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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,166 --> 00:00:03,834 [♪♪♪] 2 00:00:29,667 --> 00:00:32,542 [♪♪♪] 3 00:00:37,083 --> 00:00:39,417 I JUST ALWAYS PUT PEOPLE UP ON THIS PEDESTAL, 4 00:00:39,500 --> 00:00:40,667 IN THIS LIGHT, 5 00:00:40,750 --> 00:00:41,750 AND THEN WHEN IT FADES, I RUN AWAY, 6 00:00:41,834 --> 00:00:42,500 AND THAT IS NOT FAIR TO ANYONE, 7 00:00:42,583 --> 00:00:43,625 SPECIFICALLY ME, 8 00:00:43,709 --> 00:00:44,542 RIGHT, DR. VEDDERS? 9 00:00:45,625 --> 00:00:46,792 GREAT WORK, KENDAHL. 10 00:00:46,875 --> 00:00:48,834 THANK YOU. 11 00:00:51,792 --> 00:00:52,750 WELL, NOW I'M SENSING 12 00:00:52,834 --> 00:00:54,917 THAT DEB HAS SOMETHING TO TELL US. 13 00:00:57,041 --> 00:00:58,417 DID YOU MEET SOMEONE? 14 00:00:58,500 --> 00:00:59,417 YOU MET SOMEONE, DIDN'T YOU? 15 00:00:59,500 --> 00:01:00,417 WHAT DOES HE LOOK LIKE? 16 00:01:00,500 --> 00:01:01,709 WHERE DID YOU MEET HIM? 17 00:01:01,792 --> 00:01:03,542 FIRST DATE TONIGHT. 18 00:01:03,625 --> 00:01:05,000 OH, MY GOD. 19 00:01:05,083 --> 00:01:06,583 HE'S GONNA LOVE YOU JUST AS MUCH AS WE DO. 20 00:01:08,500 --> 00:01:11,208 BIG STEPS ARE ALWAYS A LITTLE SCARY, 21 00:01:11,291 --> 00:01:12,291 BUT JUST REMEMBER, 22 00:01:12,375 --> 00:01:13,917 EVERYTHING THAT WE WANT IN LOVE AND LIFE 23 00:01:14,000 --> 00:01:15,750 IS JUST ON THE OTHER SIDE OF FEAR, 24 00:01:15,834 --> 00:01:18,333 SO RUN TOWARDS IT, NOT AWAY FROM IT. 25 00:01:19,917 --> 00:01:21,291 THAT IS SO TRUE. 26 00:01:21,375 --> 00:01:22,333 NOW, WHY... 27 00:01:22,417 --> 00:01:23,875 WHY DO I GET A FEELING 28 00:01:23,959 --> 00:01:26,208 THAT DEB ISN'T THE ONLY ONE WITH SOMETHING TO TELL US? 29 00:01:26,291 --> 00:01:28,333 THANK YOU, CHRIS. 30 00:01:28,417 --> 00:01:30,500 I JUST WANT ALL OF YOU TO KNOW, 31 00:01:30,583 --> 00:01:32,500 THAT YOU HAVE TRULY BEEN 32 00:01:32,583 --> 00:01:35,083 THE MOST WONDERFUL GROUP I HAVE LED 33 00:01:35,166 --> 00:01:37,000 AND BEEN A PART OF, 34 00:01:37,083 --> 00:01:38,834 AND AS WE HAVE BEEN PREPARING FOR, 35 00:01:38,917 --> 00:01:42,041 THIS IS GOING TO BE MY LAST DAY. 36 00:01:42,125 --> 00:01:43,083 ARE YOU SURE YOU'RE GONNA DO THIS? 37 00:01:43,166 --> 00:01:44,667 THE NEW DOCTOR IS BOTH AN UPGRADE 38 00:01:44,750 --> 00:01:46,166 AND AN OLD COLLEAGUE OF MINE. 39 00:01:46,250 --> 00:01:47,709 NOW, YOU ALL HAVE MY NUMBER UPSTATE. 40 00:01:47,792 --> 00:01:49,750 I'M JUST GOING TO BE TAKING A... 41 00:01:49,834 --> 00:01:50,834 WELL, A LITTLE "ME TIME" 42 00:01:50,917 --> 00:01:52,375 TO WORK ON MY MEMOIRS, 43 00:01:52,458 --> 00:01:53,792 RECONNECT WITH EVERYTHING. 44 00:01:53,875 --> 00:01:55,875 I WILL ALWAYS BE HERE FOR YOU. 45 00:01:55,959 --> 00:01:58,250 I DON'T BELIEVE THIS. 46 00:01:58,333 --> 00:01:59,709 -[CHAIR BANGING] -CHRIS... 47 00:01:59,792 --> 00:02:01,709 OKAY. 48 00:02:04,375 --> 00:02:06,792 IF YOU SAY, "BUT I STILL WANT TO BE FRIENDS," 49 00:02:06,875 --> 00:02:08,500 I'M GONNA LOSE IT. 50 00:02:08,583 --> 00:02:10,834 WELL, I WANT TO, BUT I WON'T. 51 00:02:10,917 --> 00:02:12,208 GOOD LUCK. 52 00:02:20,041 --> 00:02:20,959 AND GOOD DAY TO YOU... 53 00:02:21,041 --> 00:02:22,083 CALLUM. 54 00:02:22,166 --> 00:02:23,166 GOOD DAY TO YOU, SIR. 55 00:02:36,000 --> 00:02:37,834 [SIGHS HEAVILY] 56 00:03:39,792 --> 00:03:41,875 MY FATHER WAS A PSYCHOLOGIST 57 00:03:41,959 --> 00:03:43,583 WHO ALWAYS TAUGHT ME THAT WE'RE NOT HEALERS, 58 00:03:43,667 --> 00:03:45,834 BUT RATHER, MECHANICS. 59 00:03:45,917 --> 00:03:47,250 I USED TO LISTEN TO HIM 60 00:03:47,333 --> 00:03:49,542 OUTSIDE THE DOOR TO THIS VERY OFFICE. 61 00:03:49,625 --> 00:03:52,542 IN FACT, HE USED THE SAME RECORDING DEVICE 62 00:03:52,625 --> 00:03:54,041 FOR HIS OWN BESTSELLING... 63 00:03:54,125 --> 00:03:55,291 [TAPE REEL CRACKLING] 64 00:03:55,375 --> 00:03:56,500 ...MEMOIRS. 65 00:03:57,750 --> 00:03:58,667 [SIGHS] 66 00:04:05,875 --> 00:04:07,417 [CELL PHONE VIBRATES AND RINGS] 67 00:04:10,875 --> 00:04:11,875 HEY. 68 00:04:11,959 --> 00:04:13,125 UH, I'M, UH, 69 00:04:13,208 --> 00:04:16,000 KIND OF IN THE MIDDLE OF SOMETHING RIGHT NOW. 70 00:04:16,083 --> 00:04:17,208 WHAT? 71 00:04:17,291 --> 00:04:19,834 NO, NO, IT'S NOT LIKE THAT. 72 00:04:19,917 --> 00:04:21,959 NO, IT'S NOT. 73 00:04:22,041 --> 00:04:23,083 WELL, I CAN'T TALK ABOUT IT. 74 00:04:24,583 --> 00:04:25,917 WELL, ACTUALLY, I WON'T TALK ABOUT IT. 75 00:04:26,000 --> 00:04:27,875 IT'S MY JOB. 76 00:04:27,959 --> 00:04:30,417 WELL, YOU JUST CAN'T GO AROUND THREATENING PEOPLE 77 00:04:30,500 --> 00:04:33,250 LIKE YOU DID LAST WEEK. 78 00:04:33,333 --> 00:04:36,375 WELL, MAYBE I WON'T BE HERE WHEN YOU GET HOME EITHER. 79 00:04:36,458 --> 00:04:37,625 FINE. WHATEVER. 80 00:04:37,709 --> 00:04:41,834 LOOK, MAE, I JUST CAN'T DO THIS RIGHT NOW. 81 00:04:41,917 --> 00:04:42,750 [SIGHS] 82 00:04:44,583 --> 00:04:47,709 [♪♪♪] 83 00:04:52,041 --> 00:04:54,250 [FEEDBACK WHINES] 84 00:04:56,583 --> 00:04:58,750 [WINDOW SHATTERING DISTANTLY] 85 00:04:58,834 --> 00:05:00,166 HELLO? 86 00:05:29,250 --> 00:05:31,417 SOMEONE'S TRYING TO KILL ME. 87 00:05:31,500 --> 00:05:33,542 NO, NO, PLEASE... 88 00:05:33,625 --> 00:05:36,375 [BLOWS THUD, BODY SLUMPS] 89 00:05:41,250 --> 00:05:43,333 I AM OFF TO A GARAGE SALE. 90 00:05:43,417 --> 00:05:44,917 WHATCHA GOT THERE? 91 00:05:45,000 --> 00:05:46,792 THE FACT THAT YOU CAN'T TELL MEANS I'VE GOT MORE WORK TO DO. 92 00:05:46,875 --> 00:05:48,917 WE'RE MAKING A MAN-CAVE SLASH VIEWING ROOM 93 00:05:49,000 --> 00:05:50,000 IN THE BASEMENT. 94 00:05:50,083 --> 00:05:51,333 YOU KNOW, A VINTAGE THEATER VIBE 95 00:05:51,417 --> 00:05:52,250 BUT WITH NEW-SCHOOL TECH. 96 00:05:52,333 --> 00:05:53,625 AND OLD-SCHOOL LABOR 97 00:05:53,709 --> 00:05:55,000 LIKE ME AND MY DAD USED TO DO. 98 00:05:55,083 --> 00:05:57,125 OH, WELL, SOUNDS GOOD TO ME. 99 00:05:57,208 --> 00:05:58,959 WHAT'S THAT, DAD? 100 00:05:59,041 --> 00:06:00,375 MY WORK'S GETTIN' A COMPLEX. 101 00:06:00,458 --> 00:06:01,792 IT'S A MAN-CAVE DESIGN. 102 00:06:01,875 --> 00:06:02,959 I THINK IT LOOKS GREAT, 103 00:06:03,041 --> 00:06:04,834 BUT YOU NEED A NEW NAME FOR THE MAN-CAVE. 104 00:06:07,083 --> 00:06:08,250 DON'T WORRY, MOM. 105 00:06:08,333 --> 00:06:10,709 I WILL MAKE SURE IT'S EQUAL PARTS WOMAN-CAVE. 106 00:06:10,792 --> 00:06:11,625 [LOGAN AND JASON TOGETHER]: YOU WILL? 107 00:06:11,709 --> 00:06:12,458 MM-HMM. 108 00:06:12,542 --> 00:06:13,542 WELL, I GOTTA GO. 109 00:06:13,625 --> 00:06:15,083 YAY, WOMAN-CAVE. 110 00:06:15,166 --> 00:06:16,709 SEE YOU ALL TONIGHT. 111 00:06:16,792 --> 00:06:17,917 [JASON]: NO, HON', DON'T LEAVE ME WITH HER... 112 00:06:22,625 --> 00:06:23,750 I'M THINKING VELVET DRAPES. 113 00:06:23,834 --> 00:06:25,208 [CHOKES] 114 00:06:25,291 --> 00:06:26,750 WHAT DO YOU THINK? 115 00:06:26,834 --> 00:06:27,875 WHAT COLOR? 116 00:06:37,709 --> 00:06:39,417 [SIGHING] 117 00:06:39,500 --> 00:06:41,458 WELL, I WILL TAKE A TWO-HOUR DRIVE IN THE COUNTRY 118 00:06:41,542 --> 00:06:44,250 OVER 20 MINUTES IN RUSH-HOUR TRAFFIC ANY DAY. 119 00:06:44,333 --> 00:06:45,291 AGREED. 120 00:06:45,375 --> 00:06:46,959 I WANT A PLACE OUT HERE, 121 00:06:47,041 --> 00:06:49,875 SO PRETTY AND PEACEFUL. 122 00:06:49,959 --> 00:06:51,166 THE AIR SMELLS SO GOOD. 123 00:06:51,250 --> 00:06:52,375 MM-HMM. 124 00:06:52,458 --> 00:06:55,500 HUH, LOOKS LIKE A LOT OF GOOD PIECES HERE. 125 00:06:55,583 --> 00:06:56,709 THAT'S AN UNDERSTATEMENT. 126 00:06:59,959 --> 00:07:00,834 NO... 127 00:07:00,917 --> 00:07:01,959 WHAT? 128 00:07:02,041 --> 00:07:03,000 WELL, IT CAN'T BE. 129 00:07:03,083 --> 00:07:04,000 [GASPING] 130 00:07:04,083 --> 00:07:04,917 DO YOU THINK? 131 00:07:05,000 --> 00:07:06,000 I HOPE SO. 132 00:07:08,792 --> 00:07:10,125 OH, EXCUSE ME. 133 00:07:12,250 --> 00:07:14,083 IS THIS A 1905 PEACOCK MIRROR? 134 00:07:14,166 --> 00:07:15,250 COULD BE. 135 00:07:15,333 --> 00:07:16,667 THE HOUSE WAS MY HUSBAND'S FATHER'S. 136 00:07:16,750 --> 00:07:17,959 HE WAS THE COLLECTOR, 137 00:07:18,041 --> 00:07:20,792 I HAVE TO ADMIT, I KNOW NOTHING ABOUT ANTIQUES. 138 00:07:20,875 --> 00:07:22,250 WELL, I WOULD ESTIMATE THIS 139 00:07:22,333 --> 00:07:23,834 AT $12,000. 140 00:07:23,917 --> 00:07:24,709 WHAT! 141 00:07:24,792 --> 00:07:25,667 AT LEAST. 142 00:07:25,750 --> 00:07:26,709 REALLY? 143 00:07:26,792 --> 00:07:27,834 REALLY. 144 00:07:27,917 --> 00:07:29,166 I'M JENN, AND THIS IS DANI. 145 00:07:29,250 --> 00:07:30,500 WE OWN RAGS TO RICHES, 146 00:07:30,583 --> 00:07:32,458 AN ANTIQUE STORE A COUPLE OF TOWNS OVER, 147 00:07:32,542 --> 00:07:34,417 AND WE COULD SELL SOMETHING LIKE THIS 148 00:07:34,500 --> 00:07:36,083 IN OUR STORE ON CONSIGNMENT. 149 00:07:36,166 --> 00:07:37,417 OH, THAT WOULD BE GREAT, 150 00:07:37,500 --> 00:07:38,125 BECAUSE I'VE BEEN TRYING TO GET RID OF THIS CLUTTER 151 00:07:38,208 --> 00:07:39,291 FOR MONTHS. 152 00:07:39,375 --> 00:07:41,625 I'M DOWNSIZING FOR RETIREMENT. 153 00:07:41,709 --> 00:07:42,417 MY HUSBAND JUST... 154 00:07:42,500 --> 00:07:44,291 TOOK OFF AGAIN, 155 00:07:44,375 --> 00:07:46,709 AND LEFT ME WITH ALL THIS... STUFF. 156 00:07:46,792 --> 00:07:48,041 AND I'M OVERSHARING, AREN'T I? 157 00:07:48,125 --> 00:07:49,458 I'M SO SORRY. 158 00:07:49,542 --> 00:07:50,542 IT'S JUST A LITTLE OVERWHELMING 159 00:07:50,625 --> 00:07:53,041 WELL, WE ARE HERE TO HELP. 160 00:07:53,125 --> 00:07:54,208 WELL, GREAT, HELP AWAY. 161 00:07:54,291 --> 00:07:56,291 UM, LET ME, UH, WRAP THAT FOR YOU. 162 00:07:56,375 --> 00:07:57,500 OH, I'M MAE, BY THE WAY. 163 00:07:57,583 --> 00:07:59,125 SO IF YOU HAVE ANY QUESTIONS, I'LL BE AROUND, 164 00:07:59,208 --> 00:08:01,208 BUT YOU'LL PROBABLY KNOW THE ANSWER ANYWAY. 165 00:08:01,291 --> 00:08:02,750 -NICE TO MEET YOU, MAE. -OKAY. 166 00:08:04,333 --> 00:08:05,625 WOW... 167 00:08:05,709 --> 00:08:07,083 CAN YOU BELIEVE THAT FIND? 168 00:08:07,166 --> 00:08:08,333 AMAZING. 169 00:08:08,417 --> 00:08:10,291 WELL, IF THERE'S ONE, THERE COULD BE MORE. 170 00:08:10,375 --> 00:08:12,166 THIS COULD BE A GOOD MONTH FOR US. 171 00:08:12,250 --> 00:08:13,667 YOU KNOW, WHATEVER WE GET TODAY, 172 00:08:13,750 --> 00:08:15,208 WE COULD CATALOGUE LATER THIS AFTERNOON, 173 00:08:15,291 --> 00:08:17,000 AND HAVE IT IN THE STORE FOR SALE BY TOMORROW. 174 00:08:17,083 --> 00:08:17,959 SOUNDS LIKE A PLAN. 175 00:08:18,041 --> 00:08:19,583 OH... NO. 176 00:08:19,667 --> 00:08:20,625 WHAT? 177 00:08:20,709 --> 00:08:21,959 I'VE GOT THIS... 178 00:08:22,041 --> 00:08:23,875 VISION-BOARD PARTY THING 179 00:08:23,959 --> 00:08:25,709 I'M NOT EVEN SURE I WANT TO GO TO. 180 00:08:25,792 --> 00:08:26,834 "VISION-BOARD," IS THAT THE THING 181 00:08:26,917 --> 00:08:28,208 WHERE YOU PUT PICTURES ON A BOARD, 182 00:08:28,291 --> 00:08:29,667 AND YOU CARVE OUT YOUR FATE? 183 00:08:29,750 --> 00:08:30,709 YEAH, YOU VISUALIZE WHERE YOU WANNA BE 184 00:08:30,792 --> 00:08:32,208 IN 10 YEARS. 185 00:08:32,291 --> 00:08:35,083 IT SEEMS A TOUCH DESPERATE, THOUGH. 186 00:08:35,166 --> 00:08:36,125 NO, I THINK IT'S FUN. 187 00:08:36,208 --> 00:08:37,125 OR TRAUMATIC. 188 00:08:37,208 --> 00:08:38,291 [LAUGHS] 189 00:08:38,375 --> 00:08:40,125 MAYBE THE FOCUS SHOULD JUST BE ON WINE 190 00:08:40,208 --> 00:08:41,500 WITH THESE GIRLS. 191 00:08:41,583 --> 00:08:44,625 I MEAN, IT'S WEIRD PUTTING MY FATE AND MY FUTURE 192 00:08:44,709 --> 00:08:47,166 IN THE HANDS OF AN INANIMATE OBJECT, ISN'T IT? 193 00:08:47,250 --> 00:08:48,125 NO, I THINK TRYING SOMETHING NEW 194 00:08:48,208 --> 00:08:49,250 IS GOOD FOR YOU. 195 00:08:49,333 --> 00:08:50,500 HEY, SPEAKING OF NEW, 196 00:08:50,583 --> 00:08:51,750 COULD I GET YOUR GINGER VEGGIE STIR FRY RECIPE? 197 00:08:51,834 --> 00:08:53,166 YES. 198 00:08:53,250 --> 00:08:55,417 BUT AREN'T JASON AND LOGAN PRETTY MUCH MEAT-ATARIANS? 199 00:08:55,500 --> 00:08:58,041 YES, BUT I'M TRYING TO EXPAND THEIR HORIZONS. 200 00:08:58,125 --> 00:08:59,834 DANI, YOU SHOULD GO TONIGHT. 201 00:08:59,917 --> 00:09:00,959 YEAH? 202 00:09:01,041 --> 00:09:02,375 WORST-CASE SCENARIO, YOU HAVE A GOOD TIME. 203 00:09:02,458 --> 00:09:04,291 [SIGHS] OKAY, I'M IN. 204 00:09:07,625 --> 00:09:08,792 HMM, THAT'S INTERESTING. 205 00:09:11,458 --> 00:09:12,458 OH... 206 00:09:12,542 --> 00:09:14,875 LOOKS RARE. 207 00:09:14,959 --> 00:09:16,834 IF IT WORKS, IT COULD SELL. 208 00:09:16,917 --> 00:09:18,667 EXCUSE ME, MAE? 209 00:09:19,959 --> 00:09:21,333 DO YOU KNOW IF THIS WORKS? 210 00:09:21,417 --> 00:09:22,834 UH, AS FAR AS I KNOW. 211 00:09:22,917 --> 00:09:24,375 I THINK THERE'S SOME BLANK TAPES THERE, TOO. 212 00:09:24,458 --> 00:09:25,375 IS IT WORTH ANYTHING? 213 00:09:25,458 --> 00:09:27,458 POSSIBLY. 214 00:09:27,542 --> 00:09:28,417 FINGERS CROSSED. 215 00:09:29,917 --> 00:09:31,667 IT DOESN'T REALLY SCREAM RAGS TO RICHES MERCH', THOUGH, 216 00:09:31,750 --> 00:09:33,125 DOES IT? 217 00:09:33,208 --> 00:09:34,333 WELL, IF IT DOESN'T SELL, 218 00:09:34,417 --> 00:09:35,458 IT'LL BE COOL NEW DECOR FOR THE WOMAN-CAVE. 219 00:09:35,542 --> 00:09:37,250 -WOMAN-CAVE? -MM-HMM. 220 00:09:37,333 --> 00:09:39,500 OH, IT'S LIKE A MAN-CAVE BUT BETTER. 221 00:09:39,583 --> 00:09:40,875 OH. 222 00:09:55,000 --> 00:09:57,792 YOU KNOW, I THINK THIS IS MY FAVORITE PIECE IN THE STORE 223 00:09:57,875 --> 00:09:59,208 RIGHT NOW. 224 00:09:59,291 --> 00:10:00,333 THE THREE FATES? 225 00:10:00,417 --> 00:10:01,333 MM-HMM. 226 00:10:01,417 --> 00:10:03,208 THERE'S JUST SOMETHING SO ROMANTIC 227 00:10:03,291 --> 00:10:05,458 ABOUT THE IDEA OF YOUR LIFE BEING GUIDED, YOU KNOW, 228 00:10:05,542 --> 00:10:07,875 LAID OUT FOR YOU. 229 00:10:07,959 --> 00:10:11,166 EVERY STEP YOU TAKE IS A STEP CLOSER TO YOUR FATE. 230 00:10:11,250 --> 00:10:13,125 WELL, I THINK I FIGURED OUT THE FATE 231 00:10:13,208 --> 00:10:14,125 OF OUR TAPE RECORDER. 232 00:10:14,208 --> 00:10:15,208 WHICH IS? 233 00:10:15,291 --> 00:10:17,375 WELL, IT RETAILS FOR $800 ONLINE, 234 00:10:17,458 --> 00:10:19,375 AND IT SAYS THAT BUYERS ARE MOTIVATED. 235 00:10:19,458 --> 00:10:20,792 I MEAN, WE COULD TURN THIS OVER TODAY. 236 00:10:20,875 --> 00:10:22,959 AT 100% PROFIT AND THEN SOME. 237 00:10:23,041 --> 00:10:24,000 I WONDER HOW MUCH 238 00:10:24,083 --> 00:10:25,875 THE BLANK TAPES WOULD SELL FOR? 239 00:10:25,959 --> 00:10:29,083 WELL, I DON'T THINK THE TAPE ON THE TAKE-UP SPOOL 240 00:10:29,166 --> 00:10:30,125 IS BLANK, 241 00:10:30,208 --> 00:10:31,166 BUT LET'S FIND OUT. 242 00:10:35,083 --> 00:10:36,041 -OH. -UH-HUH... 243 00:10:36,125 --> 00:10:38,417 LOOK AT YOU, YOU LITTLE TECHIE. 244 00:10:41,750 --> 00:10:43,500 HOW DID YOU LEARN HOW TO DO THAT? 245 00:10:43,583 --> 00:10:45,417 AV CLUB SOPHOMORE YEAR. 246 00:10:45,500 --> 00:10:46,625 I DATED A BOY 247 00:10:46,709 --> 00:10:48,875 WITH THESE REALLY THICK COKE BOTTLE GLASSES. 248 00:10:48,959 --> 00:10:51,500 OH, HE WAS SO NERDY AND CUTE. 249 00:10:51,583 --> 00:10:53,417 AW... NERDY GUYS ARE THE BEST. 250 00:10:53,500 --> 00:10:54,500 I KNOW. 251 00:10:54,583 --> 00:10:55,625 YOU DON'T EVER TALK ABOUT HIM. 252 00:10:55,709 --> 00:10:56,750 WELL... 253 00:10:56,834 --> 00:10:57,875 IT HURTS A LITTLE. 254 00:10:57,959 --> 00:10:59,709 OH. SORRY. 255 00:11:02,041 --> 00:11:02,875 THERE, TRY IT NOW. 256 00:11:02,959 --> 00:11:03,959 AH. 257 00:11:04,041 --> 00:11:04,917 [ENTRY BELL JINGLES] 258 00:11:05,000 --> 00:11:05,959 HELLO. 259 00:11:06,041 --> 00:11:07,125 WELCOME TO RAGS TO RICHES. 260 00:11:07,208 --> 00:11:08,208 [CLICKS "PLAY" BUTTON] 261 00:11:10,000 --> 00:11:11,834 [FOOTSTEPS RUNNING] 262 00:11:11,917 --> 00:11:13,875 [MAN PANTING IN FEAR] 263 00:11:13,959 --> 00:11:16,667 SOMEONE'S TRYING TO KILL ME! 264 00:11:16,750 --> 00:11:17,917 NO... 265 00:11:18,000 --> 00:11:18,917 NO, PLEASE. 266 00:11:25,917 --> 00:11:28,125 [TAPE CRUNCHING AND CRINKLING] 267 00:11:28,208 --> 00:11:30,166 OH, NO. 268 00:11:32,041 --> 00:11:33,250 JENN? 269 00:11:33,333 --> 00:11:34,667 ARE YOU OKAY? 270 00:11:34,750 --> 00:11:36,250 THERE WAS A VOICE ON THE RECORDING. 