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These are the user uploaded subtitles that are being translated: 1 00:00:04,000 --> 00:00:06,500 [♪♪♪] 2 00:00:26,834 --> 00:00:28,291 [CRICKETS CHIRPING] 3 00:02:31,208 --> 00:02:33,291 IS THIS BRACELET CORRECT? 4 00:02:33,375 --> 00:02:36,291 YOU ARE 1940s TOP TO BOTTOM 5 00:02:36,375 --> 00:02:37,834 ABSOLUTELY AUTHENTIC. 6 00:02:37,917 --> 00:02:39,375 WHAT KIND OF PARTY IS THIS? 7 00:02:39,458 --> 00:02:41,709 IT'S A MURDER MYSTERY WEEKEND. 8 00:02:41,792 --> 00:02:43,250 HAVE YOU EVER BEEN ON ONE? 9 00:02:46,417 --> 00:02:47,959 A COUPLE OF TIMES. 10 00:02:48,041 --> 00:02:49,500 OH, EXCUSE ME. 11 00:02:50,583 --> 00:02:51,625 SO, 12 00:02:51,709 --> 00:02:52,542 ARE YOU HAPPY WITH THE EARRINGS? 13 00:02:52,625 --> 00:02:53,583 CAN I HELP YOU? 14 00:02:55,417 --> 00:02:57,041 HI, JENN. 15 00:02:58,166 --> 00:02:59,458 SANDRA, HI. 16 00:03:00,709 --> 00:03:02,291 UM... 17 00:03:02,375 --> 00:03:04,166 I KNOW YOU USED TO COLLECT THESE. 18 00:03:12,583 --> 00:03:14,333 [GASPS] 19 00:03:14,417 --> 00:03:16,667 I CAN'T BELIEVE YOU REMEMBERED. 20 00:03:16,750 --> 00:03:18,333 THANK YOU. 21 00:03:20,000 --> 00:03:21,000 WELL, IT... 22 00:03:21,083 --> 00:03:23,208 IT'S BEEN TOO LONG. 23 00:03:24,917 --> 00:03:26,166 IT HAS. 24 00:03:27,375 --> 00:03:28,959 I'VE GOT NEWS. 25 00:03:29,041 --> 00:03:30,542 I'M CLOSING MY SHOP. 26 00:03:30,625 --> 00:03:32,625 IT'S A GOOD THING. 27 00:03:32,709 --> 00:03:34,834 SO IF YOU'D LIKE TO SWING BY, 28 00:03:34,917 --> 00:03:36,583 I'LL GIVE YOU FIRST DIBS ON ANYTHING YOU WANT. 29 00:03:38,208 --> 00:03:40,000 OKAY. 30 00:03:40,083 --> 00:03:41,333 IS TOMORROW GOOD? 31 00:03:41,417 --> 00:03:43,208 THAT WORKS. 32 00:03:43,291 --> 00:03:44,583 I'LL SEE YOU THEN. 33 00:03:44,667 --> 00:03:46,041 I'LL SEE YOU TOMORROW. 34 00:03:55,375 --> 00:03:57,500 WAS THAT SANDRA? 35 00:03:57,583 --> 00:03:59,166 WEREN'T YOU TWO KIND OF ON THE OUTS? 36 00:03:59,250 --> 00:04:01,125 WE WERE. 37 00:04:01,208 --> 00:04:02,458 HMM. 38 00:04:08,291 --> 00:04:09,709 I SIT THERE, 39 00:04:09,792 --> 00:04:11,166 AND I DON'T UNDERSTAND ANY OF IT. 40 00:04:11,250 --> 00:04:12,834 MAYBE IT'S GENETIC. 41 00:04:12,917 --> 00:04:14,333 I WAS NEVER GOOD AT PHILOSOPHY. 42 00:04:14,417 --> 00:04:16,125 IF YOU WANT TO KNOW IF A TREE MAKES A NOISE 43 00:04:16,208 --> 00:04:17,667 WHEN IT FALLS IN THE FOREST, 44 00:04:17,750 --> 00:04:18,917 LEAVE A TAPE RECORDER OUT THERE. 45 00:04:19,000 --> 00:04:20,250 [CHUCKLES] 46 00:04:20,333 --> 00:04:21,542 HAVE YOU SEEN YOUR BROTHER? 47 00:04:21,625 --> 00:04:22,709 ON HIS COMPUTER. 48 00:04:22,792 --> 00:04:23,792 [SIGHS] 49 00:04:23,875 --> 00:04:24,834 SHOULD I BE WORRIED? 50 00:04:24,917 --> 00:04:25,792 THAT SEEMS TO BE ALL HE'S DOING. 51 00:04:25,875 --> 00:04:26,834 [CELL PHONE CHIMES] 52 00:04:26,917 --> 00:04:28,667 I DON'T UNDERSTAND KIDS TODAY. 53 00:04:28,750 --> 00:04:30,542 [LAUGHING] 54 00:04:30,625 --> 00:04:32,291 [TYPING RAPIDLY] 55 00:04:37,333 --> 00:04:39,166 HEY, KIDDO. 56 00:04:39,250 --> 00:04:40,834 'SUP, MOM. 57 00:04:40,917 --> 00:04:42,208 WHATCHA DOING? 58 00:04:42,291 --> 00:04:44,250 CREATING AN ORIGINAL VIDEO GAME. 59 00:04:44,333 --> 00:04:46,125 WELL, ME, NATE, AND CAMERON ARE. 60 00:04:46,208 --> 00:04:47,458 HMM. 61 00:04:47,542 --> 00:04:48,500 SOUNDS LIKE FUN... 62 00:04:48,583 --> 00:04:50,000 HON'. 63 00:04:50,083 --> 00:04:52,709 [CHUCKLING] 64 00:04:52,792 --> 00:04:54,125 PLEASE, DON'T RHYME, MOM. 65 00:04:54,208 --> 00:04:55,166 OKAY. 66 00:04:56,709 --> 00:04:58,458 LOGAN, WILL YOU DO MY A FAVOR? 67 00:04:58,542 --> 00:05:01,041 GO OUTSIDE, SKATEBOARD, GET SOME SUNSHINE, FRESH AIR? 68 00:05:01,125 --> 00:05:03,000 YUP, WILL DO. 69 00:05:03,083 --> 00:05:05,625 WOW, THAT LOOKS COMPLICATED. 70 00:05:05,709 --> 00:05:07,625 DON'T FORGET TO WEAR YOUR HELMET. 71 00:05:07,709 --> 00:05:09,750 I ALWAYS DO, MOM. 72 00:05:09,834 --> 00:05:12,333 YEAH. YEAH, I REMEMBER SANDRA. 73 00:05:12,417 --> 00:05:13,792 I DIDN'T KNOW HER THAT WELL. 74 00:05:13,875 --> 00:05:15,375 WELL, SHE HAD A CAR SOPHOMORE YEAR, 75 00:05:15,458 --> 00:05:17,000 AND WE LOVED GOING TO GARAGE SALES 76 00:05:17,083 --> 00:05:18,542 AND SEARCHING FOR TREASURES. 77 00:05:18,625 --> 00:05:21,041 I HAVEN'T HEARD YOU MENTION HER NAME IN YEARS. 78 00:05:21,125 --> 00:05:23,208 SHE LIVES JUST OVER IN MADISON? 79 00:05:23,291 --> 00:05:24,250 JUST OUTSIDE OF TOWN. 80 00:05:24,333 --> 00:05:25,417 HMM. 81 00:05:25,500 --> 00:05:27,375 WHY'D YOU GUYS LOSE TOUCH? 82 00:05:27,458 --> 00:05:29,291 [SIGHING] 83 00:05:29,375 --> 00:05:31,542 SHE GOT FRIENDLY WITH A COUPLE OF GIRLS, 84 00:05:31,625 --> 00:05:33,125 AND I FELT EXCLUDED. 85 00:05:33,208 --> 00:05:35,041 JUST STUPID STUFF. 86 00:05:35,125 --> 00:05:38,333 NO BIG FIGHT OVER A BOY OR ANYTHING? 87 00:05:38,417 --> 00:05:41,083 NO, WE JUST GREW APART, SEPARATE LIVES, DIFFERENT TOWNS. 88 00:05:41,166 --> 00:05:42,208 20 MINUTES AWAY? 89 00:05:42,291 --> 00:05:43,458 YES. 90 00:05:44,792 --> 00:05:46,208 I HEARD SHE WAS ENGAGED A FEW YEARS BACK, 91 00:05:46,291 --> 00:05:47,542 BUT IT DIDN'T WORK OUT. 92 00:05:47,625 --> 00:05:49,959 AND NOW SHE'S CLOSING HER STORE. 93 00:05:50,041 --> 00:05:52,542 WELL, DON'T GO CRAZY BUYING EVERYTHING. 94 00:05:52,625 --> 00:05:53,875 YOU'RE GOING TO HAVE TO STORE IT ALL. 95 00:05:53,959 --> 00:05:55,834 AND WHO'S GOING TO MOVE IT FOR YOU? 96 00:06:02,709 --> 00:06:04,458 OH, NO. 97 00:06:08,792 --> 00:06:11,917 THERE'S JUST NOT A LOT EXTRA, 98 00:06:12,000 --> 00:06:13,917 IF WE SET ASIDE FOR RENT AND UTILITIES. 99 00:06:14,000 --> 00:06:16,667 DANI, DID YOU TAKE YOUR SALARY LAST MONTH? 100 00:06:16,750 --> 00:06:18,291 I POSTPONED IT. 101 00:06:18,375 --> 00:06:19,959 DON'T DO THAT. 102 00:06:20,041 --> 00:06:22,125 YOU HAVEN'T TAKEN A SALARY IN THREE MONTHS. 103 00:06:23,500 --> 00:06:25,500 THIS IS TYPICALLY OUR SLOW PERIOD. 104 00:06:25,583 --> 00:06:26,625 IT'LL PICK UP. 105 00:06:26,709 --> 00:06:28,208 WHERE ARE WE GOING TO GET THE MONEY 106 00:06:28,291 --> 00:06:29,834 TO BUY SANDRA'S INVENTORY? 107 00:06:31,250 --> 00:06:32,166 EMERGENCY FUND? 108 00:06:32,250 --> 00:06:33,542 IS THIS THAT? 109 00:06:33,625 --> 00:06:34,959 IT'S AN OPPORTUNITY. 110 00:06:35,041 --> 00:06:37,208 IT COULD PUT US IN THE BLACK. 111 00:06:37,291 --> 00:06:39,083 IF WE BUY REALLY GREAT STUFF AT A GOOD PRICE, 112 00:06:39,166 --> 00:06:40,375 AND WE TURN IT AROUND QUICKLY. 113 00:06:42,542 --> 00:06:44,625 [♪♪♪] 114 00:07:13,250 --> 00:07:15,208 JENN? 115 00:07:15,291 --> 00:07:16,250 HI. 116 00:07:16,333 --> 00:07:17,250 YOU MADE IT. 117 00:07:17,333 --> 00:07:18,333 I'M SO GLAD. 118 00:07:18,417 --> 00:07:19,583 [CHUCKLING HAPPILY] 119 00:07:19,667 --> 00:07:20,959 YOUR STORE IS WONDERFUL. 120 00:07:21,041 --> 00:07:22,333 WELL, WHO DID I LEARN WITH? 121 00:07:22,417 --> 00:07:23,625 AW... 122 00:07:23,709 --> 00:07:26,250 I'VE BEEN LOOKING FOR A TIFFANY LAMP. 123 00:07:26,333 --> 00:07:28,959 I HAVE A CLIENT WHO WOULD BUY THIS IN MINUTE, 124 00:07:29,041 --> 00:07:30,291 BUT YOU SHOULD GET THE SALE. 125 00:07:30,375 --> 00:07:31,959 WE'LL TALK ABOUT IT... 126 00:07:32,041 --> 00:07:34,166 OH, LOOK AT THAT BRASS TELESCOPE. 127 00:07:34,250 --> 00:07:35,250 ORIGINAL TRIPOD, 128 00:07:35,333 --> 00:07:38,583 1920s. 129 00:07:38,667 --> 00:07:40,291 I LOVE IT. 130 00:07:40,375 --> 00:07:42,375 AND I LOVE YOUR STORE, BUT... 131 00:07:42,458 --> 00:07:43,959 HONESTLY, 132 00:07:44,041 --> 00:07:46,000 I DON'T THINK I COULD AFFORD TO BUY HALF THE THINGS IN HERE. 133 00:07:46,083 --> 00:07:48,875 WELL, I'VE GOT A... 134 00:07:48,959 --> 00:07:50,125 A PLAN FOR THAT. 135 00:07:50,208 --> 00:07:52,333 BUT FIRST, ARE YOU HUNGRY? 136 00:07:54,041 --> 00:07:55,959 I THOUGHT EVERYTHING WAS COMING TOGETHER. 137 00:07:56,041 --> 00:07:59,792 MY FIANCE, MICHAEL, WAS MY PARTNER IN THE STORE. 138 00:07:59,875 --> 00:08:03,250 BUSINESS WAS STRUGGLING, BUT AT LEAST WE WERE IN LOVE, 139 00:08:03,333 --> 00:08:04,750 OR SO I THOUGHT. 140 00:08:04,834 --> 00:08:06,125 OH, NO. 141 00:08:06,208 --> 00:08:07,125 I WOKE UP ONE MORNING, 142 00:08:07,208 --> 00:08:08,333 HE'S ALREADY OUT, 143 00:08:08,417 --> 00:08:09,250 AND THERE'S A NOTE. 144 00:08:09,333 --> 00:08:10,250 [SIGHS] 145 00:08:10,333 --> 00:08:11,875 ANOTHER WOMAN. 146 00:08:11,959 --> 00:08:13,834 HE'S LEAVING TO BE WITH HER, I CAN HAVE HIS HALF OF THE SHOP. 147 00:08:13,917 --> 00:08:15,458 OH, THAT'S HORRIBLE. 148 00:08:15,542 --> 00:08:16,583 YUP. 149 00:08:16,667 --> 00:08:17,917 THEY WERE MOVING AWAY. 150 00:08:18,000 --> 00:08:19,500 "SEE YA LATER." 151 00:08:19,583 --> 00:08:20,750 WE NEVER SPOKE AGAIN. 152 00:08:20,834 --> 00:08:22,000 I'M SORRY, 153 00:08:22,083 --> 00:08:23,917 I WISH I WOULD HAVE KNOWN. 154 00:08:24,000 --> 00:08:26,208 IT WAS TOUGH AT FIRST, 155 00:08:26,291 --> 00:08:28,417 BUT NOT HAVING ANY CONTACT, 156 00:08:28,500 --> 00:08:31,875 IT HELPED ME GET OVER IT QUICKER. 157 00:08:31,959 --> 00:08:32,875 THEN I FOUND CLIFF. 158 00:08:32,959 --> 00:08:33,917 OOH. 159 00:08:34,000 --> 00:08:35,041 CLIFF. 160 00:08:35,125 --> 00:08:36,792 DO TELL. 161 00:08:36,875 --> 00:08:38,208 HE'S AN OPHTHALMOLOGIST, 162 00:08:38,291 --> 00:08:40,375 HAS A PRACTICE IN SAN FRANCISCO. 163 00:08:40,458 --> 00:08:41,333 LIVES IN MARIN. 164 00:08:41,417 --> 00:08:42,375 OH, JENN, 165 00:08:42,458 --> 00:08:44,250 I'M SO READY. 166 00:08:44,333 --> 00:08:46,208 MAYBE MICHAEL DID ME A FAVOR. 167 00:08:46,291 --> 00:08:47,500 WELL, WITH FAVORS LIKE THAT... 168 00:08:47,583 --> 00:08:49,709 [LAUGHING TOGETHER] 169 00:08:51,083 --> 00:08:53,041 [SIGHS] 170 00:08:54,291 --> 00:08:55,667 WE REALLY SHOULD HAVE STAYED IN TOUCH. 171 00:08:56,917 --> 00:08:59,041 I KNOW. 172 00:08:59,125 --> 00:09:01,500 LISTEN, THE SHOP. 173 00:09:01,583 --> 00:09:03,959 I KNOW YOU SAW SOME THINGS YOU LIKED. 174 00:09:04,041 --> 00:09:04,959 SO MANY THINGS, 175 00:09:05,041 --> 00:09:06,166 BUT, TRUTHFULLY, 176 00:09:06,250 --> 00:09:07,583 IT'S GOING TO TAKE MORE MONEY THAN I HAVE. 177 00:09:07,667 --> 00:09:08,917 MAYBE NOT. 178 00:09:09,000 --> 00:09:10,834 I DON'T WANT TO SELL IT PIECEMEAL. 179 00:09:10,917 --> 00:09:12,583 I WANT TO SELL IT ALL. 180 00:09:12,667 --> 00:09:13,625 JUST BE DONE WITH IT. 181 00:09:13,709 --> 00:09:15,333 WELL, I REALLY CAN'T AFFORD THAT. 182 00:09:15,417 --> 00:09:16,750 HOLD ON. 183 00:09:16,834 --> 00:09:18,750 IF YOU TAKE EVERYTHING YOU THINK YOU CAN SELL ONE DAY, 184 00:09:18,834 --> 00:09:20,417 THEN WHEN YOU DO, 185 00:09:20,500 --> 00:09:22,458 JUST SEND ME 20%. 186 00:09:24,041 --> 00:09:25,291 SANDRA, YOU CAN'T BE SERIOUS. 187 00:09:25,375 --> 00:09:27,250 YOU'D BE DOING ME A FAVOR. 188 00:09:27,333 --> 00:09:29,250 IT'LL BE LIKE AN ONGOING ANNUITY. 189 00:09:29,333 --> 00:09:31,041 OH, I DON'T KNOW... 190 00:09:32,250 --> 00:09:33,583 JENN... 191 00:09:33,667 --> 00:09:36,291 YOU'D REALLY BE HELPING ME OUT. 192 00:09:36,375 --> 00:09:38,125 PLEASE? 193 00:09:40,959 --> 00:09:42,667 OKAY. DEAL. 194 00:09:42,750 --> 00:09:43,959 GREAT. 195 00:09:44,041 --> 00:09:45,125 [LAUGHING] 196 00:09:45,208 --> 00:09:47,041 AND I CAN'T WAIT FOR YOU TO MEET CLIFF. 197 00:09:47,125 --> 00:09:48,709 HE'LL BE HERE THIS FRIDAY. 198 00:09:48,792 --> 00:09:50,208 YOU KNOW WHAT, 199 00:09:50,291 --> 00:09:51,417 WE ARE HAVING FRIENDS OVER FOR DINNER FRIDAY NIGHT. 200 00:09:51,500 --> 00:09:53,542 YOU GUYS SHOULD JOIN US. 201 00:09:56,917 --> 00:09:58,709 [SHOP BELL JINGLES] 202 00:09:59,792 --> 00:10:00,709 HI! 203 00:10:01,834 --> 00:10:02,875 WELCOME TO RAGS TO RICHES. 204 00:10:02,959 --> 00:10:04,208 I'M DANI. 205 00:10:04,291 --> 00:10:05,417 YOU'RE DANIELLE? 206 00:10:05,500 --> 00:10:07,375 YES, I AM. 207 00:10:07,458 --> 00:10:09,500 I'M ELENA DEROSA. 208 00:10:09,583 --> 00:10:11,333 YOU COME VERY HIGHLY RECOMMENDED. 209 00:10:12,458 --> 00:10:13,625 WELL, THANK YOU, 210 00:10:13,709 --> 00:10:14,667 I GUESS. 211 00:10:14,750 --> 00:10:15,917 [CHUCKLES] 212 00:10:16,000 --> 00:10:17,458 I OWN DEROSA FINE ARTS. 213 00:10:17,542 --> 00:10:19,250 DO YOU KNOW THE GALLERY? 214 00:10:19,333 --> 00:10:20,834 YES, I KNOW OF IT. 215 00:10:20,917 --> 00:10:22,709 I'M LOOKING FOR A MANAGER. 216 00:10:22,792 --> 00:10:24,000 OH... 217 00:10:27,250 --> 00:10:28,166 OH. 218 00:10:29,667 --> 00:10:32,000 WELL, I'M AN OWNER HERE, 219 00:10:32,083 --> 00:10:33,834 SO I'M NOT REALLY LOOKING FOR SOMETHING ELSE. 220 00:10:35,417 --> 00:10:38,458 WELL, YOU WOULD ONLY BE WORKING WITH EXQUISITE PIECES, 221 00:10:38,542 --> 00:10:40,291 A HIGH-END CLIENTELE, 222 00:10:40,375 --> 00:10:42,834 AND YOU'D BE MAKING A LOT MORE MONEY. 223 00:10:45,000 --> 00:10:46,750 THINK ABOUT IT. 224 00:10:56,583 --> 00:10:58,125 [SHOP BELL JINGLES] 225 00:10:58,208 --> 00:11:00,375 EVERYONE IS GOING CRAZY THESE DAYS. 226 00:11:00,458 --> 00:11:02,291 WHY NOT GO OLD-SCHOOL 227 00:11:02,375 --> 00:11:03,375 AND HAVE HIM BE A KUNG-FU MASTER? 228 00:11:03,458 --> 00:11:05,250 SHAOLIN TRAINED. 229 00:11:05,333 --> 00:11:07,834 RIGHT, BUT HIS POWERS ARE NOT SUPERNATURAL. 230 00:11:07,917 --> 00:11:09,750 COOL, AND EACH LEVEL, HIS OPPONENTS GET STRONGER... 231 00:11:09,834 --> 00:11:11,417 MAYBE MULTIPLE ENEMIES? 232 00:11:11,500 --> 00:11:13,000 AND TO REACH THE HIGHEST LEVEL, HE HAS TO FIGHT THE ILLUMINATI. 233 00:11:15,208 --> 00:11:17,583 OKAY, BAD IDEA. 234 00:11:20,542 --> 00:11:22,542 CAM'S THINKING OF HACKING HIS DAD'S PHONE. 235 00:11:22,625 --> 00:11:24,000 I JUST NEED TO SEE 236 00:11:24,083 --> 00:11:25,208 IF THE SCHOOL HAS TEXTED HIM ANYTHING ABOUT MY GRADES. 237 00:11:25,291 --> 00:11:26,500 I THOUGHT YOU HAD A 4.0. 238 00:11:26,583 --> 00:11:27,709 HAD. 239 00:11:27,792 --> 00:11:30,709 NATE AND ME KINDA SKATED LAST QUARTER. 240 00:11:30,792 --> 00:11:32,875 I DON'T KNOW ABOUT HACKING YOUR DAD'S PHONE. 241 00:11:32,959 --> 00:11:34,083 WELL, IT'S NOT REALLY A "HACK." 242 00:11:34,166 --> 00:11:34,750 IT'S JUST AN APP THAT RUNS IN THE BACKGROUND. 243 00:11:34,834 --> 00:11:35,959 YEAH, YOU SEE, 244 00:11:36,041 --> 00:11:37,667 A "HACK" WOULD BE IF WE WERE ABLE TO... 245 00:11:37,750 --> 00:11:39,959 GET INTO THE SCHOOL COMPUTER SYSTEM 246 00:11:40,041 --> 00:11:42,041 AND ACTUALLY CHANGE THE GRADES OURSELVES. 247 00:11:44,000 --> 00:11:45,041 THAT'D BE EPIC, DUDE. 248 00:11:45,125 --> 00:11:46,000 UNDERSTATEMENT. 249 00:11:46,083 --> 00:11:47,166 LOGAN, ARE YOU IN? 250 00:11:47,250 --> 00:11:49,375 I'M ALREADY GETTING "A"S. 251 00:11:49,458 --> 00:11:50,667 LIKE, WHAT WOULD I CHANGE THEM TO? 252 00:11:50,750 --> 00:11:52,041 WE'D BE LEGENDS! 253 00:11:52,125 --> 00:11:54,041 EXPELLED LEGENDS. 254 00:11:56,917 --> 00:11:58,333 COME ON, YOU GUYS AREN'T SERIOUS ABOUT THIS, ARE YOU? 255 00:12:00,583 --> 00:12:03,709 NAH, SOMEONE ALWAYS FINDS OUT, RIGHT? 256 00:12:03,792 --> 00:12:06,583 IT'D BE COOL JUST TO SEE IF WE COULD, THOUGH. 257 00:12:17,375 --> 00:12:18,166 [SHOP BELL JINGLES] DANI! 258 00:12:19,917 --> 00:12:22,583 YOU CANNOT BELIEVE THE STUFF THAT SHE HAS. 259 00:12:22,667 --> 00:12:24,083 YOU CANNOT BELIEVE OUR BOOKS. 260 00:12:24,166 --> 00:12:25,166 I'M SERIOUS. 261 00:12:25,250 --> 00:12:26,792 SHE HAS A TIFFANY LAMP. 262 00:12:26,875 --> 00:12:28,458 I ALREADY KNOW SOMEONE WHO WILL BUY IT. 263 00:12:28,542 --> 00:12:29,959 YEAH, I'M SERIOUS, TOO, JENN. 264 00:12:30,041 --> 00:12:31,792 I DON'T THINK WE'LL BE ABLE TO BUY VERY MUCH. 265 00:12:31,875 --> 00:12:33,125 AH, BUT HERE'S THE BEST PART, 266 00:12:33,208 --> 00:12:35,291 WE DON'T HAVE TO GIVE HER ANY CASH UP FRONT. 267 00:12:35,375 --> 00:12:36,625 ALL WE HAVE TO DO 268 00:12:36,709 --> 00:12:38,166 IS GIVE HER A PERCENTAGE OF WHAT WE SELL. 269 00:12:38,250 --> 00:12:39,750 -REALLY? -REALLY. 