Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,626 --> 00:00:02,979
ANNOUNCER: Previously on Genius.
2
00:00:03,003 --> 00:00:04,981
JERRY: What kind of music
do you really want to make,
3
00:00:05,005 --> 00:00:06,274
Ms. Franklin?
4
00:00:06,298 --> 00:00:08,610
ARETHA: I want to
make hits, Mr. Wexler.
5
00:00:08,634 --> 00:00:09,903
JERRY: You'll get there
when you realize you're
6
00:00:09,927 --> 00:00:12,596
Aretha Franklin and nobody else.
7
00:00:13,263 --> 00:00:16,225
I can help you find
your sound, that's what I do.
8
00:00:16,642 --> 00:00:18,703
ARETHA: I'd like to
join your tour, Dr. King.
9
00:00:18,727 --> 00:00:20,163
KING: We'd love to have you.
10
00:00:20,187 --> 00:00:22,290
CL: Detroit needs its
favorite daughter now.
11
00:00:22,314 --> 00:00:24,501
KING: Your daughter is a start
of international prominence,
12
00:00:24,525 --> 00:00:26,628
that comes with a
certain responsibility.
13
00:00:26,652 --> 00:00:28,046
BARBARA: Why is there
a second crib here with
14
00:00:28,070 --> 00:00:29,422
CL's name on it?
15
00:00:29,446 --> 00:00:31,490
WOMAN: Oh, I'm sure
it's just a mistake.
16
00:00:31,865 --> 00:00:35,035
BARBARA: I always had
suspicions but at your core,
17
00:00:35,702 --> 00:00:37,972
I thought you were
a good, loving man.
18
00:00:37,996 --> 00:00:39,974
ARETHA: Her mother
deserted the family and died;
19
00:00:39,998 --> 00:00:41,875
our mother never deserted us.
20
00:00:42,251 --> 00:00:43,728
How the hell did he
know all this shit?
21
00:00:43,752 --> 00:00:45,021
Did you speak to
him by yourself?
22
00:00:45,045 --> 00:00:46,523
TED: He called me, yeah.
23
00:00:46,547 --> 00:00:48,107
ARETHA: He was only acting
friendly and you feel for it?
24
00:00:48,131 --> 00:00:49,526
TED: We all fell for it.
25
00:00:49,550 --> 00:00:51,110
KING CURTIS: You know
he don't treat you right.
26
00:00:51,134 --> 00:00:52,195
ARETHA: He never has.
27
00:00:52,219 --> 00:00:53,404
KING CURTIS:
You think you need him,
28
00:00:53,428 --> 00:00:55,949
but he knows deep
inside you don't.
29
00:00:55,973 --> 00:00:57,408
TED: Look, we've been
through a lot of stuff,
30
00:00:57,432 --> 00:00:58,285
we always make it through.
31
00:00:58,309 --> 00:00:59,452
ARETHA: Not this time.
32
00:00:59,476 --> 00:01:01,645
You have one choice;
you can leave, or I can.
33
00:01:02,187 --> 00:01:03,248
TED: You need me, Re.
34
00:01:03,272 --> 00:01:04,523
ARETHA: Hell I do.
35
00:01:10,654 --> 00:01:13,007
♪ It's a family affair ♪♪
36
00:01:13,031 --> 00:01:14,324
CHILD: Cannon ball!
37
00:01:18,161 --> 00:01:19,538
Shark attack!
38
00:01:21,123 --> 00:01:23,375
♪ It's a family affair ♪
39
00:01:24,960 --> 00:01:26,521
♪ It's a family affair ♪♪
40
00:01:26,545 --> 00:01:27,814
ARETHA: Would you
go on and take that
41
00:01:27,838 --> 00:01:29,673
over there now, please.
42
00:01:31,133 --> 00:01:33,069
CAROLYN: This is what I'm
thinking for my album cover.
43
00:01:33,093 --> 00:01:36,054
ARETHA: Baby Dynamite,
it's gorgeous.
44
00:01:39,766 --> 00:01:42,078
CAROLYN: Any chance you'd
write the liner notes?
45
00:01:42,102 --> 00:01:43,663
It'd be a help.
46
00:01:43,687 --> 00:01:45,248
ARETHA: Is Erma still
mad that I released
47
00:01:45,272 --> 00:01:46,708
"Son of a Preacher Man"?
48
00:01:46,732 --> 00:01:48,376
CAROLYN: Well, you did say
you weren't going to release it.
49
00:01:48,400 --> 00:01:49,919
ARETHA: Well, she recorded
it and it didn't chart.
50
00:01:49,943 --> 00:01:52,154
CAROLYN: And now she feels
like you stole her thunder.
51
00:01:56,116 --> 00:01:57,218
ARETHA: This is
a crazy business,
52
00:01:57,242 --> 00:01:58,762
we all just out here
trying to make it.
53
00:02:00,037 --> 00:02:01,556
REPORTER (over TV):
A riot broke out today in
54
00:02:01,580 --> 00:02:03,516
California Soledad State Prison.
55
00:02:03,540 --> 00:02:04,726
ARETHA: All right, I'll
write your liner notes,
56
00:02:04,750 --> 00:02:05,768
no sweat.
57
00:02:05,792 --> 00:02:07,478
CAROLYN: Thank you.
58
00:02:07,502 --> 00:02:08,730
REPORTER (over TV):
Three Negro inmates,
while engaged in,
59
00:02:08,754 --> 00:02:10,356
what several reports
say was a fistfight,
60
00:02:10,380 --> 00:02:12,859
were shot and killed
by prison guards.
61
00:02:12,883 --> 00:02:15,945
Some think the violence
is related to the racially
62
00:02:15,969 --> 00:02:19,449
charged riots that have
rocked several American cities
63
00:02:19,473 --> 00:02:21,159
over the past few years.
64
00:02:21,183 --> 00:02:22,869
CAROLYN: Let me turn this off.
ARETHA: Don't.
65
00:02:22,893 --> 00:02:24,912
REPORTER (over TV): Most
notably in the months of 1967.
66
00:02:24,936 --> 00:02:27,040
CAROLYN: The world
is going crazy,
67
00:02:27,064 --> 00:02:28,458
but you can only do so much.
68
00:02:28,482 --> 00:02:29,917
ARETHA: Well, the
least I can do is listen.
69
00:02:29,941 --> 00:02:33,713
Mass incarceration,
racial injustice;
70
00:02:33,737 --> 00:02:35,048
it just makes me want to holler.
71
00:02:35,072 --> 00:02:36,716
CAROLYN: I hear that.
72
00:02:36,740 --> 00:02:39,552
But you always getting tangled
up in other people's messes.
73
00:02:39,576 --> 00:02:41,078
Don't.
74
00:02:41,620 --> 00:02:44,498
ARETHA: They shoot
us down like dogs;
75
00:02:45,999 --> 00:02:47,959
like our lives
ain't worth nothing.
76
00:02:52,172 --> 00:02:54,817
I'm going to record
a protest album.
77
00:02:54,841 --> 00:02:56,802
It's time to take a stand.
78
00:03:00,180 --> 00:03:06,561
(theme music plays)
79
00:03:27,916 --> 00:03:33,588
♪ ♪
80
00:03:44,015 --> 00:03:45,326
CECIL: Well, Re, you
wanted to meet the man who
81
00:03:45,350 --> 00:03:46,828
made my medallion.
82
00:03:46,852 --> 00:03:48,955
Ken Cunningham meet my
sister Aretha Franklin.
83
00:03:48,979 --> 00:03:50,039
ARETHA: Pleasure to meet you.
84
00:03:50,063 --> 00:03:51,249
KEN: It's an honor.
85
00:03:51,273 --> 00:03:52,500
CECIL: I'll leave you two.
86
00:03:52,524 --> 00:03:53,626
ARETHA: Shall we sit?
87
00:03:53,650 --> 00:03:55,485
KEN: Sounds good.
88
00:03:58,363 --> 00:03:59,507
ARETHA: These are your designs?
89
00:03:59,531 --> 00:04:01,551
KEN: Yes, ma'am.
90
00:04:01,575 --> 00:04:03,886
Our designers are brothers
and sisters who work
91
00:04:03,910 --> 00:04:06,163
with jewelers and
seamstresses in Harlem.
92
00:04:07,080 --> 00:04:08,599
ARETHA: Everything is gorgeous.
93
00:04:08,623 --> 00:04:09,934
KEN: Yes, indeed.
94
00:04:09,958 --> 00:04:12,520
Gorgeous, comfortable,
and instep with the time.
95
00:04:12,544 --> 00:04:14,564
Now, we going to be in
runways and magazines,
96
00:04:14,588 --> 00:04:16,399
and we've got good
word of mouth.
97
00:04:16,423 --> 00:04:17,783
ARETHA: And now
you need investors.
98
00:04:19,176 --> 00:04:21,195
Cecil says that you're a
self‐made businessman who is
99
00:04:21,219 --> 00:04:22,488
socially conscious.
100
00:04:22,512 --> 00:04:24,115
KEN: Well, thank you, Cecil.
101
00:04:24,139 --> 00:04:26,200
ARETHA: Well, I like
to empower people,
102
00:04:26,224 --> 00:04:28,119
but I have to thoroughly
checkup on people before
103
00:04:28,143 --> 00:04:29,203
I meet them.
104
00:04:29,227 --> 00:04:30,830
KEN: Well, I
certainly hope I rate.
105
00:04:30,854 --> 00:04:32,522
ARETHA: So far.
106
00:04:32,856 --> 00:04:35,042
Could I have a scotch, please?
107
00:04:35,066 --> 00:04:36,610
KEN: Just water for me, thanks.
108
00:04:38,195 --> 00:04:39,672
Hey, I have a gift for you.
109
00:04:39,696 --> 00:04:42,824
If you would allow me
to flip to the back page.
110
00:04:44,117 --> 00:04:46,429
Ah, this, this is from Ghana.
111
00:04:46,453 --> 00:04:49,724
Now, if you look here the
white symbolizes goodness and
112
00:04:49,748 --> 00:04:51,666
the gold is for prosperity.
113
00:04:52,918 --> 00:04:55,587
I thought it would
be perfect for you.
114
00:04:57,380 --> 00:04:58,566
ARETHA: Thank you.
115
00:04:58,590 --> 00:04:59,776
You've got to
come to the studio,
116
00:04:59,800 --> 00:05:01,551
see how I run my business.
117
00:05:02,886 --> 00:05:07,516
(piano).
118
00:05:10,352 --> 00:05:11,329
ARETHA:
And after that, I come in.
119
00:05:11,353 --> 00:05:12,729
You got it?
120
00:05:14,439 --> 00:05:16,209
ARIF, I know I've been
talking a mile a minute,
121
00:05:16,233 --> 00:05:17,692
are you getting everything down?
