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1
00:00:13,756 --> 00:00:15,121
[HORSE GALLOPS]
2
00:01:34,003 --> 00:01:35,664
[GUITAR MUSIC BEGINS]
3
00:01:38,474 --> 00:01:40,602
,6O AWAY OUT WEST IN TEXAS ,6O
4
00:01:40,076 --> 00:01:42,443
,6O THAT,A6S WHERE I LONG TO BE ,6O
5
00:01:42,478 --> 00:01:44,537
,6O RIDING ON THE PRAIRIE ,6O
6
00:01:44,247 --> 00:01:46,511
,6O WITH A GOOD HOSS UNDER ME ,6O
7
00:01:46,682 --> 00:01:49,117
,6O 3 LONG YEARS I BUMMED AROUND
,6O
8
00:01:48,885 --> 00:01:51,115
,6O MY HEART IS SAD AND BLUE ,6O
9
00:01:50,953 --> 00:01:53,718
,6O I,A6M GOING BACK TO THE WOOLLY
WEST ,6O
10
00:01:53,256 --> 00:01:55,987
,6O WHERE YOUR FRIENDS ARE ALWAYS
TRUE ,6O
11
00:01:55,358 --> 00:01:56,484
[YODELING]
12
00:01:59,896 --> 00:02:01,955
,6O WAY OUT WEST IN TEXAS ,6O
13
00:02:02,298 --> 00:02:04,767
,6O WHERE THE ATMOSPHERE IS LIGHT
,6O
14
00:02:04,233 --> 00:02:06,600
,6O YOU ROLL UP IN YOUR BLANKET ,6O
15
00:02:06,302 --> 00:02:08,634
,6O ON THE PRAIRIE EVERY NIGHT ,6O
16
00:02:08,638 --> 00:02:12,006
,6O WHERE THE RATTLESNAKES AND
THE OLD HORNED TOADS ,6O
17
00:02:11,340 --> 00:02:13,809
,6O THEY SLEEP RIGHT BY YOUR SIDE
,6O
18
00:02:13,109 --> 00:02:15,544
,6O ON THE DESERT SANDS OF TEXAS
,6O
19
00:02:15,444 --> 00:02:18,675
[FROGGY VOICE] ,6O THAT,A6S WHERE I
LONG TO RIDE ,6O
20
00:02:17,580 --> 00:02:19,639
,6O WAY OUT WEST IN TEXAS ,6O
21
00:02:19,882 --> 00:02:22,510
,6O WHEN THEY ROUND UP IN THE
SPRING ,6O
22
00:02:22,185 --> 00:02:24,847
,6O YOU HEAR ME SING THIS LITTLE
SONG ,6O
23
00:02:24,353 --> 00:02:26,617
,6O WHILE RIDING ON THE RANGE ,6O
24
00:02:26,422 --> 00:02:29,153
,6O YOUR BROADWAY LIGHTS APPEAL
TO YOU ,6O
25
00:02:28,691 --> 00:02:31,058
,6O BUT MOONLIGHT SUITS ME FINE ,6O
26
00:02:30,860 --> 00:02:33,227
,6O I,A6LL SETTLE DOWN IN TEXAS ,6O
27
00:02:32,762 --> 00:02:35,026
,6O AND LEAVE MY BLUES BEHIND ,6O
28
00:02:35,398 --> 00:02:36,524
[YODELING]
29
00:02:37,800 --> 00:02:40,531
[FROGGY VOICE] ,6O VEE VEE VEE VEE
VEE ,6O
30
00:02:38,701 --> 00:02:40,362
,6O WILDE-BUM-BUM ,6O
31
00:02:40,603 --> 00:02:42,435
YOU GOT A GUITAR STRING?
32
00:02:42,171 --> 00:02:44,606
THERE,A6S A BOX OF THEM IN THE
PACK.
33
00:02:43,973 --> 00:02:46,908
COULDN,A6T YOU LEND ME THAT ONE
IN YOUR POCKET
34
00:02:45,474 --> 00:02:47,306
JUST FOR A LITTLE WHILE?
35
00:02:46,776 --> 00:02:49,211
THEN WHAT WOULD WE USE FOR
EVIDENCE?
36
00:02:50,313 --> 00:02:53,783
THIS STRING,A6S GONNA__PUT A ROPE
AROUND SOMEBODY,A6S NECK
37
00:02:53,849 --> 00:02:56,375
WHEN WE FIND THE GUITAR IT BELONGS
ON.
38
00:02:55,885 --> 00:02:58,411
YEAH, BUT WHOSE NECK, AND WHERE
IS IT?
39
00:02:58,754 --> 00:03:00,756
LT,A6S OUR JOB TO FIND OUT.
40
00:03:04,060 --> 00:03:07,223
WHY DON,A6T YOU ADMIT YOU CAN,A6T
HANDLE THAT HORSE
41
00:03:05,995 --> 00:03:07,724
AND RIDE THE SWAYBACK?
42
00:03:07,330 --> 00:03:10,163
THAT AIN,A6T NO HORSE. THAT,A6S A
NIGHTMARE.
43
00:03:11,067 --> 00:03:14,128
WELL, lT,A6S GOING TO BE BAD
DREAMS FOR SOMEBODY.
44
00:03:12,468 --> 00:03:13,936
DON,A6T FORGET...
45
00:03:13,669 --> 00:03:16,730
THAT,A6S THE HORSE THAT OLD MAN
MARTIN WAS RIDING
46
00:03:15,705 --> 00:03:17,537
THE DAY HE WAS MURDERED.
47
00:03:16,706 --> 00:03:18,538
YOU WANT ME TO RIDE HIM,
48
00:03:17,907 --> 00:03:20,342
LIKE I WAS OLD MAN MARTIN,A6S
GHOST.
49
00:03:20,409 --> 00:03:21,934
[FROGGY VOICE] NO!
50
00:03:21,677 --> 00:03:23,406
[NORMAL VOICE] NOT ME.
51
00:03:22,812 --> 00:03:24,814
L,A6LL STICK TO THIS HORSE.
52
00:03:31,721 --> 00:03:33,951
DON,A6T LET HIM THROW YOU, FROG!
53
00:03:32,922 --> 00:03:35,050
STICK WITH HIM, LIKE YOU SAID!
54
00:04:20,336 --> 00:04:21,599
ARE YOU HURT?
55
00:04:21,137 --> 00:04:22,605
ONLY MY FEELINGS.
56
00:04:23,239 --> 00:04:24,240
WELL...
57
00:04:24,407 --> 00:04:27,638
YOU DIDN,A6T SEEM TO BE STUCK ON
YOUR HORSE, EITHER.
58
00:04:26,676 --> 00:04:30,010
YOU CAN,A6T BLAME HIM IF HE
STEPPED IN THE GOPHER HOLE
59
00:04:28,678 --> 00:04:30,680
AT THE WRONG TIME, CAN YOU?
60
00:04:29,879 --> 00:04:31,881
COME ON, RIDE THE SWAYBACK.
61
00:04:31,480 --> 00:04:33,039
HEY, WAIT A MINUTE.
62
00:04:33,049 --> 00:04:35,882
AIN,A6T YOU GONNA HELP ME LOOK
FOR MY HORSE?
63
00:04:34,417 --> 00:04:35,293
SURE.
64
00:04:35,418 --> 00:04:37,682
I DOUBT IF WE,A6LL EVER FIND HIM.
65
00:04:37,219 --> 00:04:40,587
HE,A6S PROBABLY MAD AT YOU FOR
LEAVING HIM SO SUDDENLY.
66
00:04:55,805 --> 00:04:59,275
I NEVER THOUGHT THIS OLD ROCKING
CHAIR WOULD EVER GET ME.
67
00:05:01,010 --> 00:05:03,377
I ONLY HOPE I DON,A6T GET SEA SICK.
68
00:05:10,820 --> 00:05:12,879
GET OFF THE ROAD, SLOW POKES!
69
00:05:36,078 --> 00:05:39,139
I OUGHT TO TURN YOU ACROSS MY
KNEE AND SPANK YOU.
70
00:05:38,080 --> 00:05:39,548
YOU DON,A6T DARE.
71
00:05:39,115 --> 00:05:40,241
DON,A6T I?
72
00:05:45,621 --> 00:05:47,385
SAY--WHAT,A6S THE IDEA,
73
00:05:47,523 --> 00:05:50,549
PRACTICING YOUR CIRCUS STUNTS ON
MY STAGE COACH?
74
00:05:50,659 --> 00:05:52,491
YOU OUGHT TO KNOW BETTER
75
00:05:51,761 --> 00:05:54,628
THAN TO LET THIS CRAZY GIRL DRIVE
YOUR STAGE.
76
00:05:53,362 --> 00:05:56,297
IF I WANT TO LET MISS MARTIN DRIVE
THAT COACH,
77
00:05:55,698 --> 00:05:57,359
THAT,A6S MY BUSINESS!
78
00:05:56,699 --> 00:05:58,565
ARE YOU MISS JOAN MARTIN?
79
00:05:58,701 --> 00:06:01,636
YES! AND YOU,A6D BETTER NOT BE IN
THIS COUNTRY
80
00:06:01,303 --> 00:06:03,169
WHEN I TELL MY UNCLE JOHN
81
00:06:02,738 --> 00:06:04,763
THAT YOU-- THAT YOU DARED...
82
00:06:04,974 --> 00:06:06,203
TO SPANK ME.
83
00:06:07,643 --> 00:06:10,169
WELL, IT HURT ME MORE THAN IT DID
YOU.
84
00:06:13,449 --> 00:06:15,975
WHERE,A6D YOU GET THAT SWAYBACK
HORSE?
85
00:06:15,251 --> 00:06:17,083
BOY, AIN,A6T HE A DANDY?
86
00:06:16,986 --> 00:06:19,546
HE,A6S A GENUINE 5-GAITED
THOROUGHBRED,
87
00:06:19,555 --> 00:06:21,785
AND HE,A6S SMART AS A WHIP, TOO.
88
00:06:21,157 --> 00:06:23,182
WILL YOU PLEASE GET STARTED?
89
00:06:28,864 --> 00:06:31,026
HOW FAR IS IT TO THE NEXT TOWN?
90
00:06:31,534 --> 00:06:34,265
YOU FOLLOW THE ROAD AND YOU,A6LL
FIND OUT.
91
00:06:33,969 --> 00:06:36,233
HA! HA! OUT OF HERE! HA HA HA HA!
92
00:06:36,105 --> 00:06:37,049
HA HA!
