All language subtitles for Bonanza S09E16 - A Girl Named George

The original

prisoner will rise.

You've been convicted by a jury of your peers of the murder of a ponderosa

with a cowhand named Walter Finn Harrell, but she come to town to play a friendly game of stud poker and wound up getting himself killed.

It is therefore considered and ordered by this court that you, Eisham Troxel, shall suffer the punishment of death by hanging.

In the week commencing Sunday, September 6th, the year of our Lord 1868, make God have mercy on your miserable soul.

Your Honor, my brother, let me listen to any other scissor bill which they get caught with at least up their sleeve and try to shoot their way out of it.

Your Honor!

Heart's adjourned.

I demand to hear it.

Don't worry, Eish, he ain't going to get away with this.

Son, man.

Boys.

Judge, how are you?

When are you coming out to visit us again?

Not soon.

Socializing after a hanging case ain't quite seemingly for man in public office, but I thank you kindly.

Now what a word with you, sir.

Case is closed.

If my brother dies because of that preposterous sentence of yours, you'll die too.

Just as sure as my name is Keto Troxel.

You're a big of fool and I thought you was, Troxel.

Make a threat like that in front of all these witnesses?

I mean it, sir.

Then it'll be Troxel and Troxel on Boot Hill, that have been that new law office across the street.

If my brother hangs, I'll kill you and I won't end up on Boot Hill.

I'm going to let that last remark go by for two reasons.

First, your blood brother just got sentenced to hang, which it would naturally lather you up and by.

Second, because it's 12 o'clock noon, and it's time for me to go home and eat my dinner.

Fried chicken.

Fried chicken. Northern style.

Hey, I think there's something wrong with me.

I really do. I really do. Look, here I am. I'm a young man. I got a little money in the bank.

I don't want to go someplace. See something different.

Like where?

Like where I don't know, back east.

Get all the places I can go. St. Louis, Kansas City. They're Cincinnati.

That's a nanny.

Why would you want to go to Cincinnati?

I don't want to go to Cincinnati. That's what I think is the matter with me. I don't want to go to Cincinnati, but I like it here.

Some man, it ain't no way of figuring out my own here.

I don't know what you mean. That's bothering me, too.

You're looking for something different? Maybe coming right over there.

Ooh.

Howdy, are you Mr. Ben Cartwright?

That's right.

It's him. I should have known. They said he was a bossy-looking galoot.

With two sons, one fat and one pretty.

Yes, that seems to be a pretty fair description. This is horse. The fat one.

And this is the pretty one, Joe. And who are you?

Oh, I'm George. And that there's mongoliness.

Enos blessen. Atrosa.

How do you do, sir? I am here to remind you of your mortality.

Someday a stone like this is going to mark your final resting place.

Well, there's a happy subject just before supper.

Sad, ain't it, Mr. But one of these days, then boys are going to have to buy you a stone just like that one.

Don't you believe it, Pa? We'd never let you down like that.

We'll get a great big grand at the end.

We're going to buy you an expensive one. I mean, a great big one.

We're going to put it to name. It's going to say Ben Cartwright of the Ponderous of War.

Thank you very much. It's really very touching your concern for me,

but I feel rather hailing-hardy at the moment. I don't think I can do this one of those just yet.

Exactly. What could a cold stone say of this handsome gentleman?

Could it speak of his warm smile of his upright character, of his manly appearance?

Certainly not. What he needs is a different kind of memorial.

You know you're right. You're absolutely right. And he's got one.

His fine sons, we will be his memorial.

Hey, yeah, that's right, Pa. Don't you forget it.

Yes, indeed, boys. You certainly will be.

But what kind of different memorial were you thinking of?

Boy, I was thinking, sir, of a photograph.

A photograph? A photograph? Like a tin type only.

That's a new process, isn't it?

Quite right, sir. A veritable likeness.

Produced by the chemical action of light.

On paper sensitized by the mysterious properties of precious metal.

