All language subtitles for Secret Of The Blue Room English dos

Five, six, seven,

eight, nine, ten,

eleven, twelve.

Irene, allow me be the first to wish you
many happy returns of the day.

- Now that you are twenty-one, I...
- Just a moment.

I have a birthday speech
all prepared.

All right, go ahead.

- Lovely Irene...
- Just one moment.

I'd rather not have any quarrel
between you two. I'll make the speech.

Not a chance, you're the youngest.
You'll have to wait, no, no, no.

No, no, no, I'll make the speech.

Who has a better right than I?

Irene, darling,

you know how they, your
three good friends love you.

But all three of them do not
love you as much as I,

who wish you every happiness.

Oh, thank you, Father,
that's very sweet of you.

There.

And now, give us all a nice
birthday kiss.

Let's sit by the fire and have a smoke
before we turn in, hm?

- Irene.
- What, Tommy?

Stay here a minute.

- What is it?
- I've known you for years, Irene.

That's a long time.
A long time to love you...

...and not even tell you.

Why, Tommy!

Well, I was afraid to tell you.
But now you're twenty-one...

...and I can ask you.

Irene, will you marry me?

- Why Tommy, are you serious?
- More than you know.

Well, I guess I haven't much chance.

I haven't a glib tongue like Frank.

I'm not a clever newspaper reporter.

I don't wear a handsome uniform
like Walter.

- Now, Tom...
- Irene! Thomas!

- Why all the secrets?
- Coming.

# For only one love my heart is aching #

# If I am sleeping, if I am waking #

# I can't help but dream of you #

# Two hands so gentle #
# My fate I'm holding #

# Until the day when true love's unfolding #

# I can't help but dream of you #

# My heart is longing #

# For you, my all beloved #

# When you are smiling #

# A world of joy I see #

# No words can tell you #

# How much I really love you #

# You'll never know, dear #

# How much you mean to me #

# Throughout each day, each year #

# You'll find me near #

# I'll wait for you #

# Until you say to me #

# So tenderly #

# I do love you #

# Then all my longing #

# For you my all beloved #

# Will not have been in vain #

# For then you will be mine #

- Lovely.
- Thank you.

That wind. It makes me shiver.

Lovely night to be out.

Just the sort of night to tell good
goosefleshy stories.

You know, I'd like to meet one of these
old castle ghosts that one hears about.

Just for an interview.
Oh, what a story that would make.

I'd get a promotion on
a scoop like that.

You joke about it,
but strange things do happen.

Even in these days.
Mysterious things.

You know what I'm thinking of,
don't you, Mr. von Heldorf?

I?

- Why?
- You know, the blue room.

Why talk about that?
It's Irene's birthday.

- What about the blue room?
- Oh, nothing. Nothing at all, just...

Tommy means the blue salon
in the castle here.

The room that's been locked for
twenty years. Didn't you know about it?

Locked for twenty years?
Have we a ghost in our midst?

- You mean the blue room is haunted?
- Oh, nonsense, there are no spooks.

- But...
- But what?

Remember what happened to Bluebeard's
wife when she got too curious.

Tell me about it.

Well.

Three persons met death there...

...under strange and peculiar
circumstances.

- You can't stay here!
- Where's Paul?

We have house guests, you can't
come in tonight.

- Let me in, Paul!
- No, no, no!

Wait at least until they're all asleep.

I'd rather not speak of it.
It's long ago now.

- And better left forgotten.
- You can't stop now, you've got to go on.

Yes, Father, do tell us.
I've never known what really happened.

And we might find a solution
to all the mystery.

I'm afraid that's above even
our Frank here.

Mr. von Heldorf, I don't think
I'm so brilliant,

Mr. von Heldorf, I don't think I'm
so brilliant. It's... other people would do.

Well, if you must hear it.

Irene was still a baby.

My sister was staying
with us at the time.

She was sleeping in the blue room.

Our guest chamber.

One night I was just about
to retire.

It was one o'clock, and suddenly I heard
a scream from my sister's room.

I ran across the corridor
and tried to get in.

There was no answer to my
pounding on the door,

so we broke the door down.

The blue room was empty.
The window was wide open.

And underneath, lying in the moat,

we found my sister's body.

- An accident, of course.
- That's what I thought.

And I still would believe that today...

if four months later my best friend
hadn't been found shot...

