Original subtitles

[opening theme playing]

♪ some people stand In the darkness ♪

♪ afraid to step Into the light ♪

♪ some people need To help somebody ♪

♪ with the edge of Surrender in sight ♪

♪ don't you worry

♪ it's gonna be all right

♪ 'cause I'm always ready

♪ I won't let you Out of my sight ♪

♪ [I'll be ready] I'll be ready ♪

♪ [never you fear] No, don't you fear ♪

♪ [I'll be ready]

♪ forever and always

♪ I'm always here

[energetic piano solo]

♪ 'cause I'm always ready

♪ I won't let you Out of my sight ♪

♪ [I'll be ready] I'll be ready ♪

♪ [never you fear] No, don't you fear ♪

♪ [I'll be ready]

♪ forever and always

♪ I'm always here.

♪ it's summertime

♪ but nobody seems To be taking it easy ♪

♪ there's no time

♪ lately it's making me Kinda uneasy ♪

♪ work all day and night

♪ trying to do Something right ♪

♪ but baby it's high Time we stopped ♪

♪ make time for each other

♪ oh, baby it's high time We tried [it's our time] ♪

♪ I don't even know you

♪ how are you Supposed to know again ♪

♪ if I never talk to you

♪ memories are always shared

♪ you become a mystery

♪ time becomes our enemy

♪ I just want you Here with me ♪

♪ and I'm telling You it's high time. ♪

-cody: hey, ready For that cpr class?

-huh? Yeah. Take A look at that.

-cody: what?

-neely: don't you see it?

-cody: mitch and Sam washing a truck?

-no, look at the way they're Looking at one another.

-cody: what? They're smiling, So what's the big deal?

-they're in love, cody.

-mitch and sam? [chuckles]

Not a chance. -they're in love.

-oh, they're Friends, that's all.

-it's changed, trust me.

Body language doesn't lie.

I mean, look at the way His hips are thrust forward

And his legs are Slightly spread.

You see? She just Caressed his arm.

-she accidentally Touched him, neely.

-that's no accident.

I can smell the hormones All the way up here.

-you know, you should Get a 900-number.

The neely capshaw Psychic love line.

Come on, let's go. Newmie's waiting.

-mitch: hey, hey. Whoa, look out!

There's a spot, there's A spot right there!

[laughing]

-my line of work, ese.

[serious guitar music]

What you looking at, ese?

-blue trunks. He's riverside.

Used to be my homeboy.

-your homeboy?

Looks more like a beach boy.

[laughing]

-quit talking, get to work.

-you're gonna have your Work cut for you today with these guys.

Yeah.

-hey, how, many are Taking the cpr class?

-fifteen.

-manny, we're gonna use You as a victim, hon.

-aw, man.

Boy, I hope at Least gonna wash up

After picking up that trash.

-not likely. -hey, quit complaining.

Making them learn cpr is a part Of their community service.

It's a great idea.

-yeah, they tag walls And vandalize stores,

And we get the punishment.

-look, I'm sure most of Them are pretty good kids,

Just got into some trouble.

-hey, chula.

Hey, you better watch where You're going, eightball!

-I'm sorry, pepe. I didn't see you.

-sorry too, ese, I didn't see you either.

-yo, man, what's up?

[grunting]

[serious music]

-hey, cut it out!

-cody: they're kids, right? -newmie: yeah.

-stay here, make sure Everything's okay, alright?

-cody: hey, break it up!

[grunting and rabbling]

-I'm calling the cops. -let's go, huh?

-ese! Let's end it Now, chango, let's go!

-you want some of Me? Man, what's up!

-hector. -hey, holmes. Been a long time.

-you want them To call the cops?

You want to both To end up in jail?

-man, he stuck me, man! Man, what's up with that?

-it was an accident. -wanna get down, punk?

I'm gonna punch you In the face!

-quiet down!

-you know what, chango! You're going down, ese!

-let's go!

-cabrone, you Ain't nothin', ese!

-take him, throw him in The water if you have to.

Any more "Accidents"

And it'll be the cops Dragging you away.

Next time, you're Gonna do time, buddy.

And get out of here!

-pulga: okay, barbie Doll. [devious snicker]

-now, I think they're ready To learn how to save lives

Instead of waste some, okay.

