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All language subtitles for Sleepless In Seattle 1993 ENG SUB

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:40,058 --> 00:00:42,641 MOMMY GOT SICK 2 00:00:42,741 --> 00:00:45,845 AND IT HAPPENED JUST LIKE THAT. 3 00:00:45,945 --> 00:00:49,088 THERE WAS NOTHING ANYBODY COULD DO. 4 00:00:49,188 --> 00:00:51,170 IT ISN'T FAIR. 5 00:00:51,270 --> 00:00:52,972 THERE'S NO REASON. 6 00:00:53,072 --> 00:00:56,295 BUT IF WE START ASKING WHY 7 00:00:56,395 --> 00:00:58,678 WE'LL GO CRAZY. 8 00:01:21,422 --> 00:01:23,083 FIVE MINUTES IN THE MICROWAVE... 9 00:01:23,183 --> 00:01:24,285 ANY ONE OF THEM... 10 00:01:24,385 --> 00:01:26,707 FIVE MINUTES AND DONE, READY TO EAT. 11 00:01:28,149 --> 00:01:30,551 DO YOU KNOW HOW TO MAKE JUICE? 12 00:01:34,155 --> 00:01:37,238 MICROWAVE. FIVE MINUTES. 13 00:01:53,895 --> 00:01:55,878 HERE. 14 00:01:55,978 --> 00:01:57,159 MY SHRINK. 15 00:01:57,259 --> 00:01:59,261 CALL HIM. 16 00:02:07,349 --> 00:02:11,814 "LOSS OF SPOUSE SUPPORT GROUP." 17 00:02:11,914 --> 00:02:14,657 "CHICAGO CANCER FAMILY NETWORK." 18 00:02:14,757 --> 00:02:16,099 "PARENTS WITHOUT PARTNERS." 19 00:02:16,199 --> 00:02:17,340 "PARTNERS WITHOUT PARENTS." 20 00:02:17,440 --> 00:02:18,982 "HUG YOURSELF." 21 00:02:19,082 --> 00:02:20,503 "HUG A FRIEND." "HUG A SHRINK." 22 00:02:20,603 --> 00:02:22,826 OR "WORK. WORK HARD." 23 00:02:22,926 --> 00:02:24,027 "WORK WILL SAVE YOU." 24 00:02:24,127 --> 00:02:27,170 "WORK IS THE ONLY THING THAT WILL SEE YOU THROUGH THIS." 25 00:02:32,896 --> 00:02:36,940 DON'T MIND HIM. HE'S JUST THE GUY WHO'S LOST HIS WIFE. 26 00:02:42,106 --> 00:02:44,268 WHAT I THINK WE REALLY NEED IS... 27 00:02:44,989 --> 00:02:46,290 CHANGE. 28 00:02:46,390 --> 00:02:47,451 GOOD IDEA. 29 00:02:47,551 --> 00:02:49,613 TAKE A COUPLE OF WEEKS OFF, GET SOME SUN 30 00:02:49,713 --> 00:02:51,716 TAKE JONAH FISHING. 31 00:02:53,958 --> 00:02:55,960 NO. REAL CHANGE. 32 00:02:56,280 --> 00:02:58,282 A NEW CITY. 33 00:02:59,444 --> 00:03:01,105 SOMEPLACE WHERE EVERY TIME I GO AROUND A CORNER 34 00:03:01,205 --> 00:03:03,208 I DON'T THINK OF MAGGIE. 35 00:03:06,010 --> 00:03:09,574 (ORGAN PLAYING "TAKE ME OUT TO THE BALL GAME") 36 00:03:12,137 --> 00:03:14,139 WHERE ARE YOU GOING TO GO? 37 00:03:18,584 --> 00:03:20,846 I WAS THINKING ABOUT SEATTLE. 38 00:03:20,946 --> 00:03:23,329 EVENTUALLY, IN A FEW MONTHS 39 00:03:23,429 --> 00:03:25,371 YOU'LL START SEEING WOMEN. 40 00:03:25,471 --> 00:03:26,892 YOU'LL MEET SOMEONE. 41 00:03:26,992 --> 00:03:28,254 RIGHT, RIGHT. MOVE ON. 42 00:03:28,354 --> 00:03:30,096 THAT'S WHAT I'M GOING TO DO. 43 00:03:30,196 --> 00:03:31,177 AND THEN IN A FEW MONTHS 44 00:03:31,277 --> 00:03:32,178 BOOM, I'LL BE FINE. 45 00:03:32,278 --> 00:03:33,940 I'LL JUST GROW A NEW HEART. 46 00:03:34,040 --> 00:03:35,101 SAM, I'M SORRY. I DIDN'T MEAN THAT. 47 00:03:35,201 --> 00:03:36,462 I KNOW, I KNOW. 48 00:03:36,562 --> 00:03:40,306 LOOK, IT JUST DOESN'T HAPPEN TWICE. 49 00:03:40,406 --> 00:03:43,149 ♪ YOU MUST REMEMBER THIS 50 00:03:43,249 --> 00:03:46,192 ♪ A KISS IS STILL A KISS 51 00:03:46,292 --> 00:03:49,055 ♪ A SIGH IS JUST A SIGH 52 00:03:52,299 --> 00:03:57,404 ♪ THE FUNDAMENTAL THINGS APPLY 53 00:03:57,504 --> 00:03:59,987 ♪ AS TIME GOES BY 54 00:04:04,271 --> 00:04:07,094 ♪ AND WHEN TWO LOVERS WOO 55 00:04:07,194 --> 00:04:10,217 ♪ THEY STILL SAY "I LOVE YOU" 56 00:04:10,317 --> 00:04:13,080 ♪ ON THAT YOU CAN RELY 57 00:04:16,244 --> 00:04:21,189 ♪ NO MATTER WHAT THE FUTURE BRINGS 58 00:04:21,289 --> 00:04:24,772 ♪ AS TIME GOES BY 59 00:04:28,176 --> 00:04:31,119 ♪ MOONLIGHT AND LOVE SONGS 60 00:04:31,219 --> 00:04:34,282 ♪ NEVER OUT OF DATE 61 00:04:34,382 --> 00:04:36,765 ♪ HEARTS FULL OF PASSION 62 00:04:36,865 --> 00:04:39,968 ♪ JEALOUSY AND HATE 63 00:04:40,068 --> 00:04:42,291 ♪ WOMAN NEEDS MAN 64 00:04:42,391 --> 00:04:45,174 ♪ AND MAN MUST HAVE HIS MATE 65 00:04:45,274 --> 00:04:47,937 ♪ THAT NO ONE 66 00:04:48,037 --> 00:04:51,020 ♪ CAN DENY 67 00:04:51,120 --> 00:04:54,023 ♪ IT'S STILL THE SAME OLD STORY 68 00:04:54,123 --> 00:04:57,066 ♪ A FIGHT FOR LOVE AND GLORY 69 00:04:57,166 --> 00:05:00,169 ♪ A CASE OF DO OR DIE 70 00:05:03,052 --> 00:05:09,279 ♪ THE WORLD WILL ALWAYS WELCOME LOVERS 71 00:05:09,379 --> 00:05:16,106 ♪ AS TIME GOES BY ♪ 72 00:05:29,440 --> 00:05:32,063 THE TALL ONE WITH RED HAIR IS YOUR COUSIN IRENE... 73 00:05:32,163 --> 00:05:34,305 YOU'LL RECOGNIZE HER BY THE DISAPPOINTED LOOK ON HER FACE. 74 00:05:34,405 --> 00:05:35,947 ...WHO'S MARRIED TO HAROLD 75 00:05:36,047 --> 00:05:37,548 WHO RAN OFF WITH HIS SECRETARY. 76 00:05:37,648 --> 00:05:39,951 BUT CAME BACK BECAUSE IRENE THREATENED TO PUT THE DOG TO SLEEP 77 00:05:40,051 --> 00:05:41,793 IF HE DIDN'T. 78 00:05:41,893 --> 00:05:45,016 YOUR BROTHER DENNIS IS A PROFESSOR AT JOHNS HOPKINS. 79 00:05:46,818 --> 00:05:49,961 HE'S MARRIED TO, UM... BETSY. 80 00:05:50,061 --> 00:05:52,324 THE MOST COMPETITIVE WOMAN IN THE WORLD. 81 00:05:52,424 --> 00:05:54,246 I DON'T SEE HOW I'M GOING TO REMEMBER ALL THIS. 82 00:05:54,346 --> 00:05:56,948 OH. WELL... WALTER, YOU WILL. 83 00:06:09,081 --> 00:06:11,784 AND YOUR UNCLE MILTON LOST ALL OF HIS MONEY... 84 00:06:11,884 --> 00:06:13,426 AND SOME OTHER PEOPLE'S. 85 00:06:13,526 --> 00:06:15,308 ...IN A PYRAMID SCHEME. 86 00:06:15,408 --> 00:06:18,191 DON'T MENTION THE I.R.S. OR THE FEDERAL PRISON SYSTEM. 87 00:06:18,291 --> 00:06:21,834 YOUR MOTHER'S BARBARA, YOUR FATHER'S CLIFF... 88 00:06:21,934 --> 00:06:23,837 MY FATHER HAS ELECTRIC TRAINS. 89 00:06:23,937 --> 00:06:26,159 REALLY? 90 00:06:26,259 --> 00:06:29,242 AM I WHAT THEY HAD IN MIND? 91 00:06:29,342 --> 00:06:32,666 OH, WALTER, THEY'RE GOING TO LOVE YOU! 92 00:06:34,788 --> 00:06:36,009 (CLINKING ON GLASS) 93 00:06:36,109 --> 00:06:37,411 WOMAN: EVERYBODY... 94 00:06:37,511 --> 00:06:39,373 ANNIE HAS AN ANNOUNCEMENT. 95 00:06:39,473 --> 00:06:41,255 OH... 96 00:06:41,355 --> 00:06:44,418 WALTER AND I ARE ENGAGED! 97 00:06:44,518 --> 00:06:45,819 (SCREAMING) 98 00:06:45,919 --> 00:06:49,703 (EXCITED CHATTERING) 99 00:06:49,803 --> 00:06:51,345 THANK YOU. 100 00:06:51,445 --> 00:06:52,627 THANK YOU. 101 00:06:52,727 --> 00:06:53,828 MOM KNEW. 102 00:06:53,928 --> 00:06:55,389 DAD, MOM KNEW. 103 00:06:55,489 --> 00:06:57,572 I DON'T SEE YOUR RING, ANNIE. 104 00:06:58,452 --> 00:07:00,194 CONGRATULATIONS, WALTER. 105 00:07:00,294 --> 00:07:01,756 (SNEEZING) 106 00:07:01,856 --> 00:07:02,837 BLESS YOU. 107 00:07:02,937 --> 00:07:04,038 BLESS YOU. 108 00:07:04,138 --> 00:07:05,400 (SNEEZING) 109 00:07:05,500 --> 00:07:06,601 (SNEEZING) 110 00:07:06,701 --> 00:07:08,483 ARE YOU ALL RIGHT? 111 00:07:08,583 --> 00:07:10,205 IT'S NOTHING. 112 00:07:10,305 --> 00:07:11,446 MAYBE IT'S THE FLOWERS. 113 00:07:11,546 --> 00:07:12,848 I'LL GET THEM. 114 00:07:12,948 --> 00:07:14,689 NO, DON'T TOUCH THEM! 115 00:07:14,789 --> 00:07:17,292 I FEEL TERRIBLE SNEEZING AT A TIME LIKE THIS. 116 00:07:17,392 --> 00:07:19,334 THIS IS A VERY IMPORTANT MOMENT. 117 00:07:19,434 --> 00:07:20,616 HE'S ALLERGIC TO EVERYTHING. 118 00:07:20,716 --> 00:07:22,017 DON'T WORRY ABOUT IT. 119 00:07:22,117 --> 00:07:24,620 BEES. I'M ALLERGIC TO BEES. 120 00:07:24,720 --> 00:07:27,543 HAROLD IS ALLERGIC TO EVERY TYPE OF BEE. 121 00:07:27,643 --> 00:07:29,705 WE ALWAYS HAVE TO CARRY A HYPODERMIC OF ADRENALINE 122 00:07:29,805 --> 00:07:31,347 WHEREVER WE GO. 123 00:07:31,447 --> 00:07:34,070 ANNIE: IF HE EATS EVEN ONE PIECE OF A NUT... 124 00:07:34,170 --> 00:07:35,952 MY HEAD SWELLS UP LIKE A WATERMELON 125 00:07:36,052 --> 00:07:37,433 AND I DROP DEAD. 126 00:07:37,533 --> 00:07:39,756 IRENE: IT'S THE SAME WITH HAROLD AND BEES. 127 00:07:39,856 --> 00:07:41,958 YOUR MOTHER AND I HAD SALMON AT OUR WEDDING 128 00:07:42,058 --> 00:07:44,921 AND A WEDDING WITHOUT COLD SALMON... 129 00:07:45,021 --> 00:07:46,443 I'M NOT ALLERGIC TO SALMON. 130 00:07:46,543 --> 00:07:48,084 OH! HE'S NOT ALLERGIC TO SALMON. 131 00:07:48,184 --> 00:07:49,286 I DON'T THINK. 132 00:07:49,386 --> 00:07:51,087 BUT YOU NEVER KNOW. 133 00:07:51,187 --> 00:07:52,329 YOU NEVER KNOW. 134 00:07:52,429 --> 00:07:54,371 HAROLD WASN'T ALWAYS ALLERGIC TO BEES. 135 00:07:54,471 --> 00:07:55,332 OH, HONEY, WHAT A SHAME, 136 00:07:55,432 --> 00:07:56,813 WE HAD SOME CHAMPAGNE 137 00:07:56,913 --> 00:07:58,375 AND WHAT DID WE USE IT FOR? 138 00:07:58,475 --> 00:07:59,616 UNCLE MILTON'S PAROLE. 139 00:07:59,716 --> 00:08:00,978 IT WAS DELICIOUS. 140 00:08:01,078 --> 00:08:02,980 IT WAS, WASN'T IT, MILTON, DARLING? 141 00:08:03,080 --> 00:08:05,142 WHEN ARE YOU GETTING MARRIED, ANNIE? 142 00:08:05,242 --> 00:08:07,545 IN EARLY JUNE, IN THE GARDEN. 143 00:08:07,645 --> 00:08:08,626 OH! 144 00:08:08,726 --> 00:08:10,267 HAROLD: DOES IT HAVE TO BE IN THE GARDEN? 145 00:08:10,367 --> 00:08:11,589 WHAT ABOUT HAROLD AND BEES? 146 00:08:11,689 --> 00:08:13,150 I'M ALLERGIC TO BEES. 147 00:08:13,250 --> 00:08:14,552 BARBARA: WE'LL SPRAY YOU. 148 00:08:14,652 --> 00:08:15,953 COLD SALMON 149 00:08:16,053 --> 00:08:18,236 A LOVELY CUCUMBER SALAD 150 00:08:18,336 --> 00:08:19,557 STRAWBERRIES... 151 00:08:19,657 --> 00:08:23,541 I'M AFRAID I AM ALLERGIC TO STRAWBERRIES. 152 00:08:25,103 --> 00:08:28,166 IS THIS ALL RIGHT WITH YOU, WALTER? 153 00:08:28,266 --> 00:08:31,409 TODAY I CONSIDER MYSELF THE LUCKIEST MAN-MAN-MAN 154 00:08:31,509 --> 00:08:34,533 ON THE FACE-FACE-FACE OF THE EARTH-EARTH-EARTH. 155 00:08:34,633 --> 00:08:35,894 THE LOU GEHRIG LINE! 156 00:08:35,994 --> 00:08:38,577 REMEMBER, DAD, THE LOU GEHRIG LINE 157 00:08:38,677 --> 00:08:39,978 FROM, UH... 158 00:08:40,078 --> 00:08:42,461 -PRIDE OF THE YANKEES. -PRIDE OF THE YANKEES. 159 00:08:42,561 --> 00:08:43,622 (ALL CHATTERING) 160 00:08:43,722 --> 00:08:44,703 IT'S BASEBALL. 161 00:08:44,803 --> 00:08:46,105 HISTORICAL REFERENCE. 162 00:08:46,205 --> 00:08:48,347 I WOULD LIKE TO PROPOSE A TOAST. 163 00:08:48,447 --> 00:08:49,508 HEAR, HEAR. 164 00:08:49,608 --> 00:08:50,910 TO MY KID SISTER. 165 00:08:51,010 --> 00:08:53,352 TO WALTER AND MY BABY. 166 00:08:53,452 --> 00:08:55,454 TO WALTER AND ANNIE. 167 00:08:58,057 --> 00:08:59,559 BARBARA: EVERYONE, PLEASE EAT 168 00:08:59,659 --> 00:09:01,741 BEFORE IT GETS COLD. 169 00:09:04,544 --> 00:09:06,366 HERE IT IS. 170 00:09:06,466 --> 00:09:08,528 THE HISTORICAL SOCIETY WANTED THIS 171 00:09:08,628 --> 00:09:10,490 AND I NEVER WOULD GIVE IT TO THEM. 172 00:09:10,590 --> 00:09:12,572 ANNIE: OH, MOM! 173 00:09:12,672 --> 00:09:15,575 I NOTICED THESE THINGS ARE BACK IN FASHION. 174 00:09:15,675 --> 00:09:17,417 GRANDMOTHER'S DRESS. 175 00:09:17,517 --> 00:09:18,418 OH, HONEY. 176 00:09:18,518 --> 00:09:20,140 OH! 177 00:09:20,240 --> 00:09:22,182 HE'S A LOVELY MAN, ANNIE. 178 00:09:22,282 --> 00:09:23,544 I KNOW! 179 00:09:23,644 --> 00:09:25,906 HE IS WONDERFUL, ISN'T HE? 180 00:09:26,006 --> 00:09:27,548 AND HE'S SUCH A WONDERFUL ATHLETE. 181 00:09:27,648 --> 00:09:29,109 ARE HIS FOLKS NICE? 182 00:09:29,209 --> 00:09:31,512 YOU'LL LOVE THEM. WE'RE GOING TO D.C. TONIGHT 183 00:09:31,612 --> 00:09:32,833 TO BE WITH THEM CHRISTMAS MORNING. 184 00:09:32,933 --> 00:09:34,035 HOW DID IT HAPPEN? 185 00:09:34,135 --> 00:09:36,137 WELL... SILLY, REALLY. 186 00:09:37,618 --> 00:09:39,440 I'D SEEN HIM AT THE OFFICE... 187 00:09:39,540 --> 00:09:42,203 HE'S THE ASSOCIATE PUBLISHER... 188 00:09:42,303 --> 00:09:43,444 AND THEN ONE DAY 189 00:09:43,544 --> 00:09:45,887 WE'D ORDERED SANDWICHES FROM THE SAME PLACE 190 00:09:45,987 --> 00:09:48,370 AND HE GOT MY LETTUCE AND TOMATO ON WHOLE WHEAT 191 00:09:48,470 --> 00:09:50,452 WHICH HE WAS ALLERGIC TO 192 00:09:50,552 --> 00:09:52,574 AND I GOT HIS LETTUCE AND TOMATO ON WHITE. 193 00:09:52,674 --> 00:09:54,976 -HOW AMAZING. -IT IS, ISN'T IT? 194 00:09:55,076 --> 00:09:57,379 YOU MAKE A MILLION DECISIONS THAT MEAN NOTHING 195 00:09:57,479 --> 00:09:59,061 AND ONE DAY YOU ORDER TAKEOUT 196 00:09:59,161 --> 00:10:00,182 AND IT CHANGES YOUR LIFE. 197 00:10:00,282 --> 00:10:02,304 DESTINY TAKES A HAND. 198 00:10:02,404 --> 00:10:03,425 MOM... 199 00:10:03,525 --> 00:10:05,147 DESTINY IS SOMETHING WE'VE INVENTED 200 00:10:05,247 --> 00:10:06,589 BECAUSE WE CAN'T STAND THE FACT 201 00:10:06,689 --> 00:10:08,751 THAT EVERYTHING THAT HAPPENS IS ACCIDENTAL. 202 00:10:08,851 --> 00:10:10,352 THEN HOW DO YOU EXPLAIN 203 00:10:10,452 --> 00:10:12,475 THAT YOU BOTH ORDERED THE SAME SANDWICH 204 00:10:12,575 --> 00:10:14,196 EXCEPT FOR THE BREAD? 205 00:10:14,296 --> 00:10:16,279 HOW MANY PEOPLE IN THIS WORLD 206 00:10:16,379 --> 00:10:17,640 LIKE LETTUCE AND TOMATO 207 00:10:17,740 --> 00:10:20,203 WITHOUT SOMETHING ELSE LIKE TUNA? 208 00:10:20,303 --> 00:10:21,564 WELL... 209 00:10:21,664 --> 00:10:23,086 IT WASN'T A SIGN. 210 00:10:23,186 --> 00:10:25,568 IT WAS A COINCIDENCE. 211 00:10:25,668 --> 00:10:27,971 I WAS IN ATLANTIC CITY WITH MY FAMILY. 212 00:10:28,071 --> 00:10:29,572 CLIFF WAS A WAITER. 213 00:10:29,672 --> 00:10:32,295 HE WASN'T EVEN SUPPOSED TO WORK THAT NIGHT 214 00:10:32,395 --> 00:10:34,618 AND SUPPOSE HE HADN'T? 215 00:10:34,718 --> 00:10:36,580 HE ASKED ME TO TAKE A MIDNIGHT WALK 216 00:10:36,680 --> 00:10:38,622 ON THE STEEL PIER. 217 00:10:38,722 --> 00:10:41,365 I'VE PROBABLY TOLD YOU THIS A MILLION TIMES, BUT I DON'T CARE. 218 00:10:42,966 --> 00:10:45,269 THEN HE HELD MY HAND. 219 00:10:45,369 --> 00:10:47,071 AT ONE POINT, I LOOKED DOWN 220 00:10:47,171 --> 00:10:51,115 AND I COULDN'T TELL WHICH FINGERS WERE HIS AND WHICH WERE MINE 221 00:10:51,215 --> 00:10:53,217 AND I KNEW. 222 00:10:54,018 --> 00:10:55,439 WHAT? 223 00:10:55,539 --> 00:10:57,562 YOU KNOW. 224 00:10:57,662 --> 00:10:59,003 WHAT? 225 00:10:59,103 --> 00:11:01,285 MAGIC. 226 00:11:01,385 --> 00:11:03,388 IT WAS MAGIC. 227 00:11:04,108 --> 00:11:05,490 MAGIC? 228 00:11:05,590 --> 00:11:07,652 I KNEW WE'D BE TOGETHER FOREVER 229 00:11:07,752 --> 00:11:09,654 AND THAT EVERYTHING WOULD BE WONDERFUL... 230 00:11:09,754 --> 00:11:12,497 JUST THE WAY YOU FEEL ABOUT WALTER. 231 00:11:12,597 --> 00:11:17,622 WALTER... IT'S QUITE A FORMAL NAME, ISN'T IT? 232 00:11:17,722 --> 00:11:21,106 ONE OF THE THINGS I TRULY KNEW WAS THAT YOUR FATHER AND I 233 00:11:21,206 --> 00:11:23,909 WERE GOING TO HAVE A WONDERFUL TIME IN... 234 00:11:24,009 --> 00:11:26,011 THE SACK, I BELIEVE YOU CALL IT? 235 00:11:26,492 --> 00:11:27,713 MOM! 236 00:11:27,813 --> 00:11:28,994 OF COURSE, IT TOOK SEVERAL YEARS 237 00:11:29,094 --> 00:11:31,637 BEFORE EVERYTHING WORKED LIKE CLOCKWORK 238 00:11:31,737 --> 00:11:33,719 SO DON'T BE WORRIED IF IT TAKES A WHILE. 