Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
[Music]
in this lesson we'll talk about how to
hook a publisher and work towards your
final project which is to write the
first two pages of your novel you may
already have an idea for the beginning
of your novel as part of your big idea
but if not this is where you need to
come up with something that is going to
hook a publisher from almost from the
moment they sit down to start reading
your book my editor once said to me your
job is to write the book that you love
it's our job to sell it but I already
had a book deal so I was really lucky in
that respect if you don't already have a
book deal in advance then you need to
give your publisher some idea of how
they might sell your novel remember
literary agents and Publishers are
literally looking for a reason to say no
they get sent so many manuscripts so you
need to give them a reason to say yes
and I think that needs to happen within
the first couple of pages of your novel
you want to make sure that anyone
reading it whether it's a literary agent
or a publisher or just your reader is is
so intrigued by what happens in those
first couple of pages that they can't
wait to read on think about how a
publisher might Market your book in the
case of my debut novel Lucy in the Sky I
gave them an idea in the very first
couple of pages about this idea of this
heroin sitting on a plane going to
Australia and receiving a text from her
boyfriend's mobile from the woman
claiming to sleep with him the posters
that appeared on the Underground Station
posst the question how would you react
if you received this text message just
before a 24-hour flight I have slept
with your boyfriend for four times this
month just in the first couple of pages
my character Lucy received that text
message and it gave my publisher an idea
for how they might sell my novel because
readers were intrigued you know what was
going to happen like was her boyfriend
cheating on her they wanted to find out
so it gives the reader a reason to read
on so you want to make sure that
something similar something that shakes
your character out of their comfort zone
and makes the reader think you know
what's going to happen next
[Music]
these first couple of pages won't be
quite as imperative for any other novel
that you write because once you have a
book deal you already have an editor who
has you know you've bought yourself some
patience they can read on and it might
be that something much bigger much more
exciting happens later on your novel
that will be where all of the marketing
goes or all of the advertising goes you
know to really push your novel to
readers and and retailers but certainly
for your first book just because you're
trying to hook a publisher or a literary
agent in it needs to happen really
really quickly as in the case of Only
Love Can her like this which is my 20th
novel we actually ended up focusing on
the earth shattering secret this twist
that happens later on in the novel and
that's what all the marketing sort of
focuses on we had videos that go out
saying Earth shattering secret a
life-changing love story and the front
cover of my book literally has those
words there now but the back cover blur
which is on the back of the book and
this is what any reader who is
interested in buying this book off the
book shelf shelf will have a look at to
see whether or not it's something that
they might want to read that opens up
with what happens actually in the first
two pages when Ren realizes her fiance
is in love with someone else she thinks
her heart will never recover so it's
still really really important to make
sure something exciting enough that
could feature on the back of your book
does appear very very
quickly it might be that your writing
Sparkles so much that it would be the
writing itself that keeps someone
reading on and that is absolutely
amazing that's certainly the case for
one of my favorite books watermelon by
Marian Keys her writing Sparkles so much
in those first few pages but it does
also focus on the fact that her husband
leaves her her character on the day that
she gives birth to her baby so that also
happens in the first page so combination
of writing sparkling and a really good
idea is what will help make a literary
agent stand up and take notice but also
prologues can be a really good way of
getting a reader interested and hooked
immediately I just read a book by Sophie
cousins called before I do and the
prologue is all about the bride running
out of the church she's got a bump on
her head she's Barefoot and you know
straight away I was thinking what
happened to make this bride run out of
the church and I love the tagline the
tagline was what would you do if the One
That Got Away turns up the night before
you're due to say I do to someone else
so tagline together with idea together
with a prologue and a really strong
opening really made me want to read that
book I've actually used a prologue for
for Only Love Can Hurt Like This because
sometimes it's a really nice way of
drawing the reader's attention to that
lifechanging moment and then you know
you're straight there straight in with
the action and it's really really
exciting and then you can kind of slow
things down a little bit in chapter one
and it may even be that you explain what
happened in the prologue at a later date
or in flashbacks so it's just about
something really exciting happening
really quickly to make someone want to
find out what's going to happen next
[Music]
so I'm going to talk you through the
opening pages of Only Love Can Hurt Like
This so to begin with I'm introducing
the setting because for me the setting
is really beautiful reality it's set in
this gorgeous Park in beron Edmonds
which has these fairy tale ruins all
these old Cathedral ruins and it's just
a really lovely setting so you know I
first of all open it up with the with a
description of where the character is I
also very quickly let the reader know
what time of year it is and in this case
it's early April but it's a really warm
day and funnily enough we're actually
going to release this book in April so
that ties in really really nicely for
people who are picking this book up off
the shelves and starting to get a bit
excited about summer this would be a
great book to read on the beach for
example so it's quite nice to set your
book around the time that you think your
readers might want to read it if you
decide that it's going to be a really
cozy Christmasy love story then
guaranteed your publisher is probably
going to put it out there at Christmas
[Music]
and then in the third paragraph I'm just
talking about my character Ren is
wandering around the Abby ruins and
she's just looking for somewhere like a
nice wall to sit down and drink a coffee
when she sees her fiance sitting on a
bench just not that far away from her
there's a tiny little bit of an
introduction to her fiance without going
into too much detail because you don't
want to weigh down the beginning with
too much detail so I'd just say that
Scott set up a landscape gardening
business when we moved here about a year
ago so that kind of very quickly tells
people that she hasn't been there for
very long and what her fiance does also
and the fact that he actually is her
fiance I should also say that before I
got to this point I had managed to
explain that Ren Was An Architect okay
so that happened after when she's saying
that she's got out of the office with
her coffee having had to deal with a
nightmare client and this client is
sometimes someone who could put her off
architecture for life so I've kind of
introduced so far a character a sense of
place you know we know what she does for
a living and we know that she has a
fiance who is a landscape
Gardener at the end of the third
paragraph my character Ren realizes that
her fiance is sitting with his co-worker
then there's a short description about
the cooworker who is a lovely girl she's
absolutely beautiful Ren really likes
her so she's a little bit unsure why
seeing them together like this why she
hasn't shouted out to say hello but
there's something about their body
language that makes her just
[Music]
pause now I read this moment is one of
my key scenes in the last lesson so I
won't go into in too much detail here
but basically Ren sees this moment she
sees this moment where her fiance turns
and looks at his coworker and she sees
this look of what she later realizes as
longing on his face and she just gets
this sense that there is something
between them there is chemistry between
her fiance and his coworker and her
intuition tells her that something is
very very wrong so that all happens
really really quickly and it gives me a
foundation for my story it gives my
character something to react to and
that's what you want to do your
character needs to be going about their
ordinary day as Ren was just going about
her Ordinary Day having a coffee out in
the gardens and seeing something that is
going to change her life forever so
whatever your character does or sees or
who she meets and it might be that she
meets you know maybe the moment that she
meets the main love interest will be
that opening scene that big sort of
life-changing moment for your character
something needs to happen that's really
exciting and makes you question what on
Earth is going to happen
[Music]
next I really recommend that you have a
look at some other books that you love
and just see what happens in the first
couple of pages it may be that something
there inspires you you might be able to
think of a Different Twist on it or you
know look at another way of something
similar happening but just have a look
for inspiration elsewhere and really now
start concentrating on what will happen
to your character in those first couple
of pages it's really really important
that it's exciting enough not only to
make you want to write the rest of it
but also to make whoever picks it up to
read want to read on in the next lesson
I'm going to talk to you about how to
plan your novel and how to write a
synopsis
[Music]
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.