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1
00:00:04,000 --> 00:00:06,834
[♪♪♪]
2
00:00:27,709 --> 00:00:29,709
[♪♪♪]
3
00:00:33,583 --> 00:00:35,000
[MAN]: OKAY, EVERYBODY--
BIG SMILE!
4
00:00:35,083 --> 00:00:36,959
OVER HERE, HELEN.
5
00:00:37,041 --> 00:00:39,000
VERY NICE.
6
00:00:39,083 --> 00:00:40,000
HAPPY COUPLE!
7
00:00:40,083 --> 00:00:41,166
CHARLES, HELEN,
BIG SMILE!
8
00:00:44,000 --> 00:00:45,583
LOOKING GOOD, LADIES!
9
00:00:46,667 --> 00:00:48,959
[♪♪♪]
10
00:00:50,250 --> 00:00:51,709
TED! TED!
11
00:00:51,792 --> 00:00:53,375
JUST MOVE
A LITTLE TO YOUR RIGHT?
12
00:00:53,458 --> 00:00:54,542
CHARLES, HELEN!
OVER HERE.
13
00:00:56,083 --> 00:00:57,792
OKAY! WE GOT IT, EVERYBODY.
14
00:00:57,875 --> 00:01:01,250
[♪♪♪]
15
00:01:15,458 --> 00:01:17,375
[SNAP]
16
00:01:20,417 --> 00:01:23,291
[POLICE RADIOS
CRACKLING INDISTINCTLY]
17
00:01:29,542 --> 00:01:33,709
I WENT TO TOUCH UP
MY MAKE-UP IN THE BATHROOM.
18
00:01:33,792 --> 00:01:35,625
[BRIDE SNIFFLES]
19
00:01:35,709 --> 00:01:39,208
WE WERE GOING TO
WALK IN TOGETHER.
20
00:01:41,500 --> 00:01:43,208
[SOBBING]
21
00:01:45,417 --> 00:01:47,542
[♪♪♪]
22
00:01:52,417 --> 00:01:54,125
I'VE HEARD OF THE GROOM
BOLTING BEFORE THE WEDDING,
23
00:01:54,208 --> 00:01:55,291
BUT NEVER AFTER.
24
00:01:55,375 --> 00:01:58,417
SO, BETWEEN THE PICTURES
AND THE RECEPTION,
25
00:01:58,500 --> 00:02:00,750
THE GROOM JUST DISAPPEARS?
26
00:02:01,875 --> 00:02:03,041
I DON'T GET IT.
27
00:02:03,125 --> 00:02:05,625
AND IT HAD TO BE ON FOOT,
HE DIDN'T HAVE A CAR.
28
00:02:05,709 --> 00:02:06,750
WAS HE AMBIVALENT
ABOUT THE MARRIAGE?
29
00:02:06,834 --> 00:02:07,834
NO!
30
00:02:07,917 --> 00:02:09,583
THIS IS NOT LIKE HIM.
31
00:02:11,250 --> 00:02:14,583
DID HELEN SAY ANYTHING ABOUT
ANY PROBLEMS WITH CHARLES?
32
00:02:14,667 --> 00:02:16,375
NOTHING.
33
00:02:16,458 --> 00:02:17,875
NO. I WAS WITH HER
LAST NIGHT.
34
00:02:17,959 --> 00:02:20,417
SHE WAS SO EXCITED AND HAPPY.
35
00:02:20,500 --> 00:02:22,250
[TROUBLED SIGH]
36
00:02:23,500 --> 00:02:25,875
[♪♪♪]
37
00:03:01,291 --> 00:03:02,834
[JENN]: SO... TELL ME, DANI.
38
00:03:02,917 --> 00:03:04,792
YEAH. NO, WE TALKED.
39
00:03:04,875 --> 00:03:06,166
AND?
40
00:03:06,250 --> 00:03:07,458
WE'RE GOING
OUT FOR DINNER
41
00:03:07,542 --> 00:03:08,500
ON SATURDAY NIGHT.
42
00:03:08,583 --> 00:03:10,250
-NICE! WHAT'S HIS NAME?
-JAKE.
43
00:03:10,333 --> 00:03:12,041
IS HE
THE PHARMACIST?
44
00:03:13,375 --> 00:03:14,583
FIREMAN.
45
00:03:14,667 --> 00:03:16,417
REALLY?
46
00:03:16,500 --> 00:03:17,542
DON'T GO THERE.
47
00:03:17,625 --> 00:03:18,750
I DIDN'T SAY ANYTHING.
48
00:03:18,834 --> 00:03:20,417
-OKAY.
-WHAT MONTH?
49
00:03:20,500 --> 00:03:21,917
HE WAS MR. JULY.
50
00:03:23,083 --> 00:03:24,125
BUT IT WAS YEARS AGO.
51
00:03:24,208 --> 00:03:25,792
[BOTH LAUGHING]
52
00:03:25,875 --> 00:03:27,166
-DANI!
-HEY...
53
00:03:27,250 --> 00:03:29,750
SO ISN'T THIS JUST
A FANCY GARAGE SALE?
54
00:03:29,834 --> 00:03:31,041
OH, HANNAH.
55
00:03:31,125 --> 00:03:32,166
WHAT?
56
00:03:32,250 --> 00:03:33,583
OH! HANNAH, HANNAH, HANNAH.
57
00:03:33,667 --> 00:03:35,709
MY DARLING DAUGHTER.
58
00:03:35,792 --> 00:03:38,834
WE ARE GOING TO AN ESTATE SALE.
59
00:03:40,917 --> 00:03:42,792
OH!
60
00:03:42,875 --> 00:03:45,583
[♪♪♪]
61
00:03:45,667 --> 00:03:47,041
AND YOU KNOW,
SOMETIMES,
62
00:03:47,125 --> 00:03:48,667
IT'S JUST LIKE
THE OCCUPANTS LEFT IT.
63
00:03:48,750 --> 00:03:50,417
WHY WOULD
THEY DO THAT?
64
00:03:50,500 --> 00:03:52,917
WELL, MAYBE
THEY PASSED AWAY,
65
00:03:53,000 --> 00:03:54,750
OR THEY WENT TO
A CARE FACILITY.
66
00:03:54,834 --> 00:03:57,083
EVERYTHING INSIDE IS
LEFT JUST AS IT WAS,
67
00:03:57,166 --> 00:03:58,542
AND EVERYTHING
IS FOR SALE,
68
00:03:58,625 --> 00:04:00,041
SO KEEP YOUR EYES
PEELED.
69
00:04:00,125 --> 00:04:02,000
THAT SOUNDS CREEPY.
70
00:04:02,083 --> 00:04:04,250
SO WE MIGHT BE BUYING
STUFF FROM DEAD PEOPLE?
71
00:04:04,333 --> 00:04:05,667
[LAUGHING]
72
00:04:05,750 --> 00:04:07,959
THAT'S USUALLY HOW IT WORKS
IN THE ANTIQUE BUSINESS,
73
00:04:08,041 --> 00:04:09,667
SWEETHEART.
74
00:04:11,041 --> 00:04:13,500
HUH.
75
00:04:13,583 --> 00:04:15,542
THIS DOESN'T LOOK
LIKE AN "ESTATE."
76
00:04:18,250 --> 00:04:19,875
WELL, LET'S HOPE FOR THE BEST.
77
00:04:19,959 --> 00:04:21,375
WE'RE GOIN' IN.
78
00:04:21,458 --> 00:04:22,709
OKAY.
79
00:04:22,792 --> 00:04:24,000
[DANI]: REMEMBER,
80
00:04:24,083 --> 00:04:25,917
WE BARELY HAVE
ANY ROOM LEFT IN STORAGE, JENN.
81
00:04:26,000 --> 00:04:27,208
[JENN]: I KNOW, DANI.
82
00:04:39,041 --> 00:04:41,667
SLIM PICKINGS,
BUT YOU NEVER KNOW.
83
00:04:41,750 --> 00:04:42,917
I'LL TAKE
THE KITCHEN.
84
00:04:43,000 --> 00:04:43,917
I'LL TAKE THE UPSTAIRS.
85
00:04:44,000 --> 00:04:46,083
I'LL TAKE THE REST.
86
00:04:49,166 --> 00:04:51,375
[QUIET BACKGROUND CHATTER]
87
00:05:03,959 --> 00:05:06,291
[♪♪♪]
88
00:05:33,750 --> 00:05:35,125
[GASPS]
89
00:05:35,208 --> 00:05:37,125
SORRY.
90
00:05:37,208 --> 00:05:39,875
[♪♪♪]
91
00:06:01,834 --> 00:06:04,208
[RUSTLING]
92
00:06:05,333 --> 00:06:09,250
[♪♪♪]
93
00:06:09,333 --> 00:06:11,709
[DANI]: WHY ARE WE TAKING
SO MANY BOXES BACK TO THE SHOP?
94
00:06:11,792 --> 00:06:12,959
[JENN]:
YOU COULDN'T PICK AND CHOOSE,
95
00:06:13,041 --> 00:06:14,000
YOU HAD TO TAKE 'EM ALL.
96
00:06:14,083 --> 00:06:15,291
-COME ON, 20 BUCKS.
-EXCUSE ME.
97
00:06:15,417 --> 00:06:17,000
-GREAT.
-YOU WAIT AND SEE.
98
00:06:17,083 --> 00:06:18,083
I'M EXCITED.
99
00:06:18,166 --> 00:06:19,750
-A LOT OF TREASURE IN THERE.
-MM-HMM.
100
00:06:19,834 --> 00:06:21,667
-GET ME OUT OF HERE.
-LET'S GO.
101
00:06:22,834 --> 00:06:25,792
[♪♪♪]
102
00:06:28,083 --> 00:06:30,000
-TANNER?
-"TYLER!"
103
00:06:30,083 --> 00:06:31,333
TYLER!
HE'S VERY NICE.
104
00:06:31,417 --> 00:06:33,500
HE IS VERY NICE.
105
00:06:33,583 --> 00:06:36,417
HE'S ALSO SMART,
GOOD-LOOKING,
106
00:06:36,500 --> 00:06:38,041
AND HE MAKES ME LAUGH.
107
00:06:38,125 --> 00:06:40,041
OH! MY EX
MADE ME LAUGH...
108
00:06:40,125 --> 00:06:40,875
FOR ALL
THE WRONG REASONS.
109
00:06:40,959 --> 00:06:41,875
[LAUGHS]
WHAT'S HIS MAJOR?
110
00:06:41,959 --> 00:06:42,959
POLI-SCI.
111
00:06:43,041 --> 00:06:44,834
HE'S ALSO ON
THE TRACK TEAM.
112
00:06:44,917 --> 00:06:46,041
THINK "LACE."
113
00:06:46,125 --> 00:06:48,166
WELL, I'M THINKING
"WOMEN'S SHELTER."
114
00:06:48,250 --> 00:06:49,542
REALLY? NO LACE?
115
00:06:49,625 --> 00:06:51,000
POLYESTER, SO FAR!
116
00:06:51,083 --> 00:06:52,166
[DEJECTED] OH.
117
00:06:52,250 --> 00:06:54,083
OH! WHOA. WAIT A MINUTE.
I'M FEELING LACE.
118
00:06:54,166 --> 00:06:55,792
[GASPS]
OH. LOTS OF LACE!
119
00:06:57,458 --> 00:06:58,542
[ALL GASPING]
120
00:06:58,625 --> 00:07:01,583
[GASPING LOUDER]
121
00:07:01,667 --> 00:07:04,000
SEE? WHAT DID I TELL YOU?
122
00:07:04,083 --> 00:07:05,542
NICE CATCH, JENN!
123
00:07:05,625 --> 00:07:06,542
OH!
124
00:07:06,625 --> 00:07:07,959
IT'S A D'ARCET.
125
00:07:08,041 --> 00:07:10,125
-[GASPING DEEPLY] OH...
-IS THAT GOOD?
126
00:07:10,208 --> 00:07:13,375
OH! IT'S LIKE... DIOR.
VERY
HAUTE COUTURE.
127
00:07:13,458 --> 00:07:15,000
YEAH. IT'S OLD,
128
00:07:15,083 --> 00:07:16,750
AND IT WASN'T
STORED PROPERLY,
129
00:07:16,834 --> 00:07:19,125
AND THE BOTTOM'S DIRTY.
130
00:07:19,208 --> 00:07:20,792
WASN'T WASHED
AFTER THE WEDDING.
131
00:07:20,875 --> 00:07:22,458
WELL, EVEN IF A DRESS
IS NOT RESTORABLE,
132
00:07:22,542 --> 00:07:24,625
VINTAGE LACE ALONE
IS ALWAYS VALUABLE.
133
00:07:24,709 --> 00:07:26,250
WELL, IT'S BEAUTIFUL.
134
00:07:26,333 --> 00:07:28,625
YOU COULD'VE BOUGHT A CAR
FOR WHAT THIS COST NEW.
135
00:07:28,709 --> 00:07:29,417
[HANNAH]:
WHEN DO YOU THINK THAT WAS?
136
00:07:29,500 --> 00:07:31,792
OH, 30,
40 YEARS AGO?
137
00:07:31,875 --> 00:07:34,667
WE COULD PROBABLY LOOK UP
THE D'ARCET COLLECTION ONLINE.
138
00:07:34,750 --> 00:07:36,667
-MM-HMM.
-LET'S SEE WHAT'S SALVAGEABLE.
139
00:07:36,750 --> 00:07:38,834
THERE WE GO.
140
00:07:38,917 --> 00:07:40,417
OH, THEY DON'T MAKE DRESSES
LIKE THIS ANYMORE.
141
00:07:40,500 --> 00:07:41,458
I WISH THEY DID.
142
00:07:41,542 --> 00:07:42,750
OH, PERFECT!
143
00:07:42,834 --> 00:07:43,667
DOESN'T
SHE LOOK PRETTY?
144
00:07:43,750 --> 00:07:45,750
WOW!
145
00:07:47,000 --> 00:07:49,291
[♪♪♪]
146
00:07:53,959 --> 00:07:55,500
SWEETHEART, DINNER
WILL BE IN 15 MINUTES.
147
00:07:55,583 --> 00:07:56,959
[DISTRACTED]: MM.
148
00:07:57,041 --> 00:08:00,083
WAS THAT AN
"I'LL BE RIGHT IN?" MM?
149
00:08:00,166 --> 00:08:02,417
NO, IT'S AN "I'M
CONCENTRATING" MM.
150
00:08:03,583 --> 00:08:05,542
OKAY, THEN.
151
00:08:07,000 --> 00:08:10,792
I'M GONNA CALL LOGAN
AT COMPUTER CAMP BEFORE WE EAT.
152
00:08:14,500 --> 00:08:16,125
THIS IS NOT BAD.
153
00:08:16,208 --> 00:08:17,750
YOU GET IT
AT THE STORE?
154
00:08:17,834 --> 00:08:18,709
MM-HMM.
155
00:08:20,625 --> 00:08:23,083
ANYTHING INTERESTING
HAPPEN AT WORK?
156
00:08:23,166 --> 00:08:25,875
MM-MM.
157
00:08:30,667 --> 00:08:32,625
[SETS CUTLERY DOWN]
158
00:08:32,709 --> 00:08:34,000
OKAY, I GET IT.
159
00:08:34,083 --> 00:08:35,417
I APOLOGIZE.
160
00:08:35,500 --> 00:08:37,375
THANK YOU.
161
00:08:38,917 --> 00:08:40,667
WHAT'S GOING ON WITH YOU?
162
00:08:40,750 --> 00:08:43,458
AH, THINGS HAVE BEEN
REALLY CRAZY AT WORK.
163
00:08:43,542 --> 00:08:45,291
WE GOT THAT NEW BUILDING
GOING UP
164
00:08:45,375 --> 00:08:47,417
AND THE CLIENTS ARE FLYING OUT
IN A COUPLE WEEKS.
165
00:08:47,500 --> 00:08:49,291
THE WEEK AFTER NEXT?
166
00:08:49,375 --> 00:08:52,000
RIGHT.
167
00:08:52,083 --> 00:08:53,583
HOW LONG ARE THEY HERE?
168
00:08:53,667 --> 00:08:55,583
THROUGH THE WEEKEND, PROBABLY.
169
00:08:55,667 --> 00:08:58,041
THERE'LL BE ENTERTAINING,
DINNERS...
170
00:08:58,125 --> 00:09:00,041
I'M REALLY NOT
LOOKING FORWARD TO IT.
171
00:09:02,875 --> 00:09:05,542
[♪♪♪]
172
00:09:07,500 --> 00:09:09,458
HOW WAS YOUR DATE
WITH THE FIREMAN?
173
00:09:09,542 --> 00:09:10,250
WAS IT HOT?
174
00:09:10,333 --> 00:09:11,875
VERY FUNNY.
175
00:09:11,959 --> 00:09:13,625
WE HAD A WONDERFUL TIME.
176
00:09:13,709 --> 00:09:15,375
THIS DRESS IS IN BETTER
SHAPE THAN I THOUGHT.
177
00:09:15,458 --> 00:09:17,750
DRYCLEANING,
A FEW LOOSE SEAMS...
178
00:09:17,834 --> 00:09:18,792
PERFECT!
179
00:09:18,875 --> 00:09:21,458
HEY! IS THAT IT?
180
00:09:22,542 --> 00:09:24,792
WOW! THAT'S IT. HUH.
181
00:09:26,166 --> 00:09:29,709
THIS DRESS IS, LIKE,
35 YEARS OLD.
182
00:09:29,792 --> 00:09:30,959
I WONDER WHO THE BRIDE WAS.
183
00:09:31,041 --> 00:09:32,333
AN EXPENSIVE DRESS LIKE THAT,
184
00:09:32,417 --> 00:09:34,000
IT SURE WASN'T ANYBODY
WHO LIVED IN THAT OLD HOUSE!
185
00:09:34,083 --> 00:09:35,875
OH, THERE'S A LABEL INSIDE
THAT SAYS "STILLMAN'S."
186
00:09:35,959 --> 00:09:37,291
MAYBE IT'S
THE DRESS SHOP.
187
00:09:37,375 --> 00:09:39,000
SEARCH IT.
188
00:09:39,083 --> 00:09:41,208
[KEYS CLACKING]
189
00:09:41,291 --> 00:09:42,083
WELL, THEY'RE STILL
IN BUSINESS,
190
00:09:42,166 --> 00:09:43,208
OVER IN FAIRVIEW.
191
00:09:43,291 --> 00:09:45,000
PRACTICALLY
IN THE NEIGHBORHOOD.
192
00:09:45,083 --> 00:09:47,542
OOH! HIDDEN POCKET.
193
00:09:47,625 --> 00:09:49,625
OH! SO THE BRIDE COULD
KEEP HER HANDKERCHIEF
194
00:09:49,709 --> 00:09:52,375
OR SOME PERSONAL THINGS.
195
00:09:53,917 --> 00:09:55,709
DANI, LOOK AT THIS.
196
00:09:56,959 --> 00:09:58,083
LOOKS LIKE DRIED BLOOD.
197
00:10:00,333 --> 00:10:01,458
SO WHAT?
198
00:10:01,542 --> 00:10:02,875
SOMEBODY HAD A BLOODY NOSE,
199
00:10:02,959 --> 00:10:04,458
AND THE BRIDE PUT
THE HANDKERCHIEF IN HER POCKET.
200
00:10:04,542 --> 00:10:05,667
[SCOFFS]
201
00:10:05,750 --> 00:10:07,917
WHY WOULDN'T THE BRIDE
THROW IT AWAY?
202
00:10:08,000 --> 00:10:10,667
WHY GET IT ANYWHERE NEAR
THIS BEAUTIFUL WEDDING DRESS?
203
00:10:10,750 --> 00:10:13,166
NO. PLEASE, NO!
204
00:10:13,250 --> 00:10:15,375
AREN'T YOU CURIOUS?
205
00:10:15,458 --> 00:10:17,542
NOT PARTICULARLY.
206
00:10:21,500 --> 00:10:24,000
I SMELL A MYSTERY.
207
00:10:24,083 --> 00:10:26,000
[DOOR BELLS JINGLE]
208
00:10:30,000 --> 00:10:31,750
IT'S PROBABLY
NOT ANYTHING,
209
00:10:31,834 --> 00:10:33,125
BUT IT MIGHT BE.
210
00:10:33,208 --> 00:10:34,458
IT'S A NICE DRIVE.
211
00:10:34,542 --> 00:10:35,750
THEY MAY KEEP
RECORDS OF ALL DRESSES
212
00:10:35,834 --> 00:10:38,417
THEY SOLD WAY BACK WHEN,
ESPECIALLY D'ARCET.
213
00:10:38,500 --> 00:10:41,417
[♪♪♪]
214
00:10:49,041 --> 00:10:51,083
[SIGHS]
215
00:10:52,667 --> 00:10:54,083
I'M IMPRESSED.
216
00:10:54,166 --> 00:10:56,375
WHAT?
I'M NOT ADDICTED.
217
00:10:56,458 --> 00:10:58,792
NEITHER AM I!
218
00:10:58,875 --> 00:10:59,792
MAYBE ON THE WAY BACK.
219
00:10:59,875 --> 00:11:00,875
OKAY.
220
00:11:00,959 --> 00:11:03,083
[♪♪♪]
221
00:11:03,166 --> 00:11:05,542
[DANI]: HEY, DON'T YOU GUYS
HAVE AN ANNIVERSARY COMING UP?
222
00:11:05,625 --> 00:11:07,166
[JENN]: YUP, WE DO.
223
00:11:07,250 --> 00:11:08,959
OH, BOY! I CAN'T
REMEMBER THE LAST TIME
224
00:11:09,041 --> 00:11:11,458
I WAS AT
THE BRIDAL BOUTIQUE.
225
00:11:11,542 --> 00:11:13,083
[SIGHS WISTFULLY]
NEITHER CAN I.
226
00:11:15,709 --> 00:11:17,208
WE DO KEEP RECORDS,
227
00:11:17,291 --> 00:11:18,709
ESPECIALLY WITH
COUTURE DRESSES...
228
00:11:18,792 --> 00:11:20,667
NOT AS FAR BACK
AS THE '70S.
229
00:11:23,500 --> 00:11:25,166
WELL...
230
00:11:25,250 --> 00:11:26,333
THAT'S US.
231
00:11:26,417 --> 00:11:27,375
SOMETIMES,
THERE'S ANOTHER TAG
232
00:11:27,458 --> 00:11:28,625
WITH THE BRIDE'S
MAIDEN NAME
233
00:11:28,709 --> 00:11:29,834
AND WEDDING DATE.
234
00:11:29,917 --> 00:11:31,625
THE LABEL WOULD'VE
HAD BLUE STITCHING.
235
00:11:31,709 --> 00:11:32,625
WHY BLUE?
236
00:11:32,709 --> 00:11:33,750
"SOMETHING BORROWED..."
237
00:11:33,834 --> 00:11:35,333
"...SOMETHING BLUE."
238
00:11:35,417 --> 00:11:38,083
OH. RIGHT.
IT'S BEEN A WHILE.
239
00:11:38,166 --> 00:11:40,709
HERE IT IS!
THE OTHER TAG.
240
00:11:40,792 --> 00:11:42,083
THE BRIDE'S MAIDEN NAME?
241
00:11:42,166 --> 00:11:45,000
JUST HER INITIALS...
"H.W."
242
00:11:45,083 --> 00:11:48,375
CAN YOU THINK OF ANY OTHER
WAY WE COULD TRACE HER?
243
00:11:48,458 --> 00:11:51,166
A DESIGNER DRESS
WOULD MEAN A BIG CHURCH WEDDING.
244
00:11:51,250 --> 00:11:53,834
YOUR BEST BET IS LOOK THROUGH
OLD NEWSPAPERS AT THE LIBRARY.
245
00:11:53,917 --> 00:11:55,041
THERE'LL BE A PICTURE.
246
00:11:56,583 --> 00:11:57,792
NICE WORK!
247
00:11:59,750 --> 00:12:00,959
GONNA START
CALLING YOU "WATSON."
248
00:12:01,041 --> 00:12:03,542
WELL.
249
00:12:06,208 --> 00:12:08,250
[SIGHS] THIS IS
GONNA TAKE FOREVER.
250
00:12:08,333 --> 00:12:09,709
WHY NOT
CUT TO THE CHASE?