93
00:06:41,644 --> 00:06:44,511
BOY, SHE,A6S A PRETTY NICE GIRL
AIN,A6T SHE?
94
00:06:43,813 --> 00:06:46,441
THAT,A6S OLD MAN MARTIN'S
GRANDDAUGHTER.
95
00:06:45,714 --> 00:06:46,556
HUH?
96
00:06:46,782 --> 00:06:49,547
WE,A6VE GOT WORK TO DO AT THE
MARTIN RANCH.
97
00:06:49,084 --> 00:06:51,917
WHAT A SWELL RECEPTION WE,A6RE
GOING TO GET.
98
00:06:51,787 --> 00:06:52,913
[\NHISTLES]
99
00:06:53,456 --> 00:06:55,288
WELL... THAT JUST PROVES
100
00:06:55,491 --> 00:06:57,721
THAT YOU SHOULDN,A6T SPANK GIRLS
101
00:06:56,692 --> 00:06:59,059
BEFORE YOU,A6RE INTRODUCED TO
THEM.
102
00:06:58,427 --> 00:07:01,897
SHE MUST HAVE BEEN OUT OF THIS
COUNTRY FOR QUITE A WHILE.
103
00:07:01,464 --> 00:07:02,306
WHY?
104
00:07:02,665 --> 00:07:06,033
WELL, SHE DIDN,A6T__RECOGNIZE HER
GRANDFATHER,A6S HORSE.
105
00:07:06,068 --> 00:07:07,433
THAT,A6S RIGHT.
106
00:07:13,776 --> 00:07:15,210
HEY, WAIT ON ME!
107
00:07:15,544 --> 00:07:16,875
WAIT A MINUTE!
108
00:07:23,285 --> 00:07:25,049
Man: AH, SE\/éOR MARTIN.
109
00:07:25,387 --> 00:07:28,220
THE STAGECOACH, IT COME WITH
SE\/éORITA JOAN.
110
00:07:28,224 --> 00:07:31,353
WHY COULDN,A6T SHE HAVE STAYED
EAST ANOTHER MONTH?
111
00:07:50,212 --> 00:07:51,441
HOWDY, JOAN.
112
00:07:53,115 --> 00:07:55,777
SURE IS GOOD TO HAVE YOU BACK
HOME AGAIN.
113
00:07:55,451 --> 00:07:58,182
OH, lT,A6S SO NICE TO BE BACK, UNCLE
JOHN.
114
00:07:58,888 --> 00:08:01,118
TELL ME ABOUT... ABOUT GRANDDAD.
115
00:08:01,457 --> 00:08:02,458
WELL...
116
00:08:05,861 --> 00:08:07,090
JOAN MARTIN!
117
00:08:11,867 --> 00:08:13,028
HELLO, LON.
118
00:08:13,002 --> 00:08:15,437
WELL, THE EAST HAS CHANGED YOU
SOME.
119
00:08:15,538 --> 00:08:18,007
YOU,A6VE GROWN UP. YOU,A6RE
PRETTIER.
120
00:08:17,139 --> 00:08:18,265
THANK YOU.
121
00:08:18,607 --> 00:08:21,770
I RECKON I,A6LL START CALLING ON
YOU NIGHTS, JOAN--
122
00:08:21,410 --> 00:08:23,242
WITH SERIOUS INTENTIONS.
123
00:08:23,579 --> 00:08:24,808
PLEASE, LON.
124
00:08:24,647 --> 00:08:27,207
SAVE YOUR COURTING TALK FOR
LATER, LON.
125
00:08:27,016 --> 00:08:29,451
WE,A6VE GOT TO SEE LAWYER NOLAN
NOW.
126
00:08:39,061 --> 00:08:40,495
NOLAN, THIS lS--
127
00:08:40,329 --> 00:08:43,264
lT,A6S OUR LITTLE JOAN. I,A6D HARDLY
KNOW YOU.
128
00:08:42,364 --> 00:08:43,627
WELCOME HOME.
129
00:08:56,612 --> 00:08:59,741
MR. NOLAN, I WANT TO KNOW HOW
GRANDDAD WAS KILLED.
130
00:09:01,784 --> 00:09:04,048
I GUESS WE,A6LL HAVE TO TELL HER.
131
00:09:03,519 --> 00:09:05,578
YOUR GRANDFATHER WAS MURDERED
132
00:09:05,988 --> 00:09:07,717
BY SOME UNKNOWN PERSON
133
00:09:08,524 --> 00:09:11,084
WHO THROTTLED HIM WITH A GUITAR
STRING.
134
00:09:10,593 --> 00:09:11,367
OH!
135
00:09:11,627 --> 00:09:13,959
PROBABLY MURDER WASN,A6T
INTENDED.
136
00:09:13,996 --> 00:09:17,557
THEY MAY HAVE TRIED TO WORM SOME
SECRET OUT OF THE OLD MAN.
137
00:09:16,599 --> 00:09:17,600
SECRET?
138
00:09:17,633 --> 00:09:19,897
YES. YOUR GRANDFATHER HAD
SECRETS
139
00:09:19,768 --> 00:09:22,794
THAT HE DIDN,A6T EVEN CONFIDE IN ME,
HIS LAWYER
140
00:09:22,404 --> 00:09:23,963
HE WAS A SMART MAN.
141
00:09:29,411 --> 00:09:31,743
AND TO MY ADOPTED SON JOHN MARTIN,
142
00:09:32,481 --> 00:09:34,415
I LEAVE THE SUM OF $5,000.
143
00:09:35,751 --> 00:09:38,186
AND TO MY GRANDDAUGHTER JOAN
MARTIN,
144
00:09:37,553 --> 00:09:40,284
I BEQUEATH ALL THE BALANCE OF MY
PROPERTY,
145
00:09:39,488 --> 00:09:41,252
BOTH REAL AND PERSONAL.
146
00:09:41,290 --> 00:09:43,418
BUT IN THE EVENT OF HER DEATH,
147
00:09:43,359 --> 00:09:46,192
THE ENTIRE ESTATE SHALL GO TO MY
ADOPTED SON
148
00:09:46,261 --> 00:09:47,490
JOHN MARTIN.
149
00:09:48,063 --> 00:09:51,328
IN THE EVENT OF THE DEATH OF BOTH
MY GRANDDAUGHTER...
150
00:09:52,268 --> 00:09:53,827
AND MY ADOPTED SON,
151
00:09:54,036 --> 00:09:57,062
THEN MY ENTIRE ESTATE SHALL GO TO
MY GOOD FRIEND
152
00:09:56,572 --> 00:09:58,700
AND LEGAL ADVISOR HENRY NOLAN.
153
00:10:01,977 --> 00:10:03,843
YOU,A6D BE SORT OF LUCKY,
154
00:10:03,178 --> 00:10:04,907
WOULDN,A6T YOU, HENRY,
155
00:10:04,246 --> 00:10:06,681
IF ANYTHING HAPPENED TO JOAN AND
ME.
156
00:10:06,548 --> 00:10:08,778
AND YOU,A6D BE A RICH MAN, JOHN,
157
00:10:09,084 --> 00:10:10,950
IF ANY HARM CAME TO JOAN.
158
00:10:10,786 --> 00:10:13,346
HOW CAN YOU MEN JOKE ABOUT SUCH
THINGS?
159
00:10:21,330 --> 00:10:24,493
NOW, REMEMBER, WE,A6VE GOT TO USE
OUR EYES AND EARS
160
00:10:23,966 --> 00:10:27,027
AND YET MAKE FOLKS THINK WE,A6RE
DUMB AND SIMPLE.
161
00:10:26,502 --> 00:10:28,231
[FROGGY VOICE] WELL...
162
00:10:27,703 --> 00:10:30,229
[NORMAL VOICE] ACTING DUMB IS
GONNA BE
163
00:10:29,038 --> 00:10:30,597
PRETTY HARD FOR ME.
164
00:11:01,003 --> 00:11:01,947
HOWDY.
165
00:11:02,004 --> 00:11:02,880
HIYA.
166
00:11:03,205 --> 00:11:04,934
MY NAME IS GENE AUTRY,
167
00:11:04,506 --> 00:11:07,134
AND THIS FUNNY LOOKING GALLOOT
OVER HERE
168
00:11:06,341 --> 00:11:08,469
IS MY PARTNER, FROG MILLHOUSE.
169
00:11:08,077 --> 00:11:09,511
L,A6M HAN K POLK
170
00:11:10,479 --> 00:11:13,107
HOW ABOUT A LITTLE FEED FOR OUR
ANIMALS?
171
00:11:12,848 --> 00:11:14,373
OH, SURE. HEH HEH.
172
00:11:14,450 --> 00:11:17,112
WE,A6LL BE LAYING AROUND HERE A
FEW DAYS.
173
00:11:16,885 --> 00:11:19,252
YOU KNOW OF ANY PARTIES OR
WEDDINGS
174
00:11:18,987 --> 00:11:21,649
THAT,A6LL BE NEEDIN' A TWO-MAN
ORCHESTRA?
175
00:11:20,856 --> 00:11:22,221
WELL, NO, UH...
176
00:11:22,825 --> 00:11:25,192
THE BOYS HUNG A CHINAMAN
YESTERDAY,
177
00:11:25,060 --> 00:11:27,825
BUT THEY,A6LL BE BURYING HIM
WITHOUT MUSIC.
178
00:11:27,930 --> 00:11:28,874
SAY...
179
00:11:29,264 --> 00:11:30,925
THERE,A6S AN OLD LADY
180
00:11:30,766 --> 00:11:33,701
THAT WANTS ME TO GET HER A GENTLE
BUGGY HORSE.
181
00:11:33,102 --> 00:11:35,161
HOW ABOUT TRADING THIS HORSE?
182
00:11:35,537 --> 00:11:38,097
L,A6LL GIVE YOU A GOOD FAST ONE FOR
IT.
183
00:11:38,674 --> 00:11:39,618
WELL--
184
00:11:39,875 --> 00:11:42,105
AND EVEN THROW IN A GOOD SADDLE.
185
00:11:42,911 --> 00:11:44,037
HEY, WAIT!
186
00:11:44,480 --> 00:11:46,505
L,A6LL GIVE YOU A GOOD HORSE
187
00:11:46,115 --> 00:11:48,117
AND $100 FOR THAT SWAYBACK.
188
00:11:47,449 --> 00:11:50,214
YOU STAY OUT OF THIS, LON. THIS IS MY
DEAL.
