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1
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[♪♪♪]
2
00:00:21,000 --> 00:00:24,834
[♪♪♪]
3
00:00:38,041 --> 00:00:39,959
[HORSE NEIGHS]
4
00:00:40,041 --> 00:00:42,291
[FOOTSTEPS]
5
00:00:55,041 --> 00:00:59,417
[♪♪♪]
6
00:01:01,917 --> 00:01:03,709
[GATE CREAKS AND OPENS]
7
00:01:10,583 --> 00:01:14,917
[♪♪♪]
8
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[DOOR OPENS]
9
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[♪♪♪]
10
00:01:46,583 --> 00:01:49,542
[♪♪♪]
11
00:01:49,625 --> 00:01:50,750
[DOG BARKING]
12
00:01:50,834 --> 00:01:53,625
[BARKING AND GROWLING]
13
00:01:55,375 --> 00:01:56,959
[WHINING IN GREETING]
14
00:01:58,125 --> 00:01:59,250
[WOMAN]: PRINCE?
15
00:01:59,333 --> 00:02:00,959
WHAT IS IT?
16
00:02:01,041 --> 00:02:02,375
IS SOMEBODY THERE?
17
00:02:06,583 --> 00:02:08,709
OKAY, PRINCE,
COME ON BACK TO BED.
18
00:02:21,959 --> 00:02:23,834
[♪♪♪]
19
00:02:28,375 --> 00:02:30,583
[GIRLS LAUGHING AND CHATTING]
20
00:02:31,917 --> 00:02:33,375
[SHOP BELL JINGLES]
21
00:02:33,458 --> 00:02:34,417
HEY, MOM.
22
00:02:34,500 --> 00:02:35,458
YOU HAVE A SEC?
23
00:02:35,542 --> 00:02:36,750
HI, MRS. SHANNON!
24
00:02:36,834 --> 00:02:37,792
[GIRLS GIGGLING]
25
00:02:37,875 --> 00:02:39,208
WE'RE HAVING
A FUNDRAISER.
26
00:02:39,291 --> 00:02:40,166
-IT'S GOING TO BE SO BIG --
--AND SO MUCH FUN, TOO.
27
00:02:40,250 --> 00:02:41,542
THE CAUSE IS
REALLY IMPORTANT.
28
00:02:41,625 --> 00:02:42,959
IT'S REALLY NEEDED.
29
00:02:43,041 --> 00:02:43,959
OH, WHAT'S THE CAUSE?
30
00:02:44,041 --> 00:02:45,041
TRI-COUNTY
ANIMAL SHELTER.
31
00:02:45,125 --> 00:02:46,625
SEEING THESE POOR
DOGS AND CATS
32
00:02:46,709 --> 00:02:47,709
IS HEART-BREAKING.
33
00:02:47,792 --> 00:02:49,083
IT'S OUR KAPPA
YEARLY CHARITY EVENT.
34
00:02:49,166 --> 00:02:50,125
AND THIS YEAR--
ARE YOU READY--
35
00:02:50,208 --> 00:02:51,417
WE'RE DOING A GARAGE SALE!
36
00:02:51,500 --> 00:02:53,125
IT'S GONNA BE HUGE!
37
00:02:53,208 --> 00:02:54,041
ALL THE MOMS ARE
CLEANING OUT THEIR ATTICS,
38
00:02:54,125 --> 00:02:55,625
BRINGING REALLY COOL STUFF.
39
00:02:55,709 --> 00:02:57,291
BUT WE'RE GONNA BE DOING
THE REAL WORK OF SELLING IT.
40
00:02:57,375 --> 00:03:00,041
WE WANTED TO ASK YOU,
'CAUSE YOU'RE THE EXPERTS,
41
00:03:00,125 --> 00:03:01,625
WOULD YOU TAKE CHARGE
AND RUN THE SALE?
42
00:03:01,709 --> 00:03:03,291
TAYLOR'S MOM SAID THAT WE COULD
USE HER GARAGE AND DRIVEWAY.
43
00:03:03,375 --> 00:03:04,333
UH, SURE.
44
00:03:04,417 --> 00:03:05,542
WHATEVER WE CAN DO.
45
00:03:05,625 --> 00:03:06,834
-ARE YOU SURE?
-HAPPY TO.
46
00:03:06,917 --> 00:03:08,417
[ALL GIGGLING IN DELIGHT]
47
00:03:08,500 --> 00:03:09,875
SO, ALL THE MOMS
WANT TO GET TOGETHER
48
00:03:09,959 --> 00:03:11,291
AND HAVE A BIG ORGANIZATIONAL
MEETING, JUST THE MOMS--
49
00:03:11,375 --> 00:03:13,041
BUT THEY DON'T KNOW
ANYTHING ABOUT GARAGE SALES --
50
00:03:13,125 --> 00:03:15,208
-YOU'LL CHAIR IT, RIGHT?
-OKAY.
51
00:03:15,291 --> 00:03:17,125
[CHANTING TOGETHER]:
KAPPA KAPPA KAPPA!
52
00:03:17,208 --> 00:03:18,208
WHOO!
53
00:03:18,291 --> 00:03:19,417
[LAUGHING AND GIGGLING]
54
00:03:19,500 --> 00:03:20,875
LOGAN'S GOING TO
HAVE TO THINK
55
00:03:20,959 --> 00:03:22,417
ABOUT WHERE
HE WANTS TO GO.
56
00:03:22,500 --> 00:03:23,709
OH, WE'VE STILL GOT
A COUPLE YEARS.
57
00:03:23,792 --> 00:03:24,875
NOT REALLY.
58
00:03:24,959 --> 00:03:26,291
I WANT TO SET UP
SOME CAMPUS TRIPS,
59
00:03:26,375 --> 00:03:28,208
MAYBE HE CAN FIND SOMETHING
THAT'S NOT OUT OF STATE.
60
00:03:28,291 --> 00:03:30,000
[CHUCKLES]
61
00:03:30,083 --> 00:03:31,166
OH...
62
00:03:31,250 --> 00:03:32,917
WHAT A BEAUTY.
63
00:03:33,000 --> 00:03:34,250
I HAD A CAR
LIKE THIS IN COLLEGE.
64
00:03:35,500 --> 00:03:36,917
I REMEMBER IT WELL.
65
00:03:37,000 --> 00:03:38,500
THAT WAS
A GREAT CAR.
66
00:03:38,583 --> 00:03:39,709
[CHUCKLES]
WHEN IT WAS RUNNING.
67
00:03:39,792 --> 00:03:42,667
'65 MG, CHROME BUMPERS,
68
00:03:42,750 --> 00:03:44,000
WHICH THEY CHANGED IN '74,
69
00:03:44,083 --> 00:03:45,542
WIRE-RIM WHEELS...
70
00:03:45,625 --> 00:03:47,166
IT WAS FANTASTIC.
71
00:03:47,250 --> 00:03:50,250
I WILL NEVER UNDERSTAND
HOW GUYS REMEMBER THINGS
72
00:03:50,333 --> 00:03:51,500
LIKE THE DIFFERENCES IN BUMPERS.
73
00:03:51,583 --> 00:03:52,625
WHEN I WAS A KID,
74
00:03:52,709 --> 00:03:54,709
I COULD TELL YOU
WHAT YEAR IT WAS
75
00:03:54,792 --> 00:03:56,417
BY ITS TAIL LIGHTS.
76
00:03:56,500 --> 00:03:58,458
I KNEW I MARRIED YOU
FOR A REASON.
77
00:03:58,542 --> 00:03:59,500
YEAH.
78
00:03:59,583 --> 00:04:00,959
[CHUCKLING]
79
00:04:02,542 --> 00:04:04,500
[♪♪♪]
80
00:04:16,417 --> 00:04:18,458
WHATCHA LOOKING AT?
81
00:04:19,542 --> 00:04:21,041
NOTHIN'.
82
00:04:27,917 --> 00:04:29,583
MAN, WHEN I SAW THAT MG TODAY,
83
00:04:29,667 --> 00:04:32,375
IT REALLY
BROUGHT ME BACK.
84
00:04:33,625 --> 00:04:35,500
TELL ME THE TRUTH, JENN,
85
00:04:35,583 --> 00:04:38,333
IS MY, UH, NECK
GETTING SAGGY?
86
00:04:38,417 --> 00:04:41,083
NO, YOU'RE VINTAGE,
LIKE THAT CAR.
87
00:04:41,166 --> 00:04:42,125
[CHUCKLING]
88
00:04:42,208 --> 00:04:43,250
YOU KNOW WHAT I DO
89
00:04:43,333 --> 00:04:44,250
WHEN I SEE A WRINKLE
I DON'T LIKE?
90
00:04:44,333 --> 00:04:45,333
WHAT?
91
00:04:45,417 --> 00:04:46,375
I TURN OUT THE LIGHTS.
92
00:04:46,458 --> 00:04:47,375
DOES IT WORK?
93
00:04:47,458 --> 00:04:48,750
LIKE A CHARM.
94
00:04:50,041 --> 00:04:51,542
COME HERE.
95
00:04:58,208 --> 00:05:00,500
WEREN'T THOSE
WIRE WHEELS BEAUTIFUL?
96
00:05:00,583 --> 00:05:02,291
IT'S ALL I CAN
THINK ABOUT.
97
00:05:02,375 --> 00:05:03,834
[CHUCKLING]
98
00:05:03,917 --> 00:05:04,834
GOOD NIGHT, HONEY.
99
00:05:04,917 --> 00:05:05,834
'NIGHT.
100
00:05:05,917 --> 00:05:06,875
I LOVE YOU.
101
00:05:06,959 --> 00:05:08,917
I LOVE YOU, TOO.
102
00:05:09,000 --> 00:05:11,291
[SIGHS HEAVILY]
103
00:05:14,750 --> 00:05:15,959
[TRAIN HORN BLARES DISTANTLY]
104
00:05:16,041 --> 00:05:18,000
[TRAIN WHEELS CLACKING]
105
00:05:22,000 --> 00:05:23,458
HOW'S IT COMING?
106
00:05:23,542 --> 00:05:25,208
OH, FANTASTIC, TINA.
107
00:05:25,291 --> 00:05:26,250
I KNOW YOU HATE
THESE PORTRAITS,
108
00:05:26,333 --> 00:05:27,333
BUT IT'S MONEY.
109
00:05:27,417 --> 00:05:28,959
-YEAH, RIGHT.
-OH, HONEY.
110
00:05:29,041 --> 00:05:32,750
OH...
YOUR TIME IS COMING.
111
00:05:32,834 --> 00:05:34,041
I KNOW IT.
112
00:05:38,333 --> 00:05:40,625
I SAW THE LETTER
FROM THE BANK.
113
00:05:42,458 --> 00:05:43,834
THEY'RE NOT
GOING TO FORECLOSE.
114
00:05:43,917 --> 00:05:46,834
NO, NOT FOR 30 DAYS.
115
00:05:46,917 --> 00:05:48,792
I'M TALKING TO THEM
ABOUT IT.
116
00:05:48,875 --> 00:05:50,166
I WILL RE-FINANCE.
117
00:05:50,250 --> 00:05:51,750
I'VE GOT TO GO TO WORK.
118
00:05:51,834 --> 00:05:53,208
ASK FOR A RAISE!
119
00:06:00,709 --> 00:06:02,083
YOU GUYS REALLY SAVED US
120
00:06:02,166 --> 00:06:04,041
BY ORGANIZING
THE GARAGE SALE.
121
00:06:04,125 --> 00:06:06,208
IS THERE ANYTHING WE CAN DO
TO HELP YOU WITH THE MEETING?
122
00:06:06,291 --> 00:06:07,208
OH, I THINK
WE'RE GOOD.
123
00:06:07,291 --> 00:06:09,041
-ARE WE GOOD?
-WE'RE GOOD.
124
00:06:09,125 --> 00:06:12,083
SO, THIS MEETING IS JUST
THE MOMS, AND NOT THE GIRLS?
125
00:06:12,166 --> 00:06:13,583
[CHUCKLING] IT IS
EVERYTHING WE COULD DO
126
00:06:13,667 --> 00:06:15,250
TO KEEP THEM AWAY FROM THE SALE.
127
00:06:15,375 --> 00:06:17,458
THEY'RE WAY INTO THIS.
128
00:06:17,542 --> 00:06:18,750
YOU'VE BEEN WARNED.
129
00:06:18,834 --> 00:06:19,917
[LAUGHING]
130
00:06:20,000 --> 00:06:21,375
ABBEY, HAVE I MET YOUR MOTHER?
131
00:06:21,458 --> 00:06:22,417
I DON'T KNOW.
132
00:06:22,500 --> 00:06:23,542
HER NAME'S SYDNEY.
133
00:06:23,625 --> 00:06:24,667
STEPMOM.
134
00:06:24,750 --> 00:06:25,834
PARENTS DIVORCED,
135
00:06:25,917 --> 00:06:27,792
DAD REMARRIED.
136
00:06:27,875 --> 00:06:28,792
NOT VERY COOL.
137
00:06:28,875 --> 00:06:29,792
I'M SORRY.
138
00:06:29,875 --> 00:06:30,834
IT HAPPENS.
139
00:06:30,917 --> 00:06:32,333
I MEAN, SHE TRIES,
140
00:06:32,417 --> 00:06:34,041
LIKE WITH THIS GARAGE SALE,
FOR INSTANCE.
141
00:06:34,125 --> 00:06:35,250
HOW SO?
142
00:06:35,333 --> 00:06:36,458
NOTHING REALLY,
143
00:06:36,542 --> 00:06:38,375
JUST WANTING
TO BE A PART OF EVERYTHING.
144
00:06:38,458 --> 00:06:40,125
[HANNAH]: WELL,
WE'VE GOTTA RUN,
145
00:06:40,208 --> 00:06:41,709
BUT I WANTED TO GIVE YOU
A HEADS-UP ABOUT TONIGHT.
146
00:06:41,792 --> 00:06:43,417
OKAY, HONEY.
147
00:06:43,500 --> 00:06:44,375
SEE YOU LATER.
148
00:06:45,500 --> 00:06:46,667
THANKS.
149
00:06:46,750 --> 00:06:48,375
BYE, HANNAH.
BYE, ABBEY.
150
00:06:49,792 --> 00:06:51,458
OOPS...
151
00:06:51,542 --> 00:06:53,917
I FORGOT,
I CAN'T MAKE IT TONIGHT.
152
00:06:54,000 --> 00:06:55,375
WHAT?
153
00:06:55,458 --> 00:06:57,000
I'M TAKING A VIBRATIONAL
COOKING CLASS
154
00:06:57,125 --> 00:06:58,125
AT THE COLLEGE EXTENSION.
155
00:06:58,208 --> 00:07:00,542
VIBRATIONAL COOKING?
156
00:07:00,625 --> 00:07:02,834
YEAH, THERE'S LIVE FOOD
AND THERE'S DEAD FOOD,
157
00:07:02,917 --> 00:07:05,625
AND LIVE FOOD HAS A HIGHER
VIBRATIONAL FREQUENCY.
158
00:07:08,083 --> 00:07:10,291
GOOD TO KNOW.
159
00:07:10,375 --> 00:07:12,500
[ALL CHATTING AND LAUGHING]
160
00:07:12,583 --> 00:07:14,000
OKAY, OKAY,
161
00:07:14,083 --> 00:07:16,417
BUT HERE'S THE SECRET
TO A SUCCESSFUL GARAGE SALE,
162
00:07:16,500 --> 00:07:18,583
DO NOT PUT PRICES ON YOUR ITEMS.
163
00:07:18,667 --> 00:07:21,125
-[ALL EXCLAIMING] WHAT?
-THAT DOESN'T MAKE ANY SENSE.
164
00:07:21,208 --> 00:07:22,291
THERE HAS TO
BE PRICE TAGS!
165
00:07:22,375 --> 00:07:23,250
HOW DO WE KNOW
WHAT TO CHARGE?
166
00:07:23,333 --> 00:07:24,375
-EXACTLY!
-YEAH!
167
00:07:24,458 --> 00:07:25,792
YOU ASK THE CUSTOMER
TO NAME THEIR PRICE.
168
00:07:25,875 --> 00:07:26,834
IS THAT HOW THEY DO IT?
169
00:07:26,917 --> 00:07:28,125
I DON'T THINK
THAT'S HOW IT'S DONE.
170
00:07:28,208 --> 00:07:29,166
I MEAN, HAVE YOU
HEARD OF THAT BEFORE?
171
00:07:29,250 --> 00:07:30,041
MY NEIGHBOR HAD
A GARAGE SALE, AND--
172
00:07:30,125 --> 00:07:31,542
[ALL TALKING AT ONCE]
173
00:07:31,625 --> 00:07:32,917
LADIES!
174
00:07:33,000 --> 00:07:34,041
LADIES...
175
00:07:34,125 --> 00:07:35,083
RAISE YOUR HAND
176
00:07:35,166 --> 00:07:36,959
IF YOU'VE EVER
PUT ON A GARAGE SALE.
177
00:07:37,041 --> 00:07:38,542
[AWKWARD SILENCE]
178
00:07:39,709 --> 00:07:40,834
ALL RIGHT.
179
00:07:40,917 --> 00:07:42,500
THIS IS WHY
180
00:07:42,583 --> 00:07:43,625
WE'VE ASKED JENNIFER TO HELP,
181
00:07:43,709 --> 00:07:44,709
BECAUSE SHE UNDERSTANDS
HOW IT'S DONE.
182
00:07:44,792 --> 00:07:46,083
I'M NOT GOING
TO NEGOTIATE
183
00:07:46,166 --> 00:07:47,875
LIKE I'M IN SOME
THIRD-WORLD BAZAAR.
184
00:07:47,959 --> 00:07:49,000
MARSHA...
185
00:07:49,083 --> 00:07:50,458
THE GIRLS ARE DOING
THE SELLING, MARSHA--
186
00:07:50,542 --> 00:07:51,875
AND I'VE SEEN YOU HAGGLE
WITH THE BEST OF THEM--
187
00:07:51,959 --> 00:07:54,625
CAN YOU PLEASE TELL US
WHY YOU SUGGEST
188
00:07:54,709 --> 00:07:55,875
NOT TO PUT PRICES
ON THE ITEMS?
189
00:07:55,959 --> 00:07:57,458
BECAUSE THE SORORITY
WILL MAKE MORE MONEY,
190
00:07:57,542 --> 00:07:58,500
AND THIS IS
A FUNDRAISER, RIGHT?
191
00:07:58,583 --> 00:07:59,875
THERE WE GO.
192
00:07:59,959 --> 00:08:01,125
MOST OF THE TIME,
193
00:08:01,208 --> 00:08:02,917
PEOPLE WILL OFFER MORE
THAN YOU'RE ASKING,
194
00:08:03,000 --> 00:08:05,458
AND THEY THINK THAT THEY ARE
GETTING A GREAT DEAL.
195
00:08:05,542 --> 00:08:06,834
THEY NEVER PAY
THE MARKED PRICE ANYWAY,
196
00:08:06,917 --> 00:08:08,125
SO IT SAVES ON
ALL THE HAGGLING.
197
00:08:08,208 --> 00:08:09,333
THAT MAKES MORE SENSE.
198
00:08:09,417 --> 00:08:10,625
ACTUALLY,
THAT MAKES SENSE.
199
00:08:10,709 --> 00:08:12,125
MORE MONEY? CHECK.
200
00:08:12,208 --> 00:08:13,542
[LAUGHTER]
201
00:08:13,625 --> 00:08:15,125
CLEAN OUT YOUR CLOSETS,
YOUR GARAGES,
202
00:08:15,208 --> 00:08:16,875
BRING EVERYTHING YOU DON'T WANT.
203
00:08:16,959 --> 00:08:17,792
WHERE ARE WE
STAGING THIS?
204
00:08:17,875 --> 00:08:18,959
MY HOUSE.
205
00:08:19,041 --> 00:08:19,959
MY HUSBAND'S GONNA MOVE
ALL HIS CARS,
206
00:08:20,041 --> 00:08:21,917
SO WE'LL HAVE PLENTY OF ROOM.
207
00:08:22,000 --> 00:08:23,417
GREAT, WELL, LET'S REMEMBER THIS
IS FOR THE GIRLS.
208
00:08:23,500 --> 00:08:26,208
ON THE DAY OF THE SALE, NO MOMS.
209
00:08:26,291 --> 00:08:27,166
I'D FEEL BETTER
IF WE WERE THERE.
210
00:08:27,250 --> 00:08:29,000
YOU ARE SUCH
A HELICOPTER.
211
00:08:29,083 --> 00:08:30,542
LET THE GIRLS DO IT.
THEY WILL BE FINE.
212
00:08:30,625 --> 00:08:32,875
-AND YOU'RE NOT?
-I'M NOT!
213
00:08:32,959 --> 00:08:34,458
WELL, SYDNEY, THAT
WAS A GOOD MEETING.
214
00:08:34,542 --> 00:08:35,417
I THINK.
215
00:08:35,500 --> 00:08:37,500
[LAUGHING]
216
00:08:37,583 --> 00:08:38,625
I REALLY APPRECIATE
YOU HELPING ME WITH THIS.
217
00:08:38,709 --> 00:08:40,500
OH, NO PROBLEM AT ALL.
I LOVE DOING IT,
218
00:08:40,583 --> 00:08:41,959
AND IT'S HARD FOR ME
TO SAY NO TO MY DAUGHTER.
219
00:08:42,041 --> 00:08:44,041
WELL, I THINK ABBEY
WOULD APPRECIATE IT
220
00:08:44,125 --> 00:08:46,000
IF I WASN'T SO INVOLVED.
221
00:08:46,083 --> 00:08:47,250
I'M JUST GETTING
TO KNOW ABBEY.
222
00:08:47,333 --> 00:08:48,917
SHE'S GOT HER DAD
WRAPPED AROUND HER FINGER,
223
00:08:49,000 --> 00:08:50,375
AND I'M THE STEP-MOM.
224
00:08:50,458 --> 00:08:51,583
[LAUGHS] IT'S OKAY,
WE'RE GETTING THERE.
225
00:08:51,667 --> 00:08:52,458
[CAR HONKING]
[ABBEY CALLS]: HI, JENN!
226
00:08:52,542 --> 00:08:53,583
HEY, ABBEY
227
00:08:53,667 --> 00:08:54,458
I'VE GOTTA GO!
WE'VE GOT CLASS.
228
00:08:54,542 --> 00:08:56,208
OKAY, A SECOND!
229
00:08:56,291 --> 00:08:58,000
UM, I REALLY NEED
TO COME BY THE SHOP,
230
00:08:58,083 --> 00:08:59,125
BECAUSE I'M REDECORATING
231
00:08:59,208 --> 00:09:00,208
AND I WANTED TO FIND
A FEW UNIQUE PIECES.
232
00:09:00,291 --> 00:09:01,792
OH, OF COURSE.
ANYTIME.
233
00:09:01,875 --> 00:09:02,875
I WOULD LOVE TO HELP.
234
00:09:02,959 --> 00:09:03,875
ALL RIGHT,
BUT I THINK I'LL WAIT
235
00:09:03,959 --> 00:09:04,792
UNTIL AFTER
THE GARAGE SALE.
236
00:09:04,875 --> 00:09:05,875
GOOD IDEA--
237
00:09:05,959 --> 00:09:07,125
I'M LATE.
WE'RE GOING TO BE LATE.
238
00:09:07,208 --> 00:09:08,834
DRIVE SAFELY.
239
00:09:08,917 --> 00:09:10,291
WE WILL.
240
00:09:12,834 --> 00:09:15,000
LIVE FOOD!
241
00:09:15,083 --> 00:09:16,333
LIVING.
242
00:09:16,417 --> 00:09:19,000
MM, DELICIOUS!
243
00:09:19,083 --> 00:09:21,083
I CAN FEEL THE ENERGY.
244
00:09:21,166 --> 00:09:22,792
LIVING FOOD
245
00:09:22,875 --> 00:09:24,500
IS THE HIGHEST
VIBRATIONAL SOURCE.
246
00:09:24,583 --> 00:09:27,250
A HEALTHY HUMAN
247
00:09:27,333 --> 00:09:28,375
IS AROUND 65 HERTZ.
248
00:09:28,458 --> 00:09:30,542
SO, IF WE RAISE OUR VIBRATION,
249
00:09:30,625 --> 00:09:33,792
BACTERIA, FUNGI, DISEASE
250
00:09:33,875 --> 00:09:35,125
CAN'T LIVE.
251
00:09:35,208 --> 00:09:37,375
WE BECOME CALM, HAPPY,
252
00:09:37,458 --> 00:09:41,166
AND NEGATIVE THOUGHTS
DISAPPEAR.
253
00:09:43,125 --> 00:09:44,834
THOSE ARE BEAUTIFUL.
254
00:09:44,917 --> 00:09:46,792
THANK YOU.
255
00:09:46,875 --> 00:09:48,208
WONDERFUL.
256
00:09:48,291 --> 00:09:49,500
HERE.
