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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:03,875 [♪♪♪] 2 00:00:42,875 --> 00:00:45,250 CAREFUL. WE JUST GLUED THAT PIECE BACK ON. 3 00:00:45,333 --> 00:00:46,667 IT'LL BE DRY IN A FEW HOURS. 4 00:00:46,750 --> 00:00:47,875 HOW MUCH IS IT? 5 00:00:49,083 --> 00:00:49,917 DANI, HOW MUCH IS THIS? 6 00:00:51,750 --> 00:00:52,709 $25. 7 00:00:55,291 --> 00:00:56,250 WOULD YOU TAKE 10? 8 00:00:59,291 --> 00:01:00,208 SOLD. 9 00:01:01,917 --> 00:01:03,166 I CAN'T WAIT FOR IT TO DRY. 10 00:01:03,250 --> 00:01:05,291 I TAKE THE BUS, 11 00:01:05,375 --> 00:01:07,917 AND I HAVE TO GO AND FEED THE BIRDS. 12 00:01:08,000 --> 00:01:10,709 I LIVE JUST TWO OR THREE STOPS DOWN 13 00:01:10,792 --> 00:01:12,333 ON ELM STREET. 14 00:01:12,417 --> 00:01:13,709 OH, THAT'S OKAY, 15 00:01:13,792 --> 00:01:16,458 JENN WOULD BE DELIGHTED TO DELIVER IT TO YOU. 16 00:01:16,542 --> 00:01:18,041 WOULDN'T YOU, JENN? 17 00:01:18,125 --> 00:01:20,041 [CHUCKLES POLITELY] OH, YES. 18 00:01:20,125 --> 00:01:22,000 DELIGHTED. 19 00:01:22,083 --> 00:01:24,166 [♪♪♪] 20 00:01:43,125 --> 00:01:44,458 [CALL RINGING] 21 00:01:44,542 --> 00:01:46,959 9-1-1. WHAT IS YOUR EMERGENCY? 22 00:01:47,041 --> 00:01:48,166 [DISGUISED MALE VOICE]: I'M CALLING ABOUT ARTHUR HENLEY, 23 00:01:48,250 --> 00:01:49,959 914 ELM. 24 00:01:50,041 --> 00:01:51,417 NUMBER 202. 25 00:01:51,500 --> 00:01:53,250 I THINK SOMETHING MAY HAVE HAPPENED TO HIM. 26 00:01:53,333 --> 00:01:54,750 IS THIS A MEDICAL EMERGENCY? 27 00:01:54,834 --> 00:01:56,375 YOU SHOULD SEND SOMEONE. 28 00:01:56,458 --> 00:01:57,875 SIR, WHAT'S YOUR NAME? 29 00:01:58,959 --> 00:01:59,959 SIR? 30 00:02:00,041 --> 00:02:01,500 [CALL DISCONNECTS] 31 00:02:19,000 --> 00:02:22,250 [HINGES CREAKING] 32 00:02:22,333 --> 00:02:24,125 MR. HENLEY! 33 00:02:26,542 --> 00:02:28,542 OH... 34 00:02:30,333 --> 00:02:31,375 OH NO. 35 00:02:36,500 --> 00:02:40,458 OPERATOR, I'D LIKE TO REPORT A MEDICAL EMERGENCY. 36 00:02:40,542 --> 00:02:42,625 NEVER MIND. 37 00:02:42,709 --> 00:02:44,041 I CAN'T FIND A PULSE. 38 00:02:47,208 --> 00:02:49,083 [POLICE RADIOS CRACKLING] 39 00:02:58,208 --> 00:03:00,208 [SIGHING HEAVILY] 40 00:03:00,291 --> 00:03:01,875 THIS SHOULD BE GOOD. 41 00:03:01,959 --> 00:03:03,041 I WAS DELIVERING A PURCHASE, 42 00:03:03,125 --> 00:03:04,333 AND THE CUSTOMER... 43 00:03:04,417 --> 00:03:05,417 LOOKED DEAD. 44 00:03:05,500 --> 00:03:06,959 I FELT FOR A PULSE, 45 00:03:07,041 --> 00:03:08,125 I CALLED 9-1-1, 46 00:03:08,208 --> 00:03:09,291 BUT THEY WERE ALREADY ARRIVING-- 47 00:03:09,375 --> 00:03:11,458 DETECTIVE, THANKS FOR COMING OUT. 48 00:03:11,542 --> 00:03:13,083 HOMICIDE SHOULD HAVE A LOOK. 49 00:03:13,166 --> 00:03:14,625 SOMETHING FEELS OFF. 50 00:03:14,709 --> 00:03:16,041 HE'S RIGHT. 51 00:03:17,458 --> 00:03:18,542 THANK YOU, JENNIFER. 52 00:03:18,625 --> 00:03:19,792 WE'LL TAKE IT FROM HERE. 53 00:03:19,875 --> 00:03:20,834 NO, WAIT, WAIT! 54 00:03:20,917 --> 00:03:22,500 [GASPING] 55 00:03:22,583 --> 00:03:23,834 I'M THE ONE THAT DISCOVERED THE BODY, 56 00:03:23,917 --> 00:03:24,792 AND I'VE ALREADY BEEN INSIDE. 57 00:03:24,875 --> 00:03:26,583 I JUST WANT TO SHOW YOU 58 00:03:26,667 --> 00:03:28,000 A COUPLE OF THINGS. 59 00:03:28,083 --> 00:03:29,709 FINE. 60 00:03:35,458 --> 00:03:36,959 [SHUTTERS CLICKING] 61 00:03:52,041 --> 00:03:54,166 DOESN'T LOOK LIKE A STRUGGLE TOOK PLACE. 62 00:03:54,250 --> 00:03:56,375 THERE'S NO BLOOD. 63 00:03:56,458 --> 00:03:57,792 LOOKS LIKE A MEDICAL CALL. 64 00:03:57,875 --> 00:03:59,083 WHAT'S SO OFF ABOUT THIS? 65 00:03:59,166 --> 00:04:02,125 ANONYMOUS 911 CALL SAYING THAT HE NEEDED HELP. 66 00:04:02,208 --> 00:04:03,375 WE CANVASSED THE NEIGHBORS. 67 00:04:03,458 --> 00:04:04,709 NONE OF THEM MADE THE CALL. 68 00:04:04,792 --> 00:04:06,834 SO, SOMEONE ELSE MADE THE CALL. 69 00:04:06,917 --> 00:04:07,875 APPARENTLY, HENLEY HERE WAS A LONER, 70 00:04:07,959 --> 00:04:09,000 SO WHO WOULD HAVE KNOWN 71 00:04:09,083 --> 00:04:09,917 THAT HE NEEDED HELP IN HIS APARTMENT? 72 00:04:11,208 --> 00:04:12,709 911 COULDN'T SEE THE INCOMING NUMBER? 73 00:04:12,792 --> 00:04:14,542 -PAY PHONE. -ALL RIGHT, WELL, WHAT ELSE? 74 00:04:14,625 --> 00:04:17,333 YOU HAD A DELIVERY OR SOMETHING? 75 00:04:17,417 --> 00:04:18,917 YEAH. LONG STORY, 76 00:04:19,000 --> 00:04:20,166 BUT HE CAME INTO THE STORE THIS MORNING 77 00:04:20,250 --> 00:04:21,208 AND HE LOOKED PERFECTLY HEALTHY. 78 00:04:22,458 --> 00:04:23,583 MAY I? 79 00:04:35,417 --> 00:04:37,792 SMELLS LIKE WHISKEY. 80 00:04:39,625 --> 00:04:41,458 SO, HE DRANK SOME WHISKEY AND HAD A HEART ATTACK. 81 00:04:41,542 --> 00:04:43,500 THERE'S NO WHISKEY BOTTLE. 82 00:04:43,583 --> 00:04:45,917 NO. I LOOKED EVERYWHERE, EVEN THE TRASH. 83 00:04:46,000 --> 00:04:46,917 AND TAKE A LOOK AT THIS. 84 00:04:54,709 --> 00:04:55,792 NEIGHBORS SAY HE'S NOT A PRIEST. 85 00:04:57,083 --> 00:05:00,333 HE WASN'T WEARING THAT COLLAR THIS MORNING. 86 00:05:01,834 --> 00:05:02,750 INTERESTING. 87 00:05:03,959 --> 00:05:06,542 HERE WE GO. 88 00:05:08,125 --> 00:05:10,583 [CHIRPING] 89 00:05:10,667 --> 00:05:13,208 [♪♪♪] 90 00:05:28,208 --> 00:05:30,333 OH, MY GOODNESS... 91 00:05:33,000 --> 00:05:34,000 WOW. 92 00:05:34,083 --> 00:05:35,083 YOU SHOULD BUY IT. 93 00:05:35,166 --> 00:05:36,083 OH! 94 00:05:36,166 --> 00:05:37,250 [CHUCKLES] 95 00:05:37,333 --> 00:05:38,208 WELL... 96 00:05:39,458 --> 00:05:40,750 YOU HAD ONE AS A CHILD, DIDN'T YOU? 97 00:05:42,291 --> 00:05:43,500 HOW DID YOU KNOW THAT? 98 00:05:43,583 --> 00:05:45,750 WELL, IT'S OBVIOUS, 99 00:05:45,834 --> 00:05:46,917 EVEN WITHOUT THE GIFT. 100 00:05:48,291 --> 00:05:50,625 IF YOU EVER WANT A READING... 101 00:05:51,792 --> 00:05:53,750 LET ME GIVE YOU MY CARD. 102 00:05:58,333 --> 00:05:59,375 THANK YOU. 103 00:06:05,083 --> 00:06:06,375 [GASPS] 104 00:06:06,458 --> 00:06:08,250 IT'S A TINY CLOCK RADIO! 105 00:06:08,333 --> 00:06:10,458 [LAUGHING] 106 00:06:10,542 --> 00:06:13,041 OH, DANI, THIS IS FANTASTIC. 107 00:06:13,125 --> 00:06:14,208 ISN'T IT SO CUTE? 108 00:06:14,291 --> 00:06:16,041 LOOK AT THE LITTLE KITCHEN, 109 00:06:16,125 --> 00:06:19,083 AND THE LITTLE STOVE AND THE CHAIRS... 110 00:06:19,166 --> 00:06:20,166 I THINK EVERYTHING IS HERE. 111 00:06:21,875 --> 00:06:24,583 DO YOU THINK IT'S POSSIBLE THAT WOMAN WAS REALLY PSYCHIC? 112 00:06:24,667 --> 00:06:26,041 I MEAN, HOW DID SHE KNOW 113 00:06:26,125 --> 00:06:27,625 I HAD ONE AS A KID? 114 00:06:27,709 --> 00:06:28,667 SHE GUESSED? 115 00:06:28,750 --> 00:06:30,625 MAYBE. 116 00:06:30,709 --> 00:06:32,041 BUT THAT DOESN'T MEAN THERE AREN'T PEOPLE OUT THERE 117 00:06:32,125 --> 00:06:33,166 WHO REALLY HAVE THE GIFT. 118 00:06:33,250 --> 00:06:35,417 OH, WELL, COULD YOU ASK HER TO GIFT US 119 00:06:35,500 --> 00:06:37,375 THE WINNING LOTTERY NUMBERS? 120 00:06:42,542 --> 00:06:43,542 ...NOT MUCH. 121 00:06:43,625 --> 00:06:44,709 WENT TO A GARAGE SALE, 122 00:06:44,792 --> 00:06:46,208 DANI BOUGHT A DOLLHOUSE, 123 00:06:46,291 --> 00:06:48,333 I DELIVERED A PURCHASE... 124 00:06:48,417 --> 00:06:50,291 SINCE WHEN DO YOU DELIVER? 125 00:06:50,375 --> 00:06:51,959 OH, HE WAS AN OLDER MAN TAKING THE BUS. 126 00:06:52,041 --> 00:06:53,583 AND? 127 00:06:53,667 --> 00:06:56,417 HE WAS DEAD WHEN I GOT THERE. 128 00:06:56,500 --> 00:06:57,834 HE WAS DEAD? 129 00:06:57,917 --> 00:06:59,417 DON'T WORRY, FRANK THINKS IT WAS NATURAL CAUSES. 130 00:07:02,792 --> 00:07:03,750 "DON'T WORRY." 131 00:07:05,166 --> 00:07:07,083 WHY WOULD I WORRY? 132 00:07:11,500 --> 00:07:13,125 THESE GUYS ARE POSTING THESE VIDEOS ON THE NET, 133 00:07:13,208 --> 00:07:14,542 WHERE THEY GO OUT INTO THE WILDERNESS 134 00:07:14,625 --> 00:07:15,458 WITH NOTHING, 135 00:07:15,542 --> 00:07:17,709 NO TOOLS, NO TENTS, 136 00:07:17,792 --> 00:07:19,041 NO SLEEPING BAGS. 137 00:07:19,125 --> 00:07:20,125 NOT EVEN WATER. 138 00:07:20,208 --> 00:07:22,291 IT GETS COLD IN THE WILDERNESS. 139 00:07:22,375 --> 00:07:24,875 I THINK IT WOULD BE AWESOME. 140 00:07:24,959 --> 00:07:26,333 MAN VS. NATURE. 141 00:07:26,417 --> 00:07:27,583 YOU KNOW, SURVIVAL. 142 00:07:27,667 --> 00:07:29,500 WHY DON'T WE SKIP DINNER 143 00:07:29,583 --> 00:07:30,917 AND REASSESS THAT ABOUT MIDNIGHT? 144 00:07:31,000 --> 00:07:32,333 WE'LL GO IN THE BACKYARD, 145 00:07:32,417 --> 00:07:33,500 IN THE DARK, 146 00:07:33,583 --> 00:07:35,375 HUNGRY. 147 00:07:35,458 --> 00:07:36,917 YOU KNOW, WE'VE NEVER EVEN BEEN REAL CAMPING. 148 00:07:37,000 --> 00:07:38,250 WE WENT TO YELLOWSTONE. 149 00:07:38,333 --> 00:07:39,625 THAT WAS JUST, LIKE, IN AN RV. 150 00:07:39,709 --> 00:07:40,959 THAT'S NOT REALLY CAMPING. 151 00:07:42,667 --> 00:07:43,542 DO YOU EVEN KNOW HOW? 152 00:07:44,917 --> 00:07:46,041 I WAS A BOY SCOUT. 153 00:07:46,125 --> 00:07:46,959 I GOT SKILLS. 154 00:07:54,166 --> 00:07:56,250 HEY, DR. BLAKE. 155 00:07:56,333 --> 00:07:57,291 HI, JENNIFER. 156 00:07:57,375 --> 00:07:58,458 WHERE'S DR. TREMEL? 157 00:07:58,542 --> 00:08:00,375 OH, HE'S ON VACATION. 158 00:08:00,458 --> 00:08:02,583 HEY, FRANK. 159 00:08:02,667 --> 00:08:03,959 I CALLED YOUR OFFICE, THEY SAID YOU'D BE HERE. 160 00:08:04,041 --> 00:08:05,166 I GOT YOU A COFFEE. 161 00:08:05,250 --> 00:08:06,750 DO YOU KNOW DR. BLAKE? 162 00:08:06,834 --> 00:08:07,917 YEAH. 163 00:08:09,417 --> 00:08:12,542 PLEASE TELL ME HE DIED OF NATURAL CAUSES. 164 00:08:12,625 --> 00:08:14,375 WELL, HE DIED OF A CARDIAC ARRHYTHMIA. 165 00:08:15,834 --> 00:08:16,709 [SIGHING] THAT'S GOOD. 166 00:08:16,792 --> 00:08:17,834 NOT FOR HIM. 167 00:08:17,917 --> 00:08:19,875 NO, I DIDN'T MEAN IT LIKE THAT. 168 00:08:19,959 --> 00:08:21,250 IT'S JUST, THIS IS A WEIRD ONE. 169 00:08:21,333 --> 00:08:22,500 IT'S STARTING TO GET COMPLICATED. 170 00:08:22,583 --> 00:08:24,208 WELL, IT MIGHT STILL. 171 00:08:24,291 --> 00:08:25,875 HE HAD AN EXTREMELY 172 00:08:25,959 --> 00:08:28,458 HIGH LEVEL OF NICOTINE IN HIS SYSTEM. 173 00:08:28,542 --> 00:08:29,625 I THOUGHT YOU SAID 174 00:08:29,709 --> 00:08:30,500 HE DIED OF A HEART ATTACK. 175 00:08:30,583 --> 00:08:31,625 HE DID. 176 00:08:31,709 --> 00:08:35,041 BROUGHT ON BY A TOXIC LEVEL OF NICOTINE. 177 00:08:35,125 --> 00:08:36,542 YOU MEAN LIKE 178 00:08:36,625 --> 00:08:37,709 HE CHAIN-SMOKED HIMSELF TO DEATH? 179 00:08:37,792 --> 00:08:39,250 NO. LIKE HE DRANK IT. 180 00:08:41,208 --> 00:08:43,250 LIQUID NICOTINE? 181 00:08:43,333 --> 00:08:44,542 WHERE DO YOU GET THAT? 182 00:08:44,625 --> 00:08:47,083 WELL, IT'S USED IN INSECTICIDES, FOR ONE THING. 183 00:08:47,166 --> 00:08:48,041 IT'S FAIRLY COMMON. 184 00:08:48,125 --> 00:08:49,166 AND HE DRANK IT? 185 00:08:49,250 --> 00:08:50,166 SUICIDE? 186 00:08:50,250 --> 00:08:51,250 MAYBE. 187 00:08:51,333 --> 00:08:54,000 UNLESS SOMEONE GAVE IT TO HIM. 188 00:08:54,083 --> 00:08:55,250 AND THAT WOULD BE MURDER. 189 00:08:55,333 --> 00:08:56,375 [GASPS] 190 00:08:56,458 --> 00:08:57,667 WELL, WAS THE WHISKEY ADULTERATED? 191 00:08:57,750 --> 00:08:58,875 NOPE. 192 00:08:58,959 --> 00:09:01,250 THE RESIDUE IN THE GLASS HAD NO NICOTINE. 193 00:09:01,333 --> 00:09:02,875 [SIGHING] 194 00:09:02,959 --> 00:09:04,959 THIS RINGS A BELL. 195 00:09:05,041 --> 00:09:07,500 WHAT DO YOU MEAN, "IT RINGS A BELL." 196 00:09:07,583 --> 00:09:08,875 IT SOUNDS FAMILIAR. 197 00:09:08,959 --> 00:09:10,834 LIKE A BOOK I READ. 198 00:09:10,917 --> 00:09:12,125 NO, NO, NO, NO. 199 00:09:12,208 --> 00:09:13,166 NO, IT DOESN'T. 200 00:09:13,250 --> 00:09:14,083 ALL RIGHT, WE GOTTA GO. 201 00:09:15,291 --> 00:09:16,291 NO, FRANK, HONEST, 202 00:09:16,375 --> 00:09:17,542 I READ A BOOK A LONG TIME AGO. 203 00:09:17,625 --> 00:09:18,542 [FRANK]: YEAH. 204 00:09:18,625 --> 00:09:20,250 THE BURKHART DEAL CLOSED. 205 00:09:20,333 --> 00:09:22,458 WE BREAK GROUND NEXT MONTH. 206 00:09:22,542 --> 00:09:24,750 OH, THAT'S NICE. 207 00:09:27,875 --> 00:09:29,542 DOING SOME RESEARCH? 208 00:09:29,625 --> 00:09:30,667 I'M RESEARCHING MURDER MYSTERY. 209 00:09:30,750 --> 00:09:31,792 FRANK'S CASE, 210 00:09:31,875 --> 00:09:33,125 THE ONE I TOLD YOU ABOUT? 211 00:09:33,208 --> 00:09:35,041 IT SOUNDS A LOT LIKE A BOOK I REMEMBER, 212 00:09:35,125 --> 00:09:36,250 BUT I CAN'T FIND IT. 213 00:09:36,333 --> 00:09:38,083 I DOUBT A KILLER IN THE BOOK 214 00:09:38,166 --> 00:09:39,458 WOULD HAVE MUCH TO DO WITH FRANK'S CASE. 215 00:09:39,542 --> 00:09:40,875 AH, BUT THE KILLER IN FRANK'S CASE 216 00:09:40,959 --> 00:09:41,875 MIGHT HAVE SOMETHING TO DO 217 00:09:41,959 --> 00:09:43,000 WITH THE BOOK. 218 00:09:43,083 --> 00:09:44,000 DOES THAT EVEN MAKE SENSE? 219 00:09:44,083 --> 00:09:45,166 HOW? 220 00:09:45,250 --> 00:09:46,875 I DON'T KNOW, BUT IT BUGS ME. 221 00:09:46,959 --> 00:09:47,917 HUH. 222 00:09:48,000 --> 00:09:49,792 ANY THOUGHTS ABOUT DINNER? 223 00:09:49,875 --> 00:09:51,041 WHATEVER YOU WANT. YOU PICK THE PLACE. 224 00:09:51,125 --> 00:09:52,041 WE'RE GOING OUT? 225 00:09:53,291 --> 00:09:54,709 WHAT A GOOD IDEA. 226 00:10:01,291 --> 00:10:04,542 I'VE LIVED ACROSS THE HALL FOR 10 YEARS NOW. 227 00:10:04,625 --> 00:10:07,041 HE HAD NO FRIENDS. 228 00:10:07,125 --> 00:10:09,917 SO, THE OTHER DAY, NOBODY CAME BY THE APARTMENT? 229 00:10:10,000 --> 00:10:10,917 I DON'T THINK SO, 230 00:10:11,000 --> 00:10:13,166 BUT I KEEP MY DOOR CLOSED, 231 00:10:13,250 --> 00:10:14,875 AND MY NOSE OUT OF OTHER PEOPLE'S BUSINESS. 232 00:10:16,166 --> 00:10:17,250 SO, EVEN IF SOMEBODY HAD COME BY, 233 00:10:17,333 --> 00:10:18,250 YOU WOULDN'T EVEN HAVE KNOWN IT. 234 00:10:18,333 --> 00:10:20,500 WELL, WHO'S GOING TO VISIT ART? 235 00:10:20,583 --> 00:10:21,625 WAS HE DEPRESSED LATELY? 236 00:10:21,709 --> 00:10:23,291 IF HE WASN'T, HE SHOULD HAVE BEEN. 237 00:10:23,375 --> 00:10:25,875 FORGET ABOUT FRIENDS, 238 00:10:25,959 --> 00:10:27,500 I DON'T EVEN THINK HE HAD ACQUAINTANCES. 239 00:10:27,583 --> 00:10:29,166 THANK YOU. 240 00:10:32,291 --> 00:10:33,667 UH-OH. 241 00:10:33,750 --> 00:10:34,750 I KNOW WHAT THIS MEANS. 242 00:10:34,834 --> 00:10:36,166 OH, I'M STUMPED. 243 00:10:36,250 --> 00:10:37,458 SOMETHING ABOUT LYNWOOD'S CASE 244 00:10:37,542 --> 00:10:39,542 REMINDS ME OF A MYSTERY BOOK I ONCE READ. 245 00:10:39,625 --> 00:10:41,500 OR A MOVIE YOU ONCE SAW, 246 00:10:41,583 --> 00:10:43,125 OR A NEWSPAPER STORY. 247 00:10:43,208 --> 00:10:44,417 DID YOU DO AN INTERNET SEARCH? 248 00:10:44,500 --> 00:10:45,625 YES. 249 00:10:45,709 --> 00:10:47,333 A THOUSAND WEB PAGES ABOUT NICOTINE 250 00:10:47,417 --> 00:10:48,792 AND HOW IT'S A TOXIC POISON, 251 00:10:48,875 --> 00:10:51,542 BUT NOTHING ABOUT A PRIEST BEING MURDERED BY NICOTINE. 252 00:10:51,625 --> 00:10:54,125 WELL, YOU COULD JUST FORGET IT 253 00:10:54,208 --> 00:10:55,500 AND LET DETECTIVE LINWOOD DO HIS JOB. 254 00:10:55,583 --> 00:10:56,625 I COULD. 255 00:10:56,709 --> 00:10:58,458 HEY, WHAT ARE YOU DOING TONIGHT AT 7:00? 256 00:10:58,542 --> 00:10:59,792 I DON'T KNOW, SOMETHING WITH YOU? 257 00:10:59,875 --> 00:11:01,709 DING, DING, DING! 258 00:11:03,166 --> 00:11:05,959 [♪♪♪] 259 00:11:10,834 --> 00:11:13,417 AND SO, AS YOU SEE, THE ANTE HAS BEEN UPPED, 260 00:11:13,500 --> 00:11:15,667 READERS WILL NOT ACCEPT WHAT THEY ONCE DID. 261 00:11:15,750 --> 00:11:18,166 EDGAR ALLAN POE CREATED THE TEMPLATE, 262 00:11:18,250 --> 00:11:20,333 THE FIRST MODERN DETECTIVE STORY. 263 00:11:20,417 --> 00:11:22,500 ANYBODY KNOW WHAT THE BOOK WAS? 264 00:11:24,250 --> 00:11:25,875 ANYBODY? 265 00:11:25,959 --> 00:11:26,917 YES? 266 00:11:27,000 --> 00:11:28,041 SHE KNOWS. 267 00:11:28,125 --> 00:11:29,083 DANI... 268 00:11:29,166 --> 00:11:30,041 WELL? 269 00:11:31,500 --> 00:11:33,125 MURDER IN THE RUE MORGUE. 270 00:11:33,208 --> 00:11:34,208 THAT'S RIGHT. 271 00:11:34,291 --> 00:11:36,291 AN IMPOSSIBLE CRIME. 272 00:11:36,375 --> 00:11:37,333 A DOUBLE MURDER 273 00:11:37,417 --> 00:11:38,458 IN A ROOM WITH THE DOORS LOCKED 274 00:11:38,542 --> 00:11:40,208 FROM THE INSIDE. 275 00:11:40,291 --> 00:11:42,208 HOW DID THE KILLER GET IN THE ROOM 276 00:11:42,291 --> 00:11:43,333 IF THE DOORS WERE LOCKED FROM THE INSIDE? 277 00:11:43,417 --> 00:11:44,625 YOU CARE TO ANSWER? 278 00:11:46,333 --> 00:11:48,083 ORANGUTAN. 279 00:11:48,166 --> 00:11:49,709 IT CLIMBED UP THE SIDE OF THE BUILDING 280 00:11:49,792 --> 00:11:50,917 AND WENT IN THE WINDOW. 281 00:11:51,000 --> 00:11:51,959 RIDICULOUS, HUH? 282 00:11:52,041 --> 00:11:53,834 BUT THAT'S HOW FAR WE'VE COME. 283 00:11:53,917 --> 00:11:55,250 AND WHAT ABOUT THE MYSTERIES 284 00:11:55,333 --> 00:11:56,333 THAT DON'T HAVE MURDERS? 285 00:11:56,417 --> 00:11:57,959 AW, WHO DOESN'T LOVE A GOOD MURDER? 286 00:11:59,834 --> 00:12:01,041 WHEN YOUR STORY BEGINS WITH A DEAD BODY, 287 00:12:01,125 --> 00:12:03,500 IT DEMANDS A SOLUTION. 