239 00:11:33,819 --> 00:11:35,041 WELL, WE ALREADY... 240 00:11:35,141 --> 00:11:37,403 FINE, FINE. FIDDLEDEEDEE. 241 00:11:37,503 --> 00:11:39,325 HOW'S IT WORKING? 242 00:11:39,425 --> 00:11:41,427 -LIKE... CLOCKWORK. -AH. 243 00:11:41,747 --> 00:11:43,750 OH, HONEY. 244 00:11:44,991 --> 00:11:46,693 (GASPING) 245 00:11:46,793 --> 00:11:48,334 IT'S A SIGN! 246 00:11:48,434 --> 00:11:50,717 YOU DON'T BELIEVE IN SIGNS. 247 00:11:54,681 --> 00:11:56,463 (LAUGHING) 248 00:11:56,563 --> 00:11:59,306 THEY LOVED YOU. I TOLD YOU THEY WOULD LOVE YOU 249 00:11:59,406 --> 00:12:00,787 AND THEY LOVED YOU. 250 00:12:00,887 --> 00:12:02,109 I LOVE YOU. 251 00:12:02,209 --> 00:12:04,251 I LOVE YOU, WALTER. 252 00:12:06,333 --> 00:12:09,196 DID ANYONE EVER CALL YOU ANYTHING OTHER THAN WALTER? 253 00:12:09,296 --> 00:12:10,437 NOPE. 254 00:12:10,537 --> 00:12:13,681 OH. NOT EVEN WHEN YOU WERE YOUNG? 255 00:12:13,781 --> 00:12:15,723 NOPE. NOT EVEN WHEN I WAS YOUNG. 256 00:12:15,823 --> 00:12:17,825 HUH. 257 00:12:18,306 --> 00:12:19,847 YOU SURE YOU DON'T WANT TO DRIVE WITH ME? 258 00:12:19,947 --> 00:12:22,010 HOW WILL I GET BACK TO BALTIMORE ON FRIDAY? 259 00:12:22,110 --> 00:12:23,731 OOH! I FORGOT THE PRESENT. 260 00:12:23,831 --> 00:12:26,434 I LEFT YOUR STEPMOTHER'S PRESENT INSIDE. 261 00:12:27,395 --> 00:12:28,937 WHEN WE'RE OLD AND GRAY 262 00:12:29,037 --> 00:12:30,739 REMIND ME TO PUT MY TEETH IN. 263 00:12:30,839 --> 00:12:32,380 I'LL BE WALKING ALL OVER TOWN 264 00:12:32,480 --> 00:12:34,562 SMACKING MY GUMS TOGETHER AND NOT EVEN NOTICING. 265 00:12:35,323 --> 00:12:36,705 I'LL WAIT. 266 00:12:36,805 --> 00:12:38,507 YOU'LL WAIT... OH, RIGHT. 267 00:12:38,607 --> 00:12:40,669 NO, DON'T WAIT. REALLY, IT'S SILLY. 268 00:12:40,769 --> 00:12:41,990 YOU GO AHEAD. 269 00:12:42,090 --> 00:12:45,033 I'LL BE TEN MINUTES BEHIND YOU. 270 00:12:45,133 --> 00:12:49,238 ♪ SLEIGH BELLS JING-A-LING, RING-TING-TING-A-LING TOO 271 00:12:49,338 --> 00:12:50,960 ♪ LOVELY WEATHER FOR A SLEIGH RIDE 272 00:12:51,060 --> 00:12:53,162 ♪ TOGETHER WITH YOU 273 00:12:53,262 --> 00:12:56,686 ♪ THE SNOW IS FALLING AND FRIENDS ARE CALLING "YOO-HOO" 274 00:12:56,786 --> 00:12:58,247 ♪ FRIENDS ARE CALLING "YOO-HOO" 275 00:12:58,347 --> 00:12:59,769 ♪ DING-A-LING-A-LING! 276 00:12:59,869 --> 00:13:02,572 ♪ HORSES, HORSES HORSES, HORSES 277 00:13:02,672 --> 00:13:04,213 ♪ HORSES, HORSES, HORSES 278 00:13:04,313 --> 00:13:07,777 ♪ JINGLE BELLS JINGLE BELLS, JINGLE ALL THE WAY 279 00:13:07,877 --> 00:13:11,661 ♪ OH, WHAT FUN IT IS TO RIDE IN A ONE-HORSE OPEN SLEIGH 280 00:13:11,761 --> 00:13:13,183 ♪ HEY! ♪ 281 00:13:13,283 --> 00:13:15,185 (CHANGING THE STATION) 282 00:13:15,285 --> 00:13:16,867 WOMAN ON RADIO: WELCOME BACK TO "YOU AND YOUR EMOTIONS." 283 00:13:16,967 --> 00:13:20,791 I'M DR. MARCIA FIELDSTONE, BROADCASTING LIVE ACROSS AMERICA 284 00:13:20,891 --> 00:13:23,514 FROM SEARS TOWER IN CHICAGO. 285 00:13:23,614 --> 00:13:27,197 TONIGHT, WE'RE TALKING ABOUT WISHES AND DREAMS. 286 00:13:27,297 --> 00:13:29,199 WHAT'S YOUR WISH THIS CHRISTMAS EVE? 287 00:13:29,299 --> 00:13:30,521 WHAT'S YOUR WISH? 288 00:13:30,621 --> 00:13:34,445 MY WISH IS TO TURN THE RADIO STATION. 289 00:13:34,545 --> 00:13:36,167 MAN: THE SUBJECT OF THIS EVENING'S MEDICAL UPDATE 290 00:13:36,267 --> 00:13:38,329 IS "YOU AND YOUR SPLEEN." 291 00:13:38,429 --> 00:13:39,770 NOT ON YOUR LIFE. 292 00:13:39,870 --> 00:13:41,773 WOMAN: COMING UP, "JINGLE BELLS" BACKWARDS 293 00:13:41,873 --> 00:13:44,575 SUNG BY THE NEW JERSEY CAPE MAYETTES. 294 00:13:44,675 --> 00:13:45,697 FIELDSTONE: SEATTLE, GO AHEAD. 295 00:13:45,797 --> 00:13:48,259 BOY: HELLO. THIS IS JONAH (BLEEP). 296 00:13:48,359 --> 00:13:50,221 WOMAN: NO LAST NAMES, JONAH. 297 00:13:50,321 --> 00:13:53,625 YOU SOUND YOUNGER THAN OUR CALLERS. HOW OLD ARE YOU? 298 00:13:53,725 --> 00:13:54,826 BOY: I'M EIGHT. 299 00:13:54,926 --> 00:13:56,708 WOMAN: HOW COME YOU'RE UP SO LATE? 300 00:13:56,808 --> 00:13:58,430 BOY: IT'S NOT THAT LATE IN SEATTLE. 301 00:13:58,530 --> 00:14:00,272 WOMAN: YOU'RE ABSOLUTELY RIGHT. 302 00:14:00,372 --> 00:14:02,554 WHAT'S YOUR CHRISTMAS WISH, JONAH? 303 00:14:02,654 --> 00:14:04,596 BOY: IT'S NOT FOR ME. IT'S FOR MY DAD. 304 00:14:04,696 --> 00:14:06,158 HE NEEDS A NEW WIFE. 305 00:14:06,258 --> 00:14:08,601 WOMAN: YOU DON'T LIKE THE ONE HE HAS NOW? 306 00:14:08,701 --> 00:14:11,163 BOY: HE DOESN'T HAVE ONE NOW. THAT'S THE PROBLEM. 307 00:14:11,263 --> 00:14:12,565 WOMAN: WHERE'S YOUR MOM? 308 00:14:12,665 --> 00:14:13,886 BOY: SHE DIED. 309 00:14:13,986 --> 00:14:15,408 WOMAN: OH, I'M SO SORRY TO HEAR THAT. 310 00:14:15,508 --> 00:14:18,571 WELL, WHO CAN BELIEVE THIS? 311 00:14:18,671 --> 00:14:21,894 BOY: I'VE BEEN PRETTY SAD, BUT I THINK MY DAD'S WORSE. 312 00:14:21,994 --> 00:14:24,417 WOMAN: HAVE YOU TALKED TO YOUR DAD ABOUT THIS? 313 00:14:24,517 --> 00:14:26,779 -BOY: NO. -WOMAN: WHY NOT? 314 00:14:26,879 --> 00:14:28,621 BOY: IT'S LIKE IT MAKES HIM SADDER. 315 00:14:28,721 --> 00:14:31,985 WOMAN: I CAN UNDERSTAND THAT. IS YOUR DAD HOME RIGHT NOW? 316 00:14:32,085 --> 00:14:34,868 -BOY: YEAH. -WOMAN: WHAT'S HE DOING? 317 00:14:34,968 --> 00:14:36,710 BOY: HE'S OUT ON THE DECK. 318 00:14:36,810 --> 00:14:38,432 WOMAN: I'M SURE THAT I CAN HELP 319 00:14:38,532 --> 00:14:40,834 BUT I'M GOING TO NEED YOU TO HELP ME HELP HIM. 320 00:14:40,934 --> 00:14:42,516 WRETCHED WOMAN! 321 00:14:42,616 --> 00:14:44,758 WOMAN: BRING YOUR DAD TO THE PHONE. 322 00:14:44,858 --> 00:14:46,840 BOY: NO WAY. HE'D KILL ME. 323 00:14:46,940 --> 00:14:47,801 WOMAN: TRUST ME, JONAH. 324 00:14:47,901 --> 00:14:49,523 HE WON'T BE ANGRY 325 00:14:49,623 --> 00:14:51,966 WHEN HE REALIZES HOW CONCERNED YOU ARE ABOUT HIM. 326 00:14:52,066 --> 00:14:53,247 OH, WANT TO BET? 327 00:14:53,347 --> 00:14:54,608 BOY: IF I GET YELLED AT 328 00:14:54,708 --> 00:14:56,450 I'LL NEVER LISTEN TO YOUR SHOW AGAIN. 329 00:14:56,550 --> 00:14:58,552 WOMAN: OKAY. FAIR ENOUGH. 330 00:14:59,594 --> 00:15:00,975 JONAH: DAD? 331 00:15:01,075 --> 00:15:02,697 YEAH. 332 00:15:02,797 --> 00:15:05,560 THERE'S SOMEONE ON THE PHONE FOR YOU. 333 00:15:08,243 --> 00:15:10,785 HIS NAME'S SAM. 334 00:15:10,885 --> 00:15:13,748 WOMAN: IF YOU'VE JUST TUNED IN, THIS IS DR. MARCIA FIELDSTONE 335 00:15:13,848 --> 00:15:16,031 AND TONIGHT'S TOPIC IS "YOUR WISHES AND DREAMS." 336 00:15:16,131 --> 00:15:17,953 OKAY, I GOT IT. 337 00:15:18,053 --> 00:15:19,955 WOMAN: WE'RE ON THE LINE NOW WITH SOMEONE FROM SEATTLE. 338 00:15:20,055 --> 00:15:21,316 -HELLO. -WOMAN: HELLO, SAM. 339 00:15:21,416 --> 00:15:25,120 THIS IS DR. MARCIA FIELDSTONE ON NETWORK AMERICA. 340 00:15:25,220 --> 00:15:27,523 OKAY. WHAT ARE YOU SELLING TONIGHT? 341 00:15:27,623 --> 00:15:29,685 IS IT THE MICRO-HIBACHIS OR THE GINZA KNIVES? 342 00:15:29,785 --> 00:15:31,967 WOMAN: I'M NOT SELLING ANYTHING. 343 00:15:32,067 --> 00:15:33,889 I JUST WANT TO HELP. 344 00:15:33,989 --> 00:15:35,131 YOUR SON CALLED 345 00:15:35,231 --> 00:15:36,892 AND HE ASKED ME FOR SOME ADVICE 346 00:15:36,992 --> 00:15:38,895 ON HOW YOU MIGHT FIND A NEW WIFE. 347 00:15:38,995 --> 00:15:40,656 WHO IS THIS? 348 00:15:40,756 --> 00:15:44,661 WOMAN: DR. MARCIA FIELDSTONE OF NETWORK AMERICA 349 00:15:44,761 --> 00:15:46,062 AND YOU ARE ON THE AIR. 350 00:15:46,162 --> 00:15:47,744 YOU CALLED A RADIO STATION? 351 00:15:47,844 --> 00:15:50,427 WOMAN: SAM... SAM, ARE YOU WITH ME? 352 00:15:50,527 --> 00:15:52,389 YEAH. YES. 353 00:15:52,489 --> 00:15:54,591 WOMAN: YOUR SON FEELS THAT SINCE YOUR WIFE'S DEATH 354 00:15:54,691 --> 00:15:56,913 YOU'VE BEEN VERY UNHAPPY 355 00:15:57,013 --> 00:16:00,117 AND HE'S GENUINELY WORRIED ABOUT YOU. 356 00:16:00,217 --> 00:16:01,999 OH, HEY. GET OUT HERE. 357 00:16:02,099 --> 00:16:04,922 GET OUT HERE. I'M NOT GOING TO GO THROUGH THIS ALONE. 358 00:16:05,022 --> 00:16:07,284 WOMAN: IT'S VERY HARD FOR HIM 359 00:16:07,384 --> 00:16:09,406 TO TALK TO YOU ABOUT ALL THIS 360 00:16:09,506 --> 00:16:11,048 AND I THOUGHT MAYBE YOU AND I COULD TALK. 361 00:16:11,148 --> 00:16:13,310 JONAH WOULD FEEL A LITTLE BETTER. 362 00:16:14,471 --> 00:16:16,894 TALK TO HER, DAD. SHE'S A DOCTOR. 363 00:16:16,994 --> 00:16:19,837 OF WHAT? HER FIRST NAME COULD BE DOCTOR. 364 00:16:20,398 --> 00:16:21,699 PLEASE? 365 00:16:21,799 --> 00:16:23,101 WOMAN: SAM... 366 00:16:23,201 --> 00:16:27,025 SAM, IT'S HIS CHRISTMAS WISH. 367 00:16:27,125 --> 00:16:28,386 OKAY. 368 00:16:28,486 --> 00:16:30,548 WOMAN: OKAY. GOOD. 369 00:16:30,648 --> 00:16:32,430 NOW, I KNOW THIS IS DIFFICULT 370 00:16:32,530 --> 00:16:36,354 BUT HOW LONG AGO DID YOUR WIFE DIE? 371 00:16:36,454 --> 00:16:38,677 ABOUT A YEAR AND A HALF AGO. 372 00:16:38,777 --> 00:16:42,561 WOMAN: OH. HAVE YOU HAD ANY RELATIONSHIPS SINCE? 373 00:16:42,661 --> 00:16:43,962 NO. 374 00:16:44,062 --> 00:16:45,644 WOMAN: NO? 375 00:16:45,744 --> 00:16:48,207 WHY NOT? 376 00:16:48,307 --> 00:16:49,969 UH, MARCIA... 377 00:16:50,069 --> 00:16:52,051 OR SHOULD I CALL YOU DR. FIELDSTONE? 378 00:16:52,151 --> 00:16:53,372 WOMAN: DR. MARCIA. 379 00:16:53,472 --> 00:16:54,774 -SAM: DR. MARCIA... -DR. MARCIA... 380 00:16:54,874 --> 00:16:56,816 SAM: I DON'T MEAN TO BE RUDE. 381 00:16:56,916 --> 00:16:59,338 WOMAN: OH, AND I DON'T WANT TO INVADE YOUR PRIVACY. 382 00:16:59,438 --> 00:17:01,220 -SAM: SURE YOU DO. -SURE YOU DO. 383 00:17:01,320 --> 00:17:03,523 WOMAN: GO ON, SAM. I'M LISTENING. 384 00:17:05,004 --> 00:17:07,707 SAM? 385 00:17:07,807 --> 00:17:10,990 WE HAD A PRETTY TOUGH TIME THERE AT FIRST... 386 00:17:11,090 --> 00:17:12,272 WOMAN: MMM-HMM. 387 00:17:12,372 --> 00:17:15,155 ...BUT WE'RE DEALING WITH IT. 388 00:17:15,255 --> 00:17:20,520 AND JONAH AND I WILL GET ALONG JUST FINE AGAIN 389 00:17:20,620 --> 00:17:24,685 -AS SOON AS I BREAK HIS RADIO. -(FIELDSTONE LAUGHING) 390 00:17:24,785 --> 00:17:27,808 WOMAN: I HAVE NO DOUBT THAT YOU'RE A WONDERFUL FATHER. 391 00:17:27,908 --> 00:17:30,251 YOU CAN TELL A LOT FROM A PERSON'S VOICE. 392 00:17:30,351 --> 00:17:31,732 YOU CERTAINLY CAN. 393 00:17:31,832 --> 00:17:33,574 WOMAN: BUT SOMETHING MUST BE MISSING 394 00:17:33,674 --> 00:17:36,337 IF JONAH STILL FEELS THAT YOU'RE UNDER A CLOUD. 395 00:17:36,437 --> 00:17:39,861 NOW JUST A FEW QUESTIONS. ARE YOU SLEEPING AT NIGHT? 396 00:17:39,961 --> 00:17:41,863 JONAH: HE DOESN'T SLEEP AT ALL. 397 00:17:41,963 --> 00:17:43,104 HOW DO YOU KNOW THAT? 398 00:17:43,204 --> 00:17:45,286 I LIVE HERE, DAD. 399 00:17:48,209 --> 00:17:52,454 LOOK, IT'S CHRISTMAS. 400 00:17:55,016 --> 00:17:59,000 UH, MAGGIE.. UH, MY WIFE... 401 00:17:59,100 --> 00:18:01,883 SHE REALLY DID IT UP. 402 00:18:01,983 --> 00:18:05,207 I MEAN, SHE LOVED... 403 00:18:05,307 --> 00:18:09,251 SHE MADE EVERYTHING BEAUTIFUL... 404 00:18:09,351 --> 00:18:12,775 SAM: AND IT'S JUST TOUGH THIS TIME OF YEAR. 405 00:18:12,875 --> 00:18:15,137 ANY KID NEEDS A MOTHER. 406 00:18:15,237 --> 00:18:17,500 WOMAN: COULD IT BE THAT YOU NEED SOMEONE 407 00:18:17,600 --> 00:18:19,842 JUST AS MUCH AS JONAH DOES? 408 00:18:22,885 --> 00:18:24,227 YES. 409 00:18:24,327 --> 00:18:25,508 WOMAN: DON'T ANSWER THAT. 410 00:18:25,608 --> 00:18:28,071 LET'S GET INTO THAT AFTER THESE MESSAGES. 411 00:18:28,171 --> 00:18:29,993 SAM, JONAH, DON'T GO AWAY. 412 00:18:30,093 --> 00:18:31,314 IF YOU'VE JUST TUNED IN 413 00:18:31,414 --> 00:18:34,237 WE'RE TALKING TO SLEEPLESS IN SEATTLE 414 00:18:34,337 --> 00:18:36,560 AND WE'LL BE RIGHT BACK AFTER THIS BREAK 415 00:18:36,660 --> 00:18:38,662 WITH YOUR LISTENER RESPONSE. 416 00:18:39,142 --> 00:18:40,404 WHAT IS SHE TALKING ABOUT? 417 00:18:40,504 --> 00:18:42,125 THIS IS WHEN OTHER PEOPLE CALL IN 418 00:18:42,225 --> 00:18:43,647 AND DUMP ON WHAT YOU SAID. 419 00:18:43,747 --> 00:18:45,689 OH... OH. 420 00:18:45,789 --> 00:18:47,651 WELL, THIS IS REALLY FUN. 421 00:18:47,751 --> 00:18:49,753 AND HELPFUL. 422 00:18:55,119 --> 00:18:57,261 WOMAN: I'LL BET HE'S TALL WITH A CUTE BUTT. 423 00:18:57,361 --> 00:18:59,824 BET HE HASN'T BATHED IN WEEKS AND HE STINKS. 424 00:18:59,924 --> 00:19:01,025 HARRIET, SHUT UP. 425 00:19:01,125 --> 00:19:02,306 HI. CAN I HELP YOU? 426 00:19:02,406 --> 00:19:04,108 TEA WITH THE BAG OUT. 427 00:19:04,208 --> 00:19:06,311 MAYBE I'LL HUSTLE TO SEATTLE... 428 00:19:06,411 --> 00:19:08,192 GIVE HIM A LITTLE GIFT FOR NEW YEAR'S EVE. 429 00:19:08,292 --> 00:19:09,594 YEAH, YOU GO 430 00:19:09,694 --> 00:19:12,077 BUT DON'T OPEN HIS REFRIGERATOR. 431 00:19:12,177 --> 00:19:14,479 NOTHING'S COVERED. 432 00:19:14,579 --> 00:19:16,201 THEY JUST STICK IT IN THERE AND LEAVE IT 433 00:19:16,301 --> 00:19:17,803 TILL IT WALKS OUT BY ITSELF. 434 00:19:17,903 --> 00:19:19,044 WHAT I'M SAYING IS 435 00:19:19,144 --> 00:19:20,605 I WOULDN'T KICK THIS GUY OUT OF MY BED 436 00:19:20,705 --> 00:19:22,087 FOR EATING CRACKERS. 437 00:19:22,187 --> 00:19:24,209 65 CENTS. 438 00:19:24,309 --> 00:19:25,931 FIELDSTONE: LET'S TAKE A CALL BEFORE WE GET BACK TO SLEEPLESS. 439 00:19:26,031 --> 00:19:29,655 KNOXVILLE, TENNESSEE, YOU'RE ON THE AIR. 440 00:19:29,755 --> 00:19:33,859 WOMAN: YES. WHERE COULD I GET THIS MAN'S ADDRESS? 441 00:19:33,959 --> 00:19:36,021 HUMPH. HONEY, GET IN LINE. 442 00:19:36,121 --> 00:19:37,663 FIELDSTONE: WE DON'T GIVE ADDRESSES OUT ON THE AIR. 443 00:19:37,763 --> 00:19:40,186 NEXT CALLER. OAKLAND... 444 00:19:40,286 --> 00:19:43,509 IF THERE WAS ONE QUESTION I WAS ALLOWED TO ASK... 445 00:19:43,609 --> 00:19:45,311 OH, GO AHEAD. 446 00:19:45,411 --> 00:19:47,073 FIELDSTONE: PEOPLE WHO TRULY LOVED ONCE 447 00:19:47,173 --> 00:19:49,556 ARE FAR MORE LIKELY TO LOVE AGAIN. 448 00:19:49,656 --> 00:19:52,158 SAM, DO YOU THINK THAT THERE'S SOMEONE OUT THERE 449 00:19:52,258 --> 00:19:54,581 YOU COULD LOVE AS MUCH AS YOUR WIFE? 450 00:19:56,863 --> 00:20:01,528 WELL, DR. MARCIA FIELDSTONE, IT'S HARD TO IMAGINE. 451 00:20:01,628 --> 00:20:04,251 FIELDSTONE: MM-HMM. WHAT ARE YOU GOING TO DO? 452 00:20:04,351 --> 00:20:09,616 WELL, I'M GOING TO GET OUT OF BED EVERY MORNING 453 00:20:09,716 --> 00:20:12,700 BREATHE IN AND OUT ALL DAY LONG 454 00:20:12,800 --> 00:20:16,824 AND THEN AFTER A WHILE I WON'T HAVE TO REMIND MYSELF 455 00:20:16,924 --> 00:20:19,627 TO GET OUT OF BED IN THE MORNING 456 00:20:19,727 --> 00:20:22,230 AND BREATHE IN AND OUT 457 00:20:22,330 --> 00:20:25,353 AND THEN AFTER A WHILE I WON'T HAVE TO THINK ABOUT 458 00:20:25,453 --> 00:20:30,238 HOW I HAD IT GREAT AND PERFECT FOR A WHILE. 459 00:20:30,338 --> 00:20:35,163 FIELDSTONE: SAM, TELL ME WHAT WAS SO SPECIAL ABOUT YOUR WIFE. 460 00:20:35,263 --> 00:20:39,448 SAM: WELL, HOW LONG IS YOUR PROGRAM? 