Original subtitles

(dramatic music)

(suspenseful music)

(dramatic music)

(dramatic music)

- Police capture The Bat.

ldentify him as the famous inteIIectuaI, Dr. Krupp.

- Did y0u read this?

- Yeah.

Filthy dogs.

l gotta spring the boss.

He has plans and we're included.

- You're right, Lilac.

But where, when?

- Who kn0ws, l'll find a way, Bear.

l got a g0od idea.

l'll send him a little message.

- But that's impossible.

(chuckling sinisterly)

- Nah, n0t this way it ain't.

The c0ps will put it in his hand

down there at the station house.

So you see then the boss will understand

that we're waiting t0 help.

Bear, you better go phone aII the guys.

'Cause we'll be needing extra strength.

- l'll be back.

- Hey, is the inspector here?

- He's interrogating The Bat in there.

- Then no one else is mixed in this business with you?

- No. - In other words,

y0u work alone. - Uh-huh.

- He's lying, lnspect0r.

You'll have t0 capture two other cro0ks.

One is nicknamed Lilac.

He and another escaped the night y0u raided The Bat's house.

- Alright, how about it?

Mister, y0u better confess all y0u kn0w about this.

l'm warning y0u.

ls this a message for you?

You're stalling.

D0 y0u know anything about this, D0ct0r?

- No, l d0n't.

- Well, if this man is The Bat,

by whom was this drawing sent?

- l don't know, lnspector.

Possibly by those two men l've t0ld you about before.

Unfortunately, l haven't got the sIightest idea

of what they're trying to say.

- Take him out now,

and keep your eyes on him, boys.

This message complicates things.

Let's all be very careful from now on.

This individual is extremely dangerous, y0u kn0w.

- Yes, lnspector, that's c0mpIeteIy true.

- According to the facts l have on this case,

this fella they call The Bat used t0 be

a very fam0us d0ct0r.

- Only his license was canceIed years ago.

- Why, Doctor?

- For carrying 0ut f0rbidden experiments

on animals and human beings.

He grafted on parts that didn't beIong

t0 the animals' anatomy,

and naturally the results were horribIe.

- Men c0mmit the m0st terrible crimes.

Anyway, with the pr0of l have filed against this Dr. Krupp,

l'll send him away f0r a go0d many years.

- Yes, l h0pe s0, lnspector.

- Don't worry about this.

l don't think there's anything t0 it.

l'm very grateful to you all for the heIp you've given me,

and l'd just like to ask one more thing from you, D0ct0r.

- You bet, lnspector.

- l'd like you t0 tell me aII you know

about the men we haven't captured yet,

s0 that l can put a bulletin out right away.

- l'd be glad to, lnspector.

Are you going up to bed now, darling?

- Yes, and goodnight, Papa.

- Hmm, sleep well now my sweet.

- A very goodnight t0 all.

- G0odnight. - G0odnight, Jenny.

- Well, l think, that we'll feel much better

now that this case is cleared up.

The Bat is g0ing t0 go to jail,

s0 there's nothing to fear n0w.

- No, l d0n't agree.

You're f0rgetting about the 0ld curse, aren't you?

- That business is all over n0w.

- No, my father died

when he profaned the t0mb of the Aztecs.

According to the curse, my father was to perish,

and me to0 because they aIso bIamed me.

- Now stop that.

Why worry, Flora?

As long as the mummy has the breastpIate

and the bracelet in his custody,

he won't wake up, dear.

N0w you listen.

l wanna take y0u to the altar soon.

l really d0.

Then you can forget all of that's past, darling.

But till that date, can't you stay here at the house?

My daughter's alone.

She and l need y0u so much.

- You're very sweet, darling.

(sighing deeply)

- l was sure scared, and I'II admit it.

Each time l think about all that's happened t0 us,

the old ticker starts to c0mpIain Iike crazy.

- Are you kidding?

But that's silly when things start going wr0ng,

y0u run like a bunny.

- Sure, l don't want my head to get broken open that's aII.

- You sure got plenty of guts.

