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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,334 --> 00:00:11,343 ROCK MUSIC] 2 00:00:11,846 --> 00:00:26,125 [MUSIC] 3 00:00:26,160 --> 00:00:30,629 HN BJOlondie, one of the greapop t bands of any era. 4 00:00:30,664 --> 00:00:31,964 CAMILLBlonA die were basically a newavew 5 00:00:31,999 --> 00:00:34,433 phenomenon, I think who ki ofnd took cool underground 6 00:00:34,435 --> 00:00:34,500 music to theains mtream. SUNTA Always creing,at 7 00:00:36,771 --> 00:00:39,805 phnever following, alwaysi se tting trends. JOHN Theyrground 8 00:00:39,874 --> 00:00:42,174 had everythi. DEngBBIE (sings, 9 00:00:42,209 --> 00:00:48,781 on music video) Uhuh, -hmake me tonight. WILL T perhefect 10 00:00:48,816 --> 00:00:52,684 punk-pop band fronted theby most iconic woman in mic.us 11 00:00:52,720 --> 00:00:54,720 CAMILLA And you can kind o fsee her and everyone from 12 00:00:54,722 --> 00:00:54,787 like mainstream pstapors to kind of the cooler 13 00:00:56,891 --> 00:01:00,793 underground musicians.OE I J think Blondie are a grteam 14 00:01:00,828 --> 00:01:04,163 pop band with the soun thdat's kind of timeless. 15 00:01:04,198 --> 00:01:06,732 SUNTA Yeahthey, 've released so many sos thngat you put 16 00:01:06,767 --> 00:01:10,135 in ona club and everyone wi go llup and dance. DEBBIE 17 00:01:10,171 --> 00:01:16,842 (singson m, usic video) Oh, your haiis br eautiful, 18 00:01:16,877 --> 00:01:22,114 oh... [MUSIC] 19 00:01:22,149 --> 00:01:25,084 JOHN bbieDe Harry came from New Jeey. rsShe was a jazz 20 00:01:25,119 --> 00:01:29,021 fan who founhersd elf in a folk group cald "Wleind in 21 00:01:29,056 --> 00:01:33,158 the Willows" in the late s. B60y the very early 70s, 22 00:01:33,160 --> 00:01:33,225 she'd mod tove New York. She'd become pt ofar the 23 00:01:35,963 --> 00:01:40,099 avant-garde scene. JOHN(CON s.TINUED) And in 1973, 70s, 24 00:01:40,101 --> 00:01:40,165 she met Chris ein.St WILL Chris Stein was e sothn of 25 00:01:44,872 --> 00:01:46,772 avanNew York, JewishOHN(CON s.TINUEintellecals,tu, 70s, 26 00:01:46,807 --> 00:01:48,807 "Bohemian." He'd been in nds,ba 27 00:01:48,843 --> 00:01:52,911 his ma clainim to fame prior to Bloie inds that he was in 28 00:01:52,947 --> 00:01:54,947 band that ce sonupported the Velvet Underoundgr. WILL 29 00:01:54,982 --> 00:01:56,548 (CONTINUED) So he waverys cool. JOE Debbie was a 30 00:01:56,584 --> 00:01:59,685 vo calist in a band called, "The Stilettos" and Chris 31 00:01:59,720 --> 00:02:02,321 jo ined as a guitarist and that was the beginning of 32 00:02:02,356 --> 00:02:06,492 thr creieative but also romant parictnership. DEBBIE 33 00:02:06,527 --> 00:02:10,729 (sgs, inon music video) With myands h cuffed at my side. 34 00:02:10,764 --> 00:02:15,033 WILLhris C Stein and Debbie Harrmet y a young drummer 35 00:02:15,069 --> 00:02:19,771 caed Clllem Burke who--very stish.yl He was very much 36 00:02:19,807 --> 00:02:22,774 into thehole w 60s look and he broug a ghtuy called Gary 37 00:02:22,877 --> 00:02:25,410 Valentine and ey jthust looked great. You kn,ow 38 00:02:25,446 --> 00:02:27,446 they looked the part ando s that's really how the band 39 00:02:27,481 --> 00:02:29,448 formed. JOE And the groupbeca me, 40 00:02:29,483 --> 00:02:33,819 ondiBle which was actually nad afmeter what truckers 41 00:02:33,854 --> 00:02:36,889 and people used to shouts a they drove past Debbie 42 00:02:36,924 --> 00:02:39,158 Hay. Trrhat was sort of the cacallt they gave them and 43 00:02:39,193 --> 00:02:41,727 the band tootheik r name from that. CAL Ler,at 44 00:02:41,762 --> 00:02:43,462 the nd abadded keyboard player, 45 00:02:43,497 --> 00:02:47,065 Jimmy Deri asts they played around t Newhe York scene. 46 00:02:47,101 --> 00:02:51,370 E NoJOw, we see they were pa of rta New York new wave 47 00:02:51,405 --> 00:02:53,772 punk scene athe t time but, I mean, 48 00:02:53,774 --> 00:02:53,839 anyoneho h was ever heard any Blone wodiuldn't really 49 00:02:55,809 --> 00:02:58,577 pcall them a punk grouprut, o even particularly a new vewa 50 00:02:58,612 --> 00:03:01,146 grou p. But they were playing in a ll the same clubs at the 51 00:03:01,182 --> 00:03:04,483 same time. CAMILLA SCBGBo 's was the club that evybodery 52 00:03:04,552 --> 00:03:06,885 wa s playing at that point and Blondie became regulars 53 00:03:06,921 --> 00:03:09,254 playing there. Theshary ed stages with those--Patty 54 00:03:09,256 --> 00:03:09,321 Smitplayh ed there, Television, 