270 00:12:39,834 --> 00:12:41,000 [SIGHS] 271 00:12:41,083 --> 00:12:42,333 IT'S ABOUT TIME WE CAUGHT A BREAK. 272 00:12:42,417 --> 00:12:43,458 [LAUGHING] 273 00:12:43,542 --> 00:12:44,417 LET'S GO EAT SOME CHOCOLATE. 274 00:12:44,500 --> 00:12:45,333 -OKAY. -YEAH. 275 00:12:45,417 --> 00:12:47,667 [♪♪♪] 276 00:12:50,667 --> 00:12:51,834 I THINK IT'S FASCINATING. 277 00:12:51,917 --> 00:12:53,041 YOU DEAL WITH REAL KILLERS 278 00:12:53,125 --> 00:12:54,083 AND REAL CRIME. 279 00:12:54,166 --> 00:12:55,417 NOT LIKE IN THOSE MYSTERY NOVELS 280 00:12:55,500 --> 00:12:57,041 YOU USED TO READ. 281 00:12:57,125 --> 00:12:58,291 JENN READS MYSTERIES? 282 00:12:58,375 --> 00:12:59,875 OBSESSIVELY. 283 00:12:59,959 --> 00:13:00,834 WELL, THAT EXPLAINS A FEW THINGS. 284 00:13:00,917 --> 00:13:02,166 WELL, IT'S PAID OFF. 285 00:13:02,250 --> 00:13:03,834 SHE ACTUALLY HAS HELPED US SOLVE A FEW MURDERS. 286 00:13:03,917 --> 00:13:05,417 -SERIOUSLY? -WHAT? 287 00:13:05,500 --> 00:13:07,375 I-I DIDN'T DO THAT MUCH. 288 00:13:07,458 --> 00:13:08,333 NO, SHE'S BEING MODEST. 289 00:13:08,417 --> 00:13:09,709 YES, SHE DID. 290 00:13:09,792 --> 00:13:10,792 SHE'S A NATURAL. 291 00:13:10,875 --> 00:13:13,000 OH, GO ON. [LAUGHS] 292 00:13:13,083 --> 00:13:14,625 FORTUNATELY, SHE'S BACK TO READING BOOKS NOW. 293 00:13:14,709 --> 00:13:15,917 YES, I AM. 294 00:13:16,000 --> 00:13:18,208 I'M JUST READING BOOKS. 295 00:13:18,291 --> 00:13:19,709 YEAH, RIGHT. 296 00:13:19,792 --> 00:13:21,583 WELL, CLIFF HELPED SOLVE A MYSTERY LAST WEEK 297 00:13:21,667 --> 00:13:22,583 WITH A PATIENT. 298 00:13:22,667 --> 00:13:23,500 THE EYE CHART? 299 00:13:23,583 --> 00:13:25,208 OH, RIGHT. 300 00:13:25,291 --> 00:13:27,041 I HAD AN OLDER PATIENT, 301 00:13:27,125 --> 00:13:29,041 WHO I KNEW COULDN'T SEE VERY WELL, 302 00:13:29,125 --> 00:13:30,750 BUT HE WAS READING THE EYE CHART LIKE HE WAS A KID. 303 00:13:30,834 --> 00:13:31,959 PERFECT VISION. 304 00:13:32,041 --> 00:13:34,291 I "SEE" WHERE THIS IS GOING. 305 00:13:34,375 --> 00:13:36,208 [ALL GROANING AND LAUGHING] 306 00:13:36,291 --> 00:13:38,083 BAD... 307 00:13:38,166 --> 00:13:39,166 BUT I COULDN'T FIGURE IT OUT, 308 00:13:39,250 --> 00:13:41,083 WHOSE EYES GET BETTER AS THEY AGE? 309 00:13:41,166 --> 00:13:42,625 SO, WHEN HE WASN'T LOOKING-- 310 00:13:42,709 --> 00:13:43,917 YOU TURNED THE CHART UPSIDE DOWN? 311 00:13:44,000 --> 00:13:46,125 EXACTLY! 312 00:13:46,208 --> 00:13:47,041 BUT HE WAS STILL PERFECT! 313 00:13:47,125 --> 00:13:48,417 [LAUGHING] 314 00:13:48,500 --> 00:13:50,291 THAT GUY WAS CRAFTY, THOUGH. 315 00:13:50,375 --> 00:13:52,250 [LAUGHTER] 316 00:13:52,333 --> 00:13:54,583 CLIFF IS SO NICE. 317 00:13:54,667 --> 00:13:55,834 HOW DID YOU TWO MEET? 318 00:13:55,917 --> 00:13:57,583 HE CAME INTO THE SHOP. 319 00:13:57,667 --> 00:13:59,000 CAN YOU BELIEVE IT? 320 00:13:59,083 --> 00:14:00,709 A MAN WHO LOVES ANTIQUES. 321 00:14:00,792 --> 00:14:02,417 ACTUALLY, NO. 322 00:14:02,500 --> 00:14:03,583 HE WAS LOOKING FOR A GIFT. 323 00:14:03,667 --> 00:14:06,750 HIS HOME IS VERY MID-CENTURY MODERN. 324 00:14:08,333 --> 00:14:10,375 ARE YOU SURE ABOUT THIS CONSIGNMENT DEAL? 325 00:14:10,458 --> 00:14:11,917 I FEEL LIKE YOU'RE BEING TOO GENEROUS. 326 00:14:12,000 --> 00:14:14,250 I AM SO SURE. 327 00:14:14,333 --> 00:14:16,417 OH, AND I CAN'T BELIEVE I DIDN'T MENTION IT, 328 00:14:16,500 --> 00:14:19,083 I ALSO HAVE A BARN FILLED WITH EVEN MORE STUFF. 329 00:14:19,166 --> 00:14:20,458 A BARN? 330 00:14:20,542 --> 00:14:21,959 OOH, I LOVE BARNS. 331 00:14:22,041 --> 00:14:23,250 I KNOW YOU DO. 332 00:14:23,333 --> 00:14:24,458 WHO WANTS SOME PIE? 333 00:14:24,542 --> 00:14:25,959 OH, YES! 334 00:14:26,041 --> 00:14:26,959 YES! 335 00:14:28,500 --> 00:14:30,333 [LAUGHING] 336 00:14:30,417 --> 00:14:32,333 I FORGET HOW FUNNY FRANK IS WHEN HE'S NOT BEING A DETECTIVE. 337 00:14:32,417 --> 00:14:34,959 OH, FRANK'S ALWAYS BEING A DETECTIVE. 338 00:14:35,041 --> 00:14:36,166 HEY, DID YOU NOTICE HE GAVE ME CREDIT 339 00:14:36,250 --> 00:14:37,500 FOR HELPING SOLVE THOSE CASES IN THE PAST? 340 00:14:37,583 --> 00:14:38,917 UH-HUH. 341 00:14:39,000 --> 00:14:40,834 I ESPECIALLY LIKE THE PART ABOUT IT BEING IN THE PAST. 342 00:14:40,917 --> 00:14:42,458 RIGHT. 343 00:14:43,875 --> 00:14:45,750 REMEMBER WHEN I SAID I MIGHT NEED SOME HELP 344 00:14:45,834 --> 00:14:47,375 MOVING A FEW THINGS FROM SANDRA'S SHOP? 345 00:14:48,458 --> 00:14:49,417 YES... 346 00:14:49,500 --> 00:14:51,583 WELL, I WAS WRONG. 347 00:14:51,667 --> 00:14:53,542 OH. 348 00:14:53,625 --> 00:14:55,083 IT'S NOT A FEW THINGS. 349 00:14:56,333 --> 00:14:57,875 IT'S ALL OF IT. 350 00:15:02,000 --> 00:15:03,291 [♪♪♪] 351 00:15:06,542 --> 00:15:08,166 I'M GIVING YOU FAIR WARNING, 352 00:15:08,250 --> 00:15:10,542 I HAVEN'T OPENED THIS DOOR IN A LONG TIME. 353 00:15:10,625 --> 00:15:11,834 DON'T WORRY, I WON'T JUDGE. 354 00:15:11,917 --> 00:15:13,625 [LAUGHS] 355 00:15:13,709 --> 00:15:16,250 THERE MIGHT BE A FEW THINGS YOU WANT. 356 00:15:16,333 --> 00:15:18,333 THE REST OF IT IS GOING AWAY. 357 00:15:20,000 --> 00:15:21,792 WOW. 358 00:15:21,875 --> 00:15:24,959 I'M GOING TO GO GET SOME COFFEE FOR US. 359 00:15:25,041 --> 00:15:26,583 HAVE FUN. 360 00:15:30,583 --> 00:15:31,750 [♪♪♪] 361 00:15:53,166 --> 00:15:54,250 [FLOORBOARDS SQUEAK] 362 00:15:56,417 --> 00:15:57,625 [HATCH RATTLING] 363 00:16:14,000 --> 00:16:15,375 [HINGES CREAKING] 364 00:16:36,834 --> 00:16:39,166 [STAIRS SQUEAK] 365 00:17:10,041 --> 00:17:10,917 JENN? 366 00:17:12,208 --> 00:17:13,750 I'VE GOT COFFEE! 367 00:17:14,875 --> 00:17:16,458 WHERE ARE YOU? 368 00:17:16,542 --> 00:17:17,959 SANDRA! 369 00:17:18,041 --> 00:17:19,083 I'M DOWN HERE! 370 00:17:19,166 --> 00:17:22,625 YOU'VE GOT TO COME DOWN HERE AND SEE THIS. 371 00:17:22,750 --> 00:17:24,834 UH... HOLD ON. 372 00:17:28,542 --> 00:17:30,166 WHAT IS IT? 373 00:17:30,250 --> 00:17:32,500 WATCH YOUR STEP. 374 00:17:32,583 --> 00:17:33,917 LOOK. 375 00:17:34,000 --> 00:17:37,291 [GASPING] 376 00:17:37,375 --> 00:17:39,208 I DIDN'T KNOW THIS ROOM WAS EVEN DOWN HERE. 377 00:17:39,291 --> 00:17:40,834 LOOK AT ALL THIS. 378 00:17:40,917 --> 00:17:41,875 IT'S GREAT. 379 00:17:41,959 --> 00:17:43,083 LOOK AT THIS PAINTING. 380 00:17:43,166 --> 00:17:46,083 THE FRAME ALONE IS WORTH A LOT. 381 00:17:46,166 --> 00:17:47,583 [GASPING] 382 00:17:47,667 --> 00:17:50,375 THIS IS UNBELIEVABLE. 383 00:17:50,458 --> 00:17:52,041 I DON'T UNDERSTAND. 384 00:17:57,000 --> 00:17:59,583 WHY WOULD HE DO THAT? 385 00:17:59,667 --> 00:18:02,458 HIDE ALL THIS, AND THEN LEAVE IT BEHIND? 386 00:18:02,542 --> 00:18:03,417 [GASPS IN SHOCK] 387 00:18:04,917 --> 00:18:06,166 [GASPING BREATHLESSLY] 388 00:18:06,250 --> 00:18:07,834 MICHAEL... 389 00:18:14,750 --> 00:18:16,917 [POLICE RADIOS CRACKLE] 390 00:18:18,917 --> 00:18:20,125 I CAN'T BELIEVE IT. 391 00:18:20,208 --> 00:18:22,917 THIS WHOLE TIME... 392 00:18:23,000 --> 00:18:23,875 I'VE BEEN LIVING HERE, 393 00:18:23,959 --> 00:18:26,000 AND HE'S BEEN... 394 00:18:26,083 --> 00:18:27,208 RIGHT THERE. 395 00:18:27,291 --> 00:18:30,375 I'M SO SORRY. 396 00:18:33,250 --> 00:18:35,417 SO, I KNOW THIS IS VERY HARD, 397 00:18:35,500 --> 00:18:37,083 BUT SHERIFF CONNORS HAS A JOB TO DO. 398 00:18:37,166 --> 00:18:38,917 HE JUST HAS A FEW QUESTIONS TO ASK. 399 00:18:39,000 --> 00:18:41,208 IT'S ALL STANDARD PROCEDURE. 400 00:18:41,291 --> 00:18:43,417 CAN'T YOU DO IT, FRANK? 401 00:18:43,500 --> 00:18:45,959 IT'S NOT MY JURISDICTION, 402 00:18:46,041 --> 00:18:48,083 THOUGH HE HAS ASKED ME TO CONSULT, 403 00:18:48,166 --> 00:18:50,625 SO I'LL HELP IN ANY WAY I CAN. 404 00:18:53,166 --> 00:18:54,125 ARE YOU OKAY? 405 00:18:54,208 --> 00:18:56,125 YEAH. 406 00:18:56,208 --> 00:18:58,041 I AM OKAY. 407 00:19:02,250 --> 00:19:03,792 I WILL BE BACK TO CHECK ON YOU LATER. 408 00:19:13,208 --> 00:19:15,542 THANKS FOR COMING RIGHT OUT. 409 00:19:15,625 --> 00:19:17,208 YOU'VE GOT A KNACK FOR THIS, I CAN TELL YOU THAT MUCH. 410 00:19:18,375 --> 00:19:19,375 DID YOU KNOW THIS GUY? 411 00:19:19,458 --> 00:19:20,792 NEVER MET HIM. 412 00:19:20,875 --> 00:19:22,041 THEY'RE NOT GOING TO THINK 413 00:19:22,125 --> 00:19:23,583 SANDRA HAD ANYTHING TO DO WITH THIS, ARE THEY? 414 00:19:23,667 --> 00:19:25,625 WELL, SOMEONE SHOT HIM. 415 00:19:25,709 --> 00:19:27,250 THEY WERE ENGAGED, RIGHT? 416 00:19:27,333 --> 00:19:28,834 HE DROPS HER. 417 00:19:28,917 --> 00:19:30,583 HELL HATH NO FURY. 418 00:19:30,667 --> 00:19:33,083 THERE'S NO WAY SANDRA DID THIS. 419 00:19:33,166 --> 00:19:34,709 WELL, GOOD, 420 00:19:34,792 --> 00:19:36,625 'CAUSE I DON'T THINK SO EITHER. 421 00:19:36,709 --> 00:19:38,125 BUT I'M JUST GLAD I'M NOT THE ONE 422 00:19:38,208 --> 00:19:39,583 WHO HAS TO FIGURE IT OUT. 423 00:19:39,667 --> 00:19:41,542 WELL, KEEP ME POSTED. 424 00:19:41,625 --> 00:19:43,166 HERE WE GO. 425 00:19:50,291 --> 00:19:51,667 I'VE NEVER BEEN DOWN THERE. 426 00:19:51,750 --> 00:19:53,166 I DIDN'T EVEN KNOW THERE WAS A ROOM WAS UNDER THE BARN. 427 00:19:53,250 --> 00:19:55,166 WHEN DID YOU LAST SEE HIM? 428 00:19:56,291 --> 00:19:58,083 TWO YEARS AGO. 429 00:19:58,166 --> 00:20:01,709 WE WERE ENGAGED, LIVING HERE. 430 00:20:01,792 --> 00:20:03,000 I GOT UP ONE MORNING, 431 00:20:03,083 --> 00:20:05,375 AND FOUND A NOTE THAT SAID HE WAS LEAVING. 432 00:20:06,667 --> 00:20:07,709 HE WAS IN LOVE WITH ANOTHER WOMAN 433 00:20:07,792 --> 00:20:09,583 AND WAS MOVING AWAY. 434 00:20:09,667 --> 00:20:11,583 AND YOU HAD NO CONTACT AFTER THAT? 435 00:20:11,667 --> 00:20:13,917 I DIDN'T WANT ANY. 436 00:20:15,625 --> 00:20:17,458 YOU DON'T BELIEVE ME. 437 00:20:17,542 --> 00:20:20,542 I DIDN'T KILL MICHAEL. 438 00:20:20,625 --> 00:20:23,250 WHY WOULD I SEND JENN OUT THERE TO LOOK AROUND 439 00:20:23,333 --> 00:20:28,083 IF I KNEW THAT MY FIANCE'S BODY WAS UNDER THE BARN? 440 00:20:28,166 --> 00:20:30,000 DO YOU STILL HAVE THE NOTE? 441 00:20:30,083 --> 00:20:31,667 MAYBE. 442 00:20:31,750 --> 00:20:35,625 IN A BOX SOMEWHERE, I'D HAVE TO CHECK. 443 00:20:35,709 --> 00:20:37,083 THERE WAS ANOTHER NOTE 444 00:20:37,166 --> 00:20:39,917 THAT I FOUND IN HIS PANTS POCKET ABOUT A WEEK BEFORE. 445 00:20:40,000 --> 00:20:42,166 IT WAS A WOMAN'S HANDWRITING. 446 00:20:42,250 --> 00:20:43,250 SIGNED "ME." 447 00:20:43,333 --> 00:20:45,208 WHAT DID THE NOTE SAY? 448 00:20:45,291 --> 00:20:48,875 JUST, "SEE YOU TOMORROW - ME." 449 00:20:48,959 --> 00:20:51,291 I FELT ILL WHEN I READ IT. 450 00:20:51,375 --> 00:20:52,333 AND YOU HAVE NO IDEA 451 00:20:52,417 --> 00:20:53,959 WHO HE WAS HAVING THE AFFAIR WITH? 452 00:20:54,041 --> 00:20:56,375 NO, 453 00:20:56,458 --> 00:20:59,208 AND I NEVER GOT THE CHANCE TO ASK. 454 00:20:59,291 --> 00:21:00,500 DO YOU OWN A GUN? 455 00:21:02,500 --> 00:21:04,625 MICHAEL HAD A GUN, 456 00:21:04,709 --> 00:21:07,250 BUT HE TOOK IT WITH HIM WHEN HE LEFT. 457 00:21:07,333 --> 00:21:08,625 OR... 458 00:21:08,709 --> 00:21:11,542 WHEN I THOUGHT HE LEFT. 459 00:21:16,667 --> 00:21:18,083 [TOOLS CLATTERING] 460 00:21:24,875 --> 00:21:28,375 HEY, UM, THEORETICAL QUESTION, DAD. 461 00:21:28,458 --> 00:21:31,000 IF YOU KNEW SOMEONE WAS DOING SOMETHING 462 00:21:31,083 --> 00:21:32,917 THAT THEY SHOULDN'T, 463 00:21:33,041 --> 00:21:34,750 ARE YOU OBLIGATED TO TELL? 464 00:21:34,834 --> 00:21:38,250 DOES THAT MAKE YOU, LIKE, REALLY UNCOOL? 465 00:21:38,333 --> 00:21:40,542 UH, THERE ARE WORSE THINGS THAN BEING UNCOOL. 466 00:21:40,625 --> 00:21:42,542 NOT MANY. 467 00:21:44,000 --> 00:21:45,959 ALL RIGHT, UM... 468 00:21:46,041 --> 00:21:47,583 LET'S SAY YOU HAD A FRIEND 469 00:21:47,667 --> 00:21:50,166 WHO WANTED TO TAKE A SELFIE ON THE TOP OF A MOVING TRAIN? 470 00:21:52,166 --> 00:21:56,041 THAT'S A LITTLE EXTREME, BUT, YEAH, I GET YOUR POINT. 471 00:21:57,792 --> 00:21:59,542 I'M NOT GOING TO ASK YOU WHAT THIS IS ABOUT. 472 00:21:59,625 --> 00:22:01,750 I KNOW YOU'LL DO THE RIGHT THING. 473 00:22:07,542 --> 00:22:08,709 [CELL PHONE VIBRATES] 474 00:22:08,792 --> 00:22:10,667 EVERY TIME. 475 00:22:11,750 --> 00:22:12,667 OH. 476 00:22:13,834 --> 00:22:14,792 HELLO. 477 00:22:14,875 --> 00:22:16,583 [JENN]: HI, HON'. 478 00:22:16,667 --> 00:22:19,500 SO, SANDRA AND I FOUND HER EX-FIANCE, MICHAEL, 479 00:22:19,583 --> 00:22:20,417 UNDERNEATH THE BARN. 480 00:22:21,875 --> 00:22:25,041 HE WAS DEAD. I'LL EXPLAIN IT ALL LATER. 481 00:22:28,792 --> 00:22:31,250 LOOKS LIKE WE'RE HAVING PIZZA TONIGHT. 482 00:22:31,333 --> 00:22:34,458 GO IN AND LOOK AROUND, JUST LIKE YOU'RE A CUSTOMER. 483 00:22:34,542 --> 00:22:36,417 THEY'RE NOT GOING TO BELIEVE I'M A CUSTOMER. 484 00:22:36,500 --> 00:22:38,500 [SIGHS] JUST... 485 00:22:38,583 --> 00:22:40,625 LET ME KNOW WHAT THE PLACE IS LIKE, OKAY? 486 00:22:40,709 --> 00:22:41,625 OKAY. 487 00:22:41,709 --> 00:22:42,667 OKAY. 488 00:22:42,750 --> 00:22:44,750 [BREATHING DEEPLY] 489 00:22:44,834 --> 00:22:45,792 OKAY. 490 00:22:48,500 --> 00:22:50,959 OKAY, YOU DIDN'T HACK THIS, DID YOU? 491 00:22:51,041 --> 00:22:52,208 NO, DUDE. THAT'S JUST THE PORTAL. 492 00:22:52,291 --> 00:22:53,125 YOU WOULDN'T BELIEVE THE FIREWALLS 493 00:22:53,208 --> 00:22:54,250 AND SECURITIES THEY HAVE. 494 00:22:54,333 --> 00:22:57,083 YOU SAID IT, HACKERS ALWAYS GET CAUGHT. 495 00:22:57,166 --> 00:22:59,125 ONLY IF SOMEONE TELLS. 496 00:22:59,208 --> 00:23:00,667 DIGITAL BREAD CRUMBS WILL LEAD RIGHT BACK TO YOU. 497 00:23:00,750 --> 00:23:02,041 NOT ALWAYS. 498 00:23:02,125 --> 00:23:04,208 ME AND NATE ARE COOKED IF OUR GPAS DIVE. 499 00:23:04,291 --> 00:23:05,375 YOU SURE YOU DON'T WANNA HELP? 500 00:23:05,458 --> 00:23:07,041 SORRY, YOU'RE, UH, YOU'RE BREAKING UP. 501 00:23:07,125 --> 00:23:09,250 I DIDN'T QUITE CATCH THAT. 502 00:23:09,333 --> 00:23:10,917 OKAY, MAN, I'M JUST SAYING. 503 00:23:11,000 --> 00:23:12,583 AND HOW LONG WOULD YOU BE GROUNDED FOR 504 00:23:12,667 --> 00:23:13,625 IF YOU GOT CAUGHT? 505 00:23:13,709 --> 00:23:16,250 HOW LONG WOULD ETERNITY BE? 506 00:23:16,333 --> 00:23:17,250 ANYWAYS, I GOTTA BOOK. 507 00:23:17,333 --> 00:23:18,750 -SEE YA. -[CHIMES OUT] 508 00:23:23,333 --> 00:23:26,041 [♪♪♪] 509 00:23:28,333 --> 00:23:29,375 IF THERE'S ANYTHING I CAN HELP YOU WITH, 510 00:23:29,458 --> 00:23:31,750 PLEASE DON'T HESITATE TO ASK. 511 00:23:43,959 --> 00:23:46,125 YOU SEEM TO LIKE THIS. 512 00:23:46,208 --> 00:23:47,083 DO YOU KNOW WHAT IT IS? 513 00:23:47,166 --> 00:23:49,542 UM... 514 00:23:49,625 --> 00:23:51,709 OIL PAINTING? 515 00:23:51,792 --> 00:23:53,208 OLD? 516 00:23:53,291 --> 00:23:54,291 DEFINITELY OLD. 517 00:23:54,375 --> 00:23:56,000 YES, IT IS. 518 00:23:56,083 --> 00:23:57,166 19th CENTURY. 519 00:23:57,250 --> 00:23:58,458 HUDSON RIVER SCHOOL. 520 00:23:58,542 --> 00:24:00,375 HOW MUCH IS IT? 521 00:24:00,458 --> 00:24:02,375 A LOT. 522 00:24:02,458 --> 00:24:05,000 IS THERE ANYTHING IN PARTICULAR I CAN HELP YOU WITH? 523 00:24:06,208 --> 00:24:07,417 NAH, 524 00:24:07,500 --> 00:24:09,208 I WAS JUST WALKING BY. 525 00:24:09,291 --> 00:24:10,709 HMM. 526 00:24:10,792 --> 00:24:13,041 WELL, WE'RE REALLY NOT OPEN FOR BROWSERS. 527 00:24:13,125 --> 00:24:14,208 I'M SURE YOU UNDERSTAND. 528 00:24:14,291 --> 00:24:16,375 GOT IT. 529 00:24:16,458 --> 00:24:17,458 WELL, THANKS. 530 00:24:17,542 --> 00:24:19,667 IT'S A REALLY NICE GALLERY. 531 00:24:21,625 --> 00:24:22,542 OH... 532 00:24:23,875 --> 00:24:26,208 I BELIEVE THE ARTIST IS THOMAS COLE. 533 00:24:26,291 --> 00:24:28,458 [♪♪♪] 534 00:24:36,208 --> 00:24:37,709 -NO-- -YES. 535 00:24:37,792 --> 00:24:39,041 COMPLETELY DARK ROOM, 536 00:24:39,125 --> 00:24:40,875 UNDERGROUND LIKE A SEALED VAULT. 537 00:24:40,959 --> 00:24:42,458 I WOULDN'T HAVE EVEN GONE DOWN THERE. 538 00:24:42,542 --> 00:24:43,583 THERE WAS FURNITURE, AND PAINTINGS, 539 00:24:43,667 --> 00:24:45,125 AND ALL THIS COOL STUFF, 540 00:24:45,208 --> 00:24:46,125 AND THEN, 541 00:24:46,208 --> 00:24:47,166 THE BODY. 542 00:24:47,250 --> 00:24:48,250 IT WAS HORRIBLE. 