All language subtitles for Castle (2009) - S03E02 - Hes Dead, Shes Dead (1080p AMZN WEBRip x265 MONOLITH)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,867 --> 00:00:14,467 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:14,500 --> 00:00:16,167 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:16,200 --> 00:00:19,333 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:19,367 --> 00:00:20,900 CASTLE. CASTLE. 5 00:00:20,933 --> 00:00:24,133 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:24,167 --> 00:00:25,433 AND I'VE FOUND MINE. I'M DETECTIVE KATE BECKETT. 7 00:00:25,467 --> 00:00:27,033 BECKETT. AAH! 8 00:00:27,067 --> 00:00:29,167 BECKETT? COULD YOU GET SOME BACKUP, PLEASE? 9 00:00:29,200 --> 00:00:31,100 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:31,133 --> 00:00:32,633 I GET TO BE ON HER CASE. OH! 11 00:00:32,667 --> 00:00:35,200 DO I LOOK LIKE A KILLER TO YOU? YES, YOU KILL MY PATIENCE. 12 00:00:35,233 --> 00:00:38,200 AND TOGETHER, WE CATCH KILLERS. 13 00:00:38,233 --> 00:00:40,533 I HATE THIS CASE. I KNOW. ISN'T IT GREAT? 14 00:00:45,067 --> 00:00:47,300 MOM. 15 00:00:47,333 --> 00:00:50,100 MOM. 16 00:00:50,133 --> 00:00:52,800 MOM, ARE YOU HERE? 17 00:01:08,367 --> 00:01:11,667 (keypad beeping) 18 00:01:11,700 --> 00:01:13,167 COME ON. 19 00:01:13,200 --> 00:01:15,233 COME ON, MOM. ANSWER. 20 00:01:15,267 --> 00:01:18,733 (cell phone rings) 21 00:01:18,767 --> 00:01:22,600 (ring) 22 00:01:22,633 --> 00:01:26,700 (ring) 23 00:01:26,733 --> 00:01:28,800 (ring) 24 00:01:28,833 --> 00:01:30,367 (gasps) 25 00:01:30,400 --> 00:01:32,800 (ring) 26 00:01:32,833 --> 00:01:35,433 (grunts) OH! 27 00:01:35,467 --> 00:01:37,767 AAH! 28 00:01:42,200 --> 00:01:43,500 (Martha) OH, HELLO. 29 00:01:43,533 --> 00:01:46,133 SHOULDN'T YOU BE IN SCHOOL ALREADY? 30 00:01:46,167 --> 00:01:48,267 SCHOOL DOESN'T START FOR ANOTHER HOUR. 31 00:01:48,300 --> 00:01:50,700 YEAH. IF YOU WERE HOPING TO DO THE WALK OF SHAME IN PRIVATE, 32 00:01:50,733 --> 00:01:52,400 YOU'RE OUTTA LUCK. 33 00:01:52,433 --> 00:01:55,367 OH, DON'T BE SILLY. I JUST DIDN'T REALIZE HOW EARLY IT WAS. 34 00:01:55,400 --> 00:01:58,367 I HAVE BEEN A BIT DISTRACTED THIS MORNING. 35 00:01:58,400 --> 00:02:00,733 DO YOU MEAN DISTRACTED, OR HYPNOTIZED BY THAT GIANT ROCK 36 00:02:00,767 --> 00:02:02,533 ON YOUR FINGER?! (laughs) 37 00:02:02,567 --> 00:02:04,600 WOW. DID CHET PALABURN PROPOSE? 38 00:02:04,633 --> 00:02:07,333 UH, ALEXIS, I THINK IT'S ABOUT TIME WE START 39 00:02:07,367 --> 00:02:10,067 CALLING HIM UNCLE CHET. OH, NOW WAIT A MINUTE. WAIT A MINUTE, YOU TWO. 40 00:02:10,067 --> 00:02:11,800 I AM NOT ENGAGED, ALL RIGHT? 41 00:02:11,833 --> 00:02:14,200 YES, CHET DID PROPOSE LAST NIGHT, 42 00:02:14,233 --> 00:02:16,200 AND I TOLD HIM, YOU KNOW, I NEEDED TIME TO THINK ABOUT IT, 43 00:02:16,233 --> 00:02:19,100 AND HE INSISTED I KEEP THE RING WHILE I MAKE UP MY MIND, SO... 44 00:02:19,133 --> 00:02:20,633 MM. SMART MAN. MM. 45 00:02:20,667 --> 00:02:22,733 DIAMONDS CAN BE VERY PERSUASIVE. 46 00:02:22,767 --> 00:02:25,633 I CAN HEAR IT NOW, WHISPERING... (whispers) "KEEP ME. KEEP ME." 47 00:02:25,667 --> 00:02:28,533 (laughs) UNFORTUNATELY, NOW THAT CHET HAS UPPED THE ANTE, 48 00:02:28,567 --> 00:02:31,467 AS THEY SAY, I'M GOING TO HAVE TO DECIDE 49 00:02:31,500 --> 00:02:34,167 WHETHER I'M IN OR I'M OUT. 50 00:02:34,200 --> 00:02:36,533 I THOUGHT YOU LOVED CHET. 51 00:02:36,567 --> 00:02:39,067 OH, I DO LOVE HIM, DARLING. I REALLY DO. I J--I... 52 00:02:39,067 --> 00:02:41,067 WELL, YOU KNOW, IT'S JUST THAT FOR ME, IT'S, UH-- 53 00:02:41,067 --> 00:02:42,567 THE THRILL IS GONE. 54 00:02:42,600 --> 00:02:43,800 YES, 55 00:02:43,833 --> 00:02:46,800 AND IT'S BEEN GONE FOR QUITE A WHILE. 56 00:02:46,833 --> 00:02:49,067 ALTHOUGH THIS LITTLE FELLA DID BRING IT BACK 57 00:02:49,100 --> 00:02:50,867 FOR ABOUT TEN MINUTES. (chuckles) (laughs) 58 00:02:50,900 --> 00:02:53,800 IF HE'S NOT THE ONE, THEN I GUESS YOU SHOULDN'T MARRY HIM. THAT'S NEVER STOPPED HER BEFORE. 59 00:02:53,833 --> 00:02:56,667 AND WE MISS HAVING YOU HERE ALL THE TIME. AW. 60 00:02:56,700 --> 00:02:58,700 DON'T WE, DAD? 61 00:02:58,733 --> 00:03:01,067 (Martha and Alexis) DAD? (cell phone rings) 62 00:03:01,067 --> 00:03:02,633 MM. SAVED BY THE BELL. 63 00:03:02,667 --> 00:03:03,767 (beeps) 64 00:03:03,800 --> 00:03:06,200 AH, IT'S BECKETT. CASTLE. 65 00:03:06,233 --> 00:03:07,633 HEY, DID I HEAR YOU RIGHT? 66 00:03:07,667 --> 00:03:11,367 OUR VICTIM IS VIVIEN MARCHAND, THE PSYCHIC MEDIUM? 67 00:03:11,400 --> 00:03:12,567 YOU'VE HEARD OF HER? 68 00:03:12,600 --> 00:03:15,200 YEAH. SHE WAS VERY POPULAR IN CERTAIN MANHATTAN CIRCLES. 69 00:03:15,233 --> 00:03:17,533 HUH. MATTER OF FACT, SHE DID A READING FOR ME 70 00:03:17,567 --> 00:03:19,467 AT A SOCIETY PARTY ABOUT EIGHT YEARS AGO. 71 00:03:19,500 --> 00:03:21,100 IT WAS PRETTY EXTRAORDINARY. 72 00:03:21,133 --> 00:03:22,467 "EXTRAORDINARY"? 73 00:03:22,500 --> 00:03:24,067 SHE GOT EVERYTHING RIGHT. 74 00:03:24,067 --> 00:03:25,800 YOU KNOW WHAT? COME TO THINK OF IT, 75 00:03:25,833 --> 00:03:28,167 SHE TOLD ME THAT A BEAUTIFUL WOMAN 76 00:03:28,200 --> 00:03:31,467 WOULD ONE DAY MOVE INTO MY LOFT AND STAY WITH ME FOREVER. 77 00:03:31,500 --> 00:03:34,367 SHE NEGLECTED TO MENTION IT WAS MY MOTHER. 78 00:03:34,400 --> 00:03:36,833 (Ryan chuckles) HOW DID SHE DIE? 79 00:03:36,867 --> 00:03:39,367 STABBED IN THE BACK OF THE NECK WITH AN ICE PICK, 80 00:03:39,400 --> 00:03:41,767 AND THEN STUFFED INTO THE SOFA. SO SHE DIDN'T SEE THAT COMING. 81 00:03:41,800 --> 00:03:43,233 (Beckett) WHEN DID SHE DIE? 82 00:03:43,267 --> 00:03:46,433 SHE'S IN FULL RIGOR. I'D SAY YESTERDAY AFTERNOON 83 00:03:46,467 --> 00:03:48,733 IS THE APPROXIMATE TIME OF DEATH. (Esposito) I GOT A MAINTENANCE WORKER 84 00:03:48,767 --> 00:03:50,667 SAID HE SAW A MAN LEAVING THE BACK DOOR 85 00:03:50,700 --> 00:03:53,633 OF VIVIEN'S OFFICE AROUND 2:30 YESTERDAY AFTERNOON. DESCRIPTION? 86 00:03:53,667 --> 00:03:55,667 TALL, CAUCASIAN AND TOUGH LOOKING. ALL RIGHT, RYAN, CHECK VIVIEN'S CALENDAR, 87 00:03:55,700 --> 00:03:57,600 AND LET'S INTERVIEW HER CLIENTS FROM YESTERDAY. 88 00:03:57,633 --> 00:03:59,800 MAYBE ONE OF THEM SAW THE GUY. 89 00:03:59,833 --> 00:04:02,367 WHAT I DON'T GET IS, WHY PUT HER IN THE COUCH? 90 00:04:02,400 --> 00:04:05,067 (Lanie) SHE WAS ALIVE WHEN SHE WENT IN. 91 00:04:05,100 --> 00:04:07,200 THESE SCRATCHES ON HER FACE INDICATE THAT SHE TRIED TO MOVE. 92 00:04:07,233 --> 00:04:10,167 I'M GONNA GET HER BACK TO THE LAB. 93 00:04:10,200 --> 00:04:12,333 SHE'S GOT A NOTATION HERE FOR 3:00 P.M. YESTERDAY. 94 00:04:12,367 --> 00:04:14,667 IT JUST SAYS "T.J." 95 00:04:14,700 --> 00:04:16,333 AND NOTHING ELSE? 96 00:04:16,367 --> 00:04:19,167 NOPE. MAYBE T.J. WAS A GHOST COMING TO VISIT. 97 00:04:19,200 --> 00:04:21,567 MEDIUMS ARE THE ONES THAT CAN SEE GHOSTS, RIGHT, CASTLE? YES, PSYCHICS CAN TELL THE FUTURE. 98 00:04:21,600 --> 00:04:24,433 MEDIUMS CAN TELL THE FUTURE AND TALK TO THE DEAD. 99 00:04:24,467 --> 00:04:26,400 THAT'S LIKE SAYING THAT PSYCHICS ARE CON ARTISTS, 100 00:04:26,433 --> 00:04:28,333 AND MEDIUMS ARE CON ARTISTS AND CHARLATANS. 101 00:04:28,367 --> 00:04:30,533 I MEAN, IN THE END, THEY'RE ALL JUST FAKES. 102 00:04:30,567 --> 00:04:32,733 YOU SOUND PRETTY CERTAIN OF YOURSELF. 103 00:04:32,767 --> 00:04:35,433 THAT'S BECAUSE WHEN I STARTED AS A COP, 104 00:04:35,467 --> 00:04:38,467 I WASTED A LOT OF TIME ON CLAIRVOYANTS CALLING TIP LINES 105 00:04:38,500 --> 00:04:40,400 WITH INFORMATION THAT NEVER LED TO ANYTHING. 106 00:04:40,433 --> 00:04:42,500 I MEAN, I'M SURPRISED YOU'RE SO GULLIBLE. 107 00:04:42,533 --> 00:04:44,433 I'M NOT SAYING I CAN SPEAK WITH THE DEAD. 108 00:04:44,467 --> 00:04:47,100 I'M JUST WILLING TO ADMIT THAT THERE ARE PEOPLE IN THIS WORLD 109 00:04:47,133 --> 00:04:50,333 WHO ARE MORE SENSITIVE THAN ME. NOW THAT'S NOT HARD TO BELIEVE. 110 00:04:50,367 --> 00:04:52,600 WALKED RIGHT INTO THAT ONE. MM-HMM. 111 00:04:52,633 --> 00:04:54,533 (Beckett) MS. MARCHAND, DO YOU KNOW OF ANYONE 112 00:04:54,567 --> 00:04:56,567 THAT MIGHT HAVE WANTED TO HARM YOUR MOTHER? 113 00:04:56,600 --> 00:04:59,067 (sniffles) SHE WAS A VERY SPIRITUAL PERSON. 114 00:04:59,067 --> 00:05:00,433 SHE DIDN'T HAVE ANY ENEMIES. 115 00:05:00,467 --> 00:05:02,633 A WITNESS SAW A TALL, DARK-HAIRED MAN 116 00:05:02,667 --> 00:05:05,200 LEAVING HERE AROUND 2:30 YESTERDAY. 117 00:05:05,233 --> 00:05:07,467 DOES THAT SOUND LIKE ANYONE YOUR MOTHER KNOWS? 118 00:05:07,500 --> 00:05:09,567 WHEN WAS THE LAST TIME YOU TWO TALKED? 119 00:05:09,600 --> 00:05:11,267 AROUND 1:00. 120 00:05:11,300 --> 00:05:13,300 SHE SAID SHE HAD HER LAST CLIENT OF THE DAY, 121 00:05:13,333 --> 00:05:17,067 AND THEN SHE WAS GONNA SPEND THE AFTERNOON IN MEDITATION. 122 00:05:17,067 --> 00:05:19,200 DO YOU KNOW THE CLIENT'S NAME? 123 00:05:19,233 --> 00:05:21,133 NO. IT WAS A MOTHER AND A DAUGHTER. 