257
00:09:58,625 --> 00:09:59,834
THIS IS NOT...
258
00:09:59,917 --> 00:10:01,458
GOOD VIBRATIONS.
259
00:10:01,542 --> 00:10:02,709
WHAT IS THIS?
260
00:10:02,792 --> 00:10:04,709
IT'S A RED CABBAGE
CABOCHE
261
00:10:04,792 --> 00:10:06,208
AVEC CANTALOUPE,
262
00:10:06,291 --> 00:10:08,041
WITH A TANGY POMEGRANATE
MOLASSES DRESSING.
263
00:10:08,125 --> 00:10:10,083
ALL JUST PICKED.
264
00:10:10,166 --> 00:10:11,291
DO YOU FEEL LIGHTER?
265
00:10:11,375 --> 00:10:12,792
NO.
266
00:10:12,875 --> 00:10:13,792
MORE CLEAR?
267
00:10:13,875 --> 00:10:14,959
NO.
268
00:10:15,041 --> 00:10:16,834
-VIBRATIONALLY ATTUNED?
-MAYBE.
269
00:10:16,917 --> 00:10:18,291
OH! WHERE ARE YOU GOING?
270
00:10:18,375 --> 00:10:19,834
OH, I HAVE TO MEET
WITH THE KAPPA MOMS.
271
00:10:19,917 --> 00:10:20,875
OH.
272
00:10:20,959 --> 00:10:21,959
WISH I COULD GO.
273
00:10:22,041 --> 00:10:23,500
OH, YOU ARE MORE THAN
WELCOME TO COME.
274
00:10:23,583 --> 00:10:24,959
HAVE FUN!
275
00:10:26,000 --> 00:10:27,959
OH--
276
00:10:28,041 --> 00:10:30,250
WELCOME TO
RAGS TO RICHES.
277
00:10:34,083 --> 00:10:35,417
CAN I HELP YOU
WITH ANYTHING?
278
00:10:35,500 --> 00:10:36,417
YEAH.
279
00:10:36,500 --> 00:10:38,083
THIS WAS MY GRANDMOTHER'S.
280
00:10:38,166 --> 00:10:40,625
DO YOU BUY
THIS KIND OF THING HERE?
281
00:10:40,709 --> 00:10:41,792
WE DO.
282
00:10:41,875 --> 00:10:44,834
YEAH, THIS IS
GOLD-PLATED STERLING.
283
00:10:44,917 --> 00:10:45,917
OH.
284
00:10:47,500 --> 00:10:49,166
IS IT WORTH A LOT?
285
00:10:49,250 --> 00:10:50,709
IT'S MORE VALUABLE
IN A COMPLETE SET.
286
00:10:50,792 --> 00:10:51,959
A STRAY SPOON
287
00:10:52,041 --> 00:10:54,542
WOULD PROBABLY
FETCH ABOUT $40.
288
00:10:54,625 --> 00:10:55,917
OKAY.
289
00:10:56,000 --> 00:10:58,667
THANKS.
290
00:11:00,000 --> 00:11:02,500
YEAH, I'LL COME BACK.
291
00:11:02,583 --> 00:11:04,208
TINA, ARE YOU SURE
YOU WANT TO DO THIS?
292
00:11:04,291 --> 00:11:06,542
IT'S JUST A GARAGE SALE.
293
00:11:06,625 --> 00:11:07,542
YES, I WANT TO SPEND
TIME WITH MY FRIEND
294
00:11:07,625 --> 00:11:08,875
WHO I DON'T SEE ENOUGH.
295
00:11:08,959 --> 00:11:10,583
I GET AN HOUR FOR LUNCH,
SO WE SHOULD GET GOING.
296
00:11:10,667 --> 00:11:12,000
WELL, WE CAN
STILL GO EAT.
297
00:11:12,083 --> 00:11:13,083
NO, NO, LET'S
JUST GO EXPLORE.
298
00:11:13,166 --> 00:11:14,041
WE'VE GOT A GARAGE
SALE TO FILL.
299
00:11:19,166 --> 00:11:20,041
HEY, SON.
300
00:11:20,125 --> 00:11:21,166
HEY.
301
00:11:21,250 --> 00:11:22,625
ISN'T SHE A BEAUT?
302
00:11:22,709 --> 00:11:24,834
YOU KNOW, MOM
ALREADY TALKED TO ME
303
00:11:24,917 --> 00:11:26,542
ABOUT PLAYING
TOO MANY VIDEO GAMES.
304
00:11:26,625 --> 00:11:27,834
UH-HUH?
305
00:11:27,917 --> 00:11:29,166
YOU KNOW WHAT, FINE,
306
00:11:29,250 --> 00:11:30,792
I'LL JUST GO SKATEBOARDING,
GET SOME EXERCISE.
307
00:11:30,875 --> 00:11:31,834
OH, THIS ISN'T
ABOUT YOU.
308
00:11:31,917 --> 00:11:33,041
THIS IS ABOUT ME.
309
00:11:33,125 --> 00:11:34,250
I'M GONNA GET
BACK IN SHAPE.
310
00:11:34,333 --> 00:11:35,792
CAN YOU PASS ME
THE NUTS AND BOLTS, PLEASE?
311
00:11:35,875 --> 00:11:36,750
YEAH.
312
00:11:37,917 --> 00:11:39,041
YOU'RE IN PRETTY
GOOD SHAPE
313
00:11:39,125 --> 00:11:40,792
FOR YOUR AGE, DAD.
314
00:11:40,875 --> 00:11:41,875
I'M UH, GONNA
START RUNNING, TOO.
315
00:11:41,959 --> 00:11:42,959
YOU EVER THOUGHT
ABOUT DOING A 10K?
316
00:11:43,041 --> 00:11:44,333
NO.
317
00:11:44,417 --> 00:11:45,375
THOUGHT WE COULD
DO IT TOGETHER,
318
00:11:45,458 --> 00:11:47,208
KIND OF
A FATHER-SON THING.
319
00:11:47,291 --> 00:11:49,750
I NEED THE RATCHET
AS WELL, PLEASE.
320
00:11:50,959 --> 00:11:52,834
YOU KNOW, MY FRIEND
ZACH'S DAD RUNS.
321
00:11:52,917 --> 00:11:53,917
REALLY?
322
00:11:54,000 --> 00:11:56,083
YEAH. HE HAD TO GET
A HIP REPLACEMENT.
323
00:11:56,166 --> 00:11:57,083
HUH.
324
00:11:57,166 --> 00:11:58,333
YOU KNOW,
325
00:11:58,417 --> 00:11:59,542
WE COULD PLAY SOME
VIDEO GAMES SOMETIME.
326
00:11:59,625 --> 00:12:01,291
YOU KNOW, JUST SOMETHING
AGE APPROPRIATE.
327
00:12:01,375 --> 00:12:02,375
JUST LET ME
KNOW, OKAY?
328
00:12:02,458 --> 00:12:03,834
I WILL THINK ABOUT IT.
329
00:12:03,917 --> 00:12:05,375
LOOK AT THAT...
330
00:12:07,083 --> 00:12:08,875
[LAUGHING AND CHATTING]
331
00:12:08,959 --> 00:12:11,417
I'M TELLING YOU,
THOSE LADIES...
332
00:12:11,500 --> 00:12:12,667
[LAUGHING]
333
00:12:12,750 --> 00:12:13,959
I REALLY
APPRECIATE THIS.
334
00:12:14,041 --> 00:12:14,917
ARE YOU KIDDING ME?
I'M SO GLAD TO SEE YOU.
335
00:12:17,417 --> 00:12:18,667
SO, WAIT, ARE WE NOT
GOING TO GO
336
00:12:18,750 --> 00:12:20,000
AND SAY HI TO YOUR MOM?
337
00:12:20,083 --> 00:12:21,917
OH, NO, NO, NO,
I THINK SHE'S AT BRIDGE CLUB.
338
00:12:22,000 --> 00:12:23,333
AND IF NOT, I'D BE
DOING CHORES FOR AN HOUR.
339
00:12:23,417 --> 00:12:24,917
SHE FIRED THE HANDYMAN.
340
00:12:25,000 --> 00:12:26,125
[LAUGHING]
AGAIN?
341
00:12:26,208 --> 00:12:27,333
I'LL SEE HER THIS WEEKEND
AND GET IT DONE.
342
00:12:27,417 --> 00:12:28,583
[CHUCKLING] OKAY, GOT IT.
343
00:12:28,667 --> 00:12:29,917
UPSTAIRS.
344
00:12:31,583 --> 00:12:32,917
[CHUCKLING TOGETHER]
345
00:12:34,000 --> 00:12:35,333
[GASPS]
346
00:12:35,417 --> 00:12:38,333
WELL, IF I WANTED
JUNK, I FOUND IT.
347
00:12:38,417 --> 00:12:39,709
WOW.
348
00:12:39,792 --> 00:12:41,875
WHEN'S THE LAST TIME
YOU WERE UP HERE?
349
00:12:41,959 --> 00:12:44,834
[EXHALES]
IT'S BEEN YEARS.
350
00:12:44,917 --> 00:12:45,792
[COUGHS]
351
00:12:47,375 --> 00:12:49,667
HUH, GOOD FOR
THE GARAGE SALE?
352
00:12:49,750 --> 00:12:51,709
PERFECT.
353
00:12:51,792 --> 00:12:54,709
LOOK AT THIS.
THIS IS, LIKE, REAL WICKER.
354
00:12:54,792 --> 00:12:57,125
SO COOL...
355
00:12:57,208 --> 00:12:59,917
[GASPING]
OH, MY GOODNESS,
356
00:13:00,000 --> 00:13:02,041
I REMEMBER THIS,
I HAD THIS WHEN I WAS A KID.
357
00:13:02,125 --> 00:13:03,375
WHAT, REALLY?
358
00:13:03,458 --> 00:13:04,792
[LAUGHS] YEAH.
359
00:13:04,875 --> 00:13:06,083
WELL, HERE, YOU WANT TO
CARRY IT DOWN?
360
00:13:06,166 --> 00:13:08,125
NO, LET'S JUST PUT
EVERYTHING TO THE MIDDLE,
361
00:13:08,208 --> 00:13:09,166
AND THEN I'LL COME BACK
AND GET IT LATER.
362
00:13:09,250 --> 00:13:10,166
I KNOW YOU HAVE TO GO.
363
00:13:10,250 --> 00:13:11,667
I KNOW. SORRY.
364
00:13:15,792 --> 00:13:16,834
WHAT ABOUT
THIS PAINTING?
365
00:13:16,917 --> 00:13:18,208
YOU KNOW ART.
366
00:13:18,291 --> 00:13:19,959
OH, LET ME LOOK.
367
00:13:22,458 --> 00:13:25,125
[♪♪♪]
368
00:13:28,625 --> 00:13:29,750
UM...
369
00:13:29,834 --> 00:13:31,333
YEAH, NO, NO.
370
00:13:31,417 --> 00:13:33,709
[SCOFFS]
NO, DON'T BOTHER,
371
00:13:33,792 --> 00:13:35,041
LIKE, NOT EVEN
FOR A GARAGE SALE.
372
00:13:35,125 --> 00:13:37,458
IT'S LIKE PAINT BY NUMBERS
FROM A KIT OR SOMETHING.
373
00:13:37,542 --> 00:13:39,041
[CLEARS THROAT AWKWARDLY]
374
00:13:39,125 --> 00:13:40,041
THIS, THOUGH, LOOK, LOOK.
375
00:13:40,125 --> 00:13:41,417
THIS COULD BE WORTH SOMETHING.
376
00:13:41,500 --> 00:13:43,208
IT'S GOT THE OLD REEL ON IT,
AND EVERYTHING.
377
00:13:43,291 --> 00:13:44,333
[CHUCKLES]
378
00:13:44,417 --> 00:13:45,625
JUST PUT IT WITH
THE REST OF THE STUFF,
379
00:13:45,709 --> 00:13:47,208
I'LL COME BACK AND GET IT.
380
00:13:47,291 --> 00:13:48,208
ALL RIGHT.
381
00:13:53,458 --> 00:13:55,583
[TYPING]
382
00:13:57,000 --> 00:13:58,041
SO YOU'RE TELLING ME
THAT YOU FOUND
383
00:13:58,125 --> 00:14:00,375
A 19TH-CENTURY
JASPER CROPSEY
384
00:14:00,458 --> 00:14:01,709
IN AN ATTIC?
385
00:14:01,792 --> 00:14:02,917
I'M SERIOUS,
386
00:14:03,000 --> 00:14:04,750
I THINK IT WAS
THE REAL DEAL.
387
00:14:04,834 --> 00:14:05,959
DO YOU KNOW, ONE OF
THESE WENT AT AUCTION
388
00:14:06,041 --> 00:14:08,208
FOR OVER $100,000.
389
00:14:08,291 --> 00:14:10,417
SO, WHAT DID SHE SAY
WHEN YOU TOLD HER?
390
00:14:10,500 --> 00:14:13,041
I DIDN'T TELL HER.
[GROANS IN DISMAY]
391
00:14:13,125 --> 00:14:14,125
YOU DIDN'T TELL HER?
392
00:14:14,208 --> 00:14:15,458
I... I TOLD HER
TO LEAVE IT THERE,
393
00:14:15,542 --> 00:14:17,083
BUT I...
394
00:14:17,166 --> 00:14:19,041
I DIDN'T TELL HER
WHAT IT WAS.
395
00:14:19,125 --> 00:14:20,083
SO, WHAT WAS
YOUR PLAN THERE,
396
00:14:20,166 --> 00:14:21,291
YOU'RE GOING TO, LIKE
SNEAK IN
397
00:14:21,375 --> 00:14:22,458
IN THE MIDDLE OF THE NIGHT
AND STEAL IT?
398
00:14:22,542 --> 00:14:25,166
NO... NO!
399
00:14:25,250 --> 00:14:27,125
JUST, WE COULD
REALLY USE THE MONEY.
400
00:14:27,208 --> 00:14:29,417
BUT I'M NOT A THIEF, SO...
401
00:14:29,500 --> 00:14:30,458
RIGHT, RIGHT.
402
00:14:30,542 --> 00:14:31,583
SO, NO, I'M...
403
00:14:31,667 --> 00:14:32,875
OKAY, SO...
404
00:14:32,959 --> 00:14:34,250
WHY DIDN'T YOU
TELL HER THEN, HUH?
405
00:14:34,333 --> 00:14:35,959
I DON'T KNOW,
I DON'T KNOW...
406
00:14:36,041 --> 00:14:37,125
IT JUST SEEMED LIKE
407
00:14:37,208 --> 00:14:38,333
IT WOULD SOLVE
ALL OUR PROBLEMS, YOU KNOW?
408
00:14:38,417 --> 00:14:40,458
WELL, IT WOULD, RIGHT?
409
00:14:40,542 --> 00:14:43,166
I MEAN, IT'S A VERY
VALUABLE PAINTING
410
00:14:43,250 --> 00:14:45,083
THAT NOBODY KNOWS ABOUT,
411
00:14:45,166 --> 00:14:49,500
AND WITH YOUR...
AUCTION HOUSE CONNECTIONS,
412
00:14:49,583 --> 00:14:52,125
YOU COULD SELL IT
TO A SECRET BUYER.
413
00:14:52,208 --> 00:14:53,583
AND THEN...
414
00:14:53,667 --> 00:14:55,792
AND THEN
WHEN YOU GOT CAUGHT,
415
00:14:55,875 --> 00:14:58,208
THEN I COULD, YOU KNOW,
COME AND VISIT YOU IN PRISON.
416
00:14:58,291 --> 00:14:59,333
I'D MAKE YOU A PLASTIC
TOOTHBRUSH SHANK...
417
00:14:59,417 --> 00:15:00,458
[LAUGHING]
418
00:15:00,542 --> 00:15:02,125
YOU'D BAKE IT IN
A LITTLE CAKE FOR ME?
419
00:15:02,208 --> 00:15:03,417
YEAH, YOU'D LOOK
GOOD IN ORANGE.
420
00:15:03,500 --> 00:15:05,375
[LAUGHING]
421
00:15:30,583 --> 00:15:32,792
[♪♪♪]
422
00:15:41,917 --> 00:15:44,750
[♪♪♪]
423
00:15:48,875 --> 00:15:50,917
[SHOP BELL JINGLES]
424
00:15:52,208 --> 00:15:53,041
HEY, DANI.
425
00:15:53,125 --> 00:15:54,083
HEY.
426
00:15:54,166 --> 00:15:55,208
HEY!
427
00:15:55,291 --> 00:15:56,208
I JUST GOT
A CALL FROM ABBEY,
428
00:15:56,291 --> 00:15:57,709
AND SHE'S
REALLY UPSET.
429
00:15:57,792 --> 00:15:58,917
HER STEP-MOM
DIDN'T COME HOME LAST NIGHT.
430
00:15:59,000 --> 00:16:01,041
DID THEY CALL THE POLICE?
431
00:16:01,125 --> 00:16:02,875
THEY DID, AND THE POLICE SAID
THEY HAVE TO WAIT 24 HOURS
432
00:16:02,959 --> 00:16:04,041
BEFORE THEY CAN FILE
433
00:16:04,125 --> 00:16:06,208
A MISSING PERSON'S
REPORT.
434
00:16:06,291 --> 00:16:07,583
DOES ANYBODY KNOW
WHERE SHE WAS GOING?
435
00:16:07,667 --> 00:16:08,834
ABBEY SAID SHE WAS
GOING TO HAVE LUNCH
436
00:16:08,917 --> 00:16:09,875
WITH AN OLD FRIEND,
437
00:16:09,959 --> 00:16:10,875
AND THEN SHE WAS
GOING BACK HOME
438
00:16:10,959 --> 00:16:11,792
TO GET STUFF
FOR THE SALE.
439
00:16:11,875 --> 00:16:13,166
MAYBE AN ACCIDENT?
440
00:16:13,250 --> 00:16:14,250
THEY'RE CALLING
THE HOSPITALS.
441
00:16:14,333 --> 00:16:15,291
HOW CAN WE HELP?
442
00:16:15,375 --> 00:16:16,542
THIS IS A LIST
443
00:16:16,625 --> 00:16:17,792
OF ALL THE OTHER MOMS,
444
00:16:17,875 --> 00:16:18,917
OTHER FRIENDS OF SYDNEY'S.
445
00:16:19,000 --> 00:16:21,792
IT'S THEIR PHONE NUMBERS.
446
00:16:21,875 --> 00:16:23,375
WE'LL START MAKING CALLS
RIGHT NOW.
447
00:16:23,458 --> 00:16:24,417
DOES SHE HAVE
ANY MEDICAL ISSUES,
448
00:16:24,500 --> 00:16:25,500
LIKE BLACKOUTS,
449
00:16:25,583 --> 00:16:26,667
OR ANYTHING LIKE THAT?
450
00:16:26,750 --> 00:16:28,625
I DON'T KNOW.
451
00:16:28,709 --> 00:16:30,750
OH, THE FRIEND SHE WAS HAVING
LUNCH WITH IS ON THE LIST,
452
00:16:30,834 --> 00:16:31,792
TINA PARSONS.
453
00:16:31,875 --> 00:16:33,959
SHE'S NOT
ONE OF THE MOMS.
454
00:16:34,041 --> 00:16:37,250
MOST MISSING PEOPLE TURN UP
UNHARMED WITHIN 24 HOURS.
455
00:16:37,333 --> 00:16:38,750
FRANK...
456
00:16:38,834 --> 00:16:40,667
ALL RIGHT, ALL RIGHT.
457
00:16:40,750 --> 00:16:42,250
I'LL CHECK HER LICENSE PLATE,
458
00:16:42,333 --> 00:16:43,500
SEE IF HER CAR
GOT IN AN ACCIDENT,
459
00:16:43,583 --> 00:16:44,542
OR MAYBE GOT TOWED SOMEWHERE.
460
00:16:44,625 --> 00:16:46,250
[CELL PHONE RINGS]
461
00:16:46,333 --> 00:16:47,542
OH, IT'S DANI.
462
00:16:47,625 --> 00:16:49,000
HEY, DANI, WHAT'S UP?
463
00:16:49,083 --> 00:16:50,917
I'M HERE WITH
DETECTIVE LYNWOOD.
464
00:16:52,792 --> 00:16:55,083
OH, CAN YOU TEXT ME
THAT ADDRESS?
465
00:16:55,166 --> 00:16:56,125
THANKS.
466
00:16:56,208 --> 00:16:57,291
SOMEONE THINKS
467
00:16:57,375 --> 00:16:58,250
SHE MIGHT HAVE GONE
TO HER MOM'S.
468
00:16:58,333 --> 00:16:59,417
I'M GOING TO CHECK IT OUT.
469
00:16:59,500 --> 00:17:01,458
CALL ME IF ANYTHING
TURNS UP ON HER CAR.
470
00:17:01,542 --> 00:17:02,709
OKAY.
471
00:17:04,041 --> 00:17:07,125
[DIALING CALL]
472
00:17:11,125 --> 00:17:13,583
HI. I'M JENN.
473
00:17:13,667 --> 00:17:15,000
HI.
474
00:17:15,083 --> 00:17:16,083
WELL, COME ON IN.
475
00:17:16,166 --> 00:17:17,917
OH, DON'T WORRY ABOUT PRINCE.
476
00:17:18,000 --> 00:17:19,250
HE'S VERY FRIENDLY.
477
00:17:19,333 --> 00:17:20,291
HE'S A GOOD WATCH DOG, THOUGH.
478
00:17:20,375 --> 00:17:22,417
COME.
479
00:17:24,000 --> 00:17:24,917
THANK YOU.
480
00:17:27,333 --> 00:17:30,709
RAYMOND, HER HUSBAND,
CALLED ME LAST NIGHT.
481
00:17:30,792 --> 00:17:32,417
THEY STILL HAVEN'T HEARD
ANYTHING FROM HER?
482
00:17:32,500 --> 00:17:34,125
I'M AFRAID NOT.
483
00:17:34,208 --> 00:17:36,959
THAT ISN'T LIKE HER.
484
00:17:37,041 --> 00:17:38,291
SOMEONE SAID
485
00:17:38,375 --> 00:17:40,583
SHE MIGHT HAVE GONE
INTO YOUR STORAGE ATTIC.
486
00:17:41,709 --> 00:17:42,917
STORAGE ATTIC?
487
00:17:43,000 --> 00:17:43,959
WHY WOULD...
488
00:17:45,166 --> 00:17:46,333
IF SHE WERE HERE,
489
00:17:46,417 --> 00:17:47,500
SHE WOULD HAVE COME
TO SAY HELLO.
490
00:17:49,375 --> 00:17:50,917
DO YOU MIND IF I GO OUT THERE
AND TAKE A LOOK?
491
00:17:52,083 --> 00:17:53,208
WELL, GO AHEAD.
492
00:17:53,291 --> 00:17:54,333
IT'S RIGHT THERE
ABOVE THE WORKSHOP.
493
00:17:54,417 --> 00:17:55,792
YOU SEE?
494
00:17:55,875 --> 00:17:58,000
[♪♪♪]
495
00:18:29,583 --> 00:18:30,667
[GASPS]
496
00:18:32,750 --> 00:18:34,583
[SIGHS]
497
00:18:34,667 --> 00:18:35,583
OH, NO.
498
00:18:51,458 --> 00:18:53,417
I'M A POLICE DETECTIVE,
499
00:18:53,500 --> 00:18:56,834
AND I DON'T STUMBLE ACROSS
AS MANY DEAD BODIES AS YOU.
500
00:18:56,917 --> 00:18:59,417
REMIND ME NOT TO GET
ON YOUR BAD SIDE.
501
00:18:59,500 --> 00:19:02,000
IT DOESN'T
LOOK LIKE A MURDER.
502
00:19:02,083 --> 00:19:04,333
OH, THAT'S A FIRST.
503
00:19:04,417 --> 00:19:05,875
YOU TOUCH ANYTHING?
504
00:19:05,959 --> 00:19:07,709
THE LIGHT SWITCH.
505
00:19:07,792 --> 00:19:08,750
ALL RIGHT.
506
00:19:15,750 --> 00:19:16,792
WELL...
507
00:19:16,875 --> 00:19:18,041
APPEARS TO BE
A HEAD INJURY.
508
00:19:18,125 --> 00:19:20,959
MAYBE SHE TRIPPED
OVER THIS OBJECT,
509
00:19:21,041 --> 00:19:22,917
AND FELL AND HIT HER HEAD.
510
00:19:23,000 --> 00:19:24,208
ON?
511
00:19:24,291 --> 00:19:26,834
UM...
512
00:19:26,917 --> 00:19:27,959
THAT PIPE?
513
00:19:31,792 --> 00:19:33,458
YEAH, SEEMS LIKE BLOOD,
514
00:19:33,542 --> 00:19:34,542
RIGHT WHERE SHE WOULD HAVE
STRUCK HER HEAD
515
00:19:34,625 --> 00:19:38,125
IF SHE HAD FALLEN.