- l do, y0ung warri0r.

Just remember this sentence.

He who ran came back to say

that the 0ther heroes were buried today.

(dramatic music)

(ominous music)

- All set?

(car engine revving)

(dramatic music)

(tires squealing)

- How l0ng ago did they leave with The Bat?

- No more than two 0r three minutes ago.

- Which way?

- Toward the n0rth.

(tires screeching)

(dramatic music)

(suspenseful music)

(gentle music)

(guns firing)

(suspenseful music)

(guns firing)

(guns firing)

(gun firing)

(tires screeching)

(dramatic music)

(machine gun firing)

(suspenseful music) (gun firing)

(machine gun firing)

(officer grunting)

(machine gun firing)

(men grunting)

(gun thuds)

- Meddling fo0l.

You better start saying your prayers

'cause now you're g0nna get it.

- No, don't kill him Lilac.

- But, boss, listen.

- l know what l'm ta"ing ab0ut.

C0me on n0w we better get g0ing.

l am going to kill this intruder,

but in my own way. (chuckling)

(dramatic music)

(car engine sputtering)

- The Bat escapes.

- G0od evening.

- How did you get in?

Who are you?

- l'm a friend.

- lf you're a friend, why do you wear that mask?

- That's t0o long a story to go into right n0w.

l only came here tonight to tell you

that you're both in very grave danger.

The Bat managed to escape.

- And just why did y0u come here

t0 the house to let us know?

Tell us who you are.

- l'm called The Angel,

and d0n't think that l'm interested in y0u two aI0ne.

l try t0 help anyone that's in troubIe.

My mission is to do all l can d0 t0 eIiminate crime.

There's s0 much it are around.

You asked me ab0ut the mask.

l hide my identify because it makes my job easier.

- Tell me another thing.

Who helped The Bat?

- When they were taking The Bat t0 the penitentiary,

Lilac and the other men arrived on the scene.

They murdered the guards that were inside the bus.

- What a ruthless thing to d0!

- l hate to say it,

but l c0uldn't fight that many and win.

- This is terrible, darling.

To what lengths can that man g0?

- Who kn0ws, D0ct0r.

ln any case, l came to warn you

because you should be ready f0r anything now.

l don't know when or where that man is g0ing t0 attack.

- And the p0lice aren't they on the job too?

- Certainly, they are.

Their companions were killed by The Bat's men, you know,

and they want revenge also.

There are things to do s0 I'II be going,

and l'll leave y0u this radio wristwatch.

lf you ever run into any troubIe,

just call me if you find it possibIe to do so.

l'll hear you.

This is a l0ng distance radio.

Goodbye, D0ct0r.

- Now things are really bad.

The Bat is Scott free again.

- When's this nightmare going n0 end?

(sighing deeply) Edward, l0ok.

W0uldn't it be better to travel f0r a while

and forget the whole thing?

- l guess, y0u're right, and you can start t0 pIan.

ln two or three days I'II be abIe to go.

Listen, hasn't Pinacate returned?

- No, he went 0ut h0urs ago.

- And l need him l'm going to start arranging aII my papers,

and as soon as that's finished, I can Ieave.

- lt was a smart idea to send me that paper.

As so0n as l spied The Bat on it,

l figured you'd planned an escape,

s0 l waited until you came.

- l was plenty lucky that the pIan worked out.

- l depended on y0u and you didn't fail,

and so l'm g0ing t0 reward you, quite s0on.

- What's the reward, Doctor?

- The Aztec treasure.

- Do y0u mean we'll be going after that treasure again?

- That's right, Bear.

But l don't intend to fail this time.

N0thing can get in our way.

When l find the treasure, l'll make you aII rich.

- That's great, b0ss.

But how d0 we find the treasure?

- Now listen, men.

One dark night, (dramatic music)

and this all happened a Iong time ago,

Dr. Almada hypnotized his fiance in order to prove

his the0ry that through the use of hypnotism

a person c0uld be sent back thr0ugh time

t0 lead a past life.

(suspenseful music)

- Now you're exactly 20-years-0ld.

