Original subtitles

Strange, because in the factory, instead,

directors and workers laugh at the tush, the power of money.

And to wear seat belts! Ready?

One moment, though.

Clear and long friendship.

Once on land, great tourist trips.

Walk, eat, visit churches, museums,

trotters and all that stuff there.

Because even culture wants its share.

Am I right, people?

And then, I recommend, on land, never stop!

Move! Move! Move!

Look at the tribe!

Milan is only 9 degrees and we are here in the sun of Ischia!

What a holiday, guys! What a Easter!

Ornella, I think that nothing can be done here.

There's no one in this hotel.

It's better, isn't it? So there are no more free rooms.

Listen, do you like to make love?

Oh yes, a lot.

You're right.

Look at Giangi.

If I tell you what, we'll do it as soon as he goes.

Can you imagine? With all that flesh.

Oh, how fat!

Nino!

What's your name?

Nino!

Fabio!

Fabio is here!

Bravo, Fabio!

Fabio, what's up?

You know, I have things to do. I'd like to, but...

You were having a lot of trouble.

You said no, you said no.

Then here you are, with your Nino.

Bravo, Fabio!

Hi Nino, don't expect too much.

But look, I came in the car.

You came to be an employee?

Tell me the truth, come on.

If you're bored, I'll run away.

Bravo, you did well.

Long live freedom!

But hey, look, this holiday is good for you,

because you have a face of a white man,

that you can't be whiter.

Look around you, here's everything.

Peace, sun, and for the rest of the warrior, women.

Oh God, women.

Some German or a Russian.

And you and Fabio.

However, there are our reserves.

Hey people, Fabio Laurenzi, writer of Famo Internazionale.

I present to you the big of the bricks, the latrines and the beautiful company,

as Dato' Giovanni gave it to you.

Come with me, huh?

Well, go to that country.

Come on, Dato'.

Dato' Giovanni Colombo and this is your kind lady.

Good morning.

Second lady.

The first one sold it because it was old.

Fabio, you're a guy.

And now I'm going to introduce you to Mrs. Bianchini,

called Semiramide.

Nice to meet you.

My friend Fabio.

The boy there is the kind consort.

Dato' Bianchini.

Nice to meet you.

King of the artistic ceramics.

Artistic ceramics.

And the wife, the famous Baldracca,

I made her since 1962.

And voila, sweet as a

flower, my Claretta.

Fabio, how are you?

You can't see anymore.

He, if they're not actresses, will never be seen.

Yes, more and more beautiful, always in shape.

Well, well, give her some compliments, that women always need them.

Here, now you've met the whole tribe.

Wait a minute, the guys.

Look there, that one there, like Bucke, but you're

Giagi, the son of the Cesso, of the Carletto.

Then there should be Andrea, the big brother.

But where is she?

Where did she go?

And the Orbella?

There's no Orbella.

I'll go get her.

Come on, what a time, isn't it?

No, no, I'll go get her.

Orbella, Orbella.

And then when, the next novel?

But, well, that's why I accepted Nino's invitation.

I would like to try to start writing again.

The last one was very nice.

Yes, yes, but three years ago.

Women, you've become a world celebrity.

You let yourself be involved in another kind of work, more fun.

I'm sure you'll be interested.

Clara, I know we have to talk about us a little, I'll give

you some clarifications, but we'll find the right time, right?

Yes, yes, we'll have all the time, as long as we

need it, because, look, for me, we can do without it.

Touched.

You have all the...

Who is it, Fabio?

I introduce you to Fabione, a fabulous man.

Here we are, dear.

This is Giussi, Giovanni's daughter.

Hello.

Good morning.

Here's the Orbella, you remember her, eh?

Good morning.

The women of the future.

Well, we're going, eh?

Goodbye.

What a joke, eh?

What do you say?

You know what I say?

Long live the future.

Thank you for saying no, Fabio.

For me, Brigi is a ball that...

If I don't play, Clara will hold a long nose from here to the Madonna, eh?

Nino?

Nino!

Here I am!

I'm coming!

Good evening.

I'm coming!

Off to the river of cards!

Confess that you are upset.

You know, my masculinity never fails.

But let's dance, you fool.

Confess, rather.

But how?

You leave me like this?

Now that you've unleashed the mandrill that's inside me?

Come on, come on.

What mandrill?

Look at yourself.

Why?

What's wrong?

But you were the one, then, sorry.

Yes, it's true.

I was curious, so?

But what did you understand, babe?

Leave me alone.

I'm going.

You don't know what you're missing!

Fabio must be a coward. He hasn't come down yet.

He's on his own, he wants to be desired.

He didn't even want to play cards last night.

Who do you think he is?

He knows it very well for me.

You say?

He knows how to be interesting.

No, look, I'm not like that.

Oh, I would give up on the bridge.

He must be a good boy.

Clara, listen to me.

So?

Read, read. My friend is right.

Here comes Fiascolaro.

Let me work, kid.

Obstacle without any difficulty.

I've become a Swiss fire, almost like your Carletto, Mr. Sleep.

There he is, good morning.