516
00:19:39,834 --> 00:19:40,917
ANYTHING ELSE?
517
00:19:41,000 --> 00:19:43,000
SEEMS LIKE SHE WAS HOLDING
HER CELL PHONE
518
00:19:43,083 --> 00:19:44,709
WHEN SHE FELL.
519
00:19:44,792 --> 00:19:46,542
THAT'S NOT UNUSUAL.
520
00:19:46,625 --> 00:19:48,208
[DOOR OPENS]
521
00:19:48,291 --> 00:19:49,083
LET'S JUST LET THESE GUYS
DO THEIR JOB,
522
00:19:49,166 --> 00:19:51,458
ALL RIGHT?
523
00:19:55,208 --> 00:19:57,041
FIRST GLANCE,
SEEMS LIKE AN ACCIDENT.
524
00:19:57,125 --> 00:19:58,458
DECEASED HAS RIGOR,
525
00:19:58,542 --> 00:19:59,375
PROBABLY
AROUND 12 HOURS.
526
00:20:00,542 --> 00:20:02,542
JUST LEAVE EVERYTHING
TO THE M.E.
527
00:20:02,625 --> 00:20:03,750
I'LL ATTACH A NOTE
TO YOUR REPORT.
528
00:20:03,834 --> 00:20:04,625
THANKS, LIEUTENANT.
529
00:20:04,709 --> 00:20:06,250
YEAH.
530
00:20:06,333 --> 00:20:08,083
JENNIFER?
531
00:20:10,500 --> 00:20:12,166
[SIGHS] NOW I GOTTA
BREAK THE NEWS
532
00:20:12,250 --> 00:20:13,875
TO MRS. MELLON.
533
00:20:13,959 --> 00:20:14,959
I HATE THIS.
534
00:20:15,041 --> 00:20:16,417
DO YOU WANT ME
TO GO WITH YOU?
535
00:20:16,500 --> 00:20:17,500
YES. PLEASE.
536
00:20:23,583 --> 00:20:26,250
WE HAD PLANNED
TO JUST HAVE LUNCH,
537
00:20:26,333 --> 00:20:28,041
BUT SYDNEY JUST WANTED
TO LOOK FOR SOME STUFF
538
00:20:28,125 --> 00:20:29,667
IN HER MOM'S ATTIC,
539
00:20:29,750 --> 00:20:30,875
SO WE JUST CAME OVER,
540
00:20:30,959 --> 00:20:33,125
FOR AN HOUR.
541
00:20:33,208 --> 00:20:34,625
WE FOUND SOME STUFF,
542
00:20:34,709 --> 00:20:37,250
AND WE JUST PUT IT ASIDE
FOR HER TO COME BACK LATER.
543
00:20:37,333 --> 00:20:38,417
[SNIFFLES]
544
00:20:38,500 --> 00:20:41,583
I KNOW SHE TOOK
SOME STUFF FROM OUR GARAGE.
545
00:20:41,667 --> 00:20:46,083
MUST HAVE BEEN RIGHT BEFORE
SHE WENT BACK.
546
00:20:46,166 --> 00:20:49,208
DID SHE SAY ANYTHING
TO YOU, HONEY?
547
00:20:49,291 --> 00:20:51,166
NO, DAD, SHE DIDN'T.
548
00:20:51,291 --> 00:20:52,667
I WAS AT SCHOOL.
549
00:20:52,750 --> 00:20:54,542
I SPOKE TO HER
IN THE AFTERNOON.
550
00:20:54,625 --> 00:20:55,875
SHE CAME BY THE HOUSE
551
00:20:55,959 --> 00:20:59,667
WHEN WE WERE BRINGING
THE GARAGE SALE ITEMS.
552
00:20:59,750 --> 00:21:02,125
DID YOU TALK
TO HER, JENNIFER?
553
00:21:02,208 --> 00:21:03,875
IT WAS SO HECTIC.
554
00:21:03,959 --> 00:21:06,583
I SAW HER,
BUT WE DIDN'T TALK.
555
00:21:06,667 --> 00:21:08,625
SHE SAID SHE WAS GONNA
GET SOME OTHER STUFF
556
00:21:08,709 --> 00:21:11,208
AND THEN COME BACK TOMORROW.
557
00:21:11,291 --> 00:21:13,750
JUST SO NORMAL.
558
00:21:13,834 --> 00:21:15,458
AND THEN SHE WALKED OUT
AND SMILED.
559
00:21:54,333 --> 00:21:56,166
YOU OKAY?
560
00:21:58,834 --> 00:22:00,208
I CAN'T BELIEVE
561
00:22:00,291 --> 00:22:01,458
I WAS JUST WITH ONE
OF MY OLDEST FRIENDS,
562
00:22:01,542 --> 00:22:02,375
AND NOW SHE'S DEAD.
563
00:22:05,458 --> 00:22:06,583
I'M SORRY, BABE.
564
00:22:06,667 --> 00:22:09,417
I MEAN, HOW DOES SOMEONE
JUST TRIP ON SOMETHING
565
00:22:09,500 --> 00:22:10,834
AND WIND UP DEAD?
566
00:22:10,917 --> 00:22:13,667
I DON'T KNOW.
567
00:22:13,750 --> 00:22:15,333
AREN'T YOU GLAD
YOU DIDN'T GO BACK
568
00:22:15,417 --> 00:22:16,375
AND TAKE
THAT PAINTING NOW?
569
00:22:17,917 --> 00:22:18,875
I CAN'T EVEN IMAGINE.
570
00:22:24,208 --> 00:22:26,709
SO, I TOLD ABBEY
WHAT YOU WERE TELLING ME,
571
00:22:26,792 --> 00:22:28,041
AND I THOUGHT SHE SHOULD
TALK WITH YOU.
572
00:22:29,500 --> 00:22:30,709
THIS IS PROBABLY PRETTY DUMB.
573
00:22:30,792 --> 00:22:32,667
IT'S NOT.
574
00:22:32,750 --> 00:22:34,458
I FEEL WEIRD
TALKING ABOUT THIS,
575
00:22:34,542 --> 00:22:37,000
BUT IT'S REALLY
BEEN BOTHERING ME.
576
00:22:37,083 --> 00:22:38,542
IT'S OKAY, ABBEY.
577
00:22:38,625 --> 00:22:39,709
TELL HER
WHAT YOU WERE TELLING ME.
578
00:22:39,792 --> 00:22:43,250
MY STEP-MOTHER WAS A DANCER.
579
00:22:43,333 --> 00:22:44,875
HER WHOLE LIFE.
580
00:22:44,959 --> 00:22:46,709
SHE TOOK CLASSES
TWICE A WEEK,
581
00:22:46,792 --> 00:22:48,458
SO SHE WAS GOOD ON HER FEET.
582
00:22:48,542 --> 00:22:49,583
I JUST DON'T SEE
583
00:22:49,667 --> 00:22:51,417
HOW SHE, LIKE, STUMBLES,
584
00:22:51,500 --> 00:22:54,458
OR TRIPS OR WHATEVER,
585
00:22:54,542 --> 00:22:55,750
HITS HER HEAD AND JUST DIES.
586
00:22:55,834 --> 00:22:57,917
WELL, THAT SEEMS TO BE
WHAT HAPPENED.
587
00:22:58,000 --> 00:23:00,625
THEY GAVE US
HER PERSONAL EFFECTS,
588
00:23:00,709 --> 00:23:02,166
AND I LOOKED AT HER PHONE.
589
00:23:02,250 --> 00:23:03,417
IT WAS ASLEEP,
590
00:23:03,500 --> 00:23:05,417
SO I WOKE IT UP,
591
00:23:05,500 --> 00:23:07,500
AND IT SEEMS LIKE
SHE WAS TRYING TO MAKE A CALL
592
00:23:07,583 --> 00:23:10,041
WHEN SHE FELL.
593
00:23:10,125 --> 00:23:12,166
BUT SHE ONLY DIALED
ONE NUMBER--
594
00:23:12,250 --> 00:23:13,333
"9".
595
00:23:13,417 --> 00:23:14,959
WAS SHE TRYING
TO DIAL "911?"
596
00:23:15,041 --> 00:23:18,250
WHY?
597
00:23:18,333 --> 00:23:20,208
SHE COULD HAVE BEEN CONSCIOUS
AFTER SHE FELL.
598
00:23:20,291 --> 00:23:21,667
WAS SHE TRYING TO GET
MEDICAL HELP?
599
00:23:21,750 --> 00:23:24,250
NO, THAT'S NOT RIGHT.
600
00:23:24,333 --> 00:23:27,458
THE PHONE ENDED UP
FOUR FEET AWAY FROM HER.
601
00:23:27,542 --> 00:23:30,000
IF SHE HAD BEEN CONSCIOUS
AFTER THE FALL,
602
00:23:30,083 --> 00:23:32,959
THE PHONE WOULD HAVE STILL
BEEN IN HER HAND.
603
00:23:33,041 --> 00:23:34,000
SHE TRIED
TO MAKE THIS CALL
604
00:23:34,083 --> 00:23:36,959
BEFORE SHE FELL.
605
00:23:38,625 --> 00:23:41,250
I'M JUST HAPPY
THAT WE CAN HAVE A LUNCH
606
00:23:41,333 --> 00:23:42,542
WITHOUT A MURDER
TO DISCUSS.
607
00:23:42,625 --> 00:23:43,625
IT IS NICE.
608
00:23:43,709 --> 00:23:45,166
YEAH, IT'S A SOCIAL LUNCH.
609
00:23:45,250 --> 00:23:46,208
RIGHT.
610
00:23:46,291 --> 00:23:47,583
A NO-MURDER LUNCH.
611
00:23:47,667 --> 00:23:49,000
[CHUCKLES]
612
00:23:53,625 --> 00:23:54,875
SO, HOW'S JASON?
613
00:23:54,959 --> 00:23:56,000
OH, HE'S GOOD.
614
00:23:56,083 --> 00:23:57,125
HE'S GOT A BIG BIRTHDAY
COMING UP.
615
00:23:57,208 --> 00:23:58,792
OH, WOW, WE'LL HAVE TO
DO SOMETHING FUN.
616
00:23:58,875 --> 00:23:59,792
HEY, HOW YOU DOING?
617
00:23:59,875 --> 00:24:01,083
ALL RIGHT.
618
00:24:01,166 --> 00:24:02,667
AFTER YOU.
619
00:24:04,375 --> 00:24:07,500
LET ME ASK YOU A QUESTION
ABOUT SYDNEY WENTON.
620
00:24:07,583 --> 00:24:09,000
[SIGHING]
621
00:24:09,083 --> 00:24:10,375
HERE WE GO.
622
00:24:10,458 --> 00:24:13,709
THE MEDICAL EXAMINER
RULED IT AN ACCIDENTAL DEATH.
623
00:24:13,792 --> 00:24:14,875
DID HE ESTIMATE
THE TIME OF DEATH?
624
00:24:16,667 --> 00:24:18,542
HUMOR ME.
625
00:24:18,625 --> 00:24:21,375
SOMETIME AROUND 10:30 P.M.,
GIVE OR TAKE.
626
00:24:21,458 --> 00:24:24,500
SYDNEY'S STEPDAUGHTER, ABBEY,
LOOKED AT SYDNEY'S PHONE.
627
00:24:24,583 --> 00:24:26,667
SYDNEY ATTEMPTED
TO MAKE A PHONE CALL
628
00:24:26,750 --> 00:24:28,125
AT 10:24 P.M.,
629
00:24:28,208 --> 00:24:29,750
BUT SHE ONLY DIALED
ONE NUMBER,
630
00:24:29,834 --> 00:24:30,875
A "9."
631
00:24:30,959 --> 00:24:32,083
OKAY, SHE FELL
AND HIT HER HEAD,
632
00:24:32,166 --> 00:24:33,959
REMAINED CONSCIOUS LONG ENOUGH
TO DIAL 911,
633
00:24:34,041 --> 00:24:35,583
PASSED OUT
BEFORE SHE COULD FINISH.
634
00:24:35,667 --> 00:24:37,041
THEN THE PHONE WOULD HAVE
BEEN IN HER HAND,
635
00:24:37,125 --> 00:24:38,041
OR NEARBY.
636
00:24:38,125 --> 00:24:39,625
LET'S ASSUME
637
00:24:39,709 --> 00:24:42,000
SHE WAS TRYING TO DIAL 911--
638
00:24:42,083 --> 00:24:43,667
BECAUSE A KILLER WAS
WAITING FOR HER,
639
00:24:43,750 --> 00:24:45,625
WAITING FOR HER
TO COME UP TO THE ATTIC
640
00:24:45,709 --> 00:24:46,917
AND WHACK HER IN THE HEAD?
641
00:24:47,000 --> 00:24:48,291
I KNOW, I KNOW...
642
00:24:48,375 --> 00:24:49,250
AND THE BLOOD ON THE PIPE?
643
00:24:49,333 --> 00:24:50,834
WELL, THAT TOO.
644
00:24:50,917 --> 00:24:52,083
MY PROFESSIONAL OPINION?
645
00:24:52,166 --> 00:24:53,458
HERE'S A LIKELY SCENARIO,
646
00:24:53,542 --> 00:24:56,041
SHE WAS CALLING SOMEONE
ON HER PHONE.
647
00:24:56,125 --> 00:24:58,083
AS SHE WAS ABOUT TO HIT
THE FIRST NUMBER,
648
00:24:58,166 --> 00:25:00,792
SHE TRIPS, PRESSES THE "9"
BY MISTAKE,
649
00:25:00,875 --> 00:25:02,291
FALLS, HITS HER HEAD.
650
00:25:02,375 --> 00:25:04,875
SO, WHAT, SHE DIDN'T INTEND
TO DIAL THE "9",
651
00:25:04,959 --> 00:25:06,208
SHE MEANT TO HIT A "5"
OR A "4" INSTEAD?
652
00:25:06,291 --> 00:25:08,083
YEAH, OR ANOTHER NUMBER.
653
00:25:09,208 --> 00:25:10,417
HEY.
654
00:25:10,500 --> 00:25:12,834
UH, OH, THIS IS
MY TREAT, OKAY?
655
00:25:12,917 --> 00:25:14,917
ONLY BECAUSE
IT'S A SOCIAL LUNCH,
656
00:25:15,000 --> 00:25:17,417
AND IT'S A SOCIAL LUNCH,
657
00:25:17,500 --> 00:25:19,500
BECAUSE WE HAVE
NO CRIME TO TALK ABOUT.
658
00:25:19,583 --> 00:25:20,542
RIGHT?
659
00:25:21,583 --> 00:25:22,709
RIGHT.
660
00:25:22,792 --> 00:25:24,083
NO CRIME.
661
00:25:24,166 --> 00:25:27,583
YEAH, I'M GOING TO HAVE
THE GRILLED CHEESE SPECIAL.
662
00:25:27,667 --> 00:25:30,250
HOW WAS YOUR COOKING
CLASS LAST NIGHT?
663
00:25:30,333 --> 00:25:32,166
OH, WE GOT
OUR FINAL ASSIGNED.
664
00:25:32,250 --> 00:25:34,875
A DINNER FOR SIX
WITH A HIGH VIBRATIONAL MENU.
665
00:25:34,959 --> 00:25:36,083
THAT SOUNDS EXCITING.
666
00:25:36,166 --> 00:25:39,500
IT IS, EXCEPT I CAN'T
SEE FITTING SIX PEOPLE
667
00:25:39,583 --> 00:25:41,208
AROUND MY KITCHEN TABLE.
668
00:25:41,291 --> 00:25:43,125
YOU COULD HAVE
THE PARTY AT MY HOUSE.
669
00:25:43,250 --> 00:25:44,959
I COULDN'T DO THAT.
670
00:25:45,041 --> 00:25:48,291
OH, IT'D BE FUN.
671
00:25:48,375 --> 00:25:51,542
OKAY, I WAS THINKING
FRANK AND SUSAN LYNWOOD,
672
00:25:51,625 --> 00:25:52,625
AND YOU AND JASON,
673
00:25:52,709 --> 00:25:53,792
AND HANNAH AND LOGAN.
674
00:25:53,875 --> 00:25:55,333
WHAT CHINA?
675
00:25:55,417 --> 00:25:57,959
HMM... THE NORITAKE.
676
00:25:58,041 --> 00:26:01,041
OH, PERFECT.
677
00:26:29,291 --> 00:26:31,291
[HANNAH YAWNING]
678
00:26:31,375 --> 00:26:32,375
MOM?
679
00:26:32,458 --> 00:26:33,750
YEAH?
680
00:26:33,834 --> 00:26:35,458
WHAT ARE YOU DOING?
681
00:26:35,542 --> 00:26:36,583
I AM TRYING TO VISUALIZE
682
00:26:36,667 --> 00:26:38,667
WHAT HAPPENED IN THAT ATTIC.
683
00:26:38,750 --> 00:26:39,917
NOW, SUPPOSEDLY,
684
00:26:40,000 --> 00:26:41,458
SYDNEY WAS ON HER CELL PHONE
AND DISTRACTED.
685
00:26:41,542 --> 00:26:42,959
SHE TRIPS, FALLS,
686
00:26:43,041 --> 00:26:44,291
HITS HER HEAD
ON A PIPE.
687
00:26:44,375 --> 00:26:45,375
THE IMPACT
IS SO STRONG,
688
00:26:45,458 --> 00:26:46,417
IT FLIPS HER OVER,
689
00:26:46,500 --> 00:26:48,667
AND SHE LANDS
ON HER BACK.
690
00:26:48,750 --> 00:26:50,709
CAN YOU HELP ME FOR ONE SECOND?
691
00:26:50,792 --> 00:26:51,667
DON'T MOVE.
692
00:26:53,625 --> 00:26:55,542
UM...
693
00:26:56,625 --> 00:26:57,625
HERE.
694
00:26:57,709 --> 00:26:59,166
TAKE THIS DECK OF CARDS.
695
00:26:59,250 --> 00:27:00,875
PRETEND THIS
DECK OF CARDS
696
00:27:00,959 --> 00:27:02,333
IS A CELL PHONE.
697
00:27:02,417 --> 00:27:05,834
I WANT YOU TO, UH,
JUST STAND RIGHT THERE.
698
00:27:05,917 --> 00:27:09,125
I'M GOING TO USE THIS
AS THE DOORSTOP.
699
00:27:09,208 --> 00:27:10,125
I WANT YOU TO PRETEND
YOU'RE ON YOUR CELL PHONE,
700
00:27:10,208 --> 00:27:11,166
YOU'RE DISTRACTED,
701
00:27:11,250 --> 00:27:12,458
YOU TRIP OVER THE DOORSTOP,
702
00:27:12,542 --> 00:27:14,208
AND YOU FALL ONTO THE CUSHIONS.
703
00:27:14,291 --> 00:27:15,625
SERIOUSLY?
704
00:27:15,709 --> 00:27:18,291
YEAH, I'M GETTING TOO OLD
TO DO MY OWN STUNTS.
705
00:27:18,375 --> 00:27:19,667
OKAY...
706
00:27:19,750 --> 00:27:20,875
OKAY, I FEEL REALLY STUPID.
707
00:27:23,625 --> 00:27:24,542
OOH!
708
00:27:25,750 --> 00:27:28,792
-YOU OKAY?
-[HANNAH GROANS]
709
00:27:28,875 --> 00:27:30,542
ONLY HURT MY DIGNITY.
710
00:27:30,625 --> 00:27:32,000
HMM...
711
00:27:32,083 --> 00:27:33,875
WHAT DID YOU LEARN?
712
00:27:33,959 --> 00:27:36,083
I'LL GET BACK TO YOU ON THAT.
713
00:27:36,166 --> 00:27:37,709
MOM...
714
00:27:39,083 --> 00:27:40,250
I LOVE YOUR MIND.
715
00:27:40,333 --> 00:27:41,750
I DO.
716
00:27:41,834 --> 00:27:42,792
IS THAT A COMPLIMENT?
717
00:27:42,875 --> 00:27:44,375
[CHUCKLES]
DEFINITIVELY.
718
00:27:45,542 --> 00:27:46,458
I WILL BE YOUR WATSON
719
00:27:46,542 --> 00:27:49,166
ANY TIME YOU WANT.
720
00:27:49,250 --> 00:27:50,417
CAN I GO BACK TO BED NOW?
721
00:27:50,500 --> 00:27:51,834
OH! YES, OF COURSE.
722
00:27:51,917 --> 00:27:52,875
PLEASE GO BACK TO BE.
723
00:27:52,959 --> 00:27:54,291
-THANK YOU.
-I LOVE YOU.
724
00:27:54,375 --> 00:27:55,750
I LOVE YOU.
725
00:27:55,834 --> 00:27:57,250
GOOD NIGHT.
726
00:28:05,583 --> 00:28:06,625
[MUTTERING]
INTERESTING...
727
00:28:30,667 --> 00:28:32,917
ASPHYXIA DUE TO
CEREBELLAR HEMORRHAGE.
728
00:28:33,000 --> 00:28:38,917
COMPLETED AT, UM,
10:46 A.M.,
729
00:28:39,000 --> 00:28:42,250
ON WEDNESDAY.
730
00:28:42,333 --> 00:28:44,166
YOU BROUGHT COFFEE.
731
00:28:44,250 --> 00:28:47,458
NOT JUST ANY COFFEE,
MY FRIEND.
732
00:28:47,542 --> 00:28:49,834
CARAMEL MACCHIATO,
YOUR FAVORITE.
733
00:28:49,917 --> 00:28:51,542
MM!
734
00:28:51,625 --> 00:28:53,959
OH, DID YOU HEAR
ABOUT THE CHICKPEA FARMER
735
00:28:54,041 --> 00:28:55,291
WHO DIED AT DINNER?
736
00:28:55,375 --> 00:28:58,625
THE CORONER IS RULING IT
A HUMMUS-CIDE.
737
00:28:58,709 --> 00:28:59,709
HUH?
738
00:28:59,792 --> 00:29:02,333
IT'S A HUMMUS-CIDE!
739
00:29:02,417 --> 00:29:03,375
WELL...
740
00:29:03,458 --> 00:29:04,500
THIS CROWD IS-- [MOANING]
741
00:29:04,583 --> 00:29:06,875
OH, BOY.
742
00:29:06,959 --> 00:29:10,500
SO, YOU HAVE COME HERE
TO ASK ME ABOUT SYDNEY WENTON.
743
00:29:10,583 --> 00:29:11,792
WHAT DO YOU THINK?
744
00:29:11,875 --> 00:29:12,917
ACCIDENTAL DEATH.
745
00:29:13,000 --> 00:29:14,542
SHE FELL DOWN, HIT HER HEAD.
746
00:29:14,625 --> 00:29:15,875
IT HAPPENS MORE OFTEN
THAN YOU WOULD THINK.
747
00:29:15,959 --> 00:29:18,583
OKAY, BUT WHEN SOMEONE
TRIPS AND GOES DOWN,
748
00:29:18,667 --> 00:29:20,959
THEIR ARM AUTOMATICALLY
SHOOTS OUT IN FRONT OF THEM
749
00:29:21,041 --> 00:29:22,583
TO BREAK THEIR FALL, RIGHT?
750
00:29:22,667 --> 00:29:24,709
THAT IS CORRECT.
INSTINCTUAL MOVEMENT.
751
00:29:24,792 --> 00:29:26,000
AND THEREFORE, SYDNEY'S ARM
WOULD HAVE HIT THE PIPE,
752
00:29:26,083 --> 00:29:27,125
PROTECTING HER HEAD.
753
00:29:27,208 --> 00:29:29,750
WELL, USUALLY,
BUT IN MY BUSINESS...
754
00:29:29,834 --> 00:29:30,709
TAKE A LOOK AT THIS.
755
00:29:31,959 --> 00:29:33,333
DO I HAVE TO?
756
00:29:34,583 --> 00:29:35,709
HE FELL OFF
757
00:29:35,792 --> 00:29:37,917
THE FOURTH-FLOOR BALCONY,
758
00:29:38,000 --> 00:29:39,500
AND HE LOOKS
BETTER THAN ME.
759
00:29:39,583 --> 00:29:42,166
MY POINT IS THAT,
IN MY BUSINESS,
760
00:29:42,250 --> 00:29:44,792
"USUALLY" IS PROVEN
WRONG EVERY DAY.
761
00:29:44,875 --> 00:29:46,500
IN THE CASE
OF SYDNEY WENTON,
762
00:29:46,583 --> 00:29:48,959
THE PIPE MATCHES
THE INDENTATION IN HER SKULL.
763
00:29:49,041 --> 00:29:51,917
HER MOMENTUM WAS SUFFICIENT
FOR A FATAL INJURY.
764
00:29:52,000 --> 00:29:53,083
ACCIDENTAL DEATH,
765
00:29:53,166 --> 00:29:56,583
THANK YOU
AND GOOD NIGHT.
766
00:29:58,917 --> 00:30:01,417
[♪♪♪]
767
00:30:01,500 --> 00:30:04,000
THIS IS IT.
