Original subtitles

[music playing]

[bell tolling]

-Oh, you can pour Mr. Chadwick's coffee now,

Charles.

-Yes, ma'am.

-Morning.

Morning, Charles.

-Good morning.

-Ah, thank you.

Good morning, Beth.

-Hmm.

-Ah.

Beth?

-Hmm?

-You are sulking.

-What?

-You're sulking.

-I'm not sulking.

-Of course you're sulking.

And it isn't necessary.

We have had our usual argument and now the matter is settled.

-Is it?

-Beth, now listen to me.

He isn't for you, believe me.

But if you insist upon seeing him, I have a right to--

well, to express my feelings.

-Hm!

You have no right to control my life.

-Your life, in this case, is tied in with an employee of

the company.

-What difference does that make?

He's an honest, hardworking--

-Yes, he is.

And he's ambitious.

He's intelligent.

He's a good attorney.

And he has a flair the advertising business.

And he's also, uh, smart enough to know a, uh, golden

opportunity when he sees it.

-You're not Father.

-No.

I'm not your father.

I'm your brother.

And if your choice in men friends were more mature,

believe me, I would stay out of your life.

-You don't know how to stay out of my life.

-I won't let you be used, Beth.

Therefore, I've taken the appropriate steps.

Charles?

CHARLES (OFFSCREEN): Yes, sir?

-Car ready?

CHARLES (OFFSCREEN): Yes, sir.

-What do you mean you've taken appropriate--

-Good.

- --steps?

Bryce!

What have you done?

BRYCE (OFFSCREEN): I have written a

letter to Peter Hamilton.

He'll receive it when he gets back from Atlanta, today.

-What?

-I told him that if he continues to see you, contrary

to my wishes, his employment with Ellison Chadwick will be

terminated.

-I don't believe it.

You mean you've threatened him with--

-I won't be home for dinner.

Don't wait for me, Beth.

-He won't care if you fire him.

-No?

Well then let me ask you a question, Beth.

If your name wasn't Chadwick, and you didn't, uh, have all

of this, do you think that--

I mean, do you really think that Peter Hamilton would give

you a second look?

Now, uh, I'm, uh, I'm sorry if I sound cruel.

I don't mean to be.

But the, uh, sooner you face the facts, the better.

And the cheaper it will be for all of us.

-What about the price I've paid?

First to Father, then to you?

Anything I wanted to do on my own, you or he prevented it!

-Beth, this is hardly the time.

-No, it never is.

Charles?

CHARLES (OFFSCREEN): Yes, Miss Chadwick?

-Tomorrow is your day off, isn't it?

-Yes, ma'am.

-Will you be leaving tonight with the rest of the staff?

-Well, I'd planned to, Miss Chadwick.

But if you'd like me to stay--

BETH (OFFSCREEN): Oh, no, no.

That won't be necessary.

-As you wish.

Uh, may I bring you more coffee?

BETH (OFFSCREEN): Thank you, Charles, no.

That'll be all.

[phone ringing]

-Hello.

Yes, operator.

Speaking.

-Darling, how are you?

I'm going in to wheel and deal in a minute, and I thought I'd

call you first and say, good morning.

-Aw!

You always surprise me.

-Well that's better than being predictable, right?

BETH (OFFSCREEN): How's Atlanta?

-Oh, just fine, all of it.

Hey, I miss you.

-I miss you, too.

When will you be back?

PETER (OFFSCREEN): Well, later tonight.

I thought I'd come right over from the airport.

Darling?

Hello?

-Uh, darling, let's make it tomorrow.

I mean, it'll be late and you'll probably be tired.

-Well, uh--

-No, really.

Tomorrow would be much better.

-Mr. Gaines will see you now.

-All right, Beth.

Gotta go.

I'll call you first thing in the morning.

-You do love me, don't you?

-No, I hate you with a passion.

-Goodbye, darling.

Have a safe trip.

[kisses into phone]

[flipping light switch]

[dream music]

[brakes squeal]

[keys rattling]

[doorbell rings]

[rattling door knob]

[rapping on window]

BRYCE (OFFSCREEN): Beth?

[rapping]

BRYCE (OFFSCREEN): Beth, you awake?

BETH (OFFSCREEN): Yes, who is it?

-Will you open the front door?

I've, uh, I've lost my key.

-I'm in bed already.

Come in this way.

BRYCE (OFFSCREEN): Are they unlocked?

-Yes.

BRYCE (OFFSCREEN): Uh, oh, don't forget to

turn off the alarm.

-All right.

It's off.

[alarm ringing]

-Beth, why didn't you turn off the alarm?

[gunshots]

Ugh!

[alarm ringing]

[glass breaking]

[alarm ringing]

OFFICER (OFFSCREEN): We found a keyring in the

bushes, Miss Chadwick.

Does it belong to your brother?

BETH (OFFSCREEN): Yes, those are--

those were his keys.

2ND OFFICER (OFFSCREEN): The front light's burned out.

He must have dropped his keys and couldn't

find them in the dark.

Probably walked around to your French doors and knocked.

BETH (OFFSCREEN): I was asleep.

I'd taken sleeping pills and I--

I didn't hear him.

OFFICER (OFFSCREEN): We figure he broke the glass

and opened the door.

BETH (OFFSCREEN): I heard the glass and then

the alarm go off.

I just woke up and-- and reached for the gun.

I thought it was a burglar.

2ND OFFICER (OFFSCREEN): Obviously a

mistake, Miss Chadwick.