To reproduce his very image.

George? George? The samples.

Oh.

Is George... George is my niece.

Is that what you do your work in that contraption?

Yes, sir. That is my travel-in portable dock room.

I have just opened a new studio in Virginia City.

I do.

He knows, blessed with portraits and silver.

The samples, George, if you please.

You should do very well there.

Thank you, sir. May I show you some of my work?

Vice President of the Union Pacific.

Mm.

Ship captain.

Mm-hmm.

Sheriff.

Very good.

Oh, how did this get in here, George?

The horse thief.

Horse thief.

Hey, you know, Pa, they're pretty fancy.

You know what we can do?

We can frame you and hang you right up over the fireplace.

Well, what you should oughta do is get one taken of each of you

and then you can hang them all up together.

Exactly.

A father and his sons, what an inspiring subject.

I could go right here, right in front of the house.

Ah, as a matter of fact, I can even throw in a group picture of all your ranch hands.

You know the fellas are like that?

Well, right now, I mean, it's summertime.

And, oh, no, no, that would be tomorrow, when the light's a little better.

That is, if you could bed me down for the night.

I think we'll do it for you.

I'm all for it.

That'd be a bad idea.

Certainly, of course, we can put you up in the bunkhouse.

We have a spare room for your knees.

Yeah, no, no, thank you.

George has to go back to the top for some supplies.

Come here.

Yeah, these are nice, huh?

I want that new hypo. It's back in the studio.

We have plenty of shh.

I want the new hypo.

And listen, when you hit into town, I want you to find Mr. Cato Truxell.

And tell him, I'll be making the copyright pictures at noon tomorrow.

You understand?

No, why do you...

Never mind. Why? Just do it.

I'll be back here early tomorrow morning. Yes?

Come on.

Yes, sir.

And, I'm just waiting for Mr. Haas.

With Haas.

Can't you hurry up, Haas?

Well, we can't hurry this, Mr. Cartwright.

This is going to take all morning.

All morning?

Yeah, well, this is a complicated chemical process.

I have to prepare every one of these plates in the dark room

before I can expose them.

I took you so long.

Well, I figured we'd go and get our picture tuck.

And it'll look like a saddle ramp so I've been there doodin' up.

Now, we're getting post, George.

Just loosen up now, Mr. Haas. You're stiffer than an art shell deacon.

All of ya.

Oh, I better have to upset with that tombstone. I'll tell you that.

All right, now.

Now, look this way, everybody. I wish you'd have watched, Georgie.

That's fine. I'll smile.

Hold it.

Hold it.

Now, take a deep breath.

Now, that's fine. Now, hold it.

And smile.

Now, very dignified, Mr. Cartwright.

Now, that's fine. Now, hold it.

Now, watch the birdie, Mr. Haas.

Beep, beep, beep, beep, beep.

Let's fine hold it.

Now, smile.

Now, that's fine. Now, hold it.

Hey, hey, hey, hey, what's so funny?

What's so funny?

You think it's funny I'm a picture taken? You're gonna get your picture taken now.

Now, now, now, just a moment. Mr. Cartwright, don't forget, now,

I promised a picture of you and your whole bunch.

All the cowboys and all the visitors, everybody.

Complimentary, no charge.

Oh, that's a good deal for hurt one.

Why not? We wasted the home morning anyway.

All right, now, everybody, line up. Over there.

Get over here.

Come on, let's get on with it. Come on now.

There we are.

There we are.

All set now? All right, now, everybody freeze now.

That's fine, little. Oh, that's just fine.

Isn't it nearly? I'm here.

That means you were promised, sir.

I'm here to keep it.

I'll make you one.

You pull that trigger, you'll hang higher and your brother dead.

MUSIC

Donnie, no party on the lameness.

Oh.

Julie, is game so smooth.

I wish I could sit somewhere and watch it ride.

What you lookin' at?

Eyes landscape here.

I'm just lookin' those hills.