251
00:12:09,792 --> 00:12:12,667
BIGGEST MONTH FOR WEDDINGS
IS JUNE,
252
00:12:12,750 --> 00:12:15,166
AND WEDDING ANNOUNCEMENTS ARE
IN THE "SPECIAL EVENTS" COLUMN,
253
00:12:15,250 --> 00:12:17,417
EVERY THURSDAY.
254
00:12:17,500 --> 00:12:18,917
WHOSE WEDDING
ARE YOU LOOKING FOR?
255
00:12:19,000 --> 00:12:20,792
I DON'T KNOW.
256
00:12:20,875 --> 00:12:24,166
ACTUALLY, I'M...
I'M LOOKING FOR A DRESS.
257
00:12:24,250 --> 00:12:26,667
OH. A DRESS?
258
00:12:26,750 --> 00:12:28,291
WELL, GOOD LUCK.
259
00:12:31,875 --> 00:12:34,583
[♪♪♪]
260
00:13:10,000 --> 00:13:11,542
BINGO.
261
00:13:11,625 --> 00:13:12,875
IT'S STRANGE.
262
00:13:12,959 --> 00:13:14,208
BIG WEDDING.
263
00:13:14,291 --> 00:13:16,291
THE GROOM DISAPPEARS
RIGHT AFTER THE CEREMONY
264
00:13:16,375 --> 00:13:18,041
AND BEFORE
THE RECEPTION.
265
00:13:18,125 --> 00:13:19,125
HERE WE GO.
266
00:13:19,208 --> 00:13:20,166
OH, YOU ALWAYS
GET CONCERNED
267
00:13:20,250 --> 00:13:21,583
WHEN I'M INVOLVED
WITH A MYSTERY,
268
00:13:21,667 --> 00:13:22,834
BUT THIS TIME,
YOU DON'T HAVE TO WORRY,
269
00:13:22,917 --> 00:13:24,583
BECAUSE IT HAPPENED
IN 1979.
270
00:13:24,667 --> 00:13:26,166
PERFECT!
271
00:13:26,250 --> 00:13:28,583
AFTER THAT, YOU CAN FIGURE OUT
WHAT HAPPENED TO AMELIA EARHART.
272
00:13:28,667 --> 00:13:29,709
YEAH, VERY FUNNY.
273
00:13:29,792 --> 00:13:30,625
ARE YOUR CLIENTS
STILL COMING IN TO TOWN
274
00:13:30,709 --> 00:13:32,041
AT THE END OF THE MONTH?
275
00:13:32,125 --> 00:13:33,625
I THOUGHT MAYBE WE COULD
HAVE THEM OVER FOR DINNER.
276
00:13:33,709 --> 00:13:35,542
I THINK DINNER HERE
277
00:13:35,625 --> 00:13:37,417
WOULD BE A LITTLE BORING
FOR THIS GROUP.
278
00:13:37,500 --> 00:13:38,959
THEY WANT TO GO OUT,
HAVE A FEW DRINKS.
279
00:13:39,041 --> 00:13:40,917
AH. GOT IT.
280
00:13:41,000 --> 00:13:44,083
IT'S A TOUGH JOB,
BUT SOMEONE'S GOT TO DO IT.
281
00:13:46,583 --> 00:13:48,041
AM I RIGHT?
282
00:13:49,542 --> 00:13:51,792
YOU'RE RIGHT!
THAT'S THE SAME DRESS.
283
00:13:51,875 --> 00:13:53,125
CHECK OUT THE ARTICLE--
284
00:13:53,208 --> 00:13:55,959
THE GROOM VANISHES
IMMEDIATELY AFTER THE WEDDING.
285
00:13:56,041 --> 00:13:57,750
CHARLES AND HELEN CARTER,
OF FAIRVIEW.
286
00:13:57,834 --> 00:14:00,375
BUT THE TAG SAID "H.W."
287
00:14:00,458 --> 00:14:02,083
HELEN CARTER
WOULD BE "H.C."
288
00:14:02,166 --> 00:14:04,208
DANI. HER MAIDEN NAME
WAS "WHITNEY."
289
00:14:06,000 --> 00:14:07,291
WOW!
290
00:14:07,375 --> 00:14:08,959
GOSH, I WONDER
WHAT THE STORY IS.
291
00:14:09,041 --> 00:14:10,291
DID HE EVER TURN UP,
292
00:14:10,375 --> 00:14:13,125
OR DID HE JUST STAY
DISAPPEARED, FOREVER?
293
00:14:13,208 --> 00:14:15,709
[JENN]: SHE'S STILL HERE,
AND SHE'S A PRETTY BIG DEAL.
294
00:14:15,792 --> 00:14:17,375
YEAH!
295
00:14:17,458 --> 00:14:19,333
SHE'S ON THE BOARDS
OF A LOT A CHARITIES.
296
00:14:19,417 --> 00:14:21,291
SCHOLARSHIPS, PROGRAMS
FOR DISADVANTAGED KIDS...
297
00:14:21,375 --> 00:14:22,208
[CLACK]
298
00:14:22,291 --> 00:14:24,333
[DANI]: SHE'S STILL STUNNING.
299
00:14:24,417 --> 00:14:26,458
AND WE'VE GOT
HER WEDDING DRESS.
300
00:14:28,917 --> 00:14:30,959
UM! HEY! WHAT ARE YOU DOING?
301
00:14:31,041 --> 00:14:32,625
ARE YOU KIDDING?
302
00:14:32,709 --> 00:14:34,500
A GROOM DISAPPEARS
IMMEDIATELY AFTER THE WEDDING,
303
00:14:34,583 --> 00:14:36,041
NEVER TO BE SEEN AGAIN,
304
00:14:36,125 --> 00:14:39,917
AND WE FIND WHAT COULD BE
BLOODSTAINS ON A HIDDEN POCKET?
305
00:14:41,125 --> 00:14:42,875
THIS COULD BE EVIDENCE.
306
00:14:42,959 --> 00:14:44,875
JENN, THE DRESS
IS 35 YEARS OLD!
307
00:14:44,959 --> 00:14:47,041
IT'S A COLD CASE!
308
00:14:47,125 --> 00:14:49,417
IT'S NOT COLD,
IT'S FROZEN.
309
00:14:49,500 --> 00:14:51,625
[♪♪♪]
310
00:14:59,166 --> 00:15:01,792
WONDERFUL.
THANK YOU VERY MUCH.
311
00:15:01,875 --> 00:15:03,250
SHE'LL SEE ME.
312
00:15:03,333 --> 00:15:04,333
WAS THAT HER?
313
00:15:04,417 --> 00:15:06,041
-NO, IT WAS "SEAN."
-OH.
314
00:15:06,125 --> 00:15:07,375
ARE THEY MARRIED?
315
00:15:07,458 --> 00:15:09,458
I DOUBT IT. HE REFERRED TO HER
AS "MRS. CARTER."
316
00:15:09,542 --> 00:15:12,208
AHH... ARE YOU
TAKING THE DRESS?
317
00:15:13,542 --> 00:15:15,709
UH, NO. I DON'T KNOW
WHERE THE BLOOD CAME FROM.
318
00:15:15,792 --> 00:15:17,834
GONNA DO A LITTLE RESEARCH.
319
00:15:17,917 --> 00:15:20,000
GOOD LUCK WITH THAT, SLEUTHY.
320
00:15:20,083 --> 00:15:22,625
[♪♪♪]
321
00:15:35,959 --> 00:15:37,500
JENNIFER SHANNON?
322
00:15:37,583 --> 00:15:38,792
YES.
323
00:15:38,875 --> 00:15:40,291
I'M SEAN WATSON.
I WORK FOR MRS. CARTER.
324
00:15:40,375 --> 00:15:42,083
-OH, NICE TO MEET YOU.
-COME ON IN.
325
00:15:42,166 --> 00:15:43,667
THANK YOU.
326
00:15:44,792 --> 00:15:46,959
[GATE CREAKING]
327
00:15:51,208 --> 00:15:52,792
PLEASE WAIT HERE.
328
00:15:52,875 --> 00:15:55,166
THANK YOU.
329
00:15:57,083 --> 00:15:59,667
[♪♪♪]
330
00:16:07,000 --> 00:16:09,458
AH! JENNIFER.
331
00:16:09,542 --> 00:16:10,458
HELLO!
332
00:16:10,542 --> 00:16:11,667
HI.
333
00:16:11,750 --> 00:16:13,166
THANK YOU SO MUCH
FOR COMING OUT.
334
00:16:13,250 --> 00:16:14,667
OH, WELL, THANK YOU
FOR SEEING ME.
335
00:16:14,750 --> 00:16:16,291
I WAS OUT IN THE GARDEN,
DOING SOME WORK.
336
00:16:16,375 --> 00:16:18,500
WE HAVE SOME LEMONADE
ON THE PATIO. SOUND GOOD?
337
00:16:18,583 --> 00:16:19,750
SOUNDS GREAT.
338
00:16:19,834 --> 00:16:21,542
YOUR HOME IS MAGNIFICENT.
339
00:16:21,625 --> 00:16:22,750
OH, THANK YOU.
340
00:16:22,834 --> 00:16:24,417
A LITTLE RIDICULOUS
FOR ONE PERSON,
341
00:16:24,500 --> 00:16:27,667
BUT WONDERFUL
FOR FUNDRAISERS AND SUCH!
342
00:16:27,750 --> 00:16:29,125
IS THAT CARPET
AUBUSSON?
343
00:16:29,208 --> 00:16:30,375
I DON'T KNOW.
344
00:16:30,458 --> 00:16:32,458
MY MOTHER DID
THE HOUSE YEARS AGO.
345
00:16:32,542 --> 00:16:34,291
YOUR SHOP
SOUNDS FASCINATING.
346
00:16:34,375 --> 00:16:36,208
I'M GONNA DROP BY.
347
00:16:36,291 --> 00:16:37,542
CUTE NAME.
348
00:16:37,625 --> 00:16:38,875
THANK YOU.
349
00:16:38,959 --> 00:16:42,041
WE BUY A LOT OF
OLD ITEMS FOR THE STORE,
350
00:16:42,125 --> 00:16:44,542
AND, UH, RECENTLY
CAME UPON A WEDDING DRESS
351
00:16:44,625 --> 00:16:46,417
THAT I THINK COULD BE YOURS.
352
00:16:46,500 --> 00:16:48,542
OH. THAT'S NOT POSSIBLE.
353
00:16:48,625 --> 00:16:50,667
WHAT DO YOU KNOW
ABOUT MY WEDDING?
354
00:16:52,333 --> 00:16:55,583
WELL, I... I SAW
A NEWSPAPER ARTICLE
355
00:16:55,667 --> 00:16:58,166
THAT SAID YOUR HUSBAND
SUDDENLY DISAPPEARED.
356
00:16:58,250 --> 00:16:59,250
IS THAT TRUE?
357
00:16:59,333 --> 00:17:01,417
YES.
358
00:17:01,500 --> 00:17:03,458
WE NEVER HEARD FROM HIM AGAIN.
359
00:17:04,625 --> 00:17:07,250
I'M SO SORRY.
360
00:17:07,333 --> 00:17:09,166
THANK YOU.
361
00:17:09,250 --> 00:17:13,125
OH, IT GOT PRETTY WILD...
YOU KNOW, ALL THE SPECULATION.
362
00:17:13,208 --> 00:17:16,000
HE WAS KIDNAPPED
AND HELD FOR RANSOM,
363
00:17:16,083 --> 00:17:17,875
THEN HE FOUGHT BACK
AND WAS KILLED.
364
00:17:17,959 --> 00:17:20,000
HE RAN OFF
TO THE SOUTH SEAS.
365
00:17:20,083 --> 00:17:21,083
HE HAD A BREAKDOWN
366
00:17:21,166 --> 00:17:23,166
AND WAS LIVING
WITH THE HOMELESS,
367
00:17:23,250 --> 00:17:25,208
AND, UM... OH!
368
00:17:25,291 --> 00:17:26,542
AND THEN THERE WAS TALK
369
00:17:26,625 --> 00:17:28,834
THAT I HAD HIM KILLED
FOR HIS FAMILY MONEY.
370
00:17:28,917 --> 00:17:30,959
I MEAN, REALLY,
371
00:17:31,041 --> 00:17:32,667
WOULDN'T I HAVE HAD THE DECENCY
372
00:17:32,750 --> 00:17:34,667
TO WAIT TILL
AFTER THE RECEPTION?
373
00:17:34,750 --> 00:17:37,583
AND FOR THE MONEY?
UH... WELL.
374
00:17:37,667 --> 00:17:41,083
MY FAMILY HAD MORE THAN HIS,
ACTUALLY.
375
00:17:41,166 --> 00:17:43,041
WHY IS IT NOT POSSIBLE
376
00:17:43,125 --> 00:17:46,667
FOR THE DRESS TO HAVE REAPPEARED
AFTER ALL THESE YEARS?
377
00:17:47,959 --> 00:17:50,000
I GAVE IT TO MY MAID...
378
00:17:50,083 --> 00:17:51,959
TO BURN IT.
379
00:18:01,834 --> 00:18:03,542
OH, MY GOODNESS!
380
00:18:03,625 --> 00:18:05,250
[ASTONISHED CHUCKLE]
381
00:18:05,333 --> 00:18:06,875
THAT LOOKS LIKE THE DRESS,
BUT...
382
00:18:06,959 --> 00:18:09,083
I-IT CAN'T BE.
383
00:18:09,166 --> 00:18:11,041
I MEAN,
SURELY, THERE WERE OTHERS.
384
00:18:11,125 --> 00:18:13,959
IT HAS A STILLMAN'S LABEL
385
00:18:14,041 --> 00:18:16,041
AND YOUR INITIALS
ARE IN IT.
386
00:18:17,458 --> 00:18:18,625
PERHAPS THE MAID
DIDN'T BURN IT,
387
00:18:18,709 --> 00:18:20,000
MAYBE SHE JUST HID IT.
388
00:18:20,083 --> 00:18:22,542
[♪♪♪]
389
00:18:29,959 --> 00:18:32,000
WOULD YOU LIKE IT BACK?
390
00:18:33,417 --> 00:18:35,834
I NEVER WANT TO SEE IT AGAIN.
391
00:18:35,917 --> 00:18:38,333
MAY I BUY IT FROM YOU?
392
00:18:39,834 --> 00:18:42,417
I CAN TRUST SEAN
TO DESTROY IT.
393
00:18:43,959 --> 00:18:46,750
I WON'T SELL IT TO YOU.
394
00:18:46,834 --> 00:18:48,750
IT'S YOURS.
395
00:18:48,834 --> 00:18:50,041
YOU CAN HAVE IT.
396
00:18:50,125 --> 00:18:51,834
SEAN CAN COME BY
AND PICK IT UP
397
00:18:51,917 --> 00:18:53,750
WHENEVER HE HAS TIME.
398
00:18:53,834 --> 00:18:55,875
[♪♪♪]
399
00:19:00,792 --> 00:19:03,291
[♪♪♪]
400
00:19:06,375 --> 00:19:08,375
[CELLPHONE BEGINS RINGING]
401
00:19:11,792 --> 00:19:13,333
HI, HONEY.
402
00:19:13,417 --> 00:19:15,834
OH, I-I CAN'T TODAY.
403
00:19:15,917 --> 00:19:17,709
I'M... RUNNING SOME ERRANDS.
404
00:19:19,250 --> 00:19:21,417
WHERE AM I?
405
00:19:23,417 --> 00:19:25,375
WELL, I'M JUST TRYING TO
FIND SOME HISTORY OUT
406
00:19:25,458 --> 00:19:27,500
ON THAT WEDDING DRESS.
407
00:19:27,583 --> 00:19:29,625
I ALWAYS STAY OUT OF TROUBLE.
408
00:19:29,709 --> 00:19:31,667
[LAUGHS]
409
00:19:31,750 --> 00:19:33,625
OKAY. I'LL SEE YOU LATER.
410
00:19:33,709 --> 00:19:36,125
BYE.
411
00:19:36,208 --> 00:19:38,458
[♪♪♪]
412
00:19:38,542 --> 00:19:40,417
YEAH.
413
00:19:43,333 --> 00:19:45,834
I'D SAY
IT'S DEFINITELY BLOOD,
414
00:19:45,917 --> 00:19:47,875
BUT IS IT HUMAN OR ANIMAL?
415
00:19:47,959 --> 00:19:49,417
WELL, I CAN RUN SOME TESTS.
416
00:19:49,500 --> 00:19:50,583
HOW LONG
WILL THAT TAKE?
417
00:19:50,667 --> 00:19:52,333
WELL, IT WON'T BE A PRIORITY.
418
00:19:52,417 --> 00:19:54,125
WHERE DID THIS COME FROM?
419
00:19:54,208 --> 00:19:55,375
IT'S AN INNER POCKET
420
00:19:55,458 --> 00:19:56,667
FROM A DRESS
THAT CAME INTO THE STORE.
421
00:19:56,750 --> 00:19:57,583
HOW OLD
IS THE DRESS?
422
00:19:57,667 --> 00:19:59,041
IT'S FROM 1979.
423
00:19:59,125 --> 00:20:00,375
[SCOFFS]
THAT'S A LONG TIME AGO.
424
00:20:00,458 --> 00:20:02,417
IF THIS BLOOD
CAME FROM AN INJURY,
425
00:20:02,500 --> 00:20:04,667
THAT PERSON MIGHT STILL
BE AROUND.
426
00:20:04,750 --> 00:20:06,125
I HOPE SO.
427
00:20:06,208 --> 00:20:08,583
DID YOU WORK HERE THEN?
428
00:20:08,667 --> 00:20:09,583
OH, YOU'RE VERY FUNNY.
429
00:20:09,667 --> 00:20:11,125
I WAS IN COLLEGE.
430
00:20:11,208 --> 00:20:14,667
AND I HAVE AN AUTOPSY TO DO.
WOULD YOU, UH, LIKE TO OBSERVE?
431
00:20:14,750 --> 00:20:16,959
THANK YOU VERY MUCH
FOR THE INVITE,
432
00:20:17,041 --> 00:20:18,375
BUT I THINK I WILL PASS.
433
00:20:18,458 --> 00:20:20,458
I'LL CALL YOU WHEN I GET
THE RESULTS BACK ON THE STAIN.
434
00:20:20,542 --> 00:20:22,083
AND THANKS FOR THE HUMOR,
435
00:20:22,166 --> 00:20:24,208
IT'S USUALLY PRETTY DEAD
AROUND HERE.
436
00:20:24,291 --> 00:20:25,917
OH! I'M GOING NOW.
437
00:20:26,000 --> 00:20:26,959
I'LL BE HERE ALL WEEK.
438
00:20:27,041 --> 00:20:28,125
DON'T QUIT YOUR DAY JOB.
439
00:20:28,208 --> 00:20:30,208
I WOULD,
BUT IT'S KILLING ME.
440
00:20:30,291 --> 00:20:31,667
OH, BOY.
441
00:20:31,750 --> 00:20:33,959
[BOTH LAUGHING]
442
00:20:34,041 --> 00:20:35,208
[DOOR BELLS JINGLE]
443
00:20:35,291 --> 00:20:37,959
-THANK YOU.
-ANY TIME.
444
00:20:38,041 --> 00:20:40,000
-HEY, DANI!
-HI!
445
00:20:40,083 --> 00:20:41,333
THIS IS TYLER.
446
00:20:41,417 --> 00:20:43,125
-TYLER.
-HI.
447
00:20:43,208 --> 00:20:44,458
NICE TO MEET YOU.
448
00:20:44,542 --> 00:20:45,625
WHERE'S MOM?
449
00:20:45,709 --> 00:20:46,583
OH, SHE'S ON A QUEST.
450
00:20:46,667 --> 00:20:47,959
THE WEDDING DRESS?
451
00:20:48,041 --> 00:20:49,083
YUP! MM-HMM.
452
00:20:49,166 --> 00:20:51,083
I GOTTA RUN.
453
00:20:54,208 --> 00:20:55,792
-BYE.
-TAKE CARE.
454
00:20:55,875 --> 00:20:57,208
YOU TOO.
455
00:20:57,291 --> 00:20:59,333
[BELLS JINGLING]
456
00:20:59,417 --> 00:21:01,125
LOOKS LIKE
IT'S GOING WELL.
457
00:21:01,208 --> 00:21:02,875
YEAH... I DON'T KNOW.
458
00:21:02,959 --> 00:21:04,709
I WASN'T LOOKING
FOR ANYTHING SERIOUS,
459
00:21:04,792 --> 00:21:07,250
BUT I THINK IT MIGHT
BE GETTING THAT WAY.
460
00:21:07,333 --> 00:21:09,083
-REALLY?
-I THINK SO.
461
00:21:09,166 --> 00:21:10,709
I'M A LITTLE NERVOUS.
462
00:21:10,792 --> 00:21:13,250
I THINK HE HAS SOMETHING
IMPORTANT ON HIS MIND.
463
00:21:13,333 --> 00:21:14,834
IMPORTANT?
"IMPORTANT" IMPORTANT?
464
00:21:16,375 --> 00:21:17,667
YOU'RE A JUNIOR IN COLLEGE!
465
00:21:17,750 --> 00:21:19,041
HOW IMPORTANT
DO YOU WANT IT TO BE?
466
00:21:19,125 --> 00:21:20,250
I DON'T KNOW.
467
00:21:20,333 --> 00:21:21,834
WHEN YOU FIND "THE ONE,"
HOW DO YOU KNOW?
468
00:21:21,917 --> 00:21:23,417
OHH...
469
00:21:23,500 --> 00:21:25,458
HONEY, YOU'RE ASKING
THE WRONG PERSON.
470
00:21:25,542 --> 00:21:27,250
I FOUND "THE ONE."
471
00:21:27,333 --> 00:21:29,458
AND THEN I FOUND THE NEXT "ONE."
472
00:21:30,625 --> 00:21:32,208
RIGHT.
473
00:21:32,291 --> 00:21:33,375
YOU WANT HELP?
474
00:21:33,458 --> 00:21:35,083
-YES, PLEASE.
-ALL RIGHT.
475
00:21:35,166 --> 00:21:37,417
IT WASN'T A CRIME.
476
00:21:37,500 --> 00:21:40,125
A MISSING PERSONS'
COMPLAINT. YOU KNOW?
477
00:21:40,208 --> 00:21:41,667
AN ADULT HAS
THE RIGHT TO DISAPPEAR,
478
00:21:41,750 --> 00:21:42,875
IF THEY SO WANT TO.
479
00:21:42,959 --> 00:21:45,834
THEY HAVE THE RIGHT
TO BE A RUNAWAY GROOM,
480
00:21:45,917 --> 00:21:47,834
EVEN IF THEY WAIT
UNTIL AFTER THE CEREMONY.
481
00:21:47,917 --> 00:21:49,458
BUT HE WAS NEVER
HEARD FROM AGAIN.
482
00:21:49,542 --> 00:21:51,291
PEOPLE DON'T JUST VANISH!
483
00:21:51,375 --> 00:21:53,417
AS A MATTER OF FACT,
THEY DO.
484
00:21:53,500 --> 00:21:56,625
AND THE DISTRICT ATTORNEYS,
THEY GOT THIS SAYING--
485
00:21:56,709 --> 00:21:59,625
"NO BODY, NO CRIME."
486
00:21:59,709 --> 00:22:01,333
WAS THERE AN INVESTIGATION?
487
00:22:01,417 --> 00:22:05,125
WELL, THERE WAS,
BUT IT DIDN'T GO ANYWHERE.
488
00:22:05,208 --> 00:22:06,792
THE FAMILY HIRED A P.I.
489
00:22:06,875 --> 00:22:09,250
HE CAME UP WITH ZILCH, REALLY.
490
00:22:09,333 --> 00:22:11,667
LISTEN.
491
00:22:11,750 --> 00:22:14,250
I JUST GOTTA SAY
I AM SO RELIEVED
492
00:22:14,333 --> 00:22:18,208
TO SEE THAT YOU ARE STAYING
CLEAR OF ALL THE CURRENT CASES.
493
00:22:18,291 --> 00:22:20,834
I SUPPORT THIS WHOLEHEARTEDLY.
494
00:22:20,917 --> 00:22:22,250
MUCH SAFER.
495
00:22:22,333 --> 00:22:23,875
THANK YOU.
