All language subtitles for Grantchester s09e07.eng

ALPHY:
You brought me here for a reason,

I'm sure of it.

Mind if I join you?

♪ ♪

I can't remember the
last time I saw you smile.

I'm just so tired.

I don't have endless reserves,
I'm sorry.

Begging on Sam's behalf.

Sam said you'd do this.

Oh, Sam, Sam, Sam!

God gives us a sign.

When he does, we must follow it.

♪ ♪

♪ ♪

(thunder claps)

(whimpers)

(click)

♪ ♪

♪ ♪

GEORDIE:
How'd you do this, Dora?

DORA:
I'm not a suspect.

That's exactly what a suspect
would say.

(giggling): Dad!

If it was that Evans boy
playing rough...

He won't come near us

since you said you'd arrest him;
he's only seven?

Mm-hmm-- then tell me

you weren't nicking
apples again.

Oh, the silent treatment.

Trust me, in the end,

the truth will out.

♪ ♪

GEORDIE:
Ah, it can't have been too bad a cut.

She just shot off
down the street like a rocket.

How's the book?

(exhales):
I don't know.

Found these in the cupboard.

When did you start
taking them, Cath?

Dr. Bennett said
to try them for a month.

Mood stabilizers.

This is better, though,
isn't it?

Less screaming and fighting.

Less Cathy.

Just like Mum.

Do you remember?

Seeing her disappear,
bit by bit.

It's not the same.

It's exactly the same.

You said I was starting
to sound like her.

I just meant
you were worked up.

Worst day of my life.

Out on the street,

watching her get
put into that van.

It might take longer,

but I'll end up
just the same.

(voice trembling):
That awful institution.

I will never let that happen.

(exhales)

♪ ♪

(knock at door)

What is it, Larry?
(exhales)

A woman's gone missing.

There's a lot of it about.

(telephone ringing
in background)

♪ ♪

Ah, Geordie.

You have to try some of these
Chelsea buns from Fitzbillies.

Had them before, yeah.

Oh, right.

Well, while I'm
still here,

I'm working through
some Cambridge traditions.

You shouldn't have
to go.

A lot of us would rather
you weren't leaving, you know.

ALPHY:
Thank you, Mrs. C.,

but I've made my peace with it.

The future is an
open road of possibilities.

Mm, not for everyone.

(sighs)

Okay, I'll bite--
who's died?

No one yet, but there is
a missing student.

Call came in this morning
from her distraught father.

There was me thinking
you were drawn here

by the smell of cinnamon.

(coughs)
Oh, there's more milk

if it's too hot.

Is this a joke?

What, you know her?

♪ ♪

Wait-- thank you, Mrs. C.

♪ ♪

ALPHY:
She's a student at Girton.

How do you know her?

She's not the one...
Yeah, Geordie...

It's Caroline Stansham--
you know who her dad is?

Hugh Stansham.

Very big in plastics.

Supplies half the country, apparently.

I'll be honest,
it didn't come up.

Wasn't that last week?

Same night as the break-in here.

Her dad says she's been missing
for at least a fortnight,

which could make you the
last person to have seen her.

♪ ♪

GEORDIE:
I've found it helps having one of you lot to grease the wheels.

ALPHY:
One of my lot?

GEORDIE (exhales):
Yeah.

Gets you past the podge
quicker

when you know your Tripos
from your pidges.

Come again?
Well, you know, college-speak.

Well, I never went
to Cambridge.

London Bible College.

Well, what bloody use is that?

ALPHY:
Oh, sorry to disappoint.

Morning.

Detective Inspector
Keating. PORTER: Morning.

GEORDIE:
Any of this familiar?

Bare walls didn't strike you
as odd?

It was dark,
and I was occupied.

(murmurs)

Caroline Stansham.

GEORDIE:
Reading classics.

And waiting
on her results.

Dad said there
was no boyfriend.

Though clearly he didn't
know about the randy reverend.