-all right. Everybody on the beach.

-all right.

-man, why you're Here, man, what you do?

-why am I here?

Why are you here, holmes?

-I'm doing something With my life, man.

I wanna be a lifeguard.

-yeah, you better Be a lifeguard,

If you ever come Back to the barrio.

-newmie: all right, Find your partners

And settle down, let's go.

-neely: all right, Everyone, pay attention.

Hi, my name is neely capshaw And this is cody madison.

We're here to teach You how to save a life.

-all right, I want all the Victims on the blue towels

To lie flat on your back.

Now the rescuer, you're Gonna find the hollow area

Under the rib cage of Your partner's chest.

[giggling] -cody: find the hollow area.

-I'm ticklish, holmes.

-now measure up three Fingers from there,

Put your hand above it,

And your other hand On top of that one.

Now feel your partner's Heart beating.

-really feel it, each beat.

Picture blood Pumping through it.

-oh, yeah, I feel it. -through the entire body.

-now put your Hands in the sand.

What do you feel?

-sand. -aluminum.

What kind of trash Beach is this?

[laughing]

-the kind you're Here to clean up.

[laughing and hooting]

-what you feel is The absence of life.

No matter what you do, You can't breathe life

Or pump life into the sand.

But you can breathe Life and pump life

Into another human Being who is dying

Or are already dead.

You guys can bring Him back to life.

You hold that power In your hands.

-all right, put your hands Back on your partner's chest,

Find the spot, three Fingers up, let's go.

-cpr can save A person's life.

The odds are it's gonna be A relative or a loved one.

Learn it.

If you ever feel Like taking a life,

Maybe you'll have Second thoughts.

-hey, are you listening?

-the judge said I gotta be here.

Didn't say I gotta listen, fool.

-smart.

-well, I say you gotta Listen, so pay attention.

-all right, all you Have to remember is abc.

Airway, Breathing, circulation.

The first thing you do, Is clear the airway.

Tilt the head back, Lift the chin.

-do it, now. On your partner.

-now, look, listen and feel.

Place your ear near to Your partner's open mouth,

And look at their chest.

-I rather look at your Chest, barbie doll.

In your pink corvette.

-hey, that's enough.

-anyone who fails this Course won't get credit

For anything today, So you better know what to do.

-all right, now, you have to Look at your partner's chest

To rise and fall.

And listen and feel For breath, alright?

If they're not breathing, Give two ventilations.

Keep the head tilted back, Pinch your partner's nose,

Place your mouth over His and blow twice.

-now, do it.

-kiss me and you die, ese.

[laughing]

-hey, hey, hey, alright, Alright. That's it.

Hey, we're gonna switch.

You're gonna go over here.

You, over here.

-hey, anyone but him. -hey, get over it.

You, over to this side.

-I ain't going over there.

-yes, you are.

-get off me, man.

-on your knees, Right here. Go on.

-no way, man. Ain't no way--

-newmie: shut up.

Hey, it's this or Jail time, buddy.

-look, you guys, This isn't kissing.

This is breathing Air into empty lungs.

Now two ventilations, let's go.

-do it!

-now.

-hector, come on Man, just try it.

Pinch my nose and Inflate my lungs.

-you better watch it, smoke.

-I hate this as much as you.

More than you.

[gagging]

-this guy's got Bad breath, holmes!

-you son of a--!

-don't let him Bait you. Cool it!

-get off me, man.

-do it.

-dog breath, holmes.

-hey! Can we continue now?

Now next, we're gonna Check the victim's pulse.

You'll do that by Placing your fingers

On the carotid Artery in the neck.

-if there's no breath Or pulse, you begin cpr.

If you're alone, You do 15 and two.

15 chest compressions, Then two ventilations.

-once you start Cpr, you never stop.

Never stop until Second aid arrives.

You're first aid.

You keep going until a more Qualified person gets there

Such as a paramedic, or A lifeguard, alright?

-all right, find a Spot, three fingers up,

Then press down with 15 hard, quick thrusts.

-newmie: keep Your arms straight,

And over with your fingers.

-one, two, three, four, five,

Six, seven, eight, nine,

Ten, eleven, twelve, Thirteen, fourteen, fifteen.

Now two ventilations.