At first chance, again, I'm coming back out here and make some pictures of you.

You know, I'll be back to sell those pictures to a magazine back east.

Hey, here comes Mr. Troxle.

Oh.

Georgie, maybe you better take a little ride somewhere.

Now I want to talk to Mr. Troxle private.

Did you make them?

Yeah.

The group photograph, too?

Yeah.

Do you have the plate prepared?

Certainly.

All right, get out your camera.

Hey, how'd before I see the color of your money?

Yeah.

Hey, you can count it later.

Well, I guess I'll be arrested as soon as I ride in the town.

There'll be a coroner's hearing in the morning.

That's enough.

I don't want to hear about it.

I don't know how I get in this in the first place.

You got into it on account of Georgie, Enos.

There was a very unselfish thing for you to do.

But all I care about is will it be ready in the morning?

It'll be ready.

It better be.

It'll be ready.

Now, you, you just get in front of the camera.

All right.

All right.

No, no, no, no.

That's too close.

You'll have to get back about five, six feet.

Right there, that's fine.

Now, turn around, face me.

Well, you got it?

Yeah.

All right.

Now, don't move.

All right.

Now, still.

Ready?

Sure do you like them carquettes?

Would you want to talk to me about, Uncle Lee?

Well, you, you just give me a little time.

I'll get around to it.

Sure do you like that little child?

Either.

Handsome is a new stee-bo.

You didn't you think so?

He sure is handsome.

I saw you're gawking at him.

He didn't see me gawking at him, did he?

That's not the boy.

The boy is, was he gawking at you?

Oh, no.

Of course not.

He thought you was a boy.

Just look at yourself.

Where did you wash your face last?

I forget.

Exactly.

Well, you're all through being a tomboy.

You're going to a female academy back east to learn how to be a lady.

That old subject again.

How can I go to a female academy,

then place the cost big money?

I got big money.

Here.

We'll go on and go on open that.

Twenty dollar gold pieces.

Fifty of them.

A thousand dollars.

Where did you get all this?

You might say it's my life savings.

Uncle Ennis, I don't want to go to no female academy.

I want to stay here with you.

Well, you can't stay here with me.

You're going back east to school.

You will annoy or missouri.

I don't want to be a lady.

That's final.

I'll join a medicine show.

It comes so longer.

I'll marry again.

You can marry a pilot if you want to, but not until you're a lady.

I'm going to help you pose your pictures and work with you in the dark room

and put your eggs the way you like them.

I'll coach my own eggs.

Then you did not hear the shot, Mrs. Neely?

Might have, might not.

I was cooking.

Using pine nuts to get a hot fire and everything was popping and snapping.

Well, just one more question, Mrs. Neely.

What time would you say it was when you discovered the body of your husband?

Well, I can't say exactly that, but I think I can come to it through my fried chicken.

I always give my chicken a good 40 to 45 minutes.

Put it on about half past 11.

Because he adjoins his court right at noon.

Then it takes him 10 minutes to come home, feed his horse.

Then he washes up and sits down at a quarter pass.

I mean, he used to.

Anyway, my chicken was just about done, but I heard him come right up.

And he didn't come in, and he didn't come in, and so I went out to see what was keeping him.

And there he was.

Fried chicken was his favorite.

Then you would say that he was shot a few minutes after 12 o'clock noon.

Yes, sir.

That's all, Mrs. Neely, thank you.

Ben Cardrod, will you take the stand, please?

You swear to tell the truth, the whole truth, nothing but the truth to help you, God.

I do. Be seated.

On Tuesday, September 1st, did you overhear a conversation between Judge Neely

and Cato Truxel?

Yes, sir, I did.

Would you like to tell us about it?

I have a writer with her.

I heard Cato Truxel threaten Judge Neely.

Said that if his brother was hanged, he'd kill Judge Neely.

Thank you. That's all, Ben. Thank you.

Just a minute.