496
00:22:23,959 --> 00:22:26,750
NOW-- AND
I HATE TO ASK,
497
00:22:26,834 --> 00:22:28,583
BUT WHY YOU THINK
A MISSING PERSON'S CASE
498
00:22:28,667 --> 00:22:30,417
FROM 1979
499
00:22:30,500 --> 00:22:31,875
IS ANYTHING BUT THAT?
500
00:22:33,208 --> 00:22:35,000
OKAY.
501
00:22:35,083 --> 00:22:36,709
I SAW A WEDDING PICTURE,
502
00:22:36,792 --> 00:22:38,834
A BRIDE AND A GROOM,
JUST MARRIED.
503
00:22:38,917 --> 00:22:40,583
THE BRIDE GOES INTO
THE LADIES' ROOM
504
00:22:40,667 --> 00:22:41,917
TO FIX HER MAKE-UP,
505
00:22:42,000 --> 00:22:44,250
AND WHEN SHE COMES OUT,
HER HUSBAND IS GONE.
506
00:22:44,333 --> 00:22:46,542
NEVER TO BE HEARD FROM AGAIN.
507
00:22:46,625 --> 00:22:51,000
AND THERE'S BLOOD IN A HIDDEN
POCKET ON HER WEDDING DRESS.
508
00:22:51,083 --> 00:22:52,208
THAT'S IT?
509
00:22:52,291 --> 00:22:53,458
THAT'S ALL YOU GOT?
510
00:22:54,834 --> 00:22:57,041
HOW HAVE MY HUNCHES
WORKED OUT IN THE PAST?
511
00:22:58,667 --> 00:23:00,000
PRETTY GOOD.
512
00:23:00,083 --> 00:23:01,834
WELL...
513
00:23:01,917 --> 00:23:03,667
I GOT A HUNCH.
514
00:23:03,750 --> 00:23:05,500
AY-YI-YI. [SIGHS]
515
00:23:05,583 --> 00:23:07,625
WHO DID THE INITIAL
INVESTIGATION,
516
00:23:07,709 --> 00:23:09,291
WHEN THEY DETERMINED IT
A "MISSING PERSONS" CASE?
517
00:23:10,542 --> 00:23:12,959
DETECTIVE STAN PATEL.
518
00:23:13,041 --> 00:23:14,792
OH, HE MUST BE RETIRED BY NOW.
519
00:23:14,875 --> 00:23:17,000
HE'LL PROBABLY
HAVE PLENTY OF TIME TO TALK.
520
00:23:17,083 --> 00:23:18,500
PROBABLY NOT.
521
00:23:18,583 --> 00:23:20,458
HE'S DEAD.
522
00:23:20,542 --> 00:23:21,750
MM-HMM.
523
00:23:24,375 --> 00:23:26,458
[TYLER]:
NOW YOU GOTTA TRY THIS.
524
00:23:26,542 --> 00:23:28,500
IT'S GOING TO BE HOT,
BUT THAT'S HUNAN.
525
00:23:28,583 --> 00:23:29,917
HUMAN?
526
00:23:30,000 --> 00:23:32,083
"WHO-NAN."
527
00:23:33,291 --> 00:23:35,125
GO AHEAD.
528
00:23:38,917 --> 00:23:40,917
OH!
529
00:23:41,000 --> 00:23:42,875
[EXHALING] OH... THAT'S HOT.
530
00:23:42,959 --> 00:23:43,917
BUT...?
531
00:23:45,333 --> 00:23:48,208
IT'S GOOD.
532
00:23:48,291 --> 00:23:49,500
WOW.
533
00:23:49,583 --> 00:23:52,083
OKAY, I'LL TRY A SMALLER BITE.
534
00:23:52,166 --> 00:23:53,208
OKAY. OKAY.
535
00:23:53,291 --> 00:23:55,291
SMALLER BITE.
536
00:23:59,333 --> 00:24:01,041
MM...
537
00:24:01,125 --> 00:24:02,542
MM, NICE KICK.
538
00:24:02,625 --> 00:24:03,834
MM-HMM.
539
00:24:03,917 --> 00:24:05,917
SO WHY DO THEY CALL IT HUNAN?
540
00:24:06,000 --> 00:24:08,041
IT'S A PROVINCE,
IT'S LIKE A STATE.
541
00:24:08,125 --> 00:24:10,417
DIFFERENT PROVINCES IN CHINA
HAVE DIFFERENT CUISINE.
542
00:24:10,500 --> 00:24:12,875
WHEN DID YOU GET
SO INTO CHINESE FOOD?
543
00:24:14,166 --> 00:24:16,375
PRETTY RECENTLY, ACTUALLY.
544
00:24:17,792 --> 00:24:19,709
SO...
545
00:24:19,834 --> 00:24:23,500
THERE'S SOMETHING
YOU WANTED TO TALK ABOUT?
546
00:24:27,500 --> 00:24:28,875
MAYBE IN A WEEK.
547
00:24:28,959 --> 00:24:29,875
NOT YET.
548
00:24:29,959 --> 00:24:32,458
YOU'RE MEAN!
549
00:24:32,542 --> 00:24:34,250
I JUST NEED TO BE SURE.
550
00:24:34,333 --> 00:24:36,250
ARE YOU NOT SURE?
551
00:24:36,333 --> 00:24:37,834
I'M PRETTY SURE.
552
00:24:39,083 --> 00:24:40,834
MAY I GET YOU ANYTHING ELSE?
553
00:24:40,917 --> 00:24:42,000
WE'RE FINE.
[SPEAKS CHINESE]
554
00:24:43,542 --> 00:24:46,208
NOW YOU GOTTA TRY THIS.
555
00:24:47,458 --> 00:24:50,375
[♪♪♪]
556
00:24:54,041 --> 00:24:56,125
[SIGHS]
557
00:24:56,208 --> 00:24:57,959
[DOORBELL JINGLES]
558
00:24:58,041 --> 00:24:59,208
HI, JENN.
559
00:24:59,291 --> 00:25:00,625
HI!
560
00:25:00,709 --> 00:25:02,500
MEET MY SON, MATT.
HE WORKS WITH ME,
561
00:25:02,583 --> 00:25:04,500
KEEPING THAT BIG HOUSE
UP AND RUNNING.
562
00:25:04,583 --> 00:25:05,625
IT'S VERY NICE
TO MEET YOU, MATT.
563
00:25:05,709 --> 00:25:06,625
PLEASURE, MA'AM.
564
00:25:06,709 --> 00:25:07,875
I'LL BE RIGHT BACK.
565
00:25:07,959 --> 00:25:09,542
THERE'S A LOT OF
COOL STUFF HERE.
566
00:25:09,625 --> 00:25:12,458
GO AHEAD AND LOOK AROUND
WHILE I PICK UP THE DRESS.
567
00:25:12,542 --> 00:25:15,208
WELL...
568
00:25:15,291 --> 00:25:16,583
HERE YOU GO.
569
00:25:16,667 --> 00:25:18,291
WHAT ARE YOU
GOING TO DO WITH IT?
570
00:25:18,375 --> 00:25:20,667
WELL, I'M GONNA
BURN IT.
571
00:25:20,750 --> 00:25:22,750
JUST AS
MRS. CARTER WISHES.
572
00:25:24,500 --> 00:25:27,417
I NOTICED THERE WAS
A SCHOOL VAN AT THE HOUSE.
573
00:25:27,500 --> 00:25:28,625
WHAT WAS THAT ALL ABOUT?
574
00:25:28,709 --> 00:25:30,458
MRS. CARTER FUNDS
A MATH PROGRAM
575
00:25:30,542 --> 00:25:32,959
FOR UNDERPRIVILEGED KIDS
WHO SHOW EXCEPTIONAL ABILITY.
576
00:25:33,041 --> 00:25:35,750
WOW.
577
00:25:35,834 --> 00:25:38,041
I-I DIDN'T WANT TO PRY
WHEN I WAS THERE,
578
00:25:38,125 --> 00:25:39,667
BUT...
579
00:25:39,750 --> 00:25:41,667
DOES CHARLES CARTER HAVE
ANY LIVING RELATIVES?
580
00:25:41,750 --> 00:25:45,208
BOTH PARENTS HAVE PASSED.
581
00:25:45,291 --> 00:25:48,291
THERE'S A SISTER, ALICE,
IN BOSTON.
582
00:25:48,375 --> 00:25:51,166
MRS. CARTER
ASKED ME TO CONVEY
583
00:25:51,250 --> 00:25:53,917
HER SINCERE GRATITUDE
IN SEEING THIS RETURNED.
584
00:25:54,000 --> 00:25:55,041
MY PLEASURE.
585
00:25:55,125 --> 00:25:57,208
MATT?
586
00:26:01,458 --> 00:26:02,333
BYE, NOW.
587
00:26:02,417 --> 00:26:04,125
BYE.
588
00:26:05,291 --> 00:26:07,709
SHOULD I BE CONCERNED?
589
00:26:07,792 --> 00:26:09,458
I DON'T THINK SO.
590
00:26:09,542 --> 00:26:11,125
I DON'T KNOW.
591
00:26:11,208 --> 00:26:12,542
THIS ROMANCE WITH TYLER,
IT'S...
592
00:26:12,625 --> 00:26:15,375
IT'S GETTING
A LITTLE TOO INVOLVED.
593
00:26:15,458 --> 00:26:17,458
WELL, MY PARENTS
WEREN'T THRILLED
594
00:26:17,542 --> 00:26:19,125
WHEN WE GOT ENGAGED.
595
00:26:19,208 --> 00:26:20,709
THEY THOUGHT
I WAS TOO YOUNG.
596
00:26:20,792 --> 00:26:21,875
YOU WERE TOO YOUNG.
597
00:26:21,959 --> 00:26:23,583
WHAT DO YOU MEAN?
598
00:26:23,667 --> 00:26:25,500
WELL, YOU KNOW WHAT I MEAN.
599
00:26:25,583 --> 00:26:27,583
WHAT, LIKE WE MADE A MISTAKE?
600
00:26:27,667 --> 00:26:30,083
NO! WE WERE BOTH SENIORS.
601
00:26:30,166 --> 00:26:32,208
HANNAH AND TYLER,
THEY'RE JUNIORS.
602
00:26:32,291 --> 00:26:34,709
RIGHT.
603
00:26:34,792 --> 00:26:37,291
BIG DIFFERENCE.
604
00:26:38,917 --> 00:26:41,500
[♪♪♪]
605
00:27:47,959 --> 00:27:50,375
[♪♪♪]
606
00:27:56,834 --> 00:27:59,542
[♪♪♪]
607
00:28:01,208 --> 00:28:02,625
HEY.
608
00:28:02,709 --> 00:28:04,625
OH, HEY.
609
00:28:06,208 --> 00:28:09,125
SO...
610
00:28:09,208 --> 00:28:11,291
WHY ARE YOU BOTHERING
TO FIX AN OLD STEREO,
611
00:28:11,375 --> 00:28:13,542
WHEN YOU COULD JUST
DOWNLOAD 1,000 SONGS
612
00:28:13,625 --> 00:28:14,917
ONTO A FLASH-DRIVE
613
00:28:15,000 --> 00:28:17,000
AND HEAR THEM
THROUGH EAR-BUDS?
614
00:28:17,083 --> 00:28:19,834
DIGITAL
IS LIKE FAST FOOD.
615
00:28:19,917 --> 00:28:23,041
"OLD STEREO" IS LIKE DINING
AT A FINE FRENCH RESTAURANT.
616
00:28:23,125 --> 00:28:24,375
WHICH WOULD YOU PREFER?
617
00:28:24,458 --> 00:28:26,542
DEPENDS ON WHO'S BUYING.
618
00:28:26,625 --> 00:28:27,667
[CHUCKLES]
619
00:28:27,750 --> 00:28:28,792
[CLICK]
620
00:28:28,875 --> 00:28:31,250
SO...
621
00:28:31,333 --> 00:28:34,041
WHEN DID YOU KNOW
YOU WERE GONNA MARRY MOM?
622
00:28:35,625 --> 00:28:37,542
WHEN I FIRST SAW HER.
623
00:28:37,625 --> 00:28:41,166
SHE WAS STUDYING BY HERSELF
AT THE LIBRARY.
624
00:28:41,250 --> 00:28:44,333
I WATCHED HER FOR A COUPLE WEEKS
BEFORE I MADE MY MOVE.
625
00:28:44,417 --> 00:28:45,875
YOU STALKED MOM?
626
00:28:45,959 --> 00:28:47,417
WE USED TO
CALL IT SHYNESS.
627
00:28:47,500 --> 00:28:49,291
AND SHE JUST
WENT OUT WITH YOU?
628
00:28:49,375 --> 00:28:50,583
EVENTUALLY.
629
00:28:50,667 --> 00:28:53,417
SHE WAS CHARMED
BY MY PERSISTENCE, GOOD LOOKS,
630
00:28:53,500 --> 00:28:54,500
AND FUTURE EARNING POTENTIAL.
631
00:28:54,583 --> 00:28:56,000
AHH. SHE SAID
632
00:28:56,083 --> 00:28:58,166
SHE WENT OUT WITH YOU
TO MAKE HER BOYFRIEND JEALOUS.
633
00:28:58,250 --> 00:28:59,125
[CHUCKLES]
634
00:29:01,083 --> 00:29:04,542
SO WHY THE SUDDEN INTEREST
IN HOW I MET YOUR MOTHER?
635
00:29:04,625 --> 00:29:07,458
I DON'T KNOW.
JUST WONDERING.
636
00:29:07,542 --> 00:29:09,458
HMM.
637
00:29:09,542 --> 00:29:11,792
UH, I'M GONNA
CALL IT A NIGHT.
638
00:29:11,875 --> 00:29:13,125
GOODNIGHT, DAD.
639
00:29:13,208 --> 00:29:14,709
GOODNIGHT, SWEETIE.
640
00:29:14,792 --> 00:29:17,542
[♪♪♪]
641
00:29:17,625 --> 00:29:19,041
HUH.
642
00:29:19,125 --> 00:29:20,625
IT'S OUR ANNIVERSARY, DANI.
643
00:29:20,709 --> 00:29:21,917
IT'S LIKE
HE'S COMPLETELY FORGOTTEN.
644
00:29:22,000 --> 00:29:23,166
I'M SURE
HE HASN'T.
645
00:29:23,250 --> 00:29:24,458
REALLY?
646
00:29:24,542 --> 00:29:26,166
HE'S GOT CLIENTS COMING IN
FROM OUT OF TOWN,
647
00:29:26,250 --> 00:29:27,959
HE'S ENTERTAINING ON THE NIGHT.
648
00:29:28,041 --> 00:29:29,917
HAVE YOU
TALKED TO HIM ABOUT IT?
649
00:29:30,000 --> 00:29:32,250
NO! IT DOESN'T COUNT
650
00:29:32,333 --> 00:29:35,083
IF YOU HAVE TO REMIND THEM
THAT IT'S YOUR ANNIVERSARY.
651
00:29:35,166 --> 00:29:37,792
BUT HE'S MAKING ME... OOH!
652
00:29:37,875 --> 00:29:39,709
UH-OH.
653
00:29:39,792 --> 00:29:41,125
[BELLS JINGLE]
654
00:29:41,208 --> 00:29:42,333
HI.
655
00:29:42,417 --> 00:29:43,792
WHO'S JENNIFER?
656
00:29:43,875 --> 00:29:45,333
THAT WOULD BE ME.
657
00:29:45,417 --> 00:29:47,542
I GOT A CALL
FROM FRANK LYNWOOD.
658
00:29:47,625 --> 00:29:49,834
HE SAID THAT YOU WERE INTERESTED
IN THE CHARLES CARTER CASE.
659
00:29:49,917 --> 00:29:52,375
-I AM.
-THIS SHOULD BE ALL THE STUFF.
660
00:29:52,458 --> 00:29:54,291
-OH!
-OH, IT'S HEAVY.
661
00:29:54,375 --> 00:29:56,125
OH, WELL, YOU CAN PUT IT
RIGHT THERE. THANK YOU!
662
00:29:56,208 --> 00:29:58,875
MY DAD WAS A DETECTIVE
ON THE CASE.
663
00:29:58,959 --> 00:29:59,917
DETECTIVE PATEL?
664
00:30:00,000 --> 00:30:01,000
RIGHT.
665
00:30:01,083 --> 00:30:02,083
I'M HIS SON, KEITH.
666
00:30:02,166 --> 00:30:03,542
OH!
667
00:30:03,625 --> 00:30:04,750
DAD KEPT EVERYTHING.
668
00:30:04,834 --> 00:30:07,625
THERE'S INTERVIEWS, NOTES,
OLD PHOTOS...
669
00:30:07,709 --> 00:30:09,208
ALL KINDS OF STUFF.
670
00:30:09,291 --> 00:30:11,458
YOU'RE GONNA HAVE TO
JUST WADE THROUGH IT ALL.
671
00:30:11,542 --> 00:30:13,083
THANK YOU VERY MUCH.
672
00:30:13,166 --> 00:30:16,291
YOU KNOW, THIS ONE
ALWAYS PUZZLED MY DAD.
673
00:30:16,375 --> 00:30:18,417
I REMEMBER HIM
TALKING ABOUT IT.
674
00:30:18,500 --> 00:30:20,959
DID HE EVER SAY WHAT
HE THOUGHT MIGHT'VE HAPPENED?
675
00:30:21,041 --> 00:30:24,000
[KEITH]: JUST THAT THE TRUTH
WOULD HAVE TO COME OUT SOMEDAY.
676
00:30:24,083 --> 00:30:26,291
THIS CASE ALWAYS BUGGED HIM.
677
00:30:27,959 --> 00:30:29,667
LISTEN,
WHEN YOU'RE DONE WITH ALL THAT,
678
00:30:29,750 --> 00:30:31,375
JUST GO AHEAD AND CHUCK IT.
679
00:30:31,458 --> 00:30:33,834
THANK YOU, KEITH.
I REALLY APPRECIATE IT.
680
00:30:33,917 --> 00:30:35,959
-BYE.
-[BELLS JINGLING]
681
00:30:36,041 --> 00:30:37,667
OH!
682
00:30:37,750 --> 00:30:41,375
DANI! CAN YOU BELIEVE IT?
IT'S LIKE CHRISTMAS CAME EARLY!
683
00:30:41,458 --> 00:30:44,542
OH! LOOK AT ALL THESE FILES!
684
00:30:44,625 --> 00:30:46,500
I LIKE JEWELRY.
685
00:30:52,834 --> 00:30:56,667
[♪♪♪]
686
00:31:29,083 --> 00:31:31,458
[♪♪♪]
687
00:31:49,875 --> 00:31:52,375
[♪♪♪]
688
00:32:09,125 --> 00:32:12,542
[JENN]: PICTURES OF THE DRESS,
PAST AND PRESENT.
689
00:32:12,625 --> 00:32:16,125
NOW, THE BLOODWORK'S NOT BACK,
BUT LET'S ASSUME IT'S HUMAN.
690
00:32:16,208 --> 00:32:18,375
WELL, WHO ELSE IS GONNA
BE AT A WEDDING? A DOG?
691
00:32:18,458 --> 00:32:19,500
THAT'S WHY I'M
ASSUMING IT'S HUMAN.
692
00:32:19,583 --> 00:32:20,625
MAY I?
693
00:32:20,709 --> 00:32:21,834
YES. PLEASE.
SORRY. CONTINUE.
694
00:32:21,917 --> 00:32:23,041
HERE'S HELEN.
695
00:32:23,125 --> 00:32:24,625
LAST PERSON
TO SEE CHARLES ALIVE.
696
00:32:24,709 --> 00:32:26,250
AND HERE'S CHARLES.
697
00:32:26,333 --> 00:32:28,291
DISAPPEARS RIGHT BEFORE
THE WEDDING RECEPTION.
698
00:32:28,375 --> 00:32:30,792
TED THOMPSON, BEST MAN.
699
00:32:30,875 --> 00:32:33,125
MEG RICHMOND, MAID OF HONOR.
700
00:32:33,208 --> 00:32:34,792
THIS IS A PHOTO OF THE COUPLE
701
00:32:34,875 --> 00:32:36,291
RIGHT BEFORE
THEY LEFT THE CHAPEL.
702
00:32:36,375 --> 00:32:37,667
WOW. RIGHT BEFORE
HE DISAPPEARED?
703
00:32:37,750 --> 00:32:39,250
THAT'S THE LAST PHOTO TAKEN
OF CHARLES.
704
00:32:39,333 --> 00:32:40,959
HE DOES NOT
LOOK LIKE A MAN
705
00:32:41,041 --> 00:32:42,625
WHO JUST GOT MARRIED.
706
00:32:42,709 --> 00:32:43,834
NO, BUT MAYBE HE'S TIRED,
707
00:32:43,917 --> 00:32:46,792
OR THEY'RE THEMSELVES
BEFORE THE RECEPTION.
708
00:32:46,875 --> 00:32:48,500
DID YOU STAY UP
ALL NIGHT?
709
00:32:48,583 --> 00:32:52,500
YES. I WANTED TO READ
THE POLICE TRANSCRIPTS.
710
00:32:52,583 --> 00:32:54,208
NOBODY HAD ANY REASON
TO HARM CHARLES.
711
00:32:54,291 --> 00:32:55,875
EVERYBODY THOUGHT
THAT HE AND HELEN
712
00:32:55,959 --> 00:32:57,625
WERE A GREAT COUPLE
AND VERY MUCH IN LOVE.
713
00:32:58,834 --> 00:33:00,458
THIS ONE ISN'T SO HARD.
714
00:33:00,542 --> 00:33:01,875
REALLY?
715
00:33:01,959 --> 00:33:03,291
THE GUY FREAKED OUT!
716
00:33:03,375 --> 00:33:04,417
HE WAS RICH.
717
00:33:04,500 --> 00:33:05,625
EVERYONE WENT OUT ONE DOOR,
718
00:33:05,709 --> 00:33:07,667
HE WENT OUT THE OTHER,
KEPT GOING.
719
00:33:07,750 --> 00:33:09,166
MONEY IN A SWISS BANK ACCOUNT,
720
00:33:09,250 --> 00:33:10,417
HE'S LIVING
IN THE SOUTH OF FRANCE.
721
00:33:10,500 --> 00:33:11,959
I DON'T THINK SO.
722
00:33:12,041 --> 00:33:13,709
MM. WHAT ARE YOUR THEORIES?
723
00:33:13,792 --> 00:33:15,750
KIDNAPPING? MURDER?
ALIEN ABDUCTION?
724
00:33:15,834 --> 00:33:17,583
OH! YES. GOOD ONE.
ANY AND ALL OF THE ABOVE.
725
00:33:17,667 --> 00:33:20,041
WELL, NOW
WE'RE GETTING SOMEWHERE.
726
00:33:20,125 --> 00:33:22,500
PEOPLE WILL START
TELLING THE TRUTH.
727
00:33:22,583 --> 00:33:25,291
YOU JUST HAVE TO
KEEP ASKING.
728
00:33:28,542 --> 00:33:30,875
MY BACHELOR'S WAS
IN MECHANICAL ENGINEERING.
729
00:33:30,959 --> 00:33:34,000
SIX YEARS,
UNDERGRAD AND GRAD ALL IN ONE.
730
00:33:34,083 --> 00:33:35,959
SOUNDS LIKE YOU WERE
PRETTY FOCUSED, MR. SHANNON.
731
00:33:36,041 --> 00:33:37,917
YEAH. ALL I EVER WANTED TO DO
WAS BUILD THINGS.
732
00:33:38,000 --> 00:33:40,208
HANNAH TELLS ME YOU'RE STUDYING
POLITICAL SCIENCE.
733
00:33:40,291 --> 00:33:42,792
YEAH. I HOPE TO GO INTO
INTERNATIONAL RELATIONS.
734
00:33:42,875 --> 00:33:44,709
AND... ACTUALLY,
735
00:33:44,792 --> 00:33:46,500
THERE'S SOMETHING IMPORTANT
I WANTED TO SHARE.
736
00:33:47,834 --> 00:33:49,875
WHAT ARE YOU DOING?
737
00:33:55,917 --> 00:33:57,834
I, UH...
738
00:33:57,917 --> 00:33:59,041
I'VE JUST BEEN ACCEPTED
739
00:33:59,125 --> 00:34:01,041
INTO THE YEAR-ABROAD PROGRAM
AT SCHOOL.
