All language subtitles for Garage.Sale.Mystery.The.Deadly.Room.2015.1080p.AMZN.WEB-DL.DDP.2.0.H.264-EDGE2020_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,333 --> 00:00:07,458 [♪♪♪] 2 00:00:30,834 --> 00:00:33,583 [♪♪♪] 3 00:00:54,000 --> 00:00:55,625 HOW ARE YOU DOING? 4 00:00:56,750 --> 00:00:59,417 BETTER, I THINK. 5 00:01:00,500 --> 00:01:02,709 GOOD. YOU LOOK BETTER. 6 00:01:05,750 --> 00:01:07,750 [♪♪♪] 7 00:01:10,208 --> 00:01:11,834 SLEEP. 8 00:01:11,917 --> 00:01:14,000 I WILL BE HERE. 9 00:01:20,542 --> 00:01:23,583 [♪♪♪] 10 00:01:35,792 --> 00:01:37,917 [STRAINS OF BIRDS SINGING] 11 00:01:40,917 --> 00:01:43,166 [♪♪♪] 12 00:01:43,250 --> 00:01:45,000 ELIZABETH? 13 00:01:45,083 --> 00:01:47,583 ELIZABETH! 14 00:01:47,667 --> 00:01:50,709 HELP! 15 00:01:50,792 --> 00:01:52,667 HELP! 16 00:01:54,125 --> 00:01:58,125 [♪♪♪] 17 00:02:09,709 --> 00:02:11,041 ASKING IS $3 MILLION, 18 00:02:11,125 --> 00:02:13,041 SO THAT WILL BE A VERY NICE COMMISSION. 19 00:02:13,125 --> 00:02:14,083 THIS IS GREAT! 20 00:02:14,166 --> 00:02:15,125 MM-HMM. 21 00:02:15,208 --> 00:02:16,834 ARE YOU SURE YOU'RE NOT IN THE MARKET? 22 00:02:16,917 --> 00:02:18,041 YOU SOLD US THE HOUSE WE JUST BOUGHT! 23 00:02:18,125 --> 00:02:19,166 DON'T BE GREEDY. 24 00:02:19,250 --> 00:02:21,875 THIS HOUSE WILL MAKE ME NUMBER-ONE AGENT 25 00:02:21,959 --> 00:02:23,625 AND, HOPEFULLY, A PARTNER. 26 00:02:23,709 --> 00:02:26,083 THE OWNER DID A GROUND-UP RESTORATION. 27 00:02:26,166 --> 00:02:28,083 THIS PLACE HAS NOT BEEN TOUCHED IN 40 YEARS. 28 00:02:28,166 --> 00:02:29,375 I REMEMBER DRIVING BY, THINKING, 29 00:02:29,458 --> 00:02:30,792 "WHAT A SCARY OLD WRECK." 30 00:02:30,875 --> 00:02:32,208 WELL, FORTUNATELY FOR THIS OLD GIRL, 31 00:02:32,291 --> 00:02:33,792 HER BONES ARE MADE OF REDWOOD, 32 00:02:33,875 --> 00:02:35,125 AND THAT LASTS FOREVER. 33 00:02:35,208 --> 00:02:37,125 OVER HERE. 34 00:02:37,208 --> 00:02:39,959 OKAY. SO, CHECK THIS OUT. 35 00:02:40,041 --> 00:02:42,625 NOW, THIS ROOM USED TO BE SMALLER. 36 00:02:42,709 --> 00:02:44,583 THERE WAS A WALL RIGHT THERE, 37 00:02:44,667 --> 00:02:45,792 AND THEY KNOCKED IT OUT, 38 00:02:45,875 --> 00:02:47,625 AND THEY FOUND ANOTHER ROOM BEHIND IT. 39 00:02:47,709 --> 00:02:49,250 A SEALED ROOM? 40 00:02:49,333 --> 00:02:50,583 MM. 41 00:02:50,667 --> 00:02:51,834 THAT'S CREEPY. 42 00:02:51,917 --> 00:02:53,166 WHY WOULD SOMEONE DO THAT? 43 00:02:53,250 --> 00:02:55,750 ACTUALLY, IT'S NOT UNCOMMON IN THESE BIG HOUSES. 44 00:02:55,834 --> 00:02:56,959 WHEN YOU REDUCE THE SIZE OF THE ROOM, 45 00:02:57,041 --> 00:02:58,291 IT MAKES IT A LOT EASIER TO HEAT. 46 00:02:58,375 --> 00:03:00,709 OH. WELL, THE PLACE LOOKS GREAT, 47 00:03:00,792 --> 00:03:02,667 AND THE OPEN HOUSE SOUNDS FUN. 48 00:03:02,750 --> 00:03:04,041 MORE LIKE A PARTY. 49 00:03:04,125 --> 00:03:06,625 WE HAVE WAITERS IN PERIOD COSTUMES, 50 00:03:06,709 --> 00:03:07,625 FOOD, DRINK. 51 00:03:07,709 --> 00:03:08,667 JASON'S COMING, RIGHT? 52 00:03:08,750 --> 00:03:10,000 MM-HMM. 53 00:03:10,083 --> 00:03:11,125 AND YOU SHOULD ASK DANI. 54 00:03:11,208 --> 00:03:13,000 IF SHE HAS A DATE, SHE CAN BRING HIM, TOO. 55 00:03:13,083 --> 00:03:14,667 GREAT. WHAT ABOUT YOU? 56 00:03:14,750 --> 00:03:16,125 ARE YOU GONNA BRING A DATE? 57 00:03:16,208 --> 00:03:19,000 OH, YOU KNOW ME, JENN. MARRIED TO MY JOB. 58 00:03:19,083 --> 00:03:21,875 BUT YOU NEVER KNOW WHO MIGHT SHOW UP. 59 00:03:24,125 --> 00:03:26,875 [♪♪♪] 60 00:03:32,375 --> 00:03:33,709 OKAY. WHY DOES SOMEBODY BRING 61 00:03:33,792 --> 00:03:34,792 SOMETHING INTO THE STORE? 62 00:03:34,875 --> 00:03:36,041 BECAUSE THEY WANT TO SELL IT? 63 00:03:36,125 --> 00:03:38,166 EXACTLY! AND WE ARE HERE TO HELP THEM SUCCEED. 64 00:03:38,250 --> 00:03:39,750 WHILE MAKING MONEY FOR THE STORE-- 65 00:03:39,834 --> 00:03:41,083 THROUGH THE ART OF NEGOTIATION. 66 00:03:41,166 --> 00:03:42,792 AIM HIGH. EXPECT THE BEST OUTCOME. 67 00:03:42,875 --> 00:03:44,041 NOW, IF YOU'RE SELLING, 68 00:03:44,125 --> 00:03:45,834 YOU ASK FOR MORE THAN YOU EXPECT TO GET. 69 00:03:45,917 --> 00:03:46,959 AH, BUT IF YOU'RE BUYING-- 70 00:03:47,041 --> 00:03:48,000 OFFER LESS THAN YOU'RE WILLING TO PAY? 71 00:03:48,083 --> 00:03:49,041 AHH! 72 00:03:49,125 --> 00:03:50,583 WHERE DID YOU LEARN THIS STUFF? 73 00:03:50,667 --> 00:03:51,667 OH, I HAVE KIDS. 74 00:03:51,750 --> 00:03:53,667 I NEGOTIATE EVERY DAY OF MY LIFE. 75 00:03:53,750 --> 00:03:55,041 OKAY, SO I'M HERE ALONE, 76 00:03:55,125 --> 00:03:56,291 AND SOMEONE BRINGS IN 77 00:03:56,375 --> 00:03:58,834 A BEAUTIFUL, HAND-PAINTED JEWELRY BOX, 78 00:03:58,917 --> 00:04:00,125 AND THEY'RE ASKING A HUNDRED BUCKS FOR IT. 79 00:04:00,208 --> 00:04:01,583 YOU OFFER? 80 00:04:01,667 --> 00:04:04,041 MM... 10 BUCKS. 81 00:04:05,208 --> 00:04:07,500 APPLE DOESN'T FALL FAR FROM THE TREE. 82 00:04:07,583 --> 00:04:08,875 THAT'S MY GIRL! 83 00:04:08,959 --> 00:04:10,792 -YAY! -WHOO! 84 00:04:10,875 --> 00:04:12,917 [♪♪♪] 85 00:04:14,375 --> 00:04:15,875 "MORP" DANCE? 86 00:04:15,959 --> 00:04:17,208 IT'S "PROM" SPELLED BACKWARDS. 87 00:04:17,291 --> 00:04:18,375 GIRL-ASK-BOY. 88 00:04:18,458 --> 00:04:19,667 OH, THAT'S CLEVER. 89 00:04:19,750 --> 00:04:20,667 YEAH. 90 00:04:20,750 --> 00:04:21,875 I THINK HE'S WORRIED 91 00:04:21,959 --> 00:04:24,083 THAT A GIRL NAMED AMY IS GONNA ASK HIM. 92 00:04:24,166 --> 00:04:25,875 HMM. FUNNY. 93 00:04:25,959 --> 00:04:27,792 IN MY DAY, THEY CALLED IT A "SADIE HAWKINS." 94 00:04:27,875 --> 00:04:29,875 YOU WENT TO A GIRL-ASK-BOY? 95 00:04:29,959 --> 00:04:30,875 MM-HMM. 96 00:04:30,959 --> 00:04:32,000 WHO'D YOU ASK? 97 00:04:32,083 --> 00:04:33,667 CAPTAIN OF THE FOOTBALL TEAM. 98 00:04:33,750 --> 00:04:37,083 REALLY? AND WHERE IS HE NOW? 99 00:04:37,166 --> 00:04:38,542 NOT SURE. 100 00:04:38,625 --> 00:04:41,250 USED TO PLAY FOR THE DALLAS COWBOYS. 101 00:04:43,667 --> 00:04:45,750 [GAME GUNS BLASTING IN HEADPHONES] 102 00:04:45,834 --> 00:04:46,959 [KNOCKS] 103 00:04:48,750 --> 00:04:50,625 YOU'VE BEEN TALKING TO DAD. 104 00:04:50,709 --> 00:04:52,917 WELL, I USUALLY TALK TO DAD. 105 00:04:53,000 --> 00:04:55,041 THE DANCE SOUNDS LIKE FUN. 106 00:04:55,125 --> 00:04:57,250 OKAY, ONE, I DON'T DANCE. 107 00:04:57,333 --> 00:04:59,792 TWO, IT'S A GIRL-ASK-BOY, 108 00:04:59,875 --> 00:05:01,333 WHICH IS LAME, AND THREE-- 109 00:05:01,417 --> 00:05:03,291 NOT INTERESTED. 110 00:05:03,375 --> 00:05:05,250 HMM. DID SOMEONE ASKED YOU? 111 00:05:05,333 --> 00:05:06,709 NOPE. 112 00:05:06,792 --> 00:05:08,417 HOPE IT STAYS THAT WAY. 113 00:05:09,917 --> 00:05:11,875 THIS IS A TOUGH AGE. 114 00:05:18,000 --> 00:05:19,125 [ADRIAN]: WELL, THEN DON'T BRING A DATE. 115 00:05:19,208 --> 00:05:20,125 JUST COME. 116 00:05:20,208 --> 00:05:21,083 YOU'RE BOTH COMING, RIGHT? 117 00:05:21,166 --> 00:05:23,959 OH, YES. ME, JASON AND HANNAH. 118 00:05:24,041 --> 00:05:25,250 ME AND ME. 119 00:05:25,333 --> 00:05:26,417 [LAUGHS] 120 00:05:28,166 --> 00:05:29,125 OH! 121 00:05:31,333 --> 00:05:33,083 OH... 122 00:05:33,166 --> 00:05:36,125 THIS WOULD BE PERFECT FOR THE OPEN HOUSE. 123 00:05:36,208 --> 00:05:37,166 CAN I BORROW IT? 124 00:05:37,250 --> 00:05:39,375 MM. IT'S A BARYE. 125 00:05:39,458 --> 00:05:41,834 COPY. IT'S A COPY. 126 00:05:41,917 --> 00:05:43,166 SO, SURE, YOU CAN BORROW IT. 127 00:05:43,250 --> 00:05:45,083 OKAY, I'LL SEE YOU GUYS TONIGHT. 128 00:05:45,166 --> 00:05:46,709 OKAY. 129 00:05:47,875 --> 00:05:50,250 OH! WOULDN'T THAT BE FUNNY IF IT WASN'T A COPY? 130 00:05:51,667 --> 00:05:54,375 NO. IT REALLY WOULDN'T BE. 131 00:05:55,500 --> 00:05:59,667 [♪♪♪] 132 00:06:06,208 --> 00:06:08,208 [PARTY BUZZ AND CHATTER] 133 00:06:08,291 --> 00:06:10,083 NO THANKS. I'M FINE. 134 00:06:10,166 --> 00:06:12,291 YES, PLEASE. THANK YOU. 135 00:06:12,375 --> 00:06:13,375 ALL RIGHT? 136 00:06:13,458 --> 00:06:15,917 RED WINE. REALLY? 137 00:06:16,959 --> 00:06:18,750 DOESN'T HE LOOK GREAT? 138 00:06:18,834 --> 00:06:19,875 OH, HE CLEANS UP GOOD. 139 00:06:19,959 --> 00:06:21,333 I WAS GONNA SAY THE SAME THING. 140 00:06:21,417 --> 00:06:22,417 [ALL LAUGHING] 141 00:06:22,500 --> 00:06:24,750 SO, NOT A BAD TURN OUT, RIGHT? 142 00:06:24,834 --> 00:06:26,959 -HEY. -IT'S GREAT. 143 00:06:27,041 --> 00:06:28,083 SO, ANY NIBBLES? 144 00:06:28,166 --> 00:06:29,667 NIBBLES AND BITES, 145 00:06:29,750 --> 00:06:31,834 THE BITE'S AT FULL-ASKING AND I'M, UH... 146 00:06:31,917 --> 00:06:33,375 WELL, I'M WORKING THE NIBBLES. 147 00:06:33,458 --> 00:06:34,375 WONDERFUL-- 148 00:06:34,458 --> 00:06:35,625 THIS IS A NICE HOUSE. 149 00:06:35,709 --> 00:06:37,458 BUILT 1890s? 150 00:06:37,542 --> 00:06:40,250 VERY GOOD. 1884. 151 00:06:40,333 --> 00:06:43,208 GUSTAV CARSON. HE OWNED THE LUMBER MILL. 152 00:06:43,291 --> 00:06:44,250 EVENTUALLY, THEY RAN OUT OF WOOD, 153 00:06:44,333 --> 00:06:45,750 SO THEY FELL ON HARD TIMES. 154 00:06:45,834 --> 00:06:47,000 THE CURRENT OWNER 155 00:06:47,083 --> 00:06:48,083 HAS DONE A GREAT JOB WITH THE RESTORATION. 156 00:06:48,166 --> 00:06:49,083 IT'S JUST BEAUTIFUL. 157 00:06:49,166 --> 00:06:51,208 MM-HMM. ERICA FRANKLIN. 158 00:06:52,917 --> 00:06:54,250 SHE FLIPS A LOT OF PROPERTIES, 159 00:06:54,333 --> 00:06:56,750 BUT THIS ONE, SHE REALLY SANK A LOT OF MONEY INTO. 160 00:06:56,834 --> 00:06:59,500 EXCUSE ME, BUT CONGRATULATIONS. 161 00:06:59,583 --> 00:07:01,875 THIS IS AN EPIC OPEN HOUSE, ADRIAN. 162 00:07:01,959 --> 00:07:04,250 THANK YOU. PETER MULLIN. 163 00:07:04,333 --> 00:07:06,125 REAL ESTATE AGENT EXTRAORDINAIRE. 164 00:07:06,208 --> 00:07:07,667 THIS IS JASON, 165 00:07:07,750 --> 00:07:09,041 JENNIFER, DANIELLE, 166 00:07:09,125 --> 00:07:10,792 SUSAN, AND FRANK. 167 00:07:10,875 --> 00:07:12,458 HI. AND THIS IS MARI. 168 00:07:12,542 --> 00:07:14,959 IF YOU NEED FLOWERS, SHE IS YOUR GAL. 169 00:07:15,041 --> 00:07:17,208 SHE RUNS "BACK TO THE FUCHSIA." 170 00:07:17,291 --> 00:07:18,750 OH! I LOVE THAT MOVIE. 171 00:07:18,834 --> 00:07:19,750 [LAUGHS] 172 00:07:19,834 --> 00:07:20,792 I LOVE YOUR STORE. 173 00:07:20,875 --> 00:07:22,417 -AND THAT'S A CUTE NAME. -THANK YOU! 174 00:07:22,500 --> 00:07:23,959 I THINK I'VE SEEN YOU THERE BEFORE. 175 00:07:24,041 --> 00:07:26,125 OH, YEAH. BUY MY OWN FLOWERS. 176 00:07:27,417 --> 00:07:28,792 SO, ANY ACTION? 177 00:07:28,875 --> 00:07:30,083 LOOKING GOOD. 178 00:07:30,166 --> 00:07:32,000 I AM SO HAPPY FOR YOU. 179 00:07:32,083 --> 00:07:33,917 I WANTED THIS LISTING SO BAD! 180 00:07:35,166 --> 00:07:37,834 OKAY, GUYS, WELL, WE ARE GOING TO WANDER AROUND 181 00:07:37,917 --> 00:07:39,792 AND CONTINUE TO EAT FOR FREE. 182 00:07:39,875 --> 00:07:41,041 [LAUGHTER] 183 00:07:41,125 --> 00:07:43,166 -SEE YOU AT THE BAR. -ENJOY. 184 00:07:43,250 --> 00:07:45,375 IF YOU GUYS NEED ANYTHING-- ANYTHING AT ALL-- 185 00:07:45,458 --> 00:07:47,041 PLEASE DON'T HESITATE TO ASK. 186 00:07:47,125 --> 00:07:48,083 -ENJOY. -THANKS. 187 00:07:48,166 --> 00:07:49,208 -THANK YOU. -CHEERS. 188 00:07:49,291 --> 00:07:51,417 [♪♪♪] 189 00:07:51,500 --> 00:07:53,125 YOU LIKE THE HOUSE? 190 00:07:53,208 --> 00:07:55,458 YEAH. 191 00:07:55,542 --> 00:07:57,458 WHAT'S NOT TO LIKE? 192 00:07:57,542 --> 00:07:59,500 WELL, I MEAN, IT'S "THE CARSON HOUSE." 193 00:08:01,291 --> 00:08:02,750 WILLIAM CARSON. 194 00:08:02,834 --> 00:08:04,917 MY GREAT-GRANDFATHER BUILT ALL THIS. 195 00:08:05,000 --> 00:08:06,250 DID YOU LIVE HERE? 196 00:08:06,333 --> 00:08:08,542 THE FAMILY LOST THE HOUSE BACK IN THE 1920s. 197 00:08:08,625 --> 00:08:10,917 BUT YEAH, I'M HOPING TO GET IT BACK. 198 00:08:11,000 --> 00:08:12,083 WHAT DO YOU DO 199 00:08:12,166 --> 00:08:13,500 THAT YOU COULD AFFORD A PLACE LIKE THIS? 200 00:08:13,583 --> 00:08:16,500 I PLAY ON-LINE POKER. 201 00:08:16,583 --> 00:08:18,959 SEE, I LOG ON THROUGH A COMPUTER IN PORTUGAL. 202 00:08:19,041 --> 00:08:20,959 THE SITE THINKS I'M THERE. 203 00:08:21,041 --> 00:08:22,500 I THOUGHT THAT WAS ILLEGAL. 204 00:08:22,583 --> 00:08:25,458 AS LONG AS YOU DON'T GET CAUGHT. 205 00:08:25,542 --> 00:08:27,041 HMM. 206 00:08:27,125 --> 00:08:29,458 CAN I SHOW YOU UPSTAIRS? 207 00:08:31,083 --> 00:08:33,500 I SAW IT, BUT THANKS. 208 00:08:35,667 --> 00:08:37,625 I'VE GOTTA RUN. 209 00:08:40,208 --> 00:08:42,417 YOU KNOW I WANTED TO BUY THIS PLACE AND TEAR IT DOWN? 210 00:08:42,500 --> 00:08:43,458 YES, I DO. 211 00:08:43,542 --> 00:08:45,000 I SAW THE PLANS 212 00:08:45,083 --> 00:08:46,375 FOR THE CONDO DEVELOPMENT THAT YOU WANTED TO PUT HERE. 213 00:08:46,458 --> 00:08:48,959 I WAS WRONG. I WAS WRONG! 214 00:08:49,041 --> 00:08:50,500 ALL MY NEARBY PROPERTIES ARE GOING UP 215 00:08:50,583 --> 00:08:52,041 BECAUSE OF THIS RESTORATION. 216 00:08:52,125 --> 00:08:54,166 OH, ERICA DID THE REMODEL. I'M JUST SELLING IT. 217 00:08:54,250 --> 00:08:56,208 BEST PRESENTATION I'VE EVER SEEN. 218 00:08:56,291 --> 00:08:59,500 I WANT TO TALK TO YOU ABOUT HANDLING SOME OF MY LISTINGS. 219 00:09:00,959 --> 00:09:03,000 I'LL BE IN TOUCH. 220 00:09:04,041 --> 00:09:06,875 [♪♪♪] 221 00:09:06,959 --> 00:09:08,417 SALUT. 222 00:09:10,166 --> 00:09:11,917 [SIGHS] THREE OFFERS NOW. 223 00:09:12,000 --> 00:09:13,333 ALL ABOVE ASKING. 224 00:09:13,417 --> 00:09:14,542 WOW! 225 00:09:14,625 --> 00:09:16,542 YOU'RE ACTUALLY GONNA SELL THE PLACE TONIGHT? 226 00:09:16,625 --> 00:09:17,542 OH, NO! 227 00:09:17,625 --> 00:09:19,375 NO, NO. LET THE DUST SETTLE. 228 00:09:19,458 --> 00:09:20,834 MAYBE BY THE END OF THE WEEK. 229 00:09:20,917 --> 00:09:23,083 THERE WERE SOME BUYERS THAT COULDN'T MAKE IT TONIGHT, 230 00:09:23,166 --> 00:09:24,792 SO WE NEED THEM TO FEEL THAT THEY MISSED OUT. 231 00:09:24,875 --> 00:09:26,333 [♪♪♪] 232 00:09:26,417 --> 00:09:29,959 UH-OH. TROUBLE'S ARRIVED. 233 00:09:31,000 --> 00:09:32,875 WHO IS THAT? 234 00:09:32,959 --> 00:09:34,834 THAT'S MY SISTER. EXCUSE ME. 235 00:09:34,917 --> 00:09:36,166 SURE. 236 00:09:36,250 --> 00:09:37,333 WHAT ARE YOU DOING HERE? 237 00:09:37,417 --> 00:09:38,375 WHY DON'T YOU TRY AND FIND OUR DAUGHTER, 238 00:09:38,458 --> 00:09:39,583 I'LL GO GET THE CAR? 239 00:09:39,667 --> 00:09:42,000 OKAY, HONEY. I'LL SEE YOU OUTSIDE. 240 00:09:42,083 --> 00:09:44,667 USUALLY I DEAL IN FIXERS AT A FRACTION OF THIS PRICE, 241 00:09:44,750 --> 00:09:46,083 BUT I FELL IN LOVE WITH THIS HOUSE. 242 00:09:46,166 --> 00:09:48,458 IT BECAME A PASSION PROJECT. 243 00:09:48,542 --> 00:09:49,500 OH, I CAN SEE WHY. 244 00:09:49,583 --> 00:09:50,500 [CHUCKLES AND BONKS HEAD] 245 00:09:50,583 --> 00:09:51,500 OH! PLEASE-- 246 00:09:51,583 --> 00:09:54,000 THAT CHANDELIER IS FROM PARIS! 