A terrible mistake.

BETH (OFFSCREEN): I thought it was a burglar.

OFFICER (OFFSCREEN): A terrible mistake--

mistake--

mistake--

mistake--

mistake--

mistake--

mistake--

[jet engine]

[car horns]

[humming]

-[sighs]

[sighs]

Well that does it.

[keys rattling]

[doorbell rings]

[tires squealing]

BRYCE (OFFSCREEN): Beth?

-[gasp]

Bryce!

-You know, the most ridiculous thing happened?

I have lost my key to the front door.

-H-- h-- how did you get in?

-With this.

-A spare?

-Yes I leave it in a flower pot by the front door.

Why didn't you answer?

I was ringing--

[gunshots]

[alarm ringing]

[glass shatters]

[alarm ringing]

[doorbell rings]

[alarm ringing]

-Beth!

Beth?

What is it?

-I shot Bryce.

-You what?

-(SOBBING) He-- he came in my room and the alarm went off.

But go and see!

I want to know if he's--

-All right.

All right.

Now you stay here.

Stay right here.

[sobbing]

[alarm ringing]

-Beth, he's dead.

[alarm ringing]

MALE DISPATCHER: 6-Mary-102, 2-Mary-11, clear.

12-Mary-155 roger on the information.

Frequency 15, is clear.

OFFICER ON RADIO: 6-Mary-2, continuing, female, 45 years,

5'11", 190 pounds.

FEMALE DISPATCHER: Highway 75, roger.

2ND FEMALE DISPATCHER: Channel 17, clear.

-You guys all finished?

OK.

That's it.

-You catching up on your reading, Lieutenant?

-Uh, no.

No, not really.

DETECTIVE (OFFSCREEN): Now anything you say, realize it

can be held against you.

BETH (OFFSCREEN): Yes, I understand.

DETECTIVE (OFFSCREEN): But it normally it's

along the lines of--

you know what we're talking about.

2ND DETECTIVE (OFFSCREEN): You then climbed over the gate and

started running towards the house.

-Well, [sniffles]

I was half asleep because I had taken a sleeping pill.

-The burglar alarm was on.

-Y--well, yes.

There's a switch beside my bed.

-Hm.

How does it work outside?

-Y--you-- at the front door, well, if you have a key and

use it, then it's automatically

turns the alarm off.

-Ah!

Do you have any idea why your brother went through your

French doors knowing he'd properly set the alarm off?

-Uh, I [sniffles]

I guess he lost his keys and he--

he came around the side of the house and tried

to get in my win--

window.

-What time did you go to bed tonight, Miss Chadwick?

-About 9:30.

I didn't feel very well yesterday, so I didn't go out.

-Uh, excuse me.

Uh, did I hear you say you stayed home today?

-Yes.

That's what I said.

-You didn't go out at all?

-No.

No, that's what I said.

-Thank you.

2ND DETECTIVE (OFFSCREEN): So when you got there, then he

was already dead?

-Yes, that's correct.

2ND DETECTIVE (OFFSCREEN): Or did Miss Chadwick telephone

you after she shot her brother?

-No, I was on my way over.

I stopped at the gate when I heard the shots.

-How many?

-Three.

-And the alarm was going?

-Why did you drop by, Mr. Hamilton?

-I came to see Bryce.

I work for him.

-Can you account for your whereabouts this evening?

PETER (OFFSCREEN): I came in from Atlanta.

I landed at 10 o'clock.

I took a cab from there.

I got into my apartment about 10:45.

You can check with the doorman.

He can vouch for that.

-Why did you turn around and come over here after just

getting home?

-It's a little involved.

Uh, Miss Chadwick and I have been seeing each other, and

Bryce objected.

-So you came over here to kind of have it out with him?

-I suppose you could put it that way.

-Uh, is this your newspaper?

-No.

OFFICER (OFFSCREEN): We found these outside in the bushes.

-Thanks.

Excuse me.

Miss Chadwick, are these your brother's keys?

-Yes, where did you find them?

-In the bushes ma'am.

With that front light burned out it's really tough to see.

-Uh, gentlemen, now you have our statements.

If you don't mind, I think--

-No, uh, I'd like to go through this, uh, just once

more to make sure I got things straight.

-Gentlemen, please.

-No, Peter, that's all right.

Go on.

-Now Miss Chadwick, you said you went to

bed at 9:30, right?

-Yes.

-Mm, hm.

And you took a sleeping pill before you retired?

-That's right.

-Mm, hm.

Well would you mind tell me what happened after that?

-Well, it was after 11:00 and I heard the glass break and

the alarm go off, and I woke up.

-You thought it was a burglar?

-Yes.

Yes I thought it was a burglar.

You see it was--it was pitch dark, and I was half asleep,

because I had taken the sleeping pill.

And I heard glass break, and the alarm go off.

And so I--

I reached for the gun.

It was in the drawer beside my bed.

And--

and then I just started shooting.

I didn't know what I was doing.

-Shh!

Gentlemen, uh, we'll be available

for questioning tomorrow.

Right now, I'd like to see that Miss

Chadwick get some rest.

-Right.

All right, fellas, wrap it up.

-Thank you, very much.

Goodnight.

-Excuse me, were you and your brother the only ones that

were living here?

-Well yes.

Except for Charles and the maid.

My mother moved to Palm Desert after my father died.

-Who is Charles?

-The butler.

-I suppose he's off tonight?