543 00:24:48,333 --> 00:24:50,250 YOU'RE A MURDER MAGNET. 544 00:24:50,333 --> 00:24:52,125 [SIGHS] YEAH. 545 00:24:52,208 --> 00:24:53,208 I'M NOT SURE I LIKE THAT. 546 00:24:53,291 --> 00:24:54,458 [SHOP BELL JINGLES] 547 00:24:54,542 --> 00:24:56,000 IT'S REALLY NICE. 548 00:24:56,083 --> 00:24:58,041 KIND OF SNOOTY, 549 00:24:58,125 --> 00:24:59,959 BUT THE PAINTINGS ARE IMPRESSIVE. 550 00:25:00,041 --> 00:25:02,041 WHAT ARE YOU TALKING ABOUT? 551 00:25:02,125 --> 00:25:03,667 I WAS AT THE DEROSA GALLERY. 552 00:25:03,750 --> 00:25:05,208 I SAW A GUY THERE 553 00:25:05,291 --> 00:25:07,542 THAT LOOKED LIKE HE STEPPED RIGHT OUT OF GQ. 554 00:25:08,750 --> 00:25:09,667 WHAT WERE YOU DOING THERE? 555 00:25:09,750 --> 00:25:12,291 UM, I ASKED HANNAH TO CHECK IT OUT. 556 00:25:12,375 --> 00:25:13,667 THE OWNER CAME IN, 557 00:25:13,750 --> 00:25:15,166 AND I JUST WANTED TO SEE IF IT WAS AS NICE AS SHE SAID. 558 00:25:15,250 --> 00:25:18,125 WELL, WHY SEND HANNAH? 559 00:25:18,208 --> 00:25:20,917 WELL, 'CAUSE I HAD THINGS TO DO AROUND HERE. 560 00:25:21,000 --> 00:25:23,166 WHY DON'T YOU TELL YOUR DAUGHTER WHAT YOU JUST FOUND? 561 00:25:23,250 --> 00:25:24,542 YOUR MOTHER FOUND A BODY. 562 00:25:24,625 --> 00:25:26,417 IT WAS DEAD. 563 00:25:26,500 --> 00:25:27,917 [♪♪♪] 564 00:25:30,667 --> 00:25:31,917 WE'VE GOT FORENSICS DOWNSTAIRS. 565 00:25:32,000 --> 00:25:33,458 SHERIFF, YOU MIGHT WANT TO SEE THIS. 566 00:25:41,542 --> 00:25:43,083 [♪♪♪] 567 00:25:52,083 --> 00:25:54,125 LOOKS LIKE THE SHOOTER JUST TOSSED IT ASIDE 568 00:25:54,208 --> 00:25:56,000 BEFORE HEADING UP THE STAIRS. 569 00:25:58,583 --> 00:26:01,959 [♪♪♪] 570 00:26:07,667 --> 00:26:08,709 WE WON'T KNOW THE ACTUAL CAUSE OF DEATH 571 00:26:08,792 --> 00:26:09,709 UNTIL WE GET THE CORONER'S REPORT. 572 00:26:09,792 --> 00:26:11,709 OH, COME ON, HE WAS SHOT. 573 00:26:11,792 --> 00:26:14,208 WELL, AREN'T YOU THE MYSTERY BUFF? 574 00:26:14,291 --> 00:26:15,625 IN A MURDER INVESTIGATION, 575 00:26:15,709 --> 00:26:17,125 THE OBVIOUS... 576 00:26:17,208 --> 00:26:18,208 IS OFTEN QUITE WRONG. 577 00:26:18,291 --> 00:26:20,208 OKAY, IT'S UNLIKELY, 578 00:26:20,291 --> 00:26:22,000 BUT THE KILLER COULD HAVE SHOT A DEAD BODY 579 00:26:22,083 --> 00:26:24,125 IN AN ATTEMPT TO DISGUISE THE ACTUAL CAUSE OF DEATH, 580 00:26:24,208 --> 00:26:25,500 RIGHT? 581 00:26:25,583 --> 00:26:26,917 WE DON'T EVEN KNOW HOW LONG THE BODY WAS THERE. 582 00:26:27,000 --> 00:26:29,583 THE LAST TIME SANDRA SAW HIM WAS TWO YEARS AGO. 583 00:26:29,667 --> 00:26:31,166 THE KILLER MADE NO EFFORT TO HIDE THE WEAPON, 584 00:26:31,250 --> 00:26:32,208 WHICH IS ODD. 585 00:26:32,291 --> 00:26:33,458 FINGERPRINTS? 586 00:26:33,542 --> 00:26:36,667 LET'S JUST LET THE SHERIFF DO HIS JOB, OKAY? 587 00:26:36,750 --> 00:26:39,166 THERE'S NO MYSTERY HERE. 588 00:26:39,250 --> 00:26:40,583 IT'S JUST STRAIGHTFORWARD POLICE WORK. 589 00:26:40,667 --> 00:26:42,125 ANALYZE THE EVIDENCE, 590 00:26:42,208 --> 00:26:43,792 INTERVIEW EVERYBODY, 591 00:26:43,875 --> 00:26:44,834 AND GO FROM THERE. 592 00:26:45,959 --> 00:26:46,959 YOU'RE RIGHT. 593 00:26:47,041 --> 00:26:49,291 BODY IN THE BARN! 594 00:26:49,375 --> 00:26:50,959 THAT'S OUR HEADLINE, 595 00:26:51,041 --> 00:26:52,083 "BODY IN THE BARN." 596 00:26:52,166 --> 00:26:53,500 I THOUGHT "CORPSE IN THE CELLAR" 597 00:26:53,583 --> 00:26:54,500 WOULD BE BETTER, 598 00:26:54,583 --> 00:26:55,875 BUT, YOU KNOW... 599 00:26:55,959 --> 00:26:58,041 JACK DONNALLY, DAILY JOURNAL. 600 00:26:58,125 --> 00:26:59,500 YOU'RE THE JENNIFER SHANNON LISTED ON THE POLICE REPORT. 601 00:26:59,583 --> 00:27:00,625 FRANK? 602 00:27:00,709 --> 00:27:02,166 THAT'S MY CUE TO GO. 603 00:27:02,250 --> 00:27:03,875 ALWAYS NICE TO SEE YOU, JACK. 604 00:27:03,959 --> 00:27:05,375 YOU TOO, FRANK. 605 00:27:05,458 --> 00:27:07,083 -FRANK... -I JUST HAVE A FEW QUESTIONS. 606 00:27:07,166 --> 00:27:08,083 [SHUTTER CLICKS] 607 00:27:08,166 --> 00:27:09,500 VERY PHOTOGENIC. 608 00:27:09,583 --> 00:27:10,500 I'M JUST GOING TO GET A COUPLE MORE. 609 00:27:10,583 --> 00:27:11,792 THAT'S IT. 610 00:27:11,875 --> 00:27:12,875 OH, THAT'S GOOD, VERY GOOD. 611 00:27:14,333 --> 00:27:16,333 IT REALLY ENCAPSULATES THAT FEAR THAT I'M SURE YOU FELT 612 00:27:16,417 --> 00:27:17,792 WHEN YOU SAW THAT DEAD BODY. 613 00:27:21,375 --> 00:27:22,250 JENNIFER! 614 00:27:23,583 --> 00:27:26,375 SIT DOWN, SIT DOWN. 615 00:27:26,458 --> 00:27:27,667 THANK YOU. 616 00:27:27,750 --> 00:27:29,834 ALWAYS HAPPY TO SEE YOU. 617 00:27:29,917 --> 00:27:31,709 I'D OFFER YOU A DRINK, 618 00:27:31,792 --> 00:27:34,083 BUT IT'S GOT TO BE A STIFF ONE. 619 00:27:34,166 --> 00:27:35,041 [CHUCKLES] YOU'RE FUNNY. 620 00:27:35,125 --> 00:27:36,583 YOU THINK SO? 621 00:27:36,667 --> 00:27:39,041 DID I MENTION HOW I MIGHT HAVE TO LEAVE THIS PLACE? 622 00:27:39,125 --> 00:27:41,250 IT'S A DEAD-END JOB. 623 00:27:41,333 --> 00:27:42,291 [GASPS] 624 00:27:42,375 --> 00:27:43,750 BA-DUM-BUM. 625 00:27:43,834 --> 00:27:46,291 LISTEN, I NEED SOME INFORMATION ON MICHAEL CHAMBERS. 626 00:27:47,375 --> 00:27:48,375 AH... 627 00:27:48,458 --> 00:27:50,041 HE WAS DEAD. 628 00:27:50,125 --> 00:27:51,542 [CHUCKLES] 629 00:27:51,625 --> 00:27:53,667 YES, HE IS IN RESIDENCE HERE. 630 00:27:53,750 --> 00:27:55,000 HOW CAN I HELP YOU? 631 00:27:55,083 --> 00:27:56,875 WELL, I NEED TO KNOW CAUSE OF DEATH, 632 00:27:56,959 --> 00:27:57,834 HOW LONG HE WAS DEAD, 633 00:27:57,917 --> 00:28:00,083 WHATEVER YOU CAN TELL ME. 634 00:28:00,166 --> 00:28:01,291 THERE WILL BE AN OFFICIAL CORONER'S REPORT, 635 00:28:01,375 --> 00:28:03,166 RELEASED THROUGH THE APPROPRIATE CHANNELS. 636 00:28:03,250 --> 00:28:05,166 IF I VIOLATE THAT, 637 00:28:05,250 --> 00:28:06,834 I COULD LOSE MY JOB. 638 00:28:08,250 --> 00:28:10,166 YOU KNOW I'VE ALREADY SEEN THE BODY. 639 00:28:10,250 --> 00:28:11,250 MM-HMM. 640 00:28:12,458 --> 00:28:14,125 IT LOOKS LIKE SOMEONE SHOT HIM IN THE CHEST. 641 00:28:15,375 --> 00:28:16,500 SO YOU'RE SPECULATING 642 00:28:16,583 --> 00:28:17,959 THERE MIGHT HAVE BEEN THREE GUNSHOT WOUNDS 643 00:28:18,041 --> 00:28:19,041 TO THE TORSO? 644 00:28:19,125 --> 00:28:20,834 FROM A SMALL-CALIBER WEAPON. 645 00:28:20,917 --> 00:28:22,375 LIKE A 9 MM? 646 00:28:22,458 --> 00:28:25,000 MIGHT HAVE HAPPENED ABOUT TWO YEARS AGO? 647 00:28:25,083 --> 00:28:27,041 IT WOULD BE IMPOSSIBLE 648 00:28:27,125 --> 00:28:29,417 TO PINPOINT THE EXACT TIME OF DEATH. 649 00:28:29,500 --> 00:28:30,959 CASPER'S LAW, 650 00:28:31,041 --> 00:28:32,750 A BODY EXPOSED TO AIR 651 00:28:32,834 --> 00:28:35,834 WILL DECOMPOSE TWICE AS FAST AS A BODY IN WATER. 652 00:28:35,917 --> 00:28:38,792 FOUR TIMES AS FAST AS A BODY IN THE GROUND. 653 00:28:38,875 --> 00:28:40,458 UNEMBALMED, 654 00:28:40,542 --> 00:28:42,500 A BODY IN A CASKET COULD TAKE UP TO TEN YEARS. 655 00:28:43,750 --> 00:28:44,792 THIS WAS A SEALED ROOM, 656 00:28:44,875 --> 00:28:46,625 UNDERGROUND. 657 00:28:46,709 --> 00:28:48,250 SO, IT WAS PROBABLY VERY COOL. 658 00:28:48,333 --> 00:28:49,875 NO AIR CIRCULATION. 659 00:28:49,959 --> 00:28:51,750 NO INSECT ACTIVITY, NO ANIMALS. 660 00:28:51,834 --> 00:28:53,625 A BODY MIGHT LOOK PRETTY GOOD 661 00:28:53,709 --> 00:28:54,959 AFTER A COUPLE OF YEARS. 662 00:28:55,041 --> 00:28:56,625 YOU WANT TO SEE IT? 663 00:28:56,709 --> 00:28:59,166 NO, ONCE WAS ENOUGH. 664 00:28:59,250 --> 00:29:00,625 THE AUTOPSY WOULD SHOW 665 00:29:00,709 --> 00:29:03,041 IF HE WAS ALREADY DEAD BEFORE HE WAS SHOT, RIGHT? 666 00:29:03,125 --> 00:29:06,083 IN A GENERAL SENSE. 667 00:29:06,166 --> 00:29:08,041 USUALLY. 668 00:29:09,125 --> 00:29:10,041 WAS HE? 669 00:29:12,250 --> 00:29:15,041 OH, JUST ANSWER ME ONE, OKAY? 670 00:29:16,208 --> 00:29:18,667 I CAN'T ANSWER THE QUESTION. 671 00:29:18,750 --> 00:29:20,208 BUT LET ME ASK YOU THIS, 672 00:29:20,291 --> 00:29:22,542 DID YOU SEE ANY BLOOD STAINS ON HIS CLOTHING? 673 00:29:22,625 --> 00:29:24,542 YES. 674 00:29:24,625 --> 00:29:28,458 DO YOU THINK DEAD PEOPLE BLEED WHEN YOU SHOOT THEM? 675 00:29:28,542 --> 00:29:29,875 HMM? 676 00:29:29,959 --> 00:29:31,583 [♪♪♪] 677 00:29:31,667 --> 00:29:35,500 [BIRDS TWITTERING] 678 00:29:42,291 --> 00:29:43,583 [♪♪♪] 679 00:29:47,834 --> 00:29:48,709 [FOOTSTEPS APPROACH] 680 00:29:51,125 --> 00:29:52,208 HEY, SWEETHEART. 681 00:29:52,291 --> 00:29:53,750 HEY. 682 00:29:53,834 --> 00:29:55,917 HI. DID YOU PUT THAT LASAGNA IN THE OVEN? 683 00:29:56,000 --> 00:29:56,959 YES. 684 00:29:57,041 --> 00:29:57,959 IT'S ALMOST READY. 685 00:29:58,041 --> 00:29:59,208 GREAT, THANK YOU. 686 00:29:59,291 --> 00:30:00,625 HEY, HON', 687 00:30:00,709 --> 00:30:02,750 REMEMBER WHEN WE TALKED ABOUT GETTING INVOLVED 688 00:30:02,834 --> 00:30:04,375 WITH REAL CRIMES 689 00:30:04,458 --> 00:30:06,166 AND WITH REAL MURDERERS? 690 00:30:06,250 --> 00:30:08,291 ABOUT HOW THAT'S A BAD IDEA? 691 00:30:08,375 --> 00:30:09,375 NO, I KNOW, 692 00:30:09,458 --> 00:30:10,500 BUT I'M NOT INVOLVED. 693 00:30:10,583 --> 00:30:11,500 AH. 694 00:30:18,041 --> 00:30:18,959 OOPS. 695 00:30:21,667 --> 00:30:22,792 "JENNIFER SHANNON, 696 00:30:22,875 --> 00:30:25,166 "OWNER OF LOCAL STORE RAGS TO RICHES, 697 00:30:25,250 --> 00:30:27,041 "MADE A HORRIFYING DISCOVERY TODAY 698 00:30:27,125 --> 00:30:28,583 "WHILE SEARCHING FOR ANTIQUES-- 699 00:30:28,667 --> 00:30:32,417 "THE DEAD BODY OF A LOCAL MAN WHO DISAPPEARED TWO YEARS AGO. 700 00:30:32,500 --> 00:30:35,083 SHANNON, NO STRANGER TO MURDER MYSTERIES..." 701 00:30:35,208 --> 00:30:36,834 LISTEN, IT'S NOT MY FAULT. 702 00:30:36,917 --> 00:30:38,625 IT'S NOT LIKE I GO LOOKING FOR THIS STUFF, 703 00:30:38,709 --> 00:30:40,333 IT JUST HAPPENS. 704 00:30:40,417 --> 00:30:41,917 DANI CALLED ME A "MURDER MAGNET." 705 00:30:42,000 --> 00:30:44,166 [SIGHS] GREAT. 706 00:30:44,250 --> 00:30:46,125 WHAT AM I SUPPOSED TO DO NOW, 707 00:30:46,208 --> 00:30:48,000 HMM? 708 00:30:48,083 --> 00:30:49,166 LOOK, I'M GOING TO CHANGE MY CLOTHES 709 00:30:49,250 --> 00:30:50,500 AND BRING THAT LASAGNA OVER TO SANDRA. 710 00:30:50,583 --> 00:30:51,583 CLIFF'S COMING LATER, 711 00:30:51,667 --> 00:30:52,750 BUT I DON'T WANT HER TO BE ALONE. 712 00:30:54,750 --> 00:30:56,500 AT LEAST HE TOOK A GOOD PICTURE. 713 00:30:56,583 --> 00:30:58,125 [SCOFFS] HAIR'S A MESS. 714 00:31:03,166 --> 00:31:06,834 I MEANT TO THROW THIS STUFF OUT. 715 00:31:06,917 --> 00:31:09,083 SHERIFF CONNORS WANTS THE NOTE THAT MICHAEL LEFT BEHIND. 716 00:31:09,166 --> 00:31:12,000 IT MIGHT BE IN HERE SOMEWHERE. 717 00:31:12,083 --> 00:31:12,917 LITTLE DID I KNOW. 718 00:31:19,542 --> 00:31:21,333 HE WAS IN GOOD SHAPE. 719 00:31:21,417 --> 00:31:22,458 YEAH, A BIT NARCISSISTIC. 720 00:31:22,542 --> 00:31:25,750 PRACTICALLY LIVED AT THE GYM. 721 00:31:25,834 --> 00:31:28,500 WHAT I DON'T UNDERSTAND 722 00:31:28,583 --> 00:31:31,208 IS THE SECRET CELLAR WITH ALL THAT STUFF IN THERE. 723 00:31:31,291 --> 00:31:34,417 AND YOU HAD NO IDEA THAT CELLAR WAS THERE? 724 00:31:34,500 --> 00:31:36,166 I RARELY WENT INTO THE BARN. 725 00:31:36,250 --> 00:31:38,333 BUT NOW I KNOW WHY THE STORE WAS STRUGGLING SO MUCH 726 00:31:38,417 --> 00:31:40,792 RIGHT BEFORE MICHAEL DISAPPEARED. 727 00:31:40,875 --> 00:31:42,083 HMM, WITH MICHAEL BUYING ALL THAT STUFF 728 00:31:42,166 --> 00:31:44,166 AND SQUIRRELING IT AWAY IN THE CELLAR. 729 00:31:44,250 --> 00:31:46,834 YOU KNOW, ABOUT TWO WEEKS AFTER MICHAEL DISAPPEARED, 730 00:31:46,917 --> 00:31:49,041 I WAS CONTACTED BY A BASEBALL CARD DEALER. 731 00:31:49,125 --> 00:31:51,291 HE THOUGHT MICHAEL WAS STILL AROUND. 732 00:31:51,375 --> 00:31:52,917 HE HEARD THAT MICHAEL HAD BOUGHT 733 00:31:53,000 --> 00:31:54,875 A "SHOELESS JOE JACKSON" ROOKIE CARD. 734 00:31:54,959 --> 00:31:56,583 THE DEALER WANTED TO BUY IT. 735 00:31:56,667 --> 00:31:59,208 HOW MUCH IS SOMETHING LIKE THAT WORTH? 736 00:31:59,291 --> 00:32:03,000 WELL, HE WAS WILLING TO PAY ABOUT $10,000. 737 00:32:03,083 --> 00:32:04,166 BUT THAT'S 'CAUSE IT WAS WORN. 738 00:32:04,250 --> 00:32:06,959 A MINT ONE WOULD BE WORTH A FORTUNE. 739 00:32:07,041 --> 00:32:09,000 WOW. 740 00:32:09,083 --> 00:32:10,250 YEAH. 741 00:32:10,333 --> 00:32:13,041 OUR BUSINESS ACCOUNT WAS ALMOST TAPPED OUT. 742 00:32:13,125 --> 00:32:15,917 WHY DIDN'T YOU GO TO THE POLICE? 743 00:32:16,000 --> 00:32:17,458 WHAT COULD I PROVE? 744 00:32:17,542 --> 00:32:19,709 I DIDN'T EVEN KNOW WHERE MICHAEL WAS. 745 00:32:19,792 --> 00:32:21,041 AND, HONESTLY, 746 00:32:21,125 --> 00:32:23,917 I JUST WANTED THAT PART OF MY LIFE TO BE OVER. 747 00:32:24,000 --> 00:32:25,333 I THINK IT'S STRANGE 748 00:32:25,417 --> 00:32:27,500 THAT THE SHOOTER LEFT THE GUN THERE. 749 00:32:27,583 --> 00:32:28,542 YEAH. 750 00:32:28,625 --> 00:32:29,834 IT WAS MICHAEL'S. 751 00:32:29,917 --> 00:32:33,083 HE KEPT IT IN THE HOUSE. 752 00:32:33,166 --> 00:32:35,125 THE SHERIFF GOT A LITTLE WEIRD WHEN I TOLD HIM THAT. 753 00:32:36,458 --> 00:32:39,250 I COULD SEE THAT. 754 00:32:39,333 --> 00:32:41,333 YOU HAD MOTIVE, OPPORTUNITY, 755 00:32:41,417 --> 00:32:42,667 ACCESS TO THE WEAPON, 756 00:32:42,750 --> 00:32:44,542 AND THE BODY WAS FOUND ON YOUR PROPERTY. 757 00:32:46,250 --> 00:32:48,458 WELL, PUT LIKE THAT... 758 00:32:49,625 --> 00:32:51,792 SANDRA, DID YOU KILL MICHAEL? 759 00:32:53,166 --> 00:32:54,583 NO. 760 00:32:54,667 --> 00:32:57,083 ABSOLUTELY NOT. 761 00:32:57,166 --> 00:32:58,875 I BELIEVE YOU. 762 00:32:58,959 --> 00:33:02,500 BUT YOU'RE GOING TO HEAR THAT QUESTION A LOT. 763 00:33:02,583 --> 00:33:04,166 YOU WERE ENGAGED, 764 00:33:04,250 --> 00:33:06,792 AND SPOUSES ARE ALWAYS PRIME SUSPECTS. 765 00:33:08,375 --> 00:33:09,250 [DOOR OPENS] 766 00:33:09,333 --> 00:33:10,375 SANDRA! 767 00:33:10,458 --> 00:33:11,959 OH, CLIFF... 768 00:33:12,041 --> 00:33:13,250 OH, I'M SO HAPPY TO SEE YOU. 769 00:33:14,834 --> 00:33:15,834 ARE YOU OKAY? 770 00:33:15,917 --> 00:33:17,875 YEAH, I'M ALL RIGHT. 771 00:33:17,959 --> 00:33:20,083 JENN WAS NICE ENOUGH TO COME OUT. 772 00:33:21,667 --> 00:33:24,083 WELL, I DON'T MEAN TO RUSH OFF, BUT I SHOULD BE GETTING HOME. 773 00:33:24,166 --> 00:33:26,083 THANKS, JENN. 774 00:33:26,166 --> 00:33:27,166 I'LL CALL YOU LATER. 775 00:33:27,250 --> 00:33:28,166 OKAY. 776 00:33:34,792 --> 00:33:35,709 [CAR ALARM CHIRPS] 777 00:33:52,291 --> 00:33:54,291 [FOOTSTEPS CRUNCHING] 778 00:34:17,667 --> 00:34:18,875 YOU SHOULD BE HAPPY 779 00:34:18,959 --> 00:34:20,166 YOUR PICTURE WAS IN THE NEWSPAPER 780 00:34:20,250 --> 00:34:21,709 I HAD TWO CUSTOMERS COME IN YESTERDAY 781 00:34:21,792 --> 00:34:23,041 JUST BECAUSE OF IT. 782 00:34:23,125 --> 00:34:24,041 DID THEY BUY ANYTHING? 783 00:34:24,125 --> 00:34:25,375 THE OLD JEWELRY BOX. 784 00:34:25,458 --> 00:34:27,375 $95.00. 785 00:34:27,458 --> 00:34:28,959 YOU LOOKED CUTE IN THE PAPER, BY THE WAY. 786 00:34:29,041 --> 00:34:30,041 THANK YOU. 787 00:34:30,125 --> 00:34:30,959 HAIR ALL MESSED UP. 788 00:34:31,041 --> 00:34:31,959 THANK YOU. 789 00:34:33,458 --> 00:34:34,750 [SIGHS] 790 00:34:34,834 --> 00:34:36,709 JENN, I WASN'T COMPLETELY HONEST 791 00:34:36,792 --> 00:34:38,709 ABOUT WHY I SENT HANNAH TO CHECK OUT THE GALLERY. 792 00:34:39,750 --> 00:34:41,417 OH? 793 00:34:41,500 --> 00:34:43,000 THE OWNER, 794 00:34:43,083 --> 00:34:44,208 ELENA DEROSA, 795 00:34:44,291 --> 00:34:46,000 WANTS TO TALK TO ME ABOUT MANAGING IT. 796 00:34:49,250 --> 00:34:50,500 DANI, THAT'S GREAT. 797 00:34:51,834 --> 00:34:53,917 WHAT A COMPLIMENT. 798 00:34:54,000 --> 00:34:55,667 ART HAS ALWAYS BEEN YOUR PASSION. 799 00:34:56,917 --> 00:34:58,834 I TOLD HER I'M NOT INTERESTED. 