247 00:09:54,083 --> 00:09:56,458 [BACKGROUND CHATTER] 248 00:09:57,959 --> 00:10:00,250 [MUFFLED, HEATED EXCHANGE] 249 00:10:00,333 --> 00:10:03,542 [ANGRY, INDISTINCT CONVERSATION] 250 00:10:04,500 --> 00:10:07,375 I CAN'T BELIEVE YOU! [CONTINUES INDISTINCTLY] 251 00:10:07,458 --> 00:10:09,417 [WOMAN]: IS THERE A DOCTOR HERE? 252 00:10:09,500 --> 00:10:10,667 SOMEBODY, HELP HIM! 253 00:10:13,166 --> 00:10:14,625 MARI, CALL 9-1-1, PLEASE? 254 00:10:14,709 --> 00:10:17,208 SIR? WHAT'S YOUR NAME? 255 00:10:17,291 --> 00:10:18,917 COOK. KEN COOK. 256 00:10:19,000 --> 00:10:20,709 OKAY, KEN. SO? WHERE'S THE PAIN COMING FROM? 257 00:10:20,792 --> 00:10:22,250 IT'S RIGHT HERE IN MY CHEST. 258 00:10:22,333 --> 00:10:23,959 OKAY, HAS THIS HAPPENED TO YOU BEFORE? 259 00:10:24,041 --> 00:10:25,417 -HAVE YOU FELT THIS PAIN BEFORE? -NO. 260 00:10:29,500 --> 00:10:32,125 [RADIOS CRACKLING] 261 00:10:33,333 --> 00:10:36,125 MAY I HAVE YOUR ATTENTION, PLEASE, EVERYBODY? 262 00:10:36,208 --> 00:10:37,500 I HAVE GOOD NEWS-- 263 00:10:37,583 --> 00:10:39,625 MR. COOK IS GOING TO BE OKAY. 264 00:10:39,709 --> 00:10:41,709 HE JUST HAD A LITTLE INDIGESTION. 265 00:10:41,792 --> 00:10:44,709 I REALLY WANTED TO THANK YOU ALL SO MUCH 266 00:10:44,792 --> 00:10:46,000 FOR COMING THIS EVENING 267 00:10:46,083 --> 00:10:48,667 AND MAKING THIS SUCH A HUGE SUCCESS. 268 00:10:48,750 --> 00:10:50,417 WE HAVE OFFERS ON THE TABLE, 269 00:10:50,500 --> 00:10:53,125 AND SO IF ANY OF YOU ARE THINKING ABOUT IT, 270 00:10:53,208 --> 00:10:55,583 DON'T THINK TOO LONG. 271 00:10:55,667 --> 00:10:57,500 OKAY, LET'S ENJOY THE REST OF OUR EVENING. 272 00:10:57,583 --> 00:10:59,333 THANK YOU. 273 00:10:59,417 --> 00:11:01,542 [♪♪♪] 274 00:11:04,750 --> 00:11:07,000 [DOOR BELL JINGLES] 275 00:11:11,000 --> 00:11:12,750 [DANI]: HI! 276 00:11:12,834 --> 00:11:14,959 HOW CAN I HELP YOU? 277 00:11:15,041 --> 00:11:16,625 HI. 278 00:11:16,709 --> 00:11:17,959 IT'S MY MOM'S BIRTHDAY 279 00:11:18,041 --> 00:11:19,750 AND I WAS THINKING ABOUT WHAT TO GET HER. 280 00:11:19,834 --> 00:11:22,333 OKAY, WHAT KIND OF STUFF DOES SHE LIKE? 281 00:11:22,417 --> 00:11:24,125 OH... 282 00:11:24,208 --> 00:11:26,667 MOM STUFF? I DON'T KNOW. 283 00:11:27,750 --> 00:11:29,417 THAT'S COOL. HOW MUCH IS IT? 284 00:11:29,500 --> 00:11:30,667 THE HAIRBRUSH? 285 00:11:30,750 --> 00:11:33,625 THAT'S STERLING SILVER, IT'S FROM THE 1920s. 286 00:11:33,709 --> 00:11:35,625 I THINK IT'S $250. 287 00:11:36,709 --> 00:11:38,291 OH. 288 00:11:38,375 --> 00:11:39,792 MAYBE I'LL JUST LOOK AROUND. 289 00:11:39,875 --> 00:11:42,333 OKAY. YOU LET ME KNOW IF YOU HAVE ANY QUESTIONS. 290 00:11:42,417 --> 00:11:43,417 OKAY. 291 00:11:44,875 --> 00:11:47,625 ARE YOU MRS. SHANNON? 292 00:11:47,709 --> 00:11:50,542 NO, I'M DANI. JENNIFER'S MY BUSINESS PARTNER. 293 00:11:50,625 --> 00:11:53,000 I GO TO SCHOOL WITH LOGAN. 294 00:11:53,083 --> 00:11:54,542 OH! 295 00:11:54,625 --> 00:11:56,041 WELL, I'LL LET HIM KNOW YOU STOPPED BY. WHAT'S YOUR NAME? 296 00:11:56,125 --> 00:11:58,792 N-- DON'T TELL HIM I STOPPED BY. 297 00:11:58,875 --> 00:12:00,834 OKAY. I WON'T. 298 00:12:02,291 --> 00:12:04,709 SO HE COMES BY HERE A LOT? 299 00:12:04,792 --> 00:12:06,583 YEAH, EVERY NOW AND THEN. 300 00:12:07,834 --> 00:12:09,500 OKAY. THANKS. 301 00:12:10,750 --> 00:12:12,709 [BELL JINGLES] 302 00:12:14,250 --> 00:12:17,208 [♪♪♪] 303 00:12:17,291 --> 00:12:19,458 [SIGHS] 304 00:12:20,875 --> 00:12:23,208 [PHONE RINGS] 305 00:12:28,083 --> 00:12:29,333 HEY, ADRIAN. WHAT'S UP? 306 00:12:29,417 --> 00:12:31,125 OH! I AM SO UPSET. 307 00:12:31,208 --> 00:12:32,250 GO ONLINE. 308 00:12:32,333 --> 00:12:34,750 SEARCH "DEADLY ROOM, THE CARSON HOUSE." 309 00:12:34,834 --> 00:12:36,041 THIS IS REALLY BAD! 310 00:12:36,125 --> 00:12:37,333 WHY? WHAT'S GOING ON? 311 00:12:37,417 --> 00:12:38,583 LOOK, I GOTTA GO, 312 00:12:38,667 --> 00:12:40,500 BUT SOMEONE IS SAYING THE HOUSE IS CURSED! 313 00:12:40,583 --> 00:12:43,709 I'M DOING DAMAGE CONTROL. I'LL TALK TO YOU TOMORROW, OKAY? 314 00:12:43,792 --> 00:12:45,542 [EXHALES TENSELY] 315 00:12:47,792 --> 00:12:49,792 [KEYS CLACKING] 316 00:12:52,750 --> 00:12:55,125 [♪♪♪] 317 00:13:00,250 --> 00:13:02,458 OH, NO. 318 00:13:02,542 --> 00:13:05,583 [JENNIFER]: YOU SAW IT. IT'S AN ANONYMOUS BLOG. 319 00:13:05,667 --> 00:13:07,208 WELL, IT WORKED! SCARED ME. 320 00:13:07,291 --> 00:13:08,625 WELL, THEY DID FIND A SEALED ROOM, 321 00:13:08,709 --> 00:13:10,417 BUT THAT DOESN'T MEAN THE HOUSE IS CURSED, 322 00:13:10,500 --> 00:13:12,750 OR IF YOU SLEEP THERE, YOU'LL END UP DEAD. 323 00:13:12,834 --> 00:13:14,458 I WOULDN'T BUY THE HOUSE. 324 00:13:14,542 --> 00:13:16,500 WOULD YOU? 325 00:13:18,291 --> 00:13:19,542 I GET IT. 326 00:13:19,625 --> 00:13:21,667 SOMEONE'S TRYING TO SABOTAGE THE SALE. 327 00:13:21,750 --> 00:13:23,709 ALL THREE OFFERS HAVE PULLED. 328 00:13:23,792 --> 00:13:24,959 IN A WEEK, 329 00:13:25,041 --> 00:13:27,041 PEOPLE'LL FORGET ABOUT SOME BLOG ON THE 'NET. 330 00:13:27,125 --> 00:13:28,667 OH, NO. NOT IN REAL ESTATE. 331 00:13:28,750 --> 00:13:31,208 A HOUSE GETS THIS KIND OF REP, IT STICKS. 332 00:13:32,750 --> 00:13:33,709 NO. I GOTTA GET TO THE BOTTOM OF THIS. 333 00:13:33,792 --> 00:13:36,250 I AM JUST SO TICKED OFF! 334 00:13:37,375 --> 00:13:39,291 WELL, HAVE THERE BEEN ANY DEATHS IN THE HOUSE? 335 00:13:39,375 --> 00:13:40,875 IS THERE ANY TRUTH TO THE STORY? 336 00:13:40,959 --> 00:13:43,208 WELL, IT'S AN OLD HOUSE. 337 00:13:43,291 --> 00:13:45,500 I MEAN, PEOPLE USED TO DIE AT HOME A HUNDRED YEARS AGO. 338 00:13:45,583 --> 00:13:47,125 IT DOESN'T MEAN THE HOUSE KILLED THEM. 339 00:13:47,208 --> 00:13:48,291 GOOD POINT. 340 00:13:48,375 --> 00:13:49,625 SO HOW DO YOU PROVE THAT? 341 00:13:49,709 --> 00:13:52,208 I'VE BEEN THINKING ABOUT IT, AND I HAVE AN IDEA. 342 00:13:53,417 --> 00:13:55,709 I'M GONNA SPEND THE NIGHT THERE AND, BETTER THAN THAT, 343 00:13:55,792 --> 00:13:57,291 I'M GONNA DO A LIVE WEBCAM, 344 00:13:57,375 --> 00:13:58,542 SO THE WHOLE WORLD 345 00:13:58,625 --> 00:14:00,208 CAN WATCH ME WHILE I SLEEP, 346 00:14:00,291 --> 00:14:01,500 AND WHEN I'LL WAKE UP IN THE MORNING, 347 00:14:01,583 --> 00:14:03,667 I'LL BE JUST FINE. 348 00:14:03,750 --> 00:14:05,291 OOH! YOU MIGHT WANT TO GET A NEW PAIR OF PJs 349 00:14:05,375 --> 00:14:07,500 IF THE WHOLE WORLD'S GONNA BE WATCHING. 350 00:14:11,333 --> 00:14:13,291 WHAT? I'M JUST SAYING. 351 00:14:13,375 --> 00:14:15,667 [♪♪♪] 352 00:14:16,792 --> 00:14:19,458 YOU REALLY THINK THIS IS A GOOD IDEA? 353 00:14:19,542 --> 00:14:21,750 [ADRIAN]: IF WE DON'T SQUASH THIS RIGHT NOW, 354 00:14:21,834 --> 00:14:23,875 THEN WE WILL NEVER GET RID OF IT. 355 00:14:23,959 --> 00:14:26,834 WELL, I'M NOT SURE I'M GOING TO ALLOW IT. 356 00:14:26,917 --> 00:14:28,458 I THINK WE TAKE IT OFF THE MARKET, 357 00:14:28,542 --> 00:14:29,917 THEN RELIST IT IN A COUPLE MONTHS, 358 00:14:30,000 --> 00:14:31,125 WHEN THE DUST SETTLES. 359 00:14:31,208 --> 00:14:32,667 IT'S YOUR HOUSE, ERICA, 360 00:14:32,750 --> 00:14:34,208 BUT LET ME TELL YOU ABOUT A HOME 361 00:14:34,291 --> 00:14:35,667 A FEW YEARS AGO IN MADISON. 362 00:14:35,750 --> 00:14:38,709 THE RENTERS LEFT, CLAIMING THAT IT WAS HAUNTED. 363 00:14:38,792 --> 00:14:42,709 IT TOOK FOUR YEARS TO SELL, AT A 40% PRICE DROP. 364 00:14:44,458 --> 00:14:47,834 WELL, GOOD LUCK WITH YOUR WEBCAM. 365 00:14:47,917 --> 00:14:49,875 IT BETTER WORK. 366 00:14:50,917 --> 00:14:52,917 [ERICA WALKS OUT] 367 00:15:13,959 --> 00:15:15,709 I'VE BEEN SHOPPING. 368 00:15:15,792 --> 00:15:16,667 OH! 369 00:15:16,750 --> 00:15:18,333 YOU KNOW, I DON'T KNOW IF I'D WANT 370 00:15:18,417 --> 00:15:20,000 THE WHOLE WORLD WATCHING ME WHILE I SLEEP. 371 00:15:20,083 --> 00:15:22,875 THAT'S BECAUSE SHE SNORES LIKE A HORSE. 372 00:15:22,959 --> 00:15:24,875 THAT'S AN EXAGGERATION! 373 00:15:24,959 --> 00:15:26,875 MAYBE A PONY. 374 00:15:26,959 --> 00:15:27,959 [ALL CHUCKLING] 375 00:15:28,041 --> 00:15:29,291 SO, THE LIVE WEBCAST, 376 00:15:29,375 --> 00:15:30,542 IT'S TONIGHT? 377 00:15:30,625 --> 00:15:32,959 YES. THE SHOW STARTS AT 11:00 P.M. SHARP. 378 00:15:33,041 --> 00:15:34,875 OKAY, LET'S SEE THEM. 379 00:15:36,583 --> 00:15:37,834 ♪ TAH-DAH! 380 00:15:37,917 --> 00:15:38,959 -WHOA! -YEAH. 381 00:15:40,083 --> 00:15:42,291 I THINK MY GRAMMY HAS THOSE. 382 00:15:43,417 --> 00:15:45,000 SHE'S FUNNY. 383 00:15:45,083 --> 00:15:46,500 [LAUGHING] 384 00:15:46,583 --> 00:15:48,750 [MAN ON TV]: PRESS THE BUTTON, YOU PRESS IT ONCE. 385 00:15:48,834 --> 00:15:51,000 OKAY, THAT'S 30 TIMES, BUT-- 386 00:15:51,083 --> 00:15:53,417 [WOMAN ON TV]: I THINK IT'S ONLY SUPPOSED TO BE PRESSED TWICE. 387 00:15:53,500 --> 00:15:55,250 IT'S THE BIG NIGHT, RIGHT? 388 00:15:55,333 --> 00:15:56,917 HOLY COW! IS IT ALMOST 11:00? 389 00:15:57,000 --> 00:15:58,000 YEAH. 390 00:15:58,083 --> 00:15:59,750 WHERE'S MY LAPTOP? WHAT DID I DO WITH IT? 391 00:15:59,834 --> 00:16:01,625 -THERE. ON THE COUNTER. -THANK YOU. 392 00:16:01,709 --> 00:16:03,834 [CLICKS TELEVISION OFF] 393 00:16:07,834 --> 00:16:10,792 [KEYS CLACKING] 394 00:16:10,875 --> 00:16:12,917 [ADRIAN EXHALES HEAVILY] 395 00:16:14,000 --> 00:16:15,291 HI, EVERYBODY. 396 00:16:15,375 --> 00:16:16,750 IF YOU ARE SEEING THIS, 397 00:16:16,834 --> 00:16:18,834 THEN YOU ARE WATCHING MY LIVE WEBCAM 398 00:16:18,917 --> 00:16:21,041 FROM THE SO-CALLED "DEADLY ROOM," 399 00:16:21,125 --> 00:16:23,667 WHERE YOU GET TO WATCH ME SLEEP ALL NIGHT. 400 00:16:23,750 --> 00:16:24,750 HOW EXCITING. 401 00:16:24,834 --> 00:16:27,959 I HAVE SET MY ALARM FOR 7:30, 402 00:16:28,041 --> 00:16:29,500 AND WHEN THAT GOES OFF, 403 00:16:29,583 --> 00:16:30,917 I WILL WAKE UP, 404 00:16:31,000 --> 00:16:32,208 WAVE TO THE CAMERA, 405 00:16:32,291 --> 00:16:33,959 AND THAT WILL BE THE END OF THIS NONSENSE. 406 00:16:34,041 --> 00:16:35,875 SO... 407 00:16:35,959 --> 00:16:37,291 I WILL SEE YOU THEN. 408 00:16:37,375 --> 00:16:39,750 AND I WILL BE IN THE OFFICE SHORTLY AFTER 9:00. 409 00:16:39,834 --> 00:16:42,041 ANY OFFERS ON THE HOUSE CAN HAPPEN AFTER THAT. 410 00:16:42,125 --> 00:16:44,083 OKAY? GOODNIGHT. 411 00:16:45,375 --> 00:16:46,625 [JENN CHUCKLES] 412 00:16:52,834 --> 00:16:54,625 GRIPPING. 413 00:16:54,709 --> 00:16:56,500 -MM. -I'M GOING TO BED. 414 00:16:56,583 --> 00:16:59,583 SEE YOU UP THERE. 415 00:16:59,667 --> 00:17:01,792 GOODNIGHT. 416 00:17:06,041 --> 00:17:07,959 HEY, DANI. ARE YOU WATCHING? 417 00:17:08,041 --> 00:17:09,375 [DANI]: YEP. HER HEAD MOVED. 418 00:17:09,458 --> 00:17:10,458 DID YOU SEE IT? 419 00:17:10,542 --> 00:17:11,500 VERY EXCITING. 420 00:17:11,583 --> 00:17:13,291 CALL ME IF SHE ROLLS OVER. 421 00:17:13,375 --> 00:17:14,333 [BOTH CHUCKLING] 422 00:17:14,417 --> 00:17:16,375 -ALRIGHT, SWEET DREAMS. -YOU TOO! 423 00:17:18,709 --> 00:17:20,875 HEY. CAN I SEE? 424 00:17:27,083 --> 00:17:29,542 I THINK I'M GONNA DO THAT. 425 00:17:29,625 --> 00:17:31,667 GO ON A LIVE WEBCAM? 426 00:17:31,750 --> 00:17:33,500 NO. GO TO SLEEP. 427 00:17:33,583 --> 00:17:35,709 -FUNNY. GOODNIGHT. -GOODNIGHT. 428 00:17:45,208 --> 00:17:47,542 [BIRDS SINGING] 429 00:17:51,125 --> 00:17:52,375 OHH... 430 00:17:53,959 --> 00:17:55,583 OH. WELL... 431 00:17:55,667 --> 00:17:58,333 DID THE DEADLY ROOM STRIKE? 432 00:17:58,417 --> 00:18:01,792 OH. LET'S SEE. SHOULD BE WAKING UP ANY MOMENT. 433 00:18:01,875 --> 00:18:05,083 [ADRIAN'S ALARM CLOCK CHIMING] 434 00:18:07,000 --> 00:18:07,875 [ALARM CONTINUES] 435 00:18:07,959 --> 00:18:09,166 HOW COME SHE'S NOT MOVING? 436 00:18:09,250 --> 00:18:12,083 THE ALARM IS RIGHT NEXT TO HER BED. 437 00:18:14,792 --> 00:18:17,166 [ALARM CHIMING] 438 00:18:18,625 --> 00:18:20,917 [♪♪♪] 439 00:18:25,834 --> 00:18:29,625 [RESPONDER RADIOS CRACKLING, OVERLAPPING CHATTER] 440 00:18:35,417 --> 00:18:38,417 FRANK! FRANK, WHAT HAPPENED? 441 00:18:38,500 --> 00:18:40,083 [SIGHING] I DON'T KNOW. 442 00:18:40,166 --> 00:18:42,583 FIRST RESPONDERS FOUND HER UNCONSCIOUS, 443 00:18:42,667 --> 00:18:43,834 UNRESPONSIVE. 444 00:18:43,917 --> 00:18:45,959 SEEMS SHE'D BEEN DEAD A FEW HOURS ALREADY. 445 00:18:46,041 --> 00:18:48,000 HOW? 446 00:18:48,083 --> 00:18:50,166 SHE HAD A CAMERA ON HER ALL NIGHT. 447 00:18:50,250 --> 00:18:52,625 I'M NOT A MEDICAL EXAMINER, SO DON'T QUOTE ME ON THIS-- 448 00:18:52,709 --> 00:18:55,709 THERE'S NO SIGN OF TRAUMA, NO BLOOD. 449 00:18:55,792 --> 00:18:57,166 APPEARS TO BE A NATURAL DEATH. 450 00:18:57,250 --> 00:18:58,709 A HEALTHY YOUNG WOMAN GOES TO SLEEP 451 00:18:58,792 --> 00:19:00,166 AND SHE JUST DOESN'T WAKE UP? 452 00:19:00,250 --> 00:19:02,125 I ASKED EXACTLY THE SAME THING. 453 00:19:02,208 --> 00:19:03,917 SEEMS IT'S A LOT MORE COMMON THAN YOU THINK. 454 00:19:04,000 --> 00:19:06,166 HEART ATTACK, AND BLOOD CLOT-- 455 00:19:06,250 --> 00:19:07,542 ANY NUMBER OF POSSIBILITIES. 456 00:19:07,625 --> 00:19:10,041 [SIGHS] OH, COME ON, FRANK. 457 00:19:10,125 --> 00:19:12,083 DO NOT GO THERE. 458 00:19:12,166 --> 00:19:15,125 WE'RE GONNA GET THE AUTOPSY REPORTS BACK IN A COUPLE DAYS, 459 00:19:15,208 --> 00:19:16,750 AND THEN WE'LL KNOW. 460 00:19:16,834 --> 00:19:18,875 MAY I GO INSIDE? 461 00:19:20,959 --> 00:19:23,667 YEAH. WE'RE ALL DONE HERE. GO AHEAD. 462 00:19:31,834 --> 00:19:33,875 [DOOR CREAKS] 463 00:19:37,041 --> 00:19:37,959 ERICA. 464 00:19:38,041 --> 00:19:39,667 CAN YOU BELIEVE THIS? 465 00:19:39,750 --> 00:19:40,667 NO. 466 00:19:40,750 --> 00:19:42,834 I HAVE THE WORST LUCK. 467 00:19:44,083 --> 00:19:46,125 I AM, OF COURSE, DEVASTATED ABOUT ADRIAN. 468 00:19:46,208 --> 00:19:48,583 IT'S SHOCKING! 469 00:19:48,667 --> 00:19:50,500 [PHONE KEYS CLICKING] 470 00:19:50,583 --> 00:19:52,000 ERICA, DO YOU MIND IF I GO UPSTAIRS? 471 00:19:52,083 --> 00:19:54,208 I DON'T CARE. GO. 472 00:19:57,542 --> 00:19:59,542 [PHONE KEYS CLICKING] 473 00:20:10,250 --> 00:20:12,875 [♪♪♪] 474 00:20:29,750 --> 00:20:31,208 [SHUTTER SNAPS] 475 00:20:40,875 --> 00:20:42,125 [SNAP] 476 00:20:43,291 --> 00:20:45,166 [SNAP] 477 00:20:45,250 --> 00:20:47,750 [♪♪♪] 478 00:20:58,291 --> 00:21:00,125 DID SHE HAVE ANY FAMILY? 479 00:21:00,208 --> 00:21:02,709 HER PARENTS DIED YEARS AGO. 480 00:21:02,792 --> 00:21:04,375 CAR ACCIDENT. 481 00:21:04,458 --> 00:21:05,834 HER SISTER, TINA, WAS AT THE OPEN HOUSE. 482 00:21:05,917 --> 00:21:06,875 DID YOU SEE HER? 483 00:21:06,959 --> 00:21:08,875 NO. 484 00:21:08,959 --> 00:21:10,875 WAS SHE EVER MARRIED? 485 00:21:10,959 --> 00:21:12,250 ONCE. 486 00:21:12,333 --> 00:21:13,792 IT'S BEEN OVER FOR YEARS. 