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1
00:00:02,000 --> 00:00:03,875
[♪♪♪]
2
00:00:42,875 --> 00:00:45,250
CAREFUL. WE JUST GLUED
THAT PIECE BACK ON.
3
00:00:45,333 --> 00:00:46,667
IT'LL BE DRY
IN A FEW HOURS.
4
00:00:46,750 --> 00:00:47,875
HOW MUCH IS IT?
5
00:00:49,083 --> 00:00:49,917
DANI, HOW MUCH IS THIS?
6
00:00:51,750 --> 00:00:52,709
$25.
7
00:00:55,291 --> 00:00:56,250
WOULD YOU TAKE 10?
8
00:00:59,291 --> 00:01:00,208
SOLD.
9
00:01:01,917 --> 00:01:03,166
I CAN'T WAIT
FOR IT TO DRY.
10
00:01:03,250 --> 00:01:05,291
I TAKE THE BUS,
11
00:01:05,375 --> 00:01:07,917
AND I HAVE TO GO
AND FEED THE BIRDS.
12
00:01:08,000 --> 00:01:10,709
I LIVE JUST TWO
OR THREE STOPS DOWN
13
00:01:10,792 --> 00:01:12,333
ON ELM STREET.
14
00:01:12,417 --> 00:01:13,709
OH, THAT'S OKAY,
15
00:01:13,792 --> 00:01:16,458
JENN WOULD BE DELIGHTED
TO DELIVER IT TO YOU.
16
00:01:16,542 --> 00:01:18,041
WOULDN'T YOU, JENN?
17
00:01:18,125 --> 00:01:20,041
[CHUCKLES POLITELY]
OH, YES.
18
00:01:20,125 --> 00:01:22,000
DELIGHTED.
19
00:01:22,083 --> 00:01:24,166
[♪♪♪]
20
00:01:43,125 --> 00:01:44,458
[CALL RINGING]
21
00:01:44,542 --> 00:01:46,959
9-1-1.
WHAT IS YOUR EMERGENCY?
22
00:01:47,041 --> 00:01:48,166
[DISGUISED MALE VOICE]: I'M
CALLING ABOUT ARTHUR HENLEY,
23
00:01:48,250 --> 00:01:49,959
914 ELM.
24
00:01:50,041 --> 00:01:51,417
NUMBER 202.
25
00:01:51,500 --> 00:01:53,250
I THINK SOMETHING
MAY HAVE HAPPENED TO HIM.
26
00:01:53,333 --> 00:01:54,750
IS THIS A MEDICAL EMERGENCY?
27
00:01:54,834 --> 00:01:56,375
YOU SHOULD SEND SOMEONE.
28
00:01:56,458 --> 00:01:57,875
SIR, WHAT'S YOUR NAME?
29
00:01:58,959 --> 00:01:59,959
SIR?
30
00:02:00,041 --> 00:02:01,500
[CALL DISCONNECTS]
31
00:02:19,000 --> 00:02:22,250
[HINGES CREAKING]
32
00:02:22,333 --> 00:02:24,125
MR. HENLEY!
33
00:02:26,542 --> 00:02:28,542
OH...
34
00:02:30,333 --> 00:02:31,375
OH NO.
35
00:02:36,500 --> 00:02:40,458
OPERATOR, I'D LIKE TO REPORT
A MEDICAL EMERGENCY.
36
00:02:40,542 --> 00:02:42,625
NEVER MIND.
37
00:02:42,709 --> 00:02:44,041
I CAN'T FIND A PULSE.
38
00:02:47,208 --> 00:02:49,083
[POLICE RADIOS CRACKLING]
39
00:02:58,208 --> 00:03:00,208
[SIGHING HEAVILY]
40
00:03:00,291 --> 00:03:01,875
THIS SHOULD BE GOOD.
41
00:03:01,959 --> 00:03:03,041
I WAS DELIVERING A PURCHASE,
42
00:03:03,125 --> 00:03:04,333
AND THE CUSTOMER...
43
00:03:04,417 --> 00:03:05,417
LOOKED DEAD.
44
00:03:05,500 --> 00:03:06,959
I FELT FOR A PULSE,
45
00:03:07,041 --> 00:03:08,125
I CALLED 9-1-1,
46
00:03:08,208 --> 00:03:09,291
BUT THEY WERE ALREADY
ARRIVING--
47
00:03:09,375 --> 00:03:11,458
DETECTIVE, THANKS
FOR COMING OUT.
48
00:03:11,542 --> 00:03:13,083
HOMICIDE SHOULD HAVE A LOOK.
49
00:03:13,166 --> 00:03:14,625
SOMETHING FEELS OFF.
50
00:03:14,709 --> 00:03:16,041
HE'S RIGHT.
51
00:03:17,458 --> 00:03:18,542
THANK YOU, JENNIFER.
52
00:03:18,625 --> 00:03:19,792
WE'LL TAKE IT FROM HERE.
53
00:03:19,875 --> 00:03:20,834
NO, WAIT, WAIT!
54
00:03:20,917 --> 00:03:22,500
[GASPING]
55
00:03:22,583 --> 00:03:23,834
I'M THE ONE
THAT DISCOVERED THE BODY,
56
00:03:23,917 --> 00:03:24,792
AND I'VE ALREADY BEEN INSIDE.
57
00:03:24,875 --> 00:03:26,583
I JUST WANT TO SHOW YOU
58
00:03:26,667 --> 00:03:28,000
A COUPLE OF THINGS.
59
00:03:28,083 --> 00:03:29,709
FINE.
60
00:03:35,458 --> 00:03:36,959
[SHUTTERS CLICKING]
61
00:03:52,041 --> 00:03:54,166
DOESN'T LOOK LIKE
A STRUGGLE TOOK PLACE.
62
00:03:54,250 --> 00:03:56,375
THERE'S NO BLOOD.
63
00:03:56,458 --> 00:03:57,792
LOOKS LIKE A MEDICAL CALL.
64
00:03:57,875 --> 00:03:59,083
WHAT'S SO OFF ABOUT THIS?
65
00:03:59,166 --> 00:04:02,125
ANONYMOUS 911 CALL
SAYING THAT HE NEEDED HELP.
66
00:04:02,208 --> 00:04:03,375
WE CANVASSED
THE NEIGHBORS.
67
00:04:03,458 --> 00:04:04,709
NONE OF THEM
MADE THE CALL.
68
00:04:04,792 --> 00:04:06,834
SO, SOMEONE ELSE
MADE THE CALL.
69
00:04:06,917 --> 00:04:07,875
APPARENTLY,
HENLEY HERE WAS A LONER,
70
00:04:07,959 --> 00:04:09,000
SO WHO WOULD HAVE KNOWN
71
00:04:09,083 --> 00:04:09,917
THAT HE NEEDED HELP
IN HIS APARTMENT?
72
00:04:11,208 --> 00:04:12,709
911 COULDN'T SEE
THE INCOMING NUMBER?
73
00:04:12,792 --> 00:04:14,542
-PAY PHONE.
-ALL RIGHT, WELL, WHAT ELSE?
74
00:04:14,625 --> 00:04:17,333
YOU HAD A DELIVERY
OR SOMETHING?
75
00:04:17,417 --> 00:04:18,917
YEAH.
LONG STORY,
76
00:04:19,000 --> 00:04:20,166
BUT HE CAME INTO
THE STORE THIS MORNING
77
00:04:20,250 --> 00:04:21,208
AND HE LOOKED
PERFECTLY HEALTHY.
78
00:04:22,458 --> 00:04:23,583
MAY I?
79
00:04:35,417 --> 00:04:37,792
SMELLS LIKE WHISKEY.
80
00:04:39,625 --> 00:04:41,458
SO, HE DRANK SOME WHISKEY
AND HAD A HEART ATTACK.
81
00:04:41,542 --> 00:04:43,500
THERE'S NO
WHISKEY BOTTLE.
82
00:04:43,583 --> 00:04:45,917
NO. I LOOKED EVERYWHERE,
EVEN THE TRASH.
83
00:04:46,000 --> 00:04:46,917
AND TAKE A LOOK AT THIS.
84
00:04:54,709 --> 00:04:55,792
NEIGHBORS SAY
HE'S NOT A PRIEST.
85
00:04:57,083 --> 00:05:00,333
HE WASN'T WEARING
THAT COLLAR THIS MORNING.
86
00:05:01,834 --> 00:05:02,750
INTERESTING.
87
00:05:03,959 --> 00:05:06,542
HERE WE GO.
88
00:05:08,125 --> 00:05:10,583
[CHIRPING]
89
00:05:10,667 --> 00:05:13,208
[♪♪♪]
90
00:05:28,208 --> 00:05:30,333
OH, MY GOODNESS...
91
00:05:33,000 --> 00:05:34,000
WOW.
92
00:05:34,083 --> 00:05:35,083
YOU SHOULD BUY IT.
93
00:05:35,166 --> 00:05:36,083
OH!
94
00:05:36,166 --> 00:05:37,250
[CHUCKLES]
95
00:05:37,333 --> 00:05:38,208
WELL...
96
00:05:39,458 --> 00:05:40,750
YOU HAD ONE AS A CHILD,
DIDN'T YOU?
97
00:05:42,291 --> 00:05:43,500
HOW DID YOU KNOW THAT?
98
00:05:43,583 --> 00:05:45,750
WELL, IT'S OBVIOUS,
99
00:05:45,834 --> 00:05:46,917
EVEN WITHOUT THE GIFT.
100
00:05:48,291 --> 00:05:50,625
IF YOU EVER WANT A READING...
101
00:05:51,792 --> 00:05:53,750
LET ME GIVE YOU MY CARD.
102
00:05:58,333 --> 00:05:59,375
THANK YOU.
103
00:06:05,083 --> 00:06:06,375
[GASPS]
104
00:06:06,458 --> 00:06:08,250
IT'S A TINY CLOCK RADIO!
105
00:06:08,333 --> 00:06:10,458
[LAUGHING]
106
00:06:10,542 --> 00:06:13,041
OH, DANI,
THIS IS FANTASTIC.
107
00:06:13,125 --> 00:06:14,208
ISN'T IT SO CUTE?
108
00:06:14,291 --> 00:06:16,041
LOOK AT THE LITTLE KITCHEN,
109
00:06:16,125 --> 00:06:19,083
AND THE LITTLE STOVE
AND THE CHAIRS...
110
00:06:19,166 --> 00:06:20,166
I THINK
EVERYTHING IS HERE.
111
00:06:21,875 --> 00:06:24,583
DO YOU THINK IT'S POSSIBLE
THAT WOMAN WAS REALLY PSYCHIC?
112
00:06:24,667 --> 00:06:26,041
I MEAN,
HOW DID SHE KNOW
113
00:06:26,125 --> 00:06:27,625
I HAD ONE AS A KID?
114
00:06:27,709 --> 00:06:28,667
SHE GUESSED?
115
00:06:28,750 --> 00:06:30,625
MAYBE.
116
00:06:30,709 --> 00:06:32,041
BUT THAT DOESN'T MEAN
THERE AREN'T PEOPLE OUT THERE
117
00:06:32,125 --> 00:06:33,166
WHO REALLY HAVE THE GIFT.
118
00:06:33,250 --> 00:06:35,417
OH, WELL, COULD YOU
ASK HER TO GIFT US
119
00:06:35,500 --> 00:06:37,375
THE WINNING
LOTTERY NUMBERS?
120
00:06:42,542 --> 00:06:43,542
...NOT MUCH.
121
00:06:43,625 --> 00:06:44,709
WENT TO A GARAGE SALE,
122
00:06:44,792 --> 00:06:46,208
DANI BOUGHT A DOLLHOUSE,
123
00:06:46,291 --> 00:06:48,333
I DELIVERED A PURCHASE...
124
00:06:48,417 --> 00:06:50,291
SINCE WHEN
DO YOU DELIVER?
125
00:06:50,375 --> 00:06:51,959
OH, HE WAS AN OLDER MAN
TAKING THE BUS.
126
00:06:52,041 --> 00:06:53,583
AND?
127
00:06:53,667 --> 00:06:56,417
HE WAS DEAD
WHEN I GOT THERE.
128
00:06:56,500 --> 00:06:57,834
HE WAS DEAD?
129
00:06:57,917 --> 00:06:59,417
DON'T WORRY, FRANK THINKS
IT WAS NATURAL CAUSES.
130
00:07:02,792 --> 00:07:03,750
"DON'T WORRY."
131
00:07:05,166 --> 00:07:07,083
WHY WOULD I WORRY?
132
00:07:11,500 --> 00:07:13,125
THESE GUYS ARE POSTING
THESE VIDEOS ON THE NET,
133
00:07:13,208 --> 00:07:14,542
WHERE THEY GO OUT
INTO THE WILDERNESS
134
00:07:14,625 --> 00:07:15,458
WITH NOTHING,
135
00:07:15,542 --> 00:07:17,709
NO TOOLS, NO TENTS,
136
00:07:17,792 --> 00:07:19,041
NO SLEEPING BAGS.
137
00:07:19,125 --> 00:07:20,125
NOT EVEN WATER.
138
00:07:20,208 --> 00:07:22,291
IT GETS COLD
IN THE WILDERNESS.
139
00:07:22,375 --> 00:07:24,875
I THINK
IT WOULD BE AWESOME.
140
00:07:24,959 --> 00:07:26,333
MAN VS. NATURE.
141
00:07:26,417 --> 00:07:27,583
YOU KNOW, SURVIVAL.
142
00:07:27,667 --> 00:07:29,500
WHY DON'T WE SKIP DINNER
143
00:07:29,583 --> 00:07:30,917
AND REASSESS THAT
ABOUT MIDNIGHT?
144
00:07:31,000 --> 00:07:32,333
WE'LL GO IN THE BACKYARD,
145
00:07:32,417 --> 00:07:33,500
IN THE DARK,
146
00:07:33,583 --> 00:07:35,375
HUNGRY.
147
00:07:35,458 --> 00:07:36,917
YOU KNOW, WE'VE NEVER EVEN
BEEN REAL CAMPING.
148
00:07:37,000 --> 00:07:38,250
WE WENT TO YELLOWSTONE.
149
00:07:38,333 --> 00:07:39,625
THAT WAS JUST,
LIKE, IN AN RV.
150
00:07:39,709 --> 00:07:40,959
THAT'S NOT REALLY CAMPING.
151
00:07:42,667 --> 00:07:43,542
DO YOU EVEN KNOW HOW?
152
00:07:44,917 --> 00:07:46,041
I WAS A BOY SCOUT.
153
00:07:46,125 --> 00:07:46,959
I GOT SKILLS.
154
00:07:54,166 --> 00:07:56,250
HEY, DR. BLAKE.
155
00:07:56,333 --> 00:07:57,291
HI, JENNIFER.
156
00:07:57,375 --> 00:07:58,458
WHERE'S DR. TREMEL?
157
00:07:58,542 --> 00:08:00,375
OH, HE'S ON VACATION.
158
00:08:00,458 --> 00:08:02,583
HEY, FRANK.
159
00:08:02,667 --> 00:08:03,959
I CALLED YOUR OFFICE,
THEY SAID YOU'D BE HERE.
160
00:08:04,041 --> 00:08:05,166
I GOT YOU A COFFEE.
161
00:08:05,250 --> 00:08:06,750
DO YOU KNOW DR. BLAKE?
162
00:08:06,834 --> 00:08:07,917
YEAH.
163
00:08:09,417 --> 00:08:12,542
PLEASE TELL ME HE DIED
OF NATURAL CAUSES.
164
00:08:12,625 --> 00:08:14,375
WELL, HE DIED OF
A CARDIAC ARRHYTHMIA.
165
00:08:15,834 --> 00:08:16,709
[SIGHING]
THAT'S GOOD.
166
00:08:16,792 --> 00:08:17,834
NOT FOR HIM.
167
00:08:17,917 --> 00:08:19,875
NO, I DIDN'T
MEAN IT LIKE THAT.
168
00:08:19,959 --> 00:08:21,250
IT'S JUST, THIS
IS A WEIRD ONE.
169
00:08:21,333 --> 00:08:22,500
IT'S STARTING
TO GET COMPLICATED.
170
00:08:22,583 --> 00:08:24,208
WELL, IT MIGHT STILL.
171
00:08:24,291 --> 00:08:25,875
HE HAD AN EXTREMELY
172
00:08:25,959 --> 00:08:28,458
HIGH LEVEL OF NICOTINE
IN HIS SYSTEM.
173
00:08:28,542 --> 00:08:29,625
I THOUGHT YOU SAID
174
00:08:29,709 --> 00:08:30,500
HE DIED OF
A HEART ATTACK.
175
00:08:30,583 --> 00:08:31,625
HE DID.
176
00:08:31,709 --> 00:08:35,041
BROUGHT ON BY A TOXIC
LEVEL OF NICOTINE.
177
00:08:35,125 --> 00:08:36,542
YOU MEAN LIKE
178
00:08:36,625 --> 00:08:37,709
HE CHAIN-SMOKED
HIMSELF TO DEATH?
179
00:08:37,792 --> 00:08:39,250
NO. LIKE HE DRANK IT.
180
00:08:41,208 --> 00:08:43,250
LIQUID NICOTINE?
181
00:08:43,333 --> 00:08:44,542
WHERE DO YOU GET THAT?
182
00:08:44,625 --> 00:08:47,083
WELL, IT'S USED
IN INSECTICIDES, FOR ONE THING.
183
00:08:47,166 --> 00:08:48,041
IT'S FAIRLY COMMON.
184
00:08:48,125 --> 00:08:49,166
AND HE DRANK IT?
185
00:08:49,250 --> 00:08:50,166
SUICIDE?
186
00:08:50,250 --> 00:08:51,250
MAYBE.
187
00:08:51,333 --> 00:08:54,000
UNLESS SOMEONE GAVE IT TO HIM.
188
00:08:54,083 --> 00:08:55,250
AND THAT WOULD BE MURDER.
189
00:08:55,333 --> 00:08:56,375
[GASPS]
190
00:08:56,458 --> 00:08:57,667
WELL, WAS THE WHISKEY
ADULTERATED?
191
00:08:57,750 --> 00:08:58,875
NOPE.
192
00:08:58,959 --> 00:09:01,250
THE RESIDUE IN THE GLASS
HAD NO NICOTINE.
193
00:09:01,333 --> 00:09:02,875
[SIGHING]
194
00:09:02,959 --> 00:09:04,959
THIS RINGS A BELL.
195
00:09:05,041 --> 00:09:07,500
WHAT DO YOU MEAN,
"IT RINGS A BELL."
196
00:09:07,583 --> 00:09:08,875
IT SOUNDS FAMILIAR.
197
00:09:08,959 --> 00:09:10,834
LIKE A BOOK I READ.
198
00:09:10,917 --> 00:09:12,125
NO, NO, NO, NO.
199
00:09:12,208 --> 00:09:13,166
NO, IT DOESN'T.
200
00:09:13,250 --> 00:09:14,083
ALL RIGHT, WE GOTTA GO.
201
00:09:15,291 --> 00:09:16,291
NO, FRANK, HONEST,
202
00:09:16,375 --> 00:09:17,542
I READ A BOOK
A LONG TIME AGO.
203
00:09:17,625 --> 00:09:18,542
[FRANK]: YEAH.
204
00:09:18,625 --> 00:09:20,250
THE BURKHART DEAL CLOSED.
205
00:09:20,333 --> 00:09:22,458
WE BREAK GROUND NEXT MONTH.
206
00:09:22,542 --> 00:09:24,750
OH, THAT'S NICE.
207
00:09:27,875 --> 00:09:29,542
DOING SOME RESEARCH?
208
00:09:29,625 --> 00:09:30,667
I'M RESEARCHING
MURDER MYSTERY.
209
00:09:30,750 --> 00:09:31,792
FRANK'S CASE,
210
00:09:31,875 --> 00:09:33,125
THE ONE
I TOLD YOU ABOUT?
211
00:09:33,208 --> 00:09:35,041
IT SOUNDS A LOT LIKE
A BOOK I REMEMBER,
212
00:09:35,125 --> 00:09:36,250
BUT I CAN'T FIND IT.
213
00:09:36,333 --> 00:09:38,083
I DOUBT A KILLER IN THE BOOK
214
00:09:38,166 --> 00:09:39,458
WOULD HAVE MUCH TO DO WITH
FRANK'S CASE.
215
00:09:39,542 --> 00:09:40,875
AH, BUT THE KILLER
IN FRANK'S CASE
216
00:09:40,959 --> 00:09:41,875
MIGHT HAVE SOMETHING TO DO
217
00:09:41,959 --> 00:09:43,000
WITH THE BOOK.
218
00:09:43,083 --> 00:09:44,000
DOES THAT EVEN MAKE SENSE?
219
00:09:44,083 --> 00:09:45,166
HOW?
220
00:09:45,250 --> 00:09:46,875
I DON'T KNOW, BUT IT BUGS ME.
221
00:09:46,959 --> 00:09:47,917
HUH.
222
00:09:48,000 --> 00:09:49,792
ANY THOUGHTS ABOUT DINNER?
223
00:09:49,875 --> 00:09:51,041
WHATEVER YOU WANT.
YOU PICK THE PLACE.
224
00:09:51,125 --> 00:09:52,041
WE'RE GOING OUT?
225
00:09:53,291 --> 00:09:54,709
WHAT A GOOD IDEA.
226
00:10:01,291 --> 00:10:04,542
I'VE LIVED ACROSS THE HALL
FOR 10 YEARS NOW.
227
00:10:04,625 --> 00:10:07,041
HE HAD NO FRIENDS.
228
00:10:07,125 --> 00:10:09,917
SO, THE OTHER DAY, NOBODY
CAME BY THE APARTMENT?
229
00:10:10,000 --> 00:10:10,917
I DON'T THINK SO,
230
00:10:11,000 --> 00:10:13,166
BUT I KEEP MY DOOR CLOSED,
231
00:10:13,250 --> 00:10:14,875
AND MY NOSE OUT OF
OTHER PEOPLE'S BUSINESS.
232
00:10:16,166 --> 00:10:17,250
SO, EVEN IF SOMEBODY
HAD COME BY,
233
00:10:17,333 --> 00:10:18,250
YOU WOULDN'T EVEN HAVE KNOWN IT.
234
00:10:18,333 --> 00:10:20,500
WELL, WHO'S GOING TO VISIT ART?
235
00:10:20,583 --> 00:10:21,625
WAS HE DEPRESSED LATELY?
236
00:10:21,709 --> 00:10:23,291
IF HE WASN'T,
HE SHOULD HAVE BEEN.
237
00:10:23,375 --> 00:10:25,875
FORGET ABOUT FRIENDS,
238
00:10:25,959 --> 00:10:27,500
I DON'T EVEN THINK
HE HAD ACQUAINTANCES.
239
00:10:27,583 --> 00:10:29,166
THANK YOU.
240
00:10:32,291 --> 00:10:33,667
UH-OH.
241
00:10:33,750 --> 00:10:34,750
I KNOW WHAT THIS MEANS.
242
00:10:34,834 --> 00:10:36,166
OH, I'M STUMPED.
243
00:10:36,250 --> 00:10:37,458
SOMETHING ABOUT
LYNWOOD'S CASE
244
00:10:37,542 --> 00:10:39,542
REMINDS ME OF
A MYSTERY BOOK I ONCE READ.
245
00:10:39,625 --> 00:10:41,500
OR A MOVIE YOU ONCE SAW,
246
00:10:41,583 --> 00:10:43,125
OR A NEWSPAPER STORY.
247
00:10:43,208 --> 00:10:44,417
DID YOU DO AN INTERNET SEARCH?
248
00:10:44,500 --> 00:10:45,625
YES.
249
00:10:45,709 --> 00:10:47,333
A THOUSAND WEB PAGES
ABOUT NICOTINE
250
00:10:47,417 --> 00:10:48,792
AND HOW IT'S A TOXIC POISON,
251
00:10:48,875 --> 00:10:51,542
BUT NOTHING ABOUT A PRIEST
BEING MURDERED BY NICOTINE.
252
00:10:51,625 --> 00:10:54,125
WELL, YOU COULD JUST FORGET IT
253
00:10:54,208 --> 00:10:55,500
AND LET DETECTIVE LINWOOD
DO HIS JOB.
254
00:10:55,583 --> 00:10:56,625
I COULD.
255
00:10:56,709 --> 00:10:58,458
HEY, WHAT ARE YOU DOING
TONIGHT AT 7:00?
256
00:10:58,542 --> 00:10:59,792
I DON'T KNOW,
SOMETHING WITH YOU?
257
00:10:59,875 --> 00:11:01,709
DING, DING, DING!
258
00:11:03,166 --> 00:11:05,959
[♪♪♪]
259
00:11:10,834 --> 00:11:13,417
AND SO, AS YOU SEE,
THE ANTE HAS BEEN UPPED,
260
00:11:13,500 --> 00:11:15,667
READERS WILL NOT ACCEPT
WHAT THEY ONCE DID.
261
00:11:15,750 --> 00:11:18,166
EDGAR ALLAN POE
CREATED THE TEMPLATE,
262
00:11:18,250 --> 00:11:20,333
THE FIRST MODERN
DETECTIVE STORY.
263
00:11:20,417 --> 00:11:22,500
ANYBODY KNOW
WHAT THE BOOK WAS?
264
00:11:24,250 --> 00:11:25,875
ANYBODY?
265
00:11:25,959 --> 00:11:26,917
YES?
266
00:11:27,000 --> 00:11:28,041
SHE KNOWS.
267
00:11:28,125 --> 00:11:29,083
DANI...
268
00:11:29,166 --> 00:11:30,041
WELL?
269
00:11:31,500 --> 00:11:33,125
MURDER IN
THE RUE MORGUE.
270
00:11:33,208 --> 00:11:34,208
THAT'S RIGHT.
271
00:11:34,291 --> 00:11:36,291
AN IMPOSSIBLE CRIME.
272
00:11:36,375 --> 00:11:37,333
A DOUBLE MURDER
273
00:11:37,417 --> 00:11:38,458
IN A ROOM WITH THE DOORS LOCKED
274
00:11:38,542 --> 00:11:40,208
FROM THE INSIDE.
275
00:11:40,291 --> 00:11:42,208
HOW DID THE KILLER
GET IN THE ROOM
276
00:11:42,291 --> 00:11:43,333
IF THE DOORS WERE LOCKED
FROM THE INSIDE?
277
00:11:43,417 --> 00:11:44,625
YOU CARE TO ANSWER?
278
00:11:46,333 --> 00:11:48,083
ORANGUTAN.
279
00:11:48,166 --> 00:11:49,709
IT CLIMBED UP THE SIDE
OF THE BUILDING
280
00:11:49,792 --> 00:11:50,917
AND WENT IN THE WINDOW.
281
00:11:51,000 --> 00:11:51,959
RIDICULOUS, HUH?
282
00:11:52,041 --> 00:11:53,834
BUT THAT'S HOW FAR WE'VE COME.
283
00:11:53,917 --> 00:11:55,250
AND WHAT ABOUT
THE MYSTERIES
284
00:11:55,333 --> 00:11:56,333
THAT DON'T
HAVE MURDERS?
285
00:11:56,417 --> 00:11:57,959
AW, WHO DOESN'T LOVE
A GOOD MURDER?
286
00:11:59,834 --> 00:12:01,041
WHEN YOUR STORY BEGINS
WITH A DEAD BODY,
287
00:12:01,125 --> 00:12:03,500
IT DEMANDS A SOLUTION.
