Original subtitles

- My trip to Cyprus.

Why don't you join me?

I have some business with the new chief of police to handle.

- You like him, don't you?

- Whether I like the guy or not is irrelevant.

He's going down.

- Andre has been all round Alex.

There's something not right about it.

- I'm, I'm gonna dig around.

- And we're looking into a family business called Meliou.

- I know Meliou. They make honey.

Checks out clean.

- Yeah, they're called fronts, bro.

- This is Tanis Sioftanos.

He's been the Markides' accountant for over 20 years.

- He's in Cyprus, so if anyone knows

how the Markides' launder their money, it's him.

- If anyone knows where the bodies are buried, it's him.

♪ Oh oh, oh oh

♪ Oh, oh oh, oh oh

♪ Oh oh, oh oh

♪ Oh, oh oh, oh oh

♪ Oh oh, oh oh

♪ Oh, oh oh, oh oh

♪ I just got to say

♪ I'm not gonna give my heart

♪ If you're gonna break it

♪ Though I love you more than any girl before ♪

♪ Yes, I love you, baby

♪ I'm not gonna give my heart

♪ If you're gonna break it

- Is that one of your vans?

Is there anything on the island you don't own?

[smirking]

- You know, the Markides family were in the slums

only 50 years ago.

My father was so poor.

He joined the army just for a place to sleep.

He had nothing, until he started in imports.

[chuckling]

And now.

- Imports, is that what you call it?

[laughing]

[engine revving]

[soft dramatic music]

- Sir, our security detail think we're being followed.

[engine revving and tyres squealing]

- I'm guessing you don't own that one.

[engine revving]

- Put your foot down.

[engines revving]

- There, there's another one.

[soft dramatic music]

[engine revving and tyres squealing]

[dramatic music]

[tyre blowing]

[engines revving and tyres squealing]

[dramatic music]

[tyres squealing]

[dramatic music]

[tyres squealing]

[dramatic music]

[guns firing]

[dramatic music]

[bandits shouting]

- Yeah, yeah, yeah, okay, all right.

Calm down, calm down, calm down.

Calm down, calm down.

[guns cocking]

I thought you owned the whole island.

- Most of it.

They're just local bandits.

[soft dramatic music]

[speaking Greek]

- What did he say?

- He's saying he messed up.

[speaking Greek]

Welcome to Cyprus.

♪ Would you take a bullet?

♪ Would you bite the gun?

♪ I fall onto my knees and yes the war's already won ♪

♪ Through dark nights

♪ We burn bright

♪ Til the sunset

♪ Til the sunset

♪ Through dark nights

♪ We burn bright

♪ When it all goes wrong

♪ I'll take my time, I'll keep on holding on ♪

♪ When it all goes wrong

♪ When it all goes wrong

♪ When it all goes wrong, I'll pull myself together ♪

♪ Keep on holding on

[soft dramatic music]

[dog barking]

[keys striking]

[soft dramatic music]

- Ma'am, Elena Markides is checking out

Bishop's legend online.

- Well, might just be a coincidence.

- When does it stop becoming a coincidence?

[dramatic music]

[door opening]

[door closing]

- [Aaron] This is a nice place.

- Sick yard, eh, bro?

- Don't speak like that please.

[laughing]

- Welcome home, sir.

- The Rose suite is prepared for my guest, yes?

- As you requested, sir.

- My brother?

Waiting for you, sir.

- Good.

Andreas.

[speaking Greek]

- This is Andre. - Hey.

- Welcome.

To business.

- He's already here?

- He's the new chief of police.

I couldn't exactly turn him away.

[speaking Greek]

- It was nothing, just local desperados.

- Anyone killed?

- Only with kindness.

- I admit that was a nice gesture.

Despite it being your drug money,

they were my police, not desperados.

- Haven't you got any better things to do?

- Than stop criminals? No.

[soft dramatic music]

- I thought you came here to make a deal.

- I have.

But I want to show you how easy it is to get you.

- Hmm.

I'm impressed.

- Every day Markides operates outside the parameters

of the deal I'm about to offer,

I will make my presence felt, every day.

- Okay, okay, okay, I got it.

Tough guy but fair guy.

Well done.

Now, what you want?

- I understand the need to make money,

so you can keep your Meliou operation open,

your telecoms business can stay,

you can even keep your restaurants and bars.

