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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:05,875 [♪♪♪] 2 00:00:21,000 --> 00:00:24,834 [♪♪♪] 3 00:00:38,041 --> 00:00:39,959 [HORSE NEIGHS] 4 00:00:40,041 --> 00:00:42,291 [FOOTSTEPS] 5 00:00:55,041 --> 00:00:59,417 [♪♪♪] 6 00:01:01,917 --> 00:01:03,709 [GATE CREAKS AND OPENS] 7 00:01:10,583 --> 00:01:14,917 [♪♪♪] 8 00:01:21,000 --> 00:01:23,041 [DOOR OPENS] 9 00:01:27,750 --> 00:01:31,458 [♪♪♪] 10 00:01:46,583 --> 00:01:49,542 [♪♪♪] 11 00:01:49,625 --> 00:01:50,750 [DOG BARKING] 12 00:01:50,834 --> 00:01:53,625 [BARKING AND GROWLING] 13 00:01:55,375 --> 00:01:56,959 [WHINING IN GREETING] 14 00:01:58,125 --> 00:01:59,250 [WOMAN]: PRINCE? 15 00:01:59,333 --> 00:02:00,959 WHAT IS IT? 16 00:02:01,041 --> 00:02:02,375 IS SOMEBODY THERE? 17 00:02:06,583 --> 00:02:08,709 OKAY, PRINCE, COME ON BACK TO BED. 18 00:02:21,959 --> 00:02:23,834 [♪♪♪] 19 00:02:28,375 --> 00:02:30,583 [GIRLS LAUGHING AND CHATTING] 20 00:02:31,917 --> 00:02:33,375 [SHOP BELL JINGLES] 21 00:02:33,458 --> 00:02:34,417 HEY, MOM. 22 00:02:34,500 --> 00:02:35,458 YOU HAVE A SEC? 23 00:02:35,542 --> 00:02:36,750 HI, MRS. SHANNON! 24 00:02:36,834 --> 00:02:37,792 [GIRLS GIGGLING] 25 00:02:37,875 --> 00:02:39,208 WE'RE HAVING A FUNDRAISER. 26 00:02:39,291 --> 00:02:40,166 -IT'S GOING TO BE SO BIG -- --AND SO MUCH FUN, TOO. 27 00:02:40,250 --> 00:02:41,542 THE CAUSE IS REALLY IMPORTANT. 28 00:02:41,625 --> 00:02:42,959 IT'S REALLY NEEDED. 29 00:02:43,041 --> 00:02:43,959 OH, WHAT'S THE CAUSE? 30 00:02:44,041 --> 00:02:45,041 TRI-COUNTY ANIMAL SHELTER. 31 00:02:45,125 --> 00:02:46,625 SEEING THESE POOR DOGS AND CATS 32 00:02:46,709 --> 00:02:47,709 IS HEART-BREAKING. 33 00:02:47,792 --> 00:02:49,083 IT'S OUR KAPPA YEARLY CHARITY EVENT. 34 00:02:49,166 --> 00:02:50,125 AND THIS YEAR-- ARE YOU READY-- 35 00:02:50,208 --> 00:02:51,417 WE'RE DOING A GARAGE SALE! 36 00:02:51,500 --> 00:02:53,125 IT'S GONNA BE HUGE! 37 00:02:53,208 --> 00:02:54,041 ALL THE MOMS ARE CLEANING OUT THEIR ATTICS, 38 00:02:54,125 --> 00:02:55,625 BRINGING REALLY COOL STUFF. 39 00:02:55,709 --> 00:02:57,291 BUT WE'RE GONNA BE DOING THE REAL WORK OF SELLING IT. 40 00:02:57,375 --> 00:03:00,041 WE WANTED TO ASK YOU, 'CAUSE YOU'RE THE EXPERTS, 41 00:03:00,125 --> 00:03:01,625 WOULD YOU TAKE CHARGE AND RUN THE SALE? 42 00:03:01,709 --> 00:03:03,291 TAYLOR'S MOM SAID THAT WE COULD USE HER GARAGE AND DRIVEWAY. 43 00:03:03,375 --> 00:03:04,333 UH, SURE. 44 00:03:04,417 --> 00:03:05,542 WHATEVER WE CAN DO. 45 00:03:05,625 --> 00:03:06,834 -ARE YOU SURE? -HAPPY TO. 46 00:03:06,917 --> 00:03:08,417 [ALL GIGGLING IN DELIGHT] 47 00:03:08,500 --> 00:03:09,875 SO, ALL THE MOMS WANT TO GET TOGETHER 48 00:03:09,959 --> 00:03:11,291 AND HAVE A BIG ORGANIZATIONAL MEETING, JUST THE MOMS-- 49 00:03:11,375 --> 00:03:13,041 BUT THEY DON'T KNOW ANYTHING ABOUT GARAGE SALES -- 50 00:03:13,125 --> 00:03:15,208 -YOU'LL CHAIR IT, RIGHT? -OKAY. 51 00:03:15,291 --> 00:03:17,125 [CHANTING TOGETHER]: KAPPA KAPPA KAPPA! 52 00:03:17,208 --> 00:03:18,208 WHOO! 53 00:03:18,291 --> 00:03:19,417 [LAUGHING AND GIGGLING] 54 00:03:19,500 --> 00:03:20,875 LOGAN'S GOING TO HAVE TO THINK 55 00:03:20,959 --> 00:03:22,417 ABOUT WHERE HE WANTS TO GO. 56 00:03:22,500 --> 00:03:23,709 OH, WE'VE STILL GOT A COUPLE YEARS. 57 00:03:23,792 --> 00:03:24,875 NOT REALLY. 58 00:03:24,959 --> 00:03:26,291 I WANT TO SET UP SOME CAMPUS TRIPS, 59 00:03:26,375 --> 00:03:28,208 MAYBE HE CAN FIND SOMETHING THAT'S NOT OUT OF STATE. 60 00:03:28,291 --> 00:03:30,000 [CHUCKLES] 61 00:03:30,083 --> 00:03:31,166 OH... 62 00:03:31,250 --> 00:03:32,917 WHAT A BEAUTY. 63 00:03:33,000 --> 00:03:34,250 I HAD A CAR LIKE THIS IN COLLEGE. 64 00:03:35,500 --> 00:03:36,917 I REMEMBER IT WELL. 65 00:03:37,000 --> 00:03:38,500 THAT WAS A GREAT CAR. 66 00:03:38,583 --> 00:03:39,709 [CHUCKLES] WHEN IT WAS RUNNING. 67 00:03:39,792 --> 00:03:42,667 '65 MG, CHROME BUMPERS, 68 00:03:42,750 --> 00:03:44,000 WHICH THEY CHANGED IN '74, 69 00:03:44,083 --> 00:03:45,542 WIRE-RIM WHEELS... 70 00:03:45,625 --> 00:03:47,166 IT WAS FANTASTIC. 71 00:03:47,250 --> 00:03:50,250 I WILL NEVER UNDERSTAND HOW GUYS REMEMBER THINGS 72 00:03:50,333 --> 00:03:51,500 LIKE THE DIFFERENCES IN BUMPERS. 73 00:03:51,583 --> 00:03:52,625 WHEN I WAS A KID, 74 00:03:52,709 --> 00:03:54,709 I COULD TELL YOU WHAT YEAR IT WAS 75 00:03:54,792 --> 00:03:56,417 BY ITS TAIL LIGHTS. 76 00:03:56,500 --> 00:03:58,458 I KNEW I MARRIED YOU FOR A REASON. 77 00:03:58,542 --> 00:03:59,500 YEAH. 78 00:03:59,583 --> 00:04:00,959 [CHUCKLING] 79 00:04:02,542 --> 00:04:04,500 [♪♪♪] 80 00:04:16,417 --> 00:04:18,458 WHATCHA LOOKING AT? 81 00:04:19,542 --> 00:04:21,041 NOTHIN'. 82 00:04:27,917 --> 00:04:29,583 MAN, WHEN I SAW THAT MG TODAY, 83 00:04:29,667 --> 00:04:32,375 IT REALLY BROUGHT ME BACK. 84 00:04:33,625 --> 00:04:35,500 TELL ME THE TRUTH, JENN, 85 00:04:35,583 --> 00:04:38,333 IS MY, UH, NECK GETTING SAGGY? 86 00:04:38,417 --> 00:04:41,083 NO, YOU'RE VINTAGE, LIKE THAT CAR. 87 00:04:41,166 --> 00:04:42,125 [CHUCKLING] 88 00:04:42,208 --> 00:04:43,250 YOU KNOW WHAT I DO 89 00:04:43,333 --> 00:04:44,250 WHEN I SEE A WRINKLE I DON'T LIKE? 90 00:04:44,333 --> 00:04:45,333 WHAT? 91 00:04:45,417 --> 00:04:46,375 I TURN OUT THE LIGHTS. 92 00:04:46,458 --> 00:04:47,375 DOES IT WORK? 93 00:04:47,458 --> 00:04:48,750 LIKE A CHARM. 94 00:04:50,041 --> 00:04:51,542 COME HERE. 95 00:04:58,208 --> 00:05:00,500 WEREN'T THOSE WIRE WHEELS BEAUTIFUL? 96 00:05:00,583 --> 00:05:02,291 IT'S ALL I CAN THINK ABOUT. 97 00:05:02,375 --> 00:05:03,834 [CHUCKLING] 98 00:05:03,917 --> 00:05:04,834 GOOD NIGHT, HONEY. 99 00:05:04,917 --> 00:05:05,834 'NIGHT. 100 00:05:05,917 --> 00:05:06,875 I LOVE YOU. 101 00:05:06,959 --> 00:05:08,917 I LOVE YOU, TOO. 102 00:05:09,000 --> 00:05:11,291 [SIGHS HEAVILY] 103 00:05:14,750 --> 00:05:15,959 [TRAIN HORN BLARES DISTANTLY] 104 00:05:16,041 --> 00:05:18,000 [TRAIN WHEELS CLACKING] 105 00:05:22,000 --> 00:05:23,458 HOW'S IT COMING? 106 00:05:23,542 --> 00:05:25,208 OH, FANTASTIC, TINA. 107 00:05:25,291 --> 00:05:26,250 I KNOW YOU HATE THESE PORTRAITS, 108 00:05:26,333 --> 00:05:27,333 BUT IT'S MONEY. 109 00:05:27,417 --> 00:05:28,959 -YEAH, RIGHT. -OH, HONEY. 110 00:05:29,041 --> 00:05:32,750 OH... YOUR TIME IS COMING. 111 00:05:32,834 --> 00:05:34,041 I KNOW IT. 112 00:05:38,333 --> 00:05:40,625 I SAW THE LETTER FROM THE BANK. 113 00:05:42,458 --> 00:05:43,834 THEY'RE NOT GOING TO FORECLOSE. 114 00:05:43,917 --> 00:05:46,834 NO, NOT FOR 30 DAYS. 115 00:05:46,917 --> 00:05:48,792 I'M TALKING TO THEM ABOUT IT. 116 00:05:48,875 --> 00:05:50,166 I WILL RE-FINANCE. 117 00:05:50,250 --> 00:05:51,750 I'VE GOT TO GO TO WORK. 118 00:05:51,834 --> 00:05:53,208 ASK FOR A RAISE! 119 00:06:00,709 --> 00:06:02,083 YOU GUYS REALLY SAVED US 120 00:06:02,166 --> 00:06:04,041 BY ORGANIZING THE GARAGE SALE. 121 00:06:04,125 --> 00:06:06,208 IS THERE ANYTHING WE CAN DO TO HELP YOU WITH THE MEETING? 122 00:06:06,291 --> 00:06:07,208 OH, I THINK WE'RE GOOD. 123 00:06:07,291 --> 00:06:09,041 -ARE WE GOOD? -WE'RE GOOD. 124 00:06:09,125 --> 00:06:12,083 SO, THIS MEETING IS JUST THE MOMS, AND NOT THE GIRLS? 125 00:06:12,166 --> 00:06:13,583 [CHUCKLING] IT IS EVERYTHING WE COULD DO 126 00:06:13,667 --> 00:06:15,250 TO KEEP THEM AWAY FROM THE SALE. 127 00:06:15,375 --> 00:06:17,458 THEY'RE WAY INTO THIS. 128 00:06:17,542 --> 00:06:18,750 YOU'VE BEEN WARNED. 129 00:06:18,834 --> 00:06:19,917 [LAUGHING] 130 00:06:20,000 --> 00:06:21,375 ABBEY, HAVE I MET YOUR MOTHER? 131 00:06:21,458 --> 00:06:22,417 I DON'T KNOW. 132 00:06:22,500 --> 00:06:23,542 HER NAME'S SYDNEY. 133 00:06:23,625 --> 00:06:24,667 STEPMOM. 134 00:06:24,750 --> 00:06:25,834 PARENTS DIVORCED, 135 00:06:25,917 --> 00:06:27,792 DAD REMARRIED. 136 00:06:27,875 --> 00:06:28,792 NOT VERY COOL. 137 00:06:28,875 --> 00:06:29,792 I'M SORRY. 138 00:06:29,875 --> 00:06:30,834 IT HAPPENS. 139 00:06:30,917 --> 00:06:32,333 I MEAN, SHE TRIES, 140 00:06:32,417 --> 00:06:34,041 LIKE WITH THIS GARAGE SALE, FOR INSTANCE. 141 00:06:34,125 --> 00:06:35,250 HOW SO? 142 00:06:35,333 --> 00:06:36,458 NOTHING REALLY, 143 00:06:36,542 --> 00:06:38,375 JUST WANTING TO BE A PART OF EVERYTHING. 144 00:06:38,458 --> 00:06:40,125 [HANNAH]: WELL, WE'VE GOTTA RUN, 145 00:06:40,208 --> 00:06:41,709 BUT I WANTED TO GIVE YOU A HEADS-UP ABOUT TONIGHT. 146 00:06:41,792 --> 00:06:43,417 OKAY, HONEY. 147 00:06:43,500 --> 00:06:44,375 SEE YOU LATER. 148 00:06:45,500 --> 00:06:46,667 THANKS. 149 00:06:46,750 --> 00:06:48,375 BYE, HANNAH. BYE, ABBEY. 150 00:06:49,792 --> 00:06:51,458 OOPS... 151 00:06:51,542 --> 00:06:53,917 I FORGOT, I CAN'T MAKE IT TONIGHT. 152 00:06:54,000 --> 00:06:55,375 WHAT? 153 00:06:55,458 --> 00:06:57,000 I'M TAKING A VIBRATIONAL COOKING CLASS 154 00:06:57,125 --> 00:06:58,125 AT THE COLLEGE EXTENSION. 155 00:06:58,208 --> 00:07:00,542 VIBRATIONAL COOKING? 156 00:07:00,625 --> 00:07:02,834 YEAH, THERE'S LIVE FOOD AND THERE'S DEAD FOOD, 157 00:07:02,917 --> 00:07:05,625 AND LIVE FOOD HAS A HIGHER VIBRATIONAL FREQUENCY. 158 00:07:08,083 --> 00:07:10,291 GOOD TO KNOW. 159 00:07:10,375 --> 00:07:12,500 [ALL CHATTING AND LAUGHING] 160 00:07:12,583 --> 00:07:14,000 OKAY, OKAY, 161 00:07:14,083 --> 00:07:16,417 BUT HERE'S THE SECRET TO A SUCCESSFUL GARAGE SALE, 162 00:07:16,500 --> 00:07:18,583 DO NOT PUT PRICES ON YOUR ITEMS. 163 00:07:18,667 --> 00:07:21,125 -[ALL EXCLAIMING] WHAT? -THAT DOESN'T MAKE ANY SENSE. 164 00:07:21,208 --> 00:07:22,291 THERE HAS TO BE PRICE TAGS! 165 00:07:22,375 --> 00:07:23,250 HOW DO WE KNOW WHAT TO CHARGE? 166 00:07:23,333 --> 00:07:24,375 -EXACTLY! -YEAH! 167 00:07:24,458 --> 00:07:25,792 YOU ASK THE CUSTOMER TO NAME THEIR PRICE. 168 00:07:25,875 --> 00:07:26,834 IS THAT HOW THEY DO IT? 169 00:07:26,917 --> 00:07:28,125 I DON'T THINK THAT'S HOW IT'S DONE. 170 00:07:28,208 --> 00:07:29,166 I MEAN, HAVE YOU HEARD OF THAT BEFORE? 171 00:07:29,250 --> 00:07:30,041 MY NEIGHBOR HAD A GARAGE SALE, AND-- 172 00:07:30,125 --> 00:07:31,542 [ALL TALKING AT ONCE] 173 00:07:31,625 --> 00:07:32,917 LADIES! 174 00:07:33,000 --> 00:07:34,041 LADIES... 175 00:07:34,125 --> 00:07:35,083 RAISE YOUR HAND 176 00:07:35,166 --> 00:07:36,959 IF YOU'VE EVER PUT ON A GARAGE SALE. 177 00:07:37,041 --> 00:07:38,542 [AWKWARD SILENCE] 178 00:07:39,709 --> 00:07:40,834 ALL RIGHT. 179 00:07:40,917 --> 00:07:42,500 THIS IS WHY 180 00:07:42,583 --> 00:07:43,625 WE'VE ASKED JENNIFER TO HELP, 181 00:07:43,709 --> 00:07:44,709 BECAUSE SHE UNDERSTANDS HOW IT'S DONE. 182 00:07:44,792 --> 00:07:46,083 I'M NOT GOING TO NEGOTIATE 183 00:07:46,166 --> 00:07:47,875 LIKE I'M IN SOME THIRD-WORLD BAZAAR. 184 00:07:47,959 --> 00:07:49,000 MARSHA... 185 00:07:49,083 --> 00:07:50,458 THE GIRLS ARE DOING THE SELLING, MARSHA-- 186 00:07:50,542 --> 00:07:51,875 AND I'VE SEEN YOU HAGGLE WITH THE BEST OF THEM-- 187 00:07:51,959 --> 00:07:54,625 CAN YOU PLEASE TELL US WHY YOU SUGGEST 188 00:07:54,709 --> 00:07:55,875 NOT TO PUT PRICES ON THE ITEMS? 189 00:07:55,959 --> 00:07:57,458 BECAUSE THE SORORITY WILL MAKE MORE MONEY, 190 00:07:57,542 --> 00:07:58,500 AND THIS IS A FUNDRAISER, RIGHT? 191 00:07:58,583 --> 00:07:59,875 THERE WE GO. 192 00:07:59,959 --> 00:08:01,125 MOST OF THE TIME, 193 00:08:01,208 --> 00:08:02,917 PEOPLE WILL OFFER MORE THAN YOU'RE ASKING, 194 00:08:03,000 --> 00:08:05,458 AND THEY THINK THAT THEY ARE GETTING A GREAT DEAL. 195 00:08:05,542 --> 00:08:06,834 THEY NEVER PAY THE MARKED PRICE ANYWAY, 196 00:08:06,917 --> 00:08:08,125 SO IT SAVES ON ALL THE HAGGLING. 197 00:08:08,208 --> 00:08:09,333 THAT MAKES MORE SENSE. 198 00:08:09,417 --> 00:08:10,625 ACTUALLY, THAT MAKES SENSE. 199 00:08:10,709 --> 00:08:12,125 MORE MONEY? CHECK. 200 00:08:12,208 --> 00:08:13,542 [LAUGHTER] 201 00:08:13,625 --> 00:08:15,125 CLEAN OUT YOUR CLOSETS, YOUR GARAGES, 202 00:08:15,208 --> 00:08:16,875 BRING EVERYTHING YOU DON'T WANT. 203 00:08:16,959 --> 00:08:17,792 WHERE ARE WE STAGING THIS? 204 00:08:17,875 --> 00:08:18,959 MY HOUSE. 205 00:08:19,041 --> 00:08:19,959 MY HUSBAND'S GONNA MOVE ALL HIS CARS, 206 00:08:20,041 --> 00:08:21,917 SO WE'LL HAVE PLENTY OF ROOM. 207 00:08:22,000 --> 00:08:23,417 GREAT, WELL, LET'S REMEMBER THIS IS FOR THE GIRLS. 208 00:08:23,500 --> 00:08:26,208 ON THE DAY OF THE SALE, NO MOMS. 209 00:08:26,291 --> 00:08:27,166 I'D FEEL BETTER IF WE WERE THERE. 210 00:08:27,250 --> 00:08:29,000 YOU ARE SUCH A HELICOPTER. 211 00:08:29,083 --> 00:08:30,542 LET THE GIRLS DO IT. THEY WILL BE FINE. 212 00:08:30,625 --> 00:08:32,875 -AND YOU'RE NOT? -I'M NOT! 213 00:08:32,959 --> 00:08:34,458 WELL, SYDNEY, THAT WAS A GOOD MEETING. 214 00:08:34,542 --> 00:08:35,417 I THINK. 215 00:08:35,500 --> 00:08:37,500 [LAUGHING] 216 00:08:37,583 --> 00:08:38,625 I REALLY APPRECIATE YOU HELPING ME WITH THIS. 217 00:08:38,709 --> 00:08:40,500 OH, NO PROBLEM AT ALL. I LOVE DOING IT, 218 00:08:40,583 --> 00:08:41,959 AND IT'S HARD FOR ME TO SAY NO TO MY DAUGHTER. 219 00:08:42,041 --> 00:08:44,041 WELL, I THINK ABBEY WOULD APPRECIATE IT 220 00:08:44,125 --> 00:08:46,000 IF I WASN'T SO INVOLVED. 221 00:08:46,083 --> 00:08:47,250 I'M JUST GETTING TO KNOW ABBEY. 222 00:08:47,333 --> 00:08:48,917 SHE'S GOT HER DAD WRAPPED AROUND HER FINGER, 223 00:08:49,000 --> 00:08:50,375 AND I'M THE STEP-MOM. 224 00:08:50,458 --> 00:08:51,583 [LAUGHS] IT'S OKAY, WE'RE GETTING THERE. 225 00:08:51,667 --> 00:08:52,458 [CAR HONKING] [ABBEY CALLS]: HI, JENN! 226 00:08:52,542 --> 00:08:53,583 HEY, ABBEY 227 00:08:53,667 --> 00:08:54,458 I'VE GOTTA GO! WE'VE GOT CLASS. 228 00:08:54,542 --> 00:08:56,208 OKAY, A SECOND! 229 00:08:56,291 --> 00:08:58,000 UM, I REALLY NEED TO COME BY THE SHOP, 230 00:08:58,083 --> 00:08:59,125 BECAUSE I'M REDECORATING 231 00:08:59,208 --> 00:09:00,208 AND I WANTED TO FIND A FEW UNIQUE PIECES. 232 00:09:00,291 --> 00:09:01,792 OH, OF COURSE. ANYTIME. 233 00:09:01,875 --> 00:09:02,875 I WOULD LOVE TO HELP. 234 00:09:02,959 --> 00:09:03,875 ALL RIGHT, BUT I THINK I'LL WAIT 235 00:09:03,959 --> 00:09:04,792 UNTIL AFTER THE GARAGE SALE. 236 00:09:04,875 --> 00:09:05,875 GOOD IDEA-- 237 00:09:05,959 --> 00:09:07,125 I'M LATE. WE'RE GOING TO BE LATE. 238 00:09:07,208 --> 00:09:08,834 DRIVE SAFELY. 239 00:09:08,917 --> 00:09:10,291 WE WILL. 240 00:09:12,834 --> 00:09:15,000 LIVE FOOD! 241 00:09:15,083 --> 00:09:16,333 LIVING. 242 00:09:16,417 --> 00:09:19,000 MM, DELICIOUS! 243 00:09:19,083 --> 00:09:21,083 I CAN FEEL THE ENERGY. 244 00:09:21,166 --> 00:09:22,792 LIVING FOOD 245 00:09:22,875 --> 00:09:24,500 IS THE HIGHEST VIBRATIONAL SOURCE. 246 00:09:24,583 --> 00:09:27,250 A HEALTHY HUMAN 247 00:09:27,333 --> 00:09:28,375 IS AROUND 65 HERTZ. 248 00:09:28,458 --> 00:09:30,542 SO, IF WE RAISE OUR VIBRATION, 249 00:09:30,625 --> 00:09:33,792 BACTERIA, FUNGI, DISEASE 250 00:09:33,875 --> 00:09:35,125 CAN'T LIVE. 251 00:09:35,208 --> 00:09:37,375 WE BECOME CALM, HAPPY, 252 00:09:37,458 --> 00:09:41,166 AND NEGATIVE THOUGHTS DISAPPEAR. 253 00:09:43,125 --> 00:09:44,834 THOSE ARE BEAUTIFUL. 254 00:09:44,917 --> 00:09:46,792 THANK YOU. 255 00:09:46,875 --> 00:09:48,208 WONDERFUL. 