Acting is my own attorney, I'd like to ask the witness a few questions if I may.

I guess it's your right.

Thank you, sir.

Mr. Cardrod, yesterday a man named Enos Blesson came to your ranch

and took a group photograph of you, your cow hands, and all your visitors.

That's right.

At what time was that group photograph taken?

About, uh, a little after 12 new, I guess.

Well, then, anybody who was at the ponderosa at the time that group photograph was taken

couldn't possibly have shot Judge Neely.

Oh, no.

Don't you remember seeing me there at, uh, 12 noon or a little after?

I certainly did not.

Well, you were facing the camera at the time the photograph was taken.

All your visitors were lined up behind you.

Yes?

Well, then I could have been there and you mightn't have seen me.

Well, why would you want to come to the ponderosa?

I came to make you an offer on your Lake Tahoe property.

Mr. Carner, he didn't make me any offer on your Lake Tahoe property.

Well, you were so busy, I thought it better to come back another day.

No, sir, he didn't make any.

Thank you, sir. That'll be all.

Mr. Carner, may I testify in my own behalf?

That'll be all, Mr. Carrod.

You may take the stand now, Mr. Troxel.

He's wired to tell the truth, the whole truth, and nothing but the truth, say, help you, God.

I do.

Gentlemen, I'd like to make a statement for the record.

Yesterday, at a few minutes after 12 noon, I was at the ponderosa when that group photograph was made.

And the photograph will prove it.

You were in the photograph?

I was.

Consequently, I couldn't have been in judge nearly stable at the same time.

Where is this photograph now?

The photograph is not a good photograph.

This hearing is adjourned to the photographer's place.

The jury, the witnesses and the prisoner will come along with me.

I'm sorry, Mr. Troxel.

I'm sorry, Mr. Troxel.

I'm sorry.

I'm sorry, Mr. Troxel.

I'm sorry, Mr. Troxel.

I'm sorry.

I'm sorry.

I'm sorry, Mr. Troxel.

I'm sorry, Mr. Troxel.

Where's your gonna get your pony shot today?

Yeah.

Well, go on and do it.

Does it have to be in that slab side at East?

Ain't there no female academies in this whole big eagle spread west?

No.

And go tend to your pony.

Right now.

Well, that's it.

I'm sorry.

Yes, sir.

I'm Dr. Martin, county coroner.

We're holding a hearing in the death of Judge Neely.

Ah, yes, sir.

I heard about that.

Would it be all right if I bring my jury in, please?

Of course.

Thank you.

You may come in, gentlemen.

Now, did you take some photographs yesterday at the ponderosa?

Ah, yes, sir.

I did.

I'd like you to produce them for the inspection of the jury, please.

Oh, well, now that was the property, Mr. Confright, didn't I?

Oh, Mr. Blessing, I wish you would produce those photographs.

Ah, yes, sir.

The one you made about noon yesterday, the big group photograph.

Ah, yes.

Ah, here it is.

There you go.

Well, sir, you're in it all right.

Gentlemen of the jury, looks like our verdict is clear.

Death, if a hand, of an unknown party.

Well, I guess you won't be needing me any further.

No.

Thank you, sir.

Thank you, Mr. Confright, furnishing me with an alibi.

Good day, gentlemen.

I wish we'd never seen that photographer.

He trucks look perfect alibi.

Well, if trucks look decent, Joe, I'm glad we did see the photographer.

I'd hate to see an innocent man hang.

Well, I say he's guilty.

Joe, there he is right there in the picture.

But you show the picture to all the hands.

Yes, of course I did.

Nobody remembers seeing him there.

Well, look, what about them in the back from the double H?

Maybe we went over and talked to them, maybe they know something.

Joe, what can I call it?

If he's here, he's here, and he's there in the picture.

All right, so he was here.

Well, you must suppose Judge Neely's wife made a mistake about the time he came home.

Look, she testified to you in the kitchen.

There was a lot of noise.