But there can be no more drugs on the island.

I see what they're doing

to the next generation, our children.

No more, please, for the sake of the country

you claim to love.

[door opening]

- Whoo, yes, Uncs.

What you saying, Uncs?

Told this fucker we ain't dealing with him, yeah?

- You must be the nephew.

You certainly fit the description.

- Bruv, what are you doing?

You stand up when I walk in the room.

Get off my sofa.

- [Alex] Michael, stand down.

- I am a reasonable man, Mr Markides,

but I won't stand by and watch your family ruin

this island with your racketeering.

- I'll tell you what, mate.

How's this for a deal?

[guns cocking]

- Are we really gonna kill each other right here?

I don't think so.

- Just gonna come in my yard and chat shit, yeah?

- Can everyone lower their guns, please, now?

[dramatic music]

Now!

[dramatic music]

[speaking Greek]

- What?

- And keep your dog on a leash next time.

[Michael laughing]

- Woof!

Let's shake out, T.

- Wait!

I said you'll wait.

You don't give orders, I do.

You don't choose who dies, I do!

- I don't give a--

If you ain't gonna stand up to him, I will.

- You're gonna go to war with me?

[soft dramatic music]

I need a swim.

My staff will see you to your quarters.

- Okay.

[soft music]

- Yo, G. - Yo, fam.

- [Aaron] What's happening, man?

- I told you I wouldn't let you down, bro.

- Yeah man, you did.

Listen, we need to go see that police chief

and let him know who we are.

- Yeah, without him we ain't gonna find

that Sioftanos guy innit.

- No, Sioftanos, there's a--

- Yeah, Sioftanos.

- No, bruv, it's SioftanOs.

- Bro, we're saying the same thing.

- It's--

All right, let's go.

- Come on.

[soft dramatic music]

[speaking Greek]

- Capable of sticking a gun under my nose.

- Andre?

The police chief, what did you make of him?

- He's Greek, how should I know?

Uh, he didn't seem unreasonable.

- You either deal with him, or you go to war with him.

But you risk prison.

- Andreas, I'd rather die than go to prison.

- So make a deal and live a normal life.

- I'm not even sure what that means.

I wanna show you something.

[upbeat guitar music]

- I don't claim to be a saint, but I do care.

In my own way.

This is where I grew up.

Like it?

- [Aaron] Different climate, same problems.

- We share a lot more than first meets the eye, don't we?

- Yeah.

Except that you're twice my age.

- Bullshit.

[laughing]

- I think you are.

More like four times, I'm just being polite,

first day and everything, you know.

- Welcome to Meliou.

Making money is easy, man.

Getting rid of it's harder.

Everything we earn on the street goes into production.

Organic honey, olive oil, wine.

We even make soap, bruv.

- Wow.

- That's what you call washing money.

- Yeah, that's sick, man.

- And that is why we gotta put

a bullet in that police chief's head.

He ain't shutting us down.

We got police on the payrolls.

We know the new chief's movements.

He was given a residence, but he says he likes

to keep it real,

so he stays in the hood with his family.

It's a small, coastal development in Paphos.

Now, that clown's got guards.

But we got--

[bee buzzing]

- Oh, shit.

[laughing]

Is that how you're getting on?

[soft dramatic music]

- Now I got a pipeline, I can take

this work anywhere I want.

[soft dramatic music]

Alex has got no idea what I'm capable of.

We're gonna take it to the next level without him.

Listen, I need you by my side.

[dramatic music]

- Truth is, I could have made a deal years ago,

if there was someone I could trust.

I always hoped it might be Brandon.

What?

- Come on.

- Why not?

I haven't risked my whole life

just to watch it fall apart in the wrong hands.

Brandon wasn't blood, but he was loyal.

And loyalty is all we have, Andre.

[passers by chattering]

- Okay, so what about your sister?

- Ah, she's worse than that skylos son of her.

That's why I shut them down in Amsterdam.

- All right, so in your opinion, what's the difference

between selling people and selling drugs?

- Choice.

Everyone knows the danger of cocaine.

But vulnerable girls being sold into the sex trade,

I won't allow it.

Mikey's lack of morals are a danger

to everyone close to him.

He needs to be kept away from power,

for mine and my daughter's sake.

You remember Anna, don't you?

- Yeah, she's a nice girl.