256 00:09:48,291 --> 00:09:49,500 HERE. 257 00:09:58,625 --> 00:09:59,834 THIS IS NOT... 258 00:09:59,917 --> 00:10:01,458 GOOD VIBRATIONS. 259 00:10:01,542 --> 00:10:02,709 WHAT IS THIS? 260 00:10:02,792 --> 00:10:04,709 IT'S A RED CABBAGE CABOCHE 261 00:10:04,792 --> 00:10:06,208 AVEC CANTALOUPE, 262 00:10:06,291 --> 00:10:08,041 WITH A TANGY POMEGRANATE MOLASSES DRESSING. 263 00:10:08,125 --> 00:10:10,083 ALL JUST PICKED. 264 00:10:10,166 --> 00:10:11,291 DO YOU FEEL LIGHTER? 265 00:10:11,375 --> 00:10:12,792 NO. 266 00:10:12,875 --> 00:10:13,792 MORE CLEAR? 267 00:10:13,875 --> 00:10:14,959 NO. 268 00:10:15,041 --> 00:10:16,834 -VIBRATIONALLY ATTUNED? -MAYBE. 269 00:10:16,917 --> 00:10:18,291 OH! WHERE ARE YOU GOING? 270 00:10:18,375 --> 00:10:19,834 OH, I HAVE TO MEET WITH THE KAPPA MOMS. 271 00:10:19,917 --> 00:10:20,875 OH. 272 00:10:20,959 --> 00:10:21,959 WISH I COULD GO. 273 00:10:22,041 --> 00:10:23,500 OH, YOU ARE MORE THAN WELCOME TO COME. 274 00:10:23,583 --> 00:10:24,959 HAVE FUN! 275 00:10:26,000 --> 00:10:27,959 OH-- 276 00:10:28,041 --> 00:10:30,250 WELCOME TO RAGS TO RICHES. 277 00:10:34,083 --> 00:10:35,417 CAN I HELP YOU WITH ANYTHING? 278 00:10:35,500 --> 00:10:36,417 YEAH. 279 00:10:36,500 --> 00:10:38,083 THIS WAS MY GRANDMOTHER'S. 280 00:10:38,166 --> 00:10:40,625 DO YOU BUY THIS KIND OF THING HERE? 281 00:10:40,709 --> 00:10:41,792 WE DO. 282 00:10:41,875 --> 00:10:44,834 YEAH, THIS IS GOLD-PLATED STERLING. 283 00:10:44,917 --> 00:10:45,917 OH. 284 00:10:47,500 --> 00:10:49,166 IS IT WORTH A LOT? 285 00:10:49,250 --> 00:10:50,709 IT'S MORE VALUABLE IN A COMPLETE SET. 286 00:10:50,792 --> 00:10:51,959 A STRAY SPOON 287 00:10:52,041 --> 00:10:54,542 WOULD PROBABLY FETCH ABOUT $40. 288 00:10:54,625 --> 00:10:55,917 OKAY. 289 00:10:56,000 --> 00:10:58,667 THANKS. 290 00:11:00,000 --> 00:11:02,500 YEAH, I'LL COME BACK. 291 00:11:02,583 --> 00:11:04,208 TINA, ARE YOU SURE YOU WANT TO DO THIS? 292 00:11:04,291 --> 00:11:06,542 IT'S JUST A GARAGE SALE. 293 00:11:06,625 --> 00:11:07,542 YES, I WANT TO SPEND TIME WITH MY FRIEND 294 00:11:07,625 --> 00:11:08,875 WHO I DON'T SEE ENOUGH. 295 00:11:08,959 --> 00:11:10,583 I GET AN HOUR FOR LUNCH, SO WE SHOULD GET GOING. 296 00:11:10,667 --> 00:11:12,000 WELL, WE CAN STILL GO EAT. 297 00:11:12,083 --> 00:11:13,083 NO, NO, LET'S JUST GO EXPLORE. 298 00:11:13,166 --> 00:11:14,041 WE'VE GOT A GARAGE SALE TO FILL. 299 00:11:19,166 --> 00:11:20,041 HEY, SON. 300 00:11:20,125 --> 00:11:21,166 HEY. 301 00:11:21,250 --> 00:11:22,625 ISN'T SHE A BEAUT? 302 00:11:22,709 --> 00:11:24,834 YOU KNOW, MOM ALREADY TALKED TO ME 303 00:11:24,917 --> 00:11:26,542 ABOUT PLAYING TOO MANY VIDEO GAMES. 304 00:11:26,625 --> 00:11:27,834 UH-HUH? 305 00:11:27,917 --> 00:11:29,166 YOU KNOW WHAT, FINE, 306 00:11:29,250 --> 00:11:30,792 I'LL JUST GO SKATEBOARDING, GET SOME EXERCISE. 307 00:11:30,875 --> 00:11:31,834 OH, THIS ISN'T ABOUT YOU. 308 00:11:31,917 --> 00:11:33,041 THIS IS ABOUT ME. 309 00:11:33,125 --> 00:11:34,250 I'M GONNA GET BACK IN SHAPE. 310 00:11:34,333 --> 00:11:35,792 CAN YOU PASS ME THE NUTS AND BOLTS, PLEASE? 311 00:11:35,875 --> 00:11:36,750 YEAH. 312 00:11:37,917 --> 00:11:39,041 YOU'RE IN PRETTY GOOD SHAPE 313 00:11:39,125 --> 00:11:40,792 FOR YOUR AGE, DAD. 314 00:11:40,875 --> 00:11:41,875 I'M UH, GONNA START RUNNING, TOO. 315 00:11:41,959 --> 00:11:42,959 YOU EVER THOUGHT ABOUT DOING A 10K? 316 00:11:43,041 --> 00:11:44,333 NO. 317 00:11:44,417 --> 00:11:45,375 THOUGHT WE COULD DO IT TOGETHER, 318 00:11:45,458 --> 00:11:47,208 KIND OF A FATHER-SON THING. 319 00:11:47,291 --> 00:11:49,750 I NEED THE RATCHET AS WELL, PLEASE. 320 00:11:50,959 --> 00:11:52,834 YOU KNOW, MY FRIEND ZACH'S DAD RUNS. 321 00:11:52,917 --> 00:11:53,917 REALLY? 322 00:11:54,000 --> 00:11:56,083 YEAH. HE HAD TO GET A HIP REPLACEMENT. 323 00:11:56,166 --> 00:11:57,083 HUH. 324 00:11:57,166 --> 00:11:58,333 YOU KNOW, 325 00:11:58,417 --> 00:11:59,542 WE COULD PLAY SOME VIDEO GAMES SOMETIME. 326 00:11:59,625 --> 00:12:01,291 YOU KNOW, JUST SOMETHING AGE APPROPRIATE. 327 00:12:01,375 --> 00:12:02,375 JUST LET ME KNOW, OKAY? 328 00:12:02,458 --> 00:12:03,834 I WILL THINK ABOUT IT. 329 00:12:03,917 --> 00:12:05,375 LOOK AT THAT... 330 00:12:07,083 --> 00:12:08,875 [LAUGHING AND CHATTING] 331 00:12:08,959 --> 00:12:11,417 I'M TELLING YOU, THOSE LADIES... 332 00:12:11,500 --> 00:12:12,667 [LAUGHING] 333 00:12:12,750 --> 00:12:13,959 I REALLY APPRECIATE THIS. 334 00:12:14,041 --> 00:12:14,917 ARE YOU KIDDING ME? I'M SO GLAD TO SEE YOU. 335 00:12:17,417 --> 00:12:18,667 SO, WAIT, ARE WE NOT GOING TO GO 336 00:12:18,750 --> 00:12:20,000 AND SAY HI TO YOUR MOM? 337 00:12:20,083 --> 00:12:21,917 OH, NO, NO, NO, I THINK SHE'S AT BRIDGE CLUB. 338 00:12:22,000 --> 00:12:23,333 AND IF NOT, I'D BE DOING CHORES FOR AN HOUR. 339 00:12:23,417 --> 00:12:24,917 SHE FIRED THE HANDYMAN. 340 00:12:25,000 --> 00:12:26,125 [LAUGHING] AGAIN? 341 00:12:26,208 --> 00:12:27,333 I'LL SEE HER THIS WEEKEND AND GET IT DONE. 342 00:12:27,417 --> 00:12:28,583 [CHUCKLING] OKAY, GOT IT. 343 00:12:28,667 --> 00:12:29,917 UPSTAIRS. 344 00:12:31,583 --> 00:12:32,917 [CHUCKLING TOGETHER] 345 00:12:34,000 --> 00:12:35,333 [GASPS] 346 00:12:35,417 --> 00:12:38,333 WELL, IF I WANTED JUNK, I FOUND IT. 347 00:12:38,417 --> 00:12:39,709 WOW. 348 00:12:39,792 --> 00:12:41,875 WHEN'S THE LAST TIME YOU WERE UP HERE? 349 00:12:41,959 --> 00:12:44,834 [EXHALES] IT'S BEEN YEARS. 350 00:12:44,917 --> 00:12:45,792 [COUGHS] 351 00:12:47,375 --> 00:12:49,667 HUH, GOOD FOR THE GARAGE SALE? 352 00:12:49,750 --> 00:12:51,709 PERFECT. 353 00:12:51,792 --> 00:12:54,709 LOOK AT THIS. THIS IS, LIKE, REAL WICKER. 354 00:12:54,792 --> 00:12:57,125 SO COOL... 355 00:12:57,208 --> 00:12:59,917 [GASPING] OH, MY GOODNESS, 356 00:13:00,000 --> 00:13:02,041 I REMEMBER THIS, I HAD THIS WHEN I WAS A KID. 357 00:13:02,125 --> 00:13:03,375 WHAT, REALLY? 358 00:13:03,458 --> 00:13:04,792 [LAUGHS] YEAH. 359 00:13:04,875 --> 00:13:06,083 WELL, HERE, YOU WANT TO CARRY IT DOWN? 360 00:13:06,166 --> 00:13:08,125 NO, LET'S JUST PUT EVERYTHING TO THE MIDDLE, 361 00:13:08,208 --> 00:13:09,166 AND THEN I'LL COME BACK AND GET IT LATER. 362 00:13:09,250 --> 00:13:10,166 I KNOW YOU HAVE TO GO. 363 00:13:10,250 --> 00:13:11,667 I KNOW. SORRY. 364 00:13:15,792 --> 00:13:16,834 WHAT ABOUT THIS PAINTING? 365 00:13:16,917 --> 00:13:18,208 YOU KNOW ART. 366 00:13:18,291 --> 00:13:19,959 OH, LET ME LOOK. 367 00:13:22,458 --> 00:13:25,125 [♪♪♪] 368 00:13:28,625 --> 00:13:29,750 UM... 369 00:13:29,834 --> 00:13:31,333 YEAH, NO, NO. 370 00:13:31,417 --> 00:13:33,709 [SCOFFS] NO, DON'T BOTHER, 371 00:13:33,792 --> 00:13:35,041 LIKE, NOT EVEN FOR A GARAGE SALE. 372 00:13:35,125 --> 00:13:37,458 IT'S LIKE PAINT BY NUMBERS FROM A KIT OR SOMETHING. 373 00:13:37,542 --> 00:13:39,041 [CLEARS THROAT AWKWARDLY] 374 00:13:39,125 --> 00:13:40,041 THIS, THOUGH, LOOK, LOOK. 375 00:13:40,125 --> 00:13:41,417 THIS COULD BE WORTH SOMETHING. 376 00:13:41,500 --> 00:13:43,208 IT'S GOT THE OLD REEL ON IT, AND EVERYTHING. 377 00:13:43,291 --> 00:13:44,333 [CHUCKLES] 378 00:13:44,417 --> 00:13:45,625 JUST PUT IT WITH THE REST OF THE STUFF, 379 00:13:45,709 --> 00:13:47,208 I'LL COME BACK AND GET IT. 380 00:13:47,291 --> 00:13:48,208 ALL RIGHT. 381 00:13:53,458 --> 00:13:55,583 [TYPING] 382 00:13:57,000 --> 00:13:58,041 SO YOU'RE TELLING ME THAT YOU FOUND 383 00:13:58,125 --> 00:14:00,375 A 19TH-CENTURY JASPER CROPSEY 384 00:14:00,458 --> 00:14:01,709 IN AN ATTIC? 385 00:14:01,792 --> 00:14:02,917 I'M SERIOUS, 386 00:14:03,000 --> 00:14:04,750 I THINK IT WAS THE REAL DEAL. 387 00:14:04,834 --> 00:14:05,959 DO YOU KNOW, ONE OF THESE WENT AT AUCTION 388 00:14:06,041 --> 00:14:08,208 FOR OVER $100,000. 389 00:14:08,291 --> 00:14:10,417 SO, WHAT DID SHE SAY WHEN YOU TOLD HER? 390 00:14:10,500 --> 00:14:13,041 I DIDN'T TELL HER. [GROANS IN DISMAY] 391 00:14:13,125 --> 00:14:14,125 YOU DIDN'T TELL HER? 392 00:14:14,208 --> 00:14:15,458 I... I TOLD HER TO LEAVE IT THERE, 393 00:14:15,542 --> 00:14:17,083 BUT I... 394 00:14:17,166 --> 00:14:19,041 I DIDN'T TELL HER WHAT IT WAS. 395 00:14:19,125 --> 00:14:20,083 SO, WHAT WAS YOUR PLAN THERE, 396 00:14:20,166 --> 00:14:21,291 YOU'RE GOING TO, LIKE SNEAK IN 397 00:14:21,375 --> 00:14:22,458 IN THE MIDDLE OF THE NIGHT AND STEAL IT? 398 00:14:22,542 --> 00:14:25,166 NO... NO! 399 00:14:25,250 --> 00:14:27,125 JUST, WE COULD REALLY USE THE MONEY. 400 00:14:27,208 --> 00:14:29,417 BUT I'M NOT A THIEF, SO... 401 00:14:29,500 --> 00:14:30,458 RIGHT, RIGHT. 402 00:14:30,542 --> 00:14:31,583 SO, NO, I'M... 403 00:14:31,667 --> 00:14:32,875 OKAY, SO... 404 00:14:32,959 --> 00:14:34,250 WHY DIDN'T YOU TELL HER THEN, HUH? 405 00:14:34,333 --> 00:14:35,959 I DON'T KNOW, I DON'T KNOW... 406 00:14:36,041 --> 00:14:37,125 IT JUST SEEMED LIKE 407 00:14:37,208 --> 00:14:38,333 IT WOULD SOLVE ALL OUR PROBLEMS, YOU KNOW? 408 00:14:38,417 --> 00:14:40,458 WELL, IT WOULD, RIGHT? 409 00:14:40,542 --> 00:14:43,166 I MEAN, IT'S A VERY VALUABLE PAINTING 410 00:14:43,250 --> 00:14:45,083 THAT NOBODY KNOWS ABOUT, 411 00:14:45,166 --> 00:14:49,500 AND WITH YOUR... AUCTION HOUSE CONNECTIONS, 412 00:14:49,583 --> 00:14:52,125 YOU COULD SELL IT TO A SECRET BUYER. 413 00:14:52,208 --> 00:14:53,583 AND THEN... 414 00:14:53,667 --> 00:14:55,792 AND THEN WHEN YOU GOT CAUGHT, 415 00:14:55,875 --> 00:14:58,208 THEN I COULD, YOU KNOW, COME AND VISIT YOU IN PRISON. 416 00:14:58,291 --> 00:14:59,333 I'D MAKE YOU A PLASTIC TOOTHBRUSH SHANK... 417 00:14:59,417 --> 00:15:00,458 [LAUGHING] 418 00:15:00,542 --> 00:15:02,125 YOU'D BAKE IT IN A LITTLE CAKE FOR ME? 419 00:15:02,208 --> 00:15:03,417 YEAH, YOU'D LOOK GOOD IN ORANGE. 420 00:15:03,500 --> 00:15:05,375 [LAUGHING] 421 00:15:30,583 --> 00:15:32,792 [♪♪♪] 422 00:15:41,917 --> 00:15:44,750 [♪♪♪] 423 00:15:48,875 --> 00:15:50,917 [SHOP BELL JINGLES] 424 00:15:52,208 --> 00:15:53,041 HEY, DANI. 425 00:15:53,125 --> 00:15:54,083 HEY. 426 00:15:54,166 --> 00:15:55,208 HEY! 427 00:15:55,291 --> 00:15:56,208 I JUST GOT A CALL FROM ABBEY, 428 00:15:56,291 --> 00:15:57,709 AND SHE'S REALLY UPSET. 429 00:15:57,792 --> 00:15:58,917 HER STEP-MOM DIDN'T COME HOME LAST NIGHT. 430 00:15:59,000 --> 00:16:01,041 DID THEY CALL THE POLICE? 431 00:16:01,125 --> 00:16:02,875 THEY DID, AND THE POLICE SAID THEY HAVE TO WAIT 24 HOURS 432 00:16:02,959 --> 00:16:04,041 BEFORE THEY CAN FILE 433 00:16:04,125 --> 00:16:06,208 A MISSING PERSON'S REPORT. 434 00:16:06,291 --> 00:16:07,583 DOES ANYBODY KNOW WHERE SHE WAS GOING? 435 00:16:07,667 --> 00:16:08,834 ABBEY SAID SHE WAS GOING TO HAVE LUNCH 436 00:16:08,917 --> 00:16:09,875 WITH AN OLD FRIEND, 437 00:16:09,959 --> 00:16:10,875 AND THEN SHE WAS GOING BACK HOME 438 00:16:10,959 --> 00:16:11,792 TO GET STUFF FOR THE SALE. 439 00:16:11,875 --> 00:16:13,166 MAYBE AN ACCIDENT? 440 00:16:13,250 --> 00:16:14,250 THEY'RE CALLING THE HOSPITALS. 441 00:16:14,333 --> 00:16:15,291 HOW CAN WE HELP? 442 00:16:15,375 --> 00:16:16,542 THIS IS A LIST 443 00:16:16,625 --> 00:16:17,792 OF ALL THE OTHER MOMS, 444 00:16:17,875 --> 00:16:18,917 OTHER FRIENDS OF SYDNEY'S. 445 00:16:19,000 --> 00:16:21,792 IT'S THEIR PHONE NUMBERS. 446 00:16:21,875 --> 00:16:23,375 WE'LL START MAKING CALLS RIGHT NOW. 447 00:16:23,458 --> 00:16:24,417 DOES SHE HAVE ANY MEDICAL ISSUES, 448 00:16:24,500 --> 00:16:25,500 LIKE BLACKOUTS, 449 00:16:25,583 --> 00:16:26,667 OR ANYTHING LIKE THAT? 450 00:16:26,750 --> 00:16:28,625 I DON'T KNOW. 451 00:16:28,709 --> 00:16:30,750 OH, THE FRIEND SHE WAS HAVING LUNCH WITH IS ON THE LIST, 452 00:16:30,834 --> 00:16:31,792 TINA PARSONS. 453 00:16:31,875 --> 00:16:33,959 SHE'S NOT ONE OF THE MOMS. 454 00:16:34,041 --> 00:16:37,250 MOST MISSING PEOPLE TURN UP UNHARMED WITHIN 24 HOURS. 455 00:16:37,333 --> 00:16:38,750 FRANK... 456 00:16:38,834 --> 00:16:40,667 ALL RIGHT, ALL RIGHT. 457 00:16:40,750 --> 00:16:42,250 I'LL CHECK HER LICENSE PLATE, 458 00:16:42,333 --> 00:16:43,500 SEE IF HER CAR GOT IN AN ACCIDENT, 459 00:16:43,583 --> 00:16:44,542 OR MAYBE GOT TOWED SOMEWHERE. 460 00:16:44,625 --> 00:16:46,250 [CELL PHONE RINGS] 461 00:16:46,333 --> 00:16:47,542 OH, IT'S DANI. 462 00:16:47,625 --> 00:16:49,000 HEY, DANI, WHAT'S UP? 463 00:16:49,083 --> 00:16:50,917 I'M HERE WITH DETECTIVE LYNWOOD. 464 00:16:52,792 --> 00:16:55,083 OH, CAN YOU TEXT ME THAT ADDRESS? 465 00:16:55,166 --> 00:16:56,125 THANKS. 466 00:16:56,208 --> 00:16:57,291 SOMEONE THINKS 467 00:16:57,375 --> 00:16:58,250 SHE MIGHT HAVE GONE TO HER MOM'S. 468 00:16:58,333 --> 00:16:59,417 I'M GOING TO CHECK IT OUT. 469 00:16:59,500 --> 00:17:01,458 CALL ME IF ANYTHING TURNS UP ON HER CAR. 470 00:17:01,542 --> 00:17:02,709 OKAY. 471 00:17:04,041 --> 00:17:07,125 [DIALING CALL] 472 00:17:11,125 --> 00:17:13,583 HI. I'M JENN. 473 00:17:13,667 --> 00:17:15,000 HI. 474 00:17:15,083 --> 00:17:16,083 WELL, COME ON IN. 475 00:17:16,166 --> 00:17:17,917 OH, DON'T WORRY ABOUT PRINCE. 476 00:17:18,000 --> 00:17:19,250 HE'S VERY FRIENDLY. 477 00:17:19,333 --> 00:17:20,291 HE'S A GOOD WATCH DOG, THOUGH. 478 00:17:20,375 --> 00:17:22,417 COME. 479 00:17:24,000 --> 00:17:24,917 THANK YOU. 480 00:17:27,333 --> 00:17:30,709 RAYMOND, HER HUSBAND, CALLED ME LAST NIGHT. 481 00:17:30,792 --> 00:17:32,417 THEY STILL HAVEN'T HEARD ANYTHING FROM HER? 482 00:17:32,500 --> 00:17:34,125 I'M AFRAID NOT. 483 00:17:34,208 --> 00:17:36,959 THAT ISN'T LIKE HER. 484 00:17:37,041 --> 00:17:38,291 SOMEONE SAID 485 00:17:38,375 --> 00:17:40,583 SHE MIGHT HAVE GONE INTO YOUR STORAGE ATTIC. 486 00:17:41,709 --> 00:17:42,917 STORAGE ATTIC? 487 00:17:43,000 --> 00:17:43,959 WHY WOULD... 488 00:17:45,166 --> 00:17:46,333 IF SHE WERE HERE, 489 00:17:46,417 --> 00:17:47,500 SHE WOULD HAVE COME TO SAY HELLO. 490 00:17:49,375 --> 00:17:50,917 DO YOU MIND IF I GO OUT THERE AND TAKE A LOOK? 491 00:17:52,083 --> 00:17:53,208 WELL, GO AHEAD. 492 00:17:53,291 --> 00:17:54,333 IT'S RIGHT THERE ABOVE THE WORKSHOP. 493 00:17:54,417 --> 00:17:55,792 YOU SEE? 494 00:17:55,875 --> 00:17:58,000 [♪♪♪] 495 00:18:29,583 --> 00:18:30,667 [GASPS] 496 00:18:32,750 --> 00:18:34,583 [SIGHS] 497 00:18:34,667 --> 00:18:35,583 OH, NO. 498 00:18:51,458 --> 00:18:53,417 I'M A POLICE DETECTIVE, 499 00:18:53,500 --> 00:18:56,834 AND I DON'T STUMBLE ACROSS AS MANY DEAD BODIES AS YOU. 500 00:18:56,917 --> 00:18:59,417 REMIND ME NOT TO GET ON YOUR BAD SIDE. 501 00:18:59,500 --> 00:19:02,000 IT DOESN'T LOOK LIKE A MURDER. 502 00:19:02,083 --> 00:19:04,333 OH, THAT'S A FIRST. 503 00:19:04,417 --> 00:19:05,875 YOU TOUCH ANYTHING? 504 00:19:05,959 --> 00:19:07,709 THE LIGHT SWITCH. 505 00:19:07,792 --> 00:19:08,750 ALL RIGHT. 506 00:19:15,750 --> 00:19:16,792 WELL... 507 00:19:16,875 --> 00:19:18,041 APPEARS TO BE A HEAD INJURY. 508 00:19:18,125 --> 00:19:20,959 MAYBE SHE TRIPPED OVER THIS OBJECT, 509 00:19:21,041 --> 00:19:22,917 AND FELL AND HIT HER HEAD. 510 00:19:23,000 --> 00:19:24,208 ON? 511 00:19:24,291 --> 00:19:26,834 UM... 512 00:19:26,917 --> 00:19:27,959 THAT PIPE? 513 00:19:31,792 --> 00:19:33,458 YEAH, SEEMS LIKE BLOOD, 514 00:19:33,542 --> 00:19:34,542 RIGHT WHERE SHE WOULD HAVE STRUCK HER HEAD 515 00:19:34,625 --> 00:19:38,125 IF SHE HAD FALLEN. 