461 00:20:39,548 --> 00:20:45,654 OH... WELL, IT WAS A MILLION TINY LITTLE THINGS. 462 00:20:45,754 --> 00:20:47,656 WHEN YOU ADD THEM ALL UP... 463 00:20:47,756 --> 00:20:50,179 IT JUST MEANT THAT WE WERE SUPPOSED TO BE TOGETHER. 464 00:20:50,279 --> 00:20:51,700 AND I KNEW IT. 465 00:20:51,800 --> 00:20:55,344 I KNEW IT THE VERY FIRST TIME I TOUCHED HER. 466 00:20:55,444 --> 00:21:01,150 IT WAS LIKE COMING HOME, ONLY TO NO HOME I'D EVER KNOWN. 467 00:21:01,250 --> 00:21:07,216 I WAS JUST TAKING HER HAND TO HELP HER OUT OF A CAR 468 00:21:07,897 --> 00:21:10,160 AND I KNEW IT. 469 00:21:10,260 --> 00:21:12,522 IT WAS LIKE... 470 00:21:12,622 --> 00:21:16,046 -SAM: MAGIC. -MAGIC. 471 00:21:16,146 --> 00:21:18,889 FIELDSTONE: WELL, FOLKS, IT'S TIME TO WRAP IT UP. 472 00:21:18,989 --> 00:21:21,651 I'M DR. MARCIA FIELDSTONE IN CHICAGO 473 00:21:21,751 --> 00:21:26,336 AND TO ALL MY LISTENERS, A MAGICAL AND MERRY CHRISTMAS. 474 00:21:26,436 --> 00:21:29,179 AND TO YOU, SLEEPLESS IN SEATTLE 475 00:21:29,279 --> 00:21:33,424 WE HOPE YOU'LL CALL AGAIN SOON AND LET US KNOW HOW IT'S GOING. 476 00:21:33,524 --> 00:21:35,826 SAM: OH, YOU CAN COUNT ON IT. 477 00:21:35,926 --> 00:21:40,311 ♪ THAT'S WHERE YOU'LL FIND ME 478 00:21:40,411 --> 00:21:45,276 ♪ I KNOW SOMEWHERE 479 00:21:45,376 --> 00:21:51,442 ♪ OVER THE RAINBOW 480 00:21:51,542 --> 00:21:58,390 ♪ THE BLUEBIRDS GLIDE 481 00:22:01,153 --> 00:22:05,017 ♪ BIRDS FLY 482 00:22:05,117 --> 00:22:09,461 ♪ OVER THE RAINBOW 483 00:22:09,561 --> 00:22:15,027 ♪ WHY, THEN, OH, WHY 484 00:22:15,127 --> 00:22:19,612 ♪ CAN'T I? ♪ 485 00:22:25,057 --> 00:22:26,359 MAN: THIS MAN SELLS 486 00:22:26,459 --> 00:22:27,720 THE GREATEST SOUP YOU'VE EVER EATEN 487 00:22:27,820 --> 00:22:29,883 AND HE IS THE MEANEST MAN IN AMERICA. 488 00:22:29,983 --> 00:22:31,925 I FEEL VERY STRONGLY ABOUT THIS, BECKY. 489 00:22:32,025 --> 00:22:33,366 IT'S NOT JUST ABOUT THE SOUP. 490 00:22:33,466 --> 00:22:34,688 WHAT ELSE? 491 00:22:34,788 --> 00:22:38,291 NEW YEAR'S EVE. PLEASE DON'T MAKE ME WRITE IT. 492 00:22:38,391 --> 00:22:40,413 "PHONE SERVICE IN THE CHICAGO AREA 493 00:22:40,513 --> 00:22:42,175 "WAS TIED UP FOR TWO HOURS CHRISTMAS EVE 494 00:22:42,275 --> 00:22:44,017 "WHEN SOME KID CALLS A RADIO SHOW 495 00:22:44,117 --> 00:22:46,340 "AND SAYS HIS DAD NEEDS A NEW WIFE. 496 00:22:46,440 --> 00:22:48,382 "2,000 WOMEN CALLED THE STATION 497 00:22:48,482 --> 00:22:50,264 "ASKING FOR THE GUY'S NUMBER." 498 00:22:50,364 --> 00:22:51,505 I HEARD IT. 499 00:22:51,605 --> 00:22:53,827 THIS KID SAYS, "MY DAD NEEDS A WIFE" 500 00:22:53,927 --> 00:22:56,270 AND THE SHRINKETTE PRACTICALLY FORCES THE GUY ONTO THE PHONE 501 00:22:56,370 --> 00:22:57,671 AND SAYS, "DO YOU WANT TO TALK ABOUT IT?" 502 00:22:57,771 --> 00:23:00,034 AND HE SAYS, "NO" 503 00:23:00,134 --> 00:23:03,718 AND SUDDENLY, HE STARTS TALKING ABOUT HIS WIFE 504 00:23:03,818 --> 00:23:05,600 AND HOW HE JUST FELL IN LOVE WITH HER 505 00:23:05,700 --> 00:23:08,042 LIKE HE WAS ONE OF THOSE COWS IN MICHIGAN. 506 00:23:08,142 --> 00:23:09,324 WHAT COWS IN MICHIGAN? 507 00:23:09,424 --> 00:23:10,525 IT WAS ON 60 MINUTES... 508 00:23:10,625 --> 00:23:13,488 THOSE COWS GOT ZAPPED BY VOLTAGE. 509 00:23:13,588 --> 00:23:15,490 MAYBE IT WAS WISCONSIN. 510 00:23:15,590 --> 00:23:18,613 ANYWAY, I WAS LISTENING TO HIM TALK 511 00:23:18,713 --> 00:23:20,375 ABOUT HOW MUCH HE LOVED HIS WIFE 512 00:23:20,475 --> 00:23:22,417 AND SUDDENLY, I WAS CRYING. 513 00:23:22,517 --> 00:23:24,579 IT'S WHAT HAPPENS WHEN I WATCH THOSE PHONE COMPANY ADS. 514 00:23:24,679 --> 00:23:26,221 I DON'T HAVE TO SEE THE WHOLE THING... 515 00:23:26,321 --> 00:23:27,342 JUST THE PART WHERE THE DAUGHTER 516 00:23:27,442 --> 00:23:28,704 GIVES THE MOTHER THE REFRIGERATOR 517 00:23:28,804 --> 00:23:30,345 WITH THE BIG RED BOW. RED BOW. 518 00:23:30,445 --> 00:23:31,707 THE POLAROID COMMERCIAL? 519 00:23:31,807 --> 00:23:33,949 TWO FIVE-YEAR-OLDS AT THEIR GRANDFATHER'S BIRTHDAY. 520 00:23:34,049 --> 00:23:35,391 THEY'RE MAKING THE ALBUM. 521 00:23:35,491 --> 00:23:36,392 BECKY: WITH THE GLUE... 522 00:23:36,492 --> 00:23:38,494 THAT KILLS ME. 523 00:23:39,775 --> 00:23:41,357 YOU SHOULD WRITE SOMETHING ABOUT THIS. 524 00:23:41,457 --> 00:23:42,718 ABOUT WHAT? 525 00:23:42,818 --> 00:23:45,081 WHATEVER IT IS. 526 00:23:45,181 --> 00:23:47,643 2,000 WOMEN CALLING A RADIO STATION FOR A HUSBAND? 527 00:23:47,743 --> 00:23:49,766 A LOT OF DESPERATE WOMEN ARE LOOKING FOR LOVE. 528 00:23:49,866 --> 00:23:51,608 ESPECIALLY OVER A CERTAIN AGE. 529 00:23:51,708 --> 00:23:53,450 IT'S EASIER TO BE KILLED BY A TERRORIST 530 00:23:53,550 --> 00:23:55,372 THAN IT IS TO GET MARRIED OVER 40. 531 00:23:55,472 --> 00:23:57,013 THAT STATISTIC IS NOT TRUE. 532 00:23:57,113 --> 00:23:58,815 THAT'S RIGHT. IT'S NOT TRUE. 533 00:23:58,915 --> 00:24:00,177 BUT IT FEELS TRUE. 534 00:24:00,277 --> 00:24:01,458 BECAUSE IT IS TRUE. 535 00:24:01,558 --> 00:24:02,819 THERE'S PRACTICALLY A WHOLE BOOK 536 00:24:02,919 --> 00:24:04,341 ABOUT HOW THAT STATISTIC IS NOT TRUE. 537 00:24:04,441 --> 00:24:05,742 CALM DOWN. YOU BROUGHT IT UP. 538 00:24:05,842 --> 00:24:08,425 I DID NOT, WYATT. DID YOU EVEN READ THAT BOOK? 539 00:24:08,525 --> 00:24:11,168 DID ANYBODY READ THAT BOOK ALL THE WAY THROUGH? 540 00:24:12,449 --> 00:24:14,191 NOW, WHERE WERE WE? 541 00:24:14,291 --> 00:24:15,713 IF SOMEONE IS A WIDOWER 542 00:24:15,813 --> 00:24:17,755 WHY DO THEY SAY THAT HE WAS WIDOWED? 543 00:24:17,855 --> 00:24:20,297 WHY DON'T THEY SAY HE WAS WIDOWERED? 544 00:24:22,500 --> 00:24:25,683 I WAS JUST WONDERING. 545 00:24:25,783 --> 00:24:27,285 WHAT WAS THAT ABOUT UP THERE? 546 00:24:27,385 --> 00:24:28,806 WHAT WAS WHAT? 547 00:24:28,906 --> 00:24:30,368 WHAT'S WITH YOU? 548 00:24:30,468 --> 00:24:32,450 NOTHING'S WITH ME. 549 00:24:32,550 --> 00:24:34,092 SOMETHING'S WITH YOU. 550 00:24:34,192 --> 00:24:35,854 WHAT ARE YOU SAYING? 551 00:24:35,954 --> 00:24:37,856 WHATEVER IT IS, YOU CAN TELL ME. 552 00:24:37,956 --> 00:24:39,257 SLEEPLESS IN SEATTLE? 553 00:24:39,357 --> 00:24:40,819 SHE CALLED HIM THAT 554 00:24:40,919 --> 00:24:42,220 BECAUSE HE CAN'T SLEEP. 555 00:24:42,320 --> 00:24:45,223 AND NOW 2,000 WOMEN WANT HIS NUMBER. 556 00:24:45,323 --> 00:24:46,905 THE GUY COULD BE A CRACK-HEAD 557 00:24:47,005 --> 00:24:51,270 A TRANSVESTITE, A FLASHER, A JUNKIE, A CHAIN SAW MURDERER 558 00:24:51,370 --> 00:24:53,152 OR SOMEONE REALLY SICK... 559 00:24:53,252 --> 00:24:55,254 SOMEONE LIKE MY RICK. 560 00:24:55,894 --> 00:24:57,957 ACTUALLY, HE SOUNDED NICE. 561 00:24:58,057 --> 00:24:59,959 OH? 562 00:25:00,059 --> 00:25:01,961 OH, REALLY. 563 00:25:02,061 --> 00:25:04,604 NOW WE'RE GETTING DOWN TO IT. 564 00:25:04,704 --> 00:25:07,527 PLEASE, BECKY. I'M MADLY IN LOVE WITH WALTER. 565 00:25:07,627 --> 00:25:10,350 HE DID THE CRAZIEST THING THE OTHER NIGHT. WHAT WAS THAT? 566 00:25:12,272 --> 00:25:15,995 OH, IT WAS SO FUNNY. WE WERE HYSTERICAL. WHAT WAS THAT? 567 00:25:19,639 --> 00:25:21,421 HMM. 568 00:25:21,521 --> 00:25:25,726 (ORCHESTRA PLAYING "JEEPERS, CREEPERS") 569 00:25:28,328 --> 00:25:30,390 YOU KNOW, I'M THINKING 570 00:25:30,490 --> 00:25:32,673 I'VE GOT TO GO UP TO BOSTON FOR THE A.A.B. CONVENTION 571 00:25:32,773 --> 00:25:33,754 RIGHT? 572 00:25:33,854 --> 00:25:35,476 THEN I'VE GOT TO VISIT WINSTON HUGHES 573 00:25:35,576 --> 00:25:38,078 ABOUT SWITCHING OVER OUR COMPUTERS. 574 00:25:38,178 --> 00:25:40,441 WHY DON'T WE MEET IN NEW YORK 575 00:25:40,541 --> 00:25:42,563 VALENTINE'S DAY WEEKEND? 576 00:25:42,663 --> 00:25:45,646 WALTER, I'D LOVE TO. 577 00:25:45,746 --> 00:25:48,489 HMM? WE CAN STAY AT THE PLAZA. 578 00:25:48,589 --> 00:25:50,692 ICE-SKATE IN CENTRAL PARK. 579 00:25:50,792 --> 00:25:53,094 REGISTER. 580 00:25:53,194 --> 00:25:55,056 REGISTER? 581 00:25:55,156 --> 00:25:58,219 YOU KNOW, FOR DISHES, GLASSES, SILVER... 582 00:25:58,319 --> 00:26:00,402 EVERYTHING. HMM? 583 00:26:02,564 --> 00:26:04,566 HOW ABOUT IT? 584 00:26:06,968 --> 00:26:09,711 I'LL TAKE YOU TO CHINATOWN FOR DIM SUM. 585 00:26:09,811 --> 00:26:11,353 DOES IT HAVE WHEAT IN IT? 586 00:26:11,453 --> 00:26:13,455 I DON'T THINK SO. 587 00:26:16,258 --> 00:26:19,361 ♪ DIM SUM, DIM SUM 588 00:26:19,461 --> 00:26:21,644 ♪ DO, BE, DO, BAH ♪ 589 00:26:21,744 --> 00:26:23,606 CROWD: TEN... NINE... 590 00:26:23,706 --> 00:26:26,369 EIGHT... SEVEN... SIX... 591 00:26:26,469 --> 00:26:30,693 FIVE... FOUR... THREE... TWO... ONE... 592 00:26:30,793 --> 00:26:33,136 HEY, JONAH. WAKE UP. WAKE UP. 593 00:26:33,236 --> 00:26:35,018 THE BALL'S DROPPING. 594 00:26:35,118 --> 00:26:37,621 CROWD: HAPPY NEW YEAR! 595 00:26:37,721 --> 00:26:40,964 (ORCHESTRA PLAYING "AULD LANG SYNE") 596 00:26:43,967 --> 00:26:46,750 OKAY, PAL. 597 00:26:46,850 --> 00:26:49,493 IT'S OKAY. OH, HERE WE GO. 598 00:26:52,095 --> 00:26:54,298 OH, YEAH. 599 00:27:23,208 --> 00:27:25,450 HAPPY NEW YEAR. 600 00:27:26,371 --> 00:27:28,373 HAPPY NEW YEAR. 601 00:27:31,216 --> 00:27:33,719 KISS HOWARD. 602 00:27:33,819 --> 00:27:35,821 GOOD NIGHT, HOWARD. 603 00:27:49,876 --> 00:27:55,462 ♪ SOMETIMES I WONDER 604 00:27:55,562 --> 00:27:58,665 ♪ WHY I SPEND 605 00:27:58,765 --> 00:28:03,230 ♪ THE LONELY NIGHT 606 00:28:03,330 --> 00:28:06,593 ♪ DREAMING OF A SONG 607 00:28:06,693 --> 00:28:09,076 ♪ THE MELODY 608 00:28:09,176 --> 00:28:12,760 ♪ HAUNTS MY REVERIE 609 00:28:12,860 --> 00:28:18,085 ♪ AND I AM ONCE AGAIN WITH YOU 610 00:28:18,185 --> 00:28:22,309 ♪ WHEN OUR LOVE WAS NEW 611 00:28:23,391 --> 00:28:27,635 ♪ AND EACH KISS AN INSPIRATION 612 00:28:30,878 --> 00:28:34,823 ♪ BUT THAT WAS LONG AGO 613 00:28:34,923 --> 00:28:38,506 ♪ NOW MY CONSOLATION 614 00:28:38,606 --> 00:28:43,672 ♪ IS IN THE STARDUST OF A SONG 615 00:28:43,772 --> 00:28:46,395 ♪ BESIDE 616 00:28:46,495 --> 00:28:49,758 ♪ A GARDEN WALL 617 00:28:49,858 --> 00:28:53,562 ♪ WHEN STARS ARE BRIGHT 618 00:28:53,662 --> 00:28:57,086 ♪ YOU ARE IN MY ARMS 619 00:28:57,186 --> 00:29:00,169 ♪ THE NIGHTINGALE 620 00:29:00,269 --> 00:29:03,653 ♪ TELLS HIS FAIRY TALE 621 00:29:03,753 --> 00:29:07,697 ♪ OF PARADISE WHERE ROSES BLOOM ♪ 622 00:29:07,797 --> 00:29:10,660 CAN I HAVE HALF YOUR BEER? 623 00:29:10,760 --> 00:29:12,882 SURE. GO AHEAD. 624 00:29:15,565 --> 00:29:18,348 WHAT DID I USE TO SAY? 625 00:29:18,448 --> 00:29:20,750 "HERE'S LOOKING AT YOU"? 626 00:29:20,850 --> 00:29:22,833 "HERE'S MUD IN YOUR EYE." 627 00:29:22,933 --> 00:29:24,935 "HERE'S TO US." 628 00:29:26,176 --> 00:29:28,979 YOU USED TO SAY, "HERE'S TO US." 629 00:29:33,464 --> 00:29:36,547 OH, BABE I MISS YOU SO MUCH, IT HURTS. 630 00:29:54,806 --> 00:29:56,988 WE'LL TELL HIM WHEN HE GETS HERE. 631 00:29:57,088 --> 00:29:58,510 YOU WANT TO TELL HIM? 632 00:29:58,610 --> 00:29:59,791 I DON'T MIND... 633 00:29:59,891 --> 00:30:00,912 HE'S BACK. 634 00:30:01,012 --> 00:30:02,314 SHE HAS ANOTHER IDEA. 635 00:30:02,414 --> 00:30:03,595 NO, NO... 636 00:30:03,695 --> 00:30:05,197 SAM, I'M SO GLAD YOU'RE HERE. 637 00:30:05,297 --> 00:30:06,798 I HEARD YOU ON THE RADIO. 638 00:30:06,898 --> 00:30:08,520 I TOLD EVERYONE ABOUT IT. 639 00:30:08,620 --> 00:30:10,322 WE ALREADY KNEW. 640 00:30:10,422 --> 00:30:11,804 -HOW? -GRACE. 641 00:30:11,904 --> 00:30:12,925 THE DISPATCHER? 642 00:30:13,025 --> 00:30:14,326 ALL OF SEATTLE KNOWS. 643 00:30:14,426 --> 00:30:17,690 I WAS BRUSHING MY TEETH, AND SUDDENLY THERE YOU WERE. 644 00:30:17,790 --> 00:30:19,932 I CALLED MY MOTHER IN LAS VEGAS. 645 00:30:20,032 --> 00:30:22,735 I SAID, "MOTHER, TURN ON THE RADIO. 646 00:30:22,835 --> 00:30:25,538 "THAT'S MY ARCHITECT." 647 00:30:25,638 --> 00:30:30,903 IT IS SO NICE WHEN A MAN CAN EXPRESS HIS FEELINGS. 648 00:30:31,003 --> 00:30:32,185 IT'S WONDERFUL. 649 00:30:32,285 --> 00:30:33,826 YEAH, I WISH I COULD EXPRESS MY FEELINGS. 650 00:30:33,926 --> 00:30:35,869 SO, CLAIRE, IS THERE A PROBLEM? 651 00:30:35,969 --> 00:30:37,831 I WAS JUST TOSSING AND TURNING LAST NIGHT... 652 00:30:37,931 --> 00:30:39,312 YOU KNOW WHAT THAT'S LIKE... 653 00:30:39,412 --> 00:30:42,756 BECAUSE I REALIZED I'LL NEVER FIT MY PLATTERS 654 00:30:42,856 --> 00:30:44,758 IN THAT REFRIGERATOR WE ORDERED. 655 00:30:44,858 --> 00:30:46,760 AND WHEN I GIVE PARTIES, I ALWAYS PUT IN PLATTERS. 656 00:30:46,860 --> 00:30:49,763 SO, I THOUGHT I WOULD GET THE SUB ZERO REFRIGERATOR INSTEAD. 657 00:30:49,863 --> 00:30:51,124 THE ONLY PROBLEM... 658 00:30:51,224 --> 00:30:53,967 WE HAVE TO REDO ALL THE CABINETS. 659 00:30:54,067 --> 00:30:55,569 WE'LL BE INTO THIS WALL. 660 00:30:55,669 --> 00:30:56,890 THAT'S A BEARING WALL. 661 00:30:56,990 --> 00:30:58,612 THAT'S A DELAY... 662 00:30:58,712 --> 00:31:00,895 -OF TWO, THREE... -FIVE, SIX... 663 00:31:00,995 --> 00:31:02,656 -12 WEEKS. -I DON'T MIND. 664 00:31:02,756 --> 00:31:04,939 THE IMPORTANT THING IS TO GET IT RIGHT. 665 00:31:05,039 --> 00:31:06,781 ABSOLUTELY. 666 00:31:06,881 --> 00:31:08,142 I'VE GOT TO RUSH. 667 00:31:08,242 --> 00:31:09,824 LA DECORATEUR CALLS. 668 00:31:09,924 --> 00:31:11,025 BYE. 669 00:31:11,125 --> 00:31:13,127 BYE. BYE-BYE. BYE. 670 00:31:15,730 --> 00:31:17,352 WELL, THIS IS FATE. 671 00:31:17,452 --> 00:31:20,595 SHE'S DIVORCED. WE DON'T WANT TO REDO THE CABINETS. AND YOU NEED A WIFE. 672 00:31:20,695 --> 00:31:23,278 WHAT DO THEY CALL THAT WHEN EVERYTHING INTERSECTS? 673 00:31:23,378 --> 00:31:25,380 THE BERMUDA TRIANGLE. 674 00:31:34,470 --> 00:31:36,532 MAN: AND THERE'S ANOTHER ONE. 675 00:31:36,632 --> 00:31:38,734 YOU GOT ROOM FOR ONE MORE HERE? 676 00:31:38,834 --> 00:31:40,216 THERE YOU GO. 677 00:31:40,316 --> 00:31:41,377 LOOK AT THIS, DAD. 678 00:31:41,477 --> 00:31:42,578 THEY'RE ALL FOR YOU. 679 00:31:42,678 --> 00:31:44,680 HERE YOU GO. 680 00:31:47,964 --> 00:31:50,346 "SLEEPLESS IN SEATTLE, CARE OF DR. MARCIA FIELDSTONE." 681 00:31:50,446 --> 00:31:51,908 IF YOU'RE HAVING TROUBLE SLEEPING 682 00:31:52,008 --> 00:31:53,990 TRY DRINKING A GLASS OF WATER 683 00:31:54,090 --> 00:31:55,271 FROM THE OTHER SIDE. 684 00:31:55,371 --> 00:31:56,833 I THOUGHT THAT WAS FOR HICCUPS. 685 00:31:56,933 --> 00:31:58,034 DOES IT WORK FOR HICCUPS? 686 00:31:58,134 --> 00:31:59,956 FOR HICCUPS, TAKE A SPOONFUL OF SUGAR 687 00:32:00,056 --> 00:32:02,058 AND HOLD IT IN YOUR MOUTH FOR A MINUTE. 688 00:32:03,179 --> 00:32:05,482 THANK YOU. 689 00:32:05,582 --> 00:32:07,965 WHAT POSSESSED YOU TO GIVE THEM OUR ADDRESS? 690 00:32:08,065 --> 00:32:11,288 THEY CALLED AND ASKED FOR IT. 691 00:32:11,388 --> 00:32:13,330 "DEAR SLEEPLESS IN SEATTLE 692 00:32:13,430 --> 00:32:16,774 "YOU'RE THE MOST ATTRACTIVE MAN I EVER LAID EARS ON." 693 00:32:16,874 --> 00:32:17,975 WAIT, WAIT, WAIT. 694 00:32:18,075 --> 00:32:20,898 THEY CALLED? HOW DID THEY GET OUR NUMBER? 