487 00:21:13,875 --> 00:21:16,250 HE LIVES ON THE COAST, NO KIDS. 488 00:21:16,333 --> 00:21:17,875 YOU KNOW, I HAD A FRIEND-- 489 00:21:17,959 --> 00:21:19,917 YOUNG, HEALTHY, 490 00:21:20,000 --> 00:21:21,166 DIED. 491 00:21:21,250 --> 00:21:22,250 IT WAS AN ANEURYSM. 492 00:21:22,333 --> 00:21:23,291 MM. 493 00:21:23,375 --> 00:21:25,083 [EXHALES] 494 00:21:25,166 --> 00:21:26,709 WHAT? 495 00:21:26,792 --> 00:21:28,208 WHAT ARE YOU THINKING? 496 00:21:28,291 --> 00:21:30,792 TCH. IT'S NOTHING, REALLY. 497 00:21:31,875 --> 00:21:33,834 WHEN I SAW TINA AT THE OPEN HOUSE-- 498 00:21:33,917 --> 00:21:34,875 UH-HUH? 499 00:21:34,959 --> 00:21:37,083 SHE AND ADRIAN WERE OFF IN A SIDE ROOM, 500 00:21:37,166 --> 00:21:39,375 HAVING A HEATED ARGUMENT. 501 00:21:39,458 --> 00:21:41,667 [SIGHS] COME ON, JENN. 502 00:21:41,750 --> 00:21:43,959 NOT EVERYTHING IS A MYSTERY. 503 00:21:44,041 --> 00:21:46,709 NOT EVERY DEATH IS A MURDER. 504 00:21:47,834 --> 00:21:49,208 [SIGHS] 505 00:21:49,291 --> 00:21:50,375 [DOOR BELL JINGLES] 506 00:21:50,458 --> 00:21:53,291 [♪♪♪] 507 00:21:58,125 --> 00:21:59,709 WELCOME TO RAGS TO RICHES. 508 00:21:59,792 --> 00:22:01,834 HOW CAN I HELP YOU? 509 00:22:03,917 --> 00:22:06,208 [♪♪♪] 510 00:22:11,333 --> 00:22:14,000 [♪♪♪] 511 00:22:27,041 --> 00:22:29,375 [KNOCKS] 512 00:22:29,458 --> 00:22:31,458 [EXHALES NERVOUSLY] 513 00:22:32,542 --> 00:22:34,125 TINA? 514 00:22:34,208 --> 00:22:36,834 I'M JENNIFER SHANNON. I WAS FRIENDS WITH YOUR SISTER. 515 00:22:36,917 --> 00:22:39,333 I JUST WANTED TO COME BY AND SAY I'M SORRY, 516 00:22:39,417 --> 00:22:41,166 AND SEE IF YOU'RE ALRIGHT. 517 00:22:41,250 --> 00:22:43,208 COME ON IN. 518 00:22:45,083 --> 00:22:47,333 THANK YOU. 519 00:22:48,750 --> 00:22:51,792 ISN'T THAT FUNNY, HOW ADRIAN DIED? 520 00:22:51,875 --> 00:22:54,792 I MEAN, WE'RE ALL GONNA DIE SOMETIME, RIGHT? 521 00:22:54,875 --> 00:22:56,834 BUT ON A LIVE WEBCAM? 522 00:22:56,917 --> 00:22:58,458 WOW. 523 00:22:58,542 --> 00:23:01,291 I DON'T THINK THAT WAS HER INTENTION. 524 00:23:01,375 --> 00:23:03,875 [LAUGHS] I GUESS NOT! 525 00:23:03,959 --> 00:23:06,083 I'M SORRY, BUT... 526 00:23:06,166 --> 00:23:07,792 YOU SEEM A LITTLE... 527 00:23:07,875 --> 00:23:09,083 UNTROUBLED? 528 00:23:09,166 --> 00:23:11,083 NOT GRIEVING PROPERLY? 529 00:23:11,166 --> 00:23:14,041 WELL... FRANKLY, YES. 530 00:23:14,125 --> 00:23:16,083 LOOK. 531 00:23:16,166 --> 00:23:18,208 IT'S NO SECRET I DIDN'T LIKE ADRIAN, 532 00:23:18,291 --> 00:23:19,834 AND SHE DIDN'T CARE MUCH FOR ME. 533 00:23:19,917 --> 00:23:22,291 I DON'T KNOW HOW I FEEL. 534 00:23:22,375 --> 00:23:24,333 MAYBE IT'LL HIT ME LATER. 535 00:23:25,333 --> 00:23:27,625 IF YOU DON'T MIND ME ASKING, 536 00:23:27,709 --> 00:23:29,875 WHAT HAPPENED BETWEEN THE TWO OF YOU? 537 00:23:31,291 --> 00:23:32,709 WELL... 538 00:23:32,792 --> 00:23:35,000 A CAR CRASH HAPPENED. 539 00:23:35,083 --> 00:23:37,208 NO MORE MOM, NO MORE DAD. 540 00:23:38,583 --> 00:23:40,500 THERE WAS A TRUST FUND. 541 00:23:40,583 --> 00:23:42,500 ADRIAN CONTROLLED IT. 542 00:23:42,583 --> 00:23:45,917 SO ANY TIME I WANTED SOMETHING, I HAD TO GO TO HER. 543 00:23:46,917 --> 00:23:48,500 NOT COOL. 544 00:23:50,500 --> 00:23:53,250 DID ADRIAN HAVE ANY HEALTH ISSUES 545 00:23:53,333 --> 00:23:56,125 THAT WOULD'VE CONTRIBUTED TO HER SUDDEN DEATH? 546 00:23:57,458 --> 00:23:59,667 SHE HAD TO WEAR ONE OF THOSE HEART HALTERS 547 00:23:59,750 --> 00:24:01,125 A COUPLE YEARS AGO. 548 00:24:01,208 --> 00:24:02,417 IRREGULAR HEARTBEAT, 549 00:24:02,500 --> 00:24:05,083 BUT NOTHING MAJOR. 550 00:24:05,166 --> 00:24:07,250 SEEMED TO GO AWAY ON ITS OWN. 551 00:24:07,333 --> 00:24:10,834 I WON'T PRESUME TO UNDERSTAND YOUR RELATIONSHIP. 552 00:24:10,917 --> 00:24:12,458 I KNOW THAT FAMILY CAN BE DIFFICULT 553 00:24:12,542 --> 00:24:14,375 UNDER THE BEST OF CIRCUMSTANCE, 554 00:24:14,458 --> 00:24:16,875 BUT AT THE END OF THE DAY, 555 00:24:16,959 --> 00:24:19,250 IT'S STILL FAMILY. 556 00:24:20,500 --> 00:24:23,125 I'M SORRY FOR YOUR LOSS. 557 00:24:24,208 --> 00:24:26,458 THANKS. 558 00:24:26,542 --> 00:24:29,291 I'M REALLY NOT AN EVIL PERSON. 559 00:24:29,375 --> 00:24:31,875 JUST HONEST. 560 00:24:33,959 --> 00:24:35,583 HEY, HON. 561 00:24:35,667 --> 00:24:37,834 OH, HEY, SWEETHEART. 562 00:24:40,208 --> 00:24:41,750 HAVE YOU SEEN THIS? 563 00:24:41,834 --> 00:24:43,834 NO. WHAT IS IT? 564 00:24:48,875 --> 00:24:50,458 "DEADLY HOUSE STRIKES AGAIN. 565 00:24:50,542 --> 00:24:53,000 "CURSE OF THE OLD CARSON HOUSE. 566 00:24:53,083 --> 00:24:55,083 "AN INTERNET STORY TOLD OF THE CURSE. 567 00:24:55,166 --> 00:24:57,041 "REAL ESTATE AGENT ADRIAN MERRILL 568 00:24:57,125 --> 00:24:58,417 "VOWED TO PROVE IT FALSE. 569 00:24:58,500 --> 00:25:00,875 "SHE SLEPT IN THE HOUSE WITH A LIVE WEBCAM. 570 00:25:00,959 --> 00:25:02,166 IN THE MORNING, SHE WAS DEAD." 571 00:25:03,625 --> 00:25:06,041 THIS IS HORRIBLE. 572 00:25:10,208 --> 00:25:11,083 YOU OKAY? 573 00:25:11,166 --> 00:25:12,166 OH, YEAH, I'M OKAY. 574 00:25:12,250 --> 00:25:14,917 NONE OF IT MAKES SENSE. 575 00:25:15,000 --> 00:25:17,125 I KNOW THAT LOOK IN YOUR EYES. 576 00:25:17,208 --> 00:25:18,125 DO YOU REALLY THINK 577 00:25:18,208 --> 00:25:19,208 SOMEONE MIGHT'VE KILLED HER? 578 00:25:19,291 --> 00:25:22,083 I DON'T KNOW. 579 00:25:22,166 --> 00:25:24,125 I REALLY DON'T KNOW. 580 00:25:25,458 --> 00:25:27,291 AUTOPSY REPORTS CAME IN THIS MORNING. 581 00:25:27,375 --> 00:25:29,041 DEATH BY NATURAL CAUSES. 582 00:25:29,125 --> 00:25:30,166 WHAT DID YOU THINK WE'D FIND? 583 00:25:30,250 --> 00:25:32,166 WELL, IT'S JUST... 584 00:25:32,250 --> 00:25:34,875 IT'S HARD TO BELIEVE, THAT'S ALL. 585 00:25:34,959 --> 00:25:36,500 LISTEN, I HAVE GONE THROUGH 586 00:25:36,583 --> 00:25:38,041 THE ENTIRE TAPE OF HER SLEEPING. 587 00:25:38,125 --> 00:25:39,417 SHE NEVER GETS UP, 588 00:25:39,500 --> 00:25:40,917 AND NO ONE EVER COMES INTO THE ROOM. 589 00:25:41,000 --> 00:25:43,917 YOU MEAN, NO ONE EVER CAME INTO VIEW ON CAMERA. 590 00:25:44,000 --> 00:25:47,500 FINE. NO ONE IS EVER SEEN ON CAMERA. 591 00:25:47,583 --> 00:25:51,166 WHEN THEY SAY "NATURAL CAUSES," WHAT DOES THAT MEAN? 592 00:25:51,250 --> 00:25:55,375 IT MEANS "DEATH NOT ATTRIBUTED TO OUTSIDE FORCES." 593 00:25:55,458 --> 00:25:57,208 HER HEART STOPPED. 594 00:25:57,291 --> 00:25:59,041 THIS IS NOT A POLICE CASE. 595 00:25:59,125 --> 00:26:01,500 THERE ARE NO SUSPECTS. 596 00:26:01,583 --> 00:26:03,542 LEAVE IT BE, JENN. 597 00:26:04,959 --> 00:26:05,959 I HEAR YOU. 598 00:26:06,041 --> 00:26:07,542 GOOD. 599 00:26:07,625 --> 00:26:10,041 COULD YOU DO ME A FAVOR, THOUGH? 600 00:26:10,125 --> 00:26:12,542 WOULD YOU CALL THE CORONER, SEE IF HE'LL TALK TO ME? 601 00:26:12,625 --> 00:26:14,500 [CHUCKLES] 602 00:26:14,583 --> 00:26:17,000 OH, HERE WE GO. 603 00:26:17,083 --> 00:26:19,834 [♪♪♪] 604 00:26:19,917 --> 00:26:22,333 [PETER]: HI. IS JENNIFER HERE? 605 00:26:22,417 --> 00:26:24,959 OH, UH, SHE SHOULD BE BACK IN A COUPLE HOURS. 606 00:26:25,041 --> 00:26:26,667 OH. OKAY. 607 00:26:26,750 --> 00:26:28,709 I THINK SHE LOANED SOMETHING FROM THE STORE 608 00:26:28,792 --> 00:26:30,250 FOR THE OPEN HOUSE LAST SATURDAY. 609 00:26:30,333 --> 00:26:32,208 IF YOU COULD PLEASE REMIND HER TO GO BY AND PICK IT UP. 610 00:26:32,291 --> 00:26:33,375 I THINK I SAW YOU THERE. 611 00:26:33,458 --> 00:26:35,083 -PETER MULLIN. -HANNAH. 612 00:26:35,166 --> 00:26:36,625 HI. I WORK IN THE SAME OFFICE 613 00:26:36,709 --> 00:26:38,375 AS ADRIAN... 614 00:26:39,667 --> 00:26:41,542 ...DID. 615 00:26:41,625 --> 00:26:44,083 YOU MUST ALL BE DEVASTATED. 616 00:26:44,166 --> 00:26:46,083 WE ARE. 617 00:26:46,166 --> 00:26:49,000 IT'S TOUGH ANY TIME YOU LOSE A FRIEND, 618 00:26:49,083 --> 00:26:50,542 BUT THIS... 619 00:26:50,625 --> 00:26:52,417 SO... 620 00:26:52,500 --> 00:26:54,417 WHAT HAPPENS TO THE HOUSE NOW? 621 00:26:54,500 --> 00:26:56,458 WELL, THE HOUSE IS STILL THERE. 622 00:26:56,542 --> 00:26:58,208 IT'S GONNA BE A TOUGH SELL AFTER THIS. 623 00:26:58,291 --> 00:27:00,041 I DON'T ENVY THE NEXT AGENT. 624 00:27:00,125 --> 00:27:02,417 MM, PEOPLE DON'T REALLY BELIEVE THAT "CURSE" STORY? 625 00:27:03,583 --> 00:27:05,583 YOU'D BE SURPRISED. 626 00:27:05,667 --> 00:27:08,458 WE ACTUALLY GOT A CALL AT THE OFFICE TODAY. 627 00:27:08,542 --> 00:27:11,333 SOMEONE SAYS THEY REMEMBER A WOMAN WHO DIED IN THE HOUSE 628 00:27:11,417 --> 00:27:12,667 BACK IN THE 1960s. 629 00:27:12,750 --> 00:27:14,375 IT WAS THIS BIG MYSTERY-- 630 00:27:14,458 --> 00:27:16,166 SHE WAS YOUNG, IN HER 40s. 631 00:27:16,250 --> 00:27:18,667 HMM. WHAT DO YOU THINK? 632 00:27:20,375 --> 00:27:23,041 I THINK... 633 00:27:24,291 --> 00:27:26,542 I THINK I'M GLAD I DON'T OWN THE HOUSE. 634 00:27:28,291 --> 00:27:31,083 [♪♪♪] 635 00:27:31,166 --> 00:27:32,166 HAVE A GOOD DAY. 636 00:27:32,250 --> 00:27:34,208 YOU TOO. 637 00:27:37,583 --> 00:27:38,750 [CHUCKLES] THE PERFECT MURDER? 638 00:27:38,834 --> 00:27:40,959 IN MY OPINION? NO SUCH THING. 639 00:27:41,041 --> 00:27:42,083 AT LEAST IN THE REAL WORLD. 640 00:27:42,166 --> 00:27:44,583 THE KILLER ALWAYS LEAVES SOME EVIDENCE, 641 00:27:44,667 --> 00:27:46,333 ALWAYS MAKES A MISTAKE. 642 00:27:46,417 --> 00:27:49,125 AND NOTHING ABOUT ADRIAN MERRILL'S DEATH 643 00:27:49,208 --> 00:27:51,375 SUGGESTED ANYTHING BUT "NATURAL CAUSES"? 644 00:27:51,458 --> 00:27:52,667 AH, YES. 645 00:27:52,750 --> 00:27:54,750 THE "DEADLY ROOM"-- HEH, I LOVE THAT. 646 00:27:54,834 --> 00:27:57,709 NO SIGNS OF TRAUMA, NO GUNSHOT WOUNDS, 647 00:27:57,792 --> 00:27:59,333 KNIFE WOUNDS, ET CETERA, NO BRUISING. 648 00:27:59,417 --> 00:28:01,125 BLOOD PANELS NEGATIVE FOR POISONS. 649 00:28:01,208 --> 00:28:04,583 ESTIMATED TIME OF DEATH BETWEEN 3:00 AND 5:00 A.M., 650 00:28:04,667 --> 00:28:07,083 FROM HER CORE TEMPERATURE. 651 00:28:07,166 --> 00:28:10,250 HER HEART JUST STOPPED. 652 00:28:10,333 --> 00:28:11,583 WHY? 653 00:28:11,667 --> 00:28:14,542 WELL, UM, SHE HAD A HISTORY OF MILD TACHYCARDIA, 654 00:28:14,625 --> 00:28:16,291 THAT'S AN IRREGULAR HEARTBEAT, 655 00:28:16,375 --> 00:28:17,709 AND, LOOKING AT THE MEDICAL RECORDS, 656 00:28:17,792 --> 00:28:19,291 ALSO HAD SLEEP APNEA. 657 00:28:19,375 --> 00:28:21,166 THE IRREGULAR HEARTBEAT, THE APNEA, 658 00:28:21,250 --> 00:28:22,250 OR A COMBINATION OF THE TWO 659 00:28:22,333 --> 00:28:25,458 COULD BE LINKED TO SUDDEN CARDIAC DEATH. 660 00:28:25,542 --> 00:28:27,667 UNFORTUNATELY, WHAT WE HAVE HERE 661 00:28:27,750 --> 00:28:31,333 IS A 35-YEAR-OLD WOMAN WHO DIED OF NATURAL CAUSES. 662 00:28:31,417 --> 00:28:33,125 SO THAT'S IT? 663 00:28:33,208 --> 00:28:34,250 THAT'S IT. 664 00:28:34,333 --> 00:28:35,333 THE BODY IS RELEASED. 665 00:28:35,417 --> 00:28:36,500 PRIVATE FUNERAL. 666 00:28:36,583 --> 00:28:38,500 END OF STORY. 667 00:28:38,583 --> 00:28:40,166 OOH! 668 00:28:40,250 --> 00:28:41,750 CANDY? 669 00:28:43,250 --> 00:28:45,625 [♪♪♪] 670 00:28:52,583 --> 00:28:54,291 HEY! 671 00:28:54,375 --> 00:28:56,208 IS THIS THE "DEADLY ROOM" HOUSE, 672 00:28:56,291 --> 00:28:58,375 THE ONE THAT KILLED THAT WOMAN? 673 00:29:00,375 --> 00:29:01,625 NO, IT'S NOT. 674 00:29:01,709 --> 00:29:04,417 THAT HOUSE IS, UM, A COUPLE BLOCKS DOWN THE ROAD. 675 00:29:06,750 --> 00:29:08,625 OKAY. THANKS. 676 00:29:08,709 --> 00:29:10,875 [♪♪♪] 677 00:29:18,333 --> 00:29:21,083 HOW LONG DO WE HAVE TO STAY? 678 00:29:22,625 --> 00:29:24,208 NO DISRESPECT, 679 00:29:24,291 --> 00:29:26,375 BUT IF ADRIAN WERE HERE, SHE'D WANT TO LEAVE. 680 00:29:26,458 --> 00:29:29,250 [♪♪♪] 681 00:29:29,333 --> 00:29:31,583 HELLO. 682 00:29:31,667 --> 00:29:34,083 GOOD TO SEE SOMEONE I KNOW. 683 00:29:34,166 --> 00:29:36,625 I HAVE NO IDEA WHO MOST OF THESE PEOPLE ARE. 684 00:29:36,709 --> 00:29:38,667 WE DON'T, EITHER. 685 00:29:39,750 --> 00:29:40,917 I'M SORRY TO INTERRUPT. 686 00:29:42,125 --> 00:29:45,375 JENNIFER, DANIELLE, THIS IS MY BOSS, PATRICK WHITE. 687 00:29:45,458 --> 00:29:47,542 HE OWNS THE REAL ESTATE FIRM WHERE ADRIAN WORKED. 688 00:29:47,625 --> 00:29:49,583 NICE TO MEET YOU. 689 00:29:49,667 --> 00:29:51,583 WELL, I'M SO SORRY TO MEET UNDER THESE CIRCUMSTANCES. 690 00:29:51,667 --> 00:29:53,917 ADRIAN WAS A FRIEND, 691 00:29:54,000 --> 00:29:56,542 AS WELL AS THE BEST AGENT I EVER HAD. 692 00:29:56,625 --> 00:29:57,792 THIS IS A... 693 00:29:57,875 --> 00:29:59,625 TRAGIC LOSS. 694 00:29:59,709 --> 00:30:01,500 CAN WE HAVE A MOMENT? 695 00:30:01,583 --> 00:30:03,583 EXCUSE US. 696 00:30:09,667 --> 00:30:12,125 [HUSHED CONVERSATIONS, OVERLAPPING] 697 00:30:12,208 --> 00:30:13,417 DANI, CHECK THAT OUT. 698 00:30:14,500 --> 00:30:15,667 THANKS. 699 00:30:17,625 --> 00:30:19,750 THANK YOU SO MUCH FOR COMING. 700 00:30:19,834 --> 00:30:21,709 [QUIETLY]: DO I LOOK THE PART? 701 00:30:21,792 --> 00:30:24,500 YOU LOOK FINE. 702 00:30:25,583 --> 00:30:26,875 I'D APPRECIATE IT 703 00:30:26,959 --> 00:30:28,625 IF WE KEPT THAT CONVERSATION WE HAD THE OTHER DAY 704 00:30:28,709 --> 00:30:30,250 BETWEEN THE TWO OF US. 705 00:30:31,333 --> 00:30:33,291 YES, OF COURSE. 706 00:30:33,375 --> 00:30:35,834 DO YOU GUYS SELL USED FURNITURE? 707 00:30:35,917 --> 00:30:40,208 YES, WE DEAL MOSTLY WITH ANTIQUES AND UNIQUE ITEMS. 708 00:30:40,291 --> 00:30:42,709 GREAT. 'CAUSE ALL THIS IS GONNA GO. 709 00:30:42,792 --> 00:30:44,166 I'M GONNA BE MOVING IN TO ADRIAN'S HOUSE, 710 00:30:44,250 --> 00:30:46,542 BUT I WANT A WHOLE DIFFERENT VIBE. 711 00:30:46,625 --> 00:30:47,667 I'LL CALL YOU. 712 00:30:51,834 --> 00:30:54,583 [♪♪♪] 713 00:30:57,333 --> 00:30:59,792 GEEZ. I COULD BARELY STAND IT! 714 00:30:59,875 --> 00:31:00,959 IF IT WASN'T SO OBVIOUS, 715 00:31:01,041 --> 00:31:02,542 I'D THINK THAT TINA KILLED HER SISTER. 716 00:31:02,625 --> 00:31:03,792 WHAT DO YOU MEAN? 717 00:31:03,875 --> 00:31:06,291 WELL, I THINK, IF SHE WAS GUILTY OF ANYTHING, 718 00:31:06,375 --> 00:31:08,458 SHE WOULD HAVE ACTED BEREAVED THE LAST TIME I WENT TO SEE HER. 719 00:31:08,542 --> 00:31:09,959 SHE DIDN'T CARE. 720 00:31:11,458 --> 00:31:12,875 UNLESS IT WAS A DOUBLE-FAKE 721 00:31:12,959 --> 00:31:14,750 AND SHE THOUGHT THAT, BY ACTING NONCHALANT, 722 00:31:14,834 --> 00:31:16,291 IT WOULD MAKE HER SEEM INNOCENT 723 00:31:16,375 --> 00:31:18,000 BECAUSE ON THE SURFACE, SHE'D LOOK GUILTY. 724 00:31:19,208 --> 00:31:20,500 POSSIBLE. 725 00:31:22,041 --> 00:31:24,250 BUT... GUILTY OF WHAT? 726 00:31:24,333 --> 00:31:25,917 JENN, YOU WENT TO THE CORONER. 727 00:31:26,000 --> 00:31:27,583 NOBODY KILLED ADRIAN. 