Tell me, Fl0ra.

Tell me where you are?

- l don't know n0w.

- Meditate on this thing l must know.

Please think and tell me y0ur oId name,

and where you are at this very instant.

l need to know exactly where you are.

Tell me where you are.

You must tell me where you are.

- l know.

l'm in the Aztec City TenochtitIan.

- Through her hypnotic trance,

the doctor sent the girl to the great Aztec city 0f pyramids

where she had lived during her previous life.

At birth she had been designated as a servant

of the great god Tezcatlipoca,

and she should've remained a maiden during her lifetime.

But she fell in love with Popoca, a great Aztec warrior,

who deified the laws that governed their Iives

in those days, and made her his.

H0wever, the high priest discovered their secret,

and they were taken as prisoners t0 the Iower tempIe

into the presence of the god TezcatIip0ca

t0 receive their punishment f0r violating his laws.

They were made t0 kneel before the high priest,

who ordered that the sacrificial fires be lighted.

(rhythmic drum music)

Popoca was sentenced t0 be buried aIive

t0 keep watch through the endIess centuries

over the breastplate and the braceIet.

His soul was cursed,

s0 that he'd never be able t0 find eternal rest.

(high pitched flute music) (rhythmic drum music)

And she was sentenced to death,

not an h0n0rable death as a servant of her g0d,

but as a simple sacrifice to appease his anger.

(woman singing in foreign language)

(rhythmic drum music)

♪ Ah ♪

♪ Ah, ah, ah, ah, ah ♪

♪ Ah ♪

♪ Ah, ah, ah ♪

(man speaking in foreign language)

- And that's the story of the experiment

that l was witness t0 since l was watching

thr0ugh the window of Dr. AImada's Iaborat0ry.

He learned what he wanted.

He decided to try to find the objects

that show exactly where the treasure is Iocated,

the great Aztec treasure.

Guided by Flora, who recalled perfectly well

that she had been there in her trance,

the found the objects there.

l saw them later.

They're spectacular,

and naturally their value is incaIcuIabIe.

When l was incarcerated by the poIice,

l learned the bad news later.

This Dr. Almada had replaced the two things in the tomb,

the breastplate and the braceIet.

- Only how will we find the tomb now?

That ain't gonna be an easyjob.

- Lilac, why are you so innocent?

l told y0u the whole story,

and you still ask me questi0ns.

There's nothing hard about it.

Can't you see that we will empIoy the same method

that Dr. Almada used?

- Hypnotizing that woman just the way he did.

- You're getting smart, Lilac.

So l suppose you understand how y0u are to proceed now.

- Uh, l'm beginning t0 see.

Later tonight we'll kidnap the girI and bring her here.

- But don't go there armed, LiIac.

lt's risky to use guns because a buIIet

might kill the girl or the doctor.

- Eh, l won't forget that.

We better be going.

(dramatic music)

- Well, at last l have the papers finished.

(suspenseful music)

- Flora!

(dramatic music)

(Fl0ra and Jenny gasping)

- Well, now let's g0 up to bed.

Tomorrow there'll be plenty of things to do.

(ominous music)

(suspenseful music)

(men grunting)

- That's enough let him alone.

C0me on n0w.

(machine humming)

- Ah-ha, well, it seems y0u've got two birds

with just one kidnapping.

- That's right, boss, we had to bring the kid aIong.

She busted in on us, and we didn't want to

risk her messing up our plans.

- That's just fine.

N0w it'll be much easier to get Dr. AImada

when he's needed.

Untie her.

Good evening, young lady.

lt lo0ks as if we're face to face once more.

l certainly h0pe my men didn't mistreat you.

- Aren't you going to tire of incIuding us

in your crimes, Dr. Krupp?

- l'll get tired the day l can put my hands

on the thing that can help me to progress in my work,

the Aztec treasure.

(chuckling) No, young lady.

l kn0w you think l'm lying.

But l assure you l don't want the m0ney

t0 use it as 0thers might use it.

Success brings t0tal joy.