288 00:12:03,583 --> 00:12:05,792 ONLY WHEN THE KILLER IS BROUGHT TO JUSTICE, 289 00:12:05,875 --> 00:12:07,542 IS THE WORLD IN BALANCE AGAIN. 290 00:12:08,917 --> 00:12:10,625 WE'RE ABOUT OUT OF TIME. 291 00:12:10,709 --> 00:12:12,750 IF ANYONE IS INTERESTED IN COPIES OF MY NEW BOOK, 292 00:12:12,834 --> 00:12:14,250 MURDER ALONG THE MISSISSIPPI, 293 00:12:14,333 --> 00:12:15,417 STEP RIGHT UP. 294 00:12:15,500 --> 00:12:16,709 THANK YOU. 295 00:12:17,959 --> 00:12:19,250 I'M GOING TO GET MY COPY SIGNED. 296 00:12:21,333 --> 00:12:23,083 WELL, YOU KNOW YOUR MYSTERIES. 297 00:12:23,166 --> 00:12:24,291 THANK YOU. 298 00:12:24,375 --> 00:12:26,250 GREAT TALK. 299 00:12:26,333 --> 00:12:28,041 I'M LOOKING FORWARD TO READING YOUR BOOK. 300 00:12:28,125 --> 00:12:30,291 DO YOU, BY ANY CHANCE, KNOW OF ANY STORIES 301 00:12:30,375 --> 00:12:33,083 THAT HAVE A PRIEST DYING FROM NICOTINE POISON? 302 00:12:33,166 --> 00:12:35,542 THAT SOUNDS VAGUELY FAMILIAR. 303 00:12:35,625 --> 00:12:37,208 I'M NOT SURE ABOUT THE PRIEST PART, 304 00:12:37,291 --> 00:12:39,291 BUT, AS FOR THE NICOTINE POISONING, 305 00:12:39,375 --> 00:12:42,417 I'D CHECK OUT VINCENT STARRETT, THEODORA DU BOIS, 306 00:12:42,500 --> 00:12:43,625 EVEN AGATHA CHRISTIE. 307 00:12:43,709 --> 00:12:44,834 SHE LOVED POISONS, 308 00:12:44,917 --> 00:12:46,250 WORKED IN THE PHARMACY 309 00:12:46,333 --> 00:12:48,333 DURING THE FIRST WORLD WAR. 310 00:12:48,417 --> 00:12:49,500 IF YOU CAN'T FIND IT, 311 00:12:49,583 --> 00:12:51,917 COME SEE ME. 312 00:12:52,000 --> 00:12:53,125 I HAVE REFERENCES IN MY OFFICE. 313 00:12:53,208 --> 00:12:54,166 AH, THANK YOU. 314 00:12:54,250 --> 00:12:55,208 THANK YOU. 315 00:12:57,208 --> 00:12:58,250 [QUIETLY] NO RING. 316 00:12:58,333 --> 00:12:59,792 IT'S PROBABLY IN HIS POCKET. 317 00:12:59,875 --> 00:13:02,000 [SCOFFS] CYNICAL, PARTY OF ONE. 318 00:13:02,083 --> 00:13:04,166 WELL, I'M JUST NOT INTERESTED. 319 00:13:04,250 --> 00:13:05,959 [CRICKETS CHIRPING] 320 00:13:06,041 --> 00:13:08,709 A COMPLETE WILDERNESS EXPERIENCE. 321 00:13:08,792 --> 00:13:10,542 EVERYTHING WE HAVE IS CARRIED ON OUR BACKS. 322 00:13:10,625 --> 00:13:13,000 I DIDN'T KNOW YOUR DAD WAS AN OUTDOORSMAN. 323 00:13:13,083 --> 00:13:15,000 YEAH, HE KNOWS HIS STUFF, 324 00:13:15,083 --> 00:13:16,250 AND I NEED TO LEARN THESE SKILLS. 325 00:13:16,333 --> 00:13:17,709 YOU KNOW, IT'S IMPORTANT FOR YOU TO TEST YOURSELF 326 00:13:17,792 --> 00:13:18,583 IN EXTREME CONDITIONS. 327 00:13:18,667 --> 00:13:19,709 HMM. 328 00:13:19,792 --> 00:13:20,709 I READ ABOUT SOME GUYS 329 00:13:20,792 --> 00:13:21,709 WHO DID THIS WILDERNESS THING, 330 00:13:21,792 --> 00:13:23,000 AND THEY GOT ALL BIT UP BY BUGS, 331 00:13:23,083 --> 00:13:24,417 THEY WERE COLD, HUNGRY, 332 00:13:24,500 --> 00:13:25,667 AND MISERABLE. 333 00:13:25,750 --> 00:13:27,542 IT'S GOING TO BE FUN. 334 00:13:27,625 --> 00:13:29,542 SLEEPING UNDER THE STARS, MAKING OUR OWN CAMPFIRE, 335 00:13:29,625 --> 00:13:30,458 MAKING OUR OWN BREAKFAST. 336 00:13:30,542 --> 00:13:31,458 [GROWLS] 337 00:13:33,542 --> 00:13:34,875 [WHISPERS] YOU'RE AFRAID OF SPIDERS. 338 00:13:34,959 --> 00:13:37,041 [GIGGLES] 339 00:13:37,125 --> 00:13:39,834 [LAUGHING] 340 00:13:39,917 --> 00:13:42,166 ARE YOU REALLY GOING TO TAKE OUR SON 341 00:13:42,250 --> 00:13:43,417 INTO THE WILDERNESS? 342 00:13:43,500 --> 00:13:44,542 YUP. 343 00:13:45,875 --> 00:13:46,792 ISN'T IT DANGEROUS? 344 00:13:46,875 --> 00:13:47,875 WHAT ABOUT BEARS? 345 00:13:47,959 --> 00:13:49,709 I KNOW HOW TO DEAL WITH A BEAR, 346 00:13:49,792 --> 00:13:51,333 RUN FASTER THAN THE PERSON YOU'RE WITH. 347 00:13:51,417 --> 00:13:53,041 I CHECKED WITH THE RANGER STATION, 348 00:13:53,125 --> 00:13:54,417 NO BEARS, 349 00:13:54,500 --> 00:13:55,875 AND I GOT US A GREAT SPOT NEAR MT. WASHINGTON. 350 00:13:55,959 --> 00:13:56,959 WE'RE GONNA BE FINE. 351 00:13:57,041 --> 00:13:58,166 [SIGHS HEAVILY] 352 00:13:59,625 --> 00:14:01,000 I'LL BE WORRIED. 353 00:14:01,083 --> 00:14:02,834 THIS COMING FROM THE AMATEUR DETECTIVE 354 00:14:02,917 --> 00:14:04,625 WHO ONCE JUMPED OUT OF A BURNING BARN? 355 00:14:04,709 --> 00:14:07,041 I'LL STILL BE WORRIED. 356 00:14:07,125 --> 00:14:08,166 HOW DID THE BOOK THING GO TONIGHT? 357 00:14:08,250 --> 00:14:09,750 PRETTY GOOD. I GOT IT SIGNED. 358 00:14:09,834 --> 00:14:10,834 NICE. 359 00:14:10,917 --> 00:14:11,834 AND HE GAVE ME SOME LEADS 360 00:14:11,917 --> 00:14:13,208 ON HOW TO FIND THE MYSTERY NOVEL 361 00:14:13,291 --> 00:14:15,542 THAT'S LIKE FRANK'S HOMICIDE. 362 00:14:15,625 --> 00:14:17,333 IT HASN'T BEEN CLASSIFIED A MURDER. 363 00:14:17,417 --> 00:14:18,417 I NEVER SAID IT WAS. 364 00:14:20,291 --> 00:14:21,959 AT LEAST NOT YET. 365 00:14:29,917 --> 00:14:31,750 TAROT CARDS ARE FUN, 366 00:14:31,834 --> 00:14:34,125 BUT I DON'T THINK THEY'RE VERY ACCURATE. 367 00:14:34,208 --> 00:14:35,208 OH. 368 00:14:35,291 --> 00:14:38,375 I LIKE TO ALIGN OUR SOULS 369 00:14:38,458 --> 00:14:39,917 AND CHAKRA SYSTEM, 370 00:14:40,000 --> 00:14:41,458 AND THEN I WAIT FOR THE DOWNLOAD. 371 00:14:42,875 --> 00:14:44,917 WELL, THAT SOUNDS LIKE A LOT FOR $20. 372 00:14:45,000 --> 00:14:46,125 MAYBE YOU SHOULD JUST READ MY PALMS. 373 00:14:46,208 --> 00:14:47,125 [CHUCKLES] OH, WELL, 374 00:14:47,208 --> 00:14:49,375 TODAY IS JUST TO SEE HOW I WORK. 375 00:14:49,458 --> 00:14:50,709 YOU KNOW, IF YOU WANTED TO GO FURTHER, 376 00:14:50,792 --> 00:14:52,625 I'D BE HAPPY TO HELP. 377 00:14:52,709 --> 00:14:54,458 ALL RIGHT. 378 00:14:54,542 --> 00:14:55,792 LET'S START WITH THE OBVIOUS. 379 00:14:55,875 --> 00:14:57,583 YOU'VE BEEN UNLUCKY WITH LOVE. 380 00:14:58,750 --> 00:14:59,792 THAT'S OBVIOUS? 381 00:14:59,875 --> 00:15:01,583 WELL, MOST PEOPLE WHO COME TO SEE ME 382 00:15:01,667 --> 00:15:02,667 HAVE BEEN UNLUCKY WITH LOVE. 383 00:15:02,750 --> 00:15:04,834 SO, IT'S A GUESS? 384 00:15:04,917 --> 00:15:06,333 AN EDUCATED ONE. 385 00:15:06,417 --> 00:15:09,083 I COULD HAVE ALSO SAID YOU'VE STRUGGLED FINANCIALLY, 386 00:15:09,166 --> 00:15:10,083 BUT WHO HASN'T? 387 00:15:10,166 --> 00:15:11,500 [CHUCKLES] 388 00:15:11,583 --> 00:15:13,583 WHAT I DO IS DIFFERENT. 389 00:15:13,667 --> 00:15:16,667 I LIKE TO ALIGN OUR ENERGIES, 390 00:15:16,750 --> 00:15:18,041 JUST FOR A SECOND, 391 00:15:18,125 --> 00:15:19,667 AND SEE WHERE IT LEADS. 392 00:15:19,750 --> 00:15:21,041 WANT TO GIVE IT A TRY? 393 00:15:21,125 --> 00:15:22,333 OKAY. 394 00:15:23,583 --> 00:15:26,125 OKAY, EXTEND YOUR HANDS, PALMS UP, 395 00:15:26,208 --> 00:15:27,333 AND CLOSE YOUR EYES. 396 00:15:30,750 --> 00:15:32,542 GOOD, I'M GETTING A VERY STRONG CONNECTION. 397 00:15:34,917 --> 00:15:36,709 JUST TRY TO RELAX, 398 00:15:36,792 --> 00:15:39,250 AND DON'T THINK OF ANYTHING. 399 00:15:39,333 --> 00:15:40,417 [EXHALING] NOT A PROBLEM. 400 00:15:51,083 --> 00:15:53,417 YOU MUST REALLY BE A FAN, 401 00:15:53,500 --> 00:15:54,792 THOSE ARE PRETTY OBSCURE. 402 00:15:54,875 --> 00:15:57,542 I'M LOOKING FOR A SPECIFIC MURDER FROM A BOOK. 403 00:15:57,625 --> 00:15:59,709 THE VICTIM WAS A PRIEST, AND HE WAS KILLED BY POISON. 404 00:15:59,792 --> 00:16:01,166 WHAT KIND OF POISON? 405 00:16:01,250 --> 00:16:02,834 NICOTINE. 406 00:16:07,083 --> 00:16:08,542 THIS IS A COMPENDIUM OF MYSTERY MURDERS, 407 00:16:08,625 --> 00:16:10,458 BY TYPES AND METHODS. 408 00:16:10,542 --> 00:16:12,250 A PRIEST MURDERED BY NICOTINE? 409 00:16:12,333 --> 00:16:13,834 THAT'S RIGHT. 410 00:16:13,917 --> 00:16:15,417 POISONS... 411 00:16:15,500 --> 00:16:17,083 OKAY, NICOTINE. 412 00:16:17,166 --> 00:16:18,959 THERE'S A FEW, 413 00:16:19,041 --> 00:16:21,333 NOTHING WITH A PRIEST. 414 00:16:21,417 --> 00:16:23,417 HOW ABOUT A CLERGYMAN? THAT WORK? 415 00:16:23,500 --> 00:16:24,417 YES, OF COURSE. 416 00:16:29,875 --> 00:16:31,166 MURDER IN THREE ACTS, 417 00:16:31,250 --> 00:16:32,792 AGATHA CHRISTIE. 418 00:16:32,875 --> 00:16:34,208 REVEREND BABINGTON 419 00:16:34,291 --> 00:16:35,875 IS MURDERED BY NICOTINE POISONING. 420 00:16:35,959 --> 00:16:37,083 THANK YOU. 421 00:16:37,166 --> 00:16:38,583 YOU'RE WELCOME. 422 00:16:38,667 --> 00:16:40,583 [SIGHS] OH, OF COURSE. 423 00:16:40,667 --> 00:16:43,417 AGATHA CHRISTIE. 424 00:16:43,500 --> 00:16:47,625 [♪♪♪] 425 00:16:47,709 --> 00:16:50,208 I THINK SHE COULD BE THE REAL DEAL. 426 00:16:50,291 --> 00:16:52,875 I MEAN, SHE TALKED ABOUT HOW, LIKE YOU SAID, 427 00:16:52,959 --> 00:16:54,417 A LOT OF PSYCHICS MAKE EDUCATED GUESSES, 428 00:16:54,500 --> 00:16:57,041 AND SHE WAS VERY UPFRONT ABOUT THAT. 429 00:16:57,125 --> 00:16:58,542 AND SHE ONLY WANTED $20. 430 00:16:58,625 --> 00:16:59,583 WELL, THAT'S GOOD. 431 00:16:59,667 --> 00:17:00,709 WHEN ARE YOU SEEING HER AGAIN? 432 00:17:00,792 --> 00:17:01,834 DAY AFTER TOMORROW. 433 00:17:01,917 --> 00:17:02,834 WELL, HOW MUCH IS THAT GOING TO COST? 434 00:17:02,917 --> 00:17:04,000 A HUNDRED DOLLARS. 435 00:17:05,500 --> 00:17:08,000 SHE KNEW THINGS THAT SHE COULDN'T POSSIBLY KNOW. 436 00:17:08,083 --> 00:17:09,583 I MEAN, THINGS YOU DON'T JUST GUESS. 437 00:17:09,667 --> 00:17:12,000 SHE DIDN'T EVEN KNOW MY NAME WHEN I WALKED IN. 438 00:17:12,083 --> 00:17:13,041 WELL, I DON'T KNOW HOW THEY DO IT, 439 00:17:13,125 --> 00:17:14,458 BUT I DON'T THINK THEY HAVE 440 00:17:14,542 --> 00:17:16,000 ANY SPECIAL PSYCHIC ABILITIES. 441 00:17:16,083 --> 00:17:17,375 EVEN IF THEY DID, 442 00:17:17,458 --> 00:17:18,083 WHY WOULDN'T THEY GO TO VEGAS AND PLAY BLACKJACK? 443 00:17:18,166 --> 00:17:20,000 WELL, THEY WOULD SAY 444 00:17:20,083 --> 00:17:23,291 THAT THE GIFT IS TO BE USED TO HELP PEOPLE, 445 00:17:23,375 --> 00:17:24,291 AND NOT FOR GAMBLING. 446 00:17:24,375 --> 00:17:25,667 OH. OKAY. 447 00:17:25,750 --> 00:17:26,875 WHY DON'T YOU ASK HER IF TERRANCE DUNCAN 448 00:17:26,959 --> 00:17:27,792 IS IN YOUR FUTURE. 449 00:17:27,875 --> 00:17:29,291 I'M NOT INTERESTED. 450 00:17:29,375 --> 00:17:30,750 WHAT? WHY NOT? 451 00:17:30,834 --> 00:17:32,625 HE'S CHARMING, HE'S HANDSOME. 452 00:17:32,709 --> 00:17:33,709 WHAT'S THE PROBLEM? 453 00:17:33,792 --> 00:17:34,667 HE WRITES MURDER MYSTERIES. 454 00:17:34,750 --> 00:17:35,750 SO? 455 00:17:35,834 --> 00:17:37,083 HOW WOULD I SLEEP AT NIGHT? 456 00:17:37,166 --> 00:17:39,125 OH, YOU... 457 00:17:39,208 --> 00:17:40,166 SCAREDY CAT. 458 00:17:40,250 --> 00:17:41,166 [LAUGHS] 459 00:17:45,333 --> 00:17:46,917 TRY NOT TO STAY UP ALL NIGHT, HON'. 460 00:17:47,000 --> 00:17:49,083 I WON'T BE LONG. 461 00:18:19,333 --> 00:18:20,500 YEAH, NOTHING OFFICIAL, YET. 462 00:18:20,583 --> 00:18:22,500 BUT WE DO KNOW THE CAUSE OF DEATH 463 00:18:22,583 --> 00:18:24,750 WAS NICOTINE POISONING. 464 00:18:24,834 --> 00:18:26,208 BUT IT COULD HAVE BEEN A SUICIDE. 465 00:18:26,291 --> 00:18:27,500 IT COULD HAVE BEEN ACCIDENTAL. 466 00:18:27,583 --> 00:18:29,291 BUT THIS GUY? 467 00:18:29,375 --> 00:18:31,959 HE HAD NO ONE IN HIS LIFE. 468 00:18:32,041 --> 00:18:34,959 YET, SOMEONE CALLED 911 FROM A PAYPHONE. 469 00:18:35,041 --> 00:18:36,834 I KNOW. IT'S HARD TO BELIEVE THOSE THINGS ARE STILL AROUND. 470 00:18:36,917 --> 00:18:39,125 BUT HENLEY DIDN'T BELONG TO ANY CLUBS, 471 00:18:39,208 --> 00:18:40,542 HAD NO ACTIVITIES. 472 00:18:40,625 --> 00:18:43,000 WELL, HE DID GO TO THE PARK AND FEED THE PIGEONS, 473 00:18:43,083 --> 00:18:44,125 BUT THAT'S ABOUT IT. 474 00:18:44,208 --> 00:18:45,667 BUT THERE'S NO WAY 475 00:18:45,750 --> 00:18:47,667 ANYONE HAD A MOTIVE TO KILL HIM. 476 00:18:47,750 --> 00:18:50,542 THE KILLER DIDN'T KNOW HIM. 477 00:18:50,625 --> 00:18:51,667 ART HENLEY, 478 00:18:51,750 --> 00:18:53,667 KILLED BY NICOTINE POISONING 479 00:18:53,750 --> 00:18:55,709 ADMINISTERED VIA AN ALCOHOLIC DRINK. 480 00:18:55,792 --> 00:18:57,625 THE KILLER SUBSTITUTES THE GLASS WITH THE POISON 481 00:18:57,709 --> 00:18:58,667 FOR ONE WITHOUT-- 482 00:18:58,750 --> 00:18:59,834 THAT'S AN ASSUMPTION. 483 00:18:59,917 --> 00:19:01,166 WE DON'T KNOW HOW HE INGESTED THE POISON. 484 00:19:01,250 --> 00:19:02,875 THE VICTIM HAS NO KNOWN ENEMIES, 485 00:19:02,959 --> 00:19:04,000 AND WAS WEARING A PRIEST'S COLLAR. 486 00:19:05,291 --> 00:19:07,250 THAT'S PRETTY MUCH WHAT I KNEW AN HOUR AGO. 487 00:19:07,333 --> 00:19:08,583 WHAT'S YOUR POINT? 488 00:19:08,667 --> 00:19:11,500 REMEMBER WHEN I SAID THIS REMINDED ME OF A BOOK? 489 00:19:11,583 --> 00:19:13,083 I FOUND IT. 490 00:19:14,750 --> 00:19:15,875 THE DEATH OF ART HENLEY 491 00:19:15,959 --> 00:19:17,333 IS STRAIGHT OUT OF AN AGATHA CHRISTIE NOVEL 492 00:19:17,417 --> 00:19:19,333 CALLED MURDER IN THREE ACTS. 493 00:19:19,417 --> 00:19:21,709 SO, YOU'RE SAYING, THE GUY WHO KILLED HENLEY, 494 00:19:21,792 --> 00:19:23,250 IF IT WAS A MURDER, 495 00:19:23,333 --> 00:19:25,417 WANTED IT TO LOOK LIKE A MURDER FROM A MYSTERY BOOK? 496 00:19:25,500 --> 00:19:26,583 YES. 497 00:19:26,667 --> 00:19:28,250 TOO MANY SIMILARITIES. 498 00:19:28,333 --> 00:19:30,458 THE KILLER IN THE BOOK HAD NO RELATIONSHIP TO THE VICTIM. 499 00:19:30,542 --> 00:19:32,083 THERE WAS NO MOTIVE. IT WAS RANDOM. 500 00:19:32,166 --> 00:19:33,917 WELL, THEN WHY KILL HIM? 501 00:19:34,000 --> 00:19:35,583 PRACTICE. 502 00:19:35,667 --> 00:19:38,709 HENLEY WAS A DRESS REHEARSAL. 503 00:19:38,792 --> 00:19:40,000 THIS GUY'S GOING TO KILL AGAIN. 504 00:19:44,750 --> 00:19:46,000 I DON'T KNOW, JENN, 505 00:19:46,083 --> 00:19:49,000 EVEN IF HENLEY'S DEATH WAS COPIED FROM A BOOK, 506 00:19:49,083 --> 00:19:50,375 THAT DOESN'T MEAN HE'S GOING KILL AGAIN. 507 00:19:50,458 --> 00:19:51,417 HE DOES IN THE BOOK. 508 00:19:51,500 --> 00:19:52,959 OKAY. 509 00:19:53,041 --> 00:19:55,792 ALL RIGHT, WELL, IN THE BOOK, WHO'S THE NEXT VICTIM? 510 00:19:55,875 --> 00:19:57,625 HIS NAME IS... 511 00:19:57,709 --> 00:19:58,750 "DR. STRANGE." 512 00:19:58,834 --> 00:19:59,959 SERIOUSLY? 513 00:20:00,041 --> 00:20:00,959 THAT'S HIS NAME? 514 00:20:01,041 --> 00:20:02,542 YUP. 515 00:20:02,625 --> 00:20:04,208 OKAY, WELL, HOW IS DR. STRANGE KILLED? 516 00:20:04,291 --> 00:20:05,458 THE SAME AS REVEREND BABINGTON. 517 00:20:05,542 --> 00:20:06,625 HE DRINKS A GLASS OF ALCOHOL 518 00:20:06,709 --> 00:20:08,291 THAT'S TAINTED WITH NICOTINE OIL. 519 00:20:08,375 --> 00:20:10,625 I'LL BE TALKING TO YOU SOON, JENN. 520 00:20:10,709 --> 00:20:11,834 HEY, FRANK, 521 00:20:11,917 --> 00:20:14,041 WHERE DID ART HENLEY FEED THE PIGEONS? 522 00:20:14,125 --> 00:20:15,417 FREEMAN PARK. 523 00:20:16,709 --> 00:20:17,709 OH, WAIT, 524 00:20:17,792 --> 00:20:19,667 YOU ALMOST FORGOT THIS. 525 00:20:25,417 --> 00:20:28,667 THE CONNECTION IS VERY STRONG... 526 00:20:30,125 --> 00:20:32,834 I'M SENSING A LOT OF NEGATIVITY AROUND YOU. 527 00:20:32,917 --> 00:20:35,083 WHAT DO YOU SEE? 528 00:20:35,166 --> 00:20:36,458 CLOUDS GATHERING... 529 00:20:38,417 --> 00:20:39,583 DARK... 530 00:20:39,667 --> 00:20:41,834 I HAVE BEEN WORRYING A LOT. 531 00:20:41,917 --> 00:20:42,750 NO, THIS IS DIFFERENT. 532 00:20:45,375 --> 00:20:46,291 WHOA. 533 00:20:47,500 --> 00:20:49,542 WELL, THAT WAS SOMETHING. 534 00:20:49,625 --> 00:20:50,959 WHAT? WHAT WAS "SOMETHING?" 535 00:20:51,041 --> 00:20:52,166 I DON'T KNOW, 536 00:20:52,250 --> 00:20:53,542 BUT IT WAS INTENSE. 537 00:20:55,959 --> 00:20:57,166 JUST BE CAREFUL. 538 00:20:57,250 --> 00:20:59,458 I CAN ATTEMPT TO CLEAR THIS ENERGY FOR YOU, 539 00:20:59,542 --> 00:21:01,875 THROUGH A SERIES OF INTENSIVE SESSIONS 540 00:21:01,959 --> 00:21:04,458 THAT GOES FAR BEYOND THIS TYPE OF WORK. 541 00:21:04,542 --> 00:21:06,709 WELL, I'D LIKE TO THINK ABOUT THAT. 542 00:21:06,792 --> 00:21:07,959 HOW MUCH WOULD IT COST? 543 00:21:08,041 --> 00:21:10,417 ONCE ALL THE NEGATIVITY IS CLEARED, 544 00:21:10,500 --> 00:21:12,834 THE ABUNDANCE THAT FOLLOWS 545 00:21:12,917 --> 00:21:14,375 IS AMAZING. 546 00:21:14,458 --> 00:21:16,542 I CAN TELL YOU'RE A VERY SPIRITUAL PERSON. 547 00:21:16,625 --> 00:21:17,709 WELL, I THINK SO. 548 00:21:17,792 --> 00:21:19,208 I KNOW SO. 549 00:21:19,291 --> 00:21:23,166 NORMALLY I WOULD CHARGE $500 FOR THIS TYPE OF WORK, 550 00:21:23,250 --> 00:21:25,583 BUT BECAUSE OF YOUR INNATE ABILITIES, 551 00:21:25,667 --> 00:21:26,917 IT WOULD BE HALF OF THAT. 552 00:21:27,000 --> 00:21:28,250 THAT'S VERY GENEROUS. 553 00:21:28,333 --> 00:21:29,875 THANK YOU. 554 00:21:29,959 --> 00:21:31,166 I'D STILL LIKE TO THINK ABOUT IT. 555 00:21:31,250 --> 00:21:32,709 OF COURSE. 556 00:21:37,125 --> 00:21:39,000 OH, UH, DOES THE NAME "BERNICE" 557 00:21:39,083 --> 00:21:40,709 HAVE ANY SPECIAL MEANING TO YOU? 558 00:21:41,792 --> 00:21:43,250 BERNICE... 559 00:21:43,333 --> 00:21:45,625 NO, NOT REALLY. 560 00:21:45,709 --> 00:21:47,041 I HAD AN AUNT BERNICE, 561 00:21:47,125 --> 00:21:48,667 BUT SHE DIED WHEN I WAS A KID, 562 00:21:48,750 --> 00:21:50,542 I NEVER REALLY KNEW HER. 563 00:21:50,625 --> 00:21:51,750 WELL... 564 00:21:51,834 --> 00:21:52,709 IT'S PROBABLY NOTHING. 