-Yes.

-Great big place, isn't it?

Well, goodnight.

[door closing]

[dog barking]

-Easy boy.

Easy, fella!

Easy!

E--

easy.

Easy now.

That's right.

-No, no, no.

Now Enrico, darling.

Now be nice, darling, be nice.

Uh, you there, pay the cab and bring my luggage.

Come on, dear.

[door closing]

-She have any luggage?

-Luggage?

Right here.

And there's $10.50 on that meter.

-Gee, I've only got $11.

Um, well, go ahead, keep it all.

-You're a sport.

[cab starting and driving off]

[dog barking]

-All right, easy, boy.

[dog barking]

-Now, Enrico, come here.

Come here, come here!

Now you stop that, do you hear?

I want you to behave yourself.

-Ah, that's a tough little monkey you got there.

-Enrico is not a monkey.

He's a pedigreed silky.

-Oh, I--I--

I can see that, ma'am.

It's just a figure of speech.

-Now you stay there.

Where's my daughter?

-I don't know, ma'am She's, uh, probably asleep.

-Well, where's Charles?

-Uh, it's his day off.

Are you Mrs. Chadwick?

-Yes.

And you?

-Uh, my name is Columbo, ma'am.

I'm a, uh, lieutenant from the police.

-Just a minute.

Not so quickly.

I'd like to look that over.

Well, I must say, you hardly look the role.

-Well, you know how it is.

-You--

you brought my bags in?

-Uh, ye--yes ma'am.

Uh, the cab fare was $10.50.

And there was a $0.50 tip.

So that's $11.

-I'll see that you're reimbursed, Lieutenant.

Now tell me, what happened?

Where is she?

-Here I am, Mother.

-Do you feel better now?

-No.

-It was an accident.

-I don't care what is was.

You killed my son.

-Mother!

-Oh, you were already so impossible.

Always.

Blundering, making mistakes, causing trouble

wherever you were.

He looked after her all of her life.

He protected you.

And now you've destroyed him.

-Mother, you don't understand.

It wasn't my fault.

-I don't want to hear about it.

-I'm sorry, Lieutenant.

This must be very embarrassing for you.

-No, not really.

No.

Uh, you see, I come from a very big family.

And at dinner time it was like, well, you know Madison

Square Garden.

And uh, we used to patch it up with coffee.

-Is that a hint?

-Well, I smelled it when I came in.

I sure could use some.

-Mother?

-I should think it would be obvious.

I'm in no mood for coffee.

-Uh, ma'am would you like me to take your bags upstairs?

-No.

No, thank you.

Beth can attend to them.

He was a special man, Lieutenant.

Very special.

He kept us all together.

-Well I thought you lived in Palm Desert.

-I mean spiritually.

When my husband died, I--

I couldn't stay in this house any longer.

-Well that's certainly understandable.

Uh, was that when your son took over the business, ma'am?

-Yes, and turned it into one of the largest advertising

agencies on the West Coast.

-Really?

Marvelous.

-He took over for my husband in many ways, including

dealing with Beth and her problems.

-Oh?

-Her choice of men, when she's had a choice, has never been

particularly mature.

-Oh, yeah.

Like that, uh, Peter Hamilton.

-Exactly.

He's an obvious fortune hunter.

-Of course, uh, she would have no way of seeing--

seeing through him, would she?

-I'm afraid not.

She's something of a child, Lieutenant.

Her decisions are always vague and emotional.

Bryce was far more perceptive.

-He never married, did he?

Why was that?

-What are you implying?

-Oh, no offense, ma'am.

No, he just seems like a very distinctive man, and a unique

man, and I was curious about him.

-Well he was.

But he had far too many responsibilities for marriage.

And I suppose he never met the right woman.

Then there was the business.

I don't know what's going to happen to the company now.

I certainly can't run it.

And I don't want to bring anyone in from the outside.

-You won't have to.

MRS. CHADWICK (OFFSCREEN): And what does that mean?

-It means that I am an officer of the company.

-In name only.

-That's because Bryce would never let me participate.

-Of course he wouldn't.

You aren't even capable of running your own life.

-I've never been allowed to run my own life.

Lieutenant, won't you sit down?

-Thank you.

-But things are different now, aren't they?

There's a change in the status quo.

-If you are seriously considering--

-We're not alone, Mother.

I suggest we discuss this later.

All right, Lieutenant, I've kept you waiting long enough.

What can I do for you?

-Oh, no, no, no.

That's all right.

No I only have one problem and that is-- thank you.

-Cream, sugar?

-I, uh--

no, I take it black, thank you.

Uh, I couldn't sleep last night.

There were a couple of points that were bothering me so I

thought I'd come over here and clear 'em up.

-What kind of points.

-Ah, thank you.

Uh, that newspaper.

-Newspaper?

-Uh, yes.

Uh, the one that I noticed on the table in the foyer.

Now correct me if I'm wrong, but, uh, didn't I hear you say

that you were home all day, yesterday?

-That's right.

-See, that's what puzzles me.

How did that newspaper get there?

-Haven't you ever heard of home delivery?

-Oh, yeah.

Yeah.

I have a newspaper delivered to my house every morning.

-There's your answer.

-No.

No, that-- that won't answer it.

Nope.

No, the newspaper on the foyer table,

that was a late edition.

I mean, I even saw racetrack results in it.

-I'm afraid I don't quite follow you.

-Well if you were home all day, who

brought home the newspaper?