You couldn't hear anything.

Suppose he got home at 11.30 instead of 12.15.

He'd had 20. It signed a ride back out of you.

Joseph, everybody knows that Judge Neely was a man of habit.

He was punctual.

At 12 o'clock shot, he shut his cord.

At 12.15 he was home having lunch.

At 1.30 he opened up cord.

Again, people set the clock by him.

That's gonna be something.

All right, he was here.

All right, he was here on the pond.

Also, when the picture was taken.

Suppose he didn't kill the judge.

Suppose he hired somebody to kill him.

Troxos got plenty of money.

There's plenty of guns for hire in Virginia City.

All right, what are you gonna do?

He's gonna go around to everybody who wears a gun and say,

did Katie Trox so hire you to kill Judge Neely?

Is that what are you gonna do?

No, I'm gonna go talk to Katie Troxos.

Now, what's he gonna tell you?

He didn't tell the coroner jury.

Oh, maybe the coroner went about it the wrong way.

I guarantee you I can make him talk.

Oh, can you?

Oh, with your fists?

Yes, if I have to.

Oh, very good.

By all means, use your fists.

Why don't you try using your head sometime?

You might eventually get someplace.

I'll go on and start swinging.

Haven't seen a good fight in weeks.

You're not gonna see one now, either.

We're having a family talk.

Is that any of your business?

No, not at all.

Well, then, why don't you stay out of it?

You'll take a ride or something, Joe.

You mean you're not extending the famous Cartwright hospitality?

All right.

The boy has said the picture was here.

I'll just have a look at that and leave.

Hmm.

Hmm.

Go on with your family discussion.

The boy is resisting one of your fatherly lectures, Mr. Cartwright.

I'm not the habit of giving fatherly lectures.

And if I do, it's possible because they need it.

Might have been a good idea if your father had given you a few.

Oh, he did?

Well, obviously, they didn't have much effect.

Oh, yes, he did.

I left home.

I don't know.

I don't know what you're saying.

But if I do, I'll just have to take a look at it.

I'm gonna go to the house.

I'll go back and go to the house.

I'm gonna go to the house.

Oh, I'm gonna go to the house.

I'm gonna go to the house.

I'll go to the house.

I left home.

I can understand how Toxel got into the picture,

but I can't understand how he got this shadow on the side of his face.

What are you talking about?

Well, you've got a funny kind of son at the Ponderosa

because it casts shadows in two different directions at once.

Oh, that's kind of impossible, isn't it?

I don't want to give any fatherly lectures.

But that's a shadow, isn't it?

Yes, I do.

And do you see shadows in anybody else's face?

It's funny, isn't it?

I think that's funny.

You should've seen what happened to me in St. Louis once.

Young fellow was doing a couple of tin types of me.

He was a little bit old.

He was doing a couple of tin types of me.

He was new in the business.

He got mixed up and he put both pictures on the same picture.

And I came out looking like twins.

What's up, got to be with Kato?

I didn't say that anything to do with Kato,

but just thought I'd throw it into the general part of interesting information.

Can we?

You said this, uh, it's gonna make two pictures of you on the same picture.

Same picture. Call it a double exposure.

If a photographer can make two pictures on the one picture,

the mistake,

why couldn't he do the same thing on purpose?

Couldn't Troxel, who got Mr. Blessing,

to make this double exposure,

putting Troxel in this picture without Troxel having been in the first place.

I think somebody better go have a nice talk with Troxel last year and some questions.

No, no, not yet.

What do we all do?

Well, just let me think for just a minute, will ya?

Now, if this is a photographic trick,

and there are two people involved in this murder.

Mr. Troxel and the photographer.

Now, stay, Mr. Troxel.

He's got a legal mind, hm?

He thinks things through very carefully.

He'll be prepared for almost any eventuality.

Our photographer friend, Mr. Blessing.

He's a different kind of man.

I think he could be persuaded to help us out.

The power we're waiting for.