288
00:12:03,583 --> 00:12:05,792
ONLY WHEN THE KILLER
IS BROUGHT TO JUSTICE,
289
00:12:05,875 --> 00:12:07,542
IS THE WORLD IN BALANCE AGAIN.
290
00:12:08,917 --> 00:12:10,625
WE'RE ABOUT
OUT OF TIME.
291
00:12:10,709 --> 00:12:12,750
IF ANYONE IS INTERESTED
IN COPIES OF MY NEW BOOK,
292
00:12:12,834 --> 00:12:14,250
MURDER ALONG THE MISSISSIPPI,
293
00:12:14,333 --> 00:12:15,417
STEP RIGHT UP.
294
00:12:15,500 --> 00:12:16,709
THANK YOU.
295
00:12:17,959 --> 00:12:19,250
I'M GOING TO GET
MY COPY SIGNED.
296
00:12:21,333 --> 00:12:23,083
WELL, YOU KNOW YOUR MYSTERIES.
297
00:12:23,166 --> 00:12:24,291
THANK YOU.
298
00:12:24,375 --> 00:12:26,250
GREAT TALK.
299
00:12:26,333 --> 00:12:28,041
I'M LOOKING FORWARD
TO READING YOUR BOOK.
300
00:12:28,125 --> 00:12:30,291
DO YOU, BY ANY CHANCE,
KNOW OF ANY STORIES
301
00:12:30,375 --> 00:12:33,083
THAT HAVE A PRIEST DYING
FROM NICOTINE POISON?
302
00:12:33,166 --> 00:12:35,542
THAT SOUNDS
VAGUELY FAMILIAR.
303
00:12:35,625 --> 00:12:37,208
I'M NOT SURE
ABOUT THE PRIEST PART,
304
00:12:37,291 --> 00:12:39,291
BUT, AS FOR
THE NICOTINE POISONING,
305
00:12:39,375 --> 00:12:42,417
I'D CHECK OUT VINCENT STARRETT,
THEODORA DU BOIS,
306
00:12:42,500 --> 00:12:43,625
EVEN AGATHA CHRISTIE.
307
00:12:43,709 --> 00:12:44,834
SHE LOVED POISONS,
308
00:12:44,917 --> 00:12:46,250
WORKED IN THE PHARMACY
309
00:12:46,333 --> 00:12:48,333
DURING
THE FIRST WORLD WAR.
310
00:12:48,417 --> 00:12:49,500
IF YOU CAN'T FIND IT,
311
00:12:49,583 --> 00:12:51,917
COME SEE ME.
312
00:12:52,000 --> 00:12:53,125
I HAVE REFERENCES
IN MY OFFICE.
313
00:12:53,208 --> 00:12:54,166
AH, THANK YOU.
314
00:12:54,250 --> 00:12:55,208
THANK YOU.
315
00:12:57,208 --> 00:12:58,250
[QUIETLY]
NO RING.
316
00:12:58,333 --> 00:12:59,792
IT'S PROBABLY
IN HIS POCKET.
317
00:12:59,875 --> 00:13:02,000
[SCOFFS] CYNICAL,
PARTY OF ONE.
318
00:13:02,083 --> 00:13:04,166
WELL, I'M JUST NOT INTERESTED.
319
00:13:04,250 --> 00:13:05,959
[CRICKETS CHIRPING]
320
00:13:06,041 --> 00:13:08,709
A COMPLETE WILDERNESS
EXPERIENCE.
321
00:13:08,792 --> 00:13:10,542
EVERYTHING WE HAVE
IS CARRIED ON OUR BACKS.
322
00:13:10,625 --> 00:13:13,000
I DIDN'T KNOW YOUR DAD
WAS AN OUTDOORSMAN.
323
00:13:13,083 --> 00:13:15,000
YEAH, HE KNOWS
HIS STUFF,
324
00:13:15,083 --> 00:13:16,250
AND I NEED TO LEARN
THESE SKILLS.
325
00:13:16,333 --> 00:13:17,709
YOU KNOW, IT'S IMPORTANT
FOR YOU TO TEST YOURSELF
326
00:13:17,792 --> 00:13:18,583
IN EXTREME CONDITIONS.
327
00:13:18,667 --> 00:13:19,709
HMM.
328
00:13:19,792 --> 00:13:20,709
I READ ABOUT SOME GUYS
329
00:13:20,792 --> 00:13:21,709
WHO DID THIS WILDERNESS THING,
330
00:13:21,792 --> 00:13:23,000
AND THEY GOT ALL BIT UP BY BUGS,
331
00:13:23,083 --> 00:13:24,417
THEY WERE COLD,
HUNGRY,
332
00:13:24,500 --> 00:13:25,667
AND MISERABLE.
333
00:13:25,750 --> 00:13:27,542
IT'S GOING TO BE FUN.
334
00:13:27,625 --> 00:13:29,542
SLEEPING UNDER THE STARS,
MAKING OUR OWN CAMPFIRE,
335
00:13:29,625 --> 00:13:30,458
MAKING OUR OWN BREAKFAST.
336
00:13:30,542 --> 00:13:31,458
[GROWLS]
337
00:13:33,542 --> 00:13:34,875
[WHISPERS]
YOU'RE AFRAID OF SPIDERS.
338
00:13:34,959 --> 00:13:37,041
[GIGGLES]
339
00:13:37,125 --> 00:13:39,834
[LAUGHING]
340
00:13:39,917 --> 00:13:42,166
ARE YOU REALLY
GOING TO TAKE OUR SON
341
00:13:42,250 --> 00:13:43,417
INTO THE WILDERNESS?
342
00:13:43,500 --> 00:13:44,542
YUP.
343
00:13:45,875 --> 00:13:46,792
ISN'T IT DANGEROUS?
344
00:13:46,875 --> 00:13:47,875
WHAT ABOUT BEARS?
345
00:13:47,959 --> 00:13:49,709
I KNOW HOW TO DEAL WITH A BEAR,
346
00:13:49,792 --> 00:13:51,333
RUN FASTER THAN
THE PERSON YOU'RE WITH.
347
00:13:51,417 --> 00:13:53,041
I CHECKED WITH
THE RANGER STATION,
348
00:13:53,125 --> 00:13:54,417
NO BEARS,
349
00:13:54,500 --> 00:13:55,875
AND I GOT US A GREAT SPOT
NEAR MT. WASHINGTON.
350
00:13:55,959 --> 00:13:56,959
WE'RE GONNA BE FINE.
351
00:13:57,041 --> 00:13:58,166
[SIGHS HEAVILY]
352
00:13:59,625 --> 00:14:01,000
I'LL BE WORRIED.
353
00:14:01,083 --> 00:14:02,834
THIS COMING FROM
THE AMATEUR DETECTIVE
354
00:14:02,917 --> 00:14:04,625
WHO ONCE JUMPED OUT OF
A BURNING BARN?
355
00:14:04,709 --> 00:14:07,041
I'LL STILL BE WORRIED.
356
00:14:07,125 --> 00:14:08,166
HOW DID THE BOOK THING
GO TONIGHT?
357
00:14:08,250 --> 00:14:09,750
PRETTY GOOD.
I GOT IT SIGNED.
358
00:14:09,834 --> 00:14:10,834
NICE.
359
00:14:10,917 --> 00:14:11,834
AND HE GAVE ME
SOME LEADS
360
00:14:11,917 --> 00:14:13,208
ON HOW TO FIND
THE MYSTERY NOVEL
361
00:14:13,291 --> 00:14:15,542
THAT'S LIKE
FRANK'S HOMICIDE.
362
00:14:15,625 --> 00:14:17,333
IT HASN'T BEEN
CLASSIFIED A MURDER.
363
00:14:17,417 --> 00:14:18,417
I NEVER SAID IT WAS.
364
00:14:20,291 --> 00:14:21,959
AT LEAST NOT YET.
365
00:14:29,917 --> 00:14:31,750
TAROT CARDS ARE FUN,
366
00:14:31,834 --> 00:14:34,125
BUT I DON'T THINK
THEY'RE VERY ACCURATE.
367
00:14:34,208 --> 00:14:35,208
OH.
368
00:14:35,291 --> 00:14:38,375
I LIKE TO ALIGN
OUR SOULS
369
00:14:38,458 --> 00:14:39,917
AND CHAKRA SYSTEM,
370
00:14:40,000 --> 00:14:41,458
AND THEN
I WAIT FOR THE DOWNLOAD.
371
00:14:42,875 --> 00:14:44,917
WELL, THAT SOUNDS LIKE
A LOT FOR $20.
372
00:14:45,000 --> 00:14:46,125
MAYBE YOU SHOULD
JUST READ MY PALMS.
373
00:14:46,208 --> 00:14:47,125
[CHUCKLES] OH, WELL,
374
00:14:47,208 --> 00:14:49,375
TODAY IS JUST TO SEE HOW I WORK.
375
00:14:49,458 --> 00:14:50,709
YOU KNOW, IF YOU WANTED
TO GO FURTHER,
376
00:14:50,792 --> 00:14:52,625
I'D BE HAPPY TO HELP.
377
00:14:52,709 --> 00:14:54,458
ALL RIGHT.
378
00:14:54,542 --> 00:14:55,792
LET'S START WITH THE OBVIOUS.
379
00:14:55,875 --> 00:14:57,583
YOU'VE BEEN UNLUCKY WITH LOVE.
380
00:14:58,750 --> 00:14:59,792
THAT'S OBVIOUS?
381
00:14:59,875 --> 00:15:01,583
WELL, MOST PEOPLE
WHO COME TO SEE ME
382
00:15:01,667 --> 00:15:02,667
HAVE BEEN UNLUCKY WITH LOVE.
383
00:15:02,750 --> 00:15:04,834
SO, IT'S A GUESS?
384
00:15:04,917 --> 00:15:06,333
AN EDUCATED ONE.
385
00:15:06,417 --> 00:15:09,083
I COULD HAVE ALSO SAID
YOU'VE STRUGGLED FINANCIALLY,
386
00:15:09,166 --> 00:15:10,083
BUT WHO HASN'T?
387
00:15:10,166 --> 00:15:11,500
[CHUCKLES]
388
00:15:11,583 --> 00:15:13,583
WHAT I DO
IS DIFFERENT.
389
00:15:13,667 --> 00:15:16,667
I LIKE TO ALIGN OUR ENERGIES,
390
00:15:16,750 --> 00:15:18,041
JUST FOR A SECOND,
391
00:15:18,125 --> 00:15:19,667
AND SEE WHERE IT LEADS.
392
00:15:19,750 --> 00:15:21,041
WANT TO GIVE IT A TRY?
393
00:15:21,125 --> 00:15:22,333
OKAY.
394
00:15:23,583 --> 00:15:26,125
OKAY, EXTEND YOUR HANDS,
PALMS UP,
395
00:15:26,208 --> 00:15:27,333
AND CLOSE YOUR EYES.
396
00:15:30,750 --> 00:15:32,542
GOOD, I'M GETTING
A VERY STRONG CONNECTION.
397
00:15:34,917 --> 00:15:36,709
JUST TRY TO RELAX,
398
00:15:36,792 --> 00:15:39,250
AND DON'T THINK
OF ANYTHING.
399
00:15:39,333 --> 00:15:40,417
[EXHALING]
NOT A PROBLEM.
400
00:15:51,083 --> 00:15:53,417
YOU MUST REALLY BE A FAN,
401
00:15:53,500 --> 00:15:54,792
THOSE ARE
PRETTY OBSCURE.
402
00:15:54,875 --> 00:15:57,542
I'M LOOKING FOR
A SPECIFIC MURDER FROM A BOOK.
403
00:15:57,625 --> 00:15:59,709
THE VICTIM WAS A PRIEST,
AND HE WAS KILLED BY POISON.
404
00:15:59,792 --> 00:16:01,166
WHAT KIND OF POISON?
405
00:16:01,250 --> 00:16:02,834
NICOTINE.
406
00:16:07,083 --> 00:16:08,542
THIS IS A COMPENDIUM
OF MYSTERY MURDERS,
407
00:16:08,625 --> 00:16:10,458
BY TYPES AND METHODS.
408
00:16:10,542 --> 00:16:12,250
A PRIEST MURDERED BY NICOTINE?
409
00:16:12,333 --> 00:16:13,834
THAT'S RIGHT.
410
00:16:13,917 --> 00:16:15,417
POISONS...
411
00:16:15,500 --> 00:16:17,083
OKAY, NICOTINE.
412
00:16:17,166 --> 00:16:18,959
THERE'S A FEW,
413
00:16:19,041 --> 00:16:21,333
NOTHING WITH A PRIEST.
414
00:16:21,417 --> 00:16:23,417
HOW ABOUT A CLERGYMAN?
THAT WORK?
415
00:16:23,500 --> 00:16:24,417
YES, OF COURSE.
416
00:16:29,875 --> 00:16:31,166
MURDER IN THREE ACTS,
417
00:16:31,250 --> 00:16:32,792
AGATHA CHRISTIE.
418
00:16:32,875 --> 00:16:34,208
REVEREND BABINGTON
419
00:16:34,291 --> 00:16:35,875
IS MURDERED
BY NICOTINE POISONING.
420
00:16:35,959 --> 00:16:37,083
THANK YOU.
421
00:16:37,166 --> 00:16:38,583
YOU'RE WELCOME.
422
00:16:38,667 --> 00:16:40,583
[SIGHS]
OH, OF COURSE.
423
00:16:40,667 --> 00:16:43,417
AGATHA CHRISTIE.
424
00:16:43,500 --> 00:16:47,625
[♪♪♪]
425
00:16:47,709 --> 00:16:50,208
I THINK SHE COULD BE
THE REAL DEAL.
426
00:16:50,291 --> 00:16:52,875
I MEAN, SHE TALKED ABOUT
HOW, LIKE YOU SAID,
427
00:16:52,959 --> 00:16:54,417
A LOT OF PSYCHICS
MAKE EDUCATED GUESSES,
428
00:16:54,500 --> 00:16:57,041
AND SHE WAS VERY
UPFRONT ABOUT THAT.
429
00:16:57,125 --> 00:16:58,542
AND SHE ONLY
WANTED $20.
430
00:16:58,625 --> 00:16:59,583
WELL, THAT'S GOOD.
431
00:16:59,667 --> 00:17:00,709
WHEN ARE YOU SEEING HER AGAIN?
432
00:17:00,792 --> 00:17:01,834
DAY AFTER TOMORROW.
433
00:17:01,917 --> 00:17:02,834
WELL, HOW MUCH IS THAT
GOING TO COST?
434
00:17:02,917 --> 00:17:04,000
A HUNDRED DOLLARS.
435
00:17:05,500 --> 00:17:08,000
SHE KNEW THINGS THAT
SHE COULDN'T POSSIBLY KNOW.
436
00:17:08,083 --> 00:17:09,583
I MEAN, THINGS
YOU DON'T JUST GUESS.
437
00:17:09,667 --> 00:17:12,000
SHE DIDN'T EVEN KNOW MY NAME
WHEN I WALKED IN.
438
00:17:12,083 --> 00:17:13,041
WELL, I DON'T KNOW
HOW THEY DO IT,
439
00:17:13,125 --> 00:17:14,458
BUT I DON'T THINK THEY HAVE
440
00:17:14,542 --> 00:17:16,000
ANY SPECIAL
PSYCHIC ABILITIES.
441
00:17:16,083 --> 00:17:17,375
EVEN IF THEY DID,
442
00:17:17,458 --> 00:17:18,083
WHY WOULDN'T THEY GO TO VEGAS
AND PLAY BLACKJACK?
443
00:17:18,166 --> 00:17:20,000
WELL, THEY WOULD SAY
444
00:17:20,083 --> 00:17:23,291
THAT THE GIFT IS TO BE USED
TO HELP PEOPLE,
445
00:17:23,375 --> 00:17:24,291
AND NOT FOR GAMBLING.
446
00:17:24,375 --> 00:17:25,667
OH. OKAY.
447
00:17:25,750 --> 00:17:26,875
WHY DON'T YOU ASK HER
IF TERRANCE DUNCAN
448
00:17:26,959 --> 00:17:27,792
IS IN YOUR FUTURE.
449
00:17:27,875 --> 00:17:29,291
I'M NOT INTERESTED.
450
00:17:29,375 --> 00:17:30,750
WHAT? WHY NOT?
451
00:17:30,834 --> 00:17:32,625
HE'S CHARMING, HE'S HANDSOME.
452
00:17:32,709 --> 00:17:33,709
WHAT'S THE PROBLEM?
453
00:17:33,792 --> 00:17:34,667
HE WRITES MURDER MYSTERIES.
454
00:17:34,750 --> 00:17:35,750
SO?
455
00:17:35,834 --> 00:17:37,083
HOW WOULD I SLEEP AT NIGHT?
456
00:17:37,166 --> 00:17:39,125
OH, YOU...
457
00:17:39,208 --> 00:17:40,166
SCAREDY CAT.
458
00:17:40,250 --> 00:17:41,166
[LAUGHS]
459
00:17:45,333 --> 00:17:46,917
TRY NOT TO STAY UP
ALL NIGHT, HON'.
460
00:17:47,000 --> 00:17:49,083
I WON'T BE LONG.
461
00:18:19,333 --> 00:18:20,500
YEAH, NOTHING OFFICIAL, YET.
462
00:18:20,583 --> 00:18:22,500
BUT WE DO KNOW
THE CAUSE OF DEATH
463
00:18:22,583 --> 00:18:24,750
WAS NICOTINE POISONING.
464
00:18:24,834 --> 00:18:26,208
BUT IT COULD HAVE
BEEN A SUICIDE.
465
00:18:26,291 --> 00:18:27,500
IT COULD HAVE
BEEN ACCIDENTAL.
466
00:18:27,583 --> 00:18:29,291
BUT THIS GUY?
467
00:18:29,375 --> 00:18:31,959
HE HAD NO ONE
IN HIS LIFE.
468
00:18:32,041 --> 00:18:34,959
YET, SOMEONE CALLED 911
FROM A PAYPHONE.
469
00:18:35,041 --> 00:18:36,834
I KNOW. IT'S HARD TO BELIEVE
THOSE THINGS ARE STILL AROUND.
470
00:18:36,917 --> 00:18:39,125
BUT HENLEY DIDN'T
BELONG TO ANY CLUBS,
471
00:18:39,208 --> 00:18:40,542
HAD NO ACTIVITIES.
472
00:18:40,625 --> 00:18:43,000
WELL, HE DID GO TO THE PARK
AND FEED THE PIGEONS,
473
00:18:43,083 --> 00:18:44,125
BUT THAT'S ABOUT IT.
474
00:18:44,208 --> 00:18:45,667
BUT THERE'S NO WAY
475
00:18:45,750 --> 00:18:47,667
ANYONE HAD
A MOTIVE TO KILL HIM.
476
00:18:47,750 --> 00:18:50,542
THE KILLER DIDN'T KNOW HIM.
477
00:18:50,625 --> 00:18:51,667
ART HENLEY,
478
00:18:51,750 --> 00:18:53,667
KILLED BY NICOTINE POISONING
479
00:18:53,750 --> 00:18:55,709
ADMINISTERED
VIA AN ALCOHOLIC DRINK.
480
00:18:55,792 --> 00:18:57,625
THE KILLER SUBSTITUTES
THE GLASS WITH THE POISON
481
00:18:57,709 --> 00:18:58,667
FOR ONE WITHOUT--
482
00:18:58,750 --> 00:18:59,834
THAT'S AN ASSUMPTION.
483
00:18:59,917 --> 00:19:01,166
WE DON'T KNOW HOW
HE INGESTED THE POISON.
484
00:19:01,250 --> 00:19:02,875
THE VICTIM HAS
NO KNOWN ENEMIES,
485
00:19:02,959 --> 00:19:04,000
AND WAS WEARING
A PRIEST'S COLLAR.
486
00:19:05,291 --> 00:19:07,250
THAT'S PRETTY MUCH
WHAT I KNEW AN HOUR AGO.
487
00:19:07,333 --> 00:19:08,583
WHAT'S YOUR POINT?
488
00:19:08,667 --> 00:19:11,500
REMEMBER WHEN I SAID
THIS REMINDED ME OF A BOOK?
489
00:19:11,583 --> 00:19:13,083
I FOUND IT.
490
00:19:14,750 --> 00:19:15,875
THE DEATH OF ART HENLEY
491
00:19:15,959 --> 00:19:17,333
IS STRAIGHT OUT OF
AN AGATHA CHRISTIE NOVEL
492
00:19:17,417 --> 00:19:19,333
CALLED MURDER IN THREE ACTS.
493
00:19:19,417 --> 00:19:21,709
SO, YOU'RE SAYING,
THE GUY WHO KILLED HENLEY,
494
00:19:21,792 --> 00:19:23,250
IF IT WAS A MURDER,
495
00:19:23,333 --> 00:19:25,417
WANTED IT TO LOOK LIKE
A MURDER FROM A MYSTERY BOOK?
496
00:19:25,500 --> 00:19:26,583
YES.
497
00:19:26,667 --> 00:19:28,250
TOO MANY SIMILARITIES.
498
00:19:28,333 --> 00:19:30,458
THE KILLER IN THE BOOK HAD
NO RELATIONSHIP TO THE VICTIM.
499
00:19:30,542 --> 00:19:32,083
THERE WAS NO MOTIVE.
IT WAS RANDOM.
500
00:19:32,166 --> 00:19:33,917
WELL, THEN WHY KILL HIM?
501
00:19:34,000 --> 00:19:35,583
PRACTICE.
502
00:19:35,667 --> 00:19:38,709
HENLEY WAS A DRESS REHEARSAL.
503
00:19:38,792 --> 00:19:40,000
THIS GUY'S GOING TO KILL AGAIN.
504
00:19:44,750 --> 00:19:46,000
I DON'T KNOW, JENN,
505
00:19:46,083 --> 00:19:49,000
EVEN IF HENLEY'S DEATH
WAS COPIED FROM A BOOK,
506
00:19:49,083 --> 00:19:50,375
THAT DOESN'T MEAN
HE'S GOING KILL AGAIN.
507
00:19:50,458 --> 00:19:51,417
HE DOES IN THE BOOK.
508
00:19:51,500 --> 00:19:52,959
OKAY.
509
00:19:53,041 --> 00:19:55,792
ALL RIGHT, WELL, IN THE BOOK,
WHO'S THE NEXT VICTIM?
510
00:19:55,875 --> 00:19:57,625
HIS NAME IS...
511
00:19:57,709 --> 00:19:58,750
"DR. STRANGE."
512
00:19:58,834 --> 00:19:59,959
SERIOUSLY?
513
00:20:00,041 --> 00:20:00,959
THAT'S HIS NAME?
514
00:20:01,041 --> 00:20:02,542
YUP.
515
00:20:02,625 --> 00:20:04,208
OKAY, WELL, HOW IS
DR. STRANGE KILLED?
516
00:20:04,291 --> 00:20:05,458
THE SAME AS
REVEREND BABINGTON.
517
00:20:05,542 --> 00:20:06,625
HE DRINKS A GLASS OF ALCOHOL
518
00:20:06,709 --> 00:20:08,291
THAT'S TAINTED
WITH NICOTINE OIL.
519
00:20:08,375 --> 00:20:10,625
I'LL BE TALKING
TO YOU SOON, JENN.
520
00:20:10,709 --> 00:20:11,834
HEY, FRANK,
521
00:20:11,917 --> 00:20:14,041
WHERE DID ART HENLEY
FEED THE PIGEONS?
522
00:20:14,125 --> 00:20:15,417
FREEMAN PARK.
523
00:20:16,709 --> 00:20:17,709
OH, WAIT,
524
00:20:17,792 --> 00:20:19,667
YOU ALMOST FORGOT THIS.
525
00:20:25,417 --> 00:20:28,667
THE CONNECTION
IS VERY STRONG...
526
00:20:30,125 --> 00:20:32,834
I'M SENSING
A LOT OF NEGATIVITY AROUND YOU.
527
00:20:32,917 --> 00:20:35,083
WHAT DO YOU SEE?
528
00:20:35,166 --> 00:20:36,458
CLOUDS GATHERING...
529
00:20:38,417 --> 00:20:39,583
DARK...
530
00:20:39,667 --> 00:20:41,834
I HAVE BEEN WORRYING A LOT.
531
00:20:41,917 --> 00:20:42,750
NO, THIS IS
DIFFERENT.
532
00:20:45,375 --> 00:20:46,291
WHOA.
533
00:20:47,500 --> 00:20:49,542
WELL, THAT WAS
SOMETHING.
534
00:20:49,625 --> 00:20:50,959
WHAT?
WHAT WAS "SOMETHING?"
535
00:20:51,041 --> 00:20:52,166
I DON'T KNOW,
536
00:20:52,250 --> 00:20:53,542
BUT IT WAS INTENSE.
537
00:20:55,959 --> 00:20:57,166
JUST BE CAREFUL.
538
00:20:57,250 --> 00:20:59,458
I CAN ATTEMPT TO CLEAR
THIS ENERGY FOR YOU,
539
00:20:59,542 --> 00:21:01,875
THROUGH A SERIES
OF INTENSIVE SESSIONS
540
00:21:01,959 --> 00:21:04,458
THAT GOES FAR BEYOND
THIS TYPE OF WORK.
541
00:21:04,542 --> 00:21:06,709
WELL, I'D LIKE
TO THINK ABOUT THAT.
542
00:21:06,792 --> 00:21:07,959
HOW MUCH WOULD IT COST?
543
00:21:08,041 --> 00:21:10,417
ONCE ALL THE NEGATIVITY
IS CLEARED,
544
00:21:10,500 --> 00:21:12,834
THE ABUNDANCE THAT FOLLOWS
545
00:21:12,917 --> 00:21:14,375
IS AMAZING.
546
00:21:14,458 --> 00:21:16,542
I CAN TELL YOU'RE
A VERY SPIRITUAL PERSON.
547
00:21:16,625 --> 00:21:17,709
WELL, I THINK SO.
548
00:21:17,792 --> 00:21:19,208
I KNOW SO.
549
00:21:19,291 --> 00:21:23,166
NORMALLY I WOULD CHARGE $500
FOR THIS TYPE OF WORK,
550
00:21:23,250 --> 00:21:25,583
BUT BECAUSE OF
YOUR INNATE ABILITIES,
551
00:21:25,667 --> 00:21:26,917
IT WOULD BE
HALF OF THAT.
552
00:21:27,000 --> 00:21:28,250
THAT'S VERY GENEROUS.
553
00:21:28,333 --> 00:21:29,875
THANK YOU.
554
00:21:29,959 --> 00:21:31,166
I'D STILL LIKE
TO THINK ABOUT IT.
555
00:21:31,250 --> 00:21:32,709
OF COURSE.
556
00:21:37,125 --> 00:21:39,000
OH, UH, DOES
THE NAME "BERNICE"
557
00:21:39,083 --> 00:21:40,709
HAVE ANY SPECIAL MEANING TO YOU?
558
00:21:41,792 --> 00:21:43,250
BERNICE...
559
00:21:43,333 --> 00:21:45,625
NO, NOT REALLY.
560
00:21:45,709 --> 00:21:47,041
I HAD AN AUNT BERNICE,
561
00:21:47,125 --> 00:21:48,667
BUT SHE DIED WHEN I WAS A KID,
562
00:21:48,750 --> 00:21:50,542
I NEVER
REALLY KNEW HER.
563
00:21:50,625 --> 00:21:51,750
WELL...
564
00:21:51,834 --> 00:21:52,709
IT'S PROBABLY NOTHING.
565
00:21:54,000 --> 00:21:55,000
OKAY.
566
00:21:55,083 --> 00:21:56,083
THANK YOU.