-Well Bryce must have brought it home.

-Yes, but Bryce came in through your room.

He didn't come in through the front door.

I mean, he was shot on that side of the house.

How did that newspaper get to the other end of the house?

-Lieutenant, you seem to be cross-examining my daughter.

-That's all right, Mother.

Bryce must have brought it in, and in my confusion I picked

it up and put it foyer table when I went

on answer the door.

-Yes, that would be an answer, except for one thing.

You left your brother's attache case out there.

Why wouldn't you bring them both in at the same time?

BETH (OFFSCREEN): I didn't see it.

-You didn't see it.

Gee.

They couldn't have been too far apart.

-People are inconsistent when they're in a state of shock,

Lieutenant.

It's foolish of you to expect rational behavior

at a time like that.

-Well I'm sure you're probably right about this.

You know I only get into it because I try to figure it out

in my mind.

You'll understand that.

Uh, well look, I'm sure both of you have a great deal to

talk about, so, uh, I'm going to run along.

Thank you for the coffee, ma'am.

Bye bye.

-Goodbye.

-Um--

listen, about that $11 ma'am.

-If you leave me your card I'll send you a check.

-I'm all out of cards.

-Oh, here.

-Thank you, very much.

-Thank you, Lieutenant.

[dog barking]

-Easy now, easy!

PETER (OFFSCREEN): I mean, that would be just terrific.

No way they're going to--

-The jury's coming in now.

-Have you, ladies and gentlemen, concluded your

deliberations?

-Yes, sir, we have.

-Clerk.

Thank you.

LADY (OFFSCREEN): What do you think?

-What?

-She's home free, you watch.

Jupiter and Venus are in good aspect with Pluto.

JUDGE (OFFSCREEN): I have before me the verdict of the

coroner's jury in the matter of Bryce Chadwick, deceased.

The jury finds that Bryce Chadwick, age 46, came to his

death July 21, at his residence,

2307 Lorraine Drive.

Death being caused by three .38 caliber bullet wounds in

the upper chest.

The jury also finds, from the evidence submitted, that the

death of Bryce Chadwick was an accident.

[chatters in the gallery]

-Thank you, very much.

-Good luck to you.

-Thank you.

-See?

-Thank you, jury members.

This inquest is now closed.

PETER (OFFSCREEN): Nice to be believed, isn't it?

Huh?

-[nervous chuckles]

Yes.

I want to take the whole jury out for dinner.

-[chuckles]

That is what is known as bribery after the fact.

-Oh, is it?

-Anyway, it's all over.

Back to normal, huh?

BETH (OFFSCREEN): Oh, no, that's exactly

what I don't want.

PETER (OFFSCREEN): What do you mean?

-Well I think it's time we made a few changes, that I

broke a few patterns.

-(SNICKERING) Well, as long as you don't break ours.

How about some lunch to celebrate?

-Can I take a rain check?

I--

I have a few appointments.

You don't mind, do you, darling?

-No, no, that's fine.

-Oh, uh, when you get back to the office, would you set up a

meeting with the heads of the departments?

-What's the agenda?

-Reorganization.

Tomorrow at 2:00.

Mother.

-Morning, Mr. Hamilton.

-Oh, Lieutenant.

-You remember me?

-Yes, I've got a very good memory.

-Gee, I'll tell ya, I envy you that.

I got to the point, you know, where I can't remember my

telephone number.

-Yeah.

What can I do for you, Lieutenant?

-Well I, uh--

I couldn't help overhearing that she turned

you down for lunch.

You want to grab a bite with me?

-You want to ask me some questions, is that it?

-Well, uh--

listen, it's my treat.

-(SNICKERING) All right.

[rapping]

-Window down, please.

-Oh, right.

-That's it.

I held the whipped cream on the Mighty Malt.

That's what you wanted?

-Uh, right.

-OK.

And they, uh, they were out of onion rings.

You want a substitution?

-Uh, no that's all right.

No.

That's fine.

-All right.

Don't forget to let me know before you leave.

I need to take the tray.

People are always driving off with our trays.

-Right.

I'll remember.

-Thank you.

-You're welcome.

All right.

Tell me something.

You and Mrs. Chadwick, are ya--

you going to be married?

-You don't believe in preliminaries, do ya?

-Well, you know, sometimes you just-- uh--

-Yes.

We're going to be married.

But we haven't set the date yet.

Mainly because of Bryce.

-Oh, I see.

Well you know wh--

what I was wondering was, uh, the night of the shooting, why

did you drive over there so late?

-Let's say the propulsion was anger.

-(TALKING WITH MOUTH FULL) Huh?

Wh-- what--what do you mean?

-Oh, I got back from a business trip and there was a

letter waiting for me from Bryce.

He said to lay off Beth, or else.

-Or else?

Or else what?

-Oh, well, it's professional discrimination,

and things like that.

So I got hot and I went over to have it out with him.

-I see.

Boy, uh, you got there just in time for the commotion.

That's quite a coincidence, isn't it?

-That's a leading question, Lieutenant.

Do think that, uh, the two of us did Bryce in together?

-What you mean, murder?

Oh no.

Uh, I mean, you were at the inquest.

They said it was an accident.

-Oh, well, I'm not talking about the inquest.

I'm talking about you.

What do you think?

-Do I think it was a conspiracy?

No, no.

Oh, no.

No chance of that.

No, sir.

-Well it's rather odd that you're still asking the same

questions, though.