271 00:11:36,333 --> 00:11:39,917 I DON'T KNOW IF IT WAS REAL, BUT THEY SOUNDED SCARED. 272 00:11:40,000 --> 00:11:40,792 CAN YOU PLAY THIS BACK? 273 00:11:40,875 --> 00:11:41,792 UM... 274 00:11:45,667 --> 00:11:46,500 OKAY. 275 00:11:47,625 --> 00:11:48,667 OH. 276 00:11:48,750 --> 00:11:49,542 [CLICKING BUTTON] UH-OH. 277 00:11:49,625 --> 00:11:50,667 WHAT? 278 00:11:50,750 --> 00:11:52,875 COULD BE THE OSCILLATOR MAYBE? 279 00:11:52,959 --> 00:11:54,041 CAN YOU FIX IT? 280 00:11:54,125 --> 00:11:55,583 WELL, NO. 281 00:11:55,667 --> 00:11:57,208 THE GUY WITH THE COKE BOTTLE GLASSES 282 00:11:57,291 --> 00:11:58,750 GOT CONTACTS AND DUMPED ME 283 00:11:58,834 --> 00:11:59,792 BEFORE I COULD FINISH THE SEMESTER. 284 00:11:59,875 --> 00:12:00,709 I'M SORRY. 285 00:12:00,792 --> 00:12:02,458 OH, BUMMER. 286 00:12:02,542 --> 00:12:04,583 WHAT ELSE CAN I PLAY THIS ON? 287 00:12:04,667 --> 00:12:06,166 ANOTHER REEL-TO-REEL, 288 00:12:06,250 --> 00:12:07,875 BUT IT'LL BE HARD, EVERYTHING'S DIGITAL NOW. 289 00:12:07,959 --> 00:12:10,083 OKAY, WELL, I'LL JUST GET THIS FIXED. 290 00:12:10,166 --> 00:12:11,458 YOU THINK THE VOICE WAS REAL? 291 00:12:11,542 --> 00:12:12,542 I DON'T KNOW, 292 00:12:12,625 --> 00:12:14,625 BUT HE SOUNDED TERRIFIED. 293 00:12:14,709 --> 00:12:16,166 WHAT DID HE SAY? 294 00:12:17,875 --> 00:12:20,291 "SOMEONE'S TRYING TO KILL ME." 295 00:12:26,875 --> 00:12:28,417 HELLO? 296 00:12:28,500 --> 00:12:29,834 HI. 297 00:12:29,917 --> 00:12:32,208 I'M GUESSING BY YOUR NAME TAG THAT YOU WORK HERE? 298 00:12:32,291 --> 00:12:34,041 OWNER-OPERATOR. 299 00:12:34,125 --> 00:12:35,583 EMPLOYEE OF THE MONTH 12 YEARS RUNNING. 300 00:12:35,667 --> 00:12:37,291 ALSO ONLY EMPLOYEE. 301 00:12:37,375 --> 00:12:38,667 HOW CAN I HELP YOU? 302 00:12:38,750 --> 00:12:40,750 OH, I NEED TO GET THIS FIXED. 303 00:12:40,834 --> 00:12:43,000 UM, SORRY ABOUT THE MESS. 304 00:12:43,083 --> 00:12:46,000 WE HAVEN'T HAD TOO MANY CUSTOMERS RECENTLY. 305 00:12:46,083 --> 00:12:48,667 WELL, IF A CLUTTERED DESK IS A SIGN OF A CLUTTERED MIND, 306 00:12:48,750 --> 00:12:50,500 OF WHAT THEN IS AN EMPTY DESK A SIGN?" 307 00:12:50,583 --> 00:12:51,709 EINSTEIN. 308 00:12:51,792 --> 00:12:53,208 I'LL TAKE IT. 309 00:12:53,291 --> 00:12:54,792 [SNAPS CLICK OPEN] 310 00:12:54,875 --> 00:12:56,458 AH. 311 00:12:56,542 --> 00:12:57,959 A REEL-TO-REEL AUDIO RECORDER, 312 00:12:58,041 --> 00:12:59,875 A SERIOUS MACHINE. 313 00:12:59,959 --> 00:13:01,250 IT JAM ON YOU? 314 00:13:01,333 --> 00:13:02,458 IT DID. 315 00:13:02,542 --> 00:13:03,458 HOW DID YOU KNOW? 316 00:13:03,542 --> 00:13:04,500 'CAUSE IT'S RARE, 317 00:13:04,583 --> 00:13:06,166 IT'S REALLY... RARE, 318 00:13:06,250 --> 00:13:08,166 AND ALSO 'CAUSE I'VE ALREADY FIXED IT ONCE. 319 00:13:08,250 --> 00:13:10,709 YOU BOUGHT THIS FROM THAT THERAPIST GUY 320 00:13:10,792 --> 00:13:13,709 WHO RENTS THE ROOM OVER TOP DARREN'S DETAIL, YEAH? 321 00:13:13,792 --> 00:13:15,500 NO, ACTUALLY, I BOUGHT IT AT A YARD SALE. 322 00:13:15,583 --> 00:13:17,166 THERAPIST GUY? 323 00:13:17,250 --> 00:13:18,750 YEAH, THIS IS DEFINITELY IT. 324 00:13:18,834 --> 00:13:21,667 YEAH, I DELIVERED IT TO HIM, WHAT, ABOUT A WEEK AGO THERE? 325 00:13:21,750 --> 00:13:23,250 IT'S ALREADY BROKEN? 326 00:13:23,333 --> 00:13:26,000 SORRY, THESE OLDER MACHINES CAN BE FINICKY. 327 00:13:26,083 --> 00:13:27,417 SO YOU CAN FIX IT? 328 00:13:27,500 --> 00:13:28,959 FREE OF CHARGE, 329 00:13:29,041 --> 00:13:30,250 'CAUSE APPARENTLY I DIDN'T DO THE JOB PARTICULARLY WELL 330 00:13:30,333 --> 00:13:31,834 THE FIRST TIME. 331 00:13:31,917 --> 00:13:34,208 HOW LONG DO YOU THINK IT'LL TAKE? 332 00:13:34,291 --> 00:13:36,125 A COUPLE OF DAYS, GIVE OR TAKE. 333 00:13:39,500 --> 00:13:42,250 DO YOU HAVE ANYTHING ELSE HERE THAT WOULD PLAY THIS? 334 00:13:42,333 --> 00:13:45,041 NO, UH, SORRY. 335 00:13:45,125 --> 00:13:46,625 THAT'S THE ONLY ONE I'VE SEEN IN YEARS, 336 00:13:46,709 --> 00:13:48,542 BUT I CAN START WORKING ON THIS TODAY, IF YOU'D LIKE? 337 00:13:48,625 --> 00:13:50,083 THANK YOU. 338 00:13:52,291 --> 00:13:55,000 [♪♪♪] 339 00:14:06,834 --> 00:14:09,875 HOW COULD ONE THING HAVE SO MANY PIECES? 340 00:14:09,959 --> 00:14:11,750 DON'T SWEAT THE SMALL STUFF, SON, 341 00:14:11,834 --> 00:14:13,333 BUT MAYBE A HANDMADE UNIT 342 00:14:13,417 --> 00:14:16,291 WOULD HAVE BEEN THE BETTER WAY TO GO. 343 00:14:16,375 --> 00:14:18,834 I GUESS THIS'LL BE QUICKER AND EASIER. 344 00:14:18,917 --> 00:14:19,834 WELL, AS GRANDDAD ALWAYS USED TO SAY, 345 00:14:19,917 --> 00:14:22,500 NOTHING WORTHWHILE IS EVER EASY. 346 00:14:22,583 --> 00:14:23,667 YEAH, WELL, IT DEFINITELY LOOKED A LOT LESS COMPLICATED 347 00:14:23,750 --> 00:14:24,917 ON THE BOX. 348 00:14:25,000 --> 00:14:26,250 DON'T WORRY, WE'LL GET IT. 349 00:14:26,333 --> 00:14:27,333 YEAH, I KNOW. 350 00:14:27,417 --> 00:14:29,208 HOW HARD CAN IT BE, RIGHT? 351 00:14:30,500 --> 00:14:31,417 RIGHT. 352 00:14:35,417 --> 00:14:38,333 OKAY, YEAH, THIS COULD TAKE A WHILE. 353 00:14:38,417 --> 00:14:40,458 DID YOU BRING THE HAMMER, SCREWDRIVER, AND LEVEL? 354 00:14:40,542 --> 00:14:41,750 IT DIDN'T SAY I NEEDED ANY OF THOSE. 355 00:14:41,834 --> 00:14:42,834 IT DIDN'T? 356 00:14:43,959 --> 00:14:44,875 ONE SIZE FITS ALL. 357 00:14:46,333 --> 00:14:48,208 OH, BOY... 358 00:14:48,291 --> 00:14:50,834 THIS WILL TAKE A WHILE. 359 00:14:52,500 --> 00:14:53,500 HEY, HON'. 360 00:14:53,583 --> 00:14:54,500 HEY, SWEETHEART. 361 00:14:54,583 --> 00:14:56,208 SMELL'S GOOD. WHATCHA MAKIN'? 362 00:14:56,291 --> 00:14:57,458 GINGER VEGGIE STIR-FRY. 363 00:14:58,583 --> 00:15:00,000 VEGGIE? 364 00:15:00,083 --> 00:15:01,625 NO. 365 00:15:01,709 --> 00:15:02,625 GINGER VEGGIE. 366 00:15:02,709 --> 00:15:04,500 HONEY... 367 00:15:04,583 --> 00:15:05,834 YOU'VE GOT TO TRY NEW THINGS, 368 00:15:05,917 --> 00:15:07,542 YOU'RE SUCH A GUY. 369 00:15:07,625 --> 00:15:09,792 BUT YOU'RE A CUTE GUY. 370 00:15:09,875 --> 00:15:11,834 WELL, COMING FROM THE MOST BEAUTIFUL WOMAN IN THE WORLD, 371 00:15:11,917 --> 00:15:12,959 THAT MEANS A LOT. 372 00:15:13,041 --> 00:15:14,208 THANK YOU. 373 00:15:14,291 --> 00:15:15,750 SO, HOW'S IT GOING IN THE MAN-CAVE? 374 00:15:15,834 --> 00:15:17,959 WELL, IT'S A... SLOW START, 375 00:15:18,041 --> 00:15:19,166 BUT THE BONDING'S BEEN REALLY GREAT 376 00:15:19,250 --> 00:15:20,166 BETWEEN ME AND LOGAN. 377 00:15:20,250 --> 00:15:21,333 GOOD. 378 00:15:21,417 --> 00:15:23,667 AND HOW WAS THE REST OF YOUR DAY? 379 00:15:23,750 --> 00:15:25,083 FINE. 380 00:15:26,291 --> 00:15:27,542 I KNOW THAT LOOK. 381 00:15:27,625 --> 00:15:29,250 LOOK? 382 00:15:29,333 --> 00:15:32,166 YOU'RE STILL THINKING ABOUT THE RECORDING, AREN'T YOU? 383 00:15:32,250 --> 00:15:33,417 YES. 384 00:15:33,500 --> 00:15:35,750 I'M SORRY, I CAN'T HELP IT. 385 00:15:35,834 --> 00:15:37,291 WHAT IF IT WAS REAL? 386 00:15:37,375 --> 00:15:39,792 WHAT IF SOMEONE WAS TRULY IN DANGER? 387 00:15:39,875 --> 00:15:41,166 AND WHAT IF IT'S JUST SOMEONE MESSING AROUND? 388 00:15:41,250 --> 00:15:43,083 WHAT IF THEY WEREN'T? 389 00:15:43,166 --> 00:15:45,834 AND I REALLY KNOW THAT LOOK. 390 00:15:45,917 --> 00:15:48,709 WHAT LOOK? 391 00:15:48,792 --> 00:15:50,542 [♪♪♪] 392 00:16:40,417 --> 00:16:41,625 ARE YOU THE WIFE? 393 00:16:43,792 --> 00:16:46,125 NO, JUST AN ACQUAINTANCE OF HIS WIFE. 394 00:16:46,208 --> 00:16:47,792 DARREN. LIKE THE SIGN. 395 00:16:47,875 --> 00:16:49,333 JENN. 396 00:16:49,417 --> 00:16:51,250 HAVE YOU HEARD FROM DR. VEDDERS? 397 00:16:51,333 --> 00:16:53,667 NO, WHICH IS WHY I'M HERE. 398 00:16:53,750 --> 00:16:54,709 HE RENTS FROM ME, 399 00:16:54,792 --> 00:16:55,959 AND WANTED ME TO FIX THE KITCHEN SINK 400 00:16:56,041 --> 00:16:57,208 WHEN HE MOVED IN LAST WEEK, 401 00:16:57,291 --> 00:16:58,709 BUT I HAVE NOT HEARD FROM HIM. 402 00:16:58,792 --> 00:16:59,625 OH, REALLY? 403 00:16:59,709 --> 00:17:00,875 YEAH, 404 00:17:00,959 --> 00:17:02,250 AND HE'S NOT RETURNING MY CALLS. 405 00:17:02,333 --> 00:17:03,709 YOU DON'T HAVE A DIFFERENT NUMBER FOR HIM, 406 00:17:03,792 --> 00:17:05,000 BY THE WAY? 407 00:17:05,083 --> 00:17:06,667 NO, I'M SORRY, I DON'T. 408 00:17:06,750 --> 00:17:09,041 DO YOU BY CHANCE HAVE A SPARE KEY? 409 00:17:09,125 --> 00:17:10,834 MAYBE ONE OR BOTH OF US COULD GO IN 410 00:17:10,917 --> 00:17:11,750 AND TAKE A LOOK AROUND? 411 00:17:11,834 --> 00:17:13,208 OF COURSE. 412 00:17:20,291 --> 00:17:21,291 DR. VEDDERS? 413 00:17:25,917 --> 00:17:27,792 DR. VEDDERS? 414 00:17:32,667 --> 00:17:34,458 DR. VEDDERS? 415 00:18:01,250 --> 00:18:02,041 [GASPS] 416 00:18:12,875 --> 00:18:15,083 [POLICE RADIO CHATTER CRACKLES] 417 00:18:29,458 --> 00:18:30,333 YOU'RE ALL RIGHT? 418 00:18:30,417 --> 00:18:32,166 I'M FINE. 419 00:18:32,250 --> 00:18:34,750 SHOULD I EVEN ASK HOW YOU GOT HERE? 420 00:18:34,834 --> 00:18:36,041 LONG STORY. 421 00:18:36,125 --> 00:18:38,041 AND HERE WE GO. 422 00:18:38,125 --> 00:18:39,834 I BOUGHT A REEL-TO-REEL RECORDER AT A YARD SALE, 423 00:18:39,917 --> 00:18:41,166 AND WHEN I GOT IT BACK TO THE SHOP, 424 00:18:41,250 --> 00:18:42,583 AND I PLAYED IT, 425 00:18:42,667 --> 00:18:43,875 THERE WAS A VOICE SAYING "SOMEONE'S TRYING TO KILL ME." 426 00:18:43,959 --> 00:18:44,917 BUT THEN THE TAPE JAMMED, 427 00:18:45,000 --> 00:18:46,250 SO I TOOK IT TO BE FIXED. 428 00:18:46,333 --> 00:18:47,583 WELL, THE REPAIRMAN KNEW THE PREVIOUS OWNER, 429 00:18:47,667 --> 00:18:49,041 WHICH LED ME HERE. 430 00:18:50,500 --> 00:18:52,917 I GOTTA SAY, BETWEEN YOU AND RANDOM JOGGERS, 431 00:18:53,000 --> 00:18:55,041 I DON'T KNOW WHO FINDS MORE DEAD BODIES. 432 00:18:56,250 --> 00:18:57,250 LET ME GUESS, 433 00:18:57,333 --> 00:18:58,959 THERE'S MORE. 434 00:18:59,041 --> 00:19:00,041 HE'S WEARING A WEDDING RING, 435 00:19:00,125 --> 00:19:01,166 AND AT THE YARD SALE, 436 00:19:01,250 --> 00:19:02,166 HIS WIFE, MAE, SAID 437 00:19:02,250 --> 00:19:03,875 HE WOULD TAKE OFF WITHOUT WARNING, 438 00:19:03,959 --> 00:19:06,291 AND, WELL, WE USUALLY KNOW WHAT IT MEANS 439 00:19:06,375 --> 00:19:08,166 WHEN A MARRIED PERSON HAS A SIDE APARTMENT. 440 00:19:08,250 --> 00:19:09,166 HMM. 441 00:19:09,250 --> 00:19:10,667 OH, AND THERE'S A BOX INSIDE 442 00:19:10,750 --> 00:19:11,750 WITH A PRINTOUT FROM A BLOG. 443 00:19:11,834 --> 00:19:13,709 A LOCAL WRITER, DEB MACBETH. 444 00:19:13,792 --> 00:19:15,250 OKAY. 445 00:19:15,333 --> 00:19:16,041 GOOD JOB. 446 00:19:16,125 --> 00:19:17,291 ALRIGHT, UH, 447 00:19:17,375 --> 00:19:18,959 I'LL LOOK INTO ALL OF THAT. 448 00:19:19,041 --> 00:19:20,125 THANK YOU. 449 00:19:20,208 --> 00:19:21,125 OH... 450 00:19:22,417 --> 00:19:24,667 THIS IS WHERE THE RECORDER IS BEING REPAIRED. 451 00:19:25,959 --> 00:19:29,250 AND I'M GUESSING THIS IS EVIDENCE NOW. 452 00:19:30,375 --> 00:19:31,667 OKAY, I WILL... 453 00:19:31,750 --> 00:19:33,083 TALK TO YOU SOON. 454 00:19:33,166 --> 00:19:34,083 OH, FRANK... 455 00:19:34,166 --> 00:19:35,417 YES? 456 00:19:35,500 --> 00:19:36,917 YOU MIGHT WANT TO LOOK AT THE DRAG MARKS 457 00:19:37,000 --> 00:19:38,125 ON THE BACK OF HIS HEELS. 458 00:19:38,208 --> 00:19:39,709 I DIDN'T SEE ANY BLOOD. 459 00:19:39,792 --> 00:19:41,208 HE MIGHT'VE BEEN KILLED SOMEWHERE ELSE. 460 00:19:41,291 --> 00:19:43,000 OR THE KILLER CLEANED IT UP. 461 00:19:43,083 --> 00:19:44,500 WELL, OBSESSIVELY SO THEN. 462 00:19:44,583 --> 00:19:46,875 WHICH MIGHT TIE IN 463 00:19:46,959 --> 00:19:49,000 TO THE "LIVING WITH OCD" PRINTOUT IN THE BOX. 464 00:19:49,083 --> 00:19:50,792 BUT IT... 465 00:19:50,875 --> 00:19:52,750 IT'S YOUR CRIME SCENE SO... 466 00:19:52,834 --> 00:19:54,125 IT IS. 467 00:19:54,208 --> 00:19:55,166 YEAH. 468 00:19:55,250 --> 00:19:56,834 THANK YOU.. 469 00:20:02,000 --> 00:20:04,083 OH, HEY, SWEETHEART, 470 00:20:04,166 --> 00:20:05,500 I'M RUNNING A LITTLE LATE FOR DINNER. 471 00:20:05,583 --> 00:20:06,625 YEAH, NO PROBLEM. 472 00:20:06,709 --> 00:20:07,709 WHERE ARE YOU? 473 00:20:07,792 --> 00:20:09,500 ALMOST HOME. 474 00:20:09,625 --> 00:20:10,875 DO I HAVE TO GUESS WHAT'S GOING ON? 475 00:20:12,417 --> 00:20:14,917 I WAS WORRIED ABOUT WHOEVER WAS ON THE RECORDING, 476 00:20:15,000 --> 00:20:17,542 SO I FOLLOWED THE INFO FROM DREW AT THE AUDIO SHOP. 477 00:20:17,625 --> 00:20:19,709 OKAY. AND? 478 00:20:19,792 --> 00:20:21,542 WHEN I GOT TO THE APARTMENT, 479 00:20:21,625 --> 00:20:23,208 I FOUND THE ORIGINAL OWNER. 480 00:20:23,291 --> 00:20:24,959 "FOUND"? 481 00:20:25,041 --> 00:20:26,166 DEAD. 482 00:20:27,583 --> 00:20:28,417 YOU ALL RIGHT? 483 00:20:28,500 --> 00:20:29,792 UNHURT AND COMING HOME. 484 00:20:29,875 --> 00:20:30,875 [CHUCKLES AWKWARDLY] 485 00:20:30,959 --> 00:20:32,458 -LOVE YOU. -LOVE YOU, TOO. 486 00:20:36,166 --> 00:20:37,542 [♪♪♪] 487 00:20:47,500 --> 00:20:48,709 [SIGHING] 488 00:20:49,875 --> 00:20:51,166 HOW'S IT COMING ALONG? 489 00:20:51,291 --> 00:20:52,291 WELL, YOU KNOW, 490 00:20:52,375 --> 00:20:54,125 I KEEP THINKING ABOUT WHAT YOU SAID, 491 00:20:54,208 --> 00:20:57,333 "DON'T CALL IT A DREAM, CALL IT PLAN." 492 00:20:57,417 --> 00:20:59,083 BUT... I DON'T KNOW. 493 00:20:59,166 --> 00:21:00,458 IS IT POSSIBLE TO HAVE CRAFTER'S BLOCK? 494 00:21:00,542 --> 00:21:01,542 [CHUCKLES] 495 00:21:01,625 --> 00:21:03,542 WELL, YOU CAN'T EDIT A BLANK BOARD, 496 00:21:03,625 --> 00:21:05,208 SO I WOULD JUST THROW SOME STUFF ON 497 00:21:05,291 --> 00:21:06,417 AND SEE WHAT HAPPENS. 498 00:21:06,500 --> 00:21:08,208 YOU CAN ALWAYS PASTE OVER TOP. 499 00:21:08,291 --> 00:21:09,625 OKAY. 500 00:21:09,709 --> 00:21:11,250 IT CAN BE ANYTHING YOU WANT FOR YOURSELF IN 10 YEARS. 501 00:21:11,333 --> 00:21:14,417 A SMALLER WAIST LINE, A BIGGER FAMILY, A NEW CAREER. 502 00:21:14,500 --> 00:21:16,959 THE VISION-BOARD HELPS YOU EXTERNALIZE IT ALL, 503 00:21:17,041 --> 00:21:18,625 PUT YOUR PLAN INTO ACTION. 504 00:21:18,709 --> 00:21:20,333 WHAT IF YOU'RE NOT SURE OF YOUR PLAN? 505 00:21:20,417 --> 00:21:21,834 OUR MANTRA FOR THE EVENING..? 506 00:21:21,917 --> 00:21:23,291 "IF YOU WANT SOMETHING DIFFERENT, 507 00:21:23,375 --> 00:21:24,792 YOU MUST DO SOMETHING DIFFERENT." 508 00:21:24,875 --> 00:21:26,125 EXACTLY. 509 00:21:27,500 --> 00:21:29,083 WHAT IF YOU'RE NOT SURE WHAT YOU WANT? 510 00:21:29,166 --> 00:21:31,625 THEN I'D TRY SOME MORE VINO. 511 00:21:31,709 --> 00:21:32,709 [CHUCKLING] 512 00:21:32,792 --> 00:21:34,208 OKAY. 513 00:21:40,333 --> 00:21:41,750 CHEERS. 514 00:21:41,834 --> 00:21:43,041 [WRENCH CREAKING] 515 00:21:43,125 --> 00:21:45,500 ALL RIGHT. 516 00:21:45,583 --> 00:21:46,834 THERE WE GO, THE FRAME'S ALL DONE, 517 00:21:46,917 --> 00:21:48,041 NOW ALL WE GOTTA DO 518 00:21:48,125 --> 00:21:49,625 IS PUT ON THE DOORS, DRAWERS, AND SHELVES. 519 00:21:49,709 --> 00:21:51,667 IS IT BAD THAT WE FINISHED THE FRAME, 520 00:21:51,750 --> 00:21:53,458 BUT THERE'S STILL PARTS LEFT? 521 00:21:53,542 --> 00:21:54,458 HMM. 522 00:21:54,542 --> 00:21:55,500 THEY'RE SPARE PARTS, 523 00:21:55,583 --> 00:21:56,625 FOR WHEN THEY GET OLD, 524 00:21:56,709 --> 00:21:58,041 LIKE WITH THE BARBECUE. 525 00:21:58,125 --> 00:21:59,875 THE BARBECUE? 526 00:21:59,959 --> 00:22:02,291 THE LEFT SIDE STILL WORKS. 527 00:22:02,375 --> 00:22:03,583 HEY, I'M THINKING MOVIE POSTERS 528 00:22:03,667 --> 00:22:04,709 FOR THE WALL. 529 00:22:04,792 --> 00:22:06,166 OH, HI. 530 00:22:06,250 --> 00:22:07,291 HEY. 531 00:22:07,375 --> 00:22:08,125 I THOUGHT MAYBE YOU'D WANT SOME HELP 532 00:22:08,208 --> 00:22:09,333 WITH THE ACCENT WALL. 533 00:22:09,417 --> 00:22:11,417 WAIT, WE HAVE AN ACCENT WALL? 534 00:22:11,500 --> 00:22:13,959 COULD BE AN IDEA. 535 00:22:14,041 --> 00:22:15,417 AND, UH, MAYBE ADD A BIT OF A FEMININE TOUCH. 536 00:22:15,500 --> 00:22:16,583 HOW FEMININE? 537 00:22:16,667 --> 00:22:17,625 YEAH, HOW FEMININE? 538 00:22:17,709 --> 00:22:19,583 JUST THE RIGHT AMOUNT. 539 00:22:21,083 --> 00:22:22,583 OKAY, YOU GET ONE WALL, 540 00:22:22,667 --> 00:22:24,041 BUT, PLEASE, 541 00:22:24,125 --> 00:22:25,667 NO DRAPES. 542 00:22:25,750 --> 00:22:27,041 GOT IT. 543 00:22:27,125 --> 00:22:28,792 SO, HOW IS THE SHELF COMING ALONG? 544 00:22:28,875 --> 00:22:29,875 GREAT. 