516 00:19:39,834 --> 00:19:40,917 ANYTHING ELSE? 517 00:19:41,000 --> 00:19:43,000 SEEMS LIKE SHE WAS HOLDING HER CELL PHONE 518 00:19:43,083 --> 00:19:44,709 WHEN SHE FELL. 519 00:19:44,792 --> 00:19:46,542 THAT'S NOT UNUSUAL. 520 00:19:46,625 --> 00:19:48,208 [DOOR OPENS] 521 00:19:48,291 --> 00:19:49,083 LET'S JUST LET THESE GUYS DO THEIR JOB, 522 00:19:49,166 --> 00:19:51,458 ALL RIGHT? 523 00:19:55,208 --> 00:19:57,041 FIRST GLANCE, SEEMS LIKE AN ACCIDENT. 524 00:19:57,125 --> 00:19:58,458 DECEASED HAS RIGOR, 525 00:19:58,542 --> 00:19:59,375 PROBABLY AROUND 12 HOURS. 526 00:20:00,542 --> 00:20:02,542 JUST LEAVE EVERYTHING TO THE M.E. 527 00:20:02,625 --> 00:20:03,750 I'LL ATTACH A NOTE TO YOUR REPORT. 528 00:20:03,834 --> 00:20:04,625 THANKS, LIEUTENANT. 529 00:20:04,709 --> 00:20:06,250 YEAH. 530 00:20:06,333 --> 00:20:08,083 JENNIFER? 531 00:20:10,500 --> 00:20:12,166 [SIGHS] NOW I GOTTA BREAK THE NEWS 532 00:20:12,250 --> 00:20:13,875 TO MRS. MELLON. 533 00:20:13,959 --> 00:20:14,959 I HATE THIS. 534 00:20:15,041 --> 00:20:16,417 DO YOU WANT ME TO GO WITH YOU? 535 00:20:16,500 --> 00:20:17,500 YES. PLEASE. 536 00:20:23,583 --> 00:20:26,250 WE HAD PLANNED TO JUST HAVE LUNCH, 537 00:20:26,333 --> 00:20:28,041 BUT SYDNEY JUST WANTED TO LOOK FOR SOME STUFF 538 00:20:28,125 --> 00:20:29,667 IN HER MOM'S ATTIC, 539 00:20:29,750 --> 00:20:30,875 SO WE JUST CAME OVER, 540 00:20:30,959 --> 00:20:33,125 FOR AN HOUR. 541 00:20:33,208 --> 00:20:34,625 WE FOUND SOME STUFF, 542 00:20:34,709 --> 00:20:37,250 AND WE JUST PUT IT ASIDE FOR HER TO COME BACK LATER. 543 00:20:37,333 --> 00:20:38,417 [SNIFFLES] 544 00:20:38,500 --> 00:20:41,583 I KNOW SHE TOOK SOME STUFF FROM OUR GARAGE. 545 00:20:41,667 --> 00:20:46,083 MUST HAVE BEEN RIGHT BEFORE SHE WENT BACK. 546 00:20:46,166 --> 00:20:49,208 DID SHE SAY ANYTHING TO YOU, HONEY? 547 00:20:49,291 --> 00:20:51,166 NO, DAD, SHE DIDN'T. 548 00:20:51,291 --> 00:20:52,667 I WAS AT SCHOOL. 549 00:20:52,750 --> 00:20:54,542 I SPOKE TO HER IN THE AFTERNOON. 550 00:20:54,625 --> 00:20:55,875 SHE CAME BY THE HOUSE 551 00:20:55,959 --> 00:20:59,667 WHEN WE WERE BRINGING THE GARAGE SALE ITEMS. 552 00:20:59,750 --> 00:21:02,125 DID YOU TALK TO HER, JENNIFER? 553 00:21:02,208 --> 00:21:03,875 IT WAS SO HECTIC. 554 00:21:03,959 --> 00:21:06,583 I SAW HER, BUT WE DIDN'T TALK. 555 00:21:06,667 --> 00:21:08,625 SHE SAID SHE WAS GONNA GET SOME OTHER STUFF 556 00:21:08,709 --> 00:21:11,208 AND THEN COME BACK TOMORROW. 557 00:21:11,291 --> 00:21:13,750 JUST SO NORMAL. 558 00:21:13,834 --> 00:21:15,458 AND THEN SHE WALKED OUT AND SMILED. 559 00:21:54,333 --> 00:21:56,166 YOU OKAY? 560 00:21:58,834 --> 00:22:00,208 I CAN'T BELIEVE 561 00:22:00,291 --> 00:22:01,458 I WAS JUST WITH ONE OF MY OLDEST FRIENDS, 562 00:22:01,542 --> 00:22:02,375 AND NOW SHE'S DEAD. 563 00:22:05,458 --> 00:22:06,583 I'M SORRY, BABE. 564 00:22:06,667 --> 00:22:09,417 I MEAN, HOW DOES SOMEONE JUST TRIP ON SOMETHING 565 00:22:09,500 --> 00:22:10,834 AND WIND UP DEAD? 566 00:22:10,917 --> 00:22:13,667 I DON'T KNOW. 567 00:22:13,750 --> 00:22:15,333 AREN'T YOU GLAD YOU DIDN'T GO BACK 568 00:22:15,417 --> 00:22:16,375 AND TAKE THAT PAINTING NOW? 569 00:22:17,917 --> 00:22:18,875 I CAN'T EVEN IMAGINE. 570 00:22:24,208 --> 00:22:26,709 SO, I TOLD ABBEY WHAT YOU WERE TELLING ME, 571 00:22:26,792 --> 00:22:28,041 AND I THOUGHT SHE SHOULD TALK WITH YOU. 572 00:22:29,500 --> 00:22:30,709 THIS IS PROBABLY PRETTY DUMB. 573 00:22:30,792 --> 00:22:32,667 IT'S NOT. 574 00:22:32,750 --> 00:22:34,458 I FEEL WEIRD TALKING ABOUT THIS, 575 00:22:34,542 --> 00:22:37,000 BUT IT'S REALLY BEEN BOTHERING ME. 576 00:22:37,083 --> 00:22:38,542 IT'S OKAY, ABBEY. 577 00:22:38,625 --> 00:22:39,709 TELL HER WHAT YOU WERE TELLING ME. 578 00:22:39,792 --> 00:22:43,250 MY STEP-MOTHER WAS A DANCER. 579 00:22:43,333 --> 00:22:44,875 HER WHOLE LIFE. 580 00:22:44,959 --> 00:22:46,709 SHE TOOK CLASSES TWICE A WEEK, 581 00:22:46,792 --> 00:22:48,458 SO SHE WAS GOOD ON HER FEET. 582 00:22:48,542 --> 00:22:49,583 I JUST DON'T SEE 583 00:22:49,667 --> 00:22:51,417 HOW SHE, LIKE, STUMBLES, 584 00:22:51,500 --> 00:22:54,458 OR TRIPS OR WHATEVER, 585 00:22:54,542 --> 00:22:55,750 HITS HER HEAD AND JUST DIES. 586 00:22:55,834 --> 00:22:57,917 WELL, THAT SEEMS TO BE WHAT HAPPENED. 587 00:22:58,000 --> 00:23:00,625 THEY GAVE US HER PERSONAL EFFECTS, 588 00:23:00,709 --> 00:23:02,166 AND I LOOKED AT HER PHONE. 589 00:23:02,250 --> 00:23:03,417 IT WAS ASLEEP, 590 00:23:03,500 --> 00:23:05,417 SO I WOKE IT UP, 591 00:23:05,500 --> 00:23:07,500 AND IT SEEMS LIKE SHE WAS TRYING TO MAKE A CALL 592 00:23:07,583 --> 00:23:10,041 WHEN SHE FELL. 593 00:23:10,125 --> 00:23:12,166 BUT SHE ONLY DIALED ONE NUMBER-- 594 00:23:12,250 --> 00:23:13,333 "9". 595 00:23:13,417 --> 00:23:14,959 WAS SHE TRYING TO DIAL "911?" 596 00:23:15,041 --> 00:23:18,250 WHY? 597 00:23:18,333 --> 00:23:20,208 SHE COULD HAVE BEEN CONSCIOUS AFTER SHE FELL. 598 00:23:20,291 --> 00:23:21,667 WAS SHE TRYING TO GET MEDICAL HELP? 599 00:23:21,750 --> 00:23:24,250 NO, THAT'S NOT RIGHT. 600 00:23:24,333 --> 00:23:27,458 THE PHONE ENDED UP FOUR FEET AWAY FROM HER. 601 00:23:27,542 --> 00:23:30,000 IF SHE HAD BEEN CONSCIOUS AFTER THE FALL, 602 00:23:30,083 --> 00:23:32,959 THE PHONE WOULD HAVE STILL BEEN IN HER HAND. 603 00:23:33,041 --> 00:23:34,000 SHE TRIED TO MAKE THIS CALL 604 00:23:34,083 --> 00:23:36,959 BEFORE SHE FELL. 605 00:23:38,625 --> 00:23:41,250 I'M JUST HAPPY THAT WE CAN HAVE A LUNCH 606 00:23:41,333 --> 00:23:42,542 WITHOUT A MURDER TO DISCUSS. 607 00:23:42,625 --> 00:23:43,625 IT IS NICE. 608 00:23:43,709 --> 00:23:45,166 YEAH, IT'S A SOCIAL LUNCH. 609 00:23:45,250 --> 00:23:46,208 RIGHT. 610 00:23:46,291 --> 00:23:47,583 A NO-MURDER LUNCH. 611 00:23:47,667 --> 00:23:49,000 [CHUCKLES] 612 00:23:53,625 --> 00:23:54,875 SO, HOW'S JASON? 613 00:23:54,959 --> 00:23:56,000 OH, HE'S GOOD. 614 00:23:56,083 --> 00:23:57,125 HE'S GOT A BIG BIRTHDAY COMING UP. 615 00:23:57,208 --> 00:23:58,792 OH, WOW, WE'LL HAVE TO DO SOMETHING FUN. 616 00:23:58,875 --> 00:23:59,792 HEY, HOW YOU DOING? 617 00:23:59,875 --> 00:24:01,083 ALL RIGHT. 618 00:24:01,166 --> 00:24:02,667 AFTER YOU. 619 00:24:04,375 --> 00:24:07,500 LET ME ASK YOU A QUESTION ABOUT SYDNEY WENTON. 620 00:24:07,583 --> 00:24:09,000 [SIGHING] 621 00:24:09,083 --> 00:24:10,375 HERE WE GO. 622 00:24:10,458 --> 00:24:13,709 THE MEDICAL EXAMINER RULED IT AN ACCIDENTAL DEATH. 623 00:24:13,792 --> 00:24:14,875 DID HE ESTIMATE THE TIME OF DEATH? 624 00:24:16,667 --> 00:24:18,542 HUMOR ME. 625 00:24:18,625 --> 00:24:21,375 SOMETIME AROUND 10:30 P.M., GIVE OR TAKE. 626 00:24:21,458 --> 00:24:24,500 SYDNEY'S STEPDAUGHTER, ABBEY, LOOKED AT SYDNEY'S PHONE. 627 00:24:24,583 --> 00:24:26,667 SYDNEY ATTEMPTED TO MAKE A PHONE CALL 628 00:24:26,750 --> 00:24:28,125 AT 10:24 P.M., 629 00:24:28,208 --> 00:24:29,750 BUT SHE ONLY DIALED ONE NUMBER, 630 00:24:29,834 --> 00:24:30,875 A "9." 631 00:24:30,959 --> 00:24:32,083 OKAY, SHE FELL AND HIT HER HEAD, 632 00:24:32,166 --> 00:24:33,959 REMAINED CONSCIOUS LONG ENOUGH TO DIAL 911, 633 00:24:34,041 --> 00:24:35,583 PASSED OUT BEFORE SHE COULD FINISH. 634 00:24:35,667 --> 00:24:37,041 THEN THE PHONE WOULD HAVE BEEN IN HER HAND, 635 00:24:37,125 --> 00:24:38,041 OR NEARBY. 636 00:24:38,125 --> 00:24:39,625 LET'S ASSUME 637 00:24:39,709 --> 00:24:42,000 SHE WAS TRYING TO DIAL 911-- 638 00:24:42,083 --> 00:24:43,667 BECAUSE A KILLER WAS WAITING FOR HER, 639 00:24:43,750 --> 00:24:45,625 WAITING FOR HER TO COME UP TO THE ATTIC 640 00:24:45,709 --> 00:24:46,917 AND WHACK HER IN THE HEAD? 641 00:24:47,000 --> 00:24:48,291 I KNOW, I KNOW... 642 00:24:48,375 --> 00:24:49,250 AND THE BLOOD ON THE PIPE? 643 00:24:49,333 --> 00:24:50,834 WELL, THAT TOO. 644 00:24:50,917 --> 00:24:52,083 MY PROFESSIONAL OPINION? 645 00:24:52,166 --> 00:24:53,458 HERE'S A LIKELY SCENARIO, 646 00:24:53,542 --> 00:24:56,041 SHE WAS CALLING SOMEONE ON HER PHONE. 647 00:24:56,125 --> 00:24:58,083 AS SHE WAS ABOUT TO HIT THE FIRST NUMBER, 648 00:24:58,166 --> 00:25:00,792 SHE TRIPS, PRESSES THE "9" BY MISTAKE, 649 00:25:00,875 --> 00:25:02,291 FALLS, HITS HER HEAD. 650 00:25:02,375 --> 00:25:04,875 SO, WHAT, SHE DIDN'T INTEND TO DIAL THE "9", 651 00:25:04,959 --> 00:25:06,208 SHE MEANT TO HIT A "5" OR A "4" INSTEAD? 652 00:25:06,291 --> 00:25:08,083 YEAH, OR ANOTHER NUMBER. 653 00:25:09,208 --> 00:25:10,417 HEY. 654 00:25:10,500 --> 00:25:12,834 UH, OH, THIS IS MY TREAT, OKAY? 655 00:25:12,917 --> 00:25:14,917 ONLY BECAUSE IT'S A SOCIAL LUNCH, 656 00:25:15,000 --> 00:25:17,417 AND IT'S A SOCIAL LUNCH, 657 00:25:17,500 --> 00:25:19,500 BECAUSE WE HAVE NO CRIME TO TALK ABOUT. 658 00:25:19,583 --> 00:25:20,542 RIGHT? 659 00:25:21,583 --> 00:25:22,709 RIGHT. 660 00:25:22,792 --> 00:25:24,083 NO CRIME. 661 00:25:24,166 --> 00:25:27,583 YEAH, I'M GOING TO HAVE THE GRILLED CHEESE SPECIAL. 662 00:25:27,667 --> 00:25:30,250 HOW WAS YOUR COOKING CLASS LAST NIGHT? 663 00:25:30,333 --> 00:25:32,166 OH, WE GOT OUR FINAL ASSIGNED. 664 00:25:32,250 --> 00:25:34,875 A DINNER FOR SIX WITH A HIGH VIBRATIONAL MENU. 665 00:25:34,959 --> 00:25:36,083 THAT SOUNDS EXCITING. 666 00:25:36,166 --> 00:25:39,500 IT IS, EXCEPT I CAN'T SEE FITTING SIX PEOPLE 667 00:25:39,583 --> 00:25:41,208 AROUND MY KITCHEN TABLE. 668 00:25:41,291 --> 00:25:43,125 YOU COULD HAVE THE PARTY AT MY HOUSE. 669 00:25:43,250 --> 00:25:44,959 I COULDN'T DO THAT. 670 00:25:45,041 --> 00:25:48,291 OH, IT'D BE FUN. 671 00:25:48,375 --> 00:25:51,542 OKAY, I WAS THINKING FRANK AND SUSAN LYNWOOD, 672 00:25:51,625 --> 00:25:52,625 AND YOU AND JASON, 673 00:25:52,709 --> 00:25:53,792 AND HANNAH AND LOGAN. 674 00:25:53,875 --> 00:25:55,333 WHAT CHINA? 675 00:25:55,417 --> 00:25:57,959 HMM... THE NORITAKE. 676 00:25:58,041 --> 00:26:01,041 OH, PERFECT. 677 00:26:29,291 --> 00:26:31,291 [HANNAH YAWNING] 678 00:26:31,375 --> 00:26:32,375 MOM? 679 00:26:32,458 --> 00:26:33,750 YEAH? 680 00:26:33,834 --> 00:26:35,458 WHAT ARE YOU DOING? 681 00:26:35,542 --> 00:26:36,583 I AM TRYING TO VISUALIZE 682 00:26:36,667 --> 00:26:38,667 WHAT HAPPENED IN THAT ATTIC. 683 00:26:38,750 --> 00:26:39,917 NOW, SUPPOSEDLY, 684 00:26:40,000 --> 00:26:41,458 SYDNEY WAS ON HER CELL PHONE AND DISTRACTED. 685 00:26:41,542 --> 00:26:42,959 SHE TRIPS, FALLS, 686 00:26:43,041 --> 00:26:44,291 HITS HER HEAD ON A PIPE. 687 00:26:44,375 --> 00:26:45,375 THE IMPACT IS SO STRONG, 688 00:26:45,458 --> 00:26:46,417 IT FLIPS HER OVER, 689 00:26:46,500 --> 00:26:48,667 AND SHE LANDS ON HER BACK. 690 00:26:48,750 --> 00:26:50,709 CAN YOU HELP ME FOR ONE SECOND? 691 00:26:50,792 --> 00:26:51,667 DON'T MOVE. 692 00:26:53,625 --> 00:26:55,542 UM... 693 00:26:56,625 --> 00:26:57,625 HERE. 694 00:26:57,709 --> 00:26:59,166 TAKE THIS DECK OF CARDS. 695 00:26:59,250 --> 00:27:00,875 PRETEND THIS DECK OF CARDS 696 00:27:00,959 --> 00:27:02,333 IS A CELL PHONE. 697 00:27:02,417 --> 00:27:05,834 I WANT YOU TO, UH, JUST STAND RIGHT THERE. 698 00:27:05,917 --> 00:27:09,125 I'M GOING TO USE THIS AS THE DOORSTOP. 699 00:27:09,208 --> 00:27:10,125 I WANT YOU TO PRETEND YOU'RE ON YOUR CELL PHONE, 700 00:27:10,208 --> 00:27:11,166 YOU'RE DISTRACTED, 701 00:27:11,250 --> 00:27:12,458 YOU TRIP OVER THE DOORSTOP, 702 00:27:12,542 --> 00:27:14,208 AND YOU FALL ONTO THE CUSHIONS. 703 00:27:14,291 --> 00:27:15,625 SERIOUSLY? 704 00:27:15,709 --> 00:27:18,291 YEAH, I'M GETTING TOO OLD TO DO MY OWN STUNTS. 705 00:27:18,375 --> 00:27:19,667 OKAY... 706 00:27:19,750 --> 00:27:20,875 OKAY, I FEEL REALLY STUPID. 707 00:27:23,625 --> 00:27:24,542 OOH! 708 00:27:25,750 --> 00:27:28,792 -YOU OKAY? -[HANNAH GROANS] 709 00:27:28,875 --> 00:27:30,542 ONLY HURT MY DIGNITY. 710 00:27:30,625 --> 00:27:32,000 HMM... 711 00:27:32,083 --> 00:27:33,875 WHAT DID YOU LEARN? 712 00:27:33,959 --> 00:27:36,083 I'LL GET BACK TO YOU ON THAT. 713 00:27:36,166 --> 00:27:37,709 MOM... 714 00:27:39,083 --> 00:27:40,250 I LOVE YOUR MIND. 715 00:27:40,333 --> 00:27:41,750 I DO. 716 00:27:41,834 --> 00:27:42,792 IS THAT A COMPLIMENT? 717 00:27:42,875 --> 00:27:44,375 [CHUCKLES] DEFINITIVELY. 718 00:27:45,542 --> 00:27:46,458 I WILL BE YOUR WATSON 719 00:27:46,542 --> 00:27:49,166 ANY TIME YOU WANT. 720 00:27:49,250 --> 00:27:50,417 CAN I GO BACK TO BED NOW? 721 00:27:50,500 --> 00:27:51,834 OH! YES, OF COURSE. 722 00:27:51,917 --> 00:27:52,875 PLEASE GO BACK TO BE. 723 00:27:52,959 --> 00:27:54,291 -THANK YOU. -I LOVE YOU. 724 00:27:54,375 --> 00:27:55,750 I LOVE YOU. 725 00:27:55,834 --> 00:27:57,250 GOOD NIGHT. 726 00:28:05,583 --> 00:28:06,625 [MUTTERING] INTERESTING... 727 00:28:30,667 --> 00:28:32,917 ASPHYXIA DUE TO CEREBELLAR HEMORRHAGE. 728 00:28:33,000 --> 00:28:38,917 COMPLETED AT, UM, 10:46 A.M., 729 00:28:39,000 --> 00:28:42,250 ON WEDNESDAY. 730 00:28:42,333 --> 00:28:44,166 YOU BROUGHT COFFEE. 731 00:28:44,250 --> 00:28:47,458 NOT JUST ANY COFFEE, MY FRIEND. 732 00:28:47,542 --> 00:28:49,834 CARAMEL MACCHIATO, YOUR FAVORITE. 733 00:28:49,917 --> 00:28:51,542 MM! 734 00:28:51,625 --> 00:28:53,959 OH, DID YOU HEAR ABOUT THE CHICKPEA FARMER 735 00:28:54,041 --> 00:28:55,291 WHO DIED AT DINNER? 736 00:28:55,375 --> 00:28:58,625 THE CORONER IS RULING IT A HUMMUS-CIDE. 737 00:28:58,709 --> 00:28:59,709 HUH? 738 00:28:59,792 --> 00:29:02,333 IT'S A HUMMUS-CIDE! 739 00:29:02,417 --> 00:29:03,375 WELL... 740 00:29:03,458 --> 00:29:04,500 THIS CROWD IS-- [MOANING] 741 00:29:04,583 --> 00:29:06,875 OH, BOY. 742 00:29:06,959 --> 00:29:10,500 SO, YOU HAVE COME HERE TO ASK ME ABOUT SYDNEY WENTON. 743 00:29:10,583 --> 00:29:11,792 WHAT DO YOU THINK? 744 00:29:11,875 --> 00:29:12,917 ACCIDENTAL DEATH. 745 00:29:13,000 --> 00:29:14,542 SHE FELL DOWN, HIT HER HEAD. 746 00:29:14,625 --> 00:29:15,875 IT HAPPENS MORE OFTEN THAN YOU WOULD THINK. 747 00:29:15,959 --> 00:29:18,583 OKAY, BUT WHEN SOMEONE TRIPS AND GOES DOWN, 748 00:29:18,667 --> 00:29:20,959 THEIR ARM AUTOMATICALLY SHOOTS OUT IN FRONT OF THEM 749 00:29:21,041 --> 00:29:22,583 TO BREAK THEIR FALL, RIGHT? 750 00:29:22,667 --> 00:29:24,709 THAT IS CORRECT. INSTINCTUAL MOVEMENT. 751 00:29:24,792 --> 00:29:26,000 AND THEREFORE, SYDNEY'S ARM WOULD HAVE HIT THE PIPE, 752 00:29:26,083 --> 00:29:27,125 PROTECTING HER HEAD. 753 00:29:27,208 --> 00:29:29,750 WELL, USUALLY, BUT IN MY BUSINESS... 754 00:29:29,834 --> 00:29:30,709 TAKE A LOOK AT THIS. 755 00:29:31,959 --> 00:29:33,333 DO I HAVE TO? 756 00:29:34,583 --> 00:29:35,709 HE FELL OFF 757 00:29:35,792 --> 00:29:37,917 THE FOURTH-FLOOR BALCONY, 758 00:29:38,000 --> 00:29:39,500 AND HE LOOKS BETTER THAN ME. 759 00:29:39,583 --> 00:29:42,166 MY POINT IS THAT, IN MY BUSINESS, 760 00:29:42,250 --> 00:29:44,792 "USUALLY" IS PROVEN WRONG EVERY DAY. 761 00:29:44,875 --> 00:29:46,500 IN THE CASE OF SYDNEY WENTON, 762 00:29:46,583 --> 00:29:48,959 THE PIPE MATCHES THE INDENTATION IN HER SKULL. 763 00:29:49,041 --> 00:29:51,917 HER MOMENTUM WAS SUFFICIENT FOR A FATAL INJURY. 764 00:29:52,000 --> 00:29:53,083 ACCIDENTAL DEATH, 765 00:29:53,166 --> 00:29:56,583 THANK YOU AND GOOD NIGHT. 