695 00:32:20,998 --> 00:32:22,980 OH, LET ME GUESS... YOU GAVE IT TO THEM. 696 00:32:23,080 --> 00:32:24,181 YOU HAVE TO 697 00:32:24,281 --> 00:32:26,504 OR THEY WON'T LET YOU ON THE AIR. 698 00:32:26,604 --> 00:32:27,905 "DEAR SLEEPLESS IN SEATTLE 699 00:32:28,005 --> 00:32:29,227 "I LIVE IN TULSA." 700 00:32:29,327 --> 00:32:30,508 WHERE'S THAT? 701 00:32:30,608 --> 00:32:32,110 IT'S IN OKLAHOMA. 702 00:32:32,210 --> 00:32:34,512 DO YOU KNOW WHERE OKLAHOMA IS? 703 00:32:34,612 --> 00:32:36,194 SOMEWHERE IN THE MIDDLE? 704 00:32:36,294 --> 00:32:37,635 I WON'T EVEN THINK 705 00:32:37,735 --> 00:32:40,598 ABOUT WHAT THEY'RE NOT TEACHING IN SCHOOL. 706 00:32:40,698 --> 00:32:42,520 YEAH, SOMEWHERE IN THE MIDDLE. 707 00:32:42,620 --> 00:32:44,042 GENERALLY SPEAKING 708 00:32:44,142 --> 00:32:46,805 WE SHOULD RULE OUT ANYONE THAT DOESN'T LIVE NEAR HERE. 709 00:32:46,905 --> 00:32:48,987 SHE'S WILLING TO FLY ANYWHERE. 710 00:32:50,829 --> 00:32:52,651 SHE LOOKS LIKE MY THIRD GRADE TEACHER 711 00:32:52,751 --> 00:32:54,893 AND I HATED MY THIRD GRADE TEACHER. WAIT A MINUTE. 712 00:32:54,993 --> 00:32:57,937 SHE IS MY THIRD GRADE TEACHER! 713 00:32:58,037 --> 00:33:00,139 WON'T YOU READ ANY OF THESE? 714 00:33:00,239 --> 00:33:02,621 NO, BECAUSE THIS IS NOT HOW IT'S DONE. 715 00:33:02,721 --> 00:33:06,045 I'D MUCH RATHER JUST SEE SOMEBODY I LIKE 716 00:33:07,086 --> 00:33:09,068 AND GET A FEELING ABOUT THEM 717 00:33:09,168 --> 00:33:11,511 AND ASK THEM IF THEY WANT TO HAVE A DRINK. 718 00:33:11,611 --> 00:33:12,992 OR A SLICE OF PIZZA? 719 00:33:13,092 --> 00:33:16,396 NOT DINNER ON THE FIRST DATE, BECAUSE HALFWAY THROUGH DINNER 720 00:33:16,496 --> 00:33:18,318 YOU COULD BE SORRY YOU ASKED THEM TO DINNER. 721 00:33:18,418 --> 00:33:21,761 IF IT'S JUST A DRINK, IF YOU LIKE THEM 722 00:33:21,861 --> 00:33:23,283 YOU CAN ALWAYS ASK THEM TO DINNER 723 00:33:23,383 --> 00:33:25,806 BUT IF NOT, YOU CAN JUST SAY, "WELL, THAT WAS GREAT" 724 00:33:25,906 --> 00:33:26,927 AND GO HOME. 725 00:33:27,027 --> 00:33:29,029 SEE WHAT I MEAN? 726 00:33:30,791 --> 00:33:33,013 I WONDER IF IT STILL WORKS THIS WAY. 727 00:33:33,113 --> 00:33:34,935 IT DOESN'T. THEY ASK YOU. 728 00:33:35,035 --> 00:33:37,338 I'M STARTING TO NOTICE THAT. 729 00:33:37,438 --> 00:33:40,441 IF YOU GET A NEW WIFE I GUESS YOU'LL HAVE SEX WITH HER, HUH? 730 00:33:41,602 --> 00:33:44,105 I CERTAINLY HOPE SO. 731 00:33:44,205 --> 00:33:46,587 WILL SHE SCRATCH UP YOUR BACK? 732 00:33:46,687 --> 00:33:48,870 WHAT? 733 00:33:48,970 --> 00:33:51,152 IN MOVIES, WOMEN ARE ALWAYS SCRATCHING UP THE MEN'S BACK 734 00:33:51,252 --> 00:33:53,474 AND SCREAMING AND STUFF WHEN THEY'RE HAVING SEX. 735 00:33:53,574 --> 00:33:54,916 HOW DO YOU KNOW THIS? 736 00:33:55,016 --> 00:33:56,838 JED'S GOT CABLE. 737 00:33:56,938 --> 00:33:58,940 OH, JED'S... 738 00:34:00,742 --> 00:34:02,904 HAND ME THAT TOWEL BEHIND YOU. 739 00:34:07,869 --> 00:34:08,890 THANK YOU. 740 00:34:08,990 --> 00:34:09,972 I NEED IT TOO. 741 00:34:10,072 --> 00:34:11,133 HERE, LET ME GET YOU. 742 00:34:11,233 --> 00:34:12,494 (GROANING) 743 00:34:12,594 --> 00:34:14,136 "JED'S GOT CABLE..." 744 00:34:14,236 --> 00:34:16,378 ♪ ANOTHER BRIDE 745 00:34:16,478 --> 00:34:19,101 ♪ ANOTHER GROOM 746 00:34:19,201 --> 00:34:24,667 ♪ ANOTHER SUNNY HONEYMOON 747 00:34:24,767 --> 00:34:27,470 ♪ ANOTHER SEASON 748 00:34:27,570 --> 00:34:32,215 ♪ AND THAT'S THE REASON FOR MAKING WHOOPEE ♪ 749 00:34:34,537 --> 00:34:37,220 (SNORING) 750 00:34:47,270 --> 00:34:52,416 ♪ WHEN THE SUN IS HIGH IN THE AFTERNOON SKY 751 00:34:52,516 --> 00:34:57,021 ♪ YOU CAN ALWAYS FIND SOMETHING TO DO 752 00:34:57,121 --> 00:34:59,623 ♪ BUT FROM DUSK TILL DAWN 753 00:34:59,723 --> 00:35:02,827 ♪ AS THE CLOCK TICKS ON 754 00:35:02,927 --> 00:35:09,474 ♪ SOMETHING HAPPENS TO YOU 755 00:35:09,574 --> 00:35:16,421 ♪ IN THE WEE, SMALL HOURS OF THE MORNING 756 00:35:18,062 --> 00:35:25,650 ♪ WHILE THE WHOLE, WIDE WORLD IS FAST ASLEEP 757 00:35:25,750 --> 00:35:32,638 ♪ YOU LIE AWAKE AND THINK ABOUT THE BOY 758 00:35:34,159 --> 00:35:41,787 ♪ AND NEVER, EVER THINK OF COUNTING SHEEP ♪ 759 00:35:41,887 --> 00:35:44,750 ANNOUNCER: WELCOME BACK TO THE BEST OF DR. MARCIA FIELDSTONE 760 00:35:44,850 --> 00:35:47,233 CLINICAL PSYCHOLOGIST AND THE FRIEND YOU NEVER HAD. 761 00:35:47,333 --> 00:35:49,155 REMEMBER "MAROONED IN MIAMI"? 762 00:35:49,255 --> 00:35:51,397 WOMAN: HE SAYS HE DOESN'T LOVE ME ANYMORE. 763 00:35:51,497 --> 00:35:53,199 FIELDSTONE: WHY WOULD YOU WANT TO BE WITH SOMEONE 764 00:35:53,299 --> 00:35:54,681 WHO DOESN'T LOVE YOU? 765 00:35:54,781 --> 00:35:56,442 ANNOUNCER: "DISAPPOINTED IN DENVER." 766 00:35:56,542 --> 00:35:58,565 WOMAN: EVERY TIME I COME CLOSE TO ORGASM 767 00:35:58,665 --> 00:36:00,487 HE GOES TO MAKE HIMSELF A SANDWICH. 768 00:36:00,587 --> 00:36:03,009 FIELDSTONE: WHY DON'T YOU MAKE HIM A SANDWICH BEFOREHAND? 769 00:36:03,109 --> 00:36:04,891 ANNOUNCER: "SLEEPLESS IN SEATTLE." 770 00:36:04,991 --> 00:36:10,377 SAM: WELL, I'M GOING TO GET OUT OF BED EVERY MORNING... 771 00:36:10,477 --> 00:36:14,181 BREATHE IN AND OUT ALL DAY LONG 772 00:36:14,281 --> 00:36:19,146 AND THEN AFTER A WHILE, I WON'T HAVE TO REMIND MYSELF 773 00:36:19,246 --> 00:36:24,632 TO GET OUT OF BED IN THE MORNING AND BREATHE IN AND OUT. 774 00:36:24,732 --> 00:36:28,956 AND THEN AFTER A WHILE, I WON'T HAVE TO THINK 775 00:36:29,056 --> 00:36:34,402 ABOUT HOW I HAD IT GREAT AND PERFECT FOR A WHILE. 776 00:36:34,502 --> 00:36:39,127 FIELDSTONE: SAM, TELL ME WHAT WAS SO SPECIAL ABOUT YOUR WIFE. 777 00:36:39,227 --> 00:36:41,669 SAM: WELL, HOW LONG IS YOUR PROGRAM? 778 00:36:43,832 --> 00:36:49,698 OH, WELL, IT WAS A MILLION TINY LITTLE THINGS 779 00:36:49,798 --> 00:36:52,060 AND WHEN YOU ADD THEM ALL UP 780 00:36:52,160 --> 00:36:54,343 IT JUST MEANT WE WERE SUPPOSED TO BE TOGETHER, THAT'S ALL. 781 00:36:54,443 --> 00:36:56,185 AND I KNEW IT. 782 00:36:56,285 --> 00:36:59,228 I KNEW IT THE VERY FIRST TIME I TOUCHED HER. 783 00:36:59,328 --> 00:37:05,234 IT WAS LIKE COMING HOME... ONLY TO NO HOME I'D EVER KNOWN. 784 00:37:05,334 --> 00:37:11,100 I WAS JUST TAKING HER HAND TO HELP HER OUT OF A CAR 785 00:37:11,861 --> 00:37:14,324 AND I KNEW IT. 786 00:37:14,424 --> 00:37:19,108 IT WAS LIKE... MAGIC. 787 00:37:40,531 --> 00:37:43,033 WELL, I THINK I'M GOING CRAZY, DENNIS. I REALLY DO. 788 00:37:43,133 --> 00:37:44,315 ARE YOU HAPPILY MARRIED? 789 00:37:44,415 --> 00:37:45,636 WHAT? 790 00:37:45,736 --> 00:37:47,638 I MEAN, WHY DID YOU GET MARRIED? 791 00:37:47,738 --> 00:37:50,481 WAS IT ALL TRUMPETS AND FIREWORKS? 792 00:37:50,581 --> 00:37:52,363 I GOT MARRIED BECAUSE BETSY SAID 793 00:37:52,463 --> 00:37:54,946 WE HAD TO BREAK UP OR GET MARRIED. 794 00:37:55,867 --> 00:37:57,448 BUT WHEN YOU FIRST MET HER 795 00:37:57,548 --> 00:37:59,891 DID YOU BELIEVE THAT SHE WAS THE ONLY PERSON FOR YOU 796 00:37:59,991 --> 00:38:03,935 THAT IN SOME, MYSTICAL, COSMIC WAY, IT WAS FATED? 797 00:38:04,035 --> 00:38:07,259 ANNIE, WHEN YOU'RE ATTRACTED TO SOMEONE 798 00:38:07,359 --> 00:38:08,980 IT JUST MEANS THAT YOUR SUBCONSCIOUS 799 00:38:09,080 --> 00:38:10,502 IS ATTRACTED TO THEIR SUBCONSCIOUS... 800 00:38:10,602 --> 00:38:12,024 SUBCONSCIOUSLY. 801 00:38:12,124 --> 00:38:14,146 SO "FATE" IS JUST TWO NEUROSES 802 00:38:14,246 --> 00:38:16,148 KNOWING THEY'RE A PERFECT MATCH. 803 00:38:16,248 --> 00:38:17,830 (PIANO PLAYS DISCORDANTLY) 804 00:38:17,930 --> 00:38:19,271 I DON'T EVEN KNOW HIM. 805 00:38:19,371 --> 00:38:22,314 I AM HAVING ALL OF THESE FANTASIES ABOUT SOME MAN 806 00:38:22,414 --> 00:38:26,439 I HAVE NEVER EVEN MET, WHO LIVES IN SEATTLE. 807 00:38:26,539 --> 00:38:28,481 IT RAINS NINE MONTHS STRAIGHT THERE. 808 00:38:28,581 --> 00:38:30,403 I KNOW, I KNOW. 809 00:38:30,503 --> 00:38:32,705 I DO NOT WANT TO MOVE TO SEATTLE. 810 00:38:36,509 --> 00:38:38,251 BUT WHAT I REALLY DON'T WANT TO DO 811 00:38:38,351 --> 00:38:41,054 IS END UP ALWAYS WONDERING WHAT MIGHT HAVE HAPPENED 812 00:38:41,154 --> 00:38:43,256 AND KNOWING I COULD HAVE DONE SOMETHING. 813 00:38:43,356 --> 00:38:45,418 WHAT DO YOU THINK? 814 00:38:45,518 --> 00:38:47,300 IT'S JUST COLD FEET ISN'T IT? 815 00:38:47,400 --> 00:38:49,903 EVERYBODY PANICS BEFORE THEY GET MARRIED. 816 00:38:50,003 --> 00:38:51,264 DIDN'T YOU? 817 00:38:51,364 --> 00:38:53,106 YES, I DID. 818 00:38:53,206 --> 00:38:54,428 THANK YOU VERY MUCH. 819 00:38:54,528 --> 00:38:57,271 I FEEL SO MUCH BETTER HAVING BLOWN THIS OFF. 820 00:38:57,371 --> 00:38:58,752 ANYTIME. 821 00:38:58,852 --> 00:39:00,794 SANDY HAS A GIRLFRIEND, GLENDA. 822 00:39:00,894 --> 00:39:02,396 SHE'S A WEIGHT LIFTER. 823 00:39:02,496 --> 00:39:05,319 IT'S NOT LIKE HER NECK IS BIGGER THAN HER HEAD... 824 00:39:05,419 --> 00:39:08,202 I'M NOT ASKING YOU TO SET ME UP. 825 00:39:08,302 --> 00:39:11,405 I JUST WANT TO KNOW WHAT IT'S LIKE OUT THERE. 826 00:39:11,505 --> 00:39:12,687 THAT'S WHAT I'M TRYING TO TELL YOU... 827 00:39:12,787 --> 00:39:14,128 WHAT WOMEN ARE LOOKING FOR. 828 00:39:14,228 --> 00:39:16,651 PECS AND A CUTE BUTT. 829 00:39:16,751 --> 00:39:19,294 YOU MEAN, LIKE, "HE HAS THE CUTEST BUTT." 830 00:39:19,394 --> 00:39:22,417 WHERE DID I HEAR THAT RECENTLY? 831 00:39:22,517 --> 00:39:23,818 YOU CAN'T EVEN TURN ON THE NEWS 832 00:39:23,918 --> 00:39:25,981 WITHOUT HEARING ABOUT HOW SOME BABE 833 00:39:26,081 --> 00:39:28,023 THOUGHT SOME GUY'S BUTT WAS CUTE. 834 00:39:28,123 --> 00:39:29,905 WHO THE FIRST WOMAN TO SAY THIS WAS, I DON'T KNOW 835 00:39:30,005 --> 00:39:31,667 BUT SOMEHOW IT CAUGHT ON. 836 00:39:31,767 --> 00:39:33,769 SO HOW'S MY BUTT? 837 00:39:36,491 --> 00:39:37,553 NOT BAD. 838 00:39:37,653 --> 00:39:38,674 -REALLY? -YEAH. 839 00:39:38,774 --> 00:39:40,316 IS IT CUTE THOUGH? 840 00:39:40,416 --> 00:39:42,418 ARE WE GRADING ON A CURVE? 841 00:39:43,819 --> 00:39:47,123 WHEN'S THE LAST TIME YOU WERE OUT THERE? 842 00:39:47,223 --> 00:39:53,289 UH... UH... UH, JIMMY CARTER. 843 00:39:53,389 --> 00:39:55,692 THINGS ARE A LITTLE DIFFERENT NOW. 844 00:39:55,792 --> 00:39:57,453 FIRST, YOU HAVE TO BE FRIENDS. 845 00:39:57,553 --> 00:39:59,415 YOU HAVE TO LIKE EACH OTHER. 846 00:39:59,515 --> 00:40:00,737 THEN YOU NECK. 847 00:40:00,837 --> 00:40:03,099 THIS COULD GO ON FOR YEARS. 848 00:40:03,199 --> 00:40:06,182 THEN YOU HAVE TESTS. THEN YOU GET TO DO IT WITH A CONDOM. 849 00:40:06,282 --> 00:40:08,745 THE GOOD NEWS IS YOU SPLIT THE CHECK. 850 00:40:08,845 --> 00:40:12,469 I DON'T THINK I COULD LET A WOMAN PAY FOR DINNER. 851 00:40:12,569 --> 00:40:14,191 THEY'LL THROW A PARADE IN YOUR HONOR. 852 00:40:14,291 --> 00:40:17,174 YOU'LL BE MAN OF THE YEAR IN SEATTLE MAGAZINE. 853 00:40:18,655 --> 00:40:20,477 TIRAMISU. 854 00:40:20,577 --> 00:40:21,879 WHAT IS TIRAMISU? 855 00:40:21,979 --> 00:40:23,521 YOU'LL FIND OUT. 856 00:40:23,621 --> 00:40:25,443 -WELL, WHAT IS IT? -YOU'LL SEE. 857 00:40:25,543 --> 00:40:27,164 SOME WOMAN IS GOING TO WANT ME TO DO IT 858 00:40:27,264 --> 00:40:28,526 AND I WON'T KNOW WHAT IT IS. 859 00:40:28,626 --> 00:40:30,528 YOU'LL LOVE IT. 860 00:40:30,628 --> 00:40:33,291 THIS IS GOING TO BE MUCH TOUGHER 861 00:40:33,391 --> 00:40:35,974 THAN I THOUGHT IT WAS GOING TO BE. 862 00:40:36,074 --> 00:40:39,217 WHAT ABOUT THAT DECORATOR ON THE BENNETT JOB? 863 00:40:39,317 --> 00:40:41,319 -VICTORIA. -YEAH, SHE'S PERKY. 864 00:40:42,640 --> 00:40:43,742 AW, NO... 865 00:40:43,842 --> 00:40:45,824 WHAT? WHAT? 866 00:40:45,924 --> 00:40:48,787 I'M FAR AWAY FROM THAT. 867 00:40:48,887 --> 00:40:50,789 HOW WOULD I DO THAT? 868 00:40:50,889 --> 00:40:52,110 YOU CALL HER UP AND SAY 869 00:40:52,210 --> 00:40:53,632 "LET'S LOOK AT SWATCHES." 870 00:40:53,732 --> 00:40:56,635 CALL HER AND SAY, "COME, LET'S LOOK AT SWATCHES." 871 00:40:56,735 --> 00:40:57,836 YEAH, COLOR SCHEMES. 872 00:40:57,936 --> 00:41:00,879 SHE'S NOT GOING TO SEE THROUGH THAT? 873 00:41:00,979 --> 00:41:02,922 DO IT IN YOUR OWN SUAVE WAY. 874 00:41:03,022 --> 00:41:05,124 THINK CARY GRANT. 875 00:41:05,224 --> 00:41:06,806 CARY GRANT WOULD CALL UP 876 00:41:06,906 --> 00:41:10,650 AND SAY, "COME OVER AND LOOK AT MY SWATCHES"? 877 00:41:10,750 --> 00:41:12,972 I KNOW HE DIDN'T DO IT IN THE MOVIE. 878 00:41:13,072 --> 00:41:14,534 GUNGA DIN? 879 00:41:14,634 --> 00:41:17,897 GUNGA DIN IS NOT A SWATCH KIND OF MOVIE. 880 00:41:17,997 --> 00:41:19,499 WHO KNOWS WHAT HE DID IN REAL LIFE? 881 00:41:19,599 --> 00:41:21,461 HE DID THAT WITH DYAN CANNON? 882 00:41:21,561 --> 00:41:24,804 (IMITATING GRANT) HELLO, DYAN... LOOK AT THESE SWATCHES. 883 00:41:43,664 --> 00:41:45,826 JONAH, I'M HOME. 884 00:41:49,070 --> 00:41:51,272 HEY, JONAH. 885 00:41:57,759 --> 00:41:59,761 JONAH? 886 00:42:01,843 --> 00:42:04,045 HEY, JONAH? 887 00:42:05,487 --> 00:42:07,489 HEY, JONAH? 888 00:42:09,571 --> 00:42:11,653 HI, DAD. THIS IS JESSICA. 889 00:42:13,695 --> 00:42:15,757 IT'S NICE TO MEET YOU. 890 00:42:15,857 --> 00:42:17,279 DAD, THIS IS AMAZING. 891 00:42:17,379 --> 00:42:19,161 IF YOU PLAY THIS BACKWARDS 892 00:42:19,261 --> 00:42:21,203 IT SAYS, "PAUL IS DEAD." 893 00:42:21,303 --> 00:42:24,487 UH, YEAH, YEAH, I KNOW. 894 00:42:24,587 --> 00:42:26,589 HOW DO YOU KNOW? 895 00:42:27,910 --> 00:42:30,573 DAD, COULD YOU SHUT THE DOOR? 896 00:42:30,673 --> 00:42:33,296 SURE, SURE. 897 00:42:33,396 --> 00:42:35,398 "H" AND "G." 898 00:42:36,119 --> 00:42:38,681 HI AND GOOD-BYE. 899 00:43:06,790 --> 00:43:10,074 (WESTERN SONG INTRO) 900 00:43:23,648 --> 00:43:28,113 ♪ I'M BACK IN THE SADDLE AGAIN 901 00:43:28,213 --> 00:43:31,877 ♪ OUT WHERE A FRIEND IS A FRIEND 902 00:43:31,977 --> 00:43:36,682 ♪ WHERE THE LONGHORN CATTLE FEED ON THE LOWLY JIMSON WEED 903 00:43:36,782 --> 00:43:40,806 ♪ BACK IN THE SADDLE AGAIN 904 00:43:40,906 --> 00:43:44,390 ♪ RIDING THE RANGE ONCE MORE 905 00:43:45,150 --> 00:43:48,694 ♪ TOTIN' MY OLD .44 906 00:43:48,794 --> 00:43:51,617 ♪ WHERE YOU SLEEP OUT EVERY NIGHT ♪ 907 00:43:51,717 --> 00:43:53,719 HELLO, VICTORIA? (CLEARS THROAT) 908 00:43:54,840 --> 00:43:56,182 THIS IS SAM BALDWIN. 909 00:43:56,282 --> 00:43:59,866 I DON'T KNOW IF YOU REMEMBER ME, BUT... 910 00:43:59,966 --> 00:44:01,588 OH. OH, GREAT. 911 00:44:01,688 --> 00:44:05,872 HI. UH... I, UH... I WAS WONDERING IF, UH... 912 00:44:05,972 --> 00:44:07,914 IF... IF, UH... 913 00:44:08,014 --> 00:44:11,238 IF YOU WOULD LIKE TO HAVE A DRINK WITH ME. 914 00:44:11,338 --> 00:44:13,340 DINNER? 915 00:44:14,261 --> 00:44:17,284 DINNER WOULD BE EVEN BETTER. 916 00:44:17,384 --> 00:44:20,728 FRIDAY WOULD BE GREAT, YEAH. 917 00:44:20,828 --> 00:44:23,190 I HEAR THAT'S A GOOD PLACE. 