545 00:22:29,959 --> 00:22:31,291 GOT A FEW SPARE PARTS, 546 00:22:31,375 --> 00:22:34,041 BUT THE UNIT IS... 547 00:22:34,125 --> 00:22:35,917 [SLAPS PLANK] ...SOLID. 548 00:22:36,000 --> 00:22:38,125 [CRASHING] 549 00:22:38,208 --> 00:22:39,625 DAD...? 550 00:22:39,709 --> 00:22:40,625 HMM. 551 00:22:43,458 --> 00:22:44,875 HOW'S LOGAN DOING? 552 00:22:44,959 --> 00:22:45,959 HE'S GETTING THE HANG OF IT. 553 00:22:46,041 --> 00:22:46,959 OH. 554 00:22:47,041 --> 00:22:48,834 SO ALREADY A SUCCESS. 555 00:22:48,917 --> 00:22:51,041 YEAH, I'D SAY SO. 556 00:22:51,125 --> 00:22:52,625 ANYTHING EXCITING? 557 00:22:52,709 --> 00:22:55,166 WELL, DR. VEDDERS RAN A RELATIONSHIP GROUP 558 00:22:55,250 --> 00:22:56,500 AT THE COMMUNITY CENTER, 559 00:22:56,583 --> 00:22:58,125 AND IT SAYS HE RETIRED LAST WEEK. 560 00:22:58,208 --> 00:22:59,625 YOU'RE NOT LETTING THIS GO, ARE YOU? 561 00:22:59,709 --> 00:23:01,583 YOU ARE AN UNDERSTANDING MAN. 562 00:23:01,667 --> 00:23:03,166 YES, I AM. 563 00:23:04,834 --> 00:23:07,875 JASON, DO YOU THINK A PATIENT WOULD KILL THEIR DOCTOR? 564 00:23:09,166 --> 00:23:10,834 ANYTHING'S POSSIBLE. 565 00:23:10,917 --> 00:23:13,417 MAYBE SOMEONE IN THE GROUP GOT MAD THAT HE LEFT? 566 00:23:13,500 --> 00:23:16,542 SOMEONE WITH ABANDONMENT ISSUES COULD TAKE THAT PRETTY HARD. 567 00:23:16,625 --> 00:23:19,333 I MEAN, LIKE A SHELF THAT'S NOT PUT TOGETHER PROPERLY, 568 00:23:19,417 --> 00:23:22,500 A GROUP WITHOUT A LEADER FALLS APART. 569 00:23:22,583 --> 00:23:23,959 WHO GAVE ME UP? 570 00:23:36,458 --> 00:23:38,208 EXCUSE ME. 571 00:23:38,291 --> 00:23:39,333 CAN YOU TELL ME 572 00:23:39,417 --> 00:23:40,625 WHERE I MIGHT FIND DR. VEDDERS' 573 00:23:40,709 --> 00:23:42,542 "WHEN THE RELATIONSHIP ENDS" GROUP? 574 00:23:42,625 --> 00:23:44,875 IT'S ROOM 101, JUST DOWN THE HALL. 575 00:23:44,959 --> 00:23:46,959 BUT DR. VEDDERS RETIRED LAST THURSDAY. 576 00:23:47,041 --> 00:23:48,000 OH. 577 00:23:48,083 --> 00:23:49,667 BUT THE GROUP IS STILL MEETING? 578 00:23:49,750 --> 00:23:50,917 YEAH, YOU KNOW WHAT, 579 00:23:51,000 --> 00:23:51,750 I NEED TO HIT THE VENDING MACHINE ANYWAY, 580 00:23:51,834 --> 00:23:52,709 SO I'LL JUST WALK YOU DOWN. 581 00:23:52,792 --> 00:23:53,709 THAT'S SWEET OF YOU, THANK YOU. 582 00:23:57,959 --> 00:23:59,792 WHOEVER LET YOU GO MUST BE KICKING HIMSELF. 583 00:23:59,875 --> 00:24:01,417 ME? NO, I'M... 584 00:24:01,500 --> 00:24:03,458 WELL, I-I MEAN, THANK YOU. 585 00:24:03,542 --> 00:24:04,417 I HEAR VEDDERS WAS GREAT, 586 00:24:04,500 --> 00:24:05,875 BUT I'M NEW HERE. 587 00:24:05,959 --> 00:24:07,291 THE DOCTOR THEY GOT TO TAKE HIS SPOT 588 00:24:07,375 --> 00:24:08,542 IS SUPPOSED TO BE REALLY GOOD, TOO. 589 00:24:08,625 --> 00:24:10,750 I'M SURE YOU'LL BE BACK ON YOUR FEET IN NO TIME. 590 00:24:10,834 --> 00:24:12,583 I HEARD VEDDERS WAS GOOD. 591 00:24:12,667 --> 00:24:14,083 BY ALL ACCOUNTS, HE SEEMED WELL LIKED. 592 00:24:14,166 --> 00:24:15,417 "SEEMED"? 593 00:24:15,500 --> 00:24:18,166 I WAS TOLD THINGS GOT HEATED IN THERE SOMETIMES. 594 00:24:18,250 --> 00:24:19,709 YELLING AND WHATNOT. 595 00:24:19,834 --> 00:24:21,500 NOBODY LIKES A BREAK-UP. ALL PART OF IT, I GUESS. 596 00:24:21,583 --> 00:24:22,250 WELL, HERE WE ARE. 597 00:24:24,959 --> 00:24:25,834 WELL, THANK YOU. 598 00:24:25,917 --> 00:24:26,834 IT WAS NICE TO MEET YOU. 599 00:24:26,917 --> 00:24:27,917 IF, UH, YOU HAVE ANY QUESTIONS 600 00:24:28,000 --> 00:24:29,000 OR YOU NEED ANYTHING, 601 00:24:29,083 --> 00:24:29,917 YOU KNOW WHERE TO FIND ME. 602 00:24:30,000 --> 00:24:31,083 MUCH APPRECIATED. 603 00:24:31,166 --> 00:24:32,166 -GOOD LUCK IN THERE. -THANKS-- 604 00:24:32,250 --> 00:24:34,583 I GOTTA GET GOING, CAN WE WRAP THIS UP? 605 00:24:34,667 --> 00:24:37,291 I GUESS WE COULD LEAVE IT THERE, YES. 606 00:24:46,125 --> 00:24:47,417 DEB MACBETH? 607 00:24:48,625 --> 00:24:49,583 MAYBE. 608 00:24:49,667 --> 00:24:50,834 I LOVE YOUR BLOG. 609 00:24:50,917 --> 00:24:52,458 I-I THINK YOUR WRITING, 610 00:24:52,542 --> 00:24:54,208 AND EVERYTHING YOU'VE BEEN THROUGH, 611 00:24:54,291 --> 00:24:55,208 YOUR OUTLOOK, 612 00:24:55,291 --> 00:24:57,250 IT'S INSPIRING. 613 00:24:57,333 --> 00:24:58,166 THANKS. 614 00:24:58,250 --> 00:24:59,709 THAT'S ACTUALLY REALLY NICE. 615 00:24:59,792 --> 00:25:01,250 IS THIS THE GROUP YOU TALK ABOUT? 616 00:25:01,333 --> 00:25:03,333 PART OF IT. WE'RE MISSING A COUPLE. 617 00:25:03,417 --> 00:25:04,625 THANKS FOR READING. 618 00:25:04,709 --> 00:25:05,917 I WAS THINKING ABOUT JOINING THE GROUP, 619 00:25:06,000 --> 00:25:08,125 BUT I HEAR THERE'S A NEW DOCTOR. 620 00:25:08,208 --> 00:25:09,333 IS HE ANY GOOD? 621 00:25:09,417 --> 00:25:11,208 HE'S NOT DR. VEDDERS GOOD, 622 00:25:11,291 --> 00:25:12,959 BUT IT IS OUR FIRST SESSION, 623 00:25:13,041 --> 00:25:15,208 SO I'M SURE THERE'S A MASSIVE LEARNING CURVE WITH US. 624 00:25:16,417 --> 00:25:19,166 DO YOU HAVE ANY IDEA WHY DR. VEDDERS RETIRED? 625 00:25:19,250 --> 00:25:21,458 I WAS REALLY HOPING TO TOUCH BASE WITH HIM. 626 00:25:21,542 --> 00:25:23,625 SAID HE WAS WRITING HIS MEMOIRS 627 00:25:23,709 --> 00:25:26,208 AND SOMETHING ABOUT SORTING STUFF OUT. 628 00:25:26,291 --> 00:25:27,667 MAYBE I'LL SEE YOU IN GROUP. 629 00:25:27,750 --> 00:25:28,583 I'M SORRY, I DIDN'T CATCH YOUR NAME. 630 00:25:28,667 --> 00:25:29,458 JENN. 631 00:25:29,542 --> 00:25:30,458 NICE TO MEET YOU. 632 00:25:30,542 --> 00:25:31,417 LIKEWISE. 633 00:25:38,458 --> 00:25:39,792 EXCUSE ME? 634 00:25:42,083 --> 00:25:44,333 SO, YOU SAID YOUR SON'S BIKE WENT MISSING LAST THURSDAY? 635 00:25:44,417 --> 00:25:45,750 YES. 636 00:25:45,834 --> 00:25:46,959 AROUND THIS TIME, ACTUALLY. 637 00:25:48,667 --> 00:25:50,125 IT WAS LOCKED UP. 638 00:25:50,208 --> 00:25:51,458 YEAH, THAT DOESN'T SEEM TO STOP THEM. 639 00:25:53,083 --> 00:25:55,250 I'M NOT SEEING YOUR SON'S BIKE ANYWHERE. 640 00:25:58,291 --> 00:25:59,000 UH, WAIT. 641 00:25:59,083 --> 00:26:01,166 WHAT? 642 00:26:01,250 --> 00:26:03,333 UM... 643 00:26:03,417 --> 00:26:04,375 NOTHING. 644 00:26:04,458 --> 00:26:06,083 I THOUGHT I SAW SOMETHING. 645 00:26:06,166 --> 00:26:07,208 ARE YOU SURE IT WAS LAST THURSDAY? 646 00:26:08,417 --> 00:26:10,500 UH... PRETTY SURE. 647 00:26:10,583 --> 00:26:13,083 BUT WHO KNOWS, MAYBE HE DIDN'T LOCK IT UP PROPERLY. 648 00:26:13,166 --> 00:26:14,542 UM, THANK YOU FOR YOUR HELP. 649 00:26:14,625 --> 00:26:16,125 IF YOU SEE OR HEAR ANYTHING... 650 00:26:16,208 --> 00:26:17,083 SURE. 651 00:26:20,041 --> 00:26:22,083 FRANK, CALL ME WHEN YOU GET THIS MESSAGE. 652 00:26:22,166 --> 00:26:23,959 I'M AT THE COMMUNITY CENTER, 653 00:26:24,041 --> 00:26:26,375 AND, APPARENTLY, THE DAY THAT DR. VEDDERS RETIRED, 654 00:26:26,458 --> 00:26:28,583 HE AND A MALE PATIENT FROM THE GROUP 655 00:26:28,667 --> 00:26:31,667 GOT INTO AN ANGRY CONFRONTATION OUTSIDE IN THE PARKING LOT. 656 00:26:31,750 --> 00:26:33,417 I JUST THOUGHT YOU SHOULD KNOW. 657 00:26:33,500 --> 00:26:34,917 [CHISEL CHIPPING] 658 00:26:49,291 --> 00:26:50,291 [MAE]: MORE TEA? 659 00:26:50,375 --> 00:26:52,959 UH, NO. THANK YOU. 660 00:26:56,208 --> 00:26:58,166 NOW, I REALIZE THIS IS HARD, BUT... 661 00:26:58,250 --> 00:26:59,667 ANY IDEA WHY HE LEFT? 662 00:26:59,750 --> 00:27:01,333 I WOULD'VE REPORTED HIM MISSING, 663 00:27:01,417 --> 00:27:03,291 BUT I JUST THOUGHT HE LEFT ME. 664 00:27:03,375 --> 00:27:04,625 HAS HE TAKEN OFF BEFORE? 665 00:27:04,709 --> 00:27:05,917 ONCE IN A WHILE. 666 00:27:06,000 --> 00:27:08,917 HE WOULD ALWAYS GET SO STRESSED ABOUT WORK 667 00:27:09,000 --> 00:27:10,083 OR LIFE, 668 00:27:10,166 --> 00:27:11,333 HE'D TAKE OFF, 669 00:27:11,417 --> 00:27:12,291 I'D LET HIM COOL DOWN, 670 00:27:12,375 --> 00:27:13,917 THEN HE WOULD COME BACK. 671 00:27:14,000 --> 00:27:15,709 ANY PARTICULAR REASON HE'D BE STRESSED OUT? 672 00:27:15,792 --> 00:27:17,458 EDWARD... 673 00:27:17,542 --> 00:27:19,125 HE WAS SO EMPATHETIC, 674 00:27:19,208 --> 00:27:22,458 HE WOULD LITERALLY TAKE ON AND LIVE HIS PATIENT'S PROBLEMS. 675 00:27:22,542 --> 00:27:24,625 IT ALWAYS CAME FIRST OVER US. 676 00:27:24,709 --> 00:27:26,375 NOW, WHEN YOU LAST SPOKE WITH HIM, 677 00:27:26,458 --> 00:27:28,291 WHICH WAS... ABOUT A WEEK AGO, 678 00:27:28,375 --> 00:27:31,583 HOW WAS THAT LEFT? 679 00:27:31,667 --> 00:27:34,667 THERE HAD BEEN SOME CASH MISSING FROM THE ACCOUNT, 680 00:27:34,750 --> 00:27:37,208 AND HE WOULDN'T TELL ME WHERE IT WENT, 681 00:27:37,291 --> 00:27:39,458 SO IT HAD TO BE RELATED TO THE GROUP. 682 00:27:39,542 --> 00:27:41,417 HE WAS ALWAYS BY THE BOOKS 683 00:27:41,500 --> 00:27:43,625 WHEN IT CAME TO DOCTOR-PATIENT CONFIDENTIALITY. 684 00:27:45,083 --> 00:27:46,834 NOW, I HAVE TO BRING THIS UP, BUT... 685 00:27:46,917 --> 00:27:49,291 HE RENTED THE APARTMENT WHERE WE FOUND HIS BODY, 686 00:27:49,375 --> 00:27:51,250 PAID FOR IT IN CASH. 687 00:27:51,333 --> 00:27:52,625 HE... HE WHAT? 688 00:27:52,709 --> 00:27:54,917 HAD HE NEVER MENTIONED PERMANENTLY MOVING OUT? 689 00:27:55,000 --> 00:27:57,750 WHEN I SPOKE TO HIM THAT EVENING ON THE PHONE, 690 00:27:57,834 --> 00:28:00,500 HE SAID HE MIGHT NOT BE HERE WHEN I GOT BACK. 691 00:28:00,583 --> 00:28:02,041 ANYBODY THAT HE'D BE HIDING FROM? 692 00:28:02,125 --> 00:28:04,208 ANY ONE OF HIS PATIENTS. 693 00:28:04,291 --> 00:28:05,250 THERE WERE PROBLEMS IN THE GROUP? 694 00:28:05,333 --> 00:28:06,291 LIKE I SAID, 695 00:28:06,375 --> 00:28:07,834 THEIR PROBLEMS WERE HIS. 696 00:28:07,917 --> 00:28:09,083 IT COULD HAVE BEEN ANY ONE OF THEM. 697 00:28:09,166 --> 00:28:10,250 OKAY. 698 00:28:10,333 --> 00:28:12,291 NOW, GOING FROM THE DAY HE LEFT, 699 00:28:12,375 --> 00:28:13,333 WHEN YOU GOT HOME, 700 00:28:13,417 --> 00:28:15,083 WAS THERE ANY SIGN OF A STRUGGLE? 701 00:28:15,166 --> 00:28:17,250 CHAIRS OVERTURNED...? 702 00:28:17,333 --> 00:28:19,166 THE KITCHEN DOOR, THERE WAS BROKEN GLASS. 703 00:28:19,250 --> 00:28:21,583 I HAD JUST RETURNED FROM A TRIP DOWNSTATE. 704 00:28:21,667 --> 00:28:22,875 I JUST THOUGHT HE SLAMMED IT 705 00:28:22,959 --> 00:28:24,500 OUT OF ANGER. 706 00:28:24,583 --> 00:28:26,709 HE... DID HAVE A TEMPER. 707 00:28:26,792 --> 00:28:27,959 A TEMPER ENOUGH TO HURT YOU? 708 00:28:29,041 --> 00:28:30,834 NO. 709 00:28:30,917 --> 00:28:32,875 NO, NEVER. NO. 710 00:28:32,959 --> 00:28:34,917 THAT'S NOT WHO HE IS. 711 00:28:36,250 --> 00:28:37,917 THAT'S NOT WHO HE WAS. 712 00:28:40,000 --> 00:28:42,375 IT HAD TO BE SOMEBODY IN THAT GROUP. 713 00:28:45,083 --> 00:28:46,917 [SIGHS HEAVILY] 714 00:28:48,291 --> 00:28:49,458 LIVER MORTIS WAS FIXED 715 00:28:49,542 --> 00:28:51,083 WITH A VITREOUS HUMOR POTASSIUM LEVEL 716 00:28:51,166 --> 00:28:52,583 OF 20 MILLIMOLES PER LITER, 717 00:28:52,667 --> 00:28:56,041 SO I'D DEDUCT MISS PLUMMER'S BEEN DEAD, UM... 718 00:28:56,125 --> 00:28:57,625 46 HOURS. 719 00:28:57,709 --> 00:28:58,709 [SNIFFING] 720 00:28:58,792 --> 00:29:02,000 IS THAT CARAMEL MACCHIATO I SMELL? 721 00:29:02,083 --> 00:29:03,709 YOU GOT IT. 722 00:29:03,792 --> 00:29:04,875 OH, I'VE BEEN AVOIDING DAIRY, 723 00:29:04,959 --> 00:29:07,125 BUT I GUESS I'M GETTING CREAM-ATED EITHER WAY. 724 00:29:07,208 --> 00:29:08,041 [CHUCKLING] 725 00:29:08,125 --> 00:29:10,000 CREAM-ATED? 726 00:29:10,083 --> 00:29:11,500 OH, BOY. 727 00:29:11,583 --> 00:29:12,625 NOTHING? 728 00:29:15,166 --> 00:29:17,583 SO, WHAT CAN I DO FOR YOU? 729 00:29:17,667 --> 00:29:18,750 DR. VEDDERS WAS BROUGHT IN? 730 00:29:18,834 --> 00:29:19,834 AH... 731 00:29:19,917 --> 00:29:22,417 YOU KNOW I CAN'T TELL YOU THAT. 732 00:29:22,500 --> 00:29:23,959 I SAW THE BODY AT THE SCENE. 733 00:29:24,041 --> 00:29:26,083 WELL, THEN YOU'VE SEEN THE MULTIPLE STAB WOUNDS 734 00:29:26,166 --> 00:29:27,417 TO THE LOWER THORAX 735 00:29:27,500 --> 00:29:29,875 CAUSING LUNG COLLAPSE AND RESPIRATORY FAILURE. 736 00:29:29,959 --> 00:29:31,083 I DID. 737 00:29:31,166 --> 00:29:33,542 WHAT ABOUT THE MURDER WEAPON? 738 00:29:33,625 --> 00:29:35,166 I DIDN'T SEE A KNIFE. 739 00:29:35,250 --> 00:29:37,583 WELL, YOU MAY OR MAY NOT HAVE SEEN THE BONE FRAGMENTATIONS 740 00:29:37,667 --> 00:29:39,583 WHICH SUGGEST A HEAVIER BLADE, 741 00:29:39,667 --> 00:29:42,375 SOMETHING, UH, PERHAPS CLOSER TO, UM... 742 00:29:42,458 --> 00:29:44,709 A ROCK-CARVING CHISEL? 743 00:29:44,792 --> 00:29:45,959 WOW. 744 00:29:46,041 --> 00:29:48,166 UH, YES, THAT WOULD SURELY DO IT. 745 00:29:48,250 --> 00:29:50,333 AND THIS ATTACK WAS PROBABLY, 746 00:29:50,417 --> 00:29:52,083 IF I HAD TO GUESS-- 747 00:29:52,166 --> 00:29:54,250 IF YOU HAD TO GUESS, YOU'D GUESS LAST THURSDAY. 748 00:29:54,333 --> 00:29:55,917 THE DAY HE RETIRED. 749 00:29:56,000 --> 00:29:58,917 ANYTHING ELSE I MAY OR MAY NOT HAVE SEEN? 750 00:29:59,000 --> 00:30:00,875 FROM THE LEVEL OF THE FIRST PUNCTURE WOUND, 751 00:30:00,959 --> 00:30:03,583 I'D GUESS THE KILLER WAS SOMEONE OF A SHORTER STATURE. 752 00:30:03,667 --> 00:30:04,792 POSSIBLY A WOMAN? 753 00:30:04,875 --> 00:30:06,041 THERE'S NO WAY OF KNOWING GENDER, 754 00:30:06,125 --> 00:30:08,875 BUT WHOEVER IT WAS, WAS CERTAINLY ANGRY. 755 00:30:08,959 --> 00:30:12,375 ANGRY, LIKE A CRIME OF PASSION? 756 00:30:12,458 --> 00:30:14,250 USUALLY THE CASE WITH STABBINGS VERSUS SHOOTINGS. 757 00:30:14,333 --> 00:30:16,125 MORE PERSONAL. 758 00:30:16,208 --> 00:30:17,542 BUT ODDLY, 759 00:30:17,625 --> 00:30:20,000 IT LOOKED LIKE THE BODY HAD BEEN THOROUGHLY WASHED DOWN 760 00:30:20,083 --> 00:30:21,500 AFTERWARD. 761 00:30:21,583 --> 00:30:25,458 I DID SMELL SOME TYPE OF BLEACH OR SOMETHING CLOSE TO IT, 762 00:30:25,542 --> 00:30:27,041 MAYBE HAND SANITIZER. 763 00:30:27,125 --> 00:30:28,333 WITH THE IRRITATION TO THE SKIN, 764 00:30:28,417 --> 00:30:29,875 I'D GUESS THE CLEANER 765 00:30:29,959 --> 00:30:31,834 WAS SOMETHING A LITTLE MORE HEAVY DUTY, 766 00:30:31,917 --> 00:30:34,291 LIKE AN INDUSTRIAL CLEANER. 767 00:30:34,375 --> 00:30:36,333 BUT I HAVE TO ASK, 768 00:30:36,417 --> 00:30:39,875 WHAT LED YOU TO THIS CHISEL CONCLUSION? 769 00:30:39,959 --> 00:30:42,792 A SOUND ON A RECORDING. 770 00:30:42,875 --> 00:30:44,875 THANKS FOR COMING, FRANK. 771 00:30:44,959 --> 00:30:46,500 WELL, LUNCH IS ALWAYS BETTER WHEN IT'S FREE. 772 00:30:46,583 --> 00:30:48,333 THANK YOU. 773 00:30:48,417 --> 00:30:50,583 SO, WHO ARE YOU THINKING? 774 00:30:50,667 --> 00:30:52,583 WELL, AT THIS POINT, IT COULD BE ANYONE. 775 00:30:52,667 --> 00:30:55,083 I MEAN, IF WE LOOK AT THE WIFE MAE, 776 00:30:55,166 --> 00:30:57,417 SHE HAS NOTHING BUT FOOD AND GAS RECEIPTS 777 00:30:57,500 --> 00:31:00,917 TO PROVE HER ROAD-TRIP ALIBI THAT DAY, 778 00:31:01,000 --> 00:31:02,834 AND WITH THE TIME GAPS IN BETWEEN... 779 00:31:02,917 --> 00:31:04,458 SHE STILL COULD'VE DONE IT. 780 00:31:04,542 --> 00:31:05,667 MM-HMM, ADD TO THE FACT 781 00:31:05,750 --> 00:31:06,875 THAT SHE NEVER REPORTED HIM MISSING, 782 00:31:06,959 --> 00:31:08,208 AND BASICALLY IT SEEMS LIKE 783 00:31:08,291 --> 00:31:10,417 SHE'S SELLING OFF EVERYTHING THEY OWNED TOGETHER, 784 00:31:10,500 --> 00:31:11,417 PRETTY QUICKLY. 785 00:31:11,500 --> 00:31:13,041 WHEN I FIRST MET HER, 786 00:31:13,125 --> 00:31:15,417 SHE SAID SHE'D BEEN SELLING MONTHS BEFORE HIS DEATH, THOUGH. 787 00:31:15,500 --> 00:31:17,834 DOWNSIZING. 788 00:31:17,917 --> 00:31:20,750 YOU MENTIONED SOMETHING ABOUT VEDDERS' MALE PATIENT 789 00:31:20,834 --> 00:31:21,709 AT THE COMMUNITY CENTER? 790 00:31:24,834 --> 00:31:25,709 IS THIS THE GUY? 791 00:31:25,792 --> 00:31:27,083 YES. 792 00:31:27,166 --> 00:31:29,083 I SAW HIM ON THE SURVEILLANCE FOOTAGE. 793 00:31:29,166 --> 00:31:31,291 HE WENT AFTER VEDDERS, ANGRILY. 794 00:31:31,375 --> 00:31:33,542 I'LL HEAD OVER THERE AND CHECK IT OUT MYSELF. 795 00:31:33,625 --> 00:31:34,583 WHO IS HE? 796 00:31:34,667 --> 00:31:35,750 CHRIS SUDON. WIDOWED. 797 00:31:35,834 --> 00:31:38,542 HE'S A GENIUS HANDS-ON TEXTILE ENGINEER. 798 00:31:38,625 --> 00:31:40,458 WHAT DOES THAT MEAN? 799 00:31:40,542 --> 00:31:43,834 HE DEVELOPS PLASTICS AND FABRICATING MACHINES. 800 00:31:43,917 --> 00:31:46,250 THAT'S HOW HIS BOSS DESCRIBES IT, AT LEAST. 