766 00:29:58,917 --> 00:30:01,417 [♪♪♪] 767 00:30:01,500 --> 00:30:04,000 THIS IS IT. 768 00:30:05,750 --> 00:30:08,458 I HAD A CAR LIKE THIS IN COLLEGE, 769 00:30:08,542 --> 00:30:12,166 SAME COLOR, SAME YEAR. 770 00:30:12,250 --> 00:30:14,291 I'VE GOT A BIRTHDAY COMING UP. 771 00:30:14,375 --> 00:30:16,083 I SHOULD GET MYSELF A LITTLE PRESENT. 772 00:30:16,166 --> 00:30:17,125 MAY I? 773 00:30:17,208 --> 00:30:18,458 PLEASE. 774 00:30:25,542 --> 00:30:26,709 IT'S A LITTLE TIGHTER THAN I REMEMBER. 775 00:30:26,792 --> 00:30:28,458 HOW MUCH? 776 00:30:28,542 --> 00:30:30,625 $10,000. 777 00:30:30,709 --> 00:30:33,417 THAT'S MORE THAN IT COST WHEN IT WAS BRAND-NEW. 778 00:30:33,500 --> 00:30:35,417 WHAT AN INVESTMENT. 779 00:30:36,583 --> 00:30:37,750 YEAH. 780 00:30:37,834 --> 00:30:39,041 [VIDEO GAME WEAPONS BLASTING] 781 00:30:39,125 --> 00:30:40,542 LOGAN... 782 00:30:40,625 --> 00:30:41,750 HYPOTHETICALLY, 783 00:30:41,834 --> 00:30:43,041 HOW MUCH TIME SHOULD A TEENAGER 784 00:30:43,125 --> 00:30:44,625 DEVOTE TO A VIDEO GAME? 785 00:30:44,709 --> 00:30:46,583 AS LONG AS IT TAKES TO GET TO LEVEL SIX. 786 00:30:46,667 --> 00:30:48,542 BUT I JUST CRASHED AND BURNED, ACTUALLY. 787 00:30:48,625 --> 00:30:49,750 OH, THAT'S MY FAULT? 788 00:30:49,834 --> 00:30:51,333 [SIGHS] 789 00:30:51,417 --> 00:30:52,667 NO. NO, I NORMALLY 790 00:30:52,750 --> 00:30:54,583 CAN'T GET PAST THAT SPOT ANYWAYS. 791 00:30:54,667 --> 00:30:56,041 HEY, WHAT'S GOING ON WITH DAD? 792 00:30:56,125 --> 00:30:58,000 HE'S GETTING KIND OF WEIRD. 793 00:30:58,083 --> 00:31:00,583 WHAT DO YOU MEAN? 794 00:31:00,667 --> 00:31:01,625 IS HE HAVING, LIKE, A "MID-LIFE CRISIS" 795 00:31:01,709 --> 00:31:02,875 OR SOMETHING? 796 00:31:02,959 --> 00:31:04,542 I MEAN, HE PUT A GYM IN THE GARAGE, 797 00:31:04,625 --> 00:31:06,792 AND HE SAID THAT HE WANTS TO START RUNNING 10KS. 798 00:31:06,875 --> 00:31:09,000 WELL, HE'S GOT A BIG BIRTHDAY COMING UP. 799 00:31:09,083 --> 00:31:12,125 IT'S ONLY NORMAL TO WORRY ABOUT GETTING OLDER. 800 00:31:12,208 --> 00:31:14,083 I THINK HE'S BEING SILLY. 801 00:31:14,166 --> 00:31:16,125 YEAH, AND I DEFINITELY DON'T WANT TO START 802 00:31:16,208 --> 00:31:17,625 RUNNING ANY 10KS, SO... 803 00:31:17,709 --> 00:31:18,917 [SIGHS] 804 00:31:19,000 --> 00:31:20,500 I'VE GOT A PLAN. 805 00:31:20,583 --> 00:31:22,291 YOU WANNA HELP? 806 00:31:22,375 --> 00:31:25,500 [♪♪♪] 807 00:31:30,041 --> 00:31:31,875 WHAT DO YOU KNOW ABOUT TOY SOLDIERS? 808 00:31:33,375 --> 00:31:35,375 YOU BUYING OR SELLING? 809 00:31:38,542 --> 00:31:39,834 OOH. 810 00:31:39,917 --> 00:31:41,417 WHAT WOULD THIS BE WORTH? 811 00:31:41,500 --> 00:31:43,041 WELL, THEY'RE IN GOOD CONDITION. 812 00:31:43,125 --> 00:31:44,583 ABOUT $30 APIECE. 813 00:31:44,667 --> 00:31:47,583 HMM. WELL, THIS IS KIND OF ODD, 814 00:31:47,667 --> 00:31:50,333 BUT ELIZABETH MELLON, SYDNEY'S MOTHER, 815 00:31:50,417 --> 00:31:53,250 SHE CLAIMS SHE HAD A BURGLARY IN THE HOUSE. 816 00:31:53,333 --> 00:31:55,417 THE THIEF SUPPOSEDLY BROKE IN 817 00:31:55,500 --> 00:31:57,500 AND STOLE TWO TOY SOLDIERS. 818 00:31:57,583 --> 00:31:59,542 WELL, SHE THINKS THEY'RE WORTH FIVE GRAND APIECE. 819 00:31:59,625 --> 00:32:01,458 IS THAT EVEN POSSIBLE? 820 00:32:01,542 --> 00:32:02,834 WELL, IT'S POSSIBLE. 821 00:32:02,917 --> 00:32:05,208 CERTAIN RARE PIECES CAN GO FOR A LOT OF MONEY. 822 00:32:05,291 --> 00:32:06,542 WHEN DID THIS HAPPEN? 823 00:32:06,625 --> 00:32:08,208 SHE'S NOT SURE. 824 00:32:08,291 --> 00:32:09,458 DON'T YOU FIND IT STRANGE 825 00:32:09,542 --> 00:32:10,917 THAT THIS HAPPENED IN THE SAME HOUSE 826 00:32:11,000 --> 00:32:13,208 WHERE SYDNEY HAD HER ACCIDENT? 827 00:32:13,291 --> 00:32:14,125 [SIGHS HEAVILY] 828 00:32:14,208 --> 00:32:15,458 I DO. 829 00:32:15,542 --> 00:32:17,250 CAN YOU MEET ME OUT THERE LATER? 830 00:32:17,333 --> 00:32:19,333 I'D LIKE YOU TO LOOK AT THESE SOLDIERS, 831 00:32:19,417 --> 00:32:20,709 'CAUSE IF THEY ARE WORTH THAT MUCH, 832 00:32:20,792 --> 00:32:22,166 IT'S A FELONY. 833 00:32:22,250 --> 00:32:25,125 [♪♪♪] 834 00:32:33,125 --> 00:32:35,041 SYDNEY LOVED THESE LITTLE TOYS. 835 00:32:35,125 --> 00:32:37,458 THEY WERE HER FATHER'S WHEN HE WAS A BOY. 836 00:32:37,542 --> 00:32:39,959 THEY WERE SO SPECIAL TO HER. 837 00:32:40,041 --> 00:32:41,375 I WAS REMINISCING, 838 00:32:41,458 --> 00:32:42,917 AND I NOTICED THAT TWO WERE MISSING, 839 00:32:43,000 --> 00:32:44,792 THE WASHINGTON 840 00:32:44,875 --> 00:32:47,333 AND THE GEORGE CORNWALLIS. 841 00:32:47,417 --> 00:32:49,792 THEY'RE VERY VALUABLE TO ME. 842 00:32:49,875 --> 00:32:51,166 I WANT THEM BACK. 843 00:32:57,208 --> 00:32:58,917 THESE ARE LINEOL. 844 00:32:59,000 --> 00:33:01,041 VERY COLLECTIBLE. 845 00:33:01,125 --> 00:33:03,667 DO YOU HAVE ANY INFORMATION ON THE MISSING PIECES? 846 00:33:03,750 --> 00:33:05,959 HOW OLD THEY ARE, SO ON AND SO FORTH? 847 00:33:06,041 --> 00:33:08,208 RICHARD, MY LATE HUSBAND, 848 00:33:08,291 --> 00:33:11,750 DOCUMENTED EVERYTHING, 849 00:33:11,834 --> 00:33:16,041 ALL OF OUR ARTWORK, ALL OF OUR VALUABLES. 850 00:33:16,125 --> 00:33:17,208 UM... 851 00:33:17,291 --> 00:33:18,208 THERE, THOSE TWO. 852 00:33:21,000 --> 00:33:23,166 THESE ARE RARE. 853 00:33:23,250 --> 00:33:24,625 YOU THINK SOMEONE BROKE IN WHILE YOU WERE HERE? 854 00:33:24,709 --> 00:33:26,667 I KNOW WHO IT WAS. 855 00:33:26,750 --> 00:33:28,208 IT WAS SAM BRISCO. 856 00:33:28,291 --> 00:33:29,709 HE WAS MY HANDYMAN. 857 00:33:29,792 --> 00:33:31,333 I'M SURE HE WAS THE ONE WHO BROKE IN AND TOOK THEM. 858 00:33:31,417 --> 00:33:33,291 WHY ARE YOU SURE? 859 00:33:33,375 --> 00:33:34,792 BECAUSE PRINCE WOULD DEVOUR ANY STRANGER 860 00:33:34,875 --> 00:33:37,458 WHO CAME IN THIS HOUSE. 861 00:33:37,542 --> 00:33:39,375 BUT HE KNEW SAM. 862 00:33:39,458 --> 00:33:40,625 I CAUGHT HIM GIVING HIM TREATS. 863 00:33:40,709 --> 00:33:41,667 [SIGHS] 864 00:33:41,750 --> 00:33:42,875 THE DOOR IN THE KITCHEN 865 00:33:42,959 --> 00:33:44,625 DOESN'T LOCK PROPERLY. 866 00:33:44,709 --> 00:33:46,041 I ASKED SAM TO FIX IT. 867 00:33:46,125 --> 00:33:47,083 HE DIDN'T. 868 00:33:47,166 --> 00:33:48,333 SO, DID YOU FIRE HIM? 869 00:33:48,417 --> 00:33:49,959 YES. 870 00:33:50,041 --> 00:33:51,291 HE WAS ALWAYS LOOKING AT THE PAINTINGS, 871 00:33:51,375 --> 00:33:52,792 "WHO WAS THE ARTIST?," OR "HOW OLD IS THIS?" 872 00:33:52,875 --> 00:33:55,458 WE USED TO ROTATE THE PAINTINGS IN THE HOUSE 873 00:33:55,542 --> 00:33:56,417 WITH THE ONES IN STORAGE 874 00:33:56,500 --> 00:33:57,792 IN THE ATTIC, 875 00:33:57,875 --> 00:33:59,250 SAM KNEW WHAT WE HAD UP THERE. 876 00:33:59,333 --> 00:34:00,458 DO YOU HAVE HIS CURRENT ADDRESS? 877 00:34:00,542 --> 00:34:01,542 NO. 878 00:34:01,625 --> 00:34:02,792 NO, I DON'T. 879 00:34:02,875 --> 00:34:05,041 SO, SOME OF THE PAINTINGS ARE IN THE HOUSE, 880 00:34:05,125 --> 00:34:06,000 BUT SOME ARE STORED? 881 00:34:06,083 --> 00:34:07,083 THAT'S RIGHT. 882 00:34:07,166 --> 00:34:09,125 NEXT DOOR, IN THE... 883 00:34:09,208 --> 00:34:10,083 IN THE ATTIC. 884 00:34:14,750 --> 00:34:16,458 ELIZABETH THINKS 885 00:34:16,542 --> 00:34:18,959 THAT SAM KNEW SHE HAD VALUABLES IN THE ATTIC. 886 00:34:19,041 --> 00:34:20,208 YOU DIDN'T SAY ANYTHING ABOUT VALUABLES 887 00:34:20,291 --> 00:34:21,542 WHEN YOU WERE UP THERE. 888 00:34:21,625 --> 00:34:22,625 NO, I WAS A LITTLE DISTRACTED 889 00:34:22,709 --> 00:34:24,417 BY THE DEAD BODY ON THE FLOOR. 890 00:34:24,500 --> 00:34:26,083 [SHOP BELL JINGLING] 891 00:34:26,166 --> 00:34:28,583 WHAT IF SAM WAS IN THE ATTIC 892 00:34:28,667 --> 00:34:30,041 STEALING SOMETHING, 893 00:34:30,125 --> 00:34:31,959 AND SYDNEY DISCOVERED HIM? 894 00:34:32,041 --> 00:34:34,000 [SIGHS] JENN, EVERYONE BUT YOU 895 00:34:34,083 --> 00:34:35,917 THINKS HER DEATH WAS AN ACCIDENT. 896 00:34:36,000 --> 00:34:38,083 I MEAN, PEOPLE DO HAVE ACCIDENTS. 897 00:34:38,166 --> 00:34:39,375 I KNOW, BUT WHEN ABBEY CAME TO ME WITH HER DOUBTS, 898 00:34:39,458 --> 00:34:41,375 IT GOT ME THINKING. 899 00:34:41,458 --> 00:34:43,458 OKAY, I CAN HELP. 900 00:34:43,542 --> 00:34:45,583 TONIGHT'S MY COOKING CLASS. 901 00:34:45,667 --> 00:34:46,625 WHY DON'T YOU COME WITH ME? 902 00:34:46,709 --> 00:34:48,792 IT'LL BE REALLY, REALLY FUN, 903 00:34:48,875 --> 00:34:50,125 AND IT'LL TAKE YOUR MIND OFF THINGS. 904 00:34:50,208 --> 00:34:51,709 AW, THANKS, BUT NO. 905 00:34:51,792 --> 00:34:52,875 I GET ENOUGH VIBRATIONAL COOKING 906 00:34:52,959 --> 00:34:54,792 FROM MY MICROWAVE. 907 00:34:54,875 --> 00:34:57,125 [SHOP BELL JINGLES] 908 00:34:58,291 --> 00:34:59,625 HEY, TINA. 909 00:34:59,709 --> 00:35:00,959 I HAVEN'T BEEN HERE BEFORE. 910 00:35:01,041 --> 00:35:02,834 YOU HAVE A REALLY WONDERFUL SHOP. 911 00:35:02,917 --> 00:35:04,208 AW, THANK YOU. 912 00:35:04,291 --> 00:35:06,500 YEAH, I NEED TO COME BACK WHEN I CAN REALLY BROWSE. 913 00:35:07,917 --> 00:35:09,333 LISTEN, JENN, DO YOU MAYBE HAVE TIME 914 00:35:09,417 --> 00:35:11,375 TO GRAB A CUP OF COFFEE OR SOMETHING? 915 00:35:13,542 --> 00:35:15,583 I JUST CAN'T SEEM TO SHAKE IT, YOU KNOW? 916 00:35:15,667 --> 00:35:18,417 I TOLD HER I HAD TO GO BACK TO WORK. 917 00:35:18,500 --> 00:35:20,125 IF I WOULD HAVE JUST STAYED AND HELPED HER, 918 00:35:20,208 --> 00:35:21,166 THEN SYDNEY WOULDN'T HAVE GONE BACK, 919 00:35:21,250 --> 00:35:23,625 AND SHE MIGHT STILL BE ALIVE. 920 00:35:23,709 --> 00:35:25,709 YOU CAN'T BLAME YOURSELF FOR THIS, TINA. 921 00:35:25,792 --> 00:35:27,500 [SIGHS HEAVILY] 922 00:35:27,583 --> 00:35:30,250 I HEARD ABOUT THE HANDYMAN. 923 00:35:30,333 --> 00:35:32,041 IS IT POSSIBLE THAT HE WAS IN THE ATTIC 924 00:35:32,125 --> 00:35:33,583 WHEN SYDNEY WENT BACK? 925 00:35:33,667 --> 00:35:35,750 OH, ANYTHING'S POSSIBLE. 926 00:35:35,834 --> 00:35:37,000 DETECTIVE LYNWOOD'S GOING TO TALK TO HIM. 927 00:35:38,208 --> 00:35:39,709 AS OF NOW, ALL WE KNOW 928 00:35:39,792 --> 00:35:41,625 IS THAT ELIZABETH IS MISSING SOME TOY SOLDIERS 929 00:35:41,709 --> 00:35:42,792 FROM HER FRONT ROOM, 930 00:35:42,875 --> 00:35:44,375 AND SHE THINKS THAT HER HANDYMAN, BRISCO, 931 00:35:44,458 --> 00:35:47,417 TOOK THEM. 932 00:35:47,500 --> 00:35:48,750 REALLY? 933 00:35:48,834 --> 00:35:51,041 I MEAN, ALL I SAW WAS JUNK IN THE ATTIC. 934 00:35:51,125 --> 00:35:52,709 WHAT DOES ELIZABETH THINK IS OUT THERE? 935 00:35:52,792 --> 00:35:53,583 WELL, SHE SAID SOME ARTWORK. 936 00:35:53,667 --> 00:35:55,041 THERE'S A BINDER 937 00:35:55,125 --> 00:35:56,583 THAT HAS EVERYTHING DOCUMENTED, 938 00:35:56,667 --> 00:35:59,458 BUT EVEN IF SOMETHING'S MISSING, WHO KNOWS WHEN IT WAS TAKEN? 939 00:35:59,542 --> 00:36:00,917 IT COULD HAVE BEEN YEARS AGO. 940 00:36:01,000 --> 00:36:03,625 [SIGHS] YEAH. 941 00:36:03,709 --> 00:36:04,917 WELL, I GUESS IT DOESN'T MAKE A DIFFERENCE EITHER WAY, 942 00:36:05,000 --> 00:36:06,291 DOES IT? 943 00:36:06,375 --> 00:36:08,000 SYDNEY'S NOT COMING BACK. 944 00:36:08,083 --> 00:36:12,083 WELL, IT MAKES A DIFFERENCE IF IT WASN'T AN ACCIDENT. 945 00:36:12,166 --> 00:36:15,083 THAT MEANS SOMEONE IS GETTING AWAY WITH MURDER. 946 00:36:38,792 --> 00:36:40,208 WHAT A DAY TO BE WORKING OUTSIDE, HUH? 947 00:36:40,291 --> 00:36:42,333 WELL, WHAT CAN YOU DO? 948 00:36:42,417 --> 00:36:44,083 LIEUTENANT FRANK LYNWOOD. 949 00:36:44,166 --> 00:36:46,333 MIND IF I HAVE A WORD WITH YOU? 950 00:36:46,417 --> 00:36:48,542 I JUST GOT THIS JOB. 951 00:36:48,625 --> 00:36:50,083 IT WON'T LOOK TOO GOOD IF THE POLICE ARE OUT HERE. 952 00:36:51,959 --> 00:36:53,750 WOULD IT BE OKAY IF WE MET SOMEWHERE ELSE? 953 00:36:53,834 --> 00:36:55,041 LOOK, THERE'S A COFFEE SHOP 954 00:36:55,125 --> 00:36:56,125 OVER ON ELM STREET. 955 00:36:56,208 --> 00:36:57,125 CAN I MEET YOU THERE? 956 00:36:57,208 --> 00:36:58,709 WHEN? 957 00:36:58,792 --> 00:36:59,834 I COULD TAKE A BREAK IN AN HOUR. 958 00:36:59,917 --> 00:37:01,125 I NEED THIS JOB. 959 00:37:01,208 --> 00:37:02,750 ALL RIGHT, I'LL SEE YOU THEN. 960 00:37:43,834 --> 00:37:46,291 IT'S ONLY BEEN A FEW MINUTES, SAM. 961 00:37:50,542 --> 00:37:53,291 COFFEE SHOP IS IN THE OTHER DIRECTION. 962 00:38:23,583 --> 00:38:24,500 [BRAKES SCREECH] 963 00:38:35,000 --> 00:38:35,917 [KNOCKS SHARPLY] 964 00:38:39,333 --> 00:38:41,834 ALL I WANTED TO DO WAS HAVE A LITTLE CONVERSATION, 965 00:38:41,917 --> 00:38:42,875 AND YOU'RE RUNNING FROM ME? 966 00:38:42,959 --> 00:38:44,792 WHY? 967 00:38:44,875 --> 00:38:46,125 NOTHING GOOD EVER HAPPENED 968 00:38:46,208 --> 00:38:48,500 WHENEVER I HAD A CONVERSATION WITH A COP. 969 00:38:48,583 --> 00:38:49,917 HMM. 970 00:38:50,000 --> 00:38:51,208 AM I UNDER ARREST? 971 00:38:51,291 --> 00:38:52,250 NOT YET. 972 00:38:52,333 --> 00:38:54,417 YOU WANNA BE? 973 00:38:55,583 --> 00:38:56,834 COME ON. 974 00:38:56,917 --> 00:38:58,667 I WANNA SHOW YOU SOMETHING. 975 00:38:58,750 --> 00:39:00,583 LET'S GO. 976 00:39:02,166 --> 00:39:05,875 I WANT YOU ALL TO LIVE WHAT I'M TEACHING. 977 00:39:05,959 --> 00:39:08,667 YOU KNOW, THERE'S AN ENERGY SHIFT HAPPENING 978 00:39:08,750 --> 00:39:10,375 ACROSS THE ENTIRE PLANET. 979 00:39:10,458 --> 00:39:11,875 YEAH, I FEEL THAT. 980 00:39:11,959 --> 00:39:12,959 IT'S LIKE 981 00:39:13,041 --> 00:39:14,166 WHAT WE PUT OUT WE GET BACK. 982 00:39:14,250 --> 00:39:15,500 EXACTLY. 983 00:39:15,583 --> 00:39:17,000 EXACTLY. 984 00:39:17,083 --> 00:39:18,834 SO, WHAT FOODS HAVE THE HIGHEST VIBRATIONS? 985 00:39:18,917 --> 00:39:19,917 RAW FRUIT. 986 00:39:20,000 --> 00:39:21,375 IDEALLY, PICKED RIGHT FROM THE TREE. 987 00:39:21,458 --> 00:39:23,291 YOU EAT NOTHING BUT RAW FRUIT FOR THREE DAYS, 988 00:39:23,375 --> 00:39:24,875 THEN SEE HOW YOU FEEL. 989 00:39:24,959 --> 00:39:27,333 DO YOU THINK IT'S A GOOD IDEA 990 00:39:27,417 --> 00:39:28,959 TO GIVE THE FINAL DINNER PARTY 991 00:39:29,041 --> 00:39:31,875 FOR PEOPLE WHO EAT UNCONSCIOUSLY? 992 00:39:33,792 --> 00:39:37,750 THESE PEOPLE EAT PROCESSED, 993 00:39:37,834 --> 00:39:39,041 REFINED FOOD, 994 00:39:39,125 --> 00:39:40,333 NO NUTRITIONAL VALUE? 995 00:39:40,417 --> 00:39:41,917 PACKED FULL OF WHITE FLOUR, 996 00:39:42,000 --> 00:39:43,917 PRESERVATIVES AND CHEMICALS? 997 00:39:44,000 --> 00:39:45,875 YEAH, THAT'S KINDA THEM. 998 00:39:45,959 --> 00:39:47,125 HMM. 999 00:39:47,208 --> 00:39:49,375 PERFECT. 1000 00:39:49,458 --> 00:39:51,375 THEY'RE GOING TO LOVE IT. 1001 00:39:51,458 --> 00:39:53,667 IT'LL BE LIKE THEY'VE NEVER EATEN BEFORE. 1002 00:39:55,041 --> 00:39:56,333 YOU ARE ON YOUR WAY 1003 00:39:56,417 --> 00:40:00,041 TO HEALTH, HAPPINESS, AND PROSPERITY, DANI. 1004 00:40:00,125 --> 00:40:02,083 YOU'VE GOT THE GLOW. 1005 00:40:11,792 --> 00:40:14,125 HEY, GUYS, I'M HOME! 1006 00:40:14,208 --> 00:40:16,375 JENN? 1007 00:40:16,458 --> 00:40:18,458 [GOLF CLUB SWATS OUTSIDE] 1008 00:40:30,375 --> 00:40:31,291 SINCE WHEN DO YOU PLAY? 1009 00:40:31,375 --> 00:40:33,000 OH, WELL, I DON'T... 1010 00:40:35,625 --> 00:40:37,959 BUT, I MEAN, I'D LIKE TO LEARN. 1011 00:40:38,041 --> 00:40:38,959 I BORROWED THESE CLUBS 1012 00:40:39,041 --> 00:40:40,208 FROM MATT. 1013 00:40:40,291 --> 00:40:41,291 YOU'VE NEVER SAID A WORD 1014 00:40:41,375 --> 00:40:43,625 ABOUT WANTING TO PLAY GOLF BEFORE. 