- I have to spend some time with my brother.

- Okay.

- You are not invited.

- Brilliant.

- But my driver can drop you.

- Well, you know, it's cool because I was gonna go

and get a sarong and spend the day at the beach anyway,

so I'm gonna just do that.

- Remember, you represent Markides out here,

so no getting into trouble.

- When do I ever get into trouble?

I'll see you later, Grandpa.

[church bell ringing]

- [Aaron] I'm just saying, you know.

He's not the man you think he is.

- Drug importer, people trafficker, money launderer.

Is that about right, yeah?

- [Aaron] Well, I mean.

- He's got to you, man.

- No way, I'm just saying.

He's got a decent side.

- Are you serious?

Bruv, you go and tell that to one of them crackheads

going around selling their mothers for rock.

You're telling me they got a choice, yeah?

- Come on, man, you know life is more complicated than that.

I know him.

He doesn't even want this life anymore.

- You can't be se--

I can't believe I'm hearing this.

- Because you're not listening, Ron.

- Oi?

Look at that, the guy in the car taking the post.

- Man on the balcony three doors down,

you reckon they're the commissioner's guards?

- Hm.

All right, listen.

We go in smooth, yeah.

- Mm-hmm.

- Go around the back, wait for our moment.

- Mm-hmm.

- Find the commissioner, ask if he can help us.

No madness.

- Fine.

- Come on, come on, come on.

- Come on the lads, come on the lads.

Come on the lads.

- Oi, oi, oi, oi.

[cheering]

[grunting]

- Bruv, didn't I say smooth, though?

- Worked, though, didn't it?

[soft dramatic music]

- This way.

- All right.

- Go on then.

[soft dramatic music]

- [Aaron] This is punishment for punching

that guy, isn't it?

- [Ron] Told you smooth, didn't I?

Go on, I got you.

[grunting]

You all right there?

- Yeah, I'm good, man.

Oh, me balls.

Come on.

How many donuts have you eaten?

- [Ron] Pull me up for fuck's sake.

Come on, get me hand on there.

[soft dramatic music]

- You good? - Yeah.

- Doesn't look like anyone's home.

- [Ron] So then why are the guards outside then?

- Good point.

[soft dramatic music]

You know this is ridiculous, right?

- What?

- We're police officers, breaking into a police officer's

to tell him we're police officers.

- Yeah, I know, it's a madness.

[soft dramatic music]

[door creaking]

- Ta-da.

- Well done.

[soft dramatic music]

- ID.

- We're not Markides.

- [Ron] We're British police.

- ID.

[soft dramatic music]

- [Aaron] It's fake, you won't find anything.

- We work for the NCA,

National Crime Agency?

- Move and I'll kill you both.

- Don't doubt it.

- Like I said, you won't find anything.

[dramatic music]

Could've used a better picture than that.

- Bruv, not now.

Look, I can access our ID.

Just need to log in to the secure NCA web pool.

Is that all right?

- Be a lot less messy than killing us.

[dramatic music]

[keys striking]

- There you go.

[dramatic music]

Call our bosses to check, if you like.

- Since we been undercover,

we done more than Europool done in years.

And we've worked this from London

to Amsterdam and now here.

- What?

- Certainly had me convinced.

- I'm taking that as a compliment.

- You should.

- So you heard of Tanis Sioftanos?

- Who is he?

- Markides' accountant.

Worked with them in England and then retired here.

Was with them for 20 years.

We find him and get him to talk, we can flip him.

- So, where is he?

- Somewhere on the island.

Lives in a place called Engolina.

- Engomi?

- Yeah.

- That's it, no address?

- We're hoping you could help us.

[banging]

[speaking Greek]

[clock ticking]

- Thought you were coming to kill me.

- Not us.

But the Markides will.

- Trust no one.

- So then let's do it.

Tanis Sioftanos.

Help us find him.

[soft dramatic music]

[phone ringing]

- Munroe, what have you got?

- Ma'am, yeah, it looks like Elena's

heading into the Sandrine private members club.

- Oh shit, hang on a second.

Scooch, can you just check out where Bishop

first made contact with Mikey?

- Sandrine private members club.

- She might be looking into his membership.

Get over there and lift her now.

Make sure she doesn't get on to him.

- Have either of you got headache pills?

- Me.

Need them working with you lot.

- Crush them.