801 00:31:47,583 --> 00:31:49,375 SO HE WOULD HAVE ACCESS 802 00:31:49,458 --> 00:31:51,875 TO INDUSTRIAL CLEANERS WE WOULDN'T. 803 00:31:51,959 --> 00:31:53,417 TRAMMEL SAID 804 00:31:53,500 --> 00:31:55,709 THE BODY WAS WIPED DOWN WITH SOME TYPE OF CLEANING CHEMICAL. 805 00:31:55,792 --> 00:31:57,959 I KNOW. 806 00:31:58,041 --> 00:32:00,000 HE DOES HAVE A PREVIOUS ASSAULT CHARGE, 807 00:32:00,083 --> 00:32:02,000 AND CURRENTLY, 808 00:32:02,083 --> 00:32:04,792 I'M HAVING SERIOUS PROBLEMS LOCATING THIS GUY. 809 00:32:04,875 --> 00:32:06,166 HE HAS ZERO PAPER TRAILS, 810 00:32:06,250 --> 00:32:08,125 ONLINE OR OTHERWISE. 811 00:32:08,208 --> 00:32:10,458 HE EVEN GETS HIS MAIL DELIVERED TO A P.O. BOX. 812 00:32:10,542 --> 00:32:12,000 ASIDE FROM THAT, 813 00:32:12,083 --> 00:32:13,709 I SAW DEB, 814 00:32:13,792 --> 00:32:16,750 SHE HAD THESE FRESH SCRATCHES ON HER HANDS, 815 00:32:16,834 --> 00:32:19,208 MAYBE FROM A STRUGGLE. 816 00:32:19,291 --> 00:32:20,291 ALL RIGHT, SURE, 817 00:32:20,375 --> 00:32:21,667 DEB'S BLOG PAGES WERE AT AN APARTMENT 818 00:32:21,750 --> 00:32:23,875 WHERE A BODY TURNS UP. 819 00:32:23,959 --> 00:32:26,125 YOU KNOW, THE PLACE WAS PAID FOR IN CASH, 820 00:32:26,208 --> 00:32:27,500 IT'S ALL THE MAKINGS OF A LOVE NEST, 821 00:32:27,583 --> 00:32:29,583 I GET IT. 822 00:32:29,667 --> 00:32:33,458 BUT THERE'S ONE MORE THING THAT IS STARTING TO CONCERN ME. 823 00:32:35,125 --> 00:32:36,208 KENDAHL HARTMAN, 824 00:32:36,291 --> 00:32:37,417 SHE'S ONE OF THE GROUP MEMBERS. 825 00:32:37,500 --> 00:32:38,625 SHE WAS LAST SEEN 826 00:32:38,709 --> 00:32:40,583 THE DAY DR. VEDDERS RETIRED. 827 00:32:40,667 --> 00:32:42,500 MAYBE ON THE RUN, 828 00:32:42,583 --> 00:32:44,583 OR ANOTHER VICTIM. 829 00:32:44,667 --> 00:32:46,834 WHY THE MUGSHOT? 830 00:32:46,917 --> 00:32:50,208 SHE'D HAD A RESTRAINING ORDER PUT AGAINST HER BY AN EX. 831 00:32:50,291 --> 00:32:53,333 SHE STILL HAS A PATTERN OF UNHEALTHY RELATIONSHIPS 832 00:32:53,417 --> 00:32:54,291 ACCORDING TO HER MOTHER. 833 00:32:54,375 --> 00:32:55,875 SO, ONE WITH A MARRIED MAN 834 00:32:55,959 --> 00:32:57,709 WOULD DEFINITELY FALL INTO THAT CATEGORY. 835 00:32:57,792 --> 00:32:59,000 MM-HMM. 836 00:32:59,083 --> 00:33:01,417 AND I WAS TOLD THAT SHE'S THE OUTDOORSY TYPE, 837 00:33:01,500 --> 00:33:04,542 SO SHE FREQUENTLY TAKES CAMPING, HIKING TRIPS. 838 00:33:04,625 --> 00:33:06,709 BUT AFTER MY VISIT, 839 00:33:06,792 --> 00:33:09,000 HER MOTHER FILED A MISSING PERSON'S REPORT. 840 00:33:09,083 --> 00:33:11,000 THAT REEL-TO-REEL RECORDER... 841 00:33:11,083 --> 00:33:12,166 VEDDERS HAS A HOUSE, 842 00:33:12,250 --> 00:33:13,709 BUT HE GETS IT DELIVERED TO THE APARTMENT. 843 00:33:13,792 --> 00:33:14,834 WHY? 844 00:33:14,917 --> 00:33:16,333 NONE OF HIS OTHER THINGS WERE THERE. 845 00:33:16,417 --> 00:33:17,375 IT'S PROBABLY A LOT CHEAPER 846 00:33:17,458 --> 00:33:18,208 TO GET IT DELIVERED TO THE APARTMENT 847 00:33:18,291 --> 00:33:19,542 THAN ALL THE WAY UPSTATE. 848 00:33:19,625 --> 00:33:21,125 SO HE GOES TO THE APARTMENT THE DAY HE RETIRED, 849 00:33:21,208 --> 00:33:22,208 AND THEN HE GOES HOME. 850 00:33:23,333 --> 00:33:25,333 LOOKS THAT WAY. 851 00:33:26,792 --> 00:33:28,750 SO NOW, WITH EVERYONE A SUSPECT... 852 00:33:28,834 --> 00:33:31,667 WE'RE KIND OF BACK AT THE BEGINNING OF EVERYTHING. 853 00:33:31,750 --> 00:33:33,959 YEAH, WELL, THAT'S JUST LIKE ME. 854 00:33:34,041 --> 00:33:36,000 YOU KNOW MY VISION-BOARD WAS PRACTICALLY BLANK? 855 00:33:36,083 --> 00:33:37,250 IT REALLY MADE ME THINK 856 00:33:37,333 --> 00:33:38,834 I NEED SOME KIND OF DIRECTION IN MY LIFE. 857 00:33:38,917 --> 00:33:41,208 LIKE A BUCKET LIST OR SOMETHING. 858 00:33:41,291 --> 00:33:44,750 YOU KNOW, I'VE ALWAYS WANTED TO TRY THAT ADVENTURE ZIPLINING. 859 00:33:44,834 --> 00:33:45,959 YOU SHOULD COME WITH ME. 860 00:33:46,041 --> 00:33:47,417 IF YOU WANT SOMETHING DIFFERENT, 861 00:33:47,500 --> 00:33:49,166 YOU MUST DO SOMETHING DIFFERENT. 862 00:33:49,250 --> 00:33:50,667 BUT I WAS JUST... 863 00:33:50,750 --> 00:33:51,625 HEADED OUT. 864 00:33:51,709 --> 00:33:52,792 OH? 865 00:33:52,875 --> 00:33:53,750 YOU KNOW, I CALLED DR. VEDDERS' WIFE, 866 00:33:53,834 --> 00:33:55,250 WHERE WE BOUGHT THE RECORDER. 867 00:33:55,333 --> 00:33:56,667 I THOUGHT I MIGHT DRIVE UP THERE, 868 00:33:56,750 --> 00:33:58,083 AND SEE WHAT OTHER HIDDEN GEMS SHE HAS. 869 00:33:58,166 --> 00:33:59,333 OH. 870 00:33:59,417 --> 00:34:00,959 YOU KNOW, WE BOTH KNOW YOU'RE NOT GOING THERE 871 00:34:01,041 --> 00:34:02,417 FOR THE ANTIQUES. 872 00:34:02,500 --> 00:34:04,500 TRUE. 873 00:34:04,583 --> 00:34:08,542 BUT I DO ENJOY A GOOD COUNTRY DRIVE. 874 00:34:08,625 --> 00:34:09,583 OKAY, I BUY THAT. 875 00:34:09,667 --> 00:34:10,583 I'LL SEE YOU LATER. 876 00:34:17,917 --> 00:34:20,375 [TAPE MEASURE RATTLING] 877 00:34:20,458 --> 00:34:21,667 HEY, CHECK IT OUT. 878 00:34:21,750 --> 00:34:22,709 I FOUND THIS OLD POPCORN MACHINE 879 00:34:22,792 --> 00:34:24,458 FOR SALE IN ADLINGROVE. 880 00:34:24,542 --> 00:34:25,625 IT'S PERFECT, 881 00:34:25,709 --> 00:34:27,291 IT'LL TOTALLY ADD TO THE THEATER THEME. 882 00:34:27,375 --> 00:34:29,041 WELL, SINCE WE'RE BUILDING THE ENTERTAINMENT UNIT BY HAND, 883 00:34:29,125 --> 00:34:30,166 WE'RE GONNA NEED SOME LUMBER. 884 00:34:30,250 --> 00:34:31,917 WE CAN PICK UP THE MACHINE ON THE WAY HOME. 885 00:34:32,000 --> 00:34:33,667 YEAH, THAT'D BE GREAT. 886 00:34:33,750 --> 00:34:35,000 HERE, TAKE THIS. 887 00:34:36,125 --> 00:34:36,959 TOP CORNER. 888 00:34:38,500 --> 00:34:39,458 ALL THE WAY? 889 00:34:39,542 --> 00:34:41,041 ALL THE WAY UP, YEAH. 890 00:34:41,125 --> 00:34:42,583 YOU KNOW, 891 00:34:42,667 --> 00:34:44,709 WHEN I WAS YOUR AGE, 892 00:34:44,792 --> 00:34:47,083 YOUR GRANDPA, HE ALWAYS HAD TWO PROJECTS ON THE GO, 893 00:34:47,166 --> 00:34:49,417 AND HE WAS ALWAYS ROPING ME IN. 894 00:34:49,500 --> 00:34:51,834 ALL I WANTED TO DO WAS HANG OUT WITH MY FRIENDS. 895 00:34:51,917 --> 00:34:54,000 THAT SOUNDS VAGUELY FAMILIAR. 896 00:34:54,083 --> 00:34:55,041 YEAH, YEAH. 897 00:34:55,125 --> 00:34:56,875 [CHUCKLING] 898 00:34:56,959 --> 00:34:59,083 SOMETIMES, I WISH I COULD GO BACK IN TIME, 899 00:34:59,166 --> 00:35:01,250 NOT TO CHANGE ANYTHING, BUT... 900 00:35:01,333 --> 00:35:03,583 JUST TO LIVE IN THOSE MOMENTS A LITTLE LONGER. 901 00:35:03,667 --> 00:35:05,667 NAH, I TOTALLY GET YOU. 902 00:35:05,750 --> 00:35:07,458 ALL RIGHT, LET'S GO GET THE STUFF. 903 00:35:09,166 --> 00:35:10,583 LET'S SEE THAT MACHINE AGAIN. 904 00:35:10,667 --> 00:35:12,291 HERE, CHECK IT OUT. 905 00:35:12,375 --> 00:35:13,917 YOU KNOW WHAT-- I LOVE POPCORN. 906 00:35:14,000 --> 00:35:16,208 YOU KNOW WHO LOVES IT MORE? FRANK. 907 00:35:16,291 --> 00:35:18,750 SO HE'S GONNA BE HERE A LOT-- A LOT MORE THAN HE USUALLY IS. 908 00:35:33,208 --> 00:35:35,792 [PRESSURE HOSE HISSING] 909 00:35:40,625 --> 00:35:42,083 [WHOOSHING AND SPLASHING] 910 00:35:42,166 --> 00:35:44,709 MAE? 911 00:35:45,667 --> 00:35:47,166 MAE! 912 00:35:47,250 --> 00:35:49,375 OH, UH... HI. 913 00:35:49,458 --> 00:35:50,583 HI, JENN. 914 00:35:50,667 --> 00:35:52,417 I'M SORRY, I DIDN'T MEAN TO STARTLE YOU. 915 00:35:52,500 --> 00:35:53,667 NO, IT'S, UM... 916 00:35:53,750 --> 00:35:55,542 IT'S JUST ME, I'M A LITTLE BIT ON EDGE. 917 00:35:55,625 --> 00:35:58,208 I'M JUST TRYING TO KEEP BUSY. 918 00:36:00,250 --> 00:36:01,834 UM, DO YOU, UH... 919 00:36:01,917 --> 00:36:02,750 SHOULD WE GO INSIDE? 920 00:36:02,834 --> 00:36:04,208 SURE. 921 00:36:04,291 --> 00:36:05,834 GREAT. 922 00:36:09,083 --> 00:36:09,917 PLEASE COME IN. 923 00:36:10,000 --> 00:36:11,959 THANK YOU. 924 00:36:13,834 --> 00:36:17,125 IS THAT AN 18TH-CENTURY PRUSSIAN PLATE? 925 00:36:17,208 --> 00:36:20,000 I DON'T KNOW, YOU TELL ME. 926 00:36:20,083 --> 00:36:22,500 COULD BE 1750 OR 1755. 927 00:36:22,583 --> 00:36:24,291 WHY, IS IT WORTH SOMETHING? 928 00:36:24,375 --> 00:36:25,250 IF IT'S REAL, 929 00:36:25,333 --> 00:36:27,458 IT COULD BE WORTH $185,000. 930 00:36:27,542 --> 00:36:28,417 WOW. 931 00:36:28,500 --> 00:36:29,417 [CHUCKLES IN DISBELIEF] 932 00:36:29,500 --> 00:36:31,250 OKAY, WELL, PLEASE KEEP LOOKING. 933 00:36:32,458 --> 00:36:35,041 OH. NO, IT'S AN ANNIVERSARY REPLICA, 934 00:36:35,125 --> 00:36:36,500 BUT IT STILL COULD BE WORTH SOMETHING. 935 00:36:36,583 --> 00:36:38,000 OKAY, WELL, I'LL TAKE WHAT I CAN GET. 936 00:36:38,083 --> 00:36:38,834 WOULD YOU LIKE TEA? 937 00:36:38,917 --> 00:36:39,792 PLEASE. 938 00:37:24,834 --> 00:37:26,834 MILK AND SUGAR? 939 00:37:26,917 --> 00:37:28,709 PLEASE! 940 00:37:37,041 --> 00:37:38,834 BISCUITS? 941 00:37:38,917 --> 00:37:40,417 THAT WOULD BE LOVELY. 942 00:37:41,625 --> 00:37:43,291 [CAMERA APP SNAPS] 943 00:37:43,375 --> 00:37:45,000 [FOOTSTEPS APPROACH] 944 00:37:46,792 --> 00:37:47,625 SHALL WE SIT? 945 00:37:48,750 --> 00:37:50,166 OH. THANK YOU. 946 00:37:52,291 --> 00:37:55,709 I WAS SORRY TO HEAR ABOUT DR. VEDDERS' PASSING. 947 00:37:58,166 --> 00:37:59,291 EXCUSE ME? 948 00:37:59,375 --> 00:38:01,291 HIS PASSING. 949 00:38:01,375 --> 00:38:03,041 I'M SORRY, 950 00:38:03,125 --> 00:38:04,375 I SHOULDN'T PRY. 951 00:38:04,458 --> 00:38:07,083 I DIDN'T SAY ANYTHING ABOUT ANYBODY PASSING. 952 00:38:07,166 --> 00:38:08,875 I-I... 953 00:38:08,959 --> 00:38:10,625 I MUST HAVE READ ABOUT IT IN THE NEWSPAPER. 954 00:38:10,709 --> 00:38:12,000 NO, YOU DIDN'T. 955 00:38:12,083 --> 00:38:14,792 WE DIDN'T REPORT IT TO THE NEWSPAPERS. 956 00:38:16,000 --> 00:38:17,291 OH... 957 00:38:17,375 --> 00:38:19,125 [CHUCKLES MIRTHLESSLY] 958 00:38:19,208 --> 00:38:22,625 YOU'RE NOT HERE JUST FOR THE ANTIQUES, ARE YOU? 959 00:38:22,709 --> 00:38:24,291 I DIDN'T KILL MY HUSBAND. 960 00:38:24,375 --> 00:38:26,083 WE HAD PROBLEMS, BUT THEY WERE FIXABLE. 961 00:38:27,542 --> 00:38:28,583 NOW, I DON'T KNOW WHICH ONE OF THEM DID IT, 962 00:38:28,667 --> 00:38:29,959 BUT IF YOU'RE LOOKING TO BLAME SOMEBODY, 963 00:38:30,041 --> 00:38:31,625 GO AND TALK TO THE GIRLS IN THE GROUP. 964 00:38:31,709 --> 00:38:32,792 THEY WERE ALL AFTER HIM, 965 00:38:32,875 --> 00:38:33,875 ONE WAY OR ANOTHER. 966 00:38:43,125 --> 00:38:45,583 HAVE A NICE DAY, MRS. SHANNON. 967 00:38:53,000 --> 00:38:54,083 [SIGHS, SCOFFING] 968 00:39:02,834 --> 00:39:04,625 HEY, FRANK. 969 00:39:04,709 --> 00:39:05,709 I DIDN'T HEAR BACK, 970 00:39:05,792 --> 00:39:06,917 I WANTED TO MAKE SURE 971 00:39:07,000 --> 00:39:08,250 YOU GOT THE PICTURE OF THE CHISEL I SENT YOU. 972 00:39:08,333 --> 00:39:09,291 SURE DID. 973 00:39:09,375 --> 00:39:10,583 WE ALSO STOPPED AT MAE'S 974 00:39:10,667 --> 00:39:11,959 AND RETRIEVED THE ACTUAL CHISEL. 975 00:39:12,041 --> 00:39:13,792 IT APPEARS IT HAS BLOOD STAINS. 976 00:39:13,875 --> 00:39:16,417 JUST SENT IT OUT FOR TESTING. 977 00:39:16,500 --> 00:39:17,792 HOW'D YOU KNOW IT WAS A CHISEL? 978 00:39:18,959 --> 00:39:21,125 OH... EDUCATED GUESS. 979 00:39:21,208 --> 00:39:22,291 TRAMMEL? 980 00:39:23,625 --> 00:39:26,125 WE MIGHT'VE BOUNCED SOME THINGS BACK AND FORTH. 981 00:39:26,208 --> 00:39:27,250 MM-HMM. 982 00:39:27,333 --> 00:39:28,333 SO THE KILLER DROPS THE WEAPON IN A PANIC, 983 00:39:28,417 --> 00:39:30,417 AND CAN'T GET IT OUT OF THE FLOOR VENT. 984 00:39:30,500 --> 00:39:32,417 MAE THINKS IT'S SOMEONE IN THE GROUP, 985 00:39:32,500 --> 00:39:34,709 THAT THERE'S SOME TYPE OF AFFAIR. 986 00:39:34,792 --> 00:39:36,500 DID YOU FIND DEB? 987 00:39:36,583 --> 00:39:37,625 DEB IS IN CUSTODY. 988 00:39:37,709 --> 00:39:39,542 I WAS JUST GOING TO SPEAK TO HER NOW. 989 00:39:39,625 --> 00:39:40,792 NICE WORK. 990 00:39:41,917 --> 00:39:43,500 ANYTHING ELSE? 991 00:39:43,583 --> 00:39:46,542 I'LL LET YOU FOCUS ON ONE SUSPECT AT A TIME. 992 00:39:47,625 --> 00:39:48,667 GOOD. 993 00:39:51,834 --> 00:39:53,208 LIKE I SAID, I HAD AN ART CLASS 994 00:39:53,291 --> 00:39:54,333 AND THEN A DATE AFTER. 995 00:39:54,417 --> 00:39:56,083 HE'LL CONFIRM. 996 00:39:56,166 --> 00:39:57,417 HE DID. 997 00:40:01,208 --> 00:40:03,417 ARE THOSE SCARS ON YOUR HAND? 998 00:40:03,500 --> 00:40:06,834 YEAH, IT'S JUST A NERVOUS OCD THING. 999 00:40:06,917 --> 00:40:09,000 GETS BAD WHEN I'M EXTRA STRESSED. 1000 00:40:10,625 --> 00:40:11,291 YOU EVER SEEN ONE OF THESE? 1001 00:40:13,208 --> 00:40:14,166 IN CLASS. 1002 00:40:14,250 --> 00:40:15,834 WHY? 1003 00:40:15,917 --> 00:40:16,917 THAT WAS FOUND AT DR. VEDDERS' HOME OFFICE 1004 00:40:17,000 --> 00:40:17,917 WITH BLOOD ON IT. 1005 00:40:19,750 --> 00:40:21,458 WELL, THAT'S SOMEONE TRYING TO FRAME ME. 1006 00:40:21,542 --> 00:40:22,500 YOU CAN GET A CHISEL ANYWHERE. 1007 00:40:23,875 --> 00:40:25,792 ANY IDEA WHY MRS. VEDDERS WOULD THINK 1008 00:40:25,875 --> 00:40:26,959 EITHER YOU OR KENDAHL 1009 00:40:27,041 --> 00:40:29,458 WAS HAVING AN AFFAIR WITH HER HUSBAND? 1010 00:40:29,542 --> 00:40:31,750 HE WAS LIKE A FATHER FIGURE TO US. 1011 00:40:31,834 --> 00:40:34,250 THERE WAS NEVER ANYTHING LIKE THAT. 1012 00:40:37,625 --> 00:40:38,542 YES? 1013 00:40:38,625 --> 00:40:39,625 IT'S NOTHING. 1014 00:40:39,709 --> 00:40:41,667 I DON'T KNOW. 1015 00:40:41,750 --> 00:40:43,041 I DID SEE DR. VEDDERS 1016 00:40:43,125 --> 00:40:44,250 AND KENDAHL, 1017 00:40:44,333 --> 00:40:45,458 THAT DAY THAT HE RETIRED, 1018 00:40:45,542 --> 00:40:48,375 IN THE COMMUNITY CENTER PARKING LOT. 1019 00:40:48,458 --> 00:40:50,166 HE PASSED HER A NOTE, 1020 00:40:50,250 --> 00:40:52,917 BUT I JUST FIGURED IT WAS ADVICE OR SOMETHING. 1021 00:40:53,000 --> 00:40:54,375 HE ALWAYS HAD THESE MANTRAS. 1022 00:40:54,458 --> 00:40:55,458 BUT THEN... 1023 00:40:55,542 --> 00:40:57,542 THEN...? 1024 00:40:57,625 --> 00:41:00,583 WELL, THEN IT WAS ALMOST LIKE THEY LEFT TOGETHER. 1025 00:41:00,667 --> 00:41:03,041 LIKE SHE FOLLOWED HIM. 1026 00:41:03,125 --> 00:41:05,542 LIKE THEY WERE GOING SOMEWHERE TOGETHER? 1027 00:41:06,667 --> 00:41:07,583 WHERE? 1028 00:41:07,667 --> 00:41:10,083 I HAVE NO CLUE. 1029 00:41:10,166 --> 00:41:12,041 BUT I DO KNOW THAT KENDAHL'S A SWEETHEART. 1030 00:41:12,125 --> 00:41:12,834 SHE'S NOT A KILLER. 1031 00:41:12,917 --> 00:41:14,583 ALL RIGHT. 1032 00:41:14,667 --> 00:41:16,500 BUT HUMOR ME, 1033 00:41:16,583 --> 00:41:19,458 IF IT ISN'T YOU OR KENDAHL, 1034 00:41:19,542 --> 00:41:23,000 WHO IS IT? 1035 00:41:23,083 --> 00:41:25,166 IF I WERE TO GUESS, 1036 00:41:25,250 --> 00:41:28,000 I'D SAY A JEALOUS WIFE'S A DANGEROUS THING. 1037 00:41:29,333 --> 00:41:30,917 THANKS FOR COMING IN. 1038 00:41:31,000 --> 00:41:32,250 IT'S NOT LIKE WE HAVE THE BEST, 1039 00:41:32,333 --> 00:41:33,792 OR ANY TECH DEPARTMENT. 1040 00:41:33,875 --> 00:41:35,291 NO PROBLEM. 1041 00:41:35,375 --> 00:41:37,417 MY LIFE DOESN'T USUALLY RUN AT THIS LEVEL OF EXCITEMENT, 1042 00:41:37,500 --> 00:41:40,208 SO IT'S FUN FOR ME TO-- 1043 00:41:40,291 --> 00:41:41,792 [RECORDING OF RUNNING FOOTSTEPS] 1044 00:41:41,875 --> 00:41:43,333 [VEDDERS PANTING IN FEAR] 1045 00:41:43,417 --> 00:41:45,125 SOMEONE'S TRYING TO KILL ME! 1046 00:41:45,208 --> 00:41:46,083 NO... 1047 00:41:46,166 --> 00:41:47,625 NO, PLEASE. 1048 00:41:47,709 --> 00:41:49,083 [MUFFLED BLOWS AND BODY SLUMPING] 1049 00:41:49,166 --> 00:41:50,709 [CLATTER OF TOOL DROPPING, VOICE WHISPERING] 1050 00:41:50,792 --> 00:41:51,750 CAN YOU REWIND THAT? 1051 00:41:51,834 --> 00:41:52,709 PLAY IT AGAIN. 1052 00:41:52,792 --> 00:41:54,375 JUST MAKE IT A LITTLE LOUDER. 1053 00:41:54,458 --> 00:41:56,417 HANG ON. 1054 00:41:57,834 --> 00:42:00,208 [VOICE WHISPERING] 1055 00:42:00,291 --> 00:42:01,542 THOSE ARE WHISPERS. 1056 00:42:01,625 --> 00:42:03,583 IS THERE ANY WAY YOU CAN AMPLIFY THAT LAST SOUND? 1057 00:42:03,667 --> 00:42:04,417 [CLICKS MACHINE OFF] 1058 00:42:04,500 --> 00:42:06,709 IF I HAD A DIGITAL RECORDING. 1059 00:42:06,792 --> 00:42:08,417 -CAN YOU MAKE ONE? -YEAH, ABSOLUTELY. 