565 00:21:54,000 --> 00:21:55,000 OKAY. 566 00:21:55,083 --> 00:21:56,083 THANK YOU. 567 00:21:56,166 --> 00:21:57,000 YOU'RE WELCOME. 568 00:22:03,709 --> 00:22:04,583 CAN I HELP? 569 00:22:04,667 --> 00:22:06,834 OH, THANK YOU. 570 00:22:12,500 --> 00:22:15,542 UM, I SAW YOU COMING OUT. 571 00:22:15,625 --> 00:22:17,083 HAVE YOU BEEN SEEING MAGGIE? 572 00:22:17,166 --> 00:22:18,750 OH, YES, I HAVE. 573 00:22:18,834 --> 00:22:20,041 OH, SHE IS A BLESSING. 574 00:22:20,125 --> 00:22:23,792 I DON'T KNOW HOW I'D MANAGE WITHOUT HER. 575 00:22:30,917 --> 00:22:32,667 DID ART HAVE ANY FRIENDS DOWN HERE, 576 00:22:32,750 --> 00:22:33,834 PEOPLE HE TALKED WITH? 577 00:22:33,917 --> 00:22:35,166 ART? NO. 578 00:22:35,250 --> 00:22:37,041 FOR YEARS, HE JUST SAT ALONE. 579 00:22:37,125 --> 00:22:38,917 ACTUALLY, A COUPLE WEEKS AGO, 580 00:22:39,000 --> 00:22:40,792 HE SEEMED TO BE HANGING OUT WITH A GUY I HADN'T SEEN BEFORE. 581 00:22:40,875 --> 00:22:42,375 DID THEY COME TOGETHER? 582 00:22:42,458 --> 00:22:44,208 NO, THEY JUST GOT TO TALKING. 583 00:22:44,291 --> 00:22:45,250 DID YOU GET A CHANCE 584 00:22:45,333 --> 00:22:46,291 TO TALK TO THIS GUY? 585 00:22:46,375 --> 00:22:47,333 CATCH HIS NAME? 586 00:22:47,417 --> 00:22:48,750 ART MENTIONED IT ONCE. 587 00:22:48,834 --> 00:22:49,667 I THINK IT WAS SOMETHING LIKE... 588 00:22:49,750 --> 00:22:50,917 JERRY, 589 00:22:51,000 --> 00:22:52,041 OR LARRY. 590 00:22:52,125 --> 00:22:53,250 I DON'T KNOW, I NEVER TALKED TO HIM. 591 00:22:54,959 --> 00:22:57,500 DID ART HAVE A USUAL SPOT THAT HE LIKED TO FEED THE BIRDS? 592 00:22:57,583 --> 00:22:58,834 YEAH. 593 00:22:58,917 --> 00:23:01,583 THAT WAS HIS FAVORITE BENCH RIGHT THERE. 594 00:23:02,709 --> 00:23:04,500 ART WAS A NICE GUY. 595 00:23:04,583 --> 00:23:05,834 SORRY TO HEAR HE DIED. 596 00:23:05,917 --> 00:23:06,959 ME TOO. 597 00:23:07,041 --> 00:23:07,917 THANK YOU. 598 00:23:24,333 --> 00:23:26,125 [♪♪♪] 599 00:23:33,041 --> 00:23:35,667 THIS IS A HAMILTON PERRY, PROBABLY 1930s. 600 00:23:35,750 --> 00:23:37,625 AND THIS IS A VERY NICE BULOVA. 601 00:23:37,709 --> 00:23:38,709 THEY'VE BEEN IN GRANDPA'S ATTIC 602 00:23:38,792 --> 00:23:39,750 FOR OVER 40 YEARS. 603 00:23:39,834 --> 00:23:40,875 HOW MUCH ARE YOU HOPING 604 00:23:40,959 --> 00:23:42,500 TO GET FOR THEM? 605 00:23:42,583 --> 00:23:45,417 I WAS THINKING AT LEAST $50 EACH. 606 00:23:47,125 --> 00:23:48,709 [SIGHS] 607 00:23:48,792 --> 00:23:51,083 WELL, IF THESE ARE GENUINE, 608 00:23:51,166 --> 00:23:52,667 AND I THINK THEY ARE, 609 00:23:52,750 --> 00:23:53,875 THEY COULD BE WORTH $1,000 APIECE, 610 00:23:53,959 --> 00:23:55,208 THE BULOVA EVEN MORE. 611 00:23:55,291 --> 00:23:56,208 REALLY? 612 00:23:56,291 --> 00:23:57,542 MM-HMM. 613 00:23:57,625 --> 00:23:59,959 GET THEM APPRAISED, I THINK YOU'LL BE SURPRISED. 614 00:24:00,041 --> 00:24:01,083 OH, MY GOODNESS, THANK YOU. 615 00:24:01,166 --> 00:24:02,041 THANK YOU SO MUCH. 616 00:24:02,125 --> 00:24:03,875 YOU'RE WELCOME. 617 00:24:03,959 --> 00:24:05,125 [CHUCKLING] OH... 618 00:24:05,208 --> 00:24:06,959 WE'RE NEVER GOING TO GET RICH. 619 00:24:07,041 --> 00:24:08,208 NO, BUT WE'LL SLEEP WELL AT NIGHT. 620 00:24:08,291 --> 00:24:10,000 YEAH. 621 00:24:10,083 --> 00:24:11,208 HEY, DID YOU SEE YOUR PSYCHIC FRIEND AGAIN? 622 00:24:11,291 --> 00:24:12,500 YEAH. 623 00:24:12,583 --> 00:24:14,417 THOUGHT I'M GETTING A WEIRD FEELING FROM HER. 624 00:24:16,083 --> 00:24:17,625 HOW DID SHE KNOW ALL THAT STUFF ABOUT ME? 625 00:24:17,709 --> 00:24:20,250 HAS SHE UPPED HER $100 FEE? 626 00:24:20,333 --> 00:24:21,667 $500. 627 00:24:21,750 --> 00:24:23,792 BUT HALF PRICE. 628 00:24:23,875 --> 00:24:25,583 SHE SAID I HAVE A LOT OF NEGATIVE ENERGY AROUND ME. 629 00:24:25,667 --> 00:24:26,917 [SCOFFS] 630 00:24:27,000 --> 00:24:28,417 TIME FOR TEA. 631 00:24:33,333 --> 00:24:34,375 I'VE NEVER BEEN "NEW AGE." 632 00:24:34,458 --> 00:24:35,709 I KNOW. 633 00:24:35,792 --> 00:24:38,208 BUT YOU DO HAVE SOME CLAIRVOYANCE. 634 00:24:38,291 --> 00:24:39,458 I MEAN, WHEN YOU'RE SOLVING A MYSTERY, 635 00:24:39,542 --> 00:24:40,917 YOU'RE PRETTY GOOD. 636 00:24:41,000 --> 00:24:43,166 I THINK I MIGHT HAVE A TALENT FOR DEDUCTIVE REASONING. 637 00:24:43,250 --> 00:24:44,792 LET ME ASK YOU SOMETHING. 638 00:24:46,041 --> 00:24:47,250 ARE YOU HAPPY WITH YOUR LIFE? 639 00:24:47,333 --> 00:24:48,625 MY LIFE? 640 00:24:49,875 --> 00:24:51,625 WELL, OF COURSE, IT'S FABULOUS. 641 00:24:51,709 --> 00:24:52,959 WELL, THEN IF YOU SEE MAGDALENA, 642 00:24:53,041 --> 00:24:53,875 DO IT BECAUSE IT'S FUN. 643 00:24:53,959 --> 00:24:54,917 JUST FUN. 644 00:24:55,000 --> 00:24:57,750 YOU'RE RIGHT. 645 00:24:57,834 --> 00:24:58,750 I FEEL "CLEARED" NOW. 646 00:24:58,834 --> 00:25:00,875 THAT'LL BE $500. 647 00:25:00,959 --> 00:25:02,959 WELL, THERE'S NO CONTACT PERSON 648 00:25:03,041 --> 00:25:06,750 LISTED ON... ON HIS RENTAL AGREEMENT. 649 00:25:06,834 --> 00:25:09,875 BUT, YOU KNOW, THAT HAPPENS, THOUGH, SOMETIMES, 650 00:25:09,959 --> 00:25:11,709 WITH THESE OLD PEOPLE. 651 00:25:11,792 --> 00:25:12,959 HAS THE UNIT BEEN ENTERED 652 00:25:13,041 --> 00:25:14,250 SINCE THE POLICE LEFT? 653 00:25:14,333 --> 00:25:15,959 NO, NO. 654 00:25:16,041 --> 00:25:17,500 UH, LISTEN, 655 00:25:17,583 --> 00:25:19,125 YOU'RE A DETECTIVE, RIGHT? 656 00:25:19,208 --> 00:25:20,458 MM-HMM. 657 00:25:20,542 --> 00:25:22,875 WELL, ART DIED OF A HEART ATTACK. 658 00:25:22,959 --> 00:25:24,792 I MEAN, WHAT'S THE DEAL HERE? 659 00:25:24,875 --> 00:25:26,875 NO DEAL. 660 00:25:26,959 --> 00:25:28,125 I JUST WANT TO TAKE A LOOK AROUND. 661 00:25:38,709 --> 00:25:40,417 [♪♪♪] 662 00:26:35,917 --> 00:26:38,250 TURNS OUT HENLEY WASN'T A COMPLETE LONER. 663 00:26:38,333 --> 00:26:39,375 A COUPLE OF WEEKS AGO, 664 00:26:39,458 --> 00:26:41,125 HE STRUCK UP A FRIENDSHIP WITH SOMEONE. 665 00:26:41,208 --> 00:26:42,542 THE GUY THAT SELLS BIRDSEED AT THE PARK THINKS 666 00:26:42,625 --> 00:26:44,709 THE NEW GUY'S NAME WAS, UH, LARRY, 667 00:26:44,792 --> 00:26:46,083 OR JERRY. 668 00:26:46,166 --> 00:26:47,125 THE GUY WHO SELLS BIRDSEED? 669 00:26:47,208 --> 00:26:48,291 YES. 670 00:26:48,375 --> 00:26:50,917 DON'T BE MAKING FUN OF MY SOURCES. 671 00:26:51,000 --> 00:26:53,166 OH, AND THERE'S A SECURITY CAMERA AT THE PARK. 672 00:26:53,250 --> 00:26:54,166 ART AND HIS FRIEND MIGHT BE ON IT. 673 00:26:54,250 --> 00:26:55,875 OKAY, NOW, THAT'S INTERESTING. 674 00:26:57,875 --> 00:26:59,333 ALL RIGHT, I WENT BACK TO HENLEY'S APARTMENT, 675 00:26:59,417 --> 00:27:01,291 YOU KNOW, TAKING A LOOK AROUND. 676 00:27:01,375 --> 00:27:02,959 FOUND THAT ON THE FRIDGE. 677 00:27:03,041 --> 00:27:04,333 LIFE COACH? 678 00:27:04,417 --> 00:27:05,917 HENLEY WAS SEEING A LIFE COACH? 679 00:27:06,000 --> 00:27:06,917 NOW, THAT DOESN'T MAKE ANY SENSE. 680 00:27:07,000 --> 00:27:08,583 NOPE. 681 00:27:08,667 --> 00:27:10,542 "GERALD McNALLY." 682 00:27:10,625 --> 00:27:11,792 WELL, THAT CAN BE JERRY OR LARRY. 683 00:27:11,875 --> 00:27:12,834 FRANKLY, 684 00:27:12,917 --> 00:27:15,333 AND DON'T QUOTE ME ON THIS, 685 00:27:15,417 --> 00:27:17,500 BUT WHEN SOMEONE LIKE HENLEY DIES, 686 00:27:17,583 --> 00:27:19,500 WITH NO FRIENDS, NO FAMILY... 687 00:27:19,583 --> 00:27:21,709 NO ONE CARES, 688 00:27:21,792 --> 00:27:23,125 ESPECIALLY WHEN THERE'S A CASE TO BE MADE 689 00:27:23,208 --> 00:27:24,417 THAT IT COULD BE A SUICIDE. 690 00:27:24,500 --> 00:27:26,625 I UNDERSTAND, BUT IT JUST DOESN'T SEEM RIGHT. 691 00:27:26,709 --> 00:27:27,875 YEAH. 692 00:27:27,959 --> 00:27:29,166 ALL RIGHT, WELL, I'M GOING TO SEE 693 00:27:29,250 --> 00:27:30,500 IF I CAN FIND SOMETHING ON THAT PARK FOOTAGE. 694 00:27:30,583 --> 00:27:32,542 YOU KNOW, I'VE BEEN LOOKING FOR A LIFE COACH. 695 00:27:33,667 --> 00:27:34,625 WHAT... 696 00:27:34,709 --> 00:27:36,166 I'D BE LIKE A NEW CLIENT. 697 00:27:36,250 --> 00:27:38,750 HE'D HAVE NO IDEA WHY I WAS THERE, 698 00:27:38,834 --> 00:27:40,542 BUT IF YOU GO, AND HE'S SOMEHOW CONNECTED, 699 00:27:40,625 --> 00:27:41,583 IT COULD SPOOK HIM. 700 00:27:41,667 --> 00:27:42,792 AND THIS WAY, 701 00:27:42,875 --> 00:27:43,792 IF THERE'S ANYTHING HINKY ABOUT THIS GUY-- 702 00:27:43,875 --> 00:27:45,208 HINKY? 703 00:27:45,291 --> 00:27:46,333 YEAH, HINKY. 704 00:27:46,417 --> 00:27:47,333 WELL, THAT'S THE EXPRESSION, RIGHT? 705 00:27:49,625 --> 00:27:51,000 JUST GO ON. 706 00:27:51,083 --> 00:27:52,667 WELL, THEN I REPORT BACK TO YOU, 707 00:27:52,750 --> 00:27:53,917 AND YOU DO WHAT YOU DO. 708 00:27:54,000 --> 00:27:56,041 I'LL BE LIKE SCOUTING PATROL. 709 00:27:56,125 --> 00:27:58,291 NO MENTION OF ARTHUR HENLEY, 710 00:27:58,375 --> 00:27:59,375 AGATHA CHRISTIE, 711 00:27:59,458 --> 00:28:00,792 NICOTINE POISONING, 712 00:28:00,875 --> 00:28:01,750 OR PRIEST COLLARS. 713 00:28:01,834 --> 00:28:02,750 RIGHT. 714 00:28:02,834 --> 00:28:04,166 JUST LIFE COACHING. 715 00:28:05,959 --> 00:28:07,125 WERE YOU A GIRL SCOUT? 716 00:28:07,208 --> 00:28:08,500 NO. 717 00:28:12,750 --> 00:28:14,208 THIS PSYCHIC KNEW THINGS 718 00:28:14,291 --> 00:28:15,875 THAT WOULD BE IMPOSSIBLE FOR HER TO KNOW. 719 00:28:15,959 --> 00:28:16,917 LIKE WHAT? 720 00:28:17,000 --> 00:28:17,875 LIKE DANI WAS MARRIED 721 00:28:17,959 --> 00:28:19,041 TO SOMEONE NAMED DARREN. 722 00:28:19,125 --> 00:28:20,542 HOW WOULD SHE KNOW THAT? 723 00:28:20,625 --> 00:28:21,500 MAYBE A PARTNER RAN DANI'S PLATE 724 00:28:21,583 --> 00:28:23,000 THROUGH A DATABASE? 725 00:28:23,083 --> 00:28:25,417 THEY USE TRICKS LIKE THAT. 726 00:28:25,500 --> 00:28:27,166 I READ WHERE A LONELY GUY GOT TAKEN FOR MILLIONS 727 00:28:27,250 --> 00:28:29,583 BY A FORTUNE TELLER. 728 00:28:29,667 --> 00:28:31,041 IS DANI GETTING TOO INVOLVED WITH THIS? 729 00:28:31,125 --> 00:28:32,083 I DON'T THINK SO. 730 00:28:32,166 --> 00:28:33,834 SHE'S JUST GOING FOR FUN. 731 00:28:33,917 --> 00:28:35,417 SO, LOGAN, 732 00:28:35,500 --> 00:28:36,542 HOW IS THE CAMPING TRIP COMING ALONG? 733 00:28:36,625 --> 00:28:37,667 GREAT. 734 00:28:37,750 --> 00:28:39,709 JUST HONING MY WILDERNESS SKILLS. 735 00:28:39,792 --> 00:28:41,667 YOU GUYS ARE GOING TO BE MISERABLE. 736 00:28:41,750 --> 00:28:44,000 NO, YOU GUYS ARE GOING TO WISH YOU WERE THERE, 737 00:28:44,083 --> 00:28:45,208 WHILE WE'RE SITTING BY A CAMPFIRE, 738 00:28:45,291 --> 00:28:46,375 DRINKING HOT CHOCOLATE 739 00:28:46,458 --> 00:28:48,125 YOU KNOW, UNDER THE STARS. 740 00:28:48,208 --> 00:28:49,542 YOU WON'T LAST THE WEEK-END. 741 00:28:49,625 --> 00:28:51,333 YEAH, WE WILL. RIGHT, DAD? 742 00:28:51,417 --> 00:28:53,041 ABSOLUTELY. 743 00:28:53,125 --> 00:28:54,333 HOT CHOCOLATE SOUNDS GOOD. 744 00:28:54,417 --> 00:28:55,333 HOW ABOUT I MAKE SOME, AND WE ALL PLAY HEARTS? 745 00:28:56,500 --> 00:28:57,417 I'M MEETING SOME FRIENDS AT SCHOOL. 746 00:28:57,500 --> 00:28:59,750 YEAH, AND I'VE GOT TO DO, UM... 747 00:29:01,125 --> 00:29:02,000 SOMETHING. 748 00:29:02,083 --> 00:29:03,583 OH. 749 00:29:03,667 --> 00:29:04,792 SORRY, MOM. 750 00:29:06,000 --> 00:29:06,959 EXCUSE US. 751 00:29:08,709 --> 00:29:09,750 CHESS? 752 00:29:09,834 --> 00:29:12,125 WHY NOT? 753 00:29:13,875 --> 00:29:16,500 [♪♪♪] 754 00:29:24,417 --> 00:29:25,875 THANK YOU VERY MUCH FOR SEEING ME. 755 00:29:25,959 --> 00:29:27,333 OH, MY PLEASURE. 756 00:29:27,417 --> 00:29:31,291 DO YOU ONLY WORK WITH WRITERS, 757 00:29:31,375 --> 00:29:34,333 OR DO YOU SEE REGULAR PEOPLE? 758 00:29:34,417 --> 00:29:35,542 [CHUCKLING] 759 00:29:35,625 --> 00:29:36,709 ABOUT HALF MY CLIENTS ARE REGULAR PEOPLE, 760 00:29:36,792 --> 00:29:38,709 BUT GIVEN MY BACKGROUND, 761 00:29:38,792 --> 00:29:41,083 I'M UNIQUELY SUITED TO HELP CREATIVE TYPES. 762 00:29:41,166 --> 00:29:42,458 OH. 763 00:29:42,542 --> 00:29:43,709 WHAT'S YOUR BACKGROUND? 764 00:29:43,792 --> 00:29:44,875 I WAS A WRITER, 765 00:29:44,959 --> 00:29:46,542 AND THEN AN EDITOR AT A PUBLISHING HOUSE. 766 00:29:46,625 --> 00:29:47,875 UNFORTUNATELY, 767 00:29:47,959 --> 00:29:48,875 THE INTERNET HAS NOT BEEN KIND TO PUBLISHERS, 768 00:29:48,959 --> 00:29:50,875 OR BOOKSTORES. 769 00:29:50,959 --> 00:29:52,208 THAT'S A SHAME. 770 00:29:52,291 --> 00:29:55,500 I ACTUALLY FIND THIS WORK MUCH MORE SATISFYING. 771 00:29:55,583 --> 00:29:56,583 ARE YOU A WRITER? 772 00:29:56,667 --> 00:29:57,917 OH, NO. 773 00:29:58,000 --> 00:29:58,917 I'M.... 774 00:29:59,000 --> 00:29:59,959 I LOVE TO READ. 775 00:30:00,041 --> 00:30:01,083 I'M A BIG MYSTERY FAN. 776 00:30:01,166 --> 00:30:03,375 THAT WAS MY AREA WHEN I WAS AN EDITOR. 777 00:30:04,834 --> 00:30:06,500 WELL, YOU'LL HAVE TO RECOMMEND SOME BOOKS. 778 00:30:06,583 --> 00:30:08,000 I WILL. 779 00:30:08,083 --> 00:30:11,542 I'M NOT AT ALL SURE WHAT A "LIFE COACH" DOES. 780 00:30:11,625 --> 00:30:13,792 WELL, FIRST OFF, IT'S NOT PSYCHOTHERAPY, OKAY? 781 00:30:13,875 --> 00:30:15,583 I DON'T FOCUS ON THE PAST, 782 00:30:15,667 --> 00:30:17,542 I WANT TO HELP YOU LOOK FORWARD AND ACHIEVE YOUR GOALS. 783 00:30:17,625 --> 00:30:19,250 IT'S PRACTICAL. 784 00:30:19,333 --> 00:30:20,709 OKAY. 785 00:30:20,792 --> 00:30:25,125 SO, LET'S START WITH A SIMPLE QUESTION. 786 00:30:25,208 --> 00:30:27,875 GIVEN WHERE YOU ARE IN LIFE RIGHT NOW, 787 00:30:27,959 --> 00:30:30,375 WHAT WOULD YOU LIKE TO CHANGE? 788 00:30:30,458 --> 00:30:33,000 ANYTHING AT ALL. 789 00:30:33,083 --> 00:30:34,750 OFF THE TOP OF YOUR HEAD, FIRST THING. 790 00:30:34,834 --> 00:30:35,917 UH-- 791 00:30:36,000 --> 00:30:37,834 FRANK, I'M LEAVING McNALLY'S. 792 00:30:37,917 --> 00:30:38,917 DID YOU KNOW 793 00:30:39,000 --> 00:30:40,750 THAT HE USED TO HANDLE MYSTERY WRITERS 794 00:30:40,834 --> 00:30:42,333 FOR A PUBLISHING HOUSE? 795 00:30:42,417 --> 00:30:44,542 YOU KNOW THAT DOESN'T CONNECT HIM TO THE BIRD GUY. 796 00:30:44,625 --> 00:30:46,750 NO, I KNOW THAT DOESN'T CONNECT HIM TO HENLEY, 797 00:30:46,834 --> 00:30:50,333 BUT SEE IF THIS MIGHT, 798 00:30:50,417 --> 00:30:53,250 I'M IN THE PARKING LOT AT McNALLY'S OFFICE, 799 00:30:53,333 --> 00:30:55,125 AND I AM LOOKING AT AN ENDANGERED SPECIES. 800 00:30:55,208 --> 00:30:56,875 WHAT'S THAT? 801 00:30:56,959 --> 00:30:59,208 A PAY PHONE. 802 00:31:00,542 --> 00:31:02,625 I THINK GERALD McNALLY COULD BE CONNECTED 803 00:31:02,709 --> 00:31:04,250 TO ART HENLEY'S DEATH. 804 00:31:04,333 --> 00:31:05,792 HOW? 805 00:31:05,875 --> 00:31:06,625 WHY WOULD THEY EVEN KNOW EACH OTHER? 806 00:31:06,709 --> 00:31:08,417 I DON'T KNOW, 807 00:31:08,500 --> 00:31:10,875 BUT McNALLY'S CARD WAS ON HENLEY'S REFRIGERATOR, 808 00:31:10,959 --> 00:31:13,542 AND THERE WAS A PAYPHONE OUTSIDE OF McNALLY'S OFFICE? 809 00:31:13,625 --> 00:31:15,041 THAT CAN'T BE A COINCIDENCE. 810 00:31:15,125 --> 00:31:16,917 [SHOP BELL JINGLES] 811 00:31:18,458 --> 00:31:20,458 THE SECURITY CAM FOOTAGE FROM THE DAY BEFORE 812 00:31:20,542 --> 00:31:22,834 AND OF HENLEY'S DEATH. 813 00:31:25,500 --> 00:31:27,834 ALL RIGHT. 814 00:31:27,917 --> 00:31:30,250 OKAY. 815 00:31:30,333 --> 00:31:32,166 SO, THIS IS THE DAY BEFORE, 816 00:31:32,250 --> 00:31:34,625 AND THERE'S ART HENLEY, FEEDING THE BIRDS. 817 00:31:36,542 --> 00:31:40,083 OKAY, NOW WE'VE GOT ANOTHER MAN JOINING HIM, 818 00:31:40,166 --> 00:31:41,875 AND HE'S WEARING A BRIMMED CAP, 819 00:31:41,959 --> 00:31:43,041 WHICH IS BLOCKING HIS FACE 820 00:31:43,125 --> 00:31:44,959 AS HE APPROACHES. 821 00:31:45,041 --> 00:31:47,500 AND NOW WE CAN ONLY SEE THEIR BACKS. 822 00:31:47,583 --> 00:31:51,083 NOW, THEY SAT AND TALKED HERE FOR A FEW MINUTES. 823 00:31:51,166 --> 00:31:53,125 YOU KNOW, EVERYTHING SEEMED FRIENDLY. 824 00:31:53,208 --> 00:31:55,750 NOW THE OTHER MAN WALKS AWAY... 825 00:31:58,667 --> 00:32:01,917 ...AND THEN ART HENLEY WALKS IN THE OPPOSITE DIRECTION. 826 00:32:03,000 --> 00:32:04,166 NOW... 827 00:32:04,250 --> 00:32:05,417 THIS IS THE DAY OF HIS DEATH. 828 00:32:08,500 --> 00:32:10,500 SO, THERE'S ARTHUR HENLEY, 829 00:32:10,583 --> 00:32:11,792 HE'S FEEDING THE BIRDS... 830 00:32:12,959 --> 00:32:14,583 BUT THIS TIME, 831 00:32:14,667 --> 00:32:16,291 NOBODY JOINS HIM. 832 00:32:18,166 --> 00:32:20,041 ALL RIGHT, YOU SEE? 833 00:32:20,125 --> 00:32:22,375 SEE, HE'S LOOKING AROUND AS IF HE'S EXPECTING SOMEONE. 834 00:32:22,458 --> 00:32:25,458 COULD HE BE WAITING FOR THAT GUY AGAIN? 835 00:32:25,542 --> 00:32:28,375 HE JUST FINISHES FEEDING THE BIRDS... 836 00:32:31,250 --> 00:32:34,417 THEN HE WALKS AWAY. 837 00:32:34,500 --> 00:32:36,208 OKAY, SO WHO'S THIS OTHER GUY? 838 00:32:36,291 --> 00:32:37,917 NOW, THE 911 CALL, 839 00:32:38,000 --> 00:32:39,959 IT WAS MADE FROM THE PHONE RIGHT OUTSIDE McNALLY'S OFFICE. 840 00:32:42,000 --> 00:32:43,208 THAT SECURITY CAM, 841 00:32:43,291 --> 00:32:45,834 WELL, MAKES HENLEY JUST LUCKY HE HAS A FRIEND. 842 00:32:45,917 --> 00:32:46,959 BUT THAT PAYPHONE, 843 00:32:47,041 --> 00:32:48,125 WELL, THAT LOOKS BAD FOR McNALLY. 844 00:32:49,500 --> 00:32:50,667 CONGRATULATIONS, JENN, 845 00:32:50,750 --> 00:32:52,333 GERALD McNALLY IS NOW A PERSON OF INTEREST. 846 00:32:52,417 --> 00:32:55,000 YOUR LIFE COACH. 847 00:32:55,083 --> 00:32:56,792 YOU WERE JUST WITH HIM. 848 00:32:56,875 --> 00:32:58,792 I'M CALLING THIS A POSSIBLE HOMICIDE. 849 00:32:58,875 --> 00:33:01,041 YOU KNOW, IF YOU HADN'T HAVE THOUGHT 850 00:33:01,125 --> 00:33:03,500 OF THAT OLD BOOK WITH THAT MURDER IN IT, 851 00:33:03,583 --> 00:33:06,041 NOBODY WOULD HAVE PAID ATTENTION TO THIS. 852 00:33:06,125 --> 00:33:07,041 MAYBE. 853 00:33:07,125 --> 00:33:08,291 DEFINITELY. 854 00:33:08,375 --> 00:33:09,542 THEY WOULD HAVE RULED IT A SUICIDE, 855 00:33:09,625 --> 00:33:11,250 CASE CLOSED. 856 00:33:12,417 --> 00:33:13,333 YOU'RE REALLY GOOD AT THIS, JENN. 857 00:33:14,625 --> 00:33:15,667 THANK YOU. 858 00:33:15,750 --> 00:33:17,041 BUT YOU CAN'T OFFICIALLY BE INVOLVED. 859 00:33:17,125 --> 00:33:18,458 OKAY-- 860 00:33:18,542 --> 00:33:19,500 BUT, UNOFFICIALLY 861 00:33:19,583 --> 00:33:21,250 I'M GOING TO NEED YOUR HELP, 862 00:33:21,333 --> 00:33:22,291 AS A CONSULTANT. 863 00:33:22,375 --> 00:33:24,166 [GASPS] 864 00:33:24,250 --> 00:33:25,083 DOES SHE GET A BADGE? 865 00:33:25,166 --> 00:33:26,542 NO. 866 00:33:26,625 --> 00:33:28,792 [♪♪♪] 867 00:33:30,041 --> 00:33:32,667 IT'S JUST NICE TO BE ACKNOWLEDGED. 868 00:33:32,750 --> 00:33:33,834 SO, IF GERALD McNALLY IS THE KILLER, 869 00:33:33,917 --> 00:33:34,875 YOU GET THE CREDIT. 870 00:33:34,959 --> 00:33:35,875 OH, I DON'T CARE ABOUT THAT, 871 00:33:35,959 --> 00:33:38,375 JUST AS LONG AS THEY CATCH THE KILLER. 872 00:33:38,458 --> 00:33:40,125 DANI, THIS IS AN ORIGINAL TONKA. 873 00:33:40,208 --> 00:33:41,291 WHAT? [GASPS] 874 00:33:41,375 --> 00:33:42,291 LOOK AT THAT. 875 00:33:42,375 --> 00:33:43,333 ARE YOU SERIOUS? 876 00:33:43,417 --> 00:33:44,291 YEAH. I'M GOING TO BUY IT. 877 00:33:44,375 --> 00:33:46,208 OKAY, GOOD EYE. 878 00:33:49,291 --> 00:33:51,166 HI, UM, I'M DANI. 879 00:33:51,250 --> 00:33:52,834 WE MET OUTSIDE OF MAGGIE'S? 880 00:33:52,917 --> 00:33:54,458 OH, YES. 881 00:33:54,542 --> 00:33:58,166 I HAD THE MOST AMAZING SESSION THAT DAY. 882 00:33:58,250 --> 00:34:01,375 SHE WAS ABLE TO CROSS OVER AND TALK WITH MY HUSBAND. 883 00:34:03,000 --> 00:34:04,709 YOUR HUSBAND IS DECEASED? 884 00:34:04,792 --> 00:34:06,375 SEVERAL YEARS NOW. 885 00:34:06,458 --> 00:34:08,417 OH, MAGGIE'S BEEN A GODSEND. 886 00:34:08,500 --> 00:34:10,000 I MEAN, THERE ARE SO MANY THINGS 887 00:34:10,083 --> 00:34:12,375 THAT ARE HARD FOR ME TO MANAGE WITHOUT HIM, 888 00:34:12,458 --> 00:34:14,375 INVESTMENTS, FOR INSTANCE. 889 00:34:15,500 --> 00:34:16,667 SO, IS THERE ANYTHING SPECIAL 890 00:34:16,750 --> 00:34:17,750 YOU LOOK FOR AT THESE THINGS? 891 00:34:17,834 --> 00:34:19,542 OH, YES. 892 00:34:19,625 --> 00:34:21,375 I COLLECT LEFTON CUDDLES. 893 00:34:21,458 --> 00:34:24,291 THEY'RE REALLY HARD TO FIND. 894 00:34:24,375 --> 00:34:26,625 WOULD YOU BE INTERESTED IN A WHITE CAT CREAMER 895 00:34:26,709 --> 00:34:27,667 AND SUGAR BOWL SET? 896 00:34:27,750 --> 00:34:29,000 REALLY? 897 00:34:29,083 --> 00:34:30,083 YOU HAVE ONE? 898 00:34:30,166 --> 00:34:31,792 I HAVE A LITTLE SHOP, 899 00:34:31,875 --> 00:34:33,625 AND I'D LOVE TO SEE YOUR COLLECTION. 900 00:34:33,709 --> 00:34:34,750 I'D BE HAPPY TO BRING THEM OUT TO YOU. 901 00:34:34,834 --> 00:34:37,333 OH, THAT WOULD BE WONDERFUL. 902 00:34:37,417 --> 00:34:40,125 OH, LET ME GIVE YOU MY ADDRESS. 903 00:34:40,208 --> 00:34:41,166 OKAY. 904 00:34:41,250 --> 00:34:43,083 [♪♪♪] 905 00:34:47,583 --> 00:34:49,750 ALWAYS HAPPY TO HELP THE POLICE. 906 00:34:49,834 --> 00:34:50,750 WHAT'S THIS ABOUT? 907 00:34:52,834 --> 00:34:53,875 YOU KNOW WHO THIS IS? 908 00:34:53,959 --> 00:34:55,125 HMM... 909 00:34:55,208 --> 00:34:57,000 NO, I'VE NEVER SEEN HIM. 910 00:34:57,083 --> 00:34:58,667 HAVE YOU EVER BEEN TO FREEMAN PARK? 911 00:34:58,750 --> 00:35:00,333 YES, I'VE BEEN THERE. 912 00:35:00,417 --> 00:35:01,709 [FRANK]: HOW LONG AGO? 913 00:35:01,792 --> 00:35:03,583 [GERALD]: OOH, AT LEAST A COUPLE YEARS. 914 00:35:03,667 --> 00:35:05,417 THE MAN IN THAT PHOTO IS ART HENLEY. 915 00:35:05,500 --> 00:35:06,583 DOES THAT MEAN ANYTHING TO YOU? 916 00:35:06,667 --> 00:35:10,166 HMM, CAN'T SAY THAT IT DOES. 917 00:35:10,250 --> 00:35:12,417 HIS BODY WAS FOUND A WEEK AGO. 918 00:35:12,500 --> 00:35:13,959 HE SWALLOWED NICOTINE OIL, 919 00:35:14,041 --> 00:35:15,542 AND THE WEIRD THING IS, 920 00:35:15,625 --> 00:35:17,166 IS HE HAD BEEN DRINKING A GLASS OF WHISKEY, 921 00:35:17,250 --> 00:35:18,500 AND THERE WAS NO NICOTINE RESIDUE 922 00:35:18,583 --> 00:35:20,208 IN THE GLASS. 923 00:35:20,291 --> 00:35:21,667 WHAT'S EVEN STRANGER, 924 00:35:21,750 --> 00:35:23,917 IS HE WAS WEARING A CLERICAL COLLAR, 925 00:35:24,000 --> 00:35:24,959 AND HE'S NOT EVEN A PRIEST. 926 00:35:25,041 --> 00:35:26,000 [McNALLY LAUGHS] 927 00:35:26,083 --> 00:35:27,166 IS THIS SOME KIND OF A JOKE? 928 00:35:27,250 --> 00:35:29,250 YOU'VE JUST DESCRIBED 929 00:35:29,333 --> 00:35:30,583 A FAMOUS MURDER 930 00:35:30,667 --> 00:35:32,125 TAKEN STRAIGHT OUT OF AGATHA CHRISTIE. 931 00:35:32,208 --> 00:35:34,250 [FRANK]: YOU'RE OBVIOUSLY FAMILIAR WITH THE BOOK. 932 00:35:34,333 --> 00:35:35,333 [McNALLY]: OF COURSE I AM. 933 00:35:35,417 --> 00:35:36,667 [FRANK]: WELL, IN THE BOOK, 934 00:35:36,750 --> 00:35:37,792 WHY WAS THERE NO NICOTINE RESIDUE IN THE GLASS? 935 00:35:37,875 --> 00:35:39,667 THE KILLER SUBSTITUTES A CLEAN GLASS 936 00:35:39,750 --> 00:35:40,625 FOR THE TAINTED ONE. 937 00:35:40,709 --> 00:35:43,041 WHAT HAPPENS NEXT? 938 00:35:43,125 --> 00:35:46,667 DR. STRANGE IS MURDERED BY THE SAME METHOD, 939 00:35:46,750 --> 00:35:48,458 CONCENTRATED OIL OF NICOTINE, 940 00:35:48,542 --> 00:35:50,000 EXCEPT IN THIS CASE, 941 00:35:50,083 --> 00:35:51,000 IT'S ADMINISTERED IN A TAINTED GLASS OF PORT 942 00:35:51,083 --> 00:35:52,625 AT A DINNER PARTY. 943 00:35:52,709 --> 00:35:53,959 CLASSIC CHRISTIE. 944 00:35:56,709 --> 00:35:59,000 YOUR BUSINESS CARD WAS FOUND ON HENLEY'S FRIDGE. 945 00:35:59,083 --> 00:36:00,166 HE WASN'T A CLIENT. 946 00:36:01,542 --> 00:36:03,000 AFTER HE DRANK THE POISON, 947 00:36:03,083 --> 00:36:05,333 AN ANONYMOUS CALL CAME INTO TO 911. 948 00:36:06,834 --> 00:36:09,959 IT WAS MADE FROM A PAYPHONE RIGHT OUTSIDE YOUR OFFICE. 949 00:36:10,041 --> 00:36:11,333 [SCOFFS] 950 00:36:11,417 --> 00:36:13,834 LOOK, IF I WAS GOING TO KILL SOMEONE, 951 00:36:13,917 --> 00:36:15,834 I'D MAKE IT MORE MODERN. 952 00:36:15,917 --> 00:36:17,875 DON'T INSULT ME WITH PRIEST COLLARS 953 00:36:17,959 --> 00:36:20,333 AND OIL OF NICOTINE. 954 00:36:20,417 --> 00:36:21,417 ARE YOU 955 00:36:21,500 --> 00:36:23,542 ACTUALLY ARRESTING ME? 956 00:36:23,625 --> 00:36:25,417 JUST ASKING A FEW QUESTIONS. 957 00:36:25,500 --> 00:36:29,041 AH, WELL, THEN, IT HAS BEEN A PLEASURE... 958 00:36:29,125 --> 00:36:30,375 DETECTIVE? 959 00:36:30,458 --> 00:36:31,667 MM. 960 00:36:31,750 --> 00:36:32,959 [CHUCKLING] 961 00:36:35,417 --> 00:36:36,750 OH, MY... 962 00:36:45,917 --> 00:36:47,458 OKAY... 963 00:36:47,542 --> 00:36:50,458 JUST BEND THIS UP, AND WE HAVE A TENT. 964 00:36:54,625 --> 00:36:56,792 NICE. 965 00:37:03,583 --> 00:37:05,583 I'M BEING TESTED. 966 00:37:07,417 --> 00:37:09,166 YOU SOUND WORRIED THAT IT'S A SCAM. 967 00:37:09,250 --> 00:37:11,250 WELL, MADAME MAGDALENA CLAIMS TO BE THE GO-BETWEEN 968 00:37:11,333 --> 00:37:12,458 TO THE OTHER SIDE, 969 00:37:12,542 --> 00:37:13,709 AND THIS POOR WIDOW THINKS 970 00:37:13,792 --> 00:37:14,750 SHE'S GETTING INVESTMENT ADVICE 971 00:37:14,834 --> 00:37:17,291 FROM HER DECEASED HUSBAND. 972 00:37:17,375 --> 00:37:18,750 CALL FRANK. 973 00:37:18,834 --> 00:37:19,917 THEY GOT A "BUNCO" SQUAD 974 00:37:20,000 --> 00:37:21,875 THAT DEALS WITH SCAMSTERS AND FRAUDS, 975 00:37:21,959 --> 00:37:23,750 EXACTLY THIS KIND OF STUFF. 976 00:37:23,834 --> 00:37:25,625 THAT'S A GOOD IDEA. 977 00:37:25,709 --> 00:37:27,166 I'LL CALL HIM TOMORROW. 978 00:37:27,250 --> 00:37:29,166 GOOD. 979 00:37:29,250 --> 00:37:31,000 I SEE THE TENT OUTSIDE. 980 00:37:31,083 --> 00:37:32,166 UH-HUH. 981 00:37:32,291 --> 00:37:33,583 HOW'S THE BIG CAMPING TRIP COMING ALONG? 982 00:37:33,667 --> 00:37:35,125 WE'RE ALMOST SET. 983 00:37:35,208 --> 00:37:37,208 YEAH, GETTING BACK TO NATURE, 984 00:37:37,291 --> 00:37:38,291 IT'S GOING TO BE GREAT. 985 00:37:38,375 --> 00:37:39,500 HMM. 986 00:37:39,583 --> 00:37:40,542 YOU SHOULD JOIN US ON THE NEXT TRIP. 987 00:37:40,625 --> 00:37:41,667 MAYBE. 988 00:37:41,750 --> 00:37:42,834 NOT. 989 00:37:42,917 --> 00:37:43,792 [WINCING] OH... 990 00:37:43,875 --> 00:37:45,333 [CHUCKLING] 991 00:37:45,417 --> 00:37:47,458 I AM AFRAID THAT SHE IS ROBBING HER BLIND 992 00:37:47,542 --> 00:37:48,542 UNDER THE GUISE OF 993 00:37:48,625 --> 00:37:50,125 COMMUNICATING WITH THE OTHER SIDE. 994 00:37:50,208 --> 00:37:52,041 WELL, AS LONG AS CLARA IS COMPETENT, 995 00:37:52,125 --> 00:37:54,083 SHE'S ENTITLED TO MAKE HER OWN DECISIONS. 996 00:37:54,166 --> 00:37:55,500 YOU KNOW, A FAMILY MEMBER, 997 00:37:55,583 --> 00:37:57,458 NOW, THEY CAN COMPLAIN TO SENIOR PROTECTIVE SERVICES, 998 00:37:57,542 --> 00:38:00,166 BUT DANI DOESN'T QUALIFY. 999 00:38:00,250 --> 00:38:02,917 WHAT IF SHE DEFRAUDED ME? 1000 00:38:03,000 --> 00:38:04,583 THEN YOU MAKE A COMPLAINT, 1001 00:38:04,667 --> 00:38:06,208 AND OUR FRAUD UNIT WILL INVESTIGATE. 1002 00:38:09,875 --> 00:38:11,834 [KNOCKING] 1003 00:38:15,709 --> 00:38:17,000 GERALD? 1004 00:38:18,834 --> 00:38:19,875 GERALD? 1005 00:38:21,000 --> 00:38:22,083 [GASPS] 1006 00:38:29,458 --> 00:38:31,125 [POLICE CHATTER, SIRENS WAIL] 1007 00:38:38,750 --> 00:38:41,959 THE BODY WAS FOUND BY THE 2:00 CLIENT. 1008 00:38:42,041 --> 00:38:43,291 HE SAW HIM AND BACKED OUT. 1009 00:38:43,375 --> 00:38:45,125 HAS IT BEEN SECURED SINCE? 1010 00:38:45,208 --> 00:38:46,125 YES, SIR. 1011 00:38:57,250 --> 00:38:59,709 NO OBVIOUS WOUNDS. 1012 00:38:59,792 --> 00:39:01,834 THERE'S BLOOD AROUND THE ROOM, 1013 00:39:01,917 --> 00:39:03,834 BUT NONE ON THE BODY. 1014 00:39:03,917 --> 00:39:06,333 BLOOD ON THE COFFEE TABLE, 1015 00:39:06,417 --> 00:39:07,583 SOME ON THE CARPET, 1016 00:39:07,667 --> 00:39:08,709 AND, UH... 1017 00:39:09,834 --> 00:39:10,709 LOOK AT THIS. 1018 00:39:14,208 --> 00:39:15,959 OKAY. THANK YOU. 1019 00:39:16,041 --> 00:39:16,917 THANK YOU, SIR. 1020 00:39:29,375 --> 00:39:31,125 "THE DECAMERON." 1021 00:40:02,417 --> 00:40:04,041 "SIGERSON"... 1022 00:40:08,542 --> 00:40:10,333 [SIGHS HEAVILY] 1023 00:40:17,750 --> 00:40:18,709 THAT'S AWFUL. 1024 00:40:20,083 --> 00:40:23,834 I CAN'T BELIEVE IT, I JUST SAW HIM. 1025 00:40:23,917 --> 00:40:27,000 WAS THIS THE SECOND MURDER FROM MURDER IN THREE ACTS ? 1026 00:40:27,083 --> 00:40:28,709 NO, IT'S DIFFERENT, 1027 00:40:28,792 --> 00:40:30,333 AND REALLY ODD. 1028 00:40:30,417 --> 00:40:31,959 AND THE WORD "RACHE" 1029 00:40:32,041 --> 00:40:34,250 WAS WRITTEN ON THE WALL IN FAKE BLOOD. 1030 00:40:34,333 --> 00:40:36,917 COULD IT BE "RACHEL"? 1031 00:40:37,000 --> 00:40:38,709 [AGHAST] NO, IT DOESN'T MEAN "RACHEL". 1032 00:40:38,792 --> 00:40:40,834 "RACHE" IS GERMAN FOR "REVENGE." 1033 00:40:40,917 --> 00:40:44,041 WAS THERE A WOMAN'S GOLD WEDDING RING ON THE FLOOR, 1034 00:40:44,125 --> 00:40:45,542 AND A PILL BOX WITH SOME PILLS INSIDE? 1035 00:40:45,625 --> 00:40:47,125 YEAH. 1036 00:40:48,667 --> 00:40:50,625 I'LL TELL YOU WHAT ELSE WAS AT YOUR CRIME SCENE... 1037 00:40:52,208 --> 00:40:53,625 WHERE IS IT... 1038 00:40:56,125 --> 00:40:57,709 HERE IT IS. 1039 00:40:57,792 --> 00:40:58,667 WAS HE HOLDING A BOOK IN HIS HAND, 1040 00:40:58,750 --> 00:40:59,625 THE DECAMERON ? 1041 00:41:01,291 --> 00:41:03,250 YEAH, ALL THAT. 1042 00:41:03,333 --> 00:41:05,500 THE KILLER TOOK THIS STRAIGHT OUT OF SHERLOCK HOLMES, 1043 00:41:05,583 --> 00:41:06,709 "A STUDY IN SCARLET." 1044 00:41:06,792 --> 00:41:08,125 WELL, WE MAY HAVE A BREAK. 1045 00:41:08,208 --> 00:41:10,166 McNALLY HAD AN 11:00 A.M. SCHEDULED 1046 00:41:10,250 --> 00:41:11,625 WITH A GUY NAMED "SIGERSON." 1047 00:41:11,709 --> 00:41:13,333 WE'RE LOOKING FOR HIM NOW, 1048 00:41:13,417 --> 00:41:14,709 AND IF HE'S NOT THE KILLER, 1049 00:41:14,792 --> 00:41:16,000 AT LEAST HE'S THE LAST GUY TO SEE McNALLY ALIVE. 1050 00:41:16,083 --> 00:41:18,583 THERE'S A WRITING PROFESSOR OVER AT THE J.C., 1051 00:41:18,667 --> 00:41:20,250 HE'S PRETTY KNOWLEDGEABLE ON MYSTERIES, 1052 00:41:20,333 --> 00:41:21,333 TERRANCE DUNCAN. 1053 00:41:21,417 --> 00:41:22,417 I'LL TRY TO SEE HIM TOMORROW. 1054 00:41:22,500 --> 00:41:25,083 DO IT, BUT TELL HIM IT'S CONFIDENTIAL. 1055 00:41:25,166 --> 00:41:26,166 WILL DO. 1056 00:41:26,250 --> 00:41:28,375 ALL RIGHT, I GOTTA GO. 1057 00:41:28,458 --> 00:41:30,250 HEY, JENN. 1058 00:41:30,333 --> 00:41:31,375 HEY HON'. 1059 00:41:31,458 --> 00:41:32,875 HELLO, FRANK. 1060 00:41:32,959 --> 00:41:33,834 HEY, JASON. 1061 00:41:38,542 --> 00:41:40,291 WELL, JENN, SHE KNOWS HER MYSTERY STORIES. 1062 00:41:40,375 --> 00:41:42,166 I ASKED HER TO CONSULT. 1063 00:41:42,250 --> 00:41:44,333 YOU KNOW, USE THAT MYSTERY-SOLVING MIND OF HERS. 1064 00:41:44,417 --> 00:41:47,583 POSSIBLY TALK WITH SOME PEOPLE NOT DIRECTLY CONNECTED. 1065 00:41:47,667 --> 00:41:49,709 BUT IF YOU WANT ME TO KEEP HER OUT OF IT, 1066 00:41:49,792 --> 00:41:50,875 I'LL DO IT. 1067 00:41:50,959 --> 00:41:53,208 I DON'T CONTROL HER. 1068 00:41:55,041 --> 00:41:55,917 THAT'S HER CHARM. 1069 00:41:57,583 --> 00:41:58,959 GOOD NIGHT, FRANK. 1070 00:41:59,041 --> 00:42:00,583 GOOD NIGHT, JASON. 1071 00:42:05,792 --> 00:42:07,208 NEW BOOK? 1072 00:42:07,291 --> 00:42:08,291 NO, SAME ONE. 1073 00:42:08,375 --> 00:42:09,375 MYSTERY WRITER FROM THE BOOKSTORE. 1074 00:42:09,458 --> 00:42:10,542 HE COULD BE A GOOD REFERENCE 1075 00:42:10,625 --> 00:42:12,041 FOR FRANK. 1076 00:42:13,166 --> 00:42:14,041 CAN WE TALK? 1077 00:42:18,417 --> 00:42:19,917 I'M JUST CONSULTING. 1078 00:42:20,000 --> 00:42:24,166 MAYBE I DON'T SAY THIS ENOUGH, BUT... 1079 00:42:24,291 --> 00:42:25,291 I REALLY LOVE YOU. 1080 00:42:25,375 --> 00:42:28,166 AW, JASON... 1081 00:42:28,250 --> 00:42:29,875 YOU KNOW, SOMETIMES, I'LL BE AT WORK... 1082 00:42:29,959 --> 00:42:31,875 OR, YOU KNOW, DRIVING IN MY CAR, 1083 00:42:31,959 --> 00:42:33,750 OR DOING NOTHING, AND YOU JUST... 1084 00:42:33,834 --> 00:42:35,792 POP INTO MY HEAD. 1085 00:42:35,875 --> 00:42:38,625 YOU'RE MY EVERYTHING, JENN, MY GIRL, 1086 00:42:38,709 --> 00:42:42,125 AND IF ANYTHING EVER HAPPENED TO YOU, IT... 1087 00:42:42,208 --> 00:42:43,125 IT WOULD DEVASTATE ME. 1088 00:42:43,208 --> 00:42:44,709 OH, HONEY... 1089 00:42:44,792 --> 00:42:47,125 I PROMISE I'LL BE CAREFUL, 1090 00:42:47,208 --> 00:42:50,166 AND IF YOU DON'T WANT ME TO DO THIS, I WON'T. 1091 00:42:50,250 --> 00:42:52,834 YOU GOT A TALENT. 1092 00:42:52,917 --> 00:42:54,542 I MARRIED SOMEONE WHO CAN MAKE SENSE OF MURDER. 1093 00:42:54,625 --> 00:42:56,125 I COULD TAKE UP GARDENING. 1094 00:42:58,709 --> 00:43:00,875 JUST BE WHO YOU ARE. 1095 00:43:00,959 --> 00:43:02,250 BUT CAREFUL. 1096 00:43:03,709 --> 00:43:05,083 I WILL. 1097 00:43:17,834 --> 00:43:21,041 OH, THESE ARE JUST LOVELY. 1098 00:43:21,125 --> 00:43:23,458 THANK YOU SO MUCH. 1099 00:43:23,542 --> 00:43:25,208 YOU HAVE A BEAUTIFUL COLLECTION. 1100 00:43:25,291 --> 00:43:26,208 ANY FAVORITES? 1101 00:43:26,291 --> 00:43:27,250 OH, YES. 1102 00:43:27,333 --> 00:43:28,542 OVER HERE... 1103 00:43:28,625 --> 00:43:30,000 OH, PLEASE, DO SIT. SIT. 1104 00:43:30,083 --> 00:43:31,000 THANK YOU. 1105 00:43:32,834 --> 00:43:35,542 IT'S A BLUE BOY, LIMITED EDITION. 1106 00:43:35,625 --> 00:43:37,625 OH, VERY NICE. 1107 00:43:37,709 --> 00:43:39,458 I MET CLARA AT MAGDALENA'S. 1108 00:43:39,542 --> 00:43:40,709 OH. 1109 00:43:40,792 --> 00:43:42,458 SINCE MY HUSBAND PASSED, 1110 00:43:42,542 --> 00:43:44,041 IT'S BEEN A BIT OVERWHELMING. 1111 00:43:44,125 --> 00:43:47,875 IT'S WONDERFUL MAGGIE CAN COMMUNICATE WITH HIM. 1112 00:43:47,959 --> 00:43:48,959 SO REASSURING. 1113 00:43:49,041 --> 00:43:49,917 WHAT HAS HE COMMUNICATED? 1114 00:43:50,000 --> 00:43:51,125 THANK YOU. 1115 00:43:51,208 --> 00:43:52,417 WELL, EDGAR, HE'S VERY CONCERNED 1116 00:43:52,500 --> 00:43:54,792 THAT SAVINGS BARELY PAY ANYTHING THESE DAYS. 1117 00:43:54,875 --> 00:43:56,709 MAGGIE KNOWS SOME MANAGERS 1118 00:43:56,792 --> 00:43:59,083 WHO CAN GET ME 15%. 1119 00:43:59,166 --> 00:44:01,834 IT'S CALLED A HEDGE FUND. 1120 00:44:01,917 --> 00:44:03,375 AND YOU'VE BEEN COLLECTING INTEREST FROM THESE PAYMENTS? 1121 00:44:03,458 --> 00:44:04,458 OH, YES. 1122 00:44:04,542 --> 00:44:06,458 I ONLY INVESTED A LITTLE BIT, 1123 00:44:06,542 --> 00:44:08,667 BECAUSE I WANTED TO BE SURE IT WAS LEGITIMATE. 1124 00:44:08,750 --> 00:44:10,583 I'VE RECEIVED THREE PAYMENTS, 1125 00:44:10,667 --> 00:44:11,917 RIGHT ON TIME. 1126 00:44:12,000 --> 00:44:13,625 THAT SOUNDS... 1127 00:44:13,709 --> 00:44:14,750 GREAT. 1128 00:44:14,834 --> 00:44:16,709 MAGGIE SAYS IT'S VERY SAFE. 1129 00:44:21,166 --> 00:44:22,667 THIS ISN'T GOOD. 1130 00:44:22,750 --> 00:44:24,750 IT SOUNDS LIKE A PONZI SCHEME. 1131 00:44:24,834 --> 00:44:25,834 WHAT CAN WE DO? 1132 00:44:25,917 --> 00:44:27,333 I DON'T KNOW, 1133 00:44:27,417 --> 00:44:29,917 BUT NOTHING IS NOT AN OPTION. 1134 00:44:32,000 --> 00:44:34,000 [♪♪♪] 1135 00:44:40,792 --> 00:44:42,041 DOESN'T SAY ANYTHING ABOUT MURDER, 1136 00:44:42,125 --> 00:44:44,166 JUST THAT HE WAS FOUND DEAD. 1137 00:44:44,250 --> 00:44:45,333 WELL, THAT'S GOOD. 1138 00:44:45,417 --> 00:44:46,542 IT MEANS LYNWOOD WAS ABLE TO KEEP A LID ON IT. 1139 00:44:46,625 --> 00:44:47,625 FOR THE TIME BEING. 1140 00:44:48,750 --> 00:44:49,625 IS THIS ANY GOOD? 1141 00:44:49,709 --> 00:44:50,750 NOT BAD, 1142 00:44:50,834 --> 00:44:53,000 PERIOD MYSTERY SET ON A RIVERBOAT. 1143 00:44:53,083 --> 00:44:54,083 HEY, YOU WANT TO COME OVER FOR DINNER SATURDAY NIGHT? 1144 00:44:54,166 --> 00:44:55,542 I'D LOVE TO. 1145 00:44:55,625 --> 00:44:57,000 -WHO ELSE IS COMING? -NOBODY. 1146 00:44:57,083 --> 00:44:59,166 -YET. -YET. 1147 00:44:59,250 --> 00:45:00,750 UH-HUH. WHERE ARE YOU GOING? 1148 00:45:00,834 --> 00:45:02,291 OH, MEETING WITH THE AUTHOR, 1149 00:45:02,375 --> 00:45:04,041 AT HIS COLLEGE. 1150 00:45:04,125 --> 00:45:05,792 OH. WELL, HAVE FUN. 1151 00:45:05,875 --> 00:45:06,917 OKAY. 1152 00:45:07,000 --> 00:45:08,917 I'LL JUST BE HERE WORKIN'. 1153 00:45:10,542 --> 00:45:12,208 -HELLO. -OH! 1154 00:45:12,291 --> 00:45:13,250 YOU FINISH IT? 1155 00:45:13,333 --> 00:45:14,250 I AM HALFWAY THROUGH. 1156 00:45:14,333 --> 00:45:16,500 IT'S REALLY GOOD. 1157 00:45:16,583 --> 00:45:18,500 IT MUST BE SO DIFFICULT TO GET PUBLISHED THESE DAYS. 1158 00:45:18,583 --> 00:45:19,625 NEAR IMPOSSIBLE. 1159 00:45:21,250 --> 00:45:22,458 THAT WAS SELF-PUBLISHED. 1160 00:45:22,542 --> 00:45:23,458 IT WORKED OUT WELL, 1161 00:45:23,542 --> 00:45:24,417 I KEEP MOST OF THE MONEY. 1162 00:45:25,834 --> 00:45:27,208 DID YOU SEE TODAY'S NEWSPAPER, 1163 00:45:27,291 --> 00:45:28,250 ABOUT THE MURDER? 1164 00:45:28,333 --> 00:45:29,542 I READ ABOUT A MAN 1165 00:45:29,625 --> 00:45:30,500 WHO WAS FOUND DEAD IN HIS OFFICE. 1166 00:45:30,583 --> 00:45:31,875 IT WAS A MURDER. 1167 00:45:31,959 --> 00:45:33,750 I KNOW THE LEAD DETECTIVE. 1168 00:45:33,834 --> 00:45:36,583 IT SEEMS THAT SOMEONE IS RECREATING MURDERS 1169 00:45:36,667 --> 00:45:38,208 FROM MYSTERY BOOKS. 1170 00:45:38,291 --> 00:45:39,709 PLURAL? AS IN MORE THAN ONE? 1171 00:45:41,834 --> 00:45:42,875 WHEN YOU CAME TO MY LECTURE 1172 00:45:42,959 --> 00:45:44,750 AND ASKED ABOUT NICOTINE POISONING, 1173 00:45:44,834 --> 00:45:45,834 YOU WERE TALKING ABOUT A REAL MURDER? 1174 00:45:45,917 --> 00:45:46,917 I WAS. 1175 00:45:48,250 --> 00:45:49,166 DID YOU FIND THE BOOK? 1176 00:45:49,250 --> 00:45:51,500 MURDER IN THREE ACTS. 1177 00:45:51,583 --> 00:45:52,792 AGATHA CHRISTIE. 1178 00:45:52,875 --> 00:45:54,250 OF COURSE. 1179 00:45:54,333 --> 00:45:56,792 AND THIS NEW MURDER? 1180 00:45:56,875 --> 00:45:58,917 SIR ARTHUR CONAN DOYLE, "A STUDY IN SCARLET," 1181 00:45:59,000 --> 00:46:00,000 AND THE MURDER WAS CAREFULLY RECREATED 1182 00:46:00,083 --> 00:46:01,792 FROM THE BOOK. 1183 00:46:01,875 --> 00:46:03,166 I'M A HOLMES FAN, BUT NOT AN EXPERT. 1184 00:46:03,250 --> 00:46:04,709 OH, ME EITHER, 1185 00:46:04,792 --> 00:46:06,709 BUT THERE ARE PEOPLE AROUND HERE WHO ARE ABSOLUTE HOLMES NUTS. 1186 00:46:06,792 --> 00:46:08,375 THEY HAVE MONTHLY MEETINGS, 1187 00:46:08,458 --> 00:46:10,208 THEY WEAR 19th-CENTURY WARDROBE, 1188 00:46:10,291 --> 00:46:11,500 ALL THAT STUFF. 1189 00:46:11,583 --> 00:46:12,792 LIKE THOSE CIVIL WAR RE-ENACTORS? 1190 00:46:12,875 --> 00:46:14,417 [CHUCKLES] EXACTLY. 1191 00:46:14,500 --> 00:46:15,834 YOU SHOULD BE ABLE TO FIND THEM ONLINE. 1192 00:46:15,917 --> 00:46:18,709 WOULD YOU MIND IF I USED YOU AS A RESOURCE? 1193 00:46:18,792 --> 00:46:20,417 SURE, WHATEVER I CAN DO. 1194 00:46:20,500 --> 00:46:24,208 BUT ONE OF THESE HOLMES EXPERTS MIGHT BE A BETTER CHOICE. 1195 00:46:24,291 --> 00:46:25,959 I'M SORRY, BUT I HAVE AN AFTERNOON CLASS. 1196 00:46:26,041 --> 00:46:28,083 TERRANCE... 1197 00:46:28,166 --> 00:46:29,875 ARE YOU DOING ANYTHING SATURDAY NIGHT? 1198 00:46:29,959 --> 00:46:31,333 NO BIG PLANS. 1199 00:46:31,417 --> 00:46:32,917 GRADING PAPERS. 1200 00:46:33,000 --> 00:46:34,959 JASON AND I WERE GOING TO HAVE SOME PEOPLE OVER FOR DINNER, 1201 00:46:35,041 --> 00:46:35,917 IF YOU'D LIKE TO JOIN US. 1202 00:46:36,000 --> 00:46:38,125 SOUNDS GREAT. THANKS. 1203 00:46:38,208 --> 00:46:41,250 OH, AND YOU CAN BRING A DATE, IF YOU LIKE. 1204 00:46:41,333 --> 00:46:42,625 OH, I'M NOT SEEING ANYONE AT THE MOMENT. 1205 00:46:42,709 --> 00:46:43,917 OH. 1206 00:46:44,000 --> 00:46:45,125 OH, AND ONE MORE THING, 1207 00:46:45,208 --> 00:46:46,709 DOES THE NAME "SIGERSON" 1208 00:46:46,792 --> 00:46:47,667 MEAN ANYTHING TO YOU? 1209 00:46:47,750 --> 00:46:48,750 WHY? 1210 00:46:48,834 --> 00:46:49,750 THE LAST CLIENT THAT McNALLY SAW 1211 00:46:49,834 --> 00:46:51,458 BEFORE HIS BODY WAS DISCOVERED 1212 00:46:51,542 --> 00:46:52,542 WAS NAMED "SIGERSON." 1213 00:46:53,959 --> 00:46:56,291 WELL THEN, YOU'RE LOOKING FOR SHERLOCK HOLMES. 1214 00:46:56,375 --> 00:46:58,208 "SIGERSON" WAS THE NAME HE WOULD SOMETIMES USE 1215 00:46:58,291 --> 00:46:59,500 WHEN HE WAS IN DISGUISE. 1216 00:47:06,417 --> 00:47:08,917 SHERLOCK HOLMES FANATICS, 1217 00:47:09,000 --> 00:47:11,041 PEOPLE THAT EAT, SLEEP, AND BREATHE HOLMES, 1218 00:47:11,125 --> 00:47:12,000 AND I THINK I FOUND ONE. 1219 00:47:12,083 --> 00:47:13,000 WHO'S THAT? 1220 00:47:13,083 --> 00:47:14,291 DR. MYLES FOWLER. 1221 00:47:14,375 --> 00:47:15,625 PROFESSOR OF ENGLISH AT LITTLEFIELD COLLEGE, 1222 00:47:15,709 --> 00:47:17,750 NOTED EXPERT ON CONAN DOYLE. 1223 00:47:17,834 --> 00:47:19,917 LITTLEFIELD? THAT'S PRETTY PRESTIGIOUS. 1224 00:47:20,000 --> 00:47:21,834 YEAH, AND NOT THAT FAR A DRIVE. 1225 00:47:21,917 --> 00:47:23,458 SO, ARE YOU CROSSING OVER TODAY? 1226 00:47:23,542 --> 00:47:24,875 YES. 1227 00:47:24,959 --> 00:47:26,542 I'M GOING TO SEE IF MAGDALENA CAN PUT ME IN TOUCH 1228 00:47:26,625 --> 00:47:28,250 WITH MY DECEASED UNCLE ERIC. 1229 00:47:28,333 --> 00:47:29,709 YOU HAD AN UNCLE ERIC? 1230 00:47:29,792 --> 00:47:30,792 NO. NO ONE IN MY FAMILY, 1231 00:47:30,875 --> 00:47:31,959 PAST OR PRESENT, 1232 00:47:32,041 --> 00:47:33,250 EVER NAMED ERIC. 1233 00:47:33,333 --> 00:47:35,625 THIS WILL BE IN MY PURSE, 1234 00:47:35,709 --> 00:47:37,750 JUST IN CASE I GET ANY MESSAGES 1235 00:47:37,834 --> 00:47:38,917 FROM THE BEYOND. 1236 00:47:39,000 --> 00:47:40,417 WELL, LOOK AT YOU, YOU LITTLE SLEUTH. 1237 00:47:41,583 --> 00:47:42,458 OH, AND WE'RE ON FOR DINNER 1238 00:47:42,542 --> 00:47:43,542 SATURDAY NIGHT. 1239 00:47:43,625 --> 00:47:45,542 WHAT AREN'T YOU TELLING ME? 1240 00:47:45,625 --> 00:47:46,583 JUST BE THERE AT 7:00, 1241 00:47:46,667 --> 00:47:48,583 AND WEAR YOUR PRETTY GREEN DRESS. 1242 00:47:48,667 --> 00:47:50,083 GREEN ONE... 1243 00:47:50,166 --> 00:47:51,417 I'M WEARING SWEATS. 1244 00:47:51,500 --> 00:47:52,417 [GASPS IN SHOCK] 1245 00:47:52,500 --> 00:47:53,959 [LAUGHING] 1246 00:47:59,291 --> 00:48:02,208 HE SAYS HE'S CONCERNED... 1247 00:48:02,291 --> 00:48:03,959 ABOUT YOUR SECURITY. 1248 00:48:04,041 --> 00:48:07,333 HE FEELS YOU'RE ON SHAKY GROUND. 1249 00:48:07,417 --> 00:48:08,542 MONEY TROUBLES? 1250 00:48:08,625 --> 00:48:09,583 REALLY? 1251 00:48:09,667 --> 00:48:10,625 I'M DOING OKAY. 1252 00:48:10,709 --> 00:48:13,500 BUT THIS IS THE FUTURE. 1253 00:48:13,583 --> 00:48:15,959 HE'S CONCERNED FOR YOUR INVESTMENTS. 1254 00:48:16,041 --> 00:48:17,834 OH. 1255 00:48:17,917 --> 00:48:19,625 LIKE WHAT? WHAT DOES HE THINK I SHOULD DO? 1256 00:48:19,709 --> 00:48:20,625 HOLD ON. 1257 00:48:22,458 --> 00:48:23,709 HE'S FADING. 1258 00:48:23,792 --> 00:48:24,875 OH... 1259 00:48:24,959 --> 00:48:27,000 HE'S GONE. 1260 00:48:27,083 --> 00:48:28,333 SORRY, 1261 00:48:28,417 --> 00:48:31,125 THAT HAPPENS SOMETIMES. 1262 00:48:31,208 --> 00:48:32,125 WELL, SHOULD I BE WORRIED? 1263 00:48:32,208 --> 00:48:33,792 THAT DEPENDS. 1264 00:48:33,875 --> 00:48:36,750 WAS HE SOMEONE THAT YOU WOULD TRUST WITH YOUR FINANCES? 1265 00:48:36,834 --> 00:48:38,792 OH, ABSOLUTELY. 1266 00:48:38,875 --> 00:48:41,125 WELL, THEN I WOULD REVIEW YOUR INVESTMENTS, 1267 00:48:41,208 --> 00:48:42,375 AND MAKE SURE THEY'RE SAFE. 1268 00:48:42,458 --> 00:48:44,291 I'LL DO THAT. 1269 00:48:44,375 --> 00:48:45,166 HOW MUCH DO I OWE YOU FOR TODAY? 1270 00:48:45,250 --> 00:48:47,083 OH. 1271 00:48:47,166 --> 00:48:48,709 NO CHARGE. 1272 00:48:48,792 --> 00:48:50,917 YOUR UNCLE HAD WANTED TO CONTACT YOU FOR A LONG TIME. 1273 00:48:51,000 --> 00:48:52,125 I'M HAPPY TO HAVE MADE THAT HAPPEN. 1274 00:48:52,208 --> 00:48:54,667 WELL, I DON'T KNOW WHAT TO SAY. 1275 00:48:54,750 --> 00:48:57,250 WELL, IF YOU WANTED TO EXPLORE FURTHER, I'M HERE. 1276 00:49:02,458 --> 00:49:04,083 [CALL RINGING] 1277 00:49:04,166 --> 00:49:05,542 LYNWOOD. 1278 00:49:05,625 --> 00:49:06,750 HEY, FRANK, I JUST MET WITH TERRANCE DUNCAN, 1279 00:49:06,834 --> 00:49:08,250 THE MYSTERY WRITER. 1280 00:49:08,333 --> 00:49:10,208 HE SAID "SIGERSON" IS THE NAME THAT SHERLOCK HOLMES USES 1281 00:49:10,291 --> 00:49:12,041 WHEN HE'S IN DISGUISE. 1282 00:49:12,125 --> 00:49:13,375 INTERESTING. 1283 00:49:13,458 --> 00:49:15,208 I FOUND A HOLMES EXPERT AT LITTLEFIELD COLLEGE, 1284 00:49:15,291 --> 00:49:16,959 PROFESSOR MYLES FOWLER. 1285 00:49:17,041 --> 00:49:18,875 I'D LIKE TO TALK TO HIM, IF THAT'S OKAY. 1286 00:49:18,959 --> 00:49:19,959 THAT'S A GOOD IDEA. 1287 00:49:20,041 --> 00:49:21,208 LET ME CALL HIM FIRST. 1288 00:49:21,333 --> 00:49:22,542 OKAY, GO AHEAD AND CALL HIM 1289 00:49:22,625 --> 00:49:24,166 AND I'M ON MY WAY THERE TO SEE HIM NOW. 1290 00:49:24,250 --> 00:49:25,792 GOOD WORK, JENN. 1291 00:49:46,625 --> 00:49:47,583 JENNIFER, 1292 00:49:47,667 --> 00:49:48,583 WELCOME TO 221B. 1293 00:49:48,667 --> 00:49:49,959 COME ON IN. 1294 00:49:50,041 --> 00:49:51,291 THANK YOU. 1295 00:49:52,625 --> 00:49:54,458 [GASPS] 1296 00:49:56,083 --> 00:49:58,583 WOW. 1297 00:49:58,667 --> 00:50:00,917 IT'S SHERLOCK HOLMES' STUDY ON BAKER STREET. 1298 00:50:01,000 --> 00:50:02,208 YES, I FIND IT RELAXING 1299 00:50:02,291 --> 00:50:04,166 AND INSPIRING. 1300 00:50:04,250 --> 00:50:05,750 PLEASE, PLEASE, HAVE A SEAT. 1301 00:50:05,834 --> 00:50:06,875 THANK YOU. 1302 00:50:06,959 --> 00:50:08,000 AND THANK YOU FOR SEEING ME 1303 00:50:08,083 --> 00:50:09,583 ON SUCH SHORT NOTICE. 1304 00:50:09,667 --> 00:50:11,041 WELL, DETECTIVE LYNWOOD CALLED 1305 00:50:11,125 --> 00:50:12,875 AND ASKED FOR MY DISCRETION. 1306 00:50:12,959 --> 00:50:15,834 A SERIAL KILLER OF A LITERARY BENT? 1307 00:50:15,917 --> 00:50:17,542 FIRST, AGATHA CHRISTIE 1308 00:50:17,625 --> 00:50:19,250 AND NOW, SIR ARTHUR CONAN DOYLE. 1309 00:50:19,333 --> 00:50:20,542 YES. 1310 00:50:20,625 --> 00:50:21,542 "A STUDY IN SCARLET." 1311 00:50:21,625 --> 00:50:24,667 LET'S CONSIDER THESE MURDERS 1312 00:50:24,750 --> 00:50:25,959 IN THE WAY THAT HOLMES MIGHT HAVE. 1313 00:50:26,041 --> 00:50:27,166 IS THAT ALL RIGHT? 1314 00:50:27,250 --> 00:50:28,709 PLEASE. 1315 00:50:28,792 --> 00:50:30,583 SO, WE HAVE A KILLER 1316 00:50:30,667 --> 00:50:33,875 WHO'S GONE TO GREAT LENGTHS TO DRAMATIZE THESE MURDERS. 1317 00:50:33,959 --> 00:50:34,834 WHAT DOES THAT TELL US 1318 00:50:34,917 --> 00:50:36,542 ABOUT HIM? 1319 00:50:36,625 --> 00:50:38,291 THAT HE'S EGOTISTICAL, 1320 00:50:38,375 --> 00:50:39,417 A THRILL-SEEKER. 1321 00:50:39,500 --> 00:50:41,875 THRILL-SEEKER, INDEED. 1322 00:50:41,959 --> 00:50:44,000 THE FIRST MURDER, AGATHA CHRISTIE, 1323 00:50:44,083 --> 00:50:46,792 A MURDER WITHOUT A MOTIVE, 1324 00:50:46,875 --> 00:50:49,417 WHICH THROWS HER DETECTIVE POIROT 1325 00:50:49,500 --> 00:50:50,417 OFF BALANCE. 1326 00:50:50,500 --> 00:50:52,250 WELL, VERY DIFFICULT TO SOLVE 1327 00:50:52,333 --> 00:50:53,500 WHEN THERE IS NO CONNECTION 1328 00:50:53,583 --> 00:50:55,709 BETWEEN THE VICTIM AND THE KILLER. 1329 00:50:55,792 --> 00:50:57,542 IT WAS A REHEARSAL. 1330 00:50:57,625 --> 00:50:59,250 OF COURSE, 1331 00:50:59,333 --> 00:51:00,709 A PREPARATION FOR THE REAL MURDER 1332 00:51:00,792 --> 00:51:02,166 OF GERALD McNALLY. 1333 00:51:02,250 --> 00:51:04,208 BUT HERE IS WHERE YOUR KILLER DIVERGED. 1334 00:51:04,291 --> 00:51:08,125 HE ABANDONS AGATHA CHRISTIE AND TAKES UP CONAN DOYLE. 1335 00:51:08,208 --> 00:51:09,333 TAUNTING THE POLICE, 1336 00:51:09,417 --> 00:51:10,709 "CAN YOU FIGURE OUT THESE CLUES?" 1337 00:51:10,792 --> 00:51:12,291 WHICH, OF COURSE, THEY CAN'T. 1338 00:51:12,375 --> 00:51:13,291 [CHUCKLES RUEFULLY] 1339 00:51:13,375 --> 00:51:15,083 BUT NOW WE ARE GETTING SOMEWHERE. 1340 00:51:15,166 --> 00:51:18,208 WE KNOW THAT THE KILLER IS EGOTISTICAL, 1341 00:51:18,291 --> 00:51:20,542 AND LITERATE. 1342 00:51:20,625 --> 00:51:23,542 YOUR DETECTIVE LYNWOOD SHOULD BE FLATTERED. 1343 00:51:23,625 --> 00:51:27,875 TO CHOOSE CONAN DOYLE AS THE GAUNTLET TO THROW DOWN, 1344 00:51:27,959 --> 00:51:29,125 I MEAN, IS THERE A BETTER DETECTIVE 1345 00:51:29,208 --> 00:51:30,375 THAN SHERLOCK HOLMES? 1346 00:51:30,458 --> 00:51:32,250 SO, YOU THINK THE CHOICE OF SHERLOCK HOLMES 1347 00:51:32,333 --> 00:51:34,625 IS TO SAY, "I AM THE BEST. 1348 00:51:34,709 --> 00:51:35,959 IT WOULD TAKE HOLMES TO CATCH ME?" 1349 00:51:36,041 --> 00:51:38,375 POSSIBLY. 1350 00:51:38,458 --> 00:51:40,500 PROFESSOR FOWLER, DO YOU THINK THAT HE WILL KILL AGAIN? 1351 00:51:45,583 --> 00:51:48,709 THIS IS WHAT I HAVE LEARNED ABOUT SERIAL KILLERS... 1352 00:51:51,166 --> 00:51:52,291 HE WILL CONTINUE TO KILL 1353 00:51:52,375 --> 00:51:55,333 BECAUSE HE IS ADDICTED TO THE FEELING HE GETS 1354 00:51:55,417 --> 00:51:57,125 WHEN HE DOES. 1355 00:51:57,208 --> 00:51:59,000 THE KILLER KNOWS RIGHT FROM WRONG, 1356 00:51:59,083 --> 00:52:02,000 BUT COULDN'T CARE LESS. 1357 00:52:02,083 --> 00:52:04,667 HAVE YOU EVER IMAGINED WHAT IT MUST BE LIKE 1358 00:52:04,750 --> 00:52:06,375 TO HOLD SOMEONE'S LIFE IN YOUR HAND? 1359 00:52:06,458 --> 00:52:08,750 NO. 1360 00:52:08,834 --> 00:52:12,291 I HAVE. 1361 00:52:12,375 --> 00:52:15,333 TO WRITE ABOUT KILLERS, TO UNDERSTAND THEM, 1362 00:52:15,417 --> 00:52:17,291 I HAVE TO KNOW HOW THEY THINK 1363 00:52:17,375 --> 00:52:19,000 AND HOW THEY FEEL. 1364 00:52:21,000 --> 00:52:22,041 I CAN IMAGINE. 1365 00:52:22,125 --> 00:52:24,917 OH, I DOUBT YOU CAN. 1366 00:52:25,000 --> 00:52:26,542 SO. 1367 00:52:26,625 --> 00:52:30,125 WE KNOW THAT THE FIRST MURDER WAS A TRIAL RUN FOR THE SECOND. 1368 00:52:32,041 --> 00:52:33,959 FOCUS ON McNALLY. 1369 00:52:34,041 --> 00:52:36,125 FORGET ABOUT ART HENLEY. 1370 00:52:36,208 --> 00:52:37,375 [SIGHS] 1371 00:52:37,458 --> 00:52:39,834 IT'S A HUMAN LIFE, PROFESSOR FOWLER. 1372 00:52:39,917 --> 00:52:41,959 WELL, FORGIVE ME FOR SOUNDING HARSH, 1373 00:52:42,041 --> 00:52:44,792 BUT SHERLOCK HOLMES WAS COLD AND CALCULATING. 1374 00:52:44,875 --> 00:52:46,625 HE HAD NO WIFE, NO CHILD. 1375 00:52:46,709 --> 00:52:48,917 HE NEVER COMFORTED THE BEREAVED, 1376 00:52:49,000 --> 00:52:51,792 BUT HE ALWAYS FOUND HIS KILLER. 1377 00:52:51,875 --> 00:52:54,291 AND IF YOU WANT TO FIND THIS KILLER, 1378 00:52:54,375 --> 00:52:57,291 FOCUS ON McNALLY. 1379 00:52:57,375 --> 00:53:02,583 AS HOLMES MIGHT SAY, "THE GAME IS AFOOT." 1380 00:53:02,667 --> 00:53:05,083 [CHUCKLES IN DELIGHT] 1381 00:53:06,792 --> 00:53:09,667 FOWLER THINKS THE CLUES HAVE NO SPECIAL MEANING, 1382 00:53:09,750 --> 00:53:11,083 OTHER THAN TO DISTRACT THE POLICE 1383 00:53:11,166 --> 00:53:12,083 FROM WHAT THEY SHOULD BE DOING. 1384 00:53:12,166 --> 00:53:13,250 WHICH IS...? 1385 00:53:13,333 --> 00:53:14,250 FOCUSING ON McNALLY. 1386 00:53:14,333 --> 00:53:15,417 I THINK HE'S RIGHT. 1387 00:53:15,500 --> 00:53:17,083 I TALKED TO THREE OF McNALLY'S CLIENTS, 1388 00:53:17,166 --> 00:53:18,083 TWO OF HIS NEIGHBORS, 1389 00:53:18,166 --> 00:53:19,208 HIS EX-WIFE, 1390 00:53:19,291 --> 00:53:20,792 AND A COUPLE OF HIS FRIENDS. 1391 00:53:20,875 --> 00:53:22,834 WOULD ANY OF THEM BE SUSPECTS? 1392 00:53:22,917 --> 00:53:25,083 NO, HE WAS A BRIGHT, WELL-LIKED GUY, 1393 00:53:25,166 --> 00:53:26,208 RESPECTED AS A LIFE COACH. 1394 00:53:26,291 --> 00:53:28,458 HIS CLIENTS LOVED HIM. 1395 00:53:28,542 --> 00:53:29,959 McNALLY TOLD ME THAT HE WORKED AT A PUBLISHING HOUSE 1396 00:53:30,041 --> 00:53:31,083 IN MYSTERIES. 1397 00:53:31,166 --> 00:53:32,583 IT WENT OUT OF BUSINESS. 1398 00:53:32,667 --> 00:53:34,083 BROWN & HEATON. 1399 00:53:34,166 --> 00:53:36,250 I TALKED TO HIS FORMER BOSS EARLIER. 1400 00:53:36,333 --> 00:53:38,125 HE SAYS HE WAS AN EXCELLENT EDITOR, 1401 00:53:38,208 --> 00:53:41,041 BUT COULD BE TOUGH ON HIS WRITERS. 1402 00:53:41,125 --> 00:53:42,000 THIS PROBABLY DOESN'T MEAN ANYTHING, 1403 00:53:42,083 --> 00:53:43,875 BUT FOWLER SAID, 1404 00:53:43,959 --> 00:53:45,458 TO WRITE A MURDER MYSTERY, 1405 00:53:45,542 --> 00:53:48,041 YOU HAD TO THINK LIKE A KILLER. 1406 00:53:48,125 --> 00:53:50,750 HE SEEMED TO HAVE AN UNHEALTHY ENTHUSIASM FOR KILLERS. 1407 00:53:50,834 --> 00:53:52,166 [MESSAGE ALERT CHIMES] 1408 00:53:52,250 --> 00:53:53,291 OH. 1409 00:53:53,375 --> 00:53:54,750 INCOMING FROM DR. FOWLER. 1410 00:53:54,834 --> 00:53:57,250 "ALL LIFE IS A GREAT CHAIN, 1411 00:53:57,333 --> 00:53:59,041 "THE NATURE OF WHICH IS KNOWN 1412 00:53:59,125 --> 00:54:02,166 WHENEVER WE ARE SHOWN A SINGLE LINK OF IT." 1413 00:54:02,250 --> 00:54:03,875 SHERLOCK HOLMES. 1414 00:54:14,125 --> 00:54:15,917 [SIGHING] YOU COULD HAVE TOLD ME. 1415 00:54:16,000 --> 00:54:17,375 [WHISPERING] YOU WOULDN'T HAVE COME. 1416 00:54:19,667 --> 00:54:20,834 IT MUST BE A GREAT FEELING 1417 00:54:20,917 --> 00:54:22,375 TO SEE A BUILDING GO UP THAT YOU HELPED DESIGN 1418 00:54:22,458 --> 00:54:23,917 AND KNOW THAT IN A HUNDRED YEARS IT WILL STILL BE THERE. 1419 00:54:24,000 --> 00:54:27,000 YEAH, IT'S PRETTY COOL, BUT THEN, SO IS BEING A WRITER. 1420 00:54:27,083 --> 00:54:28,792 I FINISHED YOUR BOOK. 1421 00:54:28,875 --> 00:54:30,083 I LIKED THE SURPRISE TWIST AT THE END. 1422 00:54:30,166 --> 00:54:31,583 I DIDN'T SEE IT COMING. 1423 00:54:31,667 --> 00:54:33,083 IF YOU'RE CONSCIOUSLY LOOKING FOR THE KILLER, 1424 00:54:33,166 --> 00:54:34,083 YOU'LL BE DISAPPOINTED, 1425 00:54:34,166 --> 00:54:35,125 AND YOU'LL MISS THE JOURNEY 1426 00:54:35,208 --> 00:54:36,333 ALONG THE WAY. 1427 00:54:36,417 --> 00:54:38,333 SO, WHO'S YOUR FAVORITE AUTHOR? 1428 00:54:38,417 --> 00:54:39,792 HANDS DOWN, JOHN DICKSON CARR, 1429 00:54:39,875 --> 00:54:40,667 MASTER OF THE LOCKED ROOM MYSTERY. 1430 00:54:40,750 --> 00:54:41,834 OH. 1431 00:54:41,917 --> 00:54:43,208 WHAT'S A "LOCKED ROOM" MYSTERY? 1432 00:54:44,625 --> 00:54:46,667 PICTURE A ROOM, NO WINDOWS, 1433 00:54:46,750 --> 00:54:48,500 THE ONLY WAY IN OR OUT IS THE DOOR, 1434 00:54:48,583 --> 00:54:50,000 WHICH IS LOCKED FROM THE INSIDE, 1435 00:54:50,083 --> 00:54:51,625 AND THE MURDER VICTIM IS WITHIN. 1436 00:54:53,875 --> 00:54:55,250 THAT SOUNDS IMPOSSIBLE. HOW DOES THE KILLER GET OUT? 1437 00:54:55,333 --> 00:54:56,917 WELL, THAT'S THE CHALLENGE. 1438 00:54:57,000 --> 00:54:58,834 A POWERFUL MAGNET CAN CLOSE A LATCH 1439 00:54:58,917 --> 00:55:00,291 THROUGH THE DOOR, 1440 00:55:00,375 --> 00:55:01,917 A FISHING LINE WITH A SPECIAL KNOT 1441 00:55:02,000 --> 00:55:04,375 THAT SLIPS OFF THE LATCH 1442 00:55:04,458 --> 00:55:06,083 WHEN YOU PULL IT THROUGH THE OTHER SIDE. 1443 00:55:06,166 --> 00:55:07,041 THERE'S ALL KINDS OF WAYS. 1444 00:55:07,125 --> 00:55:08,583 TRICKY. 1445 00:55:08,667 --> 00:55:10,291 I LOVE THAT STUFF. 1446 00:55:10,375 --> 00:55:11,208 WHAT'S THE NEW BOOK ABOUT? 1447 00:55:11,291 --> 00:55:12,375 MURDER. 1448 00:55:12,458 --> 00:55:14,125 [LAUGHTER] 1449 00:55:14,208 --> 00:55:16,417 IT'S BAD LUCK TO SAY ANYTHING ELSE. 1450 00:55:16,500 --> 00:55:18,208 IT'S GOING WELL, 1451 00:55:18,291 --> 00:55:19,083 JUST NEED TO COME UP WITH AN ENDING. 1452 00:55:20,500 --> 00:55:21,709 THIS DINNER IS WONDERFUL. 1453 00:55:21,792 --> 00:55:23,250 OH, THANK YOU. 1454 00:55:23,333 --> 00:55:24,542 IT'S JUST GREAT TO EAT REAL FOOD. 1455 00:55:24,625 --> 00:55:26,208 I'VE BEEN TRYING TO BE SUPER HEALTHY. 1456 00:55:26,291 --> 00:55:27,458 I'M DRINKING A LOT OF SMOOTHIES 1457 00:55:27,542 --> 00:55:29,333 AND GREEN DRINKS. 1458 00:55:29,417 --> 00:55:30,792 WHAT'S YOUR GO-TO GREEN DRINK? 1459 00:55:30,875 --> 00:55:33,542 SIMPLE AND ORGANIC, 1460 00:55:33,625 --> 00:55:35,083 CELERY, BROCCOLI, APPLES, AND KALE. 1461 00:55:35,166 --> 00:55:36,583 -WHAT'S YOURS. -SAME. 1462 00:55:36,709 --> 00:55:37,750 OH. 1463 00:55:37,834 --> 00:55:38,834 BUT I ADD SPIRULINA. 1464 00:55:38,917 --> 00:55:40,000 I LOVE POND SCUM. 1465 00:55:40,083 --> 00:55:41,041 RIGHT. 1466 00:55:41,125 --> 00:55:42,125 WHAT'S POND SCUM? 1467 00:55:42,208 --> 00:55:43,375 SPIRULINA, 1468 00:55:43,458 --> 00:55:45,208 IT'S A BLUE-GREEN ALGAE. 1469 00:55:45,291 --> 00:55:46,959 IT DOESN'T TASTE BAD. 1470 00:55:47,041 --> 00:55:47,875 MAJOR ANTIOXIDANT. 1471 00:55:49,291 --> 00:55:51,041 WE'RE HAVING ICE CREAM AND APPLE PIE FOR DESSERT? 1472 00:55:51,125 --> 00:55:52,291 YES, WE ARE. 1473 00:55:52,375 --> 00:55:54,000 THAT'S WHY I EAT HEALTHY, 1474 00:55:54,083 --> 00:55:56,166 SO WHEN I HAVE A CHANCE TO EAT ICE CREAM AND PIE, 1475 00:55:56,250 --> 00:55:57,417 I DON'T THINK TWICE. 1476 00:55:57,500 --> 00:55:58,458 OOH. 1477 00:55:58,542 --> 00:56:00,041 YOU CAN HAVE TWO SLICES. 1478 00:56:08,500 --> 00:56:09,583 GOOD MORNING. 1479 00:56:09,667 --> 00:56:10,709 GOOD MORNING. 1480 00:56:10,792 --> 00:56:11,750 SO, I HATE TO ADMIT IT, 1481 00:56:11,834 --> 00:56:13,125 BUT I HAD A REALLY GOOD TIME, 1482 00:56:13,208 --> 00:56:15,083 AND HE IS REALLY HANDSOME, AND REALLY SMART. 1483 00:56:15,166 --> 00:56:17,041 BUT? 1484 00:56:17,125 --> 00:56:18,959 A GUY IN MY WATER-COLOR CLASS ASKED ME OUT. 1485 00:56:19,041 --> 00:56:20,667 AND I DON'T KNOW THIS BECAUSE... 1486 00:56:20,750 --> 00:56:22,333 BECAUSE IT'S REALLY NEW, AND NOTHING MIGHT HAPPEN. 1487 00:56:22,417 --> 00:56:23,959 UGH, POND SCUM... 1488 00:56:24,041 --> 00:56:25,834 DOUBLE DOSE. DRINK UP. 1489 00:56:25,917 --> 00:56:26,959 OH, FRANK, GREEN DRINK? 1490 00:56:27,041 --> 00:56:28,125 WHAT? 1491 00:56:28,208 --> 00:56:30,250 YEAH, I'VE ALREADY MY LEAVES AND CLIPPINGS, 1492 00:56:30,333 --> 00:56:31,291 THANK YOU. 1493 00:56:31,375 --> 00:56:32,250 BUT IT'S... 1494 00:56:34,625 --> 00:56:35,792 UGH, THAT LOOKS HORRIBLE. 1495 00:56:35,875 --> 00:56:37,125 IT IS HORRIBLE. 1496 00:56:38,458 --> 00:56:39,875 I WAS THINKING ABOUT PROFESSOR FOWLER. 1497 00:56:39,959 --> 00:56:40,959 YOU KNOW, THAT TEXT? 1498 00:56:41,041 --> 00:56:42,750 THE SHERLOCK HOLMES QUOTE, 1499 00:56:42,834 --> 00:56:44,750 WHAT DO YOU THINK IT MEANS? 1500 00:56:44,834 --> 00:56:46,208 I THINK IT MEANS THAT SHERLOCK HOLMES 1501 00:56:46,291 --> 00:56:47,667 COULD SOLVE AN ENTIRE CRIME BY SEEING A SINGLE CLUE. 1502 00:56:47,750 --> 00:56:49,458 I'M THINKING HE'S TELLING US 1503 00:56:49,542 --> 00:56:50,792 THAT WE ALREADY HAVE EVERYTHING WE NEED 1504 00:56:50,875 --> 00:56:52,875 TO SOLVE IT, BUT... 1505 00:56:52,959 --> 00:56:54,500 HE'S ALSO SAYING DON'T PAY ANY ATTENTION TO ART HENLEY, RIGHT? 1506 00:56:56,542 --> 00:56:57,834 SO, WE SHOULD DO THE OPPOSITE AND FOCUS ON HENLEY? 1507 00:56:59,000 --> 00:57:00,959 I TOOK A CLOSER LOOK 1508 00:57:01,041 --> 00:57:02,166 AT THE SECURITY-CAM FOOTAGE. 1509 00:57:05,917 --> 00:57:06,959 ALL RIGHT. 1510 00:57:08,667 --> 00:57:09,917 NOW, CHECK THIS OUT. 1511 00:57:10,000 --> 00:57:11,959 I ENHANCED AND ENLARGED IT. 1512 00:57:13,250 --> 00:57:15,208 THAT LOOKS FAMILIAR. 1513 00:57:15,291 --> 00:57:16,875 YUP. 1514 00:57:18,500 --> 00:57:20,166 DOES IT LOOK LIKE THIS? 1515 00:57:21,375 --> 00:57:23,917 I THINK YOU'VE GOT A SUSPECT. 1516 00:57:24,000 --> 00:57:25,125 MM-HMM. 1517 00:57:25,208 --> 00:57:27,750 PROFESSOR FOWLER. 1518 00:57:29,333 --> 00:57:30,375 WE'VE GOT WHAT WE'LL NEED. 1519 00:57:30,458 --> 00:57:31,709 DID YOU TEST YOUR FLASHLIGHT? 1520 00:57:33,041 --> 00:57:34,083 DO WE LOOK LIKE GREENHORNS? 1521 00:57:34,166 --> 00:57:37,000 "GREENHORNS," IS THAT EVEN A THING? 1522 00:57:37,083 --> 00:57:38,667 OKAY, WE'RE BACK ON SUNDAY EVENING. 1523 00:57:38,750 --> 00:57:40,000 I LEFT A MAP ON THE DINING ROOM TABLE 1524 00:57:40,083 --> 00:57:41,125 OF OUR LOCATION, OKAY? 1525 00:57:41,208 --> 00:57:42,834 ASK YOUR FATHER WHAT HE'S GOING TO DO 1526 00:57:42,917 --> 00:57:43,750 IF HE SEES A BEAR. 1527 00:57:45,000 --> 00:57:47,291 BEARS? 1528 00:57:47,375 --> 00:57:48,208 THEY HAVE BEARS UP THERE? 1529 00:57:48,291 --> 00:57:49,667 WILDERNESS? 1530 00:57:49,750 --> 00:57:51,583 WHAT PART OF WILDERNESS AND BEARS DON'T GO TOGETHER? 1531 00:57:52,875 --> 00:57:53,792 LOVE YOU, HON. 1532 00:57:53,875 --> 00:57:54,792 [CHUCKLING] 1533 00:57:54,875 --> 00:57:55,750 THERE'S NO BEARS. 1534 00:57:57,291 --> 00:57:58,917 PROBABLY. 1535 00:57:59,000 --> 00:57:59,917 LOGAN, HAVE FUN. 1536 00:58:00,000 --> 00:58:01,083 BE SAFE. 1537 00:58:05,500 --> 00:58:06,709 [SIGHS] SPA DAY TOMORROW? 1538 00:58:06,792 --> 00:58:07,709 OH, YEAH. 1539 00:58:12,083 --> 00:58:13,000 WELL, WHERE ELSE COULD I GET 1540 00:58:13,083 --> 00:58:14,875 THAT SORT OF RETURN? 1541 00:58:14,959 --> 00:58:17,792 -IT'S NOT THE RETURN-- -IT'S THE RISK. 1542 00:58:17,875 --> 00:58:19,959 BUT I HAVE BEEN GETTING PAID. 1543 00:58:20,041 --> 00:58:22,959 RIGHT ON TIME. 1544 00:58:23,041 --> 00:58:25,208 I'M GOING TO THE VALLEY PINES BANK NEXT WEEK 1545 00:58:25,291 --> 00:58:26,750 TO SEE ABOUT A REVERSE MORTGAGE. 1546 00:58:28,208 --> 00:58:29,583 I ASKED MAGGIE 1547 00:58:29,667 --> 00:58:34,375 TO COMMUNICATE WITH MY DECEASED UNCLE ERIC. 1548 00:58:34,458 --> 00:58:36,542 THERE WAS NEVER ANY SUCH PERSON. 1549 00:58:36,625 --> 00:58:39,125 I INVENTED HIM TO SEE IF MAGDALENA WAS REAL. 1550 00:58:39,208 --> 00:58:41,250 WELL, POSSIBLY, 1551 00:58:41,333 --> 00:58:43,583 ANOTHER MEMBER OF YOUR FAMILY WAS TRYING TO CONTACT YOU. 1552 00:58:43,667 --> 00:58:46,709 I REALLY FEEL 1553 00:58:46,792 --> 00:58:48,125 WHEN I'M WITH MAGGIE 1554 00:58:48,208 --> 00:58:50,000 THAT I'M IN THE PRESENCE OF MY EDGAR. 1555 00:58:54,208 --> 00:58:56,500 WHAT CAN WE DO? 1556 00:58:56,583 --> 00:58:58,709 I'LL GO BY ADULT PROTECTIVE SERVICES TOMORROW, 1557 00:58:58,792 --> 00:58:59,792 SEE WHAT THEY SAY. 1558 00:58:59,875 --> 00:59:01,166 I CAN'T BELIEVE 1559 00:59:01,250 --> 00:59:04,041 PEOPLE TAKE ADVANTAGE OF SENIOR CITIZENS LIKE THAT. 1560 00:59:04,125 --> 00:59:05,625 JUST ASK MY UNCLE ERIC. 1561 00:59:09,542 --> 00:59:12,125 [PANTING] 1562 00:59:12,208 --> 00:59:13,750 YOU OKAY THERE, SON? 1563 00:59:13,834 --> 00:59:16,417 YEAH. ARE WE EVEN THERE YET? 1564 00:59:16,500 --> 00:59:19,875 UH... NOT EVEN CLOSE. 1565 00:59:22,166 --> 00:59:24,083 [GASPING WEARILY] 1566 00:59:24,166 --> 00:59:26,083 YOU KNOW, I THINK WE FORGOT SOMETHING. 1567 00:59:26,166 --> 00:59:28,500 WHAT'S THAT? 1568 00:59:28,583 --> 00:59:30,750 SHERPAS. 1569 00:59:34,083 --> 00:59:35,417 [GROANS] 1570 00:59:35,500 --> 00:59:37,417 WHAT DO YOU GOT IN HERE? 1571 00:59:37,500 --> 00:59:40,166 THAT'S JUST THE TENT. 1572 00:59:42,500 --> 00:59:45,083 YOU GOT THE COMPASS, RIGHT? 1573 00:59:48,583 --> 00:59:50,250 WELL, YOU GOTTA HAND IT TO THE GUYS, 1574 00:59:50,333 --> 00:59:51,417 THEY REALLY DID IT. 1575 00:59:51,500 --> 00:59:54,083 SITTING OUT IN THE COLD AND DARK 1576 00:59:54,166 --> 00:59:55,333 LIKE NEANDERTHALS. 1577 00:59:55,417 --> 00:59:56,834 [CHUCKLING] 1578 00:59:56,917 --> 00:59:58,667 OH, I LOVE THIS PART, 1579 00:59:58,750 --> 01:00:00,291 YOU KNOW THEY'RE GOING TO KISS. 1580 01:00:00,375 --> 01:00:02,750 I'VE SEEN IT A MILLION TIMES. 1581 01:00:02,834 --> 01:00:06,208 [GASPING TOGETHER] OH... 1582 01:00:07,542 --> 01:00:10,250 WELL, WHAT DO YOU WANT TO WATCH NEXT? 1583 01:00:10,333 --> 01:00:11,417 CAN WE WATCH THAT AGAIN? 1584 01:00:12,959 --> 01:00:14,333 YEAH! 1585 01:00:17,208 --> 01:00:20,166 [♪♪♪] 1586 01:00:21,792 --> 01:00:24,000 [THUNDER RUMBLING] 1587 01:00:25,208 --> 01:00:29,000 THE WOOD WAS GREEN, OR WET, I GUESS. 1588 01:00:29,083 --> 01:00:30,333 NO FIRE? 1589 01:00:30,417 --> 01:00:31,875 NO DINNER? 1590 01:00:31,959 --> 01:00:33,208 WE HAD THAT GRANOLA BAR. 1591 01:00:33,291 --> 01:00:34,667 NO INTERNET? 1592 01:00:34,750 --> 01:00:36,834 IT'S THE GREAT OUTDOORS. 1593 01:00:39,667 --> 01:00:41,458 SO, IS THAT IT, WE JUST SIT HERE FREEZING? 1594 01:00:41,542 --> 01:00:45,166 WE ENJOY THE SOLITUDE, SON. 1595 01:00:45,250 --> 01:00:46,667 [THUNDER RUMBLING] 1596 01:00:46,750 --> 01:00:48,333 WHAT'S THAT? 1597 01:00:48,417 --> 01:00:49,291 THAT WOULD BE RAIN. 1598 01:00:53,333 --> 01:00:55,500 I MEAN, IT DOESN'T BOTHER ME. 1599 01:00:55,583 --> 01:00:59,125 YEAH, ME NEITHER. 1600 01:00:59,208 --> 01:01:02,125 BUT, YOU KNOW, IF YOU WANT TO LEAVE. 1601 01:01:02,208 --> 01:01:03,291 NO, NO, I CAN TAKE IT. 1602 01:01:03,375 --> 01:01:04,291 OKAY. 1603 01:01:06,375 --> 01:01:09,667 BUT IF YOU WANT TO GO, I'D GO. 1604 01:01:09,750 --> 01:01:11,500 [THUNDER CRASHING OVERHEAD] 1605 01:01:11,583 --> 01:01:13,542 YOU KNOW, I SAW A MOTEL 1606 01:01:13,625 --> 01:01:14,542 IN THAT TOWN THAT WE DROVE THROUGH. 1607 01:01:14,625 --> 01:01:16,166 I SAW THE DINER. 1608 01:01:17,625 --> 01:01:19,667 YOU KNOW WHAT, WE'LL, JUST, UH, COME BACK SUNDAY. 1609 01:01:19,750 --> 01:01:20,917 WHAT THEY DON'T KNOW WON'T HURT THEM, RIGHT? 1610 01:01:21,000 --> 01:01:22,625 THIS IS ABOUT BONDING. WE'RE STILL BONDING. 1611 01:01:22,709 --> 01:01:24,709 EXACTLY. 1612 01:01:27,834 --> 01:01:29,583 THAT'S INTERESTING. 1613 01:01:29,667 --> 01:01:31,667 MILES FOWLER HAD A BOOK PUBLISHED AT BROWN & HEATON, 1614 01:01:31,750 --> 01:01:33,083 THE SAME TIME THAT GERALD McNALLY 1615 01:01:33,166 --> 01:01:35,625 HAPPENED TO BE AN EDITOR THERE. 1616 01:01:35,709 --> 01:01:36,709 HUH. 1617 01:01:36,792 --> 01:01:37,625 [SHOP BELL JINGLES] 1618 01:01:37,709 --> 01:01:38,625 HEY! 1619 01:01:38,709 --> 01:01:39,959 HEY. 1620 01:01:40,041 --> 01:01:41,083 SO... 1621 01:01:41,166 --> 01:01:43,000 I WENT TO ADULT PROTECTIVE SERVICES, 1622 01:01:43,083 --> 01:01:44,333 AND FRANK WAS RIGHT. 1623 01:01:44,417 --> 01:01:45,667 AS LONG AS CLARA'S COMPETENT, 1624 01:01:45,750 --> 01:01:46,917 SHE CAN DO WHATEVER SHE LIKES. 1625 01:01:47,000 --> 01:01:49,166 YOU'D NEED A FAMILY MEMBER TO FILE A COMPLAINT. 1626 01:01:49,250 --> 01:01:50,500 SHE DOESN'T HAVE CHILDREN? 1627 01:01:50,583 --> 01:01:52,417 NO, SO, THAT'S OUT. 1628 01:01:52,500 --> 01:01:53,542 WELL, WHAT ARE YOU THINKING? 1629 01:01:53,625 --> 01:01:55,583 WHAT WOULD MADAME MAGDALENA DO 1630 01:01:55,667 --> 01:01:57,333 IF SHE THOUGHT SHE WERE ABOUT TO BE ARRESTED? 1631 01:01:58,667 --> 01:01:59,792 THAT JUST MIGHT WORK. 1632 01:02:05,875 --> 01:02:06,875 EIGHT YEARS AGO, 1633 01:02:06,959 --> 01:02:08,000 FOWLER HAD A BOOK PUBLISHED 1634 01:02:08,083 --> 01:02:09,250 AT BROWN & HEATON, 1635 01:02:09,333 --> 01:02:10,500 THE SAME PLACE THAT McNALLY WAS AN EDITOR. 1636 01:02:10,583 --> 01:02:11,709 I KNOW. 1637 01:02:11,792 --> 01:02:13,667 BUT FOWLER'S BOOK, A LIFE OF HOLMES , 1638 01:02:13,750 --> 01:02:15,291 WAS NON-FICTION, 1639 01:02:15,375 --> 01:02:17,083 WHICH MEANS HE MAY NOT HAVE HAD ANY CONTACT WITH McNALLY, 1640 01:02:17,166 --> 01:02:19,250 WHO WAS FICTION. 1641 01:02:19,333 --> 01:02:20,667 ON THE OTHER HAND, 1642 01:02:20,750 --> 01:02:23,208 FOWLER HAD NO CLASSES ON THE DAYS OF EITHER MURDER. 1643 01:02:23,291 --> 01:02:24,792 WELL, DOES HE HAVE AN ALIBI? 1644 01:02:24,875 --> 01:02:25,959 NOT SURE. 1645 01:02:26,041 --> 01:02:27,750 WE NEED TO GET A LITTLE MORE INFORMATION 1646 01:02:27,834 --> 01:02:29,041 BEFORE I INTERVIEW HIM. 1647 01:02:29,125 --> 01:02:30,709 NOW, YOU WERE SAYING 1648 01:02:30,792 --> 01:02:32,208 FOWLER'S OFFICE IS LIKE 1649 01:02:32,291 --> 01:02:33,834 A SHRINE TO HOLMES? 1650 01:02:33,917 --> 01:02:35,750 IT'S LIKE WALKING INTO BAKER STREET. 1651 01:02:35,834 --> 01:02:36,875 RIGHT, WELL, HERE'S WHAT WE KNOW, 1652 01:02:36,959 --> 01:02:39,583 FOWLER WAS FREE THE DAYS OF BOTH MURDERS. 1653 01:02:39,667 --> 01:02:41,166 THE MAN IN THE SECURITY CAM 1654 01:02:41,250 --> 01:02:42,750 WAS WEARING A LITTLEFIELD COLLEGE SWEATSHIRT, 1655 01:02:42,834 --> 01:02:44,875 HAPPENS TO BE WHERE FOWLER TEACHES. 1656 01:02:44,959 --> 01:02:48,625 NOW, McNALLY'S KILLER HAD AN ENCYCLOPEDIC KNOWLEDGE 1657 01:02:48,709 --> 01:02:49,625 OF SHERLOCK HOMES. 1658 01:02:49,709 --> 01:02:52,250 IT CERTAINLY FITS FOWLER TO A "T." 1659 01:02:52,333 --> 01:02:53,792 THERE'S ONE MORE THING. 1660 01:02:53,875 --> 01:02:56,333 10 YEARS AGO, THIS ARTICLE IN A MYSTERY MAGAZINE. 1661 01:02:56,417 --> 01:02:57,917 "THE PHARMACOLOGY OF MURDER," 1662 01:02:58,000 --> 01:03:00,083 BY PROFESSOR MYLES FOWLER. 1663 01:03:00,166 --> 01:03:02,333 IT'S ABOUT ALL THE WAYS POISONS HAVE BEEN USED 1664 01:03:02,417 --> 01:03:03,542 TO KILL PEOPLE IN MYSTERY BOOKS. 1665 01:03:05,917 --> 01:03:06,750 THAT'S PRETTY GOOD, JENN. 1666 01:03:12,959 --> 01:03:14,417 [JENN]: I WONDER HOW THEY'RE DOING. 1667 01:03:14,500 --> 01:03:15,959 HMM, NOT TOO WELL. 1668 01:03:16,041 --> 01:03:17,333 I SAW ON THE NEWS IT WAS RAINING UP THERE, 1669 01:03:17,417 --> 01:03:19,083 POURING. 1670 01:03:19,166 --> 01:03:21,125 AW, NOW I FEEL BAD FOR THEM. 1671 01:03:21,208 --> 01:03:22,667 I COULD SHOW YOU WHERE THEY WERE GOING. 1672 01:03:22,750 --> 01:03:23,750 HOW? 1673 01:03:23,834 --> 01:03:25,000 I HAVE A PROGRAM 1674 01:03:25,083 --> 01:03:26,625 THAT SHOWS A SATELLITE VIEW OF ALMOST ANYWHERE. 1675 01:03:26,709 --> 01:03:27,834 AND IF THERE'S A SIGNAL, 1676 01:03:27,917 --> 01:03:28,917 I CAN PINPOINT DAD'S CELL PHONE. 1677 01:03:29,000 --> 01:03:29,875 REALLY? 1678 01:03:29,959 --> 01:03:31,625 MM-HMM. 1679 01:03:34,875 --> 01:03:37,291 OKAY, HERE'S THE RANGER STATION, 1680 01:03:37,375 --> 01:03:38,625 PARKING LOT. 1681 01:03:38,709 --> 01:03:40,125 THEY SHOULD BE A COUPLE MILES TO THE NORTH, I THINK. 1682 01:03:40,208 --> 01:03:41,917 AMAZING. 1683 01:03:42,000 --> 01:03:43,291 THAT'S NOT REAL-TIME, IS IT? 1684 01:03:43,375 --> 01:03:44,417 NO. 1685 01:03:44,500 --> 01:03:47,083 BUT THE APP FOR THE CELL PHONE IS. 1686 01:03:47,166 --> 01:03:48,041 TRY IT. 1687 01:03:48,125 --> 01:03:50,625 [BEEPING] 1688 01:03:50,709 --> 01:03:52,792 THAT'S WEIRD. 1689 01:03:52,875 --> 01:03:54,000 IT SHOWS A SIGNAL, 1690 01:03:54,083 --> 01:03:55,917 BUT THERE'S NOTHING ON THE MAP. 1691 01:03:56,000 --> 01:03:57,375 LET ME ZOOM OUT. 1692 01:03:59,917 --> 01:04:00,750 I CAN'T BELIEVE IT. 1693 01:04:00,834 --> 01:04:02,458 WHAT? 1694 01:04:02,542 --> 01:04:03,500 THEY'RE IN A TOWN. 1695 01:04:03,583 --> 01:04:04,875 [GASPS IN SHOCK] 1696 01:04:04,959 --> 01:04:06,000 CHEATERS. 1697 01:04:07,834 --> 01:04:09,417 OKAY, IT'S YOUR MOVE. 1698 01:04:09,500 --> 01:04:11,750 YOU'D BETTER WATCH YOUR BISHOP. 1699 01:04:11,834 --> 01:04:14,000 WHY? 1700 01:04:14,083 --> 01:04:15,500 YOU SHOULD'VE WATCHED YOUR ROOK. 1701 01:04:15,583 --> 01:04:16,917 [CHUCKLES] 1702 01:04:18,250 --> 01:04:20,041 TWO HOT CHOCOLATES. 1703 01:04:20,125 --> 01:04:22,291 WE DIDN'T ORDER HOT CHOCOLATE. 1704 01:04:22,375 --> 01:04:23,333 MM-MM. 1705 01:04:23,417 --> 01:04:24,834 NO, YOUR MOM DID. 1706 01:04:24,917 --> 01:04:26,333 SHE EXPECTS YOU HOME FOR DINNER. 1707 01:04:26,417 --> 01:04:28,208 [CHUCKLES] 1708 01:04:28,291 --> 01:04:30,542 BUSTED. 1709 01:04:30,625 --> 01:04:31,500 CHEERS. 1710 01:04:35,041 --> 01:04:36,834 [FRANK]: THIS WON'T BE LONG. JUST A FEW QUESTIONS. 1711 01:04:36,917 --> 01:04:38,834 OH, SHOOT. 1712 01:04:38,959 --> 01:04:39,917 OR SHOULD I SAY "INJECT"? 1713 01:04:40,000 --> 01:04:41,333 [CHUCKLES] 1714 01:04:41,417 --> 01:04:42,792 TUESDAY THE 12th, 1715 01:04:42,875 --> 01:04:44,166 BETWEEN 11:00 A.M. AND 2:00 P.M., 1716 01:04:44,250 --> 01:04:45,250 WHERE WERE YOU? 1717 01:04:46,709 --> 01:04:48,166 -ARE YOU SERIOUS? -MM-HMM. 1718 01:04:48,250 --> 01:04:50,709 AH, FINE. UH... 1719 01:04:52,500 --> 01:04:55,166 YES, A FACULTY COMMITTEE MEETING. 1720 01:04:55,250 --> 01:04:57,500 YOUR DEPARTMENT HEAD SAYS YOU MISSED THAT MEETING. 1721 01:04:57,583 --> 01:04:59,291 WELL THEN, I WAS WRITING. 1722 01:04:59,375 --> 01:05:00,500 ALL RIGHT. 1723 01:05:00,583 --> 01:05:01,834 WELL, WHAT ABOUT THE WEEK BEFORE, 1724 01:05:01,917 --> 01:05:04,041 MONDAY THE 4TH. 1725 01:05:04,125 --> 01:05:05,417 WRITING. 1726 01:05:05,500 --> 01:05:07,041 YOU DIDN'T HAVE TO CHECK YOUR BOOK? 1727 01:05:07,125 --> 01:05:08,834 MONDAY IS ALWAYS WRITING. 1728 01:05:08,917 --> 01:05:09,875 ALONE, 1729 01:05:09,959 --> 01:05:12,959 WHICH MEANS NO ALIBI. 1730 01:05:13,041 --> 01:05:14,250 LOOK, I'M A HOLMES EXPERT. 1731 01:05:14,333 --> 01:05:16,667 I'VE WRITTEN ABOUT POISONS, 1732 01:05:16,750 --> 01:05:19,041 AND HOW IT'S USED IN THE ART OF MURDER. 1733 01:05:19,125 --> 01:05:21,875 I THINK ABOUT KILLING PEOPLE. 1734 01:05:21,959 --> 01:05:22,917 A LOT. 1735 01:05:23,000 --> 01:05:24,750 YOUR BOOK LIFE OF HOLMES 1736 01:05:24,834 --> 01:05:26,834 WAS PUBLISHED BY BROWN & HEATON. 1737 01:05:26,917 --> 01:05:27,834 GERALD McNALLY WAS AN EDITOR THERE 1738 01:05:27,917 --> 01:05:28,875 AT THE TIME. 1739 01:05:28,959 --> 01:05:29,917 THE LIFE COACH? 1740 01:05:30,000 --> 01:05:31,667 MM-HMM. 1741 01:05:31,750 --> 01:05:33,041 OH, YES, NOW I REMEMBER. 1742 01:05:33,125 --> 01:05:35,166 GERRY. GERRY McNALLY. 1743 01:05:35,250 --> 01:05:36,792 WELL, HE WAS FICTION, I WAS NON-FICTION, 1744 01:05:36,875 --> 01:05:39,792 SO I DIDN'T MAKE THE CONNECTION. 1745 01:05:39,875 --> 01:05:41,041 YOU DON'T BELIEVE THAT. 1746 01:05:41,125 --> 01:05:43,583 HABIT. 1747 01:05:43,667 --> 01:05:44,625 YES, WELL, NOW YOU HAVE A PROBLEM, 1748 01:05:44,709 --> 01:05:45,625 BECAUSE HE WAS THE LAST PERSON 1749 01:05:45,709 --> 01:05:47,166 WHO SHOULD HAVE BEEN A LIFE COACH. 1750 01:05:47,250 --> 01:05:49,041 HE WAS NOT A NICE MAN. 1751 01:05:49,125 --> 01:05:50,583 HOW SO? 1752 01:05:50,667 --> 01:05:52,083 WELL, HE WAS ARROGANT. 1753 01:05:52,166 --> 01:05:53,458 DISMISSIVE. 1754 01:05:53,542 --> 01:05:55,417 IF HE THOUGHT YOU DIDN'T CUT IT AS A WRITER, 1755 01:05:55,500 --> 01:05:56,542 HE JUST TOLD YOU SO. 1756 01:05:56,625 --> 01:05:57,458 DID HE EVER TELL YOU SO? 1757 01:05:57,542 --> 01:05:58,875 YES. 1758 01:05:58,959 --> 01:06:00,667 BUT IT MADE ME BETTER. 1759 01:06:02,041 --> 01:06:03,000 HOW TALL ARE YOU? 1760 01:06:03,083 --> 01:06:04,500 [LAUGHS] 1761 01:06:04,583 --> 01:06:06,208 OH, FINALLY, AN INTERESTING QUESTION. 1762 01:06:06,291 --> 01:06:07,291 AH... 1763 01:06:07,375 --> 01:06:08,250 I AM SIX FOOT, ONE INCH. 1764 01:06:08,333 --> 01:06:09,625 DOES THAT HELP? 1765 01:06:09,709 --> 01:06:11,083 IT MIGHT. 1766 01:06:11,166 --> 01:06:14,083 WE HAVE SOME SECURITY CAM FOOTAGE OF ARTHUR HENLEY. 1767 01:06:14,166 --> 01:06:16,667 HE WAS WALKING WITH THE MAN WHO MIGHT HAVE KILLED HIM. 1768 01:06:16,750 --> 01:06:17,917 YOU'RE ABOUT THE SAME HEIGHT. 1769 01:06:18,000 --> 01:06:21,417 OH, WELL, THAT NARROWS YOUR SUSPECT POOL 1770 01:06:21,500 --> 01:06:23,709 DOWN TO WHAT, 1771 01:06:23,792 --> 01:06:25,792 A FEW MILLION PEOPLE. 1772 01:06:25,875 --> 01:06:28,417 EXCELLENT WORK, DETECTIVE. 1773 01:06:28,500 --> 01:06:30,333 EXCELLENT WORK. 1774 01:06:32,000 --> 01:06:33,834 GIRLS, WE'RE HOME! 1775 01:06:34,959 --> 01:06:36,500 JENN? 1776 01:06:37,625 --> 01:06:38,542 HANNAH? 1777 01:06:38,625 --> 01:06:40,709 HELLO? 1778 01:06:40,792 --> 01:06:42,959 "BACK AT 7:00 FOR DINNER. 1779 01:06:43,041 --> 01:06:44,917 "EVERYTHING'S IN THE FRIDGE. 1780 01:06:45,000 --> 01:06:46,917 "SALAD NEEDS TO BE MADE. 1781 01:06:47,000 --> 01:06:48,417 "SET THE TABLE. 1782 01:06:48,500 --> 01:06:50,250 "LOVE, MOM AND HANNAH. 1783 01:06:50,333 --> 01:06:55,500 P.S. LOGAN, USE YOU PHONE APP TO TRACK OUR LOCATION." 1784 01:06:57,375 --> 01:06:58,291 HMM. 1785 01:06:59,667 --> 01:07:02,375 [SIGHING BLISSFULLY] 1786 01:07:04,625 --> 01:07:05,667 NOW, THIS IS WHAT I CALL 1787 01:07:05,750 --> 01:07:08,458 GETTING BACK TO NATURE. 1788 01:07:08,542 --> 01:07:10,709 WE WILL BE GOING OUTSIDE. 1789 01:07:10,792 --> 01:07:12,291 HMM. 1790 01:07:12,375 --> 01:07:14,125 IS THAT WHERE THE MASSAGE TABLES ARE? 1791 01:07:14,208 --> 01:07:15,625 YUP. 1792 01:07:15,709 --> 01:07:17,834 IN A TENT. 1793 01:07:17,917 --> 01:07:19,500 KIND OF LIKE CAMPING. 1794 01:07:19,583 --> 01:07:21,667 [CHUCKLING] 1795 01:07:23,166 --> 01:07:26,000 [SIGHING] 1796 01:07:27,667 --> 01:07:28,917 I'M JUST GLAD YOU'RE BOTH BACK 1797 01:07:29,000 --> 01:07:30,709 SAFE AND SOUND. 1798 01:07:33,166 --> 01:07:34,125 AH. 1799 01:07:34,208 --> 01:07:35,125 [CHUCKLING] 1800 01:07:35,208 --> 01:07:37,125 THANK YOU. 1801 01:07:37,208 --> 01:07:38,333 YOU KNOW, 1802 01:07:38,417 --> 01:07:39,542 I LEARNED A VALUABLE LESSON THIS WEEKEND 1803 01:07:39,625 --> 01:07:40,750 THAT I'LL REMEMBER WHEN I'M AT COLLEGE. 1804 01:07:40,834 --> 01:07:42,208 OH, YEAH, WHAT'S THAT? 1805 01:07:42,291 --> 01:07:43,166 NO MATTER WHERE YOU GO, 1806 01:07:43,250 --> 01:07:45,583 OR WHAT YOU DO, 1807 01:07:45,667 --> 01:07:46,834 MOM KNOWS. 1808 01:07:48,250 --> 01:07:49,166 YEAH. 1809 01:07:57,041 --> 01:07:58,291 [SHOP BELL JINGLES] 1810 01:07:58,375 --> 01:07:59,333 HELLO. 1811 01:07:59,417 --> 01:08:00,542 OH, HI, TERRANCE. 1812 01:08:00,625 --> 01:08:01,792 I HAD A LOVELY EVENING. 1813 01:08:01,875 --> 01:08:03,208 THANK YOU SO MUCH FOR THE INVITE. 1814 01:08:03,291 --> 01:08:04,166 OH, YOU'RE WELCOME. 1815 01:08:04,250 --> 01:08:05,125 IT WAS FUN. 1816 01:08:06,583 --> 01:08:09,333 SO, I TOOK ANOTHER LOOK AT "STUDY IN SCARLET." 1817 01:08:09,417 --> 01:08:11,583 THE KILLER ARRIVED BY A HORSE-DRIVEN CAB. 1818 01:08:11,667 --> 01:08:14,333 IF YOUR SUSPECT WAS TRULY RECREATING THE CRIME, 1819 01:08:14,417 --> 01:08:16,458 HE WOULD HAVE TAKEN A CAB. 1820 01:08:16,542 --> 01:08:18,583 YOU MIGHT BE ABLE TO SEE THE CAB COMPANIES' RECORDS 1821 01:08:18,667 --> 01:08:19,667 TO SEE IF ANYONE WAS DROPPED OFF 1822 01:08:19,750 --> 01:08:20,834 AT THAT ADDRESS. 1823 01:08:20,917 --> 01:08:21,959 THAT IS VERY SMART. 1824 01:08:22,041 --> 01:08:24,542 OH, AND I WAS ABLE TO MAKE A CONNECTION 1825 01:08:24,625 --> 01:08:26,750 BETWEEN McNALLY AND FOWLER. 1826 01:08:26,834 --> 01:08:29,208 IT TURNS OUT THAT McNALLY WAS AN EDITOR AT BROWN & HEATON 1827 01:08:29,291 --> 01:08:30,333 THE SAME TIME 1828 01:08:30,417 --> 01:08:32,125 THAT FOWLER HAD A BOOK PUBLISHED THERE. 1829 01:08:32,208 --> 01:08:33,458 WOW, YOU HAD TO DIG DEEP FOR THAT. 1830 01:08:33,542 --> 01:08:35,208 [CHUCKLES] 1831 01:08:35,291 --> 01:08:36,542 IT SOUNDS LIKE LYNWOOD HAS A VIABLE SUSPECT. 1832 01:08:36,625 --> 01:08:37,542 YES, IT SURE DOES. 1833 01:08:37,625 --> 01:08:39,834 YOU SHOULD MEET FRANK. 1834 01:08:39,917 --> 01:08:41,250 MAYBE WE COULD ALL HAVE LUNCH ONE DAY THIS WEEK. 1835 01:08:41,333 --> 01:08:43,625 SOUNDS GOOD. 1836 01:08:43,709 --> 01:08:45,458 I'D LIKE TO ASK YOU A FAVOR. 1837 01:08:45,542 --> 01:08:46,667 YOU'RE A MYSTERY FAN, 1838 01:08:46,750 --> 01:08:48,125 WOULD YOU BE WILLING TO READ MY NEW BOOK, 1839 01:08:48,208 --> 01:08:50,542 GIVE ME SOME OBJECTIVE FEEDBACK? 1840 01:08:50,625 --> 01:08:51,750 SURE, I WOULD LOVE TO. 1841 01:08:51,834 --> 01:08:52,875 JUST TELL ME WHEN. 1842 01:08:52,959 --> 01:08:54,875 SHOULD BE READY NEXT WEEK. 1843 01:08:54,959 --> 01:08:55,917 ONE CAVEAT. 1844 01:08:56,000 --> 01:08:57,291 I CAN'T SEND IT TO YOU, 1845 01:08:57,375 --> 01:08:59,458 BUT I'LL MAKE A HARD COPY YOU CAN READ IN MY OFFICE. 1846 01:08:59,542 --> 01:09:00,375 WRITER'S PARANOIA. 1847 01:09:01,500 --> 01:09:03,333 UNDERSTOOD. 1848 01:09:03,417 --> 01:09:04,375 IS, UH, DANI HERE? 1849 01:09:05,667 --> 01:09:07,166 OH, NO, I'M AFRAID SHE JUST STEPPED OUT. 1850 01:09:07,250 --> 01:09:08,375 OH, UM, 1851 01:09:08,458 --> 01:09:09,583 I JUST WANTED TO GIVE HER SOMETHING. 1852 01:09:09,667 --> 01:09:11,291 [UNZIPPING BAG] 1853 01:09:11,375 --> 01:09:12,625 I WANTED TO GIVE HER THIS. 1854 01:09:12,709 --> 01:09:15,208 HAWAIIAN SPIRULINA. 1855 01:09:15,291 --> 01:09:16,458 POND SCUM. 1856 01:09:16,542 --> 01:09:17,500 [CHUCKLING] 1857 01:09:17,583 --> 01:09:18,917 I'M SURE SHE'LL LOVE IT. 1858 01:09:19,000 --> 01:09:20,917 [♪♪♪] 1859 01:09:27,834 --> 01:09:30,792 GERALD McNALLY'S DEATH WAS BY STRYCHNINE POISONING. 1860 01:09:30,917 --> 01:09:33,250 NOW, MY FIRST THOUGHT WAS IT WAS IN THE PILLS, 1861 01:09:33,333 --> 01:09:34,250 BUT IT WASN'T. 1862 01:09:34,333 --> 01:09:35,208 WHAT WERE THE PILLS? 1863 01:09:35,291 --> 01:09:36,875 SUGAR. 1864 01:09:36,959 --> 01:09:38,834 NO TRACE OF POISON IN HIS STOMACH, 1865 01:09:38,917 --> 01:09:40,709 SO HE DIDN'T INGEST IT. 1866 01:09:40,792 --> 01:09:42,250 I RE-EXAMINED THE BODY. 1867 01:09:42,333 --> 01:09:44,792 THERE WAS A SINGLE NEEDLE MARK, 1868 01:09:44,875 --> 01:09:47,417 A VERY FINE GAUGE NEEDLE. 1869 01:09:47,500 --> 01:09:50,083 THE STRYCHNINE WAS ADMINISTERED VIA INJECTION. 1870 01:09:50,166 --> 01:09:52,125 IF McNALLY WAS INJECTED, 1871 01:09:52,208 --> 01:09:53,083 THERE MUST HAVE BEEN PHYSICAL CONTACT. 1872 01:09:53,166 --> 01:09:55,375 LOCARD'S PRINCIPLE. 1873 01:09:55,458 --> 01:09:58,333 A PERPETRATOR WILL BRING SOMETHING INTO A CRIME SCENE 1874 01:09:58,417 --> 01:10:00,667 AND LEAVE WITH SOMETHING FROM IT. 1875 01:10:00,750 --> 01:10:02,875 I WANT EVERY INCH OF HIM GONE THROUGH, 1876 01:10:02,959 --> 01:10:04,250 HIS CLOTHES, SHOES, WHATEVER. 1877 01:10:04,333 --> 01:10:06,500 IF THE KILLER HELD OR RESTRAINED HIM, 1878 01:10:06,583 --> 01:10:07,750 HE LEFT SOMETHING ON THE BODY. 1879 01:10:07,834 --> 01:10:09,625 ALL RIGHT? 1880 01:10:13,250 --> 01:10:16,083 [♪♪♪] 1881 01:10:19,083 --> 01:10:22,667 [WHISTLING NONCHALANTLY] 1882 01:10:29,083 --> 01:10:30,166 [KNOCKS] 1883 01:10:40,917 --> 01:10:42,333 [SHOTS SNIPE] 1884 01:10:53,417 --> 01:10:55,667 [POLICE CHATTER CRACKLES] 1885 01:10:55,750 --> 01:10:57,125 THE BODY WAS FOUND BY A STUDENT. 1886 01:10:57,208 --> 01:10:58,500 M.E. IS ON THE WAY, 1887 01:10:58,583 --> 01:11:00,542 GUNSHOT WOUND TO THE ABDOMEN. 1888 01:11:07,625 --> 01:11:09,333 [DIALING CALL] 1889 01:11:10,917 --> 01:11:12,083 HEY, JENNIFER. 1890 01:11:12,166 --> 01:11:14,083 YEAH, I'M AT LITTLEFIELD. 1891 01:11:14,166 --> 01:11:16,375 PROFESSOR FOWLER IS DEAD. 1892 01:11:16,458 --> 01:11:18,417 LOOKS LIKE WE GOT ANOTHER ONE. 1893 01:11:38,875 --> 01:11:40,834 HEY, JENN, THANKS FOR COMING. 1894 01:11:40,917 --> 01:11:42,041 WHAT DID THE KILLER LEAVE BEHIND? 1895 01:11:42,125 --> 01:11:43,417 OH, YOU'LL SEE. 1896 01:11:43,500 --> 01:11:45,375 THE GUY IS REALLY BRAGGING NOW. 1897 01:11:45,458 --> 01:11:48,709 HE EVEN LEFT A NOTE, "THE BUTLER DID IT." 1898 01:11:48,792 --> 01:11:50,792 FUNNY, HUH? 1899 01:11:54,959 --> 01:11:56,291 FOWLER WASN'T WEARING ANY CUFFLINKS, 1900 01:11:56,375 --> 01:11:58,166 SO, OBVIOUSLY, THE KILLER PLACED IT THERE. 1901 01:11:58,250 --> 01:11:59,959 I THINK I KNOW WHAT BOOK THIS IS FROM, 1902 01:12:00,041 --> 01:12:01,583 BUT THIS ISN'T RIGHT. 1903 01:12:03,667 --> 01:12:05,083 WHAT DO YOU MEAN? 1904 01:12:05,166 --> 01:12:06,458 THE BODY IS SUPPOSED TO BE FOUND 1905 01:12:06,542 --> 01:12:09,125 AT THE BOTTOM OF A CIRCULAR STAIRCASE. 1906 01:12:10,750 --> 01:12:12,125 LIKE THIS? 1907 01:12:14,917 --> 01:12:17,041 OKAY, I GOT THIS. 1908 01:12:17,125 --> 01:12:18,125 MARY ROBERTS RINEHART. 1909 01:12:18,208 --> 01:12:19,917 WHO? 1910 01:12:20,000 --> 01:12:21,750 THIS MURDER IS FROM THE CIRCULAR STAIRCASE. 1911 01:12:21,834 --> 01:12:22,750 I READ IT LAST YEAR. 1912 01:12:22,834 --> 01:12:23,834 THE VICTIM IS SHOT, 1913 01:12:23,917 --> 01:12:25,208 THE BODY IS FOUND 1914 01:12:25,291 --> 01:12:26,458 NEAR THE BASE OF A CIRCULAR STAIRCASE. 1915 01:12:26,542 --> 01:12:27,500 THERE'S A CUFFLINK, 1916 01:12:27,583 --> 01:12:28,458 MOTHER OF PEARL WITH RUBY, 1917 01:12:28,542 --> 01:12:29,542 FOUND NEAR THE BODY. 1918 01:12:29,625 --> 01:12:30,917 SHE WAS THE FIRST TO USE THE PHRASE 1919 01:12:31,000 --> 01:12:33,250 "THE BUTLER DID IT." 1920 01:12:33,333 --> 01:12:34,625 I THINK I KNOW WHERE THE GUN IS. 1921 01:12:34,709 --> 01:12:35,834 IF HE'S FOLLOWING THE BOOK, 1922 01:12:35,917 --> 01:12:37,667 HE WOULD HAVE WAS THE GUN IN SOME BUSHES. 1923 01:12:37,750 --> 01:12:39,417 IT MIGHT EVEN HAVE THE NAME "HALSEY" 1924 01:12:39,500 --> 01:12:41,834 ENGRAVED ON THE SIDE. 1925 01:12:41,917 --> 01:12:43,000 I'VE NEVER HEARD OF THIS WRITER. 1926 01:12:43,083 --> 01:12:43,959 RINEHART? 1927 01:12:44,041 --> 01:12:45,041 OH, SHE'S HUGE, 1928 01:12:45,125 --> 01:12:46,709 THE AMERICAN AGATHA CHRISTIE. 1929 01:12:46,792 --> 01:12:48,917 FRANK, LOOK. 1930 01:12:53,834 --> 01:12:55,000 PLEASE TELL ME THAT FOOTPRINT 1931 01:12:55,083 --> 01:12:56,166 WASN'T A CLUE FROM BOOK. 1932 01:12:56,250 --> 01:12:57,166 NOPE. 1933 01:12:59,000 --> 01:12:59,917 GOOD. 1934 01:13:00,000 --> 01:13:01,125 FINALLY, 1935 01:13:01,208 --> 01:13:03,083 LOOKS LIKE WE MIGHT HAVE CAUGHT A BREAK. 1936 01:13:04,834 --> 01:13:07,166 IT'S HORRIBLE, BUT IT'S FASCINATING 1937 01:13:07,250 --> 01:13:08,542 THERE'S A GUY KILLING PEOPLE 1938 01:13:08,625 --> 01:13:10,500 RIGHT OUT OF CLASSIC MYSTERIES. 1939 01:13:10,583 --> 01:13:12,834 THE MURDERS HAVE TO BE CONNECTED. 