♪ ♪

ALPHY:
She's a writer. GEORDIE: Hm?

At a student paper.

Editor's an Eric Delgado.

Oh, there's an address
for submissions.

NIGEL (in room):
Sir Roger Throbbingdon's residence.

Please do slip yourself inside.

Great.

(door opens)

(rock music playing softly)

You two are
The Honest Ducks?

It depends
on who's inquiring.

Detective Inspector
Keating

and Mr. Kottaram.

Christ.

We're in for it now.

I stand by every word
we said about that chaplain.

He never should have sniffed
that woman's underwear.

Particularly at her funeral.
(Innes laughs) All right, cut it out.

Which one of you
is Eric Delgado?

Neither-- he's Nigel Rivers.

And he's Innes Clark.

Delgado's a tutor.

Helped set us up.

Checks in
every now and then.

Whenever he fancies a gossip.

When did you last see
Caroline Stansham?

A month ago, why?

What's happened
to her?

Well, that's what
we're trying to establish.

She worked here?
NIGEL: One of our contributors.

She penned a string
of girl about town spoofs.

She's wonderful.

Close, were you?

NIGEL:
Joined at the hips.

Once or twice.

INNES:
Went to a couple of dances, that's all.

She wanted
to do more proper stuff,

so we said, "Bring us a story,"
and she never came back.

"Proper stuff"?

The serious side.

You have one of those?
Comedy is camouflage.

Between the gags,
we skewer the establishment.

(switch clicks)

Profound nutrition
sandwiched

between two fart jokes.

(Innes chuckles,
switch clicks)

That one's for the Fringe.
My dear, late mum...

God rest her soul.
...used to say, "Hold the bastards to account!"

And the brilliance
of modern publishing is,

anyone can do it.
Huh.

That's just what the world
needs: idiots in their rooms

able to share their every
thought with the public.

What was Caroline
looking into?

That's what we have
to find out.

And how're we gonna do that?

We'll retrace her steps.

♪ ♪

GEORDIE:
And you've never seen her here before.

She wasn't a regular.

Then why come here
on that particular night?

What on Earth
brought you here?

I was blowing off steam.

Besides, I like it.

Salt of the earth, you know?

I mean, was she in trouble?

You know, disappeared
for weeks,

only to throw herself
at a complete stranger,

in a bar like this.

She wasn't running or hiding.

Oh, 'cause you knew her so well.

We did have a connection.

Well, it's a dead end now.

Sorry, you're giving up?

She's 21, finished her studies.

Wealthy as the day is long--
she could be anywhere.

We've done all we can.
That what you'll tell her father?

Hey.

I want to find her, too.

But without a body,
wanting doesn't get us very far.

Now I need to get on.

(footsteps
retreating)

♪ ♪

What do you want?

What's that mean?

It's unnerving
being summoned by you,

like this, of an evening.

Would you ever consider
coming back?

You've one less in your nest.

I thought that would help.

Bit of space
between Esme and Cathy?

You know, refocus
on the other three?

I can barely corral them
out the front door.

And Cathy?

She's gone on the pills.

They're strong ones.

For what?
For her moods.

She had a lot of anger.

She couldn't sleep.

Forgetful.

These pills, they've helped her?

She's not as angry.

But now it feels like they're
just masking the problem.

Masking Cathy.

Truthfully, I am at a loss.

I'll pop round tomorrow.

See what's to be done.

Thank you, Mrs. C.

♪ ♪

GEORDIE:
Morning, Larry.

I should've kept
my trap shut.

Boss?
I said we needed a body.

Caroline Stansham,
isn't it?

No, Boss.

♪ ♪

Innes Clark.

Another student found him
this morning.

Throat's been cut.

LEONARD:
I'm so sorry, I simply don't have the room.

(people talking loudly)
I know I sound like the innkeeper.

No one wants
to be the innkeeper.

But we're fit to burst here.