800 00:34:58,917 --> 00:35:00,166 ARE YOU SURE? 801 00:35:00,250 --> 00:35:02,417 MAYBE YOU SHOULD AT LEAST CONSIDER IT. 802 00:35:02,500 --> 00:35:03,834 DO YOU WANT ME TO? 803 00:35:03,917 --> 00:35:04,959 NO, I DON'T. 804 00:35:05,041 --> 00:35:06,917 OF COURSE, I DON'T. 805 00:35:07,000 --> 00:35:09,083 BUT I DON'T WANT YOU TO MISS OUT ON A GREAT OPPORTUNITY. 806 00:35:09,166 --> 00:35:11,333 IT'S NOT AN OPPORTUNITY. 807 00:35:11,417 --> 00:35:12,875 IT'S NOT? 808 00:35:14,875 --> 00:35:16,250 WELL, MAYBE IT IS. 809 00:35:16,333 --> 00:35:18,166 BUT ANYWAY, I'M NOT GOING. 810 00:35:18,250 --> 00:35:19,417 SO... 811 00:35:21,166 --> 00:35:22,583 CAN WE TALK ABOUT THIS LATER? 812 00:35:22,667 --> 00:35:25,000 I HAVE TO MEET SANDRA RIGHT NOW, SHE'S HIRING A LAWYER. 813 00:35:25,083 --> 00:35:26,834 WHOA. DOES SHE NEED ONE? 814 00:35:26,917 --> 00:35:29,667 HAVING A LAWYER IS NOT A BAD IDEA 815 00:35:29,750 --> 00:35:32,667 WHEN YOUR FORMER FIANCE TURNS UP DEAD. 816 00:35:33,834 --> 00:35:35,500 I CAN SEE THAT. 817 00:35:35,583 --> 00:35:36,625 THERE IS NO TELLING. 818 00:35:36,709 --> 00:35:39,417 YOU GET AN OVERLY ZEALOUS PROSECUTOR, 819 00:35:39,500 --> 00:35:41,750 AND HE COULD TRY TO MAKE A MEAL OUT OF YOU. 820 00:35:41,834 --> 00:35:43,542 WHAT SHOULD I DO? 821 00:35:43,625 --> 00:35:45,625 STOP TALKING TO THE POLICE, 822 00:35:45,709 --> 00:35:47,625 UNLESS THEY CHARGE YOU WITH SOMETHING. 823 00:35:47,709 --> 00:35:48,709 [SCOFFS] 824 00:35:48,792 --> 00:35:51,333 WON'T THAT MAKE ME LOOK GUILTY? 825 00:35:51,417 --> 00:35:53,000 NO, THAT WILL MAKE YOU LOOK SMART. 826 00:35:53,083 --> 00:35:55,166 NOW, WHAT WE HAVE TO FIGURE OUT IS, 827 00:35:55,250 --> 00:35:56,875 IF YOU DIDN'T SHOOT MICHAEL, 828 00:35:56,959 --> 00:35:58,500 IN THE BASEMENT OF YOUR BARN, 829 00:35:58,583 --> 00:35:59,792 WITH THE PISTOL FROM YOUR HOUSE, 830 00:35:59,875 --> 00:36:02,333 BECAUSE HE WAS LEAVING YOU FOR ANOTHER WOMAN, 831 00:36:02,417 --> 00:36:03,959 WHO DID? 832 00:36:07,000 --> 00:36:08,458 I HAVE NO IDEA. 833 00:36:08,542 --> 00:36:10,917 LOOK, IF SANDRA DID THIS, 834 00:36:11,000 --> 00:36:13,458 SHE HAD TWO YEARS TO GET RID OF THE BODY, RIGHT? 835 00:36:13,542 --> 00:36:15,959 SHE COULD HAVE FILLED THE ENTIRE CELLAR IN WITH DIRT. 836 00:36:16,041 --> 00:36:18,041 AND SHE WOULD HAVE NEVER LEFT THOSE VALUABLE ITEMS DOWN THERE. 837 00:36:18,125 --> 00:36:19,750 AND THE PROSECUTION WILL ARGUE 838 00:36:19,834 --> 00:36:21,667 THAT IT WAS A CRIME OF PASSION, 839 00:36:21,750 --> 00:36:23,000 AND THAT IN THE AFTERMATH, 840 00:36:23,083 --> 00:36:24,583 SANDRA WAS IN SUCH DENIAL, 841 00:36:24,667 --> 00:36:26,709 THAT SHE WOULD NEVER GO DOWN THERE AGAIN, 842 00:36:26,792 --> 00:36:28,834 NEVER SEE WHAT SHE HAD DONE, 843 00:36:28,917 --> 00:36:30,291 AND IF NOBODY KNOWS IT HAPPENED, 844 00:36:30,375 --> 00:36:32,583 MAYBE IT DIDN'T. 845 00:36:32,667 --> 00:36:34,542 LIFE GOES ON. 846 00:36:34,625 --> 00:36:36,500 EXCEPT FOR MICHAEL. 847 00:36:37,750 --> 00:36:38,792 [SIGHING HEAVILY] 848 00:36:38,875 --> 00:36:40,333 ARE YOU OKAY? 849 00:36:40,417 --> 00:36:43,000 I AM. 850 00:36:43,083 --> 00:36:44,917 I JUST... 851 00:36:45,000 --> 00:36:46,834 CAN'T BELIEVE THIS IS ALL HAPPENING. 852 00:36:46,917 --> 00:36:48,000 [SIGHS] 853 00:36:48,083 --> 00:36:49,041 I'M GOING TO, UM... 854 00:36:49,125 --> 00:36:51,667 HEAD BACK TO THE SHOP, 855 00:36:51,750 --> 00:36:54,709 KEEP MY NORMAL ROUTINE AND KEEP MY MIND OFF THIS. 856 00:36:54,792 --> 00:36:56,583 WHEN IS CLIFF COMING BACK? 857 00:36:56,667 --> 00:36:58,166 HE'S FLYING BACK FRIDAY. 858 00:36:58,250 --> 00:37:00,750 HE'S GOT SURGERIES ALL WEEK. 859 00:37:00,834 --> 00:37:04,083 WELL, YOU CALL ME IF YOU NEED ANYTHING, OKAY? 860 00:37:04,166 --> 00:37:05,583 I'M JUST 20 MINUTES DOWN THE ROAD. 861 00:37:10,583 --> 00:37:11,625 THANKS, JENN. 862 00:37:11,709 --> 00:37:13,458 HANG IN THERE. 863 00:37:13,542 --> 00:37:15,709 [♪♪♪] 864 00:37:17,375 --> 00:37:18,834 [SHOP BELL JINGLES] 865 00:37:18,917 --> 00:37:19,875 HI. 866 00:37:19,959 --> 00:37:21,041 WELCOME TO RAGS TO RICHES. 867 00:37:21,125 --> 00:37:22,667 I'M DANI. 868 00:37:22,750 --> 00:37:24,208 KIM. 869 00:37:24,291 --> 00:37:25,625 YOU BUY AS WELL AS SELL, DON'T YOU? 870 00:37:25,709 --> 00:37:26,709 WELL, THAT DEPENDS. 871 00:37:26,792 --> 00:37:27,792 WHAT DO YOU HAVE? 872 00:37:27,875 --> 00:37:31,083 SOME FURNITURE AND... THINGS. 873 00:37:31,166 --> 00:37:33,000 THIS KIND OF STUFF. 874 00:37:33,083 --> 00:37:34,250 ANTIQUES. 875 00:37:34,333 --> 00:37:36,166 WELL, WE'D BE HAPPY TO COME AND TAKE A LOOK. 876 00:37:36,250 --> 00:37:39,083 I'LL TALK TO MY PARTNER, AND WE CAN GIVE YOU A CALL? 877 00:37:39,166 --> 00:37:40,333 IS THAT JENNIFER SHANNON, 878 00:37:40,417 --> 00:37:41,417 THE ONE FROM THE NEWSPAPER STORY? 879 00:37:41,500 --> 00:37:43,625 YES, THIS IS OUR STORE. 880 00:37:43,709 --> 00:37:44,875 THAT WAS JUST HORRIBLE. 881 00:37:44,959 --> 00:37:47,500 I CAN'T IMAGINE SEEING THAT. 882 00:37:47,583 --> 00:37:49,875 SHE MUST HAVE BEEN PRETTY SHOOK UP. 883 00:37:49,959 --> 00:37:51,291 YEAH. 884 00:37:51,375 --> 00:37:52,208 SHE'S PRETTY TOUGH. 885 00:37:53,750 --> 00:37:55,250 THERE IS MY NAME AND ADDRESS. 886 00:37:55,333 --> 00:37:57,083 GREAT. WHAT TIME IS BEST FOR YOU? 887 00:37:57,166 --> 00:37:59,583 ANY TIME IS GOOD. 888 00:37:59,667 --> 00:38:01,333 I APPRECIATE THIS. 889 00:38:01,417 --> 00:38:04,083 MY HUSBAND DIED UNEXPECTEDLY LAST YEAR. 890 00:38:04,166 --> 00:38:05,709 I'M MAKING A NEW START ELSEWHERE. 891 00:38:05,792 --> 00:38:07,125 I'M SO SORRY. 892 00:38:07,208 --> 00:38:09,417 THANK YOU. 893 00:38:15,291 --> 00:38:17,542 WELL, IF DANI TAKES THIS OTHER JOB, 894 00:38:17,625 --> 00:38:19,125 I DON'T KNOW IF I'LL BE ABLE TO RUN RAGS 895 00:38:19,208 --> 00:38:20,667 BY MYSELF. 896 00:38:20,750 --> 00:38:21,625 DOES SHE WANT TO GO? 897 00:38:21,709 --> 00:38:22,709 WELL... 898 00:38:22,792 --> 00:38:23,959 SHE SAYS SHE DOESN'T, 899 00:38:24,041 --> 00:38:26,083 BUT WHY WOULD SHE SEND HANNAH TO CHECK IT OUT? 900 00:38:26,166 --> 00:38:27,125 AND THE TRUTH IS, 901 00:38:27,208 --> 00:38:29,166 I WANT WHAT'S BEST FOR HER. 902 00:38:29,250 --> 00:38:31,792 EVEN IF IT MEANS CLOSING THE SHOP? 903 00:38:31,875 --> 00:38:33,250 [SIGHS] I DON'T KNOW. 904 00:38:33,333 --> 00:38:35,875 I MEAN, DANI DESERVES EVERYTHING THAT COMES HER WAY, 905 00:38:35,959 --> 00:38:37,208 AND... 906 00:38:37,291 --> 00:38:40,667 SHE'S ALWAYS DREAMED OF BEING IN THE ART WORLD. 907 00:38:41,834 --> 00:38:43,667 HOW'S SANDRA HOLDING UP? 908 00:38:43,750 --> 00:38:46,917 SHE GOT A LAWYER. 909 00:38:47,000 --> 00:38:48,208 THEY HAVEN'T CHARGED HER WITH ANYTHING YET, HAVE THEY? 910 00:38:48,291 --> 00:38:51,291 NO, BUT IF ANOTHER SUSPECT DOESN'T TURN UP, 911 00:38:51,375 --> 00:38:52,917 IT'S NOT LOOKING GOOD. 912 00:38:53,000 --> 00:38:54,542 [♪♪♪] 913 00:38:58,208 --> 00:38:59,792 IT'S ON RIVERVIEW ROAD. 914 00:38:59,875 --> 00:39:00,792 OOH, VERY NICE. 915 00:39:00,875 --> 00:39:01,834 GREAT OLD HOMES. 916 00:39:01,917 --> 00:39:02,875 MM-HMM. 917 00:39:02,959 --> 00:39:04,000 AND SHE WAS JUST A WALK-IN? 918 00:39:04,083 --> 00:39:05,000 NO, SHE SAW YOUR PICTURE IN THE NEWSPAPER. 919 00:39:05,083 --> 00:39:06,667 -REALLY? -MM-HMM. 920 00:39:06,750 --> 00:39:07,667 WHY IS SHE SELLING? 921 00:39:07,750 --> 00:39:08,875 RECENTLY WIDOWED. 922 00:39:08,959 --> 00:39:09,959 WANTS TO MAKE A FRESH START. 923 00:39:10,041 --> 00:39:11,417 HUH. 924 00:39:16,500 --> 00:39:17,667 NICE CAR. 925 00:39:19,500 --> 00:39:21,250 NICE HOUSE. 926 00:39:21,333 --> 00:39:23,166 HOPEFULLY, NICE THINGS INSIDE. 927 00:39:23,250 --> 00:39:24,834 [CHUCKLING] 928 00:39:26,000 --> 00:39:26,959 I APPRECIATE YOU COMING OUT 929 00:39:27,041 --> 00:39:28,333 ON SUCH SHORT NOTICE. 930 00:39:28,417 --> 00:39:29,583 OH, WELL, THANK YOU FOR HAVING US. 931 00:39:41,500 --> 00:39:43,417 YOU HAVE SOME LOVELY PIECES. 932 00:39:43,500 --> 00:39:44,875 THANK YOU. 933 00:39:44,959 --> 00:39:47,291 I DON'T KNOW MUCH ABOUT THEM. 934 00:39:47,375 --> 00:39:48,625 IT WAS MY HUSBAND'S THING. 935 00:39:50,125 --> 00:39:52,041 YES, WE'RE SORRY FOR YOUR LOSS. 936 00:39:52,125 --> 00:39:53,125 THANK YOU. 937 00:39:53,208 --> 00:39:54,792 IT'S BEEN ALMOST A YEAR, 938 00:39:54,875 --> 00:39:56,500 AND I'M JUST STARTING TO FEEL BETTER. 939 00:39:56,583 --> 00:39:59,083 I'M MOVING TO NEW MEXICO, 940 00:39:59,166 --> 00:40:00,208 AND NONE OF THIS WOULD WORK THERE. 941 00:40:00,291 --> 00:40:02,375 I THINK IT'S ALL PRETTY OLD. 942 00:40:02,458 --> 00:40:05,333 WELL, I WOULD SAY, AT FIRST GLANCE, 943 00:40:05,417 --> 00:40:07,208 YOU'RE RIGHT. 944 00:40:07,291 --> 00:40:08,667 DO YOU MIND IF I TAKE SOME PICTURES? 945 00:40:08,750 --> 00:40:10,291 OH, PLEASE, GO AHEAD. 946 00:40:10,375 --> 00:40:12,375 AND I'M GOING TO TAKE SOME NOTES. 947 00:40:13,917 --> 00:40:15,667 [CLEARS THROAT] 948 00:40:17,125 --> 00:40:19,500 I READ THE NEWSPAPER STORY, 949 00:40:19,583 --> 00:40:21,333 WHERE IT SAID YOU HAD AN ANTIQUE STORE. 950 00:40:21,417 --> 00:40:23,000 I WASN'T SURE WHAT I WAS GOING TO DO 951 00:40:23,083 --> 00:40:24,125 WITH ALL THIS STUFF. 952 00:40:24,208 --> 00:40:25,709 IS THERE ANYTHING THAT YOU WANT TO KEEP? 953 00:40:25,792 --> 00:40:27,792 NO. NOT REALLY. 954 00:40:30,667 --> 00:40:32,667 I JUST WANT A FAIR PRICE. 955 00:40:33,834 --> 00:40:36,917 WELL, WE WILL LOOK AROUND, 956 00:40:37,000 --> 00:40:37,959 AND GO BACK TO OUR SHOP, 957 00:40:38,041 --> 00:40:39,166 DO A LITTLE RESEARCH, 958 00:40:39,250 --> 00:40:40,291 AND GET BACK TO YOU WITH AN OFFER. 959 00:40:40,375 --> 00:40:42,875 THAT WOULD BE GREAT. 960 00:40:44,208 --> 00:40:45,291 WELL, IT'S ALL PRETTY NICE STUFF... 961 00:40:45,375 --> 00:40:47,041 CAN WE SELL IT FAST? 962 00:40:47,125 --> 00:40:48,458 THE SLANT TOP SECRETARY'S DESK, 963 00:40:48,542 --> 00:40:49,875 I COULD SELL TOMORROW. 964 00:40:49,959 --> 00:40:53,542 IF WE PAID WHOLESALE, WE'RE TALKING... 965 00:40:53,625 --> 00:40:55,625 $20,000 FOR EVERYTHING. 966 00:40:55,709 --> 00:40:57,333 WE STILL HAVE THE EMERGENCY FUND. 967 00:40:57,417 --> 00:40:59,166 THAT'S 7,000. 968 00:40:59,250 --> 00:41:00,583 I MIGHT BE ABLE TO GET SOME DEPOSITS 969 00:41:00,667 --> 00:41:01,709 OFF THE PICTURES WE TOOK. 970 00:41:01,792 --> 00:41:03,291 WHY DON'T WE JUST RAISE WHAT WE CAN 971 00:41:03,375 --> 00:41:04,750 AND MAKE AN OFFER? 972 00:41:04,834 --> 00:41:06,875 OH, I HATE IT WHEN SOMEONE SAYS, "MAKE ME FAIR OFFER." 973 00:41:06,959 --> 00:41:08,208 CONSCIENCE? 974 00:41:08,291 --> 00:41:10,333 YEAH, A TERRIBLE THING TO HAVE IN THIS BUSINESS. 975 00:41:10,417 --> 00:41:12,375 I MIGHT BE ABLE TO GET JASON TO GIVE US A BRIDGE-LOAN. 976 00:41:12,458 --> 00:41:13,750 I HAVE SOME SAVINGS. 977 00:41:13,834 --> 00:41:14,834 DANI... 978 00:41:14,917 --> 00:41:16,250 WHY NOT? 979 00:41:16,333 --> 00:41:17,375 I'D GET PAID BACK AS SOON AS WE SELL SOME OF IT. 980 00:41:17,458 --> 00:41:18,875 WE ARE NOT GOING THERE. 981 00:41:18,959 --> 00:41:20,208 AND BY THE WAY, DID YOU FOLLOW UP 982 00:41:20,291 --> 00:41:21,875 ON THAT JOB OFFER FROM THE GALLERY? 983 00:41:21,959 --> 00:41:23,125 NO. 984 00:41:23,208 --> 00:41:24,417 WELL, I THINK YOU SHOULD. 985 00:41:24,500 --> 00:41:25,542 JUST TEST THE WATERS. 986 00:41:25,625 --> 00:41:27,000 YOU'RE NOT MAKING A COMMITMENT, 987 00:41:27,083 --> 00:41:28,625 YOU'RE NOT LEAVING RAGS, 988 00:41:28,709 --> 00:41:29,959 BUT YOU OWE IT TO YOURSELF 989 00:41:30,041 --> 00:41:31,709 TO HEAR WHAT THAT WOMAN HAS TO SAY. 990 00:41:31,792 --> 00:41:33,333 [SHOP BELL JINGLES] 991 00:41:35,333 --> 00:41:36,458 [BREATHLESS] 992 00:41:36,542 --> 00:41:38,375 I JUST HEARD FROM SHERIFF CONNORS. 993 00:41:38,458 --> 00:41:40,166 SANDRA'S BEING ARRESTED THIS AFTERNOON. 994 00:41:41,625 --> 00:41:43,083 MURDER. 995 00:41:43,166 --> 00:41:45,000 HER FINGERPRINTS WERE ON THE GUN. 996 00:41:45,083 --> 00:41:46,291 [GASPS] 997 00:41:52,750 --> 00:41:53,917 HOW AM I GOING TO DO THIS? 998 00:41:54,000 --> 00:41:55,625 YOU'RE GOING TO BE OKAY. 999 00:41:55,709 --> 00:41:57,083 WHAT ABOUT BAIL? 1000 00:41:57,166 --> 00:41:59,166 THEY HAVE 48 HOURS TO ARRAIGN. 1001 00:41:59,250 --> 00:42:00,834 WE'LL ASK FOR BAIL THEN. 1002 00:42:00,917 --> 00:42:02,333 SHE'LL GET IT, RIGHT? 1003 00:42:02,417 --> 00:42:03,542 I MEAN, SHE'S NOT A CRIMINAL. 1004 00:42:03,625 --> 00:42:05,208 YOU'VE NEVER BEEN ARRESTED, HAVE YOU? 1005 00:42:05,291 --> 00:42:06,333 NO. 1006 00:42:06,417 --> 00:42:07,417 YES, SHE SHOULD GET BAIL. 1007 00:42:07,500 --> 00:42:08,834 IT WILL BE $100,000 AT LEAST. 1008 00:42:10,125 --> 00:42:12,166 YOU CAN USE YOUR HOME AS COLLATERAL. 1009 00:42:16,417 --> 00:42:18,375 [FOOTSTEPS APPROACH] 1010 00:42:20,375 --> 00:42:23,166 I'M REAL SORRY FOR THIS. 1011 00:42:24,834 --> 00:42:27,750 DO I HAVE TO WEAR THE HANDCUFFS? 1012 00:42:27,834 --> 00:42:30,792 SAME RULES FOR EVERYONE. 1013 00:42:33,166 --> 00:42:34,250 PLEASE TURN AROUND 1014 00:42:34,333 --> 00:42:35,750 AND PLACE YOUR HANDS BEHIND YOUR BACK. 1015 00:42:43,125 --> 00:42:44,083 I'M PLACING YOU UNDER ARREST 1016 00:42:44,166 --> 00:42:46,625 FOR THE MURDER OF MICHAEL CHAMBERS. 1017 00:42:46,709 --> 00:42:48,667 YOU HAVE THE RIGHT TO REMAIN SILENT. 1018 00:42:48,750 --> 00:42:50,542 ANYTHING YOU SAY CAN AND WILL 1019 00:42:50,625 --> 00:42:52,542 BE USED AGAINST YOU IN A COURT OF LAW. 1020 00:42:52,625 --> 00:42:53,917 YOU HAVE A RIGHT TO AN ATTORNEY... 1021 00:42:56,458 --> 00:42:57,375 IT'S REALLY TOUGH. 1022 00:42:57,458 --> 00:42:58,458 WE TRIED A DDOS ATTACK, 1023 00:42:58,542 --> 00:43:00,041 BUT THAT DIDN'T WORK. 1024 00:43:00,125 --> 00:43:01,792 BACK DOORS ARE SHUT TIGHT. 1025 00:43:01,875 --> 00:43:03,917 OUR SCHOOL DISTRICT, WHICH CAN'T AFFORD BOOKS, 1026 00:43:04,000 --> 00:43:04,875 HAS 64-BIT ENCRYPTION! 1027 00:43:04,959 --> 00:43:05,959 CAN YOU BELIEVE THAT? 1028 00:43:06,041 --> 00:43:07,542 YOU GUYS ARE CRAZY TO TRY THIS. 1029 00:43:07,625 --> 00:43:08,667 WE HAVE TO. 1030 00:43:08,750 --> 00:43:10,125 GRADES ARE OUT NEXT WEEK, 1031 00:43:10,208 --> 00:43:11,250 AND IF WE DON'T FIX THEM, WE COULD MESS EVERYTHING UP. 1032 00:43:11,333 --> 00:43:13,041 EVEN OUR COLLEGE APPLICATIONS. 1033 00:43:13,125 --> 00:43:14,750 LOGAN, WE NEED YOUR HELP. 1034 00:43:14,834 --> 00:43:16,333 YOU'VE GOT SKILLS. 1035 00:43:16,417 --> 00:43:17,917 WE COULD ALL DO THIS TOGETHER. 1036 00:43:18,000 --> 00:43:20,709 I DON'T HAVE THOSE SKILLS. 1037 00:43:20,792 --> 00:43:21,875 LISTEN, 1038 00:43:21,959 --> 00:43:23,291 IF THE THREE OF US PUT OUR HEADS TOGETHER, 1039 00:43:23,375 --> 00:43:24,250 WE CAN DO THIS. 1040 00:43:25,792 --> 00:43:28,250 GO TALK TO YOUR TEACHERS, 1041 00:43:28,333 --> 00:43:29,959 YOU KNOW, SEE IF THEY'LL GIVE YOU SOME EXTRA CREDIT 1042 00:43:30,041 --> 00:43:31,750 TO BRING THE GRADES BACK UP. 1043 00:43:31,834 --> 00:43:34,041 I THOUGHT YOU WERE OUR FRIEND, MAN. 1044 00:43:34,125 --> 00:43:35,917 THINK ABOUT IT. 1045 00:43:36,000 --> 00:43:37,041 LET'S GO. 1046 00:43:40,250 --> 00:43:41,417 [♪♪♪] 1047 00:43:54,333 --> 00:43:56,875 YOU DON'T THINK SHE ACTUALLY SHOT MICHAEL, DO YOU? 1048 00:43:56,959 --> 00:43:58,458 I DON'T KNOW. 1049 00:43:58,542 --> 00:44:01,041 I HAVE NO WAY OF KNOWING AT THIS POINT. 1050 00:44:01,125 --> 00:44:02,834 SHE DIDN'T DO THIS. 1051 00:44:02,917 --> 00:44:03,750 HOW DO YOU KNOW THAT? 1052 00:44:03,834 --> 00:44:05,125 GUT INSTINCT. 1053 00:44:05,208 --> 00:44:07,166 WELL, THEN SOMEBODY ELSE SHOT HIM. 1054 00:44:07,250 --> 00:44:08,333 WHO? 1055 00:44:08,417 --> 00:44:10,750 WELL, FIND MOTIVE, METHOD, OPPORTUNITY, 1056 00:44:10,834 --> 00:44:11,917 AND YOU'LL FIND YOUR KILLER. 1057 00:44:12,000 --> 00:44:15,125 THIS ISN'T A MYSTERY BOOK, JENN. 1058 00:44:15,208 --> 00:44:17,625 THIS IS THE REAL WORLD, 1059 00:44:17,709 --> 00:44:19,959 AND THE CLOCK IS TICKING. 1060 00:44:22,041 --> 00:44:24,250 [DOOR LOCKS BUZZ] 1061 00:44:24,333 --> 00:44:25,458 SANDRA... 