55 00:03:11,192 --> 00:03:14,193 Talking Heads, the Rames.on It was all that kind ofy 56 00:03:14,228 --> 00:03:16,195 scenof pe eople that basically gr up,ew 57 00:03:16,197 --> 00:03:16,261 playing aroundoget ther in this one scene tn fohermed 58 00:03:18,465 --> 00:03:20,799 this incredible music le gacy. DEBBIE (sings,w 59 00:03:20,834 --> 00:03:23,969 on music video) u juYost had to laugh. SUNTA Bldieon 60 00:03:24,004 --> 00:03:26,071 end upde being really well-knownn Au istralia 61 00:03:26,106 --> 00:03:28,774 befo anyrewhere else because thisusic m TV show, 62 00:03:28,809 --> 00:03:31,677 "Countwn,"do played one of their sos. Bngut they didn't 63 00:03:31,712 --> 00:03:33,979 play t traheck they were supposed wch whias 64 00:03:34,014 --> 00:03:36,782 "X-Offender." They eed undp playing the "B-side"hich w 65 00:03:36,817 --> 00:03:40,018 was "In the Flh" weshich some say was accidt. SenUNTA 66 00:03:40,054 --> 00:03:41,453 (CONNUEDTI) Some say was on purposbecae use "In the 67 00:03:41,488 --> 00:03:44,256 Flh" wesas a much more mainstre,am 68 00:03:44,291 --> 00:03:47,526 commerciallykind, of acceptable song. DEBEBI 69 00:03:47,561 --> 00:03:48,527 (singson m, usic video) Darlin', 70 00:03:48,562 --> 00:03:54,266 rlinda', darlin'. I can't wa to ithear you. 71 00:03:54,301 --> 00:04:00,872 Rembermeing your love is nothinwithg out you in the 72 00:04:00,908 --> 00:04:04,676 flesh. WILL They hadhis t big--really a kind of, 73 00:04:04,712 --> 00:04:07,613 u knyoow, gentle pop ballad ich whlaunched this 74 00:04:07,648 --> 00:04:10,282 ba nd--which elsewhere, if they were known at all were 75 00:04:10,317 --> 00:04:12,751 known as onef th oe burgeoning punk band JOEs. 76 00:04:12,853 --> 00:04:15,754 The track wahuges ly popular. Became a nuer imbn 77 00:04:15,789 --> 00:04:19,024 Australia, resulted in a nAustralian tour. JOE 78 00:04:19,059 --> 00:04:20,592 (CONNUEDTI) And the Australian stu wasff the 79 00:04:20,628 --> 00:04:23,128 ringspboard for obviously, thmaine stream success 80 00:04:23,163 --> 00:04:25,264 elwhersee in the world. But itas t what one little 81 00:04:25,299 --> 00:04:27,299 motive chae, sncomeone putting on the wng trorack 82 00:04:27,334 --> 00:04:29,635 which led allto of that. DEBBIE (sings, 83 00:04:29,670 --> 00:04:33,605 on music video) coulI dn't resist you. I'm nodeaft , 84 00:04:33,641 --> 00:04:39,811 dumband , blind. SUNTA Blondie's rst fialbum which 85 00:04:39,847 --> 00:04:43,448 was self-titled wa't asn great success. They, 86 00:04:43,484 --> 00:04:46,451 you ow, knhad obviously, just staed ortut and they 87 00:04:46,520 --> 00:04:48,654 were putng dtiown music for the firstimet as a group, 88 00:04:48,689 --> 00:04:51,456 finding their way.nd t Ahere are some great tras onck it 89 00:04:51,492 --> 00:04:54,960 but it just didn rea'tlly work commercially welasl as 90 00:04:54,962 --> 00:04:55,027 they probly bahoped it would at the te. WimILL I think 91 00:04:57,097 --> 00:04:57,162 bthe first album was very u ch a New York album. Itlasl as 92 00:04:59,867 --> 00:05:03,235 was very much a producof t that scene and the songs 93 00:05:03,270 --> 00:05:05,637 were about things th's at going on their life at the 94 00:05:05,673 --> 00:05:08,040 time. JOAnd E the second album from theroup g was 95 00:05:08,075 --> 00:05:11,810 "Plastic Letters" whh onicce again is quite raw. u caYon 96 00:05:11,845 --> 00:05:13,645 hear t forhemation of the latest snd. ouDEBBIE (sings, 97 00:05:13,647 --> 00:05:13,778 on mic vusideo) Oh, Denis doo-beo,-d 98 00:05:16,250 --> 00:05:19,618 I'm in love with you. nisDe latest sndoo-be-do,E (sings, 99 00:05:19,653 --> 00:05:23,021 I' m in love with you. Denis do o-be-do, 100 00:05:23,057 --> 00:05:28,493 I'm in love withou. ySUNTA When Blondie coved "erDenis" 101 00:05:28,529 --> 00:05:31,063 originally by ndy Ra& The Rainbows as "Dene,is 102 00:05:31,098 --> 00:05:35,500 the y took what was like a--qte cuiheesy doo-wop 103 00:05:35,602 --> 00:05:39,137 close harmony so witngh a man singing to a gl anird 104 00:05:39,173 --> 00:05:41,707 completely twisted it an ddid their own thing with it. 105 00:05:41,742 --> 00:05:42,874 BBIEDE (sings, on music vide Oh,o) 106 00:05:42,910 --> 00:05:46,678 whene wa wlk it always feels so ne. Aicnd when we talk, 107 00:05:46,714 --> 00:05:49,114 it seems like paradise. nis,De 108 00:05:49,149 --> 00:05:53,985 Denis, I'm so in love with o u. Oh. CAMILLA The video 109 00:05:54,021 --> 00:05:56,388 was absolutely