The Aztec treasure is only for my work.

l need riches in order t0 make an important experiment

that l want the world t0 see,

and that way l'll reach the pinnacIe.

- l know what y0u're thinking.

You're sure l'm going to guide y0u straight to where

y0u imagine those ornaments are hidden.

- Exactly, y0ung lady.

- Well, l hate to disillusion y0u, Dr. Krupp.

l don't know where they are, so I can't take you.

- Now that's very interesting.

- Well, it's obvious.

They didn't tell y0u my fiance went the tomb

and replaced the objects.

- (chuckling) N0, young lady.

l don't forget anything.

l kn0w it.

- ln that case you must have heard.

That there was an explosion

that destroyed the temple c0mpIeteIy,

and that my father was killed as weII.

- l do h0pe y0ur poor father didn't suffer too much?

But l imagine the pyramid is

is still where it was bef0re.

Am l right?

(chuckling) Now, listen, I'm not compIeteIy stupid,

though y0u think so.

Suppose that the temple actually did tumbIe down.

ln that case, we'll remove the remains

and rescue the 0rnaments.

l have plenty of men.

- But don't think l'm going to heIp.

- Naturally y0u'd refuse.

l kn0w your type, and l expected that you wouId.

Why sh0uld y0u want to assist?

But if l were to use the method that your fiance used.

- Not hypnosis?

- Precisely, my dear.

- Do y0u forget that l know a great deaI about this.

l'd apply all my strength and fight you.

Under those c0nditions, y0u c0uIdn't hypn0tize me.

- You're absolutely right.

But since y0u did learn a great deal through your father,

and l didn't f0rget that fact,

y0u undoubted he kn0w that there are certain drugs

such as this 0ne that l have prepared

that make a patient quite wiIIing to

c0operate completely, my dear.

- Flora, what are they going to do to you?

N0, don't hurt, Flora!

- Take that brat away!

Lock her up!

We'll just wait around 12 hours.

Then l'll begin t0 hypnotize her.

(Fl0ra wincing)

(groaning deeply)

- This head this time they reaIIy br0ke my body to pieces.

- They must have scalped me,

or at least it feels like that.

- But now we better do s0mething.

We can't sit ar0und here crying.

l'm afraid that little Jenny and FIora are in danger.

- Unfortunately, we don't have any inf0rmation

as t0 where that Bat's hiding.

- l'm g0ing t0 call the p0lice.

- No, no Edward, no!

That could be dangerous.

You see, if you call the p0lice,

they might kill the girls.

- Yes, Pinacate.

- And, frankly, the best thing we can d0

is wait until The Bat telephones us'

and we'll kn0w what it is he has in mind then.

- Yes, l guess y0u're right,

but wh0 can bear such a situation,

just to wait and wait and we can't do a thing.

- Yes, Edward, it's true, but nothing can be done.

So please try to calm d0wn.

(door creaking)

Hey, listen, why didn't you ask f0r help fr0m The Angel?

- lt happened s0 fast, you kn0w.

Anyway last night I hid the IittIe radi0.

N0w l can call him.

- What g0od w0uld that do?

After they steal the horse, y0u cI0se the stabIe.

Great Jupiter how this bump hurts.

l swear that whoever did it

busted me on the head with a buIIdozer.

C0me closer for a sec0nd.

Look, l d0n't wanna alarm Edward.

But l can assure y0u that The Bat's

going to ph0ne him tom0rrow or Wednesday.

N0w sh0uld he do that, l think, it wouId be a g0od idea

if you put in a little call to The AngeI.

l've been getting t0o many lumps IateIy, y0u know,

and my brain just can't stand t0o much gap.

- Yeah, sure. - Understand.

- Sure, l do.

- G0od morning, boss.

- Lilac, bring in Flora immediateIy.

- Yes, boss.

(door creaking)

C0me on he's waiting.

Didn't you hear the b0ss is waiting?

(door creaking)

(fo0tsteps appr0aching)

You can start the work now.

Why, she didn't even try to resist.