...in the same room, at the same hour.

One o'clock.

- That couldn't have been suicide?
- Suicide was very improbable.

My friend was living in the best
of circumstances.

Happy with life.

We'd just parted in the
best of spirits.

And yet, at one o'clock, a shot rang
out from that fatal room.

- No revolver was ever found.
- And both happened at one o'clock.

- But you said there were three tragedies.
- Yes.

A detective made up his mind to spend
a night in the blue room.

In the morning we found him
on the floor dead.

On his face was, still frozen,
a look of agonized horror.

The physician claimed that death
was due to heart failure.

Caused by great fright.

This is better than any story
I could write.

Even you admit it.

Now you understand why I never want
to go into that room again.

Paul, our butler, is the only one
who has the key.

Oh, come on, now, snap out of it.

We are not at a funeral.

- Not yet.
- Oh, he will see the bright side.

Coffee, sir.

Good heavens, I was frightened
to death.

That's what you get for bringing
up the subject.

I'm sorry, it was all my fault.

He must get credit,
even when he's at fault.

Let's talk about something else.
What shall it be?

Polo, bridge, love...

Let's talk about the man Irene's
going to marry.

- What'll he have to look like?
- Well, give me time to think him up.

- Please, Irene, let's have it.
- Well, if you insist.

First of all, he must be very
good-looking.

Good-looking? That lets you out, Tommy.
You may wait outside.

He must be young, but not too young.

All right, Tommy, you may
come back again.

- And most of all, he must have courage.
- I have courage.

Look at the brave young man.

All right, laugh if you like.
I'll prove I have courage.

- I shall prove it to Irene.
- This is going to be good.

How are you going about it?

I shall sleep in the blue room tonight.

- No nonsense about that, Thomas!
- I mean it.

I'm going to prove that I'm no coward.

- Ahh.
- Would you do as much?

No one is questioning your
bravery, young man.

Why be absurd about proving it?

- You're afraid?
- I don't need to prove my courage.

Leave him alone.
I think it's a great idea.

And what's more, a great story.

A night with a ghost.
I shall certainly accept the challenge.

And what about you?

- All right, I'm with you.
- You're making too much of all this.

Not at all. I propose that each of us
shall sleep a night in the blue room.

It's my idea, so I shall be the first.

But there's one point we'll have
to agree to.

If something should happen to one of us,
it mustn't prevent the next one...

from spending the following night
in the blue room...

...in spite of what may have occurred.

Is it agreed?

All right, agreed.

Fine.

Paul, get us the key to the blue room.

Shall I... shall I give him
the key, sir?

Well, of course!

I really wish you wouldn't do this.

Irene is right. It's absurd
to take any chances.

But it might result in the solution
of the entire mystery.

Don't worry, the ghost
won't bite us.

Here we are.

Come on, Paul open the door.

- I want to warn you, Mr. Thomas...
- We know, we know...

...there's a horrible curse
on the blue room.

Come on, open it.

Well...

- Um... where's the light?
- Here it is.

Oh, so this is the blue room.

- Looks rather comfortable to me.
- How musty it smells.

Ghosts always smell like that.

- Oh, is that the window where...
- Yes.

It's about twenty feet down
to the water.

It was here we found my friend.

And over there the detective
was lying two days later.

- Oh! How uncanny it sounds.
- Better leave this closed.

And each time the door
was locked from the inside?

Yes. That was part of the problem.

There was never any indication that a
second person could have been in the room.

- And yet...
- How curious.

Maybe it was you, old ironsides.

How's your nerve holding out,
old boy?

There's still time to back out,
you know.

I'm not backing out. Are you?

Well, at least you'll leave
the door open, Tommy.

You needn't be anxious about me, Irene.
I can take care of myself.

Well, brave boy, it's time to go to bed.

Sleep well and don't be late
for breakfast.

- Good night.
- Good night.

- Good night.
- Good night, Tommy.

Good night, Irene.

Good night, Tommy. We'll all be anxious
to hear how you get along with the ghost.

Oh, er... by the way.

I hope it's a lady ghost.

It's impossible tonight.
Somebody is sleeping in the blue room.

- But when...
- Come back tomorrow, I'll signal you!

Walter.

- Walter!
- Hm?

Listen.

Walter, tell me.

Oh, put down your book.