124 00:05:21,167 --> 00:05:22,800 THEIR NAMES SHOULD BE IN HER BOOK. 125 00:05:22,833 --> 00:05:25,767 WELL, THERE WAS A NOTATION IN HER CALENDAR 126 00:05:25,800 --> 00:05:28,567 AT 3:00-- THE INITIALS "T.J." 127 00:05:28,600 --> 00:05:31,067 DOES THAT MEAN ANYTHING TO YOU? 128 00:05:31,067 --> 00:05:33,433 NO. I'M SORRY I CAN'T BE MORE HELPFUL. 129 00:05:33,467 --> 00:05:36,367 HEY, I REMEMBER THIS CASE. 130 00:05:36,400 --> 00:05:38,167 A GUY'S WIFE GOES MISSING, 131 00:05:38,200 --> 00:05:39,767 HE SEEMS GENUINELY DISTRAUGHT, 132 00:05:39,800 --> 00:05:41,700 AND THEN THE COPS FIND OUT HE HAD A GIRLFRIEND 133 00:05:41,733 --> 00:05:44,067 AND THAT HIS MARRIAGE WAS ON THE ROCKS. YEAH. 134 00:05:44,067 --> 00:05:45,800 DID YOUR MOTHER HELP ON THAT CASE? 135 00:05:45,833 --> 00:05:47,833 YEAH, SHE HAD A VISION OF HIM AT A LOCAL BAR 136 00:05:47,867 --> 00:05:49,767 WITH THIS PRETTY BLONDE NAMED AMBER, 137 00:05:49,800 --> 00:05:51,700 SO SHE WENT TO THE POLICE WITH THE INFORMATION. 138 00:05:51,733 --> 00:05:54,500 THAT'S WHEN THEY STARTED LOOKING AT HIM AS A SUSPECT. 139 00:05:54,533 --> 00:05:56,433 AND THEN WHAT HAPPENED? HE WENT TO PRISON. 140 00:05:56,467 --> 00:05:58,767 THAT CASE REALLY PUT MY MOM ON THE MAP. 141 00:05:58,800 --> 00:06:00,167 DID YOUR MOTHER CONTINUE 142 00:06:00,200 --> 00:06:02,700 OFFERING THE POLICE HELP AFTER THAT? YES, ALL OVER THE COUNTRY. 143 00:06:02,733 --> 00:06:05,067 MY MOTHER HELPED PUT AWAY OVER A DOZEN PEOPLE 144 00:06:05,067 --> 00:06:07,533 IN THE LAST TEN YEARS. 145 00:06:07,567 --> 00:06:09,800 SO HERE'S THE LIST OF ALL THE PEOPLE THAT PENNY MARCHAND 146 00:06:09,833 --> 00:06:11,700 CLAIMS HER MOM HELPED TO CONVICT. 147 00:06:11,733 --> 00:06:13,633 LET'S SEE IF ANY OF THEM ARE OUT OF JAIL 148 00:06:13,667 --> 00:06:15,567 AND STILL HOLDING A GRUDGE. ON IT. 149 00:06:15,600 --> 00:06:17,500 VIVIEN'S 1:00 MONDAY CLIENTS ARE HERE. 150 00:06:17,533 --> 00:06:19,433 THEY SAY THEY GOT A GOOD LOOK 151 00:06:19,467 --> 00:06:21,367 AT THE DARK-HAIRED GUY WHO WAS IN HER OFFICE. 152 00:06:21,400 --> 00:06:23,300 NAMES ARE PAULA AND MARINA CASILLAS. 153 00:06:23,333 --> 00:06:25,467 "CASILLAS"? THAT'S A GOOD NAME. 154 00:06:25,500 --> 00:06:27,133 HARD TO POSSESSIVE PLURALIZE, THOUGH. 155 00:06:27,167 --> 00:06:28,767 (imitates Ricardo Montalban) THE CASILLASES' CAR 156 00:06:28,800 --> 00:06:30,233 HAS BROKEN DOWN, 157 00:06:30,267 --> 00:06:32,567 SO THEY WILL BE LATE FOR THE SYMPHONY. 158 00:06:32,600 --> 00:06:34,767 THE CASILLAS--S-- CASILLASES-ES... 159 00:06:34,800 --> 00:06:36,700 THEY'RE WAITING FOR YOU IN THE LOUNGE. 160 00:06:36,733 --> 00:06:38,367 ALL RIGHT. THANKS. 161 00:06:38,400 --> 00:06:41,200 USUALLY, WE'RE HER LAST CLIENTS ON MONDAY, 162 00:06:41,233 --> 00:06:42,567 BUT WHEN WE LEFT, 163 00:06:42,600 --> 00:06:44,500 THERE WAS A MAN THERE WAITING FOR VIVIEN. 164 00:06:44,533 --> 00:06:47,500 SHE SEEMED SURPRISED TO SEE HIM, LIKE HE WASN'T EXPECTED. 165 00:06:47,533 --> 00:06:49,700 OH, AND HE SEEMED UPSET. I COULD TELL. 166 00:06:49,733 --> 00:06:52,733 COULD YOU DESCRIBE HIM? HE WAS WEARING DARK CLOTHES. 167 00:06:52,767 --> 00:06:55,133 HE HAD BLACK HAIR, GOING GRAY AT THE TEMPLES. 168 00:06:55,167 --> 00:06:57,767 OH, AND HE HAD A SCAR ON HIS FACE. 169 00:06:57,800 --> 00:06:59,700 I THINK SHE CALLED HIM ALFRED. 170 00:06:59,733 --> 00:07:01,367 OR WAS IT ALBERT? 171 00:07:01,400 --> 00:07:03,767 OKAY. WELL, THANK YOU, BOTH. YOU'VE BEEN VERY HELPFUL. 172 00:07:03,800 --> 00:07:06,467 HOW LONG HAD YOU BEEN GOING TO SEE VIVIEN? FOUR MONTHS. 173 00:07:06,500 --> 00:07:09,100 MY HUSBAND EMILIO PASSED AWAY IN APRIL. 174 00:07:09,133 --> 00:07:11,300 WE BOTH MISS HIM SO MUCH. 175 00:07:11,333 --> 00:07:13,367 SO SHE WAS HELPING YOU GET CLOSURE. 176 00:07:13,400 --> 00:07:15,267 YES. 177 00:07:15,300 --> 00:07:17,767 EVEN AT OUR FIRST SESSION, VIVIEN... 178 00:07:17,800 --> 00:07:20,500 ALREADY KNEW SO MUCH ABOUT MY EMILIO. 179 00:07:20,533 --> 00:07:21,733 LIKE WHAT? 180 00:07:21,767 --> 00:07:24,500 WELL, SHE KNEW HE MADE VITAMINS FOR A LIVING. 181 00:07:24,533 --> 00:07:27,267 SHE KNEW HE LOVED ARROZ CON POLLO. 182 00:07:27,300 --> 00:07:29,600 SHE ALSO KNEW HE WAS A WORKAHOLIC. 183 00:07:29,633 --> 00:07:32,100 AND THAT HE EVEN DIED AT THE OFFICE. 184 00:07:32,133 --> 00:07:33,400 VIVIEN SAID SHE THOUGHT DADDY 185 00:07:33,433 --> 00:07:36,067 HAD SOMETHING VERY IMPORTANT TO TELL US. 186 00:07:36,067 --> 00:07:39,767 SHE WAS GOING TO COMMUNE WITH HIS SPIRIT LAST NIGHT. 187 00:07:41,133 --> 00:07:43,767 NOW WE'LL NEVER KNOW. 188 00:07:43,800 --> 00:07:46,800 YOU'RE NOT GONNA BELIEVE THIS. 189 00:07:46,833 --> 00:07:50,567 VIVIEN'S DAUGHTER IS PRETTY SURE THAT "ALBERT" IS ALBERT MORENO. 190 00:07:50,600 --> 00:07:52,600 ALBERT "THE BLADE" MORENO? 191 00:07:52,633 --> 00:07:54,533 FORMER MUSCLE FOR THE SPOLANO CRIME FAMILY. 192 00:07:54,567 --> 00:07:57,367 SO VIVIEN HELPED PUT HIM AWAY. MNH-MNH. HE'S HER CLIENT. 193 00:07:57,400 --> 00:07:59,800 VIVIEN TOLD ALBERT THAT IF HE INVESTED IN 194 00:07:59,833 --> 00:08:02,333 A NEW JERSEY REAL ESTATE DEAL, TRUE HAPPINESS WOULD BE HIS. 195 00:08:02,367 --> 00:08:05,100 THE DEAL FELL THROUGH A MONTH AGO. HE LOST EVERYTHING. 196 00:08:05,133 --> 00:08:08,100 OUCH. YOU GIVE A GUY LIKE THAT BAD ADVICE, 197 00:08:08,133 --> 00:08:10,600 HE'LL SEE TO IT YOU ARE SLEEPING WITH THE FISHES. 198 00:08:10,633 --> 00:08:13,333 OR YOU GET STABBED IN THE NECK WITH AN ICE PICK... 199 00:08:13,367 --> 00:08:16,367 AND STUFFED IN A COUCH. 200 00:08:23,467 --> 00:08:25,733 (Castle) WHOA. 201 00:08:25,767 --> 00:08:27,667 ALBERT MORENO IS SURE LIVING LARGE 202 00:08:27,700 --> 00:08:30,067 FOR A LOW-LEVEL MOBSTER. 203 00:08:30,067 --> 00:08:31,800 WELL, I GUESS MOB MONEY GOES A LITTLE FARTHER 204 00:08:31,833 --> 00:08:33,500 WHEN YOU DON'T PAY TAXES ON IT. 205 00:08:33,533 --> 00:08:36,367 AND YET, FOR ALBERT, NOT QUITE FAR ENOUGH. 206 00:08:36,400 --> 00:08:38,667 LOREEN CARTER FROM REAL SMART REAL ESTATE. 207 00:08:38,700 --> 00:08:41,533 THIS HOUSE IS A TUSCAN JEWEL, 208 00:08:41,567 --> 00:08:43,133 AND IT'S PERFECT FOR A YOUNG COUPLE. 209 00:08:43,167 --> 00:08:44,700 WE'RE HERE FOR MR. MORENO. 210 00:08:44,733 --> 00:08:47,500 YES. I WENT TO SEE HER. 211 00:08:47,533 --> 00:08:48,700 THREE MONTHS AGO, 212 00:08:48,733 --> 00:08:52,067 VIVIEN TOLD ME I SHOULD INVEST IN SOME REAL ESTATE DEAL. 213 00:08:52,100 --> 00:08:55,067 SHE KNEW THAT I HAD... 214 00:08:55,067 --> 00:08:56,233 QUIT MY DAY JOB. 215 00:08:56,267 --> 00:08:58,300 I WAS LOOKING TO SET MYSELF UP FOR RETIREMENT. 216 00:08:58,333 --> 00:09:00,800 SHE TOLD YOU THE INVESTMENT WOULD BRING YOU TRUE HAPPINESS, 217 00:09:00,833 --> 00:09:03,200 BUT INSTEAD, YOU LOST IT ALL. 218 00:09:03,233 --> 00:09:05,833 I WAS... 219 00:09:05,867 --> 00:09:07,367 UPSET. 220 00:09:07,400 --> 00:09:10,367 AND THEN SHE CANCELED OUR LAST APPOINTMENT 221 00:09:10,400 --> 00:09:12,267 AND STOPPED RETURNING MY PHONE CALLS. 222 00:09:12,300 --> 00:09:14,200 AND THEN YOU DECIDED TO PAY HER A VISIT 223 00:09:14,233 --> 00:09:15,400 YESTERDAY AROUND 2:00? 224 00:09:15,433 --> 00:09:17,333 I TOLD HER, I'M ON MY WAY TO MEET MY BROKER. 225 00:09:17,367 --> 00:09:19,533 I'M SELLING MY HOME BECAUSE I CAN'T PAY MY MORTGAGE NO MORE. 226 00:09:19,567 --> 00:09:21,467 AND THEN WHAT HAPPENED, MR. MORENO? DID YOU GET ANGRY? 227 00:09:21,500 --> 00:09:23,133 DID THINGS GET PHYSICAL? 228 00:09:23,167 --> 00:09:26,200 NO. BUT I WAS MAD. 229 00:09:26,233 --> 00:09:29,800 AND WHEN I'M MAD, SOMETIMES PEOPLE GET NERVOUS. 230 00:09:29,833 --> 00:09:30,633 (gulps) 231 00:09:30,667 --> 00:09:32,833 SHE BEGGED ME TO LET THE UNIVERSE 232 00:09:32,867 --> 00:09:34,500 SORT ITSELF OUT, 233 00:09:34,533 --> 00:09:37,533 AND SHE SAID SHE WAS LATE FOR AN APPOINTMENT UPTOWN. 234 00:09:37,567 --> 00:09:39,367 DID SHE SAY WITH WHOM? 235 00:09:39,400 --> 00:09:42,333 NO. BY THEN, I WAS LATE TO MEET MY BROKER, 236 00:09:42,367 --> 00:09:44,267 SO I LEFT, ABOUT 2:30. 237 00:09:44,300 --> 00:09:46,167 AND JUST LIKE THAT... 238 00:09:49,067 --> 00:09:50,500 THE UNIVERSE? 239 00:09:50,533 --> 00:09:53,600 IT SORTED ITSELF OUT. 240 00:09:53,633 --> 00:09:56,800 I'M--I'M SORRY. I DON'T UNDERSTAND. 241 00:09:56,833 --> 00:09:59,300 TURNS OUT, MY, UH, BROKER'S PARTNER 242 00:09:59,333 --> 00:10:03,300 IS, UH, LOREEN HERE, MY HIGH SCHOOL SWEETHEART. 243 00:10:03,333 --> 00:10:04,433 (kisses) (Loreen chuckles) 244 00:10:04,467 --> 00:10:07,400 WE BROKE UP IN '82, BUT WE NEVER GOT OVER EACH OTHER. 245 00:10:07,433 --> 00:10:09,333 THE MINUTE I LAID EYES ON HER AGAIN, 246 00:10:09,367 --> 00:10:11,267 I HAVEN'T LEFT HER SIDE, 247 00:10:11,300 --> 00:10:13,767 AND I NEVER BEEN SO HAPPY. 248 00:10:13,800 --> 00:10:15,667 (Castle) SO... VIVIEN WAS RIGHT. 249 00:10:15,700 --> 00:10:17,600 INVESTING IN THE REAL ESTATE DEAL 250 00:10:17,633 --> 00:10:19,033 BROUGHT YOU TO BANKRUPTCY, 251 00:10:19,067 --> 00:10:21,500 WHICH, IN TURN, BROUGHT YOU TO LOREEN 252 00:10:21,533 --> 00:10:24,233 AND TRUE HAPPINESS. 253 00:10:24,267 --> 00:10:26,333 EXTRAORDINARY. 254 00:10:26,367 --> 00:10:27,433 (sighs) 255 00:10:27,467 --> 00:10:29,367 (Castle) SO WHAT DO YOU THINK? 