1015 00:40:43,709 --> 00:40:45,208 YEAH, WELL, I MEAN, 1016 00:40:45,291 --> 00:40:46,959 YOU KNOW, YOU STARTED TALKING ABOUT THOSE 10KS, 1017 00:40:47,041 --> 00:40:49,250 AND, YOU KNOW... 1018 00:40:49,333 --> 00:40:51,125 IT GOT ME THINKING 1019 00:40:51,208 --> 00:40:52,542 THAT MAYBE YOU AND I 1020 00:40:52,625 --> 00:40:54,792 SHOULD HAVE SOME SORT OF FATHER-AND-SON ACTIVITY. 1021 00:40:55,917 --> 00:40:56,917 WELL, I WAS THINKING 1022 00:40:57,000 --> 00:40:59,166 SOMETHING A LITTLE MORE PHYSICAL. 1023 00:40:59,250 --> 00:41:00,750 LIKE... PLAYING HOOPS? 1024 00:41:03,041 --> 00:41:04,542 MATT PLAYS GOLF WITH HIS GRANDAD. 1025 00:41:04,625 --> 00:41:06,250 HIS GRANDAD, REALLY. 1026 00:41:07,875 --> 00:41:09,333 COME ON, IT'S RELAXING. 1027 00:41:09,417 --> 00:41:10,458 I MEAN, NOBODY GETS HURT, RIGHT? 1028 00:41:10,542 --> 00:41:13,417 YOU SURE ABOUT THAT? 1029 00:41:13,500 --> 00:41:17,500 [♪♪♪] 1030 00:41:25,291 --> 00:41:27,000 WHAT HAPPENED TO THE DIET? 1031 00:41:27,083 --> 00:41:28,500 WHAT DIET? 1032 00:41:28,583 --> 00:41:30,667 I JUST WANTED TO DROP A FEW POUNDS. 1033 00:41:30,750 --> 00:41:32,458 I'LL WORK OUT HARDER. 1034 00:41:33,834 --> 00:41:36,250 DID YOU KNOW YOUR SON WAS PLAYING GOLF? 1035 00:41:36,333 --> 00:41:39,041 HMM, I WONDER WHY. 1036 00:41:39,125 --> 00:41:40,333 HE THINKS I'M GETTING OLDER, 1037 00:41:40,417 --> 00:41:42,875 AND HE WANTED TO FIND SOME KIND OF ACTIVITY 1038 00:41:42,959 --> 00:41:44,125 WE COULD DO TOGETHER. 1039 00:41:44,208 --> 00:41:46,542 WELL, HAVE YOU EVER THOUGHT ABOUT PLAYING GOLF? 1040 00:41:46,625 --> 00:41:47,667 [CHUCKLES] NO. 1041 00:41:47,750 --> 00:41:49,542 I'VE THOUGHT ABOUT MOUNTAIN CLIMBING, 1042 00:41:49,625 --> 00:41:50,792 OR, UH, THE IRON MAN, 1043 00:41:50,875 --> 00:41:52,583 OR PLAYING IN A MEN'S BASKETBALL LEAGUE. 1044 00:41:52,667 --> 00:41:54,250 OH, I HEAR THEY HAVE A SENIOR LEAGUE AT THE Y. 1045 00:41:54,333 --> 00:41:55,417 [LAUGHING] 1046 00:41:55,500 --> 00:41:56,625 I'M JUST KIDDING... 1047 00:41:56,709 --> 00:41:57,875 FUNNY. 1048 00:41:57,959 --> 00:41:59,291 HONEY, LOOK AT YOU, 1049 00:41:59,375 --> 00:42:01,709 IF YOU'RE GETTING OLD, WHAT DOES THAT MAKE ME? 1050 00:42:01,792 --> 00:42:03,583 WE ARE NOT GETTING OLD. 1051 00:42:03,667 --> 00:42:05,000 YOU KNOW WHAT I THINK? 1052 00:42:05,083 --> 00:42:06,000 I THINK WE'RE EXACTLY THE SAME 1053 00:42:06,083 --> 00:42:07,000 AS WE WERE IN COLLEGE. 1054 00:42:07,083 --> 00:42:08,041 WE ARE. 1055 00:42:19,959 --> 00:42:21,917 [SIGHING HEAVILY] 1056 00:42:25,750 --> 00:42:27,583 HEY. 1057 00:42:27,667 --> 00:42:28,458 I DIDN'T HEAR YOU COME IN. 1058 00:42:28,542 --> 00:42:29,792 HEY. 1059 00:42:29,875 --> 00:42:31,208 YEAH, I WAS JUST BRINGING IN THE MAIL. 1060 00:42:32,709 --> 00:42:34,875 WHY ARE YOU LOOKING AT CROPSEY PAINTINGS ONLINE? 1061 00:42:37,500 --> 00:42:40,000 SO HOW LONG UNTIL THEY FORECLOSE? 1062 00:42:44,959 --> 00:42:46,208 THREE WEEKS. 1063 00:42:46,291 --> 00:42:47,583 -THREE WEEKS? -YEAH. 1064 00:42:47,667 --> 00:42:50,417 SO, WHERE ARE WE GOING TO GO? 1065 00:42:50,500 --> 00:42:52,083 I DON'T KNOW, UM, 1066 00:42:52,166 --> 00:42:54,208 WE GET AN APARTMENT. 1067 00:42:54,291 --> 00:42:56,583 FIND SOMEPLACE SMALLER. 1068 00:42:58,917 --> 00:43:00,375 HOW'S THAT GOING TO WORK? 1069 00:43:00,458 --> 00:43:03,041 I MEAN, HOW AM I GOING TO PAINT IN SOME LITTLE APARTMENT? 1070 00:43:03,125 --> 00:43:04,166 HOW ARE WE GOING TO FIT OUR LIFE 1071 00:43:04,250 --> 00:43:07,041 INTO SOME LITTLE APARTMENT? 1072 00:43:08,709 --> 00:43:09,834 I THOUGHT YOU WERE GOING TO TALK TO YOUR CONNECTIONS 1073 00:43:09,917 --> 00:43:11,834 AND SEE ABOUT WORKING OUT A SHOW FOR ME. 1074 00:43:11,917 --> 00:43:13,125 I TRIED. 1075 00:43:13,208 --> 00:43:15,750 I MEAN, I'M IN THE RESTORATION DEPARTMENT, 1076 00:43:15,834 --> 00:43:17,542 I'M NOT IMPORTANT, 1077 00:43:17,625 --> 00:43:19,500 I CAN'T PUSH IT. 1078 00:43:19,583 --> 00:43:20,542 THEY LOVE YOUR WORK. 1079 00:43:20,625 --> 00:43:23,208 YOU'RE... YOU'RE SO GOOD. 1080 00:43:23,291 --> 00:43:25,333 IF I HAVE TO PAINT ANOTHER BUSINESSMAN 1081 00:43:25,417 --> 00:43:26,291 IN A PIN-STRIPED SUIT, 1082 00:43:26,375 --> 00:43:27,875 IT JUST... 1083 00:43:27,959 --> 00:43:30,250 IT'S JUST KILLING ME. 1084 00:43:30,333 --> 00:43:31,333 I KNOW... 1085 00:43:33,333 --> 00:43:34,417 I KNOW. 1086 00:43:35,667 --> 00:43:38,375 BELIEVE ME, I KNOW. 1087 00:43:38,458 --> 00:43:40,125 WE JUST HAVE TO HANG IN. 1088 00:43:40,208 --> 00:43:44,125 OUR LUCK IS GONNA CHANGE. 1089 00:43:44,208 --> 00:43:46,709 MAYBE IT ALREADY HAS. 1090 00:43:46,792 --> 00:43:49,291 HMM? WHAT DO YOU MEAN? 1091 00:43:49,375 --> 00:43:50,917 WELL, NOT TO BE INSENSITIVE, 1092 00:43:51,000 --> 00:43:52,750 BUT YOUR FRIEND... 1093 00:43:52,834 --> 00:43:55,375 SYDNEY IS DEAD. 1094 00:43:55,458 --> 00:43:56,750 YOU KNOW, THERE'S NOTHING YOU'RE GONNA BE ABLE TO DO 1095 00:43:56,834 --> 00:43:57,875 TO BRING HER BACK, 1096 00:43:57,959 --> 00:43:59,250 BUT THAT PAINTING IS STILL SITTING THERE. 1097 00:43:59,333 --> 00:44:01,250 WE COULD... WE COULD GO GET IT. 1098 00:44:01,333 --> 00:44:03,709 NO. NO! NO... 1099 00:44:03,792 --> 00:44:06,250 GOD, I'M SORRY IT EVEN CROSSED MY MIND. 1100 00:44:08,083 --> 00:44:12,041 NOBODY EVEN KNOWS ABOUT IT. 1101 00:44:12,125 --> 00:44:14,417 SYDNEY'S MOTHER HAS AN INVENTORY 1102 00:44:14,500 --> 00:44:17,333 OF EVERYTHING. 1103 00:44:17,417 --> 00:44:18,917 IF WE QUIETLY WENT AND GOT IT, 1104 00:44:19,000 --> 00:44:20,709 WE COULD BE IN... 1105 00:44:20,792 --> 00:44:25,125 IN THE SOUTH OF SPAIN, LIKE, WITHIN THE MONTH. 1106 00:44:26,375 --> 00:44:28,959 NO, COME ON, ANDREW. 1107 00:44:29,041 --> 00:44:31,917 NO, WE'RE GOING TO BE FINE, OKAY? 1108 00:44:32,000 --> 00:44:32,875 I PROMISE. 1109 00:44:42,208 --> 00:44:44,333 YOU RECOGNIZE THIS HOUSE? 1110 00:44:44,417 --> 00:44:46,917 YEAH, I USED TO WORK HERE. 1111 00:44:47,000 --> 00:44:48,834 I LEFT IT. 1112 00:44:48,917 --> 00:44:51,000 LEFT OR FIRED? 1113 00:44:51,083 --> 00:44:52,000 MUTUAL. 1114 00:44:55,083 --> 00:44:58,291 MRS. MELLON IS PARANOID, ALWAYS ACCUSING ME OF STUFF. 1115 00:44:58,375 --> 00:45:00,250 AND SHE HAS A VICIOUS DOG. 1116 00:45:00,333 --> 00:45:02,166 HE'S GOING TO BITE SOMEONE SOMEDAY. 1117 00:45:02,250 --> 00:45:03,291 YEAH, THANKS FOR THE HEADS UP. 1118 00:45:03,375 --> 00:45:05,375 I... I DON'T LIKE AGGRESSIVE DOGS. 1119 00:45:05,458 --> 00:45:06,458 WELL, BE CAREFUL WITH THIS ONE. 1120 00:45:06,542 --> 00:45:07,458 HE WENT AFTER ME ONE DAY. 1121 00:45:07,542 --> 00:45:09,542 HEY, UH, 1122 00:45:09,625 --> 00:45:10,709 YOU EVER BEEN OUT TO THE WORKSHOP? 1123 00:45:10,792 --> 00:45:12,083 WELL, YEAH. 1124 00:45:12,166 --> 00:45:13,792 I WAS THE HANDYMAN. 1125 00:45:13,875 --> 00:45:15,208 TOOLS AND THINGS ARE KEPT BACK THERE. 1126 00:45:15,291 --> 00:45:18,417 MRS. MELLON WOULD SOMETIMES HAVE ME MOVE THINGS AROUND. 1127 00:45:18,500 --> 00:45:20,959 BUT SHE HAS A HARD TIME KEEPING STAFF. 1128 00:45:21,041 --> 00:45:22,166 RIGHT. 1129 00:45:22,250 --> 00:45:25,458 WELL, MRS. MELLON DOESN'T WISH TO SEE YOU. 1130 00:45:25,542 --> 00:45:26,917 LET ME SHOW YOU SOMETHING. 1131 00:45:27,000 --> 00:45:28,750 COME ON. 1132 00:45:30,125 --> 00:45:31,875 YOU SEE ANYTHING MISSING HERE? 1133 00:45:31,959 --> 00:45:33,291 [CHUCKLES] HOW WOULD I KNOW? 1134 00:45:34,792 --> 00:45:37,291 WELL, THE BACK DOOR DOESN'T LOCK PROPERLY. 1135 00:45:37,375 --> 00:45:39,291 MUST HAVE HAPPENED AFTER I LEFT. 1136 00:45:39,375 --> 00:45:41,500 I DON'T LEAVE THINGS BROKEN. 1137 00:45:41,583 --> 00:45:43,375 RIGHT. 1138 00:45:43,458 --> 00:45:46,125 JENNIFER, COULD YOU JOIN US, PLEASE? 1139 00:45:47,542 --> 00:45:48,417 YOU KEEP AHOLD OF HIM! 1140 00:45:48,500 --> 00:45:50,291 LET HIM GO. 1141 00:45:51,667 --> 00:45:54,291 [DOG WHINING AFFECTIONATELY] 1142 00:45:54,375 --> 00:45:55,750 SAM, THAT'S NOT A NORMAL DOG, 1143 00:45:55,834 --> 00:45:57,500 THAT'S A LIE DETECTION DOG. 1144 00:46:00,333 --> 00:46:01,917 YOU'RE UNDER ARREST FOR BURGLARY. 1145 00:46:10,625 --> 00:46:13,792 AH, YOU CAN SEE THE ENERGY COMING OFF THIS GUY. 1146 00:46:13,875 --> 00:46:15,834 HE EATS NOTHING BUT RAW FOOD. 1147 00:46:15,917 --> 00:46:17,583 HE DOESN'T COOK? 1148 00:46:17,667 --> 00:46:19,750 WELL, NO, I MEAN, YOU CAN COOK, 1149 00:46:19,834 --> 00:46:20,875 BUT ONLY A LITTLE, 1150 00:46:20,959 --> 00:46:23,166 'CAUSE HE ACTUALLY KILLS THE FOOD. 1151 00:46:23,250 --> 00:46:24,834 SO, THIS DINNER PARTY YOU'RE HAVING 1152 00:46:24,917 --> 00:46:26,208 IS GOING TO BE RAW? 1153 00:46:26,291 --> 00:46:27,542 IT'S GOING TO BE WONDERFUL. 1154 00:46:27,625 --> 00:46:28,792 -HEY! -OH, HI, TINA! 1155 00:46:28,875 --> 00:46:31,417 HI! ANDREW, THIS IS DANI AND JENN. 1156 00:46:31,500 --> 00:46:33,250 THEY OWN THIS WONDERFUL STORE. 1157 00:46:33,333 --> 00:46:35,166 TINA TELLS ME YOU'RE AN ARTIST. 1158 00:46:35,250 --> 00:46:36,208 AH, WELL, I'M WORKING AT IT. 1159 00:46:36,291 --> 00:46:38,166 OH, STOP. HE'S VERY TALENTED. 1160 00:46:38,250 --> 00:46:40,542 WELL, YOU'RE KIND OF BIASED. 1161 00:46:40,625 --> 00:46:41,917 WHAT KIND OF STUFF DO YOU DO? 1162 00:46:42,000 --> 00:46:43,375 I'M A PAINTER, 1163 00:46:43,458 --> 00:46:45,750 ABSTRACT IMPRESSIONISM, YOU COULD CALL IT, I GUESS. 1164 00:46:45,834 --> 00:46:46,917 YOU REALLY SHOULD SEE IT. 1165 00:46:47,000 --> 00:46:48,125 WE'RE TRYING TO PUT TOGETHER A GALLERY SHOW. 1166 00:46:48,208 --> 00:46:49,458 OH, WELL, WE'LL BE THERE. 1167 00:46:49,542 --> 00:46:50,458 OH, GREAT. 1168 00:46:50,542 --> 00:46:51,500 HEY, HEY, LISTEN, 1169 00:46:51,583 --> 00:46:53,333 I HEARD THAT THE HANDYMAN GOT ARRESTED. 1170 00:46:53,417 --> 00:46:54,333 OH, YES, HE'S IN JAIL, 1171 00:46:54,417 --> 00:46:55,333 HAD A COUPLE OF OLD WARRANTS. 1172 00:46:55,417 --> 00:46:56,834 ASSAULT, PETTY THEFT. 1173 00:46:56,917 --> 00:46:58,375 LYNWOOD'S TRYING TO CONNECT HIM TO THE THEFTS 1174 00:46:58,458 --> 00:47:00,125 AT MRS. MELLON'S HOUSE. 1175 00:47:00,208 --> 00:47:02,208 SO COULD HE HAVE BEEN THERE THE NIGHT OF SYDNEY'S DEATH? 1176 00:47:02,291 --> 00:47:03,625 MAYBE. HE'S GOT A PRETTY SHAKY ALIBI. 1177 00:47:03,709 --> 00:47:05,667 WELL, WHERE DID HE SAY HE WAS? 1178 00:47:05,750 --> 00:47:07,125 AT HIS APARTMENT WITH HIS GIRLFRIEND, 1179 00:47:07,208 --> 00:47:08,125 ALONE. 1180 00:47:13,208 --> 00:47:15,417 REMEMBER, JENN, SPRING BREAK? 1181 00:47:15,500 --> 00:47:16,709 [CHUCKLES] 1182 00:47:16,792 --> 00:47:18,250 YOU STAYED AT YOUR PARENTS' HOUSE? 1183 00:47:18,333 --> 00:47:20,458 YOU WENT HOME FOR SPRING BREAK? 1184 00:47:20,542 --> 00:47:22,208 WHAT A CONCEPT. 1185 00:47:22,291 --> 00:47:26,166 I HAD THAT AMAZING BLUE MG SPORTS CAR, 1186 00:47:26,250 --> 00:47:27,875 AND WE WENT ON THAT DATE, 1187 00:47:27,959 --> 00:47:30,208 EXCEPT WE NEVER MAKE IT TO THE MOVIES. 1188 00:47:30,291 --> 00:47:33,625 WE WENT TO THAT GREAT SPOT UP OVERLOOKING TAYLOR LAKE. 1189 00:47:33,709 --> 00:47:34,917 SO PRETTY. 1190 00:47:35,000 --> 00:47:37,709 OH, LOVER'S LANE. YEAH, IT'S STILL THERE. 1191 00:47:39,083 --> 00:47:40,000 [SIGHING] 1192 00:47:40,083 --> 00:47:41,000 ANYWAY. 1193 00:47:41,083 --> 00:47:42,709 UM... 1194 00:47:42,792 --> 00:47:43,834 WE HAD A WONDERFUL TIME, 1195 00:47:43,917 --> 00:47:46,250 JUST TALKING, HANNAH... 1196 00:47:46,333 --> 00:47:47,875 [LAUGHING] 1197 00:47:47,959 --> 00:47:49,208 AND THEN WE WERE GOING TO GO HOME, 1198 00:47:49,291 --> 00:47:51,166 BUT THE CAR WOULDN'T START, REMEMBER? 1199 00:47:51,250 --> 00:47:52,250 HAD TO CALL YOUR DAD TO COME RESCUE US. 1200 00:47:52,333 --> 00:47:53,291 [CHUCKLES] 1201 00:47:53,375 --> 00:47:54,417 [LAUGHTER] 1202 00:47:54,500 --> 00:47:56,166 IT WAS NOT FUN. 1203 00:47:56,250 --> 00:47:58,166 WAIT, NO, THERE'S SOMETHING FISHY ABOUT THAT STORY. 1204 00:47:58,250 --> 00:47:59,375 REALLY? 1205 00:47:59,458 --> 00:48:00,834 THERE WAS NO CELL PHONES BACK THEN. 1206 00:48:00,917 --> 00:48:01,875 NO, THEY WERE CALLED 1207 00:48:01,959 --> 00:48:03,000 "PAYPHONES." 1208 00:48:03,083 --> 00:48:05,000 AND WE HAD TO WALK HALF A MILE TO FIND ONE. 1209 00:48:05,083 --> 00:48:06,500 WHAT DID GRANDPA SAY 1210 00:48:06,583 --> 00:48:07,792 WHEN HE HAD TO DRIVE DOWN THERE? 1211 00:48:09,041 --> 00:48:10,709 I'D RATHER NOT SAY. 1212 00:48:10,792 --> 00:48:12,417 [LAUGHTER] 1213 00:48:14,417 --> 00:48:17,458 HEY, GUYS, UM... 1214 00:48:17,542 --> 00:48:18,750 I'D LIKE TO PUT SOMETHING OUT ON THE TABLE HERE. 1215 00:48:18,834 --> 00:48:19,875 WE ALL KNOW 1216 00:48:19,959 --> 00:48:21,000 MY BIRTHDAY IS COMING UP... 1217 00:48:21,083 --> 00:48:22,667 SOON, 1218 00:48:22,750 --> 00:48:24,959 AND I DON'T WANT A PARTY. 1219 00:48:25,041 --> 00:48:26,000 I DON'T WANT ANY GIFTS, 1220 00:48:26,083 --> 00:48:27,375 SO IF YOU WANT TO MAKE ME HAPPY, 1221 00:48:27,458 --> 00:48:28,458 LET'S JUST IGNORE IT. 1222 00:48:29,959 --> 00:48:31,291 OKAY, HONEY. 1223 00:48:31,375 --> 00:48:32,375 SURE, DAD. 1224 00:48:32,458 --> 00:48:33,375 NO, PROBLEM. 1225 00:48:33,458 --> 00:48:34,834 GOOD. 1226 00:48:34,917 --> 00:48:35,875 [CHUCKLES] GOOD. 1227 00:48:35,959 --> 00:48:37,125 HEY, DAD, 1228 00:48:37,208 --> 00:48:38,917 YOU KNOW HOW YOU'VE GIVEN ME ALL THAT ADVICE 1229 00:48:39,000 --> 00:48:40,375 OVER THE YEARS? 1230 00:48:40,458 --> 00:48:41,375 CAN I GIVE YOU SOME? 1231 00:48:41,458 --> 00:48:42,333 SURE, GO AHEAD. 1232 00:48:47,291 --> 00:48:49,667 WHEN SOMEONE GOES THROUGH A LOT OF TROUBLE 1233 00:48:49,750 --> 00:48:51,917 TO GET YOU SOMETHING REALLY, REALLY COOL, 1234 00:48:52,000 --> 00:48:53,250 THEY PUT IN A LOT OF EFFORT 1235 00:48:53,333 --> 00:48:54,250 AND A LOT OF PLANNING.... 1236 00:48:54,333 --> 00:48:55,417 I GET IT. 1237 00:48:55,500 --> 00:48:57,542 I FIGURED YOUR MOTHER WAS UP TO SOMETHING. 1238 00:48:57,625 --> 00:48:58,625 SO, WHEN YOU WERE PLAYING GOLF, THE OTHER DAY, 1239 00:48:58,709 --> 00:48:59,583 SHE WAS BEHIND THAT, RIGHT? 1240 00:49:02,208 --> 00:49:04,625 SHE THINKS I'M GETTING OLD. 1241 00:49:04,709 --> 00:49:06,041 SHE'S GETTING ME GOLF CLUBS. 1242 00:49:06,125 --> 00:49:09,166 LOOK, JUST, WHATEVER SHE GETS YOU, 1243 00:49:09,250 --> 00:49:11,250 BE VERY, VERY HAPPY, OKAY? 1244 00:49:11,333 --> 00:49:13,375 OF COURSE. 1245 00:49:14,959 --> 00:49:18,333 [♪♪♪] 1246 00:49:24,959 --> 00:49:28,500 I DIDN'T STEAL ANYTHING FROM THAT HOUSE. 1247 00:49:28,583 --> 00:49:30,208 I'M FALSELY ACCUSED. 1248 00:49:30,291 --> 00:49:32,125 FIRST TIME I'VE EVER HEARD THAT. 1249 00:49:32,208 --> 00:49:33,291 WHAT WARRANTS DO YOU GOT ME ON? 1250 00:49:33,375 --> 00:49:34,500 PETTY THEFT? 1251 00:49:34,583 --> 00:49:35,583 YOU'RE GOING TO JAIL 1252 00:49:35,667 --> 00:49:36,792 BECAUSE YOU SKIPPED A COURT DATE. 1253 00:49:36,875 --> 00:49:38,417 [SIGHS] 1254 00:49:38,500 --> 00:49:39,583 AND AN ASSAULT CHARGE. 1255 00:49:39,667 --> 00:49:40,583 THAT GARDENER? 1256 00:49:40,667 --> 00:49:41,709 MM-HMM. 1257 00:49:41,792 --> 00:49:43,208 THAT WAS SELF-DEFENSE. HE SWUNG FIRST. 1258 00:49:43,291 --> 00:49:45,667 BUT YOU SKIPPED THAT COURT DATE, TOO. 1259 00:49:45,750 --> 00:49:47,583 BUT THAT'S NOT WHAT I'M INTERESTED IN. 1260 00:49:47,667 --> 00:49:50,500 BREAKING INTO A HOUSE WHEN THE OWNER IS HOME 1261 00:49:50,583 --> 00:49:51,542 IS A FELONY. 