-Oh, well you know, that's, uh, well that's just me.

You know.

I mean, nothing official.

It's just that, you know, I have this, uh, bug about tying

up loose ends.

Listen, I want to thank you.

You've been very helpful to me.

-Suppose you ask the question that you haven't asked?

Whether or not I'm a fortune hunter.

-Well I never inten--

-I'm not.

I love Beth, with her money or without her money.

As a matter of fact, I was quite

prepared to quit the company.

-Of course, that won't be necessary now.

-No, that won't.

But I won't be a hypocrite, Lieutenant.

I'm sorry about poor Bryce being killed, but it has

gotten Beth out from under his thumb.

-Oh yeah, yeah.

Yeah, way out.

Huh?

-What's that supposed to mean?

-Way out?

Well, uh, you know, uh-- in the courtroom I overheard her

say that she was breaking patterns.

Now, uh, this is a terrible thing to admit, but, uh, I

think that, in a way, her brother's death is the best

thing that ever happened to her.

[engine starts]

-Hey, mister, you forgot the tray!

-Sorry.

-It's all right.

-May I assist you, sir?

-Oh, heh, you scared me.

No, I was looking for Miss, uh--

you're Charles, aren't ya?

-Are we acquainted?

-Oh, I saw you at the inquest.

No I'm, uh, uh, Lieutenant Columbo.

I'm looking for Miss Chadwick.

-You're a police officer, sir?

-Uh, yes, I am.

Yeah.

Uh, is she in?

-I'm afraid not, sir.

-Oh, she isn't.

I see.

Well, um, uh, do you, uh, do you know where I can, uh, get

in touch with her?

-Yes, she's at the beauty parlor--

Eugene's.

-Uh, huh.

-Will that be all, sir?

-Yes, Charles.

Uh, yeah.

I think so.

Uh--

hey, smells new.

-It is, sir.

-Oh.

Why didn't she take it with her?

MAID (OFFSCREEN): It was just delivered.

-Ah, it was just delivered.

I see.

Well, I want to tell ya, it's a beauty.

That's a wonderful piece of machinery.

-Uh, will that be all, sir?

-Yeah, Charles.

That will be all.

Uh, I don't want you to worry about me, Charles.

I'm going to go around the side of the house here, and

I'm going to conduct an experiment.

-Uh, is it something I can help with, sir?

-No, Charles, it's a kind of a do-it-yourself thing.

Thank you, very much.

RECEPTIONIST (OFFSCREEN): May I help you, sir?

-Uh, well I'm not a customer.

-No, I assumed that.

Uh, you're looking for someone?

-Yes.

I was looking for a, uh, Beth Chadwick.

Miss Chadwick.

My name is, uh, Lieutenant Columbo.

-The police?

-Well look now, it's not serious.

I just want to talk to her for a moment.

-Oh.

Well right through that door, Lieutenant.

Cubicle four.

-Thank you.

-Uh, Lieutenant.

Your cigar.

-What about it?

-Uh, well, the fragrance is not, um, compatible.

-Gee, that's a shame.

I just lit it.

-Oh.

[aerosol spray]

-Well, what brings you here, Lieutenant?

-Oh, I, uh--

I stopped by the house.

I talked to Charles and he told me where you'd be.

So I thought I'd come by.

Uh, there's um, just one point that I wanted to clear up.

-Uh, huh.

-Uh, do you mind?

-Does it matter?

I'm a captive audience.

-Uh, we can go, Miss Chadwick.

-No, no, no.

That's all right.

Go ahead and finish.

-I saw your new car, by the way.

Oh, that's some automobile.

-Thank you.

-I mean, really beautiful.

Beautiful.

I suppose you have to order those things weeks in advance,

don't you?

-Yes, that's right.

-Yeah, that's what I thought.

A real change of pace for you, isn't it?

-[snickers]

Well I felt like something racy.

As they say in advertising, a new image.

-Mm, yeah.

Well you know, I can understand that--

uh, I'm sorry--

uh, because, uh, it's a natural thing, I think, after

a death in the family, to want to break loose.

-That's one way of putting it.

-Hmm.

Gee, that's funny though.

-What?

-If you had to order the car some time ago, that would mean

that you knew in advance that you were going

to change your style.

HAIRDRESSER (OFFSCREEN): Finished, Miss Chadwick.

-[sigh]

May I see?

-Yes.

-Oh, [chuckling]

COLUMBO (OFFSCREEN): Wow!

-Looks fabulous.

Fabulous.

-Yes?

COLUMBO (OFFSCREEN): Just amazing.

Miss Chadwick, you look sensational!

-You really think so?

-I'd say you were a new woman.

-Oh, thank you, Lieutenant.

Goodbye, Gene.

Thank you.

See you next week.

Bye, Felicia.

-Bye, bye.

-Excuse me.

Sorry.

-Why Miss Chadwick, you look lovely.

-Thank you.

You're very kind.

Bill, and could I have an appointment next week?

-Certainly.

-Well, Lieutenant, you haven't asked me your question.

-I'll tell you what.

Are you headed home?

-Yes.

-Do you mind if I meet you there?

Because it kind of has to do with your house.

-Is this really necessary?

-Well in a way, it does.

Yes.

I promise it won't take long.

-All right.

I'll meet you there.

-Uh, Lieutenant, your cigar.

[sigh]

-Oh, good afternoon, ma'am.

-Good afternoon.

Oh, Charles, our Lieutenant requires a stepladder.