brilliant. MILLCAA (CONTINUED) I mean, 110 00:05:56,457 --> 00:05:59,991 thers soe'lo as kind of ones to wch jatust purely because 111 00:06:00,027 --> 00:06:01,727 of Debbie Harry, cldn'out keep your eyes off oher f in 112 00:06:01,795 --> 00:06:04,529 th at video. The band kind of in the background it's all 113 00:06:04,565 --> 00:06:07,065 about Debbie. She ealsst the show. Very playful, 114 00:06:07,134 --> 00:06:09,368 very sort ofoque cttish with the camera. n't Cakeep your 115 00:06:09,403 --> 00:06:11,336 eyes off of her. S's he incredible. DEBBIE (sings, 116 00:06:11,405 --> 00:06:13,438 on music veo) idDenis, Denis, 117 00:06:13,440 --> 00:06:13,505 avec tes yeux si ble. ux Denis, 118 00:06:15,642 --> 00:06:19,845 Denis, moi j'ai flashe a no us deux. WILL It launched 119 00:06:19,847 --> 00:06:19,911 De bbie Harry as pin up. Butreal ly, 120 00:06:22,716 --> 00:06:24,583 that was something thata Cho us dris Stein had beenhed 121 00:06:24,618 --> 00:06:26,585 orchestrating ywayan. It wasn't by chance. LLWI 122 00:06:26,620 --> 00:06:28,587 (CONTINUED) You know, she' sreally beautiful and really 123 00:06:28,622 --> 00:06:31,223 sexynd c aool. You know, it's an azinamg combination. 124 00:06:31,258 --> 00:06:33,992 You know, e's shthe pin-up of the CBGB'punks cool New 125 00:06:34,027 --> 00:06:37,362 York scene andudde snly she's a--pinned-upn th oe 126 00:06:37,398 --> 00:06:40,532 walls teeofnage boys the world ov. CAerL Blondie's 127 00:06:40,567 --> 00:06:43,602 fi rst two albums were reasedle by Private Stock 128 00:06:43,637 --> 00:06:47,205 but in 1977, they were sign by edthe record giant, 129 00:06:47,241 --> 00:06:49,374 Chrysas. DliEBBIE (sings, on music vio) Ide'm in love 130 00:06:49,410 --> 00:06:51,576 with you. WILL Cysalhris being the kind of 131 00:06:51,612 --> 00:06:53,979 businessman whrealo ized that Debbie Harry swa 132 00:06:54,081 --> 00:06:58,316 extremelremay rkable as was the bandhems telves. Part of 133 00:06:58,385 --> 00:07:00,419 the de wasal that they needed to wo witrkh a pop 134 00:07:00,421 --> 00:07:00,485 producer and they nt wweith Mike Chapman. CAL keMi 135 00:07:02,689 --> 00:07:06,725 Chapman was the chapmain n neChinn-Chap and they were a 136 00:07:06,760 --> 00:07:08,960 British prodtionuc songwriting team who'dad h 137 00:07:08,962 --> 00:07:09,027 hi ts with all sorts of arsts tifrom Suzi Quatro to 138 00:07:12,399 --> 00:07:14,266 Hot Chocolate. DEBBIE(sin songwritigs,team who'dad h 139 00:07:14,368 --> 00:07:18,537 on music veo) idDon't leave me hanging otelen phone. 140 00:07:18,639 --> 00:07:23,141 JOHN Blondie h verady much a punk ethos to rerdincog. 141 00:07:23,177 --> 00:07:26,678 Mike Chapman didn't wo lirkke that at all. He was 142 00:07:26,713 --> 00:07:31,883 extremy meelticulous. He recorded Bndielo almost as 143 00:07:31,985 --> 00:07:34,486 though they were arog prock band. JOHN (CONTIND) BUEit 144 00:07:34,521 --> 00:07:38,757 by bit, layer by layer, buil ding up this near wall 145 00:07:38,792 --> 00:07:42,627 of pop punk sod. Tunhis caused an awful a looft 146 00:07:42,696 --> 00:07:46,164 fr iction because although Blon die were extremely 147 00:07:46,200 --> 00:07:51,336 ambitious, this waall s new territory to them.EBBI DE 148 00:07:51,371 --> 00:07:53,305 (sgs, inon music video) Telephe. JonOHN Mike Chapman 149 00:07:53,373 --> 00:07:56,174 won in thend a end the result was "Parael Lllines" 150 00:07:56,210 --> 00:08:00,111 which would go on seltol 20 million copies. DEIEBB 151 00:08:00,147 --> 00:08:01,279 (sings, musonic video) It's good to he youarr voice, 152 00:08:01,281 --> 00:08:01,346 yo u know it's been so long. If I don't get your calls 153 00:08:04,251 --> 00:08:06,618 then everything goes wng.ros DEBBIE (CONTINUED) I wt toan 154 00:08:06,653 --> 00:08:10,188 tell y somouething you've known alalonl g. Don't leave 155 00:08:10,224 --> 00:08:16,728 me hanging on the tephonlee CAMILLA Parallel Lin ises 156 00:08:16,830 --> 00:08:19,631 undoubtedly a mastpiecere. It's a seminal recor It'd.s 157 00:08:19,666 --> 00:08:22,067 a great new wave record t bu it's also just a great kdin 158 00:08:22,169 --> 00:08:24,336 of, you kn, a owgreat record in itself at'sth gone on to 159 00:08:24,371 --> 00:08:26,338 inspire so many bands. MILLCAA (CONTINUED) It's 160 00:08:26,440 --> 00:08:29,207 filled with great ngs,so "Hanging on the Telephe."on 161 00:08:29,243 --> 00:08:31,176 It's an absolutely amazi ngsong, 162 00:08:31,211 --> 00:08:32,210 "One Way Or otheAnr." You know, 163 00:08:32,312 --> 00:08:33,311 it's packed full of th emand, 164 00:08:33,313 --> 00:08:33,378 really, it's kind of a blue print for how to make a 165 00:08:35,249 --> 00:08:37,215 igreat record. JOE And ob viously,and, 166 00:08:37,251 --> 00:08:39,417 it'sn al abum that has lots of gat treracks in it. The 167 00:08:39,453 --> 00:08:43,154 big breakoutrack t for Blondie worldwide s "Hwaeart 168 00:08:43,190 --> 00:08:51,997 of Glass." [MUSIC] 169 00:08:51,999 --> 00:08:52,063 DEBBIE (singson m, usic video) Once I had lovea and 170 00:08:53,734 --> 00:09:00,472 it was a gas. Soon turd ne out had a heart of glass. 