567
00:21:56,166 --> 00:21:57,000
YOU'RE WELCOME.
568
00:22:03,709 --> 00:22:04,583
CAN I HELP?
569
00:22:04,667 --> 00:22:06,834
OH, THANK YOU.
570
00:22:12,500 --> 00:22:15,542
UM, I SAW YOU COMING OUT.
571
00:22:15,625 --> 00:22:17,083
HAVE YOU BEEN SEEING MAGGIE?
572
00:22:17,166 --> 00:22:18,750
OH, YES, I HAVE.
573
00:22:18,834 --> 00:22:20,041
OH, SHE IS
A BLESSING.
574
00:22:20,125 --> 00:22:23,792
I DON'T KNOW HOW
I'D MANAGE WITHOUT HER.
575
00:22:30,917 --> 00:22:32,667
DID ART HAVE ANY FRIENDS
DOWN HERE,
576
00:22:32,750 --> 00:22:33,834
PEOPLE HE TALKED WITH?
577
00:22:33,917 --> 00:22:35,166
ART? NO.
578
00:22:35,250 --> 00:22:37,041
FOR YEARS,
HE JUST SAT ALONE.
579
00:22:37,125 --> 00:22:38,917
ACTUALLY,
A COUPLE WEEKS AGO,
580
00:22:39,000 --> 00:22:40,792
HE SEEMED TO BE HANGING OUT
WITH A GUY I HADN'T SEEN BEFORE.
581
00:22:40,875 --> 00:22:42,375
DID THEY COME TOGETHER?
582
00:22:42,458 --> 00:22:44,208
NO, THEY JUST GOT TO TALKING.
583
00:22:44,291 --> 00:22:45,250
DID YOU GET A CHANCE
584
00:22:45,333 --> 00:22:46,291
TO TALK TO THIS GUY?
585
00:22:46,375 --> 00:22:47,333
CATCH HIS NAME?
586
00:22:47,417 --> 00:22:48,750
ART MENTIONED
IT ONCE.
587
00:22:48,834 --> 00:22:49,667
I THINK IT WAS
SOMETHING LIKE...
588
00:22:49,750 --> 00:22:50,917
JERRY,
589
00:22:51,000 --> 00:22:52,041
OR LARRY.
590
00:22:52,125 --> 00:22:53,250
I DON'T KNOW,
I NEVER TALKED TO HIM.
591
00:22:54,959 --> 00:22:57,500
DID ART HAVE A USUAL SPOT
THAT HE LIKED TO FEED THE BIRDS?
592
00:22:57,583 --> 00:22:58,834
YEAH.
593
00:22:58,917 --> 00:23:01,583
THAT WAS HIS FAVORITE BENCH
RIGHT THERE.
594
00:23:02,709 --> 00:23:04,500
ART WAS A NICE GUY.
595
00:23:04,583 --> 00:23:05,834
SORRY TO HEAR HE DIED.
596
00:23:05,917 --> 00:23:06,959
ME TOO.
597
00:23:07,041 --> 00:23:07,917
THANK YOU.
598
00:23:24,333 --> 00:23:26,125
[♪♪♪]
599
00:23:33,041 --> 00:23:35,667
THIS IS A HAMILTON PERRY,
PROBABLY 1930s.
600
00:23:35,750 --> 00:23:37,625
AND THIS IS
A VERY NICE BULOVA.
601
00:23:37,709 --> 00:23:38,709
THEY'VE BEEN
IN GRANDPA'S ATTIC
602
00:23:38,792 --> 00:23:39,750
FOR OVER 40 YEARS.
603
00:23:39,834 --> 00:23:40,875
HOW MUCH
ARE YOU HOPING
604
00:23:40,959 --> 00:23:42,500
TO GET FOR THEM?
605
00:23:42,583 --> 00:23:45,417
I WAS THINKING AT LEAST
$50 EACH.
606
00:23:47,125 --> 00:23:48,709
[SIGHS]
607
00:23:48,792 --> 00:23:51,083
WELL, IF THESE ARE GENUINE,
608
00:23:51,166 --> 00:23:52,667
AND I THINK THEY ARE,
609
00:23:52,750 --> 00:23:53,875
THEY COULD BE WORTH
$1,000 APIECE,
610
00:23:53,959 --> 00:23:55,208
THE BULOVA EVEN MORE.
611
00:23:55,291 --> 00:23:56,208
REALLY?
612
00:23:56,291 --> 00:23:57,542
MM-HMM.
613
00:23:57,625 --> 00:23:59,959
GET THEM APPRAISED,
I THINK YOU'LL BE SURPRISED.
614
00:24:00,041 --> 00:24:01,083
OH, MY GOODNESS, THANK YOU.
615
00:24:01,166 --> 00:24:02,041
THANK YOU SO MUCH.
616
00:24:02,125 --> 00:24:03,875
YOU'RE WELCOME.
617
00:24:03,959 --> 00:24:05,125
[CHUCKLING] OH...
618
00:24:05,208 --> 00:24:06,959
WE'RE NEVER
GOING TO GET RICH.
619
00:24:07,041 --> 00:24:08,208
NO, BUT WE'LL
SLEEP WELL AT NIGHT.
620
00:24:08,291 --> 00:24:10,000
YEAH.
621
00:24:10,083 --> 00:24:11,208
HEY, DID YOU SEE
YOUR PSYCHIC FRIEND AGAIN?
622
00:24:11,291 --> 00:24:12,500
YEAH.
623
00:24:12,583 --> 00:24:14,417
THOUGHT I'M GETTING
A WEIRD FEELING FROM HER.
624
00:24:16,083 --> 00:24:17,625
HOW DID SHE KNOW
ALL THAT STUFF ABOUT ME?
625
00:24:17,709 --> 00:24:20,250
HAS SHE UPPED HER $100 FEE?
626
00:24:20,333 --> 00:24:21,667
$500.
627
00:24:21,750 --> 00:24:23,792
BUT HALF PRICE.
628
00:24:23,875 --> 00:24:25,583
SHE SAID I HAVE A LOT OF
NEGATIVE ENERGY AROUND ME.
629
00:24:25,667 --> 00:24:26,917
[SCOFFS]
630
00:24:27,000 --> 00:24:28,417
TIME FOR TEA.
631
00:24:33,333 --> 00:24:34,375
I'VE NEVER BEEN
"NEW AGE."
632
00:24:34,458 --> 00:24:35,709
I KNOW.
633
00:24:35,792 --> 00:24:38,208
BUT YOU DO HAVE
SOME CLAIRVOYANCE.
634
00:24:38,291 --> 00:24:39,458
I MEAN, WHEN
YOU'RE SOLVING A MYSTERY,
635
00:24:39,542 --> 00:24:40,917
YOU'RE PRETTY GOOD.
636
00:24:41,000 --> 00:24:43,166
I THINK I MIGHT HAVE A TALENT
FOR DEDUCTIVE REASONING.
637
00:24:43,250 --> 00:24:44,792
LET ME ASK YOU
SOMETHING.
638
00:24:46,041 --> 00:24:47,250
ARE YOU HAPPY WITH YOUR LIFE?
639
00:24:47,333 --> 00:24:48,625
MY LIFE?
640
00:24:49,875 --> 00:24:51,625
WELL, OF COURSE,
IT'S FABULOUS.
641
00:24:51,709 --> 00:24:52,959
WELL, THEN
IF YOU SEE MAGDALENA,
642
00:24:53,041 --> 00:24:53,875
DO IT BECAUSE IT'S FUN.
643
00:24:53,959 --> 00:24:54,917
JUST FUN.
644
00:24:55,000 --> 00:24:57,750
YOU'RE RIGHT.
645
00:24:57,834 --> 00:24:58,750
I FEEL "CLEARED" NOW.
646
00:24:58,834 --> 00:25:00,875
THAT'LL BE $500.
647
00:25:00,959 --> 00:25:02,959
WELL, THERE'S
NO CONTACT PERSON
648
00:25:03,041 --> 00:25:06,750
LISTED ON...
ON HIS RENTAL AGREEMENT.
649
00:25:06,834 --> 00:25:09,875
BUT, YOU KNOW, THAT HAPPENS,
THOUGH, SOMETIMES,
650
00:25:09,959 --> 00:25:11,709
WITH THESE OLD PEOPLE.
651
00:25:11,792 --> 00:25:12,959
HAS THE UNIT
BEEN ENTERED
652
00:25:13,041 --> 00:25:14,250
SINCE THE POLICE
LEFT?
653
00:25:14,333 --> 00:25:15,959
NO, NO.
654
00:25:16,041 --> 00:25:17,500
UH, LISTEN,
655
00:25:17,583 --> 00:25:19,125
YOU'RE A DETECTIVE, RIGHT?
656
00:25:19,208 --> 00:25:20,458
MM-HMM.
657
00:25:20,542 --> 00:25:22,875
WELL, ART DIED
OF A HEART ATTACK.
658
00:25:22,959 --> 00:25:24,792
I MEAN, WHAT'S
THE DEAL HERE?
659
00:25:24,875 --> 00:25:26,875
NO DEAL.
660
00:25:26,959 --> 00:25:28,125
I JUST WANT TO
TAKE A LOOK AROUND.
661
00:25:38,709 --> 00:25:40,417
[♪♪♪]
662
00:26:35,917 --> 00:26:38,250
TURNS OUT HENLEY WASN'T
A COMPLETE LONER.
663
00:26:38,333 --> 00:26:39,375
A COUPLE OF WEEKS AGO,
664
00:26:39,458 --> 00:26:41,125
HE STRUCK UP A FRIENDSHIP
WITH SOMEONE.
665
00:26:41,208 --> 00:26:42,542
THE GUY THAT SELLS BIRDSEED
AT THE PARK THINKS
666
00:26:42,625 --> 00:26:44,709
THE NEW GUY'S NAME
WAS, UH, LARRY,
667
00:26:44,792 --> 00:26:46,083
OR JERRY.
668
00:26:46,166 --> 00:26:47,125
THE GUY WHO SELLS
BIRDSEED?
669
00:26:47,208 --> 00:26:48,291
YES.
670
00:26:48,375 --> 00:26:50,917
DON'T BE MAKING FUN OF
MY SOURCES.
671
00:26:51,000 --> 00:26:53,166
OH, AND THERE'S A SECURITY
CAMERA AT THE PARK.
672
00:26:53,250 --> 00:26:54,166
ART AND HIS FRIEND
MIGHT BE ON IT.
673
00:26:54,250 --> 00:26:55,875
OKAY, NOW, THAT'S INTERESTING.
674
00:26:57,875 --> 00:26:59,333
ALL RIGHT, I WENT BACK
TO HENLEY'S APARTMENT,
675
00:26:59,417 --> 00:27:01,291
YOU KNOW, TAKING
A LOOK AROUND.
676
00:27:01,375 --> 00:27:02,959
FOUND THAT
ON THE FRIDGE.
677
00:27:03,041 --> 00:27:04,333
LIFE COACH?
678
00:27:04,417 --> 00:27:05,917
HENLEY WAS SEEING A LIFE COACH?
679
00:27:06,000 --> 00:27:06,917
NOW, THAT DOESN'T
MAKE ANY SENSE.
680
00:27:07,000 --> 00:27:08,583
NOPE.
681
00:27:08,667 --> 00:27:10,542
"GERALD McNALLY."
682
00:27:10,625 --> 00:27:11,792
WELL, THAT CAN BE
JERRY OR LARRY.
683
00:27:11,875 --> 00:27:12,834
FRANKLY,
684
00:27:12,917 --> 00:27:15,333
AND DON'T QUOTE ME ON THIS,
685
00:27:15,417 --> 00:27:17,500
BUT WHEN SOMEONE
LIKE HENLEY DIES,
686
00:27:17,583 --> 00:27:19,500
WITH NO FRIENDS, NO FAMILY...
687
00:27:19,583 --> 00:27:21,709
NO ONE CARES,
688
00:27:21,792 --> 00:27:23,125
ESPECIALLY WHEN THERE'S
A CASE TO BE MADE
689
00:27:23,208 --> 00:27:24,417
THAT IT COULD BE A SUICIDE.
690
00:27:24,500 --> 00:27:26,625
I UNDERSTAND,
BUT IT JUST DOESN'T SEEM RIGHT.
691
00:27:26,709 --> 00:27:27,875
YEAH.
692
00:27:27,959 --> 00:27:29,166
ALL RIGHT,
WELL, I'M GOING TO SEE
693
00:27:29,250 --> 00:27:30,500
IF I CAN FIND SOMETHING
ON THAT PARK FOOTAGE.
694
00:27:30,583 --> 00:27:32,542
YOU KNOW, I'VE BEEN
LOOKING FOR A LIFE COACH.
695
00:27:33,667 --> 00:27:34,625
WHAT...
696
00:27:34,709 --> 00:27:36,166
I'D BE LIKE
A NEW CLIENT.
697
00:27:36,250 --> 00:27:38,750
HE'D HAVE NO IDEA
WHY I WAS THERE,
698
00:27:38,834 --> 00:27:40,542
BUT IF YOU GO,
AND HE'S SOMEHOW CONNECTED,
699
00:27:40,625 --> 00:27:41,583
IT COULD SPOOK HIM.
700
00:27:41,667 --> 00:27:42,792
AND THIS WAY,
701
00:27:42,875 --> 00:27:43,792
IF THERE'S ANYTHING HINKY
ABOUT THIS GUY--
702
00:27:43,875 --> 00:27:45,208
HINKY?
703
00:27:45,291 --> 00:27:46,333
YEAH, HINKY.
704
00:27:46,417 --> 00:27:47,333
WELL, THAT'S
THE EXPRESSION, RIGHT?
705
00:27:49,625 --> 00:27:51,000
JUST GO ON.
706
00:27:51,083 --> 00:27:52,667
WELL, THEN I REPORT
BACK TO YOU,
707
00:27:52,750 --> 00:27:53,917
AND YOU DO WHAT YOU DO.
708
00:27:54,000 --> 00:27:56,041
I'LL BE LIKE SCOUTING PATROL.
709
00:27:56,125 --> 00:27:58,291
NO MENTION OF ARTHUR HENLEY,
710
00:27:58,375 --> 00:27:59,375
AGATHA CHRISTIE,
711
00:27:59,458 --> 00:28:00,792
NICOTINE POISONING,
712
00:28:00,875 --> 00:28:01,750
OR PRIEST COLLARS.
713
00:28:01,834 --> 00:28:02,750
RIGHT.
714
00:28:02,834 --> 00:28:04,166
JUST LIFE COACHING.
715
00:28:05,959 --> 00:28:07,125
WERE YOU A GIRL SCOUT?
716
00:28:07,208 --> 00:28:08,500
NO.
717
00:28:12,750 --> 00:28:14,208
THIS PSYCHIC KNEW THINGS
718
00:28:14,291 --> 00:28:15,875
THAT WOULD BE IMPOSSIBLE
FOR HER TO KNOW.
719
00:28:15,959 --> 00:28:16,917
LIKE WHAT?
720
00:28:17,000 --> 00:28:17,875
LIKE DANI WAS MARRIED
721
00:28:17,959 --> 00:28:19,041
TO SOMEONE
NAMED DARREN.
722
00:28:19,125 --> 00:28:20,542
HOW WOULD SHE
KNOW THAT?
723
00:28:20,625 --> 00:28:21,500
MAYBE A PARTNER
RAN DANI'S PLATE
724
00:28:21,583 --> 00:28:23,000
THROUGH A DATABASE?
725
00:28:23,083 --> 00:28:25,417
THEY USE TRICKS
LIKE THAT.
726
00:28:25,500 --> 00:28:27,166
I READ WHERE A LONELY GUY
GOT TAKEN FOR MILLIONS
727
00:28:27,250 --> 00:28:29,583
BY A FORTUNE TELLER.
728
00:28:29,667 --> 00:28:31,041
IS DANI GETTING
TOO INVOLVED WITH THIS?
729
00:28:31,125 --> 00:28:32,083
I DON'T THINK SO.
730
00:28:32,166 --> 00:28:33,834
SHE'S JUST
GOING FOR FUN.
731
00:28:33,917 --> 00:28:35,417
SO, LOGAN,
732
00:28:35,500 --> 00:28:36,542
HOW IS THE CAMPING TRIP
COMING ALONG?
733
00:28:36,625 --> 00:28:37,667
GREAT.
734
00:28:37,750 --> 00:28:39,709
JUST HONING
MY WILDERNESS SKILLS.
735
00:28:39,792 --> 00:28:41,667
YOU GUYS ARE GOING
TO BE MISERABLE.
736
00:28:41,750 --> 00:28:44,000
NO, YOU GUYS ARE GOING
TO WISH YOU WERE THERE,
737
00:28:44,083 --> 00:28:45,208
WHILE WE'RE SITTING
BY A CAMPFIRE,
738
00:28:45,291 --> 00:28:46,375
DRINKING
HOT CHOCOLATE
739
00:28:46,458 --> 00:28:48,125
YOU KNOW,
UNDER THE STARS.
740
00:28:48,208 --> 00:28:49,542
YOU WON'T LAST
THE WEEK-END.
741
00:28:49,625 --> 00:28:51,333
YEAH, WE WILL.
RIGHT, DAD?
742
00:28:51,417 --> 00:28:53,041
ABSOLUTELY.
743
00:28:53,125 --> 00:28:54,333
HOT CHOCOLATE
SOUNDS GOOD.
744
00:28:54,417 --> 00:28:55,333
HOW ABOUT I MAKE SOME,
AND WE ALL PLAY HEARTS?
745
00:28:56,500 --> 00:28:57,417
I'M MEETING SOME
FRIENDS AT SCHOOL.
746
00:28:57,500 --> 00:28:59,750
YEAH, AND I'VE GOT
TO DO, UM...
747
00:29:01,125 --> 00:29:02,000
SOMETHING.
748
00:29:02,083 --> 00:29:03,583
OH.
749
00:29:03,667 --> 00:29:04,792
SORRY, MOM.
750
00:29:06,000 --> 00:29:06,959
EXCUSE US.
751
00:29:08,709 --> 00:29:09,750
CHESS?
752
00:29:09,834 --> 00:29:12,125
WHY NOT?
753
00:29:13,875 --> 00:29:16,500
[♪♪♪]
754
00:29:24,417 --> 00:29:25,875
THANK YOU VERY MUCH
FOR SEEING ME.
755
00:29:25,959 --> 00:29:27,333
OH, MY PLEASURE.
756
00:29:27,417 --> 00:29:31,291
DO YOU ONLY WORK
WITH WRITERS,
757
00:29:31,375 --> 00:29:34,333
OR DO YOU SEE
REGULAR PEOPLE?
758
00:29:34,417 --> 00:29:35,542
[CHUCKLING]
759
00:29:35,625 --> 00:29:36,709
ABOUT HALF MY CLIENTS
ARE REGULAR PEOPLE,
760
00:29:36,792 --> 00:29:38,709
BUT GIVEN
MY BACKGROUND,
761
00:29:38,792 --> 00:29:41,083
I'M UNIQUELY SUITED
TO HELP CREATIVE TYPES.
762
00:29:41,166 --> 00:29:42,458
OH.
763
00:29:42,542 --> 00:29:43,709
WHAT'S YOUR BACKGROUND?
764
00:29:43,792 --> 00:29:44,875
I WAS A WRITER,
765
00:29:44,959 --> 00:29:46,542
AND THEN AN EDITOR
AT A PUBLISHING HOUSE.
766
00:29:46,625 --> 00:29:47,875
UNFORTUNATELY,
767
00:29:47,959 --> 00:29:48,875
THE INTERNET HAS NOT
BEEN KIND TO PUBLISHERS,
768
00:29:48,959 --> 00:29:50,875
OR BOOKSTORES.
769
00:29:50,959 --> 00:29:52,208
THAT'S A SHAME.
770
00:29:52,291 --> 00:29:55,500
I ACTUALLY FIND THIS WORK
MUCH MORE SATISFYING.
771
00:29:55,583 --> 00:29:56,583
ARE YOU A WRITER?
772
00:29:56,667 --> 00:29:57,917
OH, NO.
773
00:29:58,000 --> 00:29:58,917
I'M....
774
00:29:59,000 --> 00:29:59,959
I LOVE TO READ.
775
00:30:00,041 --> 00:30:01,083
I'M A BIG MYSTERY FAN.
776
00:30:01,166 --> 00:30:03,375
THAT WAS MY AREA
WHEN I WAS AN EDITOR.
777
00:30:04,834 --> 00:30:06,500
WELL, YOU'LL HAVE TO
RECOMMEND SOME BOOKS.
778
00:30:06,583 --> 00:30:08,000
I WILL.
779
00:30:08,083 --> 00:30:11,542
I'M NOT AT ALL SURE
WHAT A "LIFE COACH" DOES.
780
00:30:11,625 --> 00:30:13,792
WELL, FIRST OFF,
IT'S NOT PSYCHOTHERAPY, OKAY?
781
00:30:13,875 --> 00:30:15,583
I DON'T FOCUS ON THE PAST,
782
00:30:15,667 --> 00:30:17,542
I WANT TO HELP YOU LOOK FORWARD
AND ACHIEVE YOUR GOALS.
783
00:30:17,625 --> 00:30:19,250
IT'S PRACTICAL.
784
00:30:19,333 --> 00:30:20,709
OKAY.
785
00:30:20,792 --> 00:30:25,125
SO, LET'S START WITH
A SIMPLE QUESTION.
786
00:30:25,208 --> 00:30:27,875
GIVEN WHERE YOU ARE
IN LIFE RIGHT NOW,
787
00:30:27,959 --> 00:30:30,375
WHAT WOULD YOU
LIKE TO CHANGE?
788
00:30:30,458 --> 00:30:33,000
ANYTHING AT ALL.
789
00:30:33,083 --> 00:30:34,750
OFF THE TOP OF YOUR HEAD,
FIRST THING.
790
00:30:34,834 --> 00:30:35,917
UH--
791
00:30:36,000 --> 00:30:37,834
FRANK, I'M LEAVING McNALLY'S.
792
00:30:37,917 --> 00:30:38,917
DID YOU KNOW
793
00:30:39,000 --> 00:30:40,750
THAT HE USED TO HANDLE
MYSTERY WRITERS
794
00:30:40,834 --> 00:30:42,333
FOR A PUBLISHING HOUSE?
795
00:30:42,417 --> 00:30:44,542
YOU KNOW THAT DOESN'T
CONNECT HIM TO THE BIRD GUY.
796
00:30:44,625 --> 00:30:46,750
NO, I KNOW THAT
DOESN'T CONNECT HIM TO HENLEY,
797
00:30:46,834 --> 00:30:50,333
BUT SEE IF THIS MIGHT,
798
00:30:50,417 --> 00:30:53,250
I'M IN THE PARKING LOT
AT McNALLY'S OFFICE,
799
00:30:53,333 --> 00:30:55,125
AND I AM LOOKING AT
AN ENDANGERED SPECIES.
800
00:30:55,208 --> 00:30:56,875
WHAT'S THAT?
801
00:30:56,959 --> 00:30:59,208
A PAY PHONE.
802
00:31:00,542 --> 00:31:02,625
I THINK GERALD McNALLY
COULD BE CONNECTED
803
00:31:02,709 --> 00:31:04,250
TO ART HENLEY'S DEATH.
804
00:31:04,333 --> 00:31:05,792
HOW?
805
00:31:05,875 --> 00:31:06,625
WHY WOULD THEY EVEN
KNOW EACH OTHER?
806
00:31:06,709 --> 00:31:08,417
I DON'T KNOW,
807
00:31:08,500 --> 00:31:10,875
BUT McNALLY'S CARD
WAS ON HENLEY'S REFRIGERATOR,
808
00:31:10,959 --> 00:31:13,542
AND THERE WAS A PAYPHONE
OUTSIDE OF McNALLY'S OFFICE?
809
00:31:13,625 --> 00:31:15,041
THAT CAN'T BE
A COINCIDENCE.
810
00:31:15,125 --> 00:31:16,917
[SHOP BELL JINGLES]
811
00:31:18,458 --> 00:31:20,458
THE SECURITY CAM FOOTAGE
FROM THE DAY BEFORE
812
00:31:20,542 --> 00:31:22,834
AND OF HENLEY'S DEATH.
813
00:31:25,500 --> 00:31:27,834
ALL RIGHT.
814
00:31:27,917 --> 00:31:30,250
OKAY.
815
00:31:30,333 --> 00:31:32,166
SO, THIS IS THE DAY BEFORE,
816
00:31:32,250 --> 00:31:34,625
AND THERE'S ART HENLEY,
FEEDING THE BIRDS.
817
00:31:36,542 --> 00:31:40,083
OKAY, NOW WE'VE GOT
ANOTHER MAN JOINING HIM,
818
00:31:40,166 --> 00:31:41,875
AND HE'S WEARING A BRIMMED CAP,
819
00:31:41,959 --> 00:31:43,041
WHICH IS BLOCKING HIS FACE
820
00:31:43,125 --> 00:31:44,959
AS HE APPROACHES.
821
00:31:45,041 --> 00:31:47,500
AND NOW WE CAN ONLY
SEE THEIR BACKS.
822
00:31:47,583 --> 00:31:51,083
NOW, THEY SAT AND TALKED HERE
FOR A FEW MINUTES.
823
00:31:51,166 --> 00:31:53,125
YOU KNOW,
EVERYTHING SEEMED FRIENDLY.
824
00:31:53,208 --> 00:31:55,750
NOW THE OTHER MAN WALKS AWAY...
825
00:31:58,667 --> 00:32:01,917
...AND THEN ART HENLEY WALKS
IN THE OPPOSITE DIRECTION.
826
00:32:03,000 --> 00:32:04,166
NOW...
827
00:32:04,250 --> 00:32:05,417
THIS IS THE DAY OF HIS DEATH.
828
00:32:08,500 --> 00:32:10,500
SO, THERE'S ARTHUR HENLEY,
829
00:32:10,583 --> 00:32:11,792
HE'S FEEDING THE BIRDS...
830
00:32:12,959 --> 00:32:14,583
BUT THIS TIME,
831
00:32:14,667 --> 00:32:16,291
NOBODY JOINS HIM.
832
00:32:18,166 --> 00:32:20,041
ALL RIGHT, YOU SEE?
833
00:32:20,125 --> 00:32:22,375
SEE, HE'S LOOKING AROUND
AS IF HE'S EXPECTING SOMEONE.
834
00:32:22,458 --> 00:32:25,458
COULD HE BE WAITING
FOR THAT GUY AGAIN?
835
00:32:25,542 --> 00:32:28,375
HE JUST FINISHES
FEEDING THE BIRDS...
836
00:32:31,250 --> 00:32:34,417
THEN HE WALKS AWAY.
837
00:32:34,500 --> 00:32:36,208
OKAY, SO WHO'S THIS OTHER GUY?
838
00:32:36,291 --> 00:32:37,917
NOW, THE 911 CALL,
839
00:32:38,000 --> 00:32:39,959
IT WAS MADE FROM THE PHONE
RIGHT OUTSIDE McNALLY'S OFFICE.
840
00:32:42,000 --> 00:32:43,208
THAT SECURITY CAM,
841
00:32:43,291 --> 00:32:45,834
WELL, MAKES HENLEY JUST LUCKY
HE HAS A FRIEND.
842
00:32:45,917 --> 00:32:46,959
BUT THAT PAYPHONE,
843
00:32:47,041 --> 00:32:48,125
WELL, THAT LOOKS BAD
FOR McNALLY.