1060 00:42:08,500 --> 00:42:09,458 IS IT JUST ME, 1061 00:42:09,542 --> 00:42:10,583 OR DOES THAT SOUND LIKE 1062 00:42:10,667 --> 00:42:11,208 A MAN'S VOICE OTHER THAN DR. VEDDERS' 1063 00:42:11,291 --> 00:42:12,166 AT THE END? 1064 00:42:12,250 --> 00:42:14,333 YEAH, I THINK THAT'S WHAT IT IS. 1065 00:42:14,417 --> 00:42:16,375 ANY WAY YOU CAN TELL? 1066 00:42:16,458 --> 00:42:17,875 WELL, I'LL SEE WHAT I CAN DO. 1067 00:42:19,917 --> 00:42:21,083 [SIGHS HEAVILY] 1068 00:42:21,166 --> 00:42:24,125 WE'VE BEEN FOCUSING ON THREE FEMALE SUSPECTS. 1069 00:42:24,250 --> 00:42:27,041 MAYBE IT'S JUST ONE MAN. 1070 00:42:32,875 --> 00:42:33,917 [ENTRY BELL JINGLES] 1071 00:42:34,000 --> 00:42:35,333 HI! 1072 00:42:35,417 --> 00:42:36,667 HOW DID ZIPLINING GO? 1073 00:42:36,750 --> 00:42:37,625 GONE. 1074 00:42:37,709 --> 00:42:38,834 WAY GONE. 1075 00:42:38,917 --> 00:42:40,583 OH, WAIT, GONE AS IN NOT HAPPENING? 1076 00:42:40,667 --> 00:42:43,291 NO, I COULDN'T EVEN CLICK "CONFIRM PAYMENT" ON THE SITE. 1077 00:42:43,375 --> 00:42:45,041 HOW ARE THINGS GOING WITH YOU? 1078 00:42:45,125 --> 00:42:46,208 OH, GOOD. 1079 00:42:46,291 --> 00:42:47,750 I WAS JUST READING DEB MACBETH'S BLOG. 1080 00:42:47,834 --> 00:42:49,583 THE CUTS ON HER HANDS, SHE'S HAD THEM BEFORE. 1081 00:42:49,667 --> 00:42:51,500 MOST LIKELY FROM OVERWASHING 1082 00:42:51,583 --> 00:42:53,000 IN TIMES OF OCD STRESS, 1083 00:42:53,083 --> 00:42:54,917 AND SHE JUST RECENTLY STARTED DATING 1084 00:42:55,000 --> 00:42:56,500 AFTER A BAD BREAKUP. 1085 00:42:56,583 --> 00:42:57,667 I WAS THINKING, 1086 00:42:57,750 --> 00:43:00,041 MAYBE THAT LITERALLY OPENED OLD WOUNDS, 1087 00:43:00,125 --> 00:43:02,583 COUPLED WITH DR. VEDDERS, HER SUPPORT SYSTEM, LEAVING. 1088 00:43:02,667 --> 00:43:04,333 SO IT COULD STILL BE THE WIFE? 1089 00:43:04,417 --> 00:43:05,166 POSSIBLY. 1090 00:43:05,250 --> 00:43:06,375 BUT FRANK CALLED 1091 00:43:06,458 --> 00:43:07,959 AND THERE'S A MALE VOICE ON THE RECORDING, 1092 00:43:08,041 --> 00:43:09,792 PRESUMABLY THE KILLER. 1093 00:43:09,875 --> 00:43:11,125 MAYBE TWO KILLERS? 1094 00:43:11,208 --> 00:43:12,458 COULD BE, 1095 00:43:12,542 --> 00:43:15,000 BUT A CRIME OF PASSION, IT FEELS LIKE... ONE. 1096 00:43:15,083 --> 00:43:16,291 I DON'T KNOW. 1097 00:43:16,375 --> 00:43:17,667 SO ZIPLINING, 1098 00:43:17,750 --> 00:43:19,792 NOT THE LIFE DIRECTION YOU WERE LOOKING FOR? 1099 00:43:19,875 --> 00:43:22,291 NO, BECAUSE I WAS LOOKING FOR A LIFE DIRECTION, 1100 00:43:22,375 --> 00:43:24,834 NOT A DEATH DIRECTION. 1101 00:43:24,917 --> 00:43:26,667 THE GUIDE ON THE SITE WAS CUTE, THOUGH. 1102 00:43:26,750 --> 00:43:28,375 WELL, THAT'S A PLUS. 1103 00:43:28,458 --> 00:43:30,375 YOU KNOW, IF ONLY YOU COULD FIND A WAY 1104 00:43:30,458 --> 00:43:31,959 OF COMBINING THE THOUGHT OF THE THRILL RIDE 1105 00:43:32,041 --> 00:43:33,375 WITH THE ACTUAL DATING RIDE. 1106 00:43:33,458 --> 00:43:35,041 IT'S FUNNY YOU SHOULD SAY THAT. 1107 00:43:35,125 --> 00:43:37,250 LOOK AT THIS. 1108 00:43:37,333 --> 00:43:38,834 30-SECOND SPEED-DATING? 1109 00:43:38,917 --> 00:43:41,291 IF YOU DON'T LIKE 'EM, WAIT 30 SECONDS. 1110 00:43:41,375 --> 00:43:44,375 HUH, THAT'S VERY EFFICIENT. 1111 00:43:44,458 --> 00:43:46,083 HMM, 1112 00:43:46,166 --> 00:43:48,417 I WONDER IF "K.H." IS KENDAHL HARTMAN? 1113 00:43:48,500 --> 00:43:50,750 THAT'S THE STALKER WOMAN FROM THE GROUP, RIGHT? 1114 00:43:50,834 --> 00:43:52,834 IT IS. 1115 00:43:52,917 --> 00:43:54,834 HMM, "PAGE NOT FOUND." 1116 00:44:00,583 --> 00:44:02,000 [CALL RINGING] 1117 00:44:02,083 --> 00:44:03,250 HEY, WHAT'S UP, MOM? 1118 00:44:03,333 --> 00:44:05,500 LOGAN, UM... CAN YOU FIND ANY ONLINE INFO... 1119 00:44:05,583 --> 00:44:08,333 FOR A USER "KH1976"? 1120 00:44:08,417 --> 00:44:10,333 YEAH, YEAH, NO PROBLEM. 1121 00:44:10,417 --> 00:44:12,417 JUST HANG ON ONE SECOND, OKAY? 1122 00:44:30,041 --> 00:44:32,458 YEAH, THE PROFILE'S PRETTY LOCKED DOWN. 1123 00:44:32,542 --> 00:44:34,542 THERE HASN'T BEEN A POSTING IN ABOUT A WEEK OR SO. 1124 00:44:34,625 --> 00:44:36,333 BUT SOME OF THE PAST PUBLIC CHECK-INS 1125 00:44:36,417 --> 00:44:37,792 SHOW THE WOMAN FROM THAT PICTURE 1126 00:44:37,875 --> 00:44:40,375 UP AT EAGLE ROCK'S CAMPGROUND FAIRLY OFTEN. 1127 00:44:40,458 --> 00:44:42,500 YEAH, IT LOOKS LIKE SHE'S CONNECTED 1128 00:44:42,583 --> 00:44:44,500 TO HER OWN LANDSCAPE BUSINESS, TOO. 1129 00:44:44,583 --> 00:44:45,875 YEAH, I'LL SEND YOU A LINK, A NUMBER, 1130 00:44:45,959 --> 00:44:47,000 AND A SCREEN CAP, 'KAY? 1131 00:44:47,083 --> 00:44:48,041 OH, THANKS, SWEETIE. 1132 00:44:48,125 --> 00:44:50,000 YEAH, NO PROBLEM. SEE YA. 1133 00:44:50,083 --> 00:44:51,333 EVERYTHING OKAY WITH YOUR MOM? 1134 00:44:51,417 --> 00:44:52,625 YEAH, SHE'S FINE. 1135 00:44:52,709 --> 00:44:53,542 SHE JUST WANTED ME TO HELP HER WITH SOME INFO. 1136 00:44:53,625 --> 00:44:54,750 ALL RIGHT. 1137 00:44:54,834 --> 00:44:55,750 WELL, I NEED YOU TO HELP ME WITH THIS LUMBER. 1138 00:44:55,834 --> 00:44:57,709 ALL RIGHT. 1139 00:45:05,125 --> 00:45:06,333 "LOVE'S A GIFT 1140 00:45:06,417 --> 00:45:08,291 ALREADY DELIVERED BROKEN. 1141 00:45:08,375 --> 00:45:10,166 GOODBYE, DOC." 1142 00:45:10,250 --> 00:45:11,667 THAT SOUNDS CRYPTIC. 1143 00:45:11,750 --> 00:45:13,583 AND INCRIMINATING. 1144 00:45:14,834 --> 00:45:16,542 WHERE ARE YOU OFF TO? 1145 00:45:16,625 --> 00:45:17,750 I'M GOING CAMPING. 1146 00:45:17,834 --> 00:45:18,875 OH. 1147 00:45:18,959 --> 00:45:20,834 OBVIOUSLY. 1148 00:45:20,917 --> 00:45:24,333 FRANK, I THINK I MAY HAVE FOUND KENDAHL FROM THE GROUP. 1149 00:45:24,417 --> 00:45:26,542 I'M HEADED UP TO EAGLE ROCK TO CHECK IT OUT, 1150 00:45:26,625 --> 00:45:28,625 SO CALL ME, OR MEET ME UP THERE. 1151 00:45:33,625 --> 00:45:35,709 [CAR ENGINE STARTS] 1152 00:45:57,625 --> 00:46:01,166 [♪♪♪] 1153 00:46:25,625 --> 00:46:26,834 WOW! 1154 00:46:26,917 --> 00:46:28,000 IMPRESSIVE. 1155 00:46:28,083 --> 00:46:29,166 [CHUCKLES] 1156 00:46:29,250 --> 00:46:32,083 THE DIRECTIONS WERE CONFUSING AT FIRST... 1157 00:46:32,166 --> 00:46:33,542 BUT I GOT THE HANG OF IT. 1158 00:46:33,625 --> 00:46:34,625 WHAT ARE WE GONNA DO 1159 00:46:34,709 --> 00:46:37,750 WITH ALL THIS LUMBER? 1160 00:46:37,834 --> 00:46:38,709 WAIT... 1161 00:46:39,792 --> 00:46:41,000 I'VE GOT IT. 1162 00:46:42,959 --> 00:46:44,208 LEVELS. 1163 00:46:44,291 --> 00:46:45,917 WE CAN BUILD LEVELS, 1164 00:46:46,000 --> 00:46:46,875 JUST LIKE IN A REAL MOVIE THEATER. 1165 00:46:46,959 --> 00:46:47,875 I SEE IT, TOO. 1166 00:46:47,959 --> 00:46:49,333 YEAH, ME TOO. 1167 00:46:49,417 --> 00:46:50,583 WAIT, HOW? 1168 00:46:50,667 --> 00:46:51,542 WELL, WE'D NEED SOME MORE MATERIALS, 1169 00:46:51,625 --> 00:46:52,875 BUT... 1170 00:46:52,959 --> 00:46:53,834 IT'S DOABLE, RIGHT? 1171 00:46:53,917 --> 00:46:54,917 TOTALLY. 1172 00:46:55,000 --> 00:46:56,208 I'M SO PROUD OF YOU. 1173 00:46:56,291 --> 00:46:57,500 THANKS, DAD. 1174 00:46:57,583 --> 00:46:59,166 MOM'S GONNA LOVE THIS. 1175 00:47:09,792 --> 00:47:11,750 EXCUSE ME, 1176 00:47:11,834 --> 00:47:14,417 ARE YOU BY CHANCE KENDAHL HARTMAN? 1177 00:47:14,500 --> 00:47:15,417 UH, NO. 1178 00:47:21,333 --> 00:47:23,709 WELL, UH, THANK YOU, 1179 00:47:23,792 --> 00:47:25,000 I DIDN'T MEAN TO BOTHER YOU. 1180 00:47:32,875 --> 00:47:35,250 [KENDAHL'S CELL PHONE RINGS] 1181 00:47:37,583 --> 00:47:39,291 [SILENCES RINGING] 1182 00:47:39,375 --> 00:47:40,458 DO I KNOW YOU? 1183 00:47:40,542 --> 00:47:42,417 NO. 1184 00:47:42,500 --> 00:47:45,583 I'M HERE TO TALK TO YOU ABOUT DR. VEDDERS. 1185 00:47:45,667 --> 00:47:47,417 I DON'T KNOW IF YOU'VE HEARD, BUT HE PASSED AWAY. 1186 00:47:47,500 --> 00:47:50,208 WHAT? NO. 1187 00:47:50,291 --> 00:47:51,250 I'M SORRY. 1188 00:47:51,333 --> 00:47:52,208 I DON'T KNOW WHAT TO SAY... 1189 00:47:52,291 --> 00:47:54,291 WH-WHEN? 1190 00:47:54,375 --> 00:47:55,667 ABOUT A WEEK AGO. 1191 00:47:55,750 --> 00:47:57,625 THE DAY HE RETIRED, ACTUALLY. 1192 00:47:57,709 --> 00:47:59,250 HOW? 1193 00:47:59,333 --> 00:48:01,208 UH, A HEART ATTACK, OR AN ACCIDENT? 1194 00:48:01,291 --> 00:48:03,041 I'M AFRAID HE WAS MURDERED. 1195 00:48:03,125 --> 00:48:04,250 WHAT? 1196 00:48:04,333 --> 00:48:05,500 WHY? 1197 00:48:05,583 --> 00:48:06,542 I DON'T KNOW. 1198 00:48:06,625 --> 00:48:07,792 THE POLICE ARE TRYING TO FIND OUT. 1199 00:48:07,875 --> 00:48:09,041 I JUST THOUGHT YOU SHOULD KNOW. 1200 00:48:09,125 --> 00:48:10,542 I KNOW YOU TWO WERE CLOSE. 1201 00:48:10,625 --> 00:48:11,875 CLOSER THAN CLOSE. 1202 00:48:11,959 --> 00:48:14,166 I MEAN, IT WAS HARD ON ALL OF US WHEN HE LEFT. 1203 00:48:14,250 --> 00:48:17,125 KENDAHL, DID HE SAY ANYTHING ON THE DAY THAT HE LEFT? 1204 00:48:18,542 --> 00:48:19,417 HE WAS A GOOD A MAN. 1205 00:48:19,500 --> 00:48:20,291 HE WAS A GREAT MAN. 1206 00:48:20,375 --> 00:48:21,458 HE WAS JUST TRYING TO HELP ME. 1207 00:48:21,542 --> 00:48:23,750 I JUST ALWAYS DO THIS THING. 1208 00:48:23,834 --> 00:48:25,625 I-I PUT PEOPLE-- AND SPECIFICALLY MEN-- 1209 00:48:25,709 --> 00:48:27,834 IN THIS LIGHT, ON THIS PEDESTAL. 1210 00:48:27,917 --> 00:48:29,208 DOESN'T MATTER IF IT'S A TEACHER OR IF IT'S A BOYFRIEND. 1211 00:48:29,291 --> 00:48:30,792 I JUST GET REALLY, REALLY CLINGY. 1212 00:48:30,875 --> 00:48:32,542 IT'S OKAY. 1213 00:48:32,625 --> 00:48:34,291 I UNDERSTAND, IT'S HARD TO LET GO. 1214 00:48:34,375 --> 00:48:35,750 I LOVED HIM. 1215 00:48:37,000 --> 00:48:38,333 NO, NOT LIKE THAT. 1216 00:48:38,417 --> 00:48:39,792 I MEAN, LIKE A FATHER. 1217 00:48:39,875 --> 00:48:41,083 OTHER PEOPLE MAY HAVE THOUGHT 1218 00:48:41,166 --> 00:48:42,250 THAT IT WAS MORE THAN THAT, 1219 00:48:42,333 --> 00:48:43,667 BUT IT WAS NEVER, EVER MORE THAN THAT. 1220 00:48:44,792 --> 00:48:46,333 I UNDERSTAND. 1221 00:48:46,417 --> 00:48:49,125 I UNDERSTAND, YOU WERE SCARED OF LOSING A FRIEND AND A MENTOR. 1222 00:48:49,208 --> 00:48:51,041 I WAS SCARED OF MRS. VEDDERS. 1223 00:48:51,125 --> 00:48:52,625 WHY? 1224 00:48:52,709 --> 00:48:53,875 SHE THREATENED DEB AND I 1225 00:48:53,959 --> 00:48:55,917 TO STAY AWAY FROM HIM A COUPLE OF WEEKS AGO. 1226 00:48:56,000 --> 00:48:57,917 SHE WAS ANGRY AND SHE WAS HURT. 1227 00:48:58,000 --> 00:48:59,166 I GET IT, I WOULD HAVE BEEN ANGRY, TOO, 1228 00:48:59,250 --> 00:49:00,333 IF I THOUGHT SOMETHING ELSE WAS GOING ON. 1229 00:49:00,417 --> 00:49:02,500 ANGRY ENOUGH TO KILL HER HUSBAND? 1230 00:49:02,583 --> 00:49:04,750 ON THAT DAY? YEAH. 1231 00:49:04,834 --> 00:49:06,792 I DON'T KNOW IF I SHOULD BE TELLING YOU ANY OF THIS... 1232 00:49:07,917 --> 00:49:09,041 [QUIETLY] THERE IS SOMETHING ELSE... 1233 00:49:09,125 --> 00:49:10,500 THERE IS SOMEONE ELSE. 1234 00:49:10,583 --> 00:49:11,500 WHO? 1235 00:49:11,583 --> 00:49:12,542 I NEED TO GO. 1236 00:49:12,625 --> 00:49:13,834 WHY? 1237 00:49:13,917 --> 00:49:15,125 KENDAHL, IS SOMEONE AFTER YOU? 1238 00:49:15,208 --> 00:49:16,959 I NEED TO GO, AND YOU SHOULD, TOO-- 1239 00:49:17,041 --> 00:49:18,917 KENDAHL, LET ME CALL THE POLICE. 1240 00:49:19,000 --> 00:49:21,083 I CAN GET YOU PROTECTION, KEEP YOU SAFE. 1241 00:49:21,166 --> 00:49:22,792 IN FACT, I HAVE A FRIEND OF MINE, 1242 00:49:22,875 --> 00:49:24,333 WHO WILL BE HERE IN 20 MINUTES, HE'S A DETECTIVE, AND-- 1243 00:49:24,417 --> 00:49:25,333 KENDAHL! 1244 00:49:27,709 --> 00:49:28,750 [CELL PHONE VIBRATES] 1245 00:49:28,834 --> 00:49:29,750 JENN? 1246 00:49:29,834 --> 00:49:30,834 I WAS JUST CALLING YOU. 1247 00:49:30,917 --> 00:49:32,667 FRANK, I FOUND KENDAHL AT EAGLE ROCK. 1248 00:49:32,750 --> 00:49:34,709 I THINK SHE'S IN DANGER. 1249 00:49:37,083 --> 00:49:38,208 FRANK... 1250 00:49:38,291 --> 00:49:39,333 SOMEONE'S FOLLOWING HER, HURRY! 1251 00:49:39,417 --> 00:49:40,500 OKAY, I'M ON MY WAY, 1252 00:49:40,583 --> 00:49:42,500 BUT GET SOMEWHERE SAFE UNTIL I GET THERE. 1253 00:49:51,083 --> 00:49:52,500 [TWIG CRACKS AHEAD] 1254 00:49:52,583 --> 00:49:55,375 [PANTING IN FRIGHT] 1255 00:49:58,750 --> 00:50:01,834 [CELL PHONE RINGS] 1256 00:50:01,917 --> 00:50:03,250 -KENDAHL? -HELP ME, PLEASE. 1257 00:50:03,333 --> 00:50:05,083 I KNOW WHO KILLED DR. VEDDERS. 1258 00:50:05,166 --> 00:50:05,959 WHO? 1259 00:50:06,041 --> 00:50:07,458 [KENDAHL SCREAMS] 1260 00:50:11,458 --> 00:50:12,375 [TIRES SQUEALING] 1261 00:50:20,291 --> 00:50:20,959 THANKS FOR LETTING ME LOOK AROUND. 1262 00:50:21,041 --> 00:50:22,750 I APPRECIATE IT. 1263 00:50:25,792 --> 00:50:28,500 THE SHERIFF'S CONFIRMED BLUNT-FORCE TRAUMA. 1264 00:50:28,583 --> 00:50:29,834 KENDAHL SAID 1265 00:50:29,917 --> 00:50:31,291 MAE VEDDERS THREATENED THE WOMEN IN THE GROUP. 1266 00:50:31,375 --> 00:50:32,291 WELL, THAT'S INTERESTING, 1267 00:50:32,375 --> 00:50:33,375 BECAUSE ACCORDING TO DEB, 1268 00:50:33,458 --> 00:50:34,333 DR. VEDDERS HANDED KENDAHL A NOTE 1269 00:50:34,417 --> 00:50:36,166 ON THE DAY HE DIED. 1270 00:50:36,250 --> 00:50:38,417 SHE FOLLOWED HIM OUT, LOOKED LIKE THEY LEFT TOGETHER. 1271 00:50:38,500 --> 00:50:39,792 BUT THERE WAS NO AFFAIR WITH KENDAHL. 1272 00:50:39,875 --> 00:50:41,291 OKAY, 1273 00:50:41,375 --> 00:50:42,959 WELL THEN, HOW IS HER STUFF AT AN APARTMENT HE RENTED? 1274 00:50:43,041 --> 00:50:44,250 I DON'T KNOW, 1275 00:50:44,333 --> 00:50:46,166 MAYBE DR. VEDDERS WAS JUST HELPING KENDAHL OUT. 1276 00:50:46,250 --> 00:50:47,291 [SIGHS] 1277 00:50:47,375 --> 00:50:49,542 WELL, WE CAN CROSS DEB OFF THE LIST, 1278 00:50:49,625 --> 00:50:51,917 DESPITE HER FINGERPRINTS BEING ON THE MURDER WEAPON. 1279 00:50:52,000 --> 00:50:53,709 SHE HAS A SOLID ALIBI. 1280 00:50:53,792 --> 00:50:56,041 WELL, YOU SAID IT WAS A MALE VOICE ON THE RECORDING. 1281 00:50:56,125 --> 00:50:58,458 MAYBE SOMEBODY WAS TRYING TO FRAME DEB. 1282 00:50:58,542 --> 00:51:00,208 WHAT'S THE LATEST WITH CHRIS SUDON? 1283 00:51:00,291 --> 00:51:01,333 CHRIS SUDON'S A GHOST. 1284 00:51:01,417 --> 00:51:02,417 WE'RE STILL TRYING TO LOCATE HIM, 1285 00:51:02,500 --> 00:51:04,291 BUT WHO KNOWS WHERE, OR WHEN, 1286 00:51:04,375 --> 00:51:06,208 OR IF HE'LL EVER SHOW UP AGAIN. 1287 00:51:07,667 --> 00:51:08,583 HUMOR ME. 1288 00:51:08,667 --> 00:51:09,709 ALL RIGHT. 1289 00:51:09,792 --> 00:51:11,125 WHAT IF CHRIS AND KENDAHL HAD A THING, 1290 00:51:11,208 --> 00:51:12,625 BUT HE GETS JEALOUS 1291 00:51:12,709 --> 00:51:15,083 BECAUSE HE THINKS KENDAHL HAS SOMETHING FOR DR. VEDDERS, 1292 00:51:15,166 --> 00:51:16,083 WHICH SHE DOESN'T? 1293 00:51:16,166 --> 00:51:17,458 BY ALL NEIGHBORS' ACCOUNTS, 1294 00:51:17,542 --> 00:51:20,500 SUDON HASN'T DATED SINCE HIS WIFE PASSED AWAY. 1295 00:51:20,583 --> 00:51:24,917 WHERE ARE YOU GETTING KENDAHL AND SUDON HAVING AN AFFAIR? 1296 00:51:25,000 --> 00:51:27,000 KENDAHL HAD A C.S. INITIAL NECKLACE. 1297 00:51:27,083 --> 00:51:29,875 MAYBE THE "C.S." STANDS FOR CHRIS SUDON? 1298 00:51:29,959 --> 00:51:32,583 WELL, IF I EVER FIND HIM, I'LL BRING IT UP. 1299 00:51:32,667 --> 00:51:36,000 I'M GOING TO TOUCH BACK WITH MAE ABOUT THAT THREAT, TOO. 1300 00:51:36,083 --> 00:51:37,500 ANYTHING ELSE? 1301 00:51:37,583 --> 00:51:40,333 NO, I THINK WE'RE UP TO DATE. 1302 00:51:43,291 --> 00:51:45,083 FRANK... 1303 00:51:45,166 --> 00:51:47,250 WHAT DOES THAT LOOK LIKE TO YOU? 1304 00:51:48,583 --> 00:51:50,834 A PIECE OF FABRIC? 1305 00:51:57,542 --> 00:51:58,583 [CAMERA APP SNAPS] 1306 00:52:07,709 --> 00:52:10,000 [DRILL WHINING] 1307 00:52:11,250 --> 00:52:13,291 HEY, CHECK IT OUT. 1308 00:52:13,375 --> 00:52:15,709 I FOUND A CLEAR-OUT SALE FOR THIS OLD STORAGE SPACE. 1309 00:52:15,792 --> 00:52:17,291 THE GUY IS A TOTAL MOVIE BUFF. 1310 00:52:17,375 --> 00:52:18,625 IT LOOKS LIKE HE HAS EVERYTHING. 1311 00:52:18,709 --> 00:52:19,750 NEW-SCHOOL DIMMERS, 1312 00:52:19,834 --> 00:52:21,625 SOME OLD-SCHOOL LIGHTS, 1313 00:52:21,709 --> 00:52:22,500 SOME COOL MOVIE PROPS... 1314 00:52:22,583 --> 00:52:24,125 NICE JOB, SON. 1315 00:52:24,208 --> 00:52:25,750 YEAH, IT'S COMING TOGETHER. 1316 00:52:25,834 --> 00:52:27,291 IT IS, 1317 00:52:27,375 --> 00:52:29,917 BUT NEW SCHOOL IS STILL GONNA HAVE TO SWING A HAMMER, 1318 00:52:30,000 --> 00:52:32,291 UNLESS THEY HAVE AN APP FOR THAT AS WELL? 1319 00:52:32,375 --> 00:52:33,959 YEAH, NO, NO, I THINK THEY DO. 1320 00:52:37,458 --> 00:52:38,417 SO CLEVER... 1321 00:52:43,542 --> 00:52:44,375 HEY. 1322 00:52:44,458 --> 00:52:45,208 HEY. 1323 00:52:45,291 --> 00:52:46,875 I'M DANI. 1324 00:52:48,667 --> 00:52:50,417 AND YOU ARE..? 1325 00:52:50,500 --> 00:52:52,083 UM... 1326 00:52:52,166 --> 00:52:53,583 SORRY. 