768
00:30:05,750 --> 00:30:08,458
I HAD A CAR LIKE THIS
IN COLLEGE,
769
00:30:08,542 --> 00:30:12,166
SAME COLOR, SAME YEAR.
770
00:30:12,250 --> 00:30:14,291
I'VE GOT A BIRTHDAY
COMING UP.
771
00:30:14,375 --> 00:30:16,083
I SHOULD GET MYSELF
A LITTLE PRESENT.
772
00:30:16,166 --> 00:30:17,125
MAY I?
773
00:30:17,208 --> 00:30:18,458
PLEASE.
774
00:30:25,542 --> 00:30:26,709
IT'S A LITTLE TIGHTER
THAN I REMEMBER.
775
00:30:26,792 --> 00:30:28,458
HOW MUCH?
776
00:30:28,542 --> 00:30:30,625
$10,000.
777
00:30:30,709 --> 00:30:33,417
THAT'S MORE THAN IT COST
WHEN IT WAS BRAND-NEW.
778
00:30:33,500 --> 00:30:35,417
WHAT AN
INVESTMENT.
779
00:30:36,583 --> 00:30:37,750
YEAH.
780
00:30:37,834 --> 00:30:39,041
[VIDEO GAME WEAPONS BLASTING]
781
00:30:39,125 --> 00:30:40,542
LOGAN...
782
00:30:40,625 --> 00:30:41,750
HYPOTHETICALLY,
783
00:30:41,834 --> 00:30:43,041
HOW MUCH TIME
SHOULD A TEENAGER
784
00:30:43,125 --> 00:30:44,625
DEVOTE TO
A VIDEO GAME?
785
00:30:44,709 --> 00:30:46,583
AS LONG AS IT TAKES
TO GET TO LEVEL SIX.
786
00:30:46,667 --> 00:30:48,542
BUT I JUST CRASHED
AND BURNED, ACTUALLY.
787
00:30:48,625 --> 00:30:49,750
OH, THAT'S MY FAULT?
788
00:30:49,834 --> 00:30:51,333
[SIGHS]
789
00:30:51,417 --> 00:30:52,667
NO. NO, I NORMALLY
790
00:30:52,750 --> 00:30:54,583
CAN'T GET PAST
THAT SPOT ANYWAYS.
791
00:30:54,667 --> 00:30:56,041
HEY, WHAT'S
GOING ON WITH DAD?
792
00:30:56,125 --> 00:30:58,000
HE'S GETTING KIND OF WEIRD.
793
00:30:58,083 --> 00:31:00,583
WHAT DO YOU MEAN?
794
00:31:00,667 --> 00:31:01,625
IS HE HAVING, LIKE,
A "MID-LIFE CRISIS"
795
00:31:01,709 --> 00:31:02,875
OR SOMETHING?
796
00:31:02,959 --> 00:31:04,542
I MEAN, HE PUT A GYM
IN THE GARAGE,
797
00:31:04,625 --> 00:31:06,792
AND HE SAID THAT HE WANTS
TO START RUNNING 10KS.
798
00:31:06,875 --> 00:31:09,000
WELL, HE'S GOT
A BIG BIRTHDAY COMING UP.
799
00:31:09,083 --> 00:31:12,125
IT'S ONLY NORMAL
TO WORRY ABOUT GETTING OLDER.
800
00:31:12,208 --> 00:31:14,083
I THINK HE'S BEING SILLY.
801
00:31:14,166 --> 00:31:16,125
YEAH, AND I DEFINITELY
DON'T WANT TO START
802
00:31:16,208 --> 00:31:17,625
RUNNING ANY 10KS, SO...
803
00:31:17,709 --> 00:31:18,917
[SIGHS]
804
00:31:19,000 --> 00:31:20,500
I'VE GOT A PLAN.
805
00:31:20,583 --> 00:31:22,291
YOU WANNA HELP?
806
00:31:22,375 --> 00:31:25,500
[♪♪♪]
807
00:31:30,041 --> 00:31:31,875
WHAT DO YOU KNOW
ABOUT TOY SOLDIERS?
808
00:31:33,375 --> 00:31:35,375
YOU BUYING
OR SELLING?
809
00:31:38,542 --> 00:31:39,834
OOH.
810
00:31:39,917 --> 00:31:41,417
WHAT WOULD THIS
BE WORTH?
811
00:31:41,500 --> 00:31:43,041
WELL, THEY'RE
IN GOOD CONDITION.
812
00:31:43,125 --> 00:31:44,583
ABOUT $30 APIECE.
813
00:31:44,667 --> 00:31:47,583
HMM. WELL,
THIS IS KIND OF ODD,
814
00:31:47,667 --> 00:31:50,333
BUT ELIZABETH MELLON,
SYDNEY'S MOTHER,
815
00:31:50,417 --> 00:31:53,250
SHE CLAIMS SHE HAD
A BURGLARY IN THE HOUSE.
816
00:31:53,333 --> 00:31:55,417
THE THIEF
SUPPOSEDLY BROKE IN
817
00:31:55,500 --> 00:31:57,500
AND STOLE
TWO TOY SOLDIERS.
818
00:31:57,583 --> 00:31:59,542
WELL, SHE THINKS THEY'RE
WORTH FIVE GRAND APIECE.
819
00:31:59,625 --> 00:32:01,458
IS THAT EVEN POSSIBLE?
820
00:32:01,542 --> 00:32:02,834
WELL, IT'S POSSIBLE.
821
00:32:02,917 --> 00:32:05,208
CERTAIN RARE PIECES
CAN GO FOR A LOT OF MONEY.
822
00:32:05,291 --> 00:32:06,542
WHEN DID THIS HAPPEN?
823
00:32:06,625 --> 00:32:08,208
SHE'S NOT SURE.
824
00:32:08,291 --> 00:32:09,458
DON'T YOU FIND IT STRANGE
825
00:32:09,542 --> 00:32:10,917
THAT THIS HAPPENED
IN THE SAME HOUSE
826
00:32:11,000 --> 00:32:13,208
WHERE SYDNEY HAD
HER ACCIDENT?
827
00:32:13,291 --> 00:32:14,125
[SIGHS HEAVILY]
828
00:32:14,208 --> 00:32:15,458
I DO.
829
00:32:15,542 --> 00:32:17,250
CAN YOU MEET ME
OUT THERE LATER?
830
00:32:17,333 --> 00:32:19,333
I'D LIKE YOU TO LOOK AT
THESE SOLDIERS,
831
00:32:19,417 --> 00:32:20,709
'CAUSE IF THEY ARE
WORTH THAT MUCH,
832
00:32:20,792 --> 00:32:22,166
IT'S A FELONY.
833
00:32:22,250 --> 00:32:25,125
[♪♪♪]
834
00:32:33,125 --> 00:32:35,041
SYDNEY LOVED
THESE LITTLE TOYS.
835
00:32:35,125 --> 00:32:37,458
THEY WERE HER FATHER'S
WHEN HE WAS A BOY.
836
00:32:37,542 --> 00:32:39,959
THEY WERE SO SPECIAL TO HER.
837
00:32:40,041 --> 00:32:41,375
I WAS REMINISCING,
838
00:32:41,458 --> 00:32:42,917
AND I NOTICED THAT
TWO WERE MISSING,
839
00:32:43,000 --> 00:32:44,792
THE WASHINGTON
840
00:32:44,875 --> 00:32:47,333
AND THE GEORGE CORNWALLIS.
841
00:32:47,417 --> 00:32:49,792
THEY'RE VERY
VALUABLE TO ME.
842
00:32:49,875 --> 00:32:51,166
I WANT THEM BACK.
843
00:32:57,208 --> 00:32:58,917
THESE ARE LINEOL.
844
00:32:59,000 --> 00:33:01,041
VERY COLLECTIBLE.
845
00:33:01,125 --> 00:33:03,667
DO YOU HAVE ANY INFORMATION
ON THE MISSING PIECES?
846
00:33:03,750 --> 00:33:05,959
HOW OLD THEY ARE,
SO ON AND SO FORTH?
847
00:33:06,041 --> 00:33:08,208
RICHARD, MY LATE HUSBAND,
848
00:33:08,291 --> 00:33:11,750
DOCUMENTED EVERYTHING,
849
00:33:11,834 --> 00:33:16,041
ALL OF OUR ARTWORK,
ALL OF OUR VALUABLES.
850
00:33:16,125 --> 00:33:17,208
UM...
851
00:33:17,291 --> 00:33:18,208
THERE, THOSE TWO.
852
00:33:21,000 --> 00:33:23,166
THESE ARE RARE.
853
00:33:23,250 --> 00:33:24,625
YOU THINK SOMEONE BROKE IN
WHILE YOU WERE HERE?
854
00:33:24,709 --> 00:33:26,667
I KNOW WHO IT WAS.
855
00:33:26,750 --> 00:33:28,208
IT WAS SAM BRISCO.
856
00:33:28,291 --> 00:33:29,709
HE WAS MY HANDYMAN.
857
00:33:29,792 --> 00:33:31,333
I'M SURE HE WAS THE ONE
WHO BROKE IN AND TOOK THEM.
858
00:33:31,417 --> 00:33:33,291
WHY ARE YOU SURE?
859
00:33:33,375 --> 00:33:34,792
BECAUSE PRINCE WOULD DEVOUR
ANY STRANGER
860
00:33:34,875 --> 00:33:37,458
WHO CAME IN THIS HOUSE.
861
00:33:37,542 --> 00:33:39,375
BUT HE KNEW SAM.
862
00:33:39,458 --> 00:33:40,625
I CAUGHT HIM
GIVING HIM TREATS.
863
00:33:40,709 --> 00:33:41,667
[SIGHS]
864
00:33:41,750 --> 00:33:42,875
THE DOOR IN THE KITCHEN
865
00:33:42,959 --> 00:33:44,625
DOESN'T LOCK PROPERLY.
866
00:33:44,709 --> 00:33:46,041
I ASKED SAM TO FIX IT.
867
00:33:46,125 --> 00:33:47,083
HE DIDN'T.
868
00:33:47,166 --> 00:33:48,333
SO, DID YOU FIRE HIM?
869
00:33:48,417 --> 00:33:49,959
YES.
870
00:33:50,041 --> 00:33:51,291
HE WAS ALWAYS
LOOKING AT THE PAINTINGS,
871
00:33:51,375 --> 00:33:52,792
"WHO WAS THE ARTIST?,"
OR "HOW OLD IS THIS?"
872
00:33:52,875 --> 00:33:55,458
WE USED TO ROTATE THE
PAINTINGS IN THE HOUSE
873
00:33:55,542 --> 00:33:56,417
WITH THE ONES
IN STORAGE
874
00:33:56,500 --> 00:33:57,792
IN THE ATTIC,
875
00:33:57,875 --> 00:33:59,250
SAM KNEW WHAT WE HAD
UP THERE.
876
00:33:59,333 --> 00:34:00,458
DO YOU HAVE
HIS CURRENT ADDRESS?
877
00:34:00,542 --> 00:34:01,542
NO.
878
00:34:01,625 --> 00:34:02,792
NO, I DON'T.
879
00:34:02,875 --> 00:34:05,041
SO, SOME OF THE PAINTINGS
ARE IN THE HOUSE,
880
00:34:05,125 --> 00:34:06,000
BUT SOME ARE STORED?
881
00:34:06,083 --> 00:34:07,083
THAT'S RIGHT.
882
00:34:07,166 --> 00:34:09,125
NEXT DOOR, IN THE...
883
00:34:09,208 --> 00:34:10,083
IN THE ATTIC.
884
00:34:14,750 --> 00:34:16,458
ELIZABETH THINKS
885
00:34:16,542 --> 00:34:18,959
THAT SAM KNEW SHE HAD
VALUABLES IN THE ATTIC.
886
00:34:19,041 --> 00:34:20,208
YOU DIDN'T SAY ANYTHING
ABOUT VALUABLES
887
00:34:20,291 --> 00:34:21,542
WHEN YOU WERE UP THERE.
888
00:34:21,625 --> 00:34:22,625
NO, I WAS
A LITTLE DISTRACTED
889
00:34:22,709 --> 00:34:24,417
BY THE DEAD BODY
ON THE FLOOR.
890
00:34:24,500 --> 00:34:26,083
[SHOP BELL JINGLING]
891
00:34:26,166 --> 00:34:28,583
WHAT IF SAM
WAS IN THE ATTIC
892
00:34:28,667 --> 00:34:30,041
STEALING SOMETHING,
893
00:34:30,125 --> 00:34:31,959
AND SYDNEY
DISCOVERED HIM?
894
00:34:32,041 --> 00:34:34,000
[SIGHS] JENN,
EVERYONE BUT YOU
895
00:34:34,083 --> 00:34:35,917
THINKS HER DEATH
WAS AN ACCIDENT.
896
00:34:36,000 --> 00:34:38,083
I MEAN, PEOPLE DO
HAVE ACCIDENTS.
897
00:34:38,166 --> 00:34:39,375
I KNOW, BUT WHEN ABBEY
CAME TO ME WITH HER DOUBTS,
898
00:34:39,458 --> 00:34:41,375
IT GOT ME THINKING.
899
00:34:41,458 --> 00:34:43,458
OKAY, I CAN HELP.
900
00:34:43,542 --> 00:34:45,583
TONIGHT'S
MY COOKING CLASS.
901
00:34:45,667 --> 00:34:46,625
WHY DON'T YOU
COME WITH ME?
902
00:34:46,709 --> 00:34:48,792
IT'LL BE REALLY, REALLY FUN,
903
00:34:48,875 --> 00:34:50,125
AND IT'LL TAKE
YOUR MIND OFF THINGS.
904
00:34:50,208 --> 00:34:51,709
AW, THANKS, BUT NO.
905
00:34:51,792 --> 00:34:52,875
I GET ENOUGH
VIBRATIONAL COOKING
906
00:34:52,959 --> 00:34:54,792
FROM MY MICROWAVE.
907
00:34:54,875 --> 00:34:57,125
[SHOP BELL JINGLES]
908
00:34:58,291 --> 00:34:59,625
HEY, TINA.
909
00:34:59,709 --> 00:35:00,959
I HAVEN'T
BEEN HERE BEFORE.
910
00:35:01,041 --> 00:35:02,834
YOU HAVE A REALLY
WONDERFUL SHOP.
911
00:35:02,917 --> 00:35:04,208
AW, THANK YOU.
912
00:35:04,291 --> 00:35:06,500
YEAH, I NEED TO COME BACK
WHEN I CAN REALLY BROWSE.
913
00:35:07,917 --> 00:35:09,333
LISTEN, JENN,
DO YOU MAYBE HAVE TIME
914
00:35:09,417 --> 00:35:11,375
TO GRAB A CUP OF COFFEE
OR SOMETHING?
915
00:35:13,542 --> 00:35:15,583
I JUST CAN'T SEEM
TO SHAKE IT, YOU KNOW?
916
00:35:15,667 --> 00:35:18,417
I TOLD HER I HAD TO
GO BACK TO WORK.
917
00:35:18,500 --> 00:35:20,125
IF I WOULD HAVE JUST
STAYED AND HELPED HER,
918
00:35:20,208 --> 00:35:21,166
THEN SYDNEY
WOULDN'T HAVE GONE BACK,
919
00:35:21,250 --> 00:35:23,625
AND SHE MIGHT STILL BE ALIVE.
920
00:35:23,709 --> 00:35:25,709
YOU CAN'T BLAME
YOURSELF FOR THIS, TINA.
921
00:35:25,792 --> 00:35:27,500
[SIGHS HEAVILY]
922
00:35:27,583 --> 00:35:30,250
I HEARD ABOUT
THE HANDYMAN.
923
00:35:30,333 --> 00:35:32,041
IS IT POSSIBLE THAT
HE WAS IN THE ATTIC
924
00:35:32,125 --> 00:35:33,583
WHEN SYDNEY WENT BACK?
925
00:35:33,667 --> 00:35:35,750
OH, ANYTHING'S POSSIBLE.
926
00:35:35,834 --> 00:35:37,000
DETECTIVE LYNWOOD'S
GOING TO TALK TO HIM.
927
00:35:38,208 --> 00:35:39,709
AS OF NOW,
ALL WE KNOW
928
00:35:39,792 --> 00:35:41,625
IS THAT ELIZABETH IS
MISSING SOME TOY SOLDIERS
929
00:35:41,709 --> 00:35:42,792
FROM HER FRONT ROOM,
930
00:35:42,875 --> 00:35:44,375
AND SHE THINKS THAT
HER HANDYMAN, BRISCO,
931
00:35:44,458 --> 00:35:47,417
TOOK THEM.
932
00:35:47,500 --> 00:35:48,750
REALLY?
933
00:35:48,834 --> 00:35:51,041
I MEAN, ALL I SAW
WAS JUNK IN THE ATTIC.
934
00:35:51,125 --> 00:35:52,709
WHAT DOES ELIZABETH
THINK IS OUT THERE?
935
00:35:52,792 --> 00:35:53,583
WELL, SHE SAID
SOME ARTWORK.
936
00:35:53,667 --> 00:35:55,041
THERE'S A BINDER
937
00:35:55,125 --> 00:35:56,583
THAT HAS EVERYTHING
DOCUMENTED,
938
00:35:56,667 --> 00:35:59,458
BUT EVEN IF SOMETHING'S MISSING,
WHO KNOWS WHEN IT WAS TAKEN?
939
00:35:59,542 --> 00:36:00,917
IT COULD HAVE
BEEN YEARS AGO.
940
00:36:01,000 --> 00:36:03,625
[SIGHS] YEAH.
941
00:36:03,709 --> 00:36:04,917
WELL, I GUESS IT DOESN'T
MAKE A DIFFERENCE EITHER WAY,
942
00:36:05,000 --> 00:36:06,291
DOES IT?
943
00:36:06,375 --> 00:36:08,000
SYDNEY'S NOT COMING BACK.
944
00:36:08,083 --> 00:36:12,083
WELL, IT MAKES A DIFFERENCE
IF IT WASN'T AN ACCIDENT.
945
00:36:12,166 --> 00:36:15,083
THAT MEANS SOMEONE IS
GETTING AWAY WITH MURDER.
946
00:36:38,792 --> 00:36:40,208
WHAT A DAY
TO BE WORKING OUTSIDE, HUH?
947
00:36:40,291 --> 00:36:42,333
WELL, WHAT CAN YOU DO?
948
00:36:42,417 --> 00:36:44,083
LIEUTENANT FRANK LYNWOOD.
949
00:36:44,166 --> 00:36:46,333
MIND IF I HAVE
A WORD WITH YOU?
950
00:36:46,417 --> 00:36:48,542
I JUST GOT THIS JOB.
951
00:36:48,625 --> 00:36:50,083
IT WON'T LOOK TOO GOOD
IF THE POLICE ARE OUT HERE.
952
00:36:51,959 --> 00:36:53,750
WOULD IT BE OKAY
IF WE MET SOMEWHERE ELSE?
953
00:36:53,834 --> 00:36:55,041
LOOK, THERE'S A COFFEE SHOP
954
00:36:55,125 --> 00:36:56,125
OVER ON ELM STREET.
955
00:36:56,208 --> 00:36:57,125
CAN I MEET YOU THERE?
956
00:36:57,208 --> 00:36:58,709
WHEN?
957
00:36:58,792 --> 00:36:59,834
I COULD TAKE A BREAK
IN AN HOUR.
958
00:36:59,917 --> 00:37:01,125
I NEED THIS JOB.
959
00:37:01,208 --> 00:37:02,750
ALL RIGHT, I'LL SEE YOU THEN.
960
00:37:43,834 --> 00:37:46,291
IT'S ONLY BEEN
A FEW MINUTES, SAM.
961
00:37:50,542 --> 00:37:53,291
COFFEE SHOP IS IN
THE OTHER DIRECTION.
962
00:38:23,583 --> 00:38:24,500
[BRAKES SCREECH]
963
00:38:35,000 --> 00:38:35,917
[KNOCKS SHARPLY]
964
00:38:39,333 --> 00:38:41,834
ALL I WANTED TO DO WAS
HAVE A LITTLE CONVERSATION,
965
00:38:41,917 --> 00:38:42,875
AND YOU'RE RUNNING FROM ME?
966
00:38:42,959 --> 00:38:44,792
WHY?
967
00:38:44,875 --> 00:38:46,125
NOTHING GOOD EVER HAPPENED
968
00:38:46,208 --> 00:38:48,500
WHENEVER I HAD A CONVERSATION
WITH A COP.
969
00:38:48,583 --> 00:38:49,917
HMM.
970
00:38:50,000 --> 00:38:51,208
AM I UNDER ARREST?
971
00:38:51,291 --> 00:38:52,250
NOT YET.
972
00:38:52,333 --> 00:38:54,417
YOU WANNA BE?
973
00:38:55,583 --> 00:38:56,834
COME ON.
974
00:38:56,917 --> 00:38:58,667
I WANNA SHOW YOU SOMETHING.
975
00:38:58,750 --> 00:39:00,583
LET'S GO.
976
00:39:02,166 --> 00:39:05,875
I WANT YOU ALL TO LIVE
WHAT I'M TEACHING.
977
00:39:05,959 --> 00:39:08,667
YOU KNOW, THERE'S
AN ENERGY SHIFT HAPPENING
978
00:39:08,750 --> 00:39:10,375
ACROSS THE ENTIRE PLANET.
979
00:39:10,458 --> 00:39:11,875
YEAH, I FEEL THAT.
980
00:39:11,959 --> 00:39:12,959
IT'S LIKE
981
00:39:13,041 --> 00:39:14,166
WHAT WE PUT OUT
WE GET BACK.
982
00:39:14,250 --> 00:39:15,500
EXACTLY.
983
00:39:15,583 --> 00:39:17,000
EXACTLY.
984
00:39:17,083 --> 00:39:18,834
SO, WHAT FOODS HAVE
THE HIGHEST VIBRATIONS?
985
00:39:18,917 --> 00:39:19,917
RAW FRUIT.
986
00:39:20,000 --> 00:39:21,375
IDEALLY, PICKED
RIGHT FROM THE TREE.
987
00:39:21,458 --> 00:39:23,291
YOU EAT NOTHING BUT RAW FRUIT
FOR THREE DAYS,
988
00:39:23,375 --> 00:39:24,875
THEN SEE HOW YOU FEEL.
989
00:39:24,959 --> 00:39:27,333
DO YOU THINK
IT'S A GOOD IDEA
990
00:39:27,417 --> 00:39:28,959
TO GIVE
THE FINAL DINNER PARTY
991
00:39:29,041 --> 00:39:31,875
FOR PEOPLE WHO EAT
UNCONSCIOUSLY?
992
00:39:33,792 --> 00:39:37,750
THESE PEOPLE EAT PROCESSED,
993
00:39:37,834 --> 00:39:39,041
REFINED FOOD,
994
00:39:39,125 --> 00:39:40,333
NO NUTRITIONAL VALUE?
995
00:39:40,417 --> 00:39:41,917
PACKED FULL OF
WHITE FLOUR,
996
00:39:42,000 --> 00:39:43,917
PRESERVATIVES
AND CHEMICALS?
997
00:39:44,000 --> 00:39:45,875
YEAH, THAT'S KINDA THEM.
998
00:39:45,959 --> 00:39:47,125
HMM.
999
00:39:47,208 --> 00:39:49,375
PERFECT.
1000
00:39:49,458 --> 00:39:51,375
THEY'RE GOING TO LOVE IT.
1001
00:39:51,458 --> 00:39:53,667
IT'LL BE LIKE THEY'VE
NEVER EATEN BEFORE.
1002
00:39:55,041 --> 00:39:56,333
YOU ARE ON YOUR WAY
1003
00:39:56,417 --> 00:40:00,041
TO HEALTH, HAPPINESS,
AND PROSPERITY, DANI.
1004
00:40:00,125 --> 00:40:02,083
YOU'VE GOT THE GLOW.
1005
00:40:11,792 --> 00:40:14,125
HEY, GUYS, I'M HOME!
1006
00:40:14,208 --> 00:40:16,375
JENN?
1007
00:40:16,458 --> 00:40:18,458
[GOLF CLUB SWATS OUTSIDE]
1008
00:40:30,375 --> 00:40:31,291
SINCE WHEN DO YOU PLAY?
1009
00:40:31,375 --> 00:40:33,000
OH, WELL, I DON'T...
1010
00:40:35,625 --> 00:40:37,959
BUT, I MEAN,
I'D LIKE TO LEARN.
1011
00:40:38,041 --> 00:40:38,959
I BORROWED THESE CLUBS
1012
00:40:39,041 --> 00:40:40,208
FROM MATT.
1013
00:40:40,291 --> 00:40:41,291
YOU'VE NEVER SAID A WORD
1014
00:40:41,375 --> 00:40:43,625
ABOUT WANTING
TO PLAY GOLF BEFORE.
1015
00:40:43,709 --> 00:40:45,208
YEAH, WELL, I MEAN,
1016
00:40:45,291 --> 00:40:46,959
YOU KNOW, YOU STARTED
TALKING ABOUT THOSE 10KS,
1017
00:40:47,041 --> 00:40:49,250
AND, YOU KNOW...
