS WORKING ON. 519 00:30:06,205 --> 00:30:08,574 THANKS, BRO. 520 00:30:08,607 --> 00:30:10,877 HEY, SHOULD I EXPECT RUZEK AT SOME POINT? 521 00:30:10,910 --> 00:30:12,411 - WELL, I TALKED TO HIM. 522 00:30:12,444 --> 00:30:14,313 UH, BURGESS IS, UH... 523 00:30:14,346 --> 00:30:16,983 I TOLD HIM TO STAY WITH HER. 524 00:30:19,085 --> 00:30:21,553 - COME ON. YOU'RE NOT GONNA MISS THIS. 525 00:30:21,587 --> 00:30:24,056 - I'M MOVING TO THE TASK FORCE. 526 00:30:24,090 --> 00:30:26,558 - THERE'S, LIKE, A SILENT "UP" THERE. 527 00:30:26,592 --> 00:30:28,260 IT'S LIKE MOVING UP TO A TASK FORCE. 528 00:30:28,294 --> 00:30:30,529 - NO, I'M SAYING, THEY SEE ACTION. 529 00:30:30,562 --> 00:30:32,331 IT'S NOT LIKE IT'S THE LAST TIME I'M GONNA PUT ON A VEST. 530 00:30:32,364 --> 00:30:34,366 - NO, IT'S JUST THE LAST TIME 531 00:30:34,400 --> 00:30:37,103 I'M GONNA HELP YOU GET IT ON RIGHT. 532 00:31:07,299 --> 00:31:09,101 - CHICAGO POLICE! 533 00:31:09,135 --> 00:31:11,971 woman: HELP ME, PLEASE! - HOW LONG TILL THE BOMB UNIT? 534 00:31:12,004 --> 00:31:14,173 - THEY'RE FIVE MINUTES OUT. - HELP! 535 00:31:33,492 --> 00:31:35,194 - IT'S OPEN. 536 00:31:35,227 --> 00:31:37,496 - HE KNEW WE WERE COMING. 537 00:31:37,529 --> 00:31:39,498 - WE GONNA WAIT FOR THE BOMB SQUAD? 538 00:31:39,531 --> 00:31:42,201 - HELP! HELP! 539 00:31:42,234 --> 00:31:45,171 - WAIT HERE UNTIL THEY ROLL UP. 540 00:31:47,039 --> 00:31:49,275 IF WE'RE ALL STILL HERE. 541 00:31:53,679 --> 00:31:56,482 - CHICAGO POLICE! - UP HERE! 542 00:31:56,515 --> 00:31:58,517 - IT'S CLEAR. 543 00:32:03,222 --> 00:32:05,457 [crying] OH, GOD. OH, GOD. 544 00:32:08,427 --> 00:32:10,696 OH, GOD. 545 00:32:23,409 --> 00:32:27,313 [woman continues crying] 546 00:32:32,151 --> 00:32:33,452 - IT'S OKAY. 547 00:32:33,485 --> 00:32:36,122 IT'S OKAY. 548 00:32:36,155 --> 00:32:38,590 IT'S SUSANNAH, RIGHT? - YES. 549 00:32:38,624 --> 00:32:41,093 HE TAPED A BOMB TO MY CHEST. 550 00:32:41,127 --> 00:32:43,095 - SUSANNAH, WE HAVE THE BOMB SQUAD ON THEIR WAY. 551 00:32:43,129 --> 00:32:45,131 TAKE A COUPLE DEEP BREATHS, OKAY? 552 00:32:45,164 --> 00:32:47,266 - PLEASE HURRY! THERE'S A TIMER! 553 00:32:47,299 --> 00:32:49,001 I DON'T KNOW HOW MUCH TIME IS LEFT! PLEASE. 554 00:32:49,035 --> 00:32:50,669 - ALL RIGHT, NOW LISTEN TO ME. - PLEASE HURRY. 555 00:32:50,702 --> 00:32:53,172 - YOU SAW THE TIMER OR HE TOLD YOU THERE WAS A TIMER? 