171 00:09:00,507 --> 00:09:01,439 DEBBIE (CONTINUED) (ngs,si on music video) Seemedike l 172 00:09:01,475 --> 00:09:05,977 the real thing, only to fi mundcho mistrust, 173 00:09:06,013 --> 00:09:08,146 love's gone behindJOHN. Well, 174 00:09:08,181 --> 00:09:12,851 Heart of Glass w oneas of the very last songto gs o on 175 00:09:12,920 --> 00:09:16,655 Parael Lllines. It was a fragment oan if dea that 176 00:09:16,690 --> 00:09:20,058 they'd had for seval yerears and it was based--eth 177 00:09:20,093 --> 00:09:23,595 shuffle of the rthm hywas based on Saturday Nitgh 178 00:09:23,630 --> 00:09:26,698 Fevesounr dtrack which Debbie andhris C both 179 00:09:26,700 --> 00:09:26,765 adored. SUNTA It'shat t moment when Blondie sttar 180 00:09:31,605 --> 00:09:33,605 really visibly and really, b Debviously,ris C both 181 00:09:33,707 --> 00:09:36,675 dabbling in other nresge and bringing in elemen thatst 182 00:09:36,710 --> 00:09:39,210 they want and, of course ,this is the disco song. They 183 00:09:39,246 --> 00:09:40,912 ev calenl it, "The Disco Song."EBBI DE (sings, 184 00:09:40,948 --> 00:09:42,047 on musicideo v) Love is so confusing, 185 00:09:42,082 --> 00:09:44,249 the's erno peace of mind. DEBB (COIENTINUED) (sings, 186 00:09:44,284 --> 00:09:46,084 on m usic video) If I fear I'losim ng you, 187 00:09:46,119 --> 00:09:50,822 it's just no good you asinteg like you do. WILL 188 00:09:50,857 --> 00:09:52,757 This was t divheisive one. This is the e thonat really 189 00:09:52,793 --> 00:09:56,628 sort set the catmong a the pigeons in this so of rtcool 190 00:09:56,697 --> 00:10:00,231 CB GB's scene for whom disco wa s a terrible thing. WILL 191 00:10:00,267 --> 00:10:01,866 (CONTINUED) It wasctua ally influenced by Kraftwk,er 192 00:10:01,902 --> 00:10:04,603 no t really a band that you'd as sociate with disco. Clem 193 00:10:04,605 --> 00:10:04,669 Burke who is a big Kraftwe farkn and he wanted to get 194 00:10:07,307 --> 00:10:11,109 no t that 4/4 beat that Krawerkfts socispecialize in. It sounds 195 00:10:11,144 --> 00:10:14,746 like it's a drum macne bhiut it's not. It's Clem rkeBu 196 00:10:14,781 --> 00:10:17,182 playing very, veryell w indeed. DEBBIE (sings, 197 00:10:17,217 --> 00:10:21,620 on music video) Lostnsid ie, adorable illusion and I 198 00:10:21,655 --> 00:10:25,657 cannot hide. JOHN Th isis also an example of howrave b 199 00:10:25,692 --> 00:10:29,628 Blondie were. Disco was se enas the music of the enemy. 200 00:10:29,663 --> 00:10:32,897 But Blondididne 't care. They just likeit. d SUNTA 201 00:10:32,899 --> 00:10:32,964 It's so contagious and tchyca and so well-written, 202 00:10:36,703 --> 00:10:39,704 it's so pop. But at thsamee time because Debbie Hayrr 203 00:10:39,740 --> 00:10:43,708 delivers it in this very aloo f and cool way, 204 00:10:43,744 --> 00:10:46,378 it's still very credible as well . CAMILLA And the video 205 00:10:46,413 --> 00:10:48,380 for Heart of Gss ilas another phenomenal 206 00:10:48,382 --> 00:10:48,446 performance fromebbi De Harry. CAMILLA (CONTUED)IN 207 00:10:49,816 --> 00:10:51,683 Again, it's the Debbiearry H aShow. You know,al 208 00:10:51,718 --> 00:10:54,386 thbande are playing but you dot lon'ok at them, 209 00:10:54,421 --> 00:10:56,921 you're looking aDebbt ie. SUNTA The way she ngs siis 210 00:10:56,957 --> 00:10:59,858 like, I don't ev carene whether you're listeng onir 211 00:10:59,893 --> 00:11:03,128 not. I'm just gonna si ngthis. I'm not interested in 212 00:11:03,163 --> 00:11:04,963 what y're oudoing at all. I love it, 213 00:11:05,032 --> 00:11:07,165 it jus'st so cool. DEBBIE (sings, 214 00:11:07,200 --> 00:11:12,203 on music video) On I hcead a love and it was a s. Sgaoon 215 00:11:12,239 --> 00:11:16,574 turned out to be a paiin n the ass. Seemed like the 216 00:11:16,610 --> 00:11:21,513 real tng, hionly to find mucho mistru,st 217 00:11:21,581 --> 00:11:24,683 love'sone gbehind. 