Well, what do you want?

Say, now, you don't believe
in all that, do you?

Ah, tomorrow morning we will
all be laughing about it.

Oh, come on, let's get some sleep.

Good night.

- Oh, Irene!
- Tommy, I was so nervous.

- But dear, I...
- I know something will happen to you.

Please, Tommy, don't stay
in this room tonight.

- You wouldn't want me to be a quitter.
- Why not?

I couldn't stand having
the others laugh at me.

Oh, it must be terrible to be a man
and have to be brave.

Thank goodness I can be a coward
with a clean conscience.

Tommy, please don't stay here tonight.

Irene,

if I knew that you were worried because
I mean more to you than anyone else...

Oh, Irene, I'd do anything you ask.

Oh, please, Tommy.

I'm going to stay.

Good night, Tommy.

Good night, Irene.

Walter.

Walter!

Oh, what's the matter now?

- It's one o'clock.
- It usually is this time of the night.

What if something happened to Tommy?

Oh, nothing is going to happen to him.
Please let's get some sleep.

Now listen...

Of course that story is nonsense,
isn't it?

Well, I'll tell you.

I don't know about that.
You see, one o'clock was the hour...

- Yes?
- And after all...

After all what?

And after all, go to sleep!

Listen.

- Say, what's the matter now?
- Don't you hear anything?

No!

- That's very strange.
- What?

Heldorf's car just left.

Now, at this hour?

I wonder what that means.

Oh, well, we'll find out
tomorrow morning.

Maybe. Good night.

- There's no sound from Tommy either.
- Of course not, because he's asleep!

Good night once again!

Good night.

Mr. Thomas, half past eight, sir.

So worrying about Tommy kept
you from sleeping.

- Yes, I was afraid for him.
- Lucky boy.

But tonight, I shall have the honor.

And tomorrow night, young lady,
I shall look forward to very extra worrying.

- Good morning, darling.
- Good morning, Father.

- Good morning.
- Good morning.

- Where's Tommy?
- Oh, I guess he's late as usual.

Mr. von Heldorf! Mr. von Heldorf!
Mr. Thomas doesn't answer.

I've knocked and knocked, sir,
and I can't seem to arouse him.

Tommy! Tommy, open the door!

- Tommy! Now, none of your joking!
- Oh, Tommy, please answer us!

- Give me the key, Paul.
- I haven't the key, sir.

Mr. Thomas locked the door
on the inside.

- And there is only one key?
- Yes, sir.

- Oh tell me nothing's happened to him.
- Oh, please, quiet!

Let's break the door down!

Mr. von Heldorf, this window
was closed last night.

Yes, exactly the way it happened before.

- Oh, don't say that...
- Oh, everything can be explained normally.

- Well, go ahead, explain!
- He possibly opened the window...

- ...and leaned out too far.
- You mean suicide?

Ridiculous! What reason
could he have?

Or maybe it was an accident.

- I'll have a search started at once.
- I'll go with you.

Oh, this is frightful.

Oh, Irene, don't excite yourself.

I'll take you to your room.

You'd better have the lock
fixed right away.

Right away, sir.

Mary! Mary, did you hear what
happened last night?

Don't tell me the old cat's
had kittens again.

- No, no! It's Mr. Thomas.
- What?

- He disappeared.
- Where to?

If we knew where he was,
he wouldn't be disappeared, stupid.

He slept in the blue room.

The ghost room?

- And he's gone!
- Oh...

Paul,

is it really true about Mr. Thomas?

Yes.

I warned them.
But they laughed at me.

But I tell you that anybody who sleeps
in the blue room is never heard of again.

- Good morning, Max.
- Oh, good morning, sir.

- Trouble?
- Yes, the ignition's gone bad again.

Oh, must have happened
this morning, hm?

This morning?

Mr. Faber said he saw the car
leave here about one o'clock.

Mr. Faber must have been mistaken.

Oh.

The car hasn't been out since
yesterday morning.

Oh... well, it's easy to mistake
a car at night.

Yes.

Wait here.

Very strange.

Too strange.

Anything new?

Not much.

We... found this.

- Tommy's?
- Yes.

We found it 20 yards beyond
the castle.

- Across the moat?
- yes.

This thing grows more involved
every moment.

I think you ought to call the police.

- I think you're right...
- No, no!