Would you be good enough to get one for him?

-Yes ma'am.

Another experiment, sir?

-Uh--

well I--

I guess you could call it that, yeah.

-Experiment, Lieutenant?

-Uh, huh.

Like I said, I was out here earlier.

Hey, why don't I show it to you?

Now, uh, you figured that your brother had to walk around the

side of the house like this, is that right?

-I figure it.

And so did the coroner's jury.

-Right.

Now you see, he had to walk on-- on grass.

-(CHUCKLING) Is point to this?

-Yes, ma'am, there is.

You see, uh, now this grass is kind of dry, because

the sun's been out.

Uh, well today's Thursday.

And uh, the gardener cuts the grass on Thursday.

Excuse me a minute.

You see.

Grass.

-Yes, well that's only natural.

-It certainly is.

But you know, there was no grass on your brother's shoe.

-I'm afraid I don't quite understand.

-Your brother was shot a week ago, on Thursday.

And I looked at the photographs of the body.

I even have them blown up.

And for the life of me, I just couldn't see any grass on the

soles of his shoe.

And I couldn't figure that out.

Why?

It was freshly cut.

And it was sticky, because it was at night

and there was dew.

-You know, that's very good.

He must have had particles of grass on his shoes.

But they were probably brushed off on the carpet.

And unfortunately, the room's been cleaned.

-Yeah.

I know.

-Well unless there's something else?

-Just one more thing.

I guess Charles has the stepladder by now, hm?

-I would think.

-Yeah.

All right, then.

Now the other morning when I was over here, I noticed these

potted plants.

-How observant.

-And they're very pretty, you know.

But I got to thinking, I said to myself, you know, sometimes

people, they keep a spare key outside, just in case they

forget their own key.

Uh, do you, uh--

do you see this?

-What?

-This imprint here?

-Yes, what about it?

-Well that's like a-- a fossil or something.

You see, uh, a spare key must have been hidden in there for

a long time.

You see that's been rained on, and everything.

-There was a spare key.

-Oh?

-I put it there myself when the

alarm system was installed.

Bryce didn't know about it.

I also removed it, myself, recently, because

I had second thoughts.

-Wh-- what do you mean by second thoughts?

-Well if a burglar were, in fact, on the premises, he

might find the key, and then what good would the

alarm system be?

-Good point.

Mm, yes.

Hey, yeah.

-I was right, wasn't I?

Because you found it.

-Yeah, I guess I did.

-All right, Lieutenant, I think you've finally

overstayed your welcome.

The official verdict is death by accidental means, and that

should satisfy you.

-Look, ma'am, I don't mean any offense.

I'm just, uh, trying to tie up loose ends.

You see, I'm compulsive that way.

It's just, uh, well that's what my wife says about it.

Just--

-(SNICKERING) Are you really?

-Oh.

No, I mean, all I meant by that was that, uh,

well you see if--

if there was a key there--

-Yes?

-And if Bryce knew about it, well then, of course, he would

use the key to let himself in through the front door.

-But I told the truth, the night it happened.

And I told the truth at the inquest.

So whatever your little compulsions may be, I'm afraid

I must insist you leave me alone.

-Oh, uh, goodbye.

-I'll take it all.

Yeah?

-Well, is that it?

-(CHUCKLING) No, I haven't finished.

[peter chuckles]

-You're not bored are you?

PETER (OFFSCREEN): No.

No.

I'm having a wonderful time.

-Is there something young and bright?

-Why don't you try this one?

-Oh, that's marvelous.

I want to try that on.

Excuse me, please.

Excuse me.

Oh, don't forget to put my hat over by the black bag.

Did you bring it with you?

-It'll look great.

BETH (OFFSCREEN): Oh, could you get the zipper?

Peter?

-Yes?

BETH (OFFSCREEN): Everybody set for

this afternoon's meeting?

-Uh, yes.

But I was wondering, Beth?

BETH (OFFSCREEN): Huh?

PETER (OFFSCREEN): Um, well don't you think

it's a little premature?

Perhaps another week for things to ease up?

BETH (OFFSCREEN): No!

It must be today.

-All right.

It's up to you.

BETH (OFFSCREEN): Oh!

Well?

What do you think?

-Interesting.

-What does that mean?

-[chuckling]

Well, that's wild.

A little out of your style, though, isn't it?

-No.

I don't think it is.

-Well, you asked.

-Yeah.

It was a courtesy.

Hmm.

I'm perfectly capable of making my own decisions.

[gasp]

Oh, what is that silver dress over there on the--

on the rail?

And this one, this--this matches it.

-Uh, Beth.

Beth, why don't you finish your wardrobe?

I'm going back to the office.

-No, no.

I want you to wait till I'm ready to go.

Uh, do you have trousers that go with the red top?

-Beth.

I'm not sure what's gotten into you, but, I'm

not sure I like it.

I'll see you.

If you need me, I'll be back at the office.

-Did you want to try this on?

-Yes.

This one and that blue dress over there, please.

-OK.

[chattering and laughter]

-Ladies and gentlemen, will you please take your seats?

Well now, we've all been through a period of anxiety

and indecision since my brother's death.

But in a corporate sense, we must maintain our continuity.

As you all well know, this is a family-owned firm.

Therefore, as of today, I am assuming the presidency.

As my first order of business, I would like to announce the

elevation of Mr. Peter Hamilton to Executive Vice

President in charge of accounts.

As to philosophy, my brother was a traditionalist.