1018
00:40:49,333 --> 00:40:51,125
IT GOT ME THINKING
1019
00:40:51,208 --> 00:40:52,542
THAT MAYBE YOU AND I
1020
00:40:52,625 --> 00:40:54,792
SHOULD HAVE SOME SORT OF
FATHER-AND-SON ACTIVITY.
1021
00:40:55,917 --> 00:40:56,917
WELL, I WAS THINKING
1022
00:40:57,000 --> 00:40:59,166
SOMETHING A LITTLE
MORE PHYSICAL.
1023
00:40:59,250 --> 00:41:00,750
LIKE... PLAYING HOOPS?
1024
00:41:03,041 --> 00:41:04,542
MATT PLAYS GOLF
WITH HIS GRANDAD.
1025
00:41:04,625 --> 00:41:06,250
HIS GRANDAD, REALLY.
1026
00:41:07,875 --> 00:41:09,333
COME ON, IT'S RELAXING.
1027
00:41:09,417 --> 00:41:10,458
I MEAN, NOBODY GETS HURT, RIGHT?
1028
00:41:10,542 --> 00:41:13,417
YOU SURE ABOUT THAT?
1029
00:41:13,500 --> 00:41:17,500
[♪♪♪]
1030
00:41:25,291 --> 00:41:27,000
WHAT HAPPENED TO THE DIET?
1031
00:41:27,083 --> 00:41:28,500
WHAT DIET?
1032
00:41:28,583 --> 00:41:30,667
I JUST WANTED TO DROP
A FEW POUNDS.
1033
00:41:30,750 --> 00:41:32,458
I'LL WORK OUT HARDER.
1034
00:41:33,834 --> 00:41:36,250
DID YOU KNOW YOUR SON
WAS PLAYING GOLF?
1035
00:41:36,333 --> 00:41:39,041
HMM, I WONDER WHY.
1036
00:41:39,125 --> 00:41:40,333
HE THINKS
I'M GETTING OLDER,
1037
00:41:40,417 --> 00:41:42,875
AND HE WANTED TO FIND
SOME KIND OF ACTIVITY
1038
00:41:42,959 --> 00:41:44,125
WE COULD DO TOGETHER.
1039
00:41:44,208 --> 00:41:46,542
WELL, HAVE YOU EVER THOUGHT
ABOUT PLAYING GOLF?
1040
00:41:46,625 --> 00:41:47,667
[CHUCKLES] NO.
1041
00:41:47,750 --> 00:41:49,542
I'VE THOUGHT ABOUT
MOUNTAIN CLIMBING,
1042
00:41:49,625 --> 00:41:50,792
OR, UH, THE IRON MAN,
1043
00:41:50,875 --> 00:41:52,583
OR PLAYING IN
A MEN'S BASKETBALL LEAGUE.
1044
00:41:52,667 --> 00:41:54,250
OH, I HEAR THEY HAVE
A SENIOR LEAGUE AT THE Y.
1045
00:41:54,333 --> 00:41:55,417
[LAUGHING]
1046
00:41:55,500 --> 00:41:56,625
I'M JUST KIDDING...
1047
00:41:56,709 --> 00:41:57,875
FUNNY.
1048
00:41:57,959 --> 00:41:59,291
HONEY, LOOK AT YOU,
1049
00:41:59,375 --> 00:42:01,709
IF YOU'RE GETTING OLD,
WHAT DOES THAT MAKE ME?
1050
00:42:01,792 --> 00:42:03,583
WE ARE NOT
GETTING OLD.
1051
00:42:03,667 --> 00:42:05,000
YOU KNOW WHAT I THINK?
1052
00:42:05,083 --> 00:42:06,000
I THINK WE'RE
EXACTLY THE SAME
1053
00:42:06,083 --> 00:42:07,000
AS WE WERE IN COLLEGE.
1054
00:42:07,083 --> 00:42:08,041
WE ARE.
1055
00:42:19,959 --> 00:42:21,917
[SIGHING HEAVILY]
1056
00:42:25,750 --> 00:42:27,583
HEY.
1057
00:42:27,667 --> 00:42:28,458
I DIDN'T HEAR YOU
COME IN.
1058
00:42:28,542 --> 00:42:29,792
HEY.
1059
00:42:29,875 --> 00:42:31,208
YEAH, I WAS JUST
BRINGING IN THE MAIL.
1060
00:42:32,709 --> 00:42:34,875
WHY ARE YOU LOOKING AT
CROPSEY PAINTINGS ONLINE?
1061
00:42:37,500 --> 00:42:40,000
SO HOW LONG UNTIL
THEY FORECLOSE?
1062
00:42:44,959 --> 00:42:46,208
THREE WEEKS.
1063
00:42:46,291 --> 00:42:47,583
-THREE WEEKS?
-YEAH.
1064
00:42:47,667 --> 00:42:50,417
SO, WHERE ARE WE
GOING TO GO?
1065
00:42:50,500 --> 00:42:52,083
I DON'T KNOW, UM,
1066
00:42:52,166 --> 00:42:54,208
WE GET AN APARTMENT.
1067
00:42:54,291 --> 00:42:56,583
FIND SOMEPLACE SMALLER.
1068
00:42:58,917 --> 00:43:00,375
HOW'S THAT GOING TO WORK?
1069
00:43:00,458 --> 00:43:03,041
I MEAN, HOW AM I GOING TO PAINT
IN SOME LITTLE APARTMENT?
1070
00:43:03,125 --> 00:43:04,166
HOW ARE WE
GOING TO FIT OUR LIFE
1071
00:43:04,250 --> 00:43:07,041
INTO SOME
LITTLE APARTMENT?
1072
00:43:08,709 --> 00:43:09,834
I THOUGHT YOU WERE GOING TO
TALK TO YOUR CONNECTIONS
1073
00:43:09,917 --> 00:43:11,834
AND SEE ABOUT WORKING OUT
A SHOW FOR ME.
1074
00:43:11,917 --> 00:43:13,125
I TRIED.
1075
00:43:13,208 --> 00:43:15,750
I MEAN, I'M IN
THE RESTORATION DEPARTMENT,
1076
00:43:15,834 --> 00:43:17,542
I'M NOT IMPORTANT,
1077
00:43:17,625 --> 00:43:19,500
I CAN'T PUSH IT.
1078
00:43:19,583 --> 00:43:20,542
THEY LOVE YOUR WORK.
1079
00:43:20,625 --> 00:43:23,208
YOU'RE...
YOU'RE SO GOOD.
1080
00:43:23,291 --> 00:43:25,333
IF I HAVE TO PAINT
ANOTHER BUSINESSMAN
1081
00:43:25,417 --> 00:43:26,291
IN A PIN-STRIPED SUIT,
1082
00:43:26,375 --> 00:43:27,875
IT JUST...
1083
00:43:27,959 --> 00:43:30,250
IT'S JUST KILLING ME.
1084
00:43:30,333 --> 00:43:31,333
I KNOW...
1085
00:43:33,333 --> 00:43:34,417
I KNOW.
1086
00:43:35,667 --> 00:43:38,375
BELIEVE ME, I KNOW.
1087
00:43:38,458 --> 00:43:40,125
WE JUST HAVE TO HANG IN.
1088
00:43:40,208 --> 00:43:44,125
OUR LUCK
IS GONNA CHANGE.
1089
00:43:44,208 --> 00:43:46,709
MAYBE IT ALREADY HAS.
1090
00:43:46,792 --> 00:43:49,291
HMM? WHAT
DO YOU MEAN?
1091
00:43:49,375 --> 00:43:50,917
WELL, NOT TO BE
INSENSITIVE,
1092
00:43:51,000 --> 00:43:52,750
BUT YOUR FRIEND...
1093
00:43:52,834 --> 00:43:55,375
SYDNEY IS DEAD.
1094
00:43:55,458 --> 00:43:56,750
YOU KNOW, THERE'S NOTHING
YOU'RE GONNA BE ABLE TO DO
1095
00:43:56,834 --> 00:43:57,875
TO BRING HER BACK,
1096
00:43:57,959 --> 00:43:59,250
BUT THAT PAINTING
IS STILL SITTING THERE.
1097
00:43:59,333 --> 00:44:01,250
WE COULD...
WE COULD GO GET IT.
1098
00:44:01,333 --> 00:44:03,709
NO. NO! NO...
1099
00:44:03,792 --> 00:44:06,250
GOD, I'M SORRY IT EVEN
CROSSED MY MIND.
1100
00:44:08,083 --> 00:44:12,041
NOBODY EVEN
KNOWS ABOUT IT.
1101
00:44:12,125 --> 00:44:14,417
SYDNEY'S MOTHER
HAS AN INVENTORY
1102
00:44:14,500 --> 00:44:17,333
OF EVERYTHING.
1103
00:44:17,417 --> 00:44:18,917
IF WE QUIETLY WENT
AND GOT IT,
1104
00:44:19,000 --> 00:44:20,709
WE COULD BE IN...
1105
00:44:20,792 --> 00:44:25,125
IN THE SOUTH OF SPAIN,
LIKE, WITHIN THE MONTH.
1106
00:44:26,375 --> 00:44:28,959
NO, COME ON, ANDREW.
1107
00:44:29,041 --> 00:44:31,917
NO, WE'RE GOING TO
BE FINE, OKAY?
1108
00:44:32,000 --> 00:44:32,875
I PROMISE.
1109
00:44:42,208 --> 00:44:44,333
YOU RECOGNIZE THIS HOUSE?
1110
00:44:44,417 --> 00:44:46,917
YEAH, I USED TO
WORK HERE.
1111
00:44:47,000 --> 00:44:48,834
I LEFT IT.
1112
00:44:48,917 --> 00:44:51,000
LEFT OR FIRED?
1113
00:44:51,083 --> 00:44:52,000
MUTUAL.
1114
00:44:55,083 --> 00:44:58,291
MRS. MELLON IS PARANOID,
ALWAYS ACCUSING ME OF STUFF.
1115
00:44:58,375 --> 00:45:00,250
AND SHE HAS A VICIOUS DOG.
1116
00:45:00,333 --> 00:45:02,166
HE'S GOING TO
BITE SOMEONE SOMEDAY.
1117
00:45:02,250 --> 00:45:03,291
YEAH, THANKS FOR
THE HEADS UP.
1118
00:45:03,375 --> 00:45:05,375
I... I DON'T LIKE
AGGRESSIVE DOGS.
1119
00:45:05,458 --> 00:45:06,458
WELL, BE CAREFUL
WITH THIS ONE.
1120
00:45:06,542 --> 00:45:07,458
HE WENT AFTER ME
ONE DAY.
1121
00:45:07,542 --> 00:45:09,542
HEY, UH,
1122
00:45:09,625 --> 00:45:10,709
YOU EVER BEEN
OUT TO THE WORKSHOP?
1123
00:45:10,792 --> 00:45:12,083
WELL, YEAH.
1124
00:45:12,166 --> 00:45:13,792
I WAS THE HANDYMAN.
1125
00:45:13,875 --> 00:45:15,208
TOOLS AND THINGS
ARE KEPT BACK THERE.
1126
00:45:15,291 --> 00:45:18,417
MRS. MELLON WOULD SOMETIMES
HAVE ME MOVE THINGS AROUND.
1127
00:45:18,500 --> 00:45:20,959
BUT SHE HAS A HARD TIME
KEEPING STAFF.
1128
00:45:21,041 --> 00:45:22,166
RIGHT.
1129
00:45:22,250 --> 00:45:25,458
WELL, MRS. MELLON
DOESN'T WISH TO SEE YOU.
1130
00:45:25,542 --> 00:45:26,917
LET ME SHOW YOU SOMETHING.
1131
00:45:27,000 --> 00:45:28,750
COME ON.
1132
00:45:30,125 --> 00:45:31,875
YOU SEE ANYTHING MISSING HERE?
1133
00:45:31,959 --> 00:45:33,291
[CHUCKLES]
HOW WOULD I KNOW?
1134
00:45:34,792 --> 00:45:37,291
WELL, THE BACK DOOR
DOESN'T LOCK PROPERLY.
1135
00:45:37,375 --> 00:45:39,291
MUST HAVE HAPPENED
AFTER I LEFT.
1136
00:45:39,375 --> 00:45:41,500
I DON'T LEAVE
THINGS BROKEN.
1137
00:45:41,583 --> 00:45:43,375
RIGHT.
1138
00:45:43,458 --> 00:45:46,125
JENNIFER,
COULD YOU JOIN US, PLEASE?
1139
00:45:47,542 --> 00:45:48,417
YOU KEEP AHOLD OF HIM!
1140
00:45:48,500 --> 00:45:50,291
LET HIM GO.
1141
00:45:51,667 --> 00:45:54,291
[DOG WHINING AFFECTIONATELY]
1142
00:45:54,375 --> 00:45:55,750
SAM, THAT'S
NOT A NORMAL DOG,
1143
00:45:55,834 --> 00:45:57,500
THAT'S A LIE
DETECTION DOG.
1144
00:46:00,333 --> 00:46:01,917
YOU'RE UNDER ARREST
FOR BURGLARY.
1145
00:46:10,625 --> 00:46:13,792
AH, YOU CAN SEE THE ENERGY
COMING OFF THIS GUY.
1146
00:46:13,875 --> 00:46:15,834
HE EATS NOTHING
BUT RAW FOOD.
1147
00:46:15,917 --> 00:46:17,583
HE DOESN'T COOK?
1148
00:46:17,667 --> 00:46:19,750
WELL, NO, I MEAN,
YOU CAN COOK,
1149
00:46:19,834 --> 00:46:20,875
BUT ONLY A LITTLE,
1150
00:46:20,959 --> 00:46:23,166
'CAUSE HE ACTUALLY
KILLS THE FOOD.
1151
00:46:23,250 --> 00:46:24,834
SO, THIS DINNER PARTY
YOU'RE HAVING
1152
00:46:24,917 --> 00:46:26,208
IS GOING TO BE RAW?
1153
00:46:26,291 --> 00:46:27,542
IT'S GOING TO
BE WONDERFUL.
1154
00:46:27,625 --> 00:46:28,792
-HEY!
-OH, HI, TINA!
1155
00:46:28,875 --> 00:46:31,417
HI! ANDREW,
THIS IS DANI AND JENN.
1156
00:46:31,500 --> 00:46:33,250
THEY OWN
THIS WONDERFUL STORE.
1157
00:46:33,333 --> 00:46:35,166
TINA TELLS ME
YOU'RE AN ARTIST.
1158
00:46:35,250 --> 00:46:36,208
AH, WELL,
I'M WORKING AT IT.
1159
00:46:36,291 --> 00:46:38,166
OH, STOP.
HE'S VERY TALENTED.
1160
00:46:38,250 --> 00:46:40,542
WELL, YOU'RE
KIND OF BIASED.
1161
00:46:40,625 --> 00:46:41,917
WHAT KIND OF STUFF
DO YOU DO?
1162
00:46:42,000 --> 00:46:43,375
I'M A PAINTER,
1163
00:46:43,458 --> 00:46:45,750
ABSTRACT IMPRESSIONISM,
YOU COULD CALL IT, I GUESS.
1164
00:46:45,834 --> 00:46:46,917
YOU REALLY SHOULD
SEE IT.
1165
00:46:47,000 --> 00:46:48,125
WE'RE TRYING TO PUT
TOGETHER A GALLERY SHOW.
1166
00:46:48,208 --> 00:46:49,458
OH, WELL,
WE'LL BE THERE.
1167
00:46:49,542 --> 00:46:50,458
OH, GREAT.
1168
00:46:50,542 --> 00:46:51,500
HEY, HEY, LISTEN,
1169
00:46:51,583 --> 00:46:53,333
I HEARD THAT
THE HANDYMAN GOT ARRESTED.
1170
00:46:53,417 --> 00:46:54,333
OH, YES, HE'S IN JAIL,
1171
00:46:54,417 --> 00:46:55,333
HAD A COUPLE
OF OLD WARRANTS.
1172
00:46:55,417 --> 00:46:56,834
ASSAULT, PETTY THEFT.
1173
00:46:56,917 --> 00:46:58,375
LYNWOOD'S TRYING TO
CONNECT HIM TO THE THEFTS
1174
00:46:58,458 --> 00:47:00,125
AT MRS. MELLON'S HOUSE.
1175
00:47:00,208 --> 00:47:02,208
SO COULD HE HAVE BEEN THERE
THE NIGHT OF SYDNEY'S DEATH?
1176
00:47:02,291 --> 00:47:03,625
MAYBE. HE'S GOT
A PRETTY SHAKY ALIBI.
1177
00:47:03,709 --> 00:47:05,667
WELL, WHERE DID
HE SAY HE WAS?
1178
00:47:05,750 --> 00:47:07,125
AT HIS APARTMENT
WITH HIS GIRLFRIEND,
1179
00:47:07,208 --> 00:47:08,125
ALONE.
1180
00:47:13,208 --> 00:47:15,417
REMEMBER, JENN,
SPRING BREAK?
1181
00:47:15,500 --> 00:47:16,709
[CHUCKLES]
1182
00:47:16,792 --> 00:47:18,250
YOU STAYED AT
YOUR PARENTS' HOUSE?
1183
00:47:18,333 --> 00:47:20,458
YOU WENT HOME FOR SPRING BREAK?
1184
00:47:20,542 --> 00:47:22,208
WHAT A CONCEPT.
1185
00:47:22,291 --> 00:47:26,166
I HAD THAT AMAZING
BLUE MG SPORTS CAR,
1186
00:47:26,250 --> 00:47:27,875
AND WE WENT ON THAT DATE,
1187
00:47:27,959 --> 00:47:30,208
EXCEPT WE NEVER MAKE IT
TO THE MOVIES.
1188
00:47:30,291 --> 00:47:33,625
WE WENT TO THAT GREAT SPOT
UP OVERLOOKING TAYLOR LAKE.
1189
00:47:33,709 --> 00:47:34,917
SO PRETTY.
1190
00:47:35,000 --> 00:47:37,709
OH, LOVER'S LANE.
YEAH, IT'S STILL THERE.
1191
00:47:39,083 --> 00:47:40,000
[SIGHING]
1192
00:47:40,083 --> 00:47:41,000
ANYWAY.
1193
00:47:41,083 --> 00:47:42,709
UM...
1194
00:47:42,792 --> 00:47:43,834
WE HAD A WONDERFUL TIME,
1195
00:47:43,917 --> 00:47:46,250
JUST TALKING, HANNAH...
1196
00:47:46,333 --> 00:47:47,875
[LAUGHING]
1197
00:47:47,959 --> 00:47:49,208
AND THEN WE WERE
GOING TO GO HOME,
1198
00:47:49,291 --> 00:47:51,166
BUT THE CAR
WOULDN'T START, REMEMBER?
1199
00:47:51,250 --> 00:47:52,250
HAD TO CALL YOUR DAD
TO COME RESCUE US.
1200
00:47:52,333 --> 00:47:53,291
[CHUCKLES]
1201
00:47:53,375 --> 00:47:54,417
[LAUGHTER]
1202
00:47:54,500 --> 00:47:56,166
IT WAS NOT FUN.
1203
00:47:56,250 --> 00:47:58,166
WAIT, NO, THERE'S SOMETHING
FISHY ABOUT THAT STORY.
1204
00:47:58,250 --> 00:47:59,375
REALLY?
1205
00:47:59,458 --> 00:48:00,834
THERE WAS NO
CELL PHONES BACK THEN.
1206
00:48:00,917 --> 00:48:01,875
NO, THEY WERE CALLED
1207
00:48:01,959 --> 00:48:03,000
"PAYPHONES."
1208
00:48:03,083 --> 00:48:05,000
AND WE HAD TO WALK
HALF A MILE TO FIND ONE.
1209
00:48:05,083 --> 00:48:06,500
WHAT DID GRANDPA SAY
1210
00:48:06,583 --> 00:48:07,792
WHEN HE HAD TO
DRIVE DOWN THERE?
1211
00:48:09,041 --> 00:48:10,709
I'D RATHER NOT SAY.
1212
00:48:10,792 --> 00:48:12,417
[LAUGHTER]
1213
00:48:14,417 --> 00:48:17,458
HEY, GUYS, UM...
1214
00:48:17,542 --> 00:48:18,750
I'D LIKE TO PUT SOMETHING
OUT ON THE TABLE HERE.
1215
00:48:18,834 --> 00:48:19,875
WE ALL KNOW
1216
00:48:19,959 --> 00:48:21,000
MY BIRTHDAY
IS COMING UP...
1217
00:48:21,083 --> 00:48:22,667
SOON,
1218
00:48:22,750 --> 00:48:24,959
AND I DON'T WANT A PARTY.
1219
00:48:25,041 --> 00:48:26,000
I DON'T WANT ANY GIFTS,
1220
00:48:26,083 --> 00:48:27,375
SO IF YOU WANT TO
MAKE ME HAPPY,
1221
00:48:27,458 --> 00:48:28,458
LET'S JUST IGNORE IT.
1222
00:48:29,959 --> 00:48:31,291
OKAY, HONEY.
1223
00:48:31,375 --> 00:48:32,375
SURE, DAD.
1224
00:48:32,458 --> 00:48:33,375
NO, PROBLEM.
1225
00:48:33,458 --> 00:48:34,834
GOOD.
1226
00:48:34,917 --> 00:48:35,875
[CHUCKLES] GOOD.
1227
00:48:35,959 --> 00:48:37,125
HEY, DAD,
1228
00:48:37,208 --> 00:48:38,917
YOU KNOW HOW YOU'VE GIVEN ME
ALL THAT ADVICE
1229
00:48:39,000 --> 00:48:40,375
OVER THE YEARS?
1230
00:48:40,458 --> 00:48:41,375
CAN I
GIVE YOU SOME?
1231
00:48:41,458 --> 00:48:42,333
SURE, GO AHEAD.
1232
00:48:47,291 --> 00:48:49,667
WHEN SOMEONE GOES
THROUGH A LOT OF TROUBLE
1233
00:48:49,750 --> 00:48:51,917
TO GET YOU SOMETHING
REALLY, REALLY COOL,
1234
00:48:52,000 --> 00:48:53,250
THEY PUT IN
A LOT OF EFFORT
1235
00:48:53,333 --> 00:48:54,250
AND A LOT OF PLANNING....
1236
00:48:54,333 --> 00:48:55,417
I GET IT.
1237
00:48:55,500 --> 00:48:57,542
I FIGURED YOUR MOTHER
WAS UP TO SOMETHING.
1238
00:48:57,625 --> 00:48:58,625
SO, WHEN YOU WERE PLAYING GOLF,
THE OTHER DAY,
1239
00:48:58,709 --> 00:48:59,583
SHE WAS BEHIND THAT, RIGHT?
1240
00:49:02,208 --> 00:49:04,625
SHE THINKS I'M GETTING OLD.
1241
00:49:04,709 --> 00:49:06,041
SHE'S GETTING ME GOLF CLUBS.
1242
00:49:06,125 --> 00:49:09,166
LOOK, JUST,
WHATEVER SHE GETS YOU,
1243
00:49:09,250 --> 00:49:11,250
BE VERY, VERY HAPPY, OKAY?
1244
00:49:11,333 --> 00:49:13,375
OF COURSE.
1245
00:49:14,959 --> 00:49:18,333
[♪♪♪]
1246
00:49:24,959 --> 00:49:28,500
I DIDN'T STEAL ANYTHING
FROM THAT HOUSE.
1247
00:49:28,583 --> 00:49:30,208
I'M FALSELY ACCUSED.
1248
00:49:30,291 --> 00:49:32,125
FIRST TIME
I'VE EVER HEARD THAT.
1249
00:49:32,208 --> 00:49:33,291
WHAT WARRANTS
DO YOU GOT ME ON?
1250
00:49:33,375 --> 00:49:34,500
PETTY THEFT?
1251
00:49:34,583 --> 00:49:35,583
YOU'RE GOING TO JAIL
1252
00:49:35,667 --> 00:49:36,792
BECAUSE YOU SKIPPED
A COURT DATE.
1253
00:49:36,875 --> 00:49:38,417
[SIGHS]
1254
00:49:38,500 --> 00:49:39,583
AND AN ASSAULT CHARGE.
1255
00:49:39,667 --> 00:49:40,583
THAT GARDENER?
1256
00:49:40,667 --> 00:49:41,709
MM-HMM.
1257
00:49:41,792 --> 00:49:43,208
THAT WAS SELF-DEFENSE.
HE SWUNG FIRST.
1258
00:49:43,291 --> 00:49:45,667
BUT YOU SKIPPED
THAT COURT DATE, TOO.
1259
00:49:45,750 --> 00:49:47,583
BUT THAT'S NOT
WHAT I'M INTERESTED IN.
1260
00:49:47,667 --> 00:49:50,500
BREAKING INTO A HOUSE
WHEN THE OWNER IS HOME
1261
00:49:50,583 --> 00:49:51,542
IS A FELONY.