740
00:34:01,125 --> 00:34:02,583
I'M GOING TO CHINA.
741
00:34:05,208 --> 00:34:07,125
THAT'S GREAT, TYLER.
742
00:34:07,208 --> 00:34:08,834
CONGRATULATIONS.
743
00:34:08,917 --> 00:34:10,542
WOW...
744
00:34:10,625 --> 00:34:13,000
CHINA.
745
00:34:13,083 --> 00:34:14,667
WE CAN SKYPE ALL THE TIME.
746
00:34:16,458 --> 00:34:18,625
IT'LL BE LIKE
YOU'RE RIGHT NEXT DOOR.
747
00:34:18,709 --> 00:34:19,625
[THUMPS TABLE]
748
00:34:19,709 --> 00:34:22,208
WHO'S HAVING
DESSERT?
749
00:34:23,417 --> 00:34:25,333
[♪♪♪]
750
00:34:32,291 --> 00:34:34,792
[SIGHS]
751
00:34:34,875 --> 00:34:37,000
YOU KNOW, YOU KINDA MESSED UP.
752
00:34:37,083 --> 00:34:39,625
YEAH, I'M GETTING
THAT IMPRESSION.
753
00:34:39,709 --> 00:34:42,208
YOU SHOULDN'T HAVE
SPRUNG IT ON HER.
754
00:34:42,291 --> 00:34:43,667
I DIDN'T KNOW
I WOULD GET IN.
755
00:34:43,750 --> 00:34:45,667
THE PROGRAM WAS FULL.
SOMEONE HAD TO DROP OUT.
756
00:34:45,750 --> 00:34:46,917
OH, YOUR
GIRLFRIEND THINKS
757
00:34:47,000 --> 00:34:48,375
YOU'RE GONNA SPEND
YOUR SENIOR YEAR TOGETHER
758
00:34:48,458 --> 00:34:50,166
AND THEN YOU PULL THE RUG OUT
FROM UNDER HER?
759
00:34:50,250 --> 00:34:51,542
IT'S BAD.
760
00:34:51,625 --> 00:34:52,959
WELL... [SIGHS]
761
00:34:53,041 --> 00:34:54,834
WHAT SHOULD I SAY?
762
00:34:54,917 --> 00:34:58,375
"SORRY" IS ALWAYS A GOOD START.
763
00:35:04,750 --> 00:35:06,792
[TYLER]: CAN WE TALK?
764
00:35:06,875 --> 00:35:07,917
SURE.
765
00:35:15,208 --> 00:35:17,333
CAN YOU STOP
TEXTING, PLEASE?
766
00:35:22,709 --> 00:35:24,709
I'M SORRY.
767
00:35:24,792 --> 00:35:26,959
I WAS GONNA TELL YOU
WHEN WE WENT FOR CHINESE FOOD,
768
00:35:27,041 --> 00:35:29,166
BUT IT WASN'T OFFICIAL.
769
00:35:31,041 --> 00:35:33,375
NO BIGGIE.
770
00:35:33,458 --> 00:35:35,625
YOU JUST TOOK ME BY SURPRISE.
771
00:35:35,709 --> 00:35:37,125
YOU SURE?
772
00:35:38,625 --> 00:35:41,583
IT'S COOL.
773
00:35:41,667 --> 00:35:43,500
ANYWAY, I HAVE
A PSYCH PAPER TO DO,
774
00:35:43,583 --> 00:35:45,667
SO I SHOULD PROBABLY
GET TO IT.
775
00:35:47,834 --> 00:35:50,041
IT'S NOT GONNA
BE THAT LONG.
776
00:35:50,125 --> 00:35:52,000
I'LL BE HOME
FOR CHRISTMAS.
777
00:35:54,583 --> 00:35:55,750
YOU'LL HARDLY BE GONE.
778
00:35:57,458 --> 00:35:59,125
CHINA WILL BE GREAT.
779
00:35:59,208 --> 00:36:01,208
WE CAN WRITE LETTERS.
780
00:36:02,458 --> 00:36:05,000
[♪♪♪]
781
00:36:16,542 --> 00:36:18,208
WHAT?
782
00:36:18,291 --> 00:36:21,750
YOU TELL ME.
783
00:36:21,834 --> 00:36:23,625
NOTHING TO TELL YOU.
784
00:36:23,709 --> 00:36:25,709
EVERYTHING'S FINE.
785
00:36:25,792 --> 00:36:27,834
GOOD.
786
00:36:31,458 --> 00:36:34,125
[TEARFULLY]: NO.
787
00:36:34,208 --> 00:36:36,083
IT'S NOT.
788
00:36:41,250 --> 00:36:43,375
[SOBS]
789
00:36:43,458 --> 00:36:45,875
I REALLY LOVE HIM, MOM.
790
00:36:47,125 --> 00:36:49,125
I DON'T WANT HIM TO GO.
791
00:36:51,041 --> 00:36:53,500
I KNOW, HANNAH.
792
00:36:53,583 --> 00:36:55,500
I KNOW.
793
00:36:58,959 --> 00:37:00,875
I HATE TO LOSE
MY LUNCH HOURS,
794
00:37:00,959 --> 00:37:02,417
SO CAN WE GET THIS
OVER WITH?
795
00:37:02,500 --> 00:37:05,250
WOULDN'T IT BE AMAZING
IF, AFTER ALL THESE YEARS,
796
00:37:05,333 --> 00:37:07,583
WE FIGURED OUT WHAT HAPPENED
TO CHARLES CARTER?
797
00:37:08,709 --> 00:37:09,750
NOT REALLY.
798
00:37:11,208 --> 00:37:12,750
I'M JUST HERE
BECAUSE I OWE YOU ONE.
799
00:37:12,834 --> 00:37:14,041
AND I APPRECIATE THAT.
800
00:37:14,125 --> 00:37:15,667
I JUST WANT TO SEE
WHERE EVERYBODY WAS
801
00:37:15,750 --> 00:37:17,417
AND WHERE EVERYBODY WENT.
802
00:37:18,542 --> 00:37:19,917
HERE WE GO.
803
00:37:27,208 --> 00:37:28,417
AFTER THE PICTURES,
804
00:37:28,500 --> 00:37:30,000
EVERYONE WENT
OUT THE FRONT DOORS,
805
00:37:30,083 --> 00:37:31,917
STRAIGHT TO THE GUILD HALL
TO THE RECEPTION,
806
00:37:32,000 --> 00:37:35,583
EXCEPT CHARLES AND HELEN,
WHO WAITED BEHIND.
807
00:37:35,667 --> 00:37:37,834
NOW, THE PHOTOGRAPHER
WAS PACKING UP HIS EQUIPMENT.
808
00:37:37,917 --> 00:37:40,250
HE SAID THEY SEEMED QUIET,
THEY WERE BARELY TALKING,
809
00:37:40,333 --> 00:37:41,792
WHICH STRUCK HIM AS ODD,
810
00:37:41,875 --> 00:37:44,375
BECAUSE NEWLYWEDS
ARE USUALLY UP AND EXCITED.
811
00:37:44,458 --> 00:37:46,625
EVENTUALLY,
THEY WENT OUT THE SIDE DOOR.
812
00:37:46,709 --> 00:37:47,917
SIDE DOOR!
813
00:37:49,083 --> 00:37:50,834
"SIDE DOOR."
814
00:37:50,917 --> 00:37:52,166
THIS IS FUN,
ISN'T IT?
815
00:37:52,250 --> 00:37:53,750
YEAH.
816
00:37:55,041 --> 00:37:56,792
EVERYBODY
WAS ALREADY INSIDE,
817
00:37:56,875 --> 00:37:58,750
WAITING FOR THEM
TO MAKE THEIR BIG ENTRANCE.
818
00:37:58,834 --> 00:38:01,208
THEY CAME IN THE BACK, HERE.
819
00:38:03,458 --> 00:38:06,083
DOWN HERE IS THE DOOR
TO THE RECEPTION HALL.
820
00:38:06,166 --> 00:38:08,166
HELEN WANTED
TO FIX HER MAKE-UP,
821
00:38:08,250 --> 00:38:09,959
SO SHE WENT INTO
THE LADIES' ROOM RIGHT THERE.
822
00:38:12,041 --> 00:38:13,333
WHEN SHE CAME OUT,
823
00:38:13,417 --> 00:38:15,083
CHARLES SHOULD'VE BEEN STANDING
RIGHT WHERE YOU ARE,
824
00:38:15,166 --> 00:38:16,250
BUT HE WASN'T.
825
00:38:17,917 --> 00:38:18,875
NOW SHE'S CONFUSED.
826
00:38:18,959 --> 00:38:19,917
WHERE IS HE?
827
00:38:20,000 --> 00:38:21,000
SO...
828
00:38:22,542 --> 00:38:24,542
SHE GOES THIS WAY.
829
00:38:27,166 --> 00:38:29,750
HELEN IS NOW FRANTICALLY
SEARCHING FOR CHARLES.
830
00:38:29,834 --> 00:38:30,792
HE'S NOWHERE TO BE FOUND.
831
00:38:30,875 --> 00:38:32,500
THE GROOMSMEN
SPRING INTO ACTION.
832
00:38:32,583 --> 00:38:34,625
THEY LOOK IN THE CHAPEL,
THE RECTORY.
833
00:38:34,709 --> 00:38:36,583
THEY EVEN GET IN THEIR CARS
AND SEARCH THE NEIGHBORHOOD.
834
00:38:36,667 --> 00:38:37,792
CAN'T FIND HIM.
835
00:38:37,875 --> 00:38:39,291
MEANWHILE,
BACK AT THE RECEPTION,
836
00:38:39,375 --> 00:38:42,333
HELEN IS LOSING IT.
THE POLICE ARE CALLED.
837
00:38:42,417 --> 00:38:44,166
DETECTIVE PATEL COMES IN
AND INTERVIEWS
838
00:38:44,250 --> 00:38:45,917
THE WEDDING PARTY.
839
00:38:46,000 --> 00:38:47,625
WOW. HALLWAY.
840
00:38:48,959 --> 00:38:50,709
"HALLWAY."
841
00:38:50,792 --> 00:38:53,917
THIS IS THE LAST-KNOWN LOCATION
FOR CHARLES.
842
00:38:54,000 --> 00:38:55,917
HELEN GOES TO THE RESTROOM
TO FIX HER MAKEUP,
843
00:38:56,000 --> 00:38:57,625
AND HE DOES... WHAT?
844
00:38:57,709 --> 00:39:00,417
WELL, HE GOES OUT THE BACK DOOR
AND HE RUNS AWAY.
845
00:39:00,500 --> 00:39:02,291
MAYBE HE RUNS.
846
00:39:03,917 --> 00:39:06,000
OR...
847
00:39:08,125 --> 00:39:10,000
"OR..."
848
00:39:12,000 --> 00:39:14,208
[♪♪♪]
849
00:39:20,667 --> 00:39:23,041
HE COULD HAVE HIDDEN IN HERE.
850
00:39:23,125 --> 00:39:25,291
SO, NOW YOU HAVE HIM
HIDING IN HERE
851
00:39:25,375 --> 00:39:28,250
BECAUSE HE CAN'T BRING HIMSELF
TO ATTEND THE RECEPTION.
852
00:39:28,333 --> 00:39:31,375
BUT HE MANNED UP
AND GOT THROUGH THE WEDDING?
853
00:39:32,750 --> 00:39:34,375
I DON'T BUY IT.
854
00:39:36,166 --> 00:39:37,583
WELL, THERE ARE OTHER THEORIES.
855
00:39:37,667 --> 00:39:38,583
HIS PARENTS HAD A LOT OF MONEY.
856
00:39:38,667 --> 00:39:40,041
I MEAN, WHO WOULD'VE SEEN IT
857
00:39:40,125 --> 00:39:41,458
IF KIDNAPPERS PULLED UP
TO THE BACK OF THE HALL,
858
00:39:41,542 --> 00:39:42,834
GRABBED HIM WHILE HELEN
WAS DOING HER MAKE-UP,
859
00:39:42,917 --> 00:39:43,917
AND TOOK OFF?
860
00:39:44,000 --> 00:39:46,750
AND THEN FORGET
TO ASK FOR A RANSOM?
861
00:39:46,834 --> 00:39:48,125
WELL, MAYBE THEY TOOK HIM
SOMEWHERE TO HOLD HIM,
862
00:39:48,208 --> 00:39:49,667
HE TRIED TO ESCAPE,
863
00:39:49,750 --> 00:39:51,542
THERE WAS A STRUGGLE
AND HE ENDED UP DEAD.
864
00:39:51,625 --> 00:39:54,166
THAT WOULD EXPLAIN WHY
NO ONE EVER HEARD FROM HIM AGAIN
865
00:39:54,250 --> 00:39:55,500
AND THERE WAS NO RANSOM.
866
00:39:55,583 --> 00:39:56,959
YOU'RE REACHING.
867
00:39:57,041 --> 00:40:00,166
AND THIS ALL HAPPENED,
LIKE, 35 YEARS AGO.
868
00:40:00,250 --> 00:40:02,500
THERE'S NO STATUTE
OF LIMITATIONS ON MURDER.
869
00:40:02,583 --> 00:40:04,166
[SCOFFS] OKAY.
870
00:40:04,250 --> 00:40:06,625
DO YOU HAVE ANY EVIDENCE
TO SUPPORT SUCH A THING?
871
00:40:06,709 --> 00:40:08,083
ANYTHING?
872
00:40:09,250 --> 00:40:10,917
WORKING ON IT.
873
00:40:14,333 --> 00:40:16,125
[PROJECTOR CLICKS AND WHIRS]
874
00:40:16,208 --> 00:40:17,667
AHH... AH-HAH!
875
00:40:17,750 --> 00:40:19,250
[BELLS JINGLING]
876
00:40:19,333 --> 00:40:20,667
[PROJECTOR SLOWING TO A HALT]
877
00:40:20,750 --> 00:40:22,000
I BROUGHT THIS FOR YOU
FROM THE SALON.
878
00:40:22,083 --> 00:40:24,959
IT'S THE LATEST ISSUE OF
TODAY'S MODERN WOMAN.
879
00:40:25,041 --> 00:40:26,500
OH, FOR GOODNESS SAKES.
880
00:40:26,583 --> 00:40:28,375
YOU KNOW I HATE THESE MAGAZINES.
881
00:40:28,458 --> 00:40:31,792
IF YOU THINK THAT JASON'S
FORGOTTEN YOUR ANNIVERSARY,
882
00:40:31,875 --> 00:40:33,667
LEAVE THAT LYING AROUND,
LIKE ON HIS WORKBENCH...
883
00:40:33,750 --> 00:40:35,417
GIVE HIM SOME IDEAS.
884
00:40:35,500 --> 00:40:37,208
"CELLULITE LIFETIME CURE."
885
00:40:37,291 --> 00:40:38,333
WHAT?
886
00:40:38,417 --> 00:40:39,625
NO, NO, NO, THE ARTICLE ON
887
00:40:39,709 --> 00:40:41,625
"EXCITING
WEDDING ANNIVERSARY IDEAS."
888
00:40:41,709 --> 00:40:42,667
HERE IT IS.
889
00:40:42,750 --> 00:40:44,917
"GO FOR A HOT-AIR BALLOON RIDE."
890
00:40:45,000 --> 00:40:47,208
-OOH!
-"SWIM WITH THE DOLPHINS."
891
00:40:47,291 --> 00:40:48,583
FUN!
892
00:40:48,667 --> 00:40:51,625
"COUPLES' BUNGEE-JUMPING."
REALLY?
893
00:40:51,709 --> 00:40:53,583
WELL, YOU'RE THE ONE
WHO'S ALL GRUMPY,
894
00:40:53,667 --> 00:40:55,333
THINKING HE'S BLOWING YOU OFF
TO ENTERTAIN CLIENTS.
895
00:40:55,417 --> 00:40:57,083
WHAT DO YOU WANT HIM TO DO?
CANCEL THEM?
896
00:40:57,166 --> 00:40:59,125
NO, BUT HE COULD
SEND ME FLOWERS,
897
00:40:59,208 --> 00:41:01,083
OR PROMISE ME
A NICE WEEKEND AWAY.
898
00:41:01,166 --> 00:41:03,125
IS THAT ALL THERE IS?
899
00:41:03,208 --> 00:41:05,250
GRUNTING AT EACH OTHER
IN PASSING?
900
00:41:05,333 --> 00:41:06,875
YEP. THAT'S IT.
901
00:41:06,959 --> 00:41:08,750
[GASPS] OH, YOU'RE MEAN!
902
00:41:08,834 --> 00:41:11,875
-I DIDN'T MAKE THE RULES.
-MEAN, MEAN.
903
00:41:13,500 --> 00:41:16,250
[♪♪♪]
904
00:41:16,333 --> 00:41:18,208
WELL, IT IS
DEFINITELY HUMAN BLOOD.
905
00:41:18,291 --> 00:41:19,500
TYPE "O"-NEG,
AT THAT.
906
00:41:19,583 --> 00:41:20,834
IS THAT SIGNIFICANT?
907
00:41:20,917 --> 00:41:24,000
IT'S QUITE UNCOMMON--
ONLY 8% OF THE POPULATION.
908
00:41:24,083 --> 00:41:26,083
WAIT A MINUTE.
909
00:41:27,625 --> 00:41:29,291
HERE IT IS.
910
00:41:29,375 --> 00:41:32,000
CHARLES CARTER WAS "O"-NEGATIVE.
911
00:41:32,083 --> 00:41:33,583
IT'S A LITTLE SUSPICIOUS,
GRANTED,
912
00:41:33,667 --> 00:41:35,375
BUT IT WOULDN'T GET YOU ANYWHERE
IN A COURT OF LAW.
913
00:41:35,458 --> 00:41:37,917
WHY? WHY NOT,
IF IT'S THAT RARE?
914
00:41:38,000 --> 00:41:39,458
I SAID "UNCOMMON,"
NOT RARE.
915
00:41:39,542 --> 00:41:41,917
OUT OF 100 PEOPLE,
8 WOULD HAVE THAT BLOOD TYPE.
916
00:41:42,000 --> 00:41:44,125
OKAY, WELL, THEN
CROSS-REFERENCE THOSE EIGHT
917
00:41:44,208 --> 00:41:46,667
WITH PEOPLE WHO DISAPPEARED
UNDER SUSPICIOUS CIRCUMSTANCES.
918
00:41:46,750 --> 00:41:48,250
WELL...
919
00:41:49,625 --> 00:41:52,083
YOU MAY HAVE A POINT.
920
00:41:52,166 --> 00:41:55,375
I THINK THESE BLOODSTAINS
ARE FROM CHARLES CARTER.
921
00:41:55,458 --> 00:41:57,417
[♪♪♪]
922
00:41:59,000 --> 00:42:00,625
THIS IS A BIG CLUE.
923
00:42:00,709 --> 00:42:02,250
NOT ONLY IS IT HUMAN BLOOD,
924
00:42:02,333 --> 00:42:05,750
IT MATCHES
CHARLES'S UNCOMMON TYPE.
925
00:42:05,834 --> 00:42:07,375
BUT...
926
00:42:07,458 --> 00:42:09,083
WHAT ABOUT
HELEN'S BLOOD TYPE?
927
00:42:09,166 --> 00:42:10,250
OR THE MAID OF HONOR'S?
928
00:42:10,333 --> 00:42:11,750
OR THE WHOLE REST
OF THE WEDDING PARTY?
929
00:42:11,834 --> 00:42:12,917
WELL, ALL I KNOW IS
930
00:42:13,000 --> 00:42:14,417
THERE IS
A 92% PROBABILITY
931
00:42:14,500 --> 00:42:16,000
THAT THEIRS
IS NOT "O"-NEGATIVE,
932
00:42:16,083 --> 00:42:17,417
SO I AM GOING WITH THAT.
933
00:42:19,208 --> 00:42:22,333
CHARLES CARTER SEEMINGLY
HAD EVERYTHING AHEAD OF HIM.
934
00:42:22,417 --> 00:42:25,583
HANDSOME, ATHLETIC, WEALTHY,
MARRYING A BEAUTIFUL WOMAN,
935
00:42:25,667 --> 00:42:27,959
AND, POOF, HE JUST DISAPPEARS.
936
00:42:28,041 --> 00:42:29,542
BEST MAN WAS KINDA CUTE.
937
00:42:29,625 --> 00:42:31,417
-TED, RIGHT?
-RIGHT.
938
00:42:31,500 --> 00:42:32,917
WONDER WHAT
HE LOOKS LIKE NOW.
939
00:42:33,000 --> 00:42:33,959
OH, I'LL LET YOU KNOW.
940
00:42:34,041 --> 00:42:35,291
I'M SEEING HIM
THIS AFTERNOON.
941
00:42:35,375 --> 00:42:36,625
-MM?
-MM.
942
00:42:36,709 --> 00:42:38,625
[♪♪♪]
943
00:42:42,583 --> 00:42:43,709
-HELLO.
-HI.
944
00:42:43,792 --> 00:42:45,250
HI. YOU MUST BE JENN.
945
00:42:45,333 --> 00:42:46,458
YES, THANK YOU
FOR SEEING ME, MR.--
946
00:42:46,542 --> 00:42:48,125
-AH!
-OH! ...MR. THOMPSON.
947
00:42:48,208 --> 00:42:49,542
TED. PLEASE.
948
00:42:49,625 --> 00:42:51,500
UH, LISTEN, I'M JUST DOING
A LITTLE WORK ON MY BABY.
949
00:42:51,583 --> 00:42:53,000
WOULD YOU MIND IF WE TALK
WHILE I WORK?
950
00:42:53,083 --> 00:42:54,917
OH, NOT AT ALL.
951
00:42:55,000 --> 00:42:56,542
SO, I'M CURIOUS.
952
00:42:56,625 --> 00:42:58,166
WHY ARE YOU TRYING TO FIGURE OUT
953
00:42:58,250 --> 00:43:00,166
SOMETHING THAT HAPPENED
MORE THAN 30 YEARS AGO?
954
00:43:00,250 --> 00:43:02,625
OH, I LOVE MYSTERIES.
955
00:43:02,709 --> 00:43:04,041
I LIKE TO SOLVE 'EM.
956
00:43:04,125 --> 00:43:05,625
BOTHERS ME
WHEN I CAN'T.
957
00:43:05,709 --> 00:43:07,041
SO YOU WANT TO SOLVE
958
00:43:07,125 --> 00:43:09,000
THE MYSTERY OF
THE DISAPPEARING BRIDEGROOM?
959
00:43:09,083 --> 00:43:11,458
I DO.
960
00:43:11,542 --> 00:43:12,834
THAT'S A WEDDING JOKE.
961
00:43:12,917 --> 00:43:15,125
-[BOTH LAUGHING]
-ATTEMPT AT.
962
00:43:15,208 --> 00:43:17,625
WELL, HERE SHE IS.
963
00:43:17,709 --> 00:43:19,875
1970 CHEVELLE SS.
964
00:43:19,959 --> 00:43:22,583
BOUGHT HER ABOUT 30 YEARS AGO,
FRAME-UP RESTORATION.
965
00:43:22,667 --> 00:43:23,709
PRETTY SWEET, HUH?
966
00:43:23,792 --> 00:43:26,041
MY HUSBAND WOULD LOVE THIS.
967
00:43:26,125 --> 00:43:27,208
WELL, SEND
HIM ON BY.
968
00:43:27,291 --> 00:43:29,208
I'LL LET HIM
TAKE IT FOR A SPIN.
969
00:43:29,291 --> 00:43:31,166
ARE YOU KIDDING? I'M AFRAID
I WOULDN'T GET HIM BACK.
970
00:43:31,250 --> 00:43:32,250
[TED LAUGHS]
971
00:43:32,333 --> 00:43:34,291
SO, WHAT'S YOUR THEORY?
972
00:43:36,583 --> 00:43:39,250
I, UH, READ A TRANSCRIPT
OF AN INTERVIEW
973
00:43:39,333 --> 00:43:41,208
YOU GAVE
TO DETECTIVE PATEL.
974
00:43:41,291 --> 00:43:42,917
SO YOU KNOW
THE STORY.
975
00:43:43,000 --> 00:43:44,750
WELL, PART OF IT.
976
00:43:44,834 --> 00:43:47,709
YOU AND CHARLES
WERE CHILDHOOD FRIENDS?