Don't, don't... Better search
the water first.

Don't bring the police in, not now.
It only means the newspapers.

We can find the body there...

...without the police.

Well? Have you though it over?

Yeah. And I don't want to have
anything more to do with you.

All right, then I'll tell them
what happened last night.

- You don't dare.
- You just watch me!

Why you!

No, I can't believe it was an accident.

The coincidence is so...

Paul! What has happened?

I heard Miss Irene scream, sir,
and I found her on the floor.

Irene! Irene, do you hear me?

Tell us, darling, what has happened?

- Walter, is he gone?
- Who? Who was here?

A strange man! He came at me
and grabbed me.

- A strange man?
- Did you see anybody, Paul?

I did not, sir. A stranger could hardly
have entered the room.

Every door leading to the outside
is locked.

Oh, but he was here! I saw him
with my own eyes.

- He came at me and...
- Well of course someone was here.

Irene couldn't have imagined that.

- And what's more, he'll be coming back.
- You think so?

- Perhaps sooner than you think.
- Providing we don't call the police.

- Why?
- Because if we call the police, he'd be warned.

But if he does come back again,
he'll find me.

I will sleep in here tonight.

- Good evening, Paul.
- What are you doing here?

- Oh, I...
- Go on! Go to bed!

I beg of you, Frank, please don't
stay in that room tonight.

Now, Irene, just because something
happened to Tom...

...is no reason for me to show
the white feather.

- Yes, I know, but you...
- It's no use.

Ever since we found out that this ghost
seems to have human features,

I'm very anxious to stay there.

All right, Frank, but it's understood.
But if you hear the slightest noise...

I know, I shoot.

And six chambers ought to be
enough for any ghost.

Well, time to go to bed.

Now, I don't want you to be worried.

I'll take my courage with me.

So long.

Good night, Irene.

Good night.

You sound as if you were
saying goodbye.

- Good night, Walter.
- Good night, old boy.

Oh, I think Frank was right.

It's bedtime for little girls.

Oh, let me stay up with you.
I'm too scared to go to bed.

All right, Irene.

- Where's your father?
- He went to bed an hour ago.

- He wasn't feeling very well.
- Hm.

- They haven't found Tommy yet, you know.
- Oh, I know, it's dreadful.

And now, if something should
happen to Frank...

Oh, don't worry. Nothing's going
to happen to him.

He'll be a jump ahead of
whatever it is, a ghost or...

- Or what?
- Anything.

Walter, you've got to promise me
you won't sleep in that blue room.

All right, Irene. I believe
I can promise you that.

Thank you.

Are you sure you want to
stay up all night?

Yes, I think it's better
that I stay awake.

- Then I will too.
- Oh, no, Irene, you shouldn't. Why?

You see? It isn't worrying Frank much.

It's nearly one o'clock.

Oh, don't be frightened.

And stay with me.

You might keep on being
just a little frightened.

You see? It's all over and
everything is all right.

Walter, don't go up there!

Walter!

It... it came right from there, sir.

Frank!

- Oh, Walter!
- Irene.

Please.

- What's happened? Not...
- Yes, Frank.

- Frank?
- He's shot.

Good heavens...

We must let the police know now.

Get Commissioner Forster
from the homicide squad.

Yes, I shall lock the door myself.
I want to talk to him personally.

Yes, sir.

Hm...

Not a shot fired.

Hello, homicide squad.

- Captain Brink.
- Thank you.

Captain Brink speaking. I want
to talk to Commissioner Forster.

Oh, the Commissioner's away until
morning. What's the trouble?

Murder? Where?

Heldorf Castle?

All right, I'll get in touch
with him right away.

He can be out there by...
by nine o'clock.

All right.

- Forster is coming.
- Do you know him?

- Oh, yes, he's a very good detective.
- Let's hope he'll put an end to all this.

Someone is ringing from the blue room.

What? But that's impossible.
I locked the door with this key!

Don't... don't... don't you hear?

Come on, Paul.
You'd better stay here.

How did a cat ever get in here?

Are you sure there is
no other key to this room?

There is no other key, sir.

The gun!

Oh, Mary. The Commissioner wants
to talk to you upstairs.

What have I got to do
with your murders?

They ain't my murders.

Don't believe in mixing myself up
in other folks' murders.

Come on, get on!
Where's Betty?