-hey, man! This vato just Spit in my mouth, man!

[angry rabbling]

-get off me, man!

I'm gonna bust your Ass, man! Come here!

-beach boy. -get off me!

-man, what's up, I'm Gonna punch you out.

-hector.

Wait up, man. -what do you want?

-kick it with me For a little bit.

-I did what I had to do And I'm out of here.

-hey, hector, man.

Come and have dinner With my jefita and me.

She'd love to see you, man.

It's like back in The days, remember?

-yeah, well those Days are over.

You moved away. You, not me.

So, don't think I want to Be your long lost brother.

-man, if you remembered, You were like my brother.

-yeah, well not anymore.

You're in malibu.

I'm still back there In the barrio, holmes.

-man, we live in A guesthouse, yo.

-it doesn't make A difference.

You turned your back on us.

-man, come and have Dinner with us, man.

-nah, ese. I'm going With my homeboy.

-eh, let's go, ese. Vamanos.

Watch out with the Paint job, man.

Later, ese.

-hi, mom.

-hi? That's it?

-what are you doing?

-oh, I'm loading some New corporate spreadsheets

Into mrs. Rhodes' hard drive.

-you run her house And her business.

You're superwoman.

-and if I see you using My cape without permission,

Wow, look out.

-um--

-what? -oh, nothing.

I'm hungry. What do we have In the refrigerator?

-oh, you didn't open Up your mouth to eat.

What did you want to say?

-I saw hector today.

-hector molina? At the beach?

Mijo, how is he?

-ma, he's changed.

He's hanging with the gang.

Wanting to be a real ese vato.

-ever since his mama died.

-and we moved away.

-if I could've brought Him with us, I would have.

-I've gotta go talk to Him. I gotta find him.

-no, manny, I don't Want you to go there.

I moved you away from there So they couldn't get to you.

-I'll be okay.

-you know, I've Spent too many nights

Waiting for you to Come home, worrying.

No, senor.

-ma, hector's my best friend.

At least he was.

I've gotta go and help Him, I've just got to.

-okay.

But I'm going with you. -mom.

-listen, I love hector, too.

I know those boys, Half of them I babysat.

And they know They'd better listen

To what I have to say.

Or else I'm gonna put on My cape and crush them.

Come here.

-okay, we'll go together.

[grunting]

-you know, it's Hobie's 16th birthday,

And I gotta get him Something special.

-sixteen... Well, there's Only one gift. A car.

[grunting]

-a car? You mean like an Engine and four tires, a car?

-seat, steering Wheel, the whole deal.

And top of the line Cd player.

-well, I can probably Afford a cd player,

Maybe one tire.

You know, a bike.

Maybe I'll get him A new mountain bike.

-oh, he's got one. -yeah, but not a new one.

I mean, he doesn't Ride his old one,

Because it's too small for him.

-he doesn't ride it, Because he's gonna be 16.

He wants to go to Football games and movies.

-I can drive him, you know.

Spend some quality Father-son time.

-mitch, he wants to Go out with girls.

With you in the car,

The quality is gonna Be a little frosty.

-I know, I know, I just can't Afford a new car right now.

-go to the police auction.

They sell a lot of great cars Confiscated from bad guys.

You can get A really good deal.

-interesting.

-I'll find out when The next one is,

And we'll get him A really cool car.

-you know, you're a genius.

-samantha: so it's a date? -mitch: it's a date.

Hey, neely.

-hi, mitch.

-samantha: hey, neely.

-hi.

So, you and mitch Going out on a date?

-oh, we're getting Hobie a birthday present.

-ah, of course.

You seeing anyone new?

-no one special.

-so you're not Seeing anyone at all?

-what is this interest in my Social life all of a sudden?

-you and mitch are having An affair, aren't you?

-what?

-I can tell by the way You look at one another.

By the way you touch.

-neely.

-rosy glow in your cheeks, The sparkle in his eye.

You are in love with Him, aren't you?

-I am not.

-sam. You can tell me.

I mean, mitch is a great guy.

He's handsome, he's Sexy, he's fun.

-and I love him. As a friend.

We're friends, that's it. We're Friends, not lovers. Friends.

End of story.

-don't worry, you can trust me.

I won't tell anyone.