556 00:32:53,205 --> 00:32:56,175 [opera music] - [screams] 557 00:33:09,655 --> 00:33:10,056 . 558 00:33:10,089 --> 00:33:10,556 [opera music continues] 559 00:33:12,824 --> 00:33:19,731 * 560 00:33:19,765 --> 00:33:22,034 [walkie-talkie chirps] - WHAT THE HELL WAS THAT? 561 00:33:22,068 --> 00:33:24,070 - I DON'T WANT ANYONE ELSE COMING UP HERE. 562 00:33:24,103 --> 00:33:26,038 - THE BOMB SQUAD JUST ROLLED UP. 563 00:33:26,072 --> 00:33:27,206 - KEEP 'EM THERE. 564 00:33:27,239 --> 00:33:30,576 - DWYER, IT'S RIGGED. 565 00:33:30,609 --> 00:33:31,610 - [sighs] 566 00:33:31,643 --> 00:33:33,212 - NOW WHAT?! 567 00:33:33,245 --> 00:33:35,314 [music stops] 568 00:33:35,347 --> 00:33:37,116 - [cries] OH, GOD. OH, GOD. 569 00:33:37,149 --> 00:33:39,351 - HE'S MESSING WITH US. 570 00:33:39,385 --> 00:33:42,554 - IT WAS ANOTHER TRICK. 571 00:33:42,588 --> 00:33:45,091 IS DWYER THERE? 572 00:33:45,124 --> 00:33:47,259 - I'M HERE, HANK. TELL ME WHAT YOU SEE. 573 00:33:47,293 --> 00:33:49,161 - I GOT C-4 TAPED TO HER BODY. 574 00:33:49,195 --> 00:33:53,332 HE SET UP THIS WHOLE-- THIS WHOLE PERIMETER AROUND HER. 575 00:33:53,365 --> 00:33:56,135 - OKAY. I NEED YOU TO FIND THE TRIGGER. 576 00:33:56,168 --> 00:33:58,804 I'M SHOWING NO RECEIVERS OR TRANSMITTERS CHECKING IN, 577 00:33:58,837 --> 00:34:01,273 SO IT'S EITHER ON THE BOMB OR IT'S WIRED TO IT. 578 00:34:01,307 --> 00:34:03,609 NOW, CAN YOU GET PAST THE PERIMETER? 579 00:34:03,642 --> 00:34:05,777 - WE CAN ONLY GET SO FAR. 580 00:34:05,811 --> 00:34:08,114 - HE PUT SOMETHING ON MY BACK. 581 00:34:08,147 --> 00:34:09,615 HE--HE TAPED SOMETHING TO MY BACK. 582 00:34:09,648 --> 00:34:11,183 - COULD BE THE TRIGGER. 583 00:34:11,217 --> 00:34:13,419 - YEAH, JUST... 584 00:34:13,452 --> 00:34:16,755 WATCH YOUR STEP. 585 00:34:16,788 --> 00:34:18,124 - NO. 586 00:34:18,157 --> 00:34:20,259 - SUSANNAH, RIGHT HERE. 587 00:34:20,292 --> 00:34:22,094 IT'S OKAY. 588 00:34:22,128 --> 00:34:25,164 RIGHT HERE, ATTAGIRL. 589 00:34:26,432 --> 00:34:28,367 RIGHT HERE. 590 00:34:28,400 --> 00:34:31,103 - [sobs] OH, GOD, NO. NO! 591 00:34:31,137 --> 00:34:32,471 - SUSANNAH. - NO! 592 00:34:32,504 --> 00:34:33,305 - SUSANNAH, LOOK AT ME. 593 00:34:33,339 --> 00:34:36,508 SUSANNAH, I NEED YOU TO STAY STILL. 594 00:34:36,542 --> 00:34:39,545 YOU GOTTA TRY TO RELAX. JUST BREATHE. 