1262
00:49:51,625 --> 00:49:54,208
ADD GRAND THEFT?
1263
00:49:54,291 --> 00:49:56,709
THERE WAS A LOT OF VALUABLES
IN THAT HOUSE,
1264
00:49:56,792 --> 00:49:58,125
IN THAT ATTIC, TOO.
1265
00:49:58,208 --> 00:50:00,959
I'VE BEEN UP THERE
A BUNCH OF TIMES.
1266
00:50:01,041 --> 00:50:02,709
THERE'S NOTHING BUT JUNK.
1267
00:50:04,750 --> 00:50:06,458
LET'S TALK ABOUT MARCH 5TH,
1268
00:50:06,542 --> 00:50:09,792
IN THE EVENING.
1269
00:50:09,875 --> 00:50:11,750
THE JUDGE WON'T GIVE US
A SEARCH WARRANT
1270
00:50:11,834 --> 00:50:13,667
BECAUSE WE DON'T HAVE
ANY ACTUAL EVIDENCE
1271
00:50:13,750 --> 00:50:15,875
THAT HE COMMITTED THE ROBBERY,
1272
00:50:15,959 --> 00:50:19,458
ASIDE FROM
THE DOG'S TESTIMONY.
1273
00:50:19,542 --> 00:50:20,542
I'VE BEEN LOOKING ONLINE
1274
00:50:20,625 --> 00:50:21,667
FOR THE STOLEN TOY SOLDIERS,
1275
00:50:21,750 --> 00:50:22,834
BUT NOTHING HAS TURNED UP.
1276
00:50:22,917 --> 00:50:23,792
WELL, BRISCO
STILL MAINTAINS
1277
00:50:23,875 --> 00:50:25,000
HE DIDN'T ROB THE HOUSE
1278
00:50:25,083 --> 00:50:27,709
AND THAT HE KNOWS NOTHING
1279
00:50:27,792 --> 00:50:29,625
ABOUT ANYTHING OF VALUE
IN THE ATTIC.
1280
00:50:29,709 --> 00:50:30,834
WHAT ABOUT SYDNEY'S DEATH?
1281
00:50:30,917 --> 00:50:32,875
ASIDE FROM YOUR FEELING,
1282
00:50:32,959 --> 00:50:35,750
WHY ISN'T THIS ANYTHING MORE
THAN A TRAGIC ACCIDENT?
1283
00:50:35,834 --> 00:50:38,709
ABBEY, SYDNEY'S STEPDAUGHTER,
1284
00:50:38,792 --> 00:50:42,041
CAME TO ME AND TOLD ME THAT
SYDNEY WAS STRONG AND AGILE.
1285
00:50:42,125 --> 00:50:44,000
SHE WAS A DANCER.
1286
00:50:44,083 --> 00:50:45,542
WHAT'S YOUR POINT?
1287
00:50:45,625 --> 00:50:48,625
WELL, AN ATHLETE LIKE A DANCER
DOESN'T JUST FALL.
1288
00:50:48,709 --> 00:50:51,250
THEY HAVE GOOD BALANCE
AND BODY CONTROL.
1289
00:50:51,333 --> 00:50:52,792
AND A DANCER ISN'T GOING TO FALL
HEAD FIRST
1290
00:50:52,875 --> 00:50:53,875
AND NOT DO ANYTHING
TO PROTECT THEMSELVES,
1291
00:50:53,959 --> 00:50:56,125
OR BREAK THEIR FALL.
1292
00:50:56,208 --> 00:50:58,625
LOOK, I HAD
HANNAH PRETEND
1293
00:50:58,709 --> 00:50:59,667
SHE WAS TALKING ON A CELL PHONE
1294
00:50:59,750 --> 00:51:00,959
AND FALL ONTO SOME CUSHIONS.
1295
00:51:01,041 --> 00:51:02,458
THE MINUTE SHE FELL,
1296
00:51:02,542 --> 00:51:04,333
HER HAND NATURALLY
WENT OUT IN FRONT OF HER
1297
00:51:04,417 --> 00:51:05,375
TO BREAK HER FALL.
1298
00:51:05,458 --> 00:51:06,667
SO, WHY DIDN'T
SYDNEY'S?
1299
00:51:06,750 --> 00:51:08,583
[SIGHS HEAVILY]
1300
00:51:08,667 --> 00:51:11,166
IT WAS THAT "9" SHE DIALED
THAT GOT ME THINKING.
1301
00:51:11,250 --> 00:51:12,291
[GRUMBLES]
1302
00:51:12,375 --> 00:51:13,583
I KNOW, IT WAS PROBABLY
A MISTAKE.
1303
00:51:13,667 --> 00:51:15,458
MM-HMM.
1304
00:51:17,125 --> 00:51:18,583
HOW LONG WILL BRISCO
BE IN JAIL?
1305
00:51:18,667 --> 00:51:20,792
HE COULD EASILY
BE IN THERE 30 DAYS
1306
00:51:20,875 --> 00:51:23,083
FOR SKIPPING
HIS PREVIOUS WARRANTS.
1307
00:51:24,917 --> 00:51:27,083
[♪♪♪]
1308
00:51:49,625 --> 00:51:51,375
PHEW! I GOT IT.
1309
00:51:51,458 --> 00:51:52,542
THAT WASN'T TOO HARD.
1310
00:51:52,625 --> 00:51:53,583
KINDA SCARY WHAT'S ONLINE.
1311
00:51:53,667 --> 00:51:55,375
SO, YOU GOT HIS ADDRESS,
NOW WHAT?
1312
00:51:55,458 --> 00:51:56,917
WELL, I'M GOING TO GO
TALK TO HIS GIRLFRIEND,
1313
00:51:57,000 --> 00:51:59,208
SEE IF SHE HAS ANY VALUABLE
TOY SOLDIERS TO SELL.
1314
00:51:59,291 --> 00:52:00,417
I DON'T LIKE THAT.
1315
00:52:00,500 --> 00:52:01,458
WELL, SHE'S NOT
A CRIMINAL,
1316
00:52:01,542 --> 00:52:02,750
I'M JUST GOING TO
CHAT WITH HER.
1317
00:52:02,834 --> 00:52:04,291
[LAUGHS DERISIVELY]
HOW DO YOU KNOW?
1318
00:52:04,375 --> 00:52:06,291
IF YOU GO,
I'M GOING WITH YOU.
1319
00:52:06,375 --> 00:52:08,417
BUT SHE MIGHT GET INTIMIDATED
IF IT'S TWO OF US.
1320
00:52:08,500 --> 00:52:09,709
SO? I'LL WAIT
IN THE CAR.
1321
00:52:09,792 --> 00:52:13,500
ALL RIGHT, SUIT YOURSELF,
THERE, WATSON.
1322
00:52:27,667 --> 00:52:29,458
[KNOCKS SHARPLY]
1323
00:52:29,542 --> 00:52:30,709
[WHISPERING]
FIVE MINUTES.
1324
00:52:30,792 --> 00:52:32,166
OKAY, FIVE MINUTES.
1325
00:52:37,709 --> 00:52:39,417
[BUZZING INTERCOM]
1326
00:52:39,500 --> 00:52:41,417
[DOOR LOCK BUZZES OPEN]
1327
00:52:53,792 --> 00:52:55,792
[KNOCKS]
1328
00:52:57,417 --> 00:52:58,792
HI.
1329
00:53:00,250 --> 00:53:01,208
WHAT DO YOU WANT?
1330
00:53:01,291 --> 00:53:02,667
MY NAME IS JENNIFER SHANNON,
1331
00:53:02,750 --> 00:53:04,542
I OWN AN ANTIQUE STORE.
1332
00:53:04,625 --> 00:53:06,709
I HEARD THAT SAM MIGHT HAVE
SOME ITEMS HE'D LIKE TO SELL.
1333
00:53:06,792 --> 00:53:07,959
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
1334
00:53:08,041 --> 00:53:09,166
IN MY BUSINESS,
1335
00:53:09,250 --> 00:53:11,291
DISCRETION IS VERY IMPORTANT.
1336
00:53:11,375 --> 00:53:12,834
I BROUGHT CASH.
1337
00:53:17,542 --> 00:53:18,458
COME ON IN.
1338
00:53:27,041 --> 00:53:28,375
SAM'S A JERK.
1339
00:53:28,458 --> 00:53:30,583
I NEED TO GET
AWAY FROM HIM.
1340
00:53:30,667 --> 00:53:33,000
THE POLICE ARE ASKING
ALL THESE QUESTIONS
1341
00:53:33,083 --> 00:53:35,709
ABOUT WHERE HE WAS,
WHAT HE DID,
1342
00:53:35,792 --> 00:53:38,041
ALL OVER SOME THINGS
THEY THINK HE STOLE.
1343
00:53:38,125 --> 00:53:40,458
WHAT DO YOU THINK?
1344
00:53:40,542 --> 00:53:42,917
I THINK I DON'T WANT TO BE
AROUND WHEN HE GETS OUT.
1345
00:53:43,000 --> 00:53:44,875
GOD, I ALWAYS END UP
WITH SUCH LOSERS.
1346
00:53:44,959 --> 00:53:46,792
IF YOU HAVE ANYTHING
1347
00:53:46,875 --> 00:53:49,000
THAT YOU THINK WOULD BE
RIGHT FOR MY SHOP,
1348
00:53:49,083 --> 00:53:49,917
I'D BE INTERESTED.
1349
00:54:07,000 --> 00:54:08,291
ARE THESE REALLY
WORTH $200?
1350
00:54:08,375 --> 00:54:09,291
AT LEAST.
1351
00:54:12,083 --> 00:54:14,500
MY LIFE'S A MESS.
1352
00:54:14,583 --> 00:54:16,542
I ASKED HIM
IF THEY WERE STOLEN,
1353
00:54:16,625 --> 00:54:17,625
AND HE SAID NO.
1354
00:54:17,709 --> 00:54:18,792
I KNEW BETTER.
1355
00:54:18,875 --> 00:54:21,583
PEGGY, I DON'T WANT
TO BUY THESE.
1356
00:54:21,667 --> 00:54:23,375
I WANT YOU TO GIVE THESE TO ME,
1357
00:54:23,458 --> 00:54:25,208
SO I CAN RETURN THEM
TO THEIR PROPER OWNER.
1358
00:54:25,291 --> 00:54:26,625
I REALLY NEED THE MONEY.
1359
00:54:26,709 --> 00:54:27,583
I KNOW THAT YOU DO.
1360
00:54:27,667 --> 00:54:28,959
BUT IF YOU GIVE THESE BACK
1361
00:54:29,041 --> 00:54:30,500
BECAUSE IT'S
THE RIGHT THING TO DO,
1362
00:54:30,583 --> 00:54:32,125
YOU'LL SAVE YOURSELF
A LOT OF TROUBLE.
1363
00:54:36,750 --> 00:54:38,333
FINE.
1364
00:54:38,417 --> 00:54:40,166
TAKE THEM.
1365
00:54:40,250 --> 00:54:41,333
I DON'T WANT ANY MORE TROUBLE.
1366
00:54:45,166 --> 00:54:47,458
I WOULD LIKE TO BUY THIS.
1367
00:54:48,792 --> 00:54:49,834
THAT'S JUNK.
1368
00:54:49,917 --> 00:54:50,959
IT'S WORTH NOTHING.
1369
00:54:51,041 --> 00:54:53,875
ACTUALLY, I THINK IT'S WORTH...
1370
00:54:53,959 --> 00:54:55,875
$200.
1371
00:54:55,959 --> 00:54:56,917
[OFFICERS CHATTING]
1372
00:54:57,000 --> 00:54:58,625
FRANK!
1373
00:54:58,709 --> 00:55:02,000
BRISCO'S GIRLFRIEND WANTS
TO RETURN THE STOLEN PROPERTY.
1374
00:55:02,083 --> 00:55:03,875
YOU WENT TO SEE HER?
1375
00:55:03,959 --> 00:55:05,291
YEAH.
1376
00:55:08,500 --> 00:55:10,750
SHE FEELS BADLY
ABOUT THE THEFT.
1377
00:55:10,834 --> 00:55:13,792
SHE DOESN'T WANT ANYTHING
TO DO WITH BRISCO.
1378
00:55:13,875 --> 00:55:16,291
SOUNDS LIKE
AN ACCOMPLICE TO ME.
1379
00:55:16,375 --> 00:55:18,792
FRANK, SHE RETURNED
EVERYTHING.
1380
00:55:18,875 --> 00:55:22,375
I DON'T THINK
SHE WAS INVOLVED.
1381
00:55:22,458 --> 00:55:25,333
PLEASE, CAN YOU JUST
TRUST ME ON THIS ONE?
1382
00:55:25,417 --> 00:55:27,792
OKAY, OKAY, YEAH,
1383
00:55:27,875 --> 00:55:30,250
SHE'S AN UPSTANDING
CITIZEN,
1384
00:55:30,333 --> 00:55:32,000
WHO RETURNED
STOLEN PROPERTY.
1385
00:55:32,083 --> 00:55:33,667
[SNAPS DRAWER SHUT]
1386
00:55:33,750 --> 00:55:34,583
IT COULD HAVE BEEN DANGEROUS,
1387
00:55:34,667 --> 00:55:35,792
YOU KNOW THAT.
1388
00:55:35,875 --> 00:55:37,083
OH, I HAD DANI WAITING
OUTSIDE IN THE CAR.
1389
00:55:37,166 --> 00:55:38,375
OH. OH, WELL, JEEZ,
1390
00:55:38,458 --> 00:55:39,333
I FEEL SO MUCH
BETTER NOW.
1391
00:55:42,208 --> 00:55:45,041
LOG THEM BOTH
FOR THE MELLON CASE.
1392
00:55:45,125 --> 00:55:46,083
FRANK, FOR WHAT IT'S WORTH,
1393
00:55:46,166 --> 00:55:47,333
BRISCO WASN'T WITH PENNY
1394
00:55:47,417 --> 00:55:49,375
THE NIGHT
THAT SYDNEY DIED.
1395
00:55:49,458 --> 00:55:50,500
SHE REMEMBERS
1396
00:55:50,583 --> 00:55:52,250
BECAUSE IT WAS
HER BIRTHDAY.
1397
00:55:52,333 --> 00:55:53,583
HE CAME HOME LATE,
AND HE HAD BEEN DRINKING.
1398
00:55:54,667 --> 00:55:56,417
OKAY, GOOD.
1399
00:55:56,500 --> 00:55:57,750
NOW YOU CAN START
SOLVING BURGLARIES
1400
00:55:57,834 --> 00:55:59,417
INSTEAD OF MURDERS.
1401
00:55:59,500 --> 00:56:01,083
A STEP IN THE RIGHT DIRECTION.
1402
00:56:04,375 --> 00:56:05,333
[SIGHS]
1403
00:56:05,417 --> 00:56:07,041
WE'RE ALL ON CALL
SATURDAY
1404
00:56:07,125 --> 00:56:08,750
FOR DANI'S DINNER PARTY.
1405
00:56:08,834 --> 00:56:10,125
HONEY, HOLD STILL,
I'LL BE DONE IN A SEC.
1406
00:56:10,208 --> 00:56:11,166
MOM, SHE'S GOT
1407
00:56:11,250 --> 00:56:12,625
SOME STRANGE
EATING HABITS, OKAY,
1408
00:56:12,709 --> 00:56:13,792
I'M SCARED.
1409
00:56:13,875 --> 00:56:14,875
[HANNAH]:
WE ALL LOVE DANI,
1410
00:56:14,959 --> 00:56:16,250
BUT I'VE HAD HER SMOOTHIES.
1411
00:56:16,333 --> 00:56:17,250
WE'RE GOING TO
EAT HER FOOD,
1412
00:56:17,333 --> 00:56:19,125
AND TELL HER
IT'S WONDERFUL.
1413
00:56:19,208 --> 00:56:20,375
I FIT PRETTY GOOD
OFF THE RACK.
1414
00:56:20,458 --> 00:56:22,041
I KNOW YOU DON'T WANT TO
CELEBRATE YOUR BIRTHDAY,
1415
00:56:22,125 --> 00:56:24,208
BUT YOU DO NEED
A NEW SPORT COAT.
1416
00:56:24,291 --> 00:56:25,834
[HANNAH]: WHAT KIND
OF COOKING IS IT?
1417
00:56:25,917 --> 00:56:29,291
FRENCH? ITALIAN?
1418
00:56:29,375 --> 00:56:30,333
VIBRATIONAL.
1419
00:56:30,417 --> 00:56:32,750
DIFFERENT FOODS
1420
00:56:32,834 --> 00:56:34,041
HAVE HIGHER
AND LOWER VIBRATIONS.
1421
00:56:34,125 --> 00:56:35,208
[CHUCKLES AWKWARDLY]
1422
00:56:35,291 --> 00:56:36,625
THEY'RE WEARING COATS
TIGHTER THESE DAYS.
1423
00:56:36,709 --> 00:56:38,417
I'M GONNA BE DOWN A FEW POUNDS
BY MY BIRTHDAY, SO...
1424
00:56:38,500 --> 00:56:40,250
OH. ON YOUR
ICE-CREAM DIET?
1425
00:56:40,333 --> 00:56:41,834
[CHUCKLES]
1426
00:56:44,041 --> 00:56:45,291
I WAS JUST
BEGINNING TO ACCEPT
1427
00:56:45,375 --> 00:56:47,583
MY STEPMOTHER'S DEATH
WAS AN ACCIDENT,
1428
00:56:47,667 --> 00:56:49,750
AND THEN THEY ARREST
THE HANDYMAN?
1429
00:56:49,834 --> 00:56:51,875
NOW I'M BACK TO SQUARE ONE.
1430
00:56:51,959 --> 00:56:53,917
COULD HE HAVE SOMETHING
TO DO WITH HER DEATH?
1431
00:56:54,000 --> 00:56:55,792
DID YOU KNOW
SAM BRISCO?
1432
00:56:55,875 --> 00:56:57,166
YES.
1433
00:56:57,250 --> 00:56:58,375
I SAW HIM WHEN I WENT
TO MY GRANDMOTHER'S.
1434
00:56:59,917 --> 00:57:01,917
I DIDN'T LIKE HIM.
1435
00:57:02,000 --> 00:57:03,333
WHY?
1436
00:57:03,417 --> 00:57:04,875
I DON'T KNOW,
1437
00:57:04,959 --> 00:57:06,834
HE WAS CREEPY.
1438
00:57:08,166 --> 00:57:11,041
IF HE KILLED HER...
1439
00:57:11,125 --> 00:57:13,333
WHY?
1440
00:57:13,417 --> 00:57:15,041
YOUR GRANDMOTHER SAID
1441
00:57:15,125 --> 00:57:16,583
THERE WERE SOME VALUABLES
IN THE ATTIC.
1442
00:57:16,667 --> 00:57:18,500
SAM MIGHT HAVE KNOWN ABOUT THEM.
1443
00:57:18,583 --> 00:57:19,875
SO...
1444
00:57:19,959 --> 00:57:22,083
HE'S UP IN THE ATTIC
WHEN SYDNEY SHOWS UP.
1445
00:57:22,166 --> 00:57:24,417
SHE CATCHES HIM IN THE ACT,
AND HE KILLS HER?
1446
00:57:24,500 --> 00:57:25,500
THAT'S JUST
A WILD IDEA, OKAY?
1447
00:57:25,583 --> 00:57:27,709
JUST A POSSIBILITY.
1448
00:57:27,792 --> 00:57:28,792
MRS. SHANNON,
1449
00:57:28,875 --> 00:57:29,959
I REALLY APPRECIATE
1450
00:57:30,041 --> 00:57:31,250
YOU HELPING ME
TRY TO FIGURE THIS OUT.
1451
00:57:32,667 --> 00:57:34,542
I MISS HER.
1452
00:57:34,625 --> 00:57:38,083
I'M UPSET THAT SHE'S GONE.
1453
00:57:39,375 --> 00:57:41,083
I MEAN, I KNEW SHE LOVED ME,
1454
00:57:41,166 --> 00:57:42,125
BUT I DIDN'T THINK
1455
00:57:42,208 --> 00:57:43,875
THAT I LOVED HER.
1456
00:57:43,959 --> 00:57:45,166
I BLAMED HER
1457
00:57:45,250 --> 00:57:48,250
FOR MY PARENTS' DIVORCE.
1458
00:57:48,333 --> 00:57:49,625
BUT IT WASN'T HER FAULT.
1459
00:57:51,709 --> 00:57:53,625
[VOICE BREAKING]
AND SHE TRIED...
1460
00:57:53,709 --> 00:57:54,583
SHE REALLY TRIED.
1461
00:57:56,041 --> 00:57:57,709
OH, ABBEY...
1462
00:57:57,792 --> 00:57:58,667
IT'S OKAY.
1463
00:58:00,750 --> 00:58:03,375
I DIDN'T KNOW
I CARED SO MUCH.
1464
00:58:03,458 --> 00:58:06,083
IT'S OKAY.
1465
00:58:06,166 --> 00:58:08,250
[♪♪♪]
1466
00:58:08,333 --> 00:58:10,208
JENN?
1467
00:58:12,041 --> 00:58:13,125
HEY, HON!
1468
00:58:13,208 --> 00:58:15,500
I FORGOT MY LUNCH.
1469
00:58:16,792 --> 00:58:18,917
GOTTA GET MY PROTEIN AND VEG...
1470
00:58:24,000 --> 00:58:26,625
[♪♪♪]
1471
00:58:36,500 --> 00:58:37,959
SO, WE HAVE A MOTIVE,
1472
00:58:38,041 --> 00:58:39,250
ROBBERY.
1473
00:58:39,333 --> 00:58:40,625
SAM BROKE INTO
THE MAIN HOUSE,
1474
00:58:40,709 --> 00:58:42,750
STOLE THE TOY SOLDIERS.
1475
00:58:42,834 --> 00:58:46,083
SOMETIME LATER, HE RETURNS
TO HIT THE STORAGE ATTIC.
1476
00:58:46,166 --> 00:58:48,792
SYDNEY SHOWS UP,
FINDS HIM THERE,
1477
00:58:48,875 --> 00:58:50,291
WRONG PLACE, WRONG TIME.
1478
00:58:50,375 --> 00:58:52,291
WELL, WHAT WAS IN THE ATTIC
THAT'S WORTH KILLING OVER?
1479
00:58:52,375 --> 00:58:53,417
WE DON'T KNOW.
1480
00:58:53,500 --> 00:58:54,500
ELIZABETH IS DOING
INVENTORY
1481
00:58:54,583 --> 00:58:56,083
ON ALL HER ART WORK.
1482
00:58:56,166 --> 00:58:57,125
OKAY, SO LET ME
GET THIS STRAIGHT,
1483
00:58:57,208 --> 00:58:59,041
SYDNEY AND TINA
GO THERE TOGETHER
1484
00:58:59,125 --> 00:59:00,166
IN THE AFTERNOON,
1485
00:59:00,250 --> 00:59:01,291
AND THEN SYDNEY
GOES BACK
1486
00:59:01,375 --> 00:59:02,208
BY HERSELF THAT EVENING?
1487
00:59:02,291 --> 00:59:03,291
RIGHT.
1488
00:59:03,375 --> 00:59:04,959
WHAT IF SYDNEY
STAYED IN THE ATTIC?
1489
00:59:05,041 --> 00:59:06,083
WHAT IF TINA--
1490
00:59:06,166 --> 00:59:07,291
-KILLED HER?
-UH-HUH.
1491
00:59:07,375 --> 00:59:08,959
I THOUGHT ABOUT THAT,
BUT IT DOESN'T WORK,
1492
00:59:09,041 --> 00:59:11,667
BECAUSE I SAW SYDNEY
LATER THAT AFTERNOON,
1493
00:59:11,750 --> 00:59:14,083
AFTER SHE DROPPED TINA
OFF AT WORK.
1494
00:59:14,166 --> 00:59:16,333
WELL, IT'S
A HEAD-SCRATCHER.
1495
00:59:16,417 --> 00:59:17,458
HMM... ANYWAY,
1496
00:59:17,542 --> 00:59:18,500
WOULD YOU LIKE TO SHARE
1497
00:59:18,583 --> 00:59:19,709
WHAT WE WILL BE EATING
1498
00:59:19,792 --> 00:59:21,041
AT YOUR VIBRATIONAL
DINNER PARTY TONIGHT?
1499
00:59:21,125 --> 00:59:22,750
NO, IT'S A SURPRISE.
1500
00:59:22,834 --> 00:59:25,083
BUT WE WILL ALL
FEEL LIGHTER...
1501
00:59:25,166 --> 00:59:26,166
OOH.
1502
00:59:26,250 --> 00:59:27,417
...AND HEALTHIER...
1503
00:59:27,500 --> 00:59:28,917
...AND MORE ATTUNED
1504
00:59:29,000 --> 00:59:30,750
WHEN WE ARE
FINISHED EATING.
1505
00:59:30,834 --> 00:59:33,208
"ATTUNED?"