- In the garage with Max.
- Go and get both of them.

- Oh, did they do it?
- Never mind your questions.

Maybe you did it yourself.

So the whole thing seems
to have no solution, Commissioner.

We'll see, Mr. Brink.
Everything can be solved.

Oh, come in, come in.
Don't hesitate.

Would you sit down?

Now everybody is here, I believe.

Let's begin.

Who was the first to discover
the dead man?

The butler and I.
And a little later, Miss Irene.

- Where were you when you heard the shot?
- Here.

In this room.

- Anyone with you?
- I was sitting there with Miss Irene.

Did you leave the instant
you heard the shot?

Instantly.

- Did you notice the exact time:
- About half a minute after one.

Thank you.

The butler, please.

You also heard the shot, didn't you?

Yes.

Where were you at the moment?

I was in my room.
I was getting ready for bed.

- Where is your room located?
- In the right wing of the castle,

at the end of the corridor.

That's enough now.
Sit down.

Uh, Kruger.

And now, Mr. von Heldorf, please.

- You also heard the shot?
- No, I was fast asleep.

I had gone to bed at eleven,
as I wasn't feeling well.

I didn't wake until I heard
the commotion.

Thank you, Mr. von Heldorf.
Thank you.

Oh.

That's very interesting.

The butler again, please.

There's something else I want
to ask you. Come here.

You said a moment ago you heard the shot
in your room, is that correct?

Yes.

Exactly how much later did the butler
arrive after you, Mr. Brink.

We both arrived at the same moment.

Well, well, isn't that remarkable?

I learned from my assistant that
it takes exactly a half a minute...

...to run from your room to
the blue room.

Now, how do you explain that you arrived
there at the same time as Mr. Brink?

Well, what have you to say?

May I answer for you?

At the time of the murder you were not
in your room, is that correct?

Yes.

There... you see?

Where were you last night
at one o'clock?

Come on, where were you?

I was in the corridor. I wanted to make
certain all the windows were locked.

Oh, and you didn't have the chance
to do that sooner, I suppose.

I suddenly got nervous.

You see, the disappearance of Mr. Thomas
was still preying on my mind, I...

I was nervous and couldn't sleep.

Oh, you couldn't sleep.

Well, isn't that too bad.

That's enough. Sit down.

Mary, the cook.

Mr. Commissioner, I didn't do it,
I didn't do it!

I didn't hear a thing.

And I'm deaf anyhow, so how could
I commit your murder?

And anyhow, I was asleep
all the time.

You believe me, don't you,
Mr. Commissioner?

All right, all right, stop your balling.

And please remember,
it isn't my murder.

I'm not so sure about that.

The chauffeur, please.

- Did you hear the shot?
- No, sir, I was asleep at the time.

What's more, I couldn't have
heard the shot...

...because my quarters are too far
from the house.

Where were you the night Mr. Thomas Brink
slept in the blue room?

In my room, Commissioner.

And yet the car was out of the
garage at one o'clock.

What's your answer to that?

I know nothing about it, sir.

Don't believe him, Mr. Detective,
he's a liar by the clock.

Hm, you seem to be well-informed,
young lady, come here.

- Well?
- I saw him drive the car that night myself.

- With these two eyes.
- That's not true!

It most certainly is. I stood in the back
of the garage and I saw everything.

- Don't you believe her, she's lying.
- You're lying.

- You're lying!
- Just a moment. One of you must be lying.

Probably both.

The question is which is the better at it.

It's him, Mr. Commissioner. He can give
you cards in spades on lying.

After all, I've got two eyes in my head
and I see what I see.

And when I told him I was going to tell,
right out there in the corridor,

he grabbed me and choked me, and said
he would kill me if I told a living soul.

- When did all this happen?
- Just now.

About five minutes ago, just before
we came into this room.

Every bone in my body still hurts
the way he shoved me.

- Mr. Commissioner, I...
- Just a moment, just a moment.

It's still lighted.

Hmm, good cigar.

It's yours, isn't it?

Young man, do you realize how
accomplished this man is?

He managed to shake and choke you
without dropping the ash.

What reasons have you for
incriminating him?

Mr. Commissioner...

Don't you realize that in making false
statements you incriminate yourself?

- I'm going to place you under arrest.
- It's a very good idea, sir.

Shut up and sit down.