For me to finish this light's chamber,

you'd have to get the voices ready now, let's get.

We're in, can you? We'll wait for you soon, Bob.

Now, George.

Oh, howdy, can I help you?

Well, I was looking for your uncle, Enos, is he around?

Oh, no, sir.

He's out on the Carson City Cut-Off, making some pictures.

Oh.

He sure makes some good picture, doesn't he?

He sure does.

Had to put that one up because everyone was coming in and asking to see it.

Yeah.

Tell you what, George.

George.

George.

George, you tell your uncle, Enos, I'd like to have one of these for every single person in it.

I sure will. I'll tell him the minute he comes back.

Yeah, you know, the hands were all real pleased with the picture because it turned out so good.

You know, we had one fella had a picture taken in St. Louis. It was terrible.

Funny, he had two heads and everything.

The devil exposure must have been a beginner.

Uncle Enos does make mistakes like that.

We'd better get along until your uncle Enos.

We'll see him again.

Sure will.

Bye. See you, John.

Well, Enos is up in the country. I sure want to see him.

Ours, why don't we go over to the courthouse, finish up that business of ours.

Candy, I'd like you to stay here. Keep an eye out.

As soon as you see Enos come back.

Right, get us.

All right.

Hello.

Howdy.

I thought I saw Ben Cartwright come in here. I want to talk to him.

Come and go, Mr. Troxell.

Oh, well, whatever he wanted, it didn't take him long.

Oh, oh, he came and bought a whole bunch of them group pictures.

Oh?

Yeah. Oh, they think a lot of uncle Enos's work.

Probably because one of their hands had a picture taken by a beginner and they got a double exposure.

Doublets.

Whatever that is.

Well, thank you.

Yeah.

Oh, oh, oh.

Oh, oh, oh.

Oh, oh, oh.

Oh, oh, oh.

Oh, oh, oh.

Oh, oh, oh.

Oh, oh, oh.

Oh, oh, oh.

What do you think of it?

You're bumping into it.

Let me go, let's go.

Hey, ma, how did you know my family's candy candy?

My old friend, Candy.

How you been, Candy?

I'm gonna hurry, Roscoe.

Candy, how you want your unfarnished opinion to me?

You're an upstanding citizen, Roscoe.

No, I gotta go.

Thank you, Candy.

There's a little apple knocker in there that says I am a big fat liberal person.

He's drunk.

He's the land you're in and he wants to fight.

You go ahead and fight him.

Let me go.

Candy.

I'm sorry.

Oh, oh, oh.

Why is everybody so incredibly?

Oh, oh, oh.

He comes candy in a big hurry.

After you left, the trucks were coming out in the Tigers place.

When he came back out, he mounted up and rode off south.

That'd be the Carson City kind of that's what Enos is.

Well, let's go.

I'll give him a horse again.

Candy, old buddy, where have you been?

I've been waiting for you.

I'll tell you what I'll do.

If you whip this little stinker for me, we'll go get a bottle of boards and a couple of girls

and we'll have a dive.

Sorry, Roscoe.

I'll have to be later.

You know, I've heard an upstanding citizen.

I'm down more than I'm up lately.

What are you doing here?

I came to warn you about the card rights.

They're after you, about Judge Neely.

How do you know?

What happened?

Well, they went to your studio looking for you.

You mean they were looking for you, don't you?

The other one who pulled the trigger, not me.

Now, you know, the only two people who know that?

You and I.

And that puts me in a very unfortunate position.

Why?

Well, they're going to want you to talk and you probably will.

Oh, no, no. You know I won't talk.

I wish I could believe that.

Why would I talk?

Because you're a born loser, Enos.

It's an old adage.

Never trust a loser.

No.

I am a dead loser.

Oh!

Hi Michael!

How are you doing?

Oh, thank you very much.

I'm not Ardell Morris.

You're meeting Mr Ross Davis.

You bring much of the Cirocie,

LECTT?