122
00:05:18,193 --> 00:05:19,629
ARIF: Just like you
laid it out for me,
123
00:05:19,653 --> 00:05:21,279
hot off the press.
124
00:05:24,783 --> 00:05:26,594
ARETHA: Billy, can
you give us more feel?
125
00:05:26,618 --> 00:05:28,262
BILLY: I'll take
us all to church.
126
00:05:28,286 --> 00:05:29,931
ARETHA: Cornell, I want
you to keep it greasy.
127
00:05:29,955 --> 00:05:31,957
CORNELL: Deep fried
and laid to the side.
128
00:05:34,042 --> 00:05:35,585
ARETHA: And, Chuck
and Ray won't rush.
129
00:05:35,919 --> 00:05:38,296
CHUCK: I'm in. RAY: Copy that.
130
00:05:39,297 --> 00:05:40,441
ARETHA: Ladies?
131
00:05:40,465 --> 00:05:42,217
WOMAN: Oh, we're good to go.
132
00:05:42,717 --> 00:05:43,820
(harmonizing)
133
00:05:43,844 --> 00:05:45,488
WOMAN: Wait a minute,
wait a minute.
134
00:05:45,512 --> 00:05:47,490
ARETHA: Okay,
let's take it from the top.
135
00:05:47,514 --> 00:05:48,890
MAN: Going to make a hit.
136
00:05:51,434 --> 00:05:53,228
We need to work on that pocket.
137
00:05:55,146 --> 00:05:56,815
ARETHA: All right.
138
00:05:58,066 --> 00:06:01,236
(piano).
139
00:06:06,992 --> 00:06:09,286
ARETHA: Wait a minute, now.
140
00:06:11,162 --> 00:06:13,665
There was a pizza box on
the piano, where is it?
141
00:06:14,583 --> 00:06:16,227
There was a pizza box
on the piano, where is it?
142
00:06:16,251 --> 00:06:17,562
ARIF: What, you want
to order dinner, or?
143
00:06:17,586 --> 00:06:19,796
ARETHA: It makes the
piano sound different.
144
00:06:23,425 --> 00:06:24,944
MAN: Sorry. MAN 2: Chop, chop.
145
00:06:24,968 --> 00:06:26,636
MAN: Thought it was garbage.
146
00:06:28,096 --> 00:06:31,725
(overlapping chatter)
147
00:06:35,520 --> 00:06:37,105
ARETHA: Let's take
it from the top.
148
00:06:37,939 --> 00:06:44,070
(piano).
149
00:06:46,072 --> 00:06:50,368
♪ Holy Moses,
I have been removed ♪
150
00:06:52,871 --> 00:06:57,542
♪ I have seen the specter,
he has been here too ♪
151
00:06:59,794 --> 00:07:02,547
♪ Distant cousin
from down the line ♪
152
00:07:03,256 --> 00:07:05,800
♪ Brand of people
who ain't my kind ♪
153
00:07:08,762 --> 00:07:13,058
♪ Holy Moses, I
have been removed ♪♪
154
00:07:18,730 --> 00:07:20,541
JERRY: How political
is she going to get?
155
00:07:20,565 --> 00:07:21,834
RUTH: She hasn't said.
156
00:07:21,858 --> 00:07:23,836
CECIL: She's been listening
to anti‐war songs,
157
00:07:23,860 --> 00:07:25,296
migrant farmer songs.
158
00:07:25,320 --> 00:07:27,923
TOM: Hasn't she earned the
right to do what she wants?
159
00:07:27,947 --> 00:07:30,635
♪ Now the wind has
changed directions ♪
160
00:07:30,659 --> 00:07:32,786
♪ I think I'll have to leave ♪♪
161
00:07:33,036 --> 00:07:34,555
JERRY: I just don't want
people to boycott her.
162
00:07:34,579 --> 00:07:37,791
You know, she could play
the Fillmore West instead.
163
00:07:38,958 --> 00:07:40,645
You know, peace and
drug loving hippies,
164
00:07:40,669 --> 00:07:42,104
they're radical but
not in a way that would
165
00:07:42,128 --> 00:07:44,440
alienate her fanbase.
166
00:07:44,464 --> 00:07:46,108
Think hippies would get her?
167
00:07:46,132 --> 00:07:47,443
CECIL: Why wouldn't
they get her?
168
00:07:47,467 --> 00:07:49,987
RUTH: What she should
do is play the Fillmore
169
00:07:50,011 --> 00:07:51,238
and make this album.
170
00:07:51,262 --> 00:07:53,723
♪ Yes I have now ♪
171
00:07:54,432 --> 00:07:57,870
♪ I'm going back to the
border where my affairs ♪
172
00:07:57,894 --> 00:08:01,165
♪ My affairs ain't been abused ♪
173
00:08:01,189 --> 00:08:03,858
♪ I can't take any
more bad water ♪
174
00:08:04,401 --> 00:08:09,656
♪ I've been poisoned from
my head down to my shoes ♪♪
175
00:08:12,117 --> 00:08:13,594
JERRY: Yeah, I don't know
that this song is going
176
00:08:13,618 --> 00:08:15,328
to resonate with
her hardcore fans.
177
00:08:15,829 --> 00:08:17,223
RUTH: Well,
it resonates with me.
178
00:08:17,247 --> 00:08:19,016
JERRY: Well, if they all
sound like this, great,
179
00:08:19,040 --> 00:08:21,435
but if not, we've got
a dud on our hands.
180
00:08:21,459 --> 00:08:23,354
You know, she thinks
those Soledad Brothers are
181
00:08:23,378 --> 00:08:25,714
folk heroes but I'm not
so sure her fanbase does.
182
00:08:26,214 --> 00:08:27,900
RUTH: Look, it's not
easy on my end either.
183
00:08:27,924 --> 00:08:30,486
Last summer, she sparks
a riot in Denver and then
184
00:08:30,510 --> 00:08:32,071
she cancels in Las Vegas.
185
00:08:32,095 --> 00:08:34,013
I'm having trouble booking her.
186
00:08:34,514 --> 00:08:36,266
JERRY: Yeah.
187
00:08:36,766 --> 00:08:38,285
Who's this guy she's with?
188
00:08:38,309 --> 00:08:41,497
CECIL: It's Ken Cunningham,
social activist, businessman.
189
00:08:41,521 --> 00:08:44,208
He's solid, I checked.
190
00:08:44,232 --> 00:08:46,526
JERRY: The divorce with
Ted come through yet?
191
00:08:52,699 --> 00:08:54,093
Great.
192
00:08:54,117 --> 00:08:58,329
♪ Holy Moses,
can we live in peace? ♪
193
00:09:00,123 --> 00:09:06,129
♪ Let us strive to find a
way to make all hatred cease ♪
194
00:09:06,963 --> 00:09:09,900
♪ There's a man
standing over there ♪
195
00:09:09,924 --> 00:09:12,719
♪ What's his color,
do you care? ♪
196
00:09:13,803 --> 00:09:15,531
♪ Holy ♪
197
00:09:15,555 --> 00:09:17,783
♪ Holy, holy, holy ♪
198
00:09:17,807 --> 00:09:20,244
♪ Holy Moses can
we live in peace? ♪
199
00:09:20,268 --> 00:09:21,912
♪ Lord help me know ♪
200
00:09:21,936 --> 00:09:24,415
♪ Holy, holy Moses ♪
201
00:09:24,439 --> 00:09:26,691
♪ Can we live in peace? ♪
202
00:09:27,358 --> 00:09:28,295
♪ My brother ♪
203
00:09:28,319 --> 00:09:30,445
♪ Holy Moses ♪
204
00:09:31,362 --> 00:09:35,533
♪ Can we live ♪
205
00:09:38,036 --> 00:09:40,038
♪ I wonder can we? ♪
206
00:09:40,538 --> 00:09:41,599
♪ Can we ♪
207
00:09:41,623 --> 00:09:45,293
♪ Can we live in peace? ♪ ♪
208
00:09:52,008 --> 00:09:53,319
ARETHA: I'm writing a new song.
209
00:09:53,343 --> 00:09:54,653
JERRY: What's it called?
210
00:09:54,677 --> 00:09:56,072
ARETHA: I don't
know yet but it's,
211
00:09:56,096 --> 00:09:57,680
it's going to hit you hard,
212
00:09:58,515 --> 00:10:00,868
get under your skin
right down to the bone.
213
00:10:00,892 --> 00:10:03,037
CECIL: I'm loving it already.
214
00:10:03,061 --> 00:10:04,854
MAN: Right on.
215
00:10:05,355 --> 00:10:07,750
ARETHA: It's going
to be a protest song.
216
00:10:07,774 --> 00:10:09,085
The message is going to
be there but it's going
217
00:10:09,109 --> 00:10:10,961
to be quiet.
218
00:10:10,985 --> 00:10:12,630
It's going to be
fun to dance to.
219
00:10:12,654 --> 00:10:13,672
KEN: Subversive.
220
00:10:13,696 --> 00:10:15,341
ARETHA: Yeah, that's right.
221
00:10:15,365 --> 00:10:17,676
KEN: Anybody aside from me
follow what's going on over
222
00:10:17,700 --> 00:10:19,762
there in Soledad?
223
00:10:19,786 --> 00:10:21,847
ARETHA: Angela Davis
speaking out?
224
00:10:21,871 --> 00:10:23,641
KING CURTIS: Cause the
incarceration has been unjust
225
00:10:23,665 --> 00:10:27,728
and unwarranted from jump.
226
00:10:27,752 --> 00:10:29,730
ARETHA: Angela Davis
has my vote.
227
00:10:29,754 --> 00:10:32,024
RUTH: Maybe you could
do a concert at Folsom.
228
00:10:32,048 --> 00:10:34,110
Johnny Cash did and B. B. King
is planning to do one.
229
00:10:34,134 --> 00:10:36,028
I also like that idea
about the Fillmore.
230
00:10:36,052 --> 00:10:37,530
ARETHA: It's nice to know
that the world doesn't
231
00:10:37,554 --> 00:10:40,032
turn off when the signer
starts telling it like it is.
232
00:10:40,056 --> 00:10:43,119
I'd sing any gig.
233
00:10:43,143 --> 00:10:44,727
I miss the energy
of the audience.
234
00:10:45,103 --> 00:10:46,205
RUTH: I'll work on it.
235
00:10:46,229 --> 00:10:47,665
JERRY: Okay.
236
00:10:47,689 --> 00:10:51,109
Just a reminder that music
is a business, all right.
237
00:10:51,526 --> 00:10:53,587
What do you think pays
for your vacation home?
238
00:10:53,611 --> 00:10:55,381
Or my boat in Miami?
239
00:10:55,405 --> 00:10:56,882
Hit records do.