Maybe try St. Jude's...
(line clicks)

(sighs, receiver clatters)

(exhales):
A little bit of peace would be nice.

(people talking in background)

DANIEL:
You're not the one to blame for these feelings, Alice.

LEONARD:
Oh, sorry.

I didn't mean to...

SAM (whispers):
Sorry.

Daniel, you take it
from here.

Shall we?

DANIEL:
Sorry about that.

Leonard shouldn't...

My fault--
I need an "occupied" sign.

That looked a little intense.

Mm, it is.

Sharing their deepest fears,

everything the stiff upper lip
suppresses.

It's quite a shift from those
inspiring, spiritual talks.

Well, that was the theory,
this is the practice.

Personal
spiritual improvement.

Studied these techniques
at Corpus.

I'm pretty sure Daniel didn't.

And he's offering counsel now.

Well, he's giving back.

You know how much this
has helped him, Leonard.

It's made
such a difference.

He just wants other people
to have that chance.

Besides, it's only right,

since he's investing
in our work.

Investing?

You could be so proud, Leonard--
I am.

(door opens and closes)

So he was your student.

Mr. Delgado.

It's unthinkable.

Innes was a,
a true moral crusader.

After yesterday's chat,

I imagine he had
a sizeable list of enemies.

NIGEL:
What is it they say about judging a man

by the quality of his enemies?

I'd take quantity every time.

Any enemies who'd do
something about it?

If I do your job for you,
do I get to carry a badge?

Answer the question, Nigel.

We accused the dean of deviancy,

the bursar of bigamy,
a lovely little spread

about gonorrhea in Girton.

We do love
a little alliteration.

What's littering
got to do with it?

Sharp as a marble, this one.

DELGADO:
Nigel.

Enough.

What, it's acceptable for him
to be an idiot,

but I can't point it out?

This isn't a game, son.

There's still
some of your friend

on the floor over there.

Look, killing Innes would
be a ridiculous overreaction.

Plus, it's left me
short of a cover story.

LARRY:
Where were you last night?

Alone.

Studying in my room.

DELGADO:
Nigel's a thunderous talent.

I wholly vouch
for his character.

We'll be in touch.

See if his neighbors
heard anything. Boss.

(door closes)
Yesterday, we're here looking for Caroline,

and today Innes is dead.

Someone picking off journalists?

We have to find her, Geordie.

Some of these

look like they've been
stepped on.

Printing with Letrasets--
that's not cheap.

Bugger.

Geordie.
Mm?

♪ ♪

Anything?

Someone's exposed
this roll of film.

Destroying evidence?
Yeah.

There's some still
in the reel.

Oh, I'm sorry.

It's all go here.
I'm well aware-- what do you want?

Is Daniel about?

He's the only one

of Sam's little project
who isn't.

He had to run home.

Oh, bear with me--
Derek, compost.

I'd like a word with him, too.

♪ ♪

GEORDIE:
Slow down, Leonard.

He's not going anywhere.

(hammer pounding)

What in God's name?

ALPHY:
Or maybe he is.

You look
like a committee.

Have you lost your mind?

Nice to see you, too.

When were you going
to tell me about this?

It's my house, Leonard--
my choice.

As much as you'd like
to think otherwise.

GEORDIE:
We need a favor.

Can we take this inside?

(door closes)

Sylvia, what are you
doing here? (vacuum stops)

Geordie asked me to come back
for the odd day.

To help out.
Oh-- okay.

When a man takes notice
of his wife's health,

something's truly amiss.

LEONARD:
This is a wonderful home.

You hate it.

You've begged me
to move into Cambridge.

LEONARD:
This is Sam, isn't it?

God forbid I listen
to someone

other than
the all-knowing Leonard.

Shall we concentrate
on the matter at hand?

You'll regret this.

All so you can throw more money
at this self-analysis nonsense.

And how much money
has Jack thrown

at your nonsense
over the years?

GEORDIE:
Fellas!

Enough!

How long's left?