- A few CCs of my drug

and your resistance disappeared, right?

C0me.

Lie down right there.

- No.

- Do as y0u're t0ld.

She has great willp0wer.

l'm really astounded.

Even under the effects of the drug,

her unconscious mind continues t0 put up a fight.

She reflects a strong and rebeIIious pers0naIity.

Bear, pull the curtain.

l'll start to work 0n her right away, LiIac.

- You gonna hypnotize her, b0ss?

- Flora, l'm your master.

(gentle music)

Give me your hand.

And now look me straight in the eyes.

Flora, l'm ordering you.

You're getting tired, Flora.

You're getting tired.

You're getting tired.

Yes, you're slowly getting tired.

You feel that you want t0 rest.

You feel that you must rest.

You are sleeping.

You are sleeping.

You are sleeping deeply.

You sleep the sleep of the dead.

You're sleeping.

Well, now l have her in my power.

ln her trance she'll d0 anything I teII her.

- And now what'll you d0?

- l'll proceed with Flora to the pyramid.

But l consider it expedient to take Dr. AImada pris0ner.

When we return with the breastpIate and the braceIet,

he can decipher the hierogIyphics on those 0bjects,

and in turn they'll tell us exactIy

where the Aztec treasure is.

- So now we go and bring the doctor here, right?

- No undoubtedly they're prepared.

lf you go, they're likely t0 capture you.

- Yeah?

- l have another plan.

You could reach him on the teIeph0ne.

- That'll be easy.

- Then phone him right now.

(telephone ringing)

- Who's speaking? - Dr. Almada?

- Yes, this is Almada.

- Pay cl0se attention to what I'm going to teII you, Doctor.

- Who is this please?

- This is Dr. Krupp.

l'm sure y0u must realize now that your fiance

and your daughter are b0th in my power.

- Yes, so what should l do now, Dr. Krupp?

- You are t0 c0me here t0 this house aIone.

This is the address.

So write it down.

- G0 ahead.

- Mount L0rraine number 22.

D0 y0u have it?

- Yes. - Fine.

You are to be here in 3O minutes, Doctor.

You're an intelligent man, but I'II repeat it, D0ct0r.

You are to come to this address aIone.

(chuckling) lf y0u sh0uld decide not to,

then y0ur girlfriend w0uld have

t0 suffer for your defiance.

You understand? - You win.

l'll go.

- And now we'll wait here f0r Dr. Almada,

s0 that l can carry 0ut the pIan.

- l heard him on the extension.

What are you gonna do?

- l'm leaving right now.

- What will you d0 if it's a trap?

- There's n0 other alternative.

Flora is in great danger.

- Sh0uld l g0 wake up Pinacate?

'Cause he told us if something happened

t0 let him know about it.

- No, he said t0 go alone.

You two better stay here.

lf it's at all possible, I'II caII you Iater.

- We'll wait.

Angel.

Angel.

- Yes, B0bby, what's the matter?

- Angel, we got tr0ubles, and they're bad.

Edward ran out just now.

He's gone to The Bat's hideout.

They got Jenny and Flora captive.

- Give me the address.

- Yes, Mount Lorraine 22.

l'm scared they'll hurt them, AngeI.

Please hurry and get there.

- l'm leaving right away, Bobby,

and try not to worry.

l'll do everything possible t0 save them.

- Thanks, Angel.

(dramatic music)

(suspenseful music)

(men grunting)

(dramatic music)

- They're entering.

Pretty soon we'll be getting started,

and we'll find the treasure.

- Doct0r.

- Please take a seat.

- Now where's my daughter and where's Fl0ra?

- Your girlfriend is there.

And your daughter in there.

- You dog, if you hurt them I swear I'II-

- Calm d0wn, Dr. Almada.

They're not harmed, don't w0rry.

She's 0nly sleeping n0w.

Witness my hypnotic power.

- Why you black-hearted pig.

You ugly rat.

- Shut your m0uth you!

- lt's very easy to beat a man

when he's tied, and cowardly.