1506
00:59:33,291 --> 00:59:34,917
[TOGETHER, JOKINGLY]:
...LIKE A PIANO!
1507
00:59:35,000 --> 00:59:36,208
[LAUGHING]
1508
00:59:36,291 --> 00:59:38,417
YOU'RE SO CUTE
WHEN YOU SAY THAT.
1509
00:59:38,500 --> 00:59:39,709
[GIGGLING]
1510
00:59:40,834 --> 00:59:42,208
THANK YOU.
1511
00:59:48,417 --> 00:59:50,000
OH, HEY! JENN!
1512
00:59:50,083 --> 00:59:51,125
OH, HI, TINA.
1513
00:59:51,208 --> 00:59:52,667
HEY, DID THE POLICE
GET THAT WARRANT?
1514
00:59:52,750 --> 00:59:53,834
NOT EXACTLY,
1515
00:59:53,917 --> 00:59:55,750
BUT THEY DID RECOVER
THE STOLEN TOY SOLDIERS.
1516
00:59:55,834 --> 00:59:57,875
WAS IT THE HANDYMAN,
BRISCO?
1517
00:59:57,959 --> 00:59:59,125
POSSIBLY.
1518
00:59:59,208 --> 01:00:00,542
THEY'RE TRYING TO
CONNECT HIM TO THE ATTIC.
1519
01:00:00,625 --> 01:00:01,917
ELIZABETH THINKS
1520
01:00:02,000 --> 01:00:04,375
SHE MIGHT HAVE HAD SOME
VALUABLE PAINTINGS UP THERE.
1521
01:00:04,458 --> 01:00:05,667
SHE'S NOT SURE?
1522
01:00:05,750 --> 01:00:06,875
NOT YET.
1523
01:00:06,959 --> 01:00:08,000
BUT THEY'RE LOOKING
THROUGH EVERYTHING.
1524
01:00:08,083 --> 01:00:10,166
IF SOMETHING'S BEEN TAKEN,
THEY'LL KNOW.
1525
01:00:10,250 --> 01:00:11,166
YEAH.
1526
01:00:11,250 --> 01:00:13,000
ARE YOU OKAY?
1527
01:00:13,083 --> 01:00:14,500
YEAH, I'M JUST
LATE FOR WORK.
1528
01:00:14,583 --> 01:00:16,291
THANK YOU
FOR THE UPDATE.
1529
01:00:23,083 --> 01:00:25,417
[♪♪♪]
1530
01:00:32,375 --> 01:00:33,875
JENN, THESE ARE REALLY NICE.
1531
01:00:33,959 --> 01:00:35,208
THE DIAMOND EARRINGS,
AND A TENNIS BRACELET?
1532
01:00:35,291 --> 01:00:36,458
I KNOW...
1533
01:00:36,542 --> 01:00:38,041
IT'S STUFF I JUST
DON'T WEAR ANYMORE.
1534
01:00:38,125 --> 01:00:40,208
HOW MUCH ARE YOU
GOING TO GET FOR IT?
1535
01:00:40,291 --> 01:00:41,291
WELL, I DON'T KNOW,
1536
01:00:41,375 --> 01:00:42,834
BUT I HOPE A LOT.
1537
01:00:42,917 --> 01:00:44,375
I'M GOING TO SEE CALLIE
AT DEMARRO'S.
1538
01:00:44,458 --> 01:00:45,834
SHE'S GOING TO
GIVE ME AN APPRAISAL,
1539
01:00:45,917 --> 01:00:47,458
AND THEN A CHECK.
1540
01:00:47,542 --> 01:00:49,458
WELL, SHE OWES US, REMEMBER?
1541
01:00:49,542 --> 01:00:52,041
WE GAVE HER THAT DEAL
ON THAT SHAKER HUTCH SHE WANTED.
1542
01:00:52,125 --> 01:00:54,709
OH, GOOD POINT,
I'LL REMIND HER.
1543
01:00:54,792 --> 01:00:56,458
YOUR HUSBAND
IS A VERY LUCKY MAN.
1544
01:00:56,542 --> 01:00:58,625
I KEEP TELLING HIM THAT.
1545
01:01:01,125 --> 01:01:03,583
[DISHES CLATTERING]
1546
01:01:03,667 --> 01:01:08,750
OKAY, NOW THIS IS
SLICED BRUSSELS SPROUT
1547
01:01:08,834 --> 01:01:10,959
WITH TAHINI
GARLIC DRIZZLE.
1548
01:01:11,041 --> 01:01:12,083
OH...
1549
01:01:14,792 --> 01:01:15,834
THAT'S, UM...
1550
01:01:15,917 --> 01:01:16,959
GOOD.
1551
01:01:17,041 --> 01:01:18,333
OH, YEAH?
1552
01:01:18,417 --> 01:01:19,792
MM, IT'S AMAZING!
1553
01:01:19,875 --> 01:01:20,792
IS IT?
1554
01:01:20,875 --> 01:01:22,667
MM-HMM.
1555
01:01:22,750 --> 01:01:23,750
OKAY, UH...
1556
01:01:23,834 --> 01:01:25,083
YEAH?
1557
01:01:25,166 --> 01:01:26,208
JASON?
1558
01:01:26,291 --> 01:01:27,458
IT'S VERY INTERESTING.
1559
01:01:27,542 --> 01:01:28,500
OH, YOU DON'T LIKE IT.
1560
01:01:28,583 --> 01:01:29,667
NO, NO, IT'S, UH,
1561
01:01:29,750 --> 01:01:30,625
JUST TAKES A LITTLE
GETTING USED TO.
1562
01:01:30,709 --> 01:01:31,583
UH-HUH? JENN?
1563
01:01:31,667 --> 01:01:32,792
WOW.
1564
01:01:32,875 --> 01:01:34,417
IT'S REALLY...
1565
01:01:34,500 --> 01:01:35,458
RAW,
1566
01:01:35,542 --> 01:01:36,458
BUT YUMMY.
1567
01:01:36,542 --> 01:01:38,166
OH, GOOD, OKAY.
1568
01:01:38,250 --> 01:01:40,333
NOW, THE MAIN ENTREE.
1569
01:01:40,417 --> 01:01:42,458
YOU WILL NEED YOUR FORKS.
1570
01:01:44,959 --> 01:01:45,959
SO, THIS IS THE MAIN COURSE?
1571
01:01:46,041 --> 01:01:47,458
MM-HMM.
1572
01:01:47,542 --> 01:01:50,250
SUPER HIGH-VIBRATIONAL.
1573
01:01:50,333 --> 01:01:51,250
IT LOOKS GOOD!
1574
01:01:51,333 --> 01:01:52,375
UH-HUH.
1575
01:01:52,458 --> 01:01:55,667
YOU START WITH
A NICE EGGPLANT BASE--
1576
01:01:55,750 --> 01:01:56,667
IT'S NOT COOKED?
1577
01:01:56,750 --> 01:01:57,709
A LITTLE,
1578
01:01:57,792 --> 01:02:00,542
IT'S LIVE AS IT CAN BE.
1579
01:02:00,625 --> 01:02:01,625
GINGER...
1580
01:02:01,709 --> 01:02:02,834
[CHUCKLING DUBIOUSLY]
1581
01:02:02,917 --> 01:02:04,542
...AND BASIL...
1582
01:02:04,625 --> 01:02:05,792
WOW, IT'S COLORFUL.
1583
01:02:05,875 --> 01:02:07,458
ISN'T IT?
1584
01:02:07,542 --> 01:02:08,667
[SIGHING NERVOUSLY]
BON APPETIT.
1585
01:02:08,750 --> 01:02:10,208
GOOD.
1586
01:02:12,333 --> 01:02:14,041
AW, YOU GUYS HATE IT.
1587
01:02:14,125 --> 01:02:15,583
[MURMURING]
1588
01:02:15,667 --> 01:02:16,792
"HATE" IS SUCH
A STRONG WORD.
1589
01:02:16,875 --> 01:02:17,875
IT REALLY IS.
1590
01:02:17,959 --> 01:02:19,458
I THINK I FEEL THE VIBRATIONS.
1591
01:02:19,542 --> 01:02:21,250
[DOORBELL RINGS]
1592
01:02:21,333 --> 01:02:22,542
HEY, LOGAN,
CAN YOU GET THAT?
1593
01:02:22,625 --> 01:02:24,583
YEAH, SURE.
1594
01:02:24,667 --> 01:02:26,208
YOU KNOW, IT'S OKAY
THAT YOU DON'T LIKE IT.
1595
01:02:26,291 --> 01:02:27,417
TO PASS THE CLASS,
1596
01:02:27,500 --> 01:02:28,917
ALL I HAD TO DO
WAS HAVE THE DINNER PARTY,
1597
01:02:29,000 --> 01:02:30,333
AND YOU HAD TO
TASTE THE FOOD, SO...
1598
01:02:30,417 --> 01:02:32,000
I FIGURE,
MISSION ACCOMPLISHED.
1599
01:02:32,083 --> 01:02:33,041
YEAH?
1600
01:02:33,125 --> 01:02:34,750
GREAT.
1601
01:02:34,834 --> 01:02:36,500
HEY, LOOK, LOOKS LIKE
THE CAVALRY'S HERE.
1602
01:02:36,583 --> 01:02:38,250
[GASPING]
PIZZA!
1603
01:02:38,333 --> 01:02:39,417
I ORDERED
BACK-UP.
1604
01:02:39,500 --> 01:02:40,667
DANI...
1605
01:02:40,750 --> 01:02:42,500
OH, YOU ARE
SO SMART!
1606
01:02:42,583 --> 01:02:43,875
[ALL LAUGHING
AND EXCLAIMING IN DELIGHT]
1607
01:02:43,959 --> 01:02:45,959
PERFECT!
1608
01:02:47,458 --> 01:02:48,417
THANK YOU, DANI!
1609
01:02:48,500 --> 01:02:49,875
[DELIGHTED LAUGHTER]
1610
01:02:49,959 --> 01:02:51,750
WHAT DO YOU THINK
THE VIBRATIONAL CONTENT
1611
01:02:51,834 --> 01:02:54,375
OF A SLICE OF THIS DOUBLE CHEESE
VEGGIE EXTRAVAGANZA IS?
1612
01:02:54,458 --> 01:02:56,333
I WOULDN'T KNOW.
JENN?
1613
01:02:56,417 --> 01:02:58,250
HMM?
HIGH. VERY HIGH.
1614
01:02:58,333 --> 01:02:59,500
[LAUGHTER]
1615
01:03:01,834 --> 01:03:06,000
OH, THESE MEANT
SO MUCH TO SYDNEY,
1616
01:03:06,083 --> 01:03:07,917
I'M JUST SO GLAD THEY'RE BACK.
1617
01:03:08,000 --> 01:03:09,291
THANK YOU.
1618
01:03:10,917 --> 01:03:13,417
DID YOU COMPLETE
THE INVENTORY OF THE ARTWORK?
1619
01:03:13,500 --> 01:03:16,000
WAS THERE ANYTHING ELSE MISSING?
1620
01:03:16,083 --> 01:03:17,500
YES, ACTUALLY,
THERE WAS.
1621
01:03:17,583 --> 01:03:18,667
A PAINTING.
1622
01:03:18,750 --> 01:03:20,458
COME, I'LL SHOW YOU.
1623
01:03:21,959 --> 01:03:24,041
[SHUTTER CLICKS]
1624
01:03:24,125 --> 01:03:25,500
IT'S FROM
MY HUSBAND'S FAMILY.
1625
01:03:25,583 --> 01:03:26,709
YOU HAVE NO RECORD
1626
01:03:26,792 --> 01:03:28,000
OF WHERE IT'S SUPPOSED
TO BE STORED?
1627
01:03:28,083 --> 01:03:30,166
NO. THINGS GOT
MOVED AROUND.
1628
01:03:30,250 --> 01:03:31,250
DO YOU MIND IF I GO
BACK TO THE ATTIC
1629
01:03:31,333 --> 01:03:32,375
AND TAKE A LOOK?
1630
01:03:32,458 --> 01:03:33,917
CERTAINLY.
GO AHEAD.
1631
01:03:36,125 --> 01:03:37,834
[♪♪♪]
1632
01:05:25,959 --> 01:05:28,166
[SHUTTER CLICKS]
1633
01:05:29,667 --> 01:05:32,625
FRANK, CHECK THIS OUT.
1634
01:05:35,542 --> 01:05:37,750
I'M STUMPED.
I DON'T KNOW.
1635
01:05:37,834 --> 01:05:39,792
YOU KNOW ELIZABETH
DID AN INVENTORY
1636
01:05:39,875 --> 01:05:41,250
OF ALL THE PAINTINGS
IN THE BINDER.
1637
01:05:41,333 --> 01:05:43,417
ONE OF THEM WAS MISSING.
1638
01:05:43,500 --> 01:05:45,333
WHAT YOU'RE LOOKING AT
IS AN OUTLINE LEFT IN THE DUST
1639
01:05:45,417 --> 01:05:47,208
AFTER IT WAS TAKEN.
1640
01:05:47,291 --> 01:05:48,667
WHAT PAINTING'S MISSING?
1641
01:05:48,750 --> 01:05:51,041
IT'S A 19TH-CENTURY LANDSCAPE
1642
01:05:51,125 --> 01:05:54,375
BY AN ARTIST
NAMED JASPER CROPSEY.
1643
01:05:54,458 --> 01:05:55,875
-WHAT'S IT WORTH?
-$100,000.
1644
01:05:55,959 --> 01:05:56,959
100,000?
1645
01:05:57,041 --> 01:05:58,625
THE SIZE OF THE DUST IMPRINT
1646
01:05:58,709 --> 01:06:00,959
MATCHES THE DIMENSIONS
OF THE FRAME.
1647
01:06:01,041 --> 01:06:02,333
THE CROPSEY
WAS IN THE ATTIC, FRANK,
1648
01:06:02,417 --> 01:06:03,583
AND SOMEONE TOOK IT.
1649
01:06:03,667 --> 01:06:05,208
YEAH, BUT THAT COULD HAVE
HAPPENED A DAY,
1650
01:06:05,291 --> 01:06:06,625
OR A WEEK BEFORE SYDNEY
EVEN GOT UP THERE.
1651
01:06:10,291 --> 01:06:12,291
ALL RIGHT, WHAT'S YOUR THEORY?
1652
01:06:12,375 --> 01:06:15,083
SAM BRISCO COULD HAVE KNOWN
ABOUT THE PAINTING.
1653
01:06:15,166 --> 01:06:17,083
HE PREVIOUSLY ROBBED THE HOUSE
AND GOT AWAY WITH IT.
1654
01:06:17,166 --> 01:06:18,500
SO MAYBE HE WENT BACK
FOR THE PAINTING,
1655
01:06:18,583 --> 01:06:19,834
SYDNEY CAUGHT HIM IN THE ACT,
1656
01:06:19,917 --> 01:06:21,125
AND HE HIT HER WITH A PIPE
TO TRY TO GET AWAY--
1657
01:06:21,208 --> 01:06:22,458
HOLD ON, HOLD ON,
1658
01:06:22,542 --> 01:06:23,834
HIT HER WITH A PIPE
ON THE HEAD?
1659
01:06:25,500 --> 01:06:27,333
SO HOW DID THE BLOOD GET
ON THE OTHER PIPE
1660
01:06:27,417 --> 01:06:29,750
ATTACHED TO THE WALL?
1661
01:06:31,458 --> 01:06:32,333
HE PUT IT THERE.
1662
01:06:34,125 --> 01:06:35,208
AND THEN HE MOVED THE DOORSTOP
1663
01:06:35,291 --> 01:06:37,709
TO MAKE IT LOOK LIKE
SHE TRIPPED.
1664
01:06:37,792 --> 01:06:40,000
THERE ARE A BUNCH OF PIPES
ON THE OTHER SIDE OF THE ATTIC.
1665
01:06:40,083 --> 01:06:41,750
ONE OF THEM COULD EASILY
HAVE BEEN THE WEAPON.
1666
01:06:48,250 --> 01:06:50,834
SO, NOW...
1667
01:06:50,917 --> 01:06:54,500
IT'S BURGLARY
WITH THE RESIDENT AT HOME.
1668
01:06:54,583 --> 01:06:56,625
THAT'S A SPECIAL
CIRCUMSTANCE.
1669
01:06:56,709 --> 01:06:58,750
THAT'S MINIMUM
SIX YEARS.
1670
01:06:58,834 --> 01:06:59,667
MAYBE I GET A YEAR.
1671
01:07:02,500 --> 01:07:04,083
WELL, ADDING MURDER
CHANGES EVERYTHING.
1672
01:07:04,166 --> 01:07:06,250
OH, NO, THAT ISN'T
GOING TO HAPPEN!
1673
01:07:06,333 --> 01:07:08,250
I DIDN'T KILL ANYBODY,
I DIDN'T SEE ANYONE!
1674
01:07:08,333 --> 01:07:10,542
YEAH, I TOOK
SOME TOYS SOLDIERS, BIG DEAL!
1675
01:07:10,625 --> 01:07:12,166
YOU'RE NOT GONNA
PIN A MURDER ON ME!
1676
01:07:12,250 --> 01:07:13,959
HEY, YOU CAN'T DO THIS TO ME!
1677
01:07:14,041 --> 01:07:15,000
I DIDN'T DO IT!
1678
01:07:15,083 --> 01:07:16,250
GET HIM OUTTA HERE...
1679
01:07:16,333 --> 01:07:18,041
I'M INNOCENT!
I DIDN'T DO IT!
1680
01:07:32,583 --> 01:07:34,375
YOU'RE BACK.
WHAT LOOKS GOOD TODAY?
1681
01:07:34,458 --> 01:07:35,542
THE MG.
1682
01:07:35,625 --> 01:07:37,333
THE ROBIN-EGG-BLUE MG
WITH THE CHROME BUMPERS,
1683
01:07:37,417 --> 01:07:39,709
THAT'S WHAT LOOKS
GOOD TODAY...
1684
01:07:39,792 --> 01:07:41,250
WHERE IS IT?
1685
01:07:41,333 --> 01:07:42,542
BOUGHT,
SHIPPED, AND GONE.
1686
01:07:42,625 --> 01:07:46,250
BUT WE HAVE
A FANTASTIC FERRARI 348...
1687
01:07:46,333 --> 01:07:47,750
THE '65 MG,
1688
01:07:47,834 --> 01:07:49,291
THAT'S WHAT I WANT.
1689
01:07:49,375 --> 01:07:51,375
HAVE YOU EVER
DRIVEN A FERRARI?
1690
01:07:51,458 --> 01:07:55,125
WHAT ABOUT
A FERRARI 360 SPIDER?
1691
01:07:55,208 --> 01:07:58,041
NOT AN MG.
1692
01:07:58,125 --> 01:08:00,750
NOT LIKE THE ONE I HAD.
1693
01:08:00,834 --> 01:08:02,375
WE GOT A PROBLEM.
1694
01:08:02,458 --> 01:08:03,917
I WENT OVER
BRISCO'S ALIBI
1695
01:08:04,000 --> 01:08:05,291
ON THE NIGHT
OF SYDNEY'S DEATH.
1696
01:08:05,375 --> 01:08:08,125
HE CLAIMS HE WAS
AT A FRIEND'S HOUSE DRINKING.
1697
01:08:08,208 --> 01:08:10,000
HE BOUGHT SOME THINGS
AT THE LIQUOR STORE
1698
01:08:10,083 --> 01:08:12,834
ON HIS WAY OVER.
1699
01:08:12,917 --> 01:08:16,375
SO, HERE'S SOME
SECURITY-CAM FOOTAGE
1700
01:08:16,458 --> 01:08:19,291
FROM THE STORE THAT NIGHT.
1701
01:08:19,375 --> 01:08:22,625
NOW, LOOK AT THIS.
1702
01:08:22,709 --> 01:08:25,917
THIS IS WAY OVER
AT RIDGESIDE FALLS.
1703
01:08:26,000 --> 01:08:27,875
IT'S 10:45 AT NIGHT.
1704
01:08:27,959 --> 01:08:31,709
SO, BRISCO COULDN'T HAVE BEEN
IN THE ATTIC WITH SYDNEY.
1705
01:08:31,792 --> 01:08:33,542
NOPE.
1706
01:08:48,750 --> 01:08:50,709
OH, HI,
THIS IS JENNIFER SHANNON.
1707
01:08:50,792 --> 01:08:52,125
I WAS WONDERING
IF YOU HAD TIME TO MEET
1708
01:08:52,208 --> 01:08:54,458
FOR A QUICK CUP OF COFFEE.
1709
01:08:54,542 --> 01:08:55,792
[TINA]: YOU'RE SAYING
1710
01:08:55,875 --> 01:08:56,667
THE PAINTING
WAS REMOVED FROM THE ATTIC?
1711
01:08:56,750 --> 01:08:59,625
YES, AND VERY RECENTLY.
1712
01:08:59,709 --> 01:09:01,458
MY GUESS IS IT WAS TAKEN
1713
01:09:01,542 --> 01:09:04,166
THE NIGHT
THAT SYDNEY DIED.
1714
01:09:04,250 --> 01:09:05,458
THE HANDYMAN?
1715
01:09:05,542 --> 01:09:06,542
NO.
1716
01:09:06,625 --> 01:09:08,000
HE HAS A SOLID ALIBI.
1717
01:09:09,583 --> 01:09:11,583
I'M TRYING TO
PUT TOGETHER A TIMELINE.
1718
01:09:11,667 --> 01:09:12,834
DO YOU REMEMBER
1719
01:09:12,917 --> 01:09:15,500
WHEN SYDNEY
DROPPED YOU BACK AT WORK?
1720
01:09:17,375 --> 01:09:18,291
TINA?
1721
01:09:20,000 --> 01:09:21,375
[SCOFFING] WHY ARE YOU EVEN
RE-HASHING THIS
1722
01:09:21,458 --> 01:09:22,458
OVER AND OVER?
1723
01:09:22,542 --> 01:09:23,875
I MEAN, WHAT ARE YOU,
THE POLICE?
1724
01:09:23,959 --> 01:09:25,208
ARE YOU
A FAMILY MEMBER?
1725
01:09:25,291 --> 01:09:26,208
I MEAN, WHO MADE YOU
THE CHIEF INVESTIGATOR
1726
01:09:26,291 --> 01:09:27,208
IN MY FRIEND'S DEATH?
1727
01:09:29,250 --> 01:09:31,709
I'M SORRY, I THOUGHT
YOU'D WANT TO KNOW.
1728
01:09:34,083 --> 01:09:37,125
[GASPING] I'M SORRY, JENN.
1729
01:09:37,208 --> 01:09:38,834
[SNIFFLING]
1730
01:09:38,917 --> 01:09:41,583
IT'S JUST, THINGS HAVE JUST
GOTTEN REALLY STRESSFUL AT WORK.
1731
01:09:41,667 --> 01:09:42,875
YOU KNOW,
THEY CUT BACK MY HOURS,
1732
01:09:42,959 --> 01:09:44,291
AND I HAVE THIS BALLOON PAYMENT
ON MY HOME LOAN,
1733
01:09:44,375 --> 01:09:45,583
AND IT JUST FEELS LIKE
1734
01:09:45,667 --> 01:09:47,542
EVERYTHING IS
HAPPENING AT ONCE.
1735
01:09:47,625 --> 01:09:48,792
I...
1736
01:09:48,875 --> 01:09:50,500
I JUST CAN'T RE-CREATE
1737
01:09:50,583 --> 01:09:53,542
THAT AFTERNOON
WITH SYDNEY AGAIN.
1738
01:09:53,625 --> 01:09:54,709
I'M SORRY.
1739
01:09:54,792 --> 01:09:56,041
I'M SORRY I SNAPPED AT YOU.
1740
01:09:57,291 --> 01:09:58,542
THAT'S ALL RIGHT, TINA.
1741
01:09:58,625 --> 01:10:03,375
IT'S JUST HARD TO
TAKE EVERYTHING IN, YOU KNOW?
1742
01:10:03,458 --> 01:10:05,583
SO, IF THE HANDYMAN
DIDN'T DO IT,
1743
01:10:05,667 --> 01:10:07,250
THEN DO THEY HAVE ANY IDEA
WHO MIGHT HAVE?
1744
01:10:08,542 --> 01:10:09,750
NO.
1745
01:10:09,834 --> 01:10:12,375
[TRAIN HORN BLARING]
1746
01:10:36,542 --> 01:10:39,583
HEY...
HEY, HAVE YOU LEFT YET?
1747
01:10:39,667 --> 01:10:41,792
NO, IT'S JUST TRAFFIC IS CRAZY,
1748
01:10:41,875 --> 01:10:43,375
SO I THOUGHT MAYBE, YOU KNOW,
1749
01:10:43,458 --> 01:10:45,125
YOU SHOULD JUST
GRAB DINNER THERE
1750
01:10:45,208 --> 01:10:47,417
AND COME HOME LATER.