728 00:31:29,041 --> 00:31:30,792 [♪♪♪] 729 00:31:30,875 --> 00:31:32,750 [GASPS] I'VE GOT IT! 730 00:31:32,834 --> 00:31:34,041 BLOW GUN. 731 00:31:34,125 --> 00:31:36,417 THE KILLER WAS OFF-CAMERA WITH A POISON DART, 732 00:31:36,500 --> 00:31:38,000 BLEW THROUGH THE LONG TUBE. 733 00:31:38,083 --> 00:31:39,208 AND-- [SMACK] 734 00:31:39,291 --> 00:31:40,500 VOILA. 735 00:31:40,583 --> 00:31:41,875 I DON'T THINK SO. NO. 736 00:31:41,959 --> 00:31:43,417 WELL, ONE, 737 00:31:43,500 --> 00:31:45,500 THE DART WOULD STILL BE THERE. 738 00:31:45,583 --> 00:31:48,208 OR TWO, IF THE KILLER WENT TO RETRIEVE IT, 739 00:31:48,291 --> 00:31:49,875 WE WOULD SEE HIM ON CAMERA, RIGHT? 740 00:31:49,959 --> 00:31:51,041 YEAH. 741 00:31:51,125 --> 00:31:53,542 AND THE POISON WOULD SHOW UP IN AN AUTOPSY. 742 00:31:54,834 --> 00:31:58,625 HOW ELSE COULD A KILLER HAVE DONE THIS? 743 00:32:00,000 --> 00:32:01,917 I'M STUMPED. 744 00:32:02,959 --> 00:32:06,750 SO, EITHER SHE DID DIE OF NATURAL CAUSES, 745 00:32:06,834 --> 00:32:08,125 OR... 746 00:32:08,208 --> 00:32:12,000 THE HOUSE HAS A "DEADLY ROOM" THAT KILLS PEOPLE. 747 00:32:13,667 --> 00:32:15,291 DOES IT? 748 00:32:15,375 --> 00:32:18,458 HOW MUCH DO YOU REALLY KNOW ABOUT THE HOUSE'S HISTORY? 749 00:32:21,041 --> 00:32:24,083 [♪♪♪] 750 00:32:50,458 --> 00:32:51,458 [GASPS] 751 00:32:52,500 --> 00:32:53,959 MAY I HELP YOU? 752 00:32:54,041 --> 00:32:56,500 [TAKES A BREATH, CHUCKLES] 753 00:32:57,625 --> 00:33:00,542 THAT HOUSE HAS QUITE THE REPUTATION. 754 00:33:00,625 --> 00:33:01,667 WHEN I WAS YOUNGER, 755 00:33:01,750 --> 00:33:03,500 WE WOULDN'T EVEN TRICK-OR-TREAT THERE. 756 00:33:03,583 --> 00:33:04,458 [SCOFFS LIGHTLY] 757 00:33:04,542 --> 00:33:05,667 YOU CERTAINLY DON'T THINK 758 00:33:05,750 --> 00:33:07,917 THE HOUSE SOMEHOW KILLS PEOPLE, DO YOU? 759 00:33:08,000 --> 00:33:09,041 HOW IT HAPPENS, 760 00:33:09,125 --> 00:33:11,333 I DON'T KNOW. 761 00:33:11,417 --> 00:33:13,959 BUT THERE HAVE BEEN DEATHS. 762 00:33:14,041 --> 00:33:18,250 I'VE BEEN TOLD HOUSES THAT OLD HAVE HAD DEATHS. 763 00:33:18,333 --> 00:33:19,792 OH, THAT'S IT. RIGHT THERE. 764 00:33:21,875 --> 00:33:22,959 HUH. 765 00:33:23,041 --> 00:33:24,959 AND NOW THE MOST RECENT ONE, 766 00:33:25,041 --> 00:33:26,041 THE REAL ESTATE AGENT. 767 00:33:26,125 --> 00:33:28,500 YOU HEARD ABOUT THAT? 768 00:33:29,834 --> 00:33:31,834 [♪♪♪] 769 00:33:33,041 --> 00:33:33,959 [CLINK] 770 00:33:34,041 --> 00:33:35,417 IT WAS A "CELEBRATION OF LIFE," 771 00:33:35,500 --> 00:33:36,875 IT WAS AT ADRIAN'S HOUSE, 772 00:33:36,959 --> 00:33:38,625 BUT IT REALLY WASN'T A LOT OF FUN. 773 00:33:38,709 --> 00:33:39,917 THEY NEVER ARE. 774 00:33:40,000 --> 00:33:42,458 TINA IS WALKING AROUND LIKE THE BEREAVED SISTER, 775 00:33:42,542 --> 00:33:43,458 AND SHE ISN'T. 776 00:33:43,542 --> 00:33:44,834 THAT'S HARSH. 777 00:33:44,917 --> 00:33:46,125 MM. 778 00:33:46,208 --> 00:33:48,750 LOGAN AND I WERE AT THE BATTING CAGE TODAY. 779 00:33:48,834 --> 00:33:50,625 I BROUGHT UP THE DANCE, 780 00:33:50,709 --> 00:33:52,792 AND HE SEEMED A LITTLE CALLOUS ABOUT IT. 781 00:33:52,875 --> 00:33:54,000 HOW? 782 00:33:54,333 --> 00:33:57,291 I ASKED HIM WHAT HE WOULD SAY IF AMY INVITED HIM. 783 00:33:57,375 --> 00:33:58,375 AND HE SAID, "THANK YOU, 784 00:33:58,458 --> 00:33:59,625 THAT SOUNDS LIKE FUN, I'D LOVE TO"? 785 00:33:59,709 --> 00:34:01,709 NO. IT'S WAS MORE LIKE, "NO WAY." 786 00:34:01,792 --> 00:34:04,000 HMM. 787 00:34:04,083 --> 00:34:04,959 [VIDEO PLAYING] 788 00:34:05,041 --> 00:34:06,875 HEY. WHATCHA DOING? 789 00:34:06,959 --> 00:34:08,125 [CLICKS VIDEO OFF] 790 00:34:08,208 --> 00:34:10,458 ENGLISH HOMEWORK AND WATCHING AN OLD MOVIE. 791 00:34:10,542 --> 00:34:13,458 IT'S AMAZING YOU CAN DO BOTH AT THE SAME TIME. 792 00:34:13,542 --> 00:34:14,959 IT'S CALLED MULTI-TASKING, MOM. 793 00:34:15,041 --> 00:34:15,959 WHAT MOVIE ARE YOU WATCHING? 794 00:34:16,041 --> 00:34:17,500 THE STING. 795 00:34:17,583 --> 00:34:20,000 THE STING? THAT'S A CLASSIC. 796 00:34:20,083 --> 00:34:21,458 HEY, CAN WE TALK? 797 00:34:22,750 --> 00:34:23,834 YEAH, ABOUT WHAT? 798 00:34:23,917 --> 00:34:26,166 I JUST WANT TO SHARE SOMETHING WITH YOU. 799 00:34:27,792 --> 00:34:29,834 LONG AGO, AND FAR AWAY, 800 00:34:29,917 --> 00:34:31,917 YOUR MOTHER WAS IN HIGH SCHOOL 801 00:34:32,000 --> 00:34:34,041 AND THERE WAS A GIRL-ASK-BOY DANCE, 802 00:34:34,125 --> 00:34:36,542 AND THERE WAS A BOY I REALLY WANTED TO ASK, 803 00:34:36,625 --> 00:34:38,500 BUT I COULDN'T WORK UP THE COURAGE. 804 00:34:38,583 --> 00:34:40,750 WHAT IF HE DIDN'T THINK I WAS COOL ENOUGH, OR CUTE ENOUGH? 805 00:34:40,834 --> 00:34:42,458 OR WHAT IF HE SAID NO? 806 00:34:42,542 --> 00:34:43,875 IT WAS VERY STRESSFUL. 807 00:34:43,959 --> 00:34:46,875 ANYWAY, ONE DAY I DID WORK UP THE COURAGE TO ASK HIM, 808 00:34:46,959 --> 00:34:50,750 AND TO MY SURPRISE, HE SAID YES. 809 00:34:50,834 --> 00:34:53,792 WE DIDN'T DATE AFTER THAT, IT WAS NEVER A "THING," 810 00:34:53,875 --> 00:34:55,875 BUT WE HAD A WONDERFUL TIME, 811 00:34:55,959 --> 00:34:59,166 AND I WILL ALWAYS REMEMBER HIM FOR THAT. 812 00:34:59,250 --> 00:35:00,625 SO I JUST WANT TO SAY, 813 00:35:00,709 --> 00:35:02,709 IF YOU ARE LUCKY ENOUGH TO BE ASKED, 814 00:35:02,792 --> 00:35:06,750 I HOPE YOU'LL REALIZE THAT IT'S NOT EASY FOR THE GIRL. 815 00:35:07,959 --> 00:35:09,166 THAT'S ALL. 816 00:35:10,750 --> 00:35:13,125 [♪♪♪] 817 00:35:21,000 --> 00:35:23,333 OH, NO. 818 00:35:23,417 --> 00:35:25,166 YOU ARE NOT GONNA SPEND EIGHT HOURS 819 00:35:25,250 --> 00:35:27,875 WATCHING ADRIAN SLEEPING IN BED. 820 00:35:27,959 --> 00:35:29,792 I THOUGHT IT WAS A LIVE-FEED, ANYWAY. 821 00:35:29,875 --> 00:35:30,875 WHAT, DID YOU TAPE IT? 822 00:35:30,959 --> 00:35:32,500 NO, LOGAN HELPED ME OUT. 823 00:35:32,583 --> 00:35:34,000 THE LIVE WEBCAM WAS BACKED UP IN THE CLOUD. 824 00:35:34,083 --> 00:35:35,792 I'M WATCHING IT AT FOUR TIMES THE NORMAL SPEED. 825 00:35:35,875 --> 00:35:37,083 I SHOULD BE DONE IN TWO HOURS. 826 00:35:37,166 --> 00:35:38,834 WHAT ARE YOU LOOKING FOR? 827 00:35:38,917 --> 00:35:40,625 I DON'T KNOW. ANYTHING. 828 00:35:40,709 --> 00:35:42,583 A SHADOW? SOMETHING WEIRD. 829 00:35:42,667 --> 00:35:45,834 [SIGHS] PAUSE IT. 830 00:35:45,917 --> 00:35:47,709 [CLACK] 831 00:35:47,792 --> 00:35:49,583 CAN YOU TELL ME WHY 832 00:35:49,667 --> 00:35:50,959 EVERYONE ELSE IS WRONG, 833 00:35:51,041 --> 00:35:53,834 AND YOU SUSPECT FOUL PLAY IN THE DEATH OF ADRIAN? 834 00:35:54,959 --> 00:35:58,083 I WENT DOWN TO THE LIBRARY, TO LOOK THROUGH THE RECORDS. 835 00:35:58,166 --> 00:36:01,583 THERE WAS A WOMAN WHO DIED IN THE HOUSE IN 1895. 836 00:36:01,667 --> 00:36:02,667 ELIZABETH CARSON. 837 00:36:02,750 --> 00:36:05,125 WILLIAM CARSON'S GREAT-GREAT GRANDMOTHER? 838 00:36:05,208 --> 00:36:06,667 THERE MIGHT BE THREE "GREATS." 839 00:36:06,750 --> 00:36:08,083 DIED OF TYPHUS. 840 00:36:08,166 --> 00:36:09,792 SO NOT A DEADLY ROOM? 841 00:36:09,875 --> 00:36:10,959 NO. BUT THE STORY MENTIONED 842 00:36:11,041 --> 00:36:12,875 THAT THE HOUSE WAS THOUGHT TO BE CURSED. 843 00:36:12,959 --> 00:36:14,041 THERE WERE OTHER DEATHS. 844 00:36:14,125 --> 00:36:15,750 BUT ADRIAN SAID, BACK THEN, 845 00:36:15,834 --> 00:36:17,834 IT WAS COMMON FOR PEOPLE TO DIE AT HOME. 846 00:36:17,917 --> 00:36:19,834 I DON'T BELIEVE IN A CURSE ANYWAY. 847 00:36:19,917 --> 00:36:22,500 IT'S JUST TOO CONVENIENT. 848 00:36:22,583 --> 00:36:24,959 AN ANONYMOUS ARTICLE COMES OUT ABOUT A "DEADLY ROOM," 849 00:36:25,041 --> 00:36:27,208 AND THE ONE NIGHT THAT ADRIAN SLEEPS THERE, 850 00:36:27,291 --> 00:36:28,458 SHE DIES? 851 00:36:28,542 --> 00:36:30,125 MM. 852 00:36:30,208 --> 00:36:31,625 WELL, IF YOU'RE THINKING MURDER, 853 00:36:31,709 --> 00:36:34,750 YOU NEED A SUSPECT AND MOTIVE. 854 00:36:34,834 --> 00:36:36,000 I'M WORKING ON THAT. 855 00:36:36,083 --> 00:36:38,083 AND A METHOD. I MEAN... 856 00:36:38,166 --> 00:36:41,500 HOW DO YOU KILL SOMEONE WHEN THE WORLD IS WATCHING LIVE, 857 00:36:41,583 --> 00:36:43,125 THERE ARE NO MARKS ON THE BODY, 858 00:36:43,208 --> 00:36:45,834 AND THE AUTOPSY FINDS NOTHING OUT OF THE ORDINARY? 859 00:36:45,917 --> 00:36:48,709 I'M WORKING ON THAT, TOO. 860 00:36:55,250 --> 00:36:58,000 DO I THINK SHE DIED OF NATURAL CAUSES? 861 00:36:58,083 --> 00:37:00,834 HARD TO BELIEVE. 862 00:37:00,917 --> 00:37:03,000 BUT THE ALTERNATIVE IS... 863 00:37:03,083 --> 00:37:04,917 IT'S RIDICULOUS. 864 00:37:05,000 --> 00:37:07,875 ADRIAN WAS A GOOD FRIEND. 865 00:37:07,959 --> 00:37:10,250 FEW YEARS BACK, WE WERE A TEAM. 866 00:37:12,125 --> 00:37:14,333 ONE OF THE TOP PRODUCERS. 867 00:37:14,417 --> 00:37:16,583 WHY DID YOU SPLIT? 868 00:37:16,667 --> 00:37:18,208 WELL, THE AGENCY THOUGHT 869 00:37:18,291 --> 00:37:20,458 WE'D BE MORE PRODUCTIVE COMPETING AGAINST EACH OTHER, 870 00:37:20,542 --> 00:37:21,667 AND WE WERE. 871 00:37:21,750 --> 00:37:24,208 BUT WE DIDN'T HAVE AS MUCH FUN. 872 00:37:26,834 --> 00:37:28,875 WHEN SOMETHING LIKE THIS HAPPENS, 873 00:37:28,959 --> 00:37:29,959 WHO PROFITS? 874 00:37:31,208 --> 00:37:33,834 WELL, NOT THE OWNER-- ERICA FRANKLIN. 875 00:37:33,917 --> 00:37:35,834 SHE'S PUT A LOT OF MONEY INTO THIS PROJECT. 876 00:37:35,917 --> 00:37:37,625 THE PRICE OF THE HOUSE HAS TAKEN A BIG HIT. 877 00:37:37,709 --> 00:37:38,834 HOW MUCH? 878 00:37:38,917 --> 00:37:40,333 WHO KNOWS? 879 00:37:40,417 --> 00:37:42,709 BUT KILLING SOMEONE TO GET A BETTER PRICE ON REAL ESTATE, 880 00:37:42,792 --> 00:37:44,667 THAT SEEMS A LITTLE EXTREME, DON'T YOU THINK? 881 00:37:44,750 --> 00:37:46,041 I'M JUST TRYING TO FIGURE OUT 882 00:37:46,125 --> 00:37:48,792 WHO MIGHT GAIN BY THIS SITUATION. 883 00:37:49,875 --> 00:37:51,917 HEY, FOLKS! ONE SEC. 884 00:37:53,166 --> 00:37:55,250 LOOK, I HAVE TO ADMIT 885 00:37:55,333 --> 00:37:56,542 I'VE HAD SOME OF THE SAME THOUGHTS MYSELF. 886 00:37:56,625 --> 00:37:57,917 I KEEP ON COMING UP EMPTY. 887 00:37:58,000 --> 00:37:59,333 [SIGHS] 888 00:37:59,417 --> 00:38:01,000 IF THERE'S ANYTHING I CAN DO TO HELP, 889 00:38:01,083 --> 00:38:02,000 PLEASE LET ME KNOW. 890 00:38:02,083 --> 00:38:04,041 THANKS, PETER. 891 00:38:06,417 --> 00:38:10,000 HI. PETER MULLIN. PLEASURE. NICE TO MEET YOU. 892 00:38:10,083 --> 00:38:12,333 [DOOR BELL JINGLES] 893 00:38:12,417 --> 00:38:14,875 OH! WELCOME TO RAGS TO RICHES. 894 00:38:14,959 --> 00:38:16,166 HI. 895 00:38:16,250 --> 00:38:20,667 I HAVE A VINTAGE SILK FLAPPER DRESS 896 00:38:20,750 --> 00:38:22,291 FROM THE 1920s. 897 00:38:22,375 --> 00:38:23,834 OH! WOW. 898 00:38:23,917 --> 00:38:26,250 THAT'S STUNNING. 899 00:38:26,333 --> 00:38:27,375 I EVEN HAVE A PICTURE 900 00:38:27,458 --> 00:38:29,125 OF MY GRANDMOTHER WEARING THE DRESS. 901 00:38:29,208 --> 00:38:31,750 OH... I LOVE THIS. 902 00:38:31,834 --> 00:38:33,917 WELL, I NEED TO SELL IT RIGHT AWAY. 903 00:38:34,000 --> 00:38:36,291 IT'S REALLY CRAZY, 904 00:38:36,375 --> 00:38:38,166 BUT LITTLE MY DOGGY, HE TORE HIS ACL, 905 00:38:38,250 --> 00:38:40,375 AND THE OPERATION IS REALLY EXPENSIVE. 906 00:38:40,458 --> 00:38:44,750 WELL, THIS DRESS WOULD BE GREAT FOR THE STORE. 907 00:38:44,834 --> 00:38:47,125 UM, HOW MUCH DID YOU WANT FOR IT? 908 00:38:47,208 --> 00:38:48,792 WELL, I DON'T REALLY WANT TO SELL IT, 909 00:38:48,875 --> 00:38:50,875 BUT I FEEL LIKE IF I GOT $700 FOR IT, 910 00:38:50,959 --> 00:38:52,333 THAT WOULD BE FAIR. 911 00:38:53,750 --> 00:38:56,083 OKAY, WELL... 912 00:38:56,166 --> 00:38:58,000 EXCUSE ME A SECOND. 913 00:38:58,083 --> 00:38:59,875 OKAY. 914 00:38:59,959 --> 00:39:01,000 [KEYS CLACKING] 915 00:39:04,041 --> 00:39:06,000 [QUIET GASP] 916 00:39:07,792 --> 00:39:08,917 [PICKS UP PHONE] 917 00:39:12,125 --> 00:39:13,333 MOM? 918 00:39:13,417 --> 00:39:15,500 WHY DON'T YOU EVER PICK UP YOUR PHONE? 919 00:39:16,834 --> 00:39:19,834 [♪♪♪] 920 00:39:22,458 --> 00:39:24,250 I REALLY LIKE THE DRESS, 921 00:39:24,333 --> 00:39:28,000 BUT I CAN'T BUY SOMETHING THAT EXPENSIVE WITHOUT APPROVAL. 922 00:39:28,083 --> 00:39:29,750 COULD YOU BRING IT BACK LATER? 923 00:39:29,834 --> 00:39:31,917 I-I REALLY DO NEED TO SELL IT TODAY. 924 00:39:32,000 --> 00:39:33,166 I'LL TRY ANOTHER STORE. 925 00:39:33,250 --> 00:39:35,333 I COULD GIVE YOU $300 FOR THE DRESS. 926 00:39:36,750 --> 00:39:37,917 [EXHALES] 927 00:39:38,000 --> 00:39:40,125 FIVE IS REALLY THE LOWEST I CAN GO. 928 00:39:40,208 --> 00:39:43,125 I MEAN, IT IS VINTAGE SILK, BEADED. 929 00:39:44,250 --> 00:39:47,709 HONESTLY, THE MOST I HAVE IS 300, 930 00:39:47,792 --> 00:39:50,709 AND I PROBABLY SHOULDN'T DO THAT. 931 00:39:52,291 --> 00:39:54,709 [SIGHING] 932 00:39:57,250 --> 00:39:59,250 DEAL. 933 00:40:00,458 --> 00:40:02,875 [GIGGLES HAPPILY] 934 00:40:02,959 --> 00:40:04,000 THANK YOU SO MUCH. 935 00:40:04,083 --> 00:40:06,125 YOU'RE WELCOME. 936 00:40:06,208 --> 00:40:08,041 OH, WOW. 937 00:40:09,125 --> 00:40:10,917 NO ONE WANTS TO GET NEAR IT. 938 00:40:11,000 --> 00:40:13,166 ALL OFFERS HAVE BEEN PULLED. 939 00:40:13,250 --> 00:40:14,792 IS IT TRUE THAT DONALD LENNOX 940 00:40:14,875 --> 00:40:16,250 HAD WANTED TO TEAR THE PLACE DOWN 941 00:40:16,333 --> 00:40:17,917 AND BUILD AN APARTMENT COMPLEX? 942 00:40:18,000 --> 00:40:20,834 WELL, DONALD WANTED TO BUY IT FOR PRACTICALLY NOTHING. 943 00:40:20,917 --> 00:40:22,875 I OFFERED SLIGHTLY MORE THAN NOTHING, 944 00:40:22,959 --> 00:40:25,041 AND I THINK DONALD WAS IRRITATED WITH ADRIAN 945 00:40:25,125 --> 00:40:27,041 FOR LETTING ME SNATCH IT UP. 946 00:40:27,125 --> 00:40:29,834 I HEARD WILLIAM CARSON WAS INTERESTED IN THE HOUSE. 947 00:40:29,917 --> 00:40:31,333 HE STILL IS. 948 00:40:31,417 --> 00:40:32,750 YOU KNOW HE CALLED ME 949 00:40:32,834 --> 00:40:34,709 THE DAY AFTER ADRIAN'S PASSING, 950 00:40:34,792 --> 00:40:36,709 SEEING IF I WANTED TO "UNLOAD" IT. 951 00:40:36,792 --> 00:40:38,792 OFFERING ME EVEN LESS THAN WHAT I PAID FOR IT, 952 00:40:38,875 --> 00:40:40,250 BEFORE THE REMODEL. 953 00:40:42,125 --> 00:40:44,375 I KNOW YOU CONSIDER YOURSELF SOME KIND OF SLEUTH-- 954 00:40:44,458 --> 00:40:46,166 AT LEAST THAT'S WHAT I HEAR. 955 00:40:46,250 --> 00:40:48,166 DOESN'T REALLY MATTER. 956 00:40:48,250 --> 00:40:50,375 "DEADLY ROOM," MURDER, IT'S ALL THE SAME. 957 00:40:50,458 --> 00:40:53,417 MY INVESTMENT IS WRECKED. 958 00:40:55,041 --> 00:40:57,083 IT MAY HAVE MATTERED TO ADRIAN. 959 00:40:57,166 --> 00:40:59,166 OF COURSE. 960 00:41:00,959 --> 00:41:03,125 SHE AND I WERE IN A BUSINESS RELATIONSHIP, 961 00:41:03,208 --> 00:41:05,000 AND THAT'S WHAT MY MIND IS ON NOW-- 962 00:41:05,083 --> 00:41:06,208 THE BUSINESS. 