Mr. Commissioner, please,
I'll tell everything.

It's high time. Go on.

Last night I saw a strange man
leave the blue room.

- What time was that?
- It was, um...

About a quarter past twelve just before
Mr. Faber entered the blue room.

You're not making another
mistake, are you?

This strange man story doesn't
sound quite convincing.

- But, sir, I recognized him.
- Who was it?

- Oh...
- Come on, let's have it.

Well... the strange man that
left the blue room was...

- ...not alone.
- Did you recognize the person with him?

Who was it?

Answer my question.

Is that person in this room now?

Where?

Mr. von Heldorf.

Is the statement of this girl correct?

No, the girl's lying.

Oh, I see.

You can sit down.

You told me that you went to bed
around 11 o'clock, is that correct?

I did.

- And you were awakened by the noise.
- Yes.

At what time did you arrive
at the room of the murder?

Well... I can't say exactly, but...

Excuse me, Mr. von Heldorf,

but you arrived just after we
got there, didn't you?

Oh, I see.

What did Mr. von Heldorf wear
when he arrived?

Why... oh, the same suit he has on now.

This is interesting indeed.

I thought you said you were
asleep at the time.

How could you dress and get to the scene
of the murder so quickly?

Mr. von Heldorf, forgive me if I'm
obliged to doubt your statements.

Sorry, but it can't be avoided.

There's nothing in my power
to prevent that.

At any rate, I must insist that nobody
leaves this house until further orders.

Phone headquarters and have them
send a few more men up here.

Thank you very much. That will be all
for the time being.

Oh, maid, you stay here.

Come on, come on.

Now we're going to have a nice
friendly little talk all by ourselves.

You seem to be very well informed.

Tell me, have you noticed anything else
out of the ordinary?

- Yes!
- What?

- Well, last night...
- At what time was it?

It was, er... ten minutes after twelve.

I was going along the corridor
and I saw Paul, the butler,

standing in front of the window making
funny signals with a flashlight.

What else?
Go on, what else?

Nothing else, that's all.

Now, there's one other thing
I'd like to learn.

Sure.

What were you doing so late
in the corridor?

What were you doing in the
garage that night?

And why do you roam all
over the house...

...instead of going to sleep
as good girls do?

And how can you tell time so exactly?

That she-cat, did she try to get
my head in the noose.

Max, tell me honestly.

- Didn't you do it?
- What, the murder?

- Somebody did.
- Don't be foolish.

I will admit I had the car
out that night, that's true, but I...

There you are!

- You know where I was?
- Committing a murder.

I was over at the village
seeing a new girlfriend of mine.

I'm taking around for a ride
every once in a while.

That's why Betty's jealous.

- Oh, that's it.
- Yeah, and am I glad to be rid of her.

- Max.
- Hm?

Tell me just one more thing.

Didn't you honestly commit
the murder?

- Which one of the windows was it?
- Oh, this one.

No, a little more to you right.

I can't believe Heldorf has anything
to do with the affair.

The idea seems to be out of line.

My dear Mr. Brink, you'd make
a very poor detective...

...if you let personal feelings
influence you.

But when I phoned for the police
he was standing right by me.

That proves he couldn't have
removed the gun.

Nobody said he did.

Still there is the possibility he might have
some connection with the person who did.

Impossible.

I can't understand why
you defend Heldorf.

How do you account for
his connection...

...with the strange man he was seen
with by the maid?

All right, get ready.

Let go! Let go!

- Let go of me!
- Follow me!

Yes, but how in the world did
the cat ever get in here?

That's simple enough.
Somebody has the second key.

And who do you suppose has it?

If I knew that, do you suppose
I'd be kneeling down here on the floor?

Wait here.

- We've got him, sir.
- Bring him in.

Come in.

Good evening.

- Get Heldorf, Miss Irene and the maid.
- Yes, sir.

Will you sit down?

Well, I hope you don't get tired.

What did you come into this house for?

Did you understand my question?

Yes. I shall not answer it.

Oh, come in. Don't hesitate,
ladies and gentleman.

Is this the man you saw leave
the room with Mr. Von Heldorf?

- Yes.
- That's the man who attacked me.

Mr. von Heldorf, I must insist that you
tell me all that you know of this man.

And if I refuse?

I must place you under arrest
as his accomplice.