Good morning, gentlemen.

Why did you choose this place?

Bernard, you're a good boy.

I'm a good boy.

You're a good boy.

Yes, yes.

I'm a good boy.

Good morning, children.

Good morning.

Hey, young man, we've found a couple of people we can chat with.

How do you have fun with little?

What about you?

Please, gentlemen, like you're in their house.

Thank you.

Here you are.

Yes.

Come on, go, go.

Come on.

Come on, what a nice devil we have.

Yes, good.

Italian, good.

No, you're stupid.

Panorama.

Sure, panorama.

Yes, yes.

Firlen.

Yes.

In the old factory.

Yes.

I'm a good boy.

There was a lot of people.

I'm a good boy.

Yes.

If you look closely in the factory, you'll find a bull, too.

Good idea.

Yes, a bull.

He has a nice belly.

He's there, at the window.

Who?

Don't look.

I know.

Of course, to be cool, he's cool.

I'll do that.

What a bastard you are.

I told you not to look.

Have you ever been there with an old man?

No.

Then, I'll go.

No, no, no.

I thought you didn't know about the police.

No, no, no.

At least Marco.

He was 25.

Oh, I know, with the car.

Do you remember I told you?

He was 30.

We drove him.

He was uncomfortable, but he was a bastard.

Macarena.

Ornella, why did you run away?

Leave me alone!

Are you offended? It was nice, wasn't it?

For you, selfish!

All selfish people!

But for example, in your opinion, there is no sale.

Because, don't tell me I'm a mega-man,

but a beautiful island like that of the Nazis,

I wouldn't be bothered at all!

Cheers!

Listen, Ornella, shall we go now?

No.

You don't get up until we're done.

I didn't say anything.

Women, you always argue, even tonight.

But we're on holiday, Claretta,

if the child wants to go dancing...

Nino, please!

I understand.

Quiet!

We're all together.

Fabio, shall we go?

I forgot you don't play.

Let's go, Nino.

Tonight, all at the bridge!

Who knows what kind of hunt they'll find.

Good night.

What a nice character, eh?

All his father!

Hello, Bazzai!

Alcoi!

Hello, Fede!

Tarantusa!

Fabio, you're lucky you won't be bothered by anyone tonight.

No, no.

You could have that nice horse there.

But listen, what do you think he's got?

What's he got in that ugly little thing?

He's crying.

Morgan, laugh!

Laugh, you've got the typical head for the horns!

No, you...

Laugh, because tonight I can't do it.

There's still a lot to do.

Come on, come on.

What are you doing?

Stop joking, no?

Look, look, it's nice that you brought me here,

but the horse doesn't know how to dance.

It's just that I've got a lot of work to do.

But I need to get back out.

No, no, no, no, no!

Can you tell me something more?

Yes, I can...

I'm not a fool.

I know what I'm talking about.

No, no, no!

I can tell you that.

No, no, no!

No, no, no, no!

No, no, no!

No, no, no, no!

No, no, no!

We could split it, it's so big.

Shall we go out tonight?

Why not?

Bring a friend, I'll bring my friend the fireman.

The husband of Saronno.

Why haven't you reached your friends?

It's far away and I don't know how to get there.

I can take you.

Shall we go?

You don't know what to say, do you?

But don't worry, I'm embarrassed too.

What can you tell me?

About my friends or about school?

No, no, no.

For God's sake, better be quiet.

Come on.

It's raining.

Yes, but it's covered.

What about lightning?

And cold?

Would you like this rain?

It's late. My mother will be looking for me.

If she doesn't find me, she'll make a mess.

Your mother is right. You're still a child, aren't you?

I'm a spirit.

Did someone look for me?

No, Miss.

Good night.

Hello.

Give me the key, please.

Have a good evening, sir.

It's us here, all night.

Fabio, stay here with Nino.

It's boring.

What are you doing here?

All alone.

I don't know what else to do.

Go to sleep.

No, I'm not going to sleep.

Where have you been? At the port?

Yes, I went down and took a walk.

You can do whatever you want.

You're free, you're young.

We're not the same age.

What do you mean?

You're young inside.

I'm old inside.

My exuberance, my hard work, my money.

I'd spend my whole life working.

Why? For what?

Maybe to bring my joy to life.

My miracle.

I'm sorry.

For example, with Claretta.

You know that it's been four years that...

I'm sorry.

Come on, you've been married for so long.

And why are you complaining?

You always have that girl there, behind the Piazza Missori.

There's a lot of women.

Yes, Liliana adores her.

The wives of friends.

All in the family.

And maybe, Giovanna and Carletto will go to bed with mine.

Fabio, can I ask you something?

Yes, sure.

Five years ago, when you were always in our orbit...

you made love to Claretta.

What are you saying?

I never thought about it.

And then, she was your wife, right?

Thank you.

Thank you, Fabio.

No, because, you see, if you had done it, I would have considered her...

like a stab in the back.

And you think that with the wives of friends, I'm leaving.

Look at me.

But the idea that, you know, they can be mine, doesn't go away.

Comfortable philosophy.