844
00:32:49,500 --> 00:32:50,667
CONGRATULATIONS, JENN,
845
00:32:50,750 --> 00:32:52,333
GERALD McNALLY IS NOW
A PERSON OF INTEREST.
846
00:32:52,417 --> 00:32:55,000
YOUR LIFE COACH.
847
00:32:55,083 --> 00:32:56,792
YOU WERE JUST
WITH HIM.
848
00:32:56,875 --> 00:32:58,792
I'M CALLING THIS
A POSSIBLE HOMICIDE.
849
00:32:58,875 --> 00:33:01,041
YOU KNOW, IF YOU HADN'T
HAVE THOUGHT
850
00:33:01,125 --> 00:33:03,500
OF THAT OLD BOOK
WITH THAT MURDER IN IT,
851
00:33:03,583 --> 00:33:06,041
NOBODY WOULD HAVE
PAID ATTENTION TO THIS.
852
00:33:06,125 --> 00:33:07,041
MAYBE.
853
00:33:07,125 --> 00:33:08,291
DEFINITELY.
854
00:33:08,375 --> 00:33:09,542
THEY WOULD HAVE
RULED IT A SUICIDE,
855
00:33:09,625 --> 00:33:11,250
CASE CLOSED.
856
00:33:12,417 --> 00:33:13,333
YOU'RE REALLY
GOOD AT THIS, JENN.
857
00:33:14,625 --> 00:33:15,667
THANK YOU.
858
00:33:15,750 --> 00:33:17,041
BUT YOU CAN'T
OFFICIALLY BE INVOLVED.
859
00:33:17,125 --> 00:33:18,458
OKAY--
860
00:33:18,542 --> 00:33:19,500
BUT, UNOFFICIALLY
861
00:33:19,583 --> 00:33:21,250
I'M GOING TO NEED YOUR HELP,
862
00:33:21,333 --> 00:33:22,291
AS A CONSULTANT.
863
00:33:22,375 --> 00:33:24,166
[GASPS]
864
00:33:24,250 --> 00:33:25,083
DOES SHE
GET A BADGE?
865
00:33:25,166 --> 00:33:26,542
NO.
866
00:33:26,625 --> 00:33:28,792
[♪♪♪]
867
00:33:30,041 --> 00:33:32,667
IT'S JUST NICE
TO BE ACKNOWLEDGED.
868
00:33:32,750 --> 00:33:33,834
SO, IF GERALD McNALLY
IS THE KILLER,
869
00:33:33,917 --> 00:33:34,875
YOU GET THE CREDIT.
870
00:33:34,959 --> 00:33:35,875
OH, I DON'T CARE
ABOUT THAT,
871
00:33:35,959 --> 00:33:38,375
JUST AS LONG AS
THEY CATCH THE KILLER.
872
00:33:38,458 --> 00:33:40,125
DANI, THIS IS
AN ORIGINAL TONKA.
873
00:33:40,208 --> 00:33:41,291
WHAT? [GASPS]
874
00:33:41,375 --> 00:33:42,291
LOOK AT THAT.
875
00:33:42,375 --> 00:33:43,333
ARE YOU SERIOUS?
876
00:33:43,417 --> 00:33:44,291
YEAH.
I'M GOING TO BUY IT.
877
00:33:44,375 --> 00:33:46,208
OKAY, GOOD EYE.
878
00:33:49,291 --> 00:33:51,166
HI, UM, I'M DANI.
879
00:33:51,250 --> 00:33:52,834
WE MET OUTSIDE
OF MAGGIE'S?
880
00:33:52,917 --> 00:33:54,458
OH, YES.
881
00:33:54,542 --> 00:33:58,166
I HAD THE MOST AMAZING
SESSION THAT DAY.
882
00:33:58,250 --> 00:34:01,375
SHE WAS ABLE TO CROSS OVER
AND TALK WITH MY HUSBAND.
883
00:34:03,000 --> 00:34:04,709
YOUR HUSBAND IS DECEASED?
884
00:34:04,792 --> 00:34:06,375
SEVERAL YEARS NOW.
885
00:34:06,458 --> 00:34:08,417
OH, MAGGIE'S BEEN A GODSEND.
886
00:34:08,500 --> 00:34:10,000
I MEAN, THERE ARE SO MANY THINGS
887
00:34:10,083 --> 00:34:12,375
THAT ARE HARD FOR ME TO MANAGE
WITHOUT HIM,
888
00:34:12,458 --> 00:34:14,375
INVESTMENTS, FOR INSTANCE.
889
00:34:15,500 --> 00:34:16,667
SO, IS THERE
ANYTHING SPECIAL
890
00:34:16,750 --> 00:34:17,750
YOU LOOK FOR
AT THESE THINGS?
891
00:34:17,834 --> 00:34:19,542
OH, YES.
892
00:34:19,625 --> 00:34:21,375
I COLLECT LEFTON CUDDLES.
893
00:34:21,458 --> 00:34:24,291
THEY'RE REALLY
HARD TO FIND.
894
00:34:24,375 --> 00:34:26,625
WOULD YOU BE INTERESTED IN
A WHITE CAT CREAMER
895
00:34:26,709 --> 00:34:27,667
AND SUGAR BOWL SET?
896
00:34:27,750 --> 00:34:29,000
REALLY?
897
00:34:29,083 --> 00:34:30,083
YOU HAVE ONE?
898
00:34:30,166 --> 00:34:31,792
I HAVE A LITTLE SHOP,
899
00:34:31,875 --> 00:34:33,625
AND I'D LOVE TO SEE
YOUR COLLECTION.
900
00:34:33,709 --> 00:34:34,750
I'D BE HAPPY
TO BRING THEM OUT TO YOU.
901
00:34:34,834 --> 00:34:37,333
OH, THAT WOULD BE WONDERFUL.
902
00:34:37,417 --> 00:34:40,125
OH, LET ME GIVE YOU
MY ADDRESS.
903
00:34:40,208 --> 00:34:41,166
OKAY.
904
00:34:41,250 --> 00:34:43,083
[♪♪♪]
905
00:34:47,583 --> 00:34:49,750
ALWAYS HAPPY
TO HELP THE POLICE.
906
00:34:49,834 --> 00:34:50,750
WHAT'S THIS ABOUT?
907
00:34:52,834 --> 00:34:53,875
YOU KNOW WHO THIS IS?
908
00:34:53,959 --> 00:34:55,125
HMM...
909
00:34:55,208 --> 00:34:57,000
NO, I'VE NEVER SEEN HIM.
910
00:34:57,083 --> 00:34:58,667
HAVE YOU EVER BEEN
TO FREEMAN PARK?
911
00:34:58,750 --> 00:35:00,333
YES, I'VE BEEN THERE.
912
00:35:00,417 --> 00:35:01,709
[FRANK]: HOW LONG AGO?
913
00:35:01,792 --> 00:35:03,583
[GERALD]: OOH, AT LEAST
A COUPLE YEARS.
914
00:35:03,667 --> 00:35:05,417
THE MAN IN THAT PHOTO
IS ART HENLEY.
915
00:35:05,500 --> 00:35:06,583
DOES THAT
MEAN ANYTHING TO YOU?
916
00:35:06,667 --> 00:35:10,166
HMM, CAN'T SAY
THAT IT DOES.
917
00:35:10,250 --> 00:35:12,417
HIS BODY WAS FOUND A WEEK AGO.
918
00:35:12,500 --> 00:35:13,959
HE SWALLOWED NICOTINE OIL,
919
00:35:14,041 --> 00:35:15,542
AND THE WEIRD THING IS,
920
00:35:15,625 --> 00:35:17,166
IS HE HAD BEEN DRINKING
A GLASS OF WHISKEY,
921
00:35:17,250 --> 00:35:18,500
AND THERE WAS NO
NICOTINE RESIDUE
922
00:35:18,583 --> 00:35:20,208
IN THE GLASS.
923
00:35:20,291 --> 00:35:21,667
WHAT'S EVEN STRANGER,
924
00:35:21,750 --> 00:35:23,917
IS HE WAS WEARING
A CLERICAL COLLAR,
925
00:35:24,000 --> 00:35:24,959
AND HE'S NOT EVEN A PRIEST.
926
00:35:25,041 --> 00:35:26,000
[McNALLY LAUGHS]
927
00:35:26,083 --> 00:35:27,166
IS THIS SOME KIND OF A JOKE?
928
00:35:27,250 --> 00:35:29,250
YOU'VE JUST DESCRIBED
929
00:35:29,333 --> 00:35:30,583
A FAMOUS MURDER
930
00:35:30,667 --> 00:35:32,125
TAKEN STRAIGHT OUT OF
AGATHA CHRISTIE.
931
00:35:32,208 --> 00:35:34,250
[FRANK]: YOU'RE OBVIOUSLY
FAMILIAR WITH THE BOOK.
932
00:35:34,333 --> 00:35:35,333
[McNALLY]: OF COURSE I AM.
933
00:35:35,417 --> 00:35:36,667
[FRANK]: WELL, IN THE BOOK,
934
00:35:36,750 --> 00:35:37,792
WHY WAS THERE NO NICOTINE
RESIDUE IN THE GLASS?
935
00:35:37,875 --> 00:35:39,667
THE KILLER SUBSTITUTES
A CLEAN GLASS
936
00:35:39,750 --> 00:35:40,625
FOR THE TAINTED ONE.
937
00:35:40,709 --> 00:35:43,041
WHAT HAPPENS NEXT?
938
00:35:43,125 --> 00:35:46,667
DR. STRANGE IS MURDERED
BY THE SAME METHOD,
939
00:35:46,750 --> 00:35:48,458
CONCENTRATED OIL
OF NICOTINE,
940
00:35:48,542 --> 00:35:50,000
EXCEPT IN THIS CASE,
941
00:35:50,083 --> 00:35:51,000
IT'S ADMINISTERED
IN A TAINTED GLASS OF PORT
942
00:35:51,083 --> 00:35:52,625
AT A DINNER PARTY.
943
00:35:52,709 --> 00:35:53,959
CLASSIC CHRISTIE.
944
00:35:56,709 --> 00:35:59,000
YOUR BUSINESS CARD WAS
FOUND ON HENLEY'S FRIDGE.
945
00:35:59,083 --> 00:36:00,166
HE WASN'T A CLIENT.
946
00:36:01,542 --> 00:36:03,000
AFTER HE DRANK THE POISON,
947
00:36:03,083 --> 00:36:05,333
AN ANONYMOUS CALL
CAME INTO TO 911.
948
00:36:06,834 --> 00:36:09,959
IT WAS MADE FROM A PAYPHONE
RIGHT OUTSIDE YOUR OFFICE.
949
00:36:10,041 --> 00:36:11,333
[SCOFFS]
950
00:36:11,417 --> 00:36:13,834
LOOK, IF I WAS GOING
TO KILL SOMEONE,
951
00:36:13,917 --> 00:36:15,834
I'D MAKE IT MORE MODERN.
952
00:36:15,917 --> 00:36:17,875
DON'T INSULT ME
WITH PRIEST COLLARS
953
00:36:17,959 --> 00:36:20,333
AND OIL OF NICOTINE.
954
00:36:20,417 --> 00:36:21,417
ARE YOU
955
00:36:21,500 --> 00:36:23,542
ACTUALLY
ARRESTING ME?
956
00:36:23,625 --> 00:36:25,417
JUST ASKING A FEW QUESTIONS.
957
00:36:25,500 --> 00:36:29,041
AH, WELL, THEN,
IT HAS BEEN A PLEASURE...
958
00:36:29,125 --> 00:36:30,375
DETECTIVE?
959
00:36:30,458 --> 00:36:31,667
MM.
960
00:36:31,750 --> 00:36:32,959
[CHUCKLING]
961
00:36:35,417 --> 00:36:36,750
OH, MY...
962
00:36:45,917 --> 00:36:47,458
OKAY...
963
00:36:47,542 --> 00:36:50,458
JUST BEND THIS UP,
AND WE HAVE A TENT.
964
00:36:54,625 --> 00:36:56,792
NICE.
965
00:37:03,583 --> 00:37:05,583
I'M BEING TESTED.
966
00:37:07,417 --> 00:37:09,166
YOU SOUND WORRIED
THAT IT'S A SCAM.
967
00:37:09,250 --> 00:37:11,250
WELL, MADAME MAGDALENA
CLAIMS TO BE THE GO-BETWEEN
968
00:37:11,333 --> 00:37:12,458
TO THE OTHER SIDE,
969
00:37:12,542 --> 00:37:13,709
AND THIS
POOR WIDOW THINKS
970
00:37:13,792 --> 00:37:14,750
SHE'S GETTING
INVESTMENT ADVICE
971
00:37:14,834 --> 00:37:17,291
FROM HER
DECEASED HUSBAND.
972
00:37:17,375 --> 00:37:18,750
CALL FRANK.
973
00:37:18,834 --> 00:37:19,917
THEY GOT A "BUNCO" SQUAD
974
00:37:20,000 --> 00:37:21,875
THAT DEALS WITH
SCAMSTERS AND FRAUDS,
975
00:37:21,959 --> 00:37:23,750
EXACTLY THIS
KIND OF STUFF.
976
00:37:23,834 --> 00:37:25,625
THAT'S A GOOD IDEA.
977
00:37:25,709 --> 00:37:27,166
I'LL CALL HIM TOMORROW.
978
00:37:27,250 --> 00:37:29,166
GOOD.
979
00:37:29,250 --> 00:37:31,000
I SEE THE TENT OUTSIDE.
980
00:37:31,083 --> 00:37:32,166
UH-HUH.
981
00:37:32,291 --> 00:37:33,583
HOW'S THE BIG
CAMPING TRIP COMING ALONG?
982
00:37:33,667 --> 00:37:35,125
WE'RE ALMOST SET.
983
00:37:35,208 --> 00:37:37,208
YEAH, GETTING BACK
TO NATURE,
984
00:37:37,291 --> 00:37:38,291
IT'S GOING TO BE GREAT.
985
00:37:38,375 --> 00:37:39,500
HMM.
986
00:37:39,583 --> 00:37:40,542
YOU SHOULD JOIN US
ON THE NEXT TRIP.
987
00:37:40,625 --> 00:37:41,667
MAYBE.
988
00:37:41,750 --> 00:37:42,834
NOT.
989
00:37:42,917 --> 00:37:43,792
[WINCING] OH...
990
00:37:43,875 --> 00:37:45,333
[CHUCKLING]
991
00:37:45,417 --> 00:37:47,458
I AM AFRAID THAT
SHE IS ROBBING HER BLIND
992
00:37:47,542 --> 00:37:48,542
UNDER THE GUISE OF
993
00:37:48,625 --> 00:37:50,125
COMMUNICATING WITH
THE OTHER SIDE.
994
00:37:50,208 --> 00:37:52,041
WELL, AS LONG AS
CLARA IS COMPETENT,
995
00:37:52,125 --> 00:37:54,083
SHE'S ENTITLED TO MAKE
HER OWN DECISIONS.
996
00:37:54,166 --> 00:37:55,500
YOU KNOW, A FAMILY MEMBER,
997
00:37:55,583 --> 00:37:57,458
NOW, THEY CAN COMPLAIN
TO SENIOR PROTECTIVE SERVICES,
998
00:37:57,542 --> 00:38:00,166
BUT DANI
DOESN'T QUALIFY.
999
00:38:00,250 --> 00:38:02,917
WHAT IF SHE DEFRAUDED ME?
1000
00:38:03,000 --> 00:38:04,583
THEN YOU MAKE A COMPLAINT,
1001
00:38:04,667 --> 00:38:06,208
AND OUR FRAUD UNIT
WILL INVESTIGATE.
1002
00:38:09,875 --> 00:38:11,834
[KNOCKING]
1003
00:38:15,709 --> 00:38:17,000
GERALD?
1004
00:38:18,834 --> 00:38:19,875
GERALD?
1005
00:38:21,000 --> 00:38:22,083
[GASPS]
1006
00:38:29,458 --> 00:38:31,125
[POLICE CHATTER, SIRENS WAIL]
1007
00:38:38,750 --> 00:38:41,959
THE BODY WAS FOUND
BY THE 2:00 CLIENT.
1008
00:38:42,041 --> 00:38:43,291
HE SAW HIM AND BACKED OUT.
1009
00:38:43,375 --> 00:38:45,125
HAS IT BEEN SECURED SINCE?
1010
00:38:45,208 --> 00:38:46,125
YES, SIR.
1011
00:38:57,250 --> 00:38:59,709
NO OBVIOUS WOUNDS.
1012
00:38:59,792 --> 00:39:01,834
THERE'S BLOOD
AROUND THE ROOM,
1013
00:39:01,917 --> 00:39:03,834
BUT NONE ON THE BODY.
1014
00:39:03,917 --> 00:39:06,333
BLOOD ON
THE COFFEE TABLE,
1015
00:39:06,417 --> 00:39:07,583
SOME ON THE CARPET,
1016
00:39:07,667 --> 00:39:08,709
AND, UH...
1017
00:39:09,834 --> 00:39:10,709
LOOK AT THIS.
1018
00:39:14,208 --> 00:39:15,959
OKAY. THANK YOU.
1019
00:39:16,041 --> 00:39:16,917
THANK YOU, SIR.
1020
00:39:29,375 --> 00:39:31,125
"THE DECAMERON."
1021
00:40:02,417 --> 00:40:04,041
"SIGERSON"...
1022
00:40:08,542 --> 00:40:10,333
[SIGHS HEAVILY]
1023
00:40:17,750 --> 00:40:18,709
THAT'S AWFUL.
1024
00:40:20,083 --> 00:40:23,834
I CAN'T BELIEVE IT,
I JUST SAW HIM.
1025
00:40:23,917 --> 00:40:27,000
WAS THIS THE SECOND MURDER
FROM
MURDER IN THREE ACTS
?
1026
00:40:27,083 --> 00:40:28,709
NO, IT'S DIFFERENT,
1027
00:40:28,792 --> 00:40:30,333
AND REALLY ODD.
1028
00:40:30,417 --> 00:40:31,959
AND THE WORD "RACHE"
1029
00:40:32,041 --> 00:40:34,250
WAS WRITTEN ON THE WALL
IN FAKE BLOOD.
1030
00:40:34,333 --> 00:40:36,917
COULD IT BE "RACHEL"?
1031
00:40:37,000 --> 00:40:38,709
[AGHAST]
NO, IT DOESN'T MEAN "RACHEL".
1032
00:40:38,792 --> 00:40:40,834
"RACHE" IS GERMAN
FOR "REVENGE."
1033
00:40:40,917 --> 00:40:44,041
WAS THERE A WOMAN'S GOLD
WEDDING RING ON THE FLOOR,
1034
00:40:44,125 --> 00:40:45,542
AND A PILL BOX
WITH SOME PILLS INSIDE?
1035
00:40:45,625 --> 00:40:47,125
YEAH.
1036
00:40:48,667 --> 00:40:50,625
I'LL TELL YOU WHAT ELSE
WAS AT YOUR CRIME SCENE...
1037
00:40:52,208 --> 00:40:53,625
WHERE IS IT...
1038
00:40:56,125 --> 00:40:57,709
HERE IT IS.
1039
00:40:57,792 --> 00:40:58,667
WAS HE HOLDING
A BOOK IN HIS HAND,
1040
00:40:58,750 --> 00:40:59,625
THE DECAMERON ?
1041
00:41:01,291 --> 00:41:03,250
YEAH, ALL THAT.
1042
00:41:03,333 --> 00:41:05,500
THE KILLER TOOK THIS STRAIGHT
OUT OF SHERLOCK HOLMES,
1043
00:41:05,583 --> 00:41:06,709
"A STUDY IN SCARLET."
1044
00:41:06,792 --> 00:41:08,125
WELL, WE MAY
HAVE A BREAK.
1045
00:41:08,208 --> 00:41:10,166
McNALLY HAD
AN 11:00 A.M. SCHEDULED
1046
00:41:10,250 --> 00:41:11,625
WITH A GUY NAMED
"SIGERSON."
1047
00:41:11,709 --> 00:41:13,333
WE'RE LOOKING FOR HIM NOW,
1048
00:41:13,417 --> 00:41:14,709
AND IF HE'S NOT THE KILLER,
1049
00:41:14,792 --> 00:41:16,000
AT LEAST HE'S THE LAST GUY
TO SEE McNALLY ALIVE.
1050
00:41:16,083 --> 00:41:18,583
THERE'S A WRITING PROFESSOR
OVER AT THE J.C.,
1051
00:41:18,667 --> 00:41:20,250
HE'S PRETTY KNOWLEDGEABLE
ON MYSTERIES,
1052
00:41:20,333 --> 00:41:21,333
TERRANCE DUNCAN.
1053
00:41:21,417 --> 00:41:22,417
I'LL TRY TO SEE HIM TOMORROW.
1054
00:41:22,500 --> 00:41:25,083
DO IT, BUT TELL HIM
IT'S CONFIDENTIAL.
1055
00:41:25,166 --> 00:41:26,166
WILL DO.
1056
00:41:26,250 --> 00:41:28,375
ALL RIGHT,
I GOTTA GO.
1057
00:41:28,458 --> 00:41:30,250
HEY, JENN.
1058
00:41:30,333 --> 00:41:31,375
HEY HON'.
1059
00:41:31,458 --> 00:41:32,875
HELLO, FRANK.
1060
00:41:32,959 --> 00:41:33,834
HEY, JASON.
1061
00:41:38,542 --> 00:41:40,291
WELL, JENN, SHE KNOWS
HER MYSTERY STORIES.
1062
00:41:40,375 --> 00:41:42,166
I ASKED HER TO CONSULT.
1063
00:41:42,250 --> 00:41:44,333
YOU KNOW, USE THAT
MYSTERY-SOLVING MIND OF HERS.
1064
00:41:44,417 --> 00:41:47,583
POSSIBLY TALK WITH SOME PEOPLE
NOT DIRECTLY CONNECTED.
1065
00:41:47,667 --> 00:41:49,709
BUT IF YOU WANT ME
TO KEEP HER OUT OF IT,
1066
00:41:49,792 --> 00:41:50,875
I'LL DO IT.
1067
00:41:50,959 --> 00:41:53,208
I DON'T CONTROL HER.
1068
00:41:55,041 --> 00:41:55,917
THAT'S HER CHARM.
1069
00:41:57,583 --> 00:41:58,959
GOOD NIGHT, FRANK.
1070
00:41:59,041 --> 00:42:00,583
GOOD NIGHT, JASON.
1071
00:42:05,792 --> 00:42:07,208
NEW BOOK?
1072
00:42:07,291 --> 00:42:08,291
NO, SAME ONE.
1073
00:42:08,375 --> 00:42:09,375
MYSTERY WRITER
FROM THE BOOKSTORE.
1074
00:42:09,458 --> 00:42:10,542
HE COULD BE
A GOOD REFERENCE
1075
00:42:10,625 --> 00:42:12,041
FOR FRANK.
1076
00:42:13,166 --> 00:42:14,041
CAN WE TALK?
1077
00:42:18,417 --> 00:42:19,917
I'M JUST CONSULTING.
1078
00:42:20,000 --> 00:42:24,166
MAYBE I DON'T
SAY THIS ENOUGH, BUT...
1079
00:42:24,291 --> 00:42:25,291
I REALLY LOVE YOU.
1080
00:42:25,375 --> 00:42:28,166
AW, JASON...
1081
00:42:28,250 --> 00:42:29,875
YOU KNOW, SOMETIMES,
I'LL BE AT WORK...
1082
00:42:29,959 --> 00:42:31,875
OR, YOU KNOW,
DRIVING IN MY CAR,
1083
00:42:31,959 --> 00:42:33,750
OR DOING NOTHING,
AND YOU JUST...
1084
00:42:33,834 --> 00:42:35,792
POP INTO MY HEAD.
1085
00:42:35,875 --> 00:42:38,625
YOU'RE MY EVERYTHING, JENN,
MY GIRL,
1086
00:42:38,709 --> 00:42:42,125
AND IF ANYTHING EVER
HAPPENED TO YOU, IT...
1087
00:42:42,208 --> 00:42:43,125
IT WOULD DEVASTATE ME.
1088
00:42:43,208 --> 00:42:44,709
OH, HONEY...
1089
00:42:44,792 --> 00:42:47,125
I PROMISE
I'LL BE CAREFUL,
1090
00:42:47,208 --> 00:42:50,166
AND IF YOU DON'T WANT ME
TO DO THIS, I WON'T.
1091
00:42:50,250 --> 00:42:52,834
YOU GOT A TALENT.
1092
00:42:52,917 --> 00:42:54,542
I MARRIED SOMEONE
WHO CAN MAKE SENSE OF MURDER.
1093
00:42:54,625 --> 00:42:56,125
I COULD TAKE UP GARDENING.
1094
00:42:58,709 --> 00:43:00,875
JUST BE WHO YOU ARE.
1095
00:43:00,959 --> 00:43:02,250
BUT CAREFUL.
1096
00:43:03,709 --> 00:43:05,083
I WILL.
1097
00:43:17,834 --> 00:43:21,041
OH, THESE ARE JUST LOVELY.
1098
00:43:21,125 --> 00:43:23,458
THANK YOU SO MUCH.
1099
00:43:23,542 --> 00:43:25,208
YOU HAVE
A BEAUTIFUL COLLECTION.
1100
00:43:25,291 --> 00:43:26,208
ANY FAVORITES?
1101
00:43:26,291 --> 00:43:27,250
OH, YES.
1102
00:43:27,333 --> 00:43:28,542
OVER HERE...
1103
00:43:28,625 --> 00:43:30,000
OH, PLEASE,
DO SIT. SIT.
1104
00:43:30,083 --> 00:43:31,000
THANK YOU.
1105
00:43:32,834 --> 00:43:35,542
IT'S A BLUE BOY,
LIMITED EDITION.
1106
00:43:35,625 --> 00:43:37,625
OH, VERY NICE.
1107
00:43:37,709 --> 00:43:39,458
I MET CLARA
AT MAGDALENA'S.
1108
00:43:39,542 --> 00:43:40,709
OH.
1109
00:43:40,792 --> 00:43:42,458
SINCE MY HUSBAND
PASSED,
1110
00:43:42,542 --> 00:43:44,041
IT'S BEEN
A BIT OVERWHELMING.
1111
00:43:44,125 --> 00:43:47,875
IT'S WONDERFUL MAGGIE
CAN COMMUNICATE WITH HIM.
1112
00:43:47,959 --> 00:43:48,959
SO REASSURING.
1113
00:43:49,041 --> 00:43:49,917
WHAT HAS HE
COMMUNICATED?
1114
00:43:50,000 --> 00:43:51,125
THANK YOU.
1115
00:43:51,208 --> 00:43:52,417
WELL, EDGAR,
HE'S VERY CONCERNED
1116
00:43:52,500 --> 00:43:54,792
THAT SAVINGS BARELY
PAY ANYTHING THESE DAYS.
1117
00:43:54,875 --> 00:43:56,709
MAGGIE KNOWS
SOME MANAGERS
1118
00:43:56,792 --> 00:43:59,083
WHO CAN GET ME 15%.
1119
00:43:59,166 --> 00:44:01,834
IT'S CALLED A HEDGE FUND.
1120
00:44:01,917 --> 00:44:03,375
AND YOU'VE BEEN COLLECTING
INTEREST FROM THESE PAYMENTS?
1121
00:44:03,458 --> 00:44:04,458
OH, YES.
1122
00:44:04,542 --> 00:44:06,458
I ONLY INVESTED A LITTLE BIT,
1123
00:44:06,542 --> 00:44:08,667
BECAUSE I WANTED TO BE SURE
IT WAS LEGITIMATE.