595 00:34:39,578 --> 00:34:42,214 - NO, NO, NO, NO. GOD, NO, NO, NO, NO. 596 00:34:42,248 --> 00:34:45,351 HE SAID--HE SAID-- OH, GOD. 597 00:34:45,384 --> 00:34:47,619 - ATTAGIRL, RIGHT HERE. 598 00:34:47,653 --> 00:34:49,621 LOOK AT ME. 599 00:34:57,929 --> 00:35:00,632 - OH, NO, NO, NO. - SHH. 600 00:35:00,666 --> 00:35:02,768 - OH, GOD. 601 00:35:09,241 --> 00:35:11,343 - SERGEANT DWYER, IT'S DETECTIVE HALSTEAD. 602 00:35:11,377 --> 00:35:14,446 I DON'T THINK IT'S ON A TRIGGER. 603 00:35:14,480 --> 00:35:16,682 IT'S ON A TIMER. 604 00:35:16,715 --> 00:35:19,351 THE PHONE NUMBER WE TOOK OFF SPENCER YORK-- 605 00:35:19,385 --> 00:35:21,553 WE TRIGGERED THE THING. 606 00:35:23,589 --> 00:35:25,391 OR I DID. I-I CALLED THAT NUMBER. 607 00:35:25,424 --> 00:35:28,660 - YEAH, THAT'S POSSIBLE. 608 00:35:28,694 --> 00:35:31,897 - SO HOW DO WE TURN IT OFF? 609 00:35:31,930 --> 00:35:34,200 - YOU TURN IT OFF. 610 00:35:35,534 --> 00:35:36,768 - THAT'S IT? 611 00:35:36,802 --> 00:35:41,773 - NO, FIRST I WANT YOU TO PULL THE DETONATORS OUT OF THE C-4. 612 00:35:41,807 --> 00:35:42,774 [Susannah whimpers] 613 00:35:42,808 --> 00:35:45,611 - SO THESE THINGS ARE HERE JUST TO SCARE US. 614 00:35:45,644 --> 00:35:47,546 - NO, THAT'S NOT WHAT HE SAID. 615 00:35:47,579 --> 00:35:50,849 - HALSTEAD. - YEAH. 616 00:35:50,882 --> 00:35:52,418 - YOU GOT THIS? 617 00:35:52,451 --> 00:35:54,520 - YEAH, I GOT THIS. 618 00:35:54,553 --> 00:35:58,257 SUSANNAH, I NEED YOU TO STAY REALLY STILL. 619 00:35:58,290 --> 00:36:00,959 - DON'T! NO. WE'RE ALL GONNA DIE! OH, NO! 620 00:36:00,992 --> 00:36:02,894 - HEY, LOOK AT ME. NO ONE'S GONNA DIE. 621 00:36:02,928 --> 00:36:04,596 JUST SIT TIGHT. HEY, LOOK AT ME. - OH, MY GOD. 622 00:36:04,630 --> 00:36:06,698 - LOOK AT ME. NO ONE'S GONNA DIE. 623 00:36:06,732 --> 00:36:08,734 YOU JUST SIT TIGHT, OKAY? - [sobs] 624 00:36:08,767 --> 00:36:12,438 - [whispers] ON THREE. 625 00:36:12,471 --> 00:36:14,273 ONE... 626 00:36:16,242 --> 00:36:18,610 - NO. - TWO. 627 00:36:18,644 --> 00:36:19,811 THREE. 628 00:36:19,845 --> 00:36:21,813 - [screams] 629 00:36:21,847 --> 00:36:24,350 NO! - SUSANNAH, PLEASE. 630 00:36:24,383 --> 00:36:26,952 PLEASE, SEE, IT'S OKAY. - NO, NO, NO, NO. 631 00:36:26,985 --> 00:36:28,954 - JUST STAY STILL. - NO. NO, HE SAID--HE SAID-- 632 00:36:28,987 --> 00:36:31,890 HE SAID NO! NO, NO, DON'T. 633 00:36:31,923 --> 00:36:33,425 - JUST STAY STILL. - HE SAID-- 634 00:36:33,459 --> 00:36:35,227 HE SAID THERE WAS A TRIGGER. 