918 00:44:26,233 --> 00:44:29,056 7:30 WOULD BE... WOULD BE FINE 919 00:44:29,156 --> 00:44:32,660 AND I'LL, UH... I'LL, UH... 920 00:44:32,760 --> 00:44:34,862 OKAY I'LL MEET YOU THERE. 921 00:44:34,962 --> 00:44:36,104 OKAY, ALL RIGHT. 922 00:44:36,204 --> 00:44:38,226 UM, SO THIS... 923 00:44:38,326 --> 00:44:41,229 UH... IT'S FRIDAY AT 7:30. 924 00:44:41,329 --> 00:44:43,331 FOR DINNER. GREAT. 925 00:44:45,293 --> 00:44:46,915 ME TOO. BYE. 926 00:44:47,015 --> 00:44:50,699 ♪ BACK IN THE SADDLE AGAIN ♪ 927 00:44:52,260 --> 00:44:54,162 (TYPEWRITER KEYS CLICKING) 928 00:44:54,262 --> 00:44:56,264 Are you in love with him? 929 00:44:59,067 --> 00:45:01,450 I'm not now. 930 00:45:01,550 --> 00:45:03,292 NOW THOSE WERE THE DAYS 931 00:45:03,392 --> 00:45:05,414 WHEN PEOPLE KNEW HOW TO BE IN LOVE. 932 00:45:05,514 --> 00:45:06,575 YOU'RE A BASKET CASE. 933 00:45:06,675 --> 00:45:07,656 THEY KNEW IT. 934 00:45:07,756 --> 00:45:09,138 TIME, DISTANCE... 935 00:45:09,238 --> 00:45:10,499 NOTHING COULD SEPARATE THEM 936 00:45:10,599 --> 00:45:14,183 BECAUSE THEY KNEW IT WAS RIGHT, IT WAS REAL, IT WAS... 937 00:45:14,283 --> 00:45:15,985 A MOVIE. 938 00:45:16,085 --> 00:45:18,027 THAT'S YOUR PROBLEM. YOU DON'T WANT TO BE IN LOVE. 939 00:45:18,127 --> 00:45:20,149 YOU WANT TO BE IN LOVE IN A MOVIE. 940 00:45:20,249 --> 00:45:22,252 READ IT TO ME. 941 00:45:23,893 --> 00:45:25,675 "DEAR SLEEPLESS AND SON 942 00:45:25,775 --> 00:45:27,717 "I HAVE NEVER WRITTEN A LETTER LIKE THIS IN MY LIFE..." 943 00:45:27,817 --> 00:45:29,239 THAT'S WHAT EVERYONE WRITES 944 00:45:29,339 --> 00:45:31,601 AT THE BEGINNING OF LETTERS TO STRANGERS. 945 00:45:31,701 --> 00:45:33,824 YOU THINK I DON'T KNOW THAT? 946 00:45:34,905 --> 00:45:36,907 WHAT ABOUT WALTER? 947 00:45:37,507 --> 00:45:38,729 WALTER. 948 00:45:38,829 --> 00:45:41,852 OH, I WOULD GIVE ANYTHING TO MARRY WALTER. 949 00:45:41,952 --> 00:45:43,894 HE'S SO... UNEXPECTED. 950 00:45:43,994 --> 00:45:45,736 YOU THINK YOU CAN TELL WHAT HE'S LIKE 951 00:45:45,836 --> 00:45:48,859 BY JUST LOOKING AT HIM, BUT YOU CAN'T. 952 00:45:48,959 --> 00:45:50,181 I SHOULD WRITE SOMETHING IN THIS 953 00:45:50,281 --> 00:45:51,782 ABOUT MAGIC. 954 00:45:51,882 --> 00:45:52,703 WHAT? 955 00:45:52,803 --> 00:45:54,305 WHAT IF I NEVER MEET HIM? 956 00:45:54,405 --> 00:45:56,988 WHAT IF THIS MAN IS MY DESTINY AND I NEVER MEET HIM? 957 00:45:57,088 --> 00:45:58,750 YOUR DESTINY CAN BE YOUR DOOM. 958 00:45:58,850 --> 00:46:00,271 LOOK AT ME AND RICK. 959 00:46:00,371 --> 00:46:02,033 I WANT TO MEET YOU... 960 00:46:02,133 --> 00:46:03,715 MAN ON TV: HOW ABOUT THE TOP OF THE EMPIRE STATE BUILDING. 961 00:46:03,815 --> 00:46:05,817 ON THE TOP OF THE EMPIRE STATE BUILDING. 962 00:46:07,218 --> 00:46:09,220 SUNSET, VALENTINE'S DAY. 963 00:46:10,982 --> 00:46:15,327 I'LL BE IN NEW YORK WITH WALTER. I CAN SQUEEZE IT IN. 964 00:46:15,427 --> 00:46:18,390 I'LL BE IN NEW YORK WITH WALTER. 965 00:46:25,597 --> 00:46:27,419 DO YOU WANT TO HEAR ABOUT DESTINY? 966 00:46:27,519 --> 00:46:28,781 IF I HADN'T MARRIED MARTIN 967 00:46:28,881 --> 00:46:31,263 I NEVER WOULD HAVE BOUGHT THE HOUSE WITH THE DEAD TREE. 968 00:46:31,363 --> 00:46:33,386 ON ACCOUNT OF WHICH, I GOT DIVORCED. 969 00:46:33,486 --> 00:46:34,907 ON ACCOUNT OF WHICH 970 00:46:35,007 --> 00:46:37,570 I HIT A CAR AND MET RICK WHILE BUYING A NECK BRACE. 971 00:46:38,971 --> 00:46:42,755 YOU NEVER TOLD ME YOU GOT A DIVORCE BECAUSE OF A DEAD TREE. 972 00:46:42,855 --> 00:46:44,717 THE TREE MAN. 973 00:46:44,817 --> 00:46:46,319 YOU FELL IN LOVE WITH THE TREE MAN? 974 00:46:46,419 --> 00:46:47,841 I DID NOT SAY "LOVE." 975 00:46:47,941 --> 00:46:49,763 DID I SAY "LOVE"? 976 00:46:49,863 --> 00:46:53,727 THIS IS MY FAVORITE PART. 977 00:46:53,827 --> 00:46:56,490 IT'S NOW OR NEVER. 978 00:46:56,590 --> 00:47:00,013 "NEVER" IS A FRIGHTENING WORD. 979 00:47:00,113 --> 00:47:04,238 -WE'D BE FOOLS TO LET HAPPINESS PASS US BY. -MMM-HMM. 980 00:47:06,040 --> 00:47:07,541 KERR: WINTER MUST BE COLD 981 00:47:07,641 --> 00:47:10,444 FOR THOSE WITH NO WARM MEMORIES. 982 00:47:12,446 --> 00:47:16,410 WE'VE ALREADY MISSED THE SPRING. 983 00:47:17,572 --> 00:47:19,554 MEN NEVER GET THIS MOVIE. 984 00:47:19,654 --> 00:47:21,736 I KNOW. 985 00:47:24,018 --> 00:47:26,861 JONAH: MOMMY! MOMMY! 986 00:47:28,823 --> 00:47:30,765 -MOMMY! -IT'S OKAY. IT'S OKAY. 987 00:47:30,865 --> 00:47:32,727 -I'M HERE. -DAD! 988 00:47:32,827 --> 00:47:33,809 I'M COMING. 989 00:47:33,909 --> 00:47:34,930 IT'S ALL RIGHT. 990 00:47:35,030 --> 00:47:37,653 IT'S OKAY. IT'S OKAY. 991 00:47:37,753 --> 00:47:39,755 IT'S ALL RIGHT. 992 00:47:40,235 --> 00:47:41,697 WHAT WAS THAT ABOUT, HMM? 993 00:47:41,797 --> 00:47:42,858 IT WAS SINKING. 994 00:47:42,958 --> 00:47:44,660 WHAT WAS? 995 00:47:44,760 --> 00:47:46,542 OUR HOUSE. THERE WAS WATER COMING IN ALL THE WINDOWS. 996 00:47:46,642 --> 00:47:48,644 OH. 997 00:47:49,965 --> 00:47:52,148 IT'S OKAY NOW. 998 00:47:52,248 --> 00:47:54,550 IT'S ALL RIGHT. 999 00:47:54,650 --> 00:47:56,032 SO WHAT SHOULD WE DO? 1000 00:47:56,132 --> 00:48:01,998 YOUR MOTHER USED TO SING TO YOU WHEN YOU HAD BAD DREAMS. 1001 00:48:02,098 --> 00:48:04,781 "BYE-BYE, BLACKBIRD." 1002 00:48:05,742 --> 00:48:07,043 YEAH. 1003 00:48:07,143 --> 00:48:09,446 I MISS HER. 1004 00:48:09,546 --> 00:48:13,069 WHAT DO YOU THINK HAPPENS TO SOMEONE AFTER THEY DIE? 1005 00:48:13,910 --> 00:48:14,971 I DON'T KNOW. 1006 00:48:15,071 --> 00:48:17,834 LIKE, DO YOU BELIEVE IN HEAVEN? 1007 00:48:21,038 --> 00:48:23,781 I NEVER DID. 1008 00:48:23,881 --> 00:48:27,244 OR THE WHOLE IDEA OF AN AFTERLIFE BUT NOW I DON'T KNOW 1009 00:48:28,646 --> 00:48:32,069 'CAUSE I HAVE THESE DREAMS ABOUT HER... 1010 00:48:32,169 --> 00:48:34,692 ABOUT YOUR MOM... 1011 00:48:36,133 --> 00:48:39,377 AND WE HAVE LONG TALKS... 1012 00:48:40,138 --> 00:48:41,399 ABOUT YOU. 1013 00:48:41,499 --> 00:48:43,922 HOW YOU'RE DOING. 1014 00:48:44,022 --> 00:48:48,086 SHE SORT OF KNOWS, BUT I TELL HER ANYWAY. 1015 00:48:48,186 --> 00:48:50,388 SO WHAT IS THAT? 1016 00:48:52,150 --> 00:48:55,093 IT'S SORT OF AN AFTERLIFE, ISN'T IT? 1017 00:48:55,193 --> 00:48:57,996 I'M STARTING TO FORGET HER. 1018 00:49:00,959 --> 00:49:03,442 OH, NO. 1019 00:49:13,332 --> 00:49:20,179 SHE COULD PEEL AN APPLE IN ONE LONG, CURLY STRIP. 1020 00:49:24,824 --> 00:49:27,006 THE WHOLE APPLE. 1021 00:49:27,106 --> 00:49:30,770 ♪ PACK UP ALL MY CARES AND WOE 1022 00:49:30,870 --> 00:49:32,872 ♪ FEELING LOW 1023 00:49:33,193 --> 00:49:35,375 ♪ HERE I GO 1024 00:49:35,475 --> 00:49:39,540 ♪ I SAY BYE-BYE, BLACKBIRD ♪ 1025 00:49:39,640 --> 00:49:41,982 I LOVE YOU, JONAH. 1026 00:49:42,082 --> 00:49:44,084 I LOVE YOU, DAD. 1027 00:49:48,249 --> 00:49:50,471 ♪ WHERE SOMEBODY WAITS FOR ME ♪ 1028 00:49:50,571 --> 00:49:52,853 SEE YOU TOMORROW. 1029 00:49:54,055 --> 00:49:59,040 ♪ SUGAR'S SWEET, AND SO IS SHE 1030 00:49:59,140 --> 00:50:04,906 ♪ SAY BYE-BYE, BLACKBIRD 1031 00:50:11,793 --> 00:50:18,720 ♪ NO ONE SEEMS TO LOVE OR UNDERSTAND ME 1032 00:50:23,846 --> 00:50:27,449 ♪ OH, AND HARD LUCK STORIES 1033 00:50:28,410 --> 00:50:31,934 ♪ THEY KEEP HANDING ME, YEAH 1034 00:50:35,378 --> 00:50:38,741 ♪ WHERE SOMEBODY SHINES A LIGHT 1035 00:50:40,943 --> 00:50:44,067 ♪ I'M COMING ON HOME TONIGHT NOW 1036 00:50:45,548 --> 00:50:49,092 ♪ OH, LORD, YEAH, DARLIN' 1037 00:50:49,192 --> 00:50:53,457 ♪ I WANT TO SAY BYE-BYE, BLACKBIRD 1038 00:50:53,557 --> 00:50:56,740 ♪ LORD HAVE MERCY 1039 00:50:56,840 --> 00:51:00,003 ♪ SOMEBODY LOVE ME NOW ♪ 1040 00:51:06,210 --> 00:51:07,711 LAURIE? 1041 00:51:07,811 --> 00:51:09,473 HI, IT'S ANNIE. 1042 00:51:09,573 --> 00:51:11,515 FINE, FINE, I'M FINE. 1043 00:51:11,615 --> 00:51:15,399 LISTEN, I'M DOING AN ARTICLE ON CALL-IN RADIO SHOWS. 1044 00:51:15,499 --> 00:51:17,121 DO YOU KNOW ANYONE WHO WORKS FOR SOMEONE 1045 00:51:17,221 --> 00:51:19,203 NAMED DR. MARCIA FIELDSTONE? 1046 00:51:19,303 --> 00:51:22,487 I'M A WRITER FOR THE BALTIMORE SUN AND A FRIEND OF LAURIE JOHNSON. 1047 00:51:22,587 --> 00:51:25,089 I'M DOING A PIECE ON HOW PEOPLE HANDLE BEREAVEMENT. 1048 00:51:25,189 --> 00:51:27,852 YOU HAD A CALLER THE OTHER NIGHT... 1049 00:51:27,952 --> 00:51:29,954 SOME GUY FROM SEATTLE. 1050 00:51:37,562 --> 00:51:39,024 THIS IS JONAH BALDWIN. 1051 00:51:39,124 --> 00:51:41,587 WE'RE NOT IN RIGHT NOW, BUT YOU CAN LEAVE... 1052 00:51:41,687 --> 00:51:43,689 BALDWIN. 1053 00:52:45,433 --> 00:52:47,435 ARCHITECT. 1054 00:53:20,029 --> 00:53:21,130 PSST. 1055 00:53:21,230 --> 00:53:23,212 OKAY, CLARISE, I'M GOING TO BE BACK 1056 00:53:23,312 --> 00:53:24,574 EITHER BY MIDNIGHT 1057 00:53:24,674 --> 00:53:27,177 OR 8:30 IF DISASTER STRIKES. 1058 00:53:27,277 --> 00:53:29,219 HERE'S ONE FOR THE BOTH OF US. 1059 00:53:29,319 --> 00:53:31,061 "SLEEPLESS AND SON." 1060 00:53:31,161 --> 00:53:32,262 BALTIMORE. 1061 00:53:32,362 --> 00:53:35,425 I LEFT THE NUMBER OF THE RESTAURANT I'LL BE AT. 1062 00:53:35,525 --> 00:53:38,188 HERE'S A BOTTLE OF IPECAC IF ANYBODY DRINKS POISON. 1063 00:53:38,288 --> 00:53:40,290 IT'S RIGHT HERE NEXT TO THE JUICE GLASSES. 1064 00:53:40,931 --> 00:53:42,072 HOW DO I LOOK? 1065 00:53:42,172 --> 00:53:44,174 GREAT. 1066 00:53:45,776 --> 00:53:47,237 I LOOK STUPID. 1067 00:53:47,337 --> 00:53:49,280 I LOOK LIKE I'M TRYING TOO HARD. 1068 00:53:49,380 --> 00:53:52,083 I WAS GOING TO GET A HAIRCUT BUT THEN I'D JUST LOOK LIKE I GOT A HAIRCUT. 1069 00:53:52,183 --> 00:53:53,684 THIS IS A GOOD LETTER. 1070 00:53:53,784 --> 00:53:55,286 THESE SHOES ARE GROTESQUE. 1071 00:53:55,386 --> 00:53:57,168 I LOOK LIKE I'M TRYING TO BE TALL. 1072 00:53:57,268 --> 00:54:00,091 HER NAME IS ANNIE. ANNIE REED. 1073 00:54:00,191 --> 00:54:02,193 DAD, READ THIS! READ THIS. 1074 00:54:05,036 --> 00:54:07,038 "DEAR SLEEPLESS AND SON... 1075 00:54:08,920 --> 00:54:10,342 "...AN EXCELLENT THIRD BASEMAN 1076 00:54:10,442 --> 00:54:11,823 "FOR AS LONG AS ANYONE CAN REMEMBER 1077 00:54:11,923 --> 00:54:13,945 "AND WHILE WE'RE ON THE SUBJECT 1078 00:54:14,045 --> 00:54:16,508 "BROOKS ROBINSON WAS THE BEST THIRD BASEMAN EVER. 1079 00:54:16,608 --> 00:54:18,070 "IT'S IMPORTANT THAT YOU AGREE ON THAT 1080 00:54:18,170 --> 00:54:19,231 "BECAUSE I'M FROM BALTIMORE." 1081 00:54:19,331 --> 00:54:21,473 SHE THINKS HE'S THE GREATEST. 1082 00:54:21,573 --> 00:54:23,235 EVERYONE THINKS HE IS. 1083 00:54:23,335 --> 00:54:24,877 IT'S A SIGN. 1084 00:54:24,977 --> 00:54:27,119 COME HERE. 1085 00:54:27,219 --> 00:54:28,561 I'LL SHOW YOU A SIGN. 1086 00:54:28,661 --> 00:54:29,922 HERE IS A SIGN. 1087 00:54:30,022 --> 00:54:33,526 ALL RIGHT, WHERE IS SEATTLE? 1088 00:54:33,626 --> 00:54:36,369 RIGHT. WHERE IS BALTIMORE? 1089 00:54:36,469 --> 00:54:38,130 IT'S RIGHT THERE. 1090 00:54:38,230 --> 00:54:39,972 LOOK, ONE, TWO, THREE... 1091 00:54:40,072 --> 00:54:42,415 THERE'S LIKE 26 STATES BETWEEN HERE AND THERE. 1092 00:54:42,515 --> 00:54:43,296 NOW THAT'S A SIGN. 1093 00:54:43,396 --> 00:54:44,737 I'M OUT OF HERE. 1094 00:54:44,837 --> 00:54:47,720 GOOD-BYE, GOOD NIGHT. I LOVE YOU. 1095 00:54:51,684 --> 00:54:53,707 CLARISE, DID YOU MOVE YOUR CAR? 1096 00:54:53,807 --> 00:54:55,809 HUH? 1097 00:55:03,777 --> 00:55:05,779 THANK YOU, DERRICK. 1098 00:55:06,140 --> 00:55:07,161 I'LL HAVE A... 1099 00:55:07,261 --> 00:55:08,322 WHITE WINE SPRITZER. 1100 00:55:08,422 --> 00:55:09,443 AND YOU, SIR? 1101 00:55:09,543 --> 00:55:11,205 I'M FINE, THANK YOU. 1102 00:55:11,305 --> 00:55:12,526 -HI. -HI. 1103 00:55:12,626 --> 00:55:14,008 YOU LOOK GOOD. 1104 00:55:14,108 --> 00:55:17,071 YOU LOOK GOOD YOURSELF. 1105 00:55:20,915 --> 00:55:23,338 I THOUGHT YOU WERE NEVER GOING TO CALL ME. 1106 00:55:23,438 --> 00:55:24,859 -YOU DID? -I REALLY WANTED YOU TO 1107 00:55:24,959 --> 00:55:27,382 AND I THOUGHT YOU WERE NEVER GOING TO. 1108 00:55:27,482 --> 00:55:28,903 EXCUSE ME, MR. BALDWIN? 1109 00:55:29,003 --> 00:55:31,726 -YES? -THERE'S A PHONE CALL FOR YOU. 1110 00:55:32,887 --> 00:55:34,889 EXCUSE ME. 1111 00:55:38,573 --> 00:55:39,514 THANK YOU. 1112 00:55:39,614 --> 00:55:40,956 HELLO? 1113 00:55:41,056 --> 00:55:43,819 JONAH: DAD, CAN WE GO TO NEW YORK FOR VALENTINE'S DAY? 1114 00:55:44,540 --> 00:55:45,521 WHAT? 1115 00:55:45,621 --> 00:55:47,643 ANNIE REED FROM BALTIMORE WANTS TO MEET US 1116 00:55:47,743 --> 00:55:49,325 AT THE TOP OF THE EMPIRE STATE BUILDING 1117 00:55:49,425 --> 00:55:51,427 ON VALENTINE'S DAY. 1118 00:55:51,987 --> 00:55:53,048 JONAH? 1119 00:55:53,148 --> 00:55:54,410 WHAT? 1120 00:55:54,510 --> 00:55:55,411 HAVE YOU FALLEN? 1121 00:55:55,511 --> 00:55:56,732 ARE YOU BLEEDING? 1122 00:55:56,832 --> 00:55:58,014 IS CLARISE THERE? 1123 00:55:58,114 --> 00:55:59,896 -HAS SHE BEEN STRANGLED? -NO. 1124 00:55:59,996 --> 00:56:01,818 THIS IS THE ONLY REASON FOR THIS CALL. 1125 00:56:01,918 --> 00:56:04,781 IF WE BOOK NOW WE CAN GET AN EXCURSION FARE. 1126 00:56:04,881 --> 00:56:07,423 JESSICA'S PARENTS ARE TRAVELS AGENTS AND JESSICA SAYS... 1127 00:56:07,523 --> 00:56:11,908 I'M NOT GOING TO HAVE THIS CONVERSATION RIGHT NOW. WE'LL TALK LATER. 1128 00:56:12,008 --> 00:56:13,790 I CAN'T BELIEVE THIS CONVERSATION HAS LASTED THIS LONG. 1129 00:56:13,890 --> 00:56:15,892 YOU GO TO BED. 1130 00:56:23,140 --> 00:56:24,521 EVERYTHING ALL RIGHT? 1131 00:56:24,621 --> 00:56:25,522 OH, YEAH. 1132 00:56:25,622 --> 00:56:27,324 -DO YOU HAVE KIDS? -NO. 1133 00:56:27,424 --> 00:56:29,426 YOU WANT MINE? 1134 00:56:31,508 --> 00:56:33,891 I WILL HAVE AN ABSOLUT STRAIGHT UP, PLEASE. 1135 00:56:33,991 --> 00:56:35,172 CERTAINLY. 1136 00:56:35,272 --> 00:56:36,854 (LAUGHING) 1137 00:56:36,954 --> 00:56:40,478 (MECHANICAL WHIRRING) 1138 00:56:42,840 --> 00:56:44,382 (SHUTTER CLICKS) 1139 00:56:44,482 --> 00:56:45,663 (CLICK) 1140 00:56:45,763 --> 00:56:47,425 (CLICK) 1141 00:56:47,525 --> 00:56:49,547 (CLICK) 1142 00:56:49,647 --> 00:56:50,508 (CLICK) 1143 00:56:50,608 --> 00:56:52,510 (WHIRRING) 1144 00:56:52,610 --> 00:56:54,733 HEY, HEY, HEY, PUT THAT DOWN. STOP IT. 1145 00:56:55,854 --> 00:56:57,856 THERE SHE IS. 1146 00:56:58,857 --> 00:57:00,359 WHY IS SHE BRINGING GROCERIES? 1147 00:57:00,459 --> 00:57:01,720 SHE'S GOING TO COOK SOMETHING FOR US 1148 00:57:01,820 --> 00:57:02,801 SO BE PREPARED. 1149 00:57:02,901 --> 00:57:05,804 HI, SAM. THANKS 1150 00:57:05,904 --> 00:57:08,347 AND LET ME GUESS. YOU MUST BE JONAH. 1151 00:57:10,749 --> 00:57:12,772 HI. 1152 00:57:12,872 --> 00:57:14,213 -SO, THIS IT? -YEAH. 1153 00:57:14,313 --> 00:57:17,657 -THE CAR'S DOWN THIS WAY. -GREAT. 