-they know.

-they don't know.

-neely does.

-she's guessing.

-she can tell.

-how?

-body language.

-what body language, We're not doing anything.

-well, I read That body language

Is 50 percent Of communication.

Words, 30 percent, and tone Of voice only 20 percent.

-really?

Tell me, what am I saying?

-I don't know. Say it again.

I love the way you talk.

-have we talked that Way in front of neely?

-no. -then how does she know?

-rosy glow in my cheeks.

The sparkle in your eye.

That's what happens When you're in love.

-are you in love?

-are my cheeks rosy?

Are you in love?

-are my eyes sparkling?

-so, what do we do about it?

I mean in front of them.

Do we tell them?

-no, I haven't even figured Out how to tell hobie yet.

-when does he get back gale's?

-day after tomorrow.

-you know, this could just Be a fling between friends.

We could decide tomorrow That it's all a big mistake.

I mean, It's crazy, we're both--

-I know, I know.

-and if everyone knew, it Would just add to the pressure.

-and then we just Won't tell anyone.

-what do we do about neely And her body language?

-neely wants body language,

Then we'll give Her body language.

-tomorrow, not tonight.

[funky bass music]

♪ yo

♪ ain't nothing like a bad boy

♪ 'til you bring it home

♪ bad blood

♪ the place has changed

♪ bad blood

♪ never be the same

♪ bad blood

♪ when you walk that way You walk away, you walk away ♪

♪ bad blood

♪ gone up in flames

♪ bad blood

♪ I feel the pain

♪ bad blood

♪ man it's such a shame The way it's wasting away - hey! ♪

♪ tell me what are ya fighting for?

♪ when you close your mind and you lock The door ♪

♪ tell me, won't you tell me what you're Fighting for? ♪

♪ this neighborhood's ain't worth settling Another score ♪

♪ settling another score, settling another Score♪

♪ settling another score

♪ bad blood

♪ such a long hard road

♪ bad blood

♪ everybody knows

♪ bad blood

♪ easy come and go When they get in your face ♪

♪ tell me what are ya fighting for?

♪ when you close your mind and you lock The door ♪

♪ tell me, won't you tell me what you're Fighting for? ♪

♪ this neighborhood's ain't worth settling Another score ♪

♪ settling another score

♪ settling another score

♪ settling another score

-that's a phat jam, Ese. The deliquentes.

Odelay, look who's back In the neighborhood.

-we're here to see hector.

-hey, well, hector Don't want to see you.

-is that true, hector?

-look, go back to malibu And leave me alone.

-you'd rather stay here on A car seat in an empty lot?

-I got no place better to go.

-come with us, Hector. Come on, mijo.

-I said hector ain't going Nowhere with you, puta!

-oh, what are you Gonna do, shoot me?

You deserved to be Slapped for what you said.

-no, I ain't gonna shoot you!

I'm gonna shoot Your angelito here.

What, ese? What!

So what are you gonna do, vieja?

You'll watch while I bust A cap in your angelito?

-oh, it's so easy For you, right?

You just point, shoot and kill.

You know, that's not the way A man takes care of business.

Be a man, put that gun down!

-it's all right, pulga! -shut up!

-let me talk to them. -no!

-I'll be back. I'll be right back.

Get out of here. Go home Before he kills you.

He's crazy. Esta loco.

-then why, man?

Why do you want to hang Out here with them?

-because he's my homeboy.

He's like my brother.

He's all I have.

-no, hector, he's Not all you have.

You have other choices.

-yeah, you do, maybe.

And him.

But not me.

-hector, let's Go, ese. Vamanos.

Now.

-cody: heh, so much For your love theory.

-neely: it's not a Theory, it's a fact.

-if they were in love, Mitch would be helping her

Pick things up. There'd be glances.

-neely: exactly, they're Playing that scene out

For our benefit.

Me thinks they doth Protest too much.

-me thinks thou doth Are out of your mind.

-neely: all right, fine.

Go ask mitch, See what he says.

-all right.

-go. -I will.

-hey, mitch, how's it going? -hey.

-so what's new? -ah, nothing much.

Let's see, hobie's coming Into town tomorrow.

It's his birthday. I got him a car.

-a car? Alright, what kind?