1751
01:10:47,500 --> 01:10:49,041
YEAH, NO, OTHERWISE YOU'RE JUST
GOING TO BE SITTING THERE
1752
01:10:49,125 --> 01:10:51,583
LIKE, BUMPER TO BUMPER, RIGHT?
1753
01:10:51,667 --> 01:10:55,166
YEAH, OKAY, NO,
I'LL SEE YOU LATER.
1754
01:10:55,250 --> 01:10:56,375
YEAH, I LOVE YOU, TOO.
1755
01:11:02,125 --> 01:11:03,834
[SIGHS HEAVILY]
1756
01:11:59,792 --> 01:12:01,417
[SIGHS SADLY]
1757
01:12:09,291 --> 01:12:10,250
[SNIFFLES]
1758
01:12:19,166 --> 01:12:21,792
[CELL PHONE BUZZES]
1759
01:12:24,083 --> 01:12:25,750
THIS PIECE IS ACTUALLY
FROM 1905.
1760
01:12:25,834 --> 01:12:28,000
IT'S REALLY
IN VERY GOOD CONDITION...
1761
01:12:28,083 --> 01:12:29,125
JENN?
1762
01:12:29,208 --> 01:12:32,667
JENN, IT'S TINA.
1763
01:12:32,750 --> 01:12:33,792
I-I KNOW ABOUT
THE CROPSEY PAINTING.
1764
01:12:33,875 --> 01:12:35,458
[WHISPERING]
CAN YOU COME OVER, PLEASE?
1765
01:12:35,542 --> 01:12:38,208
I DON'T KNOW WHAT TO DO.
1766
01:12:40,917 --> 01:12:43,041
[GUN COCKS]
1767
01:12:48,333 --> 01:12:50,625
DOES ANYONE ELSE KNOW?
1768
01:12:50,709 --> 01:12:52,000
I DON'T KNOW WHAT TO DO.
1769
01:12:53,083 --> 01:12:54,041
DANI...
1770
01:12:54,125 --> 01:12:55,125
MM-HMM?
1771
01:12:55,208 --> 01:12:56,083
I JUST GOT
A MESSAGE FROM TINA,
1772
01:12:56,166 --> 01:12:57,083
ABOUT THE PAINTING.
1773
01:12:57,166 --> 01:12:58,125
WHAT ABOUT IT?
1774
01:12:58,208 --> 01:12:59,250
I'M NOT SURE,
1775
01:12:59,375 --> 01:13:00,250
BUT SHE WANTS ME TO
GO OVER THERE.
1776
01:13:00,333 --> 01:13:01,458
SHE DIDN'T SAY WHY?
1777
01:13:01,542 --> 01:13:03,208
NO.
1778
01:13:03,291 --> 01:13:04,875
BUT MY GUESS IS
SHE KNOWS WHERE IT IS.
1779
01:13:06,542 --> 01:13:07,583
YOU SAID YOU WERE IN THE CITY.
1780
01:13:07,667 --> 01:13:09,250
I LIED ABOUT THAT.
1781
01:13:10,542 --> 01:13:11,959
WE CAN JUST GIVE
THE PAINTING BACK.
1782
01:13:12,041 --> 01:13:12,917
OKAY?
1783
01:13:15,375 --> 01:13:16,875
AND IF YOU KILLED SYDNEY,
1784
01:13:16,959 --> 01:13:18,500
YOU DIDN'T MEAN TO, RIGHT?
1785
01:13:19,709 --> 01:13:20,667
THAT'S RIGHT.
1786
01:13:20,750 --> 01:13:21,750
OKAY.
1787
01:13:21,834 --> 01:13:23,291
SO IT'S NOT MURDER.
1788
01:13:23,375 --> 01:13:24,542
IT WASN'T INTENTIONAL.
1789
01:13:24,625 --> 01:13:27,333
IT DOESN'T MATTER.
1790
01:13:29,125 --> 01:13:30,667
I CAN'T SPEND A DAY IN JAIL.
1791
01:13:33,333 --> 01:13:34,875
I HAVE A BUYER
FOR THE PAINTING,
1792
01:13:34,959 --> 01:13:37,166
AND I'M GONNA SELL IT,
AND THEN I'M GOING TO DISAPPEAR.
1793
01:13:39,208 --> 01:13:40,125
OKAY.
1794
01:13:40,208 --> 01:13:42,750
THEN... THEN YOU GO.
1795
01:13:42,834 --> 01:13:45,542
YOU GO, AND I...
I WON'T TELL ANYONE, PLEASE...
1796
01:13:47,041 --> 01:13:48,000
I'M SORRY.
1797
01:13:48,083 --> 01:13:49,542
[SOBS] ANDREW...
1798
01:13:49,625 --> 01:13:50,625
[TINA SCREAMS]
1799
01:13:53,667 --> 01:13:55,709
[SIGHS]
1800
01:14:00,917 --> 01:14:03,041
[♪♪♪]
1801
01:14:56,834 --> 01:14:59,125
[KNOCKS]
1802
01:15:14,542 --> 01:15:15,500
HEY.
1803
01:15:15,583 --> 01:15:17,333
HI. IS TINA HERE?
1804
01:15:17,417 --> 01:15:18,834
YEAH, SHE'LL BE
RIGHT DOWN.
1805
01:15:18,917 --> 01:15:20,125
COME ON IN,
I'LL SHOW YOU
1806
01:15:20,208 --> 01:15:21,125
SOME OF THE STUFF
I'VE BEEN WORKING ON.
1807
01:15:21,208 --> 01:15:22,583
OH, THANK YOU.
1808
01:15:24,500 --> 01:15:25,625
I GUESS TINA FOUND OUT
1809
01:15:25,709 --> 01:15:26,875
ABOUT THAT
MISSING PAINTING.
1810
01:15:26,959 --> 01:15:28,959
OH, WHAT DID
SHE FIND OUT?
1811
01:15:29,041 --> 01:15:30,250
THE WHOLE STORY.
1812
01:15:30,333 --> 01:15:31,166
I GUESS SOMEBODY BROUGHT IT
INTO THE AUCTION HOUSE
1813
01:15:31,250 --> 01:15:32,208
TO TRY AND SELL IT.
1814
01:15:34,125 --> 01:15:35,375
SO, THIS IS, UH...
1815
01:15:35,458 --> 01:15:37,291
THIS IS THE STUFF
THAT NOBODY WANTS TO BUY.
1816
01:15:37,375 --> 01:15:39,458
WOW.
1817
01:15:39,542 --> 01:15:42,041
THEY'RE AMAZING.
YOU'RE VERY TALENTED.
1818
01:15:42,125 --> 01:15:43,875
I MEAN, I DON'T KNOW A LOT
ABOUT MODERN ART,
1819
01:15:43,959 --> 01:15:46,583
BUT THESE ARE POWERFUL.
1820
01:15:48,208 --> 01:15:49,125
[MUTTERS] RIGHT.
1821
01:15:49,208 --> 01:15:50,125
WELL, HERE,
1822
01:15:50,208 --> 01:15:52,333
CHECK THIS OUT.
1823
01:15:56,834 --> 01:16:00,125
I... I THINK
THE COMPOSITION IS...
1824
01:16:00,208 --> 01:16:03,291
REALLY...
1825
01:16:04,458 --> 01:16:06,417
YEAH, THAT COLOR RED
1826
01:16:06,500 --> 01:16:07,792
IS THE HARDEST THING
TO DUPLICATE.
1827
01:16:09,583 --> 01:16:10,583
WHAT DID YOU DO WITH TINA?
1828
01:16:15,291 --> 01:16:18,083
[SIGHS]
1829
01:16:18,166 --> 01:16:20,417
YOU TOOK THE PAINTING.
1830
01:16:20,500 --> 01:16:22,208
YOU KILLED SYDNEY.
1831
01:16:24,083 --> 01:16:25,083
YOU WANNA SEE IT?
1832
01:16:35,583 --> 01:16:38,041
SEE THAT?
1833
01:16:38,125 --> 01:16:40,000
THAT IS WORTH MORE MONEY
1834
01:16:40,083 --> 01:16:42,542
THAN I HAVE MADE...
1835
01:16:42,625 --> 01:16:44,583
IN MY LIFETIME.
1836
01:16:46,083 --> 01:16:49,291
AND MINE, WELL...
1837
01:16:49,375 --> 01:16:50,375
MINE ARE WORTHLESS.
1838
01:17:01,333 --> 01:17:04,041
I DIDN'T PLAN TO KILL ANYONE.
1839
01:17:04,125 --> 01:17:06,750
NO, YOU DIDN'T.
1840
01:17:06,834 --> 01:17:09,208
YOU JUST WANTED THE PAINTING.
1841
01:17:09,291 --> 01:17:10,333
TINA TOLD YOU ABOUT IT...
1842
01:17:12,000 --> 01:17:13,750
AND YOU ALL YOU HAD TO DO
WAS SNEAK IN THE ATTIC,
1843
01:17:13,834 --> 01:17:16,917
AND TAKE SOMETHING
THAT NO ONE WOULD EVER MISS.
1844
01:17:17,000 --> 01:17:20,041
YOU WORKED IN THE DARK,
1845
01:17:20,125 --> 01:17:21,250
PROBABLY WITH A FLASHLIGHT,
1846
01:17:21,333 --> 01:17:22,834
UNTIL YOU FOUND IT.
1847
01:17:37,625 --> 01:17:39,291
[SOFT CLATTER]
1848
01:17:40,959 --> 01:17:42,500
HELLO?
1849
01:17:45,166 --> 01:17:47,750
SOMEBODY THERE?
1850
01:17:55,667 --> 01:17:58,166
YOU DIDN'T MEAN TO KILL HER...
1851
01:18:01,750 --> 01:18:03,375
YOU TRIED TO STOP HER
FROM CALLING THE POLICE.
1852
01:18:12,375 --> 01:18:15,041
BUT SHE WASN'T MOVING,
AND YOU KNEW THAT SHE WAS DEAD.
1853
01:18:16,500 --> 01:18:18,583
YOU HAD TO MAKE IT LOOK
LIKE AN ACCIDENT.
1854
01:18:18,667 --> 01:18:21,083
YOU SAW THE PIPE ON THE WALL...
1855
01:18:22,583 --> 01:18:26,166
...ABOUT THE SAME SIZE
AS THE ONE YOU HIT HER WITH.
1856
01:18:26,250 --> 01:18:30,750
WHAT IF SHE FELL
AND HIT HER HEAD?
1857
01:18:30,834 --> 01:18:31,750
BUT WHY WOULD SHE FALL?
1858
01:18:33,834 --> 01:18:36,333
SHE TRIPPED.
1859
01:18:36,417 --> 01:18:38,208
AND NOW FOR THE LAST TOUCH
1860
01:18:38,291 --> 01:18:40,250
THAT WOULD MAKE IT PERFECT...
1861
01:18:40,333 --> 01:18:42,208
BLOOD ON THE WALL PIPE.
1862
01:18:48,917 --> 01:18:49,709
BUT YOU'RE AN ARTIST...
1863
01:18:51,458 --> 01:18:53,667
SO YOU DON'T JUST RUB IT ON.
1864
01:18:53,750 --> 01:18:56,041
YOU CAREFULLY APPLY IT
1865
01:18:56,125 --> 01:18:58,667
AS IF SOMEONE HIT THEIR HEAD
WHEN THEY FELL.
1866
01:19:00,959 --> 01:19:03,125
BUT NOW, YOU HAVE TO
GET RID OF THE MURDER WEAPON.
1867
01:19:03,208 --> 01:19:05,959
YOU CAN'T TAKE IT WITH YOU.
1868
01:19:06,041 --> 01:19:08,041
WHY NOT HIDE IT IN PLAIN SIGHT?
1869
01:19:10,125 --> 01:19:11,709
ALL THAT'S LEFT
1870
01:19:11,792 --> 01:19:13,834
IS FOR YOU TO TAKE THE PAINTING
1871
01:19:13,917 --> 01:19:16,583
AND GET OUT.
1872
01:19:18,542 --> 01:19:19,458
[ANDREW]: IT'S LIKE
YOU WERE ACTUALLY THERE.
1873
01:19:24,208 --> 01:19:25,917
YOU KNOW WHAT HAPPENS NEXT?
1874
01:19:27,542 --> 01:19:28,750
YOU SAID YOU WANTED
TO SEE TINA.
1875
01:19:28,834 --> 01:19:30,500
DON'T MAKE THIS
ANY WORSE, ANDREW--
1876
01:19:30,583 --> 01:19:32,583
OH, IT COULDN'T GET ANY WORSE.
1877
01:19:33,709 --> 01:19:35,125
COME ON.
1878
01:19:35,208 --> 01:19:36,417
COME ON, UPSTAIRS.
1879
01:19:37,500 --> 01:19:38,792
GO ON.
1880
01:19:52,000 --> 01:19:53,959
OKAY, ALL RIGHT, JUST--
JUST WAIT HERE.
1881
01:19:58,250 --> 01:19:59,291
[DOOR SWINGS, CREAKING]
1882
01:20:17,625 --> 01:20:18,500
[ROARING WITH EFFORT]
1883
01:20:30,500 --> 01:20:33,166
JUST PULL THE TRIGGER.
1884
01:20:33,250 --> 01:20:34,291
COME ON, JUST DO IT.
1885
01:20:36,917 --> 01:20:38,709
[SIRENS WAILING]
1886
01:20:38,792 --> 01:20:40,000
[JENN]:
HANG IN THERE, TINA.
1887
01:20:40,083 --> 01:20:41,875
THE EMTS SAY
YOU'RE GOING TO BE OKAY.
1888
01:20:41,959 --> 01:20:43,917
I'M SO SORRY, JENN.
1889
01:20:44,000 --> 01:20:45,542
IT'S OKAY.
1890
01:20:45,625 --> 01:20:47,417
YOU HAD NO WAY
OF KNOWING.
1891
01:20:48,625 --> 01:20:52,000
WHAT YOU DID WAS
REALLY COURAGEOUS.
1892
01:20:58,875 --> 01:21:00,333
I'M NOT EVEN
GOING TO TRY
1893
01:21:00,417 --> 01:21:01,917
AND EXPLAIN
THIS TO JASON.
1894
01:21:02,000 --> 01:21:04,125
YOU'RE ON YOUR OWN.
1895
01:21:05,834 --> 01:21:08,792
SO, HE NEVER INTENDED
TO KILL SYDNEY?
1896
01:21:08,875 --> 01:21:10,000
NO, HE THOUGHT
HE'D GET IN AND OUT,
1897
01:21:10,083 --> 01:21:12,083
AND NO ONE
WOULD EVER KNOW.
1898
01:21:12,166 --> 01:21:14,917
AH, BUT HE SURE DID
INTEND TO KILL TINA,
1899
01:21:15,000 --> 01:21:17,125
AND YOU WALKED
RIGHT INTO THE MIDDLE OF IT.
1900
01:21:17,208 --> 01:21:18,250
SO, DO YOU THINK,
MAYBE, PERHAPS,
1901
01:21:18,333 --> 01:21:19,291
IT'S TIME TO--
1902
01:21:19,375 --> 01:21:20,792
HEY, UM... DAD?
1903
01:21:20,875 --> 01:21:21,875
LOOK.
1904
01:21:24,083 --> 01:21:25,458
HMM.
1905
01:21:30,583 --> 01:21:33,375
IT'S ELIZABETH.
1906
01:21:33,458 --> 01:21:35,208
WHY ARE THEY HERE?
1907
01:21:35,291 --> 01:21:37,250
ELIZABETH WANTED
TO COME BY
1908
01:21:37,333 --> 01:21:38,667
AND THANK YOU
IN PERSON.
1909
01:21:38,750 --> 01:21:41,250
YOU ARE AMAZING.
1910
01:21:41,333 --> 01:21:42,709
YOU'RE A VERY
LUCKY MAN.
1911
01:21:42,792 --> 01:21:44,792
YOUR WIFE
IS TENACIOUS,
1912
01:21:44,875 --> 01:21:46,166
AND SMART,
1913
01:21:46,250 --> 01:21:47,208
AND VERY BRAVE.
1914
01:21:47,291 --> 01:21:49,458
AND MAYBE
A BIT RECKLESS.
1915
01:21:49,542 --> 01:21:51,166
MAYBE.
1916
01:21:51,250 --> 01:21:52,875
I... I WANT
TO THANK YOU
1917
01:21:52,959 --> 01:21:54,542
FROM THE BOTTOM
OF MY HEART.
1918
01:21:54,625 --> 01:21:59,125
WHAT HAPPENED TO MY DAUGHTER
SHOULD NEVER HAVE HAPPENED,
1919
01:21:59,208 --> 01:22:00,166
BUT AT LEAST THERE'S JUSTICE.
1920
01:22:01,458 --> 01:22:03,291
I ONLY WISH SYDNEY
WERE STILL HERE.
1921
01:22:03,375 --> 01:22:04,834
IT'S GOING TO BE HARD, BUT...
1922
01:22:06,083 --> 01:22:08,000
BUT ABBEY AND I,
1923
01:22:08,083 --> 01:22:09,500
WE'LL GET THROUGH
THIS TOGETHER.
1924
01:22:10,750 --> 01:22:11,959
FRANK, HOW IS TINA?
1925
01:22:12,041 --> 01:22:13,083
SHE'S VERY LUCKY.
1926
01:22:13,166 --> 01:22:14,875
BUT THEY EXPECT
A FULL RECOVERY.
1927
01:22:14,959 --> 01:22:17,291
THAT'S GOOD NEWS.
1928
01:22:17,375 --> 01:22:18,583
AND I'D LIKE
TO OFFICIALLY ANNOUNCE
1929
01:22:18,667 --> 01:22:20,250
THAT JENN WILL BE RETIRING
FROM CRIME-SOLVING.
1930
01:22:20,333 --> 01:22:22,208
OH... [APPLAUDING]
1931
01:22:23,667 --> 01:22:24,583
ACTUALLY,
I MADE THAT UP.
1932
01:22:24,667 --> 01:22:25,834
SOMETHING TO CONSIDER.
1933
01:22:25,917 --> 01:22:27,166
FINE.
1934
01:22:28,709 --> 01:22:30,000
I'LL CONSIDER IT.
1935
01:22:30,083 --> 01:22:31,083
[MURMURING]
1936
01:22:31,166 --> 01:22:32,166
SEE, THAT MEANS
SHE WON'T.
1937
01:22:32,250 --> 01:22:33,542
WELL, I CAN'T HELP IT
1938
01:22:33,625 --> 01:22:36,333
IF AN INTERESTING CASE
COMES THROUGH THE DOOR.
1939
01:22:36,417 --> 01:22:38,458
SHE CANNOT.
1940
01:22:38,542 --> 01:22:40,291
HAPPY BIRTHDAY, HONEY.
1941
01:22:40,375 --> 01:22:41,333
[CHUCKLING]
1942
01:22:41,417 --> 01:22:42,417
NO BALLOONS,
1943
01:22:42,500 --> 01:22:43,917
NO PARTY,
NO BIG DEAL,
1944
01:22:44,000 --> 01:22:44,875
JUST LIKE
YOU WANTED.
1945
01:22:44,959 --> 01:22:47,041
GOOD. THAT IS GOOD.
1946
01:22:47,125 --> 01:22:48,458
SO WHY...
1947
01:22:48,542 --> 01:22:49,625
DO I FEEL LIKE
YOU'RE UP TO SOMETHING?
1948
01:22:49,709 --> 01:22:51,709
COME ON, MAKE
A WISH, DAD.
1949
01:22:54,208 --> 01:22:56,000
WHAT'D YOU WISH FOR?
1950
01:22:57,750 --> 01:22:59,041
GOLF CLUBS.
1951
01:22:59,125 --> 01:23:00,583
OH, WELL, THEY
SHOULD BE OUTSIDE.
1952
01:23:00,667 --> 01:23:01,709
LET'S CHECK IT OUT.
1953
01:23:01,792 --> 01:23:03,542
-REALLY?
-MM-HMM.
1954
01:23:03,625 --> 01:23:04,542
OH...
1955
01:23:08,333 --> 01:23:09,333
WHAT?
1956
01:23:09,417 --> 01:23:10,458
[STAMMERING] NO... WHAT?
1957
01:23:10,542 --> 01:23:11,417
[JENN LAUGHING
AND CLAPPING IN DELIGHT]
1958
01:23:11,500 --> 01:23:13,250
THIS...
THIS IS THE CAR!
1959
01:23:13,333 --> 01:23:14,917
THIS IS THE CAR!
THIS IS MY CAR!
1960
01:23:15,000 --> 01:23:16,083
YES--
1961
01:23:16,166 --> 01:23:17,417
THIS WAS MY CAR.
THIS IS... WAIT...
1962
01:23:17,500 --> 01:23:18,417
YOU DESERVE IT.
1963
01:23:18,500 --> 01:23:19,667
THIS IS MY CAR.
1964
01:23:19,750 --> 01:23:21,583
YES.
1965
01:23:21,667 --> 01:23:23,709
BUT...
1966
01:23:23,792 --> 01:23:25,583
I KNOW...
1967
01:23:25,667 --> 01:23:27,166
I KNOW HOW MUCH
THIS COST.
1968
01:23:27,250 --> 01:23:30,083
WELL, I HAD MY OWN
LITTLE FUNDRAISER.
1969
01:23:30,166 --> 01:23:31,208
HEY...
1970
01:23:31,291 --> 01:23:33,792
HOW ABOUT YOU TAKE ME
FOR A DRIVE?
1971
01:23:33,875 --> 01:23:35,041
I THINK THAT'S
A GREAT IDEA.
1972
01:23:35,125 --> 01:23:36,125
I LOVE YOU.
1973
01:23:36,208 --> 01:23:37,959
HAPPY BIRTHDAY.
1974
01:23:42,875 --> 01:23:44,917
[♪♪♪]
1975
01:23:47,583 --> 01:23:50,417
SEE? WHO SAYS
WE'RE GETTING OLD.
1976
01:23:50,500 --> 01:23:52,542
NOT ME.
1977
01:23:52,625 --> 01:23:55,500
I THINK THAT WE ARE
AS GOOD AS WE EVER WERE.
1978
01:23:55,583 --> 01:23:57,125
ME TOO.
1979
01:24:00,083 --> 01:24:01,709
WELL...
1980
01:24:01,792 --> 01:24:03,250
I GUESS WE SHOULD BE
GETTING HOME.
1981
01:24:04,375 --> 01:24:07,041
REALLY?
1982
01:24:07,125 --> 01:24:08,750
OKAY.
1983
01:24:10,917 --> 01:24:12,375
[STARTER CHUGGING]
1984
01:24:12,458 --> 01:24:13,500
[CHUCKLES]
1985
01:24:13,583 --> 01:24:14,750
[STARTER CHUGGING]
1986
01:24:14,834 --> 01:24:16,667
NO, NO, NO, NO...
1987
01:24:16,750 --> 01:24:18,458
JUST LIKE
YOUR OLD CAR.
1988
01:24:18,542 --> 01:24:19,667
[LAUGHING]
1989
01:24:19,750 --> 01:24:21,041
[ENGINE DIES]
1990
01:24:21,125 --> 01:24:22,792
WELL, AT LEAST
WE GOT A CELL PHONE.
1991
01:24:22,875 --> 01:24:23,834
YES, WE DO.
1992
01:24:23,917 --> 01:24:24,875
YEAH.
1993
01:24:24,959 --> 01:24:25,834
I'LL CALL HANNAH.
1994
01:24:25,917 --> 01:24:27,166
[DIALING CALL]
1995
01:24:30,291 --> 01:24:31,583
HEY, HANNAH, IT'S MOM.
1996
01:24:31,667 --> 01:24:33,125
UH, WE'RE HAVING
SOME CAR TROUBLE.
1997
01:24:33,208 --> 01:24:34,500
WOULD YOU MIND
PICKING US UP?
1998
01:24:34,583 --> 01:24:36,750
WHERE ARE YOU?
1999
01:24:36,834 --> 01:24:38,291
UH...
2000
01:24:38,375 --> 01:24:40,917
WE'RE AT TAYLOR LAKE.
2001
01:24:41,000 --> 01:24:42,792
OH! LOVER'S LANE!
2002
01:24:42,875 --> 01:24:44,875
[WHISPERS]
OH, WE ARE SO BUSTED.
2003
01:24:44,959 --> 01:24:46,458
[CLEARS THROAT] MM-HMM.
2004
01:24:46,542 --> 01:24:48,333
I'LL SEE YOU
IN ABOUT HALF AN HOUR.
2005
01:24:48,458 --> 01:24:50,625
OKAY, THANK YOU.
2006
01:24:52,959 --> 01:24:54,041
MAYBE I SHOULD HAVE
CALLED MY DAD.
2007
01:24:54,125 --> 01:24:56,667
NAH, I THINK HE'S STILL
MAD ABOUT LAST TIME.
2008
01:24:56,750 --> 01:24:58,250
[LAUGHING]
2009
01:25:01,625 --> 01:25:05,583
[♪♪♪]
132060
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