Yes.

You know, Claretta has started drinking.

Clara has started drinking.

Drinking, all night, drunk, frantic.

But since when?

I don't know anymore.

For two or three years.

Even tonight, look.

She's in the room, gone.

I don't know what's wrong with this woman.

I don't understand anything anymore.

I don't know.

Come on, look.

Look at her.

If I had bet that the Swiss was a good copy of Cornutus...

he would have smiled, and the wife...

would have done it with the first one that happens, the Santarellina.

The second one could be me.

Fabio, come on.

If she's marked on a black notebook, and modestly, before she leaves...

I'll make her dry.

Am I right, Miss Swiss?

You're always the one.

Fabio, come here.

Come on.

We'll make it on the Swiss.

Come on.

I can't do it anymore.

We were missing the mule.

It's all wet.

This mule is a bit of a pain.

What fun.

A water is coming down soon.

We're missing that too.

I'm already tired of hearing the sound of the ocean.

It's cold, guys.

It's cold.

Where did you take us?

We're the children of the old man.

Maybe he knows how to do it.

You know, there was a moment in the car when he pulled down the seats.

I already had my shirt open.

He started to caress me and I was about to give up everything.

And you know how much I care about it?

You have a beautiful villa here, as I say, and you can take the bardo too.

Go there, that in a little while you bring us grandchildren.

Look, I want to take the bardo.

Look, that Nino still pulls us, you know.

Not like you, I have that crutch there.

It's true that she doesn't pull us anymore.

Ya ya, don't say.

She doesn't pull us anymore.

Maybe for last night.

I would, but I don't know how to explain it.

Listen...

let her go, it's no use.

I want to be alone with you.

Tati.

Two points.

I find this German too...

That's my prey, there's a system that's infallible.

Look, that's Marlon Brando's, that looks like him too.

No, he looks like me.

You want to play it, even and odd, like this?

Okay, okay, even.

I won even, go to Ornella,

go to the indigenous, go!

And now, blonde, I'm the butter.

Oh, thank you, but there is no sun. Why are you crying?

Fabio, where have you been?

I was looking for some ideas.

Have you managed to find them?

The contemplation of nature brings you thought, right?

I insist, he went to pee.

But hey, how good Fabio speaks, huh?

But let's go, I've got a cold in my head.

Put on the wig, it's a bit of a mess.

Yes, let's go, let's go.

Lucy, think, I found something, think what a nice thing.

Hey, Struber, pay, huh?

Pay, do you understand?

Hello?

You have a lot of money, huh?

Look at the wine that the road sells, huh?

The key, please.

And the bag, Miss.

Thank you very much.

Leave it here, I'll take it.

Oh, dear.

You have a lot of money, huh?

Yes, thank you.

You're welcome.

You have a lot of money, too.

Thank you.

Why didn't you wait for me? Why did you say hi to me first?

Don't be silly.

I'm not being silly. I told you later.

I didn't know Andrea was there. She followed me.

I don't have the courage to say no.

Don't be silly.

I want to be with you, but alone.

Come on, let's go to my room.

No, not in the hotel. I don't like it.

Come on, get organized.

All right, let me do it.

Brian!

Mister, do you want an Americano?

Where's the Americano? The cup?

Yes, yes, here.

Brian!

It's you, Fabio!

As you can see, I find you again.

You're the boss of the world.

You too, you left me in New York.

You came here, it's beautiful, no cars,

a mess, a mess, a wonderful place.

Where did you get the house?

What house? I'm here with a bunch of buggers.

Then come here, this is your house,

wine, women, everything you want,

literature and painting, still together, Fabio!

But I don't write anymore, I don't have a lira.

And for sex, zero.

Oh, you're kidding, Fabio, wait!

Bussi, come here!

Yes, coming!

Wine, wine and your ass for Fabio,

Bussi's ass!

A joke, a good girl.

And you, Brian, how do you see?

The shows?

Better ideas, better ideas than money.

Here Brian is Brian!

Ideas, genius, revolution, freedom,

colors and non-colors,

shadows and the gallerists...

Fabio!

This is Bussi, come on,

come see my paintings, Fabio, and you'll understand.

Yes?

Listen, pass me Miss Bernardi, please.

Right away, sir.

Ah, yes, yes, yes.

Fabio, I didn't expect your call.

Well, maybe these days I've been a bit...

A bit distracted, you mean?

Yes, yes.

It's just that five years have passed, okay?

Now you're someone, now you're doing it with actresses.

Clara, no, no, not this story.

It seemed to me that one day you...

were in love with me.

But obviously when you're dumped...

I can use this word, right?

When you're dumped, a woman doesn't...

Clara, please, I understand that I've been wrong, but...

It's a difficult matter.

But I've become so old, so ugly that you...

You're ashamed of what happened between us.

But that's not it.

You're always beautiful, desirable.

But I don't care about you anymore.

No, no, no, you're not right, you are.

Excuse me, Fabio, you're coming in.

I'll call you back.

I asked for Miss Bernardi, not for the lady.

Excuse me, sir, I didn't understand.