1062 00:44:25,542 --> 00:44:27,959 OH, GEEZ, ARE YOU OKAY? 1063 00:44:29,125 --> 00:44:30,667 I'VE SEEN WORSE. 1064 00:44:30,750 --> 00:44:31,667 ON TV. 1065 00:44:31,750 --> 00:44:33,375 GOOD ONE. 1066 00:44:34,709 --> 00:44:36,250 LISTEN, SANDRA, WE NEED TO LEARN AS MUCH AS WE CAN 1067 00:44:36,333 --> 00:44:37,583 ABOUT MICHAEL'S LIFE. 1068 00:44:37,667 --> 00:44:39,875 TRY TO FIGURE OUT WHO THE OTHER WOMAN WAS, 1069 00:44:39,959 --> 00:44:41,291 WHO HIS FRIENDS WERE. 1070 00:44:41,375 --> 00:44:43,625 I HAVE NO IDEA WHO THE WOMAN WAS. 1071 00:44:43,709 --> 00:44:45,250 JUST THE NOTE, SIGNED "ME." 1072 00:44:45,333 --> 00:44:46,834 AFTER HE LEFT, 1073 00:44:46,917 --> 00:44:47,875 I SCOOPED UP EVERYTHING, 1074 00:44:47,959 --> 00:44:49,917 AND I THREW IT IN THOSE BOXES. 1075 00:44:50,000 --> 00:44:51,083 OKAY, YOU SAID 1076 00:44:51,166 --> 00:44:52,000 HE LIKED TO GO TO THE GYM A LOT. 1077 00:44:52,083 --> 00:44:52,959 WHAT GYM? 1078 00:44:53,041 --> 00:44:55,250 IRON FITNESS. 1079 00:44:55,333 --> 00:44:58,792 AND AS FOR FRIENDS, HE WAS PRETTY MUCH A LONER. 1080 00:44:58,875 --> 00:45:00,250 YOU KNOW, HE JUST LIKED TO WORK OUT A LOT, 1081 00:45:00,333 --> 00:45:01,792 SHOP FOR THE STORE. 1082 00:45:01,875 --> 00:45:03,542 AT LEAST THAT'S WHAT I THOUGHT HE WAS DOING. 1083 00:45:03,625 --> 00:45:04,667 YOU MENTIONED SOMETHING 1084 00:45:04,750 --> 00:45:05,917 ABOUT BASEBALL CARDS, 1085 00:45:06,000 --> 00:45:07,709 SOMEBODY CALLING AFTER MICHAEL LEFT, 1086 00:45:07,792 --> 00:45:08,625 WANTING TO BUY THEM? 1087 00:45:08,709 --> 00:45:10,792 RIGHT. 1088 00:45:10,875 --> 00:45:13,250 I DON'T KNOW WHAT HAPPENED TO THEM. 1089 00:45:14,583 --> 00:45:17,500 BUT THEY'RE EASILY TRANSPORTABLE. 1090 00:45:17,583 --> 00:45:20,333 YOU COULD SELL THEM IN ANY CARD SHOP IN THE COUNTRY. 1091 00:45:20,417 --> 00:45:21,291 THEY'RE LIKE CASH. 1092 00:45:30,291 --> 00:45:33,458 EXCUSE ME, I'M LOOKING FOR MANDY? 1093 00:45:35,458 --> 00:45:36,792 OH, THE BLONDE, THANK YOU. 1094 00:45:48,291 --> 00:45:50,000 AWESOME JOB. WE'LL SEE YOU NEXT WEEK. 1095 00:45:50,083 --> 00:45:51,333 MANDY? 1096 00:45:51,417 --> 00:45:52,750 YEAH? 1097 00:45:52,834 --> 00:45:53,667 OH, YOU MUST BE JENN. 1098 00:45:53,750 --> 00:45:54,834 HI. 1099 00:45:54,917 --> 00:45:56,875 THANK YOU FOR TAKING THE TIME TO SEE ME. 1100 00:45:56,959 --> 00:45:58,291 WELL, I REMEMBER MICHAEL, 1101 00:45:58,375 --> 00:46:00,542 AND WHEN I SAW THE NEWSPAPER, I COULDN'T BELIEVE IT. 1102 00:46:00,625 --> 00:46:01,959 I THOUGHT HE HAD JUST MOVED AWAY. 1103 00:46:02,041 --> 00:46:04,542 WHAT DO YOU REMEMBER ABOUT MICHAEL? 1104 00:46:04,625 --> 00:46:05,709 HE WAS A WORK-OUT ANIMAL, 1105 00:46:05,792 --> 00:46:07,333 ALWAYS AT THE GYM. 1106 00:46:07,417 --> 00:46:09,291 DID YOU CONSIDER HIM A FRIEND? 1107 00:46:09,375 --> 00:46:11,500 I JUST KNEW HIM FROM HERE, THAT'S ALL. 1108 00:46:11,583 --> 00:46:13,542 WHAT DID OTHER PEOPLE THINK OF HIM? 1109 00:46:13,625 --> 00:46:15,375 WAS HE POPULAR? 1110 00:46:15,458 --> 00:46:17,417 NOT REALLY. 1111 00:46:17,500 --> 00:46:19,709 HE HAD A ROVING EYE, THAT'S FOR SURE. 1112 00:46:19,792 --> 00:46:21,417 YOU KNOW WHEN A GUY IS ALWAYS CHECKING YOU OUT, 1113 00:46:21,500 --> 00:46:23,792 AND HE THINKS IT'S A COMPLIMENT? 1114 00:46:23,875 --> 00:46:27,125 WAS HE ROMANTICALLY INVOLVED WITH ANYONE AT THE GYM? 1115 00:46:27,208 --> 00:46:28,375 THAT WAS THE RUMOR. 1116 00:46:29,792 --> 00:46:31,542 SHE WAS A MEMBER, 1117 00:46:31,625 --> 00:46:34,291 AND ONE OF OUR TRAINERS, DUANE, WAS SEEING HER, 1118 00:46:34,375 --> 00:46:36,166 AND HE GOT JEALOUS. 1119 00:46:36,250 --> 00:46:38,375 HE AND MICHAEL GOT INTO AN ARGUMENT 1120 00:46:38,458 --> 00:46:39,959 IN THE PARKING LOT, 1121 00:46:40,041 --> 00:46:41,750 AND SOMEONE SAW IT, 1122 00:46:41,834 --> 00:46:43,959 AND SAID THAT HE THREATENED TO BREAK MICHAEL'S NECK, 1123 00:46:44,041 --> 00:46:45,583 AND HE GOT SUSPENDED. 1124 00:46:45,667 --> 00:46:47,291 DO YOU KNOW THE NAME OF THIS WOMAN? 1125 00:46:47,375 --> 00:46:49,208 NO, NOT OFF HAND. 1126 00:46:49,291 --> 00:46:50,500 IT'S WEIRD, 1127 00:46:50,583 --> 00:46:51,709 BECAUSE I HEARD MICHAEL WAS ENGAGED AT THE TIME. 1128 00:46:52,875 --> 00:46:54,792 WHAT'S DUANE'S LAST NAME? 1129 00:46:54,875 --> 00:46:55,959 LAMBEER. 1130 00:46:56,041 --> 00:46:58,041 IF YOU TALK WITH HIM, WATCH IT, 1131 00:46:58,125 --> 00:46:59,417 HE'S PRETTY COMBUSTIBLE. 1132 00:46:59,500 --> 00:47:01,208 COULD BE THE STEROIDS. 1133 00:47:01,291 --> 00:47:04,458 THEY ONLY ALLOW HIM TO WORK WITH MEMBERS WHO REQUEST HIM. 1134 00:47:04,542 --> 00:47:06,166 CAN YOU TELL ME THE NEXT TIME HE'S HERE? 1135 00:47:06,250 --> 00:47:07,291 I CAN CHECK. 1136 00:47:07,375 --> 00:47:09,208 THANK YOU. 1137 00:47:09,291 --> 00:47:11,500 [♪♪♪] 1138 00:47:13,792 --> 00:47:15,709 I WAS IMPRESSED BY YOUR ART BACKGROUND. 1139 00:47:15,792 --> 00:47:16,834 MM. 1140 00:47:16,917 --> 00:47:17,750 I'M AN ARTIST MYSELF. 1141 00:47:17,834 --> 00:47:18,834 OH. 1142 00:47:18,917 --> 00:47:20,166 HERE, YOU'RE A BRIDGE 1143 00:47:20,250 --> 00:47:22,458 BETWEEN THE ARTISTS WE REPRESENT AND THE CUSTOMERS. 1144 00:47:23,750 --> 00:47:26,667 SO, HAVE YOU BEEN MANAGING THE GALLERY YOURSELF? 1145 00:47:26,750 --> 00:47:28,583 AT TIMES. 1146 00:47:28,667 --> 00:47:32,166 MY LAST MANAGER ENDED UP MARRYING A CLIENT. 1147 00:47:32,250 --> 00:47:34,291 OCCUPATIONAL HAZARD, I SUPPOSE. 1148 00:47:35,583 --> 00:47:37,959 WELL, UM, 1149 00:47:38,041 --> 00:47:41,083 I'M VERY FLATTERED THAT YOU THOUGHT OF ME, 1150 00:47:41,166 --> 00:47:42,583 AND YOU HAVE A LOVELY GALLERY-- 1151 00:47:42,667 --> 00:47:44,083 DANIELLE, 1152 00:47:44,166 --> 00:47:46,125 I DON'T WANT A "YES" OR "NO" FROM YOU TODAY. 1153 00:47:46,208 --> 00:47:48,000 I JUST WANT YOU TO THINK ABOUT IT. 1154 00:47:49,542 --> 00:47:51,250 YOU WOULD BE IN CHARGE OF THE GALLERY. 1155 00:47:51,333 --> 00:47:52,625 THERE IS SOME TRAVELING INVOLVED. 1156 00:47:52,709 --> 00:47:53,875 LOCALLY? 1157 00:47:53,959 --> 00:47:55,083 ONCE A YEAR, 1158 00:47:55,166 --> 00:47:56,834 YOU WOULD HAVE TO TRAVEL TO PARIS AND LONDON 1159 00:47:56,917 --> 00:47:58,375 FOR THE AUCTIONS, 1160 00:47:58,458 --> 00:47:59,417 SOMETIMES ELSEWHERE, 1161 00:47:59,500 --> 00:48:01,500 TO REPRESENT CLIENTS. 1162 00:48:02,875 --> 00:48:04,500 WOW. 1163 00:48:04,583 --> 00:48:07,875 THAT IS DEFINITELY SOMETHING WORTH THINKING ABOUT. 1164 00:48:09,500 --> 00:48:10,917 YOU SPEAK FRENCH, DON'T YOU? 1165 00:48:11,000 --> 00:48:12,417 YES. 1166 00:48:12,500 --> 00:48:14,917 OUI, BIEN SUR, JE PARLE FRANCAIS. 1167 00:48:15,000 --> 00:48:16,542 I'D HAVE TO DO SOME BRUSHING UP. 1168 00:48:16,625 --> 00:48:17,583 YOU'D BE SURPRISED 1169 00:48:17,667 --> 00:48:19,625 HOW FAST IT COMES BACK TO YOU. 1170 00:48:22,250 --> 00:48:23,917 OKAY, WHY DO YOU THINK SOMEONE KILLED HIM? 1171 00:48:24,000 --> 00:48:25,041 I THINK HE OWED MONEY TO SOMEONE, 1172 00:48:25,125 --> 00:48:27,000 AND THEY WANTED TO GET PAID. 1173 00:48:27,083 --> 00:48:29,458 OR MAYBE HE HAD SOMETHING THAT THE KILLER WANTED. 1174 00:48:29,542 --> 00:48:31,083 MOST ROBBERIES DON'T END IN MURDER. 1175 00:48:31,166 --> 00:48:32,000 YEAH, WELL, SOME DO. 1176 00:48:32,083 --> 00:48:33,166 WHOA. 1177 00:48:33,250 --> 00:48:35,083 WHEN DID FAMILY DINNER BECOME MURDER 101? 1178 00:48:38,417 --> 00:48:40,083 DON'T LOOK AT ME. 1179 00:48:40,166 --> 00:48:41,166 EAT YOUR BROCCOLI. 1180 00:48:41,250 --> 00:48:42,667 HOW WAS SCHOOL TODAY? 1181 00:48:42,750 --> 00:48:44,417 GREAT. MY CRIMINOLOGY CLASS-- 1182 00:48:44,500 --> 00:48:45,959 YOU'RE TAKING CRIMINOLOGY? 1183 00:48:46,041 --> 00:48:48,000 ELECTIVE. 1184 00:48:48,083 --> 00:48:49,458 ANYWAY, 1185 00:48:49,542 --> 00:48:50,542 EVERYBODY WAS TALKING ABOUT 1186 00:48:50,625 --> 00:48:52,750 THE "BODY IN THE BARN," 1187 00:48:52,834 --> 00:48:53,917 AND MY PROFESSOR WAS SAYING 1188 00:48:54,000 --> 00:48:55,291 THAT IF YOU JUST LOOK AT THE STATISTICS, 1189 00:48:55,375 --> 00:48:56,959 THE KILLER IS PROBABLY A MAN. 1190 00:48:57,041 --> 00:48:57,917 THAT'S INTERESTING. WHY? 1191 00:48:58,000 --> 00:48:59,041 FIRST OFF, 1192 00:48:59,125 --> 00:49:00,125 90% OF HOMICIDES 1193 00:49:00,208 --> 00:49:01,625 ARE COMMITTED BY MEN, 1194 00:49:01,709 --> 00:49:02,834 AND A GUN IS THE MOST COMMON WEAPON. 1195 00:49:02,917 --> 00:49:04,542 BIG DEAL. 1196 00:49:04,625 --> 00:49:06,959 THAT MEANS 10% ARE COMMITTED BY WOMEN. 1197 00:49:07,041 --> 00:49:08,000 AND HOW DO THEY DO IT? 1198 00:49:08,083 --> 00:49:09,250 STILL GUNS, 1199 00:49:09,333 --> 00:49:10,250 BUT LESS SO. 1200 00:49:10,333 --> 00:49:11,792 KNIVES COME IN SECOND. 1201 00:49:11,875 --> 00:49:13,000 I LOVE THE POTATOES, HONEY. 1202 00:49:13,083 --> 00:49:14,375 CAN I... [CLEARING THROAT] GET SOME MORE? 1203 00:49:14,458 --> 00:49:15,417 OH. 1204 00:49:16,542 --> 00:49:17,709 LOGAN'S RIGHT, 1205 00:49:17,792 --> 00:49:20,750 THE KILLER COULD HAVE EASILY BEEN A WOMAN. 1206 00:49:20,834 --> 00:49:22,625 I KNOW SANDRA IS YOUR FRIEND AND ALL, 1207 00:49:22,709 --> 00:49:24,458 BUT WHAT IF SHE'S GUILTY? 1208 00:49:24,542 --> 00:49:26,750 OH, I AM CONFIDENT THAT SHE'S NOT. 1209 00:49:26,834 --> 00:49:29,458 WELL, WHAT IF YOU'RE HELPING A CRIMINAL? 1210 00:49:29,542 --> 00:49:30,834 LUCKILY, IN THIS COUNTRY, 1211 00:49:30,917 --> 00:49:32,917 YOU ARE INNOCENT UNTIL PROVEN GUILTY. 1212 00:49:33,000 --> 00:49:35,000 SO, I'M GOING WITH INNOCENT. 1213 00:49:35,083 --> 00:49:36,041 [SIGHING HEAVILY] 1214 00:49:36,125 --> 00:49:37,208 DELICIOUS. 1215 00:49:45,333 --> 00:49:46,750 SO, KIM BALMAIN 1216 00:49:46,834 --> 00:49:49,250 HOW OLD WOULD YOU SAY SHE IS? 1217 00:49:49,333 --> 00:49:50,917 30s? 1218 00:49:51,000 --> 00:49:52,750 AND DID YOU SEE THE PICTURE OF HER HUSBAND? 1219 00:49:52,834 --> 00:49:54,417 MM-HMM. ROBERT. 1220 00:49:54,500 --> 00:49:55,542 HE LOOKED A LITTLE OLDER. 1221 00:49:55,625 --> 00:49:57,083 MAYBE 50s? 1222 00:49:57,166 --> 00:49:59,000 I DON'T KNOW, STILL PRETTY YOUNG TO BE DROPPING DEAD. 1223 00:49:59,083 --> 00:50:00,709 I FOUND THIS ARTICLE ONLINE. 1224 00:50:00,792 --> 00:50:01,875 SAID HE WAS OUT HIKING, 1225 00:50:01,959 --> 00:50:03,959 HAD AN ALLERGIC REACTION, AND DIED. 1226 00:50:04,041 --> 00:50:05,166 WHILE HIKING? 1227 00:50:05,250 --> 00:50:06,667 THAT'S HORRIBLE... 1228 00:50:06,750 --> 00:50:08,959 AND THEN KIM BECAME A WEALTHY YOUNG WIDOW. 1229 00:50:09,041 --> 00:50:10,417 JENN... 1230 00:50:10,500 --> 00:50:12,709 SOMETIMES, IN THE REAL WORLD, 1231 00:50:12,792 --> 00:50:14,417 PEOPLE JUST DIE, 1232 00:50:14,500 --> 00:50:16,417 WITHOUT BEING MURDERED. 1233 00:50:16,500 --> 00:50:17,500 THEY GET HIT BY CARS, 1234 00:50:17,583 --> 00:50:19,166 OR HAVE HEART ATTACKS, 1235 00:50:19,250 --> 00:50:20,583 GET STUNG BY BEES, 1236 00:50:20,667 --> 00:50:21,583 AND THAT'S IT. 1237 00:50:21,667 --> 00:50:22,625 FINI. 1238 00:50:22,709 --> 00:50:23,834 HMM. 1239 00:50:25,166 --> 00:50:26,875 ANYWAY, I'VE GOT SOME LEADS FOR SANDRA. 1240 00:50:26,959 --> 00:50:28,500 THERE'S A TRAINER AT THE GYM 1241 00:50:28,583 --> 00:50:29,709 WHERE MICHAEL USED TO GO. 1242 00:50:29,792 --> 00:50:31,583 THEY GOT INTO A FIGHT OVER A GIRL. 1243 00:50:31,667 --> 00:50:33,792 NOT SANDRA? 1244 00:50:33,875 --> 00:50:34,834 NOPE. 1245 00:50:36,500 --> 00:50:37,917 THAT IS A GOOD LEAD. 1246 00:50:43,375 --> 00:50:44,917 GOOD, GOOD, GOOD. 1247 00:50:45,000 --> 00:50:46,750 NOW GO FINISH UP WITH SOME CARDIO. 1248 00:50:49,792 --> 00:50:50,625 EXCUSE ME, DUANE? 1249 00:50:50,709 --> 00:50:51,750 HI. 1250 00:50:51,834 --> 00:50:52,792 HI. DO YOU HAVE A MOMENT? 1251 00:50:52,875 --> 00:50:53,875 YEAH. 1252 00:50:53,959 --> 00:50:55,959 FIRST THINGS FIRST, LET ME SAY THIS, 1253 00:50:56,041 --> 00:50:58,333 YOU'RE IN PRETTY GOOD SHAPE FOR A WOMAN YOUR AGE. 1254 00:50:58,417 --> 00:50:59,583 NOW, I MEAN THAT. 1255 00:50:59,667 --> 00:51:02,792 OKAY, ACTUALLY, I'M HERE TO JUST HELP A FRIEND. 1256 00:51:02,875 --> 00:51:04,000 DID YOU KNOW MICHAEL CHAMBERS? 1257 00:51:05,208 --> 00:51:07,083 YEAH, A TOTAL JERK. 1258 00:51:07,166 --> 00:51:08,375 A DEAD ONE NOW. 1259 00:51:08,458 --> 00:51:11,792 I SAW THE NEWSPAPER STORY. 1260 00:51:11,875 --> 00:51:13,583 WELL, I... 1261 00:51:13,667 --> 00:51:15,375 I HEARD THAT HE MIGHT BE ROMANTICALLY INVOLVED 1262 00:51:15,458 --> 00:51:16,375 WITH SOMEONE FROM THE CLUB, 1263 00:51:16,458 --> 00:51:18,291 AND I WAS WONDERING 1264 00:51:18,375 --> 00:51:19,917 IF YOU MIGHT KNOW WHO THAT WOULD BE? 1265 00:51:22,417 --> 00:51:24,000 I DON'T KNOW YOU, 1266 00:51:24,083 --> 00:51:25,625 AND I DON'T KNOW ANYTHING ABOUT MICHAEL CHAMBERS, 1267 00:51:25,709 --> 00:51:27,041 EXCEPT 1268 00:51:27,125 --> 00:51:28,667 SOMEONE DID US ALL A FAVOR. 1269 00:51:31,834 --> 00:51:33,125 SO, WHATEVER YOU'RE DOING, 1270 00:51:33,208 --> 00:51:35,250 I DON'T WANT ANY PART OF IT, UNDERSTAND? 1271 00:51:53,583 --> 00:51:55,083 [♪♪♪] 1272 00:52:46,834 --> 00:52:48,208 [HINGES CREAK] 1273 00:53:05,834 --> 00:53:08,417 [SIGHS HEAVILY] 1274 00:53:22,792 --> 00:53:23,709 [SHUTTER CLICKING] 1275 00:53:31,834 --> 00:53:33,000 [SHUTTER CLICKING] 1276 00:53:35,542 --> 00:53:36,792 FOR REAL? 1277 00:53:36,875 --> 00:53:38,166 YOU GUYS GOT INTO THE SYSTEM? 1278 00:53:38,250 --> 00:53:39,792 ALMOST THERE. 1279 00:53:39,875 --> 00:53:41,125 IT'S HARD WORK, THOUGH. 1280 00:53:41,208 --> 00:53:43,000 IF YOU HELPED, MAN, IT WOULD BE A LOT EASIER. 1281 00:53:43,083 --> 00:53:44,333 I'M NOT THAT GOOD. 1282 00:53:44,417 --> 00:53:45,792 YEAH, YOU ARE. 1283 00:53:45,875 --> 00:53:47,333 YOU KNOW, THERE COULD BE AN UPSIDE IF WE GET CAUGHT. 1284 00:53:47,417 --> 00:53:49,375 I HEAR THE CIA IS HIRING HACKERS. 1285 00:53:49,458 --> 00:53:51,583 WITH HIGH SCHOOL DIPLOMAS, 1286 00:53:51,667 --> 00:53:54,125 WHICH YOU WON'T HAVE IF YOU GET CAUGHT. 1287 00:54:08,792 --> 00:54:09,792 EXCUSE ME, 1288 00:54:09,875 --> 00:54:11,291 I WAS INTERESTED IN 1289 00:54:11,375 --> 00:54:13,792 BUYING MY HUSBAND A SPECIAL BIRTHDAY PRESENT. 1290 00:54:13,875 --> 00:54:14,834 DO YOU SELL OLD BASEBALL CARDS? 1291 00:54:14,917 --> 00:54:17,917 WHATEVER YOU WANT, I CAN GET. 1292 00:54:18,000 --> 00:54:19,834 EVEN SOMETHING REALLY RARE? 1293 00:54:19,917 --> 00:54:21,208 THAT'S WHY I'M HERE. 1294 00:54:21,291 --> 00:54:22,875 WE DON'T CARRY THEM IN STOCK, OF COURSE. 1295 00:54:22,959 --> 00:54:24,667 WHERE DO THEY COME FROM? 1296 00:54:24,750 --> 00:54:26,834 COLLECTORS ARE ALWAYS BUYING AND SELLING 1297 00:54:26,917 --> 00:54:29,291 BACK CHANNEL. 1298 00:54:29,375 --> 00:54:31,542 "BACK CHANNEL," WHAT DOES THAT MEAN? 1299 00:54:31,625 --> 00:54:32,875 UNDER THE RADAR. 1300 00:54:32,959 --> 00:54:35,792 A PRIVATE TRANSACTION BETWEEN PRIVATE INDIVIDUALS, 1301 00:54:35,875 --> 00:54:37,208 IT'S, UH, YOU KNOW... 1302 00:54:37,291 --> 00:54:38,500 PRIVATE. 1303 00:54:38,583 --> 00:54:40,875 OH, SO YOU'RE KIND OF A GO-BETWEEN? 1304 00:54:40,959 --> 00:54:42,250 YEAH, KINDA. 1305 00:54:42,333 --> 00:54:43,709 FOR A FEE. 1306 00:54:45,500 --> 00:54:46,750 WELL... 1307 00:54:46,834 --> 00:54:49,166 HERE'S WHAT I HAD IN MIND. 1308 00:54:51,500 --> 00:54:54,083 YOU WANT ONE OF THESE? 1309 00:54:54,166 --> 00:54:56,041 MY HUSBAND IS A FAN. 1310 00:54:56,125 --> 00:54:57,250 HOW MUCH WOULD A SHOELESS JOE COST? 1311 00:54:57,333 --> 00:54:59,500 THE PRICES IN THE BOOK ARE ALL OVER THE PLACE. 1312 00:54:59,583 --> 00:55:00,875 WELL, A SHOELESS JOE ROOKIE 1313 00:55:00,959 --> 00:55:03,166 WENT FOR A QUARTER MILLION AT AUCTION LAST YEAR. 1314 00:55:03,250 --> 00:55:05,333 OH, MY GOODNESS, I HAD NO IDEA. 1315 00:55:05,417 --> 00:55:06,375 I MEAN, THAT, OF COURSE, 1316 00:55:06,458 --> 00:55:07,750 IS FOR A PRISTINE EXAMPLE. 