963 00:41:08,291 --> 00:41:10,875 [♪♪♪] 964 00:41:12,917 --> 00:41:14,458 I'LL BE FINE. 965 00:41:14,542 --> 00:41:16,208 HEY, SWEETHEART! HOW DID IT GO? 966 00:41:16,291 --> 00:41:19,291 WENT GREAT. DO YOU NOTICE ANYTHING NEW? 967 00:41:19,375 --> 00:41:20,917 I TOOK YOUR ADVICE ABOUT GOING FOR IT. 968 00:41:21,000 --> 00:41:24,208 AUTHENTIC SILK FLAPPER DRESS FROM THE 1920S. 969 00:41:24,291 --> 00:41:25,417 HOW MUCH? 970 00:41:25,500 --> 00:41:28,125 WELL, I SAW ONE ONLINE FOR $1,500. 971 00:41:28,208 --> 00:41:30,125 THE WOMAN WAS TRYING TO GET $700 OUT OF ME, 972 00:41:30,208 --> 00:41:32,959 BUT I DROVE A HARD BARGAIN AND I GOT IT FOR 300! 973 00:41:33,041 --> 00:41:34,291 WE'RE GONNA DO OKAY! 974 00:41:34,375 --> 00:41:37,041 IF-- IF IT'S REAL. 975 00:41:37,125 --> 00:41:38,333 IT'S REAL! 976 00:41:38,417 --> 00:41:40,291 I HAVE A PHOTO OF HER GRANDMOTHER WEARING IT. 977 00:41:40,375 --> 00:41:41,375 [SIGHS] 978 00:41:41,458 --> 00:41:42,583 WELL, SWEETHEART, 979 00:41:42,667 --> 00:41:44,208 HOW DO YOU KNOW THAT THAT'S HER GRANDMOTHER? 980 00:41:44,291 --> 00:41:46,125 HOW DO YOU KNOW THAT IT'S SILK? 981 00:41:46,208 --> 00:41:48,291 WELL... FEELS LIKE SILK. 982 00:41:48,375 --> 00:41:50,000 THE WOMAN NEEDED MONEY 983 00:41:50,083 --> 00:41:51,542 TO PAY FOR AN OPERATION ON HER DOG. 984 00:41:53,375 --> 00:41:54,959 WELL... 985 00:41:55,041 --> 00:41:56,166 RING? 986 00:41:56,250 --> 00:41:58,000 -MM. REAL SILK-- 987 00:41:58,083 --> 00:41:59,542 ...CAN BE PULLED THROUGH A RING. 988 00:41:59,625 --> 00:42:01,250 SYNTHETIC BUNCHES UP. 989 00:42:01,333 --> 00:42:05,250 SO THIS DRESS IS... 990 00:42:05,333 --> 00:42:07,500 GENUINE... 991 00:42:07,583 --> 00:42:09,333 RAYON. 992 00:42:10,959 --> 00:42:12,250 BUT GOOD RAYON. 993 00:42:12,333 --> 00:42:14,959 IT'S WORTH ABOUT 25 BUCKS. 994 00:42:15,041 --> 00:42:17,291 [SIGHS HEAVILY] 995 00:42:17,375 --> 00:42:20,959 I'M SO SORRY. 996 00:42:21,041 --> 00:42:22,959 THAT WAS ALL A LIE? 997 00:42:23,041 --> 00:42:26,291 THE PICTURE OF HER GRANDMOTHER, THE STORY ABOUT HER DOG? 998 00:42:26,375 --> 00:42:28,000 [SHE SIGHS] 999 00:42:28,083 --> 00:42:29,667 I'VE BEEN CONNED. 1000 00:42:29,750 --> 00:42:31,709 OH, SWEETHEART. 1001 00:42:33,166 --> 00:42:34,583 I'M SORRY, MOM. 1002 00:42:34,667 --> 00:42:35,875 THAT'S OKAY. 1003 00:42:35,959 --> 00:42:38,458 WE'VE ALL MADE THE SAME MISTAKE 1004 00:42:38,542 --> 00:42:39,875 WHEN WE'RE STARTING OUT. 1005 00:42:39,959 --> 00:42:42,250 WELL, SURE! THAT'S HOW YOU LEARN! 1006 00:42:42,333 --> 00:42:45,125 $300 IS AN EXPENSIVE LESSON. 1007 00:42:46,458 --> 00:42:47,834 I WILL EARN IT BACK. 1008 00:42:47,917 --> 00:42:49,083 I SWEAR. 1009 00:42:49,166 --> 00:42:50,375 IT'S OKAY. 1010 00:42:50,458 --> 00:42:52,250 OKAY, YOU TRY, MOM. 1011 00:42:52,333 --> 00:42:53,959 FIRST, CLICK THE MAGNIFYING GLASS, 1012 00:42:54,041 --> 00:42:54,959 THEN PUT THE CURSOR 1013 00:42:55,041 --> 00:42:56,041 OVER WHAT YOU WANT TO ENLARGE. 1014 00:42:56,125 --> 00:42:58,291 [CLICKING] 1015 00:42:58,375 --> 00:42:59,875 [JENN]: WHY SO BLURRY? 1016 00:42:59,959 --> 00:43:01,041 FROM YOUR CELL PHONE, MOM. 1017 00:43:01,125 --> 00:43:02,375 THE LESS YOU ENLARGE, THE BETTER IT LOOKS. 1018 00:43:02,458 --> 00:43:04,083 -OH-- -OKAY. 1019 00:43:04,166 --> 00:43:05,125 WHAT-- W-WHAT-- 1020 00:43:05,208 --> 00:43:06,166 MM-MM-MM. 1021 00:43:06,250 --> 00:43:08,375 ABSENTEE-MOM INTERVENTION. 1022 00:43:08,458 --> 00:43:09,417 YOU TWO HAVE A CHOICE. 1023 00:43:09,500 --> 00:43:11,291 YOU CAN STARE AT THAT COMPUTER-- 1024 00:43:11,375 --> 00:43:13,917 ...OR YOU CAN GET YOUR BUTT KICKED AT HEARTS. 1025 00:43:14,000 --> 00:43:15,583 [GROANS] 1026 00:43:15,667 --> 00:43:16,750 -BOOM! -YOU KNOW YOU WANT IT. 1027 00:43:16,834 --> 00:43:18,542 -THAT'S A CHALLENGE. -YOU KNOW YOU WANT IT! 1028 00:43:18,625 --> 00:43:21,208 -WE CANNOT TURN DOWN-- -WE CAN'T TURN IT DOWN. 1029 00:43:21,291 --> 00:43:23,291 WE'VE WON--WE'VE WON SIX TIMES IN A ROW! 1030 00:43:23,375 --> 00:43:25,458 [♪♪♪] 1031 00:43:26,542 --> 00:43:28,417 MM. JUST GO WITH ME HERE. 1032 00:43:28,500 --> 00:43:30,375 SEEMS IMPOSSIBLE THERE WAS A MURDER, RIGHT? 1033 00:43:30,458 --> 00:43:31,667 MM-HMM. 1034 00:43:31,750 --> 00:43:33,083 OKAY. PUT THAT ASIDE. 1035 00:43:33,166 --> 00:43:34,625 LET'S TALK SUSPECTS. 1036 00:43:34,709 --> 00:43:37,417 OKAY. LET'S HEAR IT. 1037 00:43:37,500 --> 00:43:38,709 AND I WANT MOTIVE! 1038 00:43:38,792 --> 00:43:40,333 OKAY, I'VE BEEN WORKING ON THIS. 1039 00:43:40,417 --> 00:43:42,208 SUSPECTS AND MOTIVES. 1040 00:43:42,291 --> 00:43:43,208 [CLACK-CLACK] 1041 00:43:43,291 --> 00:43:44,500 WILLIAM CARSON, 1042 00:43:44,583 --> 00:43:47,417 HEIR TO THE CARSON FAMILY, WHO BUILT THE HOUSE. 1043 00:43:47,500 --> 00:43:50,166 HE WANTED TO BUY THE HOUSE, BUT HE COULDN'T AFFORD IT. 1044 00:43:50,250 --> 00:43:51,500 MM-HMM. 1045 00:43:51,583 --> 00:43:54,125 DONALD LENNOX, REAL ESTATE DEVELOPER. 1046 00:43:54,208 --> 00:43:55,625 HE WANTED TO KNOCK THE HOUSE DOWN 1047 00:43:55,709 --> 00:43:57,125 AND BUILD AN APARTMENT COMPLEX. 1048 00:43:57,208 --> 00:43:58,458 MAYBE HE STILL DOES. 1049 00:43:58,542 --> 00:43:59,417 OKAY! 1050 00:43:59,500 --> 00:44:00,583 ERICA FRANKLIN, 1051 00:44:00,667 --> 00:44:03,542 PRESENT OWNER OF THE HOUSE, BUT... 1052 00:44:03,625 --> 00:44:04,583 MAYBE WE SHOULD RULE HER OUT, 1053 00:44:04,667 --> 00:44:06,291 BECAUSE SHE STANDS TO LOSE THE MOST 1054 00:44:06,375 --> 00:44:07,750 FROM THIS WHOLE "DEADLY ROOM" STORY. 1055 00:44:07,834 --> 00:44:11,125 OR WE SHOULD RULE HER IN, BECAUSE SHE LOOKS INNOCENT. 1056 00:44:11,208 --> 00:44:12,166 [CLICK] 1057 00:44:12,250 --> 00:44:13,291 AND THEN THERE'S TINA, 1058 00:44:13,375 --> 00:44:15,709 THE MOST OBVIOUS SUSPECT, 1059 00:44:15,792 --> 00:44:18,083 BECAUSE SHE STANDS TO GAIN THE MOST-- 1060 00:44:18,166 --> 00:44:21,458 CONTROL OF THE TRUST FUND, PLUS ADRIAN'S SHARE OF IT. 1061 00:44:21,542 --> 00:44:23,375 SOUNDS GUILTY TO ME. 1062 00:44:23,458 --> 00:44:24,709 [PHONE ALERT BEEPS] 1063 00:44:24,792 --> 00:44:28,291 OOH! I HAVE AN APPOINTMENT WITH MY ASTROLOGIST. 1064 00:44:28,375 --> 00:44:30,000 OH! THE COLONIAL. 1065 00:44:30,083 --> 00:44:31,667 WE STILL HAVE A STATUE THERE. 1066 00:44:31,750 --> 00:44:33,500 RIGHT. I WILL GO PICK IT UP. 1067 00:44:33,583 --> 00:44:35,250 OKAY. BYE, HONEY. 1068 00:44:35,333 --> 00:44:37,291 BYE. 1069 00:44:37,375 --> 00:44:39,667 [♪♪♪] 1070 00:44:41,417 --> 00:44:43,000 [CLICK] 1071 00:44:53,458 --> 00:44:56,291 ZIP CODE. 1072 00:45:03,417 --> 00:45:05,709 [DOOR CREAKS OPEN] 1073 00:45:11,375 --> 00:45:13,750 [♪♪♪] 1074 00:45:16,709 --> 00:45:18,166 [THUD] 1075 00:45:21,709 --> 00:45:24,125 [♪♪♪] 1076 00:45:49,750 --> 00:45:52,208 [♪♪♪] 1077 00:46:22,417 --> 00:46:24,792 [♪♪♪] 1078 00:46:37,458 --> 00:46:39,458 [CLICK-CREAK] 1079 00:46:46,375 --> 00:46:49,333 [CREAKING] 1080 00:46:53,333 --> 00:46:55,500 [♪♪♪] 1081 00:47:22,834 --> 00:47:25,542 [♪♪♪] 1082 00:47:51,709 --> 00:47:53,959 [♪♪♪] 1083 00:48:22,542 --> 00:48:24,917 [♪♪♪] 1084 00:48:35,959 --> 00:48:38,208 OHH... 1085 00:48:39,375 --> 00:48:40,834 [GRUNTING] 1086 00:48:40,917 --> 00:48:43,291 OH! OH, NO. 1087 00:48:44,667 --> 00:48:47,417 [THUMPING] 1088 00:48:49,750 --> 00:48:51,750 [♪♪♪] 1089 00:48:52,792 --> 00:48:55,291 HEY. HAVE YOU HEARD FROM YOUR MOM? 1090 00:48:55,375 --> 00:48:57,875 UH, NO. I CALLED HER EARLIER, GOT HER VOICEMAIL. 1091 00:48:57,959 --> 00:48:59,542 HUH. 1092 00:48:59,625 --> 00:49:01,667 [PHONE BUZZES] 1093 00:49:01,750 --> 00:49:02,750 HELLO? 1094 00:49:02,834 --> 00:49:04,542 OH, HEY, DANI. IT'S JASON. 1095 00:49:04,625 --> 00:49:05,709 HAVE YOU HEARD FROM MY LOVELY WIFE? 1096 00:49:05,792 --> 00:49:06,875 I CAN'T GET AHOLD OF HER. 1097 00:49:06,959 --> 00:49:08,417 NO, I DON'T KNOW WHERE SHE IS, EITHER. 1098 00:49:08,500 --> 00:49:10,166 I TRIED CALLING HER, TOO. 1099 00:49:10,250 --> 00:49:11,792 I'M GETTING A LITTLE WORRIED. 1100 00:49:11,875 --> 00:49:13,834 I LEFT HER AT THE SHOP THIS AFTERNOON. 1101 00:49:13,917 --> 00:49:15,917 SHE MAY HAVE GONE OVER TO THE COLONIAL, 1102 00:49:16,000 --> 00:49:17,875 TO PICK UP A STATUE WE LEFT THERE! 1103 00:49:17,959 --> 00:49:20,417 [♪♪♪] 1104 00:49:28,083 --> 00:49:30,583 JENNIFER! 1105 00:49:30,667 --> 00:49:32,959 JENN! 1106 00:49:33,041 --> 00:49:34,625 LET ME CHECK UPSTAIRS. 1107 00:49:34,709 --> 00:49:36,417 I'M GOING TO GO THIS WAY. 1108 00:49:36,500 --> 00:49:39,750 JENN! JENNIFER? 1109 00:49:44,375 --> 00:49:46,709 JASON! HER PURSE AND PHONE ARE HERE! 1110 00:49:48,917 --> 00:49:50,792 -JENNIFER! -[MUFFLED]: JASON! 1111 00:49:50,875 --> 00:49:53,417 -[MUFFLED THUMPING] JASON! -JENN! 1112 00:49:53,500 --> 00:49:54,417 [JENN]: HERE! IN HERE! 1113 00:49:54,500 --> 00:49:56,625 HOLD ON, HONEY. 1114 00:49:56,709 --> 00:49:58,709 I'M GONNA GET YOU OUT. 1115 00:49:58,792 --> 00:50:00,792 -[CLICK] -I GOT IT! 1116 00:50:00,875 --> 00:50:02,417 [JENN GASPS WITH RELIEF] 1117 00:50:02,500 --> 00:50:03,625 AWW. 1118 00:50:03,709 --> 00:50:05,917 OH, JASON. AW, THANK GOODNESS. 1119 00:50:06,000 --> 00:50:08,500 -OHH-- -YOU OKAY? 1120 00:50:08,583 --> 00:50:09,750 YEAH. OHH... 1121 00:50:09,834 --> 00:50:12,792 ISN'T THIS TRESPASSING? CAN I PRESS CHARGES? 1122 00:50:12,875 --> 00:50:14,792 UM... 1123 00:50:14,875 --> 00:50:16,041 MAYBE. 1124 00:50:16,125 --> 00:50:18,125 [SIGHS] PROBABLY NOT. 1125 00:50:18,208 --> 00:50:21,125 YOU HAD A LOCKBOX ON THE DOOR, SHE HAD THE CODE. 1126 00:50:21,208 --> 00:50:23,458 HOW DID YOU KNOW THE CODE? 1127 00:50:23,542 --> 00:50:24,709 ADRIAN. 1128 00:50:24,792 --> 00:50:26,875 SHE TOLD ME ALL THE CODES TO THE LOCK-BOXES 1129 00:50:26,959 --> 00:50:28,500 ARE THE ZIP CODES. 1130 00:50:28,583 --> 00:50:31,625 AND YOU CAME BY TO RETRIEVE A STATUE-- 1131 00:50:31,709 --> 00:50:33,083 THE BARYE STAG! 1132 00:50:33,166 --> 00:50:35,333 UH, THANK YOU-- WHICH YOU LOANED FOR THE OPEN HOUSE? 1133 00:50:35,417 --> 00:50:36,834 RIGHT. 1134 00:50:36,917 --> 00:50:38,500 AND THEN I FOUND THE HIDDEN STAIRWAY 1135 00:50:38,583 --> 00:50:40,083 THAT LEADS TO THE BEDROOM. 1136 00:50:40,166 --> 00:50:42,834 I KNEW ABOUT THE STAIRWAY. SO WHAT? 1137 00:50:42,917 --> 00:50:45,083 I DON'T WANT YOU SNEAKING AROUND THIS HOUSE. 1138 00:50:45,166 --> 00:50:48,542 AND I WANT YOU TO STOP WITH THIS NONSENSE ABOUT A MURDER. 1139 00:50:48,625 --> 00:50:50,000 DETECTIVE. 1140 00:50:50,083 --> 00:50:52,834 WHAT IS THE OFFICIAL CAUSE OF DEATH OF ADRIAN MERRILL? 1141 00:50:52,917 --> 00:50:54,709 NATURAL CAUSES. 1142 00:50:56,583 --> 00:50:58,166 WELL, THEN WHO CLOSED THE DOOR BEHIND ME 1143 00:50:58,250 --> 00:51:00,166 AND TRAPPED ME IN THE STAIRWAY? 1144 00:51:03,583 --> 00:51:05,542 [DOOR CREAKS] 1145 00:51:07,041 --> 00:51:08,667 JUST LIKE THAT? 1146 00:51:08,750 --> 00:51:09,959 YES. 1147 00:51:10,041 --> 00:51:12,709 [MECHANISM CLICKS, DOOR THUDS] 1148 00:51:17,041 --> 00:51:19,000 [♪♪♪] 1149 00:51:19,083 --> 00:51:20,500 [ERICA SCOFFS] 1150 00:51:21,583 --> 00:51:23,000 DO YOU KNOW WHAT THIS IS? 1151 00:51:23,083 --> 00:51:25,792 CAP TO SOMETHING? 1152 00:51:25,875 --> 00:51:27,792 I THINK IT'S WHAT YOU PUT ON A SYRINGE 1153 00:51:27,875 --> 00:51:29,750 TO PROTECT THE NEEDLE. 1154 00:51:32,166 --> 00:51:33,875 WHERE'D YOU FIND THIS? 1155 00:51:33,959 --> 00:51:35,625 THE HIDDEN STAIRWAY. 1156 00:51:35,709 --> 00:51:38,750 I THINK SOMEBODY INJECTED ADRIAN WITH SOMETHING. 1157 00:51:40,125 --> 00:51:43,375 YOU DON'T KNOW HOW LONG THIS HAS BEEN IN THE STAIRWAY. 1158 00:51:43,458 --> 00:51:44,750 I MEAN, THINK ABOUT IT-- 1159 00:51:44,834 --> 00:51:46,917 YOU'VE WATCHED THE ENTIRE TAPE 1160 00:51:47,000 --> 00:51:48,125 OF ADRIAN SLEEPING, 1161 00:51:48,208 --> 00:51:50,583 AND NOBODY INJECTED HER, RIGHT? 1162 00:51:50,667 --> 00:51:52,375 RIGHT. 1163 00:51:52,458 --> 00:51:54,583 IT WOULD BE ON CAMERA IF SOMEONE HAD. 1164 00:51:54,667 --> 00:51:58,709 AND THERE WAS NOTHING IN THE AUTOPSY REPORT, RIGHT? 1165 00:51:58,792 --> 00:52:00,834 [SIGHS] 1166 00:52:00,917 --> 00:52:03,083 RIGHT. 1167 00:52:04,166 --> 00:52:06,041 SO WHAT DO YOU THINK NOW? 1168 00:52:07,792 --> 00:52:10,083 I THINK I'M GONNA FINISH MY PIE. 1169 00:52:18,667 --> 00:52:21,125 COLONEL MUSTARD WITH THE CANDLESTICK. 1170 00:52:21,208 --> 00:52:22,500 I'M THINKING 1171 00:52:22,583 --> 00:52:24,834 PROFESSOR PLUM WITH THE ROPE. 1172 00:52:24,917 --> 00:52:27,834 [♪♪♪] 1173 00:52:31,583 --> 00:52:33,542 AHH. I KNEW IT! 1174 00:52:39,291 --> 00:52:43,041 "1,000 TIMES MORE DEADLY THAN CYANIDE." 1175 00:52:43,125 --> 00:52:44,625 TETRODOTOXIN. 1176 00:52:44,709 --> 00:52:46,709 "ONE FISH COULD KILL 30 PEOPLE." 1177 00:52:46,792 --> 00:52:47,709 OOH. 1178 00:52:47,792 --> 00:52:51,083 [♪♪♪] 1179 00:52:52,208 --> 00:52:53,250 HEMLOCK. 1180 00:52:53,333 --> 00:52:54,750 OKAY. 1181 00:52:54,834 --> 00:52:57,792 MERCURY? WELL, GOT THAT. WATCH YOUR TUNA. 1182 00:52:57,875 --> 00:53:01,667 "A MEDICAL TOXIN, SUCCINYLCHOLINE, 1183 00:53:01,750 --> 00:53:02,917 "SIMILAR TO CURARE, 1184 00:53:03,000 --> 00:53:06,250 USED DURING SURGERY OR EMERGENCY INTUBATION." 1185 00:53:07,333 --> 00:53:10,250 WOLFSBANE. UNTRACEABLE? 1186 00:53:10,333 --> 00:53:12,709 "CAUSES ARRHYTHMIC HEART FUNCTION 1187 00:53:12,792 --> 00:53:14,500 "LEADING TO SUFFOCATION. 1188 00:53:14,583 --> 00:53:16,000 "LEAVES AND STEM ARE TOXIC 1189 00:53:16,083 --> 00:53:17,583 "AND EASILY ABSORBED THROUGH SKIN. 1190 00:53:17,667 --> 00:53:20,041 MUST BE HANDLED WITH PROTECTIVE GLOVES." 1191 00:53:21,125 --> 00:53:22,166 WOLFSBANE. 1192 00:53:22,250 --> 00:53:24,208 [PEN SCRATCHING PAPER] 1193 00:53:29,208 --> 00:53:30,875 -WOLF'S-- WHAT? -"WOLFSBANE." 1194 00:53:30,959 --> 00:53:33,542 IT'S A POISONOUS FLOWER, VERY TOXIC TO THE TOUCH. 1195 00:53:33,625 --> 00:53:35,667 YOU HAVE TO WEAR GLOVES IF YOU'RE HANDLING IT. 1196 00:53:35,750 --> 00:53:38,083 SO, NOT A "DEADLY ROOM," A DEADLY MASSAGE? 1197 00:53:38,166 --> 00:53:39,834 [LAUGHS] THAT'S FUNNY! 1198 00:53:39,917 --> 00:53:42,750 BUT WHAT IF IT HAD BEEN RUBBED ON THE SHEETS, FOR EXAMPLE? 1199 00:53:42,834 --> 00:53:45,875 HAVE YOU BEEN UP ALL NIGHT? I THINK YOU NEED MORE REST. 1200 00:53:45,959 --> 00:53:47,208 HERE, LET ME TAKE YOUR TEMPERATURE. 1201 00:53:47,291 --> 00:53:49,834 SERIOUSLY, DANI, THIS COULD EXPLAIN A LOT. 1202 00:53:49,917 --> 00:53:50,792 OH, HOLD ON. 1203 00:53:50,875 --> 00:53:51,834 [RINGING] 1204 00:53:51,917 --> 00:53:53,041 HELLO? 1205 00:53:53,125 --> 00:53:55,041 HI, TINA. 1206 00:53:55,125 --> 00:53:57,250 UH, YES, I CAN DO THAT. 1207 00:53:58,291 --> 00:54:00,542 VERY GOOD. I'LL SEE YOU IN A BIT. 1208 00:54:01,709 --> 00:54:02,667 THAT WAS TINA. 1209 00:54:02,750 --> 00:54:04,125 SHE WANTS ME TO GO OVER TO ADRIAN'S. 1210 00:54:04,208 --> 00:54:05,500 SOMETHING ABOUT GOING THROUGH HER STUFF. 