Just a moment, please.

I'm, as you say, organized.

You're so fast. Where are you going?

You'll see.

I'll wait for you in the car in half an hour.

No, I can't.

What do you mean?

The doorman, a young man, Adriano,

asked if I went to the bathroom with him.

He says he's here today.

I see.

It doesn't matter.

Are you angry?

No, for heaven's sake.

Bye.

Yes, sure, sorry.

Ornella?

Yes?

Why do you go to the hotel in those conditions?

To show yourself?

To show yourself, right?

You can't just be beaten up,

beaten up by everyone.

But I see you, you know.

Your father sees you as a child, but I know.

I know how you are.

You're a shameless woman.

Why don't you say you're a whore?

Go away!

Sure, if I knew where.

Go away!

It's nice here.

Tell me, is your friend a bit crazy?

No, no, he's just a bit weird.

You've organized yourself well.

You know, I was curious. You know how to do it.

You say?

Come on.

Why don't you ask me about yesterday?

About me and the doorman.

What happened between you and the doorman?

We had a fabulous bath.

It's wonderful to play in the water,

to play in the middle of the pool.

He got dirty though,

he took off his suit,

and he wanted me to take it off too.

Don't you ask me if I took it off?

No, no.

I don't want to.

Why?

Because I don't want to.

Then why did you come?

Because I wanted to see how a man like you would behave,

with your fame.

How many women have come in here?

I don't know.

And how many have you brought?

None.

Would you bring us Jusy?

What does Jusy have to do with it?

She likes you. She'd come running with you.

She's good at bed, you know?

I'll put a record in.

Oh, my God!

Why do you like me?

You're beautiful.

I know, I know I'm beautiful.

Everyone tells me that. At home, at school, on the street.

You're not at all original.

You're beautiful, but without exaggeration.

So why?

I don't know.

Or maybe I do.

I like you because you're...

What?

Dirty.

I'm going.

I said I'm going.

Then go.

Do you think he's afraid?

Go, what are you waiting for? I'm not going with you.

You're being sarcastic, you know I care. I'll go on the road and hitchhike.

You'll see if they don't stop at least in ten.

And maybe someone will try us.

And I'll stay.

Who knows, it might not be fun.

Want a ride?

Come on, be quick.

Yes, let him pass.

Listen, how is he naked?

I don't know, he didn't allow it.

How can you say you didn't allow it?

That's the fact, you understand? I was in charge.

Really?

Yes, I looked him in the face and he was there.

An international scoundrel who didn't understand anything.

He was cooked, gone.

The pep?

I'm telling you, that's where the beauty lies.

I was the one who decided everything, and then I gave up.

I was suffocated as it was.

But why such a situation with a man with whom you can do everything you want?

You know what a dirty woman I would become.

Well, more than what you are.

And then, it's not even true, sorry,

if I knew the satisfaction of seeing you running after him like any other gypsy,

and then...

Aren't you ashamed to write these things?

You knew very well you had beautiful breasts.

What are you doing here?

Nothing. I just wanted to see what's interesting in a writer's room.

Are you satisfied now?

Yours is prettier than mine. Don't you think?

Oh, right! You never came to see me.

I was waiting for you, but since you didn't decide, I came.

Why did you have to come?

Well, at least to apologize today.

Apologize for what?

Oh, so that's why you're spying on me.

I saw you that day I went to the bathroom with Adriano, the doorman.

You were standing there and looking at me.

Stop saying such nonsense.

Do you like to be caressed?

They say I caress very well.

These little games don't work on me.

You're not nice. I'm here to see you and you treat me like this.

You can go now.

Hello?

Hi, I'm Clara.

Oh, tell me...

Did you sleep? Am I disturbing you?

No, no, no. I was writing. Don't disturb me.

Listen, what are you doing? Are you coming down for dinner?

No, no, no. I'm staying in the room.

Nino wanted to know if you were going to see a land with him.

Yes, I understand, but tell him I don't mean it.

All right, all right.

Is something wrong?

No, no, nothing.

See you later.

What?

I don't understand. You're not alone.

No, no, no. What are you saying? It'll be another time.

Bye.

Bye, Clara.

Stop.

Why?

I don't want you to touch me.

Are you a virgin?

No, I'm not.

Even if I were, you'd think I'd come with you for the first time.

What's this attitude?

You're the intellectual. You're the one who has to understand.

You're afraid.

Of what?

Afraid of letting you go, of letting you get involved.

Stop, Fabio.

Don't answer.

Now, right now.

I want you.

Go!

You know what?

I didn't like you.

You're a real scum, my dear old Fabio.

No, you have to forbid him.

He's just 18, don't forget it.

Excuse me, she went to have fun.

Let her do it, we're on vacation, right?

She went with a stranger, a hippie who gave her a ride in the car.

She'll have seen him in five minutes.

Excuse me, but reason.

Orbella is a good girl, she doesn't hurt anyone.

Nino, you don't know your daughter.

Now I don't know my daughter.

You don't know her, she's always a child for you.

She's a woman.

No, worse, she's a woman.