1317 00:55:07,834 --> 00:55:09,333 A WORN, DISCOLORED CARD WOULD BE WORTH A LOT LESS. 1318 00:55:09,417 --> 00:55:11,792 WOW. 1319 00:55:13,625 --> 00:55:14,667 THAT'S CUTE. 1320 00:55:14,750 --> 00:55:16,959 WOULD YOU TAKE $75.00 FOR IT? 1321 00:55:17,041 --> 00:55:19,583 NAH, I GOTTA HAVE A HUNDRED. 1322 00:55:19,667 --> 00:55:21,583 THAT'S PROBABLY WORTH A LOT MORE, YOU KNOW. 1323 00:55:21,667 --> 00:55:23,000 IT'S, UM... 1324 00:55:23,083 --> 00:55:24,291 ART GRECO. 1325 00:55:29,000 --> 00:55:30,667 GREAT, I'LL... 1326 00:55:30,750 --> 00:55:31,917 I'LL TAKE IT. 1327 00:55:32,000 --> 00:55:34,875 UM, LET ME KNOW IF YOU HEAR ABOUT 1328 00:55:34,959 --> 00:55:38,000 ANY SHOELESS JOE JACKSON CARDS, ON THE LOWER END, OF COURSE. 1329 00:55:39,333 --> 00:55:40,250 THANK YOU. 1330 00:55:40,333 --> 00:55:41,500 MM-HMM. 1331 00:55:45,166 --> 00:55:46,208 THE TRAINER'S NAME? 1332 00:55:46,291 --> 00:55:48,542 DUANE LAMBEER. 1333 00:55:48,625 --> 00:55:50,166 HE THREATENED TO KILL MICHAEL. 1334 00:55:50,250 --> 00:55:51,417 ARGUMENT WAS OVER A WOMAN. 1335 00:55:51,500 --> 00:55:52,458 HER NAME? 1336 00:55:52,542 --> 00:55:53,500 I DON'T KNOW. 1337 00:55:53,583 --> 00:55:54,500 SHE WORKED OUT AT THE CLUB, 1338 00:55:54,583 --> 00:55:56,500 COULD HAVE BEEN A CLIENT OF DUANE'S. 1339 00:55:56,583 --> 00:55:57,667 THIS IS PRETTY THIN. 1340 00:55:57,750 --> 00:55:59,125 WELL, IT'S A START. 1341 00:55:59,208 --> 00:56:01,375 OH, AND THERE COULD HAVE BEEN A MONEY MOTIVE, TOO. 1342 00:56:01,458 --> 00:56:03,125 IT SEEMS THAT MICHAEL PURCHASED 1343 00:56:03,208 --> 00:56:04,834 A RARE AND VALUABLE BASEBALL CARD 1344 00:56:04,917 --> 00:56:06,041 SHORTLY BEFORE HIS DEATH. 1345 00:56:06,125 --> 00:56:07,125 SANDRA DOESN'T KNOW WHERE IT IS. 1346 00:56:07,208 --> 00:56:08,208 SHE'S NEVER EVEN SEEN IT. 1347 00:56:08,291 --> 00:56:09,166 HOW VALUABLE? 1348 00:56:10,208 --> 00:56:11,667 ENOUGH TO KILL. 1349 00:56:11,750 --> 00:56:13,291 HEY, FRANK. 1350 00:56:13,375 --> 00:56:15,959 OH, HEY, THANKS FOR COMING DOWN. 1351 00:56:17,709 --> 00:56:20,166 OKAY, 1352 00:56:20,250 --> 00:56:21,583 ARRAIGNMENT IS TOMORROW. 1353 00:56:21,667 --> 00:56:22,917 I TALKED TO THE PROSECUTOR, 1354 00:56:23,000 --> 00:56:26,500 AND HE IS VERY CONFIDENT THIS WILL GO TO TRIAL. 1355 00:56:26,583 --> 00:56:27,750 WHAT ABOUT BAIL? 1356 00:56:27,834 --> 00:56:28,959 WE'LL KNOW TOMORROW. 1357 00:56:30,542 --> 00:56:31,583 OH, I ALMOST FORGOT. 1358 00:56:31,667 --> 00:56:34,166 SANDRA WANTED ME TO GIVE THIS TO YOU. 1359 00:56:34,250 --> 00:56:35,583 IT'S THE LETTER THAT MICHAEL LEFT. 1360 00:56:36,709 --> 00:56:37,709 "SANDRA, 1361 00:56:37,792 --> 00:56:39,417 "I'M IN LOVE WITH SOMEONE ELSE. 1362 00:56:39,500 --> 00:56:41,000 "WHATEVER IS IN THE STORE, 1363 00:56:41,083 --> 00:56:42,125 "YOU CAN HAVE. 1364 00:56:42,208 --> 00:56:43,417 "I'M GOING AWAY. IT'S BETTER LIKE THIS. 1365 00:56:43,500 --> 00:56:45,458 "PLEASE DON'T TRY TO CONTACT OR FIND ME. 1366 00:56:45,542 --> 00:56:47,417 "I AM ONLY FOLLOWING MY HEART. 1367 00:56:47,500 --> 00:56:48,959 MICHAEL." 1368 00:56:51,000 --> 00:56:52,792 THIS DOESN'T REALLY HELP, DOES IT? 1369 00:56:52,875 --> 00:56:54,625 ACTUALLY, IT DOES. 1370 00:56:54,709 --> 00:56:57,208 AT LEAST THIS PART OF HER STORY IS TRUE. 1371 00:56:57,291 --> 00:56:58,667 IT HELPS WITH HER CREDIBILITY. 1372 00:57:01,041 --> 00:57:03,625 OKAY, HERE'S A COPY OF THE CRIME SCENE PHOTOS 1373 00:57:03,709 --> 00:57:05,750 AND THE AUTOPSY REPORT YOU ASKED FOR. 1374 00:57:05,834 --> 00:57:06,834 THANKS. 1375 00:57:06,917 --> 00:57:07,875 I'LL LET YOU KNOW IF ANYTHING COMES UP. 1376 00:57:07,959 --> 00:57:09,041 OKAY, VERY GOOD. 1377 00:57:13,041 --> 00:57:14,083 ALL RIGHT, 1378 00:57:14,166 --> 00:57:15,208 WELL, I'D BETTER GET BACK TO WORK, TOO. 1379 00:57:15,291 --> 00:57:16,375 THANKS, FRANK. 1380 00:57:21,583 --> 00:57:24,333 [♪♪♪] 1381 00:57:34,834 --> 00:57:36,291 I DON'T EVEN KNOW 1382 00:57:36,375 --> 00:57:38,417 HOW YOU CAN GO THROUGH ALL OF THIS STUFF. 1383 00:57:38,500 --> 00:57:40,792 WHAT ARE YOU HOPING TO LEARN FROM A CORONER'S REPORT? 1384 00:57:40,875 --> 00:57:42,166 SOMEBODY SHOT HIM. 1385 00:57:42,250 --> 00:57:44,625 WELL, YOU DON'T KNOW UNTIL YOU READ IT. 1386 00:57:44,709 --> 00:57:46,291 OKAY, LET'S TALK THIS THROUGH, OKAY? 1387 00:57:46,375 --> 00:57:49,291 ASSUMING SANDRA DIDN'T KILL HIM, 1388 00:57:49,375 --> 00:57:50,750 SUSPECTS AND MOTIVES, GO. 1389 00:57:51,834 --> 00:57:53,125 FIRST, 1390 00:57:53,208 --> 00:57:54,750 MICHAEL IS A THIEF. 1391 00:57:54,834 --> 00:57:56,458 HE'S STEALING FROM SANDRA. 1392 00:57:56,542 --> 00:57:57,709 HE'S SKIMMING OFF PROFITS 1393 00:57:57,792 --> 00:58:00,083 FROM THEIR SHOP, 1394 00:58:00,166 --> 00:58:01,709 AND HE IS BUYING COLLECTIBLE BASEBALL CARDS 1395 00:58:01,792 --> 00:58:03,417 WITH A LOT OF CASH. 1396 00:58:03,500 --> 00:58:05,709 SO, MAYBE THE THIEF GOT KILLED BY ANOTHER THIEF? 1397 00:58:05,792 --> 00:58:07,375 OKAY, A POSSIBILITY. 1398 00:58:07,458 --> 00:58:08,500 SECOND, 1399 00:58:08,583 --> 00:58:09,959 THERE'S A LOVE TRIANGLE. 1400 00:58:10,041 --> 00:58:12,417 EVERYONE ASSUMES IT'S SANDRA BECAUSE MICHAEL LEFT HER, 1401 00:58:12,500 --> 00:58:14,750 BUT I JUST MET A GUY WHO IS HALF-PSYCHO, 1402 00:58:14,834 --> 00:58:16,583 WHO THREATENED TO KILL MICHAEL OVER ANOTHER WOMAN. 1403 00:58:16,667 --> 00:58:17,500 DUANE THE TRAINER. 1404 00:58:17,583 --> 00:58:18,667 YES. 1405 00:58:18,750 --> 00:58:20,375 AND HE MAY BE THE ONLY PERSON 1406 00:58:20,458 --> 00:58:22,125 WHO KNOWS WHO THE OTHER WOMAN IS. 1407 00:58:22,208 --> 00:58:24,875 AND IF HE DIDN'T KILL MICHAEL, HE PROBABLY KNOWS WHO DID. 1408 00:58:24,959 --> 00:58:27,000 SEE, I JUST CAN'T GET MY HEAD AROUND 1409 00:58:27,083 --> 00:58:28,959 SANDRA'S FINGERPRINTS ON THE GUN. 1410 00:58:29,041 --> 00:58:29,917 HOW DID THEY GET THERE? 1411 00:58:31,875 --> 00:58:33,417 WHAT? 1412 00:58:33,500 --> 00:58:34,792 WHERE ARE YOU GOING? 1413 00:58:34,875 --> 00:58:36,417 TO GET AN ANSWER. 1414 00:58:41,917 --> 00:58:43,792 I DON'T THINK I'VE SLEPT AT ALL. 1415 00:58:43,875 --> 00:58:46,083 I FEEL LIKE EVERYTHING IS STACKED AGAINST ME. 1416 00:58:46,166 --> 00:58:47,208 NO, NOT EVERYTHING. 1417 00:58:47,291 --> 00:58:48,625 ARRAIGNMENT'S IN THE MORNING, 1418 00:58:48,709 --> 00:58:50,250 AND THERE'S A GOOD CHANCE YOU'LL MAKE BAIL. 1419 00:58:51,959 --> 00:58:53,583 SANDRA, I HAVE TO ASK YOU SOMETHING. 1420 00:58:54,875 --> 00:58:57,291 WHY ARE YOUR FINGERPRINTS ON THE GUN? 1421 00:59:00,959 --> 00:59:01,792 BECAUSE I SHOT IT? 1422 00:59:03,208 --> 00:59:05,125 NOT AT MICHAEL. 1423 00:59:05,250 --> 00:59:06,375 BUT AT THE RANGE. 1424 00:59:06,458 --> 00:59:07,792 MICHAEL AND I USED TO GO OUT THERE. 1425 00:59:07,875 --> 00:59:09,500 I'M PROBABLY THE LAST ONE TO USE IT. 1426 00:59:10,834 --> 00:59:11,792 WELL THEN, WHY AREN'T THE KILLER'S FINGERPRINTS 1427 00:59:11,875 --> 00:59:13,875 ON THE GUN? 1428 00:59:13,959 --> 00:59:16,458 HE MUST HAVE WORN GLOVES. 1429 00:59:17,750 --> 00:59:18,792 THE KILLER KNEW 1430 00:59:18,875 --> 00:59:19,917 WHERE THE GUN WAS KEPT IN THE HOUSE, 1431 00:59:20,000 --> 00:59:21,750 AND HE ALSO KNEW ABOUT THE HIDDEN CELLAR, 1432 00:59:21,834 --> 00:59:23,250 WHICH YOU DIDN'T KNOW ABOUT. 1433 00:59:23,333 --> 00:59:26,375 AND HE HAD TO KNOW THAT MICHAEL WAS PLANNING ON LEAVING. 1434 00:59:26,458 --> 00:59:28,291 NO ONE WOULD MISS HIM, 1435 00:59:28,375 --> 00:59:30,542 OR EVEN LOOK FOR HIM. 1436 00:59:33,083 --> 00:59:34,709 [♪♪♪] 1437 00:59:36,750 --> 00:59:38,542 [TYPING RAPIDLY] 1438 00:59:44,625 --> 00:59:45,542 [BEEPS] 1439 00:59:45,625 --> 00:59:46,875 [SIGHS] 1440 00:59:50,166 --> 00:59:51,166 [BEEPS] 1441 00:59:51,250 --> 00:59:53,208 [SIGHS] 1442 00:59:59,083 --> 01:00:00,458 YES! 1443 01:00:02,125 --> 01:00:03,709 YOU LOOK INTENSE. 1444 01:00:03,792 --> 01:00:05,166 GAMING? 1445 01:00:05,250 --> 01:00:07,208 [LOGAN]: I'VE JUST DONE THE IMPOSSIBLE. 1446 01:00:07,291 --> 01:00:09,750 I HACKED INTO THE SCHOOL'S COMPUTER SYSTEM. 1447 01:00:09,834 --> 01:00:12,542 WHAT? 1448 01:00:15,208 --> 01:00:18,500 WHAT IN THE WORLD WOULD YOU DO THAT FOR? 1449 01:00:18,583 --> 01:00:20,709 DO YOU KNOW HOW MUCH TROUBLE YOU COULD GET INTO? 1450 01:00:20,792 --> 01:00:22,458 NO, I'M NOT CHANGING MY GRADES. 1451 01:00:22,542 --> 01:00:24,667 I'M CHANGING NATE'S AND CAMERON'S. 1452 01:00:24,750 --> 01:00:25,750 THEY GAVE THEMSELVES "A"S 1453 01:00:25,834 --> 01:00:27,166 WHEN THEY WERE GOING TO GET "C"S. 1454 01:00:27,250 --> 01:00:29,333 LOOK. 1455 01:00:29,417 --> 01:00:30,667 THE GRADES ARE OUT TOMORROW, 1456 01:00:30,750 --> 01:00:32,000 AND THEY THINK IT'S A DONE DEAL, 1457 01:00:32,083 --> 01:00:33,250 BUT I AM CHANGING THEM BACK. 1458 01:00:37,834 --> 01:00:40,000 WHY ARE YOU DOING THIS? 1459 01:00:40,083 --> 01:00:42,959 I DON'T WANT MY FRIENDS TO GET CAUGHT CHEATING. 1460 01:00:43,041 --> 01:00:44,166 THAT'S FUNNY, 1461 01:00:44,250 --> 01:00:45,542 THEY THINK THEY'RE CHEATING, 1462 01:00:45,625 --> 01:00:47,458 BUT YOU'RE REVERSING THE CHEAT. 1463 01:00:47,542 --> 01:00:49,166 EXACTLY. 1464 01:00:49,250 --> 01:00:50,041 THEY'RE GOING TO GET WHAT THEY EARNED. 1465 01:00:52,166 --> 01:00:53,792 INSTANT KARMA. 1466 01:00:55,166 --> 01:00:56,041 YEAH, THAT TOO. 1467 01:00:57,208 --> 01:00:59,667 YOU'RE A GOOD KID, LOGAN. 1468 01:01:04,166 --> 01:01:06,417 IT'S SO OBVIOUS-- 1469 01:01:06,500 --> 01:01:08,709 WHY WOULDN'T HER FINGERPRINTS BE ON THE GUN? 1470 01:01:10,125 --> 01:01:11,875 WOULDN'T MICHAEL'S BE THERE, TOO? 1471 01:01:11,959 --> 01:01:13,000 THERE WERE PARTIALS, 1472 01:01:13,083 --> 01:01:14,250 BUT THE LAST PERSON TO HANDLE THE GUN 1473 01:01:14,333 --> 01:01:15,291 WITHOUT GLOVES 1474 01:01:15,375 --> 01:01:16,834 WAS SANDRA. 1475 01:01:16,917 --> 01:01:17,875 THE KILLER HAD TO KNOW THEY HAD A GUN 1476 01:01:17,959 --> 01:01:19,208 AND WHERE THEY KEPT IT. 1477 01:01:19,291 --> 01:01:21,625 COULD MICHAEL HAVE BROUGHT THE GUN TO THE CELLAR? 1478 01:01:21,709 --> 01:01:23,834 BUT THEN HE WOULD HAVE LEFT COMPLETE PRINTS 1479 01:01:23,917 --> 01:01:25,667 OVER SANDRA'S, RIGHT? 1480 01:01:25,750 --> 01:01:27,166 UNLESS HE WORE GLOVES. 1481 01:01:27,250 --> 01:01:30,041 HMM, AND THE KILLER WORE GLOVES, TOO? 1482 01:01:30,125 --> 01:01:31,583 I'M NOT BUYING IT. 1483 01:01:33,083 --> 01:01:34,458 I HAVE A MYSTERY THAT I'D LIKE TO SOLVE. 1484 01:01:35,834 --> 01:01:37,542 I SAVED MY CHOCOLATE CAKE FROM LAST NIGHT, 1485 01:01:37,625 --> 01:01:39,417 AND NOW IT'S GONE. 1486 01:01:40,458 --> 01:01:43,333 JASON... 1487 01:01:43,417 --> 01:01:45,625 YOU THINK I WOULD EAT YOUR CAKE? 1488 01:01:45,709 --> 01:01:47,208 IN A HEARTBEAT. 1489 01:01:47,291 --> 01:01:49,166 WELL, YOU SHOULDN'T HAVE LEFT IT OUT 1490 01:01:49,250 --> 01:01:50,083 WHERE I COULD SEE IT. 1491 01:01:51,291 --> 01:01:53,500 SO, IT'S MY FAULT YOU ATE MY CAKE? 1492 01:01:53,583 --> 01:01:54,709 [LAUGHS] 1493 01:01:54,792 --> 01:01:56,125 YOUR CAKE IS STILL THERE. 1494 01:01:56,208 --> 01:01:57,333 IT'S BEHIND THE MILK. 1495 01:01:58,917 --> 01:02:00,166 BUT I GET HALF. 1496 01:02:00,250 --> 01:02:01,834 WHAT? 1497 01:02:01,917 --> 01:02:03,500 NO... JENN. 1498 01:02:03,583 --> 01:02:04,458 JENN? 1499 01:02:08,959 --> 01:02:11,125 THIS WAITING IS DRIVING ME CRAZY. 1500 01:02:11,208 --> 01:02:12,834 COULD YOU HAVE GONE? 1501 01:02:12,917 --> 01:02:14,208 MCGUIRE SAID IT COULD BE AN ALL-DAY AFFAIR. 1502 01:02:14,291 --> 01:02:16,792 HE HAD NO IDEA WHEN SANDRA'S CASE WOULD COME UP. 1503 01:02:16,875 --> 01:02:18,000 [SHOP BELL JINGLES] 1504 01:02:18,083 --> 01:02:19,458 OH, MY GOODNESS. 1505 01:02:19,542 --> 01:02:21,333 WELL, EITHER YOU MADE BAIL OR YOU ESCAPED. 1506 01:02:21,417 --> 01:02:22,291 ESCAPED. [LAUGHS] 1507 01:02:23,583 --> 01:02:25,041 MCGUIRE WAS GREAT. 1508 01:02:25,125 --> 01:02:26,750 HE CONVINCED THE JUDGE THAT IF I WAS GOING TO DISAPPEAR, 1509 01:02:26,834 --> 01:02:28,041 I ALREADY HAD TWO YEARS TO DO IT. 1510 01:02:28,125 --> 01:02:29,959 WHAT'S NEXT? 1511 01:02:30,041 --> 01:02:31,709 WELL, THE EVIDENCE GOES BEFORE A GRAND JURY, 1512 01:02:31,792 --> 01:02:33,792 AND THEN THEY MAKE THE DECISION AS TO A TRIAL. 1513 01:02:33,875 --> 01:02:34,875 TIME FRAME? 1514 01:02:34,959 --> 01:02:35,875 IT'S UP TO THEM. 1515 01:02:35,959 --> 01:02:38,500 MIGHT BE A WEEK. 1516 01:02:38,583 --> 01:02:41,667 FOR NOW, ALL I WANT TO DO IS GO HOME AND HAVE A SHOWER. 1517 01:02:41,750 --> 01:02:42,709 I HEAR YOU. 1518 01:02:42,792 --> 01:02:43,834 I'LL COME BY LATER 1519 01:02:43,917 --> 01:02:44,875 AND FILL YOU IN ON A COUPLE OF THINGS. 1520 01:02:44,959 --> 01:02:46,166 OKAY. 1521 01:02:47,917 --> 01:02:49,333 THAT'S NICE. IT'S ART DECO. 1522 01:02:49,417 --> 01:02:51,166 YOU KNOW, WE ALMOST BOUGHT SOMETHING LIKE THAT 1523 01:02:51,250 --> 01:02:52,834 A COUPLE YEARS BACK, 1524 01:02:52,917 --> 01:02:54,333 BUT MICHAEL SAID 1525 01:02:54,417 --> 01:02:55,291 IT WAS OVER-PRICED. 1526 01:02:55,375 --> 01:02:56,375 [CHUCKLES] 1527 01:02:56,458 --> 01:02:58,417 I'LL SEE YOU SOON. 1528 01:03:05,875 --> 01:03:07,291 THESE ARE GOOD LEADS. 1529 01:03:07,375 --> 01:03:09,083 WHY WON'T THE SHERIFF INVESTIGATE? 1530 01:03:09,166 --> 01:03:11,083 THEY'RE WORKING TO MAKE A CASE AGAINST SANDRA, 1531 01:03:11,166 --> 01:03:12,375 NOT PROVE HER INNOCENCE. 1532 01:03:12,458 --> 01:03:14,208 FINE. 1533 01:03:14,291 --> 01:03:16,166 FOLLOW THEM UP, 1534 01:03:16,250 --> 01:03:19,583 BUT STAY OUT OF TROUBLE. 1535 01:03:19,667 --> 01:03:22,834 ALL RIGHT, I HAVE THE INFO YOU ASKED FOR. 1536 01:03:22,917 --> 01:03:24,750 WHAT DOES THIS HAVE TO DO WITH SANDRA? 1537 01:03:24,834 --> 01:03:25,917 LONG SHOT, 1538 01:03:26,000 --> 01:03:28,667 A WOMAN CALLED US TO SELL US SOME ANTIQUES 1539 01:03:28,750 --> 01:03:30,542 AFTER THE NEWSPAPER STORY CAME OUT. 1540 01:03:30,625 --> 01:03:33,375 SHE WAS VERY INTERESTED IN MICHAEL'S DEATH. 1541 01:03:33,458 --> 01:03:34,625 I THOUGHT THAT WAS ODD. 1542 01:03:34,709 --> 01:03:36,041 I ALSO THOUGHT IT WAS ODD 1543 01:03:36,125 --> 01:03:38,125 THAT SHE HER GLASS ON AN ANTIQUE COFFEE TABLE. 1544 01:03:39,417 --> 01:03:41,458 ROBERT BALMAIN, 55 YEARS-OLD, 1545 01:03:41,542 --> 01:03:42,458 WAS A PRIVATE INVESTOR, 1546 01:03:42,542 --> 01:03:44,250 MARRIED TO KIMBERLY BALMAIN. 1547 01:03:44,333 --> 01:03:47,625 ACCIDENTAL DEATH, LAST AUGUST, HIKING ON SILVER FORK TRAIL. 1548 01:03:47,709 --> 01:03:50,375 CAUSE OF DEATH, ANAPHYLACTIC SHOCK. 1549 01:03:50,458 --> 01:03:52,000 HE ATE A POWER BAR THAT CONTAINED PEANUTS. 1550 01:03:52,083 --> 01:03:53,000 IT SAYS RIGHT HERE. 1551 01:03:53,083 --> 01:03:54,208 "REMAINS OF A PARTIALLY EATEN BAR 1552 01:03:54,291 --> 01:03:55,208 WERE FOUND WITH HIM." 1553 01:03:55,291 --> 01:03:58,208 SO, MURDER BY POWER BAR? 1554 01:03:58,291 --> 01:03:59,458 IT WOULD BE 1555 01:03:59,542 --> 01:04:01,250 IF SOMEONE KNOWINGLY PUT THAT BAR IN HIS BAG. 1556 01:04:02,542 --> 01:04:03,667 LOOK, I GO BY MY HUNCHES, 1557 01:04:03,750 --> 01:04:05,834 AND I HAVE A HUNCH ABOUT ROBERT BALMAIN. 1558 01:04:05,917 --> 01:04:06,792 OH, THIS SHOULD BE GOOD. 1559 01:04:06,875 --> 01:04:08,000 MY HUNCH IS 1560 01:04:08,083 --> 01:04:09,500 THAT WHOEVER KILLED ROBERT BALMAIN 1561 01:04:09,583 --> 01:04:11,375 MIGHT HAVE KILLED MICHAEL. 1562 01:04:12,875 --> 01:04:15,667 IF YOU'RE RIGHT ABOUT THIS, I'LL BUY YOU LUNCH FOR A MONTH. 1563 01:04:15,750 --> 01:04:17,875 BUT YOU'RE BUYING TODAY. 1564 01:04:19,125 --> 01:04:20,959 [CHUCKLING IN DISBELIEF] POWER BAR... 1565 01:04:24,709 --> 01:04:26,333 I DON'T KNOW WHAT YOU SAID THE OTHER DAY, 1566 01:04:26,417 --> 01:04:27,750 BUT IT REALLY SET HIM OFF. 1567 01:04:27,834 --> 01:04:30,250 I ASKED ABOUT MICHAEL CHAMBERS. 1568 01:04:30,333 --> 01:04:31,542 WELL, HE WENT INTO THE LOCKER ROOM, 1569 01:04:31,625 --> 01:04:33,625 AND HE BROKE A BIG MIRROR WITH A TRASH CAN. 1570 01:04:33,709 --> 01:04:35,542 HE'S BEEN BANNED. 1571 01:04:35,625 --> 01:04:37,500 OH, GUESS I PUSHED A BUTTON. 