1154 00:57:17,757 --> 00:57:21,781 SHE'S ON HER SIXTH PAINTER AND WE'RE NEVER GOING TO FINISH THIS JOB. 1155 00:57:21,881 --> 00:57:24,624 SHE WANTS THE FIREPLACE REBRICKED. 1156 00:57:24,724 --> 00:57:26,426 I COULD GIVE HER A CALL. 1157 00:57:26,526 --> 00:57:29,589 NO, I'LL JUST HIT HER WITH ONE OF THOSE BRICKS. 1158 00:57:29,689 --> 00:57:33,393 (LAUGHING) 1159 00:57:33,493 --> 00:57:35,515 OH, THAT IS SO FUNNY. 1160 00:57:35,615 --> 00:57:36,797 YOU ARE SO FUNNY. 1161 00:57:36,897 --> 00:57:39,119 SHE GOES THROUGH THIS SONG AND DANCE, 1162 00:57:39,219 --> 00:57:40,600 "OH, I DON'T KNOW, I'M STUPID. 1163 00:57:40,700 --> 00:57:45,125 "YOU KNOW BETTER, BUT COULDN'T WE FLIP THE HOUSE AROUND 1164 00:57:45,225 --> 00:57:46,567 "SO EVERYTHING ON ONE SIDE IS ON THE OTHER 1165 00:57:46,667 --> 00:57:48,329 "AND THE BACK IS IN FRONT? 1166 00:57:48,429 --> 00:57:50,170 "AND COULD THE FRONT OF THE HOUSE 1167 00:57:50,270 --> 00:57:53,033 "OPEN ON ONE GREAT BIG HINGE." 1168 00:57:54,515 --> 00:57:57,178 I SAID "YEAH, WE CAN DO THAT. 1169 00:57:57,278 --> 00:57:58,619 "WE'RE JUST GOING TO HAVE TO..." 1170 00:57:58,719 --> 00:58:00,101 MOVE THE KITCHEN CABINETS. 1171 00:58:00,201 --> 00:58:03,364 (LAUGHING) 1172 00:58:08,249 --> 00:58:11,793 HEY, JONAH, BRING SOME OF THAT STUFF AROUND, ALL RIGHT? 1173 00:58:11,893 --> 00:58:14,456 DO YOU LIKE BASEBALL? 1174 00:58:15,096 --> 00:58:16,478 UH, YES, I DO. 1175 00:58:16,578 --> 00:58:19,081 IN FACT, MY FIRM HAS BOX SEATS TO THE MARINERS. 1176 00:58:19,181 --> 00:58:20,522 WHY DON'T WE ALL GO SOMETIME? 1177 00:58:20,622 --> 00:58:21,883 HEY! 1178 00:58:21,983 --> 00:58:23,645 WHAT ABOUT CAMPING? 1179 00:58:23,745 --> 00:58:24,927 WHAT ABOUT IT? 1180 00:58:25,027 --> 00:58:26,488 DO YOU LIKE CAMPING? 1181 00:58:26,588 --> 00:58:28,630 I WENT CAMPING ONCE. 1182 00:58:29,752 --> 00:58:30,733 YOU KNOW WHAT, DAD? 1183 00:58:30,833 --> 00:58:32,254 WE OUGHT TO START CAMPING MORE OFTEN. 1184 00:58:32,354 --> 00:58:34,336 YOU'RE RIGHT. CAMPING IS GOOD. 1185 00:58:34,436 --> 00:58:35,658 TIME FOR BED. 1186 00:58:35,758 --> 00:58:36,739 IT'S ONLY 10:00. 1187 00:58:36,839 --> 00:58:38,140 YEAH, 10:00. 1188 00:58:38,240 --> 00:58:40,223 TIME FOR BED. 1189 00:58:40,323 --> 00:58:42,325 GOOD-NIGHT. 1190 00:58:45,168 --> 00:58:46,549 WELL, HEY, HEY, HEY. 1191 00:58:46,649 --> 00:58:47,550 DON'T YOU WANT TO THANK VICTORIA 1192 00:58:47,650 --> 00:58:49,192 FOR THIS DELICIOUS DINNER? 1193 00:58:49,292 --> 00:58:50,513 THANKS FOR DINNER. 1194 00:58:50,613 --> 00:58:53,296 I NEVER SAW ANYBODY COOK POTATOES THAT WAY. 1195 00:58:54,978 --> 00:58:58,021 I'M GLAD YOU LIKED IT. GOOD-NIGHT, JONAH. 1196 00:58:59,703 --> 00:59:01,565 (DOOR SHUTS) 1197 00:59:01,665 --> 00:59:04,488 YEAH, WE DON'T SEE A LOT OF POTATOES AROUND HERE. 1198 00:59:04,588 --> 00:59:05,769 WE'RE RICE MEN. 1199 00:59:05,869 --> 00:59:08,031 (VICTORIA LAUGHING) 1200 00:59:50,155 --> 00:59:53,239 (PHONE RINGING) 1201 00:59:57,083 --> 00:59:58,184 UGH. 1202 00:59:58,284 --> 00:59:59,585 OH... 1203 00:59:59,685 --> 01:00:01,467 OH... 1204 01:00:01,567 --> 01:00:03,149 I'M SORRY, WALTER. 1205 01:00:03,249 --> 01:00:05,411 I'M SORRY. 1206 01:00:08,254 --> 01:00:09,275 HELLO. 1207 01:00:09,375 --> 01:00:10,597 BECKY: TURN ON YOUR RADIO. 1208 01:00:10,697 --> 01:00:12,599 WHAT? 1209 01:00:12,699 --> 01:00:14,321 THE KID IS ON. YOU'VE GOT ME LISTENING TO THIS GARBAGE. 1210 01:00:14,421 --> 01:00:15,442 GO. TURN IT ON. 1211 01:00:15,542 --> 01:00:17,604 WHO IS IT? 1212 01:00:17,704 --> 01:00:19,206 IT'S BECKY. 1213 01:00:19,306 --> 01:00:21,969 SHE'S... SHE'S HAVING TROUBLE WITH RICK AGAIN. 1214 01:00:22,069 --> 01:00:23,570 I'LL GO DOWNSTAIRS. 1215 01:00:23,670 --> 01:00:25,672 BECKY, I'LL CALL YOU BACK. 1216 01:00:27,394 --> 01:00:29,096 I'M SORRY, WALTER. 1217 01:00:29,196 --> 01:00:30,818 ARE YOU BLEEDING? 1218 01:00:30,918 --> 01:00:33,420 (MOANING) 1219 01:00:33,520 --> 01:00:36,564 (GASPING) 1220 01:00:51,419 --> 01:00:53,642 JONAH: HE'S OUTSIDE KISSING HER RIGHT THIS MINUTE. 1221 01:00:53,742 --> 01:00:55,203 FIELDSTONE: OH, REALLY? 1222 01:00:55,303 --> 01:00:56,765 JONAH, TELL THE TRUTH. 1223 01:00:56,865 --> 01:00:58,527 ARE YOU SPYING ON YOUR FATHER? 1224 01:00:58,627 --> 01:01:01,810 WHO'S HE KISSING RIGHT THIS MINUTE? 1225 01:01:01,910 --> 01:01:03,652 JONAH: I HAVE TO MAKE THEM STOP. 1226 01:01:03,752 --> 01:01:07,376 HOW AM I GOING TO EXPLAIN THIS TO WALTER? 1227 01:01:07,476 --> 01:01:08,977 JONAH: SHE BROUGHT TWO BAGS OF GROCERIES 1228 01:01:09,077 --> 01:01:10,859 LIKE SHE WAS STAYING HERE FOR A YEAR. 1229 01:01:10,959 --> 01:01:13,422 FIELDSTONE: IT'S GOOD THAT YOUR FATHER'S DATING. 1230 01:01:13,522 --> 01:01:15,064 IT'S JUST HARD ON YOU. 1231 01:01:15,164 --> 01:01:16,946 IT'S SOMETHING THAT YOU THINK YOU WANT 1232 01:01:17,046 --> 01:01:18,587 BUT THEN WHEN IT ACTUALLY HAPPENS 1233 01:01:18,687 --> 01:01:19,669 IT SCARES YOU. 1234 01:01:19,769 --> 01:01:21,751 JONAH: THAT'S NOT TRUE. 1235 01:01:21,851 --> 01:01:24,073 FIELDSTONE: SHOULDN'T YOUR FATHER BE THE JUDGE 1236 01:01:24,173 --> 01:01:26,796 OF WHETHER SOMEONE IS RIGHT OR WRONG FOR HIM? 1237 01:01:26,896 --> 01:01:29,199 JONAH: HE'S NOT SANE ENOUGH TO JUDGE ANYTHING. 1238 01:01:29,299 --> 01:01:31,321 NOW HE'S KISSING HER ON THE LIPS. 1239 01:01:31,421 --> 01:01:33,363 MY DAD'S BEEN CAPTURED BY A HO. 1240 01:01:33,463 --> 01:01:34,804 WHAT AM I GOING TO DO? 1241 01:01:34,904 --> 01:01:36,806 FIELDSTONE: CALM DOWN, JONAH. 1242 01:01:36,906 --> 01:01:39,770 TOMORROW WHEN YOU'RE SITTING DOWN TO BREAKFAST WITH YOUR DAD 1243 01:01:39,870 --> 01:01:42,092 TELL HIM HOW YOU FEEL. 1244 01:01:42,192 --> 01:01:45,736 IT'S NOT GOOD TO KEEP YOUR FEELINGS INSIDE YOU. 1245 01:01:45,836 --> 01:01:47,578 (SCREAMING) 1246 01:01:47,678 --> 01:01:50,220 (SCREAMING) 1247 01:01:50,320 --> 01:01:52,623 MISS SCARLET, IN THE BROOM CLOSET 1248 01:01:52,723 --> 01:01:54,745 WITH THE RADIO. 1249 01:01:54,845 --> 01:01:56,787 WALTER. 1250 01:01:56,887 --> 01:01:59,490 YOU SCARED ME. DON'T EVER DO THAT AGAIN. 1251 01:02:03,534 --> 01:02:05,356 I THOUGHT I SAW A BLACK WIDOW SPIDER. 1252 01:02:05,456 --> 01:02:07,458 YOU SCARED US TO DEATH. 1253 01:02:08,700 --> 01:02:09,881 IT WAS RIGHT OVER THERE. 1254 01:02:09,981 --> 01:02:13,845 THE NEXT TIME YOU THINK YOU SEE A BLACK WIDOW SPIDER 1255 01:02:13,945 --> 01:02:15,447 SAY, "DAD, EXCUSE ME 1256 01:02:15,547 --> 01:02:17,008 "BUT I BELIEVE A POISONOUS INSECT 1257 01:02:17,108 --> 01:02:19,891 "IS IN THE HOUSE." 1258 01:02:19,991 --> 01:02:21,773 YOU SCREAM LIKE THAT AGAIN, I'LL KILL YOU. 1259 01:02:21,873 --> 01:02:23,575 BECKY HEARD THIS GUY ON THE RADIO 1260 01:02:23,675 --> 01:02:24,977 SHE WAS SURE WAS RICK. 1261 01:02:25,077 --> 01:02:26,578 SHE WAS COMPLETELY HYSTERICAL 1262 01:02:26,678 --> 01:02:30,422 AND THEN IT TURNED OUT THE GUY LIVED IN DULUTH. 1263 01:02:30,522 --> 01:02:32,184 WHERE IS DULUTH? 1264 01:02:32,284 --> 01:02:33,586 THAT DOESN'T MAKE ANY SENSE. 1265 01:02:33,686 --> 01:02:35,107 I KNOW, WALTER. 1266 01:02:35,207 --> 01:02:36,869 IT DOESN'T MAKE ANY SENSE AT ALL. 1267 01:02:36,969 --> 01:02:39,672 THANK GOD MY LIFE IS IN PLACE. 1268 01:02:39,772 --> 01:02:42,535 DULUTH. THAT'S IN, UH, NORTH DAKOTA. 1269 01:02:57,150 --> 01:02:58,652 I LOVE THIS LETTER. 1270 01:02:58,752 --> 01:03:00,814 YOU HAVE TO WRITE TO HER. 1271 01:03:00,914 --> 01:03:02,135 YOU THINK SO? 1272 01:03:02,235 --> 01:03:03,897 IT'S Y-O-H. 1273 01:03:03,997 --> 01:03:05,859 YEAH. WHAT'S THAT? 1274 01:03:05,959 --> 01:03:07,961 YOUR ONLY HOPE. 1275 01:03:19,774 --> 01:03:21,916 I THOUGHT I WOULD LOOK INTO DOING A STORY 1276 01:03:22,016 --> 01:03:24,559 ON THOSE RADIO SHOWS. 1277 01:03:24,659 --> 01:03:27,362 YOU'D PROBABLY HAVE TO GO SOMEWHERE TO REALLY LOOK INTO IT. 1278 01:03:27,462 --> 01:03:29,464 DEFINITELY. 1279 01:03:48,363 --> 01:03:50,386 COULDN'T YOU DO A PHONE INTERVIEW? 1280 01:03:50,486 --> 01:03:52,948 NOT FOR THE KIND OF PIECE I WANT TO DO. 1281 01:03:53,048 --> 01:03:55,030 I WON'T BE IN CHICAGO THAT LONG. 1282 01:03:55,130 --> 01:03:57,313 WHEN YOU GET BACK, I'LL BE GONE. 1283 01:03:57,413 --> 01:03:59,755 AND THEN I'LL SEE YOU IN NEW YORK. 1284 01:03:59,855 --> 01:04:01,857 I'LL GET IT. I'LL... 1285 01:04:06,102 --> 01:04:07,924 THIS IS CAPTAIN BROWNING 1286 01:04:08,024 --> 01:04:11,047 AND WE'RE AT OUR CRUISING ALTITUDE OF APPROXIMATELY 35,000 FEET. 1287 01:04:11,147 --> 01:04:12,849 THE WEATHER LOOKS CLEAR TO THE WEST 1288 01:04:12,949 --> 01:04:14,951 AND WE EXPECT TO ARRIVE IN SEATTLE ON SCHEDULE. 1289 01:04:16,673 --> 01:04:18,495 DON'T YOU HATE FLYING? 1290 01:04:18,595 --> 01:04:19,696 YES, I DO 1291 01:04:19,796 --> 01:04:21,938 AND I JUST TOLD THE MOST TERRIBLE ONE 1292 01:04:22,038 --> 01:04:24,902 TO THE MAN I'M ABOUT TO MARRY. 1293 01:04:25,002 --> 01:04:28,225 DO YOU FEEL THAT ANY LIE IS A BETRAYAL? 1294 01:04:28,325 --> 01:04:30,387 I SAID "FLYING." 1295 01:04:30,487 --> 01:04:32,810 OH... OH. 1296 01:04:33,530 --> 01:04:35,893 (SIGHS) 1297 01:04:38,335 --> 01:04:39,957 THANKS FOR BRINGING ME OUT HERE. 1298 01:04:40,057 --> 01:04:42,600 OH, WELL, HE LIKES THE PLANES. 1299 01:04:42,700 --> 01:04:45,483 CAN I BRING SOMETHING BACK FOR YOU? SOUVENIR? 1300 01:04:45,583 --> 01:04:47,165 DOES HE LIKE THOSE LITTLE SNOW GLOBES? 1301 01:04:47,265 --> 01:04:49,888 YOU SHAKE THEM UP AND THEN THE SNOW FLOATS DOWN. 1302 01:04:49,988 --> 01:04:51,689 SURE. I'D REALLY LIKE THAT. 1303 01:04:51,789 --> 01:04:53,791 THANK YOU SO MUCH. 1304 01:04:57,716 --> 01:04:58,977 HE'S EIGHT. 1305 01:04:59,077 --> 01:05:00,178 HE'S GOOD AT IT. 1306 01:05:00,278 --> 01:05:01,740 I READ AN ARTICLE ABOUT THIS. 1307 01:05:01,840 --> 01:05:04,783 ALL CHILDREN ARE HIDEOUS AT THE AGE OF EIGHT. 1308 01:05:04,883 --> 01:05:07,386 WELL, MAYBE WHEN I COME BACK 1309 01:05:07,486 --> 01:05:10,709 THE TWO OF US OUGHT TO SPEND SOME TIME TOGETHER ON OUR OWN. 1310 01:05:10,809 --> 01:05:12,811 WHAT DO YOU THINK? 1311 01:05:16,655 --> 01:05:17,957 BYE. 1312 01:05:18,057 --> 01:05:19,438 BYE, JONAH. 1313 01:05:19,538 --> 01:05:21,540 BYE. 1314 01:05:25,144 --> 01:05:28,468 JONAH... LISTEN TO ME. 1315 01:05:29,509 --> 01:05:31,090 YOU DON'T KNOW VICTORIA. 1316 01:05:31,190 --> 01:05:32,772 I HARDLY KNOW HER MYSELF. 1317 01:05:32,872 --> 01:05:35,935 SHE IS, IN FACT, A MYSTERY TO ME. 1318 01:05:36,035 --> 01:05:37,497 SHE TOSSES HER HAIR. 1319 01:05:37,597 --> 01:05:39,179 WHY DOES SHE DO THIS? 1320 01:05:39,279 --> 01:05:40,700 I HAVE NO IDEA. 1321 01:05:40,800 --> 01:05:42,662 IS IT A TWITCH? DOES SHE NEED A HAIRCUT? 1322 01:05:42,762 --> 01:05:47,107 SHOULD SHE USE A BARRETTE TO KEEP HER HAIR OUT OF HER FACE? 1323 01:05:47,207 --> 01:05:50,471 THESE ARE THINGS I'M WILLING TO GET TO THE BOTTOM OF 1324 01:05:50,571 --> 01:05:53,854 AND THAT IS WHY I AM DATING HER. 1325 01:05:55,175 --> 01:05:57,158 THAT'S ALL I'M DOING. 1326 01:05:57,258 --> 01:05:58,959 I'M NOT LIVING WITH HER. 1327 01:05:59,059 --> 01:06:00,201 I'M NOT MARRYING HER. 1328 01:06:00,301 --> 01:06:04,085 CAN YOU APPRECIATE THE DIFFERENCE? 1329 01:06:04,185 --> 01:06:05,887 THIS IS WHAT SINGLE PEOPLE DO. 1330 01:06:05,987 --> 01:06:08,169 THEY TRY OTHER PEOPLE ON AND SEE HOW THEY FIT. 1331 01:06:08,269 --> 01:06:11,973 BUT EVERYBODY'S AN ADJUSTMENT. NOBODY'S PERFECT. 1332 01:06:12,073 --> 01:06:15,116 THERE'S NO SUCH THING AS A PERFECT... 1333 01:06:30,933 --> 01:06:32,935 COME ON. 1334 01:06:34,857 --> 01:06:38,200 DAD, I WAS TALKING TO JESSICA ABOUT REINCARNATION. 1335 01:06:38,300 --> 01:06:40,763 SHE SAYS YOU KNEW ANNIE IN ANOTHER LIFE. 1336 01:06:40,863 --> 01:06:42,885 -WHO'S ANNIE? -THE ONE WHO WROTE US. 1337 01:06:42,985 --> 01:06:45,087 BUT JESSICA SAYS YOU AND ANNIE 1338 01:06:45,187 --> 01:06:46,729 NEVER GOT TOGETHER IN THAT LIFE 1339 01:06:46,829 --> 01:06:49,212 SO YOUR HEARTS ARE LIKE PUZZLES WITH MISSING PIECES 1340 01:06:49,312 --> 01:06:51,734 AND WHEN YOU GET TOGETHER, THE PUZZLE'S COMPLETE. 1341 01:06:51,834 --> 01:06:53,096 GODDAMN IT. 1342 01:06:53,196 --> 01:06:55,058 THE REASON I KNOW THIS AND YOU DON'T 1343 01:06:55,158 --> 01:06:56,339 IS BECAUSE I'M YOUNGER AND PURE 1344 01:06:56,439 --> 01:06:59,462 SO I'M MORE IN TOUCH WITH COSMIC FORCES. 1345 01:06:59,562 --> 01:07:01,144 WHO TOLD YOU THIS STUFF? 1346 01:07:01,244 --> 01:07:02,185 JESSICA. 1347 01:07:02,285 --> 01:07:05,208 I SINCERELY HOPE YOU'RE NOT MARRYING JESSICA. 1348 01:07:11,695 --> 01:07:16,480 ♪ I REMEMBER THE DAYS OF JUST KEEPING TIME 1349 01:07:16,580 --> 01:07:18,482 ♪ OF HANGING AROUND 1350 01:07:18,582 --> 01:07:22,967 ♪ IN SLEEPY TOWNS FOREVER 1351 01:07:23,067 --> 01:07:24,328 ♪ BACK ROADS 1352 01:07:24,428 --> 01:07:28,733 ♪ EMPTY FOR MILES 1353 01:07:28,833 --> 01:07:31,256 ♪ WELL, YOU CAN'T HAVE A DREAM 1354 01:07:31,356 --> 01:07:33,418 ♪ AND CUT IT TO FIT 1355 01:07:33,518 --> 01:07:37,062 ♪ BUT WHEN I SAW YOU I KNEW 1356 01:07:37,162 --> 01:07:40,345 ♪ WE'D GO TOGETHER 1357 01:07:40,445 --> 01:07:44,009 ♪ LIKE A WINK AND A SMILE 1358 01:07:46,852 --> 01:07:49,935 ♪ LEAVE YOUR OLD JALOPY 1359 01:07:50,816 --> 01:07:55,120 ♪ BY THE RAILROAD TRACK 1360 01:07:55,220 --> 01:07:59,285 ♪ WE'LL GET A HIP, DOUBLE-DIP, TIP-TOPPY 1361 01:07:59,385 --> 01:08:03,469 ♪ TWO-SEAT PONTIAC 1362 01:08:05,231 --> 01:08:07,934 ♪ SO YOU CAN REV HER UP 1363 01:08:08,034 --> 01:08:09,856 ♪ DON'T GO SLOW 1364 01:08:09,956 --> 01:08:12,879 ♪ IT'S ONLY GREEN LIGHTS AND ALL RIGHTS 1365 01:08:13,640 --> 01:08:15,682 ♪ LET'S GO TOGETHER 1366 01:08:16,883 --> 01:08:20,407 ♪ WITH A WINK AND A SMILE 1367 01:08:34,061 --> 01:08:37,064 ♪ GIVE ME A WINK AND A SMILE 1368 01:08:49,036 --> 01:08:51,019 ♪ WE GO TOGETHER 1369 01:08:51,119 --> 01:08:54,162 ♪ LIKE A WINK AND A SMILE 1370 01:08:57,565 --> 01:09:01,149 ♪ NOW MY HEART HEARS MUSIC 1371 01:09:01,249 --> 01:09:04,372 ♪ SUCH A SIMPLE SONG 1372 01:09:05,654 --> 01:09:07,436 ♪ SING IT AGAIN 1373 01:09:07,536 --> 01:09:09,798 ♪ THE NOTES NEVER END 1374 01:09:09,898 --> 01:09:13,562 ♪ THIS IS WHERE I BELONG 1375 01:09:13,662 --> 01:09:16,205 ♪ JUST THE SOUND OF YOUR VOICE 1376 01:09:16,305 --> 01:09:18,207 ♪ THE LIGHT IN YOUR EYES 1377 01:09:18,307 --> 01:09:22,491 ♪ WE'RE SO FAR AWAY FROM YESTERDAY 1378 01:09:22,591 --> 01:09:25,294 ♪ TOGETHER 1379 01:09:25,394 --> 01:09:28,478 ♪ WITH WINK AND A SMILE 1380 01:09:31,280 --> 01:09:35,225 ♪ WE GO TOGETHER 1381 01:09:35,325 --> 01:09:39,889 ♪ LIKE A WINK AND A SMILE ♪ 1382 01:09:48,979 --> 01:09:51,642 ANNIE: I WATCHED HIM PLAY WITH HIS SON AT THE BEACH. 1383 01:09:51,742 --> 01:09:53,764 BECKY: DID YOU TALK TO HIM? 1384 01:09:53,864 --> 01:09:57,768 I COULDN'T DO IT. (SIGHS) 1385 01:09:57,868 --> 01:09:59,210 HOW DID I GET HERE? 1386 01:09:59,310 --> 01:10:01,652 BECKY: YOU TOLD A LIE AND GOT ON A PLANE. 