Here we are.

(sniffs, clears throat)

Bingo.

That's Eric Delgado.

Their tutor.
Mm-hmm.

And that is a very flexible
young fella with him.

Also known as motive.

What?
GEORDIE: Can you print these?

DANIEL:
No.

Please, go now.

I should never
have agreed to this.

You're helping the police.

To destroy the lives
of men-- out!

♪ ♪

(breathes deeply)
(door opens)

CATHY:
I was feeling blue.

Then suddenly anxious
and fizzing.

I couldn't sleep.

I forgot things,
or I couldn't concentrate.

I was awful with the kids.

Just so angry, all the time.

No wonder Esme moved out.

I had no interest
in poor Geordie.

It was just like Mum,
the way it all built up.

And now it's the opposite.

The pills just flatten me.

I feel like I'm only
half here.

You've just described
the Change.

Have you gone through it yet?

No, it's all in my head.

Have you?
No, but the pills.

They're just like Mum's.

They are working.

They smothered you.

It's all still
going on underneath.

How much did your mum
and sisters tell you?

Well, they gave me
maybe a sense of it.

My Ronnie had run off,
so I went through it alone.

Just the daft old vicar
to shout at.

Sylvia, how's that
gonna help?

It's the last thing I need!
How am I gonna cope?

It's as natural

as going from girl
to woman.

And once you've gone through it,
you'll feel better than ever.

You don't need pills.

You've got me.

You've a husband who loves you.

Bit of space and patience,
we'll get you there.

♪ ♪

You're named
as "The Honest Duck's" editor.

So you're across
everything they publish?

Of course.

The boys keep me informed.

So you've seen
the many potentially

slanderous claims made.

Against public figures.

Well, I did warn them
about stirring the pot.

We found this here.

It's been over-exposed,
ruining most of the shots,

but three remain.

You might want
to take a look.

Did you know about this?

Did they blackmail you

to let them print
whatever they liked?

Did you come here,
kill Innes Clark,

and attempt to destroy
this evidence?

Those boys wouldn't do this.

It's some vile Peeping Tom.

Did you kill Innes, Mr. Delgado?

No.

Where were you last night?

I was at home.

Your family can vouch
for you?

I'm innocent.

I wasn't here.

Then tell us.

Your alibi.

Is he in that picture?

I have a wife.

A daughter.

Mr. Delgado, in my experience,
not much good comes

from policing
personal affairs.

Our concern is murder.

If you're innocent,
your friend

has to make a statement.

We can do that quietly.

Thank you, Inspector.

Did you know
all the student journalists?

Did you know Caroline Stansham?

Yes, I, I was always
running into her around campus.

She seemed to be everywhere.

When did you last see her?
Month ago.

In rapt attention
to some

campus beatnik.

All that self-help guff.

Sam something.

♪ ♪

Sam White?

Yes.

Yes, that's the one.

(breathes deeply)

♪ ♪

Leonard.

Is Sam White here?

LEONARD:
I've no idea.

Damn it.

(talking in background)

Caroline.

You have me at a disadvantage...

Reverend Alphaeus.

You two know each other?

It's just Alphy.

Are you all right?
Where have you...

GEORDIE:
Miss Stansham.

I'd like a word
down the station.

SAM: It's okay.
Without any conflicts of interest.

(door opens)

♪ ♪

Innes was such a darling.

You know, he took
a chance on me as a writer.

No one had ever done that
before.

GEORDIE:
You think of anyone who might have wanted to silence him?

How long have you got?

They treated complaints
like badges of honor.

Where were you last night?

With Sam.

We've been doing up a place
together on the edge of town.

So he's your boyfriend?

He's...

He's quite wonderful.

For how long?

Four glorious weeks.

Hm.

You sound evangelical.

I guess so.

I found my purpose.
(chuckles)

Helping Sam,

recording his work,
and funding his ambitions.

With your father's money.

My money.