1211 00:54:05,583 --> 00:54:07,000 OOH. 1212 00:54:07,083 --> 00:54:09,291 HEY, YOU HAVE A FRIEND WHO GROWS EXOTIC FLOWERS? 1213 00:54:09,375 --> 00:54:10,834 YEAH, ANGELICA. 1214 00:54:10,917 --> 00:54:12,166 WOULD YOU MIND CALLING HER, 1215 00:54:12,250 --> 00:54:14,125 AND SEEING WHAT YOU CAN FIND OUT ABOUT WOLFSBANE? 1216 00:54:14,208 --> 00:54:16,166 NOT AT ALL. 1217 00:54:16,250 --> 00:54:17,917 -THANK YOU. -MM-HMM. 1218 00:54:19,083 --> 00:54:21,750 [♪♪♪] 1219 00:54:21,834 --> 00:54:23,792 AND... GO! 1220 00:54:27,083 --> 00:54:28,709 NICE. NICE. OKAY, LET'S DO ANOTHER ONE. 1221 00:54:35,041 --> 00:54:36,166 [AWKWARDLY]: HEY. 1222 00:54:36,250 --> 00:54:38,125 HEY. 1223 00:54:40,709 --> 00:54:43,041 UH, I'LL CATCH UP WITH YOU GUYS LATER. 1224 00:54:45,875 --> 00:54:47,875 [♪♪♪] 1225 00:54:49,083 --> 00:54:50,917 [WORDS CATCHING]: UM-- 1226 00:54:53,000 --> 00:54:55,375 UH... 1227 00:54:56,458 --> 00:54:58,250 IF YOU'RE GONNA ASK ME TO THE DANCE, 1228 00:54:58,333 --> 00:55:01,750 I APPRECIATE YOU THINKING OF ME. 1229 00:55:01,834 --> 00:55:03,959 [♪♪♪] 1230 00:55:05,125 --> 00:55:06,875 AND I'D LIKE TO GO. 1231 00:55:10,208 --> 00:55:11,917 COOL. 1232 00:55:13,000 --> 00:55:14,792 YEAH. COOL. 1233 00:55:14,875 --> 00:55:17,041 I MEAN... 1234 00:55:17,125 --> 00:55:19,000 THANKS. 1235 00:55:20,166 --> 00:55:22,750 [♪♪♪] 1236 00:55:26,333 --> 00:55:27,291 THANKS FOR COMING OVER. 1237 00:55:30,917 --> 00:55:32,166 WOW... 1238 00:55:34,166 --> 00:55:35,083 HI. 1239 00:55:35,166 --> 00:55:37,041 HI... 1240 00:55:38,250 --> 00:55:41,083 LET'S GO OUT TO THE GARAGE. 1241 00:55:41,166 --> 00:55:43,834 YOU'RE BLUFFING! YOU DON'T HAVE THAT ACE. 1242 00:55:47,166 --> 00:55:48,917 SO, HERE'S ALL THE STUFF. 1243 00:55:49,000 --> 00:55:51,333 DO I JUST DONATE IT? 1244 00:55:51,417 --> 00:55:53,375 THERE'S PERSONAL THINGS I DON'T REALLY WANT TO GO THROUGH. 1245 00:55:53,458 --> 00:55:55,291 IF YOU WANT ANYTHING FOR YOUR STORE, 1246 00:55:55,375 --> 00:55:56,458 YOU CAN JUST HAVE IT. 1247 00:55:57,709 --> 00:55:59,208 MOST OF THE FURNITURE CAN GO TO CHARITY. 1248 00:55:59,291 --> 00:56:00,625 THEY'LL PICK IT UP, 1249 00:56:00,709 --> 00:56:02,000 AND I'LL GO THROUGH THE BOXES AT THE STORE, 1250 00:56:02,083 --> 00:56:03,125 AND DONATE WHAT'S APPROPRIATE. 1251 00:56:03,208 --> 00:56:06,375 GREAT! I FIGURED YOU MIGHT KNOW WHAT TO DO. 1252 00:56:07,709 --> 00:56:10,000 I DIDN'T KNOW YOU WERE INVOLVED WITH WILLIAM. 1253 00:56:10,083 --> 00:56:12,375 I MET HIM AT THE OPEN HOUSE. 1254 00:56:12,458 --> 00:56:14,000 YOU KNOW HE TRIED TO BUY IT? 1255 00:56:14,083 --> 00:56:17,041 HE'S A CARSON, USED TO BE IN HIS FAMILY. 1256 00:56:17,125 --> 00:56:19,709 YES. 1257 00:56:19,792 --> 00:56:21,291 I'M A LITTLE NAIVE. 1258 00:56:21,375 --> 00:56:25,208 CAN YOU REALLY MAKE THAT KIND OF MONEY PLAYING ON-LINE POKER? 1259 00:56:25,291 --> 00:56:27,458 ENOUGH TO BUY A HOUSE LIKE THAT? 1260 00:56:27,542 --> 00:56:28,583 WILLIE WANTED TO BUY IT 1261 00:56:28,667 --> 00:56:30,667 BEFORE THEY SUNK ALL THAT MONEY INTO IT. 1262 00:56:30,750 --> 00:56:34,333 HE STILL MIGHT, IF HE CAN WIN A BIG TOURNAMENT. 1263 00:56:34,417 --> 00:56:36,208 HMM. 1264 00:56:40,709 --> 00:56:41,917 WILLIAM CARSON WANTS THE HOUSE 1265 00:56:42,000 --> 00:56:43,417 BECAUSE IT'S PART OF HIS FAMILY LEGACY, 1266 00:56:43,500 --> 00:56:44,875 WHICH IS CRAZY. 1267 00:56:44,959 --> 00:56:46,333 WHY'S THAT CRAZY? 1268 00:56:46,417 --> 00:56:48,417 WELL, HE DOESN'T HAVE THE MONEY TO BUY IT. 1269 00:56:48,500 --> 00:56:50,000 SO HE'S MOVED IN WITH HER? 1270 00:56:50,083 --> 00:56:51,000 HMPH! OH, YEAH. 1271 00:56:51,083 --> 00:56:52,458 HEY. CHECK THIS OUT. 1272 00:56:52,542 --> 00:56:55,000 DID YOU KNOW PETER AND ADRIAN WORKED TOGETHER? 1273 00:56:55,083 --> 00:56:56,166 OH, YES. A LONG TIME AGO. 1274 00:56:56,250 --> 00:56:58,875 BEFORE WE EVER MET ADRIAN. 1275 00:56:58,959 --> 00:57:01,250 DID YOU EVER FIND ANYTHING OUT ABOUT WOLFSBANE? 1276 00:57:01,333 --> 00:57:03,458 YUP. IT'S NOT HARD TO GET. 1277 00:57:03,542 --> 00:57:05,500 ANGELICA HAD SOME IN HER ORCHID HOUSE. 1278 00:57:05,583 --> 00:57:07,041 TOXIC TO THE TOUCH? 1279 00:57:07,125 --> 00:57:08,125 YEAH. SORT OF. 1280 00:57:08,208 --> 00:57:09,166 IF YOU TOUCH IT WITH YOUR BARE HANDS, 1281 00:57:09,250 --> 00:57:10,792 YOU'LL FEEL ALL TINGLY AND WEIRD, 1282 00:57:10,875 --> 00:57:11,834 BUT YOU WON'T DIE. 1283 00:57:11,917 --> 00:57:13,709 IT'S LETHAL IF YOU EAT IT, 1284 00:57:13,792 --> 00:57:15,417 AND IT'S EASY TO CRUSH IT UP WITH WATER AND MAKE AN EXTRACT. 1285 00:57:15,500 --> 00:57:18,417 WELL, I WONDER IF YOU INJECTED THAT INTO SOMEONE, 1286 00:57:18,500 --> 00:57:19,500 IF IT WOULD IT KILL THEM? 1287 00:57:19,583 --> 00:57:21,083 I ASKED HER THAT, AND IT WOULD, 1288 00:57:21,166 --> 00:57:22,166 BUT THEY'D BE VIOLENTLY SICK 1289 00:57:22,250 --> 00:57:23,750 FOR ABOUT FOUR HOURS. 1290 00:57:23,834 --> 00:57:25,709 OH! I GUESS WE CAN RULE THAT OUT. 1291 00:57:25,792 --> 00:57:27,041 GOOD. 1292 00:57:27,125 --> 00:57:28,709 SO, WHAT'S THE CONNECT BETWEEN WILLIAM AND TINA? 1293 00:57:28,792 --> 00:57:30,041 I MEAN-- 1294 00:57:30,125 --> 00:57:31,750 HE WAS FLIRTY AT THE OPEN HOUSE, 1295 00:57:31,834 --> 00:57:33,291 SO THINGS MUST HAVE MOVED REALLY QUICKLY. 1296 00:57:33,375 --> 00:57:36,750 WELL, WILLIAM WANTS TO BUY A HOUSE HE CAN'T AFFORD. 1297 00:57:36,834 --> 00:57:38,375 HE HOOKS UP WITH TINA, 1298 00:57:38,458 --> 00:57:40,333 WHO'S THE ONLY PERSON 1299 00:57:40,417 --> 00:57:42,291 WHO'S PROFITED BY ADRIAN'S DEATH. 1300 00:57:42,375 --> 00:57:44,250 -NICE. -WELL... 1301 00:57:44,333 --> 00:57:45,959 IF HE WANTED TO BUY THE HOUSE, IT'S A LOT CHEAPER NOW. 1302 00:57:46,041 --> 00:57:48,417 AND IF ANYONE WOULD KNOW ABOUT THE HIDDEN STAIRWAY, 1303 00:57:48,500 --> 00:57:50,542 IT WOULD BE HIM. 1304 00:57:50,625 --> 00:57:52,959 THANK YOU VERY MUCH. 1305 00:57:54,542 --> 00:57:56,417 SO, EVERYONE AT THE AGENCY 1306 00:57:56,500 --> 00:57:58,500 WAS TALKING ABOUT YOU GETTING TRAPPED IN THE STAIRWAY. 1307 00:57:58,583 --> 00:58:01,333 AND WE EVEN HAD TO CHANGE THE CODE ON THE LOCK-BOXES. 1308 00:58:01,417 --> 00:58:04,125 NORMALLY, I DON'T PANIC, BUT I WAS GETTING THERE. 1309 00:58:04,208 --> 00:58:06,166 I CAN ONLY IMAGINE. 1310 00:58:08,333 --> 00:58:11,417 ERICA FRANKLIN CALLED ME YESTERDAY. 1311 00:58:11,500 --> 00:58:13,083 SHE WANTS ME TO TAKE THE LISTING. 1312 00:58:13,166 --> 00:58:14,083 THE COLONIAL? 1313 00:58:14,166 --> 00:58:15,083 YEAH. 1314 00:58:15,166 --> 00:58:16,250 BUT I SAID NO. 1315 00:58:16,333 --> 00:58:19,208 I JUST DIDN'T FEEL COMFORTABLE ABOUT IT. 1316 00:58:19,291 --> 00:58:21,417 IT WAS ADRIAN'S LISTING, AND SHE'D DONE SUCH A GREAT JOB. 1317 00:58:21,500 --> 00:58:23,917 I KNOW, BUT IF YOU DON'T TAKE IT, 1318 00:58:24,000 --> 00:58:25,583 SOMEONE'S GOING TO. 1319 00:58:25,667 --> 00:58:29,208 WHAT WOULD ADRIAN HAVE WANTED? 1320 00:58:30,583 --> 00:58:32,375 THAT'S EXACTLY WHAT MY BOSS SAID. 1321 00:58:32,458 --> 00:58:35,125 HE REALLY DOESN'T WANT TO LOSE THAT PROPERTY. 1322 00:58:35,208 --> 00:58:37,500 SO I'LL SEE. 1323 00:58:37,583 --> 00:58:40,208 ERICA GAVE ME 24 HOURS TO RECONSIDER. 1324 00:58:40,291 --> 00:58:42,458 IS THERE ANY INTEREST AT ALL? 1325 00:58:42,542 --> 00:58:43,625 NO. 1326 00:58:43,709 --> 00:58:44,917 WELL, ACTUALLY, THERE'S ONE LOW-BALL OFFER 1327 00:58:45,000 --> 00:58:46,125 FROM WILLIAM CARSON. 1328 00:58:46,208 --> 00:58:47,834 HOW DOES A GUY LIKE THAT 1329 00:58:47,917 --> 00:58:50,041 EVEN SCRAPE TOGETHER A LOW-BALL OFFER? 1330 00:58:50,125 --> 00:58:51,875 WELL, HE'S GOT A LITTLE FAMILY MONEY, 1331 00:58:51,959 --> 00:58:53,250 AND I HEAR HE'S SOME KIND OF GAMBLER. 1332 00:58:53,333 --> 00:58:54,625 MM. 1333 00:58:55,917 --> 00:58:59,166 SO I'VE BEEN THINKING ABOUT OUR LAST CONVERSATION, 1334 00:58:59,250 --> 00:59:01,458 ABOUT WHO WOULD GAIN FROM ADRIAN'S DEATH-- 1335 00:59:01,542 --> 00:59:02,583 NOW THAT'S MOTIVE, RIGHT? 1336 00:59:02,667 --> 00:59:05,250 IT ALL BEGINS WITH MOTIVE. 1337 00:59:05,333 --> 00:59:07,625 WELL, I CAN THINK OF A COUPLE-- SOME OF THEM FAR-FETCHED, 1338 00:59:07,709 --> 00:59:11,417 LIKE, UH, CARSON TRYING TO KNOCK DOWN THE PRICE. 1339 00:59:11,500 --> 00:59:14,417 BUT I KEEP ON COMING BACK TO HOW. 1340 00:59:14,500 --> 00:59:18,041 IF ADRIAN WAS MURDERED, HOW? 1341 00:59:18,125 --> 00:59:19,375 [SIGHS] 1342 00:59:19,458 --> 00:59:21,583 I WAS LOOKING INTO DEADLY PLANTS. 1343 00:59:21,667 --> 00:59:23,542 WOLFSBANE, FOR EXAMPLE. 1344 00:59:23,625 --> 00:59:26,291 I THOUGHT IT MIGHT BE SOME KIND OF CONTACT TRANSMISSION, 1345 00:59:26,375 --> 00:59:28,250 BUT THAT WOULD ONLY MAKE YOU SICK. 1346 00:59:28,333 --> 00:59:30,208 TRY THIS OUT. 1347 00:59:30,291 --> 00:59:33,875 IS THERE ANY WAY OF RELEASING SOME KIND OF GAS, 1348 00:59:33,959 --> 00:59:36,125 OR CUTTING OFF THE OXYGEN TO THE ROOM 1349 00:59:36,208 --> 00:59:38,041 SO SHE JUST DIES IN HER SLEEP? 1350 00:59:38,125 --> 00:59:39,583 UH, FROM AN UNVENTED FIREPLACE? 1351 00:59:39,667 --> 00:59:41,417 -CARBON MONOXIDE? -RIGHT. 1352 00:59:41,500 --> 00:59:43,375 WOULDN'T THAT SHOW UP IN AN AUTOPSY? 1353 00:59:45,208 --> 00:59:47,750 I GUESS SO. 1354 00:59:49,583 --> 00:59:51,875 I GOT TO GET BACK TO WORK. 1355 00:59:51,959 --> 00:59:53,709 IS ERICA CONSIDERING THE LOW-BALL OFFER? 1356 00:59:53,792 --> 00:59:55,000 NOT YET, 1357 00:59:55,083 --> 00:59:56,208 BUT EVENTUALLY, 1358 00:59:56,291 --> 00:59:58,959 SHE MAY JUST HAVE TO TAKE A LOSS AND MOVE ON. 1359 00:59:59,041 --> 01:00:00,583 THANKS FOR COFFEE. 1360 01:00:00,667 --> 01:00:01,917 MY PLEASURE. 1361 01:00:05,250 --> 01:00:08,250 [♪♪♪] 1362 01:00:10,291 --> 01:00:12,667 [BELL JINGLES] 1363 01:00:12,750 --> 01:00:14,500 HELLO. MAY I HELP YOU? 1364 01:00:14,583 --> 01:00:15,583 AFTERNOON. 1365 01:00:18,166 --> 01:00:20,083 CAN I ASK YOU A FAVOR? 1366 01:00:20,166 --> 01:00:22,291 SURE. WHAT DO YOU NEED? 1367 01:00:22,375 --> 01:00:25,083 I OWN A NUMBER OF PROPERTIES AROUND THE COLONIAL HOUSE, 1368 01:00:25,166 --> 01:00:27,583 ALL THIS TALK ABOUT IT BEING CURSED 1369 01:00:27,667 --> 01:00:29,125 AND A "DEADLY ROOM," 1370 01:00:29,208 --> 01:00:30,750 IT'S HURTING EVERYTHING. 1371 01:00:32,375 --> 01:00:34,375 WELL, HOW CAN I HELP YOU WITH THAT? 1372 01:00:34,458 --> 01:00:35,917 LEAVE IT ALONE. 1373 01:00:36,000 --> 01:00:39,458 I KNOW YOU HAVE NO INTENTIONS OF KEEPING THIS RUMOR ALIVE. 1374 01:00:39,542 --> 01:00:40,625 SO WHY DON'T WE JUST ACCEPT 1375 01:00:40,709 --> 01:00:43,166 WHAT THE CORONER'S RULED AS A NATURAL DEATH? 1376 01:00:43,250 --> 01:00:45,583 YOU'RE RIGHT, I HAVE NO INTENTION 1377 01:00:45,667 --> 01:00:47,959 OF FUELING ANY RUMORS CONNECTED WITH THE HOUSE. 1378 01:00:48,041 --> 01:00:49,041 GREAT. 1379 01:00:49,125 --> 01:00:50,417 BUT-- 1380 01:00:50,500 --> 01:00:51,625 I AM SKEPTICAL 1381 01:00:51,709 --> 01:00:53,542 THAT SHE JUST LAID DOWN AND DIED. 1382 01:00:53,625 --> 01:00:55,667 [♪♪♪] 1383 01:01:01,250 --> 01:01:02,667 ARE YOU A DOCTOR? 1384 01:01:02,750 --> 01:01:05,500 A POLICE DETECTIVE? 1385 01:01:05,583 --> 01:01:07,291 YOU OWN A SECOND-HAND SHOP, 1386 01:01:07,375 --> 01:01:09,250 AND SUDDENLY, YOU'RE AN EXPERT 1387 01:01:09,333 --> 01:01:12,333 AND YOU KNOW BETTER THAN THE PROFESSIONALS? 1388 01:01:12,417 --> 01:01:15,709 YOU'RE NOT SERVING HER MEMORY BY DOING THIS. 1389 01:01:15,792 --> 01:01:19,208 I'LL BE THE JUDGE ON HOW I SERVE MY FRIEND'S MEMORY. 1390 01:01:19,291 --> 01:01:21,375 MY ADVICE? 1391 01:01:21,458 --> 01:01:24,583 LEAVE THINGS ALONE THAT DON'T CONCERN YOU. 1392 01:01:26,458 --> 01:01:28,792 [♪♪♪] 1393 01:01:36,417 --> 01:01:39,667 SO, UH... AMY ASKED ME TO THE DANCE. 1394 01:01:40,750 --> 01:01:42,000 AND...? 1395 01:01:42,083 --> 01:01:44,291 WELL, I HEARD "MOM VOICE" IN MY EAR, 1396 01:01:44,375 --> 01:01:45,709 SO I SAID "YES." 1397 01:01:45,792 --> 01:01:47,333 FIGURE I'LL SURVIVE. 1398 01:01:47,417 --> 01:01:48,625 THERE YA GO! 1399 01:01:48,709 --> 01:01:50,500 I CAN'T WAIT FOR THE WEDDING. 1400 01:01:50,583 --> 01:01:52,000 [LAUGHS] JUST KIDDING. 1401 01:01:52,125 --> 01:01:53,542 HEY, UM-- 1402 01:01:53,625 --> 01:01:54,792 THAT MOVIE, "THE STING"-- 1403 01:01:54,875 --> 01:01:57,166 UM, THAT WAS ABOUT A HORSE RACE, RIGHT? 1404 01:01:57,250 --> 01:01:58,500 YEAH. A BUNCH OF GAMBLERS 1405 01:01:58,583 --> 01:02:00,625 FIGURED OUT A WAY TO DELAY THE TELEGRAPH RESULTS 1406 01:02:00,709 --> 01:02:02,375 SO THEY WOULD KNOW THE WINNER BEFORE ANYONE ELSE. 1407 01:02:02,458 --> 01:02:03,375 PRETTY COOL, HUH? 1408 01:02:03,458 --> 01:02:04,583 [DRESS SWISHING, HEELS CLACKING] 1409 01:02:04,667 --> 01:02:05,625 HUH. 1410 01:02:10,583 --> 01:02:12,333 WHAT DO YOU GUYS THINK? 1411 01:02:12,417 --> 01:02:14,208 -WOW. -WHOA... 1412 01:02:14,291 --> 01:02:15,417 THAT IS BEAUTIFUL! 1413 01:02:15,500 --> 01:02:18,333 ARE YOU BUYING IT? BECAUSE I THINK IT'S $300. 1414 01:02:18,417 --> 01:02:20,500 MOM! 1415 01:02:20,583 --> 01:02:22,667 I'M BORROWING IT. 1416 01:02:22,750 --> 01:02:24,417 TWO OF MY DELTA SISTERS WANT TO ENTER A DANCE CONTEST 1417 01:02:24,500 --> 01:02:25,542 FOR GREEK WEEK, 1418 01:02:25,625 --> 01:02:26,458 SO WE'RE MAKING DUPLICATES OF THE DRESS 1419 01:02:26,542 --> 01:02:27,625 AND WE'RE DOING THE CHARLESTON. 1420 01:02:27,709 --> 01:02:29,667 OH! I CAN DO THE CHARLESTON. YOU WANT TO SEE? 1421 01:02:29,750 --> 01:02:31,000 [KIDS]: MM-- 1422 01:02:31,083 --> 01:02:32,083 MAYBE LATER. 1423 01:02:33,959 --> 01:02:34,834 HEY, AFTER DINNER, 1424 01:02:35,208 --> 01:02:36,458 CAN YOU SHOW ME SOMETHING ON YOUR COMPUTER? 1425 01:02:36,542 --> 01:02:37,500 -YEAH. SURE. -THANKS. 1426 01:02:37,583 --> 01:02:40,375 [♪♪♪] 1427 01:02:40,458 --> 01:02:42,208 OKAY, WHOA, WHOA. WAIT, WAIT. PAUSE. 1428 01:02:42,291 --> 01:02:44,333 THERE'S ADRIAN'S WATCH. 1429 01:02:44,417 --> 01:02:46,458 CAN YOU BLOW IT UP SO WE CAN SEE THE TIME? 1430 01:02:46,542 --> 01:02:48,375 UM, YEAH. 1431 01:02:50,083 --> 01:02:52,667 CAN YOU MAKE IT NOT SO GRAINY? 1432 01:02:52,750 --> 01:02:55,375 I CAN RUN A PROGRAM THAT GENERATES MISSING PIXELS. 1433 01:02:55,458 --> 01:02:56,625 MIGHT HELP. 1434 01:02:56,709 --> 01:02:58,166 YEAH, LET ME SEE. 1435 01:02:58,250 --> 01:02:59,291 [CLACKING] 1436 01:03:03,458 --> 01:03:06,417 WHAT IF YOU WERE TO RUN THE PIXEL PROGRAM 1437 01:03:06,500 --> 01:03:08,792 FOR A THREE-HOUR SEGMENT, HOW LONG WOULD THAT TAKE? 1438 01:03:08,875 --> 01:03:11,750 MM, IT'S A PRETTY STATIC IMAGE, MIGHT TAKE A COUPLE OF HOURS. 1439 01:03:11,834 --> 01:03:14,333 OKAY. FAST-FORWARD TO ABOUT 2:30 A.M. 1440 01:03:14,417 --> 01:03:16,542 AND GO THREE HOURS FROM THERE. 