A woman, but my Ornella is a child, my dear.

Your Ornella?

But you know where she goes, who she goes with, what she does.

I want to know.

Is Orbella there?

No, I don't want to know anything.

You're drunk, go to the room, you're giving a show.

Oh, right, the room.

And you?

And you, where are you going?

To Dora's, Liliana's, or someone else's?

Go to bed, please, finish it.

No!

No, I won't finish it.

You, you have to finish it.

You all have to finish it.

All of you!

Come here, Clara.

Clara!

Clara, come on!

You're not a child anymore, look, I can't take it anymore.

Clara.

Clara.

Listen, why are you doing this?

Why am I doing this?

It's not for the two of us.

Who do you think you are? The center of the world?

No, no, for too many things.

For Ornella.

Nino refuses to see her as she is.

She's become a shameless bitch.

But this is just one thing.

A nothing.

What is she doing?

She's out with a stranger.

With a crook who gave her a chance today.

There's nothing wrong with that, Clara.

Enough with the youth.

You too.

We've changed.

You know why I drink.

To not kill me.

Because I want to live.

To live again.

I want to give.

Give, give.

Help me.

Just one moment.

Please.

Clara, listen to me.

I can't.

I have my problems too.

I can't.

Excuse me.

I can't try.

I can't.

Yes? Sir, the telephone.

In the cabin, please. I think it's Miss Bernardi.

Hello?

Fabio, it's me, Stavro.

No, no, where are you?

I'm here, at the house of certain...

Now? Right now?

Yes, come on, come.

If you want, give me the address.

Hi.

Ornella changed her mind.

She sent me. You don't mind, do you?

Get out.

What's wrong? You don't like me?

You always told me you liked me.

I told you to get out.

Come on, let's have some fun.

Where are you going?

Bye, I'm leaving.

Where are you going?

Go back, you bastard.

Fuck off, you crap.

Hey, listen man, I'm gonna go and take a piss and I'll be right back, okay?

What do you want?

I came to pick you up.

No, I changed my mind.

I'm having fun now.

Didn't Giusy tell you?

Listen, what's on your mind?

You could have done something in the car with her.

She didn't want anything else.

No, wait.

Don't you like it?

Strange, I thought otherwise.

Then look.

Take her. I saw her making love with everyone.

If you want, I can wake her up.

I don't even know her name.

I'll go.

I'm free.

Go to hell!

You're ugly.

Call me Roma, 574212.

574?

212. In the room.

How are you feeling now?

Better.

Why didn't you come out alive?

What's that, a reproach?

No.

It's just that it wasn't nice to find out you'd already been fired.

What was I supposed to do, a press conference?

No, I understand.

But you could have needed something.

Silvia, no.

Sorry.

It's nice here.

You did well to come here.

And to ask me to meet you.

There's peace, calm, silence.

There's no one to lose sight of.

I've always loved deserted beaches.

Have you worked recently?

No.

But I've had a lot of offers.

I'd like to make a good movie.

Not those crap they offer me.

Why don't you write a story for me?

Which one?

Our story?

No, not ours.

Have you started writing again?

I'm trying to do it, but I'm not so sure.

Can you read me something?

Why are you interested in what I write?

I've always been interested in what you write.

You were the one who considered me...

I considered you a moron.

Do you still think about it?

Yes.

Really?

It's nice to know you haven't changed.

You're always the same crazy guy.

Crazy, crazy, crazy.

Say it, it's part of the vocabulary.

What a terrible time.

Thank God everything's over.

Over, forgotten, erased.

Healed.

Fabio, can I kiss you?

Yes.

I was so scared you'd say no.

Yes, I wanted to say no too.

Really?

Think about it.

It's been four... no, five months.

Since the last time we kissed, since that...

Yes, since that night.

Come on, let's go.

You're not bad, are you?

Yes, but the cinema is better.

Do you think he made her come or did she come by chance?

What do I care?

But she's sexy, huh? Yes, all woman, right from bed.

You know what kind of battles these nights are?

Listen, for me, the great lover can put him in the frame.

For what it's worth.

You don't convince me, you know.

Then look, you didn't understand anything.

Better to dress you up, huh? Look at that.

Hi Fabio!

That Fabio, guys, has always had the best women.

I remember at the time of Brera, there was one...

What was her name?

Past times.

And now, for Baco, there's this one here that...

This Silvia, you see? What a woman!

Isn't it true, Clarete?

Yes, she's a beautiful woman and then, she has her personality.

A simple woman.

They say she's an actress,

but she's got a big mouth.

This one is a hand.

At times, she gave us candies, my beautiful one.

And Chip.

What is she saying?

She spends her life doing sacrifices to make her children study,

and these ones, no, I don't understand anything!

You make me look like an ignorant and you translate it!

Chip! In Buon Mercato.

Ah, there's no way to translate.

Ah, in Buon Mercato.

Miss Silvia, have you eaten well?

Yes.

Look, if you don't treat her well, tell Nino, huh?

Nino buys the hotel and the staff bring the forced works of his factory.

Really?

He's a shy man.