1572 01:04:37,583 --> 01:04:38,500 DO YOU RECALL A MEMBER 1573 01:04:38,583 --> 01:04:40,250 NAMED KIM BALMAIN? 1574 01:04:40,333 --> 01:04:41,500 COULD SHE BE THE WOMAN 1575 01:04:41,583 --> 01:04:42,542 THAT MICHAEL AND DUANE WERE ARGUING ABOUT? 1576 01:04:43,875 --> 01:04:46,667 THERE WAS A MEMBER BACK THEN NAMED KIM... 1577 01:04:46,750 --> 01:04:48,375 KIM COLLETTE. 1578 01:04:48,458 --> 01:04:49,750 SHE WAS STUNNING. 1579 01:04:54,291 --> 01:04:55,208 I KNOW I HACKED THE SYSTEM, 1580 01:04:55,291 --> 01:04:56,375 AND I KNOW I CHANGED THEM. 1581 01:04:56,458 --> 01:04:57,417 I SAW THEM. 1582 01:04:57,500 --> 01:04:58,500 THEY WERE ALL "A"S. 1583 01:04:58,583 --> 01:04:59,750 BUT NOW I GOT "C"S. WHAT HAPPENED? 1584 01:04:59,834 --> 01:05:03,458 WELL, ARE YOU SURE YOU GUYS CODED THE CHANGE? 1585 01:05:03,542 --> 01:05:05,667 YEAH, EVERYTHING LOOKED GOOD. 1586 01:05:05,750 --> 01:05:07,083 WE'RE TOAST. 1587 01:05:10,291 --> 01:05:12,333 AT LEAST YOU DIDN'T GET CAUGHT. 1588 01:05:12,417 --> 01:05:15,041 TRUE, THAT. 1589 01:05:15,125 --> 01:05:16,500 I MEAN, AT FIRST IT WAS EXCITING TO BREAK IN, 1590 01:05:16,583 --> 01:05:18,083 BUT THEN... 1591 01:05:18,166 --> 01:05:19,041 I KIND OF WISHED WE HADN'T. 1592 01:05:19,125 --> 01:05:21,709 I DIDN'T SLEEP AT ALL LAST NIGHT. 1593 01:05:21,792 --> 01:05:23,625 ME TOO. 1594 01:05:23,709 --> 01:05:24,625 I BET YOU SLEPT. 1595 01:05:24,709 --> 01:05:25,792 LIKE A BABY. 1596 01:05:25,875 --> 01:05:26,917 [SCOFFS] 1597 01:05:27,000 --> 01:05:28,417 SHOULD'VE LISTENED TO HIM. 1598 01:05:28,500 --> 01:05:29,417 LESS STRESS. 1599 01:05:31,125 --> 01:05:32,917 WHOA, I'VE GOT AN IDEA. 1600 01:05:33,000 --> 01:05:34,667 WHAT IF WE TOLD THE SCHOOL 1601 01:05:34,750 --> 01:05:36,166 HOW TO BREAK INTO THEIR SYSTEM. 1602 01:05:36,250 --> 01:05:38,834 WE COULD BE, LIKE, CYBER-SECURITY ADVISORS. 1603 01:05:38,917 --> 01:05:40,709 MAYBE THAT'S SOMETHING YOU'D BE DOWN WITH? 1604 01:05:44,041 --> 01:05:46,709 [♪♪♪] 1605 01:05:46,792 --> 01:05:47,834 COUNTY REGISTRAR 1606 01:05:47,917 --> 01:05:49,583 WILL HAVE ALL THE MARRIAGE LICENSES. 1607 01:05:49,667 --> 01:05:50,625 HOW IS IT SPELLED? 1608 01:05:50,709 --> 01:05:55,458 UH, BALMAIN, B-A-L-M-A-I-N, ROBERT. 1609 01:05:55,542 --> 01:05:56,750 [TYPING] 1610 01:05:56,834 --> 01:05:57,709 [BEEPS] 1611 01:05:57,792 --> 01:05:59,000 GOT IT. 1612 01:05:59,083 --> 01:06:00,166 A LITTLE LESS THAN TWO YEARS AGO, 1613 01:06:00,250 --> 01:06:02,000 ROBERT BALMAIN MARRIES KIMBERLY COLLETTE. 1614 01:06:02,083 --> 01:06:04,000 THE WOMAN FROM THE HEALTH CLUB. 1615 01:06:04,083 --> 01:06:05,333 BUT HOW DOES THIS CONNECT TO MICHAEL? 1616 01:06:05,417 --> 01:06:06,834 I HAVE A COUPLE OF THEORIES, 1617 01:06:06,917 --> 01:06:08,083 THE FIRST ONE IS A LOVE TRIANGLE. 1618 01:06:08,166 --> 01:06:10,333 THERE'S A TRAINER AT THE GYM, DUANE LAMBEER. 1619 01:06:10,417 --> 01:06:13,125 HE GOT INTO A FIGHT WITH MICHAEL OVER ANOTHER WOMAN. 1620 01:06:13,208 --> 01:06:15,125 THAT WOMAN WAS KIMBERLY COLLETTE. 1621 01:06:15,208 --> 01:06:16,792 MAYBE, WHEN DUANE HEARD 1622 01:06:16,875 --> 01:06:18,542 THAT MICHAEL WAS MOVING AWAY WITH KIM-- 1623 01:06:18,625 --> 01:06:19,709 HE SNAPS, 1624 01:06:19,792 --> 01:06:21,291 CONFRONTS MICHAEL IN THE BARN, 1625 01:06:21,375 --> 01:06:22,750 AND THEN KILLS HIM? 1626 01:06:22,834 --> 01:06:25,333 I HAD DETECTIVE LYNWOOD RUN A BACKGROUND CHECK ON DUANE. 1627 01:06:25,417 --> 01:06:28,417 HE'S BEEN IN JAIL TWICE, BOTH TIMES FOR ASSAULT. 1628 01:06:28,500 --> 01:06:29,667 SO, HOW WOULD HE KNOW 1629 01:06:29,750 --> 01:06:32,125 ABOUT THE SECRET CELLAR UNDER THE BARN? 1630 01:06:32,208 --> 01:06:34,542 LET'S SAY HE CAME OUT HERE TO CONFRONT MICHAEL. 1631 01:06:34,625 --> 01:06:36,709 HE SEES HIM GO INTO THE BARN. 1632 01:06:36,792 --> 01:06:38,959 HE FOLLOWS HIM IN AND DOWN TO THE CELLAR. 1633 01:06:39,041 --> 01:06:41,542 THEY ARGUE, THEY FIGHT... 1634 01:06:41,625 --> 01:06:43,625 BUT WHY IS THE GUN THERE? 1635 01:06:43,709 --> 01:06:44,709 [SIGHS] 1636 01:06:44,792 --> 01:06:46,875 I DON'T KNOW. 1637 01:06:46,959 --> 01:06:48,667 MICHAEL WOULD HAVE HAD TO BRING IT. 1638 01:06:48,750 --> 01:06:51,000 WHAT'S YOUR OTHER THEORY? 1639 01:06:51,083 --> 01:06:53,667 MY OTHER THEORY IS THE BASEBALL CARDS. 1640 01:06:53,750 --> 01:06:55,959 THEY'RE WORTH A LOT OF MONEY, 1641 01:06:56,041 --> 01:06:58,625 ENOUGH MONEY FOR SOMEONE TO KILL OVER. 1642 01:06:58,709 --> 01:07:01,500 MAYBE SOMEONE WAS GOING TO BUY THEM FROM MICHAEL, 1643 01:07:01,583 --> 01:07:03,875 AND THEY DECIDED TO STEAL THEM INSTEAD. 1644 01:07:03,959 --> 01:07:06,375 SO, MICHAEL HAS THE GUY COME OUT, 1645 01:07:06,458 --> 01:07:09,291 TAKES HIM DOWN TO THE CELLAR WHERE HE KEEPS THE CARDS. 1646 01:07:09,375 --> 01:07:10,875 MICHAEL IS NERVOUS ABOUT THE WHOLE THING, 1647 01:07:10,959 --> 01:07:12,542 SO HE BRINGS THE GUN WITH HIM. 1648 01:07:13,875 --> 01:07:15,959 BUT WHY AREN'T MICHAEL'S FINGERPRINTS ON THE GUN? 1649 01:07:16,041 --> 01:07:17,417 AH, IT TURNS OUT 1650 01:07:17,500 --> 01:07:18,709 THAT FINGERPRINTS ON A PISTOL 1651 01:07:18,792 --> 01:07:21,250 CAN ONLY BE TAKEN FROM A SMOOTH, FLAT SURFACE. 1652 01:07:21,333 --> 01:07:23,667 IF MICHAEL HELD THE GUN BY THE PISTOL-GRIP, 1653 01:07:23,750 --> 01:07:25,542 WHICH IS CHECKERED PLASTIC, 1654 01:07:25,625 --> 01:07:27,709 HE MIGHT NOT HAVE LEFT FINGERPRINTS. 1655 01:07:27,792 --> 01:07:30,834 SO, WHO IS THE KILLER? 1656 01:07:30,917 --> 01:07:32,333 DON'T KNOW. 1657 01:07:32,417 --> 01:07:33,875 YET. 1658 01:07:33,959 --> 01:07:36,125 I DID FIND A GUY WHO DEALS WITH THIS BASEBALL CARD STUFF. 1659 01:07:36,208 --> 01:07:37,083 PRETTY SLEAZY. 1660 01:07:37,166 --> 01:07:38,625 AND I... 1661 01:07:38,709 --> 01:07:40,667 FOUND THE OTHER NOTE. 1662 01:07:40,750 --> 01:07:41,917 I DON'T EVEN KNOW 1663 01:07:42,000 --> 01:07:44,125 IF IT'S FROM THE WOMAN THAT MICHAEL WAS SEEING. 1664 01:07:44,208 --> 01:07:46,417 I JUST KNOW MY HEART SANK WHEN I READ IT. 1665 01:07:46,500 --> 01:07:47,667 "SEE YOU TOMORROW. 1666 01:07:47,750 --> 01:07:48,750 ME." 1667 01:07:48,834 --> 01:07:50,375 WHAT'S THAT TELL YOU? 1668 01:07:50,458 --> 01:07:51,750 I THINK YOUR INSTINCTS ARE RIGHT. 1669 01:07:51,834 --> 01:07:54,375 SEEMS PRETTY INTIMATE TO SIGN THE NOTE "ME." 1670 01:07:54,458 --> 01:07:55,875 [CELL PHONE WARBLES] 1671 01:08:01,125 --> 01:08:02,625 HELLO. 1672 01:08:02,709 --> 01:08:04,417 YES, THIS IS JENNIFER. 1673 01:08:06,417 --> 01:08:08,583 YES, I AM STILL INTERESTED. 1674 01:08:08,667 --> 01:08:11,667 CAN I CALL YOU BACK TO CONFIRM? 1675 01:08:11,750 --> 01:08:13,208 THANK YOU. 1676 01:08:13,291 --> 01:08:14,583 [BEEPS PHONE OFF] 1677 01:08:14,667 --> 01:08:16,542 THAT WAS BILLY THE CARD BROKER. 1678 01:08:16,625 --> 01:08:17,750 SOMEONE SURFACED 1679 01:08:17,834 --> 01:08:19,166 WITH A SHOELESS JOE ROOKIE CARD FOR SALE, 1680 01:08:19,250 --> 01:08:21,166 AND A FEW OTHERS TO GO WITH IT. 1681 01:08:21,250 --> 01:08:23,792 WE CAN MEET THE GUY TOMORROW AT BILLY'S SHOP. 1682 01:08:30,083 --> 01:08:31,792 I KNOW YOU'RE STILL ON THE FENCE. 1683 01:08:31,875 --> 01:08:35,083 DANIELLE, THIS IS SO FRUSTRATING. 1684 01:08:35,166 --> 01:08:36,959 I'M OFFERING YOU AN OPPORTUNITY. 1685 01:08:37,041 --> 01:08:38,125 I KNOW. 1686 01:08:38,208 --> 01:08:40,417 YOU'RE A DIAMOND IN THE ROUGH. 1687 01:08:40,500 --> 01:08:42,083 THERE'S SO MUCH I CAN TEACH YOU. 1688 01:08:42,166 --> 01:08:43,875 ABOUT ART? 1689 01:08:43,959 --> 01:08:45,333 PRESENTATION. 1690 01:08:45,417 --> 01:08:47,041 FIRST OFF, CLOTHES. 1691 01:08:47,125 --> 01:08:48,834 WHILE THE CLOTHING YOU WEAR 1692 01:08:48,917 --> 01:08:50,875 MIGHT BE ACCEPTABLE AT A THRIFT SHOP 1693 01:08:50,959 --> 01:08:52,125 LIKE RAGS TO RICHES-- 1694 01:08:52,208 --> 01:08:54,041 WE'RE NOT A THRIFT SHOP. 1695 01:08:54,125 --> 01:08:54,959 [CHUCKLES INDULGENTLY] 1696 01:08:56,083 --> 01:08:57,333 MY POINT IS, 1697 01:08:57,417 --> 01:08:58,875 THAT TO DEAL WITH OUR CLIENTELE, 1698 01:08:58,959 --> 01:09:02,208 YOU NEED TO PRESENT YOURSELF WITH CLASS AND ELEGANCE, 1699 01:09:02,291 --> 01:09:03,917 AND I CAN HELP YOU WITH THAT. 1700 01:09:05,417 --> 01:09:06,458 THERE'S ALSO A FRINGE BENEFIT 1701 01:09:06,542 --> 01:09:08,417 I DIDN'T MENTION. 1702 01:09:08,500 --> 01:09:11,208 WE DEAL WITH A LOT OF WEALTHY MEN, 1703 01:09:11,291 --> 01:09:12,166 SOME OF THEM SINGLE. 1704 01:09:14,375 --> 01:09:16,500 DO YOU REALLY WANT TO MAKE A CAREER OUT OF THAT SHOP? 1705 01:09:16,583 --> 01:09:18,250 WORKING WITH JENNIFER, 1706 01:09:18,333 --> 01:09:20,000 WHO'S... [CHUCKLES] VERY SWEET, 1707 01:09:20,083 --> 01:09:21,041 BUT, QUITE FRANKLY, SOMEWHAT COMMON-- 1708 01:09:21,125 --> 01:09:22,041 OH. 1709 01:09:23,375 --> 01:09:25,291 I THINK I KNOW WHAT YOU'RE SAYING. 1710 01:09:27,166 --> 01:09:28,959 LET ME MAKE IT SIMPLE, 1711 01:09:29,041 --> 01:09:32,583 DO YOU WANT TO DANCE IN THE BARN WITH HAY ON THE FLOOR, 1712 01:09:32,667 --> 01:09:36,208 OR COME TO AN ELEGANT BALL AT THE CHATEAU? 1713 01:09:38,458 --> 01:09:40,583 PROBABLY THE BARN. 1714 01:09:40,667 --> 01:09:41,917 I LIKE LINE DANCING. 1715 01:09:42,000 --> 01:09:44,458 AND IF JENN IS THERE, I KNOW I'LL HAVE A GOOD TIME. 1716 01:09:45,625 --> 01:09:47,709 SHE'S MY BEST FRIEND. 1717 01:09:47,792 --> 01:09:49,667 THANKS FOR THE OFFER, ELENA. 1718 01:09:49,750 --> 01:09:53,041 I'M GOING TO STAY AT RAGS. 1719 01:09:53,125 --> 01:09:55,959 AND LUNCH IS ON ME. 1720 01:09:57,083 --> 01:09:58,041 AU REVOIR. 1721 01:10:12,500 --> 01:10:14,041 HONEY, I WANT TO SHOW YOU SOMETHING, 1722 01:10:14,125 --> 01:10:15,333 SEE WHAT YOU THINK. 1723 01:10:15,417 --> 01:10:16,583 OKAY. 1724 01:10:16,667 --> 01:10:18,125 TAKE A LOOK AT THIS. 1725 01:10:18,208 --> 01:10:21,500 THIS IS A PHOTO THE POLICE TOOK AFTER THE BODY WAS REMOVED. 1726 01:10:21,583 --> 01:10:24,583 NOW, HERE'S A PHOTO, PRETTY MUCH THE SAME ANGLE, 1727 01:10:24,667 --> 01:10:25,625 THAT I TOOK LATER. 1728 01:10:26,709 --> 01:10:29,041 WHAT DO YOU SEE? 1729 01:10:29,125 --> 01:10:31,625 HONESTLY, THEY LOOK THE SAME TO ME. 1730 01:10:31,709 --> 01:10:33,041 LOOK RIGHT HERE, NEXT TO THE CANDELABRA 1731 01:10:33,125 --> 01:10:34,083 IN THE CRIME SCENE PHOTO. 1732 01:10:34,166 --> 01:10:35,709 THE LITTLE STATUE 1733 01:10:35,792 --> 01:10:37,875 IS NOT IN THE PHOTO THAT I TOOK, 1734 01:10:37,959 --> 01:10:39,166 BUT IT'S IN THE POLICE PHOTO. 1735 01:10:39,250 --> 01:10:41,208 THAT MEANS SOMEBODY HAD TO GO DOWN THERE 1736 01:10:41,291 --> 01:10:42,917 AND TAKE THAT STATUE 1737 01:10:43,000 --> 01:10:44,250 AFTER THE MURDER. 1738 01:10:44,333 --> 01:10:48,000 OKAY, SOMEONE REMOVED THE STATUE. 1739 01:10:48,083 --> 01:10:50,041 WHOEVER TOOK THE STATUE COULD VERY WELL BE THE KILLER. 1740 01:10:50,125 --> 01:10:51,750 OKAY... 1741 01:10:53,208 --> 01:10:55,500 I BOUGHT THAT STATUE THE DAY BEFORE YESTERDAY. 1742 01:10:55,583 --> 01:10:57,250 WHAT? WHERE? 1743 01:10:57,333 --> 01:10:58,458 A GUY WHO BROKERS BASEBALL CARDS 1744 01:10:58,542 --> 01:10:59,875 HAD IT IN HIS SHOP, 1745 01:10:59,959 --> 01:11:00,875 AND GET THIS, 1746 01:11:00,959 --> 01:11:02,125 HE KNOWS SOMEONE 1747 01:11:02,208 --> 01:11:03,750 WHO HAS A SHOELESS JOE ROOKIE CARD FOR SALE. 1748 01:11:03,834 --> 01:11:05,667 I THINK THE BROKER BOUGHT THE STATUE 1749 01:11:05,750 --> 01:11:07,208 FROM THE SAME GUY WHO KILLED MICHAEL 1750 01:11:07,291 --> 01:11:08,291 FOR THE CARDS, 1751 01:11:08,375 --> 01:11:09,750 AND NOW WANTS TO SELL THEM. 1752 01:11:09,834 --> 01:11:11,500 HONEY, IF THIS IS TRUE, I WANT YOU NOWHERE NEAR THIS. 1753 01:11:11,583 --> 01:11:12,667 OH, I KNOW. 1754 01:11:12,750 --> 01:11:13,834 I'M ALREADY GETTING FRANK INVOLVED. 1755 01:11:13,917 --> 01:11:15,750 THERE'S A MEETING SET FOR TOMORROW. 1756 01:11:15,834 --> 01:11:17,917 YOU GO ONLY IF HE GOES. 1757 01:11:18,000 --> 01:11:19,625 I PROMISE. DON'T WORRY. 1758 01:11:19,709 --> 01:11:21,709 [GRUMBLES UNCOMFORTABLY] 1759 01:11:23,166 --> 01:11:24,375 WHAT DO YOU THINK? 1760 01:11:24,458 --> 01:11:26,041 WELL, I WANT TO FIND OUT 1761 01:11:26,125 --> 01:11:27,875 WHO BILLY CARR ACQUIRED THIS STATUE FROM. 1762 01:11:27,959 --> 01:11:29,500 WELL, WHOEVER IT IS WAS IN THE CELLAR. 1763 01:11:29,583 --> 01:11:30,959 WHY? 1764 01:11:31,041 --> 01:11:33,834 WELL, IF THAT PERSON IS CONNECTED TO A BASEBALL CARD 1765 01:11:33,917 --> 01:11:34,834 THAT ONCE BELONGED TO MICHAEL, 1766 01:11:34,917 --> 01:11:37,166 THIS COULD GET PRETTY INTERESTING. 1767 01:11:37,250 --> 01:11:38,375 SANDRA'S ON HER WAY HERE NOW. 1768 01:11:38,458 --> 01:11:39,875 OKAY. 1769 01:11:39,959 --> 01:11:41,542 I'M GOING TO BE IN THE STORE BEFORE YOU GUYS, 1770 01:11:41,625 --> 01:11:42,542 POSING AS A CUSTOMER. 1771 01:11:42,625 --> 01:11:43,959 NOW, ANOTHER CUSTOMER 1772 01:11:44,041 --> 01:11:45,834 IS GOING TO COME IN SHORTLY AFTER YOU, 1773 01:11:45,917 --> 01:11:47,583 THAT'S ONE OF MY GUYS. 1774 01:11:47,667 --> 01:11:48,625 YOU GOT THAT? 1775 01:11:48,709 --> 01:11:49,583 GOT IT. 1776 01:11:49,667 --> 01:11:53,792 [♪♪♪] 1777 01:11:53,875 --> 01:11:55,250 [BREATHING DEEPLY] 1778 01:11:55,333 --> 01:11:56,458 ARE YOU OKAY? 1779 01:11:56,542 --> 01:11:57,709 YOU CAN STAY HERE. 1780 01:11:57,792 --> 01:11:59,583 NO, I'M FINE. 1781 01:11:59,667 --> 01:12:01,709 THE CUSTOMER AFTER US IS PLAINCLOTHES. 1782 01:12:01,792 --> 01:12:03,250 FRANK IS ALREADY INSIDE. 1783 01:12:05,333 --> 01:12:07,208 WHY DO I FEEL LIKE YOU'VE DONE THIS BEFORE? 1784 01:12:07,291 --> 01:12:09,291 LET'S GO. 1785 01:12:20,000 --> 01:12:22,083 [SENT MESSAGE BEEPS] 1786 01:12:22,166 --> 01:12:23,000 [TEXT ALERT CHIMES] 1787 01:12:29,709 --> 01:12:30,834 IS THAT THE GUY? 1788 01:12:30,917 --> 01:12:32,083 NO, THAT'S A CUSTOMER. 1789 01:12:32,166 --> 01:12:33,750 AND THE PARTY IN QUESTION IS NOT A GUY, 1790 01:12:33,834 --> 01:12:35,166 IT'S A WOMAN. 1791 01:12:35,250 --> 01:12:36,625 SHE JUST TEXTED AND SAID SHE'S NOT GOING TO MAKE IT. 1792 01:12:36,709 --> 01:12:37,834 A WOMAN? WHAT'S HER NAME? 1793 01:12:37,917 --> 01:12:38,917 DIANA. 1794 01:12:39,000 --> 01:12:41,792 SHE SAID DIANA DORS. 1795 01:12:41,875 --> 01:12:44,500 THAT'S NOT A REAL NAME, THAT'S AN OLD MOVIE STAR. 1796 01:12:44,583 --> 01:12:45,875 YOU THINK ANYBODY IN THIS BUSINESS 1797 01:12:45,959 --> 01:12:47,375 USES THEIR REAL NAME? 1798 01:12:49,041 --> 01:12:50,667 FRANK... 1799 01:12:50,750 --> 01:12:52,959 NOBODY'S COMING. 1800 01:12:55,333 --> 01:12:56,667 HEY, BILLY, 1801 01:12:56,750 --> 01:12:58,250 GOT A CLOSED SIGN FOR THIS DUMP? 1802 01:13:01,125 --> 01:13:02,709 SOMEBODY WALKED IN OFF THE STREET 1803 01:13:02,792 --> 01:13:03,834 WITH THE STATUE. 1804 01:13:03,917 --> 01:13:05,500 I PAID CASH. 1805 01:13:05,583 --> 01:13:07,667 [FRANK]: THIS IS TIED TO A MURDER, BILLY, 1806 01:13:07,750 --> 01:13:08,834 AND RIGHT NOW, 1807 01:13:08,917 --> 01:13:10,458 IT'S LOOKING LIKE YOU'RE IN PRETTY DEEP. 1808 01:13:10,542 --> 01:13:12,125 FOR BUYING A STATUE? 1809 01:13:12,208 --> 01:13:13,667 MICHAEL CHAMBERS 1810 01:13:13,750 --> 01:13:15,125 HAD A SHOELESS JOE ROOKIE, 1811 01:13:15,208 --> 01:13:16,250 AND THAT CARD JUST VANISHED 1812 01:13:16,333 --> 01:13:18,333 WHEN MICHAEL WAS MURDERED, 1813 01:13:18,417 --> 01:13:21,375 AND NOW, SUDDENLY, YOU KNOW SOMEONE 1814 01:13:21,458 --> 01:13:23,083 WHO WANTS TO SELL ONE? 1815 01:13:23,166 --> 01:13:25,417 I WANT THEIR PHONE NUMBER, BILLY. 1816 01:13:25,500 --> 01:13:28,667 [BILLY]: I DON'T HAVE IT. IT WAS A BLOCKED CALL. 1817 01:13:28,750 --> 01:13:30,458 AND YOU JUST... 1818 01:13:30,542 --> 01:13:33,083 JUST HAPPEN TO HAVE A LITTLE BRONZE STATUE 1819 01:13:33,166 --> 01:13:35,083 THAT WAS TAKEN FROM THE CRIME SCENE? 1820 01:13:35,166 --> 01:13:37,000 I TOLD YOU THE TRUTH. 