- Dr. Almada, don't insult me Iike that,

or l'll make you pay f0r it.

l don't doubt for a second that y0u're plenty of man.

l'd be glad to try y0u out.

l have a pair 0f fists that c0uId break your head.

But right now l want to get s0mething that's more important.

After it's mine, l pr0mise, that you and I...

l want to fight you, D0ctor, aIone.

l'll tell you my intenti0ns.

l'm going to acc0mpany your lovely fiance to the pyramid.

The breastplate and the bracelet are there.

l want them.

You'll stay tied here in the house.

l'll leave a c0uple of men to guard you.

When we do return, l'll make you

sit d0wn and decipher the hierogIyphics,

s0 that we'll obtain the Aztec treasure, Doctor.

- But that's very dangerous.

You're crazy.

l kn0w all the danger invoIved.

l could tell you what happened t0 us in the tomb, D0ctor.

You'd go anyway, wouldn't y0u?

- Exactly, s0 it's useless t0 waste your breath.

- l guess you're right.

But y0u're going to take the consequences.

- Watch what you're saying, friend.

- Don't think that my aim is to threaten you.

But there are certain supernaturaI things,

mysteries that amaze us all,

and you didn't study that, D0ct0r.

- l'll hear all about it later.

Your conversation is very interesting.

But now the 0nly thing l wanna know

is if y0u intend to cooperate with me.

- l haven't the slightest intention.

- (chuckling) But l have methods.

l can persuade you.

- ln that case why'd y0u bother t0 ask.

Krupp, as soon as l've deciphered the hierogIyphics,

y0u'll free us l want your word.

- You have my word.

You'll all be set free.

(alarm ringing)

- The alarm just rang.

There's a stranger out there.

- Why you, if you dared t0 caII the p0Iice.

(gentle music)

(suspenseful music) (men grunting)

lt's The Angel.

l certainly wanna thank you, D0ct0r.

N0w we can finish him.

We better put a stop to this.

You two stay and watch the doctor.

(men grunting)

(suspenseful music)

(men grunting)

(suspenseful music) (men grunting)

- Flora.

Flora.

Flora.

(men grunting)

(dramatic music)

- l'll w0rk on this one.

You 0thers can finish The Angel.

l didn't think that you and l'd

have our little fight s0 s0on, Dr. AImada.

(men grunting)

(suspenseful music)

(punches thudding)

Angel, y0u know, I'm getting pretty sick

of y0ur interference in my affairs.

But l st0pped y0u tonight,

and l can't permit you to c0ntinue.

l don't even wanna find 0ut who you are.

lt really doesn't matter since y0u're no Ionger a threat.

You'll be dead pretty s0on,

and who'll care about your true identify.

All l can say is bon v0yage.

l don't admire your val0r.

Alright, take him to the death chamber.

N0w, Lilac, we'll be going to the pyramid.

- l'm ready.

- Flora, can you hear?

Answer, l command you t0 answer.

Can you hear?

- Yes.

- Come here then.

You two will stay here to watch the doctor and the girI.

lf you make another mistake,

y0u'll pay with y0ur lives, understand?

- Yes, sir.

- Flora, come.

We'll be going.

- Where are you taking me?

- You'll find 0ut soon enough.

(men grunting)

All set.

(suspenseful music)

ln just a couple of minutes now he'II be dead.

- We better g0 they're all waiting 0ut there for us.

(dramatic music)

(suspenseful music)

(gentle music)

(suspenseful music)

- Bobby.

Bobby.

- Yes.

- This is The Angel.

My life depends on the strength of a light cord.

l want you t0 c0me running to Mount Lorraine number 22,

the address that you gave me bef0re.

- Yeah.

First, l'll awaken Pinacate.

He might lend us a hand.

- There's a m0ment to l0se.

l want you here in five minutes.

- Five minutes, l'll be there.

(dramatic music)

- Listen, you where's The Angel?

- He's taking a little nap in the prettiest pIace, Doctor.

lsn't that right, boys?

(men chuckling)

- Angel, Angel.

- Bobby.

Bobby, l hear you.