1387 01:10:01,752 --> 01:10:04,655 THAT'S NOT WHAT I MEAN. 1388 01:10:04,755 --> 01:10:06,898 I'M GOING BACK OVER THERE TOMORROW 1389 01:10:06,998 --> 01:10:08,860 AND TALK TO HIM. I AM. 1390 01:10:08,960 --> 01:10:09,981 OKAY. 1391 01:10:10,081 --> 01:10:11,983 GOOD. GOOD-BYE. 1392 01:10:12,083 --> 01:10:14,365 -BECK... -WHAT? 1393 01:10:16,327 --> 01:10:17,829 IS THIS CRAZY? 1394 01:10:17,929 --> 01:10:22,033 NO. THAT'S THE WEIRDEST PART ABOUT IT. 1395 01:10:22,133 --> 01:10:24,316 THANK YOU. 1396 01:10:24,416 --> 01:10:26,478 -I LOVE YOU. -I LOVE YOU TOO. 1397 01:10:26,578 --> 01:10:28,580 -GOOD NIGHT. -GOOD NIGHT. 1398 01:10:34,466 --> 01:10:36,789 (SIGHS) 1399 01:11:30,805 --> 01:11:33,107 OH, IT'S SO GOOD TO SEE YOU. 1400 01:11:33,207 --> 01:11:35,230 WHERE'S GREG? 1401 01:11:35,330 --> 01:11:37,332 (HORN BLOWING) 1402 01:11:58,033 --> 01:12:00,035 HELLO. 1403 01:12:00,756 --> 01:12:02,758 HELLO. 1404 01:12:05,161 --> 01:12:06,382 (HORN BLARING) 1405 01:12:06,482 --> 01:12:08,704 (TIRES SQUEALING) 1406 01:12:08,804 --> 01:12:10,426 BECKY: SO THEN WHAT HAPPENED? 1407 01:12:10,526 --> 01:12:13,109 ANNIE: SO THEN I LEFT, OBVIOUSLY. 1408 01:12:13,209 --> 01:12:15,031 YOU WERE IN THE MIDDLE OF THE STREET? 1409 01:12:15,131 --> 01:12:19,115 YOU KNOW THAT DREAM WHEN YOU'RE WALKING THE STREET NAKED? 1410 01:12:19,215 --> 01:12:20,717 I LOVE THAT DREAM. 1411 01:12:20,817 --> 01:12:24,521 THAT WAS NOTHING COMPARED TO THIS HUMILIATION, NOTHING. 1412 01:12:24,621 --> 01:12:26,283 BUT HE SAW YOU? 1413 01:12:26,383 --> 01:12:27,484 ANNIE: HE SAW ME. 1414 01:12:27,584 --> 01:12:29,206 YOU WERE FACE-TO-FACE. 1415 01:12:29,306 --> 01:12:30,327 HE SAID HELLO. 1416 01:12:30,427 --> 01:12:31,809 AND WHAT DID YOU SAY? 1417 01:12:31,909 --> 01:12:34,451 ALL I COULD SAY WAS HELLO. 1418 01:12:34,551 --> 01:12:37,054 OH, MY GOD. 1419 01:12:37,154 --> 01:12:40,538 AND ALL I COULD SAY WAS... HELLO. 1420 01:12:40,638 --> 01:12:42,700 IT'S A SIGN. 1421 01:12:42,800 --> 01:12:44,141 IT'S A SIGN 1422 01:12:44,241 --> 01:12:47,064 THAT I HAVE WATCHED THIS MOVIE TOO MANY TIMES. 1423 01:12:47,164 --> 01:12:48,226 OH, ANNIE. 1424 01:12:48,326 --> 01:12:49,507 SO STUPID. 1425 01:12:49,607 --> 01:12:51,109 FROM THE MINUTE I LISTENED 1426 01:12:51,209 --> 01:12:54,672 TO THAT STUPID PROGRAM I'VE BEEN A COMPLETE JERK. 1427 01:12:54,772 --> 01:12:56,234 YOU ARE NOT A JERK. 1428 01:12:56,334 --> 01:12:57,435 THANK YOU. 1429 01:12:57,535 --> 01:12:58,636 IDIOT. 1430 01:12:58,736 --> 01:13:01,039 YOU DON'T KNOW WHO SHE WAS, ANNIE. 1431 01:13:01,139 --> 01:13:03,141 I SAW HER. I HAVE A PICTURE OF HER. 1432 01:13:04,703 --> 01:13:07,566 THAT DETECTIVE IN SEATTLE SENT ME A PICTURE OF HER. 1433 01:13:07,666 --> 01:13:09,728 HERE. SEE, HUH? 1434 01:13:09,828 --> 01:13:11,970 THAT'S EXACTLY WHAT SHE LOOKS LIKE. 1435 01:13:12,070 --> 01:13:14,413 THIS IS A PICTURE OF SOMEONE'S BACK. 1436 01:13:14,513 --> 01:13:17,616 WELL, IT'S HER, AND HE WAS CRAZY ABOUT HER. 1437 01:13:17,716 --> 01:13:19,578 WHAT'S THIS? 1438 01:13:19,678 --> 01:13:21,680 THIS IS FROM SEATTLE. 1439 01:13:29,529 --> 01:13:31,531 BECKY... 1440 01:13:33,212 --> 01:13:35,375 SO, I MAILED YOUR LETTER. 1441 01:13:37,337 --> 01:13:39,159 "DEAR ANNIE 1442 01:13:39,259 --> 01:13:40,520 "THANKS FOR YOUR LETTER. 1443 01:13:40,620 --> 01:13:41,801 "IT WAS GREAT. 1444 01:13:41,901 --> 01:13:43,904 "YOU SOUND NEAT. 1445 01:13:46,626 --> 01:13:48,448 "WE'RE VERY EXCITED 1446 01:13:48,548 --> 01:13:50,531 "ABOUT MEETING YOU IN NEW YORK ON VALENTINE'S DAY 1447 01:13:50,631 --> 01:13:55,395 "AND SEEING IF WE ARE... M.F.E.O. 1448 01:13:56,477 --> 01:13:58,339 "SEE YA SOON. 1449 01:13:58,439 --> 01:14:01,222 "SLEEPLESS IN SEATTLE." 1450 01:14:01,322 --> 01:14:03,324 M.F.E.O.? 1451 01:14:06,847 --> 01:14:09,410 MADE FOR EACH OTHER. 1452 01:14:10,651 --> 01:14:12,273 IT'S CUTE. 1453 01:14:12,373 --> 01:14:14,415 IT'S LIKE A LITTLE CLUE. 1454 01:14:17,178 --> 01:14:18,640 AH! 1455 01:14:18,740 --> 01:14:20,522 SO, HE CAN'T WRITE. 1456 01:14:20,622 --> 01:14:21,883 BIG DEAL. 1457 01:14:21,983 --> 01:14:24,606 VERBAL ABILITY IS HIGHLY OVERRATED IN A GUY 1458 01:14:24,706 --> 01:14:26,528 AND OUR PATHETIC NEED FOR IT 1459 01:14:26,628 --> 01:14:27,849 IS WHAT GETS US INTO TROUBLE. 1460 01:14:27,949 --> 01:14:30,172 I AM GOING TO RUN BACK TO WALTER'S ARMS 1461 01:14:30,272 --> 01:14:31,533 IF HE'LL HAVE ME. 1462 01:14:31,633 --> 01:14:33,215 WHAT ABOUT THE LETTER? 1463 01:14:33,315 --> 01:14:35,337 IT WAS WRITTEN BEFORE I WENT OUT THERE 1464 01:14:35,437 --> 01:14:37,439 BEFORE THE HO. 1465 01:14:40,763 --> 01:14:43,946 THE ONLY THING IS, SHE DIDN'T LOOK LIKE A HO. 1466 01:14:44,046 --> 01:14:48,331 SHE LOOKED LIKE SOMEBODY WE WOULD HAVE BEEN FRIENDS WITH. 1467 01:14:49,412 --> 01:14:51,674 (GROANS) 1468 01:14:51,774 --> 01:14:53,636 YOU SAW HER IN THE AIRPORT AND THEN HERE? 1469 01:14:53,736 --> 01:14:56,259 SAM: I TRIED TO TALK TO HER. IT WAS LIKE I KNEW HER. 1470 01:14:57,020 --> 01:14:58,641 LIKE A DEJA VU THING? 1471 01:14:58,741 --> 01:15:01,605 A VERY FRENCH DEJA VU-ISH KIND OF THING. 1472 01:15:01,705 --> 01:15:03,086 -OUI. -OUI. 1473 01:15:03,186 --> 01:15:06,450 AT LEAST YOU'RE OUT THERE SEEING PEOPLE. 1474 01:15:06,550 --> 01:15:08,572 THERE'S REALLY JUST THE ONE. 1475 01:15:08,672 --> 01:15:11,255 VICTORIA. 1476 01:15:11,355 --> 01:15:12,656 YOU DON'T LIKE VICTORIA? 1477 01:15:12,756 --> 01:15:14,738 SHE LAUGHS LIKE A HYENA. 1478 01:15:14,838 --> 01:15:17,000 -IS THIS TRUE? -NO. 1479 01:15:18,122 --> 01:15:19,103 SORT OF. 1480 01:15:19,203 --> 01:15:21,705 HEY, TELL THEM WHAT YOU DID. 1481 01:15:21,805 --> 01:15:22,947 DAD... 1482 01:15:23,047 --> 01:15:24,989 -ABOUT THE RADIO SHOW. -DAD. 1483 01:15:25,089 --> 01:15:26,470 TELL THEM. 1484 01:15:26,570 --> 01:15:29,794 CHRISTMAS EVE, HE PHONES IN ONE OF THOSE RADIO CALL-IN SHOWS 1485 01:15:29,894 --> 01:15:33,358 AND TELLS THEM I NEED A NEW WIFE. 1486 01:15:33,458 --> 01:15:35,119 OH, YOU'RE KIDDING. 1487 01:15:35,219 --> 01:15:36,721 THAT'S SO SWEET. 1488 01:15:36,821 --> 01:15:39,804 NOW HE'S OBSESSED WITH THIS WOMAN WHO WROTE ME. 1489 01:15:39,904 --> 01:15:41,126 ARE YOU SERIOUS? 1490 01:15:41,226 --> 01:15:44,249 SHE WANTS TO MEET AT THE EMPIRE STATE BUILDING. 1491 01:15:44,349 --> 01:15:46,812 ON VALENTINE'S DAY. 1492 01:15:46,912 --> 01:15:48,694 IT'S LIKE THAT MOVIE. 1493 01:15:48,794 --> 01:15:49,574 WHAT MOVIE? 1494 01:15:49,674 --> 01:15:51,136 AN AFFAIR TO REMEMBER. 1495 01:15:51,236 --> 01:15:52,578 DID YOU EVER SEE IT? 1496 01:15:52,678 --> 01:15:54,339 OH, GOD. 1497 01:15:54,439 --> 01:15:56,582 CARY GRANT AND DEBORAH KARR. 1498 01:15:56,682 --> 01:15:58,063 IS IT KARR OR KERR? 1499 01:15:58,163 --> 01:15:59,785 KARR. KERR. 1500 01:15:59,885 --> 01:16:03,709 OKAY, SHE'S GOING TO MEET HIM AT THE TOP OF THE EMPIRE STATE BUILDING. 1501 01:16:03,809 --> 01:16:06,552 ONLY SHE GOT HIT BY A TAXI 1502 01:16:06,652 --> 01:16:08,995 AND HE WAITED AND WAITED 1503 01:16:09,095 --> 01:16:11,337 AND IT WAS RAINING I THINK AND THEN 1504 01:16:12,939 --> 01:16:16,122 SHE'S TOO PROUD TO TELL HIM 1505 01:16:16,222 --> 01:16:22,769 THAT SHE'S, UH... CRIPPLED 1506 01:16:22,869 --> 01:16:26,653 AND HE'S TOO PROUD TO FIND OUT WHY SHE DOESN'T COME 1507 01:16:26,753 --> 01:16:28,735 BUT HE COMES TO SEE HER ANYWAY. 1508 01:16:28,835 --> 01:16:31,098 I FORGET WHY, BUT, OH... 1509 01:16:31,198 --> 01:16:34,341 OH, IT'S SO AMAZING WHEN HE COMES TO SEE HER 1510 01:16:34,441 --> 01:16:37,304 BECAUSE HE DOESN'T EVEN NOTICE 1511 01:16:37,404 --> 01:16:39,947 SHE DOESN'T GET UP TO SAY HELLO 1512 01:16:40,047 --> 01:16:42,089 AND HE'S VERY BITTER 1513 01:16:43,611 --> 01:16:45,833 AND YOU THINK THAT HE'S JUST GOING TO 1514 01:16:45,933 --> 01:16:49,797 WALK OUT THE DOOR AND NEVER KNOW WHY. 1515 01:16:49,897 --> 01:16:52,720 SHE'S JUST LYING THERE, YOU KNOW, LIKE ON THE COUCH 1516 01:16:52,820 --> 01:16:56,724 WITH THIS BLANKET OVER HER SHRIVELED LITTLE LEGS 1517 01:16:56,824 --> 01:16:58,826 AND... 1518 01:16:59,307 --> 01:17:00,809 ARE YOU ALL RIGHT? 1519 01:17:00,909 --> 01:17:03,131 SHE'S FINE. 1520 01:17:03,231 --> 01:17:04,653 SUZY: AND HE GOES... (GASPING) 1521 01:17:04,753 --> 01:17:05,974 "I SAW THE PAINTING" 1522 01:17:06,074 --> 01:17:09,017 AND HE, LIKE, GOES TO THE BEDROOM 1523 01:17:09,117 --> 01:17:11,500 AND HE LOOKS, AND HE COMES OUT, AND HE LOOKS AT HER 1524 01:17:11,600 --> 01:17:15,504 AND HE KIND OF JUST, THEY KNOW, AND THEN THEY HUG 1525 01:17:15,604 --> 01:17:17,706 AND IT'S SO... 1526 01:17:17,806 --> 01:17:19,928 THAT'S A CHICK'S MOVIE. 1527 01:17:21,650 --> 01:17:23,192 WHAT KIND OF A PERSON 1528 01:17:23,292 --> 01:17:25,034 WOULD WRITE TO SOMEONE THEY HEARD ON THE RADIO? 1529 01:17:25,134 --> 01:17:26,355 I GOT HUNDREDS OF LETTERS 1530 01:17:26,455 --> 01:17:27,757 FROM ALL OVER. 1531 01:17:27,857 --> 01:17:29,198 DESPERATE WOMEN. 1532 01:17:29,298 --> 01:17:31,681 BECAUSE SOMEONE IS LOOKING FOR A GUY 1533 01:17:31,781 --> 01:17:33,122 THEY'RE NOT DESPERATE. 1534 01:17:33,222 --> 01:17:35,044 HOW ABOUT RAPACIOUS AND LOVE-STARVED? 1535 01:17:35,144 --> 01:17:37,287 IT IS EASIER TO BE KILLED BY A TERRORIST 1536 01:17:37,387 --> 01:17:39,129 THAN FIND A HUSBAND AFTER 40. 1537 01:17:39,229 --> 01:17:40,650 ABSOLUTELY UNTRUE! 1538 01:17:40,750 --> 01:17:42,973 RIGHT. 1539 01:17:43,073 --> 01:17:45,135 I'M NOT LOOKING FOR A MAIL-ORDER BRIDE. 1540 01:17:45,235 --> 01:17:46,616 I JUST WANT SOMEBODY 1541 01:17:46,716 --> 01:17:48,658 THAT I CAN HAVE A DECENT CONVERSATION 1542 01:17:48,758 --> 01:17:51,822 WITHOUT IT FALLING DOWN INTO WEEPY TEARS 1543 01:17:51,922 --> 01:17:53,664 OVER SOME MOVIE YOU JUST SAW. 1544 01:17:53,764 --> 01:17:54,745 SHE'S VERY EMOTIONAL. 1545 01:17:54,845 --> 01:17:56,907 I CRIED AT THE END OF THE DIRTY DOZEN. 1546 01:17:57,007 --> 01:18:00,110 JIM BROWN WAS THROWING THESE HAND GRENADES 1547 01:18:00,210 --> 01:18:02,193 AND RICHARD JAECKEL AND LEE MARVIN 1548 01:18:02,293 --> 01:18:05,316 WERE SITTING ON THIS ARMORED PERSONNEL CARRIER 1549 01:18:05,416 --> 01:18:06,677 DRESSED LIKE NAZIS... 1550 01:18:06,777 --> 01:18:08,239 (GREG SOBBING) 1551 01:18:08,339 --> 01:18:10,341 TRINI LOPEZ... 1552 01:18:10,982 --> 01:18:12,443 HE BUSTED HIS NECK 1553 01:18:12,543 --> 01:18:14,485 WHEN THEY WERE PARACHUTING BEHIND NAZI LINES. 1554 01:18:14,585 --> 01:18:15,767 STOP IT. 1555 01:18:15,867 --> 01:18:18,970 RICHARD JAECKEL HAD ON THIS SHINY HELMET 1556 01:18:19,070 --> 01:18:21,893 'CAUSE HE WAS THE M.P. 1557 01:18:21,993 --> 01:18:24,676 OH... OH, GOD, I LOVE THAT MOVIE. 1558 01:18:33,565 --> 01:18:35,387 THIS IS THE BEST MOVIE 1559 01:18:35,487 --> 01:18:36,588 I'VE EVER SEEN IN MY LIFE. 1560 01:18:36,688 --> 01:18:38,070 WHAT'S SO GREAT ABOUT IT? 1561 01:18:38,170 --> 01:18:40,673 YOU HAVE TO FIND HER. 1562 01:18:40,773 --> 01:18:43,476 DO YOU KNOW HOW MUCH IT COSTS TO GO TO NEW YORK? 1563 01:18:43,576 --> 01:18:44,837 NOBODY KNOWS. 1564 01:18:44,937 --> 01:18:47,139 IT CHANGES PRACTICALLY EVERY DAY. 1565 01:18:48,100 --> 01:18:49,762 HOW MUCH MONEY DO YOU HAVE? 1566 01:18:49,862 --> 01:18:51,244 EIGHTY DOLLARS. 1567 01:18:51,344 --> 01:18:54,447 I HAVE 42. THAT WOULD PROBABLY COVER TAXICABS. 1568 01:18:54,547 --> 01:18:56,809 BUT HOW WOULD I GET THERE? 1569 01:18:56,909 --> 01:18:59,372 WOMAN: HONEY... I HAVE TO RUN THESE TICKETS OVER. 1570 01:18:59,472 --> 01:19:01,655 KEEP AN EYE ON THINGS. 1571 01:19:01,755 --> 01:19:03,757 SURE, MOM. 1572 01:19:13,927 --> 01:19:15,469 WINDOW SEAT OR AN AISLE? 1573 01:19:15,569 --> 01:19:16,950 WINDOW. 1574 01:19:17,050 --> 01:19:18,672 WANT A FRUIT PLATE? 1575 01:19:18,772 --> 01:19:19,954 DO I? 1576 01:19:20,054 --> 01:19:22,116 I'D RATHER DIE THAN EAT AIRPLANE FOOD. 1577 01:19:22,216 --> 01:19:26,881 I'M TELLING THEM YOU'RE 12 SO YOU CAN FLY UNACCOMPANIED. 1578 01:19:26,981 --> 01:19:29,804 ARE YOU CRAZY? WHO WOULD BELIEVE I'M 12? 1579 01:19:29,904 --> 01:19:32,366 IF IT'S IN THE COMPUTER, THEY BELIEVE ANYTHING. 1580 01:19:32,466 --> 01:19:34,288 ARE YOU SURE? 1581 01:19:34,388 --> 01:19:36,931 DO YOU WANT ME TO SAY THAT YOU'RE SHORT FOR YOUR AGE 1582 01:19:37,031 --> 01:19:39,454 AND THEY SHOULDN'T SAY ANYTHING? 1583 01:19:39,554 --> 01:19:41,496 YEAH. THAT'S A GREAT IDEA. 1584 01:19:41,596 --> 01:19:48,403 ♪ SOMETIMES IT'S HARD TO BE A WOMAN 1585 01:19:51,446 --> 01:19:57,212 ♪ GIVIN' ALL YOUR LOVE TO JUST ONE MAN ♪ 1586 01:19:58,934 --> 01:20:00,936 WALTER! 1587 01:20:01,697 --> 01:20:03,319 YOU'RE GOING TO MISS THE TRAIN. 1588 01:20:03,419 --> 01:20:05,521 NO, I'M NOT. 1589 01:20:05,621 --> 01:20:07,323 I'M SO HAPPY, BECKY. 1590 01:20:07,423 --> 01:20:09,245 FINALLY I FEEL HAPPY. 1591 01:20:09,345 --> 01:20:11,087 THIS IS RIGHT. THIS IS REAL. 1592 01:20:11,187 --> 01:20:12,448 EVERYTHING ELSE IS WHAT HAPPENS 1593 01:20:12,548 --> 01:20:13,890 WHEN YOU WATCH TOO MANY MOVIES. 1594 01:20:13,990 --> 01:20:16,613 AND YOU COMPLETELY LOSE SIGHT OF WHAT COUNTS. 1595 01:20:16,713 --> 01:20:19,375 PLEASE, DON'T TELL ANYBODY WHAT HAPPENED 1596 01:20:19,475 --> 01:20:22,959 BECAUSE I WOULD BE MORTIFIED IF ANYONE KNEW. 1597 01:20:25,882 --> 01:20:26,983 DO YOU PROMISE? 1598 01:20:27,083 --> 01:20:28,064 I PROMISE. 1599 01:20:28,164 --> 01:20:30,347 "SLEEPLESS IN SEATTLE" IS HISTORY. 1600 01:20:30,447 --> 01:20:33,930 ♪ EVEN THOUGH HE'S HARD TO UNDERSTAND 1601 01:20:36,974 --> 01:20:41,559 ♪ AND IF YOU LOVE HIM 1602 01:20:41,659 --> 01:20:46,043 ♪ OH, BE PROUD OF HIM 1603 01:20:46,143 --> 01:20:51,829 ♪ 'CAUSE, AFTER ALL, HE'S JUST A MAN 1604 01:20:55,593 --> 01:20:58,836 ♪ STAND BY YOUR MAN ♪ 1605 01:21:01,239 --> 01:21:03,862 -I WAS JUST... -I WAS JUST... 1606 01:21:03,962 --> 01:21:05,063 GO AHEAD. 1607 01:21:05,163 --> 01:21:05,944 YOU GO. 1608 01:21:06,044 --> 01:21:07,305 OKAY. 1609 01:21:07,405 --> 01:21:08,987 WELL, I WAS JUST GOING TO SAY 1610 01:21:09,087 --> 01:21:11,510 THAT EVER SINCE CHRISTMAS 1611 01:21:11,610 --> 01:21:15,234 YOU'VE BEEN DIFFERENT, KIND OF DISTRACTED, DISTANT 1612 01:21:15,334 --> 01:21:19,558 BUT NOW IT FEELS AS IF YOU'RE COMING BACK 1613 01:21:19,658 --> 01:21:21,660 FROM WHEREVER YOU WERE. 1614 01:21:22,501 --> 01:21:24,503 I AM. 1615 01:21:25,865 --> 01:21:28,527 I WAS JUST, UH... 1616 01:21:28,627 --> 01:21:32,772 I JUST... I JUST GOT... I THINK I GOT NERVOUS. 1617 01:21:32,872 --> 01:21:35,014 BUT THAT'S NORMAL, RIGHT? 1618 01:21:35,114 --> 01:21:38,778 I MEAN, DON'T YOU EVER FEEL NERVOUS ABOUT... 1619 01:21:38,878 --> 01:21:40,940 YOU KNOW? 1620 01:21:41,040 --> 01:21:43,103 WHAT? 1621 01:21:43,203 --> 01:21:45,205 FOREVER. 