977
00:43:47,792 --> 00:43:50,333
UH, WELL,
MY FATHER WAS THE GARDENER
978
00:43:50,417 --> 00:43:51,542
FOR THEIR ESTATE,
979
00:43:51,625 --> 00:43:53,458
SO, YES, CHARLES AND I
GREW UP TOGETHER,
980
00:43:53,542 --> 00:43:55,333
BUT WE'RE AS DIFFERENT
AS DIFFERENT COULD BE.
981
00:43:55,417 --> 00:43:57,166
HOW SO?
982
00:43:57,250 --> 00:43:59,333
WELL, I WAS
A SCRAPPY NON-CONFORMIST.
983
00:43:59,417 --> 00:44:01,625
I RODE A MOTORCYCLE.
984
00:44:01,709 --> 00:44:05,542
CHARLES, HE HAD A WHOLE
DIFFERENT SET OF EXPECTATIONS.
985
00:44:05,625 --> 00:44:07,917
RIGHT? HE WAS SUPPOSED TO
TAKE OVER THE FAMILY BUSINESS,
986
00:44:08,000 --> 00:44:10,625
AND IT WAS THE WHOLE
COUNTRY-CLUB LIFESTYLE.
987
00:44:10,709 --> 00:44:12,709
I MEAN, SOCIETY BALLS
AND WHATNOT.
988
00:44:12,792 --> 00:44:14,291
IT MUST'VE
BEEN STRANGE
989
00:44:14,375 --> 00:44:16,333
TO BE PART
OF A SOCIETY WEDDING.
990
00:44:16,417 --> 00:44:18,000
I THOUGHT IT WAS A HOOT.
991
00:44:18,083 --> 00:44:19,500
YOU KNOW, THE FUNNY THING IS,
992
00:44:19,583 --> 00:44:22,458
I'M LIVING THE LIFE
THAT CHARLES WANTED.
993
00:44:22,542 --> 00:44:25,959
ALL RIGHT, I LOOK BACK ON IT,
AND I THINK I DID OKAY.
994
00:44:26,041 --> 00:44:27,083
I MEAN, I OWN THIS PLACE.
995
00:44:28,333 --> 00:44:29,959
DID YOU KNOW HELEN AS WELL?
996
00:44:30,041 --> 00:44:33,291
SHE WAS, YOU KNOW,
MY BEST FRIEND'S FIANCEE,
997
00:44:33,375 --> 00:44:35,166
SO YEAH,
WE SAW EACH OTHER,
998
00:44:35,250 --> 00:44:37,208
BUT, I MEAN, WE WERE FROM
TWO DIFFERENT WORLDS.
999
00:44:37,291 --> 00:44:39,500
IT WAS A WHOLE
UPSTAIRS/DOWNSTAIRS THING.
1000
00:44:39,583 --> 00:44:42,417
HOW DID SHE HANDLE IT,
AFTER THE DISAPPEARANCE?
1001
00:44:42,500 --> 00:44:43,625
HARD.
1002
00:44:43,709 --> 00:44:45,417
CHARLES'S PARENTS
1003
00:44:45,500 --> 00:44:47,166
SPENT A LOT OF MONEY
TRYING TO FIGURE IT OUT,
1004
00:44:47,250 --> 00:44:48,458
AND THEY CAME UP WITH ZIP.
1005
00:44:48,542 --> 00:44:51,500
AFTER THAT,
SHE JUST LOCKED HERSELF AWAY.
1006
00:44:51,583 --> 00:44:54,291
I NEVER SPOKE TO HER SINCE,
AND I NEVER SAW HER AGAIN.
1007
00:44:54,375 --> 00:44:56,041
DID YOU TRY
TO SEE HER?
1008
00:44:56,125 --> 00:44:58,959
I, UH...
CALLED A COUPLE OF TIMES.
1009
00:44:59,041 --> 00:45:00,208
DROPPED BY.
1010
00:45:00,291 --> 00:45:02,000
SHE WOULDN'T SEE ME.
1011
00:45:02,083 --> 00:45:03,959
I THINK IT WAS TOO PAINFUL.
1012
00:45:04,041 --> 00:45:06,125
WHAT ABOUT
THE MAID OF HONOR MEG RICHMOND?
1013
00:45:06,208 --> 00:45:07,500
HAVE YOU TALKED TO HER?
1014
00:45:07,583 --> 00:45:08,959
NO, I NEVER
SPOKE TO MEG.
1015
00:45:09,041 --> 00:45:11,667
THEY WERE A PART
OF THE SAME CROWD.
1016
00:45:12,875 --> 00:45:13,875
DO YOU THINK IT'S POSSIBLE
1017
00:45:13,959 --> 00:45:16,250
THAT SOMEONE
WANTED TO HARM CHARLES?
1018
00:45:16,333 --> 00:45:17,458
WELL, I SUPPOSE
ANYTHING'S POSSIBLE.
1019
00:45:17,542 --> 00:45:20,750
NOTHING I KNEW ABOUT, THOUGH.
1020
00:45:20,834 --> 00:45:23,041
I WANT TO SHOW YOU SOMETHING.
1021
00:45:30,959 --> 00:45:33,542
HAVE A LOOK AT THAT.
1022
00:45:34,875 --> 00:45:37,000
IT'S DATED 1989.
1023
00:45:37,083 --> 00:45:38,709
NO MESSAGE.
1024
00:45:38,792 --> 00:45:40,792
10 YEARS
SINCE CHARLES DISAPPEARED,
1025
00:45:40,875 --> 00:45:41,917
TO THE DAY.
1026
00:45:42,000 --> 00:45:43,291
DID YOU TAKE THIS
TO THE POLICE?
1027
00:45:43,375 --> 00:45:44,500
WELL, YEAH,
BUT THERE'S NOTHING
1028
00:45:44,583 --> 00:45:45,792
TO CONNECT IT
WITH CHARLES.
1029
00:45:45,875 --> 00:45:47,250
I MEAN, IT'S NOT EVEN
HIS HANDWRITING.
1030
00:45:47,333 --> 00:45:48,917
WELL, MAYBE SOMEONE
ELSE ADDRESSED IT.
1031
00:45:49,000 --> 00:45:50,625
YEAH. MAYBE.
1032
00:45:50,709 --> 00:45:51,917
I JUST THINK IT'S A SICK JOKE.
1033
00:45:52,000 --> 00:45:53,375
YOU CAN KEEP THAT, IF YOU WANT.
1034
00:45:54,875 --> 00:45:57,125
WHAT DO YOU THINK
HAPPENED TO CHARLES?
1035
00:45:58,542 --> 00:46:01,625
I'VE THOUGHT A LOT ABOUT THAT
OVER THE YEARS.
1036
00:46:01,709 --> 00:46:04,125
I LIKE TO THINK
HE'S ALIVE AND WELL.
1037
00:46:10,917 --> 00:46:12,667
[BELLS JINGLING]
1038
00:46:12,750 --> 00:46:14,041
OH, HEY, TYLER.
1039
00:46:14,125 --> 00:46:15,709
HEY, MRS. SHANNON.
1040
00:46:15,792 --> 00:46:16,709
HANNAH'S NOT WORKING TODAY.
1041
00:46:16,792 --> 00:46:18,959
I KNOW.
1042
00:46:20,125 --> 00:46:21,583
ARE YOU OKAY?
1043
00:46:21,667 --> 00:46:23,291
I DON'T THINK SO.
1044
00:46:23,375 --> 00:46:25,667
CAN I BUY YOU A CUP
OF COFFEE OR SOMETHING?
1045
00:46:25,750 --> 00:46:26,875
I NEED YOUR ADVICE.
1046
00:46:26,959 --> 00:46:28,667
SURE.
1047
00:46:28,750 --> 00:46:29,959
I'LL BE RIGHT BACK.
1048
00:46:30,041 --> 00:46:31,375
OKAY.
1049
00:46:31,458 --> 00:46:35,166
I'M NOT REALLY SLEEPING.
1050
00:46:35,250 --> 00:46:37,458
IT JUST KEEPS GOING AROUND
IN MY HEAD.
1051
00:46:37,542 --> 00:46:39,333
HANNAH'S BEEN SO DISTANT.
1052
00:46:40,542 --> 00:46:41,583
I KNOW SHE CARES,
1053
00:46:41,667 --> 00:46:42,750
SO WHY IS SHE ACTING
LIKE SHE DOESN'T?
1054
00:46:42,834 --> 00:46:45,125
OH, SHE CARES.
1055
00:46:45,208 --> 00:46:47,875
I'VE NEVER FELT THIS WAY
ABOUT A GIRL BEFORE.
1056
00:46:49,500 --> 00:46:53,500
I'M THINKING ABOUT NOT GOING
IF IT MEANS THAT MUCH TO HER.
1057
00:46:54,834 --> 00:46:56,291
TYLER...
1058
00:46:56,375 --> 00:46:57,792
IF YOU DON'T GO TO CHINA,
1059
00:46:57,875 --> 00:46:59,875
YOU MIGHT REGRET THAT DECISION
FOR THE REST OF YOUR LIFE.
1060
00:46:59,959 --> 00:47:02,917
BUT IF I LOSE HANNAH,
IT MIGHT BE WORSE.
1061
00:47:03,000 --> 00:47:05,041
MAYBE.
1062
00:47:05,125 --> 00:47:08,041
I'M AFRAID
THERE IS NO EASY ANSWER.
1063
00:47:09,834 --> 00:47:11,917
YOU CAN'T JUST TELL ME
WHAT TO DO?
1064
00:47:12,000 --> 00:47:13,875
OH, SWEETHEART,
I WISH I COULD.
1065
00:47:13,959 --> 00:47:15,875
EVERY RELATIONSHIP HAS BUMPS,
1066
00:47:15,959 --> 00:47:18,166
YOU JUST HAVE TO
FIND YOUR WAY THROUGH.
1067
00:47:19,417 --> 00:47:21,583
THIS FEELS MORE LIKE
A SINKHOLE.
1068
00:47:23,166 --> 00:47:25,834
[♪♪♪]
1069
00:47:27,792 --> 00:47:29,375
PATEL'S NOTES SAY
1070
00:47:29,458 --> 00:47:31,959
THAT THERE ARE A NUMBER
OF DIFFERENT HOME MOVIES
1071
00:47:32,041 --> 00:47:33,458
THAT ARE SPLICED TOGETHER
ON ONE REEL.
1072
00:47:33,542 --> 00:47:34,500
OKAY.
1073
00:47:34,583 --> 00:47:37,208
[WHIRRING]
1074
00:47:57,166 --> 00:47:59,875
[♪♪♪]
1075
00:48:07,917 --> 00:48:09,667
WAIT A MINUTE.
1076
00:48:09,750 --> 00:48:11,208
WAS THAT HELEN AND TED
IN THE BACKGROUND?
1077
00:48:11,291 --> 00:48:12,291
OH, I DON'T KNOW.
1078
00:48:12,375 --> 00:48:13,417
IT WENT BY SO FAST,
I CAN'T TELL.
1079
00:48:13,500 --> 00:48:14,542
CAN YOU PAUSE IT?
1080
00:48:14,625 --> 00:48:17,208
NO. I DON'T THINK
YOU CAN PAUSE FILM.
1081
00:48:17,291 --> 00:48:18,875
IT'LL MELT OR SOMETHING.
1082
00:48:18,959 --> 00:48:20,083
CAN THAT BE DIGITIZED?
1083
00:48:20,166 --> 00:48:22,333
I DON'T KNOW. PROBABLY.
1084
00:48:22,417 --> 00:48:24,333
YOU'D HAVE TO FIND A PLACE
THAT DOES THAT.
1085
00:48:24,417 --> 00:48:25,458
WHAT DO YOU THINK?
1086
00:48:25,542 --> 00:48:28,625
I THINK'S IT TIME TO GO HOME.
1087
00:48:28,709 --> 00:48:30,542
FOR YOU, TOO.
1088
00:48:34,083 --> 00:48:35,250
IF YOU'RE NOT
IRRITATED WITH ME,
1089
00:48:35,333 --> 00:48:37,125
THEN HOW COME
I HAVE THAT FEELING?
1090
00:48:37,208 --> 00:48:38,709
I DON'T KNOW.
1091
00:48:38,792 --> 00:48:39,750
YOU SURE?
1092
00:48:39,834 --> 00:48:41,667
JUST TIRED.
1093
00:48:52,208 --> 00:48:53,375
HONEY,
IF YOU DON'T TELL ME,
1094
00:48:53,458 --> 00:48:55,166
I CAN'T FIX IT.
1095
00:48:55,250 --> 00:48:57,500
SWEETHEART, YOU DON'T
HAVE TO "FIX" ANYTHING.
1096
00:48:57,583 --> 00:48:59,500
GOODNIGHT. LOVE YOU.
1097
00:48:59,583 --> 00:49:01,375
[SIGHS]
1098
00:49:01,458 --> 00:49:02,542
LOVE YOU, TOO.
1099
00:49:04,583 --> 00:49:06,667
[♪♪♪]
1100
00:49:08,417 --> 00:49:09,792
[DANI]: SO?
1101
00:49:09,875 --> 00:49:12,500
WELL, I THINK HE'S FINALLY
STARTING TO GET THE MESSAGE.
1102
00:49:12,583 --> 00:49:14,000
THEY DO NEED
A LOT OF GUIDANCE.
1103
00:49:14,083 --> 00:49:15,166
MM.
1104
00:49:15,250 --> 00:49:16,125
[BELLS JINGLE]
1105
00:49:18,917 --> 00:49:20,875
FLOWERS FOR JENNIFER SHANNON?
1106
00:49:20,959 --> 00:49:23,083
OH. OVER HERE.
1107
00:49:23,166 --> 00:49:24,542
-OH...
-HERE YOU GO.
1108
00:49:24,625 --> 00:49:26,375
-THANK YOU VERY MUCH.
-HAVE A GREAT DAY.
1109
00:49:26,458 --> 00:49:28,375
YOU TOO.
1110
00:49:31,792 --> 00:49:34,041
"I BLEW IT. I'M SORRY.
1111
00:49:34,125 --> 00:49:36,583
"I'LL TAKE YOU AND THE... KIDS
1112
00:49:36,667 --> 00:49:38,417
"OUT FOR A SPECIAL DINNER
TO MAKE UP.
1113
00:49:38,500 --> 00:49:39,542
LOVE, JASON."
1114
00:49:39,625 --> 00:49:40,625
HE DIDN'T.
1115
00:49:40,709 --> 00:49:42,417
-HE DID!
-WITH THE KIDS?
1116
00:49:42,500 --> 00:49:44,250
-WITH THE KIDS.
-WOW.
1117
00:49:44,333 --> 00:49:47,250
OH... WELL, APPARENTLY,
HE ONLY GOT HALF THE MESSAGE.
1118
00:49:47,333 --> 00:49:48,709
[BELLS JINGLE]
1119
00:49:48,792 --> 00:49:50,250
[SIGHS QUIETLY]
1120
00:49:50,333 --> 00:49:53,208
HELLO!
WELCOME TO RAGS TO RICHES.
1121
00:49:53,291 --> 00:49:56,083
I'M LOOKING FOR THE OWNER,
A MRS. SHANNON?
1122
00:49:56,166 --> 00:49:58,125
OH, I'M JENNIFER SHANNON.
1123
00:49:58,208 --> 00:50:00,792
I'M ALICE CARTER.
1124
00:50:00,875 --> 00:50:02,875
CHARLES'S LITTLE SISTER.
1125
00:50:03,000 --> 00:50:05,250
[♪♪♪]
1126
00:50:08,834 --> 00:50:10,917
[ALICE]: YOU NEED TO SEE THIS.
1127
00:50:11,000 --> 00:50:13,792
[JENN]: I DIDN'T KNOW
THIS PLACE WAS HERE.
1128
00:50:13,875 --> 00:50:15,208
DO YOU LIKE IT?
1129
00:50:15,291 --> 00:50:16,583
OH, IT'S BEAUTIFUL.
1130
00:50:16,667 --> 00:50:19,208
AND IT'S LOVELY THAT
IT'S NAMED AFTER YOUR BROTHER.
1131
00:50:19,291 --> 00:50:21,625
SHE NEVER WANTED
HIM FORGOTTEN.
1132
00:50:21,709 --> 00:50:23,458
SHE?
1133
00:50:23,542 --> 00:50:25,291
HELEN WHITNEY.
1134
00:50:25,375 --> 00:50:28,041
YOU MEAN
HELEN CARTER?
1135
00:50:28,125 --> 00:50:30,667
RIGHT, THEY WERE MARRIED,
I GUESS.
1136
00:50:30,750 --> 00:50:33,625
EVEN A HALF-HOUR COUNTS.
1137
00:50:34,834 --> 00:50:36,166
ALICE,
DID YOU THINK
1138
00:50:36,250 --> 00:50:39,083
THE MARRIAGE
WASN'T VALID?
1139
00:50:39,166 --> 00:50:41,166
[ALICE HUFFS DISMISSIVELY]
1140
00:50:42,625 --> 00:50:44,291
HOW OLD WERE YOU
WHEN THEY GOT MARRIED?
1141
00:50:44,375 --> 00:50:46,542
17.
1142
00:50:48,000 --> 00:50:50,250
YOU WEREN'T IN
ANY OF THE PICTURES.
1143
00:50:50,333 --> 00:50:52,000
NO.
1144
00:50:52,083 --> 00:50:54,375
I THOUGHT
I SHOULD HAVE BEEN.
1145
00:50:54,458 --> 00:50:56,041
DON'T YOU?
1146
00:50:56,125 --> 00:50:57,542
OH, I DON'T KNOW.
1147
00:50:57,625 --> 00:51:00,000
PERHAPS
YOU WERE TOO YOUNG.
1148
00:51:00,083 --> 00:51:03,375
DID YOU KNOW MEG RICHMOND,
THE MAID OF HONOR?
1149
00:51:03,458 --> 00:51:05,417
OH, YES.
1150
00:51:05,500 --> 00:51:07,083
BEAUTIFUL MEG.
1151
00:51:07,166 --> 00:51:09,250
HAVE YOU SPOKEN
TO HER RECENTLY?
1152
00:51:09,333 --> 00:51:12,333
SHE PASSED YEARS AGO.
1153
00:51:12,417 --> 00:51:14,458
CAR ACCIDENT,
I THINK.
1154
00:51:14,542 --> 00:51:18,083
WHAT DO YOU THINK HAPPENED
ON THAT DAY?
1155
00:51:18,166 --> 00:51:20,458
I HAVE NO IDEA.
1156
00:51:20,542 --> 00:51:22,750
I WAS OUT IN THE PARKING LOT.
1157
00:51:24,083 --> 00:51:26,625
YOU WEREN'T AT THE RECEPTION?
WHY?
1158
00:51:26,709 --> 00:51:29,000
I HAD A BOYFRIEND.
1159
00:51:29,083 --> 00:51:32,875
IT WASN'T OFTEN
WE COULD GET AWAY.
1160
00:51:32,959 --> 00:51:36,125
I UNDERSTAND YOUR FAMILY
HIRED PRIVATE INVESTIGATORS.
1161
00:51:36,208 --> 00:51:38,500
ONE OF THE THEM
TALKED TO A GROUNDSKEEPER
1162
00:51:38,583 --> 00:51:40,625
WHO WAS WORKING AT THE CHURCH.
1163
00:51:40,709 --> 00:51:42,208
HE WAS DOING SOME PLANTING,
1164
00:51:42,291 --> 00:51:44,208
A FAIR DISTANCE
AWAY FROM THE GUILD HALL.
1165
00:51:44,291 --> 00:51:47,125
HE LOOKED UP
1166
00:51:47,208 --> 00:51:50,333
AND SAW CHARLES AND HELEN
ENTER THE BACK OF THE BUILDING.
1167
00:51:50,417 --> 00:51:53,291
HE NEVER SAW CHARLES COME OUT.
1168
00:51:54,750 --> 00:51:57,083
[♪♪♪]
1169
00:51:59,083 --> 00:52:02,041
WELL, HERE YOU GO. ENJOY.
1170
00:52:02,125 --> 00:52:05,208
WELL! WHILE YOU'RE OUT
SOLVING MYSTERIES,
1171
00:52:05,291 --> 00:52:07,500
I'M KEEPING
THE STORE AFLOAT.
1172
00:52:07,583 --> 00:52:08,625
OH. SELL SOMETHING?
1173
00:52:08,709 --> 00:52:11,375
YES! BAKELITE
BACKGAMMON SET, $125.
1174
00:52:11,458 --> 00:52:12,583
NICE!
1175
00:52:12,667 --> 00:52:14,166
HEY, UH,
AND HELEN CARTER CALLED HERE.
1176
00:52:14,250 --> 00:52:16,500
ASKED IF YOU WOULDN'T MIND
GOING BY THIS AFTERNOON.
1177
00:52:16,583 --> 00:52:18,583
KINDA INTERESTING
THAT SHE CALLS
1178
00:52:18,667 --> 00:52:20,625
THE SAME DAY
THAT ALICE SHOWS UP.
1179
00:52:20,709 --> 00:52:22,750
"KINDA"? WHAT DID
ALICE HAVE TO SAY?
1180
00:52:22,834 --> 00:52:24,208
WELL, SHE'S A LITTLE ODD.
1181
00:52:24,291 --> 00:52:26,500
SHE DEFINITELY
DOESN'T LIKE HELEN.
1182
00:52:26,583 --> 00:52:27,709
MM. SO WHAT'D SHE SAY?
1183
00:52:27,792 --> 00:52:30,542
WELL, TURNS OUT
THERE WAS A GARDENER,
1184
00:52:30,625 --> 00:52:32,792
WHO SAW CHARLES
GO INTO THIS BUILDING,
1185
00:52:32,875 --> 00:52:34,208
BUT DID NOT SEE HIM LEAVE.
1186
00:52:34,291 --> 00:52:35,667
YOU SAID THERE WAS A ROOM
HE COULD'VE HIDDEN IN.
1187
00:52:35,750 --> 00:52:37,583
YES, A STORAGE ROOM.
1188
00:52:37,667 --> 00:52:39,792
AND IF THE GARDENER
WAS DIGGING WITH HIS HEAD DOWN,
1189
00:52:39,875 --> 00:52:41,625
CHARLES COULD'VE
GONE OUT THE BACK,
1190
00:52:41,709 --> 00:52:42,750
HE NEVER WOULD'VE NOTICED.
1191
00:52:42,834 --> 00:52:44,083
THAT'S POSSIBLE.
1192
00:52:44,166 --> 00:52:46,125
WASN'T HANNAH SUPPOSED TO
BE WORKING TODAY?
1193
00:52:46,208 --> 00:52:47,875
YEAH. SHE CALLED.
1194
00:52:47,959 --> 00:52:50,000
ASKED IF IT WOULD BE OKAY
IF SHE DIDN'T COME IN.
1195
00:52:50,083 --> 00:52:51,959
SHE SOUNDED KIND OF DOWN.
1196
00:52:52,041 --> 00:52:53,500
[SIGHS]
1197
00:52:56,000 --> 00:52:58,000
THANK YOU.
1198
00:53:00,375 --> 00:53:01,583
FEEL BETTER?
1199
00:53:01,667 --> 00:53:02,667
[CHUCKLES]
1200
00:53:02,750 --> 00:53:04,625
A LITTLE.
1201
00:53:04,709 --> 00:53:06,333
TELL ME.
1202
00:53:06,417 --> 00:53:07,375
REALLY?
1203
00:53:07,458 --> 00:53:08,667
REALLY.
1204
00:53:08,750 --> 00:53:10,500
OKAY, FINE.
1205
00:53:10,583 --> 00:53:13,625
MEN ARE
A SUB-HUMAN SPECIES.
1206
00:53:13,709 --> 00:53:15,208
WELL, EXCEPT FOR DAD.
1207
00:53:15,291 --> 00:53:17,083
HOW DID YOU
GET SO LUCKY?
1208
00:53:17,166 --> 00:53:19,458
WELL, I OVERLOOK
SOME THINGS.
1209
00:53:19,542 --> 00:53:20,959
[BOTH CHUCKLING]
1210
00:53:22,834 --> 00:53:26,208
I DON'T WANT TO BE HERE
ALL SENIOR YEAR
1211
00:53:26,291 --> 00:53:28,542
WHILE TYLER IS IN CHINA.