- l got inside the house, so now where?

- Come 0n toward the rear 0f the house.

(gentle music)

- Hey, Angel, it's a dead end.

- Right in fr0nt of you you'll see a secret door.

To open it press the button on the left-hand side.

lt's high up.

- Angel. - Bobby.

Look around and find something

t0 push me back and forth with.

But hurry!

Harder!

Harder!

(suspenseful music)

Thanks, Bobby.

l've never been so close to death

as l was hanging in that chamber just then.

- Are you sure you weren't hurt?

- Yes.

N0w we've g0t to go in and rescue y0ur brother.

l don't know how many men are in there standing guard,

but l know we've got t0 use our heads this time.

C0me on.

(board clanking)

- You hear that?

Who made that noise? - I don't know.

We better investigate.

(suspenseful music)

- And why haven't those boys returned?

- l don't know here they c0me now.

- Get your hands in the air.

Get their guns.

Get in there, all of y0u.

- Angel, how can l ever thank y0u?

- Come 0n.

- Papa, Papa!

- Jenny, my darling.

Calm down, dear, d0n't worry.

There's nothing t0 frighten you.

Bobby, l want you to take Jenny t0 the house

and keep your eyes open, understand?

- Sure, l'll do it. - AIright.

Give me that pistol.

- And your fiance?

- The Bat t0ok her to the pyramid.

Let's go find her.

- Come 0n.

- She didn't lie there are signs of a explosion.

All 0f you c0me down here.

(dramatic music)

We've got t0 c0mb this place thoroughIy.

l kn0w that the breastplate and the braceIet are here.

(dramatic music)

- What's this?

- Move the r0ck back.

- Boss.

That's the monster that attacked us in Dr. AImada's h0use.

- Now that's a stupid thing t0 say, LiIac.

lt's only a mummy that's laying there for centuries.

lt's most probable that the expI0sion uncovered it.

- But, boss.

(suspenseful music)

- l found it at last.

- lt's the bracelet, lo0k.

- We'll find the treasure now.

- Get your hands up.

- The Angel.

- He escaped 0nce more, the meddIer.

- Alright, get over there.

All 0f you t0o.

(suspenseful music)

- Throw d0wn your arms.

- Give the breastplate and the braceIet back to the mummy.

- No, 0bey 0r the girl gets a buIIet right now.

Lilac, start firing.

Drop that z0mbie bef0re he murders us.

(guns firing)

Help her up.

(man screaming)

(mummy growling)

(mummy growling)

- This time we really are in a jam, Doctor.

- l'm sorry we cause you troubIe.

You didn't have t0 risk y0ur own neck.

- Don't worry about that.

- The only thing that can save us now is the mummy.

Let's stall and we'll gain time.

- But do you really think that the mummy

will find this house, Doctor?

- Yes, because there are undecipherabIe mysteries

surrounding his ceremonial buriaI.

Superior forces can guide them on the obvious.

lt's happened like that on 0ther occasions.

So l really do think that the mummy couId come t0night

t0 rec0ver the objects that the Aztecs

placed in his custody.

D0n't forget that The Bat stole them before, Angel.

l'm sure now that.

- Come 0n.

The boss is out there waiting.

Get up.

- Where did you put Flora?

- l think, l should tell you, Dr. AImada,

that l intend t0 use her as a hostage.

l'll set her free in a while, D0ct0r,

once y0u have deciphered these hierogIyphics here.

What's more, d0 this work,

and you'll get a part in the treasure

once the treasure is f0und.

lt's a deal?

- Alright, l accept but under one condition.

- Which is?

- She is to sit in here while l w0rk,

and she must be conscience.

- Very well, Dr. Almada.

Did y0u hear?

- l'll bring her in.

- You know, there's something l'd like to find 0ut.

W0n't you tell me who 0r what injects life into the mummy?

- Certain spirits c0mmand it.

- Are you trying t0 say there are powers,

that are completely supernatural

that give 0rders to the mummy, D0ct0r?

- There's a lot you don't know about these things,

and you shouldn't meddle.

l've t0ld you that.

- Well, it's all the same with me.

Actually, l'm 0nly interested in the Aztec treasure.

l'll use that m0ney to continue my experiments, Doctor.

(dramatic music)

Awaken.

Wake up, Fl0ra.

- Edward, dear, they beat you.

Why did they tie you?

- There, there calm d0wn, Flora.

Later l'll explain the whole business.

- Well, Dr. Almada, l did what I just promised.

l hope that you'll d0 the same and get started.

You'll keep y0ur w0rd l suppose and decipher this message?

- Yes, Doctor. - Edward, n0.

- But l'll need a book that's in my house first.

- What's it called?

- lt's called Ancient Aztec History.

lt has certain important keys I need.

lt's the 0nly way l can decipher the hierogIyphics.

lt must be br0ught here.

- Ah, but wh0 will bring it, D0ct0r?

- Simply telephone my house.

My young brother will bring it here.

- But do you really mean you're going to do it?

(telephone ringing)

- Who's speaking?

- Your brother he has a few w0rds.

- Bobby, Edward speaking.

l'm fine, and Jenny?

- All tucked in.

Anna's with her n0w.

- Now listen, B0bby.

ln my bookcase cl0se to the desk in the study

there is a heavy bo0k, Ancient Aztec History.

l need it at M0unt Lorraine number 22.

- You saying you returned.

That's The Bat's place, Edward.

- Yeah, it's The Bat's place now c0me quickIy.

(suspenseful music)

- Before we go on with this thing,

and especially since you both

have expressions that are very sad,

l think, it would be a go0d idea

if we saw the face 0f 0ur friend the AngeI.

C0uld be that he has a happier Iook.

ln just a moment you'll all know

who this defender ofjustice reaIIy is.

(suspenseful music)

- You?

- So this is the famous Angel, eh?

- Pinacate, y0u're the Angel.

- Your timid and cowardly heIper, Dr. AImada.

C0ngratulations, you had us f0oled.

- l hate to say it, but l guess

the Angel's finished now, D0ct0r.

- That explains why you ran the moment

y0u found yourself up against danger.

- And l used to call you a c0ward.

Forgive me, Pinacate.

- l never associated the two.

(dramatic music)

- Tell me are you just about thr0ugh, D0ct0r?

- No, l've only translated the first half 0f the message.

- Well, try to work faster then.

- l can't work any faster.

l'm s0rry, Dr. Krupp.

- One h0ur is all time you have

t0 get the translation c0mpIeted.

Should you not get it done.

(dramatic music)

You must finish it in five minutes, Dr. AImada.

- There l finished.

- Perfect.

- l hope you'll keep your promise,

and set us all free, Doctor, eh?

- Ah, yes.

Of c0urse, you know what to do now, Lilac, d0n't you?

- Krupp, just what do y0u intend to do?

Murder us all?

- What d0 y0u think?

- You heartless, unscrupulous pig.

(gun firing)

(suspenseful music)

(mummy growling)

(guns firing)

(mummy growling)

(suspenseful music)

(mummy growling)

(dramatic music)

(glass clanking)

(guns firing)

(mummy growling)

(man grunts)

(man screams)

(dramatic music) (mummy growling)

(gentle music)

(suspenseful music)

- No!

D0ct0r, help me!

Can't you hear me!

Help me!

(mummy growling)

D0ct0r, please help me!

Please, no!

N0, please help me!

N0!

N0!

Help!

Help!

Help!

Help!

(Krupp yells) (mummy growling)

(Krupp yells) (body thudding)

(dramatic music)

- And now n0 mortal is going to discover the Aztec treasure.

Th0se riches don't belong to us.

- And the mummy?

- Since they destr0yed the temple of Tezcatlipoca

he has n0 reason to go there.

ln my opinion, he'll probably find s0meplace

where mortals seld0m tread,

a spot where he can sleep his eternaI sIeep

and keep watch over the objects

that his f0refathers entrusted t0 his care.

(dramatic music)

(dramatic theatrical music)