1441 01:03:16,625 --> 01:03:18,792 WHAT EXACTLY ARE YOU LOOKING FOR, MOM? 1442 01:03:18,875 --> 01:03:20,583 WE'LL SEE. 1443 01:03:20,667 --> 01:03:23,125 THE STING GAVE ME AN IDEA. 1444 01:03:24,959 --> 01:03:27,500 [♪♪♪] 1445 01:03:32,834 --> 01:03:35,375 OKAY, LOGAN, LET'S PLAY IT BACK. 1446 01:03:35,458 --> 01:03:38,125 WHOA, WHOA, BUT THAT'LL TAKE, LIKE, THREE HOURS. 1447 01:03:38,208 --> 01:03:39,250 IT'S ALMOST MIDNIGHT NOW. 1448 01:03:39,333 --> 01:03:40,542 WELL, PUT IT ON THREE-TIMES FAST-FORWARD, 1449 01:03:40,625 --> 01:03:41,834 IT'LL TAKE LESS THAN AN HOUR. 1450 01:03:41,917 --> 01:03:44,875 YOU WANT TO STARE AT A WATCH-FACE FOR AN HOUR? 1451 01:03:44,959 --> 01:03:47,291 I'LL MAKE YOU FRENCH TOAST IN THE MORNING. 1452 01:03:47,375 --> 01:03:49,375 DEAL. 1453 01:03:49,458 --> 01:03:51,208 OKAY. 1454 01:03:51,291 --> 01:03:53,875 THANKS. 1455 01:03:55,458 --> 01:03:58,166 [♪♪♪] 1456 01:04:09,750 --> 01:04:11,875 [HYPNOTICALLY]: YOU ARE GETTING 1457 01:04:11,959 --> 01:04:13,792 SLEE-EEPY... 1458 01:04:13,875 --> 01:04:16,625 VE-RY SLEE-EEPY. 1459 01:04:19,333 --> 01:04:21,333 [TRANCE-LIKE]: YOU WILL TAKE OUT THE TRASH 1460 01:04:21,417 --> 01:04:23,875 WITHOUT BEING TOLD. 1461 01:04:23,959 --> 01:04:27,667 YOUR SON SHOULD HAVE A COOL CAR. 1462 01:04:27,750 --> 01:04:31,333 HE NEEDS A COOL CAR. 1463 01:04:31,417 --> 01:04:32,917 [CHUCKLING] 1464 01:04:34,542 --> 01:04:36,250 [SIGHS WEARILY] 1465 01:04:39,709 --> 01:04:42,542 PLEASE DON'T EVER TELL ANYONE I DID THIS. 1466 01:04:42,625 --> 01:04:44,875 THEY WOULDN'T UNDERSTAND. 1467 01:04:49,583 --> 01:04:50,667 THERE IT IS! 1468 01:04:50,750 --> 01:04:51,875 LOOK AT THAT. 1469 01:04:51,959 --> 01:04:53,750 LIKE, THREE MINUTES ARE MISSING. 1470 01:04:53,834 --> 01:04:55,583 REWIND IT. PLAY IT AGAIN. 1471 01:04:55,667 --> 01:04:56,834 YEAH, YEAH. 1472 01:04:56,917 --> 01:04:58,542 [KEYS CLACKING] 1473 01:05:00,458 --> 01:05:01,667 CAN YOU GO TO THE WIDER SHOT? 1474 01:05:01,750 --> 01:05:02,625 YEAH. 1475 01:05:02,709 --> 01:05:04,417 [CLACKING] 1476 01:05:04,500 --> 01:05:07,959 OKAY, WE'RE JUST SECONDS BEFORE AND... 1477 01:05:08,041 --> 01:05:09,875 OH! YEAH, THERE IT IS. 1478 01:05:09,959 --> 01:05:11,000 OKAY, PAUSE. 1479 01:05:11,083 --> 01:05:12,333 [CLACK] 1480 01:05:12,417 --> 01:05:13,792 BLOW UP HER HAND. 1481 01:05:13,875 --> 01:05:14,875 [CLACKING] 1482 01:05:14,959 --> 01:05:16,667 NOW PLAY IT BACK AND WATCH CAREFULLY. 1483 01:05:16,750 --> 01:05:17,917 [CLACK] 1484 01:05:18,000 --> 01:05:19,959 [♪♪♪] 1485 01:05:20,041 --> 01:05:21,667 WHAT DOES THAT MEAN? 1486 01:05:21,750 --> 01:05:22,959 [EXHALES] OH... 1487 01:05:23,041 --> 01:05:26,417 THAT MEANS THE LIVE WEBCAM WAS NOT LIVE. 1488 01:05:26,500 --> 01:05:28,625 THIS HAS BEEN EDITED. 1489 01:05:28,709 --> 01:05:31,667 [♪♪♪] 1490 01:05:37,500 --> 01:05:38,917 READY? 1491 01:05:39,000 --> 01:05:41,709 YOU ALWAYS TELL ME TO EAT SLOWER. 1492 01:05:43,583 --> 01:05:44,542 FINE. LET'S DO THIS! 1493 01:05:44,625 --> 01:05:45,583 OKAY. 1494 01:05:47,625 --> 01:05:48,542 YEAH. OKAY. 1495 01:05:48,625 --> 01:05:50,917 UM... SO, WE'LL START RECORDING. 1496 01:05:52,000 --> 01:05:54,542 -UM, NOTHING FOR A FEW SECONDS. -RIGHT. 1497 01:05:54,625 --> 01:05:55,917 OKAY, YOU CAN STEP IN NOW. 1498 01:05:56,000 --> 01:05:57,417 -OKAY. OFF-CAMERA. -YEP. 1499 01:05:57,500 --> 01:05:58,750 NOW I AM ON-CAMERA. 1500 01:05:58,834 --> 01:05:59,917 RIGHT. 1501 01:06:00,000 --> 01:06:01,959 -OKAY. -YEAH. LOOKS GOOD. 1502 01:06:02,041 --> 01:06:04,542 AND A FEW SECONDS OF YOU. AND THAT'S GREAT. 1503 01:06:04,625 --> 01:06:06,750 YEAH, YEAH. COME ON. COOL. 1504 01:06:06,834 --> 01:06:09,333 AND WE GET A FEW SECONDS MORE NOW OF YOU OUT. 1505 01:06:09,417 --> 01:06:10,875 IT'S BACK TO NOTHING. 1506 01:06:10,959 --> 01:06:12,417 -[BEEP] -THAT SHOULD BE GOOD. 1507 01:06:12,500 --> 01:06:13,625 ALRIGHT. LET'S PLAY IT BACK. 1508 01:06:13,709 --> 01:06:15,792 LET'S DO IT! 1509 01:06:19,041 --> 01:06:20,959 -CHECK IT OUT. -NOW I AM ON-CAMERA. 1510 01:06:21,041 --> 01:06:22,041 RIGHT. 1511 01:06:22,125 --> 01:06:24,500 -OKAY. -YEAH. LOOKS GOOD. 1512 01:06:24,583 --> 01:06:25,500 HOW'S THAT? 1513 01:06:25,583 --> 01:06:26,834 OKAY, NOW EDIT ME OUT. 1514 01:06:26,917 --> 01:06:27,875 OKAY. 1515 01:06:27,959 --> 01:06:29,959 WHAT I HAVE TO DO IS, UH, 1516 01:06:30,041 --> 01:06:33,375 JUST MAKE A CUT HERE-- BEFORE YOU ENTER... 1517 01:06:33,458 --> 01:06:35,542 THEN ONE OVER HERE AFTER YOU LEAVE... 1518 01:06:35,625 --> 01:06:36,959 AND... 1519 01:06:37,041 --> 01:06:38,542 YEAH, HERE WE GO. 1520 01:06:38,625 --> 01:06:39,709 [CLACK] 1521 01:06:39,792 --> 01:06:42,375 [♪♪♪] 1522 01:06:43,458 --> 01:06:44,625 MOM, THAT'S IT. 1523 01:06:44,709 --> 01:06:47,041 THE KEY IS TO HAVE A STATIC BACKGROUND. 1524 01:06:47,125 --> 01:06:48,041 IF ANYTHING'S MOVING, 1525 01:06:48,375 --> 01:06:49,083 IT'LL BE OBVIOUS SOMETHING'S BEEN CUT OUT. 1526 01:06:49,166 --> 01:06:50,333 BUT IF NOTHING MOVES, 1527 01:06:50,417 --> 01:06:51,583 YOU CAN'T TELL THERE'S BEEN A CUT. 1528 01:06:54,542 --> 01:06:58,083 COULD SOMEONE DELAY A LIVE-WEBCAM FOR THREE MINUTES? 1529 01:06:58,166 --> 01:06:59,166 ABSOLUTELY. 1530 01:06:59,250 --> 01:07:01,000 I MEAN, IT TAKES SOME HACKING SKILLS, 1531 01:07:01,083 --> 01:07:03,792 BUT YOU TAP INTO THEIR SERVER, OR HIGH-JACK THEIR FEED, 1532 01:07:03,875 --> 01:07:06,041 AND THEN SEND IT OUT THREE MINUTES LATER. 1533 01:07:06,125 --> 01:07:08,166 [♪♪♪] 1534 01:07:09,417 --> 01:07:11,834 THE KILLER HAD TO BE IN THE HOUSE THE WHOLE TIME. 1535 01:07:11,917 --> 01:07:13,500 -THE SECRET STAIRWAY? -YES. 1536 01:07:13,583 --> 01:07:16,000 HE OR SHE HAD TO BE ABLE TO TAKE CONTROL OF THE SERVER 1537 01:07:16,083 --> 01:07:17,583 AND DELAY THE SIGNAL. 1538 01:07:17,667 --> 01:07:19,834 THEN WALKS OUT, IN FULL VIEW, 1539 01:07:19,917 --> 01:07:21,458 JUST LIKE WHEN I WALKED TO THE CHAIR, 1540 01:07:21,542 --> 01:07:22,542 AND KILLS HER. 1541 01:07:22,625 --> 01:07:25,333 THE KILLER THEN EDITS OUT THAT SECTION, 1542 01:07:25,417 --> 01:07:27,834 AND FROM THEN ON, THE WEBCAM IS TRULY LIVE. 1543 01:07:27,917 --> 01:07:29,083 YOU'RE AMAZING! 1544 01:07:29,166 --> 01:07:30,959 ARE YOU GOING TO DETECTIVE LYNWOOD WITH THIS? 1545 01:07:31,041 --> 01:07:32,291 NO, NOT YET. 1546 01:07:32,375 --> 01:07:33,625 I STILL HAVE TO FIGURE OUT HOW ADRIAN WAS KILLED. 1547 01:07:33,709 --> 01:07:34,709 OH. THAT. 1548 01:07:34,792 --> 01:07:35,750 ALL WE KNOW 1549 01:07:36,083 --> 01:07:37,041 IS THAT THE KILLER HAD A THREE-MINUTE WINDOW 1550 01:07:37,125 --> 01:07:38,917 TO DO SOMETHING TO STOP HER HEART 1551 01:07:39,000 --> 01:07:41,625 THAT WOULD LEAVE NO TRACE DURING AN AUTOPSY. 1552 01:07:41,709 --> 01:07:42,917 AIR. 1553 01:07:43,000 --> 01:07:44,041 A COUPLE OF SYRINGES OF AIR, 1554 01:07:44,125 --> 01:07:45,542 DIRECTLY INTO A VEIN COULD DO IT, 1555 01:07:45,625 --> 01:07:47,041 BUT IT WOULD HAVE TO BE I.V. 1556 01:07:47,125 --> 01:07:48,583 WHY? WHY NOT A SYRINGE? 1557 01:07:48,667 --> 01:07:49,792 YOU'D NEED TO DO IT TWICE 1558 01:07:49,875 --> 01:07:51,417 TO GET SUFFICIENT AIR TO STOP A HEART, 1559 01:07:51,500 --> 01:07:52,875 AND YOU'D NEED TO MAKE SURE IT WAS IN A VEIN, 1560 01:07:52,959 --> 01:07:53,917 AND NOT AN ARTERY. 1561 01:07:55,000 --> 01:07:56,500 WHAT ABOUT TOXINS? 1562 01:07:56,583 --> 01:07:58,542 LIKE CURARE, OR WOLFSBANE? 1563 01:07:58,625 --> 01:08:00,500 WOLFSBANE? OH, I HATE THE INTERNET. 1564 01:08:00,583 --> 01:08:03,000 PEOPLE ARE GETTING ALL KINDS OF BAD IDEAS. 1565 01:08:03,083 --> 01:08:04,083 WHAT ABOUT 'EM? 1566 01:08:04,166 --> 01:08:05,959 OR SOMETHING LIKE SUCCINYLCHOLINE? 1567 01:08:06,041 --> 01:08:07,709 THEY COULD ALL STOP A HEART. 1568 01:08:07,792 --> 01:08:09,375 WOLFSBANE WOULD SHOW UP IN THE POST-MORTEM. 1569 01:08:09,458 --> 01:08:10,792 CURARE, MAYBE NOT. 1570 01:08:10,875 --> 01:08:12,542 YOUR BEST BET IS... 1571 01:08:12,625 --> 01:08:13,875 SUCCINYLCHOLINE. 1572 01:08:13,959 --> 01:08:15,458 IT'S METABOLIZED SO QUICKLY, 1573 01:08:15,542 --> 01:08:17,417 IT'S VIRTUALLY UNDETECTABLE. 1574 01:08:17,500 --> 01:08:19,208 HOW FAST WOULD IT ACT? 1575 01:08:19,291 --> 01:08:20,500 YOU'RE PARALYZED IN SECONDS. 1576 01:08:20,583 --> 01:08:21,875 YOU DIE WITHIN A FEW MINUTES. 1577 01:08:21,959 --> 01:08:23,208 YOU WOULD BE CONSCIOUS, 1578 01:08:23,291 --> 01:08:25,959 BUT COMPLETELY UNABLE TO MOVE, SWALLOW, OR BREATHE. 1579 01:08:26,041 --> 01:08:28,792 YOU ARE GONNA DIE... AND YOU KNOW IT. 1580 01:08:29,959 --> 01:08:32,875 THERE WERE NO NEEDLE MARKS FOUND ON ADRIAN'S BODY, 1581 01:08:32,959 --> 01:08:34,625 BUT IS IT POSSIBLE 1582 01:08:34,709 --> 01:08:36,208 TO HAVE MISSED A SINGLE INJECTION SITE 1583 01:08:36,291 --> 01:08:37,750 DURING AN AUTOPSY? 1584 01:08:37,834 --> 01:08:39,792 IT HAS HAPPENED. 1585 01:08:40,875 --> 01:08:43,041 WHO WOULD HAVE ACCESS TO SUCCINYLCHOLINE? 1586 01:08:43,125 --> 01:08:44,709 ANY HOSPITAL, E.R., 1587 01:08:44,792 --> 01:08:46,375 ANY AMBULANCE WOULD HAVE IT. 1588 01:08:46,458 --> 01:08:48,041 E.M.T.s USE IT TO INTUBATE PEOPLE. 1589 01:08:48,125 --> 01:08:50,125 VETERINARIANS COULD HAVE IT. 1590 01:08:51,125 --> 01:08:52,792 IF YOU ARE THINKING 1591 01:08:52,875 --> 01:08:54,667 THAT ADRIAN MERRILL MAY HAVE BEEN MURDERED 1592 01:08:54,750 --> 01:08:56,583 BY AN INJECTION OF SUCCINYLCHOLINE, 1593 01:08:56,667 --> 01:08:58,166 PLEASE REMEMBER 1594 01:08:58,250 --> 01:09:01,500 THERE WAS A CAMERA ON HER THE ENTIRE NIGHT. 1595 01:09:01,583 --> 01:09:04,166 RIGHT. THANK YOU. 1596 01:09:06,083 --> 01:09:08,542 [♪♪♪] 1597 01:09:16,125 --> 01:09:18,125 [NEWS REPORTER]: ...ACCORDING TO THE NATIONAL WEATHER SERVICE, 1598 01:09:18,208 --> 01:09:19,083 WE WON'T GET RELIEF FROM THE-- 1599 01:09:19,166 --> 01:09:20,417 HEY! 1600 01:09:20,500 --> 01:09:22,041 OH, THANK YOU. 1601 01:09:22,125 --> 01:09:23,792 NO. 1602 01:09:23,875 --> 01:09:25,667 DOWNPAYMENT. 1603 01:09:26,959 --> 01:09:28,125 FOR WHAT? 1604 01:09:28,208 --> 01:09:31,125 ♪ WE TOOK A SOLID THIRD IN THE DANCE CONTEST! ♪ 1605 01:09:31,208 --> 01:09:34,000 SO, THAT GOES TOWARDS THE 300 THAT I OWE YOU 1606 01:09:34,083 --> 01:09:36,959 FOR MY BAD PURCHASE OF THE FLAPPER DRESS. 1607 01:09:37,041 --> 01:09:38,583 OH, SWEETHEART, YOU DON'T HAVE TO. 1608 01:09:38,667 --> 01:09:41,500 NO, NO, I SAID THAT I WOULD, AND I WILL. 1609 01:09:41,583 --> 01:09:44,083 BESIDES, WE HAD A BALL. 1610 01:09:44,166 --> 01:09:46,750 I OWE YOU TWO, NOW. 1611 01:09:46,834 --> 01:09:47,709 WOW. 1612 01:09:47,792 --> 01:09:49,959 WELL, LOOK AT THAT. 1613 01:09:50,041 --> 01:09:52,500 OUR DAUGHTER PAID ME BACK. 1614 01:09:52,583 --> 01:09:54,583 SHE BORROWED GAS MONEY FROM ME TODAY, 1615 01:09:54,667 --> 01:09:56,750 SO I THINK 20 OF THAT BELONGS TO ME. 1616 01:09:56,834 --> 01:09:58,959 UH... NO. 1617 01:10:00,000 --> 01:10:03,208 [♪♪♪] 1618 01:10:05,291 --> 01:10:08,041 I THINK SOMEBODY HACKED INTO ADRIAN'S COMPUTER, 1619 01:10:08,125 --> 01:10:10,709 DELAYED THE LIVE FEED BY THREE MINUTES, 1620 01:10:10,792 --> 01:10:13,291 INJECTED HER WITH SUCCINYLCHOLINE, 1621 01:10:13,375 --> 01:10:14,959 EDITED OUT THE MURDER, 1622 01:10:15,041 --> 01:10:16,792 AND HAS COMPLETELY GOTTEN AWAY WITH IT. 1623 01:10:16,875 --> 01:10:17,834 WHO? 1624 01:10:17,917 --> 01:10:19,000 WELL, THE KILLER WOULD HAVE TO HAVE 1625 01:10:19,083 --> 01:10:20,166 COMPUTER SKILLS, 1626 01:10:20,250 --> 01:10:21,291 MEDICAL KNOWLEDGE, 1627 01:10:21,375 --> 01:10:23,250 AND ENOUGH FAMILIARITY WITH THAT HOUSE 1628 01:10:23,333 --> 01:10:24,959 TO KNOW ABOUT THE HIDDEN STAIRWAY. 1629 01:10:25,041 --> 01:10:26,000 AND MOTIVE. 1630 01:10:26,083 --> 01:10:28,834 IT SOUNDS LIKE WILLIAM CARSON TO ME. 1631 01:10:28,917 --> 01:10:29,959 WHAT ABOUT TINA? 1632 01:10:30,041 --> 01:10:32,208 OR COULD THEY HAVE DONE IT TOGETHER? 1633 01:10:33,333 --> 01:10:36,750 IF I GO TO LYNWOOD WITH THIS, HE'S GONNA THINK I'M CRAZY. 1634 01:10:37,959 --> 01:10:39,083 IF ONLY YOU COULD GET 1635 01:10:39,166 --> 01:10:40,917 THAT THREE MINUTES OF FILM THAT WAS CUT OUT, 1636 01:10:41,000 --> 01:10:42,917 YOU'D HAVE YOUR ANSWER. 1637 01:10:43,000 --> 01:10:44,166 WAIT A SEC. 1638 01:10:44,250 --> 01:10:46,792 MAYBE I CAN. 1639 01:10:53,917 --> 01:10:56,166 HEY, LOGAN, IT'S MOM. A QUICK QUESTION. 1640 01:10:56,250 --> 01:10:59,625 IF SOMETHING WAS RECORDED ON A COMPUTER AND THEN ERASED, 1641 01:10:59,709 --> 01:11:01,375 IS THERE ANY WAY TO GET THAT BACK? 1642 01:11:04,083 --> 01:11:05,375 OKAY. THANKS! 1643 01:11:05,458 --> 01:11:06,792 IT'S POSSIBLE. 1644 01:11:06,875 --> 01:11:08,041 IF WE CAN GET HER COMPUTER, 1645 01:11:08,125 --> 01:11:10,000 AND IF THE HARD-DRIVE HASN'T BEEN REFORMATTED. 1646 01:11:10,083 --> 01:11:11,834 WHERE'S HER COMPUTER? 1647 01:11:14,375 --> 01:11:15,875 [KNOCKS] 1648 01:11:18,709 --> 01:11:20,083 HI, TINA. 1649 01:11:20,166 --> 01:11:21,333 I'M SORRY TO BOTHER YOU. 1650 01:11:21,417 --> 01:11:23,709 ADRIAN HAD A LAPTOP. 1651 01:11:23,792 --> 01:11:25,291 IT HAD SOME PHOTOS ON IT 1652 01:11:25,375 --> 01:11:28,166 OF ME AND ADRIAN, AND SOME OF OUR FRIENDS, 1653 01:11:28,250 --> 01:11:30,000 I WANTED TO MAKE COPIES. 1654 01:11:30,083 --> 01:11:31,792 DO YOU THINK IT WOULD BE OKAY IF I BORROWED IT? 1655 01:11:32,834 --> 01:11:34,792 COME ON IN. 1656 01:11:39,834 --> 01:11:42,792 I SHOULD ONLY NEED IT FOR THE DAY. 1657 01:11:42,875 --> 01:11:45,083 I DON'T REMEMBER A LAPTOP. 1658 01:11:45,166 --> 01:11:47,125 I THINK SHE HAD ONE FOR WORK. 1659 01:11:47,208 --> 01:11:50,375 PROBABLY A COMPANY COMPUTER. SORRY. 1660 01:11:50,458 --> 01:11:52,166 [JENN SIGHS] 1661 01:11:52,250 --> 01:11:53,875 [LAUGHS] HEY, LOOK. 1662 01:11:59,208 --> 01:12:02,000 WE DID HAVE SOME FUN TIMES. 1663 01:12:03,959 --> 01:12:05,792 MY WEIRDNESS AFTER HER DEATH... 1664 01:12:05,875 --> 01:12:08,917 I THINK THAT WAS JUST A DEFENSE THING. 1665 01:12:09,000 --> 01:12:11,834 I'M NOT VERY GOOD AT PROCESSING EMOTION. 1666 01:12:13,166 --> 01:12:15,667 HEY, JENNIFER. IT'S GOOD TO SEE YOU. 1667 01:12:15,750 --> 01:12:17,041 WILLIAM. 1668 01:12:17,125 --> 01:12:19,875 I HEARD YOU PUT AN OFFER IN ON THE COLONIAL? 1669 01:12:19,959 --> 01:12:21,041 I HAVE, YEAH. 1670 01:12:21,458 --> 01:12:23,291 I MEAN, PRETTY LOW COMPARED TO WHAT THEY WERE ASKING, 1671 01:12:23,375 --> 01:12:25,333 BUT IF THERE'S ANY JUSTICE IN THIS WORLD, 1672 01:12:25,417 --> 01:12:28,417 ERICA WILL JUST ACCEPT MY OFFER. 1673 01:12:30,291 --> 01:12:32,667 HI, PETER? IT'S JENNIFER. 1674 01:12:32,750 --> 01:12:34,625 ADRIAN HAD A WORK LAPTOP. 