[dramatic music]

[humming]

- Excuse me, Miss.

Quick word, don't wanna cause a scene.

- Sure.

- Following up on a report that you were seen leaving M&S

with some unpaid items in your bag.

- M&S, are you serious?

- So you won't mind us taking a quick look then?

- Rock your world.

[upbeat dramatic music]

- Oh, this is not good.

- Are you fucking kidding me?

- You should come with us.

[chuckling]

[upbeat dramatic music]

- I want Elena kept in until I know

that she's not onto Bishop.

Because there's one thing I can tell you

about her, is she's a slippery f--

- Roger that.

[laughing]

[singing in Greek]

- Meet my cousins, Petros, Yanis, Georgious, Stopolous.

- Yes, yes, yes, yes, I don't know your names.

[laughing]

Bro, where you going?

Do a line.

[upbeat music]

[singing in Greek]

- Turn that music down, Petros.

Oi, you lot!

[cheering]

Shut up.

I just wanna say a few words, in English.

[cheering]

- Woo.

- All right, firstly I wanna say,

it's good to be home, man.

[cheering]

I love London, I do.

But I love it here more, guys.

[cheering]

I look around here, and I see my boys.

[cheering]

I see the future of the Markides family.

And I'm telling you now,

we have to stick together.

- Yes. - Right.

- There are people that wanna see us gone.

There's people that wanna destroy us.

I'm telling you, that's not happening, not on my watch!

[cheering]

Which happens to be a Patek.

Look, it's our responsibility to deal with our problems.

Nobody's gonna do that for us.

Our fights are our fights, no?

Our elders have grown soft for a good living,

and they've given up.

This is our time.

[cheering]

You know, my father, rest in peace,

you know what he used to say?

Respect your elders, young man.

But unfortunately, not everyone in this family

deserves that respect.

Some of us have come to the end of the road.

We own the future.

- All right. - All right.

- We own the future!

[cheering]

Get that music on, baby.

[cheering]

[upbeat dance music]

Come on, is this me then?

[shouting]

- [Officer] Police!

- [Officer] Everybody down.

[dramatic music]

- Whoa, whoa, whoa, what are you doing?

- What, what, what?

[dramatic music]

- I told you, no guns or drugs

and to keep your dog on a leash!

Cuff him!

Take the help as well.

[dramatic music]

- [Officer] Turn around.

- Get your hands off me.

- Oh yeah, you, yeah.

- Don't push me now.

- [Michael] I ain't scared of you fucking lot, man.

Don't sweat it, boys, we'll be out by sunrise.

[dramatic music]

- [Officer] Go on, now.

Move it.

[dramatic music]

Into the van.

- Yeah, all right, I'll do it myself.

Stop touching my arse, man.

[dramatic music]

[keys clicking]

- I've got an address for Sioftanos.

We've got a couple of hours before anyone

notices you're gone.

- All right, good.

- You know he staged this whole thing

just to buy us more time, right?

- Yeah.

- I won't lie, I enjoyed it, let's go.

[soft dramatic music]

- That one, with the lights on.

Find a way around back.

Best to surprise him.

- What, you don't think he'll be happy

to see a couple of brothers at this time of night?

- You're brothers?

I thought you were just partners.

[crickets chirping]

[gate creaking]

[crickets chirping]

- What the?

[exhaling]

- It's water.

Hey, there's a door here.

[sprinkler clicking]

[dog barking]

[feet sliding]

- Yo. - What?

- The noise, bruv.

- Well they're sliders, what am I supposed to do?

[soft dramatic music]

- What's this?

[soft dramatic music]

I'm gonna get some pictures.

- [Aaron] What do you think it all means?

- Carefully hidden accounting details

dating back to the 1980s.

- Yeah?

- No, it's in Greek, how the hell am I supposed to know?

- What do you gotta be sarcastic for?

- Why you gotta be so dumb?

- Just say "Bish, I don't know what it is."

This new attitude that you--

- What's your problem.

[feet stepping]

All right, come on.

[crickets chirping]

- Yeah? - Yeah.

[soft piano music]

[speaking Greek]

- English.

- Long way to come for a burglary.

You must know something I don't.

- Well actually, we were hoping you knew something we don't.

- Now I'm confused.

- Don't be confused, we're police.

[soft music]

- You could have knocked.

I would have let you in.