218 00:11:27,354 --> 00:11:31,956 MUSI [C] 219 00:11:31,958 --> 00:11:32,023 DEBBIE (singson m, usic video) When I met u inyo the 220 00:11:35,162 --> 00:11:35,226 restaurant, you could ll Ite was no debutante. SUNTEatA 221 00:11:42,969 --> 00:11:44,803 to the Beat was the xt ne album to follow up, 222 00:11:44,871 --> 00:11:46,204 Parael Lllines. There must have bn a eelot a lot 223 00:11:46,239 --> 00:11:49,374 pressure on them tkindo of replicate that sucss acend 224 00:11:49,409 --> 00:11:50,775 acallytu, they did, you know, 225 00:11:50,811 --> 00:11:53,278 itas n wot a very successful alm. JbuOHN They'd left the 226 00:11:53,380 --> 00:11:56,481 punk scene behd anind they were now an estaishebld pop 227 00:11:56,583 --> 00:12:00,351 band who were a huge almt oseverywhere in the world, 228 00:12:00,387 --> 00:12:02,320 not so much America. DBIEEB (sings, 229 00:12:02,355 --> 00:12:06,825 on music video) eamiDrng. WILL It was very pducerod. 230 00:12:06,860 --> 00:12:11,196 It had sou and that was--it was--is qut'ite slick but 231 00:12:11,231 --> 00:12:13,264 still there's something out abDebbie Harry's voice 232 00:12:13,300 --> 00:12:14,699 and shs vee'ry characterful. DEBBIEsing (s, 233 00:12:14,768 --> 00:12:20,405 on music veo) idPleasure's real or is ifantt asy? 234 00:12:20,440 --> 00:12:22,774 DEBBIE (CONTINUED) (sing s,on music video) Reel to reel 235 00:12:22,809 --> 00:12:28,780 livising rarity. People stop a standre at me. We 236 00:12:28,815 --> 00:12:33,918 just walk on by. We just ke on epdreaming. JOHN And 237 00:12:33,987 --> 00:12:38,056 this albumame cout and it had three grt sieangles on 238 00:12:38,091 --> 00:12:40,058 itJOHN. (CONTINUED) It had "Atoc,mi 239 00:12:40,093 --> 00:12:43,495 i t had "Dreaming," and it had "Union City Blue." 240 00:12:43,530 --> 00:12:46,131 [MUSIC] 241 00:12:46,233 --> 00:12:49,601 JOHN It has everythg thinat you'd want from a Bldieon 242 00:12:49,636 --> 00:12:53,505 single. This massive echng oi drums from Clem Burke and 243 00:12:53,540 --> 00:12:56,674 this gre bigat chorus. JOHN (CONTINU) EvEDery member of 244 00:12:56,710 --> 00:12:59,511 ondiBle was contributing somethg toin this song. 245 00:12:59,546 --> 00:13:01,679 DEIE (BBsings, on music video)h, O 246 00:13:01,748 --> 00:13:09,220 oh, what are we gonndo?a Union, 247 00:13:09,256 --> 00:13:13,825 Union, Uon Cniity blue. CAMILLA Eat theto Beat was 248 00:13:13,860 --> 00:13:16,494 the first video album er ev which is kind of incrediebl 249 00:13:16,530 --> 00:13:19,063 d what they did was they made a video for each song 250 00:13:19,099 --> 00:13:21,065 ich kind of sounds funny now. People do it all the 251 00:13:21,101 --> 00:13:23,701 ti. Bumet at that point, it was ite qua big deal and 252 00:13:23,737 --> 00:13:26,037 eventuallyit w, as released as well as VHS a in those 253 00:13:26,072 --> 00:13:29,874 days. DEBBIE (ngs,si on music video) In tuuoisrqe 254 00:13:29,910 --> 00:13:36,381 Unn, Uionion, Union City blue. LL UWInion City Blue 255 00:13:36,449 --> 00:13:39,651 was shot by Dad Mavillet and this was an exple amagain of 256 00:13:39,686 --> 00:13:43,121 Chris Stein using s hi image-led vision for 257 00:13:43,156 --> 00:13:45,256 Blondie. WILL (CTINUONED) It's got this amazg aeinrial 258 00:13:45,292 --> 00:13:48,059 shs ofot North American docklandand s it's just 259 00:13:48,161 --> 00:13:50,161 ry, vevery evocative. Blondiweree really in this 260 00:13:50,197 --> 00:13:53,464 purple patch where they d ha all the attitude from punk 261 00:13:53,533 --> 00:13:55,533 and they had the--a kind o fcool, 262 00:13:55,635 --> 00:13:58,203 you know, that youthat-- you get from growing uand p also 263 00:13:58,305 --> 00:14:00,205 coming of age in New Yor whken it's really a tough 264 00:14:00,240 --> 00:14:02,340 city. WILL (CONTINUED) B utthey learned sophistication 265 00:14:02,375 --> 00:14:04,642 theat same time. They learnesongd writing. They're 266 00:14:04,644 --> 00:14:04,709 rkinwog with great producers d I anthink Debbie Harry had 267 00:14:08,348 --> 00:14:10,849 grown into a reallyey confarident singer as well. So 268 00:14:10,884 --> 00:14:14,085 that combination for a fe-briw-ef few years was 269 00:14:14,120 --> 00:14:16,087 ju--itst slightly could do no wng. ro[MUSIC] 270 00:14:16,122 --> 00:14:20,124 AL A Cutoamerican was Blondis fie'fth album and 271 00:14:20,160 --> 00:14:22,560 once ain, gafeatured the band experimtingen