635 00:36:35,261 --> 00:36:36,495 - OKAY, SHH. 636 00:36:36,528 --> 00:36:38,497 - RIGHT HERE. - OH, MY GOD... 637 00:36:38,530 --> 00:36:41,933 - LOOK AT ME. HEY, HEY. YOU'RE WITH ME. 638 00:36:41,967 --> 00:36:42,868 WE'RE GONNA BE OKAY. - OH, GOD. 639 00:36:42,901 --> 00:36:44,236 - JUST LOOK AT ME. 640 00:36:44,270 --> 00:36:45,904 - JUST DON'T MOVE, OKAY? 641 00:36:45,937 --> 00:36:49,275 ALL RIGHT, YOU GOT IT? - YEAH. JUST SIT TIGHT. 642 00:36:49,308 --> 00:36:52,010 - ALL RIGHT. OKAY, OKAY. OKAY, OKAY. 643 00:36:52,043 --> 00:36:54,246 ALL RIGHT, DON'T MOVE. 644 00:36:59,718 --> 00:37:01,620 - [sobbing] 645 00:37:01,653 --> 00:37:04,856 - YOU GOT IT? - IT'S OVER. 646 00:37:04,890 --> 00:37:06,492 ALL RIGHT, IT'S OKAY. 647 00:37:06,525 --> 00:37:10,962 IT'S OKAY. - [sighs] 648 00:37:10,996 --> 00:37:12,831 - [sobbing] - SHH. 649 00:37:12,864 --> 00:37:15,501 SHH, OKAY. 650 00:37:15,534 --> 00:37:16,968 OKAY, IT'S ALL RIGHT. 651 00:37:17,002 --> 00:37:20,005 HERE, CUT THESE. - YEAH. 652 00:37:25,911 --> 00:37:28,614 - HEY. 653 00:37:28,647 --> 00:37:30,649 - OH. 654 00:37:33,018 --> 00:37:36,054 - UGH. 655 00:37:36,087 --> 00:37:39,358 TWO GLAZED AND A MAPLE BAR. 656 00:37:39,391 --> 00:37:42,994 I'D GET RID OF ONE OF THOSE BEFORE THAT ANIMAL COMES TO. 657 00:37:43,028 --> 00:37:45,063 - I WOULD HAVE GOTTEN DRESSED. I WOULD HAVE... 658 00:37:45,096 --> 00:37:46,998 - OH, PLEASE. - GOTTEN DRESSED. 659 00:37:47,032 --> 00:37:48,900 - YOU LOOK GREAT. REALLY. 660 00:37:48,934 --> 00:37:50,902 HEALTHY. 661 00:37:50,936 --> 00:37:52,804 - MM-HMM. 662 00:37:52,838 --> 00:37:55,307 both: [laugh] 663 00:37:55,341 --> 00:37:57,476 - GOTTA TELL ME WHAT IT FEELS LIKE SOMETIME, 664 00:37:57,509 --> 00:37:59,878 YOU KNOW, CATCHING ALL THAT LEAD. 665 00:37:59,911 --> 00:38:01,680 NEVER HAD THE PLEASURE. 666 00:38:01,713 --> 00:38:04,616 - FEELS LUCKY. 667 00:38:04,650 --> 00:38:07,919 - YEAH, MAYBE. - MM-HMM. 668 00:38:09,521 --> 00:38:12,991 - CPD IS A FUNNY PLACE. 669 00:38:13,024 --> 00:38:14,526 DON'T ALWAYS GET IT RIGHT, 670 00:38:14,560 --> 00:38:17,696 BUT WHEN YOU GET SHOT... 671 00:38:18,764 --> 00:38:20,799 YOUR NEXT POSITION IS UP TO YOU. 672 00:38:22,067 --> 00:38:25,504 ORDINARILY, I DON'T ALLOW FOR RELATIONSHIPS IN MY UNIT, 673 00:38:25,537 --> 00:38:27,906 BUT IN THIS CASE, 674 00:38:27,939 --> 00:38:29,975 I'M WILLING TO MAKE AN EXCEPTION. 