-I don't know yet, sam's Taking me to a police auction.

-you and sam been seeing a Lot of each other lately, huh?

-not really.

-anything going On between you two?

-yeah, sure. We work Together, we're friends.

-mitch, I've always been Upfront with you, right?

-right.

-so, you can be Upfront with me.

You and sam, are You together or not?

-define "Together."

-are you in love?

-I think so.

-neely was right. -no she's not right.

I mean, I don't Know if she's right.

Look, maybe she is, Maybe she's not,

But we're not even sure yet.

-what happened? I mean, how'd you two...?

-well, the whole thing Started a couple of weeks ago

On a strand in venice.

There were reports of Pickpocketing and some muggings.

We saw some guy grab a lady's Purse and take off running,

So I took off after him, Sam was right behind me.

He headed toward all The fortune tellers

Near the pavilion.

I caught up with him first.

He swung the purse At me, I hit him,

And then sam tackled us Both like a linebacker.

We all went flying into A table with tarot cards

And a crystal ball.

The mugger Was knocked out cold,

The crystal ball Landed on my stomach.

It actually took my breath away.

When I looked at sam, she Took my breath away even more.

It was weird, I knew She felt it too.

I mean, we both did.

It was like we saw each other For the very first time.

The fortune teller Picked up a tarot card

That landed on sam.

She looked at the card, Looked at both of us,

And then she said, "I see love for you both.

"All-consuming love, It's in the cards."

And that night, she Turned out to be right.

-you uh--

-"All-consuming" is The operative word here.

Look, that was Two weeks ago.

We still haven't figured Out what's happening here,

So we really don't want Anyone else to know.

-hey, I hear you, man.

-especially neely.

-I won't say a word, But I don't know

If you can hide it from her.

She's pretty observant.

See you.

-pulga: eh, fool!

There's that eightball That spit in my mouth, ese!

-hector: pulga no, Man! Let him go, man!

Pulga, stop!

-let's go, ese!

-hector: hey, ese, Put the gun away.

Pulga, man, what's Wrong with you, man?

Don't do this, don't Shoot him, holmes.

-hey, hey, hey, Where you going, ese?

Hey, get back In the car, ese.

Leave him, fool. He's dead.

-hector: maybe not.

-damn.

[suspenseful music]

-come on, man. Let me feel it.

[sirens blaring]

[coughing] Yeah.

You're breathing, man.

I got his heart started, man.

I did cpr, he wasn't breathing.

[sirens blaring]

-look, cody knows and Neely suspects, alright?

Working side by side like This is driving me crazy.

Why don't we just Tell them all?

-or, end it now before Anyone gets hurt.

-anyone like who?

-like us.

-you can't be serious.

You mean just end The whole thing,

And pretend like none Of this never happened.

-I just...

I'm just afraid that If we work together

And have a relationship,

That at some point one of Them is going to have to end.

-neither has to end.

Sam, there's no reason We can't have both.

-that's what adam said.

-adam? Your ex?

-it was the same situation.

We worked together Five days a week.

We started A business together,

And then we fell in love.

When things got Complicated and confused,

And six months later, I sold him half of my business

And ran back here to the Beach just to get away.

Mitch, we didn't want to Hurt each other, but we did.

-that won't happen with us.

-I came here to get Away from complications,

And now I feel like I'm Right back where I started.

-you're with a different, man.

Sam, I'm in love with you.

I never thought I'd Feel this way again.

I don't want to lose it.

-I don't either.

-you know, honey, when I was 17, I could've bought a dress

For what it costs To clean one today.

-better close the door,

There's a lot of Bad dudes out there.

-hector! -how'd you know where we lived?

-not, many homies Live in malibu.

-how did you get in here?

-I took a class in school.

Lockpicking 101.

-man, what's up with you?

You shined us out there, Now you show up here?

-I got A little trouble, man.

Pulga, he shot at that Guy who he did cpr with.

-ay, dios!

-he hit his arm, And he missed him,

But he crashed into A telephone pole.

-was he killed?

-I think so, but I Did that cpr stuff,

And he came back.

His heart started beating, He just came back, man.

-way to go, man! See, you did it.

-yeah, but the paramedics Id'ed me with the cops.

Man, pulga knows I'm the Only one who can rat him out.