1327 00:52:53,667 --> 00:52:55,208 I'M A LITTLE NERVOUS. 1328 00:52:55,291 --> 00:52:57,125 OH, WELL, DON'T WORRY, WE ALL ARE. 1329 00:52:57,208 --> 00:52:59,000 GREAT. 1330 00:53:00,792 --> 00:53:02,750 SO, WHY DON'T YOU TELL ME A LITTLE SOMETHING 1331 00:53:02,834 --> 00:53:04,083 ABOUT YOURSELF? 1332 00:53:04,166 --> 00:53:05,333 ME? 1333 00:53:05,417 --> 00:53:06,792 THERE'S NOT MUCH TO TELL. 1334 00:53:06,875 --> 00:53:08,458 I'M SURE THAT'S NOT TRUE. 1335 00:53:08,542 --> 00:53:10,125 NO. 1336 00:53:10,208 --> 00:53:11,500 THERE'S NOTHING. 1337 00:53:13,458 --> 00:53:14,792 [TIMER BELL DINGS] 1338 00:53:14,875 --> 00:53:16,291 YOU LOOK FIT. 1339 00:53:16,375 --> 00:53:17,417 DO YOU WORK OUT? 1340 00:53:17,500 --> 00:53:19,667 UH... YOGALATES, 1341 00:53:19,750 --> 00:53:23,125 AND I DO SOME WEIGHTS. 1342 00:53:23,208 --> 00:53:24,208 WHAT DO YOU PRESS? 1343 00:53:25,375 --> 00:53:26,625 CIDER IN THE FALL. 1344 00:53:26,709 --> 00:53:28,041 ELEVATORS BUTTONS. 1345 00:53:28,125 --> 00:53:30,166 I'M A BIG PRESSER ALL AROUND. 1346 00:53:31,625 --> 00:53:33,333 [TIMER BELL DINGS] 1347 00:53:33,417 --> 00:53:34,875 WELL, HEY THERE. 1348 00:53:34,959 --> 00:53:37,166 HEY THERE, YOURSELF. 1349 00:53:37,250 --> 00:53:38,375 I LIKE YOUR SHIRT. 1350 00:53:38,458 --> 00:53:39,583 THANKS. 1351 00:53:39,667 --> 00:53:41,000 YOU KNOW WHAT IT'S MADE OF? 1352 00:53:41,083 --> 00:53:43,000 PLEASE DON'T SAY "BOYFRIEND MATERIAL." 1353 00:53:43,083 --> 00:53:44,208 OH, I'M NOT GONNA. 1354 00:53:44,291 --> 00:53:45,166 OKAY. 1355 00:53:45,250 --> 00:53:47,458 YEAH, I WAS. 1356 00:53:47,542 --> 00:53:48,500 SORRY. 1357 00:53:48,583 --> 00:53:49,875 NO, IT'S OKAY, 1358 00:53:49,959 --> 00:53:52,750 IT'S JUST, THIS IS KIND OF AN UNNATURAL ENVIRONMENT. 1359 00:53:52,834 --> 00:53:55,208 UM, BUT I REALLY THINK I SHOULD GO. 1360 00:53:55,291 --> 00:53:57,208 GREAT, WHERE WE GOING? 1361 00:53:57,291 --> 00:53:59,583 WELL, A LITTLE CRAZY AT THIS POINT. [LAUGHS] 1362 00:53:59,667 --> 00:54:01,208 BUT NO, IT WAS REALLY GREAT MEETING YOU, 1363 00:54:01,291 --> 00:54:03,583 AND I HOPE YOU FIND WHAT YOU'RE LOOKING FOR. 1364 00:54:05,291 --> 00:54:07,125 [TIMER BELL DINGS] 1365 00:54:08,667 --> 00:54:11,000 JENN, DO YOU HAVE TIME FOR A CHIT-CHAT? 1366 00:54:11,083 --> 00:54:12,125 PLEASE SAY YES. 1367 00:54:12,208 --> 00:54:13,375 OH, THANK GOODNESS. 1368 00:54:13,458 --> 00:54:14,959 YEAH, OKAY... 1369 00:54:16,375 --> 00:54:18,417 DON'T TELL THE KIDS, 1370 00:54:18,500 --> 00:54:20,375 BUT I SAVED US THE LAST PIECE OF PIE. 1371 00:54:20,458 --> 00:54:21,583 I WON'T, BUT I SHOULDN'T. 1372 00:54:21,667 --> 00:54:22,750 IT'S GETTING LATE. 1373 00:54:22,834 --> 00:54:24,417 WELL, THAT'S WHEN IT TASTES THE BEST. 1374 00:54:24,500 --> 00:54:25,583 THEN YOU HAVE IT. 1375 00:54:27,000 --> 00:54:28,583 WHAT DID I DO TO DESERVE YOU? 1376 00:54:28,667 --> 00:54:29,709 [GIGGLING] 1377 00:54:35,333 --> 00:54:36,709 WE HAVE AN AUDIENCE. 1378 00:54:36,792 --> 00:54:37,667 HI. 1379 00:54:37,750 --> 00:54:38,750 HI! 1380 00:54:38,834 --> 00:54:40,250 I'M NOT INTERRUPTING, AM I? 1381 00:54:40,333 --> 00:54:42,333 THE DOOR'S ALWAYS OPEN. 1382 00:54:42,417 --> 00:54:45,333 AW, DID I MISS DINNER? 1383 00:54:45,417 --> 00:54:46,500 HAVE SOME PIE. 1384 00:54:46,583 --> 00:54:47,709 OH, YUM. 1385 00:54:47,792 --> 00:54:50,041 UM, I'LL BE INSIDE IF YOU NEED ANYTHING. 1386 00:54:50,125 --> 00:54:51,041 OKAY. 1387 00:54:51,125 --> 00:54:52,041 SEE YA. 1388 00:54:53,625 --> 00:54:54,834 HERE'S A FORK FOR YOU. 1389 00:54:54,917 --> 00:54:56,709 THANK YOU. 1390 00:54:56,792 --> 00:54:58,917 SEE, THAT'S WHAT I NEED FOR MY VISION BOARD. 1391 00:54:59,000 --> 00:55:00,375 JASON? 1392 00:55:00,458 --> 00:55:01,625 NO. 1393 00:55:01,709 --> 00:55:04,125 I MISSED THAT WHOLE... 1394 00:55:04,208 --> 00:55:06,375 HIGH SCHOOL, STORYBOOK, 1395 00:55:06,458 --> 00:55:08,291 FATED THING THAT YOU GUYS HAVE. 1396 00:55:08,375 --> 00:55:09,417 YOU KNOW, 1397 00:55:09,500 --> 00:55:11,625 THAT GOT THE WHOLE DESTINY BALL ROLLING. 1398 00:55:11,709 --> 00:55:13,667 OH, WELL, IT'S NOT ALWAYS STORYBOOK, 1399 00:55:13,750 --> 00:55:17,041 BUT IT'S CERTAINLY THE BEST YEARS OF MY LIFE. 1400 00:55:17,125 --> 00:55:18,917 I JUST FEEL LIKE I'M THREE STEPS FORWARD, 1401 00:55:19,000 --> 00:55:21,166 THREE STEPS BACK ON THIS WHOLE THING. 1402 00:55:21,250 --> 00:55:22,083 WELL, HEY, IF YOU TAKE TWO STEPS TO THE RIGHT 1403 00:55:22,166 --> 00:55:23,166 INSTEAD OF BACK, 1404 00:55:23,250 --> 00:55:25,166 YOU'LL BE DOING THE TANGO, MY FRIEND. 1405 00:55:25,250 --> 00:55:26,208 I LOVE YOUR MIND. 1406 00:55:26,291 --> 00:55:27,500 [CHUCKLING] 1407 00:55:27,583 --> 00:55:29,125 I'M SORRY ABOUT THIS AFTERNOON. 1408 00:55:29,208 --> 00:55:30,291 [SIGHS] 1409 00:55:30,375 --> 00:55:33,583 ANYTHING NEW WITH THE CASE? 1410 00:55:33,667 --> 00:55:36,959 WELL, THE MURDER WEAPON IS SOMETHING THAT DEB USES 1411 00:55:37,041 --> 00:55:38,250 ON A WEEKLY BASIS, 1412 00:55:38,333 --> 00:55:40,333 BUT IT WAS FOUND AT MAE VEDDERS' HOUSE. 1413 00:55:40,417 --> 00:55:43,792 BUT THEN THERE'S THE MALE VOICE ON THE RECORDING, SO... 1414 00:55:43,875 --> 00:55:45,500 THREE STEPS FORWARD, THREE STEPS BACK. 1415 00:55:45,583 --> 00:55:47,959 IF THEY COULD FIND CHRIS SUDON, 1416 00:55:48,041 --> 00:55:49,959 THEY MIGHT BE ABLE TO TIE IT ALL TOGETHER. 1417 00:55:55,834 --> 00:55:57,125 WHAT DOES THIS LOOK LIKE TO YOU? 1418 00:55:57,208 --> 00:55:58,625 HMM. 1419 00:55:58,709 --> 00:55:59,667 I'M NOT SURE. 1420 00:56:01,125 --> 00:56:02,709 MAYBE A CHEST POCKET OR SOMETHING? 1421 00:56:02,792 --> 00:56:04,083 THAT'S WHAT I WAS THINKING. 1422 00:56:04,166 --> 00:56:05,792 LIKE FROM A UNIFORM. 1423 00:56:05,875 --> 00:56:07,041 YEAH, FROM, UM, 1424 00:56:07,125 --> 00:56:08,208 AN INDUSTRIAL JACKET, 1425 00:56:08,291 --> 00:56:09,375 OR COVERALLS MAYBE. 1426 00:56:09,458 --> 00:56:12,000 CHRIS SUDON IS A TEXTILE ENGINEER. 1427 00:56:12,083 --> 00:56:15,291 SO SHE GRABBED HIS POCKET WHEN HE ATTACKED HER? 1428 00:56:15,375 --> 00:56:18,333 HE WAS WEARING DARK CLOTHING IN THE COMMUNITY CENTER FOOTAGE. 1429 00:56:18,458 --> 00:56:22,125 MAYBE HE IS TIED TO THE MURDERS. 1430 00:56:22,208 --> 00:56:24,792 PERHAPS I SHOULD MAKE A TRIP BACK TO THE COMMUNITY CENTER. 1431 00:56:26,625 --> 00:56:28,375 A TRIP. 1432 00:56:28,458 --> 00:56:31,250 THAT'S WHAT I NEED FOR MY VISION-BOARD. 1433 00:56:32,917 --> 00:56:34,500 WHAT WOULD WE DO WITHOUT US? 1434 00:56:35,750 --> 00:56:36,750 I DON'T KNOW. 1435 00:56:36,834 --> 00:56:38,125 [CHUCKLING] 1436 00:56:40,834 --> 00:56:42,959 HAVE YOU EVER MET CHRIS SUDON? 1437 00:56:43,041 --> 00:56:44,667 I MAY BE A LOT OF THINGS, BUT I'M NOT A CHEATER. 1438 00:56:44,750 --> 00:56:46,166 NO, I'VE NEVER MET HIM. 1439 00:56:46,250 --> 00:56:48,375 AND ACCORDING TO KENDAHL, NEITHER IS YOUR HUSBAND. 1440 00:56:48,458 --> 00:56:50,333 AN EYEWITNESS AT THE COMMUNITY CENTER 1441 00:56:50,417 --> 00:56:51,500 SAYS THEY SAW KENDAHL 1442 00:56:51,583 --> 00:56:53,208 FOLLOW DR. VEDDERS OUT OF THE PARKING LOT 1443 00:56:53,291 --> 00:56:54,834 LIKE THEY WERE GOING SOMEWHERE, 1444 00:56:54,917 --> 00:56:56,291 WHICH I'M ASSUMING 1445 00:56:56,375 --> 00:56:58,875 IS TO THE APARTMENT HE HAD RENTED FOR HER. 1446 00:56:58,959 --> 00:57:00,583 HOW IS THAT NOT AN AFFAIR? 1447 00:57:00,667 --> 00:57:02,667 I MEAN, THAT EXPLAINS WHERE THE MONEY WENT. 1448 00:57:02,750 --> 00:57:04,250 WELL, EVEN IF HE'S NOT HAVING AN AFFAIR, 1449 00:57:04,333 --> 00:57:06,750 TO SOMEONE LOOKING IN, 1450 00:57:06,834 --> 00:57:08,750 IT DEFINITELY SEEMS THAT WAY. 1451 00:57:08,834 --> 00:57:10,291 I KNOW I'D BE MAD. 1452 00:57:10,375 --> 00:57:12,375 I LOVED MY HUSBAND. 1453 00:57:12,458 --> 00:57:13,458 LOVE. 1454 00:57:13,542 --> 00:57:15,333 THAT NEVER CHANGES OR DIES, 1455 00:57:15,417 --> 00:57:17,792 AND I WOULD NEVER HURT HIM OR ANYONE. 1456 00:57:17,875 --> 00:57:19,125 BUT YOU DID THREATEN THOSE WOMEN? 1457 00:57:19,208 --> 00:57:20,125 NOT PHYSICALLY. 1458 00:57:20,208 --> 00:57:21,291 YOU GET A LITTLE PROTECTIVE. 1459 00:57:21,375 --> 00:57:23,083 IT DOESN'T MAKE ME A KILLER. 1460 00:57:23,166 --> 00:57:24,166 AND MRS. SHANNON MENTIONED 1461 00:57:24,250 --> 00:57:25,583 YOU WERE PRESSURE-WASHING THE SHED, 1462 00:57:25,667 --> 00:57:29,000 WHICH SEEMS LIKE YOU WERE... 1463 00:57:29,083 --> 00:57:30,792 THAT I WAS WASHING AWAY EVIDENCE? 1464 00:57:30,875 --> 00:57:32,125 NO, I WASN'T. 1465 00:57:32,208 --> 00:57:34,583 AND I AM SORRY IF I SCARED THOSE GIRLS. 1466 00:57:34,667 --> 00:57:36,667 I WAS REALLY HURT. 1467 00:57:36,750 --> 00:57:40,083 I WAS BEYOND HURT, I WAS DEVASTATED, 1468 00:57:40,166 --> 00:57:41,500 AND THE BOTTOM LINE IS, 1469 00:57:41,583 --> 00:57:45,917 I JUST WANTED MY HUSBAND BACK IN MY LIFE. 1470 00:57:46,000 --> 00:57:50,542 I AM NOT THE PERSON YOU'RE LOOKING FOR. 1471 00:57:50,625 --> 00:57:52,959 AND I THINK YOU KNOW THAT NOW. 1472 00:58:02,000 --> 00:58:03,417 FRANK, HEY. 1473 00:58:03,500 --> 00:58:04,458 OH, HEY, JENN. 1474 00:58:04,542 --> 00:58:05,583 I'M JUST REVISITING THE FOOTAGE 1475 00:58:05,667 --> 00:58:07,083 FROM THE OTHER DAY. 1476 00:58:07,166 --> 00:58:08,333 WAIT A MINUTE, 1477 00:58:08,417 --> 00:58:09,333 YOU WEREN'T ACTUALLY LOOKING FOR YOUR SON'S BIKE 1478 00:58:09,417 --> 00:58:10,208 THE OTHER DAY. 1479 00:58:10,291 --> 00:58:11,208 SORRY. 1480 00:58:11,291 --> 00:58:13,625 NO WORRIES, UNDER THE CIRCUMSTANCES. 1481 00:58:13,709 --> 00:58:14,750 ANYTHING I CAN DO TO HELP. 1482 00:58:14,834 --> 00:58:16,208 ANY NEW LEADS? 1483 00:58:17,792 --> 00:58:18,792 NO. 1484 00:58:18,875 --> 00:58:20,041 MAE WAS PRETTY SINCERE, 1485 00:58:20,125 --> 00:58:21,083 AND THERE'S NO EVIDENCE 1486 00:58:21,166 --> 00:58:23,166 OF HER EVER KNOWING CHRIS SUDON. 1487 00:58:23,250 --> 00:58:24,834 WHAT WAS IT YOU WANTED TO SHOW ME? 1488 00:58:24,917 --> 00:58:26,166 OH, RIGHT. 1489 00:58:26,250 --> 00:58:28,875 THE FABRIC WE FOUND AT THE CAMPSITE. 1490 00:58:28,959 --> 00:58:30,750 MAYBE IT WAS RIPPED OFF IN A STRUGGLE. 1491 00:58:30,834 --> 00:58:32,291 IT'S A HEAVIER FABRIC, 1492 00:58:32,375 --> 00:58:34,041 LIKE COVERALLS 1493 00:58:34,125 --> 00:58:35,250 A TEXTILE ENGINEER MIGHT WEAR? 1494 00:58:35,333 --> 00:58:36,542 BUT IT WON'T HOLD UP IN COURT. 1495 00:58:39,041 --> 00:58:39,792 BUT THAT MIGHT. 1496 00:58:41,291 --> 00:58:42,291 THE FABRIC ON HIS COAT IS SIMILAR. 1497 00:58:46,333 --> 00:58:49,000 [FRANK]: THE WHOLE THING LOOKS PRETTY HEATED. 1498 00:58:49,083 --> 00:58:50,166 BUT THEN HE JUST WALKS OFF. 1499 00:58:50,250 --> 00:58:51,333 FOR WHAT IT'S WORTH, 1500 00:58:51,417 --> 00:58:52,333 I'VE HEARD THIS GUY'S HAD SEVERAL RUN-INS 1501 00:58:52,417 --> 00:58:53,333 WITH PEOPLE HERE. 1502 00:58:53,417 --> 00:58:54,417 PHYSICAL RUN-INS? 1503 00:58:54,500 --> 00:58:57,542 VERBAL, BUT ENOUGH TO SCARE THEM ALL. 1504 00:58:57,625 --> 00:58:59,083 LOOK, THERE'S KENDAHL. 1505 00:59:00,291 --> 00:59:02,125 IT DEFINITELY LOOKS LIKE SHE'S FOLLOWING VEDDERS. 1506 00:59:02,208 --> 00:59:05,667 SO KENDAHL FOLLOWS HIM TO THE DETAIL SHOP? 1507 00:59:07,083 --> 00:59:08,166 FRANK... 1508 00:59:08,250 --> 00:59:10,709 THAT'S THE CAR THAT WAS AT THE CAMPSITE. 1509 00:59:10,792 --> 00:59:13,750 WHOEVER IS IN THAT CAR, THAT'S OUR MURDERER. 1510 00:59:13,834 --> 00:59:15,250 SO KENDAHL WASN'T THE STALKER. 1511 00:59:15,333 --> 00:59:17,083 SHE WAS BEING STALKED. 1512 00:59:17,166 --> 00:59:19,625 WELL, IT LOOKS LIKE A GUY IN THAT CAR. 1513 00:59:19,709 --> 00:59:21,500 WHAT KIND OF CAR DOES CHRIS SUDON DRIVE? 1514 00:59:21,583 --> 00:59:23,250 WELL, AGAIN, THERE'S NO RECORD ON THIS GUY. 1515 00:59:23,333 --> 00:59:24,375 DOESN'T EVEN HAVE A LICENSE. 1516 00:59:24,458 --> 00:59:25,542 LIKE I SAID, 1517 00:59:25,625 --> 00:59:27,166 HE LIKES TO LIVE OFF THE GRID WHENEVER HE CAN. 1518 00:59:28,333 --> 00:59:29,291 DID YOU EVER SEE HIM 1519 00:59:29,375 --> 00:59:31,000 DRIVE ANYTHING AROUND HERE? 1520 00:59:31,083 --> 00:59:32,500 UH, I DON'T KNOW. 1521 00:59:32,583 --> 00:59:33,458 YEAH, ACTUALLY, 1522 00:59:33,542 --> 00:59:35,166 I THINK I DID, BUT... 1523 00:59:35,250 --> 00:59:36,291 I COULDN'T TELL YOU THE MAKE OF THE CAR. 1524 00:59:38,166 --> 00:59:40,625 SO HOW DO YOU GET HIM? 1525 00:59:40,709 --> 00:59:42,333 WELL, WE CLARIFY HIS VOICE ON THE MURDER TAPE, 1526 00:59:42,417 --> 00:59:43,750 WE LIGHTEN UP THE SURVEILLANCE FOOTAGE, 1527 00:59:43,834 --> 00:59:45,875 WE GATHER SOME MORE EVIDENCE 1528 00:59:45,959 --> 00:59:47,792 WHEN THE DNA COMES BACK-- 1529 00:59:47,875 --> 00:59:49,000 BUT YOU STILL HAVE TO FIND HIM. 1530 00:59:49,083 --> 00:59:49,959 BINGO. 1531 00:59:56,000 --> 00:59:57,750 SCORE. CHECK OUT THESE LIGHTS. 1532 00:59:59,667 --> 01:00:00,500 [CHUCKLES] 1533 01:00:00,583 --> 01:00:02,500 NOW, THOSE ARE OLD-SCHOOL. 1534 01:00:02,583 --> 01:00:03,458 WE COULD THROW THEM ON SOME DIMMERS, 1535 01:00:03,542 --> 01:00:05,333 AND I CAN CONTROL THEM ON MY PHONE. 1536 01:00:05,417 --> 01:00:07,458 AND DAD, WE COULD USE THESE FILM REELS 1537 01:00:07,542 --> 01:00:08,417 MOUNT THEM ON THE WALL. 1538 01:00:08,500 --> 01:00:09,375 GREAT. 1539 01:00:09,458 --> 01:00:10,250 GUYS, CHECK THIS OUT! 1540 01:00:13,166 --> 01:00:14,041 WHAT'S THAT SMELL? 1541 01:00:14,125 --> 01:00:15,208 SUCCESS. 1542 01:00:15,291 --> 01:00:16,291 IT'S PERFECT. 1543 01:00:16,375 --> 01:00:17,625 NOW WE HAVE AN USHER FOR THE DOOR, 1544 01:00:17,709 --> 01:00:19,458 AND, YOU KNOW, IT'LL GO WITH YOUR VELVET DRAPES. 1545 01:00:19,542 --> 01:00:22,917 OH... SO NOW YOU LIKE THE DRAPES? 1546 01:00:24,041 --> 01:00:25,959 YEAH, THEY'RE... THEY'RE COOL ENOUGH. 1547 01:00:26,041 --> 01:00:27,041 FIRST THINGS FIRST, 1548 01:00:27,125 --> 01:00:29,041 YOU'RE GONNA HAVE TO WASH THIS BEAST. 1549 01:00:30,083 --> 01:00:31,417 WILL DO. 1550 01:00:32,625 --> 01:00:34,583 JASON? 1551 01:00:34,667 --> 01:00:36,291 LOGAN! HANNAH! 1552 01:00:37,291 --> 01:00:38,041 CAN I COME IN? 1553 01:00:38,125 --> 01:00:39,375 [GASPS] 1554 01:00:40,917 --> 01:00:42,917 I'M SORRY, BUT NOW IS NOT A GOOD TIME. 1555 01:00:43,000 --> 01:00:45,458 NOW IS THE ONLY TIME. 1556 01:00:49,542 --> 01:00:51,125 DEB MENTIONED YOU CAME BY GROUP 1557 01:00:51,208 --> 01:00:52,959 ASKING QUESTIONS? 1558 01:00:53,041 --> 01:00:54,750 YEAH? YOU KNOW, YOU SHOULD THINK 1559 01:00:54,834 --> 01:00:57,000 ABOUT UNLISTING YOUR HOME ADDRESS ONLINE. 1560 01:00:57,083 --> 01:00:58,083 HOW CAN I HELP YOU? 1561 01:00:58,166 --> 01:01:00,208 I KNOW YOU'VE BEEN LOOKING FOR ME. 1562 01:01:00,291 --> 01:01:03,500 I REALLY THINK THAT DETECTIVE LYNWOOD 1563 01:01:03,583 --> 01:01:05,291 IS WHO YOU SHOULD SPEAK WITH. 1564 01:01:05,375 --> 01:01:06,625 IN FACT, HE'S ON HIS WAY HERE RIGHT NOW. 1565 01:01:06,709 --> 01:01:07,583 I DON'T TRUST COPS. 1566 01:01:07,667 --> 01:01:08,625 UH-UH. 1567 01:01:08,709 --> 01:01:10,917 I JUST NEED YOU TO LISTEN. 1568 01:01:11,000 --> 01:01:12,583 OKAY. 1569 01:01:12,667 --> 01:01:15,458 DR. VEDDERS, HE WAS OUR SUPPORT SYSTEM. 1570 01:01:15,542 --> 01:01:16,375 YEAH? 1571 01:01:16,458 --> 01:01:17,375 AND THAT GROUP-- 1572 01:01:17,458 --> 01:01:19,750 IT MIGHT HAVE HAD ITS DIFFERENCES, 1573 01:01:19,834 --> 01:01:21,542 BUT WE WOULD NEVER HURT EACH OTHER. 1574 01:01:21,625 --> 01:01:22,667 I'M SURE YOU WOULDN'T. 1575 01:01:22,750 --> 01:01:24,625 [SCOFFS] BUT YOU OBVIOUSLY HEARD 1576 01:01:24,709 --> 01:01:26,458 THAT I HAD A DISAGREEMENT THAT DAY, 1577 01:01:26,542 --> 01:01:28,917 AND I'M SURE THAT THOSE SECURITY CAMERAS-- 1578 01:01:29,000 --> 01:01:31,500 I'M SURE THEY DID A GREAT JOB AT SELLING THE IDEA 1579 01:01:31,583 --> 01:01:33,208 THAT I WOULD KILL SOMEBODY IN A RAGE. 1580 01:01:33,291 --> 01:01:35,083 I-I-I NEVER SAID-- 1581 01:01:35,166 --> 01:01:36,667 AND MY PREVIOUS ASSAULT CHARGE, 1582 01:01:36,750 --> 01:01:38,750 THAT MAKES ME LOOK GUILTY, TOO. 1583 01:01:38,834 --> 01:01:40,250 I GET IT. 1584 01:01:40,333 --> 01:01:43,208 WHAT WAS THE ARGUMENT ABOUT, IF YOU DON'T MIND ME ASKING? 