1124
00:44:08,750 --> 00:44:10,583
I'VE RECEIVED
THREE PAYMENTS,
1125
00:44:10,667 --> 00:44:11,917
RIGHT ON TIME.
1126
00:44:12,000 --> 00:44:13,625
THAT SOUNDS...
1127
00:44:13,709 --> 00:44:14,750
GREAT.
1128
00:44:14,834 --> 00:44:16,709
MAGGIE SAYS IT'S VERY SAFE.
1129
00:44:21,166 --> 00:44:22,667
THIS ISN'T GOOD.
1130
00:44:22,750 --> 00:44:24,750
IT SOUNDS LIKE
A PONZI SCHEME.
1131
00:44:24,834 --> 00:44:25,834
WHAT CAN WE DO?
1132
00:44:25,917 --> 00:44:27,333
I DON'T KNOW,
1133
00:44:27,417 --> 00:44:29,917
BUT NOTHING
IS NOT AN OPTION.
1134
00:44:32,000 --> 00:44:34,000
[♪♪♪]
1135
00:44:40,792 --> 00:44:42,041
DOESN'T SAY ANYTHING
ABOUT MURDER,
1136
00:44:42,125 --> 00:44:44,166
JUST THAT
HE WAS FOUND DEAD.
1137
00:44:44,250 --> 00:44:45,333
WELL, THAT'S GOOD.
1138
00:44:45,417 --> 00:44:46,542
IT MEANS LYNWOOD WAS ABLE
TO KEEP A LID ON IT.
1139
00:44:46,625 --> 00:44:47,625
FOR THE TIME BEING.
1140
00:44:48,750 --> 00:44:49,625
IS THIS ANY GOOD?
1141
00:44:49,709 --> 00:44:50,750
NOT BAD,
1142
00:44:50,834 --> 00:44:53,000
PERIOD MYSTERY
SET ON A RIVERBOAT.
1143
00:44:53,083 --> 00:44:54,083
HEY, YOU WANT TO COME OVER
FOR DINNER SATURDAY NIGHT?
1144
00:44:54,166 --> 00:44:55,542
I'D LOVE TO.
1145
00:44:55,625 --> 00:44:57,000
-WHO ELSE IS COMING?
-NOBODY.
1146
00:44:57,083 --> 00:44:59,166
-YET.
-YET.
1147
00:44:59,250 --> 00:45:00,750
UH-HUH.
WHERE ARE YOU GOING?
1148
00:45:00,834 --> 00:45:02,291
OH, MEETING WITH THE AUTHOR,
1149
00:45:02,375 --> 00:45:04,041
AT HIS COLLEGE.
1150
00:45:04,125 --> 00:45:05,792
OH. WELL, HAVE FUN.
1151
00:45:05,875 --> 00:45:06,917
OKAY.
1152
00:45:07,000 --> 00:45:08,917
I'LL JUST BE HERE WORKIN'.
1153
00:45:10,542 --> 00:45:12,208
-HELLO.
-OH!
1154
00:45:12,291 --> 00:45:13,250
YOU FINISH IT?
1155
00:45:13,333 --> 00:45:14,250
I AM HALFWAY THROUGH.
1156
00:45:14,333 --> 00:45:16,500
IT'S REALLY GOOD.
1157
00:45:16,583 --> 00:45:18,500
IT MUST BE SO DIFFICULT
TO GET PUBLISHED THESE DAYS.
1158
00:45:18,583 --> 00:45:19,625
NEAR IMPOSSIBLE.
1159
00:45:21,250 --> 00:45:22,458
THAT WAS SELF-PUBLISHED.
1160
00:45:22,542 --> 00:45:23,458
IT WORKED OUT WELL,
1161
00:45:23,542 --> 00:45:24,417
I KEEP MOST OF THE MONEY.
1162
00:45:25,834 --> 00:45:27,208
DID YOU SEE
TODAY'S NEWSPAPER,
1163
00:45:27,291 --> 00:45:28,250
ABOUT THE MURDER?
1164
00:45:28,333 --> 00:45:29,542
I READ ABOUT A MAN
1165
00:45:29,625 --> 00:45:30,500
WHO WAS FOUND DEAD
IN HIS OFFICE.
1166
00:45:30,583 --> 00:45:31,875
IT WAS A MURDER.
1167
00:45:31,959 --> 00:45:33,750
I KNOW THE LEAD DETECTIVE.
1168
00:45:33,834 --> 00:45:36,583
IT SEEMS THAT SOMEONE
IS RECREATING MURDERS
1169
00:45:36,667 --> 00:45:38,208
FROM MYSTERY BOOKS.
1170
00:45:38,291 --> 00:45:39,709
PLURAL?
AS IN MORE THAN ONE?
1171
00:45:41,834 --> 00:45:42,875
WHEN YOU CAME TO MY LECTURE
1172
00:45:42,959 --> 00:45:44,750
AND ASKED ABOUT
NICOTINE POISONING,
1173
00:45:44,834 --> 00:45:45,834
YOU WERE TALKING
ABOUT A REAL MURDER?
1174
00:45:45,917 --> 00:45:46,917
I WAS.
1175
00:45:48,250 --> 00:45:49,166
DID YOU FIND THE BOOK?
1176
00:45:49,250 --> 00:45:51,500
MURDER IN THREE ACTS.
1177
00:45:51,583 --> 00:45:52,792
AGATHA CHRISTIE.
1178
00:45:52,875 --> 00:45:54,250
OF COURSE.
1179
00:45:54,333 --> 00:45:56,792
AND THIS NEW MURDER?
1180
00:45:56,875 --> 00:45:58,917
SIR ARTHUR CONAN DOYLE,
"A STUDY IN SCARLET,"
1181
00:45:59,000 --> 00:46:00,000
AND THE MURDER
WAS CAREFULLY RECREATED
1182
00:46:00,083 --> 00:46:01,792
FROM THE BOOK.
1183
00:46:01,875 --> 00:46:03,166
I'M A HOLMES FAN,
BUT NOT AN EXPERT.
1184
00:46:03,250 --> 00:46:04,709
OH, ME EITHER,
1185
00:46:04,792 --> 00:46:06,709
BUT THERE ARE PEOPLE AROUND HERE
WHO ARE ABSOLUTE HOLMES NUTS.
1186
00:46:06,792 --> 00:46:08,375
THEY HAVE
MONTHLY MEETINGS,
1187
00:46:08,458 --> 00:46:10,208
THEY WEAR
19th-CENTURY WARDROBE,
1188
00:46:10,291 --> 00:46:11,500
ALL THAT STUFF.
1189
00:46:11,583 --> 00:46:12,792
LIKE THOSE
CIVIL WAR RE-ENACTORS?
1190
00:46:12,875 --> 00:46:14,417
[CHUCKLES]
EXACTLY.
1191
00:46:14,500 --> 00:46:15,834
YOU SHOULD BE ABLE
TO FIND THEM ONLINE.
1192
00:46:15,917 --> 00:46:18,709
WOULD YOU MIND
IF I USED YOU AS A RESOURCE?
1193
00:46:18,792 --> 00:46:20,417
SURE, WHATEVER
I CAN DO.
1194
00:46:20,500 --> 00:46:24,208
BUT ONE OF THESE HOLMES EXPERTS
MIGHT BE A BETTER CHOICE.
1195
00:46:24,291 --> 00:46:25,959
I'M SORRY, BUT I HAVE
AN AFTERNOON CLASS.
1196
00:46:26,041 --> 00:46:28,083
TERRANCE...
1197
00:46:28,166 --> 00:46:29,875
ARE YOU DOING
ANYTHING SATURDAY NIGHT?
1198
00:46:29,959 --> 00:46:31,333
NO BIG PLANS.
1199
00:46:31,417 --> 00:46:32,917
GRADING PAPERS.
1200
00:46:33,000 --> 00:46:34,959
JASON AND I WERE GOING TO HAVE
SOME PEOPLE OVER FOR DINNER,
1201
00:46:35,041 --> 00:46:35,917
IF YOU'D LIKE TO JOIN US.
1202
00:46:36,000 --> 00:46:38,125
SOUNDS GREAT.
THANKS.
1203
00:46:38,208 --> 00:46:41,250
OH, AND YOU CAN BRING A DATE,
IF YOU LIKE.
1204
00:46:41,333 --> 00:46:42,625
OH, I'M NOT SEEING
ANYONE AT THE MOMENT.
1205
00:46:42,709 --> 00:46:43,917
OH.
1206
00:46:44,000 --> 00:46:45,125
OH, AND ONE MORE THING,
1207
00:46:45,208 --> 00:46:46,709
DOES THE NAME "SIGERSON"
1208
00:46:46,792 --> 00:46:47,667
MEAN ANYTHING TO YOU?
1209
00:46:47,750 --> 00:46:48,750
WHY?
1210
00:46:48,834 --> 00:46:49,750
THE LAST CLIENT
THAT McNALLY SAW
1211
00:46:49,834 --> 00:46:51,458
BEFORE HIS BODY
WAS DISCOVERED
1212
00:46:51,542 --> 00:46:52,542
WAS NAMED "SIGERSON."
1213
00:46:53,959 --> 00:46:56,291
WELL THEN, YOU'RE LOOKING
FOR SHERLOCK HOLMES.
1214
00:46:56,375 --> 00:46:58,208
"SIGERSON" WAS THE NAME
HE WOULD SOMETIMES USE
1215
00:46:58,291 --> 00:46:59,500
WHEN HE WAS IN DISGUISE.
1216
00:47:06,417 --> 00:47:08,917
SHERLOCK HOLMES FANATICS,
1217
00:47:09,000 --> 00:47:11,041
PEOPLE THAT EAT, SLEEP,
AND BREATHE HOLMES,
1218
00:47:11,125 --> 00:47:12,000
AND I THINK I FOUND ONE.
1219
00:47:12,083 --> 00:47:13,000
WHO'S THAT?
1220
00:47:13,083 --> 00:47:14,291
DR. MYLES FOWLER.
1221
00:47:14,375 --> 00:47:15,625
PROFESSOR OF ENGLISH
AT LITTLEFIELD COLLEGE,
1222
00:47:15,709 --> 00:47:17,750
NOTED EXPERT ON CONAN DOYLE.
1223
00:47:17,834 --> 00:47:19,917
LITTLEFIELD?
THAT'S PRETTY PRESTIGIOUS.
1224
00:47:20,000 --> 00:47:21,834
YEAH, AND NOT THAT FAR A DRIVE.
1225
00:47:21,917 --> 00:47:23,458
SO, ARE YOU CROSSING OVER TODAY?
1226
00:47:23,542 --> 00:47:24,875
YES.
1227
00:47:24,959 --> 00:47:26,542
I'M GOING TO SEE IF MAGDALENA
CAN PUT ME IN TOUCH
1228
00:47:26,625 --> 00:47:28,250
WITH MY DECEASED UNCLE ERIC.
1229
00:47:28,333 --> 00:47:29,709
YOU HAD AN UNCLE ERIC?
1230
00:47:29,792 --> 00:47:30,792
NO. NO ONE
IN MY FAMILY,
1231
00:47:30,875 --> 00:47:31,959
PAST OR PRESENT,
1232
00:47:32,041 --> 00:47:33,250
EVER NAMED ERIC.
1233
00:47:33,333 --> 00:47:35,625
THIS WILL BE IN MY PURSE,
1234
00:47:35,709 --> 00:47:37,750
JUST IN CASE
I GET ANY MESSAGES
1235
00:47:37,834 --> 00:47:38,917
FROM THE BEYOND.
1236
00:47:39,000 --> 00:47:40,417
WELL, LOOK AT YOU,
YOU LITTLE SLEUTH.
1237
00:47:41,583 --> 00:47:42,458
OH, AND WE'RE ON
FOR DINNER
1238
00:47:42,542 --> 00:47:43,542
SATURDAY NIGHT.
1239
00:47:43,625 --> 00:47:45,542
WHAT AREN'T YOU
TELLING ME?
1240
00:47:45,625 --> 00:47:46,583
JUST BE THERE AT 7:00,
1241
00:47:46,667 --> 00:47:48,583
AND WEAR YOUR PRETTY
GREEN DRESS.
1242
00:47:48,667 --> 00:47:50,083
GREEN ONE...
1243
00:47:50,166 --> 00:47:51,417
I'M WEARING SWEATS.
1244
00:47:51,500 --> 00:47:52,417
[GASPS IN SHOCK]
1245
00:47:52,500 --> 00:47:53,959
[LAUGHING]
1246
00:47:59,291 --> 00:48:02,208
HE SAYS HE'S CONCERNED...
1247
00:48:02,291 --> 00:48:03,959
ABOUT YOUR SECURITY.
1248
00:48:04,041 --> 00:48:07,333
HE FEELS YOU'RE
ON SHAKY GROUND.
1249
00:48:07,417 --> 00:48:08,542
MONEY TROUBLES?
1250
00:48:08,625 --> 00:48:09,583
REALLY?
1251
00:48:09,667 --> 00:48:10,625
I'M DOING OKAY.
1252
00:48:10,709 --> 00:48:13,500
BUT THIS IS THE FUTURE.
1253
00:48:13,583 --> 00:48:15,959
HE'S CONCERNED
FOR YOUR INVESTMENTS.
1254
00:48:16,041 --> 00:48:17,834
OH.
1255
00:48:17,917 --> 00:48:19,625
LIKE WHAT?
WHAT DOES HE THINK I SHOULD DO?
1256
00:48:19,709 --> 00:48:20,625
HOLD ON.
1257
00:48:22,458 --> 00:48:23,709
HE'S FADING.
1258
00:48:23,792 --> 00:48:24,875
OH...
1259
00:48:24,959 --> 00:48:27,000
HE'S GONE.
1260
00:48:27,083 --> 00:48:28,333
SORRY,
1261
00:48:28,417 --> 00:48:31,125
THAT HAPPENS
SOMETIMES.
1262
00:48:31,208 --> 00:48:32,125
WELL, SHOULD I BE WORRIED?
1263
00:48:32,208 --> 00:48:33,792
THAT DEPENDS.
1264
00:48:33,875 --> 00:48:36,750
WAS HE SOMEONE THAT YOU WOULD
TRUST WITH YOUR FINANCES?
1265
00:48:36,834 --> 00:48:38,792
OH, ABSOLUTELY.
1266
00:48:38,875 --> 00:48:41,125
WELL, THEN I WOULD
REVIEW YOUR INVESTMENTS,
1267
00:48:41,208 --> 00:48:42,375
AND MAKE SURE THEY'RE SAFE.
1268
00:48:42,458 --> 00:48:44,291
I'LL DO THAT.
1269
00:48:44,375 --> 00:48:45,166
HOW MUCH DO I OWE YOU FOR TODAY?
1270
00:48:45,250 --> 00:48:47,083
OH.
1271
00:48:47,166 --> 00:48:48,709
NO CHARGE.
1272
00:48:48,792 --> 00:48:50,917
YOUR UNCLE HAD WANTED
TO CONTACT YOU FOR A LONG TIME.
1273
00:48:51,000 --> 00:48:52,125
I'M HAPPY TO HAVE
MADE THAT HAPPEN.
1274
00:48:52,208 --> 00:48:54,667
WELL, I DON'T KNOW WHAT TO SAY.
1275
00:48:54,750 --> 00:48:57,250
WELL, IF YOU WANTED
TO EXPLORE FURTHER, I'M HERE.
1276
00:49:02,458 --> 00:49:04,083
[CALL RINGING]
1277
00:49:04,166 --> 00:49:05,542
LYNWOOD.
1278
00:49:05,625 --> 00:49:06,750
HEY, FRANK, I JUST MET
WITH TERRANCE DUNCAN,
1279
00:49:06,834 --> 00:49:08,250
THE MYSTERY WRITER.
1280
00:49:08,333 --> 00:49:10,208
HE SAID "SIGERSON" IS THE NAME
THAT SHERLOCK HOLMES USES
1281
00:49:10,291 --> 00:49:12,041
WHEN HE'S IN DISGUISE.
1282
00:49:12,125 --> 00:49:13,375
INTERESTING.
1283
00:49:13,458 --> 00:49:15,208
I FOUND A HOLMES EXPERT
AT LITTLEFIELD COLLEGE,
1284
00:49:15,291 --> 00:49:16,959
PROFESSOR MYLES FOWLER.
1285
00:49:17,041 --> 00:49:18,875
I'D LIKE TO TALK TO HIM,
IF THAT'S OKAY.
1286
00:49:18,959 --> 00:49:19,959
THAT'S A GOOD IDEA.
1287
00:49:20,041 --> 00:49:21,208
LET ME CALL HIM FIRST.
1288
00:49:21,333 --> 00:49:22,542
OKAY, GO AHEAD AND CALL HIM
1289
00:49:22,625 --> 00:49:24,166
AND I'M ON MY WAY THERE
TO SEE HIM NOW.
1290
00:49:24,250 --> 00:49:25,792
GOOD WORK, JENN.
1291
00:49:46,625 --> 00:49:47,583
JENNIFER,
1292
00:49:47,667 --> 00:49:48,583
WELCOME TO 221B.
1293
00:49:48,667 --> 00:49:49,959
COME ON IN.
1294
00:49:50,041 --> 00:49:51,291
THANK YOU.
1295
00:49:52,625 --> 00:49:54,458
[GASPS]
1296
00:49:56,083 --> 00:49:58,583
WOW.
1297
00:49:58,667 --> 00:50:00,917
IT'S SHERLOCK HOLMES'
STUDY ON BAKER STREET.
1298
00:50:01,000 --> 00:50:02,208
YES, I FIND IT
RELAXING
1299
00:50:02,291 --> 00:50:04,166
AND INSPIRING.
1300
00:50:04,250 --> 00:50:05,750
PLEASE, PLEASE,
HAVE A SEAT.
1301
00:50:05,834 --> 00:50:06,875
THANK YOU.
1302
00:50:06,959 --> 00:50:08,000
AND THANK YOU
FOR SEEING ME
1303
00:50:08,083 --> 00:50:09,583
ON SUCH SHORT NOTICE.
1304
00:50:09,667 --> 00:50:11,041
WELL, DETECTIVE
LYNWOOD CALLED
1305
00:50:11,125 --> 00:50:12,875
AND ASKED FOR
MY DISCRETION.
1306
00:50:12,959 --> 00:50:15,834
A SERIAL KILLER
OF A LITERARY BENT?
1307
00:50:15,917 --> 00:50:17,542
FIRST, AGATHA CHRISTIE
1308
00:50:17,625 --> 00:50:19,250
AND NOW,
SIR ARTHUR CONAN DOYLE.
1309
00:50:19,333 --> 00:50:20,542
YES.
1310
00:50:20,625 --> 00:50:21,542
"A STUDY IN SCARLET."
1311
00:50:21,625 --> 00:50:24,667
LET'S CONSIDER THESE MURDERS
1312
00:50:24,750 --> 00:50:25,959
IN THE WAY
THAT HOLMES MIGHT HAVE.
1313
00:50:26,041 --> 00:50:27,166
IS THAT ALL RIGHT?
1314
00:50:27,250 --> 00:50:28,709
PLEASE.
1315
00:50:28,792 --> 00:50:30,583
SO, WE HAVE A KILLER
1316
00:50:30,667 --> 00:50:33,875
WHO'S GONE TO GREAT LENGTHS
TO DRAMATIZE THESE MURDERS.
1317
00:50:33,959 --> 00:50:34,834
WHAT DOES THAT TELL US
1318
00:50:34,917 --> 00:50:36,542
ABOUT HIM?
1319
00:50:36,625 --> 00:50:38,291
THAT HE'S EGOTISTICAL,
1320
00:50:38,375 --> 00:50:39,417
A THRILL-SEEKER.
1321
00:50:39,500 --> 00:50:41,875
THRILL-SEEKER, INDEED.
1322
00:50:41,959 --> 00:50:44,000
THE FIRST MURDER,
AGATHA CHRISTIE,
1323
00:50:44,083 --> 00:50:46,792
A MURDER WITHOUT A MOTIVE,
1324
00:50:46,875 --> 00:50:49,417
WHICH THROWS
HER DETECTIVE POIROT
1325
00:50:49,500 --> 00:50:50,417
OFF BALANCE.
1326
00:50:50,500 --> 00:50:52,250
WELL, VERY
DIFFICULT TO SOLVE
1327
00:50:52,333 --> 00:50:53,500
WHEN THERE IS NO CONNECTION
1328
00:50:53,583 --> 00:50:55,709
BETWEEN THE VICTIM
AND THE KILLER.
1329
00:50:55,792 --> 00:50:57,542
IT WAS A REHEARSAL.
1330
00:50:57,625 --> 00:50:59,250
OF COURSE,
1331
00:50:59,333 --> 00:51:00,709
A PREPARATION
FOR THE REAL MURDER
1332
00:51:00,792 --> 00:51:02,166
OF GERALD McNALLY.
1333
00:51:02,250 --> 00:51:04,208
BUT HERE IS WHERE
YOUR KILLER DIVERGED.
1334
00:51:04,291 --> 00:51:08,125
HE ABANDONS AGATHA CHRISTIE
AND TAKES UP CONAN DOYLE.
1335
00:51:08,208 --> 00:51:09,333
TAUNTING THE POLICE,
1336
00:51:09,417 --> 00:51:10,709
"CAN YOU FIGURE OUT
THESE CLUES?"
1337
00:51:10,792 --> 00:51:12,291
WHICH, OF COURSE, THEY CAN'T.
1338
00:51:12,375 --> 00:51:13,291
[CHUCKLES RUEFULLY]
1339
00:51:13,375 --> 00:51:15,083
BUT NOW WE ARE
GETTING SOMEWHERE.
1340
00:51:15,166 --> 00:51:18,208
WE KNOW THAT THE KILLER
IS EGOTISTICAL,
1341
00:51:18,291 --> 00:51:20,542
AND LITERATE.
1342
00:51:20,625 --> 00:51:23,542
YOUR DETECTIVE LYNWOOD
SHOULD BE FLATTERED.
1343
00:51:23,625 --> 00:51:27,875
TO CHOOSE CONAN DOYLE
AS THE GAUNTLET TO THROW DOWN,
1344
00:51:27,959 --> 00:51:29,125
I MEAN, IS THERE
A BETTER DETECTIVE
1345
00:51:29,208 --> 00:51:30,375
THAN SHERLOCK HOLMES?
1346
00:51:30,458 --> 00:51:32,250
SO, YOU THINK THE CHOICE
OF SHERLOCK HOLMES
1347
00:51:32,333 --> 00:51:34,625
IS TO SAY, "I AM THE BEST.
1348
00:51:34,709 --> 00:51:35,959
IT WOULD TAKE HOLMES
TO CATCH ME?"
1349
00:51:36,041 --> 00:51:38,375
POSSIBLY.
1350
00:51:38,458 --> 00:51:40,500
PROFESSOR FOWLER, DO YOU THINK
THAT HE WILL KILL AGAIN?
1351
00:51:45,583 --> 00:51:48,709
THIS IS WHAT I HAVE LEARNED
ABOUT SERIAL KILLERS...
1352
00:51:51,166 --> 00:51:52,291
HE WILL CONTINUE TO KILL
1353
00:51:52,375 --> 00:51:55,333
BECAUSE HE IS ADDICTED
TO THE FEELING HE GETS
1354
00:51:55,417 --> 00:51:57,125
WHEN HE DOES.
1355
00:51:57,208 --> 00:51:59,000
THE KILLER KNOWS
RIGHT FROM WRONG,
1356
00:51:59,083 --> 00:52:02,000
BUT COULDN'T CARE LESS.
1357
00:52:02,083 --> 00:52:04,667
HAVE YOU EVER IMAGINED
WHAT IT MUST BE LIKE
1358
00:52:04,750 --> 00:52:06,375
TO HOLD SOMEONE'S LIFE
IN YOUR HAND?
1359
00:52:06,458 --> 00:52:08,750
NO.
1360
00:52:08,834 --> 00:52:12,291
I HAVE.
1361
00:52:12,375 --> 00:52:15,333
TO WRITE ABOUT KILLERS,
TO UNDERSTAND THEM,
1362
00:52:15,417 --> 00:52:17,291
I HAVE TO KNOW HOW THEY THINK
1363
00:52:17,375 --> 00:52:19,000
AND HOW THEY FEEL.
1364
00:52:21,000 --> 00:52:22,041
I CAN IMAGINE.
1365
00:52:22,125 --> 00:52:24,917
OH, I DOUBT YOU CAN.
1366
00:52:25,000 --> 00:52:26,542
SO.
1367
00:52:26,625 --> 00:52:30,125
WE KNOW THAT THE FIRST MURDER
WAS A TRIAL RUN FOR THE SECOND.
1368
00:52:32,041 --> 00:52:33,959
FOCUS ON McNALLY.
1369
00:52:34,041 --> 00:52:36,125
FORGET ABOUT ART HENLEY.
1370
00:52:36,208 --> 00:52:37,375
[SIGHS]
1371
00:52:37,458 --> 00:52:39,834
IT'S A HUMAN LIFE,
PROFESSOR FOWLER.
1372
00:52:39,917 --> 00:52:41,959
WELL, FORGIVE ME
FOR SOUNDING HARSH,
1373
00:52:42,041 --> 00:52:44,792
BUT SHERLOCK HOLMES
WAS COLD AND CALCULATING.
1374
00:52:44,875 --> 00:52:46,625
HE HAD NO WIFE,
NO CHILD.
1375
00:52:46,709 --> 00:52:48,917
HE NEVER COMFORTED
THE BEREAVED,
1376
00:52:49,000 --> 00:52:51,792
BUT HE ALWAYS
FOUND HIS KILLER.
1377
00:52:51,875 --> 00:52:54,291
AND IF YOU WANT TO FIND
THIS KILLER,
1378
00:52:54,375 --> 00:52:57,291
FOCUS ON McNALLY.
1379
00:52:57,375 --> 00:53:02,583
AS HOLMES MIGHT SAY,
"THE GAME IS AFOOT."
1380
00:53:02,667 --> 00:53:05,083
[CHUCKLES IN DELIGHT]
1381
00:53:06,792 --> 00:53:09,667
FOWLER THINKS THE CLUES
HAVE NO SPECIAL MEANING,
1382
00:53:09,750 --> 00:53:11,083
OTHER THAN
TO DISTRACT THE POLICE
1383
00:53:11,166 --> 00:53:12,083
FROM WHAT THEY SHOULD BE DOING.
1384
00:53:12,166 --> 00:53:13,250
WHICH IS...?
1385
00:53:13,333 --> 00:53:14,250
FOCUSING ON McNALLY.
1386
00:53:14,333 --> 00:53:15,417
I THINK HE'S RIGHT.
1387
00:53:15,500 --> 00:53:17,083
I TALKED TO
THREE OF McNALLY'S CLIENTS,
1388
00:53:17,166 --> 00:53:18,083
TWO OF HIS NEIGHBORS,
1389
00:53:18,166 --> 00:53:19,208
HIS EX-WIFE,
1390
00:53:19,291 --> 00:53:20,792
AND A COUPLE
OF HIS FRIENDS.
1391
00:53:20,875 --> 00:53:22,834
WOULD ANY OF THEM
BE SUSPECTS?
1392
00:53:22,917 --> 00:53:25,083
NO, HE WAS A BRIGHT,
WELL-LIKED GUY,
1393
00:53:25,166 --> 00:53:26,208
RESPECTED AS A LIFE COACH.
1394
00:53:26,291 --> 00:53:28,458
HIS CLIENTS LOVED HIM.
1395
00:53:28,542 --> 00:53:29,959
McNALLY TOLD ME THAT HE WORKED
AT A PUBLISHING HOUSE
1396
00:53:30,041 --> 00:53:31,083
IN MYSTERIES.
1397
00:53:31,166 --> 00:53:32,583
IT WENT OUT OF BUSINESS.
1398
00:53:32,667 --> 00:53:34,083
BROWN & HEATON.
1399
00:53:34,166 --> 00:53:36,250
I TALKED TO
HIS FORMER BOSS EARLIER.
1400
00:53:36,333 --> 00:53:38,125
HE SAYS HE WAS
AN EXCELLENT EDITOR,
1401
00:53:38,208 --> 00:53:41,041
BUT COULD BE TOUGH
ON HIS WRITERS.
1402
00:53:41,125 --> 00:53:42,000
THIS PROBABLY DOESN'T
MEAN ANYTHING,
1403
00:53:42,083 --> 00:53:43,875
BUT FOWLER SAID,
1404
00:53:43,959 --> 00:53:45,458
TO WRITE A MURDER MYSTERY,
1405
00:53:45,542 --> 00:53:48,041
YOU HAD TO THINK LIKE A KILLER.
1406
00:53:48,125 --> 00:53:50,750
HE SEEMED TO HAVE AN UNHEALTHY
ENTHUSIASM FOR KILLERS.
1407
00:53:50,834 --> 00:53:52,166
[MESSAGE ALERT CHIMES]
1408
00:53:52,250 --> 00:53:53,291
OH.
1409
00:53:53,375 --> 00:53:54,750
INCOMING FROM DR. FOWLER.
1410
00:53:54,834 --> 00:53:57,250
"ALL LIFE
IS A GREAT CHAIN,
1411
00:53:57,333 --> 00:53:59,041
"THE NATURE OF WHICH IS KNOWN
1412
00:53:59,125 --> 00:54:02,166
WHENEVER WE ARE SHOWN
A SINGLE LINK OF IT."
1413
00:54:02,250 --> 00:54:03,875
SHERLOCK HOLMES.
1414
00:54:14,125 --> 00:54:15,917
[SIGHING]
YOU COULD HAVE TOLD ME.
1415
00:54:16,000 --> 00:54:17,375
[WHISPERING]
YOU WOULDN'T HAVE COME.
1416
00:54:19,667 --> 00:54:20,834
IT MUST BE
A GREAT FEELING
1417
00:54:20,917 --> 00:54:22,375
TO SEE A BUILDING GO UP
THAT YOU HELPED DESIGN
1418
00:54:22,458 --> 00:54:23,917
AND KNOW THAT IN A HUNDRED YEARS
IT WILL STILL BE THERE.
1419
00:54:24,000 --> 00:54:27,000
YEAH, IT'S PRETTY COOL,
BUT THEN, SO IS BEING A WRITER.
1420
00:54:27,083 --> 00:54:28,792
I FINISHED YOUR BOOK.
1421
00:54:28,875 --> 00:54:30,083
I LIKED THE SURPRISE
TWIST AT THE END.
1422
00:54:30,166 --> 00:54:31,583
I DIDN'T SEE IT COMING.
1423
00:54:31,667 --> 00:54:33,083
IF YOU'RE CONSCIOUSLY
LOOKING FOR THE KILLER,
1424
00:54:33,166 --> 00:54:34,083
YOU'LL BE DISAPPOINTED,
1425
00:54:34,166 --> 00:54:35,125
AND YOU'LL MISS THE JOURNEY
1426
00:54:35,208 --> 00:54:36,333
ALONG THE WAY.
1427
00:54:36,417 --> 00:54:38,333
SO, WHO'S
YOUR FAVORITE AUTHOR?
1428
00:54:38,417 --> 00:54:39,792
HANDS DOWN,
JOHN DICKSON CARR,
1429
00:54:39,875 --> 00:54:40,667
MASTER OF
THE LOCKED ROOM MYSTERY.
1430
00:54:40,750 --> 00:54:41,834
OH.
1431
00:54:41,917 --> 00:54:43,208
WHAT'S A "LOCKED ROOM" MYSTERY?
1432
00:54:44,625 --> 00:54:46,667
PICTURE A ROOM, NO WINDOWS,
1433
00:54:46,750 --> 00:54:48,500
THE ONLY WAY IN OR OUT
IS THE DOOR,
1434
00:54:48,583 --> 00:54:50,000
WHICH IS LOCKED
FROM THE INSIDE,
1435
00:54:50,083 --> 00:54:51,625
AND THE MURDER VICTIM IS WITHIN.
1436
00:54:53,875 --> 00:54:55,250
THAT SOUNDS IMPOSSIBLE.
HOW DOES THE KILLER GET OUT?
1437
00:54:55,333 --> 00:54:56,917
WELL, THAT'S
THE CHALLENGE.
1438
00:54:57,000 --> 00:54:58,834
A POWERFUL MAGNET
CAN CLOSE A LATCH
1439
00:54:58,917 --> 00:55:00,291
THROUGH THE DOOR,
1440
00:55:00,375 --> 00:55:01,917
A FISHING LINE
WITH A SPECIAL KNOT
1441
00:55:02,000 --> 00:55:04,375
THAT SLIPS
OFF THE LATCH
1442
00:55:04,458 --> 00:55:06,083
WHEN YOU PULL IT THROUGH
THE OTHER SIDE.
1443
00:55:06,166 --> 00:55:07,041
THERE'S ALL KINDS OF WAYS.
1444
00:55:07,125 --> 00:55:08,583
TRICKY.
1445
00:55:08,667 --> 00:55:10,291
I LOVE THAT STUFF.
1446
00:55:10,375 --> 00:55:11,208
WHAT'S THE NEW BOOK ABOUT?
1447
00:55:11,291 --> 00:55:12,375
MURDER.
1448
00:55:12,458 --> 00:55:14,125
[LAUGHTER]
1449
00:55:14,208 --> 00:55:16,417
IT'S BAD LUCK
TO SAY ANYTHING ELSE.
1450
00:55:16,500 --> 00:55:18,208
IT'S GOING WELL,
1451
00:55:18,291 --> 00:55:19,083
JUST NEED
TO COME UP WITH AN ENDING.
1452
00:55:20,500 --> 00:55:21,709
THIS DINNER IS WONDERFUL.
1453
00:55:21,792 --> 00:55:23,250
OH, THANK YOU.
1454
00:55:23,333 --> 00:55:24,542
IT'S JUST GREAT
TO EAT REAL FOOD.
1455
00:55:24,625 --> 00:55:26,208
I'VE BEEN TRYING TO BE
SUPER HEALTHY.
1456
00:55:26,291 --> 00:55:27,458
I'M DRINKING A LOT OF SMOOTHIES
1457
00:55:27,542 --> 00:55:29,333
AND GREEN DRINKS.
1458
00:55:29,417 --> 00:55:30,792
WHAT'S YOUR GO-TO GREEN DRINK?
1459
00:55:30,875 --> 00:55:33,542
SIMPLE AND ORGANIC,
1460
00:55:33,625 --> 00:55:35,083
CELERY, BROCCOLI,
APPLES, AND KALE.
1461
00:55:35,166 --> 00:55:36,583
-WHAT'S YOURS.
-SAME.
1462
00:55:36,709 --> 00:55:37,750
OH.
1463
00:55:37,834 --> 00:55:38,834
BUT I ADD SPIRULINA.
1464
00:55:38,917 --> 00:55:40,000
I LOVE POND SCUM.
1465
00:55:40,083 --> 00:55:41,041
RIGHT.
1466
00:55:41,125 --> 00:55:42,125
WHAT'S POND SCUM?
1467
00:55:42,208 --> 00:55:43,375
SPIRULINA,
1468
00:55:43,458 --> 00:55:45,208
IT'S A BLUE-GREEN ALGAE.
1469
00:55:45,291 --> 00:55:46,959
IT DOESN'T TASTE BAD.
1470
00:55:47,041 --> 00:55:47,875
MAJOR ANTIOXIDANT.
1471
00:55:49,291 --> 00:55:51,041
WE'RE HAVING ICE CREAM
AND APPLE PIE FOR DESSERT?
1472
00:55:51,125 --> 00:55:52,291
YES, WE ARE.
1473
00:55:52,375 --> 00:55:54,000
THAT'S WHY
I EAT HEALTHY,
1474
00:55:54,083 --> 00:55:56,166
SO WHEN I HAVE A CHANCE
TO EAT ICE CREAM AND PIE,
1475
00:55:56,250 --> 00:55:57,417
I DON'T THINK TWICE.
1476
00:55:57,500 --> 00:55:58,458
OOH.
1477
00:55:58,542 --> 00:56:00,041
YOU CAN HAVE TWO SLICES.
1478
00:56:08,500 --> 00:56:09,583
GOOD MORNING.
1479
00:56:09,667 --> 00:56:10,709
GOOD MORNING.
1480
00:56:10,792 --> 00:56:11,750
SO, I HATE TO ADMIT IT,
1481
00:56:11,834 --> 00:56:13,125
BUT I HAD
A REALLY GOOD TIME,
1482
00:56:13,208 --> 00:56:15,083
AND HE IS REALLY HANDSOME,
AND REALLY SMART.
1483
00:56:15,166 --> 00:56:17,041
BUT?
1484
00:56:17,125 --> 00:56:18,959
A GUY IN MY WATER-COLOR CLASS
ASKED ME OUT.
1485
00:56:19,041 --> 00:56:20,667
AND I DON'T KNOW THIS BECAUSE...
1486
00:56:20,750 --> 00:56:22,333
BECAUSE IT'S REALLY NEW,
AND NOTHING MIGHT HAPPEN.
1487
00:56:22,417 --> 00:56:23,959
UGH, POND SCUM...
1488
00:56:24,041 --> 00:56:25,834
DOUBLE DOSE.
DRINK UP.
1489
00:56:25,917 --> 00:56:26,959
OH, FRANK,
GREEN DRINK?
1490
00:56:27,041 --> 00:56:28,125
WHAT?
1491
00:56:28,208 --> 00:56:30,250
YEAH, I'VE ALREADY
MY LEAVES AND CLIPPINGS,
1492
00:56:30,333 --> 00:56:31,291
THANK YOU.
1493
00:56:31,375 --> 00:56:32,250
BUT IT'S...
1494
00:56:34,625 --> 00:56:35,792
UGH, THAT LOOKS HORRIBLE.
1495
00:56:35,875 --> 00:56:37,125
IT IS HORRIBLE.
1496
00:56:38,458 --> 00:56:39,875
I WAS THINKING ABOUT
PROFESSOR FOWLER.
1497
00:56:39,959 --> 00:56:40,959
YOU KNOW, THAT TEXT?
1498
00:56:41,041 --> 00:56:42,750
THE SHERLOCK HOLMES QUOTE,
1499
00:56:42,834 --> 00:56:44,750
WHAT DO YOU THINK IT MEANS?
1500
00:56:44,834 --> 00:56:46,208
I THINK IT MEANS
THAT SHERLOCK HOLMES
1501
00:56:46,291 --> 00:56:47,667
COULD SOLVE AN ENTIRE CRIME
BY SEEING A SINGLE CLUE.
1502
00:56:47,750 --> 00:56:49,458
I'M THINKING HE'S TELLING US
1503
00:56:49,542 --> 00:56:50,792
THAT WE ALREADY HAVE
EVERYTHING WE NEED
1504
00:56:50,875 --> 00:56:52,875
TO SOLVE IT, BUT...
1505
00:56:52,959 --> 00:56:54,500
HE'S ALSO SAYING DON'T PAY ANY
ATTENTION TO ART HENLEY, RIGHT?
1506
00:56:56,542 --> 00:56:57,834
SO, WE SHOULD DO THE OPPOSITE
AND FOCUS ON HENLEY?
1507
00:56:59,000 --> 00:57:00,959
I TOOK A CLOSER LOOK
1508
00:57:01,041 --> 00:57:02,166
AT THE SECURITY-CAM FOOTAGE.
1509
00:57:05,917 --> 00:57:06,959
ALL RIGHT.
1510
00:57:08,667 --> 00:57:09,917
NOW, CHECK THIS OUT.
1511
00:57:10,000 --> 00:57:11,959
I ENHANCED
AND ENLARGED IT.
1512
00:57:13,250 --> 00:57:15,208
THAT LOOKS FAMILIAR.
1513
00:57:15,291 --> 00:57:16,875
YUP.
1514
00:57:18,500 --> 00:57:20,166
DOES IT LOOK LIKE THIS?
1515
00:57:21,375 --> 00:57:23,917
I THINK YOU'VE GOT A SUSPECT.
1516
00:57:24,000 --> 00:57:25,125
MM-HMM.
1517
00:57:25,208 --> 00:57:27,750
PROFESSOR FOWLER.
1518
00:57:29,333 --> 00:57:30,375
WE'VE GOT WHAT WE'LL NEED.
1519
00:57:30,458 --> 00:57:31,709
DID YOU TEST
YOUR FLASHLIGHT?
1520
00:57:33,041 --> 00:57:34,083
DO WE LOOK LIKE
GREENHORNS?
1521
00:57:34,166 --> 00:57:37,000
"GREENHORNS,"
IS THAT EVEN A THING?
1522
00:57:37,083 --> 00:57:38,667
OKAY, WE'RE BACK
ON SUNDAY EVENING.
1523
00:57:38,750 --> 00:57:40,000
I LEFT A MAP
ON THE DINING ROOM TABLE
1524
00:57:40,083 --> 00:57:41,125
OF OUR LOCATION, OKAY?
1525
00:57:41,208 --> 00:57:42,834
ASK YOUR FATHER
WHAT HE'S GOING TO DO
1526
00:57:42,917 --> 00:57:43,750
IF HE SEES A BEAR.
1527
00:57:45,000 --> 00:57:47,291
BEARS?
1528
00:57:47,375 --> 00:57:48,208
THEY HAVE BEARS
UP THERE?
1529
00:57:48,291 --> 00:57:49,667
WILDERNESS?
1530
00:57:49,750 --> 00:57:51,583
WHAT PART OF WILDERNESS
AND BEARS DON'T GO TOGETHER?
1531
00:57:52,875 --> 00:57:53,792
LOVE YOU, HON.
1532
00:57:53,875 --> 00:57:54,792
[CHUCKLING]
1533
00:57:54,875 --> 00:57:55,750
THERE'S NO BEARS.
1534
00:57:57,291 --> 00:57:58,917
PROBABLY.
1535
00:57:59,000 --> 00:57:59,917
LOGAN, HAVE FUN.
1536
00:58:00,000 --> 00:58:01,083
BE SAFE.
1537
00:58:05,500 --> 00:58:06,709
[SIGHS]
SPA DAY TOMORROW?
1538
00:58:06,792 --> 00:58:07,709
OH, YEAH.
1539
00:58:12,083 --> 00:58:13,000
WELL, WHERE ELSE
COULD I GET
1540
00:58:13,083 --> 00:58:14,875
THAT SORT OF RETURN?
1541
00:58:14,959 --> 00:58:17,792
-IT'S NOT THE RETURN--
-IT'S THE RISK.
1542
00:58:17,875 --> 00:58:19,959
BUT I HAVE BEEN GETTING PAID.
1543
00:58:20,041 --> 00:58:22,959
RIGHT ON TIME.
1544
00:58:23,041 --> 00:58:25,208
I'M GOING TO
THE VALLEY PINES BANK NEXT WEEK
1545
00:58:25,291 --> 00:58:26,750
TO SEE ABOUT A REVERSE MORTGAGE.
1546
00:58:28,208 --> 00:58:29,583
I ASKED MAGGIE
1547
00:58:29,667 --> 00:58:34,375
TO COMMUNICATE WITH
MY DECEASED UNCLE ERIC.
1548
00:58:34,458 --> 00:58:36,542
THERE WAS NEVER
ANY SUCH PERSON.
1549
00:58:36,625 --> 00:58:39,125
I INVENTED HIM TO SEE
IF MAGDALENA WAS REAL.
1550
00:58:39,208 --> 00:58:41,250
WELL, POSSIBLY,
1551
00:58:41,333 --> 00:58:43,583
ANOTHER MEMBER OF YOUR FAMILY
WAS TRYING TO CONTACT YOU.
1552
00:58:43,667 --> 00:58:46,709
I REALLY FEEL
1553
00:58:46,792 --> 00:58:48,125
WHEN I'M WITH MAGGIE
1554
00:58:48,208 --> 00:58:50,000
THAT I'M IN THE PRESENCE
OF MY EDGAR.
1555
00:58:54,208 --> 00:58:56,500
WHAT CAN WE DO?
1556
00:58:56,583 --> 00:58:58,709
I'LL GO BY ADULT PROTECTIVE
SERVICES TOMORROW,
1557
00:58:58,792 --> 00:58:59,792
SEE WHAT THEY SAY.
1558
00:58:59,875 --> 00:59:01,166
I CAN'T BELIEVE
1559
00:59:01,250 --> 00:59:04,041
PEOPLE TAKE ADVANTAGE OF
SENIOR CITIZENS LIKE THAT.
1560
00:59:04,125 --> 00:59:05,625
JUST ASK MY UNCLE ERIC.
1561
00:59:09,542 --> 00:59:12,125
[PANTING]
1562
00:59:12,208 --> 00:59:13,750
YOU OKAY THERE, SON?
1563
00:59:13,834 --> 00:59:16,417
YEAH. ARE WE
EVEN THERE YET?
1564
00:59:16,500 --> 00:59:19,875
UH... NOT EVEN CLOSE.
1565
00:59:22,166 --> 00:59:24,083
[GASPING WEARILY]
1566
00:59:24,166 --> 00:59:26,083
YOU KNOW, I THINK
WE FORGOT SOMETHING.
1567
00:59:26,166 --> 00:59:28,500
WHAT'S THAT?
1568
00:59:28,583 --> 00:59:30,750
SHERPAS.
1569
00:59:34,083 --> 00:59:35,417
[GROANS]
1570
00:59:35,500 --> 00:59:37,417
WHAT DO YOU GOT IN HERE?
1571
00:59:37,500 --> 00:59:40,166
THAT'S JUST THE TENT.
1572
00:59:42,500 --> 00:59:45,083
YOU GOT
THE COMPASS, RIGHT?
1573
00:59:48,583 --> 00:59:50,250
WELL, YOU GOTTA
HAND IT TO THE GUYS,
1574
00:59:50,333 --> 00:59:51,417
THEY REALLY DID IT.
1575
00:59:51,500 --> 00:59:54,083
SITTING OUT
IN THE COLD AND DARK
1576
00:59:54,166 --> 00:59:55,333
LIKE NEANDERTHALS.
1577
00:59:55,417 --> 00:59:56,834
[CHUCKLING]
1578
00:59:56,917 --> 00:59:58,667
OH, I LOVE THIS PART,
1579
00:59:58,750 --> 01:00:00,291
YOU KNOW THEY'RE
GOING TO KISS.
1580
01:00:00,375 --> 01:00:02,750
I'VE SEEN IT
A MILLION TIMES.
1581
01:00:02,834 --> 01:00:06,208
[GASPING TOGETHER] OH...
1582
01:00:07,542 --> 01:00:10,250
WELL, WHAT DO YOU
WANT TO WATCH NEXT?
1583
01:00:10,333 --> 01:00:11,417
CAN WE
WATCH THAT AGAIN?
1584
01:00:12,959 --> 01:00:14,333
YEAH!
1585
01:00:17,208 --> 01:00:20,166
[♪♪♪]
1586
01:00:21,792 --> 01:00:24,000
[THUNDER RUMBLING]
1587
01:00:25,208 --> 01:00:29,000
THE WOOD WAS GREEN,
OR WET, I GUESS.
1588
01:00:29,083 --> 01:00:30,333
NO FIRE?
1589
01:00:30,417 --> 01:00:31,875
NO DINNER?
1590
01:00:31,959 --> 01:00:33,208
WE HAD THAT GRANOLA BAR.
1591
01:00:33,291 --> 01:00:34,667
NO INTERNET?
1592
01:00:34,750 --> 01:00:36,834
IT'S THE GREAT OUTDOORS.
1593
01:00:39,667 --> 01:00:41,458
SO, IS THAT IT,
WE JUST SIT HERE FREEZING?
1594
01:00:41,542 --> 01:00:45,166
WE ENJOY THE SOLITUDE, SON.
1595
01:00:45,250 --> 01:00:46,667
[THUNDER RUMBLING]
1596
01:00:46,750 --> 01:00:48,333
WHAT'S THAT?
1597
01:00:48,417 --> 01:00:49,291
THAT WOULD BE RAIN.
1598
01:00:53,333 --> 01:00:55,500
I MEAN, IT DOESN'T
BOTHER ME.
1599
01:00:55,583 --> 01:00:59,125
YEAH, ME NEITHER.
1600
01:00:59,208 --> 01:01:02,125
BUT, YOU KNOW,
IF YOU WANT TO LEAVE.
1601
01:01:02,208 --> 01:01:03,291
NO, NO, I CAN TAKE IT.
1602
01:01:03,375 --> 01:01:04,291
OKAY.
1603
01:01:06,375 --> 01:01:09,667
BUT IF YOU WANT TO GO, I'D GO.
1604
01:01:09,750 --> 01:01:11,500
[THUNDER CRASHING OVERHEAD]
1605
01:01:11,583 --> 01:01:13,542
YOU KNOW, I SAW A MOTEL
1606
01:01:13,625 --> 01:01:14,542
IN THAT TOWN
THAT WE DROVE THROUGH.
1607
01:01:14,625 --> 01:01:16,166
I SAW THE DINER.
1608
01:01:17,625 --> 01:01:19,667
YOU KNOW WHAT, WE'LL, JUST, UH,
COME BACK SUNDAY.
1609
01:01:19,750 --> 01:01:20,917
WHAT THEY DON'T KNOW
WON'T HURT THEM, RIGHT?
1610
01:01:21,000 --> 01:01:22,625
THIS IS ABOUT BONDING.
WE'RE STILL BONDING.
1611
01:01:22,709 --> 01:01:24,709
EXACTLY.
1612
01:01:27,834 --> 01:01:29,583
THAT'S INTERESTING.
1613
01:01:29,667 --> 01:01:31,667
MILES FOWLER HAD A BOOK
PUBLISHED AT BROWN & HEATON,
1614
01:01:31,750 --> 01:01:33,083
THE SAME TIME
THAT GERALD McNALLY
1615
01:01:33,166 --> 01:01:35,625
HAPPENED TO BE
AN EDITOR THERE.
1616
01:01:35,709 --> 01:01:36,709
HUH.
1617
01:01:36,792 --> 01:01:37,625
[SHOP BELL JINGLES]
1618
01:01:37,709 --> 01:01:38,625
HEY!
1619
01:01:38,709 --> 01:01:39,959
HEY.
1620
01:01:40,041 --> 01:01:41,083
SO...
1621
01:01:41,166 --> 01:01:43,000
I WENT TO
ADULT PROTECTIVE SERVICES,
1622
01:01:43,083 --> 01:01:44,333
AND FRANK WAS RIGHT.
1623
01:01:44,417 --> 01:01:45,667
AS LONG AS
CLARA'S COMPETENT,
1624
01:01:45,750 --> 01:01:46,917
SHE CAN DO
WHATEVER SHE LIKES.
1625
01:01:47,000 --> 01:01:49,166
YOU'D NEED A FAMILY MEMBER
TO FILE A COMPLAINT.
1626
01:01:49,250 --> 01:01:50,500
SHE DOESN'T HAVE CHILDREN?
1627
01:01:50,583 --> 01:01:52,417
NO, SO, THAT'S OUT.
1628
01:01:52,500 --> 01:01:53,542
WELL, WHAT ARE YOU THINKING?
1629
01:01:53,625 --> 01:01:55,583
WHAT WOULD MADAME MAGDALENA DO
1630
01:01:55,667 --> 01:01:57,333
IF SHE THOUGHT SHE WERE
ABOUT TO BE ARRESTED?
1631
01:01:58,667 --> 01:01:59,792
THAT JUST MIGHT WORK.
1632
01:02:05,875 --> 01:02:06,875
EIGHT YEARS AGO,
1633
01:02:06,959 --> 01:02:08,000
FOWLER HAD A BOOK
PUBLISHED
1634
01:02:08,083 --> 01:02:09,250
AT BROWN & HEATON,
1635
01:02:09,333 --> 01:02:10,500
THE SAME PLACE THAT McNALLY
WAS AN EDITOR.
1636
01:02:10,583 --> 01:02:11,709
I KNOW.
1637
01:02:11,792 --> 01:02:13,667
BUT FOWLER'S BOOK,
A LIFE OF HOLMES
,
1638
01:02:13,750 --> 01:02:15,291
WAS NON-FICTION,
1639
01:02:15,375 --> 01:02:17,083
WHICH MEANS HE MAY NOT HAVE
HAD ANY CONTACT WITH McNALLY,
1640
01:02:17,166 --> 01:02:19,250
WHO WAS FICTION.
1641
01:02:19,333 --> 01:02:20,667
ON THE OTHER HAND,
1642
01:02:20,750 --> 01:02:23,208
FOWLER HAD NO CLASSES
ON THE DAYS OF EITHER MURDER.
1643
01:02:23,291 --> 01:02:24,792
WELL, DOES HE HAVE AN ALIBI?
1644
01:02:24,875 --> 01:02:25,959
NOT SURE.
1645
01:02:26,041 --> 01:02:27,750
WE NEED TO GET
A LITTLE MORE INFORMATION
1646
01:02:27,834 --> 01:02:29,041
BEFORE I INTERVIEW HIM.
1647
01:02:29,125 --> 01:02:30,709
NOW, YOU WERE SAYING
1648
01:02:30,792 --> 01:02:32,208
FOWLER'S OFFICE IS LIKE
1649
01:02:32,291 --> 01:02:33,834
A SHRINE TO HOLMES?
1650
01:02:33,917 --> 01:02:35,750
IT'S LIKE WALKING
INTO BAKER STREET.
1651
01:02:35,834 --> 01:02:36,875
RIGHT, WELL,
HERE'S WHAT WE KNOW,
1652
01:02:36,959 --> 01:02:39,583
FOWLER WAS FREE
THE DAYS OF BOTH MURDERS.
1653
01:02:39,667 --> 01:02:41,166
THE MAN IN THE SECURITY CAM
1654
01:02:41,250 --> 01:02:42,750
WAS WEARING A LITTLEFIELD
COLLEGE SWEATSHIRT,
1655
01:02:42,834 --> 01:02:44,875
HAPPENS TO BE
WHERE FOWLER TEACHES.
1656
01:02:44,959 --> 01:02:48,625
NOW, McNALLY'S KILLER
HAD AN ENCYCLOPEDIC KNOWLEDGE
1657
01:02:48,709 --> 01:02:49,625
OF SHERLOCK HOMES.
1658
01:02:49,709 --> 01:02:52,250
IT CERTAINLY FITS
FOWLER TO A "T."
1659
01:02:52,333 --> 01:02:53,792
THERE'S ONE MORE THING.
1660
01:02:53,875 --> 01:02:56,333
10 YEARS AGO, THIS ARTICLE
IN A MYSTERY MAGAZINE.
1661
01:02:56,417 --> 01:02:57,917
"THE PHARMACOLOGY OF MURDER,"
1662
01:02:58,000 --> 01:03:00,083
BY PROFESSOR MYLES FOWLER.
1663
01:03:00,166 --> 01:03:02,333
IT'S ABOUT ALL THE WAYS
POISONS HAVE BEEN USED
1664
01:03:02,417 --> 01:03:03,542
TO KILL PEOPLE IN MYSTERY BOOKS.