1262 00:49:51,625 --> 00:49:54,208 ADD GRAND THEFT? 1263 00:49:54,291 --> 00:49:56,709 THERE WAS A LOT OF VALUABLES IN THAT HOUSE, 1264 00:49:56,792 --> 00:49:58,125 IN THAT ATTIC, TOO. 1265 00:49:58,208 --> 00:50:00,959 I'VE BEEN UP THERE A BUNCH OF TIMES. 1266 00:50:01,041 --> 00:50:02,709 THERE'S NOTHING BUT JUNK. 1267 00:50:04,750 --> 00:50:06,458 LET'S TALK ABOUT MARCH 5TH, 1268 00:50:06,542 --> 00:50:09,792 IN THE EVENING. 1269 00:50:09,875 --> 00:50:11,750 THE JUDGE WON'T GIVE US A SEARCH WARRANT 1270 00:50:11,834 --> 00:50:13,667 BECAUSE WE DON'T HAVE ANY ACTUAL EVIDENCE 1271 00:50:13,750 --> 00:50:15,875 THAT HE COMMITTED THE ROBBERY, 1272 00:50:15,959 --> 00:50:19,458 ASIDE FROM THE DOG'S TESTIMONY. 1273 00:50:19,542 --> 00:50:20,542 I'VE BEEN LOOKING ONLINE 1274 00:50:20,625 --> 00:50:21,667 FOR THE STOLEN TOY SOLDIERS, 1275 00:50:21,750 --> 00:50:22,834 BUT NOTHING HAS TURNED UP. 1276 00:50:22,917 --> 00:50:23,792 WELL, BRISCO STILL MAINTAINS 1277 00:50:23,875 --> 00:50:25,000 HE DIDN'T ROB THE HOUSE 1278 00:50:25,083 --> 00:50:27,709 AND THAT HE KNOWS NOTHING 1279 00:50:27,792 --> 00:50:29,625 ABOUT ANYTHING OF VALUE IN THE ATTIC. 1280 00:50:29,709 --> 00:50:30,834 WHAT ABOUT SYDNEY'S DEATH? 1281 00:50:30,917 --> 00:50:32,875 ASIDE FROM YOUR FEELING, 1282 00:50:32,959 --> 00:50:35,750 WHY ISN'T THIS ANYTHING MORE THAN A TRAGIC ACCIDENT? 1283 00:50:35,834 --> 00:50:38,709 ABBEY, SYDNEY'S STEPDAUGHTER, 1284 00:50:38,792 --> 00:50:42,041 CAME TO ME AND TOLD ME THAT SYDNEY WAS STRONG AND AGILE. 1285 00:50:42,125 --> 00:50:44,000 SHE WAS A DANCER. 1286 00:50:44,083 --> 00:50:45,542 WHAT'S YOUR POINT? 1287 00:50:45,625 --> 00:50:48,625 WELL, AN ATHLETE LIKE A DANCER DOESN'T JUST FALL. 1288 00:50:48,709 --> 00:50:51,250 THEY HAVE GOOD BALANCE AND BODY CONTROL. 1289 00:50:51,333 --> 00:50:52,792 AND A DANCER ISN'T GOING TO FALL HEAD FIRST 1290 00:50:52,875 --> 00:50:53,875 AND NOT DO ANYTHING TO PROTECT THEMSELVES, 1291 00:50:53,959 --> 00:50:56,125 OR BREAK THEIR FALL. 1292 00:50:56,208 --> 00:50:58,625 LOOK, I HAD HANNAH PRETEND 1293 00:50:58,709 --> 00:50:59,667 SHE WAS TALKING ON A CELL PHONE 1294 00:50:59,750 --> 00:51:00,959 AND FALL ONTO SOME CUSHIONS. 1295 00:51:01,041 --> 00:51:02,458 THE MINUTE SHE FELL, 1296 00:51:02,542 --> 00:51:04,333 HER HAND NATURALLY WENT OUT IN FRONT OF HER 1297 00:51:04,417 --> 00:51:05,375 TO BREAK HER FALL. 1298 00:51:05,458 --> 00:51:06,667 SO, WHY DIDN'T SYDNEY'S? 1299 00:51:06,750 --> 00:51:08,583 [SIGHS HEAVILY] 1300 00:51:08,667 --> 00:51:11,166 IT WAS THAT "9" SHE DIALED THAT GOT ME THINKING. 1301 00:51:11,250 --> 00:51:12,291 [GRUMBLES] 1302 00:51:12,375 --> 00:51:13,583 I KNOW, IT WAS PROBABLY A MISTAKE. 1303 00:51:13,667 --> 00:51:15,458 MM-HMM. 1304 00:51:17,125 --> 00:51:18,583 HOW LONG WILL BRISCO BE IN JAIL? 1305 00:51:18,667 --> 00:51:20,792 HE COULD EASILY BE IN THERE 30 DAYS 1306 00:51:20,875 --> 00:51:23,083 FOR SKIPPING HIS PREVIOUS WARRANTS. 1307 00:51:24,917 --> 00:51:27,083 [♪♪♪] 1308 00:51:49,625 --> 00:51:51,375 PHEW! I GOT IT. 1309 00:51:51,458 --> 00:51:52,542 THAT WASN'T TOO HARD. 1310 00:51:52,625 --> 00:51:53,583 KINDA SCARY WHAT'S ONLINE. 1311 00:51:53,667 --> 00:51:55,375 SO, YOU GOT HIS ADDRESS, NOW WHAT? 1312 00:51:55,458 --> 00:51:56,917 WELL, I'M GOING TO GO TALK TO HIS GIRLFRIEND, 1313 00:51:57,000 --> 00:51:59,208 SEE IF SHE HAS ANY VALUABLE TOY SOLDIERS TO SELL. 1314 00:51:59,291 --> 00:52:00,417 I DON'T LIKE THAT. 1315 00:52:00,500 --> 00:52:01,458 WELL, SHE'S NOT A CRIMINAL, 1316 00:52:01,542 --> 00:52:02,750 I'M JUST GOING TO CHAT WITH HER. 1317 00:52:02,834 --> 00:52:04,291 [LAUGHS DERISIVELY] HOW DO YOU KNOW? 1318 00:52:04,375 --> 00:52:06,291 IF YOU GO, I'M GOING WITH YOU. 1319 00:52:06,375 --> 00:52:08,417 BUT SHE MIGHT GET INTIMIDATED IF IT'S TWO OF US. 1320 00:52:08,500 --> 00:52:09,709 SO? I'LL WAIT IN THE CAR. 1321 00:52:09,792 --> 00:52:13,500 ALL RIGHT, SUIT YOURSELF, THERE, WATSON. 1322 00:52:27,667 --> 00:52:29,458 [KNOCKS SHARPLY] 1323 00:52:29,542 --> 00:52:30,709 [WHISPERING] FIVE MINUTES. 1324 00:52:30,792 --> 00:52:32,166 OKAY, FIVE MINUTES. 1325 00:52:37,709 --> 00:52:39,417 [BUZZING INTERCOM] 1326 00:52:39,500 --> 00:52:41,417 [DOOR LOCK BUZZES OPEN] 1327 00:52:53,792 --> 00:52:55,792 [KNOCKS] 1328 00:52:57,417 --> 00:52:58,792 HI. 1329 00:53:00,250 --> 00:53:01,208 WHAT DO YOU WANT? 1330 00:53:01,291 --> 00:53:02,667 MY NAME IS JENNIFER SHANNON, 1331 00:53:02,750 --> 00:53:04,542 I OWN AN ANTIQUE STORE. 1332 00:53:04,625 --> 00:53:06,709 I HEARD THAT SAM MIGHT HAVE SOME ITEMS HE'D LIKE TO SELL. 1333 00:53:06,792 --> 00:53:07,959 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1334 00:53:08,041 --> 00:53:09,166 IN MY BUSINESS, 1335 00:53:09,250 --> 00:53:11,291 DISCRETION IS VERY IMPORTANT. 1336 00:53:11,375 --> 00:53:12,834 I BROUGHT CASH. 1337 00:53:17,542 --> 00:53:18,458 COME ON IN. 1338 00:53:27,041 --> 00:53:28,375 SAM'S A JERK. 1339 00:53:28,458 --> 00:53:30,583 I NEED TO GET AWAY FROM HIM. 1340 00:53:30,667 --> 00:53:33,000 THE POLICE ARE ASKING ALL THESE QUESTIONS 1341 00:53:33,083 --> 00:53:35,709 ABOUT WHERE HE WAS, WHAT HE DID, 1342 00:53:35,792 --> 00:53:38,041 ALL OVER SOME THINGS THEY THINK HE STOLE. 1343 00:53:38,125 --> 00:53:40,458 WHAT DO YOU THINK? 1344 00:53:40,542 --> 00:53:42,917 I THINK I DON'T WANT TO BE AROUND WHEN HE GETS OUT. 1345 00:53:43,000 --> 00:53:44,875 GOD, I ALWAYS END UP WITH SUCH LOSERS. 1346 00:53:44,959 --> 00:53:46,792 IF YOU HAVE ANYTHING 1347 00:53:46,875 --> 00:53:49,000 THAT YOU THINK WOULD BE RIGHT FOR MY SHOP, 1348 00:53:49,083 --> 00:53:49,917 I'D BE INTERESTED. 1349 00:54:07,000 --> 00:54:08,291 ARE THESE REALLY WORTH $200? 1350 00:54:08,375 --> 00:54:09,291 AT LEAST. 1351 00:54:12,083 --> 00:54:14,500 MY LIFE'S A MESS. 1352 00:54:14,583 --> 00:54:16,542 I ASKED HIM IF THEY WERE STOLEN, 1353 00:54:16,625 --> 00:54:17,625 AND HE SAID NO. 1354 00:54:17,709 --> 00:54:18,792 I KNEW BETTER. 1355 00:54:18,875 --> 00:54:21,583 PEGGY, I DON'T WANT TO BUY THESE. 1356 00:54:21,667 --> 00:54:23,375 I WANT YOU TO GIVE THESE TO ME, 1357 00:54:23,458 --> 00:54:25,208 SO I CAN RETURN THEM TO THEIR PROPER OWNER. 1358 00:54:25,291 --> 00:54:26,625 I REALLY NEED THE MONEY. 1359 00:54:26,709 --> 00:54:27,583 I KNOW THAT YOU DO. 1360 00:54:27,667 --> 00:54:28,959 BUT IF YOU GIVE THESE BACK 1361 00:54:29,041 --> 00:54:30,500 BECAUSE IT'S THE RIGHT THING TO DO, 1362 00:54:30,583 --> 00:54:32,125 YOU'LL SAVE YOURSELF A LOT OF TROUBLE. 1363 00:54:36,750 --> 00:54:38,333 FINE. 1364 00:54:38,417 --> 00:54:40,166 TAKE THEM. 1365 00:54:40,250 --> 00:54:41,333 I DON'T WANT ANY MORE TROUBLE. 1366 00:54:45,166 --> 00:54:47,458 I WOULD LIKE TO BUY THIS. 1367 00:54:48,792 --> 00:54:49,834 THAT'S JUNK. 1368 00:54:49,917 --> 00:54:50,959 IT'S WORTH NOTHING. 1369 00:54:51,041 --> 00:54:53,875 ACTUALLY, I THINK IT'S WORTH... 1370 00:54:53,959 --> 00:54:55,875 $200. 1371 00:54:55,959 --> 00:54:56,917 [OFFICERS CHATTING] 1372 00:54:57,000 --> 00:54:58,625 FRANK! 1373 00:54:58,709 --> 00:55:02,000 BRISCO'S GIRLFRIEND WANTS TO RETURN THE STOLEN PROPERTY. 1374 00:55:02,083 --> 00:55:03,875 YOU WENT TO SEE HER? 1375 00:55:03,959 --> 00:55:05,291 YEAH. 1376 00:55:08,500 --> 00:55:10,750 SHE FEELS BADLY ABOUT THE THEFT. 1377 00:55:10,834 --> 00:55:13,792 SHE DOESN'T WANT ANYTHING TO DO WITH BRISCO. 1378 00:55:13,875 --> 00:55:16,291 SOUNDS LIKE AN ACCOMPLICE TO ME. 1379 00:55:16,375 --> 00:55:18,792 FRANK, SHE RETURNED EVERYTHING. 1380 00:55:18,875 --> 00:55:22,375 I DON'T THINK SHE WAS INVOLVED. 1381 00:55:22,458 --> 00:55:25,333 PLEASE, CAN YOU JUST TRUST ME ON THIS ONE? 1382 00:55:25,417 --> 00:55:27,792 OKAY, OKAY, YEAH, 1383 00:55:27,875 --> 00:55:30,250 SHE'S AN UPSTANDING CITIZEN, 1384 00:55:30,333 --> 00:55:32,000 WHO RETURNED STOLEN PROPERTY. 1385 00:55:32,083 --> 00:55:33,667 [SNAPS DRAWER SHUT] 1386 00:55:33,750 --> 00:55:34,583 IT COULD HAVE BEEN DANGEROUS, 1387 00:55:34,667 --> 00:55:35,792 YOU KNOW THAT. 1388 00:55:35,875 --> 00:55:37,083 OH, I HAD DANI WAITING OUTSIDE IN THE CAR. 1389 00:55:37,166 --> 00:55:38,375 OH. OH, WELL, JEEZ, 1390 00:55:38,458 --> 00:55:39,333 I FEEL SO MUCH BETTER NOW. 1391 00:55:42,208 --> 00:55:45,041 LOG THEM BOTH FOR THE MELLON CASE. 1392 00:55:45,125 --> 00:55:46,083 FRANK, FOR WHAT IT'S WORTH, 1393 00:55:46,166 --> 00:55:47,333 BRISCO WASN'T WITH PENNY 1394 00:55:47,417 --> 00:55:49,375 THE NIGHT THAT SYDNEY DIED. 1395 00:55:49,458 --> 00:55:50,500 SHE REMEMBERS 1396 00:55:50,583 --> 00:55:52,250 BECAUSE IT WAS HER BIRTHDAY. 1397 00:55:52,333 --> 00:55:53,583 HE CAME HOME LATE, AND HE HAD BEEN DRINKING. 1398 00:55:54,667 --> 00:55:56,417 OKAY, GOOD. 1399 00:55:56,500 --> 00:55:57,750 NOW YOU CAN START SOLVING BURGLARIES 1400 00:55:57,834 --> 00:55:59,417 INSTEAD OF MURDERS. 1401 00:55:59,500 --> 00:56:01,083 A STEP IN THE RIGHT DIRECTION. 1402 00:56:04,375 --> 00:56:05,333 [SIGHS] 1403 00:56:05,417 --> 00:56:07,041 WE'RE ALL ON CALL SATURDAY 1404 00:56:07,125 --> 00:56:08,750 FOR DANI'S DINNER PARTY. 1405 00:56:08,834 --> 00:56:10,125 HONEY, HOLD STILL, I'LL BE DONE IN A SEC. 1406 00:56:10,208 --> 00:56:11,166 MOM, SHE'S GOT 1407 00:56:11,250 --> 00:56:12,625 SOME STRANGE EATING HABITS, OKAY, 1408 00:56:12,709 --> 00:56:13,792 I'M SCARED. 1409 00:56:13,875 --> 00:56:14,875 [HANNAH]: WE ALL LOVE DANI, 1410 00:56:14,959 --> 00:56:16,250 BUT I'VE HAD HER SMOOTHIES. 1411 00:56:16,333 --> 00:56:17,250 WE'RE GOING TO EAT HER FOOD, 1412 00:56:17,333 --> 00:56:19,125 AND TELL HER IT'S WONDERFUL. 1413 00:56:19,208 --> 00:56:20,375 I FIT PRETTY GOOD OFF THE RACK. 1414 00:56:20,458 --> 00:56:22,041 I KNOW YOU DON'T WANT TO CELEBRATE YOUR BIRTHDAY, 1415 00:56:22,125 --> 00:56:24,208 BUT YOU DO NEED A NEW SPORT COAT. 1416 00:56:24,291 --> 00:56:25,834 [HANNAH]: WHAT KIND OF COOKING IS IT? 1417 00:56:25,917 --> 00:56:29,291 FRENCH? ITALIAN? 1418 00:56:29,375 --> 00:56:30,333 VIBRATIONAL. 1419 00:56:30,417 --> 00:56:32,750 DIFFERENT FOODS 1420 00:56:32,834 --> 00:56:34,041 HAVE HIGHER AND LOWER VIBRATIONS. 1421 00:56:34,125 --> 00:56:35,208 [CHUCKLES AWKWARDLY] 1422 00:56:35,291 --> 00:56:36,625 THEY'RE WEARING COATS TIGHTER THESE DAYS. 1423 00:56:36,709 --> 00:56:38,417 I'M GONNA BE DOWN A FEW POUNDS BY MY BIRTHDAY, SO... 1424 00:56:38,500 --> 00:56:40,250 OH. ON YOUR ICE-CREAM DIET? 1425 00:56:40,333 --> 00:56:41,834 [CHUCKLES] 1426 00:56:44,041 --> 00:56:45,291 I WAS JUST BEGINNING TO ACCEPT 1427 00:56:45,375 --> 00:56:47,583 MY STEPMOTHER'S DEATH WAS AN ACCIDENT, 1428 00:56:47,667 --> 00:56:49,750 AND THEN THEY ARREST THE HANDYMAN? 1429 00:56:49,834 --> 00:56:51,875 NOW I'M BACK TO SQUARE ONE. 1430 00:56:51,959 --> 00:56:53,917 COULD HE HAVE SOMETHING TO DO WITH HER DEATH? 1431 00:56:54,000 --> 00:56:55,792 DID YOU KNOW SAM BRISCO? 1432 00:56:55,875 --> 00:56:57,166 YES. 1433 00:56:57,250 --> 00:56:58,375 I SAW HIM WHEN I WENT TO MY GRANDMOTHER'S. 1434 00:56:59,917 --> 00:57:01,917 I DIDN'T LIKE HIM. 1435 00:57:02,000 --> 00:57:03,333 WHY? 1436 00:57:03,417 --> 00:57:04,875 I DON'T KNOW, 1437 00:57:04,959 --> 00:57:06,834 HE WAS CREEPY. 1438 00:57:08,166 --> 00:57:11,041 IF HE KILLED HER... 1439 00:57:11,125 --> 00:57:13,333 WHY? 1440 00:57:13,417 --> 00:57:15,041 YOUR GRANDMOTHER SAID 1441 00:57:15,125 --> 00:57:16,583 THERE WERE SOME VALUABLES IN THE ATTIC. 1442 00:57:16,667 --> 00:57:18,500 SAM MIGHT HAVE KNOWN ABOUT THEM. 1443 00:57:18,583 --> 00:57:19,875 SO... 1444 00:57:19,959 --> 00:57:22,083 HE'S UP IN THE ATTIC WHEN SYDNEY SHOWS UP. 1445 00:57:22,166 --> 00:57:24,417 SHE CATCHES HIM IN THE ACT, AND HE KILLS HER? 1446 00:57:24,500 --> 00:57:25,500 THAT'S JUST A WILD IDEA, OKAY? 1447 00:57:25,583 --> 00:57:27,709 JUST A POSSIBILITY. 1448 00:57:27,792 --> 00:57:28,792 MRS. SHANNON, 1449 00:57:28,875 --> 00:57:29,959 I REALLY APPRECIATE 1450 00:57:30,041 --> 00:57:31,250 YOU HELPING ME TRY TO FIGURE THIS OUT. 1451 00:57:32,667 --> 00:57:34,542 I MISS HER. 1452 00:57:34,625 --> 00:57:38,083 I'M UPSET THAT SHE'S GONE. 1453 00:57:39,375 --> 00:57:41,083 I MEAN, I KNEW SHE LOVED ME, 1454 00:57:41,166 --> 00:57:42,125 BUT I DIDN'T THINK 1455 00:57:42,208 --> 00:57:43,875 THAT I LOVED HER. 1456 00:57:43,959 --> 00:57:45,166 I BLAMED HER 1457 00:57:45,250 --> 00:57:48,250 FOR MY PARENTS' DIVORCE. 1458 00:57:48,333 --> 00:57:49,625 BUT IT WASN'T HER FAULT. 1459 00:57:51,709 --> 00:57:53,625 [VOICE BREAKING] AND SHE TRIED... 1460 00:57:53,709 --> 00:57:54,583 SHE REALLY TRIED. 1461 00:57:56,041 --> 00:57:57,709 OH, ABBEY... 1462 00:57:57,792 --> 00:57:58,667 IT'S OKAY. 1463 00:58:00,750 --> 00:58:03,375 I DIDN'T KNOW I CARED SO MUCH. 1464 00:58:03,458 --> 00:58:06,083 IT'S OKAY. 1465 00:58:06,166 --> 00:58:08,250 [♪♪♪] 1466 00:58:08,333 --> 00:58:10,208 JENN? 1467 00:58:12,041 --> 00:58:13,125 HEY, HON! 1468 00:58:13,208 --> 00:58:15,500 I FORGOT MY LUNCH. 1469 00:58:16,792 --> 00:58:18,917 GOTTA GET MY PROTEIN AND VEG... 1470 00:58:24,000 --> 00:58:26,625 [♪♪♪] 1471 00:58:36,500 --> 00:58:37,959 SO, WE HAVE A MOTIVE, 1472 00:58:38,041 --> 00:58:39,250 ROBBERY. 1473 00:58:39,333 --> 00:58:40,625 SAM BROKE INTO THE MAIN HOUSE, 1474 00:58:40,709 --> 00:58:42,750 STOLE THE TOY SOLDIERS. 1475 00:58:42,834 --> 00:58:46,083 SOMETIME LATER, HE RETURNS TO HIT THE STORAGE ATTIC. 1476 00:58:46,166 --> 00:58:48,792 SYDNEY SHOWS UP, FINDS HIM THERE, 1477 00:58:48,875 --> 00:58:50,291 WRONG PLACE, WRONG TIME. 1478 00:58:50,375 --> 00:58:52,291 WELL, WHAT WAS IN THE ATTIC THAT'S WORTH KILLING OVER? 1479 00:58:52,375 --> 00:58:53,417 WE DON'T KNOW. 1480 00:58:53,500 --> 00:58:54,500 ELIZABETH IS DOING INVENTORY 1481 00:58:54,583 --> 00:58:56,083 ON ALL HER ART WORK. 1482 00:58:56,166 --> 00:58:57,125 OKAY, SO LET ME GET THIS STRAIGHT, 1483 00:58:57,208 --> 00:58:59,041 SYDNEY AND TINA GO THERE TOGETHER 1484 00:58:59,125 --> 00:59:00,166 IN THE AFTERNOON, 1485 00:59:00,250 --> 00:59:01,291 AND THEN SYDNEY GOES BACK 1486 00:59:01,375 --> 00:59:02,208 BY HERSELF THAT EVENING? 1487 00:59:02,291 --> 00:59:03,291 RIGHT. 1488 00:59:03,375 --> 00:59:04,959 WHAT IF SYDNEY STAYED IN THE ATTIC? 1489 00:59:05,041 --> 00:59:06,083 WHAT IF TINA-- 1490 00:59:06,166 --> 00:59:07,291 -KILLED HER? -UH-HUH. 1491 00:59:07,375 --> 00:59:08,959 I THOUGHT ABOUT THAT, BUT IT DOESN'T WORK, 1492 00:59:09,041 --> 00:59:11,667 BECAUSE I SAW SYDNEY LATER THAT AFTERNOON, 1493 00:59:11,750 --> 00:59:14,083 AFTER SHE DROPPED TINA OFF AT WORK. 1494 00:59:14,166 --> 00:59:16,333 WELL, IT'S A HEAD-SCRATCHER. 1495 00:59:16,417 --> 00:59:17,458 HMM... ANYWAY, 1496 00:59:17,542 --> 00:59:18,500 WOULD YOU LIKE TO SHARE 1497 00:59:18,583 --> 00:59:19,709 WHAT WE WILL BE EATING 1498 00:59:19,792 --> 00:59:21,041 AT YOUR VIBRATIONAL DINNER PARTY TONIGHT? 1499 00:59:21,125 --> 00:59:22,750 NO, IT'S A SURPRISE. 1500 00:59:22,834 --> 00:59:25,083 BUT WE WILL ALL FEEL LIGHTER... 1501 00:59:25,166 --> 00:59:26,166 OOH. 1502 00:59:26,250 --> 00:59:27,417 ...AND HEALTHIER... 1503 00:59:27,500 --> 00:59:28,917 ...AND MORE ATTUNED 1504 00:59:29,000 --> 00:59:30,750 WHEN WE ARE FINISHED EATING. 