1212
00:53:28,625 --> 00:53:30,417
WHAT HAVE YOU TOLD HIM?
1213
00:53:30,500 --> 00:53:31,875
NOTHING,
1214
00:53:31,959 --> 00:53:35,041
BUT I THINK
HE'S GETTING THE MESSAGE.
1215
00:53:35,125 --> 00:53:36,709
I GOT A FEW TEXTS
FROM HIS FRIENDS
1216
00:53:36,792 --> 00:53:38,417
THAT SAY HE'S ALL TORN UP
1217
00:53:38,500 --> 00:53:40,959
AND THAT HE MIGHT PULL OUT
OF THE CHINA THING.
1218
00:53:42,583 --> 00:53:44,625
I WANT TO GIVE YOU
SOMETHING TO THINK ABOUT.
1219
00:53:44,709 --> 00:53:46,375
IS THIS CLICHE TIME?
1220
00:53:46,458 --> 00:53:48,834
"IF YOU LOVE SOMEBODY,
LET THEM GO..."
1221
00:53:48,917 --> 00:53:50,458
NO.
1222
00:53:50,542 --> 00:53:52,834
IT'S JUST THE BEST
MOM-ADVICE I HAVE.
1223
00:53:54,834 --> 00:53:56,500
IF YOU REALLY LOVE SOMEBODY,
1224
00:53:56,583 --> 00:53:58,709
AN INTERESTING THING
STARTS TO HAPPEN--
1225
00:53:58,792 --> 00:54:01,375
YOU END UP WANTING
WHAT THEY WANT.
1226
00:54:02,542 --> 00:54:04,917
[♪♪♪]
1227
00:54:07,709 --> 00:54:09,583
SO YOU CAN JUST TAKE THAT
AROUND TO THE BACK. OKAY?
1228
00:54:09,667 --> 00:54:10,542
THANK YOU. HI!
1229
00:54:10,625 --> 00:54:12,083
HI.
1230
00:54:12,166 --> 00:54:13,709
SORRY ABOUT ALL THE HUB-BUB.
1231
00:54:13,792 --> 00:54:15,291
WE'RE HAVING A FUNDRAISER FOR
THE FREE CLINIC THIS WEEKEND.
1232
00:54:15,375 --> 00:54:16,625
200 PEOPLE!
1233
00:54:16,709 --> 00:54:18,709
OH! THAT'S A LOT OF PEOPLE.
1234
00:54:18,792 --> 00:54:21,166
DO YOU KNOW WHAT HAPPENS
AT 4:00 IN THESE BIG HOUSES?
1235
00:54:22,458 --> 00:54:23,709
TEA. COME ON.
1236
00:54:23,792 --> 00:54:26,333
IT ALMOST MAKES
THE PROPERTY TAXES WORTH IT.
1237
00:54:30,750 --> 00:54:33,291
[♪♪♪]
1238
00:54:34,542 --> 00:54:36,333
THANK YOU.
1239
00:54:36,417 --> 00:54:38,375
I WANTED TO
THANK YOU PERSONALLY
1240
00:54:38,458 --> 00:54:39,750
FOR BRINGING
THE DRESS BACK.
1241
00:54:39,834 --> 00:54:41,208
OH, I WAS HAPPY
TO DO IT.
1242
00:54:41,291 --> 00:54:43,458
YOU KNOW...
1243
00:54:43,542 --> 00:54:45,959
A LOT OF MEMORIES HAVE
BEEN UNEARTHED WITH THAT.
1244
00:54:46,041 --> 00:54:49,125
I UNDERSTAND YOU'VE
TAKEN AN INTEREST
1245
00:54:49,208 --> 00:54:50,458
IN CHARLES'
DISAPPEARANCE?
1246
00:54:50,542 --> 00:54:52,000
I HAVE.
1247
00:54:52,083 --> 00:54:55,250
I'M FASCINATED BY A MYSTERY
AND THIS CERTAINLY IS ONE.
1248
00:54:56,458 --> 00:54:57,500
YOU KNEW TED THOMPSON.
1249
00:54:57,583 --> 00:54:59,834
WHAT CAN YOU TELL ME
ABOUT HIM?
1250
00:54:59,917 --> 00:55:02,166
TED?
1251
00:55:02,250 --> 00:55:05,750
WELL, UM, I DIDN'T
REALLY KNOW HIM THAT WELL.
1252
00:55:05,834 --> 00:55:08,000
HE WAS A CHILDHOOD
FRIEND OF CHARLES',
1253
00:55:08,083 --> 00:55:11,291
AND HE DIDN'T REALLY
FIT IN OUR GROUP.
1254
00:55:11,375 --> 00:55:14,083
SO YOU SPOKE TO HIM?
1255
00:55:14,166 --> 00:55:16,875
YES, AND HE,
LIKE EVERYBODY ELSE,
1256
00:55:16,959 --> 00:55:19,208
IS AT A LOSS
TO WHAT HAPPENED ON THAT DAY.
1257
00:55:19,291 --> 00:55:22,583
CHARLES' FATHER WAS CONVINCED
THAT IT WAS A KIDNAPPING.
1258
00:55:22,667 --> 00:55:24,166
WHY?
1259
00:55:24,250 --> 00:55:26,333
WELL, HE HAD
A NUMBER OF BUSINESSES.
1260
00:55:26,417 --> 00:55:29,250
CONSTRUCTION,
BIG GOVERNMENT CONTRACTS,
1261
00:55:29,333 --> 00:55:32,291
AND I GUESS THERE WAS
SOME DIFFICULTY WITH THE UNION,
1262
00:55:32,375 --> 00:55:34,083
AND THERE WERE SOME THREATS.
1263
00:55:34,166 --> 00:55:35,500
AGAINST CHARLES?
1264
00:55:35,583 --> 00:55:37,583
NO, AGAINST
HIS FATHER,
1265
00:55:37,667 --> 00:55:40,166
AND EDWARD WOULD NOT BUCKLE
TO THEIR DEMANDS,
1266
00:55:40,250 --> 00:55:43,792
SO, IN HIS OPINION,
1267
00:55:43,875 --> 00:55:47,500
CHARLES'S DISAPPEARANCE
WAS TIED TO THAT SOMEHOW.
1268
00:55:47,583 --> 00:55:49,542
WHAT DO YOU THINK?
1269
00:55:49,625 --> 00:55:51,375
[SCOFFS QUIETLY]
1270
00:55:51,458 --> 00:55:53,458
RIDICULOUS.
1271
00:56:00,333 --> 00:56:02,250
THIS IS NOT
A MISSING PERSONS CASE.
1272
00:56:02,333 --> 00:56:03,375
IT'S MURDER.
1273
00:56:03,458 --> 00:56:04,750
HOLD ON A SECOND.
1274
00:56:04,834 --> 00:56:07,208
ARE YOU SAYING THAT HELEN CARTER
KILLED HER HUSBAND
1275
00:56:07,291 --> 00:56:08,417
ON HER WEDDING DAY?
1276
00:56:08,500 --> 00:56:09,792
NO, I'M NOT SAYING THAT.
1277
00:56:09,875 --> 00:56:10,875
GOOD!
1278
00:56:10,959 --> 00:56:12,667
SHE'S A PILLAR OF THE COMMUNITY.
1279
00:56:12,750 --> 00:56:14,458
NO ONE DOES MORE THAN HER.
1280
00:56:14,542 --> 00:56:16,291
SCHOLARSHIPS, CHARITIES--
1281
00:56:16,375 --> 00:56:18,083
I MEAN, SHE HAS
A MAGNET SCHOOL IN HER HOME,
1282
00:56:18,166 --> 00:56:19,583
FOR GOODNESS SAKES.
1283
00:56:19,667 --> 00:56:21,834
I'M NOT SUGGESTING
THAT HELEN IS A KILLER,
1284
00:56:21,917 --> 00:56:24,166
BUT I THINK
SHE KNOWS WHO IS.
1285
00:56:24,250 --> 00:56:26,250
CHARLES CARTER'S BLOOD
IS ON HER WEDDING DRESS.
1286
00:56:26,333 --> 00:56:27,458
FRANK, SHE WAS THERE!
1287
00:56:27,542 --> 00:56:29,583
NO. NOT NECESSARILY.
1288
00:56:29,667 --> 00:56:32,417
THAT BLOOD IS ONLY HIS TYPE.
1289
00:56:33,959 --> 00:56:35,000
HOW MANY PEOPLE
WERE AT THE WEDDING?
1290
00:56:35,083 --> 00:56:36,166
200.
1291
00:56:36,250 --> 00:56:37,500
AND HOW MANY PEOPLE
HAVE WORN THAT DRESS
1292
00:56:37,583 --> 00:56:38,709
IN THE LAST 35 YEARS?
1293
00:56:38,792 --> 00:56:40,417
I DON'T THINK
ANYONE HAS.
1294
00:56:40,500 --> 00:56:42,417
HER INITIALS ARE STILL IN IT.
1295
00:56:42,500 --> 00:56:44,500
I THINK IT SAT IN THE BOX
FOR ALL THOSE YEARS.
1296
00:56:44,583 --> 00:56:46,959
AND WE KNOW
THAT HELEN WANTED IT DESTROYED.
1297
00:56:47,041 --> 00:56:48,792
I THINK WHATEVER
HAPPENED TO CHARLES
1298
00:56:48,875 --> 00:56:51,125
HAPPENED IN THE BACK
OF THAT RECEPTION HALL.
1299
00:56:51,208 --> 00:56:52,917
ALL RIGHT,
THEN HE WAS SEEN GOING IN--
1300
00:56:53,000 --> 00:56:54,709
AND NOBODY SAW HIM COME OUT.
1301
00:56:54,792 --> 00:56:56,250
WHAT IF I CAN SHOW
1302
00:56:56,333 --> 00:56:58,583
THAT THERE WAS BLOOD
SHED AT THE CHURCH
1303
00:56:58,667 --> 00:57:00,375
AND IT MATCHES
THE STAINS ON THE DRESS?
1304
00:57:00,458 --> 00:57:02,166
[GRUNTS]
1305
00:57:02,250 --> 00:57:03,834
WHAT'S THAT STUFF
THAT YOU SPRAY
1306
00:57:03,917 --> 00:57:06,041
TO REVEAL BLOODSTAINS
THAT HAVE BEEN CLEANED UP?
1307
00:57:06,125 --> 00:57:08,083
-LUMINOL.
-LUMINOL!
1308
00:57:08,166 --> 00:57:10,458
WOULD IT WORK
ON SOMETHING THIS OLD?
1309
00:57:10,542 --> 00:57:13,125
WELL, IF THE BLOOD WAS INDOORS,
1310
00:57:13,208 --> 00:57:14,875
AND IT WAS PROTECTED
FROM THE ELEMENTS...
1311
00:57:16,500 --> 00:57:17,750
AND NO,
1312
00:57:17,834 --> 00:57:19,458
I AM NOT GOING TO DO
A FORENSIC INVESTIGATION
1313
00:57:19,542 --> 00:57:20,542
FOR YOU.
1314
00:57:20,625 --> 00:57:22,417
OH... FINE.
1315
00:57:22,500 --> 00:57:24,000
CAN I BORROW SOME?
1316
00:57:24,083 --> 00:57:26,375
THANKS FOR THE PIE.
1317
00:57:27,959 --> 00:57:29,792
[SIGHS GRUDGINGLY]
1318
00:57:29,875 --> 00:57:31,834
LUMINOL IS AVAILABLE ONLINE.
1319
00:57:31,917 --> 00:57:33,792
AND I DO NOT WANT TO KNOW.
1320
00:57:35,208 --> 00:57:37,333
[BACKGROUND CHATTER]
1321
00:57:39,083 --> 00:57:41,417
[♪♪♪]
1322
00:57:43,542 --> 00:57:46,041
WELL, I'M NOT
GONNA STAY.
1323
00:57:46,125 --> 00:57:47,709
YOU SHOULD GO, TOO.
1324
00:57:47,792 --> 00:57:49,458
I WANT TO CATCH UP
ON THESE ORDERS.
1325
00:57:49,542 --> 00:57:51,875
JASON'S WORKING LATE.
I'LL BE FINE.
1326
00:57:51,959 --> 00:57:53,709
ALL RIGHT.
NIGHT-NIGHT.
1327
00:57:53,792 --> 00:57:54,834
NIGHT.
1328
00:57:54,917 --> 00:57:57,166
-SEE YOU TOMORROW.
-OKAY.
1329
00:57:59,667 --> 00:58:02,083
[♪♪♪]
1330
00:58:38,375 --> 00:58:40,417
[KEYS CLACKING]
1331
00:58:41,667 --> 00:58:43,875
[♪♪♪]
1332
00:59:10,083 --> 00:59:12,542
[♪♪♪]
1333
00:59:25,375 --> 00:59:26,291
[LOUD THUD]
1334
00:59:26,375 --> 00:59:28,166
[GASPS]
1335
00:59:28,250 --> 00:59:30,709
[DOGS BARKING NEARBY]
1336
00:59:34,709 --> 00:59:37,709
[♪♪♪]
1337
00:59:37,792 --> 00:59:39,834
[DISPATCH RADIO CRACKLING]
1338
00:59:41,083 --> 00:59:43,291
YOU OKAY, HON'?
1339
00:59:43,375 --> 00:59:45,875
OH, YEAH, I'M FINE,
IT'S JUST A FLAT TIRE.
1340
00:59:45,959 --> 00:59:47,333
CAN YOU SEE
WHAT SHE RAN OVER?
1341
00:59:47,417 --> 00:59:49,125
SHE DIDN'T RUN OVER ANYTHING.
1342
00:59:49,208 --> 00:59:51,083
THIS WAS DELIBERATE.
1343
00:59:53,917 --> 00:59:55,458
I'M NOT SURE, JENN.
1344
00:59:55,542 --> 00:59:57,125
WHAT IF
THIS WAS A WARNING?
1345
00:59:57,208 --> 00:59:58,834
SOMEONE TELLING YOU
TO BACK OFF?
1346
00:59:58,917 --> 01:00:00,417
I DON'T THINK SO.
1347
01:00:00,500 --> 01:00:01,625
TIRES GET SLASHED.
1348
01:00:01,709 --> 01:00:03,250
IT'S PROBABLY JUST VANDALISM.
1349
01:00:03,333 --> 01:00:04,625
NOT IN THAT NEIGHBORHOOD.
1350
01:00:04,709 --> 01:00:07,083
HONEY, I DON'T THINK
THE PEOPLE INVOLVED IN THIS CASE
1351
01:00:07,166 --> 01:00:08,542
ARE THE TIRE-SLASHING TYPES.
1352
01:00:08,625 --> 01:00:09,792
JUST BE
CAREFUL, OKAY?
1353
01:00:09,875 --> 01:00:11,834
DON'T WORK LATE BY YOURSELF.
1354
01:00:11,917 --> 01:00:14,166
CALL ME IF YOU NEED TO.
BE EXTRA AWARE.
1355
01:00:14,250 --> 01:00:15,500
I WILL...
1356
01:00:15,583 --> 01:00:18,458
BUT SOMETIMES A FLAT TIRE
IS JUST A FLAT TIRE.
1357
01:00:20,250 --> 01:00:22,500
OH, DID YOU GET
THE FLOWERS I SENT YOU?
1358
01:00:24,250 --> 01:00:25,125
THANK YOU.
1359
01:00:26,542 --> 01:00:28,667
I KNEW YOU'D REMEMBER.
1360
01:00:28,750 --> 01:00:30,041
YEAH. IT'LL BE FUN.
1361
01:00:30,125 --> 01:00:31,750
WE DON'T GET OUT MUCH
AS A FAMILY ANYMORE.
1362
01:00:33,125 --> 01:00:35,417
[FORCED CHUCKLE]
1363
01:00:36,834 --> 01:00:39,583
NAH, YOU CAN'T FIX THIS.
YOU'RE GONNA NEED A NEW TIRE.
1364
01:00:39,667 --> 01:00:41,667
I'LL GET ONE OF MY GUYS
ON IT RIGHT AWAY.
1365
01:00:43,291 --> 01:00:46,500
I CAN'T REMEMBER THE LAST TIME
I SAW A TIRE SLASHED LIKE THAT.
1366
01:00:46,583 --> 01:00:47,709
OH, IT'S PROBABLY
JUST VANDALISM.
1367
01:00:47,792 --> 01:00:49,458
WELL, YOU SAID
YOU WENT TO THE CHURCH
1368
01:00:49,542 --> 01:00:50,542
WITH THE POLICE, RIGHT?
1369
01:00:50,625 --> 01:00:52,333
ARE THEY INTERESTED
IN THIS AGAIN?
1370
01:00:52,417 --> 01:00:54,041
NO, DETECTIVE LYNWOOD
IS JUST AN OLD FRIEND.
1371
01:00:54,125 --> 01:00:55,709
IT'S NOTHING OFFICIAL.
1372
01:00:55,792 --> 01:00:58,208
MM. SO HAVE YOU
MADE ANY PROGRESS?
1373
01:00:58,291 --> 01:00:59,959
NOT MUCH.
1374
01:01:00,041 --> 01:01:03,291
WHAT ELSE DO YOU REMEMBER
FROM THAT DAY?
1375
01:01:03,375 --> 01:01:04,750
WHAT WAS HELEN'S MOOD LIKE
1376
01:01:04,834 --> 01:01:06,000
WHEN THEY WERE
TAKING THE PHOTOS?
1377
01:01:07,458 --> 01:01:11,000
UH, MY RECOLLECTION IS-IS THAT
SHE WAS LAUGHING, UPBEAT.
1378
01:01:11,083 --> 01:01:12,792
EVERYBODY WAS HAVING FUN.
1379
01:01:12,875 --> 01:01:15,291
AND EVERYONE WALKED INTO
THE RECEPTION TOGETHER?
1380
01:01:15,375 --> 01:01:17,000
DID ANYONE
STRAGGLE BEHIND?
1381
01:01:17,083 --> 01:01:19,041
GO TO THEIR CAR? ANYTHING?
1382
01:01:19,125 --> 01:01:21,375
WELL, I-- YOU KNOW,
I CAN'T BE SURE,
1383
01:01:21,458 --> 01:01:22,834
BUT IF SOMEONE WENT TO THEIR CAR
TO GET SOMETHING,
1384
01:01:22,917 --> 01:01:24,417
I MIGHT NOT HAVE NOTICED.
1385
01:01:26,333 --> 01:01:28,417
LUMINOL? ARE YOU SERIOUS?
1386
01:01:28,500 --> 01:01:29,959
WHAT, NOW
YOU'RE DOING FORENSICS?
1387
01:01:30,041 --> 01:01:32,000
WELL, WHY NOT?
MAYBE WE'LL FIND SOME ANSWERS.
1388
01:01:32,083 --> 01:01:33,667
I WANT TO
SHOW YOU SOMETHING.
1389
01:01:33,750 --> 01:01:35,750
I HAD
THOSE EIGHT-MILLIMETER FILMS
1390
01:01:35,834 --> 01:01:37,375
TRANSFERRED TO DVD.
1391
01:01:37,458 --> 01:01:39,250
I WANT YOU
TO WATCH 'EM AGAIN.
1392
01:01:39,333 --> 01:01:41,750
BOTH HELEN CARTER
AND TED THOMPSON TOLD ME
1393
01:01:41,834 --> 01:01:43,291
THAT THEY REALLY DIDN'T
KNOW EACH OTHER,
1394
01:01:43,375 --> 01:01:46,291
DIDN'T HAVE MUCH INTERACTION,
TRAVELED IN DIFFERENT CIRCLES,
1395
01:01:46,375 --> 01:01:48,458
SO WATCH THIS.
1396
01:01:50,333 --> 01:01:52,375
[♪♪♪]
1397
01:01:54,583 --> 01:01:56,166
HMM...
1398
01:01:56,250 --> 01:01:57,417
THAT'S PRETTY FRIENDLY.
1399
01:01:57,500 --> 01:01:59,125
MM.
1400
01:01:59,208 --> 01:02:01,291
SO IF I PAUSE...
1401
01:02:01,375 --> 01:02:02,792
[HITS KEY]
1402
01:02:02,875 --> 01:02:04,792
AND ZOOM IN...
1403
01:02:06,417 --> 01:02:08,542
WHY IS HE LYING?
1404
01:02:09,834 --> 01:02:11,875
'CAUSE AFTER
THE LAST FOUR DECADES,
1405
01:02:11,959 --> 01:02:13,750
THINGS HAVE GOTTEN
A LITTLE HAZY?
1406
01:02:13,834 --> 01:02:16,625
FAIR ENOUGH.
1407
01:02:16,709 --> 01:02:18,125
WHAT DO WE GOT?
1408
01:02:18,208 --> 01:02:19,667
UM...
1409
01:02:19,750 --> 01:02:22,917
WELL, IN A 15-MINUTE WINDOW
BETWEEN THE PHOTO SESSION
1410
01:02:23,000 --> 01:02:24,458
AND HELEN ENTERING
THE RECEPTION HALL,
1411
01:02:24,542 --> 01:02:25,709
CHARLES DISAPPEARS.
1412
01:02:25,792 --> 01:02:28,250
THERE ARE
THREE POSSIBILITIES--
1413
01:02:28,333 --> 01:02:30,750
ONE, TO YOUR POINT,
1414
01:02:30,834 --> 01:02:32,083
HELEN WENT IN THE BATHROOM
TO DO HER MAKE-UP,
1415
01:02:32,166 --> 01:02:34,125
AND CHARLES
BOLTED OUT THE BACK DOOR
1416
01:02:34,208 --> 01:02:35,583
TO TAHITI OR SOMEPLACE.
1417
01:02:35,667 --> 01:02:37,291
NOT LIKELY.
1418
01:02:37,375 --> 01:02:39,125
BUT THERE IS THAT POSTCARD.
1419
01:02:39,208 --> 01:02:41,041
TWO, HELEN WENT
IN THE BATHROOM
1420
01:02:41,125 --> 01:02:42,625
AND KIDNAPPERS
CAME IN THE BACK DOOR
1421
01:02:42,709 --> 01:02:43,959
AND GRABBED CHARLES.
1422
01:02:44,041 --> 01:02:46,083
HE WOULD'VE PUT UP A FIGHT.
1423
01:02:46,166 --> 01:02:47,625
UNLESS THEY HAD A GUN ON HIM.
1424
01:02:47,709 --> 01:02:49,166
OR, THREE,
1425
01:02:49,250 --> 01:02:51,709
SOMEBODY KILLED CHARLES IN
THE BACK OF THAT RECEPTION HALL.
1426
01:02:51,792 --> 01:02:54,333
WE HAVE THE GARDENER
THAT SAW HIM GO IN THE BUILDING,
1427
01:02:54,417 --> 01:02:55,667
BUT DIDN'T SEE HIM LEAVE,
1428
01:02:55,750 --> 01:02:57,792
AND WE HAVE THE BLOODSTAINS
IN THE HIDDEN POCKET
1429
01:02:57,875 --> 01:02:59,458
THAT MATCH CHARLES'S
RARE BLOOD TYPE.
1430
01:02:59,542 --> 01:03:01,750
IF SOMEONE'S KILLED,
THERE'S A BODY.
1431
01:03:01,834 --> 01:03:03,667
WHERE'S THE BODY?
1432
01:03:03,750 --> 01:03:05,625
LET'S FIND OUT.
1433
01:03:09,917 --> 01:03:12,250
I'M HAPPY TO HELP,
BUT THIS WAS ALL...
1434
01:03:12,333 --> 01:03:14,250
OF COURSE, BEFORE MY TIME.
1435
01:03:14,333 --> 01:03:15,959
DO YOU NEED ANYTHING ELSE?
1436
01:03:16,041 --> 01:03:17,792
NO, I THINK
WE'RE GOOD.
1437
01:03:17,875 --> 01:03:19,041
I'LL BE IN THE RECTORY.
1438
01:03:19,125 --> 01:03:20,917
JUST LEAVE THE DOOR
UNLOCKED WHEN YOU GO.
1439
01:03:21,000 --> 01:03:22,125
THANK YOU.
1440
01:03:22,208 --> 01:03:23,333
THANKS.
1441
01:03:23,417 --> 01:03:24,667
[♪♪♪]
1442
01:03:24,750 --> 01:03:26,375
DANI.
1443
01:03:26,458 --> 01:03:28,000
YES.