240
00:10:56,906 --> 00:10:58,259
ARETHA: All right.
241
00:10:58,283 --> 00:11:00,427
So, my protest album's
going to be a hit.
242
00:11:00,451 --> 00:11:01,470
JERRY: Okay.
243
00:11:01,494 --> 00:11:02,888
ARETHA: I'll tell you what,
244
00:11:02,912 --> 00:11:04,431
if you can't get your head
around this concept album,
245
00:11:04,455 --> 00:11:06,475
Jerry, I, I'll
produce it myself.
246
00:11:06,499 --> 00:11:09,502
JERRY: Okay.
247
00:11:09,752 --> 00:11:12,088
RUTH: Oh, oh, oh.
248
00:11:12,630 --> 00:11:15,651
KEN: You okay?
249
00:11:15,675 --> 00:11:17,069
ARETHA: Mm‐hmm.
250
00:11:17,093 --> 00:11:18,612
JERRY: I'm just trying
to be the voice of reason,
251
00:11:18,636 --> 00:11:20,156
is that a crime?
252
00:11:20,180 --> 00:11:22,348
ARETHA: Nope.
253
00:11:28,855 --> 00:11:31,149
JERRY: So, Ken, was it?
254
00:11:32,150 --> 00:11:34,670
You two talk politics a lot?
255
00:11:34,694 --> 00:11:36,213
KEN: Well, no, Mr. Wexler.
256
00:11:36,237 --> 00:11:38,591
I ain't putting no ideas
in her head if that's what
257
00:11:38,615 --> 00:11:40,408
you was thinking.
258
00:11:41,701 --> 00:11:46,497
(overlapping chatter)
259
00:11:50,376 --> 00:11:53,963
(vomit)
260
00:12:13,316 --> 00:12:19,697
♪ ♪
261
00:12:36,881 --> 00:12:42,845
♪ ♪
262
00:12:48,393 --> 00:12:49,703
ARETHA: I'm going
to call my album
263
00:12:49,727 --> 00:12:51,038
Young, Gifted and Black.
264
00:12:51,062 --> 00:12:52,623
RUTH: That's the title
of Nina Simone's hit song.
265
00:12:52,647 --> 00:12:53,958
CECIL: And Hansberry's hit play.
266
00:12:53,982 --> 00:12:55,334
ARETHA: Mm‐hmm.
267
00:12:55,358 --> 00:12:57,336
JERRY: Okay, now you want
to be like Nina Simone.
268
00:12:57,360 --> 00:13:00,214
Can I remind everybody that
Nina Simone is a head case?
269
00:13:00,238 --> 00:13:01,882
ARETHA: Can I remind
you that Nina Simone fired
270
00:13:01,906 --> 00:13:03,008
her record label?
271
00:13:03,032 --> 00:13:04,426
You know why?
272
00:13:04,450 --> 00:13:05,636
Because she wanted to do
what the hell she wanted to.
273
00:13:05,660 --> 00:13:08,806
And maybe I might
fire you, Jerry,
274
00:13:08,830 --> 00:13:10,516
so I could do whatever
the hell I want to do.
275
00:13:10,540 --> 00:13:13,185
Because, you know,
you don't own me.
276
00:13:13,209 --> 00:13:17,022
You know that?
277
00:13:17,046 --> 00:13:18,607
Cause I'm free.
278
00:13:18,631 --> 00:13:20,067
JERRY: You're drunk.
279
00:13:20,091 --> 00:13:21,443
ARETHA: I'm free.
280
00:13:21,467 --> 00:13:22,987
You hear me?
281
00:13:23,011 --> 00:13:26,306
I am free.
282
00:13:26,556 --> 00:13:30,518
I'm free, God dammit, I'm free.
283
00:13:35,440 --> 00:13:38,234
♪ Your love, liftin' me higher ♪
284
00:13:39,569 --> 00:13:42,530
♪ Than I've ever
been lifted before ♪
285
00:13:44,407 --> 00:13:46,427
♪ So keep it up ♪
286
00:13:46,451 --> 00:13:48,202
♪ Quench my desire ♪
287
00:13:49,620 --> 00:13:53,041
♪ And I'll be at your
side forevermore ♪
288
00:13:54,167 --> 00:13:55,477
♪ You know your love ♪
289
00:13:55,501 --> 00:13:56,895
♪ Your love keeps liftin' me ♪
290
00:13:56,919 --> 00:13:58,105
♪ Keeps on liftin' ♪
291
00:13:58,129 --> 00:13:59,732
♪ Your love keeps liftin' me ♪
292
00:13:59,756 --> 00:14:00,567
♪ Higher ♪
293
00:14:00,591 --> 00:14:01,734
♪ Lifting me ♪
294
00:14:01,758 --> 00:14:03,760
♪ Higher and higher ♪
295
00:14:04,385 --> 00:14:06,363
I said your love ♪
296
00:14:06,387 --> 00:14:07,489
♪ Your love keeps liftin' me ♪
297
00:14:07,513 --> 00:14:08,949
♪ Keep on ♪♪
298
00:14:08,973 --> 00:14:10,367
NEWS ANCHOR (over TV):
In response to events at the
299
00:14:10,391 --> 00:14:12,077
California prison where
inmates have been charged with
300
00:14:12,101 --> 00:14:14,896
the retaliation killing
of a prison guard,
301
00:14:15,688 --> 00:14:18,792
Professor Angela Davis has
joined the Soledad Brothers
302
00:14:18,816 --> 00:14:21,778
Defense Committee to advocate
for the negro prisoners.
303
00:14:23,321 --> 00:14:25,841
ANGELA (over TV): This
demonstration was organized by
304
00:14:25,865 --> 00:14:29,970
the Soledad Brothers
Defense Committee in order to
305
00:14:29,994 --> 00:14:33,164
bring to light, to the public,
306
00:14:34,499 --> 00:14:36,602
the face of the
Soledad Brothers and
307
00:14:36,626 --> 00:14:41,273
in order to begin to move
on changing the oppressive
308
00:14:41,297 --> 00:14:43,591
conditions in the penal
system of the States.
309
00:14:50,723 --> 00:14:54,310
KEN: Well, you know the
way to a man's heart, I see.
310
00:14:55,019 --> 00:14:57,289
ARETHA: So, you like
my pig's feet ala Re.
311
00:14:57,313 --> 00:15:01,210
KEN: I must admit I've never
been offered pig feet at a
312
00:15:01,234 --> 00:15:02,711
business meeting before.
313
00:15:02,735 --> 00:15:04,630
ARETHA: Well, see, you wanted
to take me to Silvia's,
314
00:15:04,654 --> 00:15:07,490
and I say why go outside for
something you can get at home.
315
00:15:10,993 --> 00:15:13,472
KEN: Now, I hope you
don't mind me asking,
316
00:15:13,496 --> 00:15:15,206
who picks your songs?
317
00:15:15,540 --> 00:15:16,892
ARETHA: I do.
318
00:15:16,916 --> 00:15:18,644
I hear something I want,
and I give the idea to the
319
00:15:18,668 --> 00:15:20,729
guys and I pick the musicians,
320
00:15:20,753 --> 00:15:22,064
I pick the singers,
321
00:15:22,088 --> 00:15:23,816
and Jerry has
input too, so does Tom.
322
00:15:23,840 --> 00:15:26,610
But I can't sing something
I don't feel so I have to
323
00:15:26,634 --> 00:15:28,278
arrange it so I can feel it.
324
00:15:28,302 --> 00:15:31,031
KEN: Mmm, but what
does the other guy do?
325
00:15:31,055 --> 00:15:32,783
ARETHA: Arif? KEN: Mm‐hmm.
326
00:15:32,807 --> 00:15:35,369
ARETHA: He's a producer,
a great producer.
327
00:15:35,393 --> 00:15:38,330
KEN: Well, sounds like
you're the producer, too.
328
00:15:38,354 --> 00:15:39,915
ARETHA: No, I'm the artist.
329
00:15:39,939 --> 00:15:41,458
I'm the talent.
330
00:15:41,482 --> 00:15:43,127
KEN: Well, no, from what you
just described it sounds like
331
00:15:43,151 --> 00:15:45,629
you're calling the shots,
you're running the show,
332
00:15:45,653 --> 00:15:47,464
you're making the arrangements,
333
00:15:47,488 --> 00:15:48,632
you're setting up the music.
334
00:15:48,656 --> 00:15:51,426
You deserve a producer
credit too, sugar.
335
00:15:51,450 --> 00:15:52,845
ARETHA: You're thinking
what I'm thinking.
336
00:15:52,869 --> 00:15:55,997
KEN: Yeah, the movement
starts at home with you, Re.
337
00:15:56,581 --> 00:15:58,892
You've got to claim your power.
338
00:15:58,916 --> 00:16:02,378
ARETHA: Well, all right,
um, tomorrow...
339
00:16:02,920 --> 00:16:04,189
KEN: Uh‐huh.
340
00:16:04,213 --> 00:16:05,482
ARETHA: I'm going to
walk into Jerry's office.
341
00:16:05,506 --> 00:16:06,650
KEN: Okay.
342
00:16:06,674 --> 00:16:08,360
ARETHA: I'm going
to roll up my sleeves.
343
00:16:08,384 --> 00:16:09,695
KEN: I can dig it.
344
00:16:09,719 --> 00:16:11,280
ARETHA: All right.
I'm going to puff up my chest.
345
00:16:11,304 --> 00:16:13,323
KEN: Uh‐huh.
ARETHA: And I will say Jerry.
KEN: Yeah.
346
00:16:13,347 --> 00:16:14,658
ARETHA: I am a producer.
347
00:16:14,682 --> 00:16:16,910
Aretha Franklin
is now a producer.
348
00:16:16,934 --> 00:16:18,120
KEN: Get down!
349
00:16:18,144 --> 00:16:19,478
ARETHA: Yes.
350
00:16:19,770 --> 00:16:21,790
KEN: I tell you; I would
pay top dollar to be able
351
00:16:21,814 --> 00:16:23,834
to be in there to see
them uppity honkey's face
352
00:16:23,858 --> 00:16:25,085
when you say that.
353
00:16:25,109 --> 00:16:26,652
ARETHA: Me too.
354
00:16:28,154 --> 00:16:30,198
KEN: That would be
something, I tell you.
355
00:16:34,619 --> 00:16:38,348
Now, I try not to listen to
everything I hear but the word
356
00:16:38,372 --> 00:16:40,416
is you're still married...
357
00:16:41,417 --> 00:16:43,878
ARETHA: Well, the word is wrong.
I'm getting divorced.
358
00:16:44,629 --> 00:16:47,774
KEN: Well, the word is quite
similar to my word because
359
00:16:47,798 --> 00:16:49,484
I'm getting a divorce, too.