675 00:38:30,008 --> 00:38:32,744 LINDSAY'S SPOT'S OPEN. 676 00:38:34,713 --> 00:38:38,517 YOU TWO THINK YOU CAN HANDLE IT... 677 00:38:38,550 --> 00:38:40,752 IT'S YOURS. 678 00:38:44,456 --> 00:38:47,459 - I DON'T EVEN-- - [laughs] 679 00:38:47,493 --> 00:38:49,595 - THANK YOU, SIR. SERGEANT, I-- 680 00:38:49,628 --> 00:38:52,030 - BURGESS, JUST REST. 681 00:38:52,063 --> 00:38:54,433 THINK ABOUT IT. 682 00:38:54,466 --> 00:38:56,868 - OKAY. 683 00:39:04,443 --> 00:39:06,011 - ARE YOU TALKING TO SOMEBODY? 684 00:39:06,044 --> 00:39:07,479 - TO-- 685 00:39:07,513 --> 00:39:10,382 YEAH, JUST, UM, ONE OF THE NURSES. 686 00:39:10,416 --> 00:39:12,384 - IS EVERYTHING ALL RIGHT? 687 00:39:12,418 --> 00:39:14,920 - YEAH, EVERYTHING'S-- GO BACK TO SLEEP. 688 00:39:14,953 --> 00:39:18,690 - YOU SURE? - YES. GO BACK TO SLEEP. 689 00:39:18,724 --> 00:39:20,959 - ALL RIGHT. 690 00:39:24,830 --> 00:39:27,132 - YOU GOT COMPANY AT YOUR 9. 691 00:39:27,165 --> 00:39:29,367 SHE A FRIENDLY? 692 00:39:32,671 --> 00:39:36,074 - I GOTTA TAKE SLAYER TO THE PARK TO RUN HIM AROUND. 693 00:39:36,107 --> 00:39:38,577 YOU CAN JOIN IF YOU'RE FREE. 694 00:39:50,055 --> 00:39:52,858 - THINK HE UNDERSTANDS WHERE HE'S GOING? 695 00:39:52,891 --> 00:39:54,893 - MENTAL HEALTH DEPARTMENT CAN EXPLAIN IT TO HIM. 696 00:39:54,926 --> 00:39:57,596 HE'S ALL THEIRS TILL THE TRIAL. 697 00:39:57,629 --> 00:40:00,065 - I JUST HOPE HE DOES HIS TIME. 698 00:40:00,098 --> 00:40:01,900 - HE'LL DO IT. 699 00:40:01,933 --> 00:40:04,035 IF HE KNOWS WHERE HE'S AT WHILE HE'S DOING IT, 700 00:40:04,069 --> 00:40:06,137 HE'S GOT BETTER DOCTORS THAN I DO. 701 00:40:10,075 --> 00:40:11,076 YOU CAN'T STAY AWAY, CAN YOU? 702 00:40:11,109 --> 00:40:12,911 - WHAT? 703 00:40:12,944 --> 00:40:16,081 I FORGOT SOMETHING. 704 00:40:16,114 --> 00:40:17,949 YOU DID RUN OUTTA HERE PRETTY QUICK 705 00:40:17,983 --> 00:40:20,185 WHEN I TOLD EVERYBODY I WAS TAKING THE NEW GIG. 706 00:40:20,218 --> 00:40:22,988 - YOU WANTED A GOOD-BYE HUG. 707 00:40:25,491 --> 00:40:26,992 - THAT IS NOT WHAT I'M SAYING. 708 00:40:27,025 --> 00:40:28,927 - HEY, IT'S OKAY TO ADMIT THAT YOU'RE LOSING SLEEP 709 00:40:28,960 --> 00:40:31,429 WITHOUT A GOOD-BYE HUG. 710 00:40:34,966 --> 00:40:37,202 COME HERE. 711 00:40:42,541 --> 00:40:44,976 I'M GONNA MISS YOU. 712 00:41:31,723 --> 00:41:34,726 - [winces] 50916

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