1940 01:13:12,917 --> 01:13:15,208 WHY HASN'T THE NEWSPAPER CAUGHT ONTO THIS? 1941 01:13:15,291 --> 01:13:17,834 FRANK HAS BEEN ABLE TO KEEP THE DETAILS PRETTY QUIET, 1942 01:13:17,917 --> 01:13:20,166 BUT I DON'T THINK IT'LL STAY THAT WAY FOR LONG. 1943 01:13:20,250 --> 01:13:21,291 HUH. 1944 01:13:22,834 --> 01:13:24,458 SO, HOW LONG DID IT TAKE YOU TO REALIZE 1945 01:13:24,542 --> 01:13:26,083 THAT THE CAMPING TRIP WAS NOT GOING TO BE THE BEST TIME? 1946 01:13:26,166 --> 01:13:27,625 [CHUCKLING] 1947 01:13:27,709 --> 01:13:29,041 WELL, LET'S SEE, 1948 01:13:29,125 --> 01:13:30,583 UM, I PUT THE BACKPACK ON, 1949 01:13:30,667 --> 01:13:32,041 TOOK ABOUT FIVE STEPS, AND I KNEW. 1950 01:13:32,125 --> 01:13:33,458 [CHUCKLING] 1951 01:13:34,625 --> 01:13:35,583 I'M GLAD YOU WENT. 1952 01:13:35,667 --> 01:13:37,291 -GOOD BONDING TIME. -YEAH. 1953 01:13:37,375 --> 01:13:39,917 I'M GOING TO GO DOWNSTAIRS AND CHECK MY NOTES. 1954 01:13:40,000 --> 01:13:41,208 DON'T STAY UP TOO LATE. 1955 01:13:41,291 --> 01:13:42,417 I WON'T. 1956 01:13:44,417 --> 01:13:46,166 [♪♪♪] 1957 01:14:01,959 --> 01:14:05,000 PROFESSOR MYLES FOWLER, 1958 01:14:05,083 --> 01:14:06,875 PRETTY OBVIOUS CAUSE OF DEATH. 1959 01:14:06,959 --> 01:14:08,458 DON'T ASSUME THE TWO BULLET WOUNDS 1960 01:14:08,542 --> 01:14:09,667 IN THE STOMACH KILLED HIM. 1961 01:14:09,750 --> 01:14:11,417 COULD BE A MISLEAD. 1962 01:14:11,500 --> 01:14:12,834 UNDERSTOOD. 1963 01:14:12,917 --> 01:14:15,417 I'LL APPROACH AS IF THERE WERE NO GUNSHOT WOUNDS. 1964 01:14:15,500 --> 01:14:16,959 AND THE SLUGS, THEY'VE BEEN RETRIEVED 1965 01:14:17,041 --> 01:14:17,917 AND SENT TO FORENSICS? 1966 01:14:18,000 --> 01:14:19,417 FIRST THING. 1967 01:14:19,500 --> 01:14:20,583 ANYWAY, I THINK WE HAVE THE GUN, 1968 01:14:20,667 --> 01:14:21,750 BUT I CAN'T TAKE ANYTHING FOR GRANTED. 1969 01:14:21,834 --> 01:14:23,583 THIRD MURDER BY THIS GUY? 1970 01:14:23,667 --> 01:14:25,792 WELL, HE MAY HAVE FINALLY SLIPPED UP. 1971 01:14:25,875 --> 01:14:26,875 WE FOUND A FRESH FOOTPRINT. 1972 01:14:26,959 --> 01:14:28,417 WHAT SIZE SHOE DID FOWLER WEAR? 1973 01:14:30,667 --> 01:14:32,333 SIZE 10. 1974 01:14:32,417 --> 01:14:33,625 THE FOOTPRINT IS A 12 AND A HALF. 1975 01:14:35,000 --> 01:14:36,250 THAT'S OUR GUY. 1976 01:14:36,333 --> 01:14:39,250 [♪♪♪] 1977 01:14:40,625 --> 01:14:43,083 WE'VE BEEN LOOKING AT YOUR FINANCES, CLARA, 1978 01:14:43,166 --> 01:14:44,667 AND I'M SURE WE CAN HELP YOU WITH YOUR INVESTMENTS. 1979 01:14:47,542 --> 01:14:49,583 I HAVE A BIT OF A TIGHT SCHEDULE. 1980 01:14:49,667 --> 01:14:51,041 I ASSUME THE PAPERWORK IS READY. 1981 01:14:51,125 --> 01:14:52,000 OH, IT'LL JUST BE ANOTHER MOMENT. 1982 01:14:52,083 --> 01:14:53,667 I APPRECIATE YOUR PATIENCE. 1983 01:14:53,750 --> 01:14:55,083 HI. 1984 01:14:55,166 --> 01:14:56,583 OH, GLAD YOU COULD MAKE IT, LAURA. 1985 01:14:56,667 --> 01:14:57,750 THIS IS LAURA 1986 01:14:57,834 --> 01:14:59,875 FROM THE DEPARTMENT OF SOCIAL SERVICES. 1987 01:14:59,959 --> 01:15:02,000 THE BANK HAS REASON TO BELIEVE 1988 01:15:02,083 --> 01:15:03,750 THAT THIS COULD BE A SITUATION OF ELDER FRAUD. 1989 01:15:05,333 --> 01:15:06,375 COULD YOU DESCRIBE 1990 01:15:06,458 --> 01:15:07,834 YOUR RELATIONSHIP TO CLARA? 1991 01:15:09,125 --> 01:15:10,542 [SCOFFS] 1992 01:15:10,625 --> 01:15:12,500 WELL, I RESENT THAT INSINUATION. 1993 01:15:13,959 --> 01:15:15,542 THIS HAS TAKEN UP FAR TOO MUCH OF MY TIME. 1994 01:15:15,625 --> 01:15:16,959 MELODY! 1995 01:15:17,041 --> 01:15:18,542 YEAH. WE'LL BE IN TOUCH. 1996 01:15:26,166 --> 01:15:27,917 I'M SO SORRY, CLARA. 1997 01:15:28,000 --> 01:15:28,959 [LAURA]: HER REAL NAME 1998 01:15:29,041 --> 01:15:30,792 IS MELODY MONROE. 1999 01:15:30,875 --> 01:15:32,125 SHE'S BEEN ARRESTED IN TWO OTHER STATES 2000 01:15:32,208 --> 01:15:33,417 FOR ELDER FRAUD AND OTHER SCAMS. 2001 01:15:33,500 --> 01:15:35,375 I PLAYED LAURA 2002 01:15:35,458 --> 01:15:37,375 A RECORDING OF MAGGIE COMMUNICATING 2003 01:15:37,458 --> 01:15:40,709 WITH SOMEONE WHO NEVER EXISTED. 2004 01:15:40,792 --> 01:15:42,041 CLARA, 2005 01:15:42,125 --> 01:15:43,625 APS HAS ADVISORS WHO CAN MAKE SURE 2006 01:15:43,709 --> 01:15:44,959 THAT YOUR INVESTMENTS ARE HANDLED RESPONSIBLY. 2007 01:15:45,041 --> 01:15:46,792 [SIGHS] 2008 01:15:46,875 --> 01:15:49,542 I REALLY WANTED TO BELIEVE 2009 01:15:49,625 --> 01:15:51,625 THAT I WAS TALKING WITH MY EDGAR. 2010 01:15:51,709 --> 01:15:53,375 I KNOW. 2011 01:15:53,458 --> 01:15:56,834 BUT I SUSPECTED I WASN'T. 2012 01:15:56,917 --> 01:15:58,917 HE WAS TOO SWEET. 2013 01:15:59,000 --> 01:16:01,333 EDGAR WOULD HAVE BEEN REALLY GRUMPY 2014 01:16:01,417 --> 01:16:03,500 IF I HAD BOTHERED HIM ON THE OTHER SIDE. 2015 01:16:05,959 --> 01:16:07,333 [CHUCKLING] 2016 01:16:10,500 --> 01:16:14,583 THE COMMON THREAD IS MYSTERIES AND LITERATURE. 2017 01:16:14,667 --> 01:16:15,792 IS THERE ANY CHANCE 2018 01:16:15,875 --> 01:16:18,250 THAT TERRANCE DUNCAN CAN BE INVOLVED? 2019 01:16:18,333 --> 01:16:21,250 HE WRITES MYSTERIES, HE TEACHES... 2020 01:16:21,333 --> 01:16:23,458 DO YOU THINK THAT'S POSSIBLE? 2021 01:16:23,542 --> 01:16:26,166 I HAD THE SAME THOUGHT, BUT I DON'T THINK SO. 2022 01:16:26,250 --> 01:16:28,667 AND DUNCAN WEARS A SIZE 11 SHOE, 2023 01:16:28,750 --> 01:16:31,458 AND THE FOOT IMPRESSION AT THE SCENE 2024 01:16:31,542 --> 01:16:33,000 WAS A 12 AND A HALF. 2025 01:16:33,083 --> 01:16:34,208 THAT'S A RELIEF 2026 01:16:34,291 --> 01:16:36,542 BECAUSE I'M GOING TO SEE HIM THIS AFTERNOON. 2027 01:16:36,625 --> 01:16:37,667 HOW IN THE WORLD DID YOU FIND OUT 2028 01:16:37,750 --> 01:16:39,667 DUNCAN'S SHOE SIZE? 2029 01:16:39,750 --> 01:16:42,917 HE RENTED A TUX A FEW YEARS AGO. 2030 01:16:43,000 --> 01:16:45,458 I ROUTINELY CHECK FORMAL WEAR PLACES 2031 01:16:45,542 --> 01:16:48,041 BECAUSE THEY ALWAYS KEEP MEASUREMENTS. 2032 01:16:48,125 --> 01:16:49,458 CLEVER. 2033 01:16:49,542 --> 01:16:50,667 I'D SAY. 2034 01:16:53,959 --> 01:16:56,709 YOU HAVE TO READ IT AT HIS OFFICE? 2035 01:16:56,792 --> 01:16:58,500 WELL, I GUESS IF YOU SEND SOMEONE A FILE, 2036 01:16:58,583 --> 01:16:59,959 IT CAN BE LEAKED TOO EASILY. 2037 01:17:00,041 --> 01:17:01,166 SO, YOU'RE GOING TO THE J.C.? 2038 01:17:01,250 --> 01:17:03,083 NO, TERRANCE HAS A WRITING OFFICE OFF-CAMPUS. 2039 01:17:03,166 --> 01:17:04,083 I'LL READ IT THERE. 2040 01:17:04,166 --> 01:17:06,000 YOU SHOULD FEEL FLATTERED. 2041 01:17:06,083 --> 01:17:07,417 YEAH, IT'S KIND OF COOL. 2042 01:17:07,500 --> 01:17:10,000 OKAY, HAVE FUN, HONEY. 2043 01:17:12,917 --> 01:17:15,083 OH, HI, SWEETHEART, IT'S ME. 2044 01:17:15,166 --> 01:17:16,583 I'M HEADED OVER TO TERRANCE DUNCAN'S OFFICE, 2045 01:17:16,667 --> 01:17:17,625 BUT I'LL PICK UP DINNER, 2046 01:17:17,709 --> 01:17:18,917 AND I'LL BE HOME AROUND 7:00. 2047 01:17:19,000 --> 01:17:20,458 I LOVE YOU. BYE. 2048 01:17:21,875 --> 01:17:22,792 [CELL PHONE RINGS] 2049 01:17:22,875 --> 01:17:23,917 HELLO? 2050 01:17:24,000 --> 01:17:25,000 JENN? IT'S TERRANCE. 2051 01:17:25,083 --> 01:17:26,125 ARE YOU AT THE OFFICE YET? 2052 01:17:26,208 --> 01:17:27,583 I'M ALMOST THERE. 2053 01:17:27,667 --> 01:17:28,667 I'M GRABBING A COFFEE. I LEFT THE OFFICE OPEN. 2054 01:17:28,750 --> 01:17:30,125 MANUSCRIPT'S ON THE DESK, 2055 01:17:30,208 --> 01:17:31,291 GO AHEAD AND GET STARTED. 2056 01:17:31,375 --> 01:17:32,125 YOU WANT A LATTE OR SOMETHING? 2057 01:17:32,208 --> 01:17:33,875 NO, I'M GOOD, THANKS. 2058 01:17:33,959 --> 01:17:35,333 OKAY, SEE YOU IN 20 MINUTES OR SO. 2059 01:17:35,417 --> 01:17:36,917 I REALLY APPRECIATE THIS, JENN. 2060 01:17:37,000 --> 01:17:38,250 YEAH, NO PROBLEM. 2061 01:17:44,792 --> 01:17:46,083 THERE'S A NAME ON THE LIST HERE, 2062 01:17:46,166 --> 01:17:48,709 TERRANCE DUNCAN. 2063 01:17:48,792 --> 01:17:49,667 THE GUY TAUGHT FOR A SHORT TIME 2064 01:17:49,750 --> 01:17:50,834 OVER AT LITTLEFIELD, 2065 01:17:50,917 --> 01:17:52,667 AND THERE'S A BROWN & HEATON CONNECTION. 2066 01:17:54,000 --> 01:17:55,291 ALL RIGHT, YOU GOT MY ATTENTION. 2067 01:17:55,375 --> 01:17:58,333 DUNCAN SUBMITTED A BOOK THERE THAT THEY PASSED ON. 2068 01:17:58,417 --> 01:18:00,291 HE CAUSED A BIG STINK ABOUT IT. 2069 01:18:00,375 --> 01:18:03,583 THE REJECTING EDITOR ON HIS BOOK WAS GERALD McNALLY. 2070 01:18:34,792 --> 01:18:36,417 THE NOVEL MURDERS. 2071 01:18:36,500 --> 01:18:37,709 HMM. 2072 01:18:41,250 --> 01:18:44,417 "A TRUE STORY OF MURDER PAST AND FUTURE." 2073 01:18:44,500 --> 01:18:46,500 [SHOP BELL JINGLES] 2074 01:18:47,792 --> 01:18:48,750 HEY, WHERE'S JENN? 2075 01:18:48,834 --> 01:18:50,083 I'VE BEEN TRYING TO CALL HER. 2076 01:18:50,166 --> 01:18:51,250 SHE'S READING DUNCAN'S MANUSCRIPT. 2077 01:18:51,333 --> 01:18:52,625 AT THE J.C., OR... 2078 01:18:52,709 --> 01:18:53,834 NO, OFF-CAMPUS, AT HIS WRITING OFFICE. 2079 01:18:53,917 --> 01:18:55,500 -WHERE? -I DON'T KNOW. 2080 01:18:55,583 --> 01:18:56,542 [DIALING QUICKLY] 2081 01:18:57,625 --> 01:18:58,875 MARY? 2082 01:18:58,959 --> 01:19:00,417 YEAH, I NEED AN EMERGENCY SEARCH 2083 01:19:00,500 --> 01:19:02,542 OF ANY ADDRESS LINKED TO A TERRANCE DUNCAN, 2084 01:19:02,625 --> 01:19:04,750 RENT, PHONE, UTILITIES, YOU NAME IT. 2085 01:19:06,041 --> 01:19:07,750 YOU CALL ME AS SOON AS YOU HEAR FROM HER. 2086 01:19:08,917 --> 01:19:10,250 OH, NO. 2087 01:19:14,083 --> 01:19:15,333 "I FIRST SAW ART HENLEY 2088 01:19:15,417 --> 01:19:17,417 FEEDING BIRDS IN THE PARK ALONE..." 2089 01:19:21,625 --> 01:19:23,291 "MISDIRECTION. 2090 01:19:23,375 --> 01:19:26,291 "A CARD LEFT ON THE REFRIGERATOR POINTS TO GERALD McNALLY, 2091 01:19:26,375 --> 01:19:27,750 "BUT THE SECURITY CAMERA IN THE PARK 2092 01:19:27,834 --> 01:19:28,792 IS AN ALL-SEEING EYE..." 2093 01:19:31,041 --> 01:19:32,959 "WITH A LITTLEFIELD COLLEGE SWEATSHIRT, 2094 01:19:33,041 --> 01:19:34,166 "AND HIDING MY FACE, 2095 01:19:34,250 --> 01:19:36,667 I SEND YOU AFTER PROFESSOR MYLES FOWLER." 2096 01:19:39,333 --> 01:19:40,208 [GASPS] 2097 01:19:45,208 --> 01:19:46,500 [LOCK RATTLES] 2098 01:19:47,709 --> 01:19:48,542 [TERRANCE]: HELLO, JENNIFER. 2099 01:19:48,625 --> 01:19:50,125 [GASPS] 2100 01:19:50,208 --> 01:19:51,709 GOOD TO SEE YOU AGAIN. 2101 01:19:53,500 --> 01:19:55,083 IT'S THE HOLOGRAM ME. 2102 01:19:55,166 --> 01:19:57,875 THE REAL ME IS SIPPING BEER AT THE FOX AND HOUND, 2103 01:19:57,959 --> 01:20:00,041 AN AIRTIGHT ALIBI. 2104 01:20:00,125 --> 01:20:04,291 "NOVEL MURDERS" IS A MYSTERY INSPIRED BY THE CLASSICS, 2105 01:20:04,375 --> 01:20:05,583 BUT KILLING REAL PEOPLE. 2106 01:20:07,667 --> 01:20:10,458 THREE BEAUTIFUL RECREATIONS OF LITERARY MURDERS. 2107 01:20:10,542 --> 01:20:13,166 MURDER #1, ART HENLEY-- 2108 01:20:13,250 --> 01:20:15,125 HE DIDN'T DESERVE TO DIE, 2109 01:20:15,208 --> 01:20:17,500 BUT NEITHER DID THE REVEREND IN A MURDER IN THREE ACTS . 2110 01:20:17,583 --> 01:20:21,291 MURDER #2, GERALD McNALLY. 2111 01:20:21,375 --> 01:20:24,000 HE REJECTED MY BOOK AND KILLED MY CAREER. 2112 01:20:24,083 --> 01:20:25,959 "A STUDY IN SCARLET" FOR HIM. 2113 01:20:26,041 --> 01:20:28,834 MURDER #3, PROFESSOR FOWLER. 2114 01:20:28,917 --> 01:20:30,542 I ONCE TAUGHT AT LITTLEFIELD. 2115 01:20:30,625 --> 01:20:32,875 HE WAS HEAD OF THE COMMISSION THAT DENIED MY PROMOTION. 2116 01:20:32,959 --> 01:20:34,458 HAVE YOU FIGURED OUT 2117 01:20:34,542 --> 01:20:36,166 THE SIZE 12 AND A HALF SHOE YET? 2118 01:20:36,250 --> 01:20:39,875 SOME CRUMPLED NEWSPAPER AND MY SIZE 11 FEET 2119 01:20:39,959 --> 01:20:43,208 FIT THE SIZE 12 AND A HALF SHOE JUST FINE. 2120 01:20:43,291 --> 01:20:45,083 MURDER #4 IS ABOUT TO HAPPEN. 2121 01:20:45,166 --> 01:20:47,083 I KNOW YOU'VE ALMOST SOLVED IT. 2122 01:20:47,166 --> 01:20:50,917 I BUILT THIS ROOM SPECIFICALLY FOR THIS MURDER, 2123 01:20:51,000 --> 01:20:53,208 THOUGH I DIDN'T KNOW IT WOULD BE YOU. 2124 01:20:54,625 --> 01:20:57,417 THE DOORS IS SECURED, THE LOCK UNBREACHABLE. 2125 01:20:57,500 --> 01:20:59,291 THE WINDOW IS SAFETY GLASS, 2126 01:20:59,375 --> 01:21:00,375 UNBREAKABLE. 2127 01:21:03,542 --> 01:21:05,166 CELL PHONE SIGNAL IS BLOCKED. 2128 01:21:05,250 --> 01:21:06,667 YOU CAN'T CALL FOR HELP. 2129 01:21:06,750 --> 01:21:08,834 [DIALING QUICKLY] 2130 01:21:08,917 --> 01:21:09,834 [GASPING FOR AIR] 2131 01:21:09,917 --> 01:21:11,375 HOW ARE YOU FEELING? 2132 01:21:11,458 --> 01:21:14,166 A LITTLE DIZZY, A LITTLE LIGHT-HEADED? 2133 01:21:16,417 --> 01:21:17,250 CARBON MONOXIDE IS ODORLESS, 2134 01:21:17,333 --> 01:21:18,250 TASTELESS, 2135 01:21:18,333 --> 01:21:19,250 INVISIBLE. 2136 01:21:22,000 --> 01:21:25,166 THE WALL HEATER HAS BEEN RIGGED TO EMIT THE GAS. 2137 01:21:33,583 --> 01:21:35,375 YOU WERE OVERCOME BY CARBON MONOXIDE. 2138 01:21:37,000 --> 01:21:39,542 TRAGIC. 2139 01:21:40,875 --> 01:21:42,959 RECREATING CLASSIC MURDERS, 2140 01:21:43,041 --> 01:21:44,250 AND TOPPING IT ALL OFF 2141 01:21:44,333 --> 01:21:46,667 WITH A WHOLLY ORIGINAL LOCKED-ROOM. 2142 01:21:46,750 --> 01:21:48,458 SHOULD BE A BEST-SELLER. 2143 01:21:49,875 --> 01:21:50,875 GOODBYE, JENNIFER. 2144 01:21:50,959 --> 01:21:53,500 THANKS FOR THE INSPIRATION. 2145 01:22:10,667 --> 01:22:13,500 [COUGHING AND SPLUTTERING] 2146 01:22:34,917 --> 01:22:37,125 [SPRINKLERS SPURT, FIRE ALARM CLANGS] 2147 01:22:41,917 --> 01:22:43,959 [COUGHING AND GASPING] 2148 01:22:56,041 --> 01:22:57,917 [FRANK]: JENNIFER? 2149 01:22:59,291 --> 01:23:01,458 OH, NO. 2150 01:23:01,542 --> 01:23:02,500 JENNIFER? 2151 01:23:02,583 --> 01:23:04,417 JENNIFER! 2152 01:23:05,458 --> 01:23:06,417 JENNIFER! 2153 01:23:16,208 --> 01:23:18,792 FRANK, CAN YOU CALL JASON? 2154 01:23:18,875 --> 01:23:21,875 DINNER'S GOING TO BE LATE. 2155 01:23:28,750 --> 01:23:30,750 THIS DRIED NICELY. 2156 01:23:30,834 --> 01:23:32,250 I THINK I'M GOING TO GIVE IT THE DA. 2157 01:23:32,333 --> 01:23:33,333 GIVE IT TO HIM. 2158 01:23:33,417 --> 01:23:34,125 IT'S A WORK OF FICTION. 2159 01:23:34,208 --> 01:23:35,417 NAH, 2160 01:23:35,500 --> 01:23:36,875 THAT'S WHAT I LIKE TO CALL A CONFESSION. 2161 01:23:38,000 --> 01:23:39,625 OH, AND, UM, 2162 01:23:39,709 --> 01:23:40,834 BY THE WAY, 2163 01:23:40,917 --> 01:23:41,917 NICE OF YOU TO LET US KNOW 2164 01:23:42,000 --> 01:23:45,041 YOU WERE AT THE FOX AND HOUND. 2165 01:23:46,750 --> 01:23:49,083 YOU NEVER WOULD HAVE GOTTEN CLOSE 2166 01:23:49,166 --> 01:23:51,250 WITHOUT THAT AMATEUR NANCY DREW. 2167 01:23:51,333 --> 01:23:52,834 JENNIFER? 2168 01:23:52,917 --> 01:23:54,166 OH, SHE'S OUR SECRET WEAPON. 2169 01:23:56,458 --> 01:23:58,417 YOU WANT TO TELL MR. DUNCAN ANYTHING? 2170 01:23:58,500 --> 01:23:59,792 [CLICKS INTERCOM BUTTON] 2171 01:23:59,875 --> 01:24:01,709 TELL HIM I FINISHED NOVEL MURDERS . 2172 01:24:01,792 --> 01:24:03,667 NEEDS SOME WORK. 2173 01:24:03,750 --> 01:24:04,834 THE ENDING IS A LITTLE WEAK. 2174 01:24:04,917 --> 01:24:06,291 MIGHT BE MORE REALISTIC 2175 01:24:06,375 --> 01:24:08,166 IF THE AUTHOR SPENT THE REST OF HIS LIFE IN JAIL. 2176 01:24:18,917 --> 01:24:20,250 HE SEEMED LIKE A NICE GUY. 2177 01:24:20,333 --> 01:24:22,375 WE WENT TO HIS BOOK SIGNING. HE WAS VERY CHARMING. 2178 01:24:22,458 --> 01:24:24,917 THEY USUALLY ARE. 2179 01:24:25,000 --> 01:24:26,500 THAT SWEET MAN WHO BOUGHT THE BIRD, 2180 01:24:26,583 --> 01:24:28,041 HE WAS REALLY KILLED JUST FOR PRACTICE? 2181 01:24:28,125 --> 01:24:30,667 DUNCAN WANTED TO SEE IF HE WAS CAPABLE OF MURDER, 2182 01:24:30,750 --> 01:24:33,333 SO HE COPIED A MURDER FROM AN AGATHA CHRISTIE BOOK. 2183 01:24:33,417 --> 01:24:35,417 THAT'S SO SICK. 2184 01:24:35,500 --> 01:24:37,333 AND HE BUILT A ROOM, JUST TO KILL YOU? 2185 01:24:37,417 --> 01:24:38,375 WELL, I DON'T THINK HE KNEW 2186 01:24:38,458 --> 01:24:40,333 HIS INTENDED VICTIM WHEN HE BUILT IT, 2187 01:24:40,417 --> 01:24:41,875 BUT HE DID KNOW I WAS GETTING CLOSER 2188 01:24:41,959 --> 01:24:42,875 TO FIGURING OUT THE MURDERS. 2189 01:24:42,959 --> 01:24:45,166 AND HE MADE A HOLOGRAM, 2190 01:24:45,250 --> 01:24:47,917 YES, IT WAS LIKE HE WAS THERE THE WHOLE TIME. 2191 01:24:48,000 --> 01:24:49,709 HUH, LIKE TUPAC AT COACHELLA. 2192 01:24:51,208 --> 01:24:52,875 OKAY, SO DID I GET THIS RIGHT, 2193 01:24:52,959 --> 01:24:55,792 YOU WERE WORRIED ABOUT DAD AND I CAMPING 2194 01:24:55,875 --> 01:24:57,500 WHILE YOU WERE GIVING MANUSCRIPT NOTES 2195 01:24:57,583 --> 01:24:58,792 TO A SERIAL KILLER? 2196 01:24:58,875 --> 01:25:00,208 MM-HMM. 2197 01:25:00,291 --> 01:25:01,291 THERE'S NO WAY 2198 01:25:01,375 --> 01:25:02,750 DUNCAN'S GETTING OUT, RIGHT? 2199 01:25:02,834 --> 01:25:04,333 NOT A CHANCE. WE GOT HIM COLD. 2200 01:25:05,625 --> 01:25:07,083 THAT CALL WAS THE MAYOR'S OFFICE. 2201 01:25:07,166 --> 01:25:08,291 THEY'RE PUTTING JENN UP 2202 01:25:08,375 --> 01:25:09,500 FOR THE CITIZEN'S MEDAL OF HONOR. 2203 01:25:09,583 --> 01:25:10,750 [GASPS] 2204 01:25:11,792 --> 01:25:12,917 MOM! 2205 01:25:13,000 --> 01:25:15,125 THIS IS SO EXCITING. 2206 01:25:15,208 --> 01:25:16,792 I THINK I WANT TO FOLLOW IN YOUR FOOTSTEPS. 2207 01:25:16,875 --> 01:25:19,583 HOW DO I START, 2208 01:25:19,667 --> 01:25:21,500 READ A LOT OF MYSTERIES? 2209 01:25:32,625 --> 01:25:36,625 [♪♪♪] 146258

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