360
00:16:49,508 --> 00:16:51,153
ARETHA: Oh, very good to know.
361
00:16:51,177 --> 00:16:53,113
KEN: That wouldn't stop
anything now would it?
362
00:16:53,137 --> 00:16:55,407
ARETHA: Absolutely not.
363
00:16:55,431 --> 00:16:59,268
KEN: Well, I happen to
be very, very serious,
364
00:17:00,519 --> 00:17:02,855
just so you know.
365
00:17:19,622 --> 00:17:21,725
BARBARA: You're my heart.
ARETHA: And you're mine.
366
00:17:21,749 --> 00:17:24,085
BARBARA: Mmmm. Love you.
367
00:17:24,752 --> 00:17:27,672
ARETHA: Love you, too.
Is it past my bedtime yet?
368
00:17:28,297 --> 00:17:29,691
BARBARA: Yes.
369
00:17:29,715 --> 00:17:31,860
Your brother and
sisters are already in bed.
370
00:17:31,884 --> 00:17:33,737
Go on, head on upstairs.
371
00:17:33,761 --> 00:17:35,447
CL: Where's my favorite
women folk who make me
372
00:17:35,471 --> 00:17:38,391
the most blessed man
in the whole, wide world.
373
00:17:40,977 --> 00:17:42,645
I'll see you later.
374
00:17:43,479 --> 00:17:45,207
ARETHA: Are you planning
your pastor's anniversary?
375
00:17:45,231 --> 00:17:48,544
CL: Yes, I am, with Sister
Helen and a few others.
376
00:17:48,568 --> 00:17:51,255
It's not too bad for
a little country preacher
377
00:17:51,279 --> 00:17:53,990
now running a big
Detroit, Michigan church.
378
00:17:54,282 --> 00:17:56,051
BARBARA: New Bethel
is blessed to have you.
379
00:17:56,075 --> 00:17:57,553
They've improved
themselves quite a bit since
380
00:17:57,577 --> 00:17:58,679
you took over.
381
00:17:58,703 --> 00:18:00,264
CL: Indeed, they have.
382
00:18:00,288 --> 00:18:02,373
I'll see you later.
383
00:18:02,623 --> 00:18:05,668
You going to wait up for me?
384
00:18:05,960 --> 00:18:07,295
I'll have something for you.
385
00:18:07,587 --> 00:18:08,772
Little Re, I'll see you later.
386
00:18:08,796 --> 00:18:10,298
ARETHA: Bye, Daddy.
387
00:18:11,007 --> 00:18:12,734
Can I stay up 'til
Daddy comes back?
388
00:18:12,758 --> 00:18:14,111
BARBARA: He won't
be back until late.
389
00:18:14,135 --> 00:18:15,845
(horn honking).
390
00:18:16,387 --> 00:18:18,031
(dog barking).
391
00:18:18,055 --> 00:18:19,408
ARETHA: But can
I wait up with you?
392
00:18:19,432 --> 00:18:21,517
BARBARA: I'd like that.
393
00:18:41,078 --> 00:18:44,349
♪ ♪
394
00:18:44,373 --> 00:18:46,375
ARETHA: What's Daddy doing?
395
00:18:47,668 --> 00:18:49,253
BARBARA: Oh.
396
00:19:07,605 --> 00:19:10,524
(torn cloth)
397
00:19:10,900 --> 00:19:13,361
ARETHA: Mommy? Mom?
398
00:19:20,368 --> 00:19:21,762
ERMA: Mommy, can I help you?
399
00:19:21,786 --> 00:19:24,014
BARBARA: No, sweetie,
just sit down and stay quiet.
400
00:19:24,038 --> 00:19:24,932
CAROLYN: Where are we going?
401
00:19:24,956 --> 00:19:26,099
ARETHA: Stay quiet I said.
402
00:19:26,123 --> 00:19:27,601
CAROLYN:
Is Daddy coming with us?
403
00:19:27,625 --> 00:19:29,436
BARBARA: No, and we going to
be gone before he gets here.
404
00:19:29,460 --> 00:19:31,229
ARETHA: How come we have to
be gone before Daddy comes back?
405
00:19:31,253 --> 00:19:33,297
BARBARA: I said hush.
406
00:19:34,131 --> 00:19:35,484
CECIL: Mommy!
407
00:19:35,508 --> 00:19:37,444
CAROLYN: What is happening?
408
00:19:37,468 --> 00:19:38,862
BARBARA: Shh.
409
00:19:38,886 --> 00:19:40,471
ERMA: Come here.
410
00:19:40,805 --> 00:19:42,366
Carolyn.
411
00:19:42,390 --> 00:19:44,183
CAROLYN: What is...
412
00:19:45,810 --> 00:19:48,080
CL: What the hell
is going on here?
413
00:19:48,104 --> 00:19:50,248
What are you doing?
414
00:19:50,272 --> 00:19:52,125
Where the hell she taking you?
415
00:19:52,149 --> 00:19:54,527
You ain't going to answer me?
416
00:19:55,027 --> 00:19:57,631
BARBARA: I'm tired of washing
your dirty laundry, Frank.
417
00:19:57,655 --> 00:20:00,408
Tired of making sure
your mess looks clean.
418
00:20:00,741 --> 00:20:02,886
Going to live with
my sister and I'm taking
419
00:20:02,910 --> 00:20:04,262
the children with me.
420
00:20:04,286 --> 00:20:07,099
CL: You don't like me
spending time with Sister Helen?
421
00:20:07,123 --> 00:20:10,060
She, she just my secretary.
422
00:20:10,084 --> 00:20:12,229
BARBARA: Your tongue ought
to be forked you lie so much.
423
00:20:12,253 --> 00:20:15,506
You made a vow to me when
Aretha Louise was born.
424
00:20:16,006 --> 00:20:18,318
CL: Yelling, for what,
so that all the neighborhood
425
00:20:18,342 --> 00:20:19,361
can hear you?
426
00:20:19,385 --> 00:20:20,654
BARBARA: I don't
care who hears me!
427
00:20:20,678 --> 00:20:22,322
CL: You just need us
to be a storybook family,
428
00:20:22,346 --> 00:20:23,740
that' ain't who we are, baby.
429
00:20:23,764 --> 00:20:25,158
BARBARA: Don't put that on me.
430
00:20:25,182 --> 00:20:27,911
It is Pastor Franklin who
needs to look good or else
431
00:20:27,935 --> 00:20:29,746
you'd get run out of town.
432
00:20:29,770 --> 00:20:31,373
You're going to
lose your church.
433
00:20:31,397 --> 00:20:32,999
Just like in Memphis.
434
00:20:33,023 --> 00:20:34,918
They going to kick you out
and you're going to have
435
00:20:34,942 --> 00:20:36,837
to leave town again with
your tail between your
436
00:20:36,861 --> 00:20:38,738
legs dragging your
family behind you.
437
00:20:38,988 --> 00:20:40,132
CL: Shout it, girl, shout it!
438
00:20:40,156 --> 00:20:41,299
Yeah, shout it.
439
00:20:41,323 --> 00:20:42,592
You like everybody
to hear you, why,
440
00:20:42,616 --> 00:20:44,094
why don't you run down
the street shouting.
441
00:20:44,118 --> 00:20:46,579
Come on, run down the street
shouting, yeah, yeah, yeah.
442
00:20:46,871 --> 00:20:49,850
Hey, everybody, hey, hey.
443
00:20:49,874 --> 00:20:52,102
You done took a stand.
444
00:20:52,126 --> 00:20:54,187
You take your children, but
did you ever stop and think
445
00:20:54,211 --> 00:20:55,981
about how you going to
provide for them children?
446
00:20:56,005 --> 00:20:57,983
You ain't got no money,
you ain't got no job,
447
00:20:58,007 --> 00:21:01,844
you ain't got no home, you
ain't got no Goddamn sense.
448
00:21:02,970 --> 00:21:05,449
BARBARA: You broke my heart.
449
00:21:05,473 --> 00:21:06,992
And I won't let you
treat me like this,
450
00:21:07,016 --> 00:21:08,118
and I won't let the children...
451
00:21:08,142 --> 00:21:09,411
CL: If you think...
BARBARA: Quit it.
452
00:21:09,435 --> 00:21:11,788
CL: That I would
let you take my damn children?
453
00:21:11,812 --> 00:21:12,873
Never!
454
00:21:12,897 --> 00:21:14,082
Put that down.
455
00:21:14,106 --> 00:21:15,208
CHILDREN: No. Mommy!
456
00:21:15,232 --> 00:21:16,460
CL: Put that down.
457
00:21:16,484 --> 00:21:18,044
BARBARA: No! No!
458
00:21:18,068 --> 00:21:19,755
CHILDREN: Mommy, Daddy.
459
00:21:19,779 --> 00:21:21,089
Mommy!
460
00:21:21,113 --> 00:21:22,507
CL: Put them clothes down!
461
00:21:22,531 --> 00:21:25,802
(screaming).
462
00:21:25,826 --> 00:21:28,263
CL: No, no, no.
463
00:21:28,287 --> 00:21:29,598
ARETHA: Leave me alone.
464
00:21:29,622 --> 00:21:31,558
CL: No, no, no.
465
00:21:31,582 --> 00:21:37,546
(screaming and crying).
466
00:21:37,922 --> 00:21:39,173
CL: Stop that crying.
467
00:21:43,636 --> 00:21:45,947
Leave her be, leave her be.
468
00:21:45,971 --> 00:21:47,991
ARETHA: Let go of me.
469
00:21:48,015 --> 00:21:49,868
Let go of me.
470
00:21:49,892 --> 00:21:51,644
CL: Stop that crying!
471
00:21:52,061 --> 00:21:54,206
Or I'm going to give you
something to cry about.
472
00:21:54,230 --> 00:21:55,624
Stop that crying.
473
00:21:55,648 --> 00:21:57,375
BARBARA: I've got to
leave your father.
474
00:21:57,399 --> 00:21:58,627
I can't live otherwise.
475
00:21:58,651 --> 00:22:00,378
ARETHA: Take my hand.
476
00:22:00,402 --> 00:22:02,047
BARBARA: I would
never leave you all,
477
00:22:02,071 --> 00:22:04,299
I would never leave
my babies ever.
478
00:22:04,323 --> 00:22:06,408
CL: Go on, go on.
479
00:22:07,076 --> 00:22:10,055
BARBARA: Don't you ever
just wait for something bad
480
00:22:10,079 --> 00:22:11,181
to turn good.
481
00:22:11,205 --> 00:22:13,374
CL: Go on.
482
00:22:13,791 --> 00:22:16,168
(crying).
483
00:22:19,421 --> 00:22:24,301
ARETHA: Mommy! Mommy!