I'm 21,

and it's a far better use of it

than anything he's ever done.

So, are you two...

Mm.

We are.

You know Caroline how, exactly?

We met at a bar.

Were you together?

No.

Well, uh, briefly.

And how long ago?

(door opens)

Would it be all right

if I had a private word
with Miss Stansham?

My office.
Thank you.

(door opens)

(door closes)

A vicar.

You kept that quiet.

Never show your hand.

Said the card shark
in the cassock.

I didn't think
I'd ever see you again.

And then Inspector Keating

asked for help finding you...

I'm with Sam.

I'm in love with him.

But I had fun with you.

Have I broken a commandment?

No.

I had fun, too.

Did you meet Sam
at the college?

All thanks to Innes.

He said, "Find a story,"
so I went looking.

I came across
one of Sam's talks.

I met his group, and...

I was inspired.

It's like what church
is supposed to be,

but without all of
the dreadfully boring bits.

(chuckles):
No offense.

Reporter turned do-gooder?

What, you don't believe me?
No, uh...

Satire and earnestness.

Well, they seem an uneasy fit.

Come along to the halfway
house tomorrow night.

There's a party.

Sam's organized it.

Be in the story,

instead of sniping from the
sidelines like Innes and Nigel.

I think that's where the two
of them felt most comfortable.

Not if they were
together for too long.

All of the fighting
and jealousy...

(inhales)

It could get quite vicious.

♪ ♪

(door opens)

Why was she at that bar
that night

if she's so happy
with Sam?

Because she's greedy?

Or maybe it's not all
sunshine and roses.

Hm, maybe.

You listen to this?

Nah, more of a Goons man.

Mind if I?

Be my guest.

(people talking in background,
typewriters clacking)

(switch clicks)

INNES (on recording):
Nigel, listen.

I've got a great idea
for a comedy sketch.

Prime Minister,
there is a visitor in reception.

Quite insistent.
NIGEL (on recording): Oh!

Do they have an appointment?
INNES: Well, no.

But I believe it may be
pertinent,

as they are, in fact,

the Four Horsemen
of the Apocalypse.

NIGEL: Four?
But I only have three chairs.

Could one of them wait outside?

INNES:
I believe they come as a quartet.

(both laughing)

INNES:
I just think that's a better out.

NIGEL:
"A better out," oh, how technical.

One show at the Footlights

and you think
you're Alan bloody Bennett!

INNES:
Please, Nigel.

NIGEL:
They gave you it out of pity.

Maybe if my mum died,
I could get three lines

in a crap show, too.
INNES: Nigel.

NIGEL (sighs):
You drag me down, Innes.

I should have got shot of you
years ago.

(people talking in background)

♪ ♪

(laughs)

WOMAN:
Oh, that's him!

What?

(both laughing)

♪ ♪

What have you got?

This little satirist has a bite.

What's all this?

If you stop
with the pills,

you'll start getting
all those feelings again.

Angry, fizzing.

Sylvia!

Be angry if you want
to be angry.

Really?

I went through a whole
Staffordshire set

during my turn.

(exhales)
Better?

A little.

Besides the blue moods
and sleeplessness,

the menopause is a bugger
for hot flushes,

night sweats,

and dryness
in your downstairs.

I'll, um...
(clears throat)

I'll leave you two to it.

(cup shatters)

(both snort, giggle)

(people talking, phones ringing
in background)

You little runt!
Who do you think you are?

Get off me!
Larry!

NIGEL: Get your hands off me,
you moron! GEORDIE: Oi, cut it out-- oi.

Look what he's written.

Christ.

Almost went
with "Dumblock Holmes."

(laughs)

GEORDIE:
Interview room, now.

Larry, I didn't mean...

You did!

I know what you think of me--
I know that much.

♪ ♪

NIGEL (voiceover):
I should thank you, Inspector.

You just handed me
the next special issue

on police brutality.
GEORDIE: Enough.

You're nothing but a gobby prat
with a soapbox.