I want to break new ground.

Would you pass these along, please?

I want to streamline.

We're going to cut down marginal accounts, and we're

going to start promoting ourselves for a change.

Seems to me we've been selling

everything but our own product.

-Beth, forgive me.

But that is our job.

-Forgive me, but it's not.

Our job is to grow.

Now when was the last time this agency

took on a new account?

-We have, uh, all we can handle.

-Nonsense!

-Now look, Beth, I don't want to be difficult.

But I--I--

I just--

-Fred, I don't mean to interrupt you, but this is

maybe not the time for negative thinking.

Now, if you disagree with my approach, you're perfectly

free to sever your relationship with the firm.

-No, Beth.

I--

I feel that I can accommodate myself

to your way of thinking.

-Yes.

I'm sure you can.

Any questions?

Very well, we'll adjourn.

Oh, one more thing.

A happy and personal note.

I'd like to announce my engagement to Mr. Hamilton.

Thank you.

Are those letters for me to sign?

-Congratulations.

-Yeah, right.

-Congratulations.

-Thank you.

-You must be out of your mind!

What qualifies you to run this company?

-I had a very good teacher, my brother.

I've been studying his reports for

years, and asking questions.

Thank you.

We'll finish later.

He may not have known it, but he was grooming me.

MRS. CHADWICK (OFFSCREEN): Well don't forget, I am the

majority stockholder.

I will not relinquish control.

-(SNICKERING) Don't be naive, Mother.

Who else can take over and still keep it in the family?

Besides, I'm prepared to go to court, if necessary.

And you know what that means--

publicity, interviews, scandal.

-I--

I can't believe you're talking to me like this.

BETH (OFFSCREEN): You prepared to take over the company?

You're getting old, Mother, or hadn't you noticed?

[knocking]

-Come in.

-Am I interrupting something?

-What do you want, Lieutenant?

-Well I just thought that--

why, hello there, fella.

How you doing?

[dog barking]

-I got a treat for you.

I got a little something for him.

Here you are.

You know, I've been carrying these things

around with me all week.

Come here, boy.

Come on.

Take one of these.

Look at that.

Come on.

Come on.

[dog barking]

-Oh!

Oh, easy.

Easy!

I think we have a personality conflict.

Uh--

-Do you need me for anything, Lieutenant?

Come here.

-Uh, no, ma'am.

No.

I don't think so.

-Then I'll be leaving.

-Mother, we'll go into this later.

-As you wish.

-I'll leave the two of you alone.

-No, that's all right, Peter.

The Lieutenant is going to be very brief.

Well, Columbo, what is it now?

We've talked about keys, and grass, and newspapers.

Oh, thank you.

Oh, thank you.

-Well you know how one thing leads to another.

Now when I was-- thank you.

Uh, when I was over at your house there the other day, and

I was going up and down that ladder, uh, I

tell ya, I had a thought.

Something else occurred to me, uh, that's been keeping me

awake at night.

-Oh, what might that be?

-Well I was, uh, wondering about that burnt out bulb--

-Oh.

- --in front of your house.

And I went over there this morning to take a look at it.

-[laughing]

You brought it with you.

-Oh, yeah.

I didn't think you'd mind.

-No.

-Uh, this is a 100 watt bulb.

100 watt.

Got a life 750, 800 hours.

Now, if you're house is anything like my house, then

you burn the outside light, uh, 8, 10 hours a day.

So that means it would last 2, 2 1/2 months.

Is that right?

Yeah.

-I'll concede to your knowledge.

I don't know.

-Thank you, very much.

Uh, now this is what I got to thinking.

I hate to change bulbs outside my house, because no matter

how tight I get that up in the lamp, you see, they attract a

lot of dirt, and gook, and they're full of dead bugs.

And I just don't even like to go up there and touch 'em.

-Would you get to the point?

-Uh, why is that bulb dirt and dust free?

That bulb is clean as a whistle.

-Ahem.

-Now I think that's kind of strange, don't you?

Hanging there long enough to burn out, but not hanging

there long enough to get dirty.

-We're a fastidious family.

If the bulb is clean, it's because servants cleaned it.

-They cleaned a burnt out bulb?

-They work in the daytime, so how would they know?

All right, Lieutenant, I think that will be enough.

-I beg your pardon?

-I want you listen to this very carefully.

I don't ever want to see you again.

You'll be refused admittance to my

house, and to this office.

I have a great deal of work to do, and I no longer can

indulge your suspicions.

If you think you have a case against me, go to

the District Attorney.

Is that clear?

-Yes.

That's very clear.

Hmm.

Oh--

-I'm warning you, no more questions.

-I wasn't going to ask a question, ma'am.

I just wanted to return your bulb.

[door closes]

-(ANGRILY) What can we do about him?

[bulb shattering]

PETER (OFFSCREEN): Beth, take it easy.

Calm down.

-Oh, stop saying calm down.

You're a lawyer, do something.

I mean, we can institute some kind of

proceedings against him.

There must be somebody in city government

who can to do something.

-Calm down.

Take it easy.

-Well is that your professional advice?

-Beth, what in the world has gotten into you?

We never argued like this before.

-Oh, we're not arguing.

Something's wrong.

What is it?

-All right, there is.

Number one, uh, this business of arbitrarily promoting me.

It--

to say the least-- it smacks of high-level nepotism.

It's uh--

-And I assume there's a number two?

-Yes, there is.

You announced our engagement without even letting me know.

-Well I thought it would please you.

-It did please me.

But don't you think you could have consulted with me?

I was just as surprised here as everybody else.

-Well, I--

I did it for you.

I mean, we are going to get married, aren't we?

-That's not the point.

I would like to have had a hand in the decision.

Now it's not like you to act this way.

This is way out of character for you.

-Well if I've changed, it's because I thought you'd like a

more exciting woman.

-A change, yes.

But a complete metamorphosis.

I'm not sure, Beth, you're the same person.

-[sigh]

Maybe I'm not.

Maybe Bryce was right.

PETER (OFFSCREEN): About what?

-About your being the wrong kind of man for me.

[door opens]

[door closes]

[ice clinking]

-What's that, the third?

-I get paid not to count.

-Just keep 'em coming, that's all.

-Well I didn't think you people were

supposed to drink on duty.

-Oh, Mr. Hamilton.

Drink?

Oh, no, that's coffee.

No, I don't drink.

(SIGHING) No, it's been a very long day.

I can see it's been a long day for you, too.

-Oh, it shows, huh?

-Um.

-You know, it's quite a coincidence you and I both

meeting in the same place like this.

-Yes, it is, isn't it?

Yeah.

-What are reading?

-Oh, this.

This is a, uh, transcript of the inquest.

Oh, listen, congratulations.

I understand you're engaged.

-Not necessarily.

-Oh, really?

What happened?

-Let's get back to this.

I want to ask you something.

Lieutenant, why are you hounding Beth?

-Hounding?

Who me?

Oh, no.

I'm not hounding anybody.

Oh, no.

No.

No, what I'm trying to do is get to the

bottom of this thing.

-(CHUCKLING) You know, Lieutenant, I like

you, I really do.

But you are devious.

-Devious?

-Now your job was finished with the coroner's verdict.

But you're still hanging around.

You're still asking questions.

You even managed to bump into me here.

Now, Lieutenant, you don't really think that Beth killed

her brother in cold blood, now do you?

-Well, as a matter of fact, I do.

-[chuckling]

-Mr. Hamilton, you asked me what I thought, now I'm going

to tell ya.

I think she set it up.

I think it was deliberate.

And I think you can help me prove it.

-Oh, now, excuse me.

You're-- you're sure that's uh, that's

coffee that you're drinking?

Because you're not making any sense.

I was there.

Now I know Beth didn't kill anybody.

It was an accident.

-Can I tell me about my wife?

You know, my wife, she's got a proverb for every situation.

You know, with her--

a rolling stone gathers no moss, you gotta look before

you leap.

-Uh, I'm sure that your wife is a very nice woman.

But what does that got to do with the case?

-To be honest, she solved it for me.

We're having an argument last night, she says to me, you're

putting the cart before the horse.

And I said, right.

In this case, the horse is before the cart.

And I had the answer.

-And what was that?

-In the transcript, you weren't very specific.

I know.

I just read every word of it.

But I think on the night of the murder you said something.

If you can remember that, and you tell me you've got a

terrific memory.

-Um, hm.

-Then you'll know.

You'll know for sure whether or not Beth Chadwick murdered

her brother.

-All right.

And what do I remember?

[dramatic music]

[dramatic music]

-Oh.

[door rattling]

-Who is it?

Who's there?

Who's there?

Hello operator, get me the police.

Uh, operator?

Oh, operator I'm sorry.

Forget it.

Lieutenant Columbo, is that you?

[cocking gun]

-Come on, Lieutenant, come in and have a drink.

Lieutenant Columbo?

-This the way your brother came in that night, isn't it?

-How did you get in?

-Same way your brother did, with a spare key.

One of my men located your locksmith.

He was very cooperative.

-Well what do you expect to prove by this bit of nonsense?

-Oh, I don't want to prove anything, ma'am.

I came to arrest you.

-(SCOFFING) Arrest me?

-Yes , ma'am--

[laughing]

- --for the murder of your brother.

-Oh.

-And I did have a reason for coming in this way.

I wanted to see the look on your face.

-Very well.

I'll consider myself under arrest.

And now I want to see the look on your face when I call my

lawyer.

-You know what's ironic?

I knew it wasn't an accident the first night.

I knew it as soon as I saw that newspaper.

But I didn't have any proof.

I had to wait for the proof.

I had to wait for your fiancee to give it to me.

-From Peter?

COLUMBO (OFFSCREEN): Yes, ma'am.

Although I don't think he meant to.

You see, according to your story you were asleep at

night, the alarm woke you up, you reach for a gun, and you

shot what you thought was a burglar.

-Which is exactly what happened.

-Couldn't be.

Because Mr. Hamilton, who was driving up outside at the

time, he heard both the shots and the alarm.

-Of course he did.

What difference does that make?

-Oh, big difference.

He heard the shots first, and then the alarm.

That's the cart before the horse.

I mean, how could the alarm wake you if

the shots came first?

You see, what really happened was, your brother came walking

in here, just the way I did tonight, and you shot him.

And then you set the alarm, a few seconds later.

-Peter is mistaken.

-No, he's a very good lawyer, and he prides

himself on his memory.

And he won't like it, but he'll testify against you in

court if he has to.

And along with the other holes in your story, I think they'll

convict you.

-Oh really, you don't want to do that.

Policemen outside.

What would be the point?

Besides, you're too classy a woman.

Ma'am, would you get dressed now?

Take all the time you need.

[door closes]

[music playing]

[theme music]