CL: Stop that crying.
484
00:22:25,970 --> 00:22:28,013
ARETHA: Mommy.
485
00:22:29,139 --> 00:22:32,226
(crying).
486
00:22:33,686 --> 00:22:40,109
ARETHA: Mommy. Don't leave.
Come back.
487
00:22:45,364 --> 00:22:46,925
♪ Say it loud ♪
488
00:22:46,949 --> 00:22:48,492
♪ I'm black and I'm proud ♪
489
00:22:49,743 --> 00:22:51,179
♪ Say it loud ♪
490
00:22:51,203 --> 00:22:53,080
♪ I'm black and I'm proud ♪
491
00:22:53,789 --> 00:22:56,768
♪ Well, some people say
we've got a lot of malice ♪
492
00:22:56,792 --> 00:22:58,311
♪ Some say it's a lot of nerve ♪
493
00:22:58,335 --> 00:23:00,772
♪ But I say we won't
quit moving until we get ♪
494
00:23:00,796 --> 00:23:02,732
♪ What we deserve ♪
495
00:23:02,756 --> 00:23:05,360
♪ We've been 'buked and ♪♪
496
00:23:05,384 --> 00:23:07,362
ARETHA: James Baldwin.
KEN: Mm‐hmm.
497
00:23:07,386 --> 00:23:10,407
ARETHA: Zora Neale Hurston.
KEN: Yup.
498
00:23:10,431 --> 00:23:11,783
ARETHA: Frantz. KEN: Fanon.
499
00:23:11,807 --> 00:23:13,118
ARETHA: Fanon? KEN: Uh‐huh.
500
00:23:13,142 --> 00:23:15,704
ARETHA: Frantz Fanon,
and Lorraine Hansberry.
501
00:23:15,728 --> 00:23:17,706
KEN: These are some
of the essentials.
502
00:23:17,730 --> 00:23:20,524
ARETHA: I'm be a scholar
and a revolutionary.
503
00:23:21,984 --> 00:23:23,461
KEN: Right on, sister.
504
00:23:23,485 --> 00:23:24,713
I'll get you some more books.
505
00:23:24,737 --> 00:23:25,905
ARETHA: Thank you.
506
00:23:27,031 --> 00:23:28,508
CAROLYN: You didn't have
time to come with me to the
507
00:23:28,532 --> 00:23:29,926
Gay Pride March.
508
00:23:29,950 --> 00:23:32,220
That's all cool but now
you up here trying to save
509
00:23:32,244 --> 00:23:35,015
the world and you've
been AWOL in the studio.
510
00:23:35,039 --> 00:23:36,725
ARETHA: And I didn't
write your liner notes
511
00:23:36,749 --> 00:23:38,101
for your record.
512
00:23:38,125 --> 00:23:39,978
CAROLYN: Daddy wrote them,
they turned out great.
513
00:23:40,002 --> 00:23:42,022
ARETHA: I'm sorry.
514
00:23:42,046 --> 00:23:43,672
Really.
515
00:23:44,006 --> 00:23:45,775
MAN: Welcome to Harlem, Queen.
516
00:23:45,799 --> 00:23:48,111
Can I get your autograph?
517
00:23:48,135 --> 00:23:49,571
ARETHA: Yeah, of course you can.
518
00:23:49,595 --> 00:23:53,432
You've got two Franklin
sisters for the price of one.
519
00:23:53,891 --> 00:23:54,993
Have a good day now.
520
00:23:55,017 --> 00:23:56,060
MAN: You too.
521
00:23:56,602 --> 00:23:58,646
ARETHA: Thank you.
522
00:23:59,146 --> 00:24:00,790
(crowd chatter).
523
00:24:00,814 --> 00:24:02,334
OFFICER (over speaker):
Detroit PD, step out of the car
524
00:24:02,358 --> 00:24:03,919
CL: Now, you know this
is an illegal search.
525
00:24:03,943 --> 00:24:05,295
Come on now, this is
an illegal search.
526
00:24:05,319 --> 00:24:06,713
OFFICER: You ran a stop sign.
527
00:24:06,737 --> 00:24:07,756
CL: Ya'll need to call
somebody and you ain't need to
528
00:24:07,780 --> 00:24:08,716
come here and get me.
529
00:24:08,740 --> 00:24:09,841
What did I do?
530
00:24:09,865 --> 00:24:11,343
OFFICER: Keep your
hands visible, sir.
531
00:24:11,367 --> 00:24:13,637
CL: It's because I'm, it's
because I'm CL Franklin, huh,
532
00:24:13,661 --> 00:24:15,829
Aretha Franklin's father
you going to do that to me.
533
00:24:16,372 --> 00:24:17,891
This is ridiculous.
534
00:24:17,915 --> 00:24:19,935
Oh, see now you
done planted that.
535
00:24:19,959 --> 00:24:21,353
You done planted that.
536
00:24:21,377 --> 00:24:23,939
You don't never want to
see a black person succeed.
537
00:24:23,963 --> 00:24:26,107
You're always trying
to drag us down.
538
00:24:26,131 --> 00:24:27,609
You know this ain't right.
539
00:24:27,633 --> 00:24:29,527
JERRY: I, I like your haircut.
It suits you.
540
00:24:29,551 --> 00:24:30,862
ARETHA: Thank you.
541
00:24:30,886 --> 00:24:33,013
JERRY: But you've been
AWOL for two whole months.
542
00:24:34,223 --> 00:24:35,951
ARETHA: I've been
dealing with family stuff.
543
00:24:35,975 --> 00:24:37,619
My dad was in jail,
I had to bail him out.
544
00:24:37,643 --> 00:24:39,329
JERRY: Yeah, I heard.
545
00:24:39,353 --> 00:24:40,789
ARETHA: Black people
everywhere from my,
546
00:24:40,813 --> 00:24:42,415
my father to the Soledad
Brothers are under the thumb
547
00:24:42,439 --> 00:24:44,250
of a system that's
completely rigged.
548
00:24:44,274 --> 00:24:46,610
That's what I've
been focusing on.
549
00:24:49,238 --> 00:24:51,049
JERRY: The hypocrisy of justice,
550
00:24:51,073 --> 00:24:53,551
black folks can't
get a fair shake.
551
00:24:53,575 --> 00:24:55,345
I hear ya.
552
00:24:55,369 --> 00:24:56,972
Is your dad going
to be all right?
553
00:24:56,996 --> 00:24:58,974
ARETHA: He always
lands on his feet.
554
00:24:58,998 --> 00:25:03,436
JERRY: You know, supporting
Dr. King was one thing but
555
00:25:03,460 --> 00:25:06,839
I don't know, these
times feel more risky.
556
00:25:08,799 --> 00:25:11,611
You know, Nina recorded
"Mississippi God Damn",
557
00:25:11,635 --> 00:25:15,198
a great song, but then the
radio stations boycotted her,
558
00:25:15,222 --> 00:25:17,701
and the people went into the
record stores and they smashed
559
00:25:17,725 --> 00:25:19,935
her albums to bits.
560
00:25:20,477 --> 00:25:22,438
ARETHA: I'm not drinking.
561
00:25:25,482 --> 00:25:28,294
Look, make me a producer
on my new album.
562
00:25:28,318 --> 00:25:30,380
Let the world, everywhere,
read in the trades that
563
00:25:30,404 --> 00:25:34,050
Atlantic has named
Aretha Franklin a producer on
564
00:25:34,074 --> 00:25:36,452
Young, Gifted and Black.
565
00:25:37,745 --> 00:25:39,180
JERRY: Okay.
566
00:25:39,204 --> 00:25:40,932
I'll think about that.
567
00:25:40,956 --> 00:25:43,810
But three sessions in a
row I organized for you on
568
00:25:43,834 --> 00:25:46,336
dates that you chose,
and you missed them all.
569
00:25:47,171 --> 00:25:49,232
And last year you were
a no show in Las Vegas
570
00:25:49,256 --> 00:25:51,609
at Caesar's Palace
for crying out loud.
571
00:25:51,633 --> 00:25:54,112
And how much did that cost you?
572
00:25:54,136 --> 00:25:56,680
100‐grand, 100‐grand.
573
00:25:57,139 --> 00:25:59,200
And Ruth says she's got
to jump through hoops to book
574
00:25:59,224 --> 00:26:01,453
you cause people say
you are a problem.
575
00:26:01,477 --> 00:26:02,829
ARETHA: People are just
bad mouthing me to try and
576
00:26:02,853 --> 00:26:04,205
keep me in my place.
577
00:26:04,229 --> 00:26:05,623
JERRY: And what are you
doing to prove them wrong?
578
00:26:05,647 --> 00:26:07,333
ARETHA: Give me a real
seat at the table and I can
579
00:26:07,357 --> 00:26:08,835
show you how I
can prove them wrong.
580
00:26:08,859 --> 00:26:11,171
JERRY: Aretha, you're out
there acting like a hot head.
581
00:26:11,195 --> 00:26:13,089
You're worrying about these
young men in jail when you
582
00:26:13,113 --> 00:26:15,216
should be worrying
about the bottom line.
583
00:26:15,240 --> 00:26:17,552
In, in what universe
are you a producer?
584
00:26:17,576 --> 00:26:19,054
ARETHA: I do all the work.
585
00:26:19,078 --> 00:26:20,680
JERRY: You don't know
half of what I do.
586
00:26:20,704 --> 00:26:22,640
ARETHA: Well, I do know
that I deserve more credit and
587
00:26:22,664 --> 00:26:24,350
that you are standing in my way.
588
00:26:24,374 --> 00:26:27,169
JERRY: I'm standing, I'm...
589
00:26:27,753 --> 00:26:31,941
Look, I'm glad you're laying
off the sauce and I'm very
590
00:26:31,965 --> 00:26:33,526
glad you're back.
591
00:26:33,550 --> 00:26:35,820
ARETHA: But you like me better
when I'm drinking, don't you?
592
00:26:35,844 --> 00:26:38,281
JERRY: No, I don't.
And that's not fair.
593
00:26:38,305 --> 00:26:40,283
ARETHA: If I don't get
what I need from you,
594
00:26:40,307 --> 00:26:44,019
I'm going to find a
way to get it myself.
595
00:26:44,353 --> 00:26:46,563
I'm gonna do what I gotta do.