189
00:11:49,685 --> 00:11:51,915
L,A6LL MAKE IT A HORSE AND $200.
190
00:11:52,321 --> 00:11:53,163
250.
191
00:11:53,322 --> 00:11:54,164
300.
192
00:11:55,157 --> 00:11:55,999
400.
193
00:11:56,692 --> 00:11:58,251
L,A6LL MAKE IT 500.
194
00:11:59,161 --> 00:12:00,003
600.
195
00:12:01,230 --> 00:12:02,072
700.
196
00:12:02,264 --> 00:12:03,106
800.
197
00:12:04,133 --> 00:12:04,975
900.
198
00:12:08,570 --> 00:12:10,436
NOW, WAIT A MINUTE, HERE.
199
00:12:15,344 --> 00:12:16,402
SE\/éOR...
200
00:12:16,545 --> 00:12:18,980
TWO STRANGERS HAVE THE OLD
SWAYBACK.
201
00:12:18,514 --> 00:12:21,449
HANK POLK AND LON DILLON ARE
TRYING TO BUY IT.
202
00:12:21,150 --> 00:12:22,982
JOAN, EXCUSE ME, PLEASE.
203
00:12:24,052 --> 00:12:25,178
EXCUSE ME.
204
00:12:32,261 --> 00:12:34,195
WELL, WHERE ARE YOU GOING?
205
00:12:33,495 --> 00:12:36,521
THE SAME PLACE YOU ARE, AND FOR
THE SAME REASON.
206
00:12:36,732 --> 00:12:40,100
WHAT KIND OF A HORSE WOULD YOU
GIVE ME FOR THIS GUITAR?
207
00:12:39,134 --> 00:12:40,966
I DON,A6T USE NO GUITAR.
208
00:12:40,435 --> 00:12:42,096
I DON,A6T LIKE MUSIC.
209
00:12:41,437 --> 00:12:43,496
HOW ABOUT TRADING THAT HORSE?
210
00:12:42,738 --> 00:12:44,763
WE CAN,A6T TRADE THAT HORSE.
211
00:12:44,373 --> 00:12:47,001
FELLOW SAID HE BELONGED TO FRANK
MARTIN.
212
00:12:46,675 --> 00:12:49,508
SAID MARTIN WOULD PAY A GOOD
REWARD FOR HIM.
213
00:12:48,677 --> 00:12:50,509
AH, OLD MARTIN,A6S DEAD.
214
00:12:50,012 --> 00:12:51,036
AH, WE-.
215
00:12:51,447 --> 00:12:53,381
Hank: AND A GOOD JOB, TOO.
216
00:12:53,015 --> 00:12:54,642
THE OLD SKINFLINT...
217
00:12:54,650 --> 00:12:57,278
HE BEAT ME OUT OF A BIG BILL HE
OWED ME.
218
00:12:56,718 --> 00:12:59,244
SO THAT,A6S HOW YOU FEEL ABOUT IT,
EH?
219
00:12:58,620 --> 00:13:00,452
MAYBE YOU,A6RE THE ONE--
220
00:12:59,688 --> 00:13:01,417
YOU BETTER KEEP QUIET.
221
00:13:01,423 --> 00:13:03,448
HE DIDN,A6T LIKE THE OLD MAN
222
00:13:02,724 --> 00:13:04,749
BECAUSE HE SAID NO SHEEP MAN
223
00:13:04,726 --> 00:13:06,854
COULD MARRY HIS GRANDDAUGHTER.
224
00:13:10,732 --> 00:13:13,167
STRANGERS, THIS HORSE BELONGS TO
ME.
225
00:13:13,335 --> 00:13:14,860
L,A6M JOHN MARTIN.
226
00:13:14,303 --> 00:13:15,634
JUST A MOMENT.
227
00:13:15,504 --> 00:13:17,871
AS THE LAWYER SETTLING THIS ESTATE,
228
00:13:17,272 --> 00:13:19,536
I,A6LL TAKE CHARGE OF THIS HORSE.
229
00:13:18,340 --> 00:13:19,705
HOLD ON, THERE.
230
00:13:19,341 --> 00:13:21,275
I CLAIM A LIEN ON THAT NAG
231
00:13:20,976 --> 00:13:23,240
FOR THE MONEY OLD MARTIN OWED ME.
232
00:13:22,711 --> 00:13:24,338
IF IT COMES TO THAT,
233
00:13:24,012 --> 00:13:26,481
POSSESSION IS NINE POINTS OF THE
LAW.
234
00:13:25,614 --> 00:13:27,776
I DON,A6T SEE ANY BRAND ON HIM.
235
00:13:29,651 --> 00:13:31,176
I FOUND THIS HORSE
236
00:13:30,853 --> 00:13:33,413
AND I,A6M NOT SURRENDERING IT TO
ANYONE
237
00:13:32,387 --> 00:13:34,321
UNTIL OWNERSHIP IS PROVED.
238
00:13:34,957 --> 00:13:37,517
YOU FELLOWS SETTLE IT AMONG
YOURSELVES,
239
00:13:36,625 --> 00:13:38,957
OR WE,A6LL LET THE SHERIFF DECIDE.
240
00:13:39,862 --> 00:13:41,864
COME ON, FROG. LET,A6S EAT.
241
00:13:41,663 --> 00:13:43,495
SEE YOU GENTLEMEN LATER.
242
00:14:16,732 --> 00:14:19,997
IF YOU HADN,A6T BUTTED IN, I,A6D
HAVE GOT THAT HORSE.
243
00:14:18,800 --> 00:14:20,802
WELL, AIN,A6T THAT TOO BAD?
244
00:14:30,279 --> 00:14:31,280
JOHN...
245
00:14:33,549 --> 00:14:36,109
AS A LAWYER, I MERELY WISH TO POINT
OUT
246
00:14:36,151 --> 00:14:39,018
THAT NONE OF US CAN LEGALLY CLAIM
THAT HORSE.
247
00:14:39,121 --> 00:14:40,122
WELL...
248
00:14:40,722 --> 00:14:42,656
THE SHERIFF, IF CONSULTED,
249
00:14:42,291 --> 00:14:45,158
WOULD NA'l_'_URALLY SAY IT WAS
JOAN,A6S PROPERTY.
250
00:14:44,826 --> 00:14:47,761
THERE,A6S NO NEED TO PUT IT UP TO
THE SHERIFF.
251
00:14:48,664 --> 00:14:50,325
YOU,A6RE QUITE RIGHT.
252
00:15:04,012 --> 00:15:06,947
YOU,A6RE NOT REALLY AIMING TO SEE
THE SHERIFF?
253
00:15:06,048 --> 00:15:08,107
THAT,A6D SPOIL ALL OUR PLANS.
254
00:15:08,350 --> 00:15:10,352
I WANT TO FORCE THEIR HAND.
255
00:15:10,786 --> 00:15:13,551
YOU,A6LL SEE. THEY,A6LL MAKE THE
NEXT MOVE.
256
00:15:12,621 --> 00:15:14,180
BOY, ALL I KNOW IS,
257
00:15:14,256 --> 00:15:17,123
EITHER THIS BABY,A6S BEEN GRAZING
IN THE MINT
258
00:15:16,825 --> 00:15:18,953
OR SWALLOWED THE CROWN JEWELS.
259
00:15:18,460 --> 00:15:20,224
SAY, WHY DO YOU SUPPOSE
260
00:15:20,095 --> 00:15:22,530
EVERYBODY WANTS THIS OLD BROOM
TAIL?
261
00:15:22,297 --> 00:15:24,026
WHEN WE FIND THAT OUT,
262
00:15:23,365 --> 00:15:26,232
WE,A6LL KNOW WHY OLD MAN MARTIN
WAS MURDERED,
263
00:15:25,300 --> 00:15:26,961
AND MAYBE WHO DID IT.
264
00:15:47,189 --> 00:15:48,953
LIPSTICK, COMB, MIRROR,
265
00:15:50,592 --> 00:15:51,753
AND POWDER.
266
00:15:52,361 --> 00:15:53,487
THANK YOU.
267
00:15:54,329 --> 00:15:56,093
YOU,A6RE QUITE WELCOME.
268
00:15:57,666 --> 00:15:59,691
NICE WEATHER WE,A6RE HAVING.
269
00:16:01,169 --> 00:16:02,796
BUT A LITTLE CHILLY.
270
00:16:07,009 --> 00:16:09,774
[HIGH-PITC_I_-IED] NICE WEATHER
WE,A6RE HAVING.
271
00:16:08,410 --> 00:16:10,435
[FROGGY VOICE] KINDA CHILLY.
272
00:16:09,478 --> 00:16:10,809
AW, FORGET IT.
273
00:16:11,079 --> 00:16:11,921
HEY!
274
00:16:12,080 --> 00:16:13,206
[CHUCKLES]
275
00:16:21,123 --> 00:16:22,557
YOUR LIPSTICK...
276
00:16:22,691 --> 00:16:24,216
BRR! I,A6M CHILLY.
277
00:16:24,426 --> 00:16:25,757
YOUR POWDER...
278
00:16:29,431 --> 00:16:30,796
YOUR COMPACT...
279
00:16:32,567 --> 00:16:34,228
[FROGGY VOICE] AND...
280
00:16:33,835 --> 00:16:35,837
[NORMAL VOICE] YOUR MIRROR.
281
00:16:35,303 --> 00:16:36,327
[LAUGHS]
282
00:16:46,682 --> 00:16:47,683
JOAN...
283
00:16:47,983 --> 00:16:50,350
I WANT YOU TO GIVE A DANCE TONIGHT.
284
00:16:50,352 --> 00:16:52,218
A HOMECOMING CELEBRATION.
285
00:16:52,220 --> 00:16:55,383
AND YOU CAN ASK THOSE FELLOWS TO
FURNISH THE MUSIC.
286
00:16:55,390 --> 00:16:56,164
NO.
287
00:16:56,758 --> 00:16:58,590
NO, I COULDN,A6T DO THAT
288
00:16:58,293 --> 00:17:00,125
WITH GRANDFATHER DEAD...
289
00:16:59,594 --> 00:17:00,652
MURDERED.
290
00:17:01,063 --> 00:17:03,327
I MUST GET THAT MAN TO THE RANCH,
291
00:17:03,465 --> 00:17:04,830
HOLD HIM THERE.
292
00:17:07,536 --> 00:17:08,378
WHY?
293
00:17:09,304 --> 00:17:12,569
BECAUSE WE SUSPECT HIM OF
MURDERING YOUR GRANDFATHER.