1622 01:21:46,486 --> 01:21:48,488 NO. 1623 01:21:51,371 --> 01:21:53,373 WELL... 1624 01:21:54,134 --> 01:21:57,237 I DID, AND YOU KNOW WHAT I THINK? 1625 01:21:57,337 --> 01:22:02,162 I THINK I THOUGHT IT WAS TOO PERFECT, YOU KNOW? 1626 01:22:02,262 --> 01:22:05,406 I STARTED TO WONDER IF WE WERE THE HUMAN EQUIVALENT 1627 01:22:05,506 --> 01:22:07,888 OF TWO RIGHTS MAKING A WRONG. 1628 01:22:07,988 --> 01:22:09,410 YOU KNOW WHAT IT WAS? 1629 01:22:09,510 --> 01:22:13,554 IT WAS LIKE KISMET, BUT NOT, IF YOU SEE WHAT I MEAN. 1630 01:22:14,635 --> 01:22:16,017 YOU HAVE TO GROW UP. 1631 01:22:16,117 --> 01:22:19,060 YOU CAN'T KEEP HAVING THESE ADOLESCENT FANTASIES 1632 01:22:19,160 --> 01:22:21,543 ABOUT HOW EXCITING YOUR LIFE IS GOING TO BE. 1633 01:22:21,643 --> 01:22:24,145 DON'T HATE ME, BUT I LOVE THIS PATTERN. 1634 01:22:24,245 --> 01:22:26,308 -YOU COULDN'T. -I DO. 1635 01:22:26,408 --> 01:22:29,070 THIS IS JUST LIKE MY GRANDMOTHER'S CHINA. 1636 01:22:29,170 --> 01:22:31,553 HOW MANY PLACE SETTINGS? 1637 01:22:31,653 --> 01:22:33,655 TEN. TEN. 1638 01:22:36,138 --> 01:22:37,239 EXACTLY. 1639 01:22:37,339 --> 01:22:39,081 EIGHT IS TOO FEW. 1640 01:22:39,181 --> 01:22:40,763 TWELVE IS... 1641 01:22:40,863 --> 01:22:42,985 TOO MANY. TOO MANY. 1642 01:23:05,448 --> 01:23:07,190 WALTER! 1643 01:23:07,290 --> 01:23:09,292 IT WAS MY MOTHER'S. 1644 01:23:11,334 --> 01:23:13,617 I HAD THEM SIZE IT DOWN. 1645 01:23:14,818 --> 01:23:17,020 SHE HAD REALLY FAT FINGERS. 1646 01:23:19,263 --> 01:23:21,165 IT'S SO BEAUTIFUL. 1647 01:23:21,265 --> 01:23:23,567 IT'S EXACTLY WHAT I WOULD PICK OUT 1648 01:23:23,667 --> 01:23:27,511 IF I HAD EVERY RING IN THE WHOLE WORLD TO CHOOSE FROM. 1649 01:23:30,234 --> 01:23:31,255 YOU SEE WHAT I MEAN? 1650 01:23:31,355 --> 01:23:33,738 THERE ARE PEOPLE WHO WOULD LIKE A RELATIONSHIP 1651 01:23:33,838 --> 01:23:35,059 TO BE FULL OF SURPRISES 1652 01:23:35,159 --> 01:23:37,342 BUT I AM NOT ONE OF THOSE PEOPLE. 1653 01:23:37,442 --> 01:23:39,784 NO, SIRREE. 1654 01:23:39,884 --> 01:23:42,447 SURPRISES ARE HIGHLY OVERRATED. 1655 01:23:44,329 --> 01:23:46,631 (PHONE RINGING) 1656 01:23:46,731 --> 01:23:48,713 I'LL ONLY BE GONE ONE NIGHT 1657 01:23:48,813 --> 01:23:51,076 AND CLARISE WILL BE HERE, SO YOU CAN SEE 1658 01:23:51,176 --> 01:23:54,199 GERALDO AND NIGHTMARE ON ELM STREET 12. 1659 01:23:54,299 --> 01:23:56,301 ARE YOU GOING WITH HER? 1660 01:23:57,422 --> 01:24:00,025 I'M GOING WITH VICTORIA, YES. 1661 01:24:01,827 --> 01:24:04,490 AND DON'T TRY ANYTHING TRICKY, UNDERSTAND? 1662 01:24:04,590 --> 01:24:06,592 (DOOR SLAMS) 1663 01:24:07,633 --> 01:24:11,257 DON'T GO ROLLING IN POISON IVY AS SOON AS I LEAVE THE HOUSE 1664 01:24:11,357 --> 01:24:14,380 OR DO ANYTHING THAT MAKES YOU NEED STITCHES. 1665 01:24:14,480 --> 01:24:16,382 IF YOUR FINGER FALLS OFF IT'S STAYING OFF. 1666 01:24:16,482 --> 01:24:18,865 NO ONE WILL TAKE YOU TO THE HOSPITAL 1667 01:24:18,965 --> 01:24:22,108 FOR LASER SURGERY. 1668 01:24:22,208 --> 01:24:24,110 IS THIS ABOUT THAT WOMAN IN BALTIMORE? 1669 01:24:24,210 --> 01:24:26,212 ANNIE. 1670 01:24:29,696 --> 01:24:32,399 -I DON'T CARE WHAT YOU DO! -GOOD! FINE! 1671 01:24:32,499 --> 01:24:35,642 I'LL TELL YOU WHAT I'M DOING THIS WEEKEND. I'M GETTING LAID. 1672 01:24:35,742 --> 01:24:37,644 1990S AND NOBODY'S GETTING LAID. 1673 01:24:37,744 --> 01:24:40,648 I'M THE ONLY MAN IN AMERICA GETTING LAID THIS WEEKEND. 1674 01:24:40,748 --> 01:24:42,129 I HAVEN'T BEEN LAID THAT MUCH. 1675 01:24:42,229 --> 01:24:44,471 SIX GIRLS IN COLLEGE, MAYBE SEVEN. 1676 01:24:46,153 --> 01:24:47,695 HOW LONG HAVE YOU BEEN STANDING THERE? 1677 01:24:47,795 --> 01:24:49,136 FOREVER. 1678 01:24:49,236 --> 01:24:50,418 WHAT DID I SAY? 1679 01:24:50,518 --> 01:24:53,060 SIX GIRLS IN COLLEGE, MAYBE SEVEN. 1680 01:24:53,160 --> 01:24:55,703 SEVEN. EIGHT! MARY KELLY! 1681 01:24:55,803 --> 01:24:57,805 I LIKE THIS ONE. 1682 01:25:00,408 --> 01:25:02,230 JONAH, THE FACT IS 1683 01:25:02,330 --> 01:25:04,072 YOU'RE NOT GOING TO LIKE ANY WOMAN 1684 01:25:04,172 --> 01:25:05,473 BECAUSE IT ISN'T YOUR MOTHER. 1685 01:25:05,573 --> 01:25:07,155 HOW DO YOU KNOW? 1686 01:25:07,255 --> 01:25:08,637 WHAT'S WRONG WITH ANNIE? 1687 01:25:08,737 --> 01:25:11,319 OH, JONAH, SHUT UP! 1688 01:25:11,419 --> 01:25:13,562 SHUT UP? SHUT UP? 1689 01:25:13,662 --> 01:25:15,364 MOM NEVER SAID SHUT UP TO ME! 1690 01:25:15,464 --> 01:25:16,965 MOM NEVER YELLED AT ME! 1691 01:25:17,065 --> 01:25:18,327 THE CONVERSATION IS FINISHED. 1692 01:25:18,427 --> 01:25:20,409 WHY CAN'T WE GO TO NEW YORK? 1693 01:25:20,509 --> 01:25:23,612 WE ARE NOT GOING ON A PLANE TO MEET SOME WOMAN 1694 01:25:23,712 --> 01:25:25,334 WHO COULD BE A CRAZY LUNATIC. 1695 01:25:25,434 --> 01:25:27,016 DIDN'T YOU SEE FATAL ATTRACTION? 1696 01:25:27,116 --> 01:25:28,177 YOU WOULDN'T LET ME! 1697 01:25:28,277 --> 01:25:30,279 WELL, I SAW IT! 1698 01:25:34,764 --> 01:25:37,286 I'M NOT LEAVING TILL YOU SAY YES. 1699 01:25:42,892 --> 01:25:44,874 I HATE YOU! I HATE YOU! I HATE YOU! 1700 01:25:44,974 --> 01:25:45,956 THAT'S GOOD! 1701 01:25:46,056 --> 01:25:47,477 YOU CAN TELL OPRAH 1702 01:25:47,577 --> 01:25:49,039 HOW YOUR DAD DESTROYED YOUR LIFE 1703 01:25:49,139 --> 01:25:52,863 BECAUSE HE HAD A WEEKEND SPECIAL AT THE HOLIDAY INN. 1704 01:26:08,038 --> 01:26:12,163 JONAH, CLARISE IS HERE AND I GOT TO GO. 1705 01:26:13,444 --> 01:26:15,446 HEY, JONAH. 1706 01:26:17,849 --> 01:26:19,851 JONAH? 1707 01:26:22,253 --> 01:26:23,955 ALL RIGHT, JONAH. 1708 01:26:24,055 --> 01:26:27,539 LISTEN, I GOT TO GO, AND I'M... 1709 01:26:29,341 --> 01:26:30,762 JONAH? 1710 01:26:30,862 --> 01:26:32,864 JONAH? 1711 01:26:34,506 --> 01:26:36,508 HEY, JONAH? 1712 01:26:39,711 --> 01:26:41,713 JONAH? 1713 01:26:42,915 --> 01:26:45,197 JONAH? 1714 01:26:46,518 --> 01:26:48,521 JONAH? 1715 01:26:55,448 --> 01:26:57,870 JESSICA, HONEY, YOU HAVE TO TELL US WHERE HE IS. 1716 01:26:57,970 --> 01:27:00,833 JONAH'S DADDY IS VERY UPSET. 1717 01:27:00,933 --> 01:27:03,076 JESSICA, THIS IS YOUR FATHER. 1718 01:27:03,176 --> 01:27:05,218 TELL US WHERE HE IS RIGHT THIS MINUTE. 1719 01:27:08,621 --> 01:27:10,083 N.Y. 1720 01:27:10,183 --> 01:27:11,925 -WHAT IS THAT? -NO WAY. 1721 01:27:12,025 --> 01:27:14,027 THAT'S N.W. 1722 01:27:15,308 --> 01:27:19,213 NEW YORK. HE'S ON HIS WAY TO NEW YORK. 1723 01:27:19,313 --> 01:27:20,574 -WHAT? -HOW? 1724 01:27:20,674 --> 01:27:22,536 UNITED 597. 1725 01:27:22,636 --> 01:27:23,857 JESSICA'S MOTHER: JESSICA... 1726 01:27:23,957 --> 01:27:25,960 -WHEN DOES IT LEAVE? -7:30. 1727 01:27:26,360 --> 01:27:28,362 (CLOCK CHIMING) 1728 01:27:33,207 --> 01:27:34,509 HERE YOU GO. 1729 01:27:34,609 --> 01:27:36,391 HERE'S A NICE PEN FOR YOU FOR FLYING WITH US. 1730 01:27:36,491 --> 01:27:37,952 -THANK YOU. -YOU'RE WELCOME. 1731 01:27:38,052 --> 01:27:39,153 CAN I TAKE THIS FOR YOU? 1732 01:27:39,253 --> 01:27:41,255 NO. 1733 01:27:56,351 --> 01:27:58,253 -WHERE TO, KID? -EMPIRE STATE BUILDING. 1734 01:27:58,353 --> 01:27:59,935 HOLD ON. 1735 01:28:00,035 --> 01:28:01,417 EMPIRE STATE BUILDING. 1736 01:28:01,517 --> 01:28:03,679 GET FURTHER AWAY FROM THE CURB NEXT TIME, MAC. 1737 01:28:06,602 --> 01:28:08,464 DRIVER: THERE IT IS. 1738 01:28:08,564 --> 01:28:10,546 WHAT YOU GOING TO DO UP THERE? 1739 01:28:10,646 --> 01:28:11,908 SPIT OFF THE TOP? 1740 01:28:12,008 --> 01:28:13,629 NO. 1741 01:28:13,729 --> 01:28:15,731 I'M GOING TO MEET MY NEW MOTHER. 1742 01:28:35,272 --> 01:28:37,254 EXCUSE ME. I'M JONAH. 1743 01:28:37,354 --> 01:28:38,455 ARE YOU ANNIE? 1744 01:28:38,555 --> 01:28:40,557 NO, I'M CYNTHIA. 1745 01:28:47,885 --> 01:28:49,066 EXCUSE ME. 1746 01:28:49,166 --> 01:28:51,168 ARE YOU ANNIE? 1747 01:29:28,367 --> 01:29:29,829 MMM... GREAT TABLE. 1748 01:29:29,929 --> 01:29:31,931 THANKS. 1749 01:29:33,212 --> 01:29:35,214 SOMETHING WRONG? 1750 01:29:35,935 --> 01:29:37,877 CAN I GET YOU A DRINK? 1751 01:29:37,977 --> 01:29:39,979 SOME CHAMPAGNE? 1752 01:29:40,500 --> 01:29:42,502 FINE. FINE. 1753 01:29:43,022 --> 01:29:46,546 CAN WE HAVE A BOTTLE OF DOM DELUISE? 1754 01:29:49,749 --> 01:29:51,571 -JUST KIDDING. -IT WAS A JOKE. 1755 01:29:51,671 --> 01:29:53,133 HE MEANT DOM PERIGNON. 1756 01:29:53,233 --> 01:29:55,235 I GOT IT. 1757 01:29:56,636 --> 01:29:57,738 WHOO. 1758 01:29:57,838 --> 01:29:59,860 BEAUTIFUL VIEW, ISN'T IT? 1759 01:29:59,960 --> 01:30:01,962 WALTER... 1760 01:30:03,283 --> 01:30:05,285 THERE'S SOMETHING I HAVE TO TELL YOU. 1761 01:30:19,460 --> 01:30:20,481 HEY, I'M SORRY. 1762 01:30:20,581 --> 01:30:22,043 I HAVE AN EMERGENCY! 1763 01:30:22,143 --> 01:30:23,925 MONEY! MONEY, ALL RIGHT? 1764 01:30:24,025 --> 01:30:26,047 MONEY, MONEY, SEE? 1765 01:30:26,147 --> 01:30:27,569 THANK YOU! 1766 01:30:27,669 --> 01:30:29,671 (YELLING) 1767 01:30:30,392 --> 01:30:32,394 COME ON. 1768 01:31:42,787 --> 01:31:44,209 SO, HE COULD BE 1769 01:31:44,309 --> 01:31:47,612 ON TOP OF THE EMPIRE STATE BUILDING NOW. 1770 01:31:47,712 --> 01:31:49,174 NO. 1771 01:31:49,274 --> 01:31:54,019 I GUESS HE COULD BE, BUT NO. 1772 01:31:54,119 --> 01:31:56,601 IT'S NOT HIM, WALTER. IT'S ME. 1773 01:31:58,043 --> 01:32:00,525 I CAN'T DO THIS. 1774 01:32:01,767 --> 01:32:04,350 LOOK, ANNIE... 1775 01:32:04,450 --> 01:32:06,111 I LOVE YOU 1776 01:32:06,211 --> 01:32:09,395 BUT LET'S LEAVE THAT OUT OF THIS. 1777 01:32:09,495 --> 01:32:12,078 I DON'T WANT TO BE SOMEONE THAT YOU'RE SETTLING FOR. 1778 01:32:12,178 --> 01:32:16,462 I DON'T WANT TO BE SOMEONE THAT ANYONE SETTLES FOR. 1779 01:32:18,304 --> 01:32:19,806 MARRIAGE IS HARD ENOUGH 1780 01:32:19,906 --> 01:32:23,650 WITHOUT BRINGING SUCH LOW EXPECTATIONS INTO IT. 1781 01:32:23,750 --> 01:32:25,932 ISN'T IT? 1782 01:32:26,032 --> 01:32:29,175 WALTER, I DON'T DESERVE YOU. 1783 01:32:29,275 --> 01:32:31,638 NAW, I WOULDN'T PUT IT THAT WAY. 1784 01:32:33,360 --> 01:32:35,682 BUT... OKAY. 1785 01:32:51,779 --> 01:32:53,841 YOU OKAY? 1786 01:32:53,941 --> 01:32:55,943 YEAH. 1787 01:32:58,586 --> 01:32:59,727 (SIGHING) 1788 01:32:59,827 --> 01:33:00,928 (GASPS) 1789 01:33:01,028 --> 01:33:02,170 WHAT? 1790 01:33:02,270 --> 01:33:04,272 LOOK. 1791 01:33:11,920 --> 01:33:13,261 IT'S A SIGN. 1792 01:33:13,361 --> 01:33:15,343 WHO NEEDED A SIGN? 1793 01:33:15,443 --> 01:33:19,608 WALTER... I HAVE TO GO. 1794 01:33:33,062 --> 01:33:35,344 JONAH! 1795 01:33:36,385 --> 01:33:38,387 JONAH? 1796 01:33:38,868 --> 01:33:40,870 -DAD! DAD! -JONAH? 1797 01:33:45,074 --> 01:33:47,076 OH... 1798 01:33:54,925 --> 01:33:57,788 WHAT IF SOMETHING HAD HAPPENED TO YOU? 1799 01:33:57,888 --> 01:33:59,750 WHAT IF I COULDN'T GET TO YOU? 1800 01:33:59,850 --> 01:34:01,852 I'M SORRY. I'M SORRY. 1801 01:34:03,854 --> 01:34:07,117 OH, WHAT WOULD I HAVE DONE? HUH? 1802 01:34:07,217 --> 01:34:10,281 YOU ARE MY FAMILY. YOU'RE ALL I'VE GOT. 1803 01:34:10,381 --> 01:34:12,443 I THOUGHT SHE'D BE HERE. I THOUGHT SHE'D COME. 1804 01:34:12,543 --> 01:34:14,725 AREN'T WE OKAY? 1805 01:34:14,825 --> 01:34:17,208 HAVE I DONE ANYTHING REALLY STUPID? 1806 01:34:17,308 --> 01:34:18,529 NO. 1807 01:34:18,629 --> 01:34:20,251 HAVE I SCREWED IT UP FOR THE BOTH OF US? 1808 01:34:20,351 --> 01:34:22,353 NO. 1809 01:35:14,327 --> 01:35:15,629 OBSERVATION DECK? 1810 01:35:15,729 --> 01:35:17,731 SORRY, MA'AM, BUT IT'S TOO LATE. 1811 01:35:19,052 --> 01:35:21,235 NO. PLEASE, I REALLY NEED TO GET UP THERE. 1812 01:35:21,335 --> 01:35:23,417 WE'RE CLOSING UP. NO MORE RUNS TONIGHT. 1813 01:35:29,303 --> 01:35:33,888 LISTEN, CAN I JUST TAKE A LOOK? 1814 01:35:33,988 --> 01:35:35,489 THERE'S SOMEONE I WAS SUPPOSED TO MEET. 1815 01:35:35,589 --> 01:35:36,971 HE'S PROBABLY NOT THERE 1816 01:35:37,071 --> 01:35:40,615 BUT IF I DON'T AT LEAST LOOK I'LL ALWAYS WONDER ABOUT IT. 1817 01:35:40,715 --> 01:35:42,377 CARY GRANT, RIGHT? 1818 01:35:42,477 --> 01:35:44,979 YOU KNOW THAT MOVIE? 1819 01:35:45,079 --> 01:35:47,081 ONE OF MY WIFE'S FAVORITES. 1820 01:35:55,971 --> 01:35:58,613 HEY, MAYBE WHEN WE GET HOME WE'LL GET A DOG. 1821 01:35:59,014 --> 01:36:00,475 OKAY. 1822 01:36:00,575 --> 01:36:02,478 WHAT DO YOU MEAN, "OKAY"? 1823 01:36:02,578 --> 01:36:04,560 WOULDN'T YOU LIKE TO HAVE A DOG? 1824 01:36:04,660 --> 01:36:06,662 SURE. 1825 01:36:18,434 --> 01:36:21,277 I'M SORRY, MA'AM. EMPTY. 1826 01:36:24,040 --> 01:36:26,463 CAN I TAKE A MINUTE? 1827 01:36:26,563 --> 01:36:28,805 GO AHEAD. 1828 01:37:41,801 --> 01:37:44,564 I LEFT IT BY THE TELESCOPES... 1829 01:38:10,951 --> 01:38:12,133 IT'S YOU. 1830 01:38:12,233 --> 01:38:13,254 IT'S ME. 1831 01:38:13,354 --> 01:38:16,537 I SAW YOU... IN THE STREET. 1832 01:38:16,637 --> 01:38:18,639 ARE YOU ANNIE? 1833 01:38:19,760 --> 01:38:21,762 YES. 1834 01:38:23,845 --> 01:38:25,847 YOU'RE ANNIE? 1835 01:38:28,409 --> 01:38:30,231 THIS MUST BE YOURS. 1836 01:38:30,331 --> 01:38:32,514 I'M JONAH. 1837 01:38:32,614 --> 01:38:34,155 THIS IS MY DAD. 1838 01:38:34,255 --> 01:38:35,197 HIS NAME'S SAM. 1839 01:38:35,297 --> 01:38:37,299 HI, JONAH. 1840 01:38:38,780 --> 01:38:40,782 SAM. 1841 01:38:44,786 --> 01:38:45,968 AND WHO'S THIS? 1842 01:38:46,068 --> 01:38:47,169 HOWARD. 1843 01:38:47,269 --> 01:38:49,431 OH, HOWARD. HELLO, HOWARD. 1844 01:38:55,638 --> 01:38:57,680 (GUARD CLEARING THROAT) 1845 01:39:05,248 --> 01:39:07,250 WE'D BETTER GO. 1846 01:39:14,177 --> 01:39:16,179 SHALL WE? 1847 01:39:47,692 --> 01:39:51,556 ♪ IT'S SO IMPORTANT TO MAKE SOMEONE HAPPY 1848 01:39:51,656 --> 01:39:56,201 ♪ MAKE JUST ONE SOMEONE HAPPY 1849 01:39:56,301 --> 01:40:00,806 ♪ MAKE JUST ONE HEART THE HEART YOU 1850 01:40:00,906 --> 01:40:02,247 ♪ YOU SING TO ♪ 1851 01:40:02,347 --> 01:40:04,349 SAM. 1852 01:40:05,110 --> 01:40:07,212 IT'S NICE TO MEET YOU. 1853 01:40:07,312 --> 01:40:09,174 ♪ SMILE THAT CHEERS YOU 1854 01:40:09,274 --> 01:40:12,658 ♪ ONE FACE THAT LIGHTS WHEN IT NEARS YOU 1855 01:40:12,758 --> 01:40:19,525 ♪ ONE GIRL YOU'RE, YOU'RE EVERYTHING TO 1856 01:40:20,566 --> 01:40:23,649 ♪ FAME, IF YOU WIN IT 1857 01:40:24,931 --> 01:40:26,112 ♪ COMES AND GOES 1858 01:40:26,212 --> 01:40:29,075 ♪ COMES AND GOES IN A MINUTE 1859 01:40:29,175 --> 01:40:36,002 ♪ WHERE'S THE REAL STUFF IN LIFE TO CLING TO? 1860 01:40:36,102 --> 01:40:37,484 ♪ THERE'S ONLY 1861 01:40:37,584 --> 01:40:41,888 ♪ LOVE IS THE ANSWER 1862 01:40:41,988 --> 01:40:46,253 ♪ SOMEONE TO LOVE IS THE ANSWER 1863 01:40:46,353 --> 01:40:50,217 ♪ ONCE YOU'VE FOUND HER 1864 01:40:50,317 --> 01:40:54,742 ♪ BUILD YOUR WORLD AROUND HER 1865 01:40:54,842 --> 01:40:59,066 ♪ MAKE SOMEONE HAPPY 1866 01:40:59,166 --> 01:41:03,391 ♪ MAKE JUST ONE SOMEONE HAPPY 1867 01:41:03,491 --> 01:41:10,258 ♪ AND YOU WILL BE HAPPY TOO. ♪ 127605