596
00:26:52,319 --> 00:26:57,407
♪ ♪
597
00:27:07,334 --> 00:27:09,229
♪ Rock steady, baby ♪
598
00:27:09,253 --> 00:27:11,797
♪ That's what I feel now ♪
599
00:27:12,297 --> 00:27:15,551
♪ Let's call this song
exactly what it is ♪
600
00:27:16,802 --> 00:27:18,238
♪ Step and move your hips ♪
601
00:27:18,262 --> 00:27:20,639
♪ With a feelin'
from side to side ♪
602
00:27:21,431 --> 00:27:24,268
♪ Sit yourself down in
your car and take a ride ♪
603
00:27:25,018 --> 00:27:27,354
♪ And while you're
moving, rock steady ♪
604
00:27:28,105 --> 00:27:30,792
♪ Rock steady, baby ♪
605
00:27:30,816 --> 00:27:33,402
♪ Let's call this song
exactly what it is ♪
606
00:27:34,069 --> 00:27:35,755
♪ What it is, what it is,
what it is ♪
607
00:27:35,779 --> 00:27:37,048
♪ It's a funky and
lowdown feeling ♪
608
00:27:37,072 --> 00:27:38,383
♪ What it is ♪
609
00:27:38,407 --> 00:27:39,260
♪ Move your hips
from left to right ♪
610
00:27:39,284 --> 00:27:40,510
♪ What it is ♪
611
00:27:40,534 --> 00:27:41,719
♪ What it is, is I
might be doin' ♪
612
00:27:41,743 --> 00:27:44,848
♪ This funky dance
all night, ah ♪
613
00:27:44,872 --> 00:27:46,975
♪ Put your hands up in the air ♪
614
00:27:46,999 --> 00:27:48,810
♪ Got a feelin' you
ain't got a care ♪
615
00:27:48,834 --> 00:27:51,312
♪ Wouldn't you wanna
take this burn? ♪
616
00:27:51,336 --> 00:27:53,255
♪ That sail us all inside ♪
617
00:27:53,505 --> 00:27:56,216
♪ Rock steady,
rock steady baby ♪
618
00:27:57,885 --> 00:28:00,971
♪ Rock steady,
rock steady baby ♪ ♪
619
00:28:06,643 --> 00:28:11,273
♪ ♪
620
00:28:12,024 --> 00:28:14,043
♪ Jump and move your
hips with a feelin' from ♪
621
00:28:14,067 --> 00:28:16,170
♪ side to side ♪
622
00:28:16,194 --> 00:28:18,822
♪ Sit yourself down in
your car and take a ride ♪
623
00:28:19,948 --> 00:28:22,284
And while you're
movin', rock steady ♪
624
00:28:22,993 --> 00:28:25,263
♪ Rock steady, baby ♪
625
00:28:25,287 --> 00:28:28,081
♪ Let's call this song
exactly what it is ♪
626
00:28:28,749 --> 00:28:30,143
♪ What it is, what it is,
what it is ♪
627
00:28:30,167 --> 00:28:31,686
♪ It's a funky and
lowdown feelin' ♪
628
00:28:31,710 --> 00:28:33,021
♪ What it is ♪
629
00:28:33,045 --> 00:28:34,022
♪ Move your hips
from left to right ♪
630
00:28:34,046 --> 00:28:35,315
♪ What it is ♪
631
00:28:35,339 --> 00:28:36,524
♪ What it is,
is I might be doin' ♪
632
00:28:36,548 --> 00:28:39,694
♪ This funky dance
all night, ah ♪
633
00:28:39,718 --> 00:28:41,487
♪ Put your hands up in the air ♪
634
00:28:41,511 --> 00:28:43,698
♪ Got a feelin' you
ain't got a care ♪
635
00:28:43,722 --> 00:28:45,950
♪ Wouldn't you want
to take this burn? ♪
636
00:28:45,974 --> 00:28:47,643
♪ That sail us all inside ♪
637
00:28:50,395 --> 00:28:52,356
♪ Rock steady, baby ♪
638
00:28:52,898 --> 00:28:55,734
♪ Rock steady,
baby, rock steady ♪ ♪
639
00:28:59,696 --> 00:29:05,452
♪ ♪
640
00:29:15,712 --> 00:29:17,089
♪ Rock ♪
641
00:29:17,631 --> 00:29:18,840
♪
Steady ♪
642
00:29:19,758 --> 00:29:20,926
♪ Rock ♪
643
00:29:21,885 --> 00:29:23,011
♪ Steady ♪
644
00:29:23,804 --> 00:29:25,073
♪ What it is ♪
645
00:29:25,097 --> 00:29:26,407
♪ It's a funky and
lowdown feelin' ♪
646
00:29:26,431 --> 00:29:28,493
♪ Move your hips
from left to right ♪
647
00:29:28,517 --> 00:29:30,954
♪ What it is,
is I might be doin' ♪
648
00:29:30,978 --> 00:29:33,438
♪ This funky dance
all night, ah ♪
649
00:29:34,815 --> 00:29:36,125
♪ Put your hands up in the air ♪
650
00:29:36,149 --> 00:29:37,835
♪ Got a feelin' you
ain't got a care ♪
651
00:29:37,859 --> 00:29:40,254
♪ Wouldn't you want
to take this burn? ♪
652
00:29:40,278 --> 00:29:42,840
♪ That sail us all inside ♪
653
00:29:42,864 --> 00:29:45,367
♪ Rock steady, steady baby ♪
654
00:29:46,660 --> 00:29:47,660
♪ Rock ♪
655
00:29:48,954 --> 00:29:50,539
♪ Rock steady, baby ♪
656
00:29:51,248 --> 00:29:52,976
♪ Baby ♪
657
00:29:53,000 --> 00:29:54,143
♪ What it is ♪♪
658
00:29:54,167 --> 00:29:55,645
ERMA: Okay, say
something, Re, or give me.
659
00:29:55,669 --> 00:29:57,021
BARBARA (over phone):
Baby tell Mommy
660
00:29:57,045 --> 00:29:58,731
about your piano playing
or your singing.
661
00:29:58,755 --> 00:30:00,608
Has your father let
you solo in church yet?
662
00:30:00,632 --> 00:30:02,151
ERMA (over phone): She
ain't soloed yet, Mom.
663
00:30:02,175 --> 00:30:04,112
Give it to me, say something.
664
00:30:04,136 --> 00:30:05,530
CECIL: I want my turn.
665
00:30:05,554 --> 00:30:06,948
ARETHA: I miss you, Mommy.
666
00:30:06,972 --> 00:30:08,324
Big Momma pressed my hair.
667
00:30:08,348 --> 00:30:10,559
BARBARA: Aretha Louise,
I bet you look so pretty.
668
00:30:11,226 --> 00:30:13,955
ERMA: Do you like living in
Buffalo better than Detroit?
669
00:30:13,979 --> 00:30:16,040
BARBARA: Erma, you
ask me that every week.
670
00:30:16,064 --> 00:30:17,333
ERMA: Well, then how
come you're staying there if
671
00:30:17,357 --> 00:30:18,252
you don't like it?
672
00:30:18,276 --> 00:30:19,460
CECIL: Oh.
673
00:30:19,484 --> 00:30:20,753
CAROLYN: Cecil.
674
00:30:20,777 --> 00:30:22,588
CECIL: Will you come
home for spring so we can
675
00:30:22,612 --> 00:30:24,090
have a picnic?
676
00:30:24,114 --> 00:30:25,925
CAROLYN: Or we could
go to a ballgame!
677
00:30:25,949 --> 00:30:27,552
ARETHA: Give it to me.
678
00:30:27,576 --> 00:30:29,178
ERMA: I'm the older one.
679
00:30:29,202 --> 00:30:32,098
ARETHA: I can hear
you breathing, Mommy.
680
00:30:32,122 --> 00:30:34,142
BARBARA: I hear you too, baby.
681
00:30:34,166 --> 00:30:35,560
ERMA (over phone):
Well, we love you, Mommy.
682
00:30:35,584 --> 00:30:37,478
Okay?
683
00:30:37,502 --> 00:30:39,731
CAROLYN: Lots and lots!
CECIL: We love you, a lot.
CAROLYN: Love you more!
684
00:30:39,755 --> 00:30:41,399
BIG MOMMA: We'll speak
with you next week, honey.
685
00:30:41,423 --> 00:30:42,692
BARBARA (over phone):
Yes, ma'am.
686
00:30:42,716 --> 00:30:43,901
BIG MOMMA: All right, goodbye.
687
00:30:43,925 --> 00:30:45,469
ARETHA: Love you, Mommy.
688
00:30:49,806 --> 00:30:52,225
I want to go live
with Mommy in Buffalo.
689
00:30:52,476 --> 00:30:53,619
CL: You already live here, baby.
690
00:30:53,643 --> 00:30:54,746
ARETHA: You're not being fair.
691
00:30:54,770 --> 00:30:58,023
CL: The world
ain't fair, Aretha.
692
00:31:09,284 --> 00:31:13,246
♪ ♪
693
00:31:14,372 --> 00:31:15,516
ARETHA: Could I get
a glass of water?
694
00:31:15,540 --> 00:31:16,684
MAN: Yes, ma'am. Just water?
695
00:31:16,708 --> 00:31:18,561
ARETHA: Mm‐hmm.
Thank you, honey.
696
00:31:18,585 --> 00:31:21,814
♪ It's getting to the
point where I'm no ♪♪
697
00:31:21,838 --> 00:31:23,483
MAN: Hey, hey,
take our photo here.
698
00:31:23,507 --> 00:31:26,635
Oh, oh, better yet let's
get all four of you together.
699
00:31:26,927 --> 00:31:29,304
MAN: Great, there we go.
700
00:31:32,057 --> 00:31:34,392
Great, thank you.
701
00:31:35,060 --> 00:31:37,140
MAN 2: That's something you
don't see every day, huh?
702
00:31:37,813 --> 00:31:39,248
JERRY: Thanks for being here.
703
00:31:39,272 --> 00:31:42,001
ARETHA: I'm trying to show
up in more ways than one.
704
00:31:42,025 --> 00:31:45,529
Nobody like me
seems to have come.
705
00:31:45,862 --> 00:31:47,507
JERRY: Yeah, well,
these industry parties are
706
00:31:47,531 --> 00:31:48,633
boring as hell.
707
00:31:48,657 --> 00:31:49,967
But if you'd have ditched it,
708
00:31:49,991 --> 00:31:51,761
it might not look like
we were on the same team.
709
00:31:51,785 --> 00:31:53,703
ARETHA: Well, maybe we're not.
710
00:31:54,538 --> 00:31:56,307
MAN: Congratulations, Arif.
711
00:31:56,331 --> 00:31:57,725
Well‐deserved producer credit.
712
00:31:57,749 --> 00:31:58,935
MAN 2: "Don't Play that Song"
713
00:31:58,959 --> 00:31:59,936
wouldn't have that sound
wouldn't have that sound
714
00:31:59,960 --> 00:32:00,978
without your touch.
715
00:32:01,002 --> 00:32:02,105
MAN: Plus "Spirit in the Dark",
716
00:32:02,129 --> 00:32:03,564
the whole album is brilliant.