1585 01:01:44,875 --> 01:01:47,125 I DIDN'T WANT HIM TO GO. 1586 01:01:47,208 --> 01:01:49,083 I KNEW THE GROUP WOULD FALL APART WITHOUT HIM, 1587 01:01:49,166 --> 01:01:50,291 AND IT HAS. 1588 01:01:50,375 --> 01:01:52,125 AND I KNEW THERE WAS SOMETHING ELSE GOING ON. 1589 01:01:53,041 --> 01:01:54,458 SOMETHING? 1590 01:01:54,542 --> 01:01:56,291 WAIT, SOMETHING AS IN SOMEONE? 1591 01:01:56,375 --> 01:01:58,375 LIKE KENDAHL? 1592 01:01:58,458 --> 01:01:59,417 ABSOLUTELY. 1593 01:02:00,458 --> 01:02:01,834 OKAY, WELL, 1594 01:02:01,917 --> 01:02:04,000 WHY DON'T WE JUST DISCUSS IT WITH DETECTIVE LYNWOOD, 1595 01:02:04,083 --> 01:02:05,125 EVEN IF IT'S JUST BY PHONE-- 1596 01:02:06,417 --> 01:02:07,959 I SAID NO COPS! 1597 01:02:11,625 --> 01:02:12,500 OKAY. 1598 01:02:12,583 --> 01:02:14,250 SOMETHING WAS UP. 1599 01:02:14,333 --> 01:02:17,166 HER AND DR. VEDDERS WERE SPENDING TIME AFTER SESSIONS, 1600 01:02:17,250 --> 01:02:19,125 AND IT WASN'T LIKE HE WAS WITH HER IN ANY KIND OF WAY, 1601 01:02:19,208 --> 01:02:21,000 'CAUSE HE WASN'T, SO... 1602 01:02:21,083 --> 01:02:22,834 WHY WERE THEY STILL MEETING, HUH? 1603 01:02:22,917 --> 01:02:24,583 I DON'T KNOW. 1604 01:02:24,667 --> 01:02:26,375 HELP ME OUT. 1605 01:02:26,458 --> 01:02:27,792 I KNOW THAT I'M A SUSPECT. 1606 01:02:27,875 --> 01:02:30,083 I KNOW THAT YOU JUST LOOK AT THOSE PRIORS 1607 01:02:30,166 --> 01:02:31,917 ON ME AND KENDAHL'S RECORDS, 1608 01:02:32,000 --> 01:02:35,166 BUT YOU DON'T SEE HOW TRUMPED UP ALL THOSE CHARGES WERE, DO YOU? 1609 01:02:35,250 --> 01:02:36,709 SO YOU'RE SAYING 1610 01:02:36,792 --> 01:02:38,375 THE KILLER IS SOMEONE OUTSIDE THE GROUP? 1611 01:02:38,458 --> 01:02:39,417 WHO? 1612 01:02:39,500 --> 01:02:40,458 [SCOFFS] 1613 01:02:40,542 --> 01:02:41,542 I DON'T KNOW, 1614 01:02:41,625 --> 01:02:42,625 BUT IT ISN'T ME. 1615 01:02:43,625 --> 01:02:44,875 HEY! 1616 01:02:44,959 --> 01:02:45,875 [GASPS] JASON! 1617 01:02:47,959 --> 01:02:48,959 DAD? 1618 01:02:49,041 --> 01:02:50,583 KIDS, GO OUTSIDE. 1619 01:02:50,667 --> 01:02:51,750 CALL FRANK! 1620 01:02:51,834 --> 01:02:53,458 IF TWO PEOPLE ARE DEAD ALREADY, 1621 01:02:53,542 --> 01:02:55,166 THERE'S GONNA BE MORE, INCLUDING YOU. 1622 01:02:55,250 --> 01:02:57,500 SOMEONE'S COVERING THEIR TRACKS. 1623 01:02:57,583 --> 01:03:00,125 I'M SURE DETECTIVE LYNWOOD WILL BE HAPPY TO LISTEN. 1624 01:03:12,000 --> 01:03:14,333 I KNOW WHAT YOU'RE GONNA SAY. 1625 01:03:14,417 --> 01:03:15,917 THAT I LOVE YOU, 1626 01:03:16,000 --> 01:03:17,959 AND I'M SO THANKFUL THAT YOU'RE OKAY? 1627 01:03:20,000 --> 01:03:22,875 YOU KNOW I SUPPORT YOU AND EVERYTHING YOU DO. 1628 01:03:22,959 --> 01:03:24,875 I DO. 1629 01:03:24,959 --> 01:03:27,458 THIS CASE IS JUST TOO CLOSE TO HOME 1630 01:03:27,542 --> 01:03:28,709 RIGHT NOW. 1631 01:03:28,792 --> 01:03:30,583 I KNOW, 1632 01:03:30,667 --> 01:03:32,208 BUT I FEEL LIKE I'M RIGHT THERE. 1633 01:03:32,291 --> 01:03:33,792 SO CLOSE. 1634 01:03:33,875 --> 01:03:36,375 MAYBE IT'S TIME WE LET THE PROS TAKE OVER. 1635 01:03:36,458 --> 01:03:38,250 KEEP WORKING THE CASE, 1636 01:03:38,333 --> 01:03:40,208 BUT FROM A DISTANCE, YOU KNOW? 1637 01:03:40,291 --> 01:03:41,417 JUST TAKE A BREATH. 1638 01:03:41,500 --> 01:03:43,000 YEAH. 1639 01:03:43,083 --> 01:03:45,375 MAYBE YOU'RE RIGHT. 1640 01:03:45,458 --> 01:03:47,166 -YOU OKAY? -YEAH. 1641 01:03:47,250 --> 01:03:49,542 I SAW THE GREASE ON CHRIS SUDON'S HANDS. 1642 01:03:49,625 --> 01:03:52,166 HE'S NOT THE TYPE TO CLEAN UP AFTER HIMSELF. 1643 01:03:52,250 --> 01:03:54,000 THE BOSS CONFIRMS THAT HE WAS TWO TOWNS OVER 1644 01:03:54,083 --> 01:03:55,291 THE DAY OF VEDDERS' MURDER. 1645 01:03:55,375 --> 01:03:57,041 SO HE'S NOT OUR GUY? 1646 01:03:57,125 --> 01:03:59,041 DOESN'T LOOK LIKE IT. 1647 01:03:59,125 --> 01:04:02,083 SO, YOU KNOW, WE FORGE AHEAD. 1648 01:04:02,166 --> 01:04:04,625 YOU'RE JUST LUCKY JASON SHOWED UP WHEN HE DID. 1649 01:04:04,709 --> 01:04:05,917 AGREED. 1650 01:04:06,000 --> 01:04:08,125 SO, WE HAVE THE AUDIO TECH HERE. 1651 01:04:08,208 --> 01:04:09,041 DO YOU WANT TO LISTEN IN? 1652 01:04:12,291 --> 01:04:15,333 I THINK I'M GOING TO TAKE A STEP BACK FOR A MOMENT, 1653 01:04:15,417 --> 01:04:16,583 AND CATCH MY BREATH. 1654 01:04:16,667 --> 01:04:18,792 OKAY. 1655 01:04:18,875 --> 01:04:19,750 WELL, I'LL KEEP YOU POSTED. 1656 01:04:21,500 --> 01:04:22,583 HOME? 1657 01:04:22,667 --> 01:04:24,333 YES. 1658 01:04:27,125 --> 01:04:30,208 SO, I'M THINKING, UH, ADVENTURE, 1659 01:04:30,291 --> 01:04:32,375 BUT NOTHING TOO SCARY. 1660 01:04:32,458 --> 01:04:35,041 I'M THINKING HOT, BUT NOT STIFLING, 1661 01:04:35,125 --> 01:04:37,917 AND I WANT DIFFERENT... 1662 01:04:38,000 --> 01:04:40,333 BUT NOT TOO "CULTURE-SHOCKEY." 1663 01:04:40,417 --> 01:04:41,291 IS THAT A WORD? 1664 01:04:42,625 --> 01:04:45,250 OKAY, UM, WHAT ABOUT MAUI? 1665 01:04:45,333 --> 01:04:48,750 THE HUMIDITY JUST FRIZZES MY HAIR OUT. 1666 01:04:48,834 --> 01:04:50,792 OKAY, UM... 1667 01:04:50,875 --> 01:04:52,417 REYKJAVIK, ICELAND. 1668 01:04:52,500 --> 01:04:55,291 WHALE WATCHING, NATURAL HOTSPRINGS... 1669 01:04:55,375 --> 01:04:56,750 IT'S JUST SO MUCH ICE, THOUGH. 1670 01:04:56,834 --> 01:04:57,834 ISN'T IT? 1671 01:04:57,917 --> 01:05:00,250 UM, IT'S MODERATE, ACTUALLY, 1672 01:05:00,333 --> 01:05:03,125 BUT OKAY, UM... 1673 01:05:03,208 --> 01:05:04,792 CALIFORNIA. 1674 01:05:04,875 --> 01:05:07,083 HOT, BUT DRY. 1675 01:05:07,166 --> 01:05:08,125 YOUR HAIR WOULD LOOK GREAT. 1676 01:05:08,208 --> 01:05:09,458 IT WOULD. 1677 01:05:09,542 --> 01:05:10,458 BUT I'VE BEEN. 1678 01:05:10,542 --> 01:05:12,208 DO YOU HAVE ANY PACKAGE PRICES? 1679 01:05:14,041 --> 01:05:15,000 UM... 1680 01:05:19,041 --> 01:05:20,625 [♪♪♪] 1681 01:05:28,834 --> 01:05:30,709 DREW? 1682 01:05:30,792 --> 01:05:32,542 DREW FORSTER? 1683 01:05:32,625 --> 01:05:34,792 AV CLUB AT OAK GROVE? 1684 01:05:34,875 --> 01:05:36,041 DANI? 1685 01:05:36,125 --> 01:05:38,208 OH, YOU REMEMBER MY NAME. 1686 01:05:38,291 --> 01:05:39,709 SHOULD I NOT? 1687 01:05:39,792 --> 01:05:40,667 WHAT ARE YOU DOING HERE? 1688 01:05:40,750 --> 01:05:41,834 YOU MOVED AWAY. 1689 01:05:41,917 --> 01:05:45,000 YEAH, I MOVED BACK A WHILE AGO. 1690 01:05:45,083 --> 01:05:47,542 BUT I NEVER GET TO THIS SIDE OF TOWN, THOUGH. 1691 01:05:47,625 --> 01:05:48,834 I'M JUST ON MY WAY OVER TO THE POLICE STATION 1692 01:05:48,917 --> 01:05:50,834 FOR A CASE I'M WORKING ON. 1693 01:05:50,917 --> 01:05:52,834 WOW, YOU'RE A DETECTIVE? 1694 01:05:52,917 --> 01:05:54,458 NO... OH! [CHUCKLES] 1695 01:05:54,542 --> 01:05:55,959 BETTER. AUDIO ENGINEER. 1696 01:05:56,041 --> 01:05:56,875 I OWN MY OWN SHOP. 1697 01:05:56,959 --> 01:05:57,875 YOU? 1698 01:05:57,959 --> 01:05:59,125 SAME. 1699 01:05:59,208 --> 01:06:01,083 NO, NOT AN AUDIO ENGINEER, 1700 01:06:01,166 --> 01:06:02,542 BUT I CO-OWN THIS. 1701 01:06:03,583 --> 01:06:04,542 WITH JENN? 1702 01:06:04,625 --> 01:06:05,792 YEAH, YOU KNOW HER? 1703 01:06:05,875 --> 01:06:06,834 YEAH, SHE'S THE ONE THAT BROUGHT ME THE CASE. 1704 01:06:06,917 --> 01:06:08,959 LITER-- IT'S LITERALLY A CASE. 1705 01:06:09,041 --> 01:06:10,583 THE REEL-TO-REEL. 1706 01:06:10,667 --> 01:06:12,125 RIGHT. 1707 01:06:12,208 --> 01:06:16,667 WOW, THIS IS EITHER FATE, OR JUST PLAIN FREAKY. 1708 01:06:18,792 --> 01:06:21,875 [♪♪♪] 1709 01:06:24,583 --> 01:06:26,417 I'VE SEPARATED AND NORMALIZED 1710 01:06:26,500 --> 01:06:29,208 EACH OF THE LOUDER WAVEFORMS INTO INDIVIDUAL WORDS 1711 01:06:29,291 --> 01:06:30,625 AND THEN SPACED THEM OUT ON THE TIMELINE. 1712 01:06:31,917 --> 01:06:35,166 WHEN PLAYED WITH BREAKS IN BETWEEN, 1713 01:06:35,250 --> 01:06:37,458 I CAN HEAR EXACTLY WHAT THE KILLER'S SAYING. 1714 01:06:37,542 --> 01:06:38,875 I'LL LOOP IT AND YOU CAN HEAR IT, TOO. 1715 01:06:38,959 --> 01:06:40,166 ALRIGHT. 1716 01:06:40,250 --> 01:06:41,917 [WHISPERED VOICE LOOP] WHERE IS SHE? 1717 01:06:43,125 --> 01:06:43,959 WHERE IS SHE? 1718 01:06:45,583 --> 01:06:48,166 THAT CERTAINLY DOESN'T SOUND LIKE CHRIS SUDON. 1719 01:06:48,250 --> 01:06:49,625 WELL, LOOKING AT THE PITCH AND THE FREQUENCIES, 1720 01:06:49,709 --> 01:06:51,875 IT'S NOT THE SAME AS DR. VEDDERS' VOICE. 1721 01:06:53,500 --> 01:06:55,375 WELL... THAT THROWS MY LIST OF SUSPECTS 1722 01:06:55,458 --> 01:06:56,542 RIGHT OUT THE WINDOW. 1723 01:07:03,917 --> 01:07:05,625 YOU KNOW, WE'VE HAD THESE THREE FATES HERE 1724 01:07:05,709 --> 01:07:06,709 FOR A WHILE. 1725 01:07:06,792 --> 01:07:08,375 IS IT A COINCIDENCE 1726 01:07:08,458 --> 01:07:10,542 THAT DREW JUST SHOWED UP OUT OF THE BLUE? 1727 01:07:10,625 --> 01:07:12,458 I MEAN, EVEN HE SAID IT WAS FREAKY. 1728 01:07:12,542 --> 01:07:13,542 SEE? 1729 01:07:13,625 --> 01:07:14,542 FATE WAS ALWAYS HERE, 1730 01:07:14,625 --> 01:07:15,959 IT JUST HAD TO FIND YOU. 1731 01:07:16,041 --> 01:07:18,000 SO HOW'S YOUR TRIP COMING ALONG? 1732 01:07:18,083 --> 01:07:19,125 OH, I'M NOT GOING ANYWHERE. 1733 01:07:20,166 --> 01:07:21,750 ALL THE ADVENTURE'S RIGHT HERE. 1734 01:07:23,208 --> 01:07:24,000 CASE IN POINT. 1735 01:07:24,083 --> 01:07:25,041 [ENTRY BELL JINGLES] 1736 01:07:25,125 --> 01:07:26,166 HEY, FRANK. 1737 01:07:26,250 --> 01:07:28,291 HEY. 1738 01:07:28,375 --> 01:07:30,250 I THOUGHT YOU'D WANT TO HEAR THIS. 1739 01:07:31,458 --> 01:07:32,458 [VOICE WHISPERS] WHERE IS SHE? 1740 01:07:34,083 --> 01:07:36,250 SO, THAT'S WHY KENDAHL WAS HIDING AT THE CAMPGROUND, 1741 01:07:36,333 --> 01:07:37,542 SOMEONE WAS LOOKING FOR HER. 1742 01:07:37,625 --> 01:07:39,583 SPECIFICALLY A MALE. 1743 01:07:39,667 --> 01:07:41,667 OKAY, WE KNOW THAT KENDAHL HAD THAT PAST RUN-IN WITH HER EX 1744 01:07:41,750 --> 01:07:43,166 WHO HAD THE RESTRAINING ORDER AGAINST HER, 1745 01:07:43,250 --> 01:07:45,125 BUT SUDON SAID THOSE CHARGES WERE TRUMPED UP. 1746 01:07:45,208 --> 01:07:47,333 FRANK, MAYBE IT'S THE OTHER WAY AROUND. 1747 01:07:47,417 --> 01:07:50,375 MAYBE KENDAHL'S EX IS THE STALKER. 1748 01:07:50,458 --> 01:07:51,583 I'M BETTING THAT GUY DRIVING THE CAR 1749 01:07:51,667 --> 01:07:53,125 IN THE SURVEILLANCE FOOTAGE 1750 01:07:53,208 --> 01:07:54,875 IS THE VOICE ON THIS REEL. 1751 01:08:04,667 --> 01:08:06,166 [ENTRY ALERT CHIMES] 1752 01:08:06,250 --> 01:08:07,166 HEY... 1753 01:08:08,959 --> 01:08:10,166 OH, HEY. 1754 01:08:10,250 --> 01:08:12,625 UH, SORRY- SORRY ABOUT THE MESS. 1755 01:08:12,709 --> 01:08:13,625 WE DON'T GET MANY BEAUTIFUL-- 1756 01:08:13,709 --> 01:08:16,625 UH... CUSTOMERS... THESE DAYS. 1757 01:08:16,709 --> 01:08:17,792 [CHUCKLES AWKWARDLY] 1758 01:08:17,875 --> 01:08:19,291 WOW. 1759 01:08:19,375 --> 01:08:20,709 THIS IS... 1760 01:08:20,792 --> 01:08:21,959 A GRAVEYARD? 1761 01:08:22,041 --> 01:08:22,917 YEAH, I KNOW. 1762 01:08:23,000 --> 01:08:24,333 NO, NO, 1763 01:08:24,417 --> 01:08:26,709 NO, IT'S LIKE A TIME CAPSULE. 1764 01:08:26,792 --> 01:08:27,917 [GASPS] 1765 01:08:28,000 --> 01:08:30,166 WITH OLD FRIENDS. 1766 01:08:30,250 --> 01:08:31,250 THIS IS THE SAME MAKE 1767 01:08:31,333 --> 01:08:33,417 AS THE ONE IN AV CLUB, RIGHT? 1768 01:08:33,500 --> 01:08:34,750 YOU STILL KNOW YOUR STUFF. 1769 01:08:34,834 --> 01:08:36,542 WELL, I HAD A GOOD TEACHER. 1770 01:08:36,625 --> 01:08:38,458 MR. FURSE WAS THE MAN. 1771 01:08:38,542 --> 01:08:40,291 I MEANT YOU. 1772 01:08:40,375 --> 01:08:41,792 OH. 1773 01:08:44,834 --> 01:08:46,166 CAN I ASK YOU A QUESTION? 1774 01:08:46,250 --> 01:08:48,417 I THINK YOU JUST DID. 1775 01:08:48,500 --> 01:08:50,333 OH. [LAUGHS] YES. 1776 01:08:50,417 --> 01:08:51,458 CAN I ASK YOU ANOTHER QUESTION? 1777 01:08:51,542 --> 01:08:52,917 SURE. 1778 01:08:54,917 --> 01:08:56,000 WHY DID... 1779 01:08:56,083 --> 01:08:57,375 WHY DID YOU BREAK UP WITH ME? 1780 01:08:57,458 --> 01:08:59,417 WHAT? 1781 01:08:59,500 --> 01:09:00,834 N'UH-UH. 1782 01:09:00,917 --> 01:09:03,083 YOU... YOU BROKE UP WITH ME. 1783 01:09:03,166 --> 01:09:05,208 NO. REALLY? NO. 1784 01:09:05,291 --> 01:09:06,291 YEAH. 1785 01:09:06,375 --> 01:09:07,583 YEAH, YOU HAVE THE HONOR 1786 01:09:07,667 --> 01:09:09,417 OF BEING THE ONLY GUY TO EVER DUMP ME. 1787 01:09:09,500 --> 01:09:10,375 NO. NO, NO, NO, NO. 1788 01:09:10,458 --> 01:09:11,750 NO, NO... 1789 01:09:11,834 --> 01:09:12,917 I SPECIFICALLY REMEMBER, 1790 01:09:13,000 --> 01:09:14,333 WHEN I LOST THE COKE BOTTLE GLASSES, 1791 01:09:14,417 --> 01:09:15,500 YOU LOST INTEREST. 1792 01:09:15,583 --> 01:09:17,917 YOU HAD GIRLS ALL OVER YOU. 1793 01:09:18,000 --> 01:09:20,000 Y-YEAH, OKAY, 1794 01:09:20,083 --> 01:09:22,000 BUT STILL, YOU... YOU BACKED AWAY, 1795 01:09:22,083 --> 01:09:23,333 AND THEN YOU STOPPED COMING TO CLUB. 1796 01:09:23,417 --> 01:09:24,750 NO, I... 1797 01:09:28,375 --> 01:09:30,625 WOW, YOU'RE RIGHT. 1798 01:09:30,709 --> 01:09:33,792 YOU WERE JUST GETTING ALL THIS ATTENTION, 1799 01:09:33,875 --> 01:09:35,333 AND I WASN'T GETTING ANY, 1800 01:09:35,417 --> 01:09:37,709 AND I GUESS I JUST BACKED OFF. 1801 01:09:37,792 --> 01:09:40,625 YOU KNOW... 1802 01:09:40,709 --> 01:09:43,667 THERE WAS NO FORMAL DUMPING BY EITHER OF US, 1803 01:09:43,750 --> 01:09:45,250 COME TO THINK OF IT. 1804 01:09:45,333 --> 01:09:46,959 SO TECHNICALLY, WE'RE STILL DATING? 1805 01:09:47,041 --> 01:09:49,750 [CHUCKLES] YEAH, TECHNICALLY. 1806 01:09:51,250 --> 01:09:53,417 DID YOU KNOW THE REASON WHY I GOT THOSE CONTACT LENSES 1807 01:09:53,500 --> 01:09:54,750 IN THE FIRST PLACE? 1808 01:09:54,834 --> 01:09:56,250 MM-MM. 1809 01:09:56,333 --> 01:09:59,792 I WANTED YOU TO LIKE ME MORE, 1810 01:09:59,875 --> 01:10:01,000 AND... 1811 01:10:01,083 --> 01:10:03,166 I WANTED TO SEE YOU BETTER. 1812 01:10:04,500 --> 01:10:05,709 OH. 1813 01:10:05,792 --> 01:10:06,667 OH NO, THAT WAS... 1814 01:10:06,750 --> 01:10:07,667 THAT WAS TOO MUCH, RIGHT? 1815 01:10:07,750 --> 01:10:08,709 SOMETIMES, I JUST, I GO... 1816 01:10:08,792 --> 01:10:09,667 I SAY TOO MUCH, AND... 1817 01:10:09,750 --> 01:10:10,875 NO. NO, NO, NO. 1818 01:10:10,959 --> 01:10:12,000 YOU'RE GREAT. 1819 01:10:12,083 --> 01:10:13,083 YOU'RE REALLY GREAT. 1820 01:10:13,166 --> 01:10:14,166 YOU'RE JUST, YOU'RE DOING... 1821 01:10:14,250 --> 01:10:15,291 [SIGHS] ... FINE. 1822 01:10:15,375 --> 01:10:16,458 I'M RAMBLING. 1823 01:10:16,542 --> 01:10:17,750 OH... 1824 01:10:17,834 --> 01:10:19,417 YEAH, YOU ARE, BUT I GET IT, 1825 01:10:19,500 --> 01:10:22,375 AND IT-IT-IT'S REALLY CUTE. 1826 01:10:22,458 --> 01:10:24,667 LIKE, IT'S BEYOND CUTE. 1827 01:10:33,333 --> 01:10:35,750 OH, HOW'S THE VISION-BOARD LOOKING? 1828 01:10:35,834 --> 01:10:37,458 OH, IT'S STILL KINDA BLIND. 1829 01:10:38,417 --> 01:10:39,625 BLIND. 1830 01:10:39,709 --> 01:10:40,667 [GASPING] 1831 01:10:40,750 --> 01:10:42,417 LIKE, BAD VISION, 1832 01:10:42,500 --> 01:10:46,709 AND CONTACT LENSES AND COKE BOTTLE GLASSES. 1833 01:10:46,792 --> 01:10:48,208 [GASPING] IS IT JUST ME, 1834 01:10:48,291 --> 01:10:50,417 OR ARE THE STARS ALIGNING? 1835 01:10:50,500 --> 01:10:52,709 I THINK THE STARS ARE ALIGNING. 1836 01:10:52,792 --> 01:10:53,959 DID YOU FIND KENDAHL'S EX? 1837 01:10:54,041 --> 01:10:56,083 FRANK IS WORKING ON IT AS WE SPEAK. 1838 01:10:56,166 --> 01:10:57,625 GETTING THE NAME SHOULD BE EASY. 1839 01:10:57,709 --> 01:10:59,291 TRACKING HIM DOWN IS THE NEXT STEP. 1840 01:10:59,375 --> 01:11:00,750 OKAY, WHAT DO YOU KNOW? 1841 01:11:00,834 --> 01:11:02,125 WELL, IT LOOKS LIKE KENDAHL'S EX 1842 01:11:02,208 --> 01:11:04,333 FOLLOWED HER TO THE COMMUNITY CENTER, 1843 01:11:04,417 --> 01:11:05,709 AND THEN FOLLOWED KENDAHL AND DR. VEDDERS 1844 01:11:05,792 --> 01:11:07,625 TO THE APARTMENT. 1845 01:11:07,709 --> 01:11:08,875 UNLESS... 1846 01:11:08,959 --> 01:11:10,583 UNLESS WHAT? 1847 01:11:10,667 --> 01:11:13,709 WHAT IF HE WAS ALREADY AT THE COMMUNITY CENTER? 1848 01:11:13,792 --> 01:11:16,125 LIKE, WAITING? 1849 01:11:16,208 --> 01:11:18,375 HE'D KNOW SHE'D BE THERE IF SHE WENT EVERY WEEK. 1850 01:11:18,458 --> 01:11:21,333 WELL, I WAS THINKING ABOUT THAT POCKET PATCH I FOUND. 1851 01:11:21,417 --> 01:11:24,875 MAYBE SOMETHING LIKE A JANITOR? 