Geordie.

Innes justified
your approach

as "skewering the
establishment,"

but this?

This is just a petty
personal attack.

Blame Innes.

He left me short.

Your simpleton
was obvious filler.

What was Innes working on?

No doubt some worthy tirade.

But I'll never know.

It wasn't on his desk
or anywhere in the room.

It was taken.

(exhales)

And he never told you
what it was about?

After you left,

all he could talk about
was Caroline.

Who took the photographs
of Mr. Delgado?

What photos?

The Peeping Tom shots--
you know.

I don't!

Look, Innes and I
were sent stuff separately,

often anonymously.

If it was worth sharing,
we would,

but more often than not,

he'd handle the worthy
and I handled the funny.

(chuckles)

Mmm.

(switch clicks)
NIGEL (on recording): One show at the Footlights

and you think you're
Alan bloody Bennett!

INNES (on recording):
Please, Nigel.

NIGEL:
They gave you it out of pity.

Maybe if my mum died,
I could get three lines

in a crap show, too.
INNES: Nigel.

NIGEL (sighs):
You drag me down, Innes.

I should have got shot of you
years ago.

(switch clicks)

Oh, it was meant to be
a collaboration, but you...

You turned it
into a competition.

Against someone warmer.

More charming.

Do you know what I think,
Nigel?

I think you've got
a mean streak.

It's made worse with drink.

You're mean enough
to kill Innes Clark.

♪ ♪

He was the charmer.

People liked him.

That's why I needed him.

I'm...

I'm just a gobby prat
with a soapbox.

♪ ♪

GEORDIE:
He's more likely to use a poison pen

than to cut a throat.

And Delgado's close friend
popped in

to confirm his alibi.

Someone tried
to destroy those photos.

Mmm?

And Innes was writing an article
that's disappeared.

Maybe someone else at the paper
held a grudge.

Maybe Caroline can help.

Aren't you lot meant to avoid
coveting another man's wife?

It's a genuine line of inquiry.

NIGEL (voiceover):
So you're the smart one?

An island in a sea of idiots.

My paper's always
looking for someone good.

(typewriters clacking,
phones ringing in background)

There's no F in catastrophic,

bloodletting has two Ts,

and if you're trying to imply

that the chancellor
of Cambridge University

likes to fornicate outdoors,

you'll want bare B-A-R-E,

not the grizzly
mammal kind.

See?

We could really use you.

Detective Peters is more
of an investigator

than you'll ever be,

and I wouldn't use your paper
to wrap up my chips.

You're free to go.

♪ ♪

(soul song playing)

♪ You give me good love ♪

♪ Good love ♪

♪ Talkin' 'bout that good love ♪

♪ Good love ♪

What's all this
in aid of?

I've no idea.

Wednesday night is
usually crumpet night.

♪ Yeah, yeah ♪

This is all Sam's group?

They have a name now.

The Way Finders.
(softly): Oh.

Sounds like something
to do with orienteering.

(music continues,
guests laughing)

Bit different to
your congregation, is it?

(chuckles):
I don't know.

Same spirit,
different tempo.

Although you've
definitely grown your crowd.

SAM:
Long may it continue.

Excuse me.

(music continues)

SAM:
She told me.

About you two.

Don't worry, I get it.

It's not easy,
but I've come to realize

that I can't be...

(sighs):
Possessive.

(music continues, guests cheer)

(people talking, laughing
in background)

Why you hiding out here?

Trying to find
some peace and quiet,

but Del Shannon pierced
the walls like uranium anyway.

If you don't like it,
don't stay.

("Runaway"
playing in background)

This is my house!

But I suppose that's
your answer to everything.

Sell up and move on.

You're becoming very bitter.

And you're becoming
very condescending.

I'm trying to captain
my life, for once.

You should do the same.

Oh, I'm going to.