with 272 00:14:22,596 --> 00:14:25,730 genres. CAMILLA Rapte's uran incredible track and 273 00:14:25,765 --> 00:14:27,966 actuly, alI think it's the first ke UliS number one to 274 00:14:28,001 --> 00:14:29,601 featurrappe ing in it. DEBBIE (raps, 275 00:14:29,636 --> 00:14:31,135 onusic m video) Fab Five Freddyold tme everybody's 276 00:14:31,171 --> 00:14:33,471 fly. DJ's spinning I said ,my 277 00:14:33,473 --> 00:14:33,538 myDEBB. IE (CONTINUED) (raps, 278 00:14:34,241 --> 00:14:35,106 fly.on music video) Flash is fa st,my 279 00:14:35,175 --> 00:14:37,208 Flash is cl. Foorancois sais pas, 280 00:14:37,244 --> 00:14:39,611 Flashe no deux. And u yo don't stop, 281 00:14:39,646 --> 00:14:43,248 sure shot. Go out to t heparking lot. And... CAMILLA 282 00:14:43,283 --> 00:14:45,650 Which kinisd of sad that it wasn'tn ac atual rap group 283 00:14:45,685 --> 00:14:48,319 or hip hop gup trohat had that first hitut B blondie 284 00:14:48,355 --> 00:14:50,321 di d it. They took rap to a main stream audience. JOHN 285 00:14:50,357 --> 00:14:54,225 De bbie Harry and Chris Stein ha d made friends with a guy 286 00:14:54,261 --> 00:14:56,861 caed Fllab Five Freddy. He was DJ,a 287 00:14:56,897 --> 00:14:58,897 he was a graffiti artist, he 's a rapper, 288 00:14:58,932 --> 00:15:02,166 he's everything. He took th to emthis big rap show in 289 00:15:02,202 --> 00:15:05,837 ThBrone x. So they wanted to doomet shing which 290 00:15:05,872 --> 00:15:07,572 inco rporated rapping. JOHN (CTINUONED) So "Rapture" 291 00:15:07,607 --> 00:15:10,775 cos almeong. JOE I'm a hip hop n myfaself and to see 292 00:15:10,810 --> 00:15:12,977 the moment where it comes in to the mainstream is 293 00:15:12,979 --> 00:15:13,044 something quite special an dactually Debbie Harry is a 294 00:15:15,682 --> 00:15:16,881 pretty good rapper. DEIEs in to the mBBn(raps, is 295 00:15:16,917 --> 00:15:19,150 on music video) One oneto, man to man. Dance toe to 296 00:15:19,185 --> 00:15:21,986 toe. Don't me toovo slow, 'cause the manrom fMars is 297 00:15:22,022 --> 00:15:25,490 throh wiugth cars. WILL The Tides Hi igh is very sweet 298 00:15:25,525 --> 00:15:28,626 song and it's reggae-tinge Itd.'s not really a reggae 299 00:15:28,662 --> 00:15:31,029 song of su. Itch's kind of--it's almosliket it's 300 00:15:31,064 --> 00:15:33,031 sort of earlintry oduction to reggae for oplepe who've 301 00:15:33,066 --> 00:15:35,199 neve r heard it which is grt. DeaEBBIE (sings, 302 00:15:35,235 --> 00:15:39,971 on mic vusideo) The tide is high b I'mut holding on. 303 00:15:40,006 --> 00:15:42,073 DEBB IE (CONTINUED) (sings, musonic video) I'm gonna be 304 00:15:42,108 --> 00:15:46,077 yourumbe nr one. SUNTA The Tide iHighs is a brilliant 305 00:15:46,112 --> 00:15:49,380 pop so andng the original which is reg agae classic is 306 00:15:49,416 --> 00:15:51,983 actually quite tonedown d compared to their versn.io 307 00:15:52,052 --> 00:15:54,252 They really kindf up oped the brass instrumes onnt it 308 00:15:54,287 --> 00:15:57,455 and made it sound a t lo bigger. SUNTA (CONTINUEDI) 309 00:15:57,490 --> 00:15:59,090 think it's an soluabtely brilliant track. WILIL 310 00:15:59,125 --> 00:16:00,925 think Blondie re vweery clever at that. I thkin 311 00:16:00,961 --> 00:16:03,161 Blondie we verrey good and this is someing ththat Chris 312 00:16:03,196 --> 00:16:05,997 St ein points out that there wi ll always into different 313 00:16:06,032 --> 00:16:07,799 kinds of music. Theyrew gup in New York. It's a 314 00:16:07,834 --> 00:16:10,435 multi-cultur plaalce. They weren't close-ndedmi. They 315 00:16:10,470 --> 00:16:12,503 re nweever going--just be stightra punk rock. JOHN The 316 00:16:12,539 --> 00:16:16,107 videtoo,o that was also slightlyistu drbed. There's 317 00:16:16,142 --> 00:16:19,010 a lot Debofbie Harry in it too. B theutre was also this 318 00:16:19,045 --> 00:16:23,014 very curious Vad-likere figure who seem to bspyie ng 319 00:16:23,049 --> 00:16:27,018 oner a hs her apartment filledp wi uth water. Before 320 00:16:27,053 --> 00:16:29,187 she escaped, sheoine jd the rest of the bandn th oe New 321 00:16:29,222 --> 00:16:31,322 rk sYotreets. JOHN (CONTINUEDI ha) ve no idea 322 00:16:31,358 --> 00:16:37,996 what it meant but it looked grea t. WILL They had this 323 00:16:38,031 --> 00:16:46,004 incribleed run. By 1980, Debbie Hry waras so famous 324 00:16:46,039 --> 00:16:48,673 at sthhe was on the Muppet Sh appowearing as an 325 00:16:48,708 --> 00:16:51,109 honorary