294
00:17:14,643 --> 00:17:16,304
I CAN,A6T BELIEVE IT.
295
00:17:15,811 --> 00:17:17,438
HE PLAYS THE GUITAR.
296
00:17:17,679 --> 00:17:19,841
YOU REMEMBER THE GUITAR STRING?
297
00:17:19,514 --> 00:17:21,846
AND HE HAS SHOWN UP WITH THE
HORSE
298
00:17:21,349 --> 00:17:24,580
YOUR GRANDFATHER WAS RIDING THE
DAY HE WAS MURDERED.
299
00:17:26,088 --> 00:17:28,750
WELL, WHY DON,A6T YOU NOTIFY THE
SHERIFF?
300
00:17:28,256 --> 00:17:29,280
NOT YET.
301
00:17:29,324 --> 00:17:31,190
I WANT TO QUESTION HIM...
302
00:17:31,393 --> 00:17:32,622
WATCH HIM...
303
00:17:33,028 --> 00:17:35,554
BEFORE MAKING SUCH A GRAVE
ACCUSATION.
304
00:17:38,967 --> 00:17:40,901
YOU KNOW BEST, UNCLE JOHN.
305
00:17:46,341 --> 00:17:49,709
MR. AUTRY, I,A6M GIVING A DANCE, A
MASQUERADE, TONIGHT.
306
00:17:49,478 --> 00:17:51,503
WOULD YOU FURNISH THE MUSIC?
307
00:17:50,879 --> 00:17:53,143
WHY, SURE, THAT,A6S OUR BUSINESS.
308
00:17:53,815 --> 00:17:56,182
THESE GENTLEMEN HAVE AGREED TO
PLAY
309
00:17:55,984 --> 00:17:58,214
AT MY DANCE TONIGHT, UNCLE JOHN.
310
00:17:57,686 --> 00:17:59,313
WELL, THAT,A6S FINE.
311
00:17:59,354 --> 00:18:02,688
SAY, WHY NOT COME ALONG TO THE
RANCH WITH US RIGHT NOW
312
00:18:02,290 --> 00:18:04,019
AND HAVE DINNER THERE?
313
00:18:03,492 --> 00:18:05,324
THAT SUITS US, EH, FROG?
314
00:18:05,427 --> 00:18:07,054
[FROGGY VOICE] SURE.
315
00:18:06,728 --> 00:18:08,787
WELL, LET,A6S GET GOING THEN.
316
00:18:12,834 --> 00:18:15,394
I TOLD YOU THEY,A6D MAKE THE NEXT
MOVE.
317
00:18:36,658 --> 00:18:39,184
L,A6M RIDING ALONG AS JOAN,A6S
LAWYER.
318
00:18:38,894 --> 00:18:41,022
YOU,A6RE NOT THINKING OF JOAN.
319
00:18:40,529 --> 00:18:41,860
WELL, ARE YOU?
320
00:18:58,547 --> 00:19:00,208
NOW YOU GET UP THERE.
321
00:19:04,753 --> 00:19:06,517
Gene: COME ON. COME ON.
322
00:19:25,040 --> 00:19:27,202
[CHEERFUL GUITAR MUSIC PLAYING]
323
00:19:28,043 --> 00:19:30,205
Gene: ,6O I,A6D LOVE TO WED ,6O
324
00:19:30,612 --> 00:19:32,239
,6O A GIRL I MET ,6O
325
00:19:32,781 --> 00:19:35,341
,6O IN A STAGE COACH ON THE PRAIRIE
,6O
326
00:19:37,786 --> 00:19:39,652
,6O I,A6D LOVE TO SAY ,6O
327
00:19:40,255 --> 00:19:42,121
,6O TODAY,A6S THE DAY ,6O
328
00:19:42,991 --> 00:19:45,255
,6O WHEN YOU AND I WILL MARRY ,6O
329
00:19:47,629 --> 00:19:49,393
,6O BUT I MUST FIND ,6O
330
00:19:50,098 --> 00:19:52,157
,6O A GIRL THAT,A6S SWEET ,6O
331
00:19:52,834 --> 00:19:55,269
,6O YOU SEE THE POINT, OF COURSE ,6O
332
00:19:57,672 --> 00:19:59,538
,6O IF FROWN SHE MUST ,6O
333
00:20:00,075 --> 00:20:01,839
,6O I THINK IT JUST ,6O
334
00:20:02,744 --> 00:20:05,213
,6O TO STAY IN LOVE WITH MY HORSE
,6O
335
00:20:08,717 --> 00:20:10,742
PLEASE, DRIVE FASTER, PABLO.
336
00:20:10,552 --> 00:20:11,883
SI, SE\/éORITA.
337
00:21:22,791 --> 00:21:24,418
WHO FIRED THAT SHOT?
338
00:21:24,392 --> 00:21:26,520
IT CAME FROM RIGHT DOWN THERE.
339
00:21:34,135 --> 00:21:37,161
PABLO,A6S GUN MUST HAVE DROPPED
FROM HIS HOLSTER
340
00:21:36,671 --> 00:21:38,537
AND WENT OFF BY ACCIDENT.
341
00:21:38,073 --> 00:21:40,201
WELL, IF THAT WAS AN ACCIDENT,
342
00:21:39,874 --> 00:21:42,036
I HOPE HE AIMS AT ME NEXT TIME.
343
00:21:41,509 --> 00:21:44,171
COME ON, FROG, LET,A6S FIX THE
BUCKBOARD.
344
00:22:11,039 --> 00:22:13,667
YOU BETTER START TELEPHONING
INVITATIONS
345
00:22:13,008 --> 00:22:15,272
TO YOUR MASQUERADE PARTY
TONIGHT.
346
00:22:14,709 --> 00:22:15,551
YES.
347
00:22:16,411 --> 00:22:19,745
BUT UNCLE JOHN, I DON,A6T LIKE TO
DO THINGS LIKE THIS.
348
00:22:18,813 --> 00:22:21,043
IT SEEMS TRICKY AND UNDERHANDED.
349
00:22:21,516 --> 00:22:24,247
YOU WANT TO §EE JUSTICE DONE,
DON,A6T YOU?
350
00:22:44,806 --> 00:22:46,831
YOU GOT A KEY FOR THIS LOCK?
351
00:22:45,840 --> 00:22:47,001
SI, SE\/éOR.
352
00:22:50,879 --> 00:22:52,540
IS THIS THE ONLY ONE?
353
00:22:52,313 --> 00:22:53,781
SI, SE\/éOR. GOOD.
354
00:22:57,318 --> 00:22:58,342
COME ON.
355
00:22:59,487 --> 00:23:00,716
HEY, FROG...
356
00:23:01,623 --> 00:23:04,092
YOU STAY HERE AND WATCH THE
SWAYBACK.
357
00:23:03,425 --> 00:23:05,860
L,A6VE GOT SOME INVESTIGATING TO DO.
358
00:23:50,738 --> 00:23:53,469
,6O IN THE GALLERY THERE,A6S A
PICTURE ,6O
359
00:23:54,375 --> 00:23:56,639
,6O THAT SEEMS TO TELL A TALE ,6O
360
00:23:57,879 --> 00:23:59,904
,6O AN INDIAN ON A PINTO ,6O
361
00:24:01,149 --> 00:24:03,675
,6O CALLED THE ENDING OF THE TRAIL
,6O
362
00:24:05,520 --> 00:24:07,887
,6O AS I GAZE UPON THIS PICTURE ,6O
363
00:24:10,024 --> 00:24:12,186
,6O IN A DREAMY SORT OF WAY ,6O
364
00:24:13,995 --> 00:24:16,157
,6O I SEE THE INDIAN MOVING ,6O
365
00:24:17,932 --> 00:24:20,094
,6O IT SEEMS I HEAR HIM SAY ,6O
366
00:24:23,304 --> 00:24:25,068
,6O HEAD BOWED DOWN ,6O
367
00:24:26,875 --> 00:24:28,536
,6O A SETTING SUN ,6O
368
00:24:29,811 --> 00:24:31,677
,6O MY HORSE IS WEARY ,6O
369
00:24:32,313 --> 00:24:34,315
,6O DAY,A6S WORK'S DONE ,6O
370
00:24:35,350 --> 00:24:36,977
,6O WE HAVE COME ,6O
371
00:24:39,554 --> 00:24:41,716
,6O TO THE END OF THE TRAIL ,6O
372
00:24:46,928 --> 00:24:48,555
,6O DAY IS DYING ,6O
373
00:24:49,764 --> 00:24:51,323
,6O IN THE WEST ,6O
374
00:24:51,966 --> 00:24:53,900
,6O DEATH,A6S NOT EASY ,6O
375
00:24:55,170 --> 00:24:56,899
,6O GOD KNOWS BEST ,6O
376
00:24:57,405 --> 00:24:59,032
,6O WE HAVE COME ,6O
377
00:24:59,974 --> 00:25:02,136
,6O TO THE END OF THE TRAIL ,6O
378
00:25:05,179 --> 00:25:06,704
[DRUM BEATS BEGIN]
379
00:25:08,183 --> 00:25:09,844
,6O TOM-TOMS BEAT ,6O
380
00:25:10,852 --> 00:25:12,684
,6O A MOURNFUL DIRGE ,6O
381
00:25:13,087 --> 00:25:15,522
,6O THERE,A6S NO MOON IN THE SKY ,6O
382
00:25:18,092 --> 00:25:20,356
,6O TOM-TOMS NEED YOU TELL ME ,6O
383
00:25:22,130 --> 00:25:24,565
,6O THAT MY TIME HAS COME TO DIE ,6O
384
00:25:27,802 --> 00:25:29,531
,6O SHADOWS DEEPEN ,6O
385
00:25:30,338 --> 00:25:32,170
,6O NIGHT IS FALLING ,6O
386
00:25:32,974 --> 00:25:34,976
,6O HEAR THE COYOTE,A6S ,6O
387
00:25:35,777 --> 00:25:37,506
,6O MATE A-CALLING ,6O
388
00:25:37,312 --> 00:25:38,939
,6O WE HAVE COME ,6O
389
00:25:41,049 --> 00:25:43,211
,6O TO THE END OF THE TRAIL ,6O
390
00:25:58,733 --> 00:26:00,098
[TUNING GUITAR]
391
00:26:12,246 --> 00:26:13,088
HEY.
392
00:26:16,117 --> 00:26:19,747
DID YOU EVER SEE A GUITAR STRING
THROUGH A MAGNIFYING GLASS?