256 00:10:29,400 --> 00:10:32,267 WELL, I THINK IT'S POSSIBLE HE MIGHT HAVE KILLED VIVIEN 257 00:10:32,300 --> 00:10:34,167 BEFORE THE UNIVERSE RIGHTED ITSELF. 258 00:10:34,200 --> 00:10:36,100 NOT ABOUT THAT. ABOUT THEM--ALBERT AND LOREEN. 259 00:10:36,133 --> 00:10:38,500 I MEAN, STAR-CROSSED LOVERS REUNITED BY FATE. 260 00:10:38,533 --> 00:10:40,667 YOU MEAN REUNITED BY COINCIDENCE. 261 00:10:40,700 --> 00:10:42,600 OH, LET ME GUESS. YOU DON'T BELIEVE IN FATE. 262 00:10:42,633 --> 00:10:43,800 SOUL MATES? 263 00:10:43,833 --> 00:10:45,367 NO. 264 00:10:45,400 --> 00:10:48,367 UNICORNS, FAIRIES, DOUBLE RAINBOWS? 265 00:10:48,400 --> 00:10:51,267 DIDN'T YOU EVER THINK YOUR DOLLS USED TO GET UP AT NIGHT 266 00:10:51,300 --> 00:10:53,267 AND PLAY WITH YOUR TOYS? SORRY. 267 00:10:53,300 --> 00:10:54,467 MM. LET ME GUESS. 268 00:10:54,500 --> 00:10:56,400 YOU WERE ONE OF THOSE ANNOYING 6 YEAR OLDS 269 00:10:56,433 --> 00:10:58,333 WHO STOPPED BELIEVING IN SANTA CLAUS 270 00:10:58,367 --> 00:11:00,300 BECAUSE YOU FIGURED OUT HE COULDN'T TRAVEL 271 00:11:00,333 --> 00:11:02,233 FASTER THAN THE SPEED OF LIGHT. 272 00:11:02,267 --> 00:11:04,800 I WAS 3, AND WE DIDN'T HAVE A CHIMNEY. 273 00:11:09,300 --> 00:11:11,267 (Esposito) HOW'D IT GO WITH MORENO? 274 00:11:11,300 --> 00:11:13,467 MY GUT SAYS IT'S NOT HIM. 275 00:11:13,500 --> 00:11:15,667 BUT WE STILL HAVE TO LOOK INTO HIS ALIBI. 276 00:11:15,700 --> 00:11:18,233 OH, SO YOU DON'T BELIEVE IN FATE, 277 00:11:18,267 --> 00:11:20,367 YET YOUR "GUT" HAS MAGICAL PROPERTIES. 278 00:11:20,400 --> 00:11:23,067 THAT'S COOL, SCULLY. 279 00:11:23,100 --> 00:11:25,067 WE GOT CALLS OUT ON MOST OF VIVIEN'S DIRTY DOZEN. 280 00:11:25,067 --> 00:11:28,133 WE SHOULD HEAR BACK TOMORROW. MEANWHILE, WE'VE BEEN 281 00:11:28,167 --> 00:11:30,433 GOING THROUGH HER CLIENT FILES-- TRIPS TO THE HALL OF RECORDS, 282 00:11:30,467 --> 00:11:33,067 INTERNET SEARCHES, EVEN GOT AHOLD OF SOME AUTOPSY FILES. 283 00:11:33,067 --> 00:11:34,800 PRETTY INTIMATE STUFF, TOO. YOU SEE, CASTLE? 284 00:11:34,833 --> 00:11:36,733 RESEARCH--THAT'S HOW SHE MADE PEOPLE BELIEVE 285 00:11:36,767 --> 00:11:38,300 THAT SHE HAS A GIFT. 286 00:11:38,333 --> 00:11:41,233 AND I BET THAT SHE EVEN LOOKED INTO YOU EIGHT YEARS AGO 287 00:11:41,267 --> 00:11:43,167 WHEN SHE WENT TO THAT PARTY. 288 00:11:43,200 --> 00:11:45,200 AND I BET SHE LOOKED UP PAULA CASILLAS AS WELL. 289 00:11:45,233 --> 00:11:47,133 THAT'S HOW SHE KNEW THAT HER HUSBAND EMILIO 290 00:11:47,167 --> 00:11:49,067 HAD A VITAMIN BUSINESS. IS THAT ALSO HOW SHE KNEW 291 00:11:49,100 --> 00:11:51,567 THAT ALBERT MORENO WOULD FIND TRUE LOVE THROUGH BANKRUPTCY? 292 00:11:51,600 --> 00:11:53,133 SHE GOT LUCKY. 293 00:11:53,167 --> 00:11:55,067 OH. OR MAYBE IT'S JUST THAT SHE COULDN'T GET 294 00:11:55,067 --> 00:11:57,267 EVERYTHING SHE NEEDED FROM HER ABILITIES ALONE 295 00:11:57,300 --> 00:11:59,700 AND NEEDED TO DO A LITTLE EXTRA DIGGING. 296 00:11:59,733 --> 00:12:02,167 I HAVE A FANTASTIC IMAGINATION, 297 00:12:02,200 --> 00:12:04,100 YET I STILL DO A TON OF RESEARCH 298 00:12:04,133 --> 00:12:06,367 WHEN I WRITE A BOOK. 299 00:12:09,233 --> 00:12:11,200 SURROUNDED BY SKEPTICS. 300 00:12:11,233 --> 00:12:13,733 IT'S CALLED BEING A COP, BRO. 301 00:12:13,767 --> 00:12:17,067 (Alexis) OH, GREAT AND POWERFUL SPIRITS, 302 00:12:17,100 --> 00:12:19,767 TELL US, SHOULD GRAM BREAK UP WITH CHET PALABURN? 303 00:12:22,067 --> 00:12:24,633 UGH! THIS THING MUST BE BROKEN. 304 00:12:24,667 --> 00:12:27,667 WELL, LUCKILY, I DON'T NEED THE SPIRITS TO TELL ME 305 00:12:27,700 --> 00:12:30,167 WHEN IT'S TIME TO SAY GOOD-BYE. 306 00:12:30,200 --> 00:12:33,133 GOOD-BYE, MY LOVE. WHAT IF YOU'RE BEING TOO HASTY? 307 00:12:33,167 --> 00:12:34,833 RELATIONSHIPS TAKE WORK, RIGHT? 308 00:12:34,867 --> 00:12:36,833 NO, NO, NO, LOVE IS NOT ABOUT WORK. TRUST ME. 309 00:12:36,867 --> 00:12:39,567 IT'S ABOUT PASSION. IT'S ABOUT CHEMISTRY, ROMANCE. 310 00:12:39,600 --> 00:12:41,300 IT'S ABOUT YOUR HEART POUNDING FASTER 311 00:12:41,333 --> 00:12:44,833 BECAUSE YOU CAN'T WAIT TO SEE HER. CAN EITHER OF YOU LOOK BACK ON A RELATIONSHIP 312 00:12:44,867 --> 00:12:46,567 THAT ENDED BECAUSE THE THRILL WAS GONE, 313 00:12:46,600 --> 00:12:49,367 AND ADMIT THAT MAYBE, YOU GAVE UP ON LOVE TOO SOON? 314 00:12:49,400 --> 00:12:51,633 DAD, YOU'RE BACK WITH YOUR EX-WIFE. 315 00:12:51,667 --> 00:12:53,400 OOH. NO, SHE'S RIGHT. YEAH, WITH GINA. 316 00:12:53,433 --> 00:12:55,500 THE THRILL WAS LONG, LONG GONE. 317 00:12:55,533 --> 00:12:58,100 NOW... IT IS BACK WITH A VENGEANCE. 318 00:12:58,133 --> 00:13:00,133 OF COURSE, IT BROUGHT ALONG ITS FRIENDS, 319 00:13:00,167 --> 00:13:02,733 HIGH MAINTENANCE AND SHOPAHOLIC. 320 00:13:02,767 --> 00:13:05,667 NO, I'M SORRY, HONEY. I'M SORRY. 321 00:13:05,700 --> 00:13:07,600 BUT IT'S JUST--IT'S OVER. 322 00:13:07,633 --> 00:13:09,633 I KNOW IT. 323 00:13:19,867 --> 00:13:21,667 (Castle) HEY. 324 00:13:21,700 --> 00:13:23,700 ANY NEWS ON THE DIRTY DOZEN? 325 00:13:23,733 --> 00:13:25,633 OH, MOST ARE STILL IN PRISON, 326 00:13:25,667 --> 00:13:28,800 BUT WE'RE THINKING THIS LINE OF INVESTIGATION 327 00:13:28,833 --> 00:13:31,600 MAY NOT GET US ANYWHERE. WHY NOT? 328 00:13:31,633 --> 00:13:33,833 I CALLED AROUND TO A COUPLE OF LEAD DETECTIVES, 329 00:13:33,867 --> 00:13:35,767 JUST TO CHECK OUT THE LEVEL OF VIVIEN'S INVOLVEMENT. 330 00:13:35,800 --> 00:13:38,367 THEY SAY, THEY'VE NEVER EVEN HEARD OF HER. 331 00:13:38,400 --> 00:13:41,067 SHE EXAGGERATED HER INVOLVEMENT IN THESE CASES 332 00:13:41,100 --> 00:13:43,100 IN ORDER TO BUILD HER REPUTATION BACK UP. 333 00:13:43,133 --> 00:13:45,067 OR MAYBE THE COPS DIDN'T WANT TO ADMIT 334 00:13:45,067 --> 00:13:48,667 THAT THEY HAD... A PSYCHIC ACTUALLY HELPING THEM. 335 00:13:48,700 --> 00:13:51,700 I MEAN, WHAT POLICE DETECTIVE WOULD WILLINGLY ACKNOWLEDGE 336 00:13:51,733 --> 00:13:55,133 THAT A LAYPERSON IS AS TALENTED AT SOLVING CRIMES 337 00:13:55,167 --> 00:13:56,700 AS SHE IS? 338 00:13:59,333 --> 00:14:01,367 VIVIEN MARCHAND... 339 00:14:01,400 --> 00:14:02,567 IS NOT A PSYCHIC. 340 00:14:02,600 --> 00:14:04,433 I'D BET MY BADGE ON IT. 341 00:14:04,467 --> 00:14:07,167 DON'T THROW THOSE DICE UNTIL YOU TAKE A LOOK AT THIS. 342 00:14:07,200 --> 00:14:09,133 "NEW YORK HOMICIDE DIVISION DETECTIVE SQUAD." 343 00:14:09,167 --> 00:14:11,300 IT'S FROM VIVIEN MARCHAND. 344 00:14:11,333 --> 00:14:13,333 YEAH, IT ARRIVED THIS MORNING, 345 00:14:13,367 --> 00:14:15,633 POSTMARKED MONDAY, THE DAY SHE DIED. 346 00:14:15,667 --> 00:14:17,500 THAT IS HER LETTERHEAD. 347 00:14:17,533 --> 00:14:20,667 "TO WHOM IT MAY CONCERN, I FEEL THAT MY MURDER IS IMMINENT." (squeals) 348 00:14:23,700 --> 00:14:25,600 "AND ALTHOUGH I HAVE NO IDEA YET 349 00:14:25,633 --> 00:14:27,533 "WHERE OR WHEN THIS EVENT WILL OCCUR, 350 00:14:27,567 --> 00:14:29,633 "I HAVE HAD A VISION OF MY DEATH. 351 00:14:29,667 --> 00:14:32,100 "IN THE VISION, I COULD NOT BREATHE. 352 00:14:32,133 --> 00:14:34,833 "I SAW A MAN DRESSED IN BLACK, THE NUMBER 7-5-1-8, 353 00:14:34,867 --> 00:14:36,767 "AND I COULD HEAR A FURIOUS POUNDING 354 00:14:36,800 --> 00:14:39,200 "FROM WHAT SEEMED TO BE FAR AWAY. 355 00:14:39,233 --> 00:14:41,133 I'M SORRY I CANNOT BE MORE SPECIFIC"-- 356 00:14:41,167 --> 00:14:44,667 THE PSYCHIC PREDICTED HER OWN MURDER! 357 00:14:45,733 --> 00:14:48,567 OR THE KILLER WROTE THIS IN ORDER TO THROW US OFF. 358 00:14:48,600 --> 00:14:51,300 RUN IT. MAYBE WE'LL GET LUCKY WITH THE PRINTS. 359 00:14:51,333 --> 00:14:53,233 DO YOU THINK SHE REALLY-- NO. 360 00:14:53,267 --> 00:14:54,600 YEAH, ME NEITHER. 361 00:14:54,633 --> 00:14:56,533 HEY, LANIE. WHAT DO WE GOT? 362 00:14:56,567 --> 00:14:59,367 WE'VE GOT CAUSE OF DEATH-- BLOOD LOSS AND ASPHYXIATION. 363 00:14:59,400 --> 00:15:01,300 AND I'M OFFICIALLY PUTTING THE TIME OF DEATH 364 00:15:01,333 --> 00:15:04,067 BETWEEN 5:00 AND 7:00 P.M. ON MONDAY EVENING. 365 00:15:04,100 --> 00:15:07,333 SO THAT RULES OUT ALBERT MORENO. WHAT ELSE? 366 00:15:07,367 --> 00:15:09,833 THERE WERE NO SCRATCHES ON THE ICE PICK BLADE. 367 00:15:09,867 --> 00:15:11,767 IT WAS BRAND-NEW, 368 00:15:11,800 --> 00:15:13,733 PROBABLY BOUGHT SPECIAL JUST FOR THE OCCASION. 369 00:15:13,767 --> 00:15:17,100 AND HER CELL PHONE WAS IN HER HAND. 370 00:15:17,133 --> 00:15:19,067 SHE MAY HAVE TRIED TO DIAL FOR HELP BEFORE SHE EXPIRED. 371 00:15:19,067 --> 00:15:21,700 THE DIGITS MATCH THE BEGINNING OF HER DAUGHTER'S PHONE NUMBER. 372 00:15:21,733 --> 00:15:24,567 1-718-55-- 373 00:15:24,600 --> 00:15:26,233 7-1-8-5? 374 00:15:26,267 --> 00:15:28,600 THOSE ARE THE NUMBERS FROM THE LETTER. 375 00:15:28,633 --> 00:15:32,767 THEY'RE IN A DIFFERENT ORDER, BUT THOSE ARE THE SAME NUMBERS. 376 00:15:32,800 --> 00:15:35,633 OH, GO ON. GO ON. SAY "COINCIDENCE." 377 00:15:35,667 --> 00:15:37,300 COINCIDENCE. 378 00:15:37,333 --> 00:15:39,233 I'M JUST SAYING, IT'S IRREFUTABLE, THAT'S ALL. 379 00:15:39,267 --> 00:15:41,400 IT IS NOT IRREFUTABLE, CASTLE. 380 00:15:41,433 --> 00:15:43,833 AS A MATTER OF FACT, IT IS COMPLETELY REFUTABLE. 