1665
01:03:05,917 --> 01:03:06,750
THAT'S PRETTY GOOD, JENN.
1666
01:03:12,959 --> 01:03:14,417
[JENN]: I WONDER
HOW THEY'RE DOING.
1667
01:03:14,500 --> 01:03:15,959
HMM, NOT TOO WELL.
1668
01:03:16,041 --> 01:03:17,333
I SAW ON THE NEWS
IT WAS RAINING UP THERE,
1669
01:03:17,417 --> 01:03:19,083
POURING.
1670
01:03:19,166 --> 01:03:21,125
AW, NOW I FEEL
BAD FOR THEM.
1671
01:03:21,208 --> 01:03:22,667
I COULD SHOW YOU
WHERE THEY WERE GOING.
1672
01:03:22,750 --> 01:03:23,750
HOW?
1673
01:03:23,834 --> 01:03:25,000
I HAVE A PROGRAM
1674
01:03:25,083 --> 01:03:26,625
THAT SHOWS A SATELLITE VIEW
OF ALMOST ANYWHERE.
1675
01:03:26,709 --> 01:03:27,834
AND IF THERE'S A SIGNAL,
1676
01:03:27,917 --> 01:03:28,917
I CAN PINPOINT
DAD'S CELL PHONE.
1677
01:03:29,000 --> 01:03:29,875
REALLY?
1678
01:03:29,959 --> 01:03:31,625
MM-HMM.
1679
01:03:34,875 --> 01:03:37,291
OKAY, HERE'S
THE RANGER STATION,
1680
01:03:37,375 --> 01:03:38,625
PARKING LOT.
1681
01:03:38,709 --> 01:03:40,125
THEY SHOULD BE A COUPLE
MILES TO THE NORTH, I THINK.
1682
01:03:40,208 --> 01:03:41,917
AMAZING.
1683
01:03:42,000 --> 01:03:43,291
THAT'S NOT
REAL-TIME, IS IT?
1684
01:03:43,375 --> 01:03:44,417
NO.
1685
01:03:44,500 --> 01:03:47,083
BUT THE APP
FOR THE CELL PHONE IS.
1686
01:03:47,166 --> 01:03:48,041
TRY IT.
1687
01:03:48,125 --> 01:03:50,625
[BEEPING]
1688
01:03:50,709 --> 01:03:52,792
THAT'S WEIRD.
1689
01:03:52,875 --> 01:03:54,000
IT SHOWS A SIGNAL,
1690
01:03:54,083 --> 01:03:55,917
BUT THERE'S
NOTHING ON THE MAP.
1691
01:03:56,000 --> 01:03:57,375
LET ME ZOOM OUT.
1692
01:03:59,917 --> 01:04:00,750
I CAN'T BELIEVE IT.
1693
01:04:00,834 --> 01:04:02,458
WHAT?
1694
01:04:02,542 --> 01:04:03,500
THEY'RE IN A TOWN.
1695
01:04:03,583 --> 01:04:04,875
[GASPS IN SHOCK]
1696
01:04:04,959 --> 01:04:06,000
CHEATERS.
1697
01:04:07,834 --> 01:04:09,417
OKAY, IT'S YOUR MOVE.
1698
01:04:09,500 --> 01:04:11,750
YOU'D BETTER
WATCH YOUR BISHOP.
1699
01:04:11,834 --> 01:04:14,000
WHY?
1700
01:04:14,083 --> 01:04:15,500
YOU SHOULD'VE
WATCHED YOUR ROOK.
1701
01:04:15,583 --> 01:04:16,917
[CHUCKLES]
1702
01:04:18,250 --> 01:04:20,041
TWO HOT CHOCOLATES.
1703
01:04:20,125 --> 01:04:22,291
WE DIDN'T ORDER
HOT CHOCOLATE.
1704
01:04:22,375 --> 01:04:23,333
MM-MM.
1705
01:04:23,417 --> 01:04:24,834
NO, YOUR MOM DID.
1706
01:04:24,917 --> 01:04:26,333
SHE EXPECTS YOU
HOME FOR DINNER.
1707
01:04:26,417 --> 01:04:28,208
[CHUCKLES]
1708
01:04:28,291 --> 01:04:30,542
BUSTED.
1709
01:04:30,625 --> 01:04:31,500
CHEERS.
1710
01:04:35,041 --> 01:04:36,834
[FRANK]: THIS WON'T BE LONG.
JUST A FEW QUESTIONS.
1711
01:04:36,917 --> 01:04:38,834
OH, SHOOT.
1712
01:04:38,959 --> 01:04:39,917
OR SHOULD I SAY "INJECT"?
1713
01:04:40,000 --> 01:04:41,333
[CHUCKLES]
1714
01:04:41,417 --> 01:04:42,792
TUESDAY THE 12th,
1715
01:04:42,875 --> 01:04:44,166
BETWEEN 11:00 A.M.
AND 2:00 P.M.,
1716
01:04:44,250 --> 01:04:45,250
WHERE WERE YOU?
1717
01:04:46,709 --> 01:04:48,166
-ARE YOU SERIOUS?
-MM-HMM.
1718
01:04:48,250 --> 01:04:50,709
AH, FINE. UH...
1719
01:04:52,500 --> 01:04:55,166
YES, A FACULTY
COMMITTEE MEETING.
1720
01:04:55,250 --> 01:04:57,500
YOUR DEPARTMENT HEAD SAYS
YOU MISSED THAT MEETING.
1721
01:04:57,583 --> 01:04:59,291
WELL THEN,
I WAS WRITING.
1722
01:04:59,375 --> 01:05:00,500
ALL RIGHT.
1723
01:05:00,583 --> 01:05:01,834
WELL, WHAT ABOUT
THE WEEK BEFORE,
1724
01:05:01,917 --> 01:05:04,041
MONDAY THE 4TH.
1725
01:05:04,125 --> 01:05:05,417
WRITING.
1726
01:05:05,500 --> 01:05:07,041
YOU DIDN'T HAVE TO
CHECK YOUR BOOK?
1727
01:05:07,125 --> 01:05:08,834
MONDAY IS ALWAYS WRITING.
1728
01:05:08,917 --> 01:05:09,875
ALONE,
1729
01:05:09,959 --> 01:05:12,959
WHICH MEANS NO ALIBI.
1730
01:05:13,041 --> 01:05:14,250
LOOK, I'M A HOLMES EXPERT.
1731
01:05:14,333 --> 01:05:16,667
I'VE WRITTEN ABOUT POISONS,
1732
01:05:16,750 --> 01:05:19,041
AND HOW IT'S USED
IN THE ART OF MURDER.
1733
01:05:19,125 --> 01:05:21,875
I THINK ABOUT KILLING PEOPLE.
1734
01:05:21,959 --> 01:05:22,917
A LOT.
1735
01:05:23,000 --> 01:05:24,750
YOUR BOOK LIFE OF HOLMES
1736
01:05:24,834 --> 01:05:26,834
WAS PUBLISHED BY BROWN & HEATON.
1737
01:05:26,917 --> 01:05:27,834
GERALD McNALLY
WAS AN EDITOR THERE
1738
01:05:27,917 --> 01:05:28,875
AT THE TIME.
1739
01:05:28,959 --> 01:05:29,917
THE LIFE COACH?
1740
01:05:30,000 --> 01:05:31,667
MM-HMM.
1741
01:05:31,750 --> 01:05:33,041
OH, YES, NOW I REMEMBER.
1742
01:05:33,125 --> 01:05:35,166
GERRY.
GERRY McNALLY.
1743
01:05:35,250 --> 01:05:36,792
WELL, HE WAS FICTION,
I WAS NON-FICTION,
1744
01:05:36,875 --> 01:05:39,792
SO I DIDN'T MAKE
THE CONNECTION.
1745
01:05:39,875 --> 01:05:41,041
YOU DON'T BELIEVE THAT.
1746
01:05:41,125 --> 01:05:43,583
HABIT.
1747
01:05:43,667 --> 01:05:44,625
YES, WELL,
NOW YOU HAVE A PROBLEM,
1748
01:05:44,709 --> 01:05:45,625
BECAUSE HE WAS
THE LAST PERSON
1749
01:05:45,709 --> 01:05:47,166
WHO SHOULD HAVE BEEN
A LIFE COACH.
1750
01:05:47,250 --> 01:05:49,041
HE WAS NOT A NICE MAN.
1751
01:05:49,125 --> 01:05:50,583
HOW SO?
1752
01:05:50,667 --> 01:05:52,083
WELL, HE WAS ARROGANT.
1753
01:05:52,166 --> 01:05:53,458
DISMISSIVE.
1754
01:05:53,542 --> 01:05:55,417
IF HE THOUGHT YOU DIDN'T
CUT IT AS A WRITER,
1755
01:05:55,500 --> 01:05:56,542
HE JUST TOLD YOU SO.
1756
01:05:56,625 --> 01:05:57,458
DID HE EVER TELL YOU SO?
1757
01:05:57,542 --> 01:05:58,875
YES.
1758
01:05:58,959 --> 01:06:00,667
BUT IT MADE ME BETTER.
1759
01:06:02,041 --> 01:06:03,000
HOW TALL ARE YOU?
1760
01:06:03,083 --> 01:06:04,500
[LAUGHS]
1761
01:06:04,583 --> 01:06:06,208
OH, FINALLY,
AN INTERESTING QUESTION.
1762
01:06:06,291 --> 01:06:07,291
AH...
1763
01:06:07,375 --> 01:06:08,250
I AM SIX FOOT, ONE INCH.
1764
01:06:08,333 --> 01:06:09,625
DOES THAT HELP?
1765
01:06:09,709 --> 01:06:11,083
IT MIGHT.
1766
01:06:11,166 --> 01:06:14,083
WE HAVE SOME SECURITY CAM
FOOTAGE OF ARTHUR HENLEY.
1767
01:06:14,166 --> 01:06:16,667
HE WAS WALKING WITH THE MAN
WHO MIGHT HAVE KILLED HIM.
1768
01:06:16,750 --> 01:06:17,917
YOU'RE ABOUT THE SAME HEIGHT.
1769
01:06:18,000 --> 01:06:21,417
OH, WELL, THAT NARROWS
YOUR SUSPECT POOL
1770
01:06:21,500 --> 01:06:23,709
DOWN TO WHAT,
1771
01:06:23,792 --> 01:06:25,792
A FEW MILLION PEOPLE.
1772
01:06:25,875 --> 01:06:28,417
EXCELLENT WORK, DETECTIVE.
1773
01:06:28,500 --> 01:06:30,333
EXCELLENT WORK.
1774
01:06:32,000 --> 01:06:33,834
GIRLS, WE'RE HOME!
1775
01:06:34,959 --> 01:06:36,500
JENN?
1776
01:06:37,625 --> 01:06:38,542
HANNAH?
1777
01:06:38,625 --> 01:06:40,709
HELLO?
1778
01:06:40,792 --> 01:06:42,959
"BACK AT 7:00 FOR DINNER.
1779
01:06:43,041 --> 01:06:44,917
"EVERYTHING'S IN THE FRIDGE.
1780
01:06:45,000 --> 01:06:46,917
"SALAD NEEDS TO BE MADE.
1781
01:06:47,000 --> 01:06:48,417
"SET THE TABLE.
1782
01:06:48,500 --> 01:06:50,250
"LOVE, MOM AND HANNAH.
1783
01:06:50,333 --> 01:06:55,500
P.S. LOGAN, USE YOU PHONE APP
TO TRACK OUR LOCATION."
1784
01:06:57,375 --> 01:06:58,291
HMM.
1785
01:06:59,667 --> 01:07:02,375
[SIGHING BLISSFULLY]
1786
01:07:04,625 --> 01:07:05,667
NOW, THIS IS
WHAT I CALL
1787
01:07:05,750 --> 01:07:08,458
GETTING BACK
TO NATURE.
1788
01:07:08,542 --> 01:07:10,709
WE WILL BE
GOING OUTSIDE.
1789
01:07:10,792 --> 01:07:12,291
HMM.
1790
01:07:12,375 --> 01:07:14,125
IS THAT WHERE
THE MASSAGE TABLES ARE?
1791
01:07:14,208 --> 01:07:15,625
YUP.
1792
01:07:15,709 --> 01:07:17,834
IN A TENT.
1793
01:07:17,917 --> 01:07:19,500
KIND OF LIKE CAMPING.
1794
01:07:19,583 --> 01:07:21,667
[CHUCKLING]
1795
01:07:23,166 --> 01:07:26,000
[SIGHING]
1796
01:07:27,667 --> 01:07:28,917
I'M JUST GLAD
YOU'RE BOTH BACK
1797
01:07:29,000 --> 01:07:30,709
SAFE AND SOUND.
1798
01:07:33,166 --> 01:07:34,125
AH.
1799
01:07:34,208 --> 01:07:35,125
[CHUCKLING]
1800
01:07:35,208 --> 01:07:37,125
THANK YOU.
1801
01:07:37,208 --> 01:07:38,333
YOU KNOW,
1802
01:07:38,417 --> 01:07:39,542
I LEARNED A VALUABLE LESSON
THIS WEEKEND
1803
01:07:39,625 --> 01:07:40,750
THAT I'LL REMEMBER
WHEN I'M AT COLLEGE.
1804
01:07:40,834 --> 01:07:42,208
OH, YEAH, WHAT'S THAT?
1805
01:07:42,291 --> 01:07:43,166
NO MATTER WHERE YOU GO,
1806
01:07:43,250 --> 01:07:45,583
OR WHAT YOU DO,
1807
01:07:45,667 --> 01:07:46,834
MOM KNOWS.
1808
01:07:48,250 --> 01:07:49,166
YEAH.
1809
01:07:57,041 --> 01:07:58,291
[SHOP BELL JINGLES]
1810
01:07:58,375 --> 01:07:59,333
HELLO.
1811
01:07:59,417 --> 01:08:00,542
OH, HI, TERRANCE.
1812
01:08:00,625 --> 01:08:01,792
I HAD A LOVELY EVENING.
1813
01:08:01,875 --> 01:08:03,208
THANK YOU SO MUCH
FOR THE INVITE.
1814
01:08:03,291 --> 01:08:04,166
OH, YOU'RE WELCOME.
1815
01:08:04,250 --> 01:08:05,125
IT WAS FUN.
1816
01:08:06,583 --> 01:08:09,333
SO, I TOOK ANOTHER LOOK
AT "STUDY IN SCARLET."
1817
01:08:09,417 --> 01:08:11,583
THE KILLER ARRIVED
BY A HORSE-DRIVEN CAB.
1818
01:08:11,667 --> 01:08:14,333
IF YOUR SUSPECT WAS TRULY
RECREATING THE CRIME,
1819
01:08:14,417 --> 01:08:16,458
HE WOULD HAVE TAKEN A CAB.
1820
01:08:16,542 --> 01:08:18,583
YOU MIGHT BE ABLE TO SEE
THE CAB COMPANIES' RECORDS
1821
01:08:18,667 --> 01:08:19,667
TO SEE IF ANYONE WAS DROPPED OFF
1822
01:08:19,750 --> 01:08:20,834
AT THAT ADDRESS.
1823
01:08:20,917 --> 01:08:21,959
THAT IS VERY SMART.
1824
01:08:22,041 --> 01:08:24,542
OH, AND I WAS ABLE
TO MAKE A CONNECTION
1825
01:08:24,625 --> 01:08:26,750
BETWEEN McNALLY AND FOWLER.
1826
01:08:26,834 --> 01:08:29,208
IT TURNS OUT THAT McNALLY
WAS AN EDITOR AT BROWN & HEATON
1827
01:08:29,291 --> 01:08:30,333
THE SAME TIME
1828
01:08:30,417 --> 01:08:32,125
THAT FOWLER HAD
A BOOK PUBLISHED THERE.
1829
01:08:32,208 --> 01:08:33,458
WOW, YOU HAD
TO DIG DEEP FOR THAT.
1830
01:08:33,542 --> 01:08:35,208
[CHUCKLES]
1831
01:08:35,291 --> 01:08:36,542
IT SOUNDS LIKE LYNWOOD
HAS A VIABLE SUSPECT.
1832
01:08:36,625 --> 01:08:37,542
YES, IT SURE DOES.
1833
01:08:37,625 --> 01:08:39,834
YOU SHOULD MEET FRANK.
1834
01:08:39,917 --> 01:08:41,250
MAYBE WE COULD ALL
HAVE LUNCH ONE DAY THIS WEEK.
1835
01:08:41,333 --> 01:08:43,625
SOUNDS GOOD.
1836
01:08:43,709 --> 01:08:45,458
I'D LIKE TO ASK YOU A FAVOR.
1837
01:08:45,542 --> 01:08:46,667
YOU'RE A MYSTERY FAN,
1838
01:08:46,750 --> 01:08:48,125
WOULD YOU BE WILLING
TO READ MY NEW BOOK,
1839
01:08:48,208 --> 01:08:50,542
GIVE ME SOME
OBJECTIVE FEEDBACK?
1840
01:08:50,625 --> 01:08:51,750
SURE, I WOULD LOVE TO.
1841
01:08:51,834 --> 01:08:52,875
JUST TELL ME WHEN.
1842
01:08:52,959 --> 01:08:54,875
SHOULD BE READY NEXT WEEK.
1843
01:08:54,959 --> 01:08:55,917
ONE CAVEAT.
1844
01:08:56,000 --> 01:08:57,291
I CAN'T SEND IT TO YOU,
1845
01:08:57,375 --> 01:08:59,458
BUT I'LL MAKE A HARD COPY
YOU CAN READ IN MY OFFICE.
1846
01:08:59,542 --> 01:09:00,375
WRITER'S PARANOIA.
1847
01:09:01,500 --> 01:09:03,333
UNDERSTOOD.
1848
01:09:03,417 --> 01:09:04,375
IS, UH, DANI HERE?
1849
01:09:05,667 --> 01:09:07,166
OH, NO, I'M AFRAID
SHE JUST STEPPED OUT.
1850
01:09:07,250 --> 01:09:08,375
OH, UM,
1851
01:09:08,458 --> 01:09:09,583
I JUST WANTED
TO GIVE HER SOMETHING.
1852
01:09:09,667 --> 01:09:11,291
[UNZIPPING BAG]
1853
01:09:11,375 --> 01:09:12,625
I WANTED TO GIVE HER THIS.
1854
01:09:12,709 --> 01:09:15,208
HAWAIIAN SPIRULINA.
1855
01:09:15,291 --> 01:09:16,458
POND SCUM.
1856
01:09:16,542 --> 01:09:17,500
[CHUCKLING]
1857
01:09:17,583 --> 01:09:18,917
I'M SURE SHE'LL LOVE IT.
1858
01:09:19,000 --> 01:09:20,917
[♪♪♪]
1859
01:09:27,834 --> 01:09:30,792
GERALD McNALLY'S DEATH
WAS BY STRYCHNINE POISONING.
1860
01:09:30,917 --> 01:09:33,250
NOW, MY FIRST THOUGHT WAS
IT WAS IN THE PILLS,
1861
01:09:33,333 --> 01:09:34,250
BUT IT WASN'T.
1862
01:09:34,333 --> 01:09:35,208
WHAT WERE THE PILLS?
1863
01:09:35,291 --> 01:09:36,875
SUGAR.
1864
01:09:36,959 --> 01:09:38,834
NO TRACE OF POISON
IN HIS STOMACH,
1865
01:09:38,917 --> 01:09:40,709
SO HE DIDN'T INGEST IT.
1866
01:09:40,792 --> 01:09:42,250
I RE-EXAMINED THE BODY.
1867
01:09:42,333 --> 01:09:44,792
THERE WAS A SINGLE NEEDLE MARK,
1868
01:09:44,875 --> 01:09:47,417
A VERY FINE GAUGE NEEDLE.
1869
01:09:47,500 --> 01:09:50,083
THE STRYCHNINE WAS
ADMINISTERED VIA INJECTION.
1870
01:09:50,166 --> 01:09:52,125
IF McNALLY WAS INJECTED,
1871
01:09:52,208 --> 01:09:53,083
THERE MUST HAVE BEEN
PHYSICAL CONTACT.
1872
01:09:53,166 --> 01:09:55,375
LOCARD'S PRINCIPLE.
1873
01:09:55,458 --> 01:09:58,333
A PERPETRATOR WILL BRING
SOMETHING INTO A CRIME SCENE
1874
01:09:58,417 --> 01:10:00,667
AND LEAVE WITH
SOMETHING FROM IT.
1875
01:10:00,750 --> 01:10:02,875
I WANT EVERY INCH
OF HIM GONE THROUGH,
1876
01:10:02,959 --> 01:10:04,250
HIS CLOTHES,
SHOES, WHATEVER.
1877
01:10:04,333 --> 01:10:06,500
IF THE KILLER HELD
OR RESTRAINED HIM,
1878
01:10:06,583 --> 01:10:07,750
HE LEFT SOMETHING ON THE BODY.
1879
01:10:07,834 --> 01:10:09,625
ALL RIGHT?
1880
01:10:13,250 --> 01:10:16,083
[♪♪♪]
1881
01:10:19,083 --> 01:10:22,667
[WHISTLING NONCHALANTLY]
1882
01:10:29,083 --> 01:10:30,166
[KNOCKS]
1883
01:10:40,917 --> 01:10:42,333
[SHOTS SNIPE]
1884
01:10:53,417 --> 01:10:55,667
[POLICE CHATTER CRACKLES]
1885
01:10:55,750 --> 01:10:57,125
THE BODY WAS FOUND
BY A STUDENT.
1886
01:10:57,208 --> 01:10:58,500
M.E. IS ON THE WAY,
1887
01:10:58,583 --> 01:11:00,542
GUNSHOT WOUND
TO THE ABDOMEN.
1888
01:11:07,625 --> 01:11:09,333
[DIALING CALL]
1889
01:11:10,917 --> 01:11:12,083
HEY, JENNIFER.
1890
01:11:12,166 --> 01:11:14,083
YEAH, I'M AT LITTLEFIELD.
1891
01:11:14,166 --> 01:11:16,375
PROFESSOR FOWLER IS DEAD.
1892
01:11:16,458 --> 01:11:18,417
LOOKS LIKE
WE GOT ANOTHER ONE.
1893
01:11:38,875 --> 01:11:40,834
HEY, JENN,
THANKS FOR COMING.
1894
01:11:40,917 --> 01:11:42,041
WHAT DID THE KILLER
LEAVE BEHIND?
1895
01:11:42,125 --> 01:11:43,417
OH, YOU'LL SEE.
1896
01:11:43,500 --> 01:11:45,375
THE GUY IS REALLY
BRAGGING NOW.
1897
01:11:45,458 --> 01:11:48,709
HE EVEN LEFT A NOTE,
"THE BUTLER DID IT."
1898
01:11:48,792 --> 01:11:50,792
FUNNY, HUH?
1899
01:11:54,959 --> 01:11:56,291
FOWLER WASN'T WEARING
ANY CUFFLINKS,
1900
01:11:56,375 --> 01:11:58,166
SO, OBVIOUSLY, THE KILLER
PLACED IT THERE.
1901
01:11:58,250 --> 01:11:59,959
I THINK I KNOW
WHAT BOOK THIS IS FROM,
1902
01:12:00,041 --> 01:12:01,583
BUT THIS ISN'T RIGHT.
1903
01:12:03,667 --> 01:12:05,083
WHAT DO YOU MEAN?
1904
01:12:05,166 --> 01:12:06,458
THE BODY IS
SUPPOSED TO BE FOUND
1905
01:12:06,542 --> 01:12:09,125
AT THE BOTTOM
OF A CIRCULAR STAIRCASE.
1906
01:12:10,750 --> 01:12:12,125
LIKE THIS?
1907
01:12:14,917 --> 01:12:17,041
OKAY, I GOT THIS.
1908
01:12:17,125 --> 01:12:18,125
MARY ROBERTS RINEHART.
1909
01:12:18,208 --> 01:12:19,917
WHO?
1910
01:12:20,000 --> 01:12:21,750
THIS MURDER IS FROM
THE CIRCULAR STAIRCASE.
1911
01:12:21,834 --> 01:12:22,750
I READ IT LAST YEAR.
1912
01:12:22,834 --> 01:12:23,834
THE VICTIM IS SHOT,
1913
01:12:23,917 --> 01:12:25,208
THE BODY IS FOUND
1914
01:12:25,291 --> 01:12:26,458
NEAR THE BASE
OF A CIRCULAR STAIRCASE.
1915
01:12:26,542 --> 01:12:27,500
THERE'S A CUFFLINK,
1916
01:12:27,583 --> 01:12:28,458
MOTHER OF PEARL
WITH RUBY,
1917
01:12:28,542 --> 01:12:29,542
FOUND NEAR THE BODY.
1918
01:12:29,625 --> 01:12:30,917
SHE WAS THE FIRST
TO USE THE PHRASE
1919
01:12:31,000 --> 01:12:33,250
"THE BUTLER DID IT."
1920
01:12:33,333 --> 01:12:34,625
I THINK I KNOW WHERE THE GUN IS.
1921
01:12:34,709 --> 01:12:35,834
IF HE'S
FOLLOWING THE BOOK,
1922
01:12:35,917 --> 01:12:37,667
HE WOULD HAVE WAS
THE GUN IN SOME BUSHES.
1923
01:12:37,750 --> 01:12:39,417
IT MIGHT EVEN HAVE
THE NAME "HALSEY"
1924
01:12:39,500 --> 01:12:41,834
ENGRAVED
ON THE SIDE.
1925
01:12:41,917 --> 01:12:43,000
I'VE NEVER HEARD OF
THIS WRITER.
1926
01:12:43,083 --> 01:12:43,959
RINEHART?
1927
01:12:44,041 --> 01:12:45,041
OH, SHE'S HUGE,
1928
01:12:45,125 --> 01:12:46,709
THE AMERICAN
AGATHA CHRISTIE.
1929
01:12:46,792 --> 01:12:48,917
FRANK, LOOK.
1930
01:12:53,834 --> 01:12:55,000
PLEASE TELL ME THAT FOOTPRINT
1931
01:12:55,083 --> 01:12:56,166
WASN'T A CLUE FROM BOOK.
1932
01:12:56,250 --> 01:12:57,166
NOPE.
1933
01:12:59,000 --> 01:12:59,917
GOOD.
1934
01:13:00,000 --> 01:13:01,125
FINALLY,
1935
01:13:01,208 --> 01:13:03,083
LOOKS LIKE WE MIGHT HAVE
CAUGHT A BREAK.
1936
01:13:04,834 --> 01:13:07,166
IT'S HORRIBLE,
BUT IT'S FASCINATING
1937
01:13:07,250 --> 01:13:08,542
THERE'S A GUY
KILLING PEOPLE
1938
01:13:08,625 --> 01:13:10,500
RIGHT OUT OF
CLASSIC MYSTERIES.
1939
01:13:10,583 --> 01:13:12,834
THE MURDERS
HAVE TO BE CONNECTED.
1940
01:13:12,917 --> 01:13:15,208
WHY HASN'T THE NEWSPAPER
CAUGHT ONTO THIS?
1941
01:13:15,291 --> 01:13:17,834
FRANK HAS BEEN ABLE TO KEEP
THE DETAILS PRETTY QUIET,
1942
01:13:17,917 --> 01:13:20,166
BUT I DON'T THINK
IT'LL STAY THAT WAY FOR LONG.
1943
01:13:20,250 --> 01:13:21,291
HUH.
1944
01:13:22,834 --> 01:13:24,458
SO, HOW LONG DID IT
TAKE YOU TO REALIZE
1945
01:13:24,542 --> 01:13:26,083
THAT THE CAMPING TRIP WAS NOT
GOING TO BE THE BEST TIME?