393
00:26:19,320 --> 00:26:20,446
UH...NO...
394
00:26:21,255 --> 00:26:24,122
THAT WAS OLD SE\/éOR MARTIN,A6S
READING GLASS.
395
00:26:24,525 --> 00:26:26,084
HE WAS NEARSIGHTED.
396
00:26:27,762 --> 00:26:30,129
HE MUST HAVE BEEN VERY
NEARSIGHTED.
397
00:26:29,631 --> 00:26:31,861
SI, SE\/éOR. HE WAS ALMOST BLIND.
398
00:26:41,676 --> 00:26:42,734
[SNORING]
399
00:26:44,278 --> 00:26:46,042
QUICK, GIVE ME THE KEY.
400
00:26:45,313 --> 00:26:46,781
H U H? 'U'VHAT,A6S U P?
401
00:26:46,881 --> 00:26:48,747
I JUST LEARNED SOMETHING.
402
00:26:48,182 --> 00:26:50,412
OLD MAN MARTIN WAS ALMOST BLIND.
403
00:26:50,018 --> 00:26:51,782
WELL, I DON,A6T GET IT.
404
00:26:52,253 --> 00:26:54,813
HE MUST HAVE DEPENDED ON THAT
OLD HORSE
405
00:26:54,789 --> 00:26:57,258
TO FIND THE WAY WHENEVER HE RODE
HIM.
406
00:26:56,424 --> 00:26:58,552
L,A6M GONNA TAKE THE HORSE OUT
407
00:26:58,092 --> 00:27:00,220
AND LET IT SHOW ME ITS SECRET.
408
00:26:59,160 --> 00:27:01,219
WELL, I STILL DON,A6T GET IT.
409
00:27:01,963 --> 00:27:03,328
WELL, GET THIS.
410
00:27:03,398 --> 00:27:07,164
__DON,A6T LET ANYONE KNOW THAT
I,A6VE RIDDEN AWAY WITH THE HORSE.
411
00:27:06,000 --> 00:27:07,468
YEAH. I MEAN, NO.
412
00:27:08,703 --> 00:27:09,761
[SNORING]
413
00:27:12,307 --> 00:27:14,071
AND WHAT I SAY IS THIS.
414
00:27:13,841 --> 00:27:15,172
QUIT STALLING!
415
00:27:15,443 --> 00:27:17,912
LET,A6S TAKE THAT SWAYBACK RIGHT
NOW.
416
00:27:17,345 --> 00:27:20,110
BEFORE THIS AUTRY FELLOW GETS
AWAY WITH IT,
417
00:27:19,347 --> 00:27:21,179
OR FINDS OUT ITS SECRET.
418
00:27:20,848 --> 00:27:22,316
SUPPOSE I REFUSE?
419
00:27:22,550 --> 00:27:25,554
WHY SHOULD I CUT YOU IN ON THIS
HORSE BUSINESS?
420
00:27:24,819 --> 00:27:28,050
BECAUSE IF YOU DON,A6T, WE,A6LL
TELL JOAN THE TRUTH.
421
00:27:28,389 --> 00:27:30,619
THE HORSE BELONGS TO HER ANY\NAY.
422
00:27:30,224 --> 00:27:32,158
THEY,A6VE GOT YOU, MARTIN.
423
00:27:32,226 --> 00:27:34,251
WELL, LET,A6S GET THE HORSE.
424
00:27:34,629 --> 00:27:37,098
THERE,A6S ENOUGH OF US HERE TO DO
IT.
425
00:27:57,719 --> 00:27:58,880
SORTA WARM.
426
00:28:02,256 --> 00:28:03,200
SORTA.
427
00:28:03,257 --> 00:28:04,691
WHERE,A6S AUTRY?
428
00:28:09,397 --> 00:28:11,559
[FROGGY VOICE] HE,A6S IN THERE.
429
00:28:10,398 --> 00:28:11,729
IN THE STABLE?
430
00:28:15,370 --> 00:28:17,737
[NORMAL VOICE] LAST I HEARD OF HIM.
431
00:28:24,979 --> 00:28:26,140
BE CAREFUL!
432
00:28:28,182 --> 00:28:29,741
HE MIGHT BE ASLEEP.
433
00:28:32,920 --> 00:28:35,389
WHERE,A6S YOUR PARTNER AND THE
HORSE?
434
00:28:34,922 --> 00:28:37,050
[FROGGY VOICE] I DON,A6T KNOW.
435
00:28:36,124 --> 00:28:37,785
COME ON! WHERE IS HE?
436
00:28:37,325 --> 00:28:40,056
[NORMAL VOICE] I TOLD YOU I DIDN,A6T
KNOW!
437
00:28:40,094 --> 00:28:41,528
A GUITAR STRING.
438
00:28:41,562 --> 00:28:44,224
JUST LIKE THE ONE THAT CHOKED OLD
MARTIN.
439
00:28:43,998 --> 00:28:45,727
YES, AND YOU CAME HERE
440
00:28:45,366 --> 00:28:47,494
RIDING THE DEAD MAN,A6S HORSE.
441
00:28:46,868 --> 00:28:49,894
PABLO, TELEPHONE THE SHERIFF TO
COME RIGHT OVER.
442
00:28:49,370 --> 00:28:50,531
SI, SE\/éOR.
443
00:28:50,371 --> 00:28:52,373
ENOUGH EVIDENCE AGAINST YOU
444
00:28:51,372 --> 00:28:53,136
TO HANG YOU FOR MURDER.
445
00:28:59,313 --> 00:29:00,155
HOW!
446
00:29:10,992 --> 00:29:13,359
L,A6LL GET SOME ROPE TO TIE HIM UP.
447
00:29:12,360 --> 00:29:13,236
GOOD.
448
00:29:31,779 --> 00:29:33,713
THEY SENT FOR THE SHERIFF.
449
00:29:33,247 --> 00:29:34,806
GET A HORSE, QUICK.
450
00:29:44,959 --> 00:29:46,393
[ALL CHATTERING]
451
00:29:47,028 --> 00:29:47,972
[THUD]
452
00:29:48,362 --> 00:29:51,366
L,A6LL SEE YOU AT THE DANCE
TONIGHT, GENTLEMEN.
453
00:29:50,631 --> 00:29:52,156
CAN YOU BEAT THAT?
454
00:30:02,743 --> 00:30:04,404
YAH! [HORSE WHINNIES]
455
00:30:07,915 --> 00:30:10,919
DO YOU REALLY MEAN TO BE AT THAT
DANCE TONIGHT?
456
00:30:09,817 --> 00:30:10,659
YES.
457
00:30:10,952 --> 00:30:13,114
YOU,A6D WALK INTO CERTAIN DEATH
458
00:30:11,752 --> 00:30:13,481
JUST TO SEE THAT GIRL?
459
00:30:13,187 --> 00:30:14,655
SHE IS IN DANGER.
460
00:30:14,255 --> 00:30:17,281
THAT BUCKBOARD WHEEL COMING OFF
WAS NO ACCIDENT.
461
00:30:17,124 --> 00:30:19,855
[FROGGY VOICE] WELL, IT WOULD HAVE
BEEN...
462
00:30:18,626 --> 00:30:21,288
[NORMAL VOICE] IF YOU HADN,A6T
SAVED HER.
463
00:30:21,295 --> 00:30:24,629
MY HUNCH IS THAT THE SAME MAN
MURDERED HER GRANDFATHER
464
00:30:25,099 --> 00:30:27,363
IS TRYING TO GET RID OF THE GIRL.
465
00:30:26,500 --> 00:30:29,834
AND THAT,A6S WHY WE'VE GOT TO GO
TO THE DANCE TONIGHT.
466
00:30:28,569 --> 00:30:30,503
OLD PAL, WE,A6LL BE THERE,
467
00:30:31,372 --> 00:30:33,807
[FROGGY VOICE] BUT I,A6M GONNA BE...
468
00:30:32,607 --> 00:30:35,338
[NORMAL VOICE] SHAKIER THAN A HULA
DANCER.
469
00:30:34,609 --> 00:30:36,611
FROM WHAT YOU,A6VE TOLD ME,
470
00:30:35,743 --> 00:30:38,303
THIS AUTRY CERTAINLY IS THE GUILTY
MAN.
471
00:30:37,812 --> 00:30:41,282
YES, HIS PARTNER WOULDN,A6T HAVE
THE BRAINS OR THE NERVE.
472
00:30:40,047 --> 00:30:42,209
AUTRY,A6S GOT NERVE, ALL RIGHT.
473
00:30:41,515 --> 00:30:44,075
HE SAID HE,A6D BE AT THE DANCE
TONIGHT.
474
00:30:42,817 --> 00:30:45,047
DO YOU THINK HE REALLY MEANT IT?
475
00:30:44,018 --> 00:30:46,783
YES. HE,A6S BEEN HANGING AROUND
JOAN A LOT.
476
00:30:45,786 --> 00:30:47,845
HE,A6LL TRY TO SEE HER AGAIN.
477
00:30:47,221 --> 00:30:49,053
L,A6LL DEPUTIZE YOU MEN.
478
00:30:48,189 --> 00:30:49,714
ARE YOU ALL ARMED?
479
00:30:49,123 --> 00:30:51,057
YES. SURE ARE. YOU BETCHA.
480
00:30:50,391 --> 00:30:53,258
GOOD. YOU KNOW, HE,A6S A
DESPERATE CHARACTER.
481
00:30:57,431 --> 00:30:58,990
[PEOPLE CHATTERING]
482
00:30:59,267 --> 00:31:02,430
LON, YOU AND HANK ARE ELECTED TO
FURNISH THE MUSIC.
483
00:31:01,936 --> 00:31:04,371
OK, BUT I WANTED TO DANCE WITH
JOAN.
484
00:31:03,905 --> 00:31:04,849
LATER.
485
00:31:04,705 --> 00:31:06,332
KEEP A SHARP LOOKOUT
486
00:31:06,007 --> 00:31:08,635
FOR AUTRY AND HIS PAL AMONG THE
DANCERS.
487
00:31:08,943 --> 00:31:11,469
NOLAN AND I WILL WATCH THE FRONT
DOOR.
488
00:31:10,912 --> 00:31:14,280
THE SHERIFF IS OUTSIDE, AND PABLO IS
WATCHING THE REAR.
489
00:31:13,848 --> 00:31:17,478
AND IF THEY COME, WE,A6VE GOT THEM
RIGHT WHERE WE WANT THEM.