What it is you want?

- [Aaron] Markides.

- Who?

[exhaling]

[soft music]

What about them?

- You tell us.

[soft music]

- Can't tell you, unfortunately.

- Then we have a problem.

- You must have a really bad memory, old man.

You been working for them for over 20 years.

You still can't help us?

- See here's how this is gonna run.

You are gonna start talking, or we're gonna take you in.

And then we're gonna tell the Markides

that you turned informer on them.

- And we'll give you bail, let you out, see how you get on.

- Fun times, man.

[sighing]

- Damned if I do, damned if I don't.

- Yeah, that's pretty much the situation.

- You'd offer me witness protection?

- Listen, I promise you, once we finish

with the Markides, you won't need it.

- We'll guarantee your safety, yeah.

[sighing]

- Yeah.

[exhaling]

You mind if I go to the bathroom?

At my age, you don't get to say when.

- Go.

[soft dramatic music]

- Razor. - Shit.

[dish breaking]

- No!

No, what are you doing?

Give me some of them towels.

- Here, here, here, here, stem it.

[gurgling]

- What are you doing, man?

We woulda helped you!

We woulda looked after you!

[soft music]

Fuck!

- We need to leave now.

[dramatic music]

- [Stefan] Damn the Markides!

- Stefan, just give me 12 hours.

[soft dramatic music]

I know I can get Alex to agree to a deal.

[wind blowing]

[dramatic music]

Give me until tomorrow.

[dramatic music]

- See ye later, wankers.

Told you we'd be out by sunrise.

[engine idling]

[birds chirping]

- How was it?

- Been in worse places.

- You told me you'd never been to prison.

- Didn't say prison, said worse places.

- Tell me, Andre.

- You know you could have this life and never look

over your shoulder again, right?

You just have to do the deal.

I mean, look at all of this.

You know, I didn't even know that olives grew

on trees until I got here.

I mean, this is paradise.

- Would you enjoy it with me?

- Would I what?

- If I make a deal, and enjoy my life in peace,

would you stick around?

- And do what?

- What do you mean do what?

You, me, us, this.

Anna.

Yeah, I know all about you and Anna.

Do I have to spell it out for you?

I like having you around, Andre.

I'm getting on.

I don't meet people I like very often.

I certainly don't meet people who risk their liberty for me.

Of course I want you around.

Why the hell wouldn't I?

[birds chirping]

Anyway,

there it is.

So.

- So?

- Find the police chief and bring him to me.

[soft dramatic music]

- [Ron] Bruv, support your fellow teammate.

- Mate, I got one life left, man.

- [Ron] Come on, come on, come on.

- Yo, wheels up.

Your uncle wants to see the police chief.

Think he's gonna do a deal.

[dramatic music]

[engine revving]

[brakes squealing]

[shouting]

- Wait here, boys.

[dramatic music]

[speaking Greek]

[shouting in Greek]

- My uncle wants a sit-down with you.

- And if I say no?

- Do you wanna make a deal or not?

[soft dramatic music]

- Whoa, whoa whoa whoa.

- Hey, hey, hey, don't rough him up, man.

- He's not resisting.

[dramatic music]

- [Michael] All right, just so we're clear, mate,

if it was up to me, I'd put a bullet through you.

[dramatic music]

- Stefan, thanks for coming.

- Truth is, I didn't have much choice,

but if you are prepared to talk and make a deal

for the sake of our country, then, thank you.

- Well, I'm sorry about that, and I'm sorry about this.

[gun firing]

[soft dramatic music]

I own the future.

Andre,

Andre.

Take care of this.

[soft dramatic music]

- That's what I'm talking about.

[soft dramatic music]

[speaking Greek]

[dramatic music]

[engine humming]

- The important thing is, she's bailed.

I don't see any need to take this any further,

if my client doesn't.

- Ah, thank God for that.

- We're looking at straight discharge

without further questioning.

I presume you've been treated well enough.

[dramatic music]

- I need my phone, now.

[dramatic music]

[phone pinging]

[dramatic music]

- Where are we?

- So, I'm pretty sure this isn't City Airport.

What's going on?

- Business, nothing to worry about.

[dramatic music]

[glass shattering]

- [Ron] So, what do you reckon, that's it then, we did it?

- Once they connect this to Stefan's murder, Alex is done.

[dramatic music]