I got A double dose of it, man.

Everyone's looking To close me out.

Is it okay If I stay here a while?

Just 'til things Get quiet out there.

-and run forever? No.

-wait, who are you calling?

-the police.

Hector, you've got to Tell them the truth.

-you calling the cops on me?

You hate me that much?

-no, hector, I love you that much.

-manny: hector, where Are you going, man?

[exciting music]

Hector, you didn't do Anything wrong, man.

You saved that guy's Life. Pulga's too.

-pulga? Are you crazy?

-if you didn't save That guy's life,

Pulga would be up For murder, man.

-let me go, manny! -no!

-I'll kill you, manny!

-you have to. You Didn't do anything wrong.

You did the right thing.

Do the right thing again.

Turn yourself in To the police.

It's the right thing To do, man.

Think about it.

-what time does Hobie's flight get in?

-7:40, one of his buddies Is going to pick him up.

-what his mom get Him for his birthday?

-she said she got him A laptop computer.

Not bad, huh?

But, you can't drive it.

-hobie: see you later, Rick, thanks for the ride.

Hey, dad!

-mitch: hey, man, I missed you so much.

-missed you too. Hey, sam, how are you?

-samantha: welcome home. -good flight?

-yeah, it was great. Mom sent you some cookies.

-double chocolate chip? -of course.

Check out my new Laptop computer.

-yeah, she told me. Come on, sit down.

We got you some nice presents, But your bigger present

Arrives tomorrow.

-"Arrives"? What Do you mean arrives?

What is it?

-well, you'll just Have to wait and see.

I want you to be at baywatch Tomorrow morning, 10 o'clock.

-so, then I can Open these now--

-before we go into these, I just wanted to have like

A little man-to-man talk.

[clears throat]

Actually a little Man-and-woman-to-man talk.

-sure, what's up?

-well, while you were in ohio,

Some things sort of happened.

-happened? What do you mean?

-well, sam and I fell in love.

-cool, that's great. Congratulations, you guys.

-that's it? I mean, You're not shocked?

-come on, dad, I'm not blind.

I saw this coming A long time ago.

-you saw it coming?

-sure, I mean you guys Are perfect for each other.

You love the same Work, same fun.

I mean, You guys fit together.

But I think if this Is gonna work out,

Me and you need to Talk about something,

And I need you to be honest.

-sure.

-what's my present That's arriving tomorrow?

-no! No way! 10 o'clock, you Wait tomorrow. 10 o'clock.

[cheerful music]

[laughing]

[serious music]

-working hard, lifeguard?

Who's guarding Your life now, ese?

-what do you want? -I'll tell you what I want.

I want you to take a Message to your boy hector.

And you tell him if he Gives my name to the cops,

Your mamacita's going To pay with her life.

-neely: are you okay? -what is it?

-you'll find out, hang on.

Hey?

Hey, come on what are you doing! That's my kid's car!

-car? -follow that car.

[action-packed music]

Get next to him, Get next to him.

He's turning. All right.

Closer, closer. Alright, hold it steady.

Turn it off!

Hey, that's my son's car.

So what do you think, pal?

-this is the greatest car Ever, thank you so much, guys.

-happy birthday. -hobie: I love you guys.

-man, you deserve it.

Now listen, you've Got your seat belt on?

Remember, four on The floor, okay.

-dad, I have my license, I know how to drive.

-okay, okay, I'm just Being your dad here.

Look, you be careful, huh? This thing can haul.

-promise. -all right. Go for it.

[hooting]

-hey, hey, hey! Slow down! Slow down!

I think this is the biggest Mistake I've ever made.

-ah, you think too Much, he's gonna be fine.

And so are we.

-you ready? -ready as I'll ever be.

-alright, let's do it.

-hey, neely, you got a minute? -sure.

-sam tells me that you think We are having an affair.

-well, you know I just Thought that maybe you--

-we're not.

-told you.

-oh.

-affairs are sort Of clandestine things

That take place Behind closed doors.

-we want to put this rumor To rest once and for all.

-the doors Are officially open.

-I knew it! I knew it, I knew it.

I'm always right. Always.

[speaking spanish]

-okay, muchachos. Let's eat.

[speaking spanish]

[closing theme playing]