1444
01:03:29,333 --> 01:03:31,834
WATCH YOUR STEP.
1445
01:03:31,917 --> 01:03:33,542
YEAH.
1446
01:03:35,875 --> 01:03:37,834
I THINK
THIS IS WHERE IT HAPPENED.
1447
01:03:37,917 --> 01:03:39,458
-SOMEONE--
-WHO?
1448
01:03:39,542 --> 01:03:40,709
WHOA, SLOW DOWN THERE, WATSON.
1449
01:03:40,792 --> 01:03:42,500
I'M ON "WHAT HAPPENED,"
NOT "WHODUNNIT."
1450
01:03:42,583 --> 01:03:43,959
BUT I DON'T THINK
IT WAS PLANNED.
1451
01:03:44,041 --> 01:03:45,500
CRIME OF PASSION?
1452
01:03:45,583 --> 01:03:46,792
PERHAPS.
1453
01:03:46,875 --> 01:03:48,709
I THINK
SOMEONE MET CHARLES HERE,
1454
01:03:48,792 --> 01:03:49,959
MAYBE IN THE HALLWAY.
1455
01:03:50,041 --> 01:03:51,834
THEY BEGAN TO HAVE WORDS,
1456
01:03:51,917 --> 01:03:53,333
THEY CAME IN HERE
FOR MORE PRIVACY.
1457
01:03:53,417 --> 01:03:56,583
THE ARGUMENT BECAME A STRUGGLE.
1458
01:03:56,667 --> 01:03:59,583
CHARLES WAS KILLED,
PROBABLY BY A KNIFE.
1459
01:03:59,667 --> 01:04:00,917
SOMETHING LIKE THIS.
1460
01:04:01,000 --> 01:04:03,291
HELEN COMES IN
AND SEES THE FIGHT,
1461
01:04:03,375 --> 01:04:04,834
OR SHE COMES IN AFTERWARDS.
1462
01:04:04,917 --> 01:04:07,291
THE KILLER IS IN SOME KIND OF
RELATIONSHIP WITH HELEN,
1463
01:04:07,375 --> 01:04:09,250
AND THEY NEED TO
MAKE THIS NIGHTMARE GO AWAY.
1464
01:04:09,333 --> 01:04:11,417
FIRST, HIDE THE WEAPON.
1465
01:04:11,500 --> 01:04:14,792
THE KILLER
GRABS A CLOTH NAPKIN,
1466
01:04:14,875 --> 01:04:17,041
CAREFULLY REMOVES THE KNIFE
FROM THE BODY,
1467
01:04:17,125 --> 01:04:19,375
PUTS THE BLADE
IN THE CLOTH NAPKIN,
1468
01:04:19,458 --> 01:04:20,375
HANDS IT TO HELEN,
1469
01:04:20,458 --> 01:04:22,625
WHO PUTS IT
IN THE HIDDEN POCKET.
1470
01:04:22,709 --> 01:04:24,625
NOW FOR THE BODY.
1471
01:04:25,959 --> 01:04:29,417
YOU COULD HIDE A BODY
IN ANY OF THESE CABINETS.
1472
01:04:29,500 --> 01:04:31,417
PLENTY OF ROOM.
1473
01:04:31,500 --> 01:04:33,500
PUT THE BODY IN THERE,
CLOSE THE DOOR.
1474
01:04:33,583 --> 01:04:34,500
THE BODY IS GONE--
1475
01:04:34,583 --> 01:04:36,250
AT LEAST TEMPORARILY.
1476
01:04:36,333 --> 01:04:38,834
THERE MIGHT STILL BE
SOME BLOOD RESIDUE
1477
01:04:38,959 --> 01:04:40,166
IN ONE OF THESE CABINETS.
1478
01:04:40,250 --> 01:04:42,125
HERE. HELP ME.
1479
01:04:45,083 --> 01:04:46,834
I'M GONNA TAKE SOME LUMINOL,
1480
01:04:46,917 --> 01:04:48,875
I'M GOING TO SPRAY IT
ON THE BOTTOM OF THIS CABINET,
1481
01:04:48,959 --> 01:04:51,125
I'M GONNA TURN THE LIGHTS OFF,
AND IF I'M RIGHT,
1482
01:04:51,208 --> 01:04:53,625
WE SHOULD SEE
SOMETHING VERY INTERESTING.
1483
01:04:53,709 --> 01:04:55,750
[♪♪♪]
1484
01:04:56,875 --> 01:04:58,750
[SPRITZING]
1485
01:05:05,709 --> 01:05:07,625
[♪♪♪]
1486
01:05:16,750 --> 01:05:17,750
[SNAP]
1487
01:05:24,834 --> 01:05:26,417
WOW.
1488
01:05:28,333 --> 01:05:30,375
I'M GONNA DENY IT
IF YOU TELL ANYONE THIS,
1489
01:05:30,458 --> 01:05:31,500
BUT... [SIGHING]
1490
01:05:31,583 --> 01:05:33,959
YOU SURE ARE SOMETHING.
1491
01:05:35,166 --> 01:05:36,667
THANK YOU, FRANK.
1492
01:05:36,750 --> 01:05:37,917
BUT...
1493
01:05:38,000 --> 01:05:39,542
I AM NOT GONNA GO TO THE D.A.
1494
01:05:39,625 --> 01:05:42,166
AND OPEN UP A COLD CASE
INVOLVING A PROMINENT CITIZEN
1495
01:05:42,250 --> 01:05:44,375
WITHOUT
MORE THAN THIS.
1496
01:05:44,458 --> 01:05:46,500
A LOT MORE.
1497
01:05:46,583 --> 01:05:47,875
LIKE WHAT?
1498
01:05:47,959 --> 01:05:49,125
LIKE,WHO DID IT?
1499
01:05:49,208 --> 01:05:50,542
LIKE WHERE'S THE BODY?
1500
01:05:50,625 --> 01:05:52,542
WHAT'S THE MOTIVATION?
1501
01:05:52,625 --> 01:05:54,709
OKAY.
1502
01:05:54,792 --> 01:05:57,417
I THINK THE KILLER
IS TED, THE BEST MAN.
1503
01:05:57,500 --> 01:06:00,333
THE ACCOMPLICE--
HELEN, THE BRIDE.
1504
01:06:00,417 --> 01:06:03,208
THEY WERE IN SOME KIND
OF RELATIONSHIP TOGETHER.
1505
01:06:03,291 --> 01:06:05,083
THERE'S YOUR MOTIVATION.
1506
01:06:05,166 --> 01:06:06,750
WHERE'S THE BODY?
1507
01:06:06,834 --> 01:06:08,959
THE BODY WAS HIDDEN
IN A STORAGE CABINET,
1508
01:06:09,041 --> 01:06:11,542
RETRIEVED LATER,
AND DISPOSED OF.
1509
01:06:11,625 --> 01:06:14,333
FRANK, THE BLOOD STAIN WAS RIGHT
WHERE I THOUGHT IT WOULD BE.
1510
01:06:14,417 --> 01:06:17,500
THAT IS WHAT
WE CALL CIRCUMSTANTIAL.
1511
01:06:17,583 --> 01:06:19,125
WHAT MORE DO YOU NEED?
1512
01:06:19,208 --> 01:06:20,834
THE MURDER WEAPON.
1513
01:06:20,917 --> 01:06:22,125
FINGERPRINTS. A WITNESS.
1514
01:06:22,208 --> 01:06:24,208
A BODY.
1515
01:06:24,291 --> 01:06:25,375
[SIGHING]
1516
01:06:25,458 --> 01:06:27,291
I DON'T HAVE ANY OF THAT.
1517
01:06:27,375 --> 01:06:29,542
THEN GET ME A CONFESSION.
1518
01:06:31,500 --> 01:06:33,166
[JASON]: IF LOGAN
WASN'T AT COMPUTER CAMP,
1519
01:06:33,250 --> 01:06:34,417
I'D ASK HIM TO JOIN US.
1520
01:06:34,500 --> 01:06:36,417
I JUST WANT TO MAKE SURE
YOU'RE BOTH AVAILABLE.
1521
01:06:36,500 --> 01:06:37,834
THE SATURDAY AFTER THIS?
1522
01:06:37,917 --> 01:06:38,917
THAT'S RIGHT.
1523
01:06:39,000 --> 01:06:40,834
I WANT TO TAKE
YOU AND YOUR MOM OUT
1524
01:06:40,917 --> 01:06:42,792
TO CELEBRATE
OUR WEDDING ANNIVERSARY.
1525
01:06:42,875 --> 01:06:45,083
ISN'T YOUR ANNIVERSARY
THIS WEEKEND?
1526
01:06:46,458 --> 01:06:48,208
I'VE GOT CLIENTS
COMING INTO TOWN
1527
01:06:48,291 --> 01:06:49,709
AND I TOTALLY FORGOT.
1528
01:06:49,792 --> 01:06:51,834
YOUR MOTHER, THANKFULLY,
WAS VERY UNDERSTANDING.
1529
01:06:53,333 --> 01:06:54,917
MM, I WASN'T SO UNDERSTANDING
1530
01:06:55,000 --> 01:06:57,417
UNTIL HE APOLOGIZED PROFUSELY
AND SENT ME FLOWERS.
1531
01:06:58,875 --> 01:07:01,125
WOW, MOM REALLY IS RIGHT.
1532
01:07:01,208 --> 01:07:02,542
ABOUT?
1533
01:07:02,625 --> 01:07:03,709
SHE SAID,
1534
01:07:03,792 --> 01:07:05,208
FOR A RELATIONSHIP TO WORK,
1535
01:07:05,291 --> 01:07:07,542
YOU HAVE TO OVERLOOK
A LOT OF THINGS.
1536
01:07:08,834 --> 01:07:10,041
THAT'S GOOD ADVICE.
1537
01:07:10,125 --> 01:07:11,458
NOW, CAN I GET
THE POTATOES, PLEASE?
1538
01:07:14,542 --> 01:07:15,875
HERE YOU GO, DAD.
1539
01:07:15,959 --> 01:07:17,458
-THANKS.
-NO PROBLEM.
1540
01:07:20,166 --> 01:07:21,667
YOU HAVE A GOOD DAY.
1541
01:07:23,166 --> 01:07:25,250
MORE TIRE PROBLEMS?
1542
01:07:25,333 --> 01:07:27,083
NO.
1543
01:07:29,667 --> 01:07:32,208
I'VE MADE
SOME PROGRESS,
1544
01:07:32,291 --> 01:07:34,834
BUT LET ME ASK YOU
A QUESTION FIRST, IF I MAY.
1545
01:07:34,917 --> 01:07:36,375
SHOOT.
1546
01:07:36,458 --> 01:07:38,792
YOU NEVER MARRIED, RIGHT?
1547
01:07:38,875 --> 01:07:40,875
THAT'S RIGHT.
1548
01:07:40,959 --> 01:07:44,250
AFTER CHARLES,
NEITHER DID HELEN.
1549
01:07:45,458 --> 01:07:47,500
I DIDN'T KNOW THAT.
1550
01:07:47,583 --> 01:07:50,041
I CAN'T HELP BUT WONDER
1551
01:07:50,125 --> 01:07:53,041
IF HELEN MARRIED CHARLES
OUT OF FAMILY EXPECTATIONS,
1552
01:07:53,125 --> 01:07:55,291
BUT WAS REALLY IN LOVE
WITH SOMEONE ELSE...
1553
01:07:55,375 --> 01:07:58,875
AND THAT SOMEONE ELSE
WAS IN LOVE WITH HER, TOO.
1554
01:08:01,208 --> 01:08:02,917
GO ON.
1555
01:08:03,000 --> 01:08:04,542
THAT SOMEONE,
1556
01:08:04,625 --> 01:08:07,917
LET'S CALL HIM
"JACK,"
1557
01:08:08,000 --> 01:08:10,959
MET HELEN AND CHARLES IN
THE BACK OF THE RECEPTION HALL.
1558
01:08:11,041 --> 01:08:12,792
WORDS WERE SPOKEN,
1559
01:08:12,875 --> 01:08:14,959
TRUTHS CAME OUT,
1560
01:08:15,041 --> 01:08:17,834
AND THE ARGUMENT MOVED
TO THE STORAGE ROOM...
1561
01:08:17,917 --> 01:08:19,917
AND IN A JEALOUS RAGE,
1562
01:08:20,000 --> 01:08:21,667
"JACK" GRABBED A KNIFE
IN THERE,
1563
01:08:21,750 --> 01:08:24,250
NEVER INTENDING
ON KILLING ANYONE,
1564
01:08:24,333 --> 01:08:26,625
BUT THINGS GOT OUT OF HAND.
1565
01:08:26,709 --> 01:08:29,709
THE BODY WAS SHOVED
IN A CABINET,
1566
01:08:29,792 --> 01:08:32,417
THE KNIFE WAS WRAPPED
IN A CLOTH NAPKIN...
1567
01:08:33,583 --> 01:08:35,208
SAFELY HIDDEN
1568
01:08:35,291 --> 01:08:39,208
IN A DISCREET POCKET
INSIDE OF HELEN'S WEDDING DRESS.
1569
01:08:40,417 --> 01:08:42,125
SO YOU'RE SERIOUSLY SUGGESTING
1570
01:08:42,208 --> 01:08:43,625
THAT HELEN CARTER
WITNESSED A MURDER
1571
01:08:43,709 --> 01:08:44,917
AND DIDN'T SAY A WORD?
1572
01:08:46,083 --> 01:08:48,333
OUT OF ALL THE POSSIBILITIES,
1573
01:08:48,417 --> 01:08:51,208
THIS IS THE ONE
THAT MAKES THE MOST SENSE.
1574
01:08:56,125 --> 01:08:58,667
HERE IS THE POCKET
FROM THE WEDDING DRESS,
1575
01:08:58,750 --> 01:09:01,083
AND THOSE ARE BLOOD STAINS.
1576
01:09:01,166 --> 01:09:04,333
"O"-NEGATIVE, NOT COMMON.
CHARLES'S TYPE.
1577
01:09:06,166 --> 01:09:09,625
IF HELEN TOOK THAT KNIFE,
THAT MAKES HER AN ACCESSORY,
1578
01:09:09,709 --> 01:09:13,834
AND THERE IS NO STATUTE
OF LIMITATIONS ON MURDER.
1579
01:09:17,333 --> 01:09:19,625
SO... WHAT, YOU'RE GONNA
DESTROY HER LIFE?
1580
01:09:19,709 --> 01:09:21,333
AFTER ALL THE PEOPLE
1581
01:09:21,417 --> 01:09:22,709
SHE'S HELPED
AND CONTINUES TO HELP,
1582
01:09:22,792 --> 01:09:25,166
AND AFTER
ALL THE GOOD SHE'S DONE?
1583
01:09:25,250 --> 01:09:26,792
BECAUSE THE "MYSTERY"
ABOUT A GUY
1584
01:09:26,875 --> 01:09:28,917
WHO DISAPPEARED 35 YEARS AGO
1585
01:09:29,000 --> 01:09:31,208
IS JUST SOMETHING
YOU WANT TO "SOLVE?"
1586
01:09:31,291 --> 01:09:34,000
NO, I DON'T WANT TO
DESTROY HER LIFE.
1587
01:09:34,083 --> 01:09:36,875
I THINK THAT HELEN WAS STUNNED
BY WHAT HAPPENED.
1588
01:09:36,959 --> 01:09:38,834
I THINK "JACK" TOLD HER
TO TAKE THE KNIFE,
1589
01:09:38,917 --> 01:09:40,792
AND SHE DID.
1590
01:09:40,875 --> 01:09:43,709
AND I THINK IF "JACK"
CAME FORWARD AND TOLD THE TRUTH,
1591
01:09:43,792 --> 01:09:45,250
IT WOULD FREE HELEN
OF A TERRIBLE BURDEN
1592
01:09:45,333 --> 01:09:48,583
SHE'S BEEN CARRYING
ALL THESE YEARS.
1593
01:09:50,917 --> 01:09:53,500
THEY SAY CONFESSION
IS GOOD FOR THE SOUL.
1594
01:09:54,667 --> 01:09:57,250
[♪♪♪]
1595
01:10:06,875 --> 01:10:07,792
HEY.
1596
01:10:07,875 --> 01:10:09,583
HI.
1597
01:10:11,709 --> 01:10:14,125
I'M KIND OF SURPRISED
YOU WANTED TO MEET HERE.
1598
01:10:14,208 --> 01:10:15,291
AM I GONNA LIKE THIS?
1599
01:10:15,375 --> 01:10:17,333
THAT DEPENDS.
1600
01:10:18,750 --> 01:10:20,875
I THINK
YOU SHOULD GO TO CHINA.
1601
01:10:20,959 --> 01:10:23,000
YOU WANT ME TO GO?
1602
01:10:23,083 --> 01:10:24,542
YOU WANT TO GO.
1603
01:10:24,625 --> 01:10:25,834
I DON'T KNOW ANYMORE.
1604
01:10:25,917 --> 01:10:29,166
DO YOU KNOW WHAT'S GONNA
HAPPEN IF YOU DON'T GO?
1605
01:10:29,250 --> 01:10:30,625
WHAT?
1606
01:10:30,709 --> 01:10:32,625
I'M ALWAYS GONNA BE
1607
01:10:32,709 --> 01:10:36,083
THAT PERSON THAT KEPT YOU
FROM THAT GREAT ADVENTURE.
1608
01:10:37,333 --> 01:10:39,792
[♪♪♪]
1609
01:10:46,625 --> 01:10:49,291
NOW...
1610
01:10:49,375 --> 01:10:51,458
WHAT DO YOU RECOMMEND?
1611
01:10:52,792 --> 01:10:55,792
AND SOMETHING NOT
SO SPICY THIS TIME.
1612
01:10:55,875 --> 01:10:58,083
[♪♪♪]
1613
01:11:02,792 --> 01:11:05,083
I DIDN'T SAY IT DIRECTLY,
BUT I WAS PRETTY CLEAR--
1614
01:11:05,166 --> 01:11:06,667
I THINK HE KILLED CHARLES.
1615
01:11:06,750 --> 01:11:07,750
WELL, HOW DID HE REACT?
1616
01:11:07,834 --> 01:11:10,041
[STAMMERS]
HE WAS MORE CONCERNED
1617
01:11:10,125 --> 01:11:11,875
ABOUT HELEN BEING
DRAGGED INTO THE WHOLE THING.
1618
01:11:11,959 --> 01:11:13,125
HMM.
1619
01:11:13,208 --> 01:11:14,792
[PHONE BUZZES]
1620
01:11:14,875 --> 01:11:16,834
OH, IT'S DETECTIVE LYNWOOD.
1621
01:11:18,709 --> 01:11:21,709
TED THOMPSON
JUST TURNED HIMSELF IN.
1622
01:11:27,458 --> 01:11:28,667
THE GUYS WALKS IN.
1623
01:11:28,750 --> 01:11:29,625
I'VE NEVER
SEEN THAT BEFORE.
1624
01:11:29,709 --> 01:11:32,000
-FRANK!
-WHAT?
1625
01:11:34,917 --> 01:11:36,417
HE WANTS TO MAKE
A CONFESSION.
1626
01:11:36,500 --> 01:11:37,667
-HUH!
-YEAH.
1627
01:11:37,750 --> 01:11:39,875
I DON'T KNOW
HOW YOU DID IT,
1628
01:11:39,959 --> 01:11:41,500
BUT IT LOOKS LIKE
WE MAY HAVE FOUND
1629
01:11:41,583 --> 01:11:43,417
AN ANSWER
TO A 35-YEAR-OLD CRIME.
1630
01:11:49,333 --> 01:11:51,458
[TED, OVER SPEAKER]:
YEAH, WE WERE IN LOVE...
1631
01:11:51,542 --> 01:11:52,875
BUT WE NEVER ACTED ON IT.
1632
01:11:52,959 --> 01:11:54,417
I MEAN, WE COULDN'T.
1633
01:11:54,500 --> 01:11:55,792
UH...
1634
01:11:55,875 --> 01:11:57,709
I WAS THE SON OF A GARDENER,
1635
01:11:57,792 --> 01:11:59,000
AND BOTH FAMILIES KNEW THAT...
1636
01:11:59,083 --> 01:12:02,875
HELEN AND CHARLES
WERE GONNA BE MARRIED, SO...
1637
01:12:02,959 --> 01:12:05,542
WHAT HAPPENED ON THE DAY?
1638
01:12:05,625 --> 01:12:08,834
THERE WAS THIS GIRL
THAT I HAD DATED, AND--
1639
01:12:08,917 --> 01:12:10,500
NAME?
1640
01:12:10,583 --> 01:12:12,709
UH, SARAH GORDON.
SHE'S DECEASED NOW.
1641
01:12:12,792 --> 01:12:14,709
ANYWAY,
1642
01:12:14,792 --> 01:12:16,000
I HAD BROKEN UP WITH HER,
1643
01:12:16,083 --> 01:12:19,083
AND SHE DID NOT TAKE IT WELL.
1644
01:12:19,166 --> 01:12:20,959
SHE KNEW MY FEELINGS FOR HELEN,
1645
01:12:21,041 --> 01:12:24,542
AND SHE KNEW THAT
CHARLES AND I WERE BEST FRIENDS.
1646
01:12:24,625 --> 01:12:27,375
TWO DAYS BEFORE THE WEDDING,
1647
01:12:27,458 --> 01:12:29,291
WANTING TO HURT ME,
1648
01:12:29,375 --> 01:12:31,583
SHE LIED TO CHARLES
AND TOLD HIM
1649
01:12:31,667 --> 01:12:33,917
THAT HELEN AND I
WERE HAVING AN AFFAIR.
1650
01:12:34,000 --> 01:12:36,083
OF COURSE,
CHARLES WAS FURIOUS,
1651
01:12:36,166 --> 01:12:39,041
BUT HE NEVER SAID ANYTHING
TO HELEN OR ME.
1652
01:12:39,125 --> 01:12:42,333
SO THE WEDDING WENT ON
AS PLANNED,
1653
01:12:42,417 --> 01:12:46,250
AND I COULD TELL THAT CHARLES
WAS DISTANT, HE WAS COLD.
1654
01:12:46,333 --> 01:12:49,500
AND THEN SARAH TOLD ME
WHAT SHE HAD DONE.
1655
01:12:49,583 --> 01:12:50,834
WELL, I TRIED TO TALK TO HIM.
1656
01:12:50,917 --> 01:12:52,125
I MEAN, I WANTED
TO STRAIGHTEN THINGS OUT,
1657
01:12:52,208 --> 01:12:53,750
AND I TRIED TO DO IT
BEFORE THE WEDDING,
1658
01:12:53,834 --> 01:12:56,792
BUT HE-HE-HE...
HE WOULDN'T TALK TO ME.
1659
01:12:56,875 --> 01:13:01,375
SO, THEN I-I KNEW THAT
RIGHT BEFORE THE RECEPTION...
1660
01:13:02,875 --> 01:13:05,125
I'D BE ABLE TO GET HIM ALONE--
1661
01:13:07,083 --> 01:13:08,583
GET OUT OF HERE.
1662
01:13:08,667 --> 01:13:09,834
I MEAN IT.
1663
01:13:09,917 --> 01:13:10,875
WE ARE GOING TO TALK.
I NEED TO EXPLAIN THIS.
1664
01:13:10,959 --> 01:13:11,834
LEAVE NOW, OR I WILL--
1665
01:13:11,917 --> 01:13:13,417
IT'S NOT TRUE!
1666
01:13:13,500 --> 01:13:14,709
DO YOU LOVE HER?
1667
01:13:14,792 --> 01:13:16,583
[ROARS]: DO YOU LOVE HER?
1668
01:13:16,667 --> 01:13:18,250
JUST LISTEN TO ME.
1669
01:13:19,291 --> 01:13:20,417
-[THUD]
-I WANT AN ANSWER!
1670
01:13:20,500 --> 01:13:21,458
NOTHING HAPPENED.
1671
01:13:21,542 --> 01:13:22,834
[RAGES]
1672
01:13:28,083 --> 01:13:30,458
[TED CHOKING]
1673
01:13:39,250 --> 01:13:40,834
[KNIFE PLUNGES]
1674
01:13:43,417 --> 01:13:45,834
[THUD]
1675
01:13:45,917 --> 01:13:48,166
[♪♪♪]
1676
01:13:49,417 --> 01:13:51,667
AND, UH...