Why don't you give him the answer?

Can I?

Of course.

So, Silvia, look, I have to tell you that you're a woman with a lot of guts.

Thank you.

I had to tell you, huh?

Now I'm leaving.

You probably have something to do.

But hey, tomorrow night, Fabio, I have a fabulous program in my head!

Your Maturone is a snob, huh?

But cry, you know how much I care about him.

I can really do Nino.

Sarama, since that Silvia Ligio came, what have you done?

Listen, look, if I only want to,

I want to start over, even right now.

I don't believe it at all.

You bet?

Come on.

Do you want to see how he runs?

Hello?

Can you pass me Mr. Laurenzi, please?

Wait, please.

And then?

It was you, with a languid voice.

Let it go, poor thing.

You're so generous!

Why didn't you let me buy that terracotta?

Because it was disgusting.

I liked it.

Yes, it looked like one of those st. Peter's domes sold in the country fairs.

So you mean I'm disgusting?

No, only that little statue was disgusting, clear?

But is it possible that in any situation you always find the system to mortify me...

and you make me look like I don't have a degree?

You know very well that I don't care about anything.

I know exactly what you think.

Oh, yes? And what do I think?

You're ashamed of me.

Listen, shall we start over?

No.

I'm not like your dear Milena, I don't have a degree...

and I haven't written a single book in Hungarian.

In Armenian.

Hungarian or Armenian or Turkish, you know how much I hate it!

I didn't have a father with the money.

I made myself alone.

I made myself a big, big, big, big, big...

I had to go to the school of life.

We're talking about the usual phrases.

I can say whatever I want.

I can finally afford it.

I've never had anything in life, nothing.

Now I'm someone, even if you don't think so.

Why are we always the same?

Enough.

Yes, enough.

Let's go.

Wait.

Let's go.

Please, forgive me.

You don't have to start over.

I love you, Fabio.

I know I'm jealous and possessive, but Milena...

Oh, no, huh?

Milena, no!

You were in love with Fabio five years ago.

Five years ago!

I don't even know what she became.

She could have gotten married, gotten married, a grandma, died.

You should know these things by now, don't you?

Yes, it's true, it's true what you're saying, but...

I feel so cold and distant.

Me?

The truth is that you don't want to love me anymore.

Why don't you say it then?

I don't want you anymore.

Silvia, we've been in love less than two hours ago.

Yes, I know, two hours ago, Fabio, but...

Only when we make love can I feel you.

And you're the only thing I have.

Fabio, let's make love, will you?

Now? Are you crazy?

Yes, now! Now!

Look, there's a beach near those cliffs.

We can go there and make love, eh?

Fabio, now, please, right now!

Please!

We can't.

Sure.

Think about what the papers could say tomorrow.

Arthur Miller and Marilyn Monroe arrested in Ischia for obscenity.

Stupid.

Wait for me. I have to go up too.

Damn!

Come on, don't take it.

What a joke, you moron!

Why don't you come and take a bath with me?

No, I'm not going.

You have no idea how I feel.

I'm so happy.

I don't care about anything in the world.

Are you listening to me, Fabio?

Yes.

Then why don't you look at me?

Yes.

No, you don't look at me because you don't like me at all.

I like you and I'm looking at you.

No.

Yes.

No!

Yes!

You have the ability to make me feel useless, undesired.

Why do you always attack me like this, like an animal?

Because I am an animal.

Didn't you know?

Maybe you really are.

Maybe you'll be interested.

What should I be to make you interested?

A saint or a whore?

Stop it!

I know, you'd like to be a whore.

You'd like to, right?

Silvia!

I'm in love with you and I don't want to be like before.

Silvia, stop it!

You're right. I'm sorry. Forgive me, Fabio. Forgive me.

Why is everything so difficult between us?

Here's the sleeper.

Do you think it's the show of the quiet?

Yes.

What should Nino do to have fun? Look in the mirror?

You have an idea. At least I see a beautiful open bed.

You're right, you're wonderful.

Oh, the little girl of Bruni.

Yes, the little girl of 1700. Come on, Giovanni.

Come on, Davide. Bye.

You always talk about literature.

Oh, two women, finally!

Silvia and Fabio, good!

Have you been to the Palippani sea?

No, the water was cold.

It was beautiful, though. A beautiful sea.

Excuse me, I'll take a walk in the room.

I'll give you a drink.

Don't be late, Fabio, or we'll steal your wife.

Bye, Fabio.

Bye.

Bye-bye.

Bye, Fabio.

Bye-bye.

So, my dear Silvia...

Don't worry.

She's great!

I'll tell you what?

The two of you will never get to see her again,

because she's just like you.

But she's a living temptation,

a thing of mortal sin.

But how can you say that about a wife as beautiful as Clara?

Clara is not jealous, she's not jealous.

No, honey, you're not jealous.

You see?

She's beautiful.

Bye-bye.

Hi, beautiful Tusa. God bless you.

Hey, guys, isn't it even more beautiful than in the movies?

Hi.

Hey, Fabio, remember tonight, a great ecological night.

Here's the South Sea's lighthouse.