381 00:15:43,867 --> 00:15:45,800 OKAY, GO ON. REFUTE ME. 382 00:15:45,833 --> 00:15:47,367 OKAY, HOW ABOUT THIS? 383 00:15:47,400 --> 00:15:49,633 VIVIEN IS DIALING HER DAUGHTER'S NUMBER. 384 00:15:49,667 --> 00:15:51,567 OUR KILLER COMES IN, STABS HER IN THE NECK, 385 00:15:51,600 --> 00:15:53,067 PICKS UP THE PHONE, 386 00:15:53,067 --> 00:15:54,767 DROPS IT INTO THE SOFA AFTER HER, 387 00:15:54,800 --> 00:15:56,600 AND THEN PUTS THE NUMBERS INTO THE LETTER 388 00:15:56,633 --> 00:15:58,533 ALONG WITH THE REST OF THE FAKE PREDICTIONS. 389 00:15:58,567 --> 00:16:00,167 REFUTED. 390 00:16:00,200 --> 00:16:04,067 NO ONE TYPES A NUMBER INTO A CELL PHONE ANYMORE. 391 00:16:04,100 --> 00:16:06,067 PRELIMINARIES ON THE LETTER AREN'T GIVING US MUCH. 392 00:16:06,100 --> 00:16:08,300 THERE ARE NO USABLE PRINTS AND NO D.N.A. 393 00:16:08,333 --> 00:16:10,633 AND THE PICK UP AT THE MAIL DROP IN VIVIEN'S BUILDING 394 00:16:10,667 --> 00:16:12,067 IS 6:00 P.M. 395 00:16:12,067 --> 00:16:13,800 TIME ENOUGH FOR THE KILLER TO HAVE WRITTEN IT 396 00:16:13,833 --> 00:16:16,133 AND MAILED IT AFTER SHE WAS DEAD. 397 00:16:16,167 --> 00:16:18,367 BUT WHY? WHY GO THROUGH ALL THAT TROUBLE? 398 00:16:18,400 --> 00:16:20,300 TO KEEP US SPINNING WILD THEORIES 399 00:16:20,333 --> 00:16:22,233 AND CHASING AFTER MEN DRESSED IN BLACK 400 00:16:22,267 --> 00:16:24,167 INSTEAD OF FOLLOWING HARD EVIDENCE. 401 00:16:24,200 --> 00:16:26,700 I MEAN, COME ON, CASTLE. THE LETTER'S NOT EVEN SIGNED. 402 00:16:26,733 --> 00:16:29,567 ACTUALLY, I TALKED TO PENNY MARCHAND ABOUT THAT. 403 00:16:29,600 --> 00:16:31,533 SHE SAYS IT'S POSSIBLE HER MOTHER 404 00:16:31,567 --> 00:16:33,767 WOULD TYPE A LETTER AND NOT SIGN IT 405 00:16:33,800 --> 00:16:35,267 IN CASE HER PREDICTION WAS WRONG. 406 00:16:35,300 --> 00:16:37,533 SHE WOULDN'T WANT ANYBODY SELLING HER MISTAKES 407 00:16:37,567 --> 00:16:39,767 ON THE INTERNET. (laughs) BUT WE STILL CAN'T PROVE 408 00:16:39,800 --> 00:16:42,667 THAT VIVIEN ACTUALLY WROTE THE LETTER. UNTIL HER OTHER PREDICTIONS COME TRUE. 409 00:16:42,700 --> 00:16:44,400 YOU KNOW, I'M JUST... 410 00:16:44,433 --> 00:16:47,200 GOOD. YOU'RE BACK. I THINK I GOT SOMETHING. 411 00:16:47,233 --> 00:16:49,200 REMEMBER VIVIEN'S FIRST BIG CASE? 412 00:16:49,233 --> 00:16:51,133 YEAH, THE GUY WITH THE MISSING WIFE 413 00:16:51,167 --> 00:16:53,133 AND THE BLONDE GIRLFRIEND NAMED AMBER. HIS NAME IS STEVE ADAMS. 414 00:16:53,167 --> 00:16:55,133 UNIs ARE BRINGING HIM UP RIGHT NOW. 415 00:16:55,167 --> 00:16:56,500 THEY NEVER FOUND HIS WIFE'S BODY. 416 00:16:56,533 --> 00:16:58,267 HE DID SEVEN YEARS FOR SECOND DEGREE. 417 00:16:58,300 --> 00:17:00,067 THEY RELEASED HIM TWO MONTHS AGO ON PAROLE, 418 00:17:00,067 --> 00:17:01,667 ONLY AFTER HE AGREED TO WEAR 419 00:17:01,700 --> 00:17:03,800 AN ANKLET WITH A TRACKING DEVICE. 420 00:17:03,833 --> 00:17:06,500 SO I CALLED HIS P.O., AND HE SENT OVER THIS. 421 00:17:08,400 --> 00:17:11,467 THE GPS READOUT PUTS STEVE AT VIVIEN'S ADDRESS 422 00:17:11,500 --> 00:17:13,200 MONDAY AFTERNOON. 423 00:17:13,233 --> 00:17:16,633 SO VIVIEN FINISHES WITH PAULA AND MARINA CASILLAS AT 2:00, 424 00:17:16,667 --> 00:17:19,767 ALBERT MORENO EXISTS OUT THE BACK DOOR AT 2:30, 425 00:17:19,800 --> 00:17:22,433 AND NOW IT'S TIME FOR HER 3:00 P.M. WITH T.J. 426 00:17:22,467 --> 00:17:26,267 STEVE ADAMS WAS THERE FROM 1:36 TO 2:48, 427 00:17:26,300 --> 00:17:28,733 WAITING FOR HIS OPPORTUNITY. 428 00:17:28,767 --> 00:17:30,667 SO HE WAITS THERE UNTIL SHE'S ALONE, 429 00:17:30,700 --> 00:17:34,267 JUMPS HER, STABS HER, AND THEN STUFFS HER IN THE COUCH. 430 00:17:34,300 --> 00:17:35,800 (man) THIS IS HARASSMENT! (man) TAKE IT EASY. 431 00:17:35,833 --> 00:17:38,467 I HAVEN'T DONE ANYTHING WRONG! 432 00:17:38,500 --> 00:17:41,133 (man) RIGHT THROUGH HERE. CALM DOWN. 433 00:17:41,167 --> 00:17:43,067 AH. HE'S WEARING ALL BLACK. 434 00:17:43,067 --> 00:17:45,800 IT'S GOTTA BE A COINCIDENCE. 435 00:17:45,833 --> 00:17:48,233 OR BLACK IS THE NEW GUILTY. 436 00:17:55,467 --> 00:17:56,367 I DIDN'T KILL HER. 437 00:17:56,400 --> 00:17:59,367 YOU WERE THE LAST ONE TO SEE HER ALIVE. 438 00:17:59,400 --> 00:18:02,567 THE GPS ON YOUR ANKLET INDICATES THAT YOU WERE AT VIVIEN'S OFFICE 439 00:18:02,600 --> 00:18:04,500 FOR OVER AN HOUR THE DAY THAT SHE WAS KILLED. 440 00:18:04,533 --> 00:18:06,433 YEAH, BUT IT'S NOT WHAT YOU THINK. 441 00:18:06,467 --> 00:18:09,267 LAST WEEK, I GOT A CALL FROM A GUY NAMED CODY DONNELLY. 442 00:18:09,300 --> 00:18:10,633 HE'S A REALITY TV PRODUCER. 443 00:18:10,667 --> 00:18:14,167 HE SAID HE COULD HELP ME CLEAR MY NAME. HOW WAS HE GONNA DO THAT? 444 00:18:14,200 --> 00:18:16,133 THE DAY AFTER MY WIFE DISAPPEARED, 445 00:18:16,167 --> 00:18:18,833 VIVIEN MARCHAND TOLD THE COPS SHE HAD A VISION OF ME IN A BAR 446 00:18:18,867 --> 00:18:21,233 WITH MY GIRLFRIEND AMBER. WHICH WAS TRUE. 447 00:18:21,267 --> 00:18:23,267 THAT I WAS THERE? YEAH. 448 00:18:23,300 --> 00:18:25,200 BUT THEN SHE STARTED SAYING SHE HAD OTHER VISIONS-- 449 00:18:25,233 --> 00:18:27,533 VISIONS THAT I MURDERED MY WIFE, WHICH I DID NOT DO-- 450 00:18:27,567 --> 00:18:29,333 BUT SHE WAS RIGHT ONCE, ABOUT AMBER, 451 00:18:29,367 --> 00:18:30,700 SO EVERYONE BELIEVED HER. 452 00:18:30,733 --> 00:18:32,367 ONLY VIVIEN HAD LIED ABOUT THAT, TOO. 453 00:18:32,400 --> 00:18:34,567 WHAT DO YOU MEAN? 454 00:18:34,600 --> 00:18:37,200 CODY DONNELLY TOLD ME HE HAD PROOF THAT VIVIEN 455 00:18:37,233 --> 00:18:39,600 WAS A CUSTOMER IN THE SAME BAR WHERE I TOOK AMBER THAT DAY. 456 00:18:39,633 --> 00:18:41,533 SO SHE SAW ME, ALL RIGHT, WITH HER OWN EYES. 457 00:18:41,567 --> 00:18:43,833 THERE WAS NOTHING PSYCHIC ABOUT IT, NOTHING. 458 00:18:43,867 --> 00:18:46,333 SO YOU FIGURED IF YOU COULD PROVE THAT VIVIEN WAS A FRAUD, 459 00:18:46,367 --> 00:18:47,700 THAT MAYBE PEOPLE WOULD BELIEVE 460 00:18:47,733 --> 00:18:49,633 THAT YOU HADN'T KILLED YOUR WIFE AS WELL. 461 00:18:49,667 --> 00:18:51,533 I'M AN INNOCENT MAN, BUT THANKS TO VIVIEN, 462 00:18:51,567 --> 00:18:55,267 EVERYONE IN THE STATE BELIEVED THAT I KILLED MY WIFE. 463 00:18:55,300 --> 00:18:57,267 SHE GOT A BOOK DEAL. 464 00:18:57,300 --> 00:18:58,800 I GOT 7 TO 10. 465 00:18:58,833 --> 00:19:01,167 AND WHAT WAS IN IT FOR CODY DONNELLY? 466 00:19:01,200 --> 00:19:03,533 HE WANTED ME AND VIVIEN TO BE IN HIS REALITY SHOW, 467 00:19:03,567 --> 00:19:06,233 "YOU'VE RUINED MY LIFE." OH, I LOVE THAT SHOW. 468 00:19:06,267 --> 00:19:08,667 I-IT'S WHERE PEOPLE UNLEASH THEIR RIGHTEOUS FURY 469 00:19:08,700 --> 00:19:10,600 AGAINST THOSE WHO HAVE WRONGED THEM. 470 00:19:10,633 --> 00:19:13,300 USUALLY ENDS IN TEARS AND A HUG. CODY AND ME, 471 00:19:13,333 --> 00:19:15,233 WE WENT TO HER OFFICE WITH A CAMERA CREW. 472 00:19:15,267 --> 00:19:17,333 WE SAT OUTSIDE IN THE VAN FOR ALMOST AN HOUR. 473 00:19:17,367 --> 00:19:19,433 WHEN SHE FINALLY CAME OUT, I CONFRONTED HER. 474 00:19:19,467 --> 00:19:22,267 I CALLED HER A FAKE. CODY TOLD ME TO MAKE IT BIG, SO I DID. 475 00:19:22,300 --> 00:19:23,767 AND WHAT DID VIVIEN DO? 476 00:19:23,800 --> 00:19:25,167 MOSTLY SHE FREAKED. 477 00:19:25,200 --> 00:19:27,100 THEN SHE GOT IN A CAB AND TOOK OFF. 478 00:19:27,133 --> 00:19:30,400 CODY DROPPED ME AT MY APARTMENT ON SECOND AND 45th, 479 00:19:30,433 --> 00:19:32,233 AND I NEVER SAW HER AGAIN. 480 00:19:32,267 --> 00:19:35,267 GPS PUTS ADAMS AT HIS APARTMENT 481 00:19:35,300 --> 00:19:37,333 AT THE TIME THAT VIVIEN WAS MURDERED. 482 00:19:37,367 --> 00:19:39,267 FIND ME SOME WITNESSES THAT CAN VERIFY THAT. 483 00:19:39,300 --> 00:19:40,533 YOU DON'T TRUST THE GPS? 484 00:19:40,567 --> 00:19:43,400 NO, THOSE THINGS CAN BE TAMPERED WITH. 485 00:19:43,433 --> 00:19:45,833 SO VIVIEN TOLD HER DAUGHTER 486 00:19:45,867 --> 00:19:49,167 THAT SHE WAS GONNA BE AT THE OFFICE ALL AFTERNOON, 487 00:19:49,200 --> 00:19:51,433 AND THEN AT 2:45, SHE TAKES A CAB AND LEAVES 488 00:19:51,467 --> 00:19:53,533 TO SEE T.J., WHOEVER THAT IS. 489 00:19:53,567 --> 00:19:56,433 LET'S GET AHOLD OF STEVE ADAMS' PRODUCER, CODY DONNELLY. 490 00:19:56,467 --> 00:19:58,633 I WANT TO SEE HIM AND HIS FOOTAGE OF VIVIEN 491 00:19:58,667 --> 00:20:00,533 FIRST THING IN THE MORNING. 492 00:20:00,567 --> 00:20:02,567 YOU GOT IT. 493 00:20:08,100 --> 00:20:09,567 (door opens) 494 00:20:09,600 --> 00:20:11,533 (door closes) 495 00:20:11,567 --> 00:20:13,700 I AM SO GLAD THAT YOU ARE HOME. 496 00:20:13,733 --> 00:20:15,633 YOU WOULD NOT BELIEVE THE DAY I HAD. 497 00:20:15,667 --> 00:20:17,567 OH, I THINK I GOT YOU BEAT. 498 00:20:17,600 --> 00:20:19,500 MOTHER, WHAT'S WRONG? 499 00:20:19,533 --> 00:20:22,300 AND WHY ARE YOU STILL ENGAGED TO UNCLE CHET? 500 00:20:22,333 --> 00:20:23,767 OH, RICHARD. 501 00:20:25,633 --> 00:20:26,500 (exhales) 502 00:20:26,533 --> 00:20:28,333 CHET IS DEAD. 503 00:20:28,367 --> 00:20:30,267 WHAT? 504 00:20:30,300 --> 00:20:33,067 HOW? 505 00:20:33,100 --> 00:20:35,167 I WENT TO HIS APARTMENT THIS MORNING, 506 00:20:35,200 --> 00:20:38,367 AND HIS KIDS ARE THERE-- BOOMER AND LOTTE. 