Father!

What's your answer?

Oh, it's no use anymore.
I'll tell you everything.

- Please, don't.
- I must.

Can I speak to you alone
for a few minutes?

Certainly.

Will everybody leave, please?

And take good care of him.

And now, what is it that you
want to tell me?

What I'm going to tell you,
Mr. Commissioner,

has nothing whatever to do with either
of the crimes committed here.

The man you have arrested...

My brother.

- What?
- Yes, and more.

He's Irene's father.

- Do you expect me to believe that?
- Yes.

Twenty years ago he left
his wife and little Irene.

- Uh...
- Go ahead.

Well...

I took care of them both...

The mother died shortly afterwards...

...and Irene grew up in the belief
that I was her father.

The only other person besides myself
who knows the truth...

...is our butler, Paul.

And in all that time you heard
nothing from your brother?

No. But until the day before yesterday,

when he came here, broken in body
as well as in spirit,

and wanted some money to leave
the country,

I was about to give it to him tonight,

but the detectives arrested him
before I had the opportunity.

How do you account for the attack
on your daughter?

Oh...

That wasn't an attack. He hadn't seen
his daughter in twenty years.

He forgot himself and...
rushed toward her...

and...

I can tell you now where
I was last night.

I'd gone to my brother
to talk things over.

When I returned, the murder
had been committed.

Why didn't you tell me all this before?

- Well, I...
- Never mind.

It's just a thought I had.

Of course I'll have to check
your story with the facts.

Certainly.
May I go now?

Certainly.

Thanks.

Um...

I beg of you not to mention this
to anyone, particularly Irene.

- I understand.
- Thank you.

Walter, I still can't believe that Father
had anything to do with it.

- Oh, it seems impossible...
- Irene!

- Father, what does all this mean?
- Don't get excited, child.

- I had nothing to do with any of this.
- But who is the strange man?

Dear, I'm feeling very tired now.

- I must get some sleep.
- All right.

Any new developments?

Von Heldorf gave me an explanation.

- What?
- Such as it was.

His story sounds a little melodramatic.

You think Heldorf's guilty?

In any case, he knows more
than he's telling us.

Commissioner, I'm going to sleep
in that room tonight.

- You believe then...
- I believe nothing so far.

But I want to find out.

If Heldorf's guilty, nothing
will happen tonight.

Because he'll be cautious.

But if is someone unknown,

he may return.

You're right.

Of course you realize you may
be risking your life.

I'm not afraid.

I've got an idea.

Come with me.

- And you will be downstairs in my bedroom.
- Yes.

And the house is surrounded.

Oh, but the other detectives
are officially dismissed.

An hour ago.

Let's hope that our preparations
bring results.

We shall get him whoever he is
sooner or later.

- Good night.
- Good night. And be cautious.

Two minutes to one.

Not a soul in here.

Get rid of that dummy.

- Heldorf has left his room.
- You three search the house.

It came from directly behind
this wall.

Get an axe quick.
We'll have to tear it down.

You stay here.
You three follow me.

Oh, Walter!
Walter, are you all right?

Yes, dear.
Come, this is frightful.

No.

Come on.

Tommy!

Thomas!

You probably won't believe if
I tell you why I've done this.

Oh, Tommy!

Do you confess to the murder
of Frank Faber?

- Yes.
- Why did you do it?

I knew that Walter and Frank stood
between me and Irene.

You see, I really loved her.

You thought after committing this crime
Miss Irene would still marry you?

Oh, I must have been insane.
I see it now.

But how did you choose such a fantastic
roundabout way to get rid of your rivals?

A few weeks ago I found a secret
entrance to this room.

- From that moment my mind was made up.
- Go on.

I took advantage of the
room's history...

the old tragedies...

So, on Irene's birthday, I proposed that
each one of us spend a night in this room.

After all, you would've had to turn
up again, what about that?

Well, then I'd try to tell about
the secret passage.

That I was kidnapped, kept prisoner.

Come on, Irene.

Oh, Mr. von Heldorf.

I owe you an apology.
I had suspected you.

I know, Commissioner.
That's why I left the house tonight.

- I wanted to find the guilty one myself.
- I hope you won't hold it against me.

Why, of course not.

Come on.

Walter, I still can't believe it.

Oh, the poor boy.

He couldn't have known what
he was doing.