frog out.sc WILL (CONTINUED) You ow,kn 326 00:16:51,144 --> 00:16:54,078 this was a long y frwaom CBGB's but at the sa timmee, 327 00:16:54,114 --> 00:16:57,215 he r and Chris Stein had got in to heroine. And so once 328 00:16:57,250 --> 00:16:59,751 that came , I inthink the problems reallstary ted. 329 00:16:59,786 --> 00:17:03,154 JOHN The Hunter s thwae Blondie album and itasn' wt 330 00:17:03,189 --> 00:17:06,958 particularly successl byfu their previous standar andds 331 00:17:06,993 --> 00:17:10,361 this contrutedib to a lot of the intern tenalsions that 332 00:17:10,397 --> 00:17:12,563 were goi on ngwithin the group at theime. t DEBBIE 333 00:17:12,565 --> 00:17:12,630 (sings, on music video) InBay lon, 334 00:17:15,135 --> 00:17:17,602 on the boulevard of brene group at okdreams, DEBBIE 335 00:17:17,637 --> 00:17:20,938 my w ill power at the lowest b. Oebh, 336 00:17:20,974 --> 00:17:24,642 what can do? I WILL So the band start to edfall apart. 337 00:17:24,677 --> 00:17:26,644 d alAnso, there's a bit--sorof at lot of very, 338 00:17:26,679 --> 00:17:29,647 ve bigry money issues. JOE The her otmembers as well 339 00:17:29,649 --> 00:17:29,714 understandab hadly grown kind of jealous Debofbie 340 00:17:32,085 --> 00:17:35,987 Harry's profile. She w anas absolutely media darli.ng 341 00:17:36,022 --> 00:17:38,489 The re of stthe band compared had aairl fy 342 00:17:38,525 --> 00:17:41,292 nondescript profile. WILL Ev entually, 343 00:17:41,327 --> 00:17:45,129 the ba splndit up in, I think 1982WILL. (CONTINUED) 344 00:17:45,131 --> 00:17:45,196 I me an, Debbie Harry had lachedun her solo career as 345 00:17:47,233 --> 00:17:49,867 well. And there's a loof tht pressure from the record 346 00:17:49,903 --> 00:17:52,570 label to just push her. SUA WhNTen Debbie Harry 347 00:17:52,672 --> 00:17:55,473 started her solo career, ere thwere peaks and 348 00:17:55,508 --> 00:17:59,310 troughs. I think she's ruggstled for a while to 349 00:17:59,345 --> 00:18:02,613 find the snd oour direction that she wted anto be as a 350 00:18:02,649 --> 00:18:05,583 solortis at. JOE Without the band bind ehher, 351 00:18:05,618 --> 00:18:08,719 it j ust didn't quite feel thsamee and that's when 352 00:18:08,755 --> 00:18:11,823 none of the ackstr are particularly memorle. abCAL 353 00:18:11,825 --> 00:18:11,889 Around this time, risCh Stein became very ill thwi 354 00:18:15,161 --> 00:18:17,128 nthe life-threateninge paautoulimmune disease,bCAL 355 00:18:17,230 --> 00:18:20,231 pemphigus. DEBBI(sinE gs) Super friends. WILYou L can 356 00:18:20,266 --> 00:18:21,332 see that they have this very , 357 00:18:21,367 --> 00:18:24,001 very deep bond which I think ntincoues to this day. A 358 00:18:24,037 --> 00:18:26,037 re al respect for each other, th ey split up, 359 00:18:26,072 --> 00:18:30,475 yo u know, as people do. But wh en Chris Stein got sick, 360 00:18:30,577 --> 00:18:32,844 they--by this pot, tinheir relationship was or buvet 361 00:18:32,879 --> 00:18:37,882 she continued to look afr te him and pretty much gavep u 362 00:18:37,917 --> 00:18:41,519 her career to look aft himer and he got better. DEBEBI 363 00:18:41,554 --> 00:18:44,889 (s ings) I am still in touch wi th your presence, 364 00:18:44,991 --> 00:18:49,026 de. SUarNTA It took 17 years foBlonr die to finally get 365 00:18:49,062 --> 00:18:51,295 back together,tart s working together again, 366 00:18:51,397 --> 00:18:53,831 d stanart recording together. d I Anthink at 367 00:18:53,867 --> 00:18:55,099 that time, you know, viouobsly, 368 00:18:55,168 --> 00:18:57,869 lot a of time had passed, it s a wachance for them almost 369 00:18:57,904 --> 00:19:00,404 to kind of revisithe t reason why they were in a 370 00:19:00,440 --> 00:19:02,740 band together thein first place. WILL No Et waxis the 371 00:19:02,775 --> 00:19:09,213 first post-reunion aum Ilb suppose. And it was prtyet 372 00:19:09,249 --> 00:19:11,916 go. Itod was probably better th mosant people would have 373 00:19:11,951 --> 00:19:14,385 expect fored a band that's split upnd, a 374 00:19:14,420 --> 00:19:16,554 you kn, haowd been seen because th wasat their day. 375 00:19:16,589 --> 00:19:17,722 DEBBIE (sings, on sicmu video) Ooh, 376 00:19:17,757 --> 00:19:20,158 don't you wanntakea her? WILL They had a ng csoalled, 377 00:19:20,160 --> 00:19:20,224 "Maria" d I anthink for the band wasroba pbly the 378 00:19:22,962 --> 00:19:25,963 sweetest piece of succsr? esWILthey'd ever had because by 379 00:19:25,999 --> 00:19:28,933 this point, they rea'dlly gone for it. DEBBI(sinE gs, 380 00:19:28,968 --> 00:19:33,971 on music video) Maria, u'veyo gotta see her. DEBBIE 381 00:19:34,307 --> 00:19:36,941 (CONNUEDTI) (sings, on music vide Go o)insane and out of 382 00:19:36,976 --> 00:19:46,450 your min Regd.ina, Ave Maria. SUNTA It s liwake 383 00:19:46,486 --> 00:19:53,391 Blone frdiom the 70s but with almt wiosth more guts 384 00:19:53,426 --> 00:19:55,593 and wi morthe confidence. SUNTA (CTINUONED) I guess 385 00:19:55,628 --> 00:19:57,728 that comes witage h and, you know, 386 00:19:57,764 --> 00:20:00,097 with feeli liknge, they were doing thin vergsy much on 387 00:20:00,133 --> 00:20:03,100 their own tes. JrmOHN It went to number iBritn ain 388 00:20:03,136 --> 00:20:06,737 an d this meant that they had nu mber one singles in the 389 00:20:06,773 --> 00:20:10,641 70s,the 80and s,the 90s. JOHN (CONTINUE AndD) there's 390 00:20:10,677 --> 00:20:14,612 a song, it wasure pBlondie. DEBBIE (sings, 391 00:20:14,647 --> 00:20:19,850 on mic vusideo) Maria, you've gottaee h ser. Go 392 00:20:19,886 --> 00:20:25,089 insane and out of your md. in SUNTA Blondie's most recten 393 00:20:25,124 --> 00:20:28,292 albums show thathey' tre still trying to be 394 00:20:28,328 --> 00:20:30,294 invatinove. SUNTA (CONTINUED) ey'rThe still 395 00:20:30,330 --> 00:20:33,564 ve mucryh bringing in differenelemt ents of genres 396 00:20:33,600 --> 00:20:35,733 and music th intaterest them. They're stilnotl 397 00:20:35,768 --> 00:20:37,735 restinon tg heir laurels. They're ill stmaking sure 398 00:20:37,770 --> 00:20:39,837 thathat wthey're doing is exciti to ngthem that 399 00:20:39,872 --> 00:20:42,106 they're beincreag tive and always strivinto dg o 400 00:20:42,141 --> 00:20:44,942 something new.MUSI [C] 401 00:20:44,978 --> 00:20:46,744 DEBBIE ings(s, on music video) All Iant wis a room 402 00:20:46,779 --> 00:20:49,981 wi th a view. A sight worth eingse, 403 00:20:50,016 --> 00:20:53,584 a vision of you.OHN J Blondie's influence is 404 00:20:53,586 --> 00:20:53,651 almost incalcuble.la Anybody who's been a reanablsoy 405 00:20:59,892 --> 00:21:04,262 pretty singer with attite ud owes something to Blondie. 406 00:21:04,264 --> 00:21:04,328 JO (COHNNTINUED) So if you look aGarbt age, 407 00:21:06,666 --> 00:21:09,900 pif you look at Katy Pey, rr if you look at Gwen Stefian 408 00:21:09,936 --> 00:21:12,637 in No Dot, yubou'll see that these pele hopave 409 00:21:12,672 --> 00:21:16,107 incooratrped bits of Debbie Harrs loy'ok, 410 00:21:16,142 --> 00:21:20,378 ts obif her attitude, and heunasr hamed pop 411 00:21:20,413 --> 00:21:23,381 sensilitiby too. SUNTA Debbie Har is ryan icon of 412 00:21:23,416 --> 00:21:27,885 our generation a shend has managed to maintaithatn as 413 00:21:27,920 --> 00:21:30,288 wellCAMI. LLA Blondie being hugelynflu iential and I 414 00:21:30,323 --> 00:21:32,290 think you saw rticpaularly in the 90s, 415 00:21:32,325 --> 00:21:34,725 it w as a real research and tereinst in their career. 416 00:21:34,794 --> 00:21:37,328 And a loof bt ands that point we're rerencfeing 417 00:21:37,430 --> 00:21:39,463 Parallel Lines andayin sg that was kind of onef th oe 418 00:21:39,565 --> 00:21:41,532 albums that made them wa ntto be in a band. WILL The 419 00:21:41,567 --> 00:21:43,534 songs are just so good. u Yo know, 420 00:21:43,569 --> 00:21:45,536 so it's gonna be an inflnce ueon anyone who--in 421 00:21:45,571 --> 00:21:47,505 a ba whond wants to write great sos bengcause the 422 00:21:47,540 --> 00:21:49,106 songs are perft. SecUNTA Blondie, 423 00:21:49,108 --> 00:21:49,173 I think are one of t moshet important bands of this 424 00:21:51,010 --> 00:21:54,745 time. They have provedime t and time again that th areey 425 00:21:54,781 --> 00:21:57,782 alwaystriv sing to be creative ando ch tange 426 00:21:57,817 --> 00:22:00,418 thin. SUgsNTA (CONTINUED) Never kintod of just settle 427 00:22:00,453 --> 00:22:03,554 for one sound d thanat's so exciting and tt's haso 428 00:22:03,623 --> 00:22:05,856 interesting. DEBE (sBIings, on music video) ur hYoair is 429 00:22:05,892 --> 00:22:15,466 beautiful. Oh, tonig. ht DEBBIE (CONTINUED) (sings, 430 00:22:15,501 --> 00:22:19,403 on music videoAtom) ic. Oh, oh, 431 00:22:19,439 --> 00:22:32,350 atomicOh, . Oh. Oh, oh, atomic. Oh, 432 00:22:32,385 --> 00:22:35,953 oh, atomic. DEBBIE (CONNUEDTI) Oh, 433 00:22:35,988 --> 00:22:38,122 oh. 39601

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