490
00:31:23,357 --> 00:31:25,018
[GUITAR MUSIC BEGINS]
491
00:31:59,760 --> 00:32:01,626
,6O ONE LITTLE COPPER ,6O
492
00:32:01,729 --> 00:32:03,891
,6O FOR THE HURDY GURDY MAN ,6O
493
00:32:03,664 --> 00:32:05,666
,6O THE HURDY GURDY MAN ,6O
494
00:32:06,300 --> 00:32:08,302
,6O THE HURDY GURDY MAN ,6O
495
00:32:08,102 --> 00:32:10,571
,6O I,A6M FULL OF MONKEY BUSINESS
,6O
496
00:32:09,937 --> 00:32:12,304
,6O AND EACH PENNY MEANS A KISS ,6O
497
00:32:11,973 --> 00:32:14,032
,6O AND IF I GET A NICKEL ,6O
498
00:32:13,941 --> 00:32:16,706
,6O TONY,A6S HEART IS FILLED WITH
BLISS ,6O
499
00:32:16,477 --> 00:32:18,605
,6O JUST ONE LITTLE COPPER ,6O
500
00:32:17,979 --> 00:32:20,141
,6O FOR THE HURDY GURDY MAN ,6O
501
00:32:19,847 --> 00:32:21,849
,6O THE HURDY GURDY MAN ,6O
502
00:32:22,016 --> 00:32:24,018
,6O THE HURDY GURDY MAN ,6O
503
00:32:24,285 --> 00:32:26,310
,6O FOR EACH LITTLE TUNE ,6O
504
00:32:25,886 --> 00:32:28,014
,6O BY THE HURDY GURDY MAN ,6O
505
00:32:27,922 --> 00:32:29,924
,6O THE HURDY GURDY MAN ,6O
506
00:32:29,957 --> 00:32:31,959
,6O THE HURDY GURDY MAN ,6O
507
00:32:31,959 --> 00:32:34,428
,6O I,A6M FULL OF MONKEY BUSINESS
,6O
508
00:32:34,061 --> 00:32:36,428
,6O AND EACH PENNY MEANS A KISS ,6O
509
00:32:35,863 --> 00:32:37,922
,6O AND IF I GET A NICKEL ,6O
510
00:32:37,932 --> 00:32:40,196
SEEN ANYTHING OF THOSE 2 JASPERS?
511
00:32:39,367 --> 00:32:40,141
NO.
512
00:32:41,135 --> 00:32:44,139
HERE,A6S NO ONE HERE THAT EVEN
LOOKS LIKE THEM.
513
00:32:44,005 --> 00:32:46,007
,6O THE HURDY GURDY MAN ,6O
514
00:32:45,873 --> 00:32:47,875
,6O THE HURDY GURDY MAN ,6O
515
00:32:47,775 --> 00:32:49,539
[LAUGHTER AND APPLAUSE]
516
00:32:50,544 --> 00:32:54,014
Gene: WE,A6RE ONLY BORROWING
YOUR COSTUMES A WHILE, BOYS.
517
00:32:53,547 --> 00:32:54,605
[MURMURS]
518
00:32:55,750 --> 00:32:57,218
[TRYING TO SPEAK]
519
00:33:07,294 --> 00:33:09,058
WHERE ARE HANK AND LON?
520
00:33:08,629 --> 00:33:09,994
THERE THEY ARE.
521
00:33:12,933 --> 00:33:15,095
MUST HAVE GONE OUT FOR A SMOKE.
522
00:33:14,135 --> 00:33:16,263
[FROGGY VOICE] HOW LONG YOU...
523
00:33:15,703 --> 00:33:18,968
[NORMAL VOICE] FIGURING ON
ENTERTAINING YOUR FRIENDS?
524
00:33:16,837 --> 00:33:18,839
AS LONG AS THE PARTY LASTS,
525
00:33:18,372 --> 00:33:20,101
WHICH MEANS ALL NIGHT.
526
00:33:21,709 --> 00:33:22,938
PLAY, QUICK.
527
00:33:26,580 --> 00:33:28,947
SEE ANYONE WHO LOOKS LIKE THEM
YET?
528
00:33:35,689 --> 00:33:38,420
LON, YOU AND HANK ARE PLAYING
GRAND MUSIC.
529
00:33:53,474 --> 00:33:55,533
,6O MY PRAYER FOR TONIGHT ,6O
530
00:33:56,811 --> 00:33:59,337
,6O ,A6NEATH THE HEAVENS SO BRIGHT
,6O
531
00:34:00,247 --> 00:34:02,773
,6O IS THE PLEA TO OUR MAKER ABOVE
,6O
532
00:34:07,588 --> 00:34:09,590
,6O MAY I ALWAYS REMAIN ,6O
533
00:34:11,592 --> 00:34:13,526
,6O A SON OF THE PLAIN ,6O
534
00:34:15,129 --> 00:34:17,757
,6O TO DWELL IN THE LAND THAT I
LOVE ,6O
535
00:34:21,836 --> 00:34:23,861
,6O MAY THE JOSHUA TREES ,6O
536
00:34:25,673 --> 00:34:28,005
,6O AND THE WARM DESERT BREEZE ,6O
537
00:34:29,110 --> 00:34:31,977
,6O AND THE ROLLING WHITE SAND TO
MY EYES ,6O
538
00:34:35,783 --> 00:34:37,444
,6O BE A HEAVEN-- ,6O
539
00:34:38,319 --> 00:34:41,482
LOOKS LIKE WE,A6VE HAD ALL OUR
TROUBLE FOR NOTHING.
540
00:34:39,920 --> 00:34:42,150
,6O IN THE HEART OF THE WEST ,6O
541
00:34:43,758 --> 00:34:45,783
,6O TILL I GO TO MY HOME ,6O
542
00:34:47,294 --> 00:34:48,921
,6O IN THE SKIES ,6O
543
00:34:54,401 --> 00:34:57,871
HANK, YOU THINK THOSE FELLOWS
WERE AFRAID FOR TO SHOW UP?
544
00:35:00,608 --> 00:35:02,235
HEY! WHAT YOU THINK?
545
00:35:03,777 --> 00:35:05,404
[TALKS INCOHERENTLY]
546
00:35:06,714 --> 00:35:09,445
SHALL I GET YOU SOME DESSERT, MISS
MARTIN?
547
00:35:08,649 --> 00:35:10,174
OH, NO, THANK YOU.
548
00:35:28,369 --> 00:35:31,031
DID YOU HEAR SOMEONE BEHIND YOU
JUST NOW?
549
00:35:30,404 --> 00:35:31,178
NO.
550
00:35:31,872 --> 00:35:34,500
I WOULD,A6VE SWORN SOMEONE WAS IN
THERE.
551
00:35:36,076 --> 00:35:38,602
YOU,A6RE NOT LON. YOU,A6RE GENE
AUTRY.
552
00:35:39,446 --> 00:35:40,914
WHY ARE YOU HERE?
553
00:35:40,848 --> 00:35:42,612
BECAUSE I PROMISED YOU.
554
00:35:44,218 --> 00:35:46,346
BUT THE SHERIFF-- UNCLE JOHN--
555
00:35:45,953 --> 00:35:48,388
THEY ALL BELIEVE THAT YOU,A6RE
THE--
556
00:35:47,087 --> 00:35:49,556
BUT YOU DON,A6T BELIEVE THEM, DO
YOU?
557
00:35:48,889 --> 00:35:51,051
I DON,A6T KNOW WHAT TO BELIEVE.
558
00:35:50,724 --> 00:35:52,556
[ACCORDION MUSIC BEGINS]
559
00:35:52,693 --> 00:35:54,525
DANCE WITH ME, WILL YOU?
560
00:36:13,581 --> 00:36:17,347
I DON,A6T KNOW THAT I,A6VE EVER
SEEN LON DANCE QUITE LIKE THAT.
561
00:36:17,284 --> 00:36:19,651
HERE,A6S SOMETHING YOU SHOULD
KNOW.
562
00:36:19,019 --> 00:36:22,353
YOUR GRANDFATHER DISCOVERED A
VERY VALUABLE GOLD MINE.
563
00:36:21,922 --> 00:36:23,481
BEING ALMOST BLIND,
564
00:36:24,024 --> 00:36:26,789
THE ONLY WAY HE COULD GET TO THE
MINE WAS--
565
00:36:25,659 --> 00:36:27,286
OH, ON THE SWAYBACK!
566
00:36:27,261 --> 00:36:30,094
GRANDDAD DEPENDED SO ON THAT
WISE OLD HORSE.
567
00:36:30,397 --> 00:36:33,765
RIGHT. BUT HE WAS KILLED BEFORE
THE CLAIM WAS RECORDED.
568
00:36:33,767 --> 00:36:34,711
I SEE.
569
00:36:35,469 --> 00:36:38,336
SO THAT,A6S WHY EVERYONE WANTS
THE SWAYBACK--
570
00:36:38,339 --> 00:36:40,501
TO GUIDE THEM TO THE GOLD. YES.
571
00:36:50,684 --> 00:36:53,619
DON,A6T __SAY ANYTHING OF WHAT
I,A6VE TOLD YOU--
572
00:36:52,686 --> 00:36:53,744
JUST YET.
573
00:36:53,954 --> 00:36:56,184
OH, BUT YOU SHOULDN,A6T BE HERE.
574
00:36:55,756 --> 00:36:57,781
YOU,A6RE IN TERRIBLE DANGER.
575
00:36:57,358 --> 00:36:59,360
OH, DON,A6T WORRY ABOUT ME.
576
00:37:01,095 --> 00:37:02,927
L,A6M WORRIED ABOUT YOU.
577
00:37:12,806 --> 00:37:13,932
[GRUNTING]
578
00:37:16,076 --> 00:37:18,738
THEY,A6RE GONNA BE UNMASKING
PRETTY SOON.
579
00:37:18,646 --> 00:37:20,478
WE CAN,A6T LEAVE UNTIL--
580
00:37:20,047 --> 00:37:22,379
WHO,A6S BEEN HANDLING THIS GUITAR?
581
00:37:22,249 --> 00:37:24,581
I HAVEN,A6T SEEN ANYBODY TOUCH IT.
582
00:37:23,917 --> 00:37:25,282
WHERE,A6S JOAN?
583
00:37:31,759 --> 00:37:33,887
L,A6VE GOT TO GO LOOK FOR HER.
584
00:37:33,193 --> 00:37:36,026
SING, PLAY, DO ANYTHING, BUT
ENTERTAIN THEM!