1852 01:11:26,834 --> 01:11:27,959 WHERE ARE YOU GOING? 1853 01:11:28,041 --> 01:11:29,542 DON'T WORRY, I'M CALLING FRANK. 1854 01:11:29,625 --> 01:11:31,417 [SIGHS] 1855 01:11:38,709 --> 01:11:40,750 SO YOU KNOW HIS NAME, BUT DO YOU HAVE HIM IN CUSTODY? 1856 01:11:40,834 --> 01:11:41,875 NO CUSTODY, 1857 01:11:41,959 --> 01:11:44,083 BUT CALLUM SELSKI SEEMS TO BE OUR MAN. 1858 01:11:44,166 --> 01:11:45,458 CALLUM SELSKI, 1859 01:11:45,542 --> 01:11:47,542 THAT WOULD EXPLAIN THE C.S. ON THE INITIAL NECKLACE. 1860 01:11:47,625 --> 01:11:49,583 BUT NO SIGN OF HIM? 1861 01:11:49,667 --> 01:11:51,458 WELL, I WENT BY HIS HOUSE, HE WASN'T THERE. 1862 01:11:51,542 --> 01:11:53,083 HE MIGHT HAVE GIVEN ME THE SLIP. 1863 01:11:53,166 --> 01:11:54,458 YOU KNOW, COME TO THINK OF IT, 1864 01:11:54,542 --> 01:11:56,792 KENDAHL SAID THAT SOMETIMES IN RELATIONSHIPS, 1865 01:11:56,875 --> 01:11:58,333 SHE DID PUT PEOPLE ON A PEDESTAL. 1866 01:11:58,417 --> 01:12:00,000 WELL, HE MIGHT BE THE TYPE, 1867 01:12:00,083 --> 01:12:01,417 WHERE, YOU KNOW, 1868 01:12:01,500 --> 01:12:03,250 IF HE'S NO LONGER THE CENTER OF SOMEONE'S ATTENTION, 1869 01:12:03,333 --> 01:12:05,542 WELL, HE MIGHT FIND HIMSELF IN A PRETTY LONELY PLACE. 1870 01:12:05,625 --> 01:12:07,458 AND A JEALOUS PLACE. 1871 01:12:07,542 --> 01:12:08,917 MAYBE HE MISREADS THE SIGNS 1872 01:12:09,000 --> 01:12:10,709 OF HER RELATIONSHIP WITH VEDDERS, 1873 01:12:10,792 --> 01:12:12,875 HE THREATENS HER, AND SHE TAKES OFF. 1874 01:12:12,959 --> 01:12:16,208 HE THEN FOLLOWS VEDDERS HOME LOOKING FOR HER. 1875 01:12:16,291 --> 01:12:18,125 WHAT ABOUT HER EX'S CAR? 1876 01:12:18,208 --> 01:12:20,667 DOES IT MATCH THE DESCRIPTION OF THE ONE AT THE CAMPSITE? 1877 01:12:20,750 --> 01:12:21,709 UH, YUP, 1878 01:12:21,792 --> 01:12:22,750 DARK GRAY. 1879 01:12:24,500 --> 01:12:26,208 WELL THEN, YOU BETTER GET HERE. 1880 01:12:26,291 --> 01:12:27,709 WHY? WHERE ARE YOU? 1881 01:12:27,792 --> 01:12:29,333 THE COMMUNITY CENTER. 1882 01:12:29,417 --> 01:12:31,083 GET OUT OF THERE. 1883 01:12:31,166 --> 01:12:32,291 FRANK... 1884 01:12:32,375 --> 01:12:34,333 HE GOT A JOB HERE SO HE COULD FOLLOW HER. 1885 01:12:34,417 --> 01:12:35,959 I'M ON MY WAY. GET OUT OF THERE NOW! 1886 01:12:37,291 --> 01:12:38,125 [BLOW THUDS HEAVILY] 1887 01:12:42,291 --> 01:12:43,709 IT'S A POSSIBLE 10-35 IN PROGRESS. 1888 01:12:43,792 --> 01:12:45,959 WE NEED ALL AVAILABLE UNITS TO THE COMMUNITY CENTER NOW! 1889 01:12:46,041 --> 01:12:47,166 YOU'RE WITH ME. 1890 01:12:47,250 --> 01:12:48,583 COME ON. 1891 01:12:53,166 --> 01:12:54,834 [♪♪♪] 1892 01:13:03,500 --> 01:13:05,208 [JENN WINCING] 1893 01:13:06,583 --> 01:13:08,083 [TOOLS SNIPPING] 1894 01:13:21,709 --> 01:13:23,166 [PHONE POWERS ON WITH A CHIME] 1895 01:13:25,625 --> 01:13:27,417 AH-AH... 1896 01:13:27,500 --> 01:13:29,542 THERE'S NO RECEPTION DOWN HERE ANYWAY. 1897 01:13:29,625 --> 01:13:30,792 NOW THAT I THINK ABOUT IT, 1898 01:13:30,875 --> 01:13:32,000 THE WHOLE ROOM IS PRACTICALLY SOUND-PROOFED 1899 01:13:32,083 --> 01:13:33,208 TO BLOCK OUT THE NOISE OF THE BOILER. 1900 01:13:33,291 --> 01:13:34,542 SO IF IT HELPS TO SCREAM, 1901 01:13:34,625 --> 01:13:36,125 THAT'S FINE BY ME. 1902 01:13:36,208 --> 01:13:38,250 THIS ISN'T GOING TO MAKE IT ALL GO AWAY. 1903 01:13:38,333 --> 01:13:40,125 I NEED TO KNOW WHAT YOU KNOW. 1904 01:13:40,208 --> 01:13:41,750 THAT THE POLICE ARE ON THEIR WAY HERE, 1905 01:13:41,834 --> 01:13:43,417 AND THEY KNOW WHO YOU ARE. 1906 01:13:43,500 --> 01:13:45,083 "THEY" OR ONE DETECTIVE THAT CAN BE TAKEN OUT? 1907 01:13:45,166 --> 01:13:46,959 ALL OF THEM KNOW. 1908 01:13:47,041 --> 01:13:48,375 WELL THEN... 1909 01:13:48,458 --> 01:13:49,583 WE'LL MAKE SURE WE TIME THIS RIGHT 1910 01:13:49,667 --> 01:13:50,458 FOR THEIR ARRIVAL. 1911 01:13:50,542 --> 01:13:52,000 TIME WHAT? 1912 01:13:52,083 --> 01:13:52,834 DO YOU KNOW HOW MANY PEOPLE DIE 1913 01:13:52,917 --> 01:13:54,083 IN BOILER EXPLOSIONS EVERY YEAR? 1914 01:13:56,000 --> 01:13:58,125 WE KNOW ALL ABOUT KENDAHL. 1915 01:13:59,542 --> 01:14:02,083 YOU KNOW, THEY ARE AVOIDABLE ACCIDENTS, JENN, 1916 01:14:02,166 --> 01:14:04,709 PEOPLE JUST DON'T TAKE THE TIME TO HAVE THEM CHECKED. 1917 01:14:04,792 --> 01:14:05,750 SO, IF ANYTHING HAPPENS TO ME OR ANYONE, 1918 01:14:05,834 --> 01:14:06,834 THE POLICE WILL BE LOOKING FOR YOU. 1919 01:14:06,917 --> 01:14:07,875 AND I'LL BE OUT BACK 1920 01:14:07,959 --> 01:14:09,125 AND OUTTA TOWN 1921 01:14:09,208 --> 01:14:12,166 LONG BEFORE THE FIRST FIRE TRUCK EVEN SHOWS. 1922 01:14:12,250 --> 01:14:13,875 THE CHARGES THAT YOU FILED AGAINST KENDAHL 1923 01:14:13,959 --> 01:14:15,792 WERE OBVIOUSLY THE OTHER WAY AROUND. 1924 01:14:15,875 --> 01:14:17,709 DO YOU KNOW WHAT IT'S LIKE 1925 01:14:17,792 --> 01:14:19,625 TO NEVER FIT IN? 1926 01:14:19,709 --> 01:14:21,959 TO NEVER BE A PART OF ANYTHING 1927 01:14:22,041 --> 01:14:24,166 OR THAT FEELING OF NEVER BEING WANTED? 1928 01:14:24,250 --> 01:14:26,750 SHE FILLED IN LIFE'S BLANKS, 1929 01:14:26,834 --> 01:14:28,250 THE BIG EMPTY PLACES. 1930 01:14:28,333 --> 01:14:30,542 BUT SOMETHING WENT WRONG. 1931 01:14:30,625 --> 01:14:32,709 KENDAHL JOINED THE GROUP, 1932 01:14:32,792 --> 01:14:34,375 AND HER FOCUS BECAME VEDDERS. 1933 01:14:34,458 --> 01:14:35,750 BUT YOU KNEW IT WASN'T THAT TYPE OF AFFECTION. 1934 01:14:35,834 --> 01:14:37,000 WHATEVER IT WAS, 1935 01:14:37,083 --> 01:14:38,875 HE HAD HER HEART, AND SHE HAD MINE, 1936 01:14:38,959 --> 01:14:41,000 BROKEN AS IT IS. 1937 01:14:41,083 --> 01:14:42,500 I WAS BACK TO RUNNING ON EMPTY, 1938 01:14:42,583 --> 01:14:43,667 AND PEOPLE AREN'T MEANT TO RUN ON EMPTY. 1939 01:14:43,750 --> 01:14:44,709 SO TO GET BACK AT HER 1940 01:14:44,792 --> 01:14:48,000 YOU FILED A FAKE RESTRAINING ORDER? 1941 01:14:48,083 --> 01:14:51,417 DISCREDITING ANY FUTURE CLAIMS THAT YOU WERE STALKING HER? 1942 01:14:51,500 --> 01:14:53,208 IT IS WHAT IT IS. 1943 01:15:04,834 --> 01:15:06,000 SO YOU... 1944 01:15:06,083 --> 01:15:07,709 YOU SAW HER LEAVE THAT DAY... 1945 01:15:08,750 --> 01:15:10,500 YOU SAW HER FOLLOW HIM. 1946 01:15:13,291 --> 01:15:15,750 SO YOU GOT IN YOUR CAR AND YOU FOLLOWED HER. 1947 01:15:31,291 --> 01:15:32,583 YOU'D BEEN FOLLOWING HER FOR A WHILE, 1948 01:15:32,667 --> 01:15:34,166 THAT'S WHY SHE HAD TO GET AWAY FROM YOU. 1949 01:15:44,458 --> 01:15:46,041 AMAZING. 1950 01:15:46,125 --> 01:15:47,583 THANK YOU. 1951 01:15:52,667 --> 01:15:54,000 [JENN CONTINUES]: AND WHEN YOU SAW 1952 01:15:54,083 --> 01:15:56,166 THAT DR. VEDDERS WAS HELPING HER GET HER OWN PLACE, 1953 01:15:56,250 --> 01:15:57,709 A PLACE AWAY FROM YOU, 1954 01:15:57,792 --> 01:16:00,500 YOU CONFRONT HER. 1955 01:16:04,583 --> 01:16:06,709 [KENDAHL]: HE'S NOT JUST GONNA LET ME LEAVE. 1956 01:16:06,792 --> 01:16:08,000 ARE YOU SURE YOU HAVE TO GO? 1957 01:16:08,083 --> 01:16:09,834 CAN YOU STAY JUST A LITTLE LONGER? 1958 01:16:09,917 --> 01:16:11,792 WE'RE THE ONLY ONES WHO KNOW ABOUT THIS PLACE. 1959 01:16:11,875 --> 01:16:14,166 YOU'LL BE SAFE HERE AS LONG AS YOU NEED ME. 1960 01:16:14,250 --> 01:16:15,291 RENT'S COVERED. 1961 01:16:15,375 --> 01:16:16,542 BUT WHAT IF HE FINDS ME? 1962 01:16:16,625 --> 01:16:18,083 HE WON'T. JUST LOCK THE DOOR, 1963 01:16:18,166 --> 01:16:19,542 AND CALL ME IF YOU HAVE ANY PROBLEMS. 1964 01:16:19,625 --> 01:16:20,583 MY PHONE IS ALWAYS ON. 1965 01:16:20,667 --> 01:16:22,125 -THANK YOU. -YOU'RE WELCOME. 1966 01:16:24,083 --> 01:16:25,417 BYE. 1967 01:16:26,875 --> 01:16:28,000 [SNAPS DEADBOLT SHUT] 1968 01:16:29,667 --> 01:16:30,750 ARE YOU WITH HIM NOW? 1969 01:16:30,834 --> 01:16:31,875 NO. 1970 01:16:31,959 --> 01:16:33,583 I LOVE YOU. I WANT TO BE WITH YOU. 1971 01:16:33,667 --> 01:16:35,041 NO, NO, NO, YOU LOVE THE IDEA OF ME. 1972 01:16:35,125 --> 01:16:36,166 NO. YOU'RE NOT LEAVING. 1973 01:16:47,583 --> 01:16:48,834 [JENN CONTINUES]: WHEN SHE TAKES OFF, 1974 01:16:48,917 --> 01:16:50,875 AND YOU THINK WITH VEDDERS, 1975 01:16:50,959 --> 01:16:53,208 YOU FOLLOW THEM. 1976 01:16:58,291 --> 01:17:00,166 [TIRES SQUEALING] 1977 01:17:19,000 --> 01:17:21,041 BUT SHE WASN'T WITH HIM. 1978 01:17:22,875 --> 01:17:25,417 YOU GET TO VEDDERS' HOUSE, 1979 01:17:25,500 --> 01:17:28,583 AND YOU THINK THEY'RE INSIDE TOGETHER. 1980 01:17:33,458 --> 01:17:37,458 YOU GO IN AND FIND VEDDERS ALONE, 1981 01:17:37,542 --> 01:17:39,166 YOUR JEALOUSY TAKES OVER 1982 01:17:39,250 --> 01:17:40,875 AND, OUT OF CONTROL, YOU KILL HIM. 1983 01:17:42,542 --> 01:17:43,959 [CHISEL DROPS, CLATTERING] 1984 01:17:47,709 --> 01:17:49,000 [CHISEL CLANGS INTO VENT] 1985 01:17:49,083 --> 01:17:50,583 [GASPING IN PANIC] 1986 01:18:01,417 --> 01:18:02,375 [GROANS IN FRUSTRATION] 1987 01:18:06,166 --> 01:18:07,750 WHERE IS SHE? 1988 01:18:08,709 --> 01:18:10,125 WHERE IS SHE? 1989 01:18:11,834 --> 01:18:13,333 WHERE IS SHE? 1990 01:18:13,417 --> 01:18:15,000 [JENN CONTINUES]: IN A PANIC, YOU REALIZE 1991 01:18:15,083 --> 01:18:16,333 THAT YOU'VE GOT TO CLEAN UP, 1992 01:18:16,417 --> 01:18:18,125 COVER YOUR TRACKS. 1993 01:18:29,959 --> 01:18:33,542 SO YOU TAKE DR. VEDDERS' BODY BACK TO KENDAHL'S NEW APARTMENT 1994 01:18:33,625 --> 01:18:37,875 TO EITHER PIN THE CRIME ON HER, OR MAKE A STATEMENT. 1995 01:18:37,959 --> 01:18:40,250 "IF I CAN'T HAVE YOU, NO ONE CAN." 1996 01:18:40,333 --> 01:18:41,667 OR MAYBE... 1997 01:18:41,750 --> 01:18:43,375 MAYBE YOU WERE HOPING, 1998 01:18:43,458 --> 01:18:45,041 WITH VEDDERS OUT OF THE WAY, 1999 01:18:45,125 --> 01:18:47,792 HER ATTENTION WOULD GO BACK TO YOU. 2000 01:18:47,875 --> 01:18:49,125 I'M GUESSING 2001 01:18:49,208 --> 01:18:50,583 YOU PLANTED THAT PIECE OF FABRIC AT THE CAMPSITE 2002 01:18:50,667 --> 01:18:51,917 TO FRAME CHRIS SUDON? 2003 01:18:53,458 --> 01:18:58,625 EVERYTHING I DID, I DID BECAUSE I LOVED HER. 2004 01:18:58,709 --> 01:19:00,083 LOVE HER. 2005 01:19:00,166 --> 01:19:01,291 [STEAM VALVE HISSING] 2006 01:19:04,291 --> 01:19:07,083 IF YOU RUN NOW, YOU WILL BE RUNNING FOREVER! 2007 01:19:07,166 --> 01:19:08,458 AND LIKE YOU SAID, 2008 01:19:08,542 --> 01:19:10,875 YOU CAN ONLY RUN ON EMPTY FOR SO LONG! 2009 01:19:10,959 --> 01:19:11,959 I KNOW. 2010 01:19:12,041 --> 01:19:13,750 [STEAM HISSING, VALVES BURSTING] 2011 01:19:13,834 --> 01:19:15,458 TIME TO GO. 2012 01:19:36,625 --> 01:19:37,417 FREEZE! 2013 01:19:59,291 --> 01:20:00,834 GET DOWN. 2014 01:20:00,917 --> 01:20:02,458 CLASP YOUR HANDS. 2015 01:20:02,542 --> 01:20:03,834 YOU'RE UNDER ARREST. 2016 01:20:08,000 --> 01:20:10,125 [STEAM HISSING] 2017 01:20:20,625 --> 01:20:21,875 WHERE IS SHE? 2018 01:20:21,959 --> 01:20:22,667 GET DOWN! 2019 01:20:26,417 --> 01:20:27,166 THERE'S BEEN A MISTAKE! 2020 01:20:27,250 --> 01:20:28,500 PLEASE... 2021 01:20:29,792 --> 01:20:31,125 [PLAYING RECORDING] 2022 01:20:31,208 --> 01:20:32,375 THERE'S NO RECEPTION DOWN HERE ANYWAY... 2023 01:20:33,709 --> 01:20:35,000 COME ON. 2024 01:20:35,083 --> 01:20:35,959 COME ON... 2025 01:20:40,000 --> 01:20:41,041 [BOTH PANTING IN RELIEF] 2026 01:20:43,208 --> 01:20:44,709 OH... 2027 01:20:46,166 --> 01:20:48,375 [♪♪♪] 2028 01:20:53,041 --> 01:20:55,458 [DOORBELL RINGS] 2029 01:20:55,542 --> 01:20:58,291 [JAUNTY KNOCKING] 2030 01:20:58,375 --> 01:20:59,125 HELLO, LYNWOODS! 2031 01:20:59,208 --> 01:21:00,250 HI! 2032 01:21:00,333 --> 01:21:01,250 HI, WE'RE HERE FOR THE PREMIERE, 2033 01:21:01,333 --> 01:21:02,375 SPECIFICALLY THE FREE POPCORN. 2034 01:21:02,458 --> 01:21:03,333 WELL THEN, COME IN. 2035 01:21:03,417 --> 01:21:05,208 SALLY, HI! IT'S BEEN TOO LONG! 2036 01:21:05,291 --> 01:21:06,166 OH, IT'S SO GOOD TO SEE YOU. 2037 01:21:06,250 --> 01:21:07,583 I BROUGHT REINFORCEMENTS. 2038 01:21:07,667 --> 01:21:09,750 CHOCOLATE IN BOTH HANDS IS A BALANCED DIET. 2039 01:21:09,834 --> 01:21:10,792 I COULDN'T AGREE MORE. 2040 01:21:10,875 --> 01:21:12,125 [CHUCKLING] 2041 01:21:12,208 --> 01:21:14,208 THEY ARE SO EXCITED TO SHOW US THE "MAN CAVE." 2042 01:21:14,291 --> 01:21:15,709 I CAN'T WAIT TO SEE IT. 2043 01:21:15,792 --> 01:21:16,542 SHALL I TAKE THESE DOWN. 2044 01:21:16,625 --> 01:21:18,250 OH, SURE, THANK YOU. 2045 01:21:18,333 --> 01:21:19,792 SO, WHAT'S THE UPDATE? 2046 01:21:19,917 --> 01:21:21,500 WELL, LET'S SEE, 2047 01:21:21,583 --> 01:21:24,208 A FULLY-SIGNED CONFESSION FROM THE SECURITY GUARD. 2048 01:21:24,291 --> 01:21:25,375 DEB'S GETTING MARRIED, 2049 01:21:25,458 --> 01:21:26,500 SUDON'S GONNA BE THE EMCEE. 2050 01:21:26,583 --> 01:21:27,583 OH. 2051 01:21:27,667 --> 01:21:28,625 AND MRS. VEDDERS', 2052 01:21:28,709 --> 01:21:30,333 WELL, SHE'S GONNA BE DONATING 2053 01:21:30,417 --> 01:21:31,959 SOME OF HER INSURANCE MONEY TO THE COMMUNITY CENTER 2054 01:21:32,041 --> 01:21:33,083 IN HER HUSBAND'S NAME. 2055 01:21:33,166 --> 01:21:34,083 OH. 2056 01:21:34,166 --> 01:21:35,667 NICE WORK, DETECTIVE. 2057 01:21:35,750 --> 01:21:37,875 WELL, I CAN'T LET YOU DO MY WHOLE JOB. 2058 01:21:37,959 --> 01:21:40,083 [LAUGHING] 2059 01:21:40,166 --> 01:21:43,041 AFTER MANY TRIALS... 2060 01:21:43,125 --> 01:21:45,208 ...TRIBULATIONS... 2061 01:21:45,291 --> 01:21:46,583 ...AND HARD WORK, 2062 01:21:46,667 --> 01:21:48,583 BOTH OLD SCHOOL AND NEW SCHOOL, 2063 01:21:48,667 --> 01:21:49,959 WE PRESENT TO YOU, 2064 01:21:50,041 --> 01:21:51,166 THE MANCAVE! 2065 01:21:51,250 --> 01:21:53,458 THE WOMANCAVE. 2066 01:21:53,542 --> 01:21:55,750 THE SHAN-CAVE! 2067 01:21:55,834 --> 01:21:57,041 WOW! 2068 01:21:57,125 --> 01:21:58,542 -OH! [GASPS OF DELIGHT] -IT LOOKS GREAT! 2069 01:21:58,625 --> 01:22:00,750 [APPLAUDING] 2070 01:22:00,834 --> 01:22:02,959 WELL... OKAY, 2071 01:22:03,041 --> 01:22:05,792 I DON'T WANT TO STEAL ANYBODY'S SUNSHINE, BUT... 2072 01:22:05,875 --> 01:22:08,000 I GAVE UP ON MY VISIONBOARD, 2073 01:22:08,083 --> 01:22:10,291 AND IT'S BECAUSE OF YOU GUYS. 2074 01:22:10,375 --> 01:22:12,917 NOW, A WEEK AGO, I WENT OUT LOOKING 2075 01:22:13,000 --> 01:22:14,250 FOR WHAT I WANTED IN MY LIFE, 2076 01:22:14,333 --> 01:22:17,458 AND I CONTEMPLATED ZIPLINING, 2077 01:22:17,542 --> 01:22:19,792 AND THEN, UM, I TRIED 2078 01:22:19,875 --> 01:22:22,500 THAT 30-SECOND SPEED-DATING, WHICH... NO. 2079 01:22:22,583 --> 01:22:25,542 AND THEN, I PLANNED A LIFE-CHANGING TRIP 2080 01:22:25,625 --> 01:22:26,709 TO... WHEREVER, 2081 01:22:26,792 --> 01:22:28,500 AND I REALIZED, 2082 01:22:28,583 --> 01:22:31,250 THAT I DON'T WANT MY LIFE TO CHANGE. 2083 01:22:31,333 --> 01:22:33,208 MY FUTURE IS IN THIS TOWN, 2084 01:22:33,291 --> 01:22:34,542 SPECIFICALLY, 2085 01:22:34,625 --> 01:22:36,250 IN THIS ROOM. 2086 01:22:36,333 --> 01:22:37,917 I DON'T HAVE TO LOOK FORWARD, 2087 01:22:38,000 --> 01:22:39,417 I JUST HAVE TO LOOK HERE. 2088 01:22:39,500 --> 01:22:41,709 [ALL GUSHING FONDLY] AW, DANI... 2089 01:22:41,792 --> 01:22:43,083 AW... 2090 01:22:44,250 --> 01:22:45,750 YOU GUYS ARE MY EVERYTHING. 2091 01:22:45,834 --> 01:22:46,583 [TEXT MESSAGE CHIMES] 2092 01:22:46,667 --> 01:22:48,166 OH. 2093 01:22:48,250 --> 01:22:49,917 [GASPS] IT'S FROM DREW. 2094 01:22:50,000 --> 01:22:51,000 [GROANS] 2095 01:22:51,083 --> 01:22:52,000 WELL, ALMOST EVERYTHING. 2096 01:22:52,083 --> 01:22:53,417 [LAUGHTER] 2097 01:22:53,500 --> 01:22:55,208 WHAT IS HE SAYING? 2098 01:22:55,291 --> 01:22:57,709 HE WANTS TO GO FOR COFFEE. 2099 01:22:57,792 --> 01:22:58,667 ALRIGHT... 2100 01:22:58,750 --> 01:23:00,375 SO, UH, WHAT ARE WE WATCHING? 2101 01:23:00,458 --> 01:23:02,250 WELL, AFTER MUCH DELIBERATION, 2102 01:23:02,333 --> 01:23:03,709 WE DECIDED ON A CLASSIC. 2103 01:23:03,792 --> 01:23:06,166 IT HAS ROMANCE, A JOURNEY, AND A TRIUMPH. 2104 01:23:06,250 --> 01:23:08,041 FAST AND FURIOUS 8! 2105 01:23:08,125 --> 01:23:09,083 FATE OF THE FURIOUS. 2106 01:23:09,166 --> 01:23:10,250 WHOO! 2107 01:23:10,333 --> 01:23:12,041 LIGHTS! 2108 01:23:17,667 --> 01:23:18,542 [LOGAN]: LEGALLY BLONDE? 2109 01:23:18,625 --> 01:23:19,417 [SALLY GASPS IN DELIGHT] 2110 01:23:19,500 --> 01:23:20,709 I LOVE THIS MOVIE. 2111 01:23:20,792 --> 01:23:22,250 A ROMANCE, A JOURNEY, 2112 01:23:22,333 --> 01:23:24,000 AND A TRIUMPH. 2113 01:23:31,000 --> 01:23:34,834 [♪♪♪] 140061