507 00:20:38,400 --> 00:20:39,767 THEY SAID... 508 00:20:39,800 --> 00:20:42,233 HE'D HAD A STROKE IN HIS SLEEP. 509 00:20:42,267 --> 00:20:44,600 (voice breaking) I MEAN, GOD, I... 510 00:20:44,633 --> 00:20:47,467 HE WAS SO YOUNG, AND... 511 00:20:47,500 --> 00:20:49,433 MOTHER, I AM SO SORRY. 512 00:20:49,467 --> 00:20:50,833 MM. 513 00:20:50,867 --> 00:20:53,400 SO... (inhales and exhales deeply) 514 00:20:53,433 --> 00:20:55,333 BOOMER AND LOTTE SEE THE RING. 515 00:20:55,367 --> 00:20:58,233 NATURALLY THEY ASSUME THAT THEIR FATHER AND I ARE ENGAGED, 516 00:20:58,267 --> 00:21:01,133 AND NOW THEY'RE WORRIED ABOUT HOW I'LL HANDLE THE NEWS. 517 00:21:01,167 --> 00:21:02,800 AND, UH, 518 00:21:02,833 --> 00:21:04,733 SO I SPENT THE WHOLE DAY WITH THEM, 519 00:21:04,767 --> 00:21:06,800 RECEIVING VISITORS. 520 00:21:06,833 --> 00:21:09,467 AND THEY KEPT TELLING ME... 521 00:21:09,500 --> 00:21:12,467 HOW HAPPY THEIR FATHER HAD BEEN SINCE WE'D BEEN TOGETHER, 522 00:21:12,500 --> 00:21:14,700 AND HOW I WAS... 523 00:21:17,700 --> 00:21:21,267 THE LOVE OF HIS LIFE. 524 00:21:21,300 --> 00:21:25,100 AND THERE I WAS, ABOUT TO BREAK HIS HEART. 525 00:21:25,133 --> 00:21:26,633 MM. 526 00:21:26,667 --> 00:21:29,633 AND NOW THEY WANT ME TO GIVE THE EULOGY. 527 00:21:29,667 --> 00:21:31,400 I DON'T THINK I CAN. 528 00:21:31,433 --> 00:21:32,767 OH, RICHARD. 529 00:21:32,800 --> 00:21:34,700 MOM, I'M SORRY. I KNOW. 530 00:21:34,733 --> 00:21:37,433 I'M SORRY. IT'S JUST SO... (sniffles) 531 00:21:39,333 --> 00:21:41,467 (man) GO, GO, GO, GO. THERE SHE IS. 532 00:21:41,500 --> 00:21:44,133 ALL RIGHT. I SEE HER. GO GET HER. LET'S DO THIS. VIVIEN MARCHAND. YOU REMEMBER ME? 533 00:21:44,167 --> 00:21:46,133 YOU TOLD THE COPS THAT YOU HAD A VISION OF ME IN A BAR. 534 00:21:46,167 --> 00:21:49,067 IS THAT THE FOOTAGE FROM CODY DONNELLY? WE HAVE EVIDENCE THAT YOU WERE IN THE SAME BAR THAT DAY. 535 00:21:49,067 --> 00:21:51,500 YEP. HE'S WAITING FOR YOU IN INTERROGATION. (Vivien) NO, I DON'T KNOW YOU... 536 00:21:51,533 --> 00:21:53,733 WHERE'S CASTLE? OH, HE HAD SOME PERSONAL ISSUES HE HAD TO DEAL WITH. 537 00:21:53,767 --> 00:21:56,600 WHAT DO WE GOT? SO FAR, IT'S GOING JUST LIKE STEVE ADAMS SAYS. 538 00:21:56,633 --> 00:21:58,533 VIVIEN COMES OUT, HE GETS IN HER FACE. 539 00:21:58,567 --> 00:22:00,500 AND I CAN PROVE IT... GET HIM OUTTA HERE... 540 00:22:00,533 --> 00:22:02,800 SHE GETS IN THE CAB. AND WE GET A PARTIAL ON THE LICENSE PLATE. 541 00:22:02,833 --> 00:22:05,700 I'LL RUN IT DOWN. SEE IF I CAN FIND OUT 542 00:22:05,733 --> 00:22:07,833 WHERE THE TAXI DROPPED HER OFF. TURN IT OFF. TURN IT OFF. 543 00:22:07,867 --> 00:22:09,200 DETECTIVE BECKETT. (clicks key, video stops) 544 00:22:09,233 --> 00:22:11,267 HI, PENNY. WHAT ARE YOU DOING HERE? 545 00:22:11,300 --> 00:22:13,433 IS THERE SOMEWHERE WE COULD TALK PRIVATELY? 546 00:22:13,467 --> 00:22:15,767 WHAT'S WRONG? DID YOU REMEMBER SOMETHING? 547 00:22:15,800 --> 00:22:17,067 NO. 548 00:22:17,100 --> 00:22:19,633 IT'S NOT THAT. 549 00:22:19,667 --> 00:22:22,633 I'M AFRAID I WASN'T COMPLETELY HONEST WITH YOU 550 00:22:22,667 --> 00:22:24,133 THE OTHER DAY. 551 00:22:24,167 --> 00:22:26,067 THE FACT IS, 552 00:22:26,100 --> 00:22:28,400 I HAVE A LITTLE BIT OF WHAT MY MOTHER DID. 553 00:22:28,433 --> 00:22:31,333 SOMETIMES I HAVE DREAMS THAT ARE MEANINGFUL. 554 00:22:31,367 --> 00:22:33,600 LAST NIGHT, I HAD A DREAM ABOUT YOU. 555 00:22:33,633 --> 00:22:35,200 OKAY. 556 00:22:35,233 --> 00:22:37,667 AND I CAN'T REALLY EXPLAIN WHY, BUT I FEEL VERY STRONGLY 557 00:22:37,700 --> 00:22:39,600 THAT I'M SUPPOSED TO TELL YOU SOMETHING, 558 00:22:39,633 --> 00:22:42,067 SOMETHING IMPORTANT. ARE YOU READY? I'M READY. 559 00:22:42,067 --> 00:22:44,333 ALEXANDER. ALEXANDER? 560 00:22:44,367 --> 00:22:46,500 ALEXANDER. I DON'T KNOW WHO HE IS OR WHAT HE MEANS TO YOU. 561 00:22:46,533 --> 00:22:49,500 I DON'T KNOW ANY ALEXANDER. YOU WILL. YOU WILL MEET AN ALEXANDER. 562 00:22:49,533 --> 00:22:52,467 AND HE WILL BE EXTREMELY IMPORTANT TO YOU. 563 00:22:52,500 --> 00:22:55,233 AT SOME FUTURE DATE, HE MAY SAVE YOUR LIFE. 564 00:22:55,267 --> 00:22:56,633 OKAY. 565 00:22:56,667 --> 00:22:58,567 UM, GOOD TO KNOW. 566 00:22:58,600 --> 00:23:00,733 THANK YOU, DETECTIVE. 567 00:23:00,767 --> 00:23:03,067 THANK YOU, PENNY. 568 00:23:08,200 --> 00:23:10,467 CANDID REALITY GOLD, MATE. 569 00:23:10,500 --> 00:23:12,500 CODY DONNELLY PRESENTS-- FAMOUS MYSTERY WRITER 570 00:23:12,533 --> 00:23:14,833 FOLLOWS A TOUGH BUT BEAUTIFUL NEW YORK COP AROUND 571 00:23:14,867 --> 00:23:16,767 "FOR RESEARCH." 572 00:23:16,800 --> 00:23:19,267 AH, SHE'D NEVER GO FOR IT. SHE'S A REAL B-- 573 00:23:19,300 --> 00:23:21,200 MR. DONNELLY, I APPRECIATE YOU COMING... 574 00:23:21,233 --> 00:23:23,133 WHAT ARE YOU DOING HERE? 575 00:23:23,167 --> 00:23:25,700 UH, FOR THE RECORD, I WAS GONNA SAY "BIG RULE FOLLOWER." 576 00:23:25,733 --> 00:23:28,800 I WAS NOT DISCUSSING THE CASE. I SWEAR TO GOD. 577 00:23:28,833 --> 00:23:30,567 UH, "NAKED HEAT" COMES OUT TOMORROW, 578 00:23:30,600 --> 00:23:32,500 AND CODY HERE WAS ADMIRING THE BILLBOARDS. 579 00:23:32,533 --> 00:23:35,567 IS THAT YOUR SMOKING-HOT SILHOUETTE ON THE POSTERS THEN? NO. 580 00:23:35,600 --> 00:23:38,367 SO, MR. DONNELLY, WHERE DID YOU GO 581 00:23:38,400 --> 00:23:39,567 AFTER YOU LEFT VIVIEN'S OFFICE? 582 00:23:39,600 --> 00:23:41,500 AFTER WE GOT ALL THAT GREAT FOOTAGE, 583 00:23:41,533 --> 00:23:43,433 I DROPPED STEVE OFF AT HIS PLACE 584 00:23:43,467 --> 00:23:45,233 AROUND, UH, WELL, 3:30 OR SO. 585 00:23:45,267 --> 00:23:47,767 THAT WAS JUST BEFORE VIVIEN MARCHAND CALLED ME. 586 00:23:47,800 --> 00:23:49,500 REALLY? AND WHAT DID SHE WANT? 587 00:23:49,533 --> 00:23:51,433 TO SAVE WHAT WAS LEFT OF HER CAREER. 588 00:23:51,467 --> 00:23:53,367 I MEAN, SHE KNEW THE FILM I HAD ON HER WAS DAMAGING. 589 00:23:53,400 --> 00:23:55,333 SHE SAID IF I BURIED IT, SHE'D GIVE ME SOMETHING BETTER. 590 00:23:55,367 --> 00:23:56,633 BETTER LIKE WHAT? 591 00:23:56,667 --> 00:23:58,700 BETTER LIKE MURDER. 592 00:23:58,733 --> 00:24:01,100 YOU SEE, VIVIEN SAID SHE WAS HOT ON A KILLER. 593 00:24:01,133 --> 00:24:03,133 SHE SAID IT WAS BIGGER THAN STEVE ADAMS. 594 00:24:03,167 --> 00:24:05,100 THIS TIME, THERE WAS A BODY. 595 00:24:05,133 --> 00:24:07,067 SHE WAS GONNA LET ME FILM THE MOMENT THAT SHE CONFRONTED 596 00:24:07,100 --> 00:24:08,833 THE SOON-TO-BE ACCUSED. 597 00:24:08,867 --> 00:24:11,133 SHE SAID THAT SHE HAD TO CONFIRM ONE LAST SUSPICION, 598 00:24:11,167 --> 00:24:14,067 AND THAT I HAD TO BE READY TO GO AT A MOMENT'S NOTICE 599 00:24:14,067 --> 00:24:16,633 'CAUSE WE WERE GONNA CATCH A KILLER. AND WHEN WAS THIS CONFRONTATION GONNA TAKE PLACE? 600 00:24:16,667 --> 00:24:19,533 STRAIGHTAWAY. I GOT AN URGENT TEXT ABOUT TWO HOURS LATER. 601 00:24:19,567 --> 00:24:21,467 I-I GATHERED UP MY CREW, INCLUDING SECURITY, 602 00:24:21,500 --> 00:24:23,167 THINKING THIS WAS IT. 603 00:24:23,200 --> 00:24:25,100 AND THEN WHEN I CALLED HER BACK, NO ANSWER. 604 00:24:25,133 --> 00:24:27,200 I'M GUESSING SHE WAS ALREADY DEAD. 605 00:24:33,600 --> 00:24:35,700 ANY NEWS ON VIVIEN'S HUNT FOR A MURDERER? 606 00:24:35,733 --> 00:24:37,633 WELL, SHE HAD SEVERAL CLIENTS WHO CAME TO HER 607 00:24:37,667 --> 00:24:39,500 BECAUSE OF UNSOLVED CRIMES IN THE FAMILY, 608 00:24:39,533 --> 00:24:41,400 BUT THE ONES THAT WE TALKED TO 609 00:24:41,433 --> 00:24:43,333 SAID THAT THEIR CASES ARE JUST AS COLD NOW 610 00:24:43,367 --> 00:24:46,200 AS WHEN THEY FIRST CAME TO HER. (Ryan) HEY, I FOUND THE CAB. 611 00:24:46,233 --> 00:24:48,133 THE DRIVER SAYS HE TOOK VIVIEN TO A RESIDENCE 612 00:24:48,167 --> 00:24:50,133 AT 112th AND RIVERSIDE. 613 00:24:50,167 --> 00:24:52,833 THE DOORMAN SAYS HE REMEMBERS VIVIEN GOING UP TO APARTMENT 2C. 614 00:24:52,867 --> 00:24:54,833 IT'S RENTED TO NICK AND TONI JOHNSTON. 615 00:24:54,867 --> 00:24:57,733 TONI JOHNSTON. T.J. 616 00:25:00,300 --> 00:25:04,267 IF VIVIEN CAME TO SEE TONI JOHNSTON THE DAY SHE DIED, 617 00:25:04,300 --> 00:25:06,467 IT HAD TO HAVE BEEN ABOUT SOMETHING IMPORTANT, 618 00:25:06,500 --> 00:25:08,400 LIKE THIS KILLER SHE WAS CHASING. 619 00:25:08,433 --> 00:25:10,800 BUT YOU'LL PROBABLY SAY IT WAS JUST A COINCIDENCE. 620 00:25:10,833 --> 00:25:12,733 CASTLE, WHY IS IT SO IMPORTANT TO YOU 621 00:25:12,767 --> 00:25:14,667 THAT I BELIEVE ALL THIS STUFF 622 00:25:14,700 --> 00:25:17,133 ABOUT FATES AND PSYCHICS AND SANTA CLAUS? 623 00:25:17,167 --> 00:25:19,500 (rings doorbell) 624 00:25:19,533 --> 00:25:20,667 BECAUSE... 625 00:25:20,700 --> 00:25:23,700 IF YOU DON'T BELIEVE IN EVEN THE POSSIBILITY OF MAGIC, 626 00:25:23,733 --> 00:25:25,733 YOU'LL NEVER, EVER FIND IT. 627 00:25:28,300 --> 00:25:30,533 CAN I HELP YOU? TONI? 628 00:25:30,567 --> 00:25:33,833 I'M DETECTIVE KATE BECKETT, AND THIS IS RICHARD CASTLE. 629 00:25:33,867 --> 00:25:36,667 OH, MY GOD. OH, MY GOD. OH, MY GOD. OH, MY GOD. 630 00:25:36,700 --> 00:25:38,767 OH, MY GOD. 631 00:25:38,800 --> 00:25:40,133 I'M SO STRESSED OUT. 632 00:25:40,167 --> 00:25:42,633 I CAN'T BELIEVE THIS IS HAPPENING. 633 00:25:42,667 --> 00:25:44,767 SO YOU KNOW THAT VIVIEN WAS MURDERED? 634 00:25:44,800 --> 00:25:48,067 WHEN I SAW THE PAPER YESTERDAY, I NEARLY PUKED UP MY OATMEAL. 635 00:25:48,067 --> 00:25:52,167 WHY DID VIVIEN COME TO VISIT YOU ON MONDAY? 636 00:25:52,200 --> 00:25:54,633 LOOK, THIS IS ALL VERY PERSONAL AND PRIVATE, 637 00:25:54,667 --> 00:25:57,300 AND IT INVOLVES MY SEX LIFE. 638 00:25:57,333 --> 00:25:59,233 WILL YOU PROMISE TO KEEP IT CONFIDENT? 639 00:25:59,267 --> 00:26:00,433 I-- ABSOLUTELY. 640 00:26:00,467 --> 00:26:04,167 OKAY, EARLIER THIS YEAR, I DID A TERRIBLE THING. 641 00:26:04,200 --> 00:26:06,433 I HAD AN AFFAIR WITH MY HUSBAND'S BOSS. 642 00:26:06,467 --> 00:26:09,333 VERY DISCREET-- NO ONE EVER KNEW ABOUT IT. 643 00:26:09,367 --> 00:26:10,567 THAT'S WHY VIVIEN CALLED ME. 644 00:26:10,600 --> 00:26:13,567 SHE KNEW ABOUT THE AFFAIR? SHE CALLED ME OUT OF THE BLUE. 645 00:26:13,600 --> 00:26:15,467 SHE KNEW WE MET AT THE COMPANY CHRISTMAS PARTY, 646 00:26:15,500 --> 00:26:18,467 THAT WE USED TO RENDEZVOUS AT THE STARBURST HOTEL, 647 00:26:18,500 --> 00:26:20,167 EVERYTHING. 648 00:26:20,200 --> 00:26:21,733 EXTRAORDINARY. 649 00:26:21,767 --> 00:26:23,133 I KNOW, RIGHT? 650 00:26:23,167 --> 00:26:25,067 I MEAN, MY MIND WAS TOTALLY BLOWN. 651 00:26:25,100 --> 00:26:26,567 AN AFFAIR? 652 00:26:26,600 --> 00:26:28,800 MRS. JOHNSTON, DID VIVIEN EVER TALK TO YOU ABOUT MURDER? 653 00:26:28,833 --> 00:26:30,700 NO. SHE JUST TOLD ME SHE KNEW 654 00:26:30,733 --> 00:26:33,667 HOW I HAD CHEATED ON NICK, MY HUSBAND, 655 00:26:33,700 --> 00:26:36,067 AND THEN SHE ASKED ME A LOT OF QUESTIONS ABOUT HIM. 656 00:26:36,067 --> 00:26:37,633 WHAT KIND OF QUESTIONS? 657 00:26:37,667 --> 00:26:40,533 SHE ASKED IF HE HAD A TEMPER, AND IF I FELT SAFE. 658 00:26:40,567 --> 00:26:43,200 SHE WAS SURE NICK DID KNOW ABOUT THE AFFAIR. 659 00:26:43,233 --> 00:26:45,400 VIVIEN SAID THE SPOUSE ALWAYS KNOWS. 660 00:26:45,433 --> 00:26:48,300 DID SHE EVER SAY HOW SHE KNEW ALL OF THIS, 661 00:26:48,333 --> 00:26:50,833 ALL OF THIS INCREDIBLY PERSONAL INFORMATION, 662 00:26:50,867 --> 00:26:53,200 THE DETAILS OF WHICH COULD NOT BE READILY FOUND 663 00:26:53,233 --> 00:26:55,567 AT A HALL OF RECORDS OR THROUGH AN INTERNET SEARCH? 664 00:26:55,600 --> 00:26:56,667 OH, YEAH. 665 00:26:56,700 --> 00:26:59,367 THE GUY I WAS CHEATING WITH? HE TOLD HER EVERYTHING. 666 00:26:59,400 --> 00:27:02,233 YOU KNOW, I'M GONNA HAVE TO SPEAK WITH HIM. 667 00:27:02,267 --> 00:27:04,367 OH, OH, YOU CAN'T. I MEAN, YOU CAN'T. 668 00:27:04,400 --> 00:27:07,433 HE'S DEAD. THAT'S WHY WE STOPPED SEEING EACH OTHER. 669 00:27:07,467 --> 00:27:09,367 HE DIED LAST APRIL. HEART ATTACK. 670 00:27:09,400 --> 00:27:11,300 YOU'RE TELLING ME THAT YOUR DEAD LOVER 671 00:27:11,333 --> 00:27:13,133 TOLD VIVIEN ABOUT YOUR AFFAIR? 672 00:27:13,167 --> 00:27:14,667 THAT'S RIGHT. 673 00:27:14,700 --> 00:27:16,700 SHE SAID EMILIO CAME TO HER IN A DREAM. 674 00:27:16,733 --> 00:27:18,167 EMILIO? 675 00:27:18,200 --> 00:27:19,567 EMILIO CASILLAS. 676 00:27:19,600 --> 00:27:22,567 YOUR LOVER WAS EMILIO CASILLAS? 677 00:27:22,600 --> 00:27:25,633 (slurping) 678 00:27:25,667 --> 00:27:27,167 WELL? 679 00:27:27,200 --> 00:27:29,200 (straw squeaks) 680 00:27:29,233 --> 00:27:30,233 (sighs) 681 00:27:30,267 --> 00:27:32,400 EMILIO CASILLAS' AUTOPSY FILE 682 00:27:32,433 --> 00:27:36,100 MAKES FOR SOME VERY INTERESTING READING. 683 00:27:36,133 --> 00:27:38,167 BUT DO YOU THINK HE WAS MURDERED? 684 00:27:38,200 --> 00:27:40,100 ACCORDING TO THE M.E.'s NOTES, IN ADDITION TO 685 00:27:40,133 --> 00:27:42,833 THE CAUSE OF DEATH, WHICH WAS MASSIVE HEART FAILURE... MM-HMM. 686 00:27:42,867 --> 00:27:44,633 CASILLAS SHOWED SIGNS OF ALOPECIA, 687 00:27:44,667 --> 00:27:46,733 AND HIS FINGERNAILS WERE THINNING. 688 00:27:46,767 --> 00:27:48,500 WHICH MEANS WHAT, EXACTLY? 689 00:27:48,533 --> 00:27:51,133 I'D HAVE TO EXHUME THE BODY AND RUN SOME TESTS, 690 00:27:51,167 --> 00:27:53,233 BUT IT COULD BE TOXIC OVERDOSE OF SELENIUM. 691 00:27:53,267 --> 00:27:54,333 AND WHAT'S SELENIUM? 692 00:27:54,367 --> 00:27:57,067 IT'S A MINERAL THAT'S NATURALLY FOUND IN THE BODY, 693 00:27:57,100 --> 00:27:58,833 AND IN SMALL AMOUNTS, IS GOOD FOR YOU. 694 00:27:58,867 --> 00:28:02,167 THEY EVEN SOMETIMES ADD IT TO DIET PILLS, HEALTH DRINKS. 695 00:28:02,200 --> 00:28:04,767 BUT TOO MUCH OF IT CAN BE POISONOUS. 696 00:28:04,800 --> 00:28:06,767 HEALTH DRINKS. 697 00:28:06,800 --> 00:28:08,700 MAYBE IT WAS ALSO IN THE VITAMINS 698 00:28:08,733 --> 00:28:10,400 THAT THE CASILLASES MADE. 699 00:28:10,433 --> 00:28:12,733 SO THAT WOULD MEAN IT WOULD BE AT THE FACTORY. 700 00:28:12,767 --> 00:28:15,300 VIVIEN TOLD TONI THAT HER HUSBAND KNEW 701 00:28:15,333 --> 00:28:17,233 ABOUT THE AFFAIR WITH EMILIO CASILLAS. 702 00:28:17,267 --> 00:28:19,600 SO TONI'S HUSBAND NICK WORKS AT THE CASILLASES' COMPANY. 703 00:28:19,633 --> 00:28:22,333 HE WOULD HAVE EASY ACCESS TO THE SELENIUM AND TO EMILIO. 704 00:28:22,367 --> 00:28:23,833 AND DIDN'T THE CASILLASES' DAUGHTER 705 00:28:23,867 --> 00:28:25,767 SAY THAT HER FATHER DIED IN THE OFFICE? 706 00:28:25,800 --> 00:28:28,233 THAT'S PROBABLY WHERE HE RECEIVED THE FATAL DOSE. SO NICK JOHNSTON 707 00:28:28,267 --> 00:28:30,167 FIGURES OUT HIS WIFE IS SLEEPING WITH HIS BOSS... 708 00:28:30,200 --> 00:28:31,667 MM-HMM. AND HE POISONS HIM. 709 00:28:31,700 --> 00:28:33,600 AND THEN NICK DISCOVERS THAT VIVIEN'S ON TO HIM, 710 00:28:33,633 --> 00:28:36,133 AND KILLS HER, TOO. 711 00:28:38,267 --> 00:28:42,067 HEY. SO I JUST SPOKE TO, UH, NICK JOHNSTON'S FOREMAN. 712 00:28:42,067 --> 00:28:44,133 HE SAID THAT NICK CLOCKED OUT EARLY 713 00:28:44,167 --> 00:28:46,533 THE DAY THAT VIVIEN DIED, AT 5:00. 714 00:28:46,567 --> 00:28:49,333 BUT HIS WIFE SAID HE DIDN'T GET HOME TILL AT LEAST 7:00. 715 00:28:49,367 --> 00:28:51,267 WELL, THAT WOULD'VE BEEN PLENTY OF TIME FOR HIM 716 00:28:51,300 --> 00:28:54,167 TO GET TO VIVIEN'S OFFICE, MURDER HER, WRITE THE LETTER, 717 00:28:54,200 --> 00:28:56,100 ALL BEFORE THE MAIL WAS PICKED UP. 718 00:28:56,133 --> 00:28:58,800 BUT HOW DID HE FIND OUT THAT VIVIEN TALKED TO TONI? 719 00:28:58,833 --> 00:29:00,733 TONI WOULDN'T HAVE TOLD HIM. OH, TONI DIDN'T. 720 00:29:00,767 --> 00:29:02,433 BUT VIVIEN DID. 721 00:29:02,467 --> 00:29:04,367 THE FOREMAN SAID THAT NICK ASKED FOR THE TIME OFF 722 00:29:04,400 --> 00:29:07,533 AFTER HE WAS VISITED BY A WOMAN, A WOMAN WHO LOOKED 723 00:29:07,567 --> 00:29:09,367 A LOT LIKE VIVIEN MARCHAND. 724 00:29:09,400 --> 00:29:11,100 SO VIVIEN WAS PUTTING HER PLAN INTO ACTION. 725 00:29:11,133 --> 00:29:12,800 SHE'D BRING NICK DOWN TO HER OFFICE, 726 00:29:12,833 --> 00:29:16,133 THEN SHE'D CALL CODY DONNELLY, HAVE HIM BRING HIS CAMERA CREW. 727 00:29:16,167 --> 00:29:19,400 SHE WOULD CONFRONT NICK ABOUT EMILIO CASILLAS' MURDER, 728 00:29:19,433 --> 00:29:21,700 CAPTURE IT ALL ON FILM. 729 00:29:21,733 --> 00:29:24,833 VIVIEN WAS ABOUT TO SOLVE EMILIO'S MURDER, 730 00:29:24,867 --> 00:29:26,767 AND THEN BE RETURNED TO HER FORMER GLORY 731 00:29:26,800 --> 00:29:28,633 AS NEW YORK'S MOST FAMOUS PSYCHIC MEDIUM. 732 00:29:28,667 --> 00:29:30,700 IT'S A PRETTY BOLD MOVE. 733 00:29:30,733 --> 00:29:33,367 BUT HOW DID SHE GET ON TO EMILIO'S MURDER 734 00:29:33,400 --> 00:29:35,833 IN THE FIRST PLACE? HOW MANY TIMES DO I HAVE TO SAY IT? 735 00:29:35,867 --> 00:29:37,767 SHE WAS A... (whispers) PSYCHIC. 736 00:29:37,800 --> 00:29:42,067 I'M SORRY. WHAT? (normal voice) PSYCHIC. 737 00:29:42,100 --> 00:29:44,567 OR... 738 00:29:44,600 --> 00:29:46,067 MAYBE JUST VERY INTUITIVE. 739 00:29:46,100 --> 00:29:47,533 ACCORDING TO VIVIEN'S NOTES, 740 00:29:47,567 --> 00:29:50,100 PAULA SAID EMILIO HAD BEEN WORKING LONGER HOURS 741 00:29:50,133 --> 00:29:52,500 IN THE MONTHS BEFORE HIS DEATH. 742 00:29:52,533 --> 00:29:54,567 SHE WROTE "AFFAIR?" 743 00:29:54,600 --> 00:29:56,233 SHE ALSO WROTE THIS. 744 00:29:56,267 --> 00:29:57,700 STARBURST HOTEL. 745 00:29:57,733 --> 00:30:00,600 THAT'S THE CLOSEST PLACE TO EMILIO'S OFFICE 746 00:30:00,633 --> 00:30:04,200 THAT RENTS BY THE HOUR. THE MANAGER THERE SAID VIVIEN CAME BY LAST WEEK. 747 00:30:04,233 --> 00:30:06,167 HE CONFIRMED TO VIVIEN 748 00:30:06,200 --> 00:30:08,567 THAT THE LOVEBIRDS HAD BEEN REGULARS EARLY THIS YEAR, 749 00:30:08,600 --> 00:30:12,533 AND SHE GAVE HIM 200 BUCKS FOR HIS TROUBLE. 750 00:30:12,567 --> 00:30:16,400 OKAY, BUT HOW DOES VIVIEN GO FROM "AFFAIR" IN GENERAL 751 00:30:16,433 --> 00:30:19,200 TO "AFFAIR WITH TONI JOHNSTON"? 752 00:30:19,233 --> 00:30:21,133 THAT, MY FRIENDS, IS A PRETTY BIG LEAP. 753 00:30:21,167 --> 00:30:23,367 YEAH, UH, THAT IS 754 00:30:23,400 --> 00:30:25,100 UNTIL YOU SEE THE PICTURE. 755 00:30:25,133 --> 00:30:26,433 THIS IS FROM VIVIEN'S RESEARCH. 756 00:30:26,467 --> 00:30:29,733 THIS IS TONI IN THE RED DRESS, AND EMILIO NEXT TO HER, 757 00:30:29,767 --> 00:30:31,800 AT THE COMPANY'S LAST CHRISTMAS PARTY. 758 00:30:31,833 --> 00:30:34,100 PRETTY COZY, HUH? 759 00:30:34,133 --> 00:30:35,700 WHERE DID SHE GET THIS? 760 00:30:35,733 --> 00:30:37,633 OH, THERE'S A BULLETIN BOARD 761 00:30:37,667 --> 00:30:39,733 AT THE CASILLASES' VITAMIN FACTORY 762 00:30:39,767 --> 00:30:41,667 WHERE EMPLOYEES POST PICTURES. 763 00:30:41,700 --> 00:30:43,600 SHE COULD'VE TAKEN IT FROM THERE. 764 00:30:43,633 --> 00:30:46,133 SO VIVIEN SUSPECTS THAT EMILIO IS A CHEATER. 765 00:30:46,167 --> 00:30:48,300 SHE GETS AHOLD OF HIS AUTOPSY FILE, 766 00:30:48,333 --> 00:30:51,267 STARTS THINKING THAT MAYBE HIS CHEATING GOT HIM KILLED, 767 00:30:51,300 --> 00:30:54,200 AND SHE STARTS DOING HER USUAL RESEARCH 768 00:30:54,233 --> 00:30:55,700 TO PROVE HER THEORY. 769 00:30:55,733 --> 00:30:58,567 AND ALL OF THIS INVESTIGATION LEADS HER RIGHT BACK 770 00:30:58,600 --> 00:31:00,200 TO NICK JOHNSTON. 771 00:31:00,233 --> 00:31:02,133 SHE HAD IT ALL WORKED OUT... 772 00:31:02,167 --> 00:31:04,067 RIGHT UP UNTIL THAT AWKWARD MOMENT 773 00:31:04,100 --> 00:31:06,367 WHERE NICK JOHNSTON STABBED HER IN THE NECK WITH AN ICE PICK 774 00:31:06,400 --> 00:31:08,067 AND FED HER TO THE COUCH. 775 00:31:08,067 --> 00:31:10,067 YOU GOT THE WRONG GUY. I DIDN'T KILL THAT PSYCHIC. 776 00:31:10,100 --> 00:31:13,700 WE KNOW SHE CAME TO SEE YOU. YEAH, SHE SAID SHE NEEDED TO TALK TO ME IN PRIVATE, 777 00:31:13,733 --> 00:31:16,500 SAID IT WAS URGENT, HAD SOMETHING TO DO WITH MY WIFE, 778 00:31:16,533 --> 00:31:18,800 SO I PUNCHED OUT EARLY AND WENT UPTOWN TO HER OFFICE. 779 00:31:18,833 --> 00:31:20,767 AND WHAT DID YOU DO WHEN YOU GOT THERE? 780 00:31:20,800 --> 00:31:22,700 NOTHING. THE DOOR WAS LOCKED. 781 00:31:22,733 --> 00:31:25,700 I POUNDED ON IT FOR TEN MINUTES. NOBODY ANSWERED. 782 00:31:25,733 --> 00:31:28,600 I FIGURED SHE WAS BLOWING ME OFF, SO I WENT HOME. 783 00:31:28,633 --> 00:31:30,433 THAT'S A PRETTY CONVENIENT STORY. 784 00:31:30,467 --> 00:31:32,433 IT'S THE TRUTH. 785 00:31:32,467 --> 00:31:35,633 OKAY. WHY DON'T WE START TALKING ABOUT EMILIO CASILLAS? 786 00:31:35,667 --> 00:31:38,533 WHAT ABOUT HIM? YOU KNEW THAT HE WAS SLEEPING WITH YOUR WIFE. 787 00:31:38,567 --> 00:31:41,367 THEY THOUGHT THEY WERE BEING SO CAREFUL, BUT YEAH, I KNEW. 788 00:31:41,400 --> 00:31:44,267 SO WHAT DID YOU DO? NOTHING. 789 00:31:44,300 --> 00:31:45,467 SERIOUSLY, NICK? 790 00:31:45,500 --> 00:31:47,400 DO YOU ACTUALLY EXPECT ME TO BELIEVE 791 00:31:47,433 --> 00:31:49,300 THAT YOU JUST SAT BY AND LET YOUR BOSS 792 00:31:49,333 --> 00:31:51,433 TAKE YOUR WIFE AWAY FROM YOU? 793 00:31:51,467 --> 00:31:54,067 DO YOU THINK I'M THAT DUMB? (lowered voice) SHE'S NOT THAT DUMB. 794 00:31:54,100 --> 00:31:56,433 (sighs) I GUESS IT DOESN'T MATTER NOW. 795 00:31:56,467 --> 00:31:58,067 I... 796 00:31:58,067 --> 00:31:59,800 WHEN I FOUND OUT, I WENT TO EMILIO 797 00:31:59,833 --> 00:32:01,733 AND I ASKED HIM TO STOP SEEING HER. 798 00:32:01,767 --> 00:32:03,833 (normal voice) AND WHAT HAPPENED? HE SAID NO. 799 00:32:03,867 --> 00:32:06,733 HE WAS IN LOVE WITH HER. I THREATENED TO TELL HIS WIFE, 800 00:32:06,767 --> 00:32:09,233 AND HE JUST SAID, "DO WHAT YOU GOTTA DO." 801 00:32:09,267 --> 00:32:12,133 SO I DECIDED THAT I WASN'T GONNA DO HIS DIRTY WORK FOR HIM. 802 00:32:12,167 --> 00:32:14,633 IF HE WANTED TO LEAVE HIS WIFE OF 30 YEARS, 803 00:32:14,667 --> 00:32:17,533 THEN HE SHOULD JUST BE A MAN AND DO IT HIMSELF. 804 00:32:17,567 --> 00:32:19,700 BUT I WANTED TO SAVE MY MARRIAGE, 805 00:32:19,733 --> 00:32:21,667 SO I KEPT MY MOUTH SHUT. 806 00:32:21,700 --> 00:32:23,533 TWO WEEKS LATER, EMILIO WAS DEAD. 807 00:32:23,567 --> 00:32:25,467 AND YOU DID NOTHING TO HELP THAT ALONG, 808 00:32:25,500 --> 00:32:27,533 IS THAT WHAT YOU'RE SAYING? 809 00:32:27,567 --> 00:32:29,800 HELP WHAT ALONG? HE HAD A HEART ATTACK. 810 00:32:29,833 --> 00:32:33,300 THE STRESS OF BEING A LYING, CHEATING ASSHAT 811 00:32:33,333 --> 00:32:35,233 FINALLY DID HIM IN. 812 00:32:35,267 --> 00:32:36,800 PENNY MARCHAND IS HERE. SHE SAYS IT'S URGENT. 813 00:32:39,133 --> 00:32:40,400 (Beckett) PENNY, WHAT IS IT? 814 00:32:40,433 --> 00:32:43,400 DETECTIVE, I HAVE SOMETHING IMPORTANT TO TELL YOU. 815 00:32:43,433 --> 00:32:45,333 OH, PENNY, IS THIS ABOUT THE MYSTERY MAN? 816 00:32:45,367 --> 00:32:47,367 BECAUSE I REALLY DON'T KNOW ANY ALEXANDER. 817 00:32:47,400 --> 00:32:49,600 ALEXANDER? YEAH, I'LL TELL YOU ABOUT IT LATER. 818 00:32:49,633 --> 00:32:52,500 PENNY, I'M IN THE MIDDLE OF A VERY IMPORTANT-- 819 00:32:52,533 --> 00:32:54,567 DETECTIVE, YOU HAVE TO LISTEN TO ME. 820 00:32:54,600 --> 00:32:57,600 I KNOW WHO MURDERED MY MOTHER. 821 00:33:01,267 --> 00:33:03,133 SO LET ME JUST... 822 00:33:03,167 --> 00:33:06,067 GET THIS STRAIGHT. 823 00:33:06,067 --> 00:33:08,167 YOU'RE TELLING ME THAT YOU HAD A DREAM 824 00:33:08,200 --> 00:33:10,733 THAT YOUR MOTHER WAS MURDERED BY THE FREEMASONS. 825 00:33:10,767 --> 00:33:14,067 IN THE DREAM, I WAS HAVING DINNER WITH MY MOTHER 826 00:33:14,100 --> 00:33:15,567 IN A MASONIC HALL. 827 00:33:15,600 --> 00:33:17,200 SHE WAS VERY CONCERNED. 828 00:33:17,233 --> 00:33:19,700 SHE KEPT POINTING TO MEN AROUND THE ROOM 829 00:33:19,733 --> 00:33:23,267 AND SAYING, "ASK THE MASONS WHAT HAPPENED. 830 00:33:23,300 --> 00:33:25,800 THAT'S THE ONLY WAY YOU'LL GET CLOSURE." 831 00:33:28,500 --> 00:33:31,400 WHERE ARE WE? STEVE ADAMS ALIBI CHECKED OUT. 832 00:33:31,433 --> 00:33:33,767 WHAT ABOUT NICK JOHNSTON? WELL, I TOLD HIM NOT TO TAKE ANY TRIPS OUT OF TOWN 833 00:33:33,800 --> 00:33:35,700 UNTIL WE GET THIS SORTED OUT. 834 00:33:35,733 --> 00:33:38,133 WELL, THE GOOD NEWS IS, WITH THIS FREEMASONS LEAD, 835 00:33:38,167 --> 00:33:40,567 WE HAVE A WHOLE NEW CROP OF SUSPECTS. (Esposito and Ryan) FREEMASONS? 836 00:33:40,600 --> 00:33:42,400 (Beckett) IGNORE HIM. 837 00:33:42,433 --> 00:33:44,367 SO PAULA AND MARINA CASILLAS... IF THEY KNEW 838 00:33:44,400 --> 00:33:46,667 THAT EMILIO WAS CHEATING, THAT WOULD BE MOTIVE. 839 00:33:46,700 --> 00:33:48,733 MAYBE THEY FOUND OUT THAT VIVIEN WAS INVESTIGATING HIS DEATH. 840 00:33:48,767 --> 00:33:50,667 BUT THEY WERE VIVIEN'S CLIENTS. 841 00:33:50,700 --> 00:33:53,333 WHY WOULD MURDERERS GO TO A PSYCHIC FOR CLOSURE? 842 00:33:53,367 --> 00:33:56,167 THEY ALSO HAVE AN ALIBI FOR THE EVENING VIVIEN WAS KILLED. 843 00:33:56,200 --> 00:33:57,667 UNIFORMS CANVASSED THE RESTAURANT 844 00:33:57,700 --> 00:33:59,600 WHERE THEY WERE DINING WITH FRIENDS. 845 00:33:59,633 --> 00:34:01,367 THEY WERE THERE FROM 5:00 P.M. TILL AFTER 7:00. 846 00:34:01,400 --> 00:34:04,200 WAS THIS RESTAURANT ANYWHERE NEAR VIVIEN'S OFFICE? 847 00:34:04,233 --> 00:34:07,600 YEAH, AROUND THE CORNER. NEW PLACE. UH, MASON'S. 848 00:34:07,633 --> 00:34:11,267 "ASK THE MASONS, AND THEY WILL GIVE YOU CLOSURE." 849 00:34:11,300 --> 00:34:12,767 LET'S NOT GET CARRIED AWAY. 850 00:34:12,800 --> 00:34:16,200 ASK THE MASONS, PLEASE. 851 00:34:16,233 --> 00:34:18,533 JUST THIS ONCE. 852 00:34:18,567 --> 00:34:20,067 (whispers) BELIEVE. 853 00:34:20,100 --> 00:34:22,733 YOU KNOW WHAT'S GOING ON HERE? NO, NOT REALLY. 854 00:34:22,767 --> 00:34:24,267 ME NEITHER. 855 00:34:24,300 --> 00:34:25,633 NO MATTER WHAT HAPPENS, 856 00:34:25,667 --> 00:34:28,333 WE WILL NEVER SPEAK OF THIS AGAIN. 857 00:34:30,400 --> 00:34:32,533 (clicks cell phone open) 858 00:34:32,567 --> 00:34:35,200 (keypad beeping) 859 00:34:35,233 --> 00:34:36,200 HELLO. 860 00:34:36,233 --> 00:34:38,300 THIS IS DETECTIVE KATE BECKETT WITH THE NYPD. 861 00:34:38,333 --> 00:34:40,467 COULD I SPEAK WITH THE OWNER, PLEASE? 862 00:34:40,500 --> 00:34:42,333 HELLO, MR. MASON? 863 00:34:42,367 --> 00:34:45,067 I HAVE A COUPLE OF QUESTIONS TO ASK YOU. 864 00:34:45,067 --> 00:34:47,367 MRS. CASILLAS, WHOSE IDEA WAS IT TO GO 865 00:34:47,400 --> 00:34:50,267 AND VISIT VIVIEN MARCHAND IN THE FIRST PLACE? 866 00:34:50,300 --> 00:34:53,167 WE HAVE HAD A VERY LONG DAY. PLEASE ANSWER THE QUESTION. 867 00:34:53,200 --> 00:34:54,500 IT WAS MY IDEA. 868 00:34:54,533 --> 00:34:56,433 MOTHER THOUGHT IT COST TOO MUCH, 869 00:34:56,467 --> 00:34:59,367 BUT I MISSED DADDY SO MUCH THAT I WAS WILLING TO TRY ANYTHING. 870 00:34:59,400 --> 00:35:00,733 AND WHEN SHE KNEW 871 00:35:00,767 --> 00:35:02,667 SO MANY PRIVATE THINGS ABOUT YOUR FATHER? 872 00:35:02,700 --> 00:35:04,267 IT WAS ALMOST LIKE BEING WITH HIM, 873 00:35:04,300 --> 00:35:07,567 LIKE HE WAS IN THE ROOM WITH US. THE NIGHT THAT VIVIEN MARCHAND WAS MURDERED, 874 00:35:07,600 --> 00:35:10,233 THE TWO OF YOU WENT TO DINNER WITH FRIENDS AT MASON'S. 875 00:35:10,267 --> 00:35:12,167 THAT'S RIGHT. IT'S A NEW PLACE. 876 00:35:12,200 --> 00:35:14,067 MY MOTHER WANTED TO TRY IT. 877 00:35:14,067 --> 00:35:15,800 THE WAITER CONFIRMED THAT YOU WERE THERE 878 00:35:15,833 --> 00:35:17,733 FROM 5:00 UNTIL 7:30. 879 00:35:17,767 --> 00:35:20,633 HOW WAS YOUR MEAL? DID YOU ORDER WINE WITH DINNER? 880 00:35:20,667 --> 00:35:21,733 YES. 881 00:35:21,767 --> 00:35:24,367 NO, I MEAN, THEY DON'T HAVE A LIQUOR LICENSE YET, 882 00:35:24,400 --> 00:35:25,633 SO YOU BRING YOUR OWN. 883 00:35:25,667 --> 00:35:28,567 SO YOU BROUGHT YOUR OWN BOTTLE OF WINE WITH YOU, THEN? NO. 884 00:35:28,600 --> 00:35:31,567 MOTHER WENT OUT TO THE LIQUOR STORE AND BROUGHT US A BOTTLE. 885 00:35:31,600 --> 00:35:33,500 SHE WAS GONE ABOUT 20 MINUTES. AND WHAT TIME WAS THAT? 886 00:35:33,533 --> 00:35:35,700 5:15 MAYBE. WHAT'S THIS ALL ABOUT? 887 00:35:35,733 --> 00:35:38,200 PAULA, WE WENT TO THE LIQUOR STORE. 888 00:35:38,233 --> 00:35:40,533 YOU DIDN'T BUY THAT BOTTLE OF WINE AT 5:15. 889 00:35:40,567 --> 00:35:44,367 ACCORDING TO THIS RECEIPT, YOU BOUGHT IT AT 3:12. 890 00:35:44,400 --> 00:35:47,533 AND AT THE SAME TIME, YOU BOUGHT AN ICE PICK. 891 00:35:47,567 --> 00:35:48,733 I DON'T UNDERSTAND. 892 00:35:48,767 --> 00:35:52,300 YOU BOUGHT THAT BOTTLE OF WINE, AND THEN YOU PUT IT ASIDE, 893 00:35:52,333 --> 00:35:54,067 AND THEN AT 5:15, 894 00:35:54,067 --> 00:35:57,067 YOU LEFT THE RESTAURANT AND WENT STRAIGHT TO VIVIEN'S OFFICE 895 00:35:57,067 --> 00:35:58,433 AND MURDERED HER. 896 00:35:58,467 --> 00:36:01,100 THEN YOU WENT AND YOU RETRIEVED THE BOTTLE OF WINE. 897 00:36:01,133 --> 00:36:02,700 YOU RETURNED TO THE RESTAURANT. 898 00:36:02,733 --> 00:36:05,200 YOU HAD DINNER WITH YOUR DAUGHTER AND YOUR FRIENDS. 899 00:36:05,233 --> 00:36:07,767 (Marina) THAT'S CRAZY. MOM, TELL THEM. 900 00:36:07,800 --> 00:36:10,500 WHY WOULD SHE DO SOMETHING LIKE THAT? (Castle) TO COVER UP ANOTHER MURDER. 901 00:36:10,533 --> 00:36:12,733 YOUR FATHER'S. 902 00:36:12,767 --> 00:36:14,667 DID YOU FIGURE OUT THAT EMILIO WAS CHEATING 903 00:36:14,700 --> 00:36:17,500 OR DID HE TELL YOU? 904 00:36:17,533 --> 00:36:20,400 HE TOLD ME... 905 00:36:20,433 --> 00:36:23,600 THAT HE HAD MET SOMEONE... 906 00:36:23,633 --> 00:36:27,200 THAT SHE WAS YOUNG AND BEAUTIFUL... 907 00:36:27,233 --> 00:36:30,800 AND THAT I WAS JUST A BORING OLD LADY. 908 00:36:33,600 --> 00:36:36,433 I TOOK SOME SELENIUM FROM THE FACTORY, 909 00:36:36,467 --> 00:36:39,533 AND... EVERY MORNING, 910 00:36:39,567 --> 00:36:41,467 I PUT A LITTLE BIT IN HIS COFFEE. 911 00:36:41,500 --> 00:36:43,500 OH, MY GOD. MOM... 912 00:36:43,533 --> 00:36:45,800 WHEN YOU WANTED TO GO SEE VIVIEN, 913 00:36:45,833 --> 00:36:48,333 I WENT ALONG TO HUMOR YOU, 914 00:36:48,367 --> 00:36:50,267 BUT... SHE KNEW THINGS 915 00:36:50,300 --> 00:36:53,500 THAT SHE SHOULDN'T HAVE KNOWN. 916 00:36:53,533 --> 00:36:55,433 AND THEN WHEN SHE TOLD YOU THAT EMILIO WANTED 917 00:36:55,467 --> 00:36:57,500 TO TELL YOU SOMETHING IMPORTANT... 918 00:36:57,533 --> 00:36:59,700 AND SHE SAID SHE WAS GOING TO SPEND THE EVENING 919 00:36:59,733 --> 00:37:01,633 COMMUNING WITH HIS SPIRIT... 920 00:37:01,667 --> 00:37:05,300 THE CHEATING SON OF A BITCH WAS GONNA TELL ON ME. 921 00:37:05,333 --> 00:37:07,467 AFTER EVERYTHING THAT HE HAD DONE, 922 00:37:07,500 --> 00:37:10,233 I COULDN'T LET THAT HAPPEN. 923 00:37:10,267 --> 00:37:13,167 I HAD TO KILL HER TO STOP HIM. (pounds table) 924 00:37:13,200 --> 00:37:14,767 MOTHER, STOP TALKING. 925 00:37:14,800 --> 00:37:16,233 WE WANT A LAWYER. 926 00:37:20,333 --> 00:37:22,067 PAULA CASILLAS HAS LAWYERED UP. 927 00:37:22,067 --> 00:37:23,800 HE'S ALREADY TRYING TO SUPPRESS HER CONFESSION. 928 00:37:23,833 --> 00:37:25,500 WILL THAT WORK? 929 00:37:25,533 --> 00:37:28,067 YOU KNOW, I DOUBT IT, BUT PAULA'S DONE TALKING. 930 00:37:28,067 --> 00:37:29,800 DID YOU ASK HER WHO WROTE THE LETTER? 931 00:37:29,833 --> 00:37:31,733 YOU KNOW, I DIDN'T GET A CHANCE, 932 00:37:31,767 --> 00:37:33,667 SO I GUESS IT'LL HAVE TO REMAIN A MYSTERY. 933 00:37:33,700 --> 00:37:35,800 UH, ACTUALLY, NOT QUITE. 934 00:37:35,833 --> 00:37:37,733 DO YOU REMEMBER THE LAST CLUE, 935 00:37:37,767 --> 00:37:40,433 THE SOUND OF KNOCKING FROM FAR AWAY? MM-HMM. 936 00:37:40,467 --> 00:37:42,467 THAT WOULD'VE BEEN NICK JOHNSTON. 937 00:37:42,500 --> 00:37:44,667 HE SAID HE POUNDED ON THAT DOOR FOR QUITE SOME TIME 938 00:37:44,700 --> 00:37:46,567 BEFORE HE FINALLY GAVE UP AND WENT AWAY. 939 00:37:46,600 --> 00:37:48,733 VIVIEN WAS ALREADY DEAD. YEAH, BUT PAULA COULD'VE STILL BEEN IN THE OFFICE 940 00:37:48,767 --> 00:37:51,233 WAITING FOR HIM TO LEAVE, SHE WOULD'VE HEARD THE KNOCKING 941 00:37:51,267 --> 00:37:54,067 JUST LIKE SHE SAW THE PHONE, JUST LIKE SHE SAW ALBERT MORENO, 942 00:37:54,100 --> 00:37:55,833 WHO WAS PROBABLY DRESSED IN BLACK, 943 00:37:55,867 --> 00:37:58,733 SO SHE JUST PUT IT INTO THE LETTER TO THROW US OFF. HMM. 944 00:37:58,767 --> 00:38:01,233 ONLY ACCORDING TO YOUR TIMELINE ON THE MURDER BOARD, 945 00:38:01,267 --> 00:38:03,800 BY THE TIME NICK GOT TO THE OFFICE AT 5:45, 946 00:38:03,833 --> 00:38:05,733 PAULA WAS BACK AT THE RESTAURANT, 947 00:38:05,767 --> 00:38:07,767 SO THE OFFICE WAS EMPTY, 948 00:38:07,800 --> 00:38:10,300 EXCEPT, OF COURSE, FOR VIVIEN. 949 00:38:10,333 --> 00:38:11,800 *** 950 00:38:11,833 --> 00:38:14,167 OH, BEFORE I FORGET... 951 00:38:14,200 --> 00:38:16,433 WHAT DID PENNY SAY ABOUT ALEXANDER? 952 00:38:16,467 --> 00:38:17,633 OH, NOTHING. 953 00:38:17,667 --> 00:38:21,300 JUST SOME SILLY STUFF THAT DIDN'T REALLY MAKE ANY SENSE. 954 00:38:21,333 --> 00:38:23,300 WHY? 955 00:38:23,333 --> 00:38:25,133 BECAUSE MY MIDDLE NAME IS ALEXANDER. 956 00:38:25,167 --> 00:38:26,833 I THOUGHT YOUR MIDDLE NAME WAS EDGAR. 957 00:38:26,867 --> 00:38:28,600 BEEN PERUSING THE PERSONAL SECTION 958 00:38:28,633 --> 00:38:30,533 OF THE RICHARD CASTLE WEBSITE AGAIN, HAVE WE? 959 00:38:30,567 --> 00:38:33,700 NO, I CHANGED MY MIDDLE NAME TO EDGAR FOR EDGAR ALLAN POE 960 00:38:33,733 --> 00:38:35,633 BACK WHEN I CHANGED MY LAST NAME TO CASTLE. 961 00:38:35,667 --> 00:38:38,667 MY GIVEN NAME IS RICHARD ALEXANDER RODGERS. 962 00:38:38,700 --> 00:38:40,600 WHAT A COINCIDENCE, HUH? 963 00:38:40,633 --> 00:38:42,400 *** 964 00:38:42,433 --> 00:38:46,100 (woman) * IT'S NO SURPRISE 965 00:38:46,133 --> 00:38:47,700 * I'M HERE TONIGHT 966 00:38:47,733 --> 00:38:51,100 I THINK THAT WAS A LOVELY SERVICE. 967 00:38:51,133 --> 00:38:52,433 AND IF I MAY SAY, 968 00:38:52,467 --> 00:38:55,067 YOUR SPEECH WAS THE BEST. 969 00:38:55,067 --> 00:38:56,800 OH, WELL, THANK YOU FOR WRITING IT. PFFT. 970 00:38:56,833 --> 00:38:59,400 AND I THINK, YOU KNOW, BETWEEN THE TWO OF US, 971 00:38:59,433 --> 00:39:01,467 WE MANAGED TO CAPTURE THE ESSENCE OF CHET. 972 00:39:01,500 --> 00:39:02,533 YES. 973 00:39:02,567 --> 00:39:04,067 AND BOOMER AND LOTTE-- 974 00:39:04,100 --> 00:39:06,367 VERY, VERY GRACIOUS ABOUT TAKING THE RING BACK 975 00:39:06,400 --> 00:39:10,333 AND THE WHOLE... OH. 976 00:39:10,367 --> 00:39:13,167 OH, GOD. I FEEL TERRIBLE. 977 00:39:13,200 --> 00:39:15,133 YOU KNOW... 978 00:39:15,167 --> 00:39:17,067 YOU REALLY HAVE NOTHING TO FEEL GUILTY ABOUT. 979 00:39:17,100 --> 00:39:19,533 OH, RICHARD, PLEASE. NO, IF ANYTHING, 980 00:39:19,567 --> 00:39:21,767 BY TELLING CHET YOU WANTED TO THINK ABOUT GETTING ENGAGED, 981 00:39:21,800 --> 00:39:23,700 YOU GAVE HIM ONE MORE DAY OF HOPE. 982 00:39:23,733 --> 00:39:26,200 BUT NOW HE KNOWS. 983 00:39:26,233 --> 00:39:28,500 HE'S UP THERE, I ASSUME, 984 00:39:28,533 --> 00:39:30,333 AND HE KNOWS EVERYTHING. 985 00:39:30,367 --> 00:39:33,233 HE KNOWS HE GAVE HIS HEART TO A WOMAN WHO IS SHALLOW 986 00:39:33,267 --> 00:39:35,233 AND A LITTLE COWARDLY AND... 987 00:39:35,267 --> 00:39:37,767 DIDN'T REALLY DESERVE HIM. 988 00:39:37,800 --> 00:39:39,533 * LIKE ALL THE COLORS 989 00:39:39,567 --> 00:39:41,667 * TO THE CITY DOWN... 990 00:39:41,700 --> 00:39:43,100 MOVE OVER. 991 00:39:43,133 --> 00:39:44,667 WHAT? COME HERE. 992 00:39:44,700 --> 00:39:46,467 OH, HONEY. I-I DON'T HAVE-- NO, GO. 993 00:39:46,500 --> 00:39:49,167 NOW YOU CAN ASK CHET ANYTHING YOU WANT TO KNOW. 994 00:39:49,200 --> 00:39:51,633 * TO PLUNGE DOWN IN PAIN 995 00:39:51,667 --> 00:39:54,200 * IS MORE THAN POSSIBLE 996 00:39:54,233 --> 00:39:56,500 CHET... 997 00:39:56,533 --> 00:39:58,767 DARLING, DO YOU FORGIVE ME? 998 00:39:58,800 --> 00:40:01,167 *** 999 00:40:01,200 --> 00:40:02,500 THERE. "YES." 1000 00:40:02,533 --> 00:40:03,833 NOW YOU KNOW. OH! 1001 00:40:03,867 --> 00:40:05,833 YOU MOVED IT. YES, I DID. 1002 00:40:05,867 --> 00:40:07,400 (exhales) 1003 00:40:07,433 --> 00:40:09,333 AND LET ME TELL YOU SOMETHING ELSE. 1004 00:40:09,367 --> 00:40:10,800 CHET WAS NOBODY'S FOOL. 1005 00:40:10,833 --> 00:40:13,467 HE KNEW YOU, ALL OF YOU. 1006 00:40:13,500 --> 00:40:16,300 AND HE LOVED YOU. 1007 00:40:16,333 --> 00:40:19,200 I AM SURE WHEREVER HE IS NOW, HE STILL DOES. 1008 00:40:19,233 --> 00:40:22,233 *** 1009 00:40:22,267 --> 00:40:23,733 (blows air) 1010 00:40:23,767 --> 00:40:25,133 COME ON. 1011 00:40:25,167 --> 00:40:27,700 GET SOME SLEEP. 1012 00:40:27,733 --> 00:40:29,033 OKAY. 1013 00:40:29,067 --> 00:40:32,400 *** 1014 00:40:32,433 --> 00:40:33,633 RICHARD. 1015 00:40:33,667 --> 00:40:35,533 *** 1016 00:40:35,567 --> 00:40:38,367 WHATEVER MISTAKES I'VE MADE IN MY LIFE, 1017 00:40:38,400 --> 00:40:40,500 I RAISED A GOOD MAN. 1018 00:40:40,533 --> 00:40:46,533 *** 78195

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