1946
01:13:26,166 --> 01:13:27,625
[CHUCKLING]
1947
01:13:27,709 --> 01:13:29,041
WELL, LET'S SEE,
1948
01:13:29,125 --> 01:13:30,583
UM, I PUT THE BACKPACK ON,
1949
01:13:30,667 --> 01:13:32,041
TOOK ABOUT FIVE STEPS,
AND I KNEW.
1950
01:13:32,125 --> 01:13:33,458
[CHUCKLING]
1951
01:13:34,625 --> 01:13:35,583
I'M GLAD YOU WENT.
1952
01:13:35,667 --> 01:13:37,291
-GOOD BONDING TIME.
-YEAH.
1953
01:13:37,375 --> 01:13:39,917
I'M GOING TO GO DOWNSTAIRS
AND CHECK MY NOTES.
1954
01:13:40,000 --> 01:13:41,208
DON'T STAY UP
TOO LATE.
1955
01:13:41,291 --> 01:13:42,417
I WON'T.
1956
01:13:44,417 --> 01:13:46,166
[♪♪♪]
1957
01:14:01,959 --> 01:14:05,000
PROFESSOR MYLES FOWLER,
1958
01:14:05,083 --> 01:14:06,875
PRETTY OBVIOUS
CAUSE OF DEATH.
1959
01:14:06,959 --> 01:14:08,458
DON'T ASSUME
THE TWO BULLET WOUNDS
1960
01:14:08,542 --> 01:14:09,667
IN THE STOMACH
KILLED HIM.
1961
01:14:09,750 --> 01:14:11,417
COULD BE A MISLEAD.
1962
01:14:11,500 --> 01:14:12,834
UNDERSTOOD.
1963
01:14:12,917 --> 01:14:15,417
I'LL APPROACH AS IF
THERE WERE NO GUNSHOT WOUNDS.
1964
01:14:15,500 --> 01:14:16,959
AND THE SLUGS,
THEY'VE BEEN RETRIEVED
1965
01:14:17,041 --> 01:14:17,917
AND SENT TO FORENSICS?
1966
01:14:18,000 --> 01:14:19,417
FIRST THING.
1967
01:14:19,500 --> 01:14:20,583
ANYWAY, I THINK
WE HAVE THE GUN,
1968
01:14:20,667 --> 01:14:21,750
BUT I CAN'T TAKE
ANYTHING FOR GRANTED.
1969
01:14:21,834 --> 01:14:23,583
THIRD MURDER BY THIS GUY?
1970
01:14:23,667 --> 01:14:25,792
WELL, HE MAY HAVE
FINALLY SLIPPED UP.
1971
01:14:25,875 --> 01:14:26,875
WE FOUND A FRESH FOOTPRINT.
1972
01:14:26,959 --> 01:14:28,417
WHAT SIZE SHOE DID FOWLER WEAR?
1973
01:14:30,667 --> 01:14:32,333
SIZE 10.
1974
01:14:32,417 --> 01:14:33,625
THE FOOTPRINT IS
A 12 AND A HALF.
1975
01:14:35,000 --> 01:14:36,250
THAT'S OUR GUY.
1976
01:14:36,333 --> 01:14:39,250
[♪♪♪]
1977
01:14:40,625 --> 01:14:43,083
WE'VE BEEN LOOKING
AT YOUR FINANCES, CLARA,
1978
01:14:43,166 --> 01:14:44,667
AND I'M SURE WE CAN HELP YOU
WITH YOUR INVESTMENTS.
1979
01:14:47,542 --> 01:14:49,583
I HAVE A BIT OF
A TIGHT SCHEDULE.
1980
01:14:49,667 --> 01:14:51,041
I ASSUME
THE PAPERWORK IS READY.
1981
01:14:51,125 --> 01:14:52,000
OH, IT'LL JUST BE
ANOTHER MOMENT.
1982
01:14:52,083 --> 01:14:53,667
I APPRECIATE YOUR PATIENCE.
1983
01:14:53,750 --> 01:14:55,083
HI.
1984
01:14:55,166 --> 01:14:56,583
OH, GLAD YOU COULD
MAKE IT, LAURA.
1985
01:14:56,667 --> 01:14:57,750
THIS IS LAURA
1986
01:14:57,834 --> 01:14:59,875
FROM THE DEPARTMENT
OF SOCIAL SERVICES.
1987
01:14:59,959 --> 01:15:02,000
THE BANK HAS
REASON TO BELIEVE
1988
01:15:02,083 --> 01:15:03,750
THAT THIS COULD BE A SITUATION
OF ELDER FRAUD.
1989
01:15:05,333 --> 01:15:06,375
COULD YOU DESCRIBE
1990
01:15:06,458 --> 01:15:07,834
YOUR RELATIONSHIP TO CLARA?
1991
01:15:09,125 --> 01:15:10,542
[SCOFFS]
1992
01:15:10,625 --> 01:15:12,500
WELL, I RESENT
THAT INSINUATION.
1993
01:15:13,959 --> 01:15:15,542
THIS HAS TAKEN UP
FAR TOO MUCH OF MY TIME.
1994
01:15:15,625 --> 01:15:16,959
MELODY!
1995
01:15:17,041 --> 01:15:18,542
YEAH.
WE'LL BE IN TOUCH.
1996
01:15:26,166 --> 01:15:27,917
I'M SO
SORRY, CLARA.
1997
01:15:28,000 --> 01:15:28,959
[LAURA]:
HER REAL NAME
1998
01:15:29,041 --> 01:15:30,792
IS MELODY MONROE.
1999
01:15:30,875 --> 01:15:32,125
SHE'S BEEN ARRESTED
IN TWO OTHER STATES
2000
01:15:32,208 --> 01:15:33,417
FOR ELDER FRAUD
AND OTHER SCAMS.
2001
01:15:33,500 --> 01:15:35,375
I PLAYED LAURA
2002
01:15:35,458 --> 01:15:37,375
A RECORDING OF
MAGGIE COMMUNICATING
2003
01:15:37,458 --> 01:15:40,709
WITH SOMEONE
WHO NEVER EXISTED.
2004
01:15:40,792 --> 01:15:42,041
CLARA,
2005
01:15:42,125 --> 01:15:43,625
APS HAS ADVISORS
WHO CAN MAKE SURE
2006
01:15:43,709 --> 01:15:44,959
THAT YOUR INVESTMENTS
ARE HANDLED RESPONSIBLY.
2007
01:15:45,041 --> 01:15:46,792
[SIGHS]
2008
01:15:46,875 --> 01:15:49,542
I REALLY WANTED TO BELIEVE
2009
01:15:49,625 --> 01:15:51,625
THAT I WAS TALKING
WITH MY EDGAR.
2010
01:15:51,709 --> 01:15:53,375
I KNOW.
2011
01:15:53,458 --> 01:15:56,834
BUT I SUSPECTED I WASN'T.
2012
01:15:56,917 --> 01:15:58,917
HE WAS TOO SWEET.
2013
01:15:59,000 --> 01:16:01,333
EDGAR WOULD HAVE BEEN
REALLY GRUMPY
2014
01:16:01,417 --> 01:16:03,500
IF I HAD BOTHERED HIM
ON THE OTHER SIDE.
2015
01:16:05,959 --> 01:16:07,333
[CHUCKLING]
2016
01:16:10,500 --> 01:16:14,583
THE COMMON THREAD IS
MYSTERIES AND LITERATURE.
2017
01:16:14,667 --> 01:16:15,792
IS THERE ANY CHANCE
2018
01:16:15,875 --> 01:16:18,250
THAT TERRANCE DUNCAN
CAN BE INVOLVED?
2019
01:16:18,333 --> 01:16:21,250
HE WRITES MYSTERIES,
HE TEACHES...
2020
01:16:21,333 --> 01:16:23,458
DO YOU THINK
THAT'S POSSIBLE?
2021
01:16:23,542 --> 01:16:26,166
I HAD THE SAME THOUGHT,
BUT I DON'T THINK SO.
2022
01:16:26,250 --> 01:16:28,667
AND DUNCAN WEARS
A SIZE 11 SHOE,
2023
01:16:28,750 --> 01:16:31,458
AND THE FOOT IMPRESSION
AT THE SCENE
2024
01:16:31,542 --> 01:16:33,000
WAS A 12 AND A HALF.
2025
01:16:33,083 --> 01:16:34,208
THAT'S A RELIEF
2026
01:16:34,291 --> 01:16:36,542
BECAUSE I'M GOING TO
SEE HIM THIS AFTERNOON.
2027
01:16:36,625 --> 01:16:37,667
HOW IN THE WORLD
DID YOU FIND OUT
2028
01:16:37,750 --> 01:16:39,667
DUNCAN'S SHOE SIZE?
2029
01:16:39,750 --> 01:16:42,917
HE RENTED A TUX
A FEW YEARS AGO.
2030
01:16:43,000 --> 01:16:45,458
I ROUTINELY CHECK
FORMAL WEAR PLACES
2031
01:16:45,542 --> 01:16:48,041
BECAUSE THEY ALWAYS
KEEP MEASUREMENTS.
2032
01:16:48,125 --> 01:16:49,458
CLEVER.
2033
01:16:49,542 --> 01:16:50,667
I'D SAY.
2034
01:16:53,959 --> 01:16:56,709
YOU HAVE TO READ IT
AT HIS OFFICE?
2035
01:16:56,792 --> 01:16:58,500
WELL, I GUESS
IF YOU SEND SOMEONE A FILE,
2036
01:16:58,583 --> 01:16:59,959
IT CAN BE
LEAKED TOO EASILY.
2037
01:17:00,041 --> 01:17:01,166
SO, YOU'RE GOING TO THE J.C.?
2038
01:17:01,250 --> 01:17:03,083
NO, TERRANCE HAS
A WRITING OFFICE OFF-CAMPUS.
2039
01:17:03,166 --> 01:17:04,083
I'LL READ IT THERE.
2040
01:17:04,166 --> 01:17:06,000
YOU SHOULD FEEL FLATTERED.
2041
01:17:06,083 --> 01:17:07,417
YEAH, IT'S KIND OF COOL.
2042
01:17:07,500 --> 01:17:10,000
OKAY, HAVE FUN, HONEY.
2043
01:17:12,917 --> 01:17:15,083
OH, HI, SWEETHEART, IT'S ME.
2044
01:17:15,166 --> 01:17:16,583
I'M HEADED OVER
TO TERRANCE DUNCAN'S OFFICE,
2045
01:17:16,667 --> 01:17:17,625
BUT I'LL PICK UP DINNER,
2046
01:17:17,709 --> 01:17:18,917
AND I'LL BE HOME AROUND 7:00.
2047
01:17:19,000 --> 01:17:20,458
I LOVE YOU. BYE.
2048
01:17:21,875 --> 01:17:22,792
[CELL PHONE RINGS]
2049
01:17:22,875 --> 01:17:23,917
HELLO?
2050
01:17:24,000 --> 01:17:25,000
JENN? IT'S TERRANCE.
2051
01:17:25,083 --> 01:17:26,125
ARE YOU AT THE OFFICE YET?
2052
01:17:26,208 --> 01:17:27,583
I'M ALMOST THERE.
2053
01:17:27,667 --> 01:17:28,667
I'M GRABBING A COFFEE.
I LEFT THE OFFICE OPEN.
2054
01:17:28,750 --> 01:17:30,125
MANUSCRIPT'S ON THE DESK,
2055
01:17:30,208 --> 01:17:31,291
GO AHEAD AND GET STARTED.
2056
01:17:31,375 --> 01:17:32,125
YOU WANT A LATTE
OR SOMETHING?
2057
01:17:32,208 --> 01:17:33,875
NO, I'M GOOD, THANKS.
2058
01:17:33,959 --> 01:17:35,333
OKAY, SEE YOU
IN 20 MINUTES OR SO.
2059
01:17:35,417 --> 01:17:36,917
I REALLY APPRECIATE THIS, JENN.
2060
01:17:37,000 --> 01:17:38,250
YEAH, NO PROBLEM.
2061
01:17:44,792 --> 01:17:46,083
THERE'S A NAME
ON THE LIST HERE,
2062
01:17:46,166 --> 01:17:48,709
TERRANCE DUNCAN.
2063
01:17:48,792 --> 01:17:49,667
THE GUY TAUGHT
FOR A SHORT TIME
2064
01:17:49,750 --> 01:17:50,834
OVER AT LITTLEFIELD,
2065
01:17:50,917 --> 01:17:52,667
AND THERE'S
A BROWN & HEATON CONNECTION.
2066
01:17:54,000 --> 01:17:55,291
ALL RIGHT,
YOU GOT MY ATTENTION.
2067
01:17:55,375 --> 01:17:58,333
DUNCAN SUBMITTED A BOOK THERE
THAT THEY PASSED ON.
2068
01:17:58,417 --> 01:18:00,291
HE CAUSED A BIG STINK ABOUT IT.
2069
01:18:00,375 --> 01:18:03,583
THE REJECTING EDITOR ON HIS BOOK
WAS GERALD McNALLY.
2070
01:18:34,792 --> 01:18:36,417
THE NOVEL MURDERS.
2071
01:18:36,500 --> 01:18:37,709
HMM.
2072
01:18:41,250 --> 01:18:44,417
"A TRUE STORY OF MURDER
PAST AND FUTURE."
2073
01:18:44,500 --> 01:18:46,500
[SHOP BELL JINGLES]
2074
01:18:47,792 --> 01:18:48,750
HEY, WHERE'S JENN?
2075
01:18:48,834 --> 01:18:50,083
I'VE BEEN
TRYING TO CALL HER.
2076
01:18:50,166 --> 01:18:51,250
SHE'S READING
DUNCAN'S MANUSCRIPT.
2077
01:18:51,333 --> 01:18:52,625
AT THE J.C., OR...
2078
01:18:52,709 --> 01:18:53,834
NO, OFF-CAMPUS,
AT HIS WRITING OFFICE.
2079
01:18:53,917 --> 01:18:55,500
-WHERE?
-I DON'T KNOW.
2080
01:18:55,583 --> 01:18:56,542
[DIALING QUICKLY]
2081
01:18:57,625 --> 01:18:58,875
MARY?
2082
01:18:58,959 --> 01:19:00,417
YEAH, I NEED
AN EMERGENCY SEARCH
2083
01:19:00,500 --> 01:19:02,542
OF ANY ADDRESS LINKED
TO A TERRANCE DUNCAN,
2084
01:19:02,625 --> 01:19:04,750
RENT, PHONE,
UTILITIES, YOU NAME IT.
2085
01:19:06,041 --> 01:19:07,750
YOU CALL ME
AS SOON AS YOU HEAR FROM HER.
2086
01:19:08,917 --> 01:19:10,250
OH, NO.
2087
01:19:14,083 --> 01:19:15,333
"I FIRST SAW ART HENLEY
2088
01:19:15,417 --> 01:19:17,417
FEEDING BIRDS
IN THE PARK ALONE..."
2089
01:19:21,625 --> 01:19:23,291
"MISDIRECTION.
2090
01:19:23,375 --> 01:19:26,291
"A CARD LEFT ON THE REFRIGERATOR
POINTS TO GERALD McNALLY,
2091
01:19:26,375 --> 01:19:27,750
"BUT THE SECURITY CAMERA
IN THE PARK
2092
01:19:27,834 --> 01:19:28,792
IS AN ALL-SEEING EYE..."
2093
01:19:31,041 --> 01:19:32,959
"WITH A LITTLEFIELD
COLLEGE SWEATSHIRT,
2094
01:19:33,041 --> 01:19:34,166
"AND HIDING MY FACE,
2095
01:19:34,250 --> 01:19:36,667
I SEND YOU AFTER
PROFESSOR MYLES FOWLER."
2096
01:19:39,333 --> 01:19:40,208
[GASPS]
2097
01:19:45,208 --> 01:19:46,500
[LOCK RATTLES]
2098
01:19:47,709 --> 01:19:48,542
[TERRANCE]:
HELLO, JENNIFER.
2099
01:19:48,625 --> 01:19:50,125
[GASPS]
2100
01:19:50,208 --> 01:19:51,709
GOOD TO SEE YOU AGAIN.
2101
01:19:53,500 --> 01:19:55,083
IT'S THE HOLOGRAM ME.
2102
01:19:55,166 --> 01:19:57,875
THE REAL ME IS SIPPING BEER
AT THE FOX AND HOUND,
2103
01:19:57,959 --> 01:20:00,041
AN AIRTIGHT ALIBI.
2104
01:20:00,125 --> 01:20:04,291
"NOVEL MURDERS" IS A MYSTERY
INSPIRED BY THE CLASSICS,
2105
01:20:04,375 --> 01:20:05,583
BUT KILLING REAL PEOPLE.
2106
01:20:07,667 --> 01:20:10,458
THREE BEAUTIFUL RECREATIONS
OF LITERARY MURDERS.
2107
01:20:10,542 --> 01:20:13,166
MURDER #1, ART HENLEY--
2108
01:20:13,250 --> 01:20:15,125
HE DIDN'T DESERVE TO DIE,
2109
01:20:15,208 --> 01:20:17,500
BUT NEITHER DID THE REVEREND
IN
A MURDER IN THREE ACTS
.
2110
01:20:17,583 --> 01:20:21,291
MURDER #2, GERALD McNALLY.
2111
01:20:21,375 --> 01:20:24,000
HE REJECTED MY BOOK
AND KILLED MY CAREER.
2112
01:20:24,083 --> 01:20:25,959
"A STUDY IN SCARLET" FOR HIM.
2113
01:20:26,041 --> 01:20:28,834
MURDER #3, PROFESSOR FOWLER.
2114
01:20:28,917 --> 01:20:30,542
I ONCE TAUGHT AT LITTLEFIELD.
2115
01:20:30,625 --> 01:20:32,875
HE WAS HEAD OF THE COMMISSION
THAT DENIED MY PROMOTION.
2116
01:20:32,959 --> 01:20:34,458
HAVE YOU FIGURED OUT
2117
01:20:34,542 --> 01:20:36,166
THE SIZE
12 AND A HALF SHOE YET?
2118
01:20:36,250 --> 01:20:39,875
SOME CRUMPLED NEWSPAPER
AND MY SIZE 11 FEET
2119
01:20:39,959 --> 01:20:43,208
FIT THE SIZE
12 AND A HALF SHOE JUST FINE.
2120
01:20:43,291 --> 01:20:45,083
MURDER #4 IS ABOUT TO HAPPEN.
2121
01:20:45,166 --> 01:20:47,083
I KNOW YOU'VE ALMOST SOLVED IT.
2122
01:20:47,166 --> 01:20:50,917
I BUILT THIS ROOM
SPECIFICALLY FOR THIS MURDER,
2123
01:20:51,000 --> 01:20:53,208
THOUGH I DIDN'T KNOW
IT WOULD BE YOU.
2124
01:20:54,625 --> 01:20:57,417
THE DOORS IS SECURED,
THE LOCK UNBREACHABLE.
2125
01:20:57,500 --> 01:20:59,291
THE WINDOW IS SAFETY GLASS,
2126
01:20:59,375 --> 01:21:00,375
UNBREAKABLE.
2127
01:21:03,542 --> 01:21:05,166
CELL PHONE SIGNAL IS BLOCKED.
2128
01:21:05,250 --> 01:21:06,667
YOU CAN'T CALL FOR HELP.
2129
01:21:06,750 --> 01:21:08,834
[DIALING QUICKLY]
2130
01:21:08,917 --> 01:21:09,834
[GASPING FOR AIR]
2131
01:21:09,917 --> 01:21:11,375
HOW ARE YOU FEELING?
2132
01:21:11,458 --> 01:21:14,166
A LITTLE DIZZY,
A LITTLE LIGHT-HEADED?
2133
01:21:16,417 --> 01:21:17,250
CARBON MONOXIDE IS ODORLESS,
2134
01:21:17,333 --> 01:21:18,250
TASTELESS,
2135
01:21:18,333 --> 01:21:19,250
INVISIBLE.
2136
01:21:22,000 --> 01:21:25,166
THE WALL HEATER HAS BEEN RIGGED
TO EMIT THE GAS.
2137
01:21:33,583 --> 01:21:35,375
YOU WERE OVERCOME
BY CARBON MONOXIDE.
2138
01:21:37,000 --> 01:21:39,542
TRAGIC.
2139
01:21:40,875 --> 01:21:42,959
RECREATING CLASSIC MURDERS,
2140
01:21:43,041 --> 01:21:44,250
AND TOPPING IT ALL OFF
2141
01:21:44,333 --> 01:21:46,667
WITH A WHOLLY ORIGINAL
LOCKED-ROOM.
2142
01:21:46,750 --> 01:21:48,458
SHOULD BE A BEST-SELLER.
2143
01:21:49,875 --> 01:21:50,875
GOODBYE, JENNIFER.
2144
01:21:50,959 --> 01:21:53,500
THANKS FOR THE INSPIRATION.
2145
01:22:10,667 --> 01:22:13,500
[COUGHING AND SPLUTTERING]
2146
01:22:34,917 --> 01:22:37,125
[SPRINKLERS SPURT,
FIRE ALARM CLANGS]
2147
01:22:41,917 --> 01:22:43,959
[COUGHING AND GASPING]
2148
01:22:56,041 --> 01:22:57,917
[FRANK]: JENNIFER?
2149
01:22:59,291 --> 01:23:01,458
OH, NO.
2150
01:23:01,542 --> 01:23:02,500
JENNIFER?
2151
01:23:02,583 --> 01:23:04,417
JENNIFER!
2152
01:23:05,458 --> 01:23:06,417
JENNIFER!
2153
01:23:16,208 --> 01:23:18,792
FRANK, CAN YOU CALL JASON?
2154
01:23:18,875 --> 01:23:21,875
DINNER'S GOING TO BE LATE.
2155
01:23:28,750 --> 01:23:30,750
THIS DRIED NICELY.
2156
01:23:30,834 --> 01:23:32,250
I THINK I'M GOING TO
GIVE IT THE DA.
2157
01:23:32,333 --> 01:23:33,333
GIVE IT TO HIM.
2158
01:23:33,417 --> 01:23:34,125
IT'S A WORK OF FICTION.
2159
01:23:34,208 --> 01:23:35,417
NAH,
2160
01:23:35,500 --> 01:23:36,875
THAT'S WHAT I LIKE
TO CALL A CONFESSION.
2161
01:23:38,000 --> 01:23:39,625
OH, AND, UM,
2162
01:23:39,709 --> 01:23:40,834
BY THE WAY,
2163
01:23:40,917 --> 01:23:41,917
NICE OF YOU TO LET US KNOW
2164
01:23:42,000 --> 01:23:45,041
YOU WERE AT THE FOX AND HOUND.
2165
01:23:46,750 --> 01:23:49,083
YOU NEVER WOULD HAVE
GOTTEN CLOSE
2166
01:23:49,166 --> 01:23:51,250
WITHOUT THAT AMATEUR NANCY DREW.
2167
01:23:51,333 --> 01:23:52,834
JENNIFER?
2168
01:23:52,917 --> 01:23:54,166
OH, SHE'S OUR SECRET WEAPON.
2169
01:23:56,458 --> 01:23:58,417
YOU WANT TO TELL
MR. DUNCAN ANYTHING?
2170
01:23:58,500 --> 01:23:59,792
[CLICKS INTERCOM BUTTON]
2171
01:23:59,875 --> 01:24:01,709
TELL HIM I FINISHED
NOVEL MURDERS
.
2172
01:24:01,792 --> 01:24:03,667
NEEDS SOME WORK.
2173
01:24:03,750 --> 01:24:04,834
THE ENDING IS A LITTLE WEAK.
2174
01:24:04,917 --> 01:24:06,291
MIGHT BE MORE REALISTIC
2175
01:24:06,375 --> 01:24:08,166
IF THE AUTHOR SPENT
THE REST OF HIS LIFE IN JAIL.
2176
01:24:18,917 --> 01:24:20,250
HE SEEMED LIKE A NICE GUY.
2177
01:24:20,333 --> 01:24:22,375
WE WENT TO HIS BOOK SIGNING.
HE WAS VERY CHARMING.
2178
01:24:22,458 --> 01:24:24,917
THEY USUALLY ARE.
2179
01:24:25,000 --> 01:24:26,500
THAT SWEET MAN
WHO BOUGHT THE BIRD,
2180
01:24:26,583 --> 01:24:28,041
HE WAS REALLY KILLED
JUST FOR PRACTICE?
2181
01:24:28,125 --> 01:24:30,667
DUNCAN WANTED TO SEE
IF HE WAS CAPABLE OF MURDER,
2182
01:24:30,750 --> 01:24:33,333
SO HE COPIED A MURDER
FROM AN AGATHA CHRISTIE BOOK.
2183
01:24:33,417 --> 01:24:35,417
THAT'S SO SICK.
2184
01:24:35,500 --> 01:24:37,333
AND HE BUILT A ROOM,
JUST TO KILL YOU?
2185
01:24:37,417 --> 01:24:38,375
WELL, I DON'T
THINK HE KNEW
2186
01:24:38,458 --> 01:24:40,333
HIS INTENDED VICTIM
WHEN HE BUILT IT,
2187
01:24:40,417 --> 01:24:41,875
BUT HE DID KNOW
I WAS GETTING CLOSER
2188
01:24:41,959 --> 01:24:42,875
TO FIGURING OUT THE MURDERS.
2189
01:24:42,959 --> 01:24:45,166
AND HE MADE A HOLOGRAM,
2190
01:24:45,250 --> 01:24:47,917
YES, IT WAS LIKE
HE WAS THERE THE WHOLE TIME.
2191
01:24:48,000 --> 01:24:49,709
HUH, LIKE TUPAC
AT COACHELLA.
2192
01:24:51,208 --> 01:24:52,875
OKAY, SO DID I
GET THIS RIGHT,
2193
01:24:52,959 --> 01:24:55,792
YOU WERE WORRIED ABOUT
DAD AND I CAMPING
2194
01:24:55,875 --> 01:24:57,500
WHILE YOU WERE GIVING
MANUSCRIPT NOTES
2195
01:24:57,583 --> 01:24:58,792
TO A SERIAL KILLER?
2196
01:24:58,875 --> 01:25:00,208
MM-HMM.
2197
01:25:00,291 --> 01:25:01,291
THERE'S NO WAY
2198
01:25:01,375 --> 01:25:02,750
DUNCAN'S
GETTING OUT, RIGHT?
2199
01:25:02,834 --> 01:25:04,333
NOT A CHANCE.
WE GOT HIM COLD.
2200
01:25:05,625 --> 01:25:07,083
THAT CALL
WAS THE MAYOR'S OFFICE.
2201
01:25:07,166 --> 01:25:08,291
THEY'RE PUTTING JENN UP
2202
01:25:08,375 --> 01:25:09,500
FOR THE CITIZEN'S
MEDAL OF HONOR.
2203
01:25:09,583 --> 01:25:10,750
[GASPS]
2204
01:25:11,792 --> 01:25:12,917
MOM!
2205
01:25:13,000 --> 01:25:15,125
THIS IS SO EXCITING.
2206
01:25:15,208 --> 01:25:16,792
I THINK I WANT TO FOLLOW
IN YOUR FOOTSTEPS.
2207
01:25:16,875 --> 01:25:19,583
HOW DO I START,
2208
01:25:19,667 --> 01:25:21,500
READ A LOT
OF MYSTERIES?
2209
01:25:32,625 --> 01:25:36,625
[♪♪♪]
146258
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