1677
01:13:51,750 --> 01:13:53,709
I HAD TO HIDE THE KNIFE.
1678
01:13:54,834 --> 01:13:56,333
[TWO RAPS ON DOOR]
1679
01:13:56,417 --> 01:13:58,917
[♪♪♪]
1680
01:13:59,000 --> 01:14:00,500
JUST BE A SECOND.
1681
01:14:01,917 --> 01:14:04,291
[♪♪♪]
1682
01:14:20,083 --> 01:14:22,917
I UNDERSTAND TED THOMPSON
IS HERE TO MAKE A CONFESSION.
1683
01:14:23,000 --> 01:14:24,792
YEAH.
1684
01:14:24,875 --> 01:14:26,917
I CAN'T ALLOW IT.
1685
01:14:28,125 --> 01:14:30,000
I KILLED MY HUSBAND.
1686
01:14:30,083 --> 01:14:32,792
TED IS FULLY INNOCENT.
1687
01:14:34,959 --> 01:14:36,834
[♪♪♪]
1688
01:14:41,417 --> 01:14:43,333
WE WANTED TO COME IN
FROM THE BACK
1689
01:14:43,417 --> 01:14:45,417
TO SURPRISE EVERYONE.
1690
01:14:45,500 --> 01:14:46,834
SO...
1691
01:14:46,917 --> 01:14:49,667
WE WALKED FROM THE CHAPEL...
1692
01:14:49,750 --> 01:14:51,375
TO THE BACK OF THE GUILD HALL...
1693
01:14:51,458 --> 01:14:53,750
[♪♪♪]
1694
01:14:53,834 --> 01:14:56,667
I FIXED MY MAKE-UP
AND THEN I WENT OUT
1695
01:14:56,750 --> 01:14:58,667
INTO THE HALL...
1696
01:14:58,750 --> 01:15:01,125
AND CHARLES WASN'T THERE...
1697
01:15:01,208 --> 01:15:04,959
AND I HEARD THIS ODD NOISE
COMING FROM THE STORAGE ROOM.
1698
01:15:05,041 --> 01:15:07,917
[HELEN GETS WEEPY]:
CHARLES WAS CHOKING TED...
1699
01:15:08,000 --> 01:15:09,583
HIS FACE WAS TURNING PURPLE.
1700
01:15:09,667 --> 01:15:11,000
AND I--
1701
01:15:11,083 --> 01:15:12,458
CHARLES!
1702
01:15:12,542 --> 01:15:14,875
I HIT HIM
AND I-I PULLED HIM,
1703
01:15:14,959 --> 01:15:16,250
AND HE WOULDN'T STOP.
1704
01:15:16,333 --> 01:15:17,583
STOP! STOP!
1705
01:15:17,667 --> 01:15:18,625
YOU'RE KILLING HIM!
1706
01:15:18,709 --> 01:15:19,500
TED WAS DYING...
1707
01:15:20,834 --> 01:15:21,917
I STABBED HIM.
1708
01:15:22,000 --> 01:15:23,625
[GASPING AND CHOKING]
1709
01:15:23,709 --> 01:15:25,125
STOP!
1710
01:15:26,417 --> 01:15:27,583
[GASPING]
1711
01:15:29,458 --> 01:15:31,709
[SOBBING] OH!
1712
01:15:35,417 --> 01:15:36,625
TED WAS JUST...
1713
01:15:36,709 --> 01:15:39,959
STARING AT ME.
1714
01:15:41,166 --> 01:15:44,000
AND I...
1715
01:15:44,083 --> 01:15:47,709
I HAD A STRANGE CLARITY
OF WHAT NEEDED TO BE DONE.
1716
01:15:47,792 --> 01:15:49,417
I SAW THE CABINET
1717
01:15:49,500 --> 01:15:51,834
AND I TOLD HIM
TO HIDE THE BODY THERE,
1718
01:15:51,917 --> 01:15:53,166
AND THEN I--
1719
01:15:53,250 --> 01:15:54,917
I REACHED FOR A NAPKIN,
1720
01:15:55,000 --> 01:15:56,709
AND I REMOVED THE KNIFE,
1721
01:15:56,792 --> 01:15:57,959
THEN HID THE KNIFE
1722
01:15:58,041 --> 01:16:01,709
IN THE POCKET
OF MY WEDDING DRESS.
1723
01:16:01,792 --> 01:16:05,333
THEN I TOLD TED
TO GO BACK INTO THE RECEPTION
1724
01:16:05,417 --> 01:16:08,375
AND JUST ACT LIKE
NOTHING HAD HAPPENED.
1725
01:16:08,458 --> 01:16:10,625
PEOPLE WERE JUST GETTING SEATED,
1726
01:16:10,709 --> 01:16:13,875
SO NO ONE WOULD KNOW
IF HE HAD BEEN THERE OR NOT.
1727
01:16:13,959 --> 01:16:16,375
I'D WAIT A FEW MINUTES,
1728
01:16:16,458 --> 01:16:19,041
AND THEN
I'D START LOOKING FOR CHARLES
1729
01:16:19,125 --> 01:16:20,709
AS IF HE'D VANISHED.
1730
01:16:20,792 --> 01:16:24,083
I WENT INTO THE BATHROOM,
1731
01:16:24,166 --> 01:16:26,583
AND I REMEMBER
LOOKING IN THE MIRROR
1732
01:16:26,667 --> 01:16:28,208
AND SHAKING...
1733
01:16:31,625 --> 01:16:34,709
AND THEN I WENT OUT
AND I PLAYED MY PART.
1734
01:16:37,166 --> 01:16:38,875
WHAT HAPPENED TO THE BODY?
1735
01:16:40,458 --> 01:16:41,959
LATE THAT NIGHT,
1736
01:16:42,041 --> 01:16:44,792
TED CAME BACK
AND HE TOOK THE BODY,
1737
01:16:44,875 --> 01:16:49,041
AND HE DROVE OUT
TO SOME REMOTE WOODS
1738
01:16:49,125 --> 01:16:50,083
AND BURIED IT.
1739
01:16:51,583 --> 01:16:52,834
JUST BEFORE SUNRISE,
1740
01:16:52,917 --> 01:16:56,333
WE MET AT A POND
ON MY FAMILY'S ESTATE...
1741
01:16:56,417 --> 01:17:00,667
AND WE AGREED THAT
WE WOULD NEVER TALK AGAIN...
1742
01:17:03,417 --> 01:17:06,375
NEVER SEE EACH OTHER AGAIN...
1743
01:17:06,458 --> 01:17:08,750
AND WE HAVEN'T.
1744
01:17:11,583 --> 01:17:13,667
I JUST SECLUDED MYSELF
IN THE HOUSE
1745
01:17:13,750 --> 01:17:17,500
AND I DIDN'T COME OUT
FOR OVER A YEAR.
1746
01:17:19,959 --> 01:17:22,083
[♪♪♪]
1747
01:17:23,959 --> 01:17:26,917
FRANK HAD A LONG
MEETING WITH THE D.A.
1748
01:17:27,000 --> 01:17:29,375
HE TALKED TO HELEN
AND TED SEPARATELY.
1749
01:17:29,458 --> 01:17:31,041
THEY'RE BOTH STICKING
TO THEIR STORIES.
1750
01:17:31,125 --> 01:17:32,667
OBVIOUSLY,
ONE OF 'EM'S LYING.
1751
01:17:32,750 --> 01:17:35,583
LIE-DETECTOR TESTS
FOR BOTH OF THEM TOMORROW.
1752
01:17:35,667 --> 01:17:39,083
SO WHO'S THE KILLER?
1753
01:17:39,166 --> 01:17:41,125
I DON'T KNOW.
1754
01:17:42,542 --> 01:17:44,500
BUT WHAT BOTHERS ME IS...
1755
01:17:44,583 --> 01:17:47,917
I REALLY LIKE BOTH OF THEM.
1756
01:17:51,625 --> 01:17:53,959
[TESTER]: DID YOU HAVE
A ROMANTIC ATTRACTION TO HELEN?
1757
01:17:54,041 --> 01:17:55,333
YES.
1758
01:17:55,417 --> 01:17:58,625
DID THIS RELATIONSHIP
BECOME PHYSICAL?
1759
01:17:58,709 --> 01:18:00,417
NO.
1760
01:18:00,500 --> 01:18:02,166
DID YOU ARGUE WITH CHARLES
1761
01:18:02,250 --> 01:18:04,291
IN THE BACK AREA
OF THE RECEPTION HALL?
1762
01:18:04,375 --> 01:18:06,375
YES.
1763
01:18:10,583 --> 01:18:12,083
DID YOU KILL
CHARLES CARTER
1764
01:18:12,166 --> 01:18:14,125
WITH A KNIFE?
1765
01:18:16,625 --> 01:18:18,542
YES.
1766
01:18:20,959 --> 01:18:22,792
DID YOU HAVE
A ROMANTIC ATTRACTION
1767
01:18:22,875 --> 01:18:24,125
TO TED THOMPSON?
1768
01:18:24,208 --> 01:18:26,166
YES.
1769
01:18:27,583 --> 01:18:29,500
DID YOUR RELATIONSHIP
WITH HIM BECOME PHYSICAL?
1770
01:18:30,959 --> 01:18:32,834
JUST A KISS.
1771
01:18:36,834 --> 01:18:38,500
JUST PRIOR
TO THE RECEPTION,
1772
01:18:38,583 --> 01:18:42,750
DID YOU WITNESS AN ALTERCATION
BETWEEN CHARLES AND TED?
1773
01:18:42,834 --> 01:18:44,667
YES.
1774
01:18:44,750 --> 01:18:46,625
DID YOU FEAR FOR TED'S LIFE?
1775
01:18:46,709 --> 01:18:48,625
YES.
1776
01:18:49,959 --> 01:18:53,375
DID YOU KILL CHARLES CARTER
WITH A KNIFE?
1777
01:18:55,583 --> 01:18:57,625
YES.
1778
01:18:58,875 --> 01:19:01,417
THANK YOU.
I HAVE NO MORE QUESTIONS.
1779
01:19:07,250 --> 01:19:09,166
FRANK!
1780
01:19:14,000 --> 01:19:16,375
OHH...
THAT WAS NOT FUN.
1781
01:19:16,458 --> 01:19:18,041
JUST GOT OUT
OF A LONG MEETING
1782
01:19:18,125 --> 01:19:20,125
WITH THE D.A.,
POLYGRAPH EXAMINER AND ME.
1783
01:19:20,208 --> 01:19:21,166
AND?
1784
01:19:21,250 --> 01:19:22,792
TED IS LYING.
1785
01:19:24,458 --> 01:19:26,625
HELEN WAS TELLING THE TRUTH
ON ALL COUNTS.
1786
01:19:26,709 --> 01:19:27,917
SO THAT MEANS...
1787
01:19:28,000 --> 01:19:29,709
HELEN KILLED CHARLES CARTER.
1788
01:19:29,792 --> 01:19:31,208
[EXHALES DEEPLY]
1789
01:19:31,291 --> 01:19:32,250
WOW.
1790
01:19:32,333 --> 01:19:33,542
YEAH.
1791
01:19:33,625 --> 01:19:35,083
WHAT HAPPENS NOW?
1792
01:19:35,166 --> 01:19:37,375
WELL, BECAUSE THERE WAS
1793
01:19:37,458 --> 01:19:39,500
AN "IMMINENT THREAT
TO THE LIFE OF ANOTHER,"
1794
01:19:39,583 --> 01:19:42,500
AND SHE HAD NO INTENT
TO COMMIT VIOLENCE,
1795
01:19:42,583 --> 01:19:45,500
IT'S CLEARLY A CASE
OF JUSTIFIABLE HOMICIDE.
1796
01:19:45,583 --> 01:19:48,125
SO, NO ARREST, NO TRIAL?
1797
01:19:48,208 --> 01:19:51,458
THE REALITY IS,
SHE ONLY ACTED TO SAVE A LIFE.
1798
01:19:51,542 --> 01:19:53,583
NO CRIME.
1799
01:19:53,667 --> 01:19:56,166
[RELIEVED SIGH]
1800
01:19:56,250 --> 01:19:59,250
[♪♪♪]
1801
01:20:01,291 --> 01:20:03,125
BUT WHAT ABOUT
WITHHOLDING EVIDENCE?
1802
01:20:03,208 --> 01:20:04,458
THAT'S A CRIME, RIGHT?
1803
01:20:04,542 --> 01:20:06,125
OH, THE D.A. JUST WANTS
TO PUT THIS BEHIND THEM.
1804
01:20:06,208 --> 01:20:07,709
NO ONE WANTS TO SEE
HELEN CARTER IN COURT.
1805
01:20:07,792 --> 01:20:08,667
OH.
1806
01:20:08,750 --> 01:20:10,250
-[BELLS JINGLING]
-SEAN!
1807
01:20:10,333 --> 01:20:12,291
JENN.
1808
01:20:12,375 --> 01:20:15,041
MY SON WILL BE COMING IN
TO SPEAK TO YOU LATER.
1809
01:20:15,125 --> 01:20:18,083
I'M SORRY TO SAY
HE SLASHED YOUR TIRE.
1810
01:20:18,166 --> 01:20:20,500
HE'LL BE PAYING FOR THE DAMAGES
OUT OF HIS EARNINGS.
1811
01:20:20,583 --> 01:20:22,500
WHY IN THE WORLD
WOULD HE DO THAT?
1812
01:20:22,583 --> 01:20:25,291
HELEN WAS UPSET
ABOUT YOUR INVESTIGATION,
1813
01:20:25,375 --> 01:20:27,250
MATT OVERHEARD US TALKING,
1814
01:20:27,333 --> 01:20:30,333
AND TOOK IT UPON HIMSELF
TO TRY TO SCARE YOU OFF.
1815
01:20:30,417 --> 01:20:31,917
I AM EMBARRASSED.
1816
01:20:32,000 --> 01:20:33,583
PLEASE.
1817
01:20:33,667 --> 01:20:36,542
I'LL ACCEPT HIS APOLOGY,
BUT THIS IS NOT YOUR DOING.
1818
01:20:36,625 --> 01:20:40,709
WELL, THANK YOU FOR THAT,
BUT I FEEL RESPONSIBLE.
1819
01:20:40,792 --> 01:20:42,792
MRS. CARTER WANTED ME
TO DELIVER THIS.
1820
01:20:44,542 --> 01:20:46,000
AND THANKS AGAIN
FOR YOUR UNDERSTANDING.
1821
01:20:48,166 --> 01:20:49,458
"IF POSSIBLE,
1822
01:20:49,542 --> 01:20:50,834
"PLEASE JOIN ME
FOR 4:00 TEA
1823
01:20:50,917 --> 01:20:52,291
"AT THE CONSERVANCY.
1824
01:20:52,375 --> 01:20:54,333
HELEN CARTER."
1825
01:20:58,000 --> 01:20:59,417
[BIRDS CHIRPING]
1826
01:20:59,500 --> 01:21:02,458
I-- WELL, WE--
1827
01:21:02,542 --> 01:21:05,125
WANTED TO THANK YOU
FOR WHAT YOU'VE DONE.
1828
01:21:05,208 --> 01:21:09,125
IT WAS A TERRIBLE SECRET
TO HAVE TO KEEP ALL THOSE YEARS.
1829
01:21:09,208 --> 01:21:11,875
WHY DID YOU MARRY HIM
IF YOU WEREN'T IN LOVE WITH HIM?
1830
01:21:15,166 --> 01:21:18,667
WELL, SOMETIMES, MARRIAGE
IS ABOUT MORE THAN LOVE.
1831
01:21:18,750 --> 01:21:21,709
SOMETIMES IT'S ABOUT
A FAMILY'S EXPECTATIONS
1832
01:21:21,792 --> 01:21:24,834
AND A PERSON'S OBLIGATIONS,
1833
01:21:24,917 --> 01:21:28,917
AND, YEAH, I DIDN'T
MARRY CHARLES AGAINST MY WILL.
1834
01:21:29,000 --> 01:21:33,000
I CARED FOR HIM
AND I RESPECTED HIM.
1835
01:21:33,083 --> 01:21:35,083
BUT YOU DIDN'T LOVE HIM.
1836
01:21:36,583 --> 01:21:38,333
I WOULD HAVE DONE
MY VERY BEST
1837
01:21:38,417 --> 01:21:39,875
TO MAKE IT WORK.
1838
01:21:39,959 --> 01:21:41,417
YOU KNOW, IN RETROSPECT,
1839
01:21:41,500 --> 01:21:43,792
WE SHOULD'VE TOLD THE TRUTH
AND FACED THE CONSEQUENCES,
1840
01:21:43,875 --> 01:21:45,709
BUT, UM...
1841
01:21:45,792 --> 01:21:47,625
WE PANICKED.
1842
01:21:48,917 --> 01:21:50,583
YOU KNOW,
DETECTIVE LYNWOOD SAID
1843
01:21:50,667 --> 01:21:53,000
THAT YOU WERE VERY GOOD
AT SOLVING MYSTERIES.
1844
01:21:53,083 --> 01:21:54,125
OHH.
1845
01:21:54,208 --> 01:21:56,375
BUT I THINK
THE WORD IS...
1846
01:21:56,458 --> 01:21:58,875
"EXTRAORDINARY."
1847
01:21:58,959 --> 01:22:01,166
BUT I HAD IT ALL WRONG.
1848
01:22:01,250 --> 01:22:04,333
WHAT MADE YOU THINK
YOU COULD BEAT A LIE DETECTOR?
1849
01:22:04,417 --> 01:22:06,709
I HAD TO TRY.
1850
01:22:09,208 --> 01:22:11,625
TELL ME ABOUT
THE POSTCARD.
1851
01:22:11,709 --> 01:22:13,083
AH, A FRIEND
WAS ON A CRUISE.
1852
01:22:13,166 --> 01:22:14,834
I GOT HIM
TO SEND IT.
1853
01:22:14,917 --> 01:22:16,500
I THOUGHT, YOU KNOW,
1854
01:22:16,583 --> 01:22:18,375
MIGHT COME IN
USEFUL SOMEHOW.
1855
01:22:20,417 --> 01:22:23,166
AND YOU TWO HAVEN'T SPOKEN
IN 35 YEARS?
1856
01:22:23,250 --> 01:22:25,667
NEVER.
1857
01:22:27,083 --> 01:22:29,333
WE HAVE
SOME CATCHING UP TO DO.
1858
01:22:32,125 --> 01:22:33,875
YOU KNOW WHAT?
1859
01:22:33,959 --> 01:22:35,750
I LOVE WALKS.
1860
01:22:35,834 --> 01:22:37,667
ME TOO.
1861
01:22:37,750 --> 01:22:38,834
[CHUCKLES]
1862
01:22:38,917 --> 01:22:41,083
JENNIFER, YOU WANT
TO COME WITH US?
1863
01:22:41,166 --> 01:22:43,834
OH, I THINK
I WILL JUST FINISH MY TEA
1864
01:22:43,917 --> 01:22:45,667
AND HEAD BACK TO WORK.
1865
01:22:49,750 --> 01:22:51,834
[♪♪♪]
1866
01:23:25,792 --> 01:23:27,542
YOU SEEM TO HAVE
GOTTEN OVER IT.
1867
01:23:27,625 --> 01:23:29,875
OH, I HAVEN'T GOTTEN OVER IT.
I'M JUST NOT DWELLING ON IT.
1868
01:23:29,959 --> 01:23:30,917
WELL, AT LEAST
JASON REMEMBERED
1869
01:23:31,000 --> 01:23:32,500
AND SENT YOU ROSES.
1870
01:23:32,583 --> 01:23:34,709
YES, AND HE INVITED ME
TO DINNER NEXT WEEK...
1871
01:23:34,792 --> 01:23:36,041
WITH THE KIDS.
1872
01:23:36,125 --> 01:23:38,542
WELL, WE'LL CELEBRATE
YOUR ANNIVERSARY TONIGHT.
1873
01:23:38,625 --> 01:23:39,792
THANK YOU.
1874
01:23:39,875 --> 01:23:41,041
WE'LL HAVE FUN.
1875
01:23:41,125 --> 01:23:42,375
A GIRLFRIEND
OF MINE WANTED ME
1876
01:23:42,458 --> 01:23:43,667
TO CHECK OUT
A B&B FOR HER--
1877
01:23:43,750 --> 01:23:44,917
THE PRINCESS AND THE PEA.
1878
01:23:45,000 --> 01:23:46,208
DO YOU MIND IF WE STOP
IN ON THE WAY TO DINNER?
1879
01:23:46,291 --> 01:23:47,834
OH, I'VE ALWAYS
WANTED TO GO THERE.
1880
01:23:47,917 --> 01:23:49,333
MIGHT AS WELL BE WITH YOU.
1881
01:23:50,667 --> 01:23:53,250
COME ON, MILADY.
1882
01:23:54,500 --> 01:23:57,125
SHE'S JUST HAD
SOME REALLY BAD EXPERIENCES
1883
01:23:57,208 --> 01:23:59,041
AND DOESN'T TRUST
THE ONLINE REVIEWS.
1884
01:23:59,125 --> 01:24:01,083
OH, LOOKS
PRETTY GOOD SO FAR!
1885
01:24:01,166 --> 01:24:03,041
YEAH! LET'S
CHECK OUT UPSTAIRS.
1886
01:24:03,125 --> 01:24:04,041
OH, OKAY.
1887
01:24:05,208 --> 01:24:07,625
THIS PLACE IS
SO SWEET, ISN'T IT?
1888
01:24:07,709 --> 01:24:10,208
YEAH. I COULD
TOTALLY LIVE HERE.
1889
01:24:10,291 --> 01:24:12,125
OH! THAT WOULD BE SO COOL!
1890
01:24:12,208 --> 01:24:14,208
WE COULD HAVE
LIKE A MURDER MYSTERY PARTY!
1891
01:24:17,041 --> 01:24:18,875
[BOTH GASPING]
1892
01:24:18,959 --> 01:24:20,959
WHAT DO YOU THINK?
1893
01:24:21,041 --> 01:24:24,250
IT'S PERFECT.
1894
01:24:26,041 --> 01:24:28,583
ARE YOU SURE
THIS ROOM IS VACANT?
1895
01:24:28,667 --> 01:24:31,125
THAT'S WHAT THEY SAID
AT THE FRONT DESK.
1896
01:24:33,041 --> 01:24:34,959
WAIT A MINUTE.
THAT...
1897
01:24:35,041 --> 01:24:36,458
THAT LOOKS LIKE MY--
1898
01:24:38,000 --> 01:24:39,625
THAT'S MY DRESS.
1899
01:24:39,709 --> 01:24:40,667
IS IT?
1900
01:24:40,750 --> 01:24:42,792
THAT'S FUNNY.
1901
01:24:43,917 --> 01:24:45,583
[DANI LEAVES]
1902
01:24:45,667 --> 01:24:48,125
[♪♪♪]
1903
01:24:49,959 --> 01:24:52,458
I'VE HAD THIS BOOKED
FOR TWO MONTHS.
1904
01:24:53,667 --> 01:24:55,041
THERE ARE NO CLIENTS?
1905
01:24:55,125 --> 01:24:56,166
NOPE.
1906
01:24:56,250 --> 01:24:58,041
[SIGHS] OH...
1907
01:24:58,125 --> 01:24:59,583
[LAUGHS] OH!
1908
01:24:59,667 --> 01:25:00,792
YOU BETTER GET DRESSED.
1909
01:25:00,875 --> 01:25:03,792
I'VE GOT A TABLE
WAITING FOR US DOWNSTAIRS.
1910
01:25:03,875 --> 01:25:06,709
OH, JASON.
1911
01:25:06,792 --> 01:25:08,667
[CLINK]
1912
01:25:11,792 --> 01:25:13,542
I SO GOT YOU.
1913
01:25:13,625 --> 01:25:16,417
YOU DID.
1914
01:25:16,500 --> 01:25:18,875
THE BEST ANNIVERSARY EVER.
1915
01:25:18,959 --> 01:25:20,959
NOT YET.
1916
01:25:23,250 --> 01:25:26,000
[MUSIC RISES]
1917
01:25:26,083 --> 01:25:28,000
MAY I HAVE
THIS DANCE?
1918
01:25:29,083 --> 01:25:31,667
[♪♪♪]
128619
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