717
00:32:03,588 --> 00:32:05,983
Beautiful singing,
Ms. Franklin, as always.
718
00:32:06,007 --> 00:32:08,319
MAN: She's the magic touch,
made it timeless.
719
00:32:08,343 --> 00:32:10,279
ARIF: Well, I wasn't
in there alone, guys.
720
00:32:10,303 --> 00:32:13,074
I mean Jerry was
in there with me.
721
00:32:13,098 --> 00:32:14,826
MAN: Come on, man.
722
00:32:14,850 --> 00:32:16,786
MAN 2: We heard the
roughs for "Border Song".
723
00:32:16,810 --> 00:32:18,704
MAN 3: The sound you
got with the keys.
724
00:32:18,728 --> 00:32:21,541
MAN 4: We heard you put
an empty pizza box on top
725
00:32:21,565 --> 00:32:23,042
of a piano.
726
00:32:23,066 --> 00:32:25,545
ARETHA: That was my idea.
727
00:32:25,569 --> 00:32:27,421
MAN: Wow, great.
728
00:32:27,445 --> 00:32:29,924
And "Rock Steady,"
it's really hot.
729
00:32:29,948 --> 00:32:33,344
ARETHA: Where's my
producer credit, Jerry?
730
00:32:33,368 --> 00:32:36,639
JERRY: You're talent,
you're, you're the artist.
731
00:32:36,663 --> 00:32:38,724
No artist gets producer credit.
732
00:32:38,748 --> 00:32:41,269
Not The Who, not The Stones,
not even The Beatles.
733
00:32:41,293 --> 00:32:42,562
MAN: It just isn't done.
734
00:32:42,586 --> 00:32:44,588
ARETHA: You full of shit.
735
00:32:45,172 --> 00:32:47,358
I'm the type of person
that brings people together.
736
00:32:47,382 --> 00:32:49,402
I don't divide them.
737
00:32:49,426 --> 00:32:51,887
So, why am I being left
out on the outside?
738
00:32:52,429 --> 00:32:54,824
JERRY: I can't give
you something just because
739
00:32:54,848 --> 00:32:56,826
you want it.
740
00:32:56,850 --> 00:33:00,204
This is the world, okay,
I can't change the rules.
741
00:33:00,228 --> 00:33:02,498
ARETHA: You want me to
think that you hear me.
742
00:33:02,522 --> 00:33:04,542
You want me to
think that you care.
743
00:33:04,566 --> 00:33:06,252
JERRY: I do.
744
00:33:06,276 --> 00:33:10,363
ARETHA: But you don't,
not really, not for real.
745
00:33:11,114 --> 00:33:15,785
♪ There's something
inside is telling me that I ♪♪
746
00:33:16,912 --> 00:33:19,849
JERRY: Would you like
something to drink?
747
00:33:19,873 --> 00:33:21,750
ARETHA: I'm not drinking.
748
00:33:23,293 --> 00:33:25,897
♪ Fear is the lock ♪
749
00:33:25,921 --> 00:33:29,716
♪ And laughter the
key to your heart ♪♪
750
00:33:32,719 --> 00:33:38,642
(flash bulbs)
751
00:33:49,903 --> 00:33:52,757
♪ ♪
752
00:33:52,781 --> 00:33:54,950
♪ Gotta change around here ♪
753
00:33:56,326 --> 00:33:59,329
♪ Gotta change around here ♪
754
00:34:00,121 --> 00:34:02,540
♪ Can't go on this way ♪
755
00:34:04,042 --> 00:34:06,711
♪ Things gotta
change around here ♪
756
00:34:08,088 --> 00:34:09,690
♪ Say it loud ♪
757
00:34:09,714 --> 00:34:11,192
ARETHA (over PA): A young man,
George Jackson,
758
00:34:11,216 --> 00:34:13,402
was thrown into jail
on a trumped‐up charge.
759
00:34:13,426 --> 00:34:15,363
His kid brother, Jonathan,
does everything he can to get
760
00:34:15,387 --> 00:34:17,722
him a fair trial but the
world just ain't fair for us.
761
00:34:18,098 --> 00:34:19,349
WOMAN: Amen!
762
00:34:20,058 --> 00:34:22,245
ARETHA (over PA):
They said George stole
$70.00 from a gas station.
763
00:34:22,269 --> 00:34:24,330
And after years of not
being granted parole,
764
00:34:24,354 --> 00:34:27,107
they accused George of
killing a prison guard.
765
00:34:27,899 --> 00:34:29,293
MAN: That ain't right.
766
00:34:29,317 --> 00:34:30,920
ARETHA (over PA): So, he
gets locked up for life.
767
00:34:30,944 --> 00:34:32,946
What does his little
brother Jonathan do?
768
00:34:33,571 --> 00:34:34,990
JONATHAN: Freeze.
769
00:34:35,824 --> 00:34:38,743
My brother, George, is
locked up for no good reason.
770
00:34:39,494 --> 00:34:41,222
ARETHA: He smuggles guns
into a courthouse demanding
771
00:34:41,246 --> 00:34:43,498
justice and gets killed.
772
00:34:44,457 --> 00:34:46,835
Other folks were killed, too.
773
00:34:47,294 --> 00:34:49,522
♪ What good is freedom? ♪
774
00:34:49,546 --> 00:34:51,023
♪ If we haven't learned ♪♪
775
00:34:51,047 --> 00:34:53,883
ARETHA: Change is not going
to come, it's already here.
776
00:34:56,553 --> 00:34:58,489
Angela was trying to help
the Soledad Brothers and
777
00:34:58,513 --> 00:35:00,241
now I'm trying to help Angela.
778
00:35:00,265 --> 00:35:02,465
She was charged with murder,
kidnapping, and conspiracy.
779
00:35:02,809 --> 00:35:06,688
And I'm here in support
of inmate number 02G0964.
780
00:35:08,565 --> 00:35:10,525
You know her as
Professor Angela Davis.
781
00:35:10,859 --> 00:35:12,169
REPORTER: You're joining
her legal defense team?
782
00:35:12,193 --> 00:35:13,504
ARETHA: I'm offering
to post her bail.
783
00:35:13,528 --> 00:35:14,922
REPORTER: You'll contribute
to her legal fund?
784
00:35:14,946 --> 00:35:16,048
ARETHA (over PA): I'll
do anything I can to help.
785
00:35:16,072 --> 00:35:17,800
REPORTER: Do you
believe in communism?
786
00:35:17,824 --> 00:35:19,176
REPORTER 2:
Are you suggesting we riot
against the establishment?
787
00:35:19,200 --> 00:35:20,970
ARETHA (over PA):
I beleve in freedom.
788
00:35:20,994 --> 00:35:23,097
And I believe in the
right of black people
to assert their rights.
789
00:35:23,121 --> 00:35:24,473
Angela Davis must go free.
790
00:35:24,497 --> 00:35:26,851
Black people will be free.
791
00:35:26,875 --> 00:35:29,604
You got to disturb the peace
when you can't get no peace.
792
00:35:29,628 --> 00:35:33,608
I'm going to see her free
if this court system has any
793
00:35:33,632 --> 00:35:35,109
justice at all.
794
00:35:35,133 --> 00:35:37,236
Not because I believe in
communism but because she is a
795
00:35:37,260 --> 00:35:40,031
black woman who believes in
the freedom of black people.
796
00:35:40,055 --> 00:35:42,908
I intend to use all my money
and power that my people have
797
00:35:42,932 --> 00:35:44,809
given to me to free Angela.
798
00:35:45,185 --> 00:35:46,537
REPORTER: Are you afraid
of alienating your fans?
799
00:35:46,561 --> 00:35:47,705
REPORTER 2:
Are you advocating violence
800
00:35:47,729 --> 00:35:49,165
against the establishment?
801
00:35:49,189 --> 00:35:50,291
ARETHA (over PA): I have
said all I need to say.
802
00:35:50,315 --> 00:35:51,483
Thank you.
803
00:35:51,775 --> 00:35:53,735
(applause).
804
00:35:54,110 --> 00:35:55,504
CL: How the hell can
you do this to me?
805
00:35:55,528 --> 00:35:56,589
ARETHA: Cause it
ain't about you,
806
00:35:56,613 --> 00:35:58,090
it's about doing what's right.
807
00:35:58,114 --> 00:35:59,717
CL: You support a communist
who buys guns for criminals.
808
00:35:59,741 --> 00:36:01,302
ARETHA: Angela didn't mean
for them to get her guns.
809
00:36:01,326 --> 00:36:02,720
CL: You believe that?
810
00:36:02,744 --> 00:36:03,763
ARETHA: George Jackson was
not supposed to be in jail
811
00:36:03,787 --> 00:36:04,764
in the first place.
812
00:36:04,788 --> 00:36:05,973
He was wrongfully incarcerated.
813
00:36:05,997 --> 00:36:07,183
CL: Well, the newspapers
are saying something.
814
00:36:07,207 --> 00:36:08,559
ARETHA: I'm doing what
you taught me to do,
815
00:36:08,583 --> 00:36:09,894
to stand up for our people.
816
00:36:09,918 --> 00:36:11,312
CL: I never stood
up for no criminals.
817
00:36:11,336 --> 00:36:12,605
ARETHA: Except for those
hot heads that walked in the
818
00:36:12,629 --> 00:36:14,065
church with guns and
shot out with the police.
819
00:36:14,089 --> 00:36:15,775
CL: And you raked me over
the coals for that and for
820
00:36:15,799 --> 00:36:17,151
involving you in that.
821
00:36:17,175 --> 00:36:18,527
ARETHA: I'm involved in
this because I want to be,
822
00:36:18,551 --> 00:36:20,029
not because of you.
823
00:36:20,053 --> 00:36:22,114
I get to support who
I want to on my terms.
824
00:36:22,138 --> 00:36:23,324
CL: But you make me
look bad in the process.
825
00:36:23,348 --> 00:36:25,558
ARETHA: You can do
that all by yourself.
826
00:36:30,313 --> 00:36:34,502
CL: You know, you talk about
black empowerment but when I
827
00:36:34,526 --> 00:36:36,629
suggest you use one of my
sermons in my protest record,
828
00:36:36,653 --> 00:36:38,089
you turn your nose up.
829
00:36:38,113 --> 00:36:40,091
Now, I've been protesting
since before you were born.
830
00:36:40,115 --> 00:36:42,051
Carolyn asked you to write
the liner notes in her
831
00:36:42,075 --> 00:36:44,494
new record and you ain't
got the time to empower her.
832
00:36:45,161 --> 00:36:47,306
When you heard Erma was
recording "Preacher Man",
833
00:36:47,330 --> 00:36:49,016
you went and released
your own version to
834
00:36:49,040 --> 00:36:50,351
undercut her chance.