♪ Wishin' you were here by me ♪

♪ To end this misery ♪

♪ And I wonder ♪

♪ I wo-wo-wo-wo-wonder ♪

Sam, I'd like to have
a word.

Yeah, of course,
fire away.

Right.

I think we've reached the limit

of how much I can help you.

The limit?

What I mean is,

I began this halfway house
to help ex-convicts,

those struggling to adjust,

get them back on their feet.

And now I'm having to
turn those same people away.

(exhales)

(chuckles softly):
"I mean", "I began,"

"I'm turning people away."

When did this all become
about you, Leonard?

Was your little halfway house
ever this successful?

I'm building
something special here.

And I won't let

some

pathetic

little traitor

threaten it.

You test me again

and I'll show you
what my limit really is.

Do you understand?

Say it.

I understand.

(breath trembling)

♪ ♪

(rockabilly song
playing in background)

Yeah, well, on and off.

Oh, really?
Yeah.

ALPHY:
Caroline.

Do you mind
if I have a word?

(people talking, music playing
in background)

You were a part
of that paper.

Did you know anyone
who held a grudge or...

Did you know about
the photos of the editor?

Is this a party
or an interrogation?

I got out because
it's a nest of vipers.

And darling Innes
was becoming a limpet.

(music continues)

(lighter opens, ignites)

(lighter closes)

(music continues)

Have you been in touch
with your father?

(people talking in background)

My father's
a tragically strict man.

I spent my life,
until I came here,

living in his dominion.

And Innes was like
that, too?

(music continues)

(kisses)

Thank you.

For looking for me.

Now we really must dance.

("Leave My Kitten Alone"
by Little Willie John playing)

♪ You better leave ♪
Oh, you go ahead.

♪ Meow ♪
I need a drink.

♪ My kitten alone ♪

♪ Meow ♪

Hey.

♪ You better leave ♪
You all right?

No, not really.
♪ My kitten alone ♪

I think I might go.

Oh, go where?

♪ I done told you,
Big Bad Bulldog ♪

Leonard, what is it?

SAM:
Leonard! (claps hands)

(sighs):
Ah.

Alphy, this man has opened
his home to us,

and his heart.

Helped connect people.

Made all this possible.

He's one of the good ones.

Excuse me.

♪ Meow ♪

♪ So get your hands off of her ♪

♪ 'Cause I'm her lovin' man ♪

♪ Meow ♪

♪ Mr. Dog, I'm gonna hit you ♪

♪ On the top of your head ♪

(gasps)

♪ And you'll wish
that you were dead ♪

♪ If you don't leave ♪
♪ Meow ♪

♪ ♪

♪ ♪

♪ ♪

(dog barking in distance)

GEORDIE:
Are these your shoes, Miss Stansham?

You've got fine print
on your footprint.

Those letters
are from a Letraset,

one of the typeface sheets
used for dry transfers.

Used by Innes Clark.

I know what they are.

They're probably on the feet

of everyone
that went to that office.

But a set of these
were knocked to the floor

the night of Innes's murder.

I was with Sam that night.

GEORDIE:
He's hardly unbiased.

Delgado said he saw you
all over the campus.

Because you were tailing him.

Getting Innes the photographs
to blackmail him with.

Delgado...
(inhales)

...had been rattled
by a few complaints,

so Innes wanted a grubby story
to hold over him.

There was one,
and I got the pictures.

But I found something
more important.

I found Sam, and I...

I realized there's more to life
than cutting people down.

But when you needed someone to
take the fall for the murder,

you still had
those photographs.

Why not sell Delgado
down the river?

But when that didn't
work out...

...you pointed us to Nigel.

Why exactly would I kill Innes?

You told me men try
to dominate your life.

I poured my heart out to you.

After we told Innes
you were missing...

...I think he tracked you down.

I think he wanted you.

He wanted you
to be his girl,

but if you weren't going to be
Daddy's little girl,

you damn well weren't going
to be his, either.

You're twisting my words.

Did you see red
and lash out?