1505 00:59:30,834 --> 00:59:33,208 "ATTUNED?" 1506 00:59:33,291 --> 00:59:34,917 [TOGETHER, JOKINGLY]: ...LIKE A PIANO! 1507 00:59:35,000 --> 00:59:36,208 [LAUGHING] 1508 00:59:36,291 --> 00:59:38,417 YOU'RE SO CUTE WHEN YOU SAY THAT. 1509 00:59:38,500 --> 00:59:39,709 [GIGGLING] 1510 00:59:40,834 --> 00:59:42,208 THANK YOU. 1511 00:59:48,417 --> 00:59:50,000 OH, HEY! JENN! 1512 00:59:50,083 --> 00:59:51,125 OH, HI, TINA. 1513 00:59:51,208 --> 00:59:52,667 HEY, DID THE POLICE GET THAT WARRANT? 1514 00:59:52,750 --> 00:59:53,834 NOT EXACTLY, 1515 00:59:53,917 --> 00:59:55,750 BUT THEY DID RECOVER THE STOLEN TOY SOLDIERS. 1516 00:59:55,834 --> 00:59:57,875 WAS IT THE HANDYMAN, BRISCO? 1517 00:59:57,959 --> 00:59:59,125 POSSIBLY. 1518 00:59:59,208 --> 01:00:00,542 THEY'RE TRYING TO CONNECT HIM TO THE ATTIC. 1519 01:00:00,625 --> 01:00:01,917 ELIZABETH THINKS 1520 01:00:02,000 --> 01:00:04,375 SHE MIGHT HAVE HAD SOME VALUABLE PAINTINGS UP THERE. 1521 01:00:04,458 --> 01:00:05,667 SHE'S NOT SURE? 1522 01:00:05,750 --> 01:00:06,875 NOT YET. 1523 01:00:06,959 --> 01:00:08,000 BUT THEY'RE LOOKING THROUGH EVERYTHING. 1524 01:00:08,083 --> 01:00:10,166 IF SOMETHING'S BEEN TAKEN, THEY'LL KNOW. 1525 01:00:10,250 --> 01:00:11,166 YEAH. 1526 01:00:11,250 --> 01:00:13,000 ARE YOU OKAY? 1527 01:00:13,083 --> 01:00:14,500 YEAH, I'M JUST LATE FOR WORK. 1528 01:00:14,583 --> 01:00:16,291 THANK YOU FOR THE UPDATE. 1529 01:00:23,083 --> 01:00:25,417 [♪♪♪] 1530 01:00:32,375 --> 01:00:33,875 JENN, THESE ARE REALLY NICE. 1531 01:00:33,959 --> 01:00:35,208 THE DIAMOND EARRINGS, AND A TENNIS BRACELET? 1532 01:00:35,291 --> 01:00:36,458 I KNOW... 1533 01:00:36,542 --> 01:00:38,041 IT'S STUFF I JUST DON'T WEAR ANYMORE. 1534 01:00:38,125 --> 01:00:40,208 HOW MUCH ARE YOU GOING TO GET FOR IT? 1535 01:00:40,291 --> 01:00:41,291 WELL, I DON'T KNOW, 1536 01:00:41,375 --> 01:00:42,834 BUT I HOPE A LOT. 1537 01:00:42,917 --> 01:00:44,375 I'M GOING TO SEE CALLIE AT DEMARRO'S. 1538 01:00:44,458 --> 01:00:45,834 SHE'S GOING TO GIVE ME AN APPRAISAL, 1539 01:00:45,917 --> 01:00:47,458 AND THEN A CHECK. 1540 01:00:47,542 --> 01:00:49,458 WELL, SHE OWES US, REMEMBER? 1541 01:00:49,542 --> 01:00:52,041 WE GAVE HER THAT DEAL ON THAT SHAKER HUTCH SHE WANTED. 1542 01:00:52,125 --> 01:00:54,709 OH, GOOD POINT, I'LL REMIND HER. 1543 01:00:54,792 --> 01:00:56,458 YOUR HUSBAND IS A VERY LUCKY MAN. 1544 01:00:56,542 --> 01:00:58,625 I KEEP TELLING HIM THAT. 1545 01:01:01,125 --> 01:01:03,583 [DISHES CLATTERING] 1546 01:01:03,667 --> 01:01:08,750 OKAY, NOW THIS IS SLICED BRUSSELS SPROUT 1547 01:01:08,834 --> 01:01:10,959 WITH TAHINI GARLIC DRIZZLE. 1548 01:01:11,041 --> 01:01:12,083 OH... 1549 01:01:14,792 --> 01:01:15,834 THAT'S, UM... 1550 01:01:15,917 --> 01:01:16,959 GOOD. 1551 01:01:17,041 --> 01:01:18,333 OH, YEAH? 1552 01:01:18,417 --> 01:01:19,792 MM, IT'S AMAZING! 1553 01:01:19,875 --> 01:01:20,792 IS IT? 1554 01:01:20,875 --> 01:01:22,667 MM-HMM. 1555 01:01:22,750 --> 01:01:23,750 OKAY, UH... 1556 01:01:23,834 --> 01:01:25,083 YEAH? 1557 01:01:25,166 --> 01:01:26,208 JASON? 1558 01:01:26,291 --> 01:01:27,458 IT'S VERY INTERESTING. 1559 01:01:27,542 --> 01:01:28,500 OH, YOU DON'T LIKE IT. 1560 01:01:28,583 --> 01:01:29,667 NO, NO, IT'S, UH, 1561 01:01:29,750 --> 01:01:30,625 JUST TAKES A LITTLE GETTING USED TO. 1562 01:01:30,709 --> 01:01:31,583 UH-HUH? JENN? 1563 01:01:31,667 --> 01:01:32,792 WOW. 1564 01:01:32,875 --> 01:01:34,417 IT'S REALLY... 1565 01:01:34,500 --> 01:01:35,458 RAW, 1566 01:01:35,542 --> 01:01:36,458 BUT YUMMY. 1567 01:01:36,542 --> 01:01:38,166 OH, GOOD, OKAY. 1568 01:01:38,250 --> 01:01:40,333 NOW, THE MAIN ENTREE. 1569 01:01:40,417 --> 01:01:42,458 YOU WILL NEED YOUR FORKS. 1570 01:01:44,959 --> 01:01:45,959 SO, THIS IS THE MAIN COURSE? 1571 01:01:46,041 --> 01:01:47,458 MM-HMM. 1572 01:01:47,542 --> 01:01:50,250 SUPER HIGH-VIBRATIONAL. 1573 01:01:50,333 --> 01:01:51,250 IT LOOKS GOOD! 1574 01:01:51,333 --> 01:01:52,375 UH-HUH. 1575 01:01:52,458 --> 01:01:55,667 YOU START WITH A NICE EGGPLANT BASE-- 1576 01:01:55,750 --> 01:01:56,667 IT'S NOT COOKED? 1577 01:01:56,750 --> 01:01:57,709 A LITTLE, 1578 01:01:57,792 --> 01:02:00,542 IT'S LIVE AS IT CAN BE. 1579 01:02:00,625 --> 01:02:01,625 GINGER... 1580 01:02:01,709 --> 01:02:02,834 [CHUCKLING DUBIOUSLY] 1581 01:02:02,917 --> 01:02:04,542 ...AND BASIL... 1582 01:02:04,625 --> 01:02:05,792 WOW, IT'S COLORFUL. 1583 01:02:05,875 --> 01:02:07,458 ISN'T IT? 1584 01:02:07,542 --> 01:02:08,667 [SIGHING NERVOUSLY] BON APPETIT. 1585 01:02:08,750 --> 01:02:10,208 GOOD. 1586 01:02:12,333 --> 01:02:14,041 AW, YOU GUYS HATE IT. 1587 01:02:14,125 --> 01:02:15,583 [MURMURING] 1588 01:02:15,667 --> 01:02:16,792 "HATE" IS SUCH A STRONG WORD. 1589 01:02:16,875 --> 01:02:17,875 IT REALLY IS. 1590 01:02:17,959 --> 01:02:19,458 I THINK I FEEL THE VIBRATIONS. 1591 01:02:19,542 --> 01:02:21,250 [DOORBELL RINGS] 1592 01:02:21,333 --> 01:02:22,542 HEY, LOGAN, CAN YOU GET THAT? 1593 01:02:22,625 --> 01:02:24,583 YEAH, SURE. 1594 01:02:24,667 --> 01:02:26,208 YOU KNOW, IT'S OKAY THAT YOU DON'T LIKE IT. 1595 01:02:26,291 --> 01:02:27,417 TO PASS THE CLASS, 1596 01:02:27,500 --> 01:02:28,917 ALL I HAD TO DO WAS HAVE THE DINNER PARTY, 1597 01:02:29,000 --> 01:02:30,333 AND YOU HAD TO TASTE THE FOOD, SO... 1598 01:02:30,417 --> 01:02:32,000 I FIGURE, MISSION ACCOMPLISHED. 1599 01:02:32,083 --> 01:02:33,041 YEAH? 1600 01:02:33,125 --> 01:02:34,750 GREAT. 1601 01:02:34,834 --> 01:02:36,500 HEY, LOOK, LOOKS LIKE THE CAVALRY'S HERE. 1602 01:02:36,583 --> 01:02:38,250 [GASPING] PIZZA! 1603 01:02:38,333 --> 01:02:39,417 I ORDERED BACK-UP. 1604 01:02:39,500 --> 01:02:40,667 DANI... 1605 01:02:40,750 --> 01:02:42,500 OH, YOU ARE SO SMART! 1606 01:02:42,583 --> 01:02:43,875 [ALL LAUGHING AND EXCLAIMING IN DELIGHT] 1607 01:02:43,959 --> 01:02:45,959 PERFECT! 1608 01:02:47,458 --> 01:02:48,417 THANK YOU, DANI! 1609 01:02:48,500 --> 01:02:49,875 [DELIGHTED LAUGHTER] 1610 01:02:49,959 --> 01:02:51,750 WHAT DO YOU THINK THE VIBRATIONAL CONTENT 1611 01:02:51,834 --> 01:02:54,375 OF A SLICE OF THIS DOUBLE CHEESE VEGGIE EXTRAVAGANZA IS? 1612 01:02:54,458 --> 01:02:56,333 I WOULDN'T KNOW. JENN? 1613 01:02:56,417 --> 01:02:58,250 HMM? HIGH. VERY HIGH. 1614 01:02:58,333 --> 01:02:59,500 [LAUGHTER] 1615 01:03:01,834 --> 01:03:06,000 OH, THESE MEANT SO MUCH TO SYDNEY, 1616 01:03:06,083 --> 01:03:07,917 I'M JUST SO GLAD THEY'RE BACK. 1617 01:03:08,000 --> 01:03:09,291 THANK YOU. 1618 01:03:10,917 --> 01:03:13,417 DID YOU COMPLETE THE INVENTORY OF THE ARTWORK? 1619 01:03:13,500 --> 01:03:16,000 WAS THERE ANYTHING ELSE MISSING? 1620 01:03:16,083 --> 01:03:17,500 YES, ACTUALLY, THERE WAS. 1621 01:03:17,583 --> 01:03:18,667 A PAINTING. 1622 01:03:18,750 --> 01:03:20,458 COME, I'LL SHOW YOU. 1623 01:03:21,959 --> 01:03:24,041 [SHUTTER CLICKS] 1624 01:03:24,125 --> 01:03:25,500 IT'S FROM MY HUSBAND'S FAMILY. 1625 01:03:25,583 --> 01:03:26,709 YOU HAVE NO RECORD 1626 01:03:26,792 --> 01:03:28,000 OF WHERE IT'S SUPPOSED TO BE STORED? 1627 01:03:28,083 --> 01:03:30,166 NO. THINGS GOT MOVED AROUND. 1628 01:03:30,250 --> 01:03:31,250 DO YOU MIND IF I GO BACK TO THE ATTIC 1629 01:03:31,333 --> 01:03:32,375 AND TAKE A LOOK? 1630 01:03:32,458 --> 01:03:33,917 CERTAINLY. GO AHEAD. 1631 01:03:36,125 --> 01:03:37,834 [♪♪♪] 1632 01:05:25,959 --> 01:05:28,166 [SHUTTER CLICKS] 1633 01:05:29,667 --> 01:05:32,625 FRANK, CHECK THIS OUT. 1634 01:05:35,542 --> 01:05:37,750 I'M STUMPED. I DON'T KNOW. 1635 01:05:37,834 --> 01:05:39,792 YOU KNOW ELIZABETH DID AN INVENTORY 1636 01:05:39,875 --> 01:05:41,250 OF ALL THE PAINTINGS IN THE BINDER. 1637 01:05:41,333 --> 01:05:43,417 ONE OF THEM WAS MISSING. 1638 01:05:43,500 --> 01:05:45,333 WHAT YOU'RE LOOKING AT IS AN OUTLINE LEFT IN THE DUST 1639 01:05:45,417 --> 01:05:47,208 AFTER IT WAS TAKEN. 1640 01:05:47,291 --> 01:05:48,667 WHAT PAINTING'S MISSING? 1641 01:05:48,750 --> 01:05:51,041 IT'S A 19TH-CENTURY LANDSCAPE 1642 01:05:51,125 --> 01:05:54,375 BY AN ARTIST NAMED JASPER CROPSEY. 1643 01:05:54,458 --> 01:05:55,875 -WHAT'S IT WORTH? -$100,000. 1644 01:05:55,959 --> 01:05:56,959 100,000? 1645 01:05:57,041 --> 01:05:58,625 THE SIZE OF THE DUST IMPRINT 1646 01:05:58,709 --> 01:06:00,959 MATCHES THE DIMENSIONS OF THE FRAME. 1647 01:06:01,041 --> 01:06:02,333 THE CROPSEY WAS IN THE ATTIC, FRANK, 1648 01:06:02,417 --> 01:06:03,583 AND SOMEONE TOOK IT. 1649 01:06:03,667 --> 01:06:05,208 YEAH, BUT THAT COULD HAVE HAPPENED A DAY, 1650 01:06:05,291 --> 01:06:06,625 OR A WEEK BEFORE SYDNEY EVEN GOT UP THERE. 1651 01:06:10,291 --> 01:06:12,291 ALL RIGHT, WHAT'S YOUR THEORY? 1652 01:06:12,375 --> 01:06:15,083 SAM BRISCO COULD HAVE KNOWN ABOUT THE PAINTING. 1653 01:06:15,166 --> 01:06:17,083 HE PREVIOUSLY ROBBED THE HOUSE AND GOT AWAY WITH IT. 1654 01:06:17,166 --> 01:06:18,500 SO MAYBE HE WENT BACK FOR THE PAINTING, 1655 01:06:18,583 --> 01:06:19,834 SYDNEY CAUGHT HIM IN THE ACT, 1656 01:06:19,917 --> 01:06:21,125 AND HE HIT HER WITH A PIPE TO TRY TO GET AWAY-- 1657 01:06:21,208 --> 01:06:22,458 HOLD ON, HOLD ON, 1658 01:06:22,542 --> 01:06:23,834 HIT HER WITH A PIPE ON THE HEAD? 1659 01:06:25,500 --> 01:06:27,333 SO HOW DID THE BLOOD GET ON THE OTHER PIPE 1660 01:06:27,417 --> 01:06:29,750 ATTACHED TO THE WALL? 1661 01:06:31,458 --> 01:06:32,333 HE PUT IT THERE. 1662 01:06:34,125 --> 01:06:35,208 AND THEN HE MOVED THE DOORSTOP 1663 01:06:35,291 --> 01:06:37,709 TO MAKE IT LOOK LIKE SHE TRIPPED. 1664 01:06:37,792 --> 01:06:40,000 THERE ARE A BUNCH OF PIPES ON THE OTHER SIDE OF THE ATTIC. 1665 01:06:40,083 --> 01:06:41,750 ONE OF THEM COULD EASILY HAVE BEEN THE WEAPON. 1666 01:06:48,250 --> 01:06:50,834 SO, NOW... 1667 01:06:50,917 --> 01:06:54,500 IT'S BURGLARY WITH THE RESIDENT AT HOME. 1668 01:06:54,583 --> 01:06:56,625 THAT'S A SPECIAL CIRCUMSTANCE. 1669 01:06:56,709 --> 01:06:58,750 THAT'S MINIMUM SIX YEARS. 1670 01:06:58,834 --> 01:06:59,667 MAYBE I GET A YEAR. 1671 01:07:02,500 --> 01:07:04,083 WELL, ADDING MURDER CHANGES EVERYTHING. 1672 01:07:04,166 --> 01:07:06,250 OH, NO, THAT ISN'T GOING TO HAPPEN! 1673 01:07:06,333 --> 01:07:08,250 I DIDN'T KILL ANYBODY, I DIDN'T SEE ANYONE! 1674 01:07:08,333 --> 01:07:10,542 YEAH, I TOOK SOME TOYS SOLDIERS, BIG DEAL! 1675 01:07:10,625 --> 01:07:12,166 YOU'RE NOT GONNA PIN A MURDER ON ME! 1676 01:07:12,250 --> 01:07:13,959 HEY, YOU CAN'T DO THIS TO ME! 1677 01:07:14,041 --> 01:07:15,000 I DIDN'T DO IT! 1678 01:07:15,083 --> 01:07:16,250 GET HIM OUTTA HERE... 1679 01:07:16,333 --> 01:07:18,041 I'M INNOCENT! I DIDN'T DO IT! 1680 01:07:32,583 --> 01:07:34,375 YOU'RE BACK. WHAT LOOKS GOOD TODAY? 1681 01:07:34,458 --> 01:07:35,542 THE MG. 1682 01:07:35,625 --> 01:07:37,333 THE ROBIN-EGG-BLUE MG WITH THE CHROME BUMPERS, 1683 01:07:37,417 --> 01:07:39,709 THAT'S WHAT LOOKS GOOD TODAY... 1684 01:07:39,792 --> 01:07:41,250 WHERE IS IT? 1685 01:07:41,333 --> 01:07:42,542 BOUGHT, SHIPPED, AND GONE. 1686 01:07:42,625 --> 01:07:46,250 BUT WE HAVE A FANTASTIC FERRARI 348... 1687 01:07:46,333 --> 01:07:47,750 THE '65 MG, 1688 01:07:47,834 --> 01:07:49,291 THAT'S WHAT I WANT. 1689 01:07:49,375 --> 01:07:51,375 HAVE YOU EVER DRIVEN A FERRARI? 1690 01:07:51,458 --> 01:07:55,125 WHAT ABOUT A FERRARI 360 SPIDER? 1691 01:07:55,208 --> 01:07:58,041 NOT AN MG. 1692 01:07:58,125 --> 01:08:00,750 NOT LIKE THE ONE I HAD. 1693 01:08:00,834 --> 01:08:02,375 WE GOT A PROBLEM. 1694 01:08:02,458 --> 01:08:03,917 I WENT OVER BRISCO'S ALIBI 1695 01:08:04,000 --> 01:08:05,291 ON THE NIGHT OF SYDNEY'S DEATH. 1696 01:08:05,375 --> 01:08:08,125 HE CLAIMS HE WAS AT A FRIEND'S HOUSE DRINKING. 1697 01:08:08,208 --> 01:08:10,000 HE BOUGHT SOME THINGS AT THE LIQUOR STORE 1698 01:08:10,083 --> 01:08:12,834 ON HIS WAY OVER. 1699 01:08:12,917 --> 01:08:16,375 SO, HERE'S SOME SECURITY-CAM FOOTAGE 1700 01:08:16,458 --> 01:08:19,291 FROM THE STORE THAT NIGHT. 1701 01:08:19,375 --> 01:08:22,625 NOW, LOOK AT THIS. 1702 01:08:22,709 --> 01:08:25,917 THIS IS WAY OVER AT RIDGESIDE FALLS. 1703 01:08:26,000 --> 01:08:27,875 IT'S 10:45 AT NIGHT. 1704 01:08:27,959 --> 01:08:31,709 SO, BRISCO COULDN'T HAVE BEEN IN THE ATTIC WITH SYDNEY. 1705 01:08:31,792 --> 01:08:33,542 NOPE. 1706 01:08:48,750 --> 01:08:50,709 OH, HI, THIS IS JENNIFER SHANNON. 1707 01:08:50,792 --> 01:08:52,125 I WAS WONDERING IF YOU HAD TIME TO MEET 1708 01:08:52,208 --> 01:08:54,458 FOR A QUICK CUP OF COFFEE. 1709 01:08:54,542 --> 01:08:55,792 [TINA]: YOU'RE SAYING 1710 01:08:55,875 --> 01:08:56,667 THE PAINTING WAS REMOVED FROM THE ATTIC? 1711 01:08:56,750 --> 01:08:59,625 YES, AND VERY RECENTLY. 1712 01:08:59,709 --> 01:09:01,458 MY GUESS IS IT WAS TAKEN 1713 01:09:01,542 --> 01:09:04,166 THE NIGHT THAT SYDNEY DIED. 1714 01:09:04,250 --> 01:09:05,458 THE HANDYMAN? 1715 01:09:05,542 --> 01:09:06,542 NO. 1716 01:09:06,625 --> 01:09:08,000 HE HAS A SOLID ALIBI. 1717 01:09:09,583 --> 01:09:11,583 I'M TRYING TO PUT TOGETHER A TIMELINE. 1718 01:09:11,667 --> 01:09:12,834 DO YOU REMEMBER 1719 01:09:12,917 --> 01:09:15,500 WHEN SYDNEY DROPPED YOU BACK AT WORK? 1720 01:09:17,375 --> 01:09:18,291 TINA? 1721 01:09:20,000 --> 01:09:21,375 [SCOFFING] WHY ARE YOU EVEN RE-HASHING THIS 1722 01:09:21,458 --> 01:09:22,458 OVER AND OVER? 1723 01:09:22,542 --> 01:09:23,875 I MEAN, WHAT ARE YOU, THE POLICE? 1724 01:09:23,959 --> 01:09:25,208 ARE YOU A FAMILY MEMBER? 1725 01:09:25,291 --> 01:09:26,208 I MEAN, WHO MADE YOU THE CHIEF INVESTIGATOR 1726 01:09:26,291 --> 01:09:27,208 IN MY FRIEND'S DEATH? 1727 01:09:29,250 --> 01:09:31,709 I'M SORRY, I THOUGHT YOU'D WANT TO KNOW. 1728 01:09:34,083 --> 01:09:37,125 [GASPING] I'M SORRY, JENN. 1729 01:09:37,208 --> 01:09:38,834 [SNIFFLING] 1730 01:09:38,917 --> 01:09:41,583 IT'S JUST, THINGS HAVE JUST GOTTEN REALLY STRESSFUL AT WORK. 1731 01:09:41,667 --> 01:09:42,875 YOU KNOW, THEY CUT BACK MY HOURS, 1732 01:09:42,959 --> 01:09:44,291 AND I HAVE THIS BALLOON PAYMENT ON MY HOME LOAN, 1733 01:09:44,375 --> 01:09:45,583 AND IT JUST FEELS LIKE 1734 01:09:45,667 --> 01:09:47,542 EVERYTHING IS HAPPENING AT ONCE. 1735 01:09:47,625 --> 01:09:48,792 I... 1736 01:09:48,875 --> 01:09:50,500 I JUST CAN'T RE-CREATE 1737 01:09:50,583 --> 01:09:53,542 THAT AFTERNOON WITH SYDNEY AGAIN. 1738 01:09:53,625 --> 01:09:54,709 I'M SORRY. 1739 01:09:54,792 --> 01:09:56,041 I'M SORRY I SNAPPED AT YOU. 1740 01:09:57,291 --> 01:09:58,542 THAT'S ALL RIGHT, TINA. 1741 01:09:58,625 --> 01:10:03,375 IT'S JUST HARD TO TAKE EVERYTHING IN, YOU KNOW? 1742 01:10:03,458 --> 01:10:05,583 SO, IF THE HANDYMAN DIDN'T DO IT, 1743 01:10:05,667 --> 01:10:07,250 THEN DO THEY HAVE ANY IDEA WHO MIGHT HAVE? 1744 01:10:08,542 --> 01:10:09,750 NO. 1745 01:10:09,834 --> 01:10:12,375 [TRAIN HORN BLARING] 1746 01:10:36,542 --> 01:10:39,583 HEY... HEY, HAVE YOU LEFT YET? 1747 01:10:39,667 --> 01:10:41,792 NO, IT'S JUST TRAFFIC IS CRAZY, 1748 01:10:41,875 --> 01:10:43,375 SO I THOUGHT MAYBE, YOU KNOW, 1749 01:10:43,458 --> 01:10:45,125 YOU SHOULD JUST GRAB DINNER THERE 1750 01:10:45,208 --> 01:10:47,417 AND COME HOME LATER. 1751 01:10:47,500 --> 01:10:49,041 YEAH, NO, OTHERWISE YOU'RE JUST GOING TO BE SITTING THERE 1752 01:10:49,125 --> 01:10:51,583 LIKE, BUMPER TO BUMPER, RIGHT? 