How wonderful, what an ecological night.

Hey, Giovanni, you know what I'm telling you?

For a lifetime like this, I don't even feel the nostalgia of Milan,

its fumes, its fog.

You really want to live like this?

Sure, I buy a boat, I take off my clothes,

and I leave behind the shops, the internal commission and the taxes.

And the muhina.

Oh, what a thing, guys, it's incredible, but tonight I feel depressed.

All because you can't speak German.

Don't be jealous, I'll have time for you too, baby.

Yes, you're cool, but I don't want to,

and then don't try to imitate the Mino, he's already there.

Yes, but the Mino pays, he pays.

I have to make huge efforts not to be paid by the women.

But you gave the 30,000 to a whore.

You're not well informed.

I had to give the 30,000 to that woman,

because she left me alone, you know?

Because she was crazy about me.

You even make sacrifices.

And for the boat, do you know how to carry it?

How to carry it? Because I knew how to do it.

I learned.

As soon as I go, I buy you a third of the marina and off I go.

Hey, he's spying on you!

But you still haven't understood that Matusa doesn't trust you anymore.

Do your own things.

Of course I do.

I'll go and ask someone if I find the right moment.

Ornella.

Especially when I was in the clinic.

Lately I've been feeling better.

I've been thinking all day.

Both of us?

Yes.

We were calm enough to analyse what we were.

We were used to each other.

What do you mean?

I mean that when we met, we both wanted to...

put a stop to our existence.

We were the usual thugs.

Meeting each other was like a safe haven.

Then we loved each other.

Totally.

We were angry, we gave everything.

Why too much?

Because everything we gave each other was never enough.

We wanted more and more.

I'm not saying we, but you and me.

We wanted more and more.

The impossible.

Only the impossible could satisfy our need for safety.

And escape...

the fear of our loneliness.

How can you accept the impossible?

We kept on asking for more.

It was the real dissatisfaction, the real quarrels.

It was the hell for you, the hell for me.

Fabio, please stop it.

The hell, you know it very well.

Stop it, please.

Silvia.

Look!

Look how beautiful she is!

She's beautiful!

Look at this!

This is fresh fish, alive!

Now we cook it and eat it!

Yes, oil and mercury.

Shut up, you who don't understand a thing!

This here is fish from the Ruspan.

What does the Ruspan say?

I'm sorry.

May I?

Please.

It's hot here. It's cold outside.

It's true. It's cooled down tonight.

Do you want some?

No, thank you, ma'am.

And what is this?

A demon.

Ah, fuck!

Fuck the rod!

What does it mean?

What do you care? What does it mean?

Fuck it!

It's a marine thing, ignorant, always controversial.

What are you reading? The fish in the bag?

I know.

Come on, you're a beautiful star.

Did you see the beautiful ecologic evening that the Lino prepared?

Good thing you were intelligent people.

You really got me.

Here it is, the usual story.

It's fate that I always stay alone.

Always alone.

Come on.

Fabio!

Everything all right, Fabio?

Yes, perfectly.

I'm so happy.

What do you say to sing a beautiful song, Marinaro?

Who knows?

Let's make a beautiful song of our times in Brera.

Be careful, Fabio.

Long live Milan, city of beautiful women.

Let's go, let's go, let's go.

Colonna, let's go, Colonna.

Long live Milan, city of beautiful women.

Why did you come?

Did we make love so well, me and Fabio, before you came?

Giovanni, the car, the fisherman, the sea, you know where we send them?

Tell him you're specialized.

Go away, ciao!

There he is! This time it's on purpose.

Fabio, Silvia, wait for me!

Come on, let's go!

Come on, Silvia!

I'm tired!

Come on, come on!

Oh, it's cold! I've never suffered so much in my life!

Gianji, where are you?

I'm there!

What?

Two brave people, come on, I almost see them too.

Yes, we love you, don't worry.

Hello Silvia, hello Fabione.

You are really corpses, look at that one there.

Carlo, come on.

Why did you ask me to come?

What?

Why did you ask me to come?

I already told you.

No.

Listen, what's the matter? What's the matter?

You haven't answered my question. Why?

Well...

I asked you to come because...

I wanted to see you after what happened, because...

I wanted to confirm our relationship.

I wanted to know if it was worth it to keep our relationship.

Not because you love me.

Yes, of course.

And Ornella?

What about Ornella?

She has nothing to do with us.

What does she have to do with us?

It's strange, you know, because...

Yes, on the boat she told me you two had an affair.

The two of us?

But you've changed everything.

Are you sure?

Try not to joke.

Because even if I don't know the Armenian, I'm not a woman,

and I know all about these things, have you forgotten?

What have you tried to do with me?

To get me to her to make her jealous, the little one?

Don't worry, you've done it.

You just have to snap your fingers and the little one is yours.

Look, Silvia, I'm healed from the nervous breakdown,

but I wanted to know if I was healed from this love for you or not.

Ah, that's why you wanted to have a baby.

No!

Oh, yes!

I wanted to feel young again,

I wanted to feel that emotion.