585
00:37:42,870 --> 00:37:45,430
,6O THIS FROWN YOU SEE UPON MY
FACE ,6O
586
00:37:45,072 --> 00:37:47,507
,6O DOES NOT MEAN THAT I,A6M SAD ,6O
587
00:37:48,375 --> 00:37:50,901
,6O I,A6M LOOKING FOR A LOST CHORD
,6O
588
00:37:51,912 --> 00:37:53,971
,6O AND SAY I NEED IT BAD ,6O
589
00:37:56,517 --> 00:37:59,248
,6O I,A6VE LOOKED FOR IT IN
EVERYTHING ,6O
590
00:37:58,452 --> 00:38:00,784
,6O FROM ORGANS DOWN TO FLUTES
,6O
591
00:38:00,521 --> 00:38:03,456
,6O I,A6VE BLOWED ON EVERYTHING
THAT BLOWS ,6O
592
00:38:02,990 --> 00:38:05,118
,6O AND TOOTED THINGS THAT ,6O
593
00:38:06,527 --> 00:38:07,756
,6O TOOT ,6O
594
00:38:13,000 --> 00:38:15,469
,6O MAYBE I COULD FIND THAT CHORD
,6O
595
00:38:15,502 --> 00:38:16,867
,6O IN HERE ,6O
596
00:38:18,038 --> 00:38:20,063
,6O BEFORE I,A6M THROUGH ,6O
597
00:38:19,206 --> 00:38:21,573
,6O I,A6LL PLAY THEM ALL I FEAR ,6O
598
00:38:22,843 --> 00:38:24,845
,6O I,A6LL TRY THIS ONE ,6O
599
00:38:25,079 --> 00:38:27,309
,6O THEN I,A6LL TRY THIS ONE ,6O
600
00:38:27,247 --> 00:38:29,978
,6O WHY THAT CHORD IS LIKE A NEEDLE.
.. ,6O
601
00:38:30,084 --> 00:38:32,746
HANK MUST HAVE BEEN TAKING MUSIC
LESSONS.
602
00:38:42,663 --> 00:38:45,792
,6O NOW MAYBE THIS ONE HOLDS THE
CHORD I CRAVE ,6O
603
00:38:48,369 --> 00:38:51,634
,6O THERE CA[\_l,A6T BE MANY MORE I
HAVEN,A6T PLAYED ,6O
604
00:38:52,272 --> 00:38:53,740
,6O I GIVE UP ,6O
605
00:38:54,274 --> 00:38:55,901
,6O ONE MORE TRY ,6O
606
00:38:56,543 --> 00:38:59,103
,6O WHY THAT CHORD IS LIKE A NEEDLE
,6O
607
00:38:58,946 --> 00:39:00,607
,6O IN A HAYSTACK ,6O
608
00:39:09,323 --> 00:39:10,882
,6O I WONDER IF ,6O
609
00:39:11,158 --> 00:39:13,525
,6O THAT CHORD COULD BE IN HERE ,6O
610
00:39:14,762 --> 00:39:18,130
,6O BEFORE I,A6M DONE, I,A6LL BUST
THEM ALL, I FEAR ,6O
611
00:39:18,999 --> 00:39:20,865
,6O AH, NO MORE TRIES ,6O
612
00:39:20,968 --> 00:39:22,436
,6O I GIVE UP ,6O
613
00:39:23,270 --> 00:39:25,898
,6O THAT CHORD IS LIKE A NEEDLE IN A
,6O
614
00:39:26,573 --> 00:39:28,735
[FROGGY VOICE] ,6O HAYSTACK ,6O
615
00:39:29,977 --> 00:39:31,741
[LAUGHTER AND APPLAUSE]
616
00:39:35,315 --> 00:39:36,191
JOAN!
617
00:39:36,750 --> 00:39:38,115
[WOMAN SCREAMS]
618
00:39:44,691 --> 00:39:46,022
WHAT HAPPENED?
619
00:39:46,160 --> 00:39:48,424
I STEPPED OUTSIDE FOR A MOMENT...
620
00:39:48,328 --> 00:39:49,887
SOMEONE GRABBED ME.
621
00:39:49,863 --> 00:39:51,194
OH, MY THROAT.
622
00:39:52,132 --> 00:39:54,692
YOU MUSTN,A6T WANDER AROUND
HERE ALONE.
623
00:39:54,067 --> 00:39:55,626
YOU,A6RE IN DANGER.
624
00:39:55,202 --> 00:39:57,136
WHO WOULD WANT TO HARM ME?
625
00:39:57,237 --> 00:39:59,968
THE SAME MAN THAT KILLED YOUR
GRANDFATHER.
626
00:40:06,046 --> 00:40:07,605
[PEOPLE CHATTERING]
627
00:40:16,623 --> 00:40:18,887
YOU THINKING THE SAME THING I AM?
628
00:40:19,827 --> 00:40:20,669
YES.
629
00:40:21,295 --> 00:40:22,956
THEN NOW IS THE TIME.
630
00:40:33,507 --> 00:40:36,067
SUPPOSE YOU SING US A LITTLE SONG,
LON.
631
00:40:49,923 --> 00:40:51,789
,6O I,A6D LOVE A HOME ,6O
632
00:40:53,026 --> 00:40:55,051
,6O OUT IN THE MOUNTAINS ,6O
633
00:40:59,166 --> 00:41:01,430
,6O IF YOU WERE THERE WITH ME ,6O
634
00:41:06,306 --> 00:41:08,172
,6O I,A6D LOVE A HOME ,6O
635
00:41:09,543 --> 00:41:11,477
,6O DOWN IN THE VALLEY ,6O
636
00:41:14,481 --> 00:41:16,711
,6O ,A6NEATH A WEEPING WIL-- ,6O
637
00:41:18,151 --> 00:41:19,277
GET READY.
638
00:41:19,486 --> 00:41:21,352
DOESN,A6T SOUND LIKE LON.
639
00:41:22,222 --> 00:41:24,748
,6O AND EVERY BIRDIE IN THE VALLEY
,6O
640
00:41:28,795 --> 00:41:30,627
THAT,A6S HIM, ALL RIGHT.
641
00:41:31,231 --> 00:41:33,598
,6O I KNOW WOULD BE GLAD TO SEE ,6O
642
00:41:38,138 --> 00:41:41,005
,6O THAT LITTLE HOME OUT IN THE
MOUNTAINS ,6O
643
00:41:47,047 --> 00:41:49,311
,6O IF YOU WERE THERE WITH ME ,6O
644
00:41:57,524 --> 00:41:59,390
JUST A MINUTE, EVERYBODY.
645
00:42:01,562 --> 00:42:04,725
THERE,A6S A REASON WHY WE WAITED
SO LONG TO UNMASK.
646
00:42:06,166 --> 00:42:08,396
IT WAS BECAUSE TWO DESPERATE MEN
647
00:42:08,569 --> 00:42:10,697
BOASTED THAT THEY,A6D BE HERE.
648
00:42:10,971 --> 00:42:12,973
WE WAITED TILL WE WERE SURE
649
00:42:12,806 --> 00:42:14,433
WE HAD THEM TRAPPED.
650
00:42:13,740 --> 00:42:14,684
NOW...
651
00:42:15,309 --> 00:42:16,538
EVERYBODY...
652
00:42:16,310 --> 00:42:17,675
UNMASK AT ONCE!
653
00:42:18,779 --> 00:42:20,338
[PEOPLE CHATTERING]
654
00:42:25,218 --> 00:42:27,744
THERE THEY ARE! THEY TOOK OUR
CLOTHES!
655
00:42:30,123 --> 00:42:32,353
[PEOPLE MURMURING AND SCREAMING]
656
00:42:46,373 --> 00:42:49,001
GET YOUR HORSES, GET MEN, AND
FOLLOW US!
657
00:42:58,852 --> 00:43:00,513
SE\/éOR, THE SWAYBACK!
658
00:43:00,554 --> 00:43:02,682
I FOUND OUT WHERE THEY HID IT!
659
00:43:02,889 --> 00:43:06,519
BRING IT TO ME AT THE STABLE AFTER
ALL THE OTHERS HAVE LEFT.
660
00:43:05,826 --> 00:43:06,987
SI, SE\/éOR.
661
00:43:20,941 --> 00:43:22,409
GOOD WORK, PABLO.
662
00:43:24,311 --> 00:43:26,177
UNCLE JOHN, THE SWAYBACK!
663
00:43:26,213 --> 00:43:28,545
WHAT ARE YOU-- YOU HAVE NO RIGHT--
664
00:43:27,514 --> 00:43:29,676
I WON,A6T HAVE YOU INTERFERING.
665
00:43:28,649 --> 00:43:31,277
STOP! WAIT A MINUTE! WHAT ARE YOU
DOING?
666
00:43:29,783 --> 00:43:32,411
L,A6M SORRY, JOAN, BUT THAT MINE
BELONGS
667
00:43:31,184 --> 00:43:33,516
TO WHOEVER LOCATES AND RECORDS
IT.
668
00:43:34,688 --> 00:43:35,849
LET ME OUT!
669
00:43:54,174 --> 00:43:56,108
Deputy: WE,A6VE LOST THEM!
670
00:43:55,575 --> 00:43:58,806
WE,A6LL HEAD FOR THE SPOT WHERE
MARTIN WAS MURDERED.
671
00:43:57,844 --> 00:44:01,610
IF THEY,__A6RE HEADED FOR THE MINE,
THEY,A6LL HAVE TO PASS THERE.
672
00:44:03,417 --> 00:44:06,182
[FROGGY VOICE] BOY, WE SURE FOOLED
,A6EM...
673
00:44:05,018 --> 00:44:08,784
[NORMAL VOICE] DIDN,A6T WE, WHEN
WE DOUBLED BACK ON OUR TRACKS?
674
00:44:07,087 --> 00:44:08,851
DO JUST WHAT I TOLD YOU
675
00:44:08,088 --> 00:44:10,318
AND DON,A6T LET ANYONE STOP YOU.
676
00:44:09,122 --> 00:44:10,556
L,A6M ON MY WAY.
677
00:44:28,442 --> 00:44:30,968
HE,A6S SHOWING US THE WAY TO THE
MINE.
678
00:44:30,477 --> 00:44:32,002
SI, SE\/éOR! VAMOS!
679
00:44:56,603 --> 00:44:59,334
MARTIN, HE AND PABLO HAVE GOT THE
SWAYBACK
680
00:44:58,839 --> 00:45:01,399
AND THEY,A6RE FOLLOWING IT TO THE
MINE.