1821 01:13:37,083 --> 01:13:38,667 OKAY. 1822 01:13:38,750 --> 01:13:41,291 MICHAEL WAS SKIMMING FROM HIS FIANCEE'S STORE 1823 01:13:41,375 --> 01:13:44,667 AND BUYING RARE BASEBALL CARDS FROM YOU. 1824 01:13:44,750 --> 01:13:47,291 HE ENDS UP BUYING A VERY EXPENSIVE 1825 01:13:47,375 --> 01:13:49,583 JOE JACKSON ROOKIE CARD, 1826 01:13:49,667 --> 01:13:51,375 AND HE DOESN'T PAY YOU. 1827 01:13:51,458 --> 01:13:52,750 YOU'RE FURIOUS, 1828 01:13:52,834 --> 01:13:54,709 SO YOU GO TO HIS PLACE, 1829 01:13:54,792 --> 01:13:56,417 YOU FOLLOW HIM INTO THE BARN. 1830 01:13:56,500 --> 01:13:57,375 THERE'S AN ARGUMENT, 1831 01:13:57,458 --> 01:14:00,000 MAYBE A FIGHT... 1832 01:14:01,250 --> 01:14:02,834 AND THEN YOU GET YOUR HANDS 1833 01:14:02,917 --> 01:14:04,375 ON A GUN. 1834 01:14:04,458 --> 01:14:06,625 YOU SHOOT MICHAEL, 1835 01:14:06,709 --> 01:14:09,417 YOU TAKE THE BASEBALL CARDS, 1836 01:14:09,500 --> 01:14:11,291 AND, AS AN ADDED BONUS, 1837 01:14:11,375 --> 01:14:14,125 YOU GRAB THE LITTLE STATUE ON YOUR WAY OUT. 1838 01:14:14,208 --> 01:14:15,583 NOW, WHAT PART OF THAT ISN'T TRUE? 1839 01:14:15,667 --> 01:14:17,333 ALL OF IT! 1840 01:14:17,417 --> 01:14:19,250 NONE OF IT IS TRUE! 1841 01:14:19,333 --> 01:14:22,834 I DON'T WANT TO TALK ANYMORE, I WANT A LAWYER. 1842 01:14:30,667 --> 01:14:32,667 I CAN'T BELIEVE THEY DIDN'T JUST ARREST HIM. 1843 01:14:32,750 --> 01:14:34,542 WELL, FRANK WAS JUST TRYING TO SCARE HIM INTO TALKING. 1844 01:14:34,625 --> 01:14:36,291 HE DOESN'T THINK BILLY IS THE KILLER, 1845 01:14:36,375 --> 01:14:37,291 BUT HE COULD LEAD US THERE. 1846 01:14:37,375 --> 01:14:38,625 HEY, DID WE SELL ANYTHING TODAY? 1847 01:14:38,709 --> 01:14:39,625 FIVE SALES. 1848 01:14:39,709 --> 01:14:41,333 THAT'S A GOOD DAY. 1849 01:14:41,417 --> 01:14:42,750 THAT'S A GOOD DAY. 1850 01:14:42,834 --> 01:14:44,083 I'M HITTING THE FARMER'S MARKET. DO YOU WANT ANYTHING? 1851 01:14:44,166 --> 01:14:45,083 NO, I'M GOOD. 1852 01:14:45,166 --> 01:14:46,083 OKAY. 1853 01:14:47,166 --> 01:14:49,041 [♪♪♪] 1854 01:14:50,792 --> 01:14:53,083 "SEE YOU TOMORROW... 1855 01:14:53,166 --> 01:14:54,583 ME." 1856 01:14:57,291 --> 01:14:58,375 OH. 1857 01:14:58,458 --> 01:15:01,250 IF YOU NEED ANY HELP, JUST LET ME KNOW. 1858 01:15:14,291 --> 01:15:16,875 HERE WE GO. 1859 01:15:29,417 --> 01:15:31,333 INTERESTING. 1860 01:15:56,583 --> 01:15:57,959 I WANTED SOME TEA. 1861 01:15:59,417 --> 01:16:01,625 YOU'RE GOING TO MAKE A PHONE CALL. 1862 01:16:04,208 --> 01:16:05,542 [CELL PHONE WARBLES] 1863 01:16:08,041 --> 01:16:09,417 SANDRA, I WAS JUST GOING TO CALL YOU. 1864 01:16:09,500 --> 01:16:11,667 YOU WILL NOT BELIEVE WHAT I DISCOVERED. 1865 01:16:11,750 --> 01:16:13,125 TELL ME WHEN I SEE YOU. 1866 01:16:13,208 --> 01:16:14,709 I NEED YOU OUT HERE RIGHT AWAY. 1867 01:16:14,792 --> 01:16:16,208 SOMETHING'S COME UP. 1868 01:16:16,291 --> 01:16:19,166 I'VE GOTTA GO. PLEASE HURRY. 1869 01:16:22,083 --> 01:16:24,333 IF YOUR FRIEND DOESN'T SCREW THINGS UP, 1870 01:16:24,417 --> 01:16:26,625 EVERYTHING WILL BE FINE. 1871 01:16:28,959 --> 01:16:31,041 YOU'VE REACHED DETECTIVE FRANK LYNWOOD. 1872 01:16:31,125 --> 01:16:32,458 PLEASE LEAVE A MESSAGE. 1873 01:16:32,542 --> 01:16:34,250 HEY, FRANK, TRYING YOU AGAIN. 1874 01:16:34,333 --> 01:16:35,875 I'M ON MY WAY OUT TO SANDRA'S. 1875 01:16:35,959 --> 01:16:37,166 SOMETHING'S GOING ON, I DON'T KNOW WHAT, 1876 01:16:37,250 --> 01:16:38,542 BUT SHE SOUNDS STRESSED. 1877 01:16:38,625 --> 01:16:39,709 CALL ME BACK, 1878 01:16:39,792 --> 01:16:43,667 AND IF I DON'T ANSWER, THERE'S A PROBLEM. 1879 01:16:43,750 --> 01:16:45,000 [BEEPS CALL OFF] 1880 01:16:47,667 --> 01:16:48,917 [CAR ALARM CHIRPS] 1881 01:16:54,583 --> 01:16:56,375 [KNOCKING URGENTLY] 1882 01:16:56,458 --> 01:16:57,542 SANDRA? 1883 01:17:00,625 --> 01:17:02,166 SANDRA? 1884 01:17:04,125 --> 01:17:05,458 ARE YOU OKAY? 1885 01:17:07,750 --> 01:17:09,792 PUT YOUR CELL PHONE ON THE TABLE NEXT TO HERS. 1886 01:17:11,333 --> 01:17:12,875 I'VE ALREADY CALLED DETECTIVE LYNWOOD. 1887 01:17:12,959 --> 01:17:14,000 HE KNOWS EVERYTHING. 1888 01:17:14,083 --> 01:17:16,458 WELL, THEN I HAVE NOTHING TO LOSE. 1889 01:17:16,542 --> 01:17:19,166 BUT YOU MIGHT BE BLUFFING. 1890 01:17:19,250 --> 01:17:22,083 SO, I THINK IT'S TIME FOR ME TO MOVE ON. 1891 01:17:23,458 --> 01:17:25,583 YOU NEVER PLANNED ON GOING ANYWHERE WITH MICHAEL. 1892 01:17:25,667 --> 01:17:26,583 NOPE. 1893 01:17:26,667 --> 01:17:27,667 YOU THOUGHT HE HAD 1894 01:17:27,750 --> 01:17:28,875 SOME VALUABLE BASEBALL CARDS 1895 01:17:28,959 --> 01:17:30,458 AND ANTIQUES. 1896 01:17:30,542 --> 01:17:31,417 YOU KNEW ABOUT THE HIDING CELLAR 1897 01:17:31,500 --> 01:17:32,792 UNDER THE BARN. 1898 01:17:32,875 --> 01:17:34,333 YOU MET HIM THERE 1899 01:17:34,417 --> 01:17:36,417 AND YOU SHOT HIM WITH HIS OWN GUN. 1900 01:17:36,500 --> 01:17:37,667 ALMOST. 1901 01:17:37,750 --> 01:17:40,667 THE CARDS WEREN'T WORTH AS MUCH AS HE SAID. 1902 01:17:40,750 --> 01:17:42,959 IF HE HADN'T HAVE LIED ABOUT THE CARDS, 1903 01:17:43,041 --> 01:17:46,000 HE'D STILL BE ALIVE TODAY. 1904 01:17:46,083 --> 01:17:48,208 HOW DID YOU KNOW HE WOULD HAVE THE GUN WITH HIM? 1905 01:17:48,291 --> 01:17:50,208 I DIDN'T. 1906 01:17:50,291 --> 01:17:52,417 CAN'T YOU FIGURE THAT ONE OUT? 1907 01:17:52,500 --> 01:17:53,583 OH... 1908 01:17:53,667 --> 01:17:54,917 YOU TOOK THE GUN FROM THE HOUSE. 1909 01:17:55,000 --> 01:17:56,417 YOU KNEW WHERE IT WAS 1910 01:17:56,500 --> 01:17:58,125 BECAUSE YOU'D BEEN IN THE HOUSE. 1911 01:17:58,208 --> 01:17:59,750 YUP. 1912 01:17:59,834 --> 01:18:03,041 ROMANTIC AFTERNOONS WHILE SANDRA WAS AT WORK. 1913 01:18:08,667 --> 01:18:12,000 YOU KILL MICHAEL IN HIS OWN HIDING PLACE. 1914 01:18:12,083 --> 01:18:14,500 THE BODY MAY OR MAY NOT BE DISCOVERED, 1915 01:18:14,583 --> 01:18:17,542 BUT THERE'S NO WAY TO CONNECT YOU TO THE CRIME 1916 01:18:17,625 --> 01:18:18,667 BECAUSE YOU WORE GLOVES. 1917 01:18:18,750 --> 01:18:21,041 YOU THINK LIKE A CRIMINAL. 1918 01:18:21,125 --> 01:18:24,333 AND YOU'D GET AWAY WITH A BASEBALL CARD COLLECTION 1919 01:18:24,417 --> 01:18:26,625 THAT YOU THOUGHT WAS WORTH A FORTUNE. 1920 01:18:26,709 --> 01:18:30,792 STILL WORTH SOMETHING, BUT NOT THE FORTUNE I NEEDED. 1921 01:18:30,875 --> 01:18:32,709 AND THEN YOU MARRY ROBERT BALMAIN, 1922 01:18:32,792 --> 01:18:34,959 FULLY INTENDING ON KILLING HIM. 1923 01:18:36,250 --> 01:18:37,834 MAKES ME, WHAT? 1924 01:18:37,917 --> 01:18:39,542 A BLACK WIDOW, 1925 01:18:39,625 --> 01:18:41,458 A CREATURE THAT KILLS ITS MATE? 1926 01:18:43,250 --> 01:18:45,083 TRAP DOOR, PLEASE. 1927 01:18:53,166 --> 01:18:54,041 [COCKS GUN] 1928 01:18:55,333 --> 01:18:57,208 LET IT GO, JENNIFER. 1929 01:18:57,291 --> 01:19:00,667 GUN VERSUS PIPE, WHO WINS? 1930 01:19:07,500 --> 01:19:08,417 [CLANKING] 1931 01:19:09,917 --> 01:19:11,375 DOWN THE STAIRS. 1932 01:19:11,458 --> 01:19:12,792 WHAT ARE YOU GOING TO DO? 1933 01:19:12,875 --> 01:19:16,583 TIE YOU UP SO I CAN MAKE A SAFE GETAWAY. 1934 01:19:16,667 --> 01:19:18,291 I'LL MAKE AN ANONYMOUS CALL TO THE COPS IN THE MORNING. 1935 01:19:18,375 --> 01:19:20,000 NOW, GO, BEFORE I CHANGE MY MIND. 1936 01:19:33,417 --> 01:19:36,083 DUANE WAS NEVER A PART OF THIS. 1937 01:19:36,166 --> 01:19:37,625 NOPE. 1938 01:19:37,709 --> 01:19:40,041 I GUESS I LED HIM ON, 1939 01:19:40,125 --> 01:19:41,417 BUT WHAT ELSE IS NEW? 1940 01:19:41,500 --> 01:19:45,125 MICHAEL WAS FLIRTING AT THE GYM, 1941 01:19:45,208 --> 01:19:48,000 WE STARTED SEEING EACH OTHER. 1942 01:19:48,083 --> 01:19:51,166 HE TOLD ME HE WAS LEAVING SANDRA. 1943 01:19:51,250 --> 01:19:53,417 WE STARTED HAVING SECRET DATES. 1944 01:19:54,625 --> 01:19:55,583 SORRY ABOUT THIS, 1945 01:19:55,667 --> 01:19:58,250 BUT IT BEATS THE ALTERNATIVE. 1946 01:19:58,333 --> 01:20:00,417 YOU TOLD BILLY YOU WANTED TO SELL THE ROOKIE CARD, 1947 01:20:00,500 --> 01:20:01,583 BUT THAT WASN'T TRUE. 1948 01:20:02,917 --> 01:20:04,709 YOU'RE RIGHT, 1949 01:20:04,792 --> 01:20:07,125 I HAD NO INTENTION OF SELLING THE CARD. 1950 01:20:07,208 --> 01:20:09,375 I WANTED TO SMOKE YOU OUT. 1951 01:20:09,458 --> 01:20:11,166 I WAS STANDING ACROSS THE STREET, 1952 01:20:11,250 --> 01:20:13,250 WAITING TO SEE WHO WOULD SHOW UP AT THE SHOP. 1953 01:20:13,333 --> 01:20:15,792 SO, WHAT'S THE NEXT MOVE IN YOUR TWISTED LITTLE PLAN? 1954 01:20:15,875 --> 01:20:17,792 BY THIS TIME TOMORROW, 1955 01:20:17,875 --> 01:20:20,333 I AM GOING TO BE SIPPING A MAI TAI, 1956 01:20:20,417 --> 01:20:23,041 CHECKING OUT MARRIED MEN AT THE BAR, 1957 01:20:23,125 --> 01:20:25,083 A LONG WAY FROM HERE. 1958 01:20:26,500 --> 01:20:28,291 OH. 1959 01:20:28,375 --> 01:20:30,166 CAN'T FORGET MY INSURANCE. 1960 01:20:32,500 --> 01:20:34,375 TA-TA, LADIES. 1961 01:20:44,375 --> 01:20:45,542 JENN... 1962 01:20:48,041 --> 01:20:50,250 I HAVE AN IDEA. 1963 01:20:56,500 --> 01:20:58,959 [SPLASHING] 1964 01:21:08,458 --> 01:21:09,417 [GRUNTING WITH EFFORT] 1965 01:21:15,500 --> 01:21:16,667 HOLD ON, SANDRA. 1966 01:21:19,917 --> 01:21:21,417 I SMELL SMOKE. 1967 01:21:21,500 --> 01:21:23,125 SHE'S BURNING THE BARN! 1968 01:21:23,208 --> 01:21:24,375 I KNOW, I KNOW. 1969 01:21:28,417 --> 01:21:29,333 HURRY. 1970 01:21:30,417 --> 01:21:32,208 [BOARDS CRASH] 1971 01:21:32,291 --> 01:21:33,417 TRY TO PULL YOUR ARM OUT. 1972 01:21:33,500 --> 01:21:34,417 [GASPING WITH EFFORT] 1973 01:21:34,500 --> 01:21:36,333 HERE WE GO. COME ON. 1974 01:21:37,583 --> 01:21:38,667 NO! 1975 01:21:38,750 --> 01:21:40,458 WE'LL NEVER GET OUT THIS WAY. 1976 01:21:40,542 --> 01:21:41,792 SOME OF THE FLOORBOARDS ARE PRETTY OLD-- 1977 01:21:41,875 --> 01:21:43,000 GOTCHA! 1978 01:21:44,875 --> 01:21:45,792 HERE. 1979 01:21:53,375 --> 01:21:54,667 OH. 1980 01:21:54,750 --> 01:21:55,709 SANDRA! 1981 01:21:55,792 --> 01:21:56,667 RIGHT HERE, HELP ME. 1982 01:21:57,875 --> 01:21:58,959 TOGETHER. 1983 01:22:06,583 --> 01:22:07,500 OH! 1984 01:22:09,625 --> 01:22:10,834 HURRY, HURRY. 1985 01:22:12,917 --> 01:22:14,125 [COUGHING] 1986 01:22:20,792 --> 01:22:22,959 REACH! 1987 01:22:24,250 --> 01:22:26,667 [COUGHING] 1988 01:22:28,583 --> 01:22:29,959 [GASPING] 1989 01:22:30,041 --> 01:22:31,250 GO! 1990 01:22:32,792 --> 01:22:33,875 [BEAMS CRASHING] 1991 01:22:37,000 --> 01:22:38,834 [COUGHING AND SPLUTTERING] 1992 01:22:40,834 --> 01:22:41,834 ARE YOU OKAY? 1993 01:22:41,917 --> 01:22:43,709 YES. 1994 01:22:43,792 --> 01:22:44,750 MY PHONE IS IN THE HOUSE. 1995 01:23:15,625 --> 01:23:17,041 HANDS OVER YOUR HEAD! 1996 01:23:17,125 --> 01:23:18,417 SHERIFF'S DEPARTMENT! 1997 01:23:18,500 --> 01:23:19,625 LET ME SEE YOUR HANDS! 1998 01:23:19,709 --> 01:23:21,166 DON'T MOVE! 1999 01:23:32,166 --> 01:23:34,166 [HANDCUFFS RATCHET] 2000 01:23:37,083 --> 01:23:39,417 THIS CARD BELONGS TO YOU. 2001 01:23:39,500 --> 01:23:40,917 IT'LL BE USED FOR EVIDENCE IN KIM'S TRIAL, 2002 01:23:41,000 --> 01:23:41,959 BUT OTHER THAN THAT, 2003 01:23:42,041 --> 01:23:43,667 IT'S YOURS. 2004 01:23:45,875 --> 01:23:47,583 I DON'T KNOW IF I EVEN WANT IT. 2005 01:23:47,667 --> 01:23:48,667 I'LL TAKE IT. 2006 01:23:48,750 --> 01:23:50,333 I KNOW A BROKER NAMED BILLY. 2007 01:23:50,417 --> 01:23:52,834 [LAUGHTER] 2008 01:23:52,917 --> 01:23:54,250 TOMORROW MORNING, 2009 01:23:54,333 --> 01:23:56,458 THE CHARGES AGAINST YOU, OF COURSE, WILL BE DROPPED. 2010 01:23:56,542 --> 01:23:57,792 SO, KIM IS LOOKING AT..? 2011 01:23:57,875 --> 01:23:58,875 TWO MURDERS, 2012 01:23:58,959 --> 01:24:00,709 MICHAEL, AND HER HUSBAND, RICHARD. 2013 01:24:00,792 --> 01:24:02,000 AND ATTEMPTED MURDER 2014 01:24:02,083 --> 01:24:03,208 OF JENN AND SANDRA. 2015 01:24:04,500 --> 01:24:06,208 ATTEMPTED MURDER? 2016 01:24:06,291 --> 01:24:07,542 I'M SORRY, HONEY, 2017 01:24:07,625 --> 01:24:08,583 BUT SHE LOCKED US IN THE CELLAR, 2018 01:24:08,667 --> 01:24:09,834 AND WE HAD TO BREAK OUT. 2019 01:24:09,917 --> 01:24:10,875 I CALLED FRANK 2020 01:24:10,959 --> 01:24:12,041 BEFORE WE WENT OVER THERE. 2021 01:24:12,125 --> 01:24:13,000 OH, OKAY, IF YOU CALLED FRANK 2022 01:24:13,083 --> 01:24:14,000 THAT MAKES IT GOOD-- 2023 01:24:14,083 --> 01:24:15,709 WELL, TO JENNIFER. 2024 01:24:15,792 --> 01:24:17,041 I WILL SECOND THAT. 2025 01:24:17,125 --> 01:24:18,542 YOU'VE GOT A REAL NOSE FOR THIS. 2026 01:24:18,625 --> 01:24:19,542 NO, DON'T ENCOURAGE HER. 2027 01:24:19,625 --> 01:24:20,875 YEAH, NO, DON'T. 2028 01:24:20,959 --> 01:24:22,417 THIS WAS A LITTLE TOO CLOSE FOR COMFORT TONIGHT. 2029 01:24:22,500 --> 01:24:24,458 BUT CREDIT WHERE CREDIT IS DUE. 2030 01:24:24,542 --> 01:24:25,500 THANK YOU. 2031 01:24:25,583 --> 01:24:27,166 BUT FOR NOW, I AM GOING BACK 2032 01:24:27,250 --> 01:24:29,208 TO BEING A WIFE, MOTHER, AND GARAGE SALE DIVA. 2033 01:24:29,291 --> 01:24:30,208 YEAH, RIGHT. 2034 01:24:30,291 --> 01:24:31,291 SURE, MOM. 2035 01:24:31,375 --> 01:24:33,583 THAT, I WILL DRINK TO. 2036 01:24:33,667 --> 01:24:35,166 I'M JUST GRATEFUL YOU SOLVED THIS MYSTERY. 2037 01:24:35,250 --> 01:24:36,208 AH... 2038 01:24:36,291 --> 01:24:37,208 TO JENN. 2039 01:24:37,291 --> 01:24:38,333 CHEERS! 2040 01:24:38,417 --> 01:24:39,291 [ALL TOGETHER]: CHEERS! 2041 01:24:39,375 --> 01:24:41,291 [ALL CHATTING, GLASSES CLINKING] 2042 01:24:42,625 --> 01:24:44,583 SHE SHOOTS MICHAEL FOR A BASEBALL CARD 2043 01:24:44,667 --> 01:24:45,917 SHE THINKS IS WORTH A FORTUNE. 2044 01:24:46,000 --> 01:24:47,125 BUT IT'S NOT. 2045 01:24:47,208 --> 01:24:49,667 HOW DID BILLY GET THE STATUE FROM THE CELLAR? 2046 01:24:49,750 --> 01:24:51,250 HE SNUCK IN LATE NIGHT 2047 01:24:51,333 --> 01:24:52,834 AFTER HE READ THE NEWSPAPER ARTICLE. 2048 01:24:52,917 --> 01:24:54,208 HE THOUGHT THE CARD MIGHT BE THERE, 2049 01:24:54,291 --> 01:24:55,667 BUT IT WASN'T. 2050 01:24:55,750 --> 01:24:57,375 HE GRABBED THE STATUE, HOPING IT WOULD WORTH SOMETHING. 2051 01:24:57,458 --> 01:24:58,792 SO BILLY HAD NOTHING TO DO WITH IT? 2052 01:24:58,875 --> 01:24:59,834 NOPE. 2053 01:24:59,917 --> 01:25:01,041 HOW DID KIM KNOW 2054 01:25:01,125 --> 01:25:02,625 SANDRA'S FINGERPRINTS WOULD BE ON THE GUN? 2055 01:25:02,709 --> 01:25:03,667 SHE DIDN'T. 2056 01:25:03,750 --> 01:25:05,041 SHE GOT LUCKY. 2057 01:25:05,125 --> 01:25:06,500 THE ONLY THING SHE WAS CONCERNED ABOUT WAS MAKING SURE 2058 01:25:06,583 --> 01:25:08,166 THAT HER FINGERPRINTS WEREN'T ON THE GUN. 2059 01:25:09,625 --> 01:25:10,625 THEN SHE MARRIES ROBERT-- 2060 01:25:10,709 --> 01:25:12,041 FULLY INTENDING TO KILL HIM. 2061 01:25:12,125 --> 01:25:13,291 [SIGHS HEAVILY] 2062 01:25:13,375 --> 01:25:15,959 SHE'S A BAD ONE. 2063 01:25:16,041 --> 01:25:17,333 SHE REALLY SET FIRE TO THE BARN 2064 01:25:17,417 --> 01:25:18,583 WITH YOU AND SANDRA IN THE CELLAR? 2065 01:25:20,417 --> 01:25:24,083 I WOULD HAVE HAD TO RUN THIS PLACE ALL BY MYSELF. 2066 01:25:24,166 --> 01:25:26,166 YOU TURNED DOWN THE GALLERY JOB? 2067 01:25:26,250 --> 01:25:29,333 YOU'RE STUCK WITH ME, FOR BETTER OR WORSE. 2068 01:25:30,667 --> 01:25:31,834 WHAT HAPPENED? 2069 01:25:31,917 --> 01:25:33,667 CREATIVE DIFFERENCES. 2070 01:25:33,750 --> 01:25:34,625 SHE DIDN'T LIKE YOUR CLOTHES. 2071 01:25:34,709 --> 01:25:35,875 -WHAT? -DON'T ASK. 2072 01:25:35,959 --> 01:25:37,333 LET'S MAP OUT SATURDAY'S GARAGE SALES. 2073 01:25:37,417 --> 01:25:38,291 GOOD IDEA. 2074 01:25:39,417 --> 01:25:40,709 OKAY... 2075 01:25:40,792 --> 01:25:42,083 OH! 2076 01:25:42,166 --> 01:25:43,875 "THE MOST INTERESTING GARAGE SALE IN THE WORLD." 2077 01:25:43,959 --> 01:25:45,291 HMM! 2078 01:25:45,375 --> 01:25:46,333 OH, CHECK THIS ONE OUT, 2079 01:25:46,417 --> 01:25:47,917 "ITEMS PURCHASE THEMSELVES." 2080 01:25:48,000 --> 01:25:49,041 WE CAN DO BETTER. 2081 01:25:49,125 --> 01:25:50,041 [GASPS] 2082 01:25:50,125 --> 01:25:51,250 I FOUND IT! 2083 01:25:51,333 --> 01:25:54,375 "UNCOVER THE MYSTERY OF HIDDEN TREASURES." 2084 01:25:54,458 --> 01:25:56,125 OH, HERE WE GO. 2085 01:26:02,125 --> 01:26:06,000 [♪♪♪] 137724