1675 01:12:34,709 --> 01:12:36,125 DO YOU KNOW WHERE THAT MIGHT BE? 1676 01:12:36,208 --> 01:12:38,291 PROBABLY HERE AT THE OFFICE. WHY? 1677 01:12:38,375 --> 01:12:39,959 WELL, IT HAD SOME PICTURES ON IT, 1678 01:12:40,041 --> 01:12:42,375 OF ADRIAN, ME, SOME OF OUR FRIENDS. 1679 01:12:42,458 --> 01:12:44,834 I WANTED TO BORROW THE LAPTOP AND MAKE COPIES. 1680 01:12:44,917 --> 01:12:45,959 WOULD THAT BE OKAY? 1681 01:12:46,041 --> 01:12:47,083 IT'S OKAY WITH ME. 1682 01:12:47,375 --> 01:12:49,250 I'M MEETING SOME CLIENTS OUT AT THE COLONIAL. 1683 01:12:49,333 --> 01:12:50,750 MEET ME THERE AND YOU CAN TAKE IT. 1684 01:12:50,834 --> 01:12:52,291 I'LL NEED IT BACK IN A DAY OR SO. 1685 01:12:52,375 --> 01:12:53,834 OKAY, I'LL SEE YOU THERE. 1686 01:12:53,917 --> 01:12:55,333 OKAY. BYE-BYE. 1687 01:12:57,166 --> 01:12:58,417 IT'S DANIELLE. 1688 01:12:58,500 --> 01:13:00,959 LEAVE A MESSAGE AND I'LL CALL YOU BACK. BEEP. 1689 01:13:01,041 --> 01:13:02,875 -[BEEP] -OH, HEY, DANI. IT'S ME. 1690 01:13:02,959 --> 01:13:04,041 I JUST LEFT TINA'S. 1691 01:13:04,125 --> 01:13:05,834 IT WAS A LITTLE WEIRD. I'LL EXPLAIN LATER. 1692 01:13:05,917 --> 01:13:07,750 ANYWAY, ADRIAN HAD A WORK LAPTOP, 1693 01:13:07,834 --> 01:13:09,792 PETER'S GETTING IT, I'M GONNA MEET HIM AT THE COLONIAL. 1694 01:13:09,875 --> 01:13:10,834 I'LL TALK TO YOU LATER. 1695 01:13:13,875 --> 01:13:16,041 [♪♪♪] 1696 01:13:28,917 --> 01:13:31,083 [♪♪♪] 1697 01:13:37,458 --> 01:13:38,959 PETER? 1698 01:13:39,041 --> 01:13:41,375 I'M TAPING! COME ON UP. 1699 01:13:43,083 --> 01:13:45,291 [♪♪♪] 1700 01:13:54,834 --> 01:13:57,250 THESE VIRTUAL TOURS ARE GREAT, 1701 01:13:57,333 --> 01:13:58,291 I EDIT THEM DOWN, 1702 01:13:58,375 --> 01:13:59,875 AND THEN, UH, PEOPLE FROM ALL OVER 1703 01:13:59,959 --> 01:14:01,792 CAN CHECK OUT THE HOUSE ON THE 'NET. 1704 01:14:01,875 --> 01:14:03,417 WEREN'T YOU MEETING SOME CLIENTS HERE? 1705 01:14:03,500 --> 01:14:04,500 OH, THEY CANCELED. 1706 01:14:04,583 --> 01:14:06,125 OH. 1707 01:14:06,208 --> 01:14:08,208 [♪♪♪] 1708 01:14:18,500 --> 01:14:22,083 [PETER]: MY LAPTOP'S IN HERE. I'VE GOT IT ALL BOOTED UP. 1709 01:14:23,166 --> 01:14:24,417 I'M PRETTY GOOD WITH COMPUTERS. 1710 01:14:24,500 --> 01:14:27,375 USED TO CODE AND PROGRAM, BACK IN SCHOOL. 1711 01:14:28,959 --> 01:14:30,417 PETER, THIS COULD TAKE AWHILE. 1712 01:14:30,500 --> 01:14:32,083 I DON'T WANT TO KEEP YOU. 1713 01:14:32,166 --> 01:14:33,959 I COULD TAKE THE COMPUTER AND BRING IT BACK TOMORROW. 1714 01:14:35,000 --> 01:14:36,458 ACTUALLY, NO. 1715 01:14:36,542 --> 01:14:38,291 I COULD GET IN TROUBLE IF I LET YOU HAVE IT. 1716 01:14:38,375 --> 01:14:40,166 THERE'S SOME WORK STUFF ON THERE. 1717 01:14:40,250 --> 01:14:41,166 BUT HAVE A SEAT. 1718 01:14:41,250 --> 01:14:43,542 I'VE GOT A FLASH DRIVE PLUGGED IN. 1719 01:14:43,625 --> 01:14:46,542 IT'LL JUST TAKE ME A SEC TO COPY THESE. 1720 01:14:51,959 --> 01:14:54,333 I KNOW HER PICTURES ARE IN HERE SOMEWHERE. 1721 01:14:56,500 --> 01:14:58,417 [PHONE RINGS] 1722 01:14:58,500 --> 01:14:59,792 [REACHES IN PURSE] 1723 01:14:59,875 --> 01:15:01,125 DON'T. 1724 01:15:01,208 --> 01:15:02,959 [RINGING] 1725 01:15:05,166 --> 01:15:06,917 [RINGING] 1726 01:15:11,166 --> 01:15:13,542 [PHONE RINGING] 1727 01:15:17,041 --> 01:15:19,625 [♪♪♪] 1728 01:15:22,166 --> 01:15:25,291 YOU'RE NOT REALLY HERE FOR THE PICTURES, ARE YOU? 1729 01:15:27,291 --> 01:15:30,041 WHAT DID YOU DISCOVER? 1730 01:15:31,875 --> 01:15:35,000 THREE MISSING MINUTES FROM THE WEBCAST. 1731 01:15:35,083 --> 01:15:36,917 SOMETHING WAS EDITED OUT. 1732 01:15:37,000 --> 01:15:39,041 [GASPS] OH! 1733 01:15:39,125 --> 01:15:40,417 YOU HACKED INTO HER SERVER, 1734 01:15:40,500 --> 01:15:43,125 AND YOU DELAYED IT BY THREE MINUTES. 1735 01:15:45,291 --> 01:15:47,375 THAT'S IMPRESSIVE. 1736 01:15:48,458 --> 01:15:49,834 YOU HAD TO BE IN THE HIDDEN STAIRWAY, 1737 01:15:49,917 --> 01:15:52,333 WAITING FOR ADRIAN TO FALL ASLEEP. 1738 01:15:52,417 --> 01:15:55,417 YOU HAD A SYRINGE FULL OF SUCCINYLCHOLINE. 1739 01:15:57,041 --> 01:16:00,083 THEY SAY THE KILLER ALWAYS LEAVES EVIDENCE AT THE SCENE. 1740 01:16:01,250 --> 01:16:03,041 I FOUND THIS IN THE STAIRWAY. 1741 01:16:07,959 --> 01:16:10,500 LOVE IS A STRANGE THING. 1742 01:16:10,583 --> 01:16:13,208 HOW IT CAN JUST... 1743 01:16:13,291 --> 01:16:15,583 CHANGE. 1744 01:16:19,208 --> 01:16:21,583 SHE LEFT ME BEHIND. 1745 01:16:23,083 --> 01:16:25,125 [♪♪♪] 1746 01:16:28,000 --> 01:16:31,917 WHEN YOU ASKED FOR THE LAPTOP, I FIGURED THE GAME WAS UP. 1747 01:16:33,041 --> 01:16:34,417 HOW DID YOU KNOW? 1748 01:16:35,583 --> 01:16:39,583 THE MINUTE-HAND ON HER WATCH WAS VISIBLE THE WHOLE TIME. 1749 01:16:41,625 --> 01:16:43,125 SOMETIME AFTER 3:00 A.M., 1750 01:16:43,208 --> 01:16:44,500 IT SUDDENLY JUMPED FORWARD THREE MINUTES, 1751 01:16:44,583 --> 01:16:47,291 AND THAT MEANT SOMETHING WAS CUT OUT. 1752 01:16:49,333 --> 01:16:52,250 WOULD YOU LIKE TO SEE THE MISSING FOOTAGE? 1753 01:16:53,417 --> 01:16:54,625 NO. 1754 01:16:58,250 --> 01:17:00,959 [♪♪♪] 1755 01:17:02,041 --> 01:17:04,125 THERE'S A PROGRAM CALLED "GHOSTER" 1756 01:17:04,208 --> 01:17:05,917 THAT CAN RETRIEVE RECENTLY DELETED 1757 01:17:06,000 --> 01:17:07,250 AND CORRUPTED FILES. 1758 01:17:10,083 --> 01:17:11,458 [HITS A KEY] 1759 01:17:11,542 --> 01:17:13,709 I TOOK THE LIBERTY OF RUNNING IT. 1760 01:17:14,959 --> 01:17:17,291 [♪♪♪] 1761 01:17:20,709 --> 01:17:22,583 HERE WE GO. 1762 01:17:24,125 --> 01:17:25,375 [GASPS] 1763 01:17:25,458 --> 01:17:27,041 LOOK. 1764 01:17:27,125 --> 01:17:29,458 [♪♪♪] 1765 01:17:31,250 --> 01:17:32,542 I SAID, LOOK. 1766 01:17:40,291 --> 01:17:42,458 [♪♪♪] 1767 01:17:52,375 --> 01:17:53,333 [GASPS] 1768 01:17:53,417 --> 01:17:54,375 LET GO! 1769 01:17:55,750 --> 01:17:57,542 NO! OOF! 1770 01:18:06,041 --> 01:18:07,000 AHH! 1771 01:18:15,500 --> 01:18:17,375 [♪♪♪] 1772 01:18:17,458 --> 01:18:18,709 [HAMMERS COCKING] 1773 01:18:18,792 --> 01:18:20,583 FREEZE! 1774 01:18:20,667 --> 01:18:23,583 [♪♪♪] 1775 01:18:24,667 --> 01:18:26,000 YOU OKAY? 1776 01:18:26,083 --> 01:18:28,333 YEAH. 1777 01:18:28,417 --> 01:18:29,625 I'M OKAY. 1778 01:18:34,583 --> 01:18:36,875 [♪♪♪] 1779 01:18:41,625 --> 01:18:43,041 [JENN]: WELL, THE PICTURE 1780 01:18:43,125 --> 01:18:45,208 THAT DANI FOUND OF PETER AS AN E.M.T. 1781 01:18:45,291 --> 01:18:46,500 WAS THE KEY CLUE. 1782 01:18:46,583 --> 01:18:48,041 THE KILLER HAD TO HAVE SOME KIND 1783 01:18:48,125 --> 01:18:50,083 OF MEDICAL BACKGROUND TO KNOW ABOUT THAT POISON. 1784 01:18:50,166 --> 01:18:52,375 AND THEN I REMEMBERED BACK TO THE OPEN HOUSE-- 1785 01:18:52,458 --> 01:18:54,291 IT WAS PETER ASKING THE OLD MAN WITH CHEST PAINS 1786 01:18:54,375 --> 01:18:57,291 ALL THE QUESTIONS BEFORE THE AMBULANCE ARRIVED. 1787 01:18:57,375 --> 01:18:59,500 JUST... PETER WAS NOT ON MY LIST. 1788 01:19:00,542 --> 01:19:02,417 I WAS SO FOCUSED ON EVERYTHING ELSE. 1789 01:19:02,500 --> 01:19:04,083 IF I COULD ONLY GET THE HARD DRIVE, 1790 01:19:04,166 --> 01:19:06,375 I MIGHT BE ABLE TO SEE THE KILLER COMMIT THE CRIME. 1791 01:19:06,458 --> 01:19:07,625 WHY DIDN'T YOU CALL ME 1792 01:19:07,709 --> 01:19:09,333 BEFORE YOU WENT AFTER THAT COMPUTER? 1793 01:19:09,417 --> 01:19:10,709 I SHOULD HAVE. 1794 01:19:10,792 --> 01:19:14,083 I WANTED TO WRAP EVERYTHING UP WITH A NICE BOW. 1795 01:19:14,166 --> 01:19:15,834 I HAD THOUGHT OF EVERYTHING, 1796 01:19:15,917 --> 01:19:18,041 EXCEPT THE "WHO" IN THE "WHODUNNIT." 1797 01:19:18,125 --> 01:19:19,250 BUT WOULDN'T THE BODY 1798 01:19:19,333 --> 01:19:21,542 BE IN A DIFFERENT POSITION AFTER THE EDIT? 1799 01:19:21,625 --> 01:19:22,917 PETER DID TRY TO ARRANGE HER BODY 1800 01:19:23,000 --> 01:19:25,667 IN THE EXACT POSITION IT WAS IN BEFORE HE INJECTED HER. 1801 01:19:25,750 --> 01:19:27,625 HE USED A FREEZE FRAME AS A REFERENCE. 1802 01:19:27,709 --> 01:19:30,208 ALRIGHT, YOU MAY HAVE FIGURED THIS ONE OUT-- 1803 01:19:30,291 --> 01:19:31,291 I'LL GIVE YOU THAT MUCH. 1804 01:19:31,667 --> 01:19:34,333 DO YOU UNDERSTAND HOW CLOSE YOU CAME THIS TIME? 1805 01:19:35,625 --> 01:19:37,500 OKAY, I WON'T MAKE PROMISES I CAN'T KEEP, 1806 01:19:37,583 --> 01:19:41,417 BUT I WILL PROMISE TO TRY AND NOT SOLVE THINGS ON MY OWN. 1807 01:19:41,500 --> 01:19:42,583 FAIR ENOUGH? 1808 01:19:43,583 --> 01:19:45,750 WHAT HAPPENS TO MULLIN NOW? 1809 01:19:45,834 --> 01:19:48,375 WELL, D.A. IS FILING "MURDER ONE." 1810 01:19:48,458 --> 01:19:50,208 I SPOKE TO SOME OF HIS CO-WORKERS 1811 01:19:50,291 --> 01:19:51,417 AFTER THE ARREST. 1812 01:19:51,500 --> 01:19:54,458 THERE WAS A PREVIOUS ROMANTIC ENTANGLEMENT. 1813 01:19:54,542 --> 01:19:55,709 IN ADDITION, 1814 01:19:55,792 --> 01:19:57,625 THEY WERE COMPETITIVE AT WORK. 1815 01:19:57,709 --> 01:19:59,875 HE THOUGHT HE WAS GETTING THE LISTING FOR THE COLONIAL. 1816 01:19:59,959 --> 01:20:01,417 SHE GOT IT, 1817 01:20:01,500 --> 01:20:03,875 AND AS A RESULT, SHE WAS GONNA MAKE PARTNER. 1818 01:20:03,959 --> 01:20:06,375 HE DID SAY THAT SHE "LEFT HIM BEHIND." 1819 01:20:06,458 --> 01:20:08,291 OLDEST MOTIVE THERE IS. 1820 01:20:08,375 --> 01:20:10,792 BUT, THANKS TO JENNIFER, 1821 01:20:10,875 --> 01:20:12,834 WE HAVE THE VISUAL EVIDENCE WE NEED 1822 01:20:12,917 --> 01:20:14,458 ON THE LAPTOP'S HARD DRIVE. 1823 01:20:14,542 --> 01:20:16,208 GOOD. 1824 01:20:16,291 --> 01:20:17,208 WAY TO GO, MOM. 1825 01:20:17,291 --> 01:20:18,291 THANK YOU. 1826 01:20:18,375 --> 01:20:19,250 CHEERS! 1827 01:20:19,333 --> 01:20:20,500 [ALL]: CHEERS! 1828 01:20:20,583 --> 01:20:22,709 THAT'S THE LAST TIME, JENN. 1829 01:20:22,792 --> 01:20:24,583 THIS IS BECOMING A HABIT. 1830 01:20:24,667 --> 01:20:27,500 [JASON]: THAT'S MY GIRL! 1831 01:20:27,583 --> 01:20:28,834 HE LOOKS GREAT. 1832 01:20:28,917 --> 01:20:30,375 HE'S BEEN MOANING ABOUT IT. 1833 01:20:30,458 --> 01:20:32,291 OH, HE'S GONNA HAVE FUN, TRUST ME. 1834 01:20:32,375 --> 01:20:34,750 [DOORBELL CHIMES] 1835 01:20:34,834 --> 01:20:36,667 LOGAN! YOUR DATE IS HERE! 1836 01:20:37,917 --> 01:20:39,667 AMY! HI. 1837 01:20:39,750 --> 01:20:41,583 HI, MRS. SHANNON. 1838 01:20:41,667 --> 01:20:43,583 YOU LOOK ABSOLUTELY GORGEOUS. 1839 01:20:43,667 --> 01:20:45,250 [CHUCKLES] THANK YOU. 1840 01:20:45,333 --> 01:20:46,208 COME IN! 1841 01:20:46,291 --> 01:20:47,709 COME IN. 1842 01:20:52,458 --> 01:20:54,333 I BROUGHT THIS FOR LOGAN. 1843 01:20:54,417 --> 01:20:56,542 OH, THAT'S SO SWEET. 1844 01:20:57,875 --> 01:20:58,959 HEY. 1845 01:21:00,250 --> 01:21:01,417 HI. 1846 01:21:02,542 --> 01:21:04,208 HI. 1847 01:21:05,375 --> 01:21:06,917 LET ME PUT THIS ON YOU. 1848 01:21:07,000 --> 01:21:09,291 YEAH. YEAH, OKAY. SURE. 1849 01:21:09,375 --> 01:21:11,750 UM... 1850 01:21:16,917 --> 01:21:18,375 [CAMERA SHUTTER SNAPS] 1851 01:21:18,458 --> 01:21:19,959 OH, UH, YEAH-- 1852 01:21:20,041 --> 01:21:21,417 THIS-- THIS IS FOR YOU. 1853 01:21:21,500 --> 01:21:22,583 THANK YOU. 1854 01:21:23,667 --> 01:21:24,709 FOR SURE. 1855 01:21:24,792 --> 01:21:26,375 [SHUTTER SNAPPING REPEATEDLY] 1856 01:21:26,458 --> 01:21:28,750 -SMILE! -[SHUTTER SNAPPING] 1857 01:21:28,834 --> 01:21:31,333 OKAY, UH, WE SHOULD PROBABLY GET GOING. 1858 01:21:31,417 --> 01:21:32,375 -YEAH. -HAVE A GOOD NIGHT. 1859 01:21:32,458 --> 01:21:33,750 -YEAH. -HAVE FUN! 1860 01:21:33,834 --> 01:21:34,959 ALRIGHT. 1861 01:21:35,041 --> 01:21:36,917 -A LOT OF FUN! -[AWKWARDLY]: YEAH, FOR SURE. 1862 01:21:37,000 --> 01:21:38,500 UH... 1863 01:21:38,583 --> 01:21:40,875 MY DAD SAID YOU COULD DRIVE HIS CAR. 1864 01:21:42,583 --> 01:21:43,875 WANT TO? 1865 01:21:45,250 --> 01:21:47,625 [♪♪♪] 1866 01:21:47,709 --> 01:21:50,375 YEAH. SURE. 1867 01:21:56,959 --> 01:21:58,500 [LAUGHS] 1868 01:21:58,583 --> 01:22:00,917 [♪♪♪] 1869 01:22:05,709 --> 01:22:06,792 WOW! 1870 01:22:09,625 --> 01:22:10,875 NOT TOO FAST! 1871 01:22:10,959 --> 01:22:12,625 DON'T EMBARRASS HIM. 1872 01:22:12,709 --> 01:22:14,291 [SHUTTER SNAPPING] 1873 01:22:14,375 --> 01:22:16,709 [SNAP-SNAP-SNAP] 1874 01:22:16,792 --> 01:22:18,458 GOODNIGHT, SON! 1875 01:22:18,542 --> 01:22:19,917 OH, I GOT SOME GOOD PICTURES! 1876 01:22:20,000 --> 01:22:21,583 OH, YOU SURE DID. 1877 01:22:22,917 --> 01:22:25,417 [♪♪♪] 1878 01:22:26,500 --> 01:22:28,709 [LOGAN SPEAKING DOWNSTAIRS, MUFFLED] 1879 01:22:28,792 --> 01:22:30,583 JASON. 1880 01:22:30,667 --> 01:22:32,875 JASON, I THINK I HEAR SOMETHING. 1881 01:22:32,959 --> 01:22:33,917 [HE GROANS] 1882 01:22:34,000 --> 01:22:35,542 [LOGAN]: RIGHT THERE. 1883 01:22:35,625 --> 01:22:37,458 DUCK AROUND THE CORNER. DON'T GET HIT! 1884 01:22:37,542 --> 01:22:38,583 THAT WAS AN INNOCENT VICTIM! 1885 01:22:38,667 --> 01:22:40,792 HE WAS A COLLABORATOR. 1886 01:22:40,875 --> 01:22:41,792 GOOD SHOT. 1887 01:22:41,875 --> 01:22:43,750 OH, HEY, YOU TWO. 1888 01:22:43,834 --> 01:22:45,834 I DIDN'T HEAR YOU COME IN. 1889 01:22:45,917 --> 01:22:47,625 HI, MRS. SHANNON. 1890 01:22:47,709 --> 01:22:48,959 H-HEY, MOM. 1891 01:22:49,041 --> 01:22:50,542 [AMY SIGHS] 1892 01:22:53,959 --> 01:22:55,750 WELL, I'M JUST GONNA... 1893 01:22:55,834 --> 01:22:57,834 MAKE MYSELF SOME WARM MILK. 1894 01:22:57,917 --> 01:22:59,500 TO HELP ME SLEEP. 1895 01:23:03,792 --> 01:23:05,542 [LONG SIGH] 1896 01:23:05,625 --> 01:23:06,834 I SHOULD GO. 1897 01:23:06,917 --> 01:23:08,750 YEAH. YEAH. UH... I'LL WALK YOU OUT. 1898 01:23:18,083 --> 01:23:20,083 OH, UH... THERE YOU GO. 1899 01:23:23,375 --> 01:23:25,834 I HAD A REALLY GREAT TIME. 1900 01:23:27,041 --> 01:23:28,583 ME TOO. 1901 01:23:29,667 --> 01:23:31,709 [♪♪♪] 1902 01:23:41,166 --> 01:23:43,375 [♪♪♪] 1903 01:23:47,458 --> 01:23:49,500 [DOOR SHUTS] 1904 01:23:50,709 --> 01:23:52,667 [WISTFUL SIGH] 1905 01:23:56,500 --> 01:23:58,250 SO? DID YOU HAVE A NICE TIME? 1906 01:23:58,333 --> 01:24:00,083 [HE SIGHS] 1907 01:24:00,166 --> 01:24:01,458 I HAD A GREAT TIME. 1908 01:24:01,542 --> 01:24:02,709 SHE'S SO COOL! 1909 01:24:02,792 --> 01:24:04,458 AND LOOK, SHE EVEN BEAT MY HIGH SCORE, 1910 01:24:04,542 --> 01:24:05,500 WHICH IS SAYING SOMETHING. 1911 01:24:05,583 --> 01:24:07,417 WELL, I'M GLAD YOU WENT. 1912 01:24:07,500 --> 01:24:08,667 HEY, HEY! 1913 01:24:08,750 --> 01:24:10,417 I-I TOLD HER YOUR WERE ALL INTO MYSTERIES 1914 01:24:10,500 --> 01:24:11,542 AND SHE IS, TOO! 1915 01:24:11,625 --> 01:24:12,834 -REALLY? -YEAH, YEAH! 1916 01:24:12,917 --> 01:24:14,500 SHE'S, LIKE, OBSESSED WITH THIS ONE WRITER. 1917 01:24:14,583 --> 01:24:15,709 WHO? 1918 01:24:15,792 --> 01:24:18,041 UM, HAVE YOU EVER HEARD OF AGATHA CHRISTIE? 1919 01:24:19,542 --> 01:24:22,709 [♪♪♪] 127460

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