681
00:46:01,701 --> 00:46:02,577
GENE!
682
00:46:02,736 --> 00:46:03,612
GENE!
683
00:46:12,045 --> 00:46:12,921
GENE!
684
00:46:20,854 --> 00:46:21,730
GENE!
685
00:46:32,032 --> 00:46:33,796
WHO LOCKED YOU IN HERE?
686
00:46:33,033 --> 00:46:34,091
MY UNCLE.
687
00:46:34,468 --> 00:46:37,301
AND HE AND PABLO RODE OFF WITH
THE SWAYBACK.
688
00:46:36,570 --> 00:46:39,574
AND I JUST FOUND A GUITAR HIDDEN IN
HIS BEDROOM
689
00:46:38,205 --> 00:46:40,037
WITH ONE STRING MISSING.
690
00:46:39,606 --> 00:46:42,871
OH, BUT YOU DON,A6T THINK THAT MY
UNCLE WAS THE ONE--
691
00:46:41,975 --> 00:46:43,534
I,A6M NOT SAYING...
692
00:46:43,376 --> 00:46:45,811
RIGHT NOW I,A6VE GOT TO RIDE. ADIOS.
693
00:47:25,385 --> 00:47:27,251
YOU BEAT IT UP THE TRAIL.
694
00:47:26,853 --> 00:47:28,719
ME AND SI WILL WAIT HERE.
695
00:47:28,755 --> 00:47:31,520
AND IF YOU DON,A6T GET ,A6EM GOING
ONE WAY,
696
00:47:29,890 --> 00:47:31,756
WE GOT ,A6EM COMING BACK.
697
00:49:51,898 --> 00:49:54,663
WHY DON,A6T YOU STAY HOME WHERE
YOU BELONG?
698
00:49:53,967 --> 00:49:56,732
WELL, IF YOU,A6RE DRIVING WITH ME,
COME ON.
699
00:50:01,975 --> 00:50:04,535
DON,A6T SHOOT! YOU MIGHT HIT THAT
GIRL.
700
00:50:22,262 --> 00:50:23,320
[SCREAMS]
701
00:50:58,665 --> 00:51:01,225
GET UP, AND KEEP YOUR HANDS IN THE
AIR.
702
00:51:29,129 --> 00:51:31,461
WELL, THERE,A6S NO GOLD MINE HERE.
703
00:51:31,331 --> 00:51:32,594
WAIT, SE\/éOR!
704
00:51:43,243 --> 00:51:45,405
THERE,A6S NOTHING HERE, SE\/éOR.
705
00:51:44,844 --> 00:51:46,471
WELL, THERE MUST BE.
706
00:51:49,682 --> 00:51:51,684
OH, PABLO, HERE,A6S A DOOR.
707
00:52:11,905 --> 00:52:14,533
THE OLD MAN,A6S HEADQUARTERS, ALL
RIGHT,
708
00:52:13,673 --> 00:52:15,437
BUT WHERE,A6S THE MINE?
709
00:52:14,674 --> 00:52:16,699
[HORSE WHINNIES IN DISTANCE]
710
00:52:28,188 --> 00:52:30,190
YOU AIN,A6T GOING IN THERE!
711
00:52:29,689 --> 00:52:31,214
WE GOT HERE FIRST!
712
00:52:30,857 --> 00:52:33,588
NO, YOU,A6RE WRONG. MARTIN GOT
HERE FIRST.
713
00:52:32,992 --> 00:52:34,619
THERE,A6S HIS HORSE!
714
00:52:46,439 --> 00:52:48,168
LOOKING FOR SOMETHING?
715
00:52:52,312 --> 00:52:53,677
GET OVER THERE.
716
00:52:55,215 --> 00:52:57,081
Pablo: 'I°\/ANDELE, PRONTO!
717
00:52:59,552 --> 00:53:01,179
Martin: TIE THEM UP.
718
00:53:15,602 --> 00:53:18,333
Gene: NOW THAT THAT,A6S SETTLED
PEACEABLY,
719
00:53:17,203 --> 00:53:19,331
WE,A6LL HAVE A LITTLE POW-WOW.
720
00:53:31,417 --> 00:53:34,182
BE SEATED, AND MAKE YOURSELVES
COMFORTABLE.
721
00:53:45,265 --> 00:53:47,734
L,A6LL BEGIN BY TELLING YOU
GENTLEMEN
722
00:53:47,267 --> 00:53:50,601
THAT I AM A RANGER ASSIGNED TO THE
MARTIN MURDER CASE.
723
00:53:52,205 --> 00:53:54,207
NOW, MR. NOLAN, AS A LAWYER
724
00:53:53,806 --> 00:53:56,241
ASSOCIATED WITH THE LATE MR.
MARTIN,
725
00:53:55,541 --> 00:53:58,977
SUPPOSE YOU TELL US THE REASON
THE KILLER OR THE KILLERS
726
00:53:58,311 --> 00:54:00,439
MIGHT HAVE HAD FOR THE MURDER.
727
00:53:59,545 --> 00:54:00,421
AHEM.
728
00:54:00,446 --> 00:54:03,006
WELL, lT,A6S PROBABLE THAT THE
MURDERER
729
00:54:02,749 --> 00:54:05,013
ONLY WISHED TO TORTURE MR. MARTIN
730
00:54:04,350 --> 00:54:06,785
TO MAKE HIM TELL WHERE THE MINE
WAS.
731
00:54:06,586 --> 00:54:08,418
BUT THE VICTIM WAS WEAK,
732
00:54:08,788 --> 00:54:09,949
HALF BLIND.
733
00:54:09,923 --> 00:54:11,152
AND HE DIED.
734
00:54:11,157 --> 00:54:13,091
THE KILLER GOT FRIGHTENED,
735
00:54:13,192 --> 00:54:16,628
AND HE FLED WITHOUT REMOVING THE
TELLTALE GUITAR STRING.
736
00:54:16,396 --> 00:54:19,764
NOW, ANYONE HERE COULD HAVE HAD
A MOTIVE FOR THE CRIME.
737
00:54:19,299 --> 00:54:22,428
AS A MATTER OF FACT, THE KILLER IS
RIGHT HERE NOW.
738
00:54:24,270 --> 00:54:28,002
MAYBE YOU,A6RE NOT SUCH A SMART
DETECTIVE AS YOU THINK, AUTRY.
739
00:54:30,143 --> 00:54:32,669
THE KILLER WASN,A6T VERY SMART,
LON...
740
00:54:32,111 --> 00:54:35,137
FOR THIS STRING SHOWS IT WAS
PLAYED WITH A PICK.
741
00:54:34,614 --> 00:54:37,276
VERY UNUSUAL IN THIS PART OF THE
COUNTRY.
742
00:54:43,356 --> 00:54:46,417
HANK POLK PLAYS A GUITAR, AND SO
DOES LON DILLON.
743
00:54:45,992 --> 00:54:47,824
AND THEY BOTH USE PICKS.
744
00:54:49,462 --> 00:54:52,989
ON THIS LITTLE STICK ARE THE
FINGERPRINTS OF THE MURDERER.
745
00:54:52,265 --> 00:54:53,926
MY FELLOW RANGER FROG
746
00:54:54,701 --> 00:54:56,635
IS OUR FINGERPRINT EXPERT.
747
00:54:57,337 --> 00:54:59,806
AT THE RANCH, HE GOT THE
FINGERPRINTS
748
00:54:58,738 --> 00:55:00,206
OF EVERYONE HERE.
749
00:54:59,872 --> 00:55:02,102
THESE FINGERPRINTS WERE COMPARED
750
00:55:01,574 --> 00:55:04,236
AND PROVE CONCLUSIVELY WHO
KILLED MARTIN.
751
00:55:03,943 --> 00:55:05,274
THAT MAN WAS--
752
00:55:05,111 --> 00:55:07,170
YOU,A6LL NEVER TAKE ME ALIVE!
753
00:55:17,457 --> 00:55:19,687
LT,A6S THE ENTRANCE TO THE MINE!
754
00:55:51,157 --> 00:55:54,218
HERE,A6S THE MAN THAT KILLED MR.
MARTIN, CAPTAIN.
755
00:55:53,226 --> 00:55:55,228
YOU CAN RELEASE THE OTHERS.
756
00:55:55,128 --> 00:55:58,291
HOW DID YOU HAPPEN TO BE HIDING IN
THE MINE TUNNEL?
757
00:55:57,196 --> 00:55:59,255
THAT WAS GENE AUTRY,A6S PLAN.
758
00:55:59,065 --> 00:56:01,124
HE KNEW WHERE THIS PLACE WAS.
759
00:56:00,400 --> 00:56:03,165
HE FOLLOWED THE SWAYBACK UP
HERE YESTERDAY.
760
00:56:02,301 --> 00:56:04,633
I HEARD YOU SAY SOMETHING ABOUT ME
761
00:56:03,836 --> 00:56:06,168
BEING A FAMOUS FINGERPRINT EXPERT.
762
00:56:06,105 --> 00:56:08,369
HOW COME I GOT SUCH A REPUTATION?
763
00:56:07,640 --> 00:56:08,971
YOU HAVEN,A6T.
764
00:56:08,875 --> 00:56:12,402
THAT WAS A BLUFF TO FORCE THE
GUILTY MAN TO SHOW HIS HAND.
765
00:56:14,480 --> 00:56:17,415
I DON,A6T KNOW WHAT YOU'D DO
WITHOUT ME, GENE.
766
00:56:16,716 --> 00:56:19,378
WITH MY BRAINS AND YOUR FIGHTING
ABILITY,
767
00:56:19,318 --> 00:56:21,548
WELL, WE SURE MAKE A SWELL TEAM.
768
00:56:22,488 --> 00:56:24,752
HE,A6S TRYING TO DOUBLE CROSS US!
769
00:56:24,157 --> 00:56:27,218
THE MINE BELONGS TO THE ONE WHO
FIRST RECORDS IT!
770
00:56:37,637 --> 00:56:39,002
[FROG LAUGHING]
771
00:56:44,644 --> 00:56:46,510
WELL, THERE GOES MY MINE.
772
00:56:51,651 --> 00:56:54,780
I DON,A6T KNOW WHAT I EVER LIKED
ABOUT HIM ANYWAY.
773
00:56:55,054 --> 00:56:58,684
[FROGGY VOICE] WELL, MA,A6AM...
774 00:56:56,456 --> 00:56:554010
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