1753 01:10:51,667 --> 01:10:55,166 YEAH, OKAY, NO, I'LL SEE YOU LATER. 1754 01:10:55,250 --> 01:10:56,375 YEAH, I LOVE YOU, TOO. 1755 01:11:02,125 --> 01:11:03,834 [SIGHS HEAVILY] 1756 01:11:59,792 --> 01:12:01,417 [SIGHS SADLY] 1757 01:12:09,291 --> 01:12:10,250 [SNIFFLES] 1758 01:12:19,166 --> 01:12:21,792 [CELL PHONE BUZZES] 1759 01:12:24,083 --> 01:12:25,750 THIS PIECE IS ACTUALLY FROM 1905. 1760 01:12:25,834 --> 01:12:28,000 IT'S REALLY IN VERY GOOD CONDITION... 1761 01:12:28,083 --> 01:12:29,125 JENN? 1762 01:12:29,208 --> 01:12:32,667 JENN, IT'S TINA. 1763 01:12:32,750 --> 01:12:33,792 I-I KNOW ABOUT THE CROPSEY PAINTING. 1764 01:12:33,875 --> 01:12:35,458 [WHISPERING] CAN YOU COME OVER, PLEASE? 1765 01:12:35,542 --> 01:12:38,208 I DON'T KNOW WHAT TO DO. 1766 01:12:40,917 --> 01:12:43,041 [GUN COCKS] 1767 01:12:48,333 --> 01:12:50,625 DOES ANYONE ELSE KNOW? 1768 01:12:50,709 --> 01:12:52,000 I DON'T KNOW WHAT TO DO. 1769 01:12:53,083 --> 01:12:54,041 DANI... 1770 01:12:54,125 --> 01:12:55,125 MM-HMM? 1771 01:12:55,208 --> 01:12:56,083 I JUST GOT A MESSAGE FROM TINA, 1772 01:12:56,166 --> 01:12:57,083 ABOUT THE PAINTING. 1773 01:12:57,166 --> 01:12:58,125 WHAT ABOUT IT? 1774 01:12:58,208 --> 01:12:59,250 I'M NOT SURE, 1775 01:12:59,375 --> 01:13:00,250 BUT SHE WANTS ME TO GO OVER THERE. 1776 01:13:00,333 --> 01:13:01,458 SHE DIDN'T SAY WHY? 1777 01:13:01,542 --> 01:13:03,208 NO. 1778 01:13:03,291 --> 01:13:04,875 BUT MY GUESS IS SHE KNOWS WHERE IT IS. 1779 01:13:06,542 --> 01:13:07,583 YOU SAID YOU WERE IN THE CITY. 1780 01:13:07,667 --> 01:13:09,250 I LIED ABOUT THAT. 1781 01:13:10,542 --> 01:13:11,959 WE CAN JUST GIVE THE PAINTING BACK. 1782 01:13:12,041 --> 01:13:12,917 OKAY? 1783 01:13:15,375 --> 01:13:16,875 AND IF YOU KILLED SYDNEY, 1784 01:13:16,959 --> 01:13:18,500 YOU DIDN'T MEAN TO, RIGHT? 1785 01:13:19,709 --> 01:13:20,667 THAT'S RIGHT. 1786 01:13:20,750 --> 01:13:21,750 OKAY. 1787 01:13:21,834 --> 01:13:23,291 SO IT'S NOT MURDER. 1788 01:13:23,375 --> 01:13:24,542 IT WASN'T INTENTIONAL. 1789 01:13:24,625 --> 01:13:27,333 IT DOESN'T MATTER. 1790 01:13:29,125 --> 01:13:30,667 I CAN'T SPEND A DAY IN JAIL. 1791 01:13:33,333 --> 01:13:34,875 I HAVE A BUYER FOR THE PAINTING, 1792 01:13:34,959 --> 01:13:37,166 AND I'M GONNA SELL IT, AND THEN I'M GOING TO DISAPPEAR. 1793 01:13:39,208 --> 01:13:40,125 OKAY. 1794 01:13:40,208 --> 01:13:42,750 THEN... THEN YOU GO. 1795 01:13:42,834 --> 01:13:45,542 YOU GO, AND I... I WON'T TELL ANYONE, PLEASE... 1796 01:13:47,041 --> 01:13:48,000 I'M SORRY. 1797 01:13:48,083 --> 01:13:49,542 [SOBS] ANDREW... 1798 01:13:49,625 --> 01:13:50,625 [TINA SCREAMS] 1799 01:13:53,667 --> 01:13:55,709 [SIGHS] 1800 01:14:00,917 --> 01:14:03,041 [♪♪♪] 1801 01:14:56,834 --> 01:14:59,125 [KNOCKS] 1802 01:15:14,542 --> 01:15:15,500 HEY. 1803 01:15:15,583 --> 01:15:17,333 HI. IS TINA HERE? 1804 01:15:17,417 --> 01:15:18,834 YEAH, SHE'LL BE RIGHT DOWN. 1805 01:15:18,917 --> 01:15:20,125 COME ON IN, I'LL SHOW YOU 1806 01:15:20,208 --> 01:15:21,125 SOME OF THE STUFF I'VE BEEN WORKING ON. 1807 01:15:21,208 --> 01:15:22,583 OH, THANK YOU. 1808 01:15:24,500 --> 01:15:25,625 I GUESS TINA FOUND OUT 1809 01:15:25,709 --> 01:15:26,875 ABOUT THAT MISSING PAINTING. 1810 01:15:26,959 --> 01:15:28,959 OH, WHAT DID SHE FIND OUT? 1811 01:15:29,041 --> 01:15:30,250 THE WHOLE STORY. 1812 01:15:30,333 --> 01:15:31,166 I GUESS SOMEBODY BROUGHT IT INTO THE AUCTION HOUSE 1813 01:15:31,250 --> 01:15:32,208 TO TRY AND SELL IT. 1814 01:15:34,125 --> 01:15:35,375 SO, THIS IS, UH... 1815 01:15:35,458 --> 01:15:37,291 THIS IS THE STUFF THAT NOBODY WANTS TO BUY. 1816 01:15:37,375 --> 01:15:39,458 WOW. 1817 01:15:39,542 --> 01:15:42,041 THEY'RE AMAZING. YOU'RE VERY TALENTED. 1818 01:15:42,125 --> 01:15:43,875 I MEAN, I DON'T KNOW A LOT ABOUT MODERN ART, 1819 01:15:43,959 --> 01:15:46,583 BUT THESE ARE POWERFUL. 1820 01:15:48,208 --> 01:15:49,125 [MUTTERS] RIGHT. 1821 01:15:49,208 --> 01:15:50,125 WELL, HERE, 1822 01:15:50,208 --> 01:15:52,333 CHECK THIS OUT. 1823 01:15:56,834 --> 01:16:00,125 I... I THINK THE COMPOSITION IS... 1824 01:16:00,208 --> 01:16:03,291 REALLY... 1825 01:16:04,458 --> 01:16:06,417 YEAH, THAT COLOR RED 1826 01:16:06,500 --> 01:16:07,792 IS THE HARDEST THING TO DUPLICATE. 1827 01:16:09,583 --> 01:16:10,583 WHAT DID YOU DO WITH TINA? 1828 01:16:15,291 --> 01:16:18,083 [SIGHS] 1829 01:16:18,166 --> 01:16:20,417 YOU TOOK THE PAINTING. 1830 01:16:20,500 --> 01:16:22,208 YOU KILLED SYDNEY. 1831 01:16:24,083 --> 01:16:25,083 YOU WANNA SEE IT? 1832 01:16:35,583 --> 01:16:38,041 SEE THAT? 1833 01:16:38,125 --> 01:16:40,000 THAT IS WORTH MORE MONEY 1834 01:16:40,083 --> 01:16:42,542 THAN I HAVE MADE... 1835 01:16:42,625 --> 01:16:44,583 IN MY LIFETIME. 1836 01:16:46,083 --> 01:16:49,291 AND MINE, WELL... 1837 01:16:49,375 --> 01:16:50,375 MINE ARE WORTHLESS. 1838 01:17:01,333 --> 01:17:04,041 I DIDN'T PLAN TO KILL ANYONE. 1839 01:17:04,125 --> 01:17:06,750 NO, YOU DIDN'T. 1840 01:17:06,834 --> 01:17:09,208 YOU JUST WANTED THE PAINTING. 1841 01:17:09,291 --> 01:17:10,333 TINA TOLD YOU ABOUT IT... 1842 01:17:12,000 --> 01:17:13,750 AND YOU ALL YOU HAD TO DO WAS SNEAK IN THE ATTIC, 1843 01:17:13,834 --> 01:17:16,917 AND TAKE SOMETHING THAT NO ONE WOULD EVER MISS. 1844 01:17:17,000 --> 01:17:20,041 YOU WORKED IN THE DARK, 1845 01:17:20,125 --> 01:17:21,250 PROBABLY WITH A FLASHLIGHT, 1846 01:17:21,333 --> 01:17:22,834 UNTIL YOU FOUND IT. 1847 01:17:37,625 --> 01:17:39,291 [SOFT CLATTER] 1848 01:17:40,959 --> 01:17:42,500 HELLO? 1849 01:17:45,166 --> 01:17:47,750 SOMEBODY THERE? 1850 01:17:55,667 --> 01:17:58,166 YOU DIDN'T MEAN TO KILL HER... 1851 01:18:01,750 --> 01:18:03,375 YOU TRIED TO STOP HER FROM CALLING THE POLICE. 1852 01:18:12,375 --> 01:18:15,041 BUT SHE WASN'T MOVING, AND YOU KNEW THAT SHE WAS DEAD. 1853 01:18:16,500 --> 01:18:18,583 YOU HAD TO MAKE IT LOOK LIKE AN ACCIDENT. 1854 01:18:18,667 --> 01:18:21,083 YOU SAW THE PIPE ON THE WALL... 1855 01:18:22,583 --> 01:18:26,166 ...ABOUT THE SAME SIZE AS THE ONE YOU HIT HER WITH. 1856 01:18:26,250 --> 01:18:30,750 WHAT IF SHE FELL AND HIT HER HEAD? 1857 01:18:30,834 --> 01:18:31,750 BUT WHY WOULD SHE FALL? 1858 01:18:33,834 --> 01:18:36,333 SHE TRIPPED. 1859 01:18:36,417 --> 01:18:38,208 AND NOW FOR THE LAST TOUCH 1860 01:18:38,291 --> 01:18:40,250 THAT WOULD MAKE IT PERFECT... 1861 01:18:40,333 --> 01:18:42,208 BLOOD ON THE WALL PIPE. 1862 01:18:48,917 --> 01:18:49,709 BUT YOU'RE AN ARTIST... 1863 01:18:51,458 --> 01:18:53,667 SO YOU DON'T JUST RUB IT ON. 1864 01:18:53,750 --> 01:18:56,041 YOU CAREFULLY APPLY IT 1865 01:18:56,125 --> 01:18:58,667 AS IF SOMEONE HIT THEIR HEAD WHEN THEY FELL. 1866 01:19:00,959 --> 01:19:03,125 BUT NOW, YOU HAVE TO GET RID OF THE MURDER WEAPON. 1867 01:19:03,208 --> 01:19:05,959 YOU CAN'T TAKE IT WITH YOU. 1868 01:19:06,041 --> 01:19:08,041 WHY NOT HIDE IT IN PLAIN SIGHT? 1869 01:19:10,125 --> 01:19:11,709 ALL THAT'S LEFT 1870 01:19:11,792 --> 01:19:13,834 IS FOR YOU TO TAKE THE PAINTING 1871 01:19:13,917 --> 01:19:16,583 AND GET OUT. 1872 01:19:18,542 --> 01:19:19,458 [ANDREW]: IT'S LIKE YOU WERE ACTUALLY THERE. 1873 01:19:24,208 --> 01:19:25,917 YOU KNOW WHAT HAPPENS NEXT? 1874 01:19:27,542 --> 01:19:28,750 YOU SAID YOU WANTED TO SEE TINA. 1875 01:19:28,834 --> 01:19:30,500 DON'T MAKE THIS ANY WORSE, ANDREW-- 1876 01:19:30,583 --> 01:19:32,583 OH, IT COULDN'T GET ANY WORSE. 1877 01:19:33,709 --> 01:19:35,125 COME ON. 1878 01:19:35,208 --> 01:19:36,417 COME ON, UPSTAIRS. 1879 01:19:37,500 --> 01:19:38,792 GO ON. 1880 01:19:52,000 --> 01:19:53,959 OKAY, ALL RIGHT, JUST-- JUST WAIT HERE. 1881 01:19:58,250 --> 01:19:59,291 [DOOR SWINGS, CREAKING] 1882 01:20:17,625 --> 01:20:18,500 [ROARING WITH EFFORT] 1883 01:20:30,500 --> 01:20:33,166 JUST PULL THE TRIGGER. 1884 01:20:33,250 --> 01:20:34,291 COME ON, JUST DO IT. 1885 01:20:36,917 --> 01:20:38,709 [SIRENS WAILING] 1886 01:20:38,792 --> 01:20:40,000 [JENN]: HANG IN THERE, TINA. 1887 01:20:40,083 --> 01:20:41,875 THE EMTS SAY YOU'RE GOING TO BE OKAY. 1888 01:20:41,959 --> 01:20:43,917 I'M SO SORRY, JENN. 1889 01:20:44,000 --> 01:20:45,542 IT'S OKAY. 1890 01:20:45,625 --> 01:20:47,417 YOU HAD NO WAY OF KNOWING. 1891 01:20:48,625 --> 01:20:52,000 WHAT YOU DID WAS REALLY COURAGEOUS. 1892 01:20:58,875 --> 01:21:00,333 I'M NOT EVEN GOING TO TRY 1893 01:21:00,417 --> 01:21:01,917 AND EXPLAIN THIS TO JASON. 1894 01:21:02,000 --> 01:21:04,125 YOU'RE ON YOUR OWN. 1895 01:21:05,834 --> 01:21:08,792 SO, HE NEVER INTENDED TO KILL SYDNEY? 1896 01:21:08,875 --> 01:21:10,000 NO, HE THOUGHT HE'D GET IN AND OUT, 1897 01:21:10,083 --> 01:21:12,083 AND NO ONE WOULD EVER KNOW. 1898 01:21:12,166 --> 01:21:14,917 AH, BUT HE SURE DID INTEND TO KILL TINA, 1899 01:21:15,000 --> 01:21:17,125 AND YOU WALKED RIGHT INTO THE MIDDLE OF IT. 1900 01:21:17,208 --> 01:21:18,250 SO, DO YOU THINK, MAYBE, PERHAPS, 1901 01:21:18,333 --> 01:21:19,291 IT'S TIME TO-- 1902 01:21:19,375 --> 01:21:20,792 HEY, UM... DAD? 1903 01:21:20,875 --> 01:21:21,875 LOOK. 1904 01:21:24,083 --> 01:21:25,458 HMM. 1905 01:21:30,583 --> 01:21:33,375 IT'S ELIZABETH. 1906 01:21:33,458 --> 01:21:35,208 WHY ARE THEY HERE? 1907 01:21:35,291 --> 01:21:37,250 ELIZABETH WANTED TO COME BY 1908 01:21:37,333 --> 01:21:38,667 AND THANK YOU IN PERSON. 1909 01:21:38,750 --> 01:21:41,250 YOU ARE AMAZING. 1910 01:21:41,333 --> 01:21:42,709 YOU'RE A VERY LUCKY MAN. 1911 01:21:42,792 --> 01:21:44,792 YOUR WIFE IS TENACIOUS, 1912 01:21:44,875 --> 01:21:46,166 AND SMART, 1913 01:21:46,250 --> 01:21:47,208 AND VERY BRAVE. 1914 01:21:47,291 --> 01:21:49,458 AND MAYBE A BIT RECKLESS. 1915 01:21:49,542 --> 01:21:51,166 MAYBE. 1916 01:21:51,250 --> 01:21:52,875 I... I WANT TO THANK YOU 1917 01:21:52,959 --> 01:21:54,542 FROM THE BOTTOM OF MY HEART. 1918 01:21:54,625 --> 01:21:59,125 WHAT HAPPENED TO MY DAUGHTER SHOULD NEVER HAVE HAPPENED, 1919 01:21:59,208 --> 01:22:00,166 BUT AT LEAST THERE'S JUSTICE. 1920 01:22:01,458 --> 01:22:03,291 I ONLY WISH SYDNEY WERE STILL HERE. 1921 01:22:03,375 --> 01:22:04,834 IT'S GOING TO BE HARD, BUT... 1922 01:22:06,083 --> 01:22:08,000 BUT ABBEY AND I, 1923 01:22:08,083 --> 01:22:09,500 WE'LL GET THROUGH THIS TOGETHER. 1924 01:22:10,750 --> 01:22:11,959 FRANK, HOW IS TINA? 1925 01:22:12,041 --> 01:22:13,083 SHE'S VERY LUCKY. 1926 01:22:13,166 --> 01:22:14,875 BUT THEY EXPECT A FULL RECOVERY. 1927 01:22:14,959 --> 01:22:17,291 THAT'S GOOD NEWS. 1928 01:22:17,375 --> 01:22:18,583 AND I'D LIKE TO OFFICIALLY ANNOUNCE 1929 01:22:18,667 --> 01:22:20,250 THAT JENN WILL BE RETIRING FROM CRIME-SOLVING. 1930 01:22:20,333 --> 01:22:22,208 OH... [APPLAUDING] 1931 01:22:23,667 --> 01:22:24,583 ACTUALLY, I MADE THAT UP. 1932 01:22:24,667 --> 01:22:25,834 SOMETHING TO CONSIDER. 1933 01:22:25,917 --> 01:22:27,166 FINE. 1934 01:22:28,709 --> 01:22:30,000 I'LL CONSIDER IT. 1935 01:22:30,083 --> 01:22:31,083 [MURMURING] 1936 01:22:31,166 --> 01:22:32,166 SEE, THAT MEANS SHE WON'T. 1937 01:22:32,250 --> 01:22:33,542 WELL, I CAN'T HELP IT 1938 01:22:33,625 --> 01:22:36,333 IF AN INTERESTING CASE COMES THROUGH THE DOOR. 1939 01:22:36,417 --> 01:22:38,458 SHE CANNOT. 1940 01:22:38,542 --> 01:22:40,291 HAPPY BIRTHDAY, HONEY. 1941 01:22:40,375 --> 01:22:41,333 [CHUCKLING] 1942 01:22:41,417 --> 01:22:42,417 NO BALLOONS, 1943 01:22:42,500 --> 01:22:43,917 NO PARTY, NO BIG DEAL, 1944 01:22:44,000 --> 01:22:44,875 JUST LIKE YOU WANTED. 1945 01:22:44,959 --> 01:22:47,041 GOOD. THAT IS GOOD. 1946 01:22:47,125 --> 01:22:48,458 SO WHY... 1947 01:22:48,542 --> 01:22:49,625 DO I FEEL LIKE YOU'RE UP TO SOMETHING? 1948 01:22:49,709 --> 01:22:51,709 COME ON, MAKE A WISH, DAD. 1949 01:22:54,208 --> 01:22:56,000 WHAT'D YOU WISH FOR? 1950 01:22:57,750 --> 01:22:59,041 GOLF CLUBS. 1951 01:22:59,125 --> 01:23:00,583 OH, WELL, THEY SHOULD BE OUTSIDE. 1952 01:23:00,667 --> 01:23:01,709 LET'S CHECK IT OUT. 1953 01:23:01,792 --> 01:23:03,542 -REALLY? -MM-HMM. 1954 01:23:03,625 --> 01:23:04,542 OH... 1955 01:23:08,333 --> 01:23:09,333 WHAT? 1956 01:23:09,417 --> 01:23:10,458 [STAMMERING] NO... WHAT? 1957 01:23:10,542 --> 01:23:11,417 [JENN LAUGHING AND CLAPPING IN DELIGHT] 1958 01:23:11,500 --> 01:23:13,250 THIS... THIS IS THE CAR! 1959 01:23:13,333 --> 01:23:14,917 THIS IS THE CAR! THIS IS MY CAR! 1960 01:23:15,000 --> 01:23:16,083 YES-- 1961 01:23:16,166 --> 01:23:17,417 THIS WAS MY CAR. THIS IS... WAIT... 1962 01:23:17,500 --> 01:23:18,417 YOU DESERVE IT. 1963 01:23:18,500 --> 01:23:19,667 THIS IS MY CAR. 1964 01:23:19,750 --> 01:23:21,583 YES. 1965 01:23:21,667 --> 01:23:23,709 BUT... 1966 01:23:23,792 --> 01:23:25,583 I KNOW... 1967 01:23:25,667 --> 01:23:27,166 I KNOW HOW MUCH THIS COST. 1968 01:23:27,250 --> 01:23:30,083 WELL, I HAD MY OWN LITTLE FUNDRAISER. 1969 01:23:30,166 --> 01:23:31,208 HEY... 1970 01:23:31,291 --> 01:23:33,792 HOW ABOUT YOU TAKE ME FOR A DRIVE? 1971 01:23:33,875 --> 01:23:35,041 I THINK THAT'S A GREAT IDEA. 1972 01:23:35,125 --> 01:23:36,125 I LOVE YOU. 1973 01:23:36,208 --> 01:23:37,959 HAPPY BIRTHDAY. 1974 01:23:42,875 --> 01:23:44,917 [♪♪♪] 1975 01:23:47,583 --> 01:23:50,417 SEE? WHO SAYS WE'RE GETTING OLD. 1976 01:23:50,500 --> 01:23:52,542 NOT ME. 1977 01:23:52,625 --> 01:23:55,500 I THINK THAT WE ARE AS GOOD AS WE EVER WERE. 1978 01:23:55,583 --> 01:23:57,125 ME TOO. 1979 01:24:00,083 --> 01:24:01,709 WELL... 1980 01:24:01,792 --> 01:24:03,250 I GUESS WE SHOULD BE GETTING HOME. 1981 01:24:04,375 --> 01:24:07,041 REALLY? 1982 01:24:07,125 --> 01:24:08,750 OKAY. 1983 01:24:10,917 --> 01:24:12,375 [STARTER CHUGGING] 1984 01:24:12,458 --> 01:24:13,500 [CHUCKLES] 1985 01:24:13,583 --> 01:24:14,750 [STARTER CHUGGING] 1986 01:24:14,834 --> 01:24:16,667 NO, NO, NO, NO... 1987 01:24:16,750 --> 01:24:18,458 JUST LIKE YOUR OLD CAR. 1988 01:24:18,542 --> 01:24:19,667 [LAUGHING] 1989 01:24:19,750 --> 01:24:21,041 [ENGINE DIES] 1990 01:24:21,125 --> 01:24:22,792 WELL, AT LEAST WE GOT A CELL PHONE. 1991 01:24:22,875 --> 01:24:23,834 YES, WE DO. 1992 01:24:23,917 --> 01:24:24,875 YEAH. 1993 01:24:24,959 --> 01:24:25,834 I'LL CALL HANNAH. 1994 01:24:25,917 --> 01:24:27,166 [DIALING CALL] 1995 01:24:30,291 --> 01:24:31,583 HEY, HANNAH, IT'S MOM. 1996 01:24:31,667 --> 01:24:33,125 UH, WE'RE HAVING SOME CAR TROUBLE. 1997 01:24:33,208 --> 01:24:34,500 WOULD YOU MIND PICKING US UP? 1998 01:24:34,583 --> 01:24:36,750 WHERE ARE YOU? 1999 01:24:36,834 --> 01:24:38,291 UH... 2000 01:24:38,375 --> 01:24:40,917 WE'RE AT TAYLOR LAKE. 2001 01:24:41,000 --> 01:24:42,792 OH! LOVER'S LANE! 2002 01:24:42,875 --> 01:24:44,875 [WHISPERS] OH, WE ARE SO BUSTED. 2003 01:24:44,959 --> 01:24:46,458 [CLEARS THROAT] MM-HMM. 2004 01:24:46,542 --> 01:24:48,333 I'LL SEE YOU IN ABOUT HALF AN HOUR. 2005 01:24:48,458 --> 01:24:50,625 OKAY, THANK YOU. 2006 01:24:52,959 --> 01:24:54,041 MAYBE I SHOULD HAVE CALLED MY DAD. 2007 01:24:54,125 --> 01:24:56,667 NAH, I THINK HE'S STILL MAD ABOUT LAST TIME. 2008 01:24:56,750 --> 01:24:58,250 [LAUGHING] 2009 01:25:01,625 --> 01:25:05,583 [♪♪♪] 132060

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