835
00:36:50,375 --> 00:36:52,019
ARETHA: How much help
do ya'll need from me?
836
00:36:52,043 --> 00:36:54,105
CL: You just got to
flaunt your power, don't you?
837
00:36:54,129 --> 00:36:57,090
ARETHA: Yes, maybe I do.
838
00:36:58,591 --> 00:36:59,902
Because I'm my
mother's daughter.
839
00:36:59,926 --> 00:37:01,362
CL: Don't you start
about your mother.
840
00:37:01,386 --> 00:37:02,947
ARETHA: And she waited too
long to stand up for herself
841
00:37:02,971 --> 00:37:05,449
and it killed her, and I
refuse to let that be me.
842
00:37:05,473 --> 00:37:09,185
So, yes, even if it
makes you look bad.
843
00:37:22,031 --> 00:37:24,868
KEN: Fighting the power
begins at home, huh?
844
00:37:26,995 --> 00:37:29,122
Still glad you brought
me here to meet him.
845
00:37:31,291 --> 00:37:34,627
ARETHA: Seems like we
fighting all the time.
846
00:37:35,044 --> 00:37:38,649
Maybe wanting to help Angela
is not the smartest move.
847
00:37:38,673 --> 00:37:41,485
KEN: Hey, standing up
for what you believe in is
848
00:37:41,509 --> 00:37:44,697
always the right call.
849
00:37:44,721 --> 00:37:49,350
Now, I may not be royalty
like you, but I can help.
850
00:37:53,938 --> 00:37:57,233
CL: My daughter and I
don't always see eye to eye.
851
00:38:00,195 --> 00:38:02,673
But I'm glad you
visiting with us.
852
00:38:02,697 --> 00:38:05,301
KEN: I thank you for that
welcome, Reverend Franklin.
853
00:38:05,325 --> 00:38:07,035
CL: Bless you.
854
00:38:08,787 --> 00:38:10,765
You have a good evening.
855
00:38:10,789 --> 00:38:13,333
ARETHA: Bye, Daddy. CL: Mm‐hmm.
856
00:38:18,379 --> 00:38:20,357
ARETHA: I'm performing
at the Fillmore West.
857
00:38:20,381 --> 00:38:21,609
KEN: Huh, are you now?
858
00:38:21,633 --> 00:38:23,569
ARETHA: Coming?
859
00:38:23,593 --> 00:38:26,304
KEN: Yes, indeed.
I will be there.
860
00:38:30,600 --> 00:38:32,161
This is beautiful.
861
00:38:32,185 --> 00:38:34,312
ARETHA: It's all right.
862
00:38:34,771 --> 00:38:37,190
KEN: So are you, come here.
863
00:38:41,778 --> 00:38:43,321
ARETHA: I...
864
00:38:44,280 --> 00:38:46,574
KEN: What?
865
00:38:56,709 --> 00:38:58,419
What's wrong?
866
00:39:00,547 --> 00:39:03,174
ARETHA: I don't know how to.
867
00:39:05,176 --> 00:39:08,346
KEN: I love you.
868
00:39:10,431 --> 00:39:14,936
(thunder)
869
00:39:23,653 --> 00:39:29,325
(piano).
870
00:39:39,335 --> 00:39:45,550
♪ ♪
871
00:39:49,679 --> 00:39:51,198
BARBARA:
What's the matter, sunshine?
872
00:39:51,222 --> 00:39:54,535
ARETHA: It's just that this
time tomorrow our bus will be
873
00:39:54,559 --> 00:39:56,829
headed back to Detroit.
874
00:39:56,853 --> 00:39:59,147
BARBARA: But you've
enjoyed your visit, right?
875
00:39:59,439 --> 00:40:01,917
ARETHA: Me and Erma
and Cecil and Carolyn,
876
00:40:01,941 --> 00:40:04,652
we all want to
stay here with you.
877
00:40:06,696 --> 00:40:08,674
BARBARA: Your daddy's going
to let you visit this summer.
878
00:40:08,698 --> 00:40:09,717
ARETHA: For the whole summer?
879
00:40:09,741 --> 00:40:12,076
BARBARA: We'll have to see.
880
00:40:12,535 --> 00:40:15,371
ARETHA: When we're
at home, we miss you.
881
00:40:16,831 --> 00:40:18,666
What's the matter?
882
00:40:18,917 --> 00:40:21,419
BARBARA: I'm just tired.
883
00:40:22,629 --> 00:40:27,258
I miss you all too.
884
00:40:28,301 --> 00:40:30,428
Let's play make it up as we go.
885
00:40:31,220 --> 00:40:32,764
ARETHA: Okay.
886
00:40:35,016 --> 00:40:37,578
(piano).
887
00:40:37,602 --> 00:40:41,898
(humming).
888
00:40:58,122 --> 00:41:01,793
(phone ringing).
889
00:41:02,502 --> 00:41:04,253
CL: Hello?
890
00:41:04,837 --> 00:41:06,547
Mm‐hmm.
891
00:41:12,720 --> 00:41:14,555
Thank you.
892
00:41:23,523 --> 00:41:25,400
Momma!
893
00:41:33,282 --> 00:41:35,118
ERMA: Re?
894
00:41:51,259 --> 00:41:53,636
ARETHA: No, no.
895
00:41:56,597 --> 00:42:00,601
(crying).
896
00:42:06,858 --> 00:42:08,818
ERMA: I know.
897
00:42:10,528 --> 00:42:15,283
(crying).
898
00:42:29,297 --> 00:42:34,677
(crying).
899
00:42:49,108 --> 00:42:55,198
(crying).
900
00:43:02,371 --> 00:43:04,433
SISTER HELEN: Do you want
something to eat, honey?
901
00:43:04,457 --> 00:43:06,751
ARETHA: No, Sister Helen.
902
00:43:07,627 --> 00:43:09,188
SISTER HELEN: Your mother
loved her children more than
903
00:43:09,212 --> 00:43:12,340
anything else in this world.
904
00:43:13,633 --> 00:43:15,694
Your mother's in a
better place now.
905
00:43:15,718 --> 00:43:16,987
She's with the Lord, child.
906
00:43:17,011 --> 00:43:19,263
ARETHA: You don't
need to talk to me.
907
00:43:19,889 --> 00:43:21,408
SISTER HELEN: I'm sure your
daddy gave your momma a
908
00:43:21,432 --> 00:43:23,643
beautiful homegoing speech.
909
00:43:25,770 --> 00:43:28,165
ARETHA: Daddy didn't
go to Momma's funeral.
910
00:43:28,189 --> 00:43:31,376
We buried her in Buffalo,
and he wasn't even there.
911
00:43:31,400 --> 00:43:32,860
You best leave me be.
912
00:43:48,126 --> 00:43:50,753
(cheering and applause).
913
00:43:51,003 --> 00:43:52,314
ARETHA (over PA):
Ladies and gentlemen,
914
00:43:52,338 --> 00:43:55,359
I would like to say
before we leave that
915
00:43:55,383 --> 00:43:59,303
you have been much more than
I could have ever expected.
916
00:44:00,721 --> 00:44:02,282
I'd like to leave you saying...
917
00:44:02,306 --> 00:44:07,603
♪ Reach out and
touch somebody's hand ♪
918
00:44:09,730 --> 00:44:13,401
♪ Make this a better world,
if you can ♪
919
00:44:15,194 --> 00:44:17,005
♪ We love you ♪
920
00:44:17,029 --> 00:44:19,842
♪ Reach out and touch ♪
921
00:44:19,866 --> 00:44:22,660
♪ Somebody's hand ♪
922
00:44:23,369 --> 00:44:26,348
♪ Why don't you make
it a better world ♪
923
00:44:26,372 --> 00:44:28,058
♪ If you can ♪
924
00:44:28,082 --> 00:44:30,185
ARETHA (over PA): Turn around
and touch your brother,
925
00:44:30,209 --> 00:44:31,228
touch your sister.
926
00:44:31,252 --> 00:44:32,980
Reach out and touch.
927
00:44:33,004 --> 00:44:34,189
Extend your hand.
928
00:44:34,213 --> 00:44:36,424
♪ Somebody's hand ♪
929
00:44:37,175 --> 00:44:39,903
♪ Make this a better world ♪
930
00:44:39,927 --> 00:44:42,013
♪ If you can ♪
931
00:44:42,555 --> 00:44:45,033
♪ Reach out and touch ♪
932
00:44:45,057 --> 00:44:48,745
♪ Somebody's hand ♪
933
00:44:48,769 --> 00:44:51,689
♪ Make this a better world ♪♪
934
00:44:52,315 --> 00:44:54,317
ARETHA (over PA):
Need I say more, no.
935
00:44:54,650 --> 00:44:55,961
♪ If you can ♪♪
936
00:44:55,985 --> 00:44:57,588
ARETHA (over PA):
Reach out and touch.
937
00:44:57,612 --> 00:44:59,798
♪ Reach out and touch ♪
938
00:44:59,822 --> 00:45:02,283
♪ Grab hold of somebody's hand ♪
939
00:45:03,075 --> 00:45:05,846
♪ Go on make it a better world ♪
940
00:45:05,870 --> 00:45:07,306
♪ I know you ♪ ♪
941
00:45:07,330 --> 00:45:09,850
JERRY: She really does
bring people together.
942
00:45:09,874 --> 00:45:11,727
RUTH: She's at her
best out there.
943
00:45:11,751 --> 00:45:13,961
ARETHA (over PA): I love you
and I love you.
944
00:45:15,671 --> 00:45:19,717
Call me the
mother you didn't have.
945
00:45:21,219 --> 00:45:22,487
I love you.
946
00:45:22,511 --> 00:45:23,930
KING CURTIS: I love you.
947
00:45:24,180 --> 00:45:27,058
♪ Go on and reach out ♪♪
948
00:45:33,648 --> 00:45:39,654
♪ ♪
949
00:45:39,904 --> 00:45:41,006
♪ W ♪
950
00:45:41,030 --> 00:45:43,407
♪ Woo‐oo‐oo‐oo ♪
951
00:45:48,037 --> 00:45:51,540
♪ Ahhh‐oh ♪
952
00:45:52,291 --> 00:45:56,545
♪ Reach out and reach out and ♪
953
00:45:58,547 --> 00:46:01,801
♪ Yeah ♪
954
00:46:04,011 --> 00:46:05,805
♪ Reach out ♪
955
00:46:08,849 --> 00:46:11,477
♪ Reach out ♪
956
00:46:12,520 --> 00:46:16,941
♪ Reach out and touch
somebody's hand ♪♪
957
00:46:43,301 --> 00:46:46,846
(music plays through credits)
958
00:47:29,930 --> 00:47:31,724
>>>>oakislandtk<<<<<
www.opensubtitles.org
66377
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof