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1
00:00:11,867 --> 00:00:14,467
THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT
2
00:00:14,500 --> 00:00:16,167
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.
3
00:00:16,200 --> 00:00:19,333
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.
4
00:00:19,367 --> 00:00:20,900
CASTLE.
CASTLE.
5
00:00:20,933 --> 00:00:24,133
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,
6
00:00:24,167 --> 00:00:25,433
AND I'VE FOUND MINE.
I'M DETECTIVE KATE BECKETT.
7
00:00:25,467 --> 00:00:27,033
BECKETT.
AAH!
8
00:00:27,067 --> 00:00:29,167
BECKETT?
COULD YOU GET
SOME BACKUP, PLEASE?
9
00:00:29,200 --> 00:00:31,100
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,
10
00:00:31,133 --> 00:00:32,633
I GET TO BE ON HER CASE.
OH!
11
00:00:32,667 --> 00:00:35,200
DO I LOOK LIKE A KILLER
TO YOU?
YES, YOU KILL MY PATIENCE.
12
00:00:35,233 --> 00:00:38,200
AND TOGETHER,
WE CATCH KILLERS.
13
00:00:38,233 --> 00:00:40,533
I HATE THIS CASE.
I KNOW. ISN'T IT GREAT?
14
00:00:45,067 --> 00:00:47,300
MOM.
15
00:00:47,333 --> 00:00:50,100
MOM.
16
00:00:50,133 --> 00:00:52,800
MOM, ARE YOU HERE?
17
00:01:08,367 --> 00:01:11,667
(keypad beeping)
18
00:01:11,700 --> 00:01:13,167
COME ON.
19
00:01:13,200 --> 00:01:15,233
COME ON, MOM. ANSWER.
20
00:01:15,267 --> 00:01:18,733
(cell phone rings)
21
00:01:18,767 --> 00:01:22,600
(ring)
22
00:01:22,633 --> 00:01:26,700
(ring)
23
00:01:26,733 --> 00:01:28,800
(ring)
24
00:01:28,833 --> 00:01:30,367
(gasps)
25
00:01:30,400 --> 00:01:32,800
(ring)
26
00:01:32,833 --> 00:01:35,433
(grunts) OH!
27
00:01:35,467 --> 00:01:37,767
AAH!
28
00:01:42,200 --> 00:01:43,500
(Martha) OH, HELLO.
29
00:01:43,533 --> 00:01:46,133
SHOULDN'T YOU BE
IN SCHOOL ALREADY?
30
00:01:46,167 --> 00:01:48,267
SCHOOL DOESN'T START
FOR ANOTHER HOUR.
31
00:01:48,300 --> 00:01:50,700
YEAH. IF YOU WERE HOPING TO DO
THE WALK OF SHAME IN PRIVATE,
32
00:01:50,733 --> 00:01:52,400
YOU'RE OUTTA LUCK.
33
00:01:52,433 --> 00:01:55,367
OH, DON'T BE SILLY. I JUST
DIDN'T REALIZE HOW EARLY IT WAS.
34
00:01:55,400 --> 00:01:58,367
I HAVE BEEN A BIT DISTRACTED
THIS MORNING.
35
00:01:58,400 --> 00:02:00,733
DO YOU MEAN DISTRACTED,
OR HYPNOTIZED BY THAT GIANT ROCK
36
00:02:00,767 --> 00:02:02,533
ON YOUR FINGER?!
(laughs)
37
00:02:02,567 --> 00:02:04,600
WOW.
DID CHET PALABURN PROPOSE?
38
00:02:04,633 --> 00:02:07,333
UH, ALEXIS, I THINK IT'S
ABOUT TIME WE START
39
00:02:07,367 --> 00:02:10,067
CALLING HIM UNCLE CHET.
OH, NOW WAIT A MINUTE.
WAIT A MINUTE, YOU TWO.
40
00:02:10,067 --> 00:02:11,800
I AM NOT ENGAGED, ALL RIGHT?
41
00:02:11,833 --> 00:02:14,200
YES, CHET DID PROPOSE
LAST NIGHT,
42
00:02:14,233 --> 00:02:16,200
AND I TOLD HIM, YOU KNOW,
I NEEDED TIME TO THINK ABOUT IT,
43
00:02:16,233 --> 00:02:19,100
AND HE INSISTED I KEEP THE RING
WHILE I MAKE UP MY MIND, SO...
44
00:02:19,133 --> 00:02:20,633
MM. SMART MAN.
MM.
45
00:02:20,667 --> 00:02:22,733
DIAMONDS CAN BE
VERY PERSUASIVE.
46
00:02:22,767 --> 00:02:25,633
I CAN HEAR IT NOW, WHISPERING...
(whispers) "KEEP ME. KEEP ME."
47
00:02:25,667 --> 00:02:28,533
(laughs) UNFORTUNATELY, NOW THAT
CHET HAS UPPED THE ANTE,
48
00:02:28,567 --> 00:02:31,467
AS THEY SAY,
I'M GOING TO HAVE TO DECIDE
49
00:02:31,500 --> 00:02:34,167
WHETHER I'M IN OR I'M OUT.
50
00:02:34,200 --> 00:02:36,533
I THOUGHT YOU LOVED CHET.
51
00:02:36,567 --> 00:02:39,067
OH, I DO LOVE HIM, DARLING.
I REALLY DO. I J--I...
52
00:02:39,067 --> 00:02:41,067
WELL, YOU KNOW, IT'S JUST
THAT FOR ME, IT'S, UH--
53
00:02:41,067 --> 00:02:42,567
THE THRILL IS GONE.
54
00:02:42,600 --> 00:02:43,800
YES,
55
00:02:43,833 --> 00:02:46,800
AND IT'S BEEN GONE
FOR QUITE A WHILE.
56
00:02:46,833 --> 00:02:49,067
ALTHOUGH THIS LITTLE FELLA
DID BRING IT BACK
57
00:02:49,100 --> 00:02:50,867
FOR ABOUT TEN MINUTES.
(chuckles)
(laughs)
58
00:02:50,900 --> 00:02:53,800
IF HE'S NOT THE ONE, THEN I
GUESS YOU SHOULDN'T MARRY HIM.
THAT'S NEVER STOPPED HER BEFORE.
59
00:02:53,833 --> 00:02:56,667
AND WE MISS HAVING YOU HERE
ALL THE TIME.
AW.
60
00:02:56,700 --> 00:02:58,700
DON'T WE, DAD?
61
00:02:58,733 --> 00:03:01,067
(Martha and Alexis) DAD?
(cell phone rings)
62
00:03:01,067 --> 00:03:02,633
MM.
SAVED BY THE BELL.
63
00:03:02,667 --> 00:03:03,767
(beeps)
64
00:03:03,800 --> 00:03:06,200
AH, IT'S BECKETT.
CASTLE.
65
00:03:06,233 --> 00:03:07,633
HEY, DID I HEAR YOU RIGHT?
66
00:03:07,667 --> 00:03:11,367
OUR VICTIM IS VIVIEN MARCHAND,
THE PSYCHIC MEDIUM?
67
00:03:11,400 --> 00:03:12,567
YOU'VE HEARD OF HER?
68
00:03:12,600 --> 00:03:15,200
YEAH. SHE WAS VERY POPULAR
IN CERTAIN MANHATTAN CIRCLES.
69
00:03:15,233 --> 00:03:17,533
HUH.
MATTER OF FACT,
SHE DID A READING FOR ME
70
00:03:17,567 --> 00:03:19,467
AT A SOCIETY PARTY
ABOUT EIGHT YEARS AGO.
71
00:03:19,500 --> 00:03:21,100
IT WAS PRETTY EXTRAORDINARY.
72
00:03:21,133 --> 00:03:22,467
"EXTRAORDINARY"?
73
00:03:22,500 --> 00:03:24,067
SHE GOT EVERYTHING RIGHT.
74
00:03:24,067 --> 00:03:25,800
YOU KNOW WHAT?
COME TO THINK OF IT,
75
00:03:25,833 --> 00:03:28,167
SHE TOLD ME
THAT A BEAUTIFUL WOMAN
76
00:03:28,200 --> 00:03:31,467
WOULD ONE DAY MOVE INTO MY LOFT
AND STAY WITH ME FOREVER.
77
00:03:31,500 --> 00:03:34,367
SHE NEGLECTED TO MENTION
IT WAS MY MOTHER.
78
00:03:34,400 --> 00:03:36,833
(Ryan chuckles)
HOW DID SHE DIE?
79
00:03:36,867 --> 00:03:39,367
STABBED IN THE BACK OF THE NECK
WITH AN ICE PICK,
80
00:03:39,400 --> 00:03:41,767
AND THEN STUFFED
INTO THE SOFA.
SO SHE DIDN'T SEE
THAT COMING.
81
00:03:41,800 --> 00:03:43,233
(Beckett)
WHEN DID SHE DIE?
82
00:03:43,267 --> 00:03:46,433
SHE'S IN FULL RIGOR.
I'D SAY YESTERDAY AFTERNOON
83
00:03:46,467 --> 00:03:48,733
IS THE APPROXIMATE
TIME OF DEATH.
(Esposito) I GOT
A MAINTENANCE WORKER
84
00:03:48,767 --> 00:03:50,667
SAID HE SAW A MAN
LEAVING THE BACK DOOR
85
00:03:50,700 --> 00:03:53,633
OF VIVIEN'S OFFICE AROUND 2:30
YESTERDAY AFTERNOON.
DESCRIPTION?
86
00:03:53,667 --> 00:03:55,667
TALL, CAUCASIAN
AND TOUGH LOOKING.
ALL RIGHT, RYAN,
CHECK VIVIEN'S CALENDAR,
87
00:03:55,700 --> 00:03:57,600
AND LET'S INTERVIEW
HER CLIENTS FROM YESTERDAY.
88
00:03:57,633 --> 00:03:59,800
MAYBE ONE OF THEM
SAW THE GUY.
89
00:03:59,833 --> 00:04:02,367
WHAT I DON'T GET IS,
WHY PUT HER IN THE COUCH?
90
00:04:02,400 --> 00:04:05,067
(Lanie) SHE WAS ALIVE
WHEN SHE WENT IN.
91
00:04:05,100 --> 00:04:07,200
THESE SCRATCHES ON HER FACE
INDICATE THAT SHE TRIED TO MOVE.
92
00:04:07,233 --> 00:04:10,167
I'M GONNA GET HER
BACK TO THE LAB.
93
00:04:10,200 --> 00:04:12,333
SHE'S GOT A NOTATION HERE
FOR 3:00 P.M. YESTERDAY.
94
00:04:12,367 --> 00:04:14,667
IT JUST SAYS "T.J."
95
00:04:14,700 --> 00:04:16,333
AND NOTHING ELSE?
96
00:04:16,367 --> 00:04:19,167
NOPE. MAYBE T.J. WAS A GHOST
COMING TO VISIT.
97
00:04:19,200 --> 00:04:21,567
MEDIUMS ARE THE ONES THAT CAN
SEE GHOSTS, RIGHT, CASTLE?
YES, PSYCHICS CAN TELL
THE FUTURE.
98
00:04:21,600 --> 00:04:24,433
MEDIUMS CAN TELL THE FUTURE
AND TALK TO THE DEAD.
99
00:04:24,467 --> 00:04:26,400
THAT'S LIKE SAYING
THAT PSYCHICS ARE CON ARTISTS,
100
00:04:26,433 --> 00:04:28,333
AND MEDIUMS ARE CON ARTISTS
AND CHARLATANS.
101
00:04:28,367 --> 00:04:30,533
I MEAN, IN THE END,
THEY'RE ALL JUST FAKES.
102
00:04:30,567 --> 00:04:32,733
YOU SOUND PRETTY CERTAIN
OF YOURSELF.
103
00:04:32,767 --> 00:04:35,433
THAT'S BECAUSE
WHEN I STARTED AS A COP,
104
00:04:35,467 --> 00:04:38,467
I WASTED A LOT OF TIME ON
CLAIRVOYANTS CALLING TIP LINES
105
00:04:38,500 --> 00:04:40,400
WITH INFORMATION
THAT NEVER LED TO ANYTHING.
106
00:04:40,433 --> 00:04:42,500
I MEAN, I'M SURPRISED
YOU'RE SO GULLIBLE.
107
00:04:42,533 --> 00:04:44,433
I'M NOT SAYING
I CAN SPEAK WITH THE DEAD.
108
00:04:44,467 --> 00:04:47,100
I'M JUST WILLING TO ADMIT THAT
THERE ARE PEOPLE IN THIS WORLD
109
00:04:47,133 --> 00:04:50,333
WHO ARE MORE SENSITIVE
THAN ME.
NOW THAT'S
NOT HARD TO BELIEVE.
110
00:04:50,367 --> 00:04:52,600
WALKED RIGHT INTO THAT ONE.
MM-HMM.
111
00:04:52,633 --> 00:04:54,533
(Beckett) MS. MARCHAND,
DO YOU KNOW OF ANYONE
112
00:04:54,567 --> 00:04:56,567
THAT MIGHT HAVE WANTED
TO HARM YOUR MOTHER?
113
00:04:56,600 --> 00:04:59,067
(sniffles) SHE WAS
A VERY SPIRITUAL PERSON.
114
00:04:59,067 --> 00:05:00,433
SHE DIDN'T HAVE ANY ENEMIES.
115
00:05:00,467 --> 00:05:02,633
A WITNESS SAW A TALL,
DARK-HAIRED MAN
116
00:05:02,667 --> 00:05:05,200
LEAVING HERE
AROUND 2:30 YESTERDAY.
117
00:05:05,233 --> 00:05:07,467
DOES THAT SOUND LIKE
ANYONE YOUR MOTHER KNOWS?
118
00:05:07,500 --> 00:05:09,567
WHEN WAS THE LAST TIME
YOU TWO TALKED?
119
00:05:09,600 --> 00:05:11,267
AROUND 1:00.
120
00:05:11,300 --> 00:05:13,300
SHE SAID SHE HAD
HER LAST CLIENT OF THE DAY,
121
00:05:13,333 --> 00:05:17,067
AND THEN SHE WAS GONNA SPEND
THE AFTERNOON IN MEDITATION.
122
00:05:17,067 --> 00:05:19,200
DO YOU KNOW
THE CLIENT'S NAME?
123
00:05:19,233 --> 00:05:21,133
NO. IT WAS A MOTHER
AND A DAUGHTER.
124
00:05:21,167 --> 00:05:22,800
THEIR NAMES SHOULD BE
IN HER BOOK.
125
00:05:22,833 --> 00:05:25,767
WELL, THERE WAS A NOTATION
IN HER CALENDAR
126
00:05:25,800 --> 00:05:28,567
AT 3:00--
THE INITIALS "T.J."
127
00:05:28,600 --> 00:05:31,067
DOES THAT MEAN ANYTHING
TO YOU?
128
00:05:31,067 --> 00:05:33,433
NO. I'M SORRY
I CAN'T BE MORE HELPFUL.
129
00:05:33,467 --> 00:05:36,367
HEY, I REMEMBER THIS CASE.
130
00:05:36,400 --> 00:05:38,167
A GUY'S WIFE GOES MISSING,
131
00:05:38,200 --> 00:05:39,767
HE SEEMS GENUINELY DISTRAUGHT,
132
00:05:39,800 --> 00:05:41,700
AND THEN THE COPS FIND OUT
HE HAD A GIRLFRIEND
133
00:05:41,733 --> 00:05:44,067
AND THAT HIS MARRIAGE
WAS ON THE ROCKS.
YEAH.
134
00:05:44,067 --> 00:05:45,800
DID YOUR MOTHER
HELP ON THAT CASE?
135
00:05:45,833 --> 00:05:47,833
YEAH, SHE HAD A VISION OF HIM
AT A LOCAL BAR
136
00:05:47,867 --> 00:05:49,767
WITH THIS PRETTY BLONDE
NAMED AMBER,
137
00:05:49,800 --> 00:05:51,700
SO SHE WENT TO THE POLICE
WITH THE INFORMATION.
138
00:05:51,733 --> 00:05:54,500
THAT'S WHEN THEY STARTED
LOOKING AT HIM AS A SUSPECT.
139
00:05:54,533 --> 00:05:56,433
AND THEN WHAT HAPPENED?
HE WENT TO PRISON.
140
00:05:56,467 --> 00:05:58,767
THAT CASE REALLY
PUT MY MOM ON THE MAP.
141
00:05:58,800 --> 00:06:00,167
DID YOUR MOTHER CONTINUE
142
00:06:00,200 --> 00:06:02,700
OFFERING THE POLICE HELP
AFTER THAT?
YES, ALL OVER THE COUNTRY.
143
00:06:02,733 --> 00:06:05,067
MY MOTHER HELPED PUT AWAY
OVER A DOZEN PEOPLE
144
00:06:05,067 --> 00:06:07,533
IN THE LAST TEN YEARS.
145
00:06:07,567 --> 00:06:09,800
SO HERE'S THE LIST OF ALL
THE PEOPLE THAT PENNY MARCHAND
146
00:06:09,833 --> 00:06:11,700
CLAIMS HER MOM
HELPED TO CONVICT.
147
00:06:11,733 --> 00:06:13,633
LET'S SEE IF ANY OF THEM
ARE OUT OF JAIL
148
00:06:13,667 --> 00:06:15,567
AND STILL HOLDING A GRUDGE.
ON IT.
149
00:06:15,600 --> 00:06:17,500
VIVIEN'S 1:00 MONDAY CLIENTS
ARE HERE.
150
00:06:17,533 --> 00:06:19,433
THEY SAY THEY GOT A GOOD LOOK
151
00:06:19,467 --> 00:06:21,367
AT THE DARK-HAIRED GUY
WHO WAS IN HER OFFICE.
152
00:06:21,400 --> 00:06:23,300
NAMES ARE
PAULA AND MARINA CASILLAS.
153
00:06:23,333 --> 00:06:25,467
"CASILLAS"?
THAT'S A GOOD NAME.
154
00:06:25,500 --> 00:06:27,133
HARD TO POSSESSIVE PLURALIZE,
THOUGH.
155
00:06:27,167 --> 00:06:28,767
(imitates Ricardo Montalban)
THE CASILLASES' CAR
156
00:06:28,800 --> 00:06:30,233
HAS BROKEN DOWN,
157
00:06:30,267 --> 00:06:32,567
SO THEY WILL BE LATE
FOR THE SYMPHONY.
158
00:06:32,600 --> 00:06:34,767
THE CASILLAS--S--
CASILLASES-ES...
159
00:06:34,800 --> 00:06:36,700
THEY'RE WAITING FOR YOU
IN THE LOUNGE.
160
00:06:36,733 --> 00:06:38,367
ALL RIGHT. THANKS.
161
00:06:38,400 --> 00:06:41,200
USUALLY, WE'RE HER
LAST CLIENTS ON MONDAY,
162
00:06:41,233 --> 00:06:42,567
BUT WHEN WE LEFT,
163
00:06:42,600 --> 00:06:44,500
THERE WAS A MAN THERE
WAITING FOR VIVIEN.
164
00:06:44,533 --> 00:06:47,500
SHE SEEMED SURPRISED TO SEE HIM,
LIKE HE WASN'T EXPECTED.
165
00:06:47,533 --> 00:06:49,700
OH, AND HE SEEMED UPSET.
I COULD TELL.
166
00:06:49,733 --> 00:06:52,733
COULD YOU DESCRIBE HIM?
HE WAS WEARING DARK CLOTHES.
167
00:06:52,767 --> 00:06:55,133
HE HAD BLACK HAIR,
GOING GRAY AT THE TEMPLES.
168
00:06:55,167 --> 00:06:57,767
OH, AND HE HAD A SCAR
ON HIS FACE.
169
00:06:57,800 --> 00:06:59,700
I THINK
SHE CALLED HIM ALFRED.
170
00:06:59,733 --> 00:07:01,367
OR WAS IT ALBERT?
171
00:07:01,400 --> 00:07:03,767
OKAY. WELL, THANK YOU, BOTH.
YOU'VE BEEN VERY HELPFUL.
172
00:07:03,800 --> 00:07:06,467
HOW LONG HAD YOU
BEEN GOING TO SEE VIVIEN?
FOUR MONTHS.
173
00:07:06,500 --> 00:07:09,100
MY HUSBAND EMILIO
PASSED AWAY IN APRIL.
174
00:07:09,133 --> 00:07:11,300
WE BOTH MISS HIM SO MUCH.
175
00:07:11,333 --> 00:07:13,367
SO SHE WAS HELPING YOU
GET CLOSURE.
176
00:07:13,400 --> 00:07:15,267
YES.
177
00:07:15,300 --> 00:07:17,767
EVEN AT OUR FIRST SESSION,
VIVIEN...
178
00:07:17,800 --> 00:07:20,500
ALREADY KNEW SO MUCH
ABOUT MY EMILIO.
179
00:07:20,533 --> 00:07:21,733
LIKE WHAT?
180
00:07:21,767 --> 00:07:24,500
WELL, SHE KNEW
HE MADE VITAMINS FOR A LIVING.
181
00:07:24,533 --> 00:07:27,267
SHE KNEW
HE LOVED ARROZ CON POLLO.
182
00:07:27,300 --> 00:07:29,600
SHE ALSO KNEW
HE WAS A WORKAHOLIC.
183
00:07:29,633 --> 00:07:32,100
AND THAT HE EVEN DIED
AT THE OFFICE.
184
00:07:32,133 --> 00:07:33,400
VIVIEN SAID
SHE THOUGHT DADDY
185
00:07:33,433 --> 00:07:36,067
HAD SOMETHING VERY IMPORTANT
TO TELL US.
186
00:07:36,067 --> 00:07:39,767
SHE WAS GOING TO COMMUNE
WITH HIS SPIRIT LAST NIGHT.
187
00:07:41,133 --> 00:07:43,767
NOW WE'LL NEVER KNOW.
188
00:07:43,800 --> 00:07:46,800
YOU'RE NOT GONNA BELIEVE THIS.
189
00:07:46,833 --> 00:07:50,567
VIVIEN'S DAUGHTER IS PRETTY SURE
THAT "ALBERT" IS ALBERT MORENO.
190
00:07:50,600 --> 00:07:52,600
ALBERT "THE BLADE" MORENO?
191
00:07:52,633 --> 00:07:54,533
FORMER MUSCLE
FOR THE SPOLANO CRIME FAMILY.
192
00:07:54,567 --> 00:07:57,367
SO VIVIEN
HELPED PUT HIM AWAY.
MNH-MNH. HE'S HER CLIENT.
193
00:07:57,400 --> 00:07:59,800
VIVIEN TOLD ALBERT
THAT IF HE INVESTED IN
194
00:07:59,833 --> 00:08:02,333
A NEW JERSEY REAL ESTATE DEAL,
TRUE HAPPINESS WOULD BE HIS.
195
00:08:02,367 --> 00:08:05,100
THE DEAL FELL THROUGH A MONTH
AGO. HE LOST EVERYTHING.
196
00:08:05,133 --> 00:08:08,100
OUCH. YOU GIVE A GUY
LIKE THAT BAD ADVICE,
197
00:08:08,133 --> 00:08:10,600
HE'LL SEE TO IT YOU ARE
SLEEPING WITH THE FISHES.
198
00:08:10,633 --> 00:08:13,333
OR YOU GET STABBED IN THE NECK
WITH AN ICE PICK...
199
00:08:13,367 --> 00:08:16,367
AND STUFFED IN A COUCH.
200
00:08:23,467 --> 00:08:25,733
(Castle) WHOA.
201
00:08:25,767 --> 00:08:27,667
ALBERT MORENO
IS SURE LIVING LARGE
202
00:08:27,700 --> 00:08:30,067
FOR A LOW-LEVEL MOBSTER.
203
00:08:30,067 --> 00:08:31,800
WELL, I GUESS MOB MONEY
GOES A LITTLE FARTHER
204
00:08:31,833 --> 00:08:33,500
WHEN YOU DON'T PAY TAXES
ON IT.
205
00:08:33,533 --> 00:08:36,367
AND YET, FOR ALBERT,
NOT QUITE FAR ENOUGH.
206
00:08:36,400 --> 00:08:38,667
LOREEN CARTER
FROM REAL SMART REAL ESTATE.
207
00:08:38,700 --> 00:08:41,533
THIS HOUSE
IS A TUSCAN JEWEL,
208
00:08:41,567 --> 00:08:43,133
AND IT'S PERFECT
FOR A YOUNG COUPLE.
209
00:08:43,167 --> 00:08:44,700
WE'RE HERE FOR MR. MORENO.
210
00:08:44,733 --> 00:08:47,500
YES. I WENT TO SEE HER.
211
00:08:47,533 --> 00:08:48,700
THREE MONTHS AGO,
212
00:08:48,733 --> 00:08:52,067
VIVIEN TOLD ME I SHOULD INVEST
IN SOME REAL ESTATE DEAL.
213
00:08:52,100 --> 00:08:55,067
SHE KNEW THAT I HAD...
214
00:08:55,067 --> 00:08:56,233
QUIT MY DAY JOB.
215
00:08:56,267 --> 00:08:58,300
I WAS LOOKING TO SET MYSELF UP
FOR RETIREMENT.
216
00:08:58,333 --> 00:09:00,800
SHE TOLD YOU THE INVESTMENT
WOULD BRING YOU TRUE HAPPINESS,
217
00:09:00,833 --> 00:09:03,200
BUT INSTEAD,
YOU LOST IT ALL.
218
00:09:03,233 --> 00:09:05,833
I WAS...
219
00:09:05,867 --> 00:09:07,367
UPSET.
220
00:09:07,400 --> 00:09:10,367
AND THEN SHE CANCELED
OUR LAST APPOINTMENT
221
00:09:10,400 --> 00:09:12,267
AND STOPPED RETURNING
MY PHONE CALLS.
222
00:09:12,300 --> 00:09:14,200
AND THEN YOU DECIDED
TO PAY HER A VISIT
223
00:09:14,233 --> 00:09:15,400
YESTERDAY AROUND 2:00?
224
00:09:15,433 --> 00:09:17,333
I TOLD HER, I'M ON MY WAY
TO MEET MY BROKER.
225
00:09:17,367 --> 00:09:19,533
I'M SELLING MY HOME BECAUSE I
CAN'T PAY MY MORTGAGE NO MORE.
226
00:09:19,567 --> 00:09:21,467
AND THEN WHAT HAPPENED,
MR. MORENO? DID YOU GET ANGRY?
227
00:09:21,500 --> 00:09:23,133
DID THINGS GET PHYSICAL?
228
00:09:23,167 --> 00:09:26,200
NO. BUT I WAS MAD.
229
00:09:26,233 --> 00:09:29,800
AND WHEN I'M MAD,
SOMETIMES PEOPLE GET NERVOUS.
230
00:09:29,833 --> 00:09:30,633
(gulps)
231
00:09:30,667 --> 00:09:32,833
SHE BEGGED ME
TO LET THE UNIVERSE
232
00:09:32,867 --> 00:09:34,500
SORT ITSELF OUT,
233
00:09:34,533 --> 00:09:37,533
AND SHE SAID SHE WAS LATE
FOR AN APPOINTMENT UPTOWN.
234
00:09:37,567 --> 00:09:39,367
DID SHE SAY WITH WHOM?
235
00:09:39,400 --> 00:09:42,333
NO. BY THEN, I WAS LATE
TO MEET MY BROKER,
236
00:09:42,367 --> 00:09:44,267
SO I LEFT, ABOUT 2:30.
237
00:09:44,300 --> 00:09:46,167
AND JUST LIKE THAT...
238
00:09:49,067 --> 00:09:50,500
THE UNIVERSE?
239
00:09:50,533 --> 00:09:53,600
IT SORTED ITSELF OUT.
240
00:09:53,633 --> 00:09:56,800
I'M--I'M SORRY.
I DON'T UNDERSTAND.
241
00:09:56,833 --> 00:09:59,300
TURNS OUT, MY, UH,
BROKER'S PARTNER
242
00:09:59,333 --> 00:10:03,300
IS, UH, LOREEN HERE,
MY HIGH SCHOOL SWEETHEART.
243
00:10:03,333 --> 00:10:04,433
(kisses)
(Loreen chuckles)
244
00:10:04,467 --> 00:10:07,400
WE BROKE UP IN '82, BUT WE
NEVER GOT OVER EACH OTHER.
245
00:10:07,433 --> 00:10:09,333
THE MINUTE I LAID EYES
ON HER AGAIN,
246
00:10:09,367 --> 00:10:11,267
I HAVEN'T LEFT HER SIDE,
247
00:10:11,300 --> 00:10:13,767
AND I NEVER BEEN SO HAPPY.
248
00:10:13,800 --> 00:10:15,667
(Castle)
SO... VIVIEN WAS RIGHT.
249
00:10:15,700 --> 00:10:17,600
INVESTING
IN THE REAL ESTATE DEAL
250
00:10:17,633 --> 00:10:19,033
BROUGHT YOU TO BANKRUPTCY,
251
00:10:19,067 --> 00:10:21,500
WHICH, IN TURN,
BROUGHT YOU TO LOREEN
252
00:10:21,533 --> 00:10:24,233
AND TRUE HAPPINESS.
253
00:10:24,267 --> 00:10:26,333
EXTRAORDINARY.
254
00:10:26,367 --> 00:10:27,433
(sighs)
255
00:10:27,467 --> 00:10:29,367
(Castle)
SO WHAT DO YOU THINK?
256
00:10:29,400 --> 00:10:32,267
WELL, I THINK IT'S POSSIBLE
HE MIGHT HAVE KILLED VIVIEN
257
00:10:32,300 --> 00:10:34,167
BEFORE THE UNIVERSE
RIGHTED ITSELF.
258
00:10:34,200 --> 00:10:36,100
NOT ABOUT THAT.
ABOUT THEM--ALBERT AND LOREEN.
259
00:10:36,133 --> 00:10:38,500
I MEAN, STAR-CROSSED LOVERS
REUNITED BY FATE.
260
00:10:38,533 --> 00:10:40,667
YOU MEAN
REUNITED BY COINCIDENCE.
261
00:10:40,700 --> 00:10:42,600
OH, LET ME GUESS.
YOU DON'T BELIEVE IN FATE.
262
00:10:42,633 --> 00:10:43,800
SOUL MATES?
263
00:10:43,833 --> 00:10:45,367
NO.
264
00:10:45,400 --> 00:10:48,367
UNICORNS, FAIRIES,
DOUBLE RAINBOWS?
265
00:10:48,400 --> 00:10:51,267
DIDN'T YOU EVER THINK YOUR DOLLS
USED TO GET UP AT NIGHT
266
00:10:51,300 --> 00:10:53,267
AND PLAY WITH YOUR TOYS?
SORRY.
267
00:10:53,300 --> 00:10:54,467
MM. LET ME GUESS.
268
00:10:54,500 --> 00:10:56,400
YOU WERE ONE OF THOSE
ANNOYING 6 YEAR OLDS
269
00:10:56,433 --> 00:10:58,333
WHO STOPPED BELIEVING
IN SANTA CLAUS
270
00:10:58,367 --> 00:11:00,300
BECAUSE YOU FIGURED OUT
HE COULDN'T TRAVEL
271
00:11:00,333 --> 00:11:02,233
FASTER THAN THE SPEED OF LIGHT.
272
00:11:02,267 --> 00:11:04,800
I WAS 3,
AND WE DIDN'T HAVE A CHIMNEY.
273
00:11:09,300 --> 00:11:11,267
(Esposito) HOW'D IT GO
WITH MORENO?
274
00:11:11,300 --> 00:11:13,467
MY GUT SAYS IT'S NOT HIM.
275
00:11:13,500 --> 00:11:15,667
BUT WE STILL HAVE TO
LOOK INTO HIS ALIBI.
276
00:11:15,700 --> 00:11:18,233
OH, SO YOU DON'T BELIEVE
IN FATE,
277
00:11:18,267 --> 00:11:20,367
YET YOUR "GUT"
HAS MAGICAL PROPERTIES.
278
00:11:20,400 --> 00:11:23,067
THAT'S COOL, SCULLY.
279
00:11:23,100 --> 00:11:25,067
WE GOT CALLS OUT ON MOST
OF VIVIEN'S DIRTY DOZEN.
280
00:11:25,067 --> 00:11:28,133
WE SHOULD HEAR BACK TOMORROW.
MEANWHILE, WE'VE BEEN
281
00:11:28,167 --> 00:11:30,433
GOING THROUGH HER CLIENT FILES--
TRIPS TO THE HALL OF RECORDS,
282
00:11:30,467 --> 00:11:33,067
INTERNET SEARCHES, EVEN GOT
AHOLD OF SOME AUTOPSY FILES.
283
00:11:33,067 --> 00:11:34,800
PRETTY INTIMATE STUFF, TOO.
YOU SEE, CASTLE?
284
00:11:34,833 --> 00:11:36,733
RESEARCH--THAT'S HOW
SHE MADE PEOPLE BELIEVE
285
00:11:36,767 --> 00:11:38,300
THAT SHE HAS A GIFT.
286
00:11:38,333 --> 00:11:41,233
AND I BET THAT SHE EVEN
LOOKED INTO YOU EIGHT YEARS AGO
287
00:11:41,267 --> 00:11:43,167
WHEN SHE WENT TO THAT PARTY.
288
00:11:43,200 --> 00:11:45,200
AND I BET SHE LOOKED UP
PAULA CASILLAS AS WELL.
289
00:11:45,233 --> 00:11:47,133
THAT'S HOW SHE KNEW
THAT HER HUSBAND EMILIO
290
00:11:47,167 --> 00:11:49,067
HAD A VITAMIN BUSINESS.
IS THAT ALSO HOW SHE KNEW
291
00:11:49,100 --> 00:11:51,567
THAT ALBERT MORENO WOULD FIND
TRUE LOVE THROUGH BANKRUPTCY?
292
00:11:51,600 --> 00:11:53,133
SHE GOT LUCKY.
293
00:11:53,167 --> 00:11:55,067
OH. OR MAYBE IT'S JUST
THAT SHE COULDN'T GET
294
00:11:55,067 --> 00:11:57,267
EVERYTHING SHE NEEDED
FROM HER ABILITIES ALONE
295
00:11:57,300 --> 00:11:59,700
AND NEEDED TO DO
A LITTLE EXTRA DIGGING.
296
00:11:59,733 --> 00:12:02,167
I HAVE
A FANTASTIC IMAGINATION,
297
00:12:02,200 --> 00:12:04,100
YET I STILL DO
A TON OF RESEARCH
298
00:12:04,133 --> 00:12:06,367
WHEN I WRITE A BOOK.
299
00:12:09,233 --> 00:12:11,200
SURROUNDED BY SKEPTICS.
300
00:12:11,233 --> 00:12:13,733
IT'S CALLED
BEING A COP, BRO.
301
00:12:13,767 --> 00:12:17,067
(Alexis) OH,
GREAT AND POWERFUL SPIRITS,
302
00:12:17,100 --> 00:12:19,767
TELL US, SHOULD GRAM BREAK UP
WITH CHET PALABURN?
303
00:12:22,067 --> 00:12:24,633
UGH!
THIS THING MUST BE BROKEN.
304
00:12:24,667 --> 00:12:27,667
WELL, LUCKILY, I DON'T NEED
THE SPIRITS TO TELL ME
305
00:12:27,700 --> 00:12:30,167
WHEN IT'S TIME
TO SAY GOOD-BYE.
306
00:12:30,200 --> 00:12:33,133
GOOD-BYE, MY LOVE.
WHAT IF YOU'RE BEING
TOO HASTY?
307
00:12:33,167 --> 00:12:34,833
RELATIONSHIPS TAKE WORK,
RIGHT?
308
00:12:34,867 --> 00:12:36,833
NO, NO, NO, LOVE IS NOT
ABOUT WORK. TRUST ME.
309
00:12:36,867 --> 00:12:39,567
IT'S ABOUT PASSION.
IT'S ABOUT CHEMISTRY, ROMANCE.
310
00:12:39,600 --> 00:12:41,300
IT'S ABOUT
YOUR HEART POUNDING FASTER
311
00:12:41,333 --> 00:12:44,833
BECAUSE YOU CAN'T WAIT
TO SEE HER.
CAN EITHER OF YOU LOOK BACK
ON A RELATIONSHIP
312
00:12:44,867 --> 00:12:46,567
THAT ENDED
BECAUSE THE THRILL WAS GONE,
313
00:12:46,600 --> 00:12:49,367
AND ADMIT THAT MAYBE,
YOU GAVE UP ON LOVE TOO SOON?
314
00:12:49,400 --> 00:12:51,633
DAD, YOU'RE BACK
WITH YOUR EX-WIFE.
315
00:12:51,667 --> 00:12:53,400
OOH. NO, SHE'S RIGHT.
YEAH, WITH GINA.
316
00:12:53,433 --> 00:12:55,500
THE THRILL WAS LONG,
LONG GONE.
317
00:12:55,533 --> 00:12:58,100
NOW... IT IS BACK
WITH A VENGEANCE.
318
00:12:58,133 --> 00:13:00,133
OF COURSE, IT BROUGHT ALONG
ITS FRIENDS,
319
00:13:00,167 --> 00:13:02,733
HIGH MAINTENANCE
AND SHOPAHOLIC.
320
00:13:02,767 --> 00:13:05,667
NO, I'M SORRY, HONEY.
I'M SORRY.
321
00:13:05,700 --> 00:13:07,600
BUT IT'S JUST--IT'S OVER.
322
00:13:07,633 --> 00:13:09,633
I KNOW IT.
323
00:13:19,867 --> 00:13:21,667
(Castle) HEY.
324
00:13:21,700 --> 00:13:23,700
ANY NEWS
ON THE DIRTY DOZEN?
325
00:13:23,733 --> 00:13:25,633
OH, MOST ARE
STILL IN PRISON,
326
00:13:25,667 --> 00:13:28,800
BUT WE'RE THINKING
THIS LINE OF INVESTIGATION
327
00:13:28,833 --> 00:13:31,600
MAY NOT GET US ANYWHERE.
WHY NOT?
328
00:13:31,633 --> 00:13:33,833
I CALLED AROUND TO A COUPLE
OF LEAD DETECTIVES,
329
00:13:33,867 --> 00:13:35,767
JUST TO CHECK OUT THE LEVEL
OF VIVIEN'S INVOLVEMENT.
330
00:13:35,800 --> 00:13:38,367
THEY SAY, THEY'VE NEVER EVEN
HEARD OF HER.
331
00:13:38,400 --> 00:13:41,067
SHE EXAGGERATED HER INVOLVEMENT
IN THESE CASES
332
00:13:41,100 --> 00:13:43,100
IN ORDER TO BUILD
HER REPUTATION BACK UP.
333
00:13:43,133 --> 00:13:45,067
OR MAYBE THE COPS
DIDN'T WANT TO ADMIT
334
00:13:45,067 --> 00:13:48,667
THAT THEY HAD... A PSYCHIC
ACTUALLY HELPING THEM.
335
00:13:48,700 --> 00:13:51,700
I MEAN, WHAT POLICE DETECTIVE
WOULD WILLINGLY ACKNOWLEDGE
336
00:13:51,733 --> 00:13:55,133
THAT A LAYPERSON IS
AS TALENTED AT SOLVING CRIMES
337
00:13:55,167 --> 00:13:56,700
AS SHE IS?
338
00:13:59,333 --> 00:14:01,367
VIVIEN MARCHAND...
339
00:14:01,400 --> 00:14:02,567
IS NOT A PSYCHIC.
340
00:14:02,600 --> 00:14:04,433
I'D BET MY BADGE ON IT.
341
00:14:04,467 --> 00:14:07,167
DON'T THROW THOSE DICE
UNTIL YOU TAKE A LOOK AT THIS.
342
00:14:07,200 --> 00:14:09,133
"NEW YORK HOMICIDE DIVISION
DETECTIVE SQUAD."
343
00:14:09,167 --> 00:14:11,300
IT'S FROM VIVIEN MARCHAND.
344
00:14:11,333 --> 00:14:13,333
YEAH,
IT ARRIVED THIS MORNING,
345
00:14:13,367 --> 00:14:15,633
POSTMARKED MONDAY,
THE DAY SHE DIED.
346
00:14:15,667 --> 00:14:17,500
THAT IS HER LETTERHEAD.
347
00:14:17,533 --> 00:14:20,667
"TO WHOM IT MAY CONCERN, I FEEL
THAT MY MURDER IS IMMINENT."
(squeals)
348
00:14:23,700 --> 00:14:25,600
"AND ALTHOUGH
I HAVE NO IDEA YET
349
00:14:25,633 --> 00:14:27,533
"WHERE OR WHEN
THIS EVENT WILL OCCUR,
350
00:14:27,567 --> 00:14:29,633
"I HAVE HAD A VISION
OF MY DEATH.
351
00:14:29,667 --> 00:14:32,100
"IN THE VISION,
I COULD NOT BREATHE.
352
00:14:32,133 --> 00:14:34,833
"I SAW A MAN DRESSED IN BLACK,
THE NUMBER 7-5-1-8,
353
00:14:34,867 --> 00:14:36,767
"AND I COULD HEAR
A FURIOUS POUNDING
354
00:14:36,800 --> 00:14:39,200
"FROM WHAT SEEMED TO BE
FAR AWAY.
355
00:14:39,233 --> 00:14:41,133
I'M SORRY I CANNOT BE
MORE SPECIFIC"--
356
00:14:41,167 --> 00:14:44,667
THE PSYCHIC PREDICTED
HER OWN MURDER!
357
00:14:45,733 --> 00:14:48,567
OR THE KILLER WROTE THIS
IN ORDER TO THROW US OFF.
358
00:14:48,600 --> 00:14:51,300
RUN IT. MAYBE WE'LL
GET LUCKY WITH THE PRINTS.
359
00:14:51,333 --> 00:14:53,233
DO YOU THINK SHE REALLY--
NO.
360
00:14:53,267 --> 00:14:54,600
YEAH, ME NEITHER.
361
00:14:54,633 --> 00:14:56,533
HEY, LANIE.
WHAT DO WE GOT?
362
00:14:56,567 --> 00:14:59,367
WE'VE GOT CAUSE OF DEATH--
BLOOD LOSS AND ASPHYXIATION.
363
00:14:59,400 --> 00:15:01,300
AND I'M OFFICIALLY PUTTING
THE TIME OF DEATH
364
00:15:01,333 --> 00:15:04,067
BETWEEN 5:00 AND 7:00 P.M.
ON MONDAY EVENING.
365
00:15:04,100 --> 00:15:07,333
SO THAT RULES OUT
ALBERT MORENO. WHAT ELSE?
366
00:15:07,367 --> 00:15:09,833
THERE WERE NO SCRATCHES
ON THE ICE PICK BLADE.
367
00:15:09,867 --> 00:15:11,767
IT WAS BRAND-NEW,
368
00:15:11,800 --> 00:15:13,733
PROBABLY BOUGHT SPECIAL
JUST FOR THE OCCASION.
369
00:15:13,767 --> 00:15:17,100
AND HER CELL PHONE
WAS IN HER HAND.
370
00:15:17,133 --> 00:15:19,067
SHE MAY HAVE TRIED TO DIAL
FOR HELP BEFORE SHE EXPIRED.
371
00:15:19,067 --> 00:15:21,700
THE DIGITS MATCH THE BEGINNING
OF HER DAUGHTER'S PHONE NUMBER.
372
00:15:21,733 --> 00:15:24,567
1-718-55--
373
00:15:24,600 --> 00:15:26,233
7-1-8-5?
374
00:15:26,267 --> 00:15:28,600
THOSE ARE THE NUMBERS
FROM THE LETTER.
375
00:15:28,633 --> 00:15:32,767
THEY'RE IN A DIFFERENT ORDER,
BUT THOSE ARE THE SAME NUMBERS.
376
00:15:32,800 --> 00:15:35,633
OH, GO ON. GO ON.
SAY "COINCIDENCE."
377
00:15:35,667 --> 00:15:37,300
COINCIDENCE.
378
00:15:37,333 --> 00:15:39,233
I'M JUST SAYING,
IT'S IRREFUTABLE, THAT'S ALL.
379
00:15:39,267 --> 00:15:41,400
IT IS NOT IRREFUTABLE,
CASTLE.
380
00:15:41,433 --> 00:15:43,833
AS A MATTER OF FACT,
IT IS COMPLETELY REFUTABLE.
381
00:15:43,867 --> 00:15:45,800
OKAY, GO ON. REFUTE ME.
382
00:15:45,833 --> 00:15:47,367
OKAY, HOW ABOUT THIS?
383
00:15:47,400 --> 00:15:49,633
VIVIEN IS DIALING
HER DAUGHTER'S NUMBER.
384
00:15:49,667 --> 00:15:51,567
OUR KILLER COMES IN,
STABS HER IN THE NECK,
385
00:15:51,600 --> 00:15:53,067
PICKS UP THE PHONE,
386
00:15:53,067 --> 00:15:54,767
DROPS IT INTO THE SOFA
AFTER HER,
387
00:15:54,800 --> 00:15:56,600
AND THEN PUTS THE NUMBERS
INTO THE LETTER
388
00:15:56,633 --> 00:15:58,533
ALONG WITH THE REST
OF THE FAKE PREDICTIONS.
389
00:15:58,567 --> 00:16:00,167
REFUTED.
390
00:16:00,200 --> 00:16:04,067
NO ONE TYPES A NUMBER
INTO A CELL PHONE ANYMORE.
391
00:16:04,100 --> 00:16:06,067
PRELIMINARIES ON THE LETTER
AREN'T GIVING US MUCH.
392
00:16:06,100 --> 00:16:08,300
THERE ARE NO USABLE PRINTS
AND NO D.N.A.
393
00:16:08,333 --> 00:16:10,633
AND THE PICK UP AT THE MAIL DROP
IN VIVIEN'S BUILDING
394
00:16:10,667 --> 00:16:12,067
IS 6:00 P.M.
395
00:16:12,067 --> 00:16:13,800
TIME ENOUGH FOR THE KILLER
TO HAVE WRITTEN IT
396
00:16:13,833 --> 00:16:16,133
AND MAILED IT
AFTER SHE WAS DEAD.
397
00:16:16,167 --> 00:16:18,367
BUT WHY? WHY GO THROUGH
ALL THAT TROUBLE?
398
00:16:18,400 --> 00:16:20,300
TO KEEP US SPINNING
WILD THEORIES
399
00:16:20,333 --> 00:16:22,233
AND CHASING AFTER
MEN DRESSED IN BLACK
400
00:16:22,267 --> 00:16:24,167
INSTEAD OF FOLLOWING
HARD EVIDENCE.
401
00:16:24,200 --> 00:16:26,700
I MEAN, COME ON, CASTLE.
THE LETTER'S NOT EVEN SIGNED.
402
00:16:26,733 --> 00:16:29,567
ACTUALLY, I TALKED TO
PENNY MARCHAND ABOUT THAT.
403
00:16:29,600 --> 00:16:31,533
SHE SAYS IT'S POSSIBLE
HER MOTHER
404
00:16:31,567 --> 00:16:33,767
WOULD TYPE A LETTER
AND NOT SIGN IT
405
00:16:33,800 --> 00:16:35,267
IN CASE HER PREDICTION
WAS WRONG.
406
00:16:35,300 --> 00:16:37,533
SHE WOULDN'T WANT ANYBODY
SELLING HER MISTAKES
407
00:16:37,567 --> 00:16:39,767
ON THE INTERNET. (laughs)
BUT WE STILL CAN'T PROVE
408
00:16:39,800 --> 00:16:42,667
THAT VIVIEN ACTUALLY
WROTE THE LETTER.
UNTIL HER OTHER PREDICTIONS
COME TRUE.
409
00:16:42,700 --> 00:16:44,400
YOU KNOW, I'M JUST...
410
00:16:44,433 --> 00:16:47,200
GOOD. YOU'RE BACK.
I THINK I GOT SOMETHING.
411
00:16:47,233 --> 00:16:49,200
REMEMBER VIVIEN'S
FIRST BIG CASE?
412
00:16:49,233 --> 00:16:51,133
YEAH, THE GUY
WITH THE MISSING WIFE
413
00:16:51,167 --> 00:16:53,133
AND THE BLONDE GIRLFRIEND
NAMED AMBER.
HIS NAME IS STEVE ADAMS.
414
00:16:53,167 --> 00:16:55,133
UNIs ARE BRINGING HIM UP
RIGHT NOW.
415
00:16:55,167 --> 00:16:56,500
THEY NEVER FOUND
HIS WIFE'S BODY.
416
00:16:56,533 --> 00:16:58,267
HE DID SEVEN YEARS
FOR SECOND DEGREE.
417
00:16:58,300 --> 00:17:00,067
THEY RELEASED HIM
TWO MONTHS AGO ON PAROLE,
418
00:17:00,067 --> 00:17:01,667
ONLY AFTER HE AGREED TO WEAR
419
00:17:01,700 --> 00:17:03,800
AN ANKLET
WITH A TRACKING DEVICE.
420
00:17:03,833 --> 00:17:06,500
SO I CALLED HIS P.O.,
AND HE SENT OVER THIS.
421
00:17:08,400 --> 00:17:11,467
THE GPS READOUT PUTS STEVE
AT VIVIEN'S ADDRESS
422
00:17:11,500 --> 00:17:13,200
MONDAY AFTERNOON.
423
00:17:13,233 --> 00:17:16,633
SO VIVIEN FINISHES WITH PAULA
AND MARINA CASILLAS AT 2:00,
424
00:17:16,667 --> 00:17:19,767
ALBERT MORENO EXISTS OUT
THE BACK DOOR AT 2:30,
425
00:17:19,800 --> 00:17:22,433
AND NOW IT'S TIME FOR HER
3:00 P.M. WITH T.J.
426
00:17:22,467 --> 00:17:26,267
STEVE ADAMS WAS THERE
FROM 1:36 TO 2:48,
427
00:17:26,300 --> 00:17:28,733
WAITING FOR HIS OPPORTUNITY.
428
00:17:28,767 --> 00:17:30,667
SO HE WAITS THERE
UNTIL SHE'S ALONE,
429
00:17:30,700 --> 00:17:34,267
JUMPS HER, STABS HER, AND THEN
STUFFS HER IN THE COUCH.
430
00:17:34,300 --> 00:17:35,800
(man) THIS IS HARASSMENT!
(man) TAKE IT EASY.
431
00:17:35,833 --> 00:17:38,467
I HAVEN'T DONE ANYTHING WRONG!
432
00:17:38,500 --> 00:17:41,133
(man) RIGHT THROUGH HERE.
CALM DOWN.
433
00:17:41,167 --> 00:17:43,067
AH. HE'S WEARING ALL BLACK.
434
00:17:43,067 --> 00:17:45,800
IT'S GOTTA BE A COINCIDENCE.
435
00:17:45,833 --> 00:17:48,233
OR BLACK IS THE NEW GUILTY.
436
00:17:55,467 --> 00:17:56,367
I DIDN'T KILL HER.
437
00:17:56,400 --> 00:17:59,367
YOU WERE THE LAST ONE
TO SEE HER ALIVE.
438
00:17:59,400 --> 00:18:02,567
THE GPS ON YOUR ANKLET INDICATES
THAT YOU WERE AT VIVIEN'S OFFICE
439
00:18:02,600 --> 00:18:04,500
FOR OVER AN HOUR
THE DAY THAT SHE WAS KILLED.
440
00:18:04,533 --> 00:18:06,433
YEAH, BUT IT'S NOT
WHAT YOU THINK.
441
00:18:06,467 --> 00:18:09,267
LAST WEEK, I GOT A CALL
FROM A GUY NAMED CODY DONNELLY.
442
00:18:09,300 --> 00:18:10,633
HE'S A REALITY TV PRODUCER.
443
00:18:10,667 --> 00:18:14,167
HE SAID HE COULD HELP ME
CLEAR MY NAME.
HOW WAS HE GONNA DO THAT?
444
00:18:14,200 --> 00:18:16,133
THE DAY AFTER
MY WIFE DISAPPEARED,
445
00:18:16,167 --> 00:18:18,833
VIVIEN MARCHAND TOLD THE COPS
SHE HAD A VISION OF ME IN A BAR
446
00:18:18,867 --> 00:18:21,233
WITH MY GIRLFRIEND AMBER.
WHICH WAS TRUE.
447
00:18:21,267 --> 00:18:23,267
THAT I WAS THERE? YEAH.
448
00:18:23,300 --> 00:18:25,200
BUT THEN SHE STARTED SAYING
SHE HAD OTHER VISIONS--
449
00:18:25,233 --> 00:18:27,533
VISIONS THAT I MURDERED MY WIFE,
WHICH I DID NOT DO--
450
00:18:27,567 --> 00:18:29,333
BUT SHE WAS RIGHT ONCE,
ABOUT AMBER,
451
00:18:29,367 --> 00:18:30,700
SO EVERYONE BELIEVED HER.
452
00:18:30,733 --> 00:18:32,367
ONLY VIVIEN
HAD LIED ABOUT THAT, TOO.
453
00:18:32,400 --> 00:18:34,567
WHAT DO YOU MEAN?
454
00:18:34,600 --> 00:18:37,200
CODY DONNELLY TOLD ME
HE HAD PROOF THAT VIVIEN
455
00:18:37,233 --> 00:18:39,600
WAS A CUSTOMER IN THE SAME BAR
WHERE I TOOK AMBER THAT DAY.
456
00:18:39,633 --> 00:18:41,533
SO SHE SAW ME, ALL RIGHT,
WITH HER OWN EYES.
457
00:18:41,567 --> 00:18:43,833
THERE WAS NOTHING PSYCHIC
ABOUT IT, NOTHING.
458
00:18:43,867 --> 00:18:46,333
SO YOU FIGURED IF YOU COULD
PROVE THAT VIVIEN WAS A FRAUD,
459
00:18:46,367 --> 00:18:47,700
THAT MAYBE
PEOPLE WOULD BELIEVE
460
00:18:47,733 --> 00:18:49,633
THAT YOU HADN'T
KILLED YOUR WIFE AS WELL.
461
00:18:49,667 --> 00:18:51,533
I'M AN INNOCENT MAN,
BUT THANKS TO VIVIEN,
462
00:18:51,567 --> 00:18:55,267
EVERYONE IN THE STATE
BELIEVED THAT I KILLED MY WIFE.
463
00:18:55,300 --> 00:18:57,267
SHE GOT A BOOK DEAL.
464
00:18:57,300 --> 00:18:58,800
I GOT 7 TO 10.
465
00:18:58,833 --> 00:19:01,167
AND WHAT WAS IN IT
FOR CODY DONNELLY?
466
00:19:01,200 --> 00:19:03,533
HE WANTED ME AND VIVIEN TO BE
IN HIS REALITY SHOW,
467
00:19:03,567 --> 00:19:06,233
"YOU'VE RUINED MY LIFE."
OH, I LOVE THAT SHOW.
468
00:19:06,267 --> 00:19:08,667
I-IT'S WHERE PEOPLE UNLEASH
THEIR RIGHTEOUS FURY
469
00:19:08,700 --> 00:19:10,600
AGAINST THOSE
WHO HAVE WRONGED THEM.
470
00:19:10,633 --> 00:19:13,300
USUALLY ENDS IN TEARS
AND A HUG.
CODY AND ME,
471
00:19:13,333 --> 00:19:15,233
WE WENT TO HER OFFICE
WITH A CAMERA CREW.
472
00:19:15,267 --> 00:19:17,333
WE SAT OUTSIDE IN THE VAN
FOR ALMOST AN HOUR.
473
00:19:17,367 --> 00:19:19,433
WHEN SHE FINALLY CAME OUT,
I CONFRONTED HER.
474
00:19:19,467 --> 00:19:22,267
I CALLED HER A FAKE. CODY TOLD
ME TO MAKE IT BIG, SO I DID.
475
00:19:22,300 --> 00:19:23,767
AND WHAT DID VIVIEN DO?
476
00:19:23,800 --> 00:19:25,167
MOSTLY SHE FREAKED.
477
00:19:25,200 --> 00:19:27,100
THEN SHE GOT IN A CAB
AND TOOK OFF.
478
00:19:27,133 --> 00:19:30,400
CODY DROPPED ME AT MY APARTMENT
ON SECOND AND 45th,
479
00:19:30,433 --> 00:19:32,233
AND I NEVER SAW HER AGAIN.
480
00:19:32,267 --> 00:19:35,267
GPS PUTS ADAMS
AT HIS APARTMENT
481
00:19:35,300 --> 00:19:37,333
AT THE TIME
THAT VIVIEN WAS MURDERED.
482
00:19:37,367 --> 00:19:39,267
FIND ME SOME WITNESSES
THAT CAN VERIFY THAT.
483
00:19:39,300 --> 00:19:40,533
YOU DON'T TRUST
THE GPS?
484
00:19:40,567 --> 00:19:43,400
NO, THOSE THINGS
CAN BE TAMPERED WITH.
485
00:19:43,433 --> 00:19:45,833
SO VIVIEN TOLD HER DAUGHTER
486
00:19:45,867 --> 00:19:49,167
THAT SHE WAS GONNA BE
AT THE OFFICE ALL AFTERNOON,
487
00:19:49,200 --> 00:19:51,433
AND THEN AT 2:45,
SHE TAKES A CAB AND LEAVES
488
00:19:51,467 --> 00:19:53,533
TO SEE T.J.,
WHOEVER THAT IS.
489
00:19:53,567 --> 00:19:56,433
LET'S GET AHOLD OF STEVE ADAMS'
PRODUCER, CODY DONNELLY.
490
00:19:56,467 --> 00:19:58,633
I WANT TO SEE HIM
AND HIS FOOTAGE OF VIVIEN
491
00:19:58,667 --> 00:20:00,533
FIRST THING IN THE MORNING.
492
00:20:00,567 --> 00:20:02,567
YOU GOT IT.
493
00:20:08,100 --> 00:20:09,567
(door opens)
494
00:20:09,600 --> 00:20:11,533
(door closes)
495
00:20:11,567 --> 00:20:13,700
I AM SO GLAD
THAT YOU ARE HOME.
496
00:20:13,733 --> 00:20:15,633
YOU WOULD NOT BELIEVE
THE DAY I HAD.
497
00:20:15,667 --> 00:20:17,567
OH, I THINK
I GOT YOU BEAT.
498
00:20:17,600 --> 00:20:19,500
MOTHER, WHAT'S WRONG?
499
00:20:19,533 --> 00:20:22,300
AND WHY ARE YOU STILL
ENGAGED TO UNCLE CHET?
500
00:20:22,333 --> 00:20:23,767
OH, RICHARD.
501
00:20:25,633 --> 00:20:26,500
(exhales)
502
00:20:26,533 --> 00:20:28,333
CHET IS DEAD.
503
00:20:28,367 --> 00:20:30,267
WHAT?
504
00:20:30,300 --> 00:20:33,067
HOW?
505
00:20:33,100 --> 00:20:35,167
I WENT TO HIS APARTMENT
THIS MORNING,
506
00:20:35,200 --> 00:20:38,367
AND HIS KIDS ARE THERE--
BOOMER AND LOTTE.
507
00:20:38,400 --> 00:20:39,767
THEY SAID...
508
00:20:39,800 --> 00:20:42,233
HE'D HAD A STROKE
IN HIS SLEEP.
509
00:20:42,267 --> 00:20:44,600
(voice breaking)
I MEAN, GOD, I...
510
00:20:44,633 --> 00:20:47,467
HE WAS SO YOUNG, AND...
511
00:20:47,500 --> 00:20:49,433
MOTHER, I AM SO SORRY.
512
00:20:49,467 --> 00:20:50,833
MM.
513
00:20:50,867 --> 00:20:53,400
SO...
(inhales and exhales deeply)
514
00:20:53,433 --> 00:20:55,333
BOOMER AND LOTTE
SEE THE RING.
515
00:20:55,367 --> 00:20:58,233
NATURALLY THEY ASSUME THAT
THEIR FATHER AND I ARE ENGAGED,
516
00:20:58,267 --> 00:21:01,133
AND NOW THEY'RE WORRIED ABOUT
HOW I'LL HANDLE THE NEWS.
517
00:21:01,167 --> 00:21:02,800
AND, UH,
518
00:21:02,833 --> 00:21:04,733
SO I SPENT
THE WHOLE DAY WITH THEM,
519
00:21:04,767 --> 00:21:06,800
RECEIVING VISITORS.
520
00:21:06,833 --> 00:21:09,467
AND THEY KEPT TELLING ME...
521
00:21:09,500 --> 00:21:12,467
HOW HAPPY THEIR FATHER HAD BEEN
SINCE WE'D BEEN TOGETHER,
522
00:21:12,500 --> 00:21:14,700
AND HOW I WAS...
523
00:21:17,700 --> 00:21:21,267
THE LOVE OF HIS LIFE.
524
00:21:21,300 --> 00:21:25,100
AND THERE I WAS,
ABOUT TO BREAK HIS HEART.
525
00:21:25,133 --> 00:21:26,633
MM.
526
00:21:26,667 --> 00:21:29,633
AND NOW THEY WANT ME
TO GIVE THE EULOGY.
527
00:21:29,667 --> 00:21:31,400
I DON'T THINK I CAN.
528
00:21:31,433 --> 00:21:32,767
OH, RICHARD.
529
00:21:32,800 --> 00:21:34,700
MOM, I'M SORRY.
I KNOW.
530
00:21:34,733 --> 00:21:37,433
I'M SORRY.
IT'S JUST SO... (sniffles)
531
00:21:39,333 --> 00:21:41,467
(man) GO, GO, GO, GO.
THERE SHE IS.
532
00:21:41,500 --> 00:21:44,133
ALL RIGHT. I SEE HER.
GO GET HER. LET'S DO THIS.
VIVIEN MARCHAND.
YOU REMEMBER ME?
533
00:21:44,167 --> 00:21:46,133
YOU TOLD THE COPS THAT YOU HAD
A VISION OF ME IN A BAR.
534
00:21:46,167 --> 00:21:49,067
IS THAT THE FOOTAGE
FROM CODY DONNELLY?
WE HAVE EVIDENCE THAT YOU WERE
IN THE SAME BAR THAT DAY.
535
00:21:49,067 --> 00:21:51,500
YEP. HE'S WAITING FOR YOU
IN INTERROGATION.
(Vivien) NO,
I DON'T KNOW YOU...
536
00:21:51,533 --> 00:21:53,733
WHERE'S CASTLE?
OH, HE HAD SOME PERSONAL ISSUES
HE HAD TO DEAL WITH.
537
00:21:53,767 --> 00:21:56,600
WHAT DO WE GOT?
SO FAR, IT'S GOING JUST LIKE
STEVE ADAMS SAYS.
538
00:21:56,633 --> 00:21:58,533
VIVIEN COMES OUT,
HE GETS IN HER FACE.
539
00:21:58,567 --> 00:22:00,500
AND I CAN PROVE IT...
GET HIM OUTTA HERE...
540
00:22:00,533 --> 00:22:02,800
SHE GETS IN THE CAB.
AND WE GET A PARTIAL
ON THE LICENSE PLATE.
541
00:22:02,833 --> 00:22:05,700
I'LL RUN IT DOWN.
SEE IF I CAN FIND OUT
542
00:22:05,733 --> 00:22:07,833
WHERE THE TAXI
DROPPED HER OFF.
TURN IT OFF. TURN IT OFF.
543
00:22:07,867 --> 00:22:09,200
DETECTIVE BECKETT.
(clicks key, video stops)
544
00:22:09,233 --> 00:22:11,267
HI, PENNY.
WHAT ARE YOU DOING HERE?
545
00:22:11,300 --> 00:22:13,433
IS THERE SOMEWHERE
WE COULD TALK PRIVATELY?
546
00:22:13,467 --> 00:22:15,767
WHAT'S WRONG?
DID YOU REMEMBER SOMETHING?
547
00:22:15,800 --> 00:22:17,067
NO.
548
00:22:17,100 --> 00:22:19,633
IT'S NOT THAT.
549
00:22:19,667 --> 00:22:22,633
I'M AFRAID I WASN'T
COMPLETELY HONEST WITH YOU
550
00:22:22,667 --> 00:22:24,133
THE OTHER DAY.
551
00:22:24,167 --> 00:22:26,067
THE FACT IS,
552
00:22:26,100 --> 00:22:28,400
I HAVE A LITTLE BIT
OF WHAT MY MOTHER DID.
553
00:22:28,433 --> 00:22:31,333
SOMETIMES I HAVE DREAMS
THAT ARE MEANINGFUL.
554
00:22:31,367 --> 00:22:33,600
LAST NIGHT,
I HAD A DREAM ABOUT YOU.
555
00:22:33,633 --> 00:22:35,200
OKAY.
556
00:22:35,233 --> 00:22:37,667
AND I CAN'T REALLY EXPLAIN WHY,
BUT I FEEL VERY STRONGLY
557
00:22:37,700 --> 00:22:39,600
THAT I'M SUPPOSED TO
TELL YOU SOMETHING,
558
00:22:39,633 --> 00:22:42,067
SOMETHING IMPORTANT.
ARE YOU READY?
I'M READY.
559
00:22:42,067 --> 00:22:44,333
ALEXANDER.
ALEXANDER?
560
00:22:44,367 --> 00:22:46,500
ALEXANDER. I DON'T KNOW WHO HE
IS OR WHAT HE MEANS TO YOU.
561
00:22:46,533 --> 00:22:49,500
I DON'T KNOW ANY ALEXANDER.
YOU WILL.
YOU WILL MEET AN ALEXANDER.
562
00:22:49,533 --> 00:22:52,467
AND HE WILL BE
EXTREMELY IMPORTANT TO YOU.
563
00:22:52,500 --> 00:22:55,233
AT SOME FUTURE DATE,
HE MAY SAVE YOUR LIFE.
564
00:22:55,267 --> 00:22:56,633
OKAY.
565
00:22:56,667 --> 00:22:58,567
UM, GOOD TO KNOW.
566
00:22:58,600 --> 00:23:00,733
THANK YOU, DETECTIVE.
567
00:23:00,767 --> 00:23:03,067
THANK YOU, PENNY.
568
00:23:08,200 --> 00:23:10,467
CANDID REALITY GOLD, MATE.
569
00:23:10,500 --> 00:23:12,500
CODY DONNELLY PRESENTS--
FAMOUS MYSTERY WRITER
570
00:23:12,533 --> 00:23:14,833
FOLLOWS A TOUGH BUT BEAUTIFUL
NEW YORK COP AROUND
571
00:23:14,867 --> 00:23:16,767
"FOR RESEARCH."
572
00:23:16,800 --> 00:23:19,267
AH, SHE'D NEVER GO FOR IT.
SHE'S A REAL B--
573
00:23:19,300 --> 00:23:21,200
MR. DONNELLY,
I APPRECIATE YOU COMING...
574
00:23:21,233 --> 00:23:23,133
WHAT ARE YOU DOING HERE?
575
00:23:23,167 --> 00:23:25,700
UH, FOR THE RECORD, I WAS
GONNA SAY "BIG RULE FOLLOWER."
576
00:23:25,733 --> 00:23:28,800
I WAS NOT DISCUSSING THE CASE.
I SWEAR TO GOD.
577
00:23:28,833 --> 00:23:30,567
UH, "NAKED HEAT"
COMES OUT TOMORROW,
578
00:23:30,600 --> 00:23:32,500
AND CODY HERE
WAS ADMIRING THE BILLBOARDS.
579
00:23:32,533 --> 00:23:35,567
IS THAT YOUR SMOKING-HOT
SILHOUETTE ON THE POSTERS THEN?
NO.
580
00:23:35,600 --> 00:23:38,367
SO, MR. DONNELLY,
WHERE DID YOU GO
581
00:23:38,400 --> 00:23:39,567
AFTER YOU LEFT
VIVIEN'S OFFICE?
582
00:23:39,600 --> 00:23:41,500
AFTER WE GOT
ALL THAT GREAT FOOTAGE,
583
00:23:41,533 --> 00:23:43,433
I DROPPED STEVE OFF
AT HIS PLACE
584
00:23:43,467 --> 00:23:45,233
AROUND, UH, WELL, 3:30 OR SO.
585
00:23:45,267 --> 00:23:47,767
THAT WAS JUST BEFORE
VIVIEN MARCHAND CALLED ME.
586
00:23:47,800 --> 00:23:49,500
REALLY?
AND WHAT DID SHE WANT?
587
00:23:49,533 --> 00:23:51,433
TO SAVE WHAT WAS LEFT
OF HER CAREER.
588
00:23:51,467 --> 00:23:53,367
I MEAN, SHE KNEW THE FILM
I HAD ON HER WAS DAMAGING.
589
00:23:53,400 --> 00:23:55,333
SHE SAID IF I BURIED IT,
SHE'D GIVE ME SOMETHING BETTER.
590
00:23:55,367 --> 00:23:56,633
BETTER LIKE WHAT?
591
00:23:56,667 --> 00:23:58,700
BETTER LIKE MURDER.
592
00:23:58,733 --> 00:24:01,100
YOU SEE, VIVIEN SAID SHE WAS
HOT ON A KILLER.
593
00:24:01,133 --> 00:24:03,133
SHE SAID IT WAS BIGGER
THAN STEVE ADAMS.
594
00:24:03,167 --> 00:24:05,100
THIS TIME, THERE WAS A BODY.
595
00:24:05,133 --> 00:24:07,067
SHE WAS GONNA LET ME FILM
THE MOMENT THAT SHE CONFRONTED
596
00:24:07,100 --> 00:24:08,833
THE SOON-TO-BE ACCUSED.
597
00:24:08,867 --> 00:24:11,133
SHE SAID THAT SHE HAD TO CONFIRM
ONE LAST SUSPICION,
598
00:24:11,167 --> 00:24:14,067
AND THAT I HAD TO BE READY TO GO
AT A MOMENT'S NOTICE
599
00:24:14,067 --> 00:24:16,633
'CAUSE WE WERE GONNA
CATCH A KILLER.
AND WHEN WAS THIS CONFRONTATION
GONNA TAKE PLACE?
600
00:24:16,667 --> 00:24:19,533
STRAIGHTAWAY. I GOT AN URGENT
TEXT ABOUT TWO HOURS LATER.
601
00:24:19,567 --> 00:24:21,467
I-I GATHERED UP MY CREW,
INCLUDING SECURITY,
602
00:24:21,500 --> 00:24:23,167
THINKING THIS WAS IT.
603
00:24:23,200 --> 00:24:25,100
AND THEN WHEN I CALLED HER BACK,
NO ANSWER.
604
00:24:25,133 --> 00:24:27,200
I'M GUESSING
SHE WAS ALREADY DEAD.
605
00:24:33,600 --> 00:24:35,700
ANY NEWS ON VIVIEN'S HUNT
FOR A MURDERER?
606
00:24:35,733 --> 00:24:37,633
WELL, SHE HAD SEVERAL CLIENTS
WHO CAME TO HER
607
00:24:37,667 --> 00:24:39,500
BECAUSE OF UNSOLVED CRIMES
IN THE FAMILY,
608
00:24:39,533 --> 00:24:41,400
BUT THE ONES
THAT WE TALKED TO
609
00:24:41,433 --> 00:24:43,333
SAID THAT THEIR CASES
ARE JUST AS COLD NOW
610
00:24:43,367 --> 00:24:46,200
AS WHEN THEY FIRST
CAME TO HER.
(Ryan) HEY, I FOUND THE CAB.
611
00:24:46,233 --> 00:24:48,133
THE DRIVER SAYS HE TOOK VIVIEN
TO A RESIDENCE
612
00:24:48,167 --> 00:24:50,133
AT 112th AND RIVERSIDE.
613
00:24:50,167 --> 00:24:52,833
THE DOORMAN SAYS HE REMEMBERS
VIVIEN GOING UP TO APARTMENT 2C.
614
00:24:52,867 --> 00:24:54,833
IT'S RENTED
TO NICK AND TONI JOHNSTON.
615
00:24:54,867 --> 00:24:57,733
TONI JOHNSTON.
T.J.
616
00:25:00,300 --> 00:25:04,267
IF VIVIEN CAME TO SEE
TONI JOHNSTON THE DAY SHE DIED,
617
00:25:04,300 --> 00:25:06,467
IT HAD TO HAVE BEEN ABOUT
SOMETHING IMPORTANT,
618
00:25:06,500 --> 00:25:08,400
LIKE THIS KILLER
SHE WAS CHASING.
619
00:25:08,433 --> 00:25:10,800
BUT YOU'LL PROBABLY SAY
IT WAS JUST A COINCIDENCE.
620
00:25:10,833 --> 00:25:12,733
CASTLE, WHY IS IT
SO IMPORTANT TO YOU
621
00:25:12,767 --> 00:25:14,667
THAT I BELIEVE
ALL THIS STUFF
622
00:25:14,700 --> 00:25:17,133
ABOUT FATES AND PSYCHICS
AND SANTA CLAUS?
623
00:25:17,167 --> 00:25:19,500
(rings doorbell)
624
00:25:19,533 --> 00:25:20,667
BECAUSE...
625
00:25:20,700 --> 00:25:23,700
IF YOU DON'T BELIEVE IN EVEN
THE POSSIBILITY OF MAGIC,
626
00:25:23,733 --> 00:25:25,733
YOU'LL NEVER, EVER FIND IT.
627
00:25:28,300 --> 00:25:30,533
CAN I HELP YOU?
TONI?
628
00:25:30,567 --> 00:25:33,833
I'M DETECTIVE KATE BECKETT,
AND THIS IS RICHARD CASTLE.
629
00:25:33,867 --> 00:25:36,667
OH, MY GOD. OH, MY GOD.
OH, MY GOD. OH, MY GOD.
630
00:25:36,700 --> 00:25:38,767
OH, MY GOD.
631
00:25:38,800 --> 00:25:40,133
I'M SO STRESSED OUT.
632
00:25:40,167 --> 00:25:42,633
I CAN'T BELIEVE
THIS IS HAPPENING.
633
00:25:42,667 --> 00:25:44,767
SO YOU KNOW
THAT VIVIEN WAS MURDERED?
634
00:25:44,800 --> 00:25:48,067
WHEN I SAW THE PAPER YESTERDAY,
I NEARLY PUKED UP MY OATMEAL.
635
00:25:48,067 --> 00:25:52,167
WHY DID VIVIEN COME
TO VISIT YOU ON MONDAY?
636
00:25:52,200 --> 00:25:54,633
LOOK, THIS IS ALL
VERY PERSONAL AND PRIVATE,
637
00:25:54,667 --> 00:25:57,300
AND IT INVOLVES MY SEX LIFE.
638
00:25:57,333 --> 00:25:59,233
WILL YOU PROMISE
TO KEEP IT CONFIDENT?
639
00:25:59,267 --> 00:26:00,433
I--
ABSOLUTELY.
640
00:26:00,467 --> 00:26:04,167
OKAY, EARLIER THIS YEAR,
I DID A TERRIBLE THING.
641
00:26:04,200 --> 00:26:06,433
I HAD AN AFFAIR
WITH MY HUSBAND'S BOSS.
642
00:26:06,467 --> 00:26:09,333
VERY DISCREET--
NO ONE EVER KNEW ABOUT IT.
643
00:26:09,367 --> 00:26:10,567
THAT'S WHY VIVIEN CALLED ME.
644
00:26:10,600 --> 00:26:13,567
SHE KNEW ABOUT THE AFFAIR?
SHE CALLED ME
OUT OF THE BLUE.
645
00:26:13,600 --> 00:26:15,467
SHE KNEW WE MET
AT THE COMPANY CHRISTMAS PARTY,
646
00:26:15,500 --> 00:26:18,467
THAT WE USED TO RENDEZVOUS
AT THE STARBURST HOTEL,
647
00:26:18,500 --> 00:26:20,167
EVERYTHING.
648
00:26:20,200 --> 00:26:21,733
EXTRAORDINARY.
649
00:26:21,767 --> 00:26:23,133
I KNOW, RIGHT?
650
00:26:23,167 --> 00:26:25,067
I MEAN, MY MIND
WAS TOTALLY BLOWN.
651
00:26:25,100 --> 00:26:26,567
AN AFFAIR?
652
00:26:26,600 --> 00:26:28,800
MRS. JOHNSTON, DID VIVIEN
EVER TALK TO YOU ABOUT MURDER?
653
00:26:28,833 --> 00:26:30,700
NO. SHE JUST TOLD ME SHE KNEW
654
00:26:30,733 --> 00:26:33,667
HOW I HAD CHEATED
ON NICK, MY HUSBAND,
655
00:26:33,700 --> 00:26:36,067
AND THEN SHE ASKED ME
A LOT OF QUESTIONS ABOUT HIM.
656
00:26:36,067 --> 00:26:37,633
WHAT KIND OF QUESTIONS?
657
00:26:37,667 --> 00:26:40,533
SHE ASKED IF HE HAD A TEMPER,
AND IF I FELT SAFE.
658
00:26:40,567 --> 00:26:43,200
SHE WAS SURE NICK DID KNOW
ABOUT THE AFFAIR.
659
00:26:43,233 --> 00:26:45,400
VIVIEN SAID
THE SPOUSE ALWAYS KNOWS.
660
00:26:45,433 --> 00:26:48,300
DID SHE EVER SAY
HOW SHE KNEW ALL OF THIS,
661
00:26:48,333 --> 00:26:50,833
ALL OF THIS
INCREDIBLY PERSONAL INFORMATION,
662
00:26:50,867 --> 00:26:53,200
THE DETAILS OF WHICH
COULD NOT BE READILY FOUND
663
00:26:53,233 --> 00:26:55,567
AT A HALL OF RECORDS
OR THROUGH AN INTERNET SEARCH?
664
00:26:55,600 --> 00:26:56,667
OH, YEAH.
665
00:26:56,700 --> 00:26:59,367
THE GUY I WAS CHEATING WITH?
HE TOLD HER EVERYTHING.
666
00:26:59,400 --> 00:27:02,233
YOU KNOW, I'M GONNA
HAVE TO SPEAK WITH HIM.
667
00:27:02,267 --> 00:27:04,367
OH, OH, YOU CAN'T.
I MEAN, YOU CAN'T.
668
00:27:04,400 --> 00:27:07,433
HE'S DEAD. THAT'S WHY
WE STOPPED SEEING EACH OTHER.
669
00:27:07,467 --> 00:27:09,367
HE DIED LAST APRIL.
HEART ATTACK.
670
00:27:09,400 --> 00:27:11,300
YOU'RE TELLING ME
THAT YOUR DEAD LOVER
671
00:27:11,333 --> 00:27:13,133
TOLD VIVIEN ABOUT YOUR AFFAIR?
672
00:27:13,167 --> 00:27:14,667
THAT'S RIGHT.
673
00:27:14,700 --> 00:27:16,700
SHE SAID EMILIO CAME TO HER
IN A DREAM.
674
00:27:16,733 --> 00:27:18,167
EMILIO?
675
00:27:18,200 --> 00:27:19,567
EMILIO CASILLAS.
676
00:27:19,600 --> 00:27:22,567
YOUR LOVER
WAS EMILIO CASILLAS?
677
00:27:22,600 --> 00:27:25,633
(slurping)
678
00:27:25,667 --> 00:27:27,167
WELL?
679
00:27:27,200 --> 00:27:29,200
(straw squeaks)
680
00:27:29,233 --> 00:27:30,233
(sighs)
681
00:27:30,267 --> 00:27:32,400
EMILIO CASILLAS' AUTOPSY FILE
682
00:27:32,433 --> 00:27:36,100
MAKES FOR
SOME VERY INTERESTING READING.
683
00:27:36,133 --> 00:27:38,167
BUT DO YOU THINK
HE WAS MURDERED?
684
00:27:38,200 --> 00:27:40,100
ACCORDING TO THE M.E.'s NOTES,
IN ADDITION TO
685
00:27:40,133 --> 00:27:42,833
THE CAUSE OF DEATH, WHICH WAS
MASSIVE HEART FAILURE...
MM-HMM.
686
00:27:42,867 --> 00:27:44,633
CASILLAS SHOWED SIGNS
OF ALOPECIA,
687
00:27:44,667 --> 00:27:46,733
AND HIS FINGERNAILS
WERE THINNING.
688
00:27:46,767 --> 00:27:48,500
WHICH MEANS WHAT,
EXACTLY?
689
00:27:48,533 --> 00:27:51,133
I'D HAVE TO EXHUME THE BODY
AND RUN SOME TESTS,
690
00:27:51,167 --> 00:27:53,233
BUT IT COULD BE
TOXIC OVERDOSE OF SELENIUM.
691
00:27:53,267 --> 00:27:54,333
AND WHAT'S SELENIUM?
692
00:27:54,367 --> 00:27:57,067
IT'S A MINERAL THAT'S
NATURALLY FOUND IN THE BODY,
693
00:27:57,100 --> 00:27:58,833
AND IN SMALL AMOUNTS,
IS GOOD FOR YOU.
694
00:27:58,867 --> 00:28:02,167
THEY EVEN SOMETIMES ADD IT
TO DIET PILLS, HEALTH DRINKS.
695
00:28:02,200 --> 00:28:04,767
BUT TOO MUCH OF IT
CAN BE POISONOUS.
696
00:28:04,800 --> 00:28:06,767
HEALTH DRINKS.
697
00:28:06,800 --> 00:28:08,700
MAYBE IT WAS ALSO
IN THE VITAMINS
698
00:28:08,733 --> 00:28:10,400
THAT THE CASILLASES MADE.
699
00:28:10,433 --> 00:28:12,733
SO THAT WOULD MEAN
IT WOULD BE AT THE FACTORY.
700
00:28:12,767 --> 00:28:15,300
VIVIEN TOLD TONI
THAT HER HUSBAND KNEW
701
00:28:15,333 --> 00:28:17,233
ABOUT THE AFFAIR
WITH EMILIO CASILLAS.
702
00:28:17,267 --> 00:28:19,600
SO TONI'S HUSBAND NICK WORKS
AT THE CASILLASES' COMPANY.
703
00:28:19,633 --> 00:28:22,333
HE WOULD HAVE EASY ACCESS
TO THE SELENIUM AND TO EMILIO.
704
00:28:22,367 --> 00:28:23,833
AND DIDN'T
THE CASILLASES' DAUGHTER
705
00:28:23,867 --> 00:28:25,767
SAY THAT HER FATHER DIED
IN THE OFFICE?
706
00:28:25,800 --> 00:28:28,233
THAT'S PROBABLY WHERE
HE RECEIVED THE FATAL DOSE.
SO NICK JOHNSTON
707
00:28:28,267 --> 00:28:30,167
FIGURES OUT HIS WIFE
IS SLEEPING WITH HIS BOSS...
708
00:28:30,200 --> 00:28:31,667
MM-HMM.
AND HE POISONS HIM.
709
00:28:31,700 --> 00:28:33,600
AND THEN NICK DISCOVERS
THAT VIVIEN'S ON TO HIM,
710
00:28:33,633 --> 00:28:36,133
AND KILLS HER, TOO.
711
00:28:38,267 --> 00:28:42,067
HEY. SO I JUST SPOKE TO,
UH, NICK JOHNSTON'S FOREMAN.
712
00:28:42,067 --> 00:28:44,133
HE SAID
THAT NICK CLOCKED OUT EARLY
713
00:28:44,167 --> 00:28:46,533
THE DAY THAT VIVIEN DIED,
AT 5:00.
714
00:28:46,567 --> 00:28:49,333
BUT HIS WIFE SAID HE DIDN'T
GET HOME TILL AT LEAST 7:00.
715
00:28:49,367 --> 00:28:51,267
WELL, THAT WOULD'VE BEEN
PLENTY OF TIME FOR HIM
716
00:28:51,300 --> 00:28:54,167
TO GET TO VIVIEN'S OFFICE,
MURDER HER, WRITE THE LETTER,
717
00:28:54,200 --> 00:28:56,100
ALL BEFORE THE MAIL
WAS PICKED UP.
718
00:28:56,133 --> 00:28:58,800
BUT HOW DID HE FIND OUT
THAT VIVIEN TALKED TO TONI?
719
00:28:58,833 --> 00:29:00,733
TONI WOULDN'T HAVE TOLD HIM.
OH, TONI DIDN'T.
720
00:29:00,767 --> 00:29:02,433
BUT VIVIEN DID.
721
00:29:02,467 --> 00:29:04,367
THE FOREMAN SAID THAT NICK
ASKED FOR THE TIME OFF
722
00:29:04,400 --> 00:29:07,533
AFTER HE WAS VISITED
BY A WOMAN, A WOMAN WHO LOOKED
723
00:29:07,567 --> 00:29:09,367
A LOT LIKE VIVIEN MARCHAND.
724
00:29:09,400 --> 00:29:11,100
SO VIVIEN WAS PUTTING
HER PLAN INTO ACTION.
725
00:29:11,133 --> 00:29:12,800
SHE'D BRING NICK DOWN
TO HER OFFICE,
726
00:29:12,833 --> 00:29:16,133
THEN SHE'D CALL CODY DONNELLY,
HAVE HIM BRING HIS CAMERA CREW.
727
00:29:16,167 --> 00:29:19,400
SHE WOULD CONFRONT NICK ABOUT
EMILIO CASILLAS' MURDER,
728
00:29:19,433 --> 00:29:21,700
CAPTURE IT ALL ON FILM.
729
00:29:21,733 --> 00:29:24,833
VIVIEN WAS ABOUT TO SOLVE
EMILIO'S MURDER,
730
00:29:24,867 --> 00:29:26,767
AND THEN BE RETURNED
TO HER FORMER GLORY
731
00:29:26,800 --> 00:29:28,633
AS NEW YORK'S MOST FAMOUS
PSYCHIC MEDIUM.
732
00:29:28,667 --> 00:29:30,700
IT'S A PRETTY BOLD MOVE.
733
00:29:30,733 --> 00:29:33,367
BUT HOW DID SHE GET ON TO
EMILIO'S MURDER
734
00:29:33,400 --> 00:29:35,833
IN THE FIRST PLACE?
HOW MANY TIMES
DO I HAVE TO SAY IT?
735
00:29:35,867 --> 00:29:37,767
SHE WAS
A... (whispers) PSYCHIC.
736
00:29:37,800 --> 00:29:42,067
I'M SORRY. WHAT?
(normal voice) PSYCHIC.
737
00:29:42,100 --> 00:29:44,567
OR...
738
00:29:44,600 --> 00:29:46,067
MAYBE JUST VERY INTUITIVE.
739
00:29:46,100 --> 00:29:47,533
ACCORDING TO VIVIEN'S NOTES,
740
00:29:47,567 --> 00:29:50,100
PAULA SAID EMILIO HAD BEEN
WORKING LONGER HOURS
741
00:29:50,133 --> 00:29:52,500
IN THE MONTHS
BEFORE HIS DEATH.
742
00:29:52,533 --> 00:29:54,567
SHE WROTE "AFFAIR?"
743
00:29:54,600 --> 00:29:56,233
SHE ALSO WROTE THIS.
744
00:29:56,267 --> 00:29:57,700
STARBURST HOTEL.
745
00:29:57,733 --> 00:30:00,600
THAT'S THE CLOSEST PLACE
TO EMILIO'S OFFICE
746
00:30:00,633 --> 00:30:04,200
THAT RENTS BY THE HOUR.
THE MANAGER THERE SAID
VIVIEN CAME BY LAST WEEK.
747
00:30:04,233 --> 00:30:06,167
HE CONFIRMED TO VIVIEN
748
00:30:06,200 --> 00:30:08,567
THAT THE LOVEBIRDS HAD BEEN
REGULARS EARLY THIS YEAR,
749
00:30:08,600 --> 00:30:12,533
AND SHE GAVE HIM 200 BUCKS
FOR HIS TROUBLE.
750
00:30:12,567 --> 00:30:16,400
OKAY, BUT HOW DOES VIVIEN
GO FROM "AFFAIR" IN GENERAL
751
00:30:16,433 --> 00:30:19,200
TO "AFFAIR
WITH TONI JOHNSTON"?
752
00:30:19,233 --> 00:30:21,133
THAT, MY FRIENDS,
IS A PRETTY BIG LEAP.
753
00:30:21,167 --> 00:30:23,367
YEAH, UH, THAT IS
754
00:30:23,400 --> 00:30:25,100
UNTIL YOU SEE THE PICTURE.
755
00:30:25,133 --> 00:30:26,433
THIS IS
FROM VIVIEN'S RESEARCH.
756
00:30:26,467 --> 00:30:29,733
THIS IS TONI IN THE RED DRESS,
AND EMILIO NEXT TO HER,
757
00:30:29,767 --> 00:30:31,800
AT THE COMPANY'S
LAST CHRISTMAS PARTY.
758
00:30:31,833 --> 00:30:34,100
PRETTY COZY, HUH?
759
00:30:34,133 --> 00:30:35,700
WHERE DID SHE GET THIS?
760
00:30:35,733 --> 00:30:37,633
OH, THERE'S A BULLETIN BOARD
761
00:30:37,667 --> 00:30:39,733
AT THE CASILLASES'
VITAMIN FACTORY
762
00:30:39,767 --> 00:30:41,667
WHERE EMPLOYEES POST PICTURES.
763
00:30:41,700 --> 00:30:43,600
SHE COULD'VE TAKEN IT
FROM THERE.
764
00:30:43,633 --> 00:30:46,133
SO VIVIEN SUSPECTS
THAT EMILIO IS A CHEATER.
765
00:30:46,167 --> 00:30:48,300
SHE GETS AHOLD
OF HIS AUTOPSY FILE,
766
00:30:48,333 --> 00:30:51,267
STARTS THINKING THAT MAYBE
HIS CHEATING GOT HIM KILLED,
767
00:30:51,300 --> 00:30:54,200
AND SHE STARTS DOING
HER USUAL RESEARCH
768
00:30:54,233 --> 00:30:55,700
TO PROVE HER THEORY.
769
00:30:55,733 --> 00:30:58,567
AND ALL OF THIS INVESTIGATION
LEADS HER RIGHT BACK
770
00:30:58,600 --> 00:31:00,200
TO NICK JOHNSTON.
771
00:31:00,233 --> 00:31:02,133
SHE HAD IT ALL WORKED OUT...
772
00:31:02,167 --> 00:31:04,067
RIGHT UP UNTIL
THAT AWKWARD MOMENT
773
00:31:04,100 --> 00:31:06,367
WHERE NICK JOHNSTON STABBED HER
IN THE NECK WITH AN ICE PICK
774
00:31:06,400 --> 00:31:08,067
AND FED HER TO THE COUCH.
775
00:31:08,067 --> 00:31:10,067
YOU GOT THE WRONG GUY.
I DIDN'T KILL THAT PSYCHIC.
776
00:31:10,100 --> 00:31:13,700
WE KNOW SHE CAME TO SEE YOU.
YEAH, SHE SAID SHE NEEDED
TO TALK TO ME IN PRIVATE,
777
00:31:13,733 --> 00:31:16,500
SAID IT WAS URGENT, HAD
SOMETHING TO DO WITH MY WIFE,
778
00:31:16,533 --> 00:31:18,800
SO I PUNCHED OUT EARLY
AND WENT UPTOWN TO HER OFFICE.
779
00:31:18,833 --> 00:31:20,767
AND WHAT DID YOU DO
WHEN YOU GOT THERE?
780
00:31:20,800 --> 00:31:22,700
NOTHING.
THE DOOR WAS LOCKED.
781
00:31:22,733 --> 00:31:25,700
I POUNDED ON IT FOR TEN MINUTES.
NOBODY ANSWERED.
782
00:31:25,733 --> 00:31:28,600
I FIGURED SHE WAS
BLOWING ME OFF, SO I WENT HOME.
783
00:31:28,633 --> 00:31:30,433
THAT'S
A PRETTY CONVENIENT STORY.
784
00:31:30,467 --> 00:31:32,433
IT'S THE TRUTH.
785
00:31:32,467 --> 00:31:35,633
OKAY. WHY DON'T WE START
TALKING ABOUT EMILIO CASILLAS?
786
00:31:35,667 --> 00:31:38,533
WHAT ABOUT HIM?
YOU KNEW THAT HE WAS
SLEEPING WITH YOUR WIFE.
787
00:31:38,567 --> 00:31:41,367
THEY THOUGHT THEY WERE BEING
SO CAREFUL, BUT YEAH, I KNEW.
788
00:31:41,400 --> 00:31:44,267
SO WHAT DID YOU DO?
NOTHING.
789
00:31:44,300 --> 00:31:45,467
SERIOUSLY, NICK?
790
00:31:45,500 --> 00:31:47,400
DO YOU ACTUALLY
EXPECT ME TO BELIEVE
791
00:31:47,433 --> 00:31:49,300
THAT YOU JUST SAT BY
AND LET YOUR BOSS
792
00:31:49,333 --> 00:31:51,433
TAKE YOUR WIFE
AWAY FROM YOU?
793
00:31:51,467 --> 00:31:54,067
DO YOU THINK I'M THAT DUMB?
(lowered voice)
SHE'S NOT THAT DUMB.
794
00:31:54,100 --> 00:31:56,433
(sighs) I GUESS
IT DOESN'T MATTER NOW.
795
00:31:56,467 --> 00:31:58,067
I...
796
00:31:58,067 --> 00:31:59,800
WHEN I FOUND OUT,
I WENT TO EMILIO
797
00:31:59,833 --> 00:32:01,733
AND I ASKED HIM
TO STOP SEEING HER.
798
00:32:01,767 --> 00:32:03,833
(normal voice)
AND WHAT HAPPENED?
HE SAID NO.
799
00:32:03,867 --> 00:32:06,733
HE WAS IN LOVE WITH HER.
I THREATENED TO TELL HIS WIFE,
800
00:32:06,767 --> 00:32:09,233
AND HE JUST SAID,
"DO WHAT YOU GOTTA DO."
801
00:32:09,267 --> 00:32:12,133
SO I DECIDED THAT I WASN'T GONNA
DO HIS DIRTY WORK FOR HIM.
802
00:32:12,167 --> 00:32:14,633
IF HE WANTED TO LEAVE
HIS WIFE OF 30 YEARS,
803
00:32:14,667 --> 00:32:17,533
THEN HE SHOULD JUST BE A MAN
AND DO IT HIMSELF.
804
00:32:17,567 --> 00:32:19,700
BUT I WANTED
TO SAVE MY MARRIAGE,
805
00:32:19,733 --> 00:32:21,667
SO I KEPT MY MOUTH SHUT.
806
00:32:21,700 --> 00:32:23,533
TWO WEEKS LATER,
EMILIO WAS DEAD.
807
00:32:23,567 --> 00:32:25,467
AND YOU DID NOTHING
TO HELP THAT ALONG,
808
00:32:25,500 --> 00:32:27,533
IS THAT WHAT YOU'RE SAYING?
809
00:32:27,567 --> 00:32:29,800
HELP WHAT ALONG?
HE HAD A HEART ATTACK.
810
00:32:29,833 --> 00:32:33,300
THE STRESS OF BEING A LYING,
CHEATING ASSHAT
811
00:32:33,333 --> 00:32:35,233
FINALLY DID HIM IN.
812
00:32:35,267 --> 00:32:36,800
PENNY MARCHAND IS HERE.
SHE SAYS IT'S URGENT.
813
00:32:39,133 --> 00:32:40,400
(Beckett)
PENNY, WHAT IS IT?
814
00:32:40,433 --> 00:32:43,400
DETECTIVE, I HAVE SOMETHING
IMPORTANT TO TELL YOU.
815
00:32:43,433 --> 00:32:45,333
OH, PENNY, IS THIS ABOUT
THE MYSTERY MAN?
816
00:32:45,367 --> 00:32:47,367
BECAUSE I REALLY DON'T KNOW
ANY ALEXANDER.
817
00:32:47,400 --> 00:32:49,600
ALEXANDER?
YEAH, I'LL TELL YOU
ABOUT IT LATER.
818
00:32:49,633 --> 00:32:52,500
PENNY, I'M IN THE MIDDLE
OF A VERY IMPORTANT--
819
00:32:52,533 --> 00:32:54,567
DETECTIVE, YOU HAVE TO
LISTEN TO ME.
820
00:32:54,600 --> 00:32:57,600
I KNOW
WHO MURDERED MY MOTHER.
821
00:33:01,267 --> 00:33:03,133
SO LET ME JUST...
822
00:33:03,167 --> 00:33:06,067
GET THIS STRAIGHT.
823
00:33:06,067 --> 00:33:08,167
YOU'RE TELLING ME
THAT YOU HAD A DREAM
824
00:33:08,200 --> 00:33:10,733
THAT YOUR MOTHER WAS MURDERED
BY THE FREEMASONS.
825
00:33:10,767 --> 00:33:14,067
IN THE DREAM, I WAS
HAVING DINNER WITH MY MOTHER
826
00:33:14,100 --> 00:33:15,567
IN A MASONIC HALL.
827
00:33:15,600 --> 00:33:17,200
SHE WAS VERY CONCERNED.
828
00:33:17,233 --> 00:33:19,700
SHE KEPT POINTING TO MEN
AROUND THE ROOM
829
00:33:19,733 --> 00:33:23,267
AND SAYING,
"ASK THE MASONS WHAT HAPPENED.
830
00:33:23,300 --> 00:33:25,800
THAT'S THE ONLY WAY
YOU'LL GET CLOSURE."
831
00:33:28,500 --> 00:33:31,400
WHERE ARE WE?
STEVE ADAMS ALIBI CHECKED OUT.
832
00:33:31,433 --> 00:33:33,767
WHAT ABOUT NICK JOHNSTON?
WELL, I TOLD HIM NOT TO TAKE
ANY TRIPS OUT OF TOWN
833
00:33:33,800 --> 00:33:35,700
UNTIL WE GET THIS SORTED OUT.
834
00:33:35,733 --> 00:33:38,133
WELL, THE GOOD NEWS IS,
WITH THIS FREEMASONS LEAD,
835
00:33:38,167 --> 00:33:40,567
WE HAVE A WHOLE NEW CROP
OF SUSPECTS.
(Esposito and Ryan) FREEMASONS?
836
00:33:40,600 --> 00:33:42,400
(Beckett) IGNORE HIM.
837
00:33:42,433 --> 00:33:44,367
SO PAULA AND MARINA CASILLAS...
IF THEY KNEW
838
00:33:44,400 --> 00:33:46,667
THAT EMILIO WAS CHEATING,
THAT WOULD BE MOTIVE.
839
00:33:46,700 --> 00:33:48,733
MAYBE THEY FOUND OUT THAT VIVIEN
WAS INVESTIGATING HIS DEATH.
840
00:33:48,767 --> 00:33:50,667
BUT THEY WERE
VIVIEN'S CLIENTS.
841
00:33:50,700 --> 00:33:53,333
WHY WOULD MURDERERS GO
TO A PSYCHIC FOR CLOSURE?
842
00:33:53,367 --> 00:33:56,167
THEY ALSO HAVE AN ALIBI FOR
THE EVENING VIVIEN WAS KILLED.
843
00:33:56,200 --> 00:33:57,667
UNIFORMS CANVASSED
THE RESTAURANT
844
00:33:57,700 --> 00:33:59,600
WHERE THEY WERE DINING
WITH FRIENDS.
845
00:33:59,633 --> 00:34:01,367
THEY WERE THERE FROM 5:00 P.M.
TILL AFTER 7:00.
846
00:34:01,400 --> 00:34:04,200
WAS THIS RESTAURANT
ANYWHERE NEAR VIVIEN'S OFFICE?
847
00:34:04,233 --> 00:34:07,600
YEAH, AROUND THE CORNER.
NEW PLACE. UH, MASON'S.
848
00:34:07,633 --> 00:34:11,267
"ASK THE MASONS, AND THEY
WILL GIVE YOU CLOSURE."
849
00:34:11,300 --> 00:34:12,767
LET'S NOT GET CARRIED AWAY.
850
00:34:12,800 --> 00:34:16,200
ASK THE MASONS, PLEASE.
851
00:34:16,233 --> 00:34:18,533
JUST THIS ONCE.
852
00:34:18,567 --> 00:34:20,067
(whispers) BELIEVE.
853
00:34:20,100 --> 00:34:22,733
YOU KNOW WHAT'S
GOING ON HERE?
NO, NOT REALLY.
854
00:34:22,767 --> 00:34:24,267
ME NEITHER.
855
00:34:24,300 --> 00:34:25,633
NO MATTER WHAT HAPPENS,
856
00:34:25,667 --> 00:34:28,333
WE WILL NEVER
SPEAK OF THIS AGAIN.
857
00:34:30,400 --> 00:34:32,533
(clicks cell phone open)
858
00:34:32,567 --> 00:34:35,200
(keypad beeping)
859
00:34:35,233 --> 00:34:36,200
HELLO.
860
00:34:36,233 --> 00:34:38,300
THIS IS DETECTIVE KATE BECKETT
WITH THE NYPD.
861
00:34:38,333 --> 00:34:40,467
COULD I SPEAK WITH THE OWNER,
PLEASE?
862
00:34:40,500 --> 00:34:42,333
HELLO, MR. MASON?
863
00:34:42,367 --> 00:34:45,067
I HAVE A COUPLE OF QUESTIONS
TO ASK YOU.
864
00:34:45,067 --> 00:34:47,367
MRS. CASILLAS,
WHOSE IDEA WAS IT TO GO
865
00:34:47,400 --> 00:34:50,267
AND VISIT VIVIEN MARCHAND
IN THE FIRST PLACE?
866
00:34:50,300 --> 00:34:53,167
WE HAVE HAD A VERY LONG DAY.
PLEASE ANSWER THE QUESTION.
867
00:34:53,200 --> 00:34:54,500
IT WAS MY IDEA.
868
00:34:54,533 --> 00:34:56,433
MOTHER THOUGHT
IT COST TOO MUCH,
869
00:34:56,467 --> 00:34:59,367
BUT I MISSED DADDY SO MUCH THAT
I WAS WILLING TO TRY ANYTHING.
870
00:34:59,400 --> 00:35:00,733
AND WHEN SHE KNEW
871
00:35:00,767 --> 00:35:02,667
SO MANY PRIVATE THINGS
ABOUT YOUR FATHER?
872
00:35:02,700 --> 00:35:04,267
IT WAS ALMOST
LIKE BEING WITH HIM,
873
00:35:04,300 --> 00:35:07,567
LIKE HE WAS IN THE ROOM
WITH US.
THE NIGHT THAT VIVIEN MARCHAND
WAS MURDERED,
874
00:35:07,600 --> 00:35:10,233
THE TWO OF YOU WENT TO DINNER
WITH FRIENDS AT MASON'S.
875
00:35:10,267 --> 00:35:12,167
THAT'S RIGHT.
IT'S A NEW PLACE.
876
00:35:12,200 --> 00:35:14,067
MY MOTHER WANTED TO TRY IT.
877
00:35:14,067 --> 00:35:15,800
THE WAITER CONFIRMED
THAT YOU WERE THERE
878
00:35:15,833 --> 00:35:17,733
FROM 5:00 UNTIL 7:30.
879
00:35:17,767 --> 00:35:20,633
HOW WAS YOUR MEAL? DID YOU
ORDER WINE WITH DINNER?
880
00:35:20,667 --> 00:35:21,733
YES.
881
00:35:21,767 --> 00:35:24,367
NO, I MEAN, THEY DON'T HAVE
A LIQUOR LICENSE YET,
882
00:35:24,400 --> 00:35:25,633
SO YOU BRING YOUR OWN.
883
00:35:25,667 --> 00:35:28,567
SO YOU BROUGHT YOUR OWN BOTTLE
OF WINE WITH YOU, THEN?
NO.
884
00:35:28,600 --> 00:35:31,567
MOTHER WENT OUT TO THE LIQUOR
STORE AND BROUGHT US A BOTTLE.
885
00:35:31,600 --> 00:35:33,500
SHE WAS GONE ABOUT 20 MINUTES.
AND WHAT TIME WAS THAT?
886
00:35:33,533 --> 00:35:35,700
5:15 MAYBE.
WHAT'S THIS ALL ABOUT?
887
00:35:35,733 --> 00:35:38,200
PAULA, WE WENT
TO THE LIQUOR STORE.
888
00:35:38,233 --> 00:35:40,533
YOU DIDN'T BUY
THAT BOTTLE OF WINE AT 5:15.
889
00:35:40,567 --> 00:35:44,367
ACCORDING TO THIS RECEIPT,
YOU BOUGHT IT AT 3:12.
890
00:35:44,400 --> 00:35:47,533
AND AT THE SAME TIME,
YOU BOUGHT AN ICE PICK.
891
00:35:47,567 --> 00:35:48,733
I DON'T UNDERSTAND.
892
00:35:48,767 --> 00:35:52,300
YOU BOUGHT THAT BOTTLE OF WINE,
AND THEN YOU PUT IT ASIDE,
893
00:35:52,333 --> 00:35:54,067
AND THEN AT 5:15,
894
00:35:54,067 --> 00:35:57,067
YOU LEFT THE RESTAURANT AND WENT
STRAIGHT TO VIVIEN'S OFFICE
895
00:35:57,067 --> 00:35:58,433
AND MURDERED HER.
896
00:35:58,467 --> 00:36:01,100
THEN YOU WENT AND YOU RETRIEVED
THE BOTTLE OF WINE.
897
00:36:01,133 --> 00:36:02,700
YOU RETURNED
TO THE RESTAURANT.
898
00:36:02,733 --> 00:36:05,200
YOU HAD DINNER WITH
YOUR DAUGHTER AND YOUR FRIENDS.
899
00:36:05,233 --> 00:36:07,767
(Marina) THAT'S CRAZY.
MOM, TELL THEM.
900
00:36:07,800 --> 00:36:10,500
WHY WOULD SHE DO SOMETHING
LIKE THAT?
(Castle) TO COVER UP
ANOTHER MURDER.
901
00:36:10,533 --> 00:36:12,733
YOUR FATHER'S.
902
00:36:12,767 --> 00:36:14,667
DID YOU FIGURE OUT
THAT EMILIO WAS CHEATING
903
00:36:14,700 --> 00:36:17,500
OR DID HE TELL YOU?
904
00:36:17,533 --> 00:36:20,400
HE TOLD ME...
905
00:36:20,433 --> 00:36:23,600
THAT HE HAD MET SOMEONE...
906
00:36:23,633 --> 00:36:27,200
THAT SHE WAS YOUNG
AND BEAUTIFUL...
907
00:36:27,233 --> 00:36:30,800
AND THAT I WAS
JUST A BORING OLD LADY.
908
00:36:33,600 --> 00:36:36,433
I TOOK SOME SELENIUM
FROM THE FACTORY,
909
00:36:36,467 --> 00:36:39,533
AND... EVERY MORNING,
910
00:36:39,567 --> 00:36:41,467
I PUT A LITTLE BIT
IN HIS COFFEE.
911
00:36:41,500 --> 00:36:43,500
OH, MY GOD. MOM...
912
00:36:43,533 --> 00:36:45,800
WHEN YOU WANTED
TO GO SEE VIVIEN,
913
00:36:45,833 --> 00:36:48,333
I WENT ALONG TO HUMOR YOU,
914
00:36:48,367 --> 00:36:50,267
BUT... SHE KNEW THINGS
915
00:36:50,300 --> 00:36:53,500
THAT SHE SHOULDN'T
HAVE KNOWN.
916
00:36:53,533 --> 00:36:55,433
AND THEN WHEN SHE TOLD YOU
THAT EMILIO WANTED
917
00:36:55,467 --> 00:36:57,500
TO TELL YOU
SOMETHING IMPORTANT...
918
00:36:57,533 --> 00:36:59,700
AND SHE SAID SHE WAS GOING TO
SPEND THE EVENING
919
00:36:59,733 --> 00:37:01,633
COMMUNING WITH HIS SPIRIT...
920
00:37:01,667 --> 00:37:05,300
THE CHEATING SON OF A BITCH
WAS GONNA TELL ON ME.
921
00:37:05,333 --> 00:37:07,467
AFTER EVERYTHING
THAT HE HAD DONE,
922
00:37:07,500 --> 00:37:10,233
I COULDN'T LET THAT HAPPEN.
923
00:37:10,267 --> 00:37:13,167
I HAD TO KILL HER
TO STOP HIM.
(pounds table)
924
00:37:13,200 --> 00:37:14,767
MOTHER, STOP TALKING.
925
00:37:14,800 --> 00:37:16,233
WE WANT A LAWYER.
926
00:37:20,333 --> 00:37:22,067
PAULA CASILLAS
HAS LAWYERED UP.
927
00:37:22,067 --> 00:37:23,800
HE'S ALREADY TRYING
TO SUPPRESS HER CONFESSION.
928
00:37:23,833 --> 00:37:25,500
WILL THAT WORK?
929
00:37:25,533 --> 00:37:28,067
YOU KNOW, I DOUBT IT,
BUT PAULA'S DONE TALKING.
930
00:37:28,067 --> 00:37:29,800
DID YOU ASK HER
WHO WROTE THE LETTER?
931
00:37:29,833 --> 00:37:31,733
YOU KNOW,
I DIDN'T GET A CHANCE,
932
00:37:31,767 --> 00:37:33,667
SO I GUESS IT'LL HAVE TO
REMAIN A MYSTERY.
933
00:37:33,700 --> 00:37:35,800
UH, ACTUALLY, NOT QUITE.
934
00:37:35,833 --> 00:37:37,733
DO YOU REMEMBER
THE LAST CLUE,
935
00:37:37,767 --> 00:37:40,433
THE SOUND OF KNOCKING
FROM FAR AWAY?
MM-HMM.
936
00:37:40,467 --> 00:37:42,467
THAT WOULD'VE BEEN
NICK JOHNSTON.
937
00:37:42,500 --> 00:37:44,667
HE SAID HE POUNDED ON THAT DOOR
FOR QUITE SOME TIME
938
00:37:44,700 --> 00:37:46,567
BEFORE HE FINALLY GAVE UP
AND WENT AWAY.
939
00:37:46,600 --> 00:37:48,733
VIVIEN WAS ALREADY DEAD.
YEAH, BUT PAULA COULD'VE
STILL BEEN IN THE OFFICE
940
00:37:48,767 --> 00:37:51,233
WAITING FOR HIM TO LEAVE,
SHE WOULD'VE HEARD THE KNOCKING
941
00:37:51,267 --> 00:37:54,067
JUST LIKE SHE SAW THE PHONE,
JUST LIKE SHE SAW ALBERT MORENO,
942
00:37:54,100 --> 00:37:55,833
WHO WAS PROBABLY
DRESSED IN BLACK,
943
00:37:55,867 --> 00:37:58,733
SO SHE JUST PUT IT INTO
THE LETTER TO THROW US OFF.
HMM.
944
00:37:58,767 --> 00:38:01,233
ONLY ACCORDING TO YOUR TIMELINE
ON THE MURDER BOARD,
945
00:38:01,267 --> 00:38:03,800
BY THE TIME NICK
GOT TO THE OFFICE AT 5:45,
946
00:38:03,833 --> 00:38:05,733
PAULA WAS BACK
AT THE RESTAURANT,
947
00:38:05,767 --> 00:38:07,767
SO THE OFFICE WAS EMPTY,
948
00:38:07,800 --> 00:38:10,300
EXCEPT, OF COURSE,
FOR VIVIEN.
949
00:38:10,333 --> 00:38:11,800
***
950
00:38:11,833 --> 00:38:14,167
OH, BEFORE I FORGET...
951
00:38:14,200 --> 00:38:16,433
WHAT DID PENNY SAY
ABOUT ALEXANDER?
952
00:38:16,467 --> 00:38:17,633
OH, NOTHING.
953
00:38:17,667 --> 00:38:21,300
JUST SOME SILLY STUFF THAT
DIDN'T REALLY MAKE ANY SENSE.
954
00:38:21,333 --> 00:38:23,300
WHY?
955
00:38:23,333 --> 00:38:25,133
BECAUSE MY MIDDLE NAME
IS ALEXANDER.
956
00:38:25,167 --> 00:38:26,833
I THOUGHT YOUR MIDDLE NAME
WAS EDGAR.
957
00:38:26,867 --> 00:38:28,600
BEEN PERUSING
THE PERSONAL SECTION
958
00:38:28,633 --> 00:38:30,533
OF THE RICHARD CASTLE WEBSITE
AGAIN, HAVE WE?
959
00:38:30,567 --> 00:38:33,700
NO, I CHANGED MY MIDDLE NAME
TO EDGAR FOR EDGAR ALLAN POE
960
00:38:33,733 --> 00:38:35,633
BACK WHEN I CHANGED
MY LAST NAME TO CASTLE.
961
00:38:35,667 --> 00:38:38,667
MY GIVEN NAME IS
RICHARD ALEXANDER RODGERS.
962
00:38:38,700 --> 00:38:40,600
WHAT A COINCIDENCE, HUH?
963
00:38:40,633 --> 00:38:42,400
***
964
00:38:42,433 --> 00:38:46,100
(woman)
* IT'S NO SURPRISE
965
00:38:46,133 --> 00:38:47,700
* I'M HERE TONIGHT
966
00:38:47,733 --> 00:38:51,100
I THINK THAT WAS
A LOVELY SERVICE.
967
00:38:51,133 --> 00:38:52,433
AND IF I MAY SAY,
968
00:38:52,467 --> 00:38:55,067
YOUR SPEECH WAS THE BEST.
969
00:38:55,067 --> 00:38:56,800
OH, WELL, THANK YOU
FOR WRITING IT. PFFT.
970
00:38:56,833 --> 00:38:59,400
AND I THINK, YOU KNOW,
BETWEEN THE TWO OF US,
971
00:38:59,433 --> 00:39:01,467
WE MANAGED TO CAPTURE
THE ESSENCE OF CHET.
972
00:39:01,500 --> 00:39:02,533
YES.
973
00:39:02,567 --> 00:39:04,067
AND BOOMER AND LOTTE--
974
00:39:04,100 --> 00:39:06,367
VERY, VERY GRACIOUS
ABOUT TAKING THE RING BACK
975
00:39:06,400 --> 00:39:10,333
AND THE WHOLE... OH.
976
00:39:10,367 --> 00:39:13,167
OH, GOD.
I FEEL TERRIBLE.
977
00:39:13,200 --> 00:39:15,133
YOU KNOW...
978
00:39:15,167 --> 00:39:17,067
YOU REALLY HAVE NOTHING
TO FEEL GUILTY ABOUT.
979
00:39:17,100 --> 00:39:19,533
OH, RICHARD, PLEASE.
NO, IF ANYTHING,
980
00:39:19,567 --> 00:39:21,767
BY TELLING CHET YOU WANTED
TO THINK ABOUT GETTING ENGAGED,
981
00:39:21,800 --> 00:39:23,700
YOU GAVE HIM
ONE MORE DAY OF HOPE.
982
00:39:23,733 --> 00:39:26,200
BUT NOW HE KNOWS.
983
00:39:26,233 --> 00:39:28,500
HE'S UP THERE, I ASSUME,
984
00:39:28,533 --> 00:39:30,333
AND HE KNOWS EVERYTHING.
985
00:39:30,367 --> 00:39:33,233
HE KNOWS HE GAVE HIS HEART
TO A WOMAN WHO IS SHALLOW
986
00:39:33,267 --> 00:39:35,233
AND A LITTLE COWARDLY
AND...
987
00:39:35,267 --> 00:39:37,767
DIDN'T REALLY DESERVE HIM.
988
00:39:37,800 --> 00:39:39,533
* LIKE ALL THE COLORS
989
00:39:39,567 --> 00:39:41,667
* TO THE CITY DOWN...
990
00:39:41,700 --> 00:39:43,100
MOVE OVER.
991
00:39:43,133 --> 00:39:44,667
WHAT?
COME HERE.
992
00:39:44,700 --> 00:39:46,467
OH, HONEY. I-I DON'T HAVE--
NO, GO.
993
00:39:46,500 --> 00:39:49,167
NOW YOU CAN ASK CHET
ANYTHING YOU WANT TO KNOW.
994
00:39:49,200 --> 00:39:51,633
* TO PLUNGE DOWN IN PAIN
995
00:39:51,667 --> 00:39:54,200
* IS MORE THAN POSSIBLE
996
00:39:54,233 --> 00:39:56,500
CHET...
997
00:39:56,533 --> 00:39:58,767
DARLING, DO YOU FORGIVE ME?
998
00:39:58,800 --> 00:40:01,167
***
999
00:40:01,200 --> 00:40:02,500
THERE. "YES."
1000
00:40:02,533 --> 00:40:03,833
NOW YOU KNOW.
OH!
1001
00:40:03,867 --> 00:40:05,833
YOU MOVED IT.
YES, I DID.
1002
00:40:05,867 --> 00:40:07,400
(exhales)
1003
00:40:07,433 --> 00:40:09,333
AND LET ME TELL YOU
SOMETHING ELSE.
1004
00:40:09,367 --> 00:40:10,800
CHET WAS NOBODY'S FOOL.
1005
00:40:10,833 --> 00:40:13,467
HE KNEW YOU, ALL OF YOU.
1006
00:40:13,500 --> 00:40:16,300
AND HE LOVED YOU.
1007
00:40:16,333 --> 00:40:19,200
I AM SURE WHEREVER HE IS NOW,
HE STILL DOES.
1008
00:40:19,233 --> 00:40:22,233
***
1009
00:40:22,267 --> 00:40:23,733
(blows air)
1010
00:40:23,767 --> 00:40:25,133
COME ON.
1011
00:40:25,167 --> 00:40:27,700
GET SOME SLEEP.
1012
00:40:27,733 --> 00:40:29,033
OKAY.
1013
00:40:29,067 --> 00:40:32,400
***
1014
00:40:32,433 --> 00:40:33,633
RICHARD.
1015
00:40:33,667 --> 00:40:35,533
***
1016
00:40:35,567 --> 00:40:38,367
WHATEVER MISTAKES
I'VE MADE IN MY LIFE,
1017
00:40:38,400 --> 00:40:40,500
I RAISED A GOOD MAN.
1018
00:40:40,533 --> 00:40:46,533
***
78195
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