Did you kill Innes Clark
because he tried to control you?

I didn't kill him for me,
I killed him for Sam!

Innes wrote a vicious
little hatchet job

smearing Sam, and me,
and all of the Way Finders.

How dare he?!

What has he ever done?

What does he stand for?
He's billowing out lies

from the top
of his pathetic hill.

I had to protect Sam
from that bile!

♪ ♪

I can't take it in.

Son...

You gave her an alibi.

I didn't want to give
a bad impression of her.

Did you know
Innes Clark?

I never met him.

I heard the name
from Caroline.

Did you know he drafted
a piece about you?

What?

Caroline says she burned it.

Real hatchet job, apparently.

It being gone does you a favor.

Inspector,
I welcome criticism.

If you rock the boat,
someone will shout.

I, I don't dismiss that.

I'd never shut it down.

She never spoke to you
about it.

Not a word.

She kept her own counsel.

I wish she had, I just...

♪ ♪

GEORDIE:
You all right?

(bottle set on desk)

I wanted an answer
to what was driving her.

♪ ♪

(exhales):
I didn't think it would be this.

For better or worse...

(exhales):
...the truth will out.

That being said,

she wasn't a murderer
before you slept with her.

Shut up.

Too soon?

(chuckles)

You all right?

Hmm?

You know you can talk to me.

Talking won't solve my
problems-- Cathy's problems.

Don't give up just yet.

I know the road
we're on, Alphy.

It doesn't end well.

Then make the most of life now.

(door closes)

(dish shatters)

Oh, Christ, you okay?

It's fine, Geordie.

Cruddy hell.

(exhales)

Cathy...

Listen.

I've been thinking.

I'll put in
for a sabbatical.

Effective immediately.

I don't know what it is you're
going through, or what you need,

but I am going to be here
with you,

every step of the way.

Geordie Keating,

I bloody love you.

You are a wonderful
husband.

But you don't have
to do that.

I may be anxious,

and I've had some right stresses
this year, but

I am not going
the way of my mother.

You're not?

Thank you
for getting Sylvia.

I'd got so fixed on thinking
I knew where I was headed,

and she gave me
a different perspective.

A woman's perspective.

Come again?

Great detective, my arse.

(inhales)

A lady of my age...

It's my time...

Oh...

It's not going to be easy.

Is anything?

Or painless--
certainly not quick.

♪ ♪

Slow and painful
is my middle name.

(chuckles softly)

♪ ♪

I'm going to stop taking
them pills.

They are not the answer.

Well, it depends.

Are they more or less
expensive than the crockery?

(both chuckle)

♪ ♪

(birds chirping)

LEONARD (voiceover):
Last night, I stayed with Mrs. C.

and Jack after...

(inhales)

...an altercation with Sam.

I suggested that

his group had outgrown
the house.

And he...

He called me
a "pathetic traitor."

He threatened me.

Sounds out of character,
but...

Leonard, if you say it,
I believe you.

I just don't know
anymore.

I don't trust him,

and he's got his hooks
into Daniel.

And all those others.

(inhales):
I'm worried.

(calling):
Hello?

Daniel?

Is anyone in?

Hello?

Daniel?

Never seen it
this quiet before.

It never is.

♪ ♪

"Leonard, we won't be
a hindrance to you anymore.

All the best, Sam."

That's it?

Well, where have
they all gone?

No forwarding address, nothing.

This isn't normal.

(stammers):
I'm sure it's fine.

No, this is all wrong.

And where's Daniel?

Sam's a dangerous man.

♪ ♪

(click)

♪ ♪

MRS. CHAPMAN:
He's stealing your job.

It's not his fault,
Mrs. C.

ALPHY:
Every time I got a letter,

there was a break-in soon after.

DANIEL:
Don't try to find me.

LARRY: The victim came out

the third-floor window.

No one knew the fella.

GEORDIE:
Except Sam White.

♪ ♪

♪ ♪

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♪ ♪

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