All right.

I didn't.

I haven't had a marriage.

Say 8 or 1 now.

You should go back to the court.

Focus on getting settled.

Uh, I should go back to the court.

Well, you just got the reason that this is a good day.

I've been sleeping three days.

Have any of you think you can do better?

Put on a star.

Now, Milo, nobody's criticizing you.

I'm doing the best I can.

And that's all I can do.

Of course, we understand.

Other than Mr. Blessing's niece,

hold up at the funeral.

Oh, it was well as to be expected,

I guess, on the circumstances.

She certainly did.

They're fine, young girl.

And about time I went to call on her.

Milo, you get yourself a good sleep now.

You're not the first peace officers

to have an unsolved murder in this hands.

See, Milo.

Oh, you want us to go with you?

No, go by myself.

See you back at the wrench.

Right.

Hello?

Anybody here?

Just a minute.

Hello, George.

No.

No.

No.

No.

No.

No.

No.

No.

No.

You've got to be a brave young woman.

You're a good woman.

Oh boy.

No, I'm going to do.

I'm going to keep the studio and follow

when Uncle Ennis is footsteps.

That sounds like a very interesting idea.

I didn't, didn't Uncle Ennis say something about

him wanting you to go to a female academy.

I ain't got the money for a female academy.

I want to be a female photographer.

The first one is side of the Rockies.

Well, it's a very laudable ambition.

You think you could do it?

Sure I can.

Come on, I'll show you.

I'm making some friends.

Here, give me your hand.

It's awful dark in here.

I've been working with Uncle Ennis for about a year.

I can pose the pictures.

You see me do that.

And I can work the camera.

I've done it lots of times.

And I've been helping him in the dark room.

Well, I think I can do it.

What's that you're working on?

These are the pictures Uncle Ennis took that last day.

He thought maybe he could sell him to a magazine.

So I thought it.

If they turn out, well, maybe I can sell them.

Sure, why not?

Good idea.

Maybe I can help you.

Oh, would you?

Could you write a letter for me?

I can't write very well.

Of course I'd be glad to.

Thanks.

Mr. Cartwright, does Sheriff have any idea who done it?

No.

Letter one.

That's awful.

If a man can do something like that and get away with it.

Look.

I'm coming in.

Look!

Look!

Get out.

I'm being very friendly.

I came by to see if you might be interested in buying one of my Lake Tahoe properties.

I have no further interest in your Lake Tahoe property.

What are your interests, Mr. Troxyl?

Chief Lee getting you off my back.

You're becoming a nuisance, Cartwright.

You're labelling my reputation, besmirching my character,

and damaging my legal practice.

I want it stopped.

If it isn't, I'm going to take you to court.

Court.

You know, I think that might be the last place I'd want to be if I were under suspicion of murder.

If you're a friend of the murder of Enos, blessing there isn't a way in the world, you can connect me with that crime.

And if you mean Judge Nealy, I've been exonerated by photographic evidence.

And photographs don't lie.

Yes, you're right.

Photographs don't lie, I must agree with you.

That's why I thought you might be interested in this photograph.

Aaronic, isn't it?

One photograph exonerates me of murder.

The other one convicts me.

Old Marcus would have scorned me.

Marcus?

Marcus, Porqueous, Keto.

The noble Roman I was named for.

Keto, the censor.

The enemy of crime and corruption.

Keto.

A very model of every Roman virtue.

Heh heh heh heh.

Oh, no!

Sir!

Hey!

Yes, I could judge predict it.

Truckso and Truckso.

On boot hill.

You right only want Sir Warg here.

I don't want him to get rusty in the hinges.

Alrighty, Georgie.

You?

I don't want to come back here and find him swayback.

Hahaha.

On a board, George.

Thanks for everything, Mr. Cartwright.

You right.

Hey, don't forget.

Promise to come see us on your vacation.

Well, I hope you all recognize me.

I'll be as lady like as a hogan I.