Those feelings, those tremors,

the things I thought I wouldn't feel anymore,

I felt refreshed, clean, you know, clean!

You mean I'm just dirt for you?

I'm a woman and I gave you those emotions first!

Don't you remember when you ran after me to have those tremors,

as you called them?

When you beat me at home at 3 in the morning

and you hit your head against the wall in order to have me?

Have you forgotten?

I've never denied all this.

No, but now I don't need you anymore.

You want young blood.

And you're here because you're old.

But I'm not, I'm not a rotame at all!

We're all old!

No!

Yes!

But why can't you open your eyes?

Why don't you look around you?

Nino, Clara, all rotami!

Because no one thinks with the brain anymore.

You think with your testicles, with your ovaries!

The usual hypocrite!

Why don't you use the right words?

That's why I'm accusing you, because you want everything for yourself!

You accuse me?

Yes!

Because you took away from me all the dreams that belonged to me.

But you know how long I haven't read?

Since I stopped in front of a painting?

You took everything from me to give me only sex!

And this is what you tied me to!

And this, at least you understand, no?

And what were you before I introduced you to the world with this body of mine?

Eh?

You were nothing, I made you become someone.

And all this just because you came to bed with me.

And what did you give me in return? Nothing!

I wanted to learn something from you, and what did I learn?

This!

And who brought me to the asylum? You!

And who was close to the great writer,

while inside, calling his mother, he was wetting his pants?

Curses!

If you think I want to help you to bring the

girl to bed and maybe end up making love to you,

you're wrong and you don't even know how much!

Have you called my taxi?

Yes, it's coming.

Thank you, goodbye.

Goodbye.

Ornella, I'll leave you. It's all yours.

It's what you wanted, isn't it?

Anyway, my dear, don't think that yours is a victory.

She was an indifferent girl.

She'd left her five years before.

And now she's there, already available.

The sun, the sea, the colours.

Yes, she was an indifferent girl.

You have a beautiful tongue.

But I don't.

I'll show you Milan.

It'll be different.

I'll change everything.

What are you thinking? I'm thinking.

You'll see Nino. He knows how to love.

Beautiful.

Don't go.

Stay, please.

Sir, I have to go. The door is empty.

I'm still young.

I'm young.

Tell me, did you like it?

I can still like it, right?

Good evening. How are you?

Oh, what are you crying about?

Oh, beautiful crying.

No, no, don't cry.

Come on, come on.

Come on, how beautiful.

Yes, yes, yes.

No, let's go.

What do you want?

Can I see you?

No.

Where are you?

Let's go back to the hotel.

To the hotel?

Yes, come on.

No, not the hotel!

You don't have enough of all the crap up there!

The crap of my father, my mother and Gio...

I'm ashamed of myself for not being a shameless woman!

My sweet treasure.

I can't believe I don't know it, you know?

I know everything!

You called her like that when you were sleeping in her room,

near mine.

You know how much she persecuted me!

My sweet treasure, my sweet treasure, my sweet...

Oh my God!

No, love doesn't matter.

Go on.

What did he mean?

For you, it's the end of adolescence.

And for you?

For me.

She tried, but she couldn't find a logical answer.

Her ideas were more and more confusing.

Incredible, isn't it?

Yet, she was a virgin.

That's how she thought she was a virgin.

What am I experiencing in my new condition?

Ornella had returned to her former indifference.

Nothing at all.

Now, she found her definitely stupid.

She looked at the naked body, and tried to find something.

But she found herself judging the way she composed it.

One imagines something, one thinks about life,

and then feels exactly like before.

Yes, she was a stupid girl.

As she had judged Claretta in her time.

Stop, stop with this show, she would have wanted to tell you.

Stop, poor little girl.

Don't believe all the lies, all the comedies,

all the smoke sellers, including me.

Instead, believe...

Believe in Ana.

But he himself didn't know what to say.

So, for a moment, he had another idea.

Maybe he should have eliminated that childish cynicism.

And for this reason, even more false.

But yes, he could have killed her.

But if...

We're leaving tomorrow, you know?

Will you call me in Milan?

I'm not leaving. I'll stay here.

Oh, well, I'll tell you, I'm...

I'll call you in Milan.

You know, Fabio, I feel...

I feel that between my cars and all my workers,

without my employees, my telephones,

I don't feel fulfilled.

I have to produce, produce, produce.

Because this is perhaps the only thing that will never betray me.

At least I hope so.

You know, Fabio, that I can be there alone.

Bye, Fabione.

Bye.

You're joking, you're the same!

I had a contest in Zurich before!

You understand!

Old Nino...

Thinking of the void Nino will voluntarily be condemned to...

he felt he preferred his beautiful and good-looking life.

He looked for some emotion, some feeling.

But it was like putting your hand in the bag of the tombola,

looking for a hair already extracted.

He felt infinitely unhappy.

And you wanted to lose this departure!

I had to drag you by force!

Look what the mine has organized for you!

And we greet the friend!

And he will go away already!

But it was only a moment.

Because he suddenly got a conclusive justification.

After all, he was an intellectual.