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♪ NOW THE WORLD DON'T MOVE ♪
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00:00:02,403 --> 00:00:04,681
♪ TO THE BEAT OF JUST ONE DRUM ♪
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00:00:04,705 --> 00:00:06,583
♪ WHAT MIGHT BE RIGHT FOR YOU ♪
4
00:00:06,607 --> 00:00:08,986
♪ MAY NOT BE RIGHT FOR SOME ♪
5
00:00:09,010 --> 00:00:11,054
♪ A MAN IS BORN ♪
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00:00:11,078 --> 00:00:13,090
♪ HE'S A MAN OF MEANS ♪
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♪ THEN ALONG COME TWO ♪
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00:00:15,016 --> 00:00:17,394
♪ THEY GOT NOTHING
BUT THEIR JEANS ♪
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00:00:17,418 --> 00:00:19,196
♪ BUT THEY GOT
DIFF'RENT STROKES ♪
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00:00:19,220 --> 00:00:20,998
♪ IT TAKES DIFF'RENT STROKES ♪
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00:00:21,022 --> 00:00:23,033
♪ IT TAKES DIFF'RENT STROKES ♪
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00:00:23,057 --> 00:00:26,036
♪ TO MOVE THE WORLD ♪
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00:00:26,060 --> 00:00:30,007
♪ EVERYBODY'S GOT A
SPECIAL KIND OF STORY ♪
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00:00:30,031 --> 00:00:33,176
♪ EVERYBODY FINDS
A WAY TO SHINE ♪
15
00:00:33,200 --> 00:00:34,811
♪ IT DON'T MATTER THAT YOU GOT ♪
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00:00:34,835 --> 00:00:35,812
♪ NOT A LOT ♪
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00:00:35,836 --> 00:00:37,814
♪ SO WHAT? ♪
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00:00:37,838 --> 00:00:38,948
♪ THEY'LL HAVE THEIRS
AND YOU'LL HAVE YOURS ♪
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00:00:38,972 --> 00:00:41,284
♪ AND I'LL HAVE MINE ♪
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00:00:41,308 --> 00:00:43,286
♪ AND TOGETHER WE'LL BE FINE ♪
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00:00:43,310 --> 00:00:44,621
♪ 'CAUSE IT TAKES
DIFF'RENT STROKES ♪
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00:00:44,645 --> 00:00:45,989
♪ TO MOVE THE WORLD ♪
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00:00:46,013 --> 00:00:47,557
♪ YES, IT DOES ♪
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00:00:47,581 --> 00:00:50,849
♪ IT TAKES DIFF'RENT
STROKES TO MOVE THE WORLD ♪
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00:00:53,887 --> 00:00:55,532
HEY, GUYS, WAIT TILL YOU HEAR...
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00:00:55,556 --> 00:00:57,700
HEY, WILLIS. HI, CHARLENE.
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00:00:57,724 --> 00:00:58,801
I AUDITIONED TODAY TO SING WITH
A NEW MUSICAL GROUP AT SCHOOL,
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00:00:58,825 --> 00:01:00,037
AND I GOT THE JOB!
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00:01:00,061 --> 00:01:01,971
GREAT, WILLIS. WONDERFUL.
30
00:01:01,995 --> 00:01:03,407
I KNEW YOUR VOICE WAS
GOOD FOR SOMETHING
31
00:01:03,431 --> 00:01:05,842
BESIDES YELLING AT ME.
32
00:01:05,866 --> 00:01:08,545
ISN'T THAT EXCITING? HE
REALLY HAS A GOOD VOICE.
33
00:01:08,569 --> 00:01:10,680
WELL, LIKE FATHER, LIKE SON.
34
00:01:10,704 --> 00:01:12,615
WHEN I WAS YOUR AGE, WILLIS,
I DID A LITTLE SINGING MYSELF.
35
00:01:12,639 --> 00:01:14,384
OH, YOU MEAN PROFESSIONALLY,
MR. DRUMMOND?
36
00:01:14,408 --> 00:01:15,952
NO, JUST IN THE CHURCH CHOIR.
37
00:01:15,976 --> 00:01:17,454
WHAT'S THE NAME OF THE GROUP?
38
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THE EPISCOPALIANS.
39
00:01:20,881 --> 00:01:22,559
DADDY. I MEANT THE
NAME OF THE GROUP
40
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WILLIS IS SINGING WITH.
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THEY SAID THEY HAD A
HARD TIME GETTING A NAME
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BECAUSE ALL THE
GOOD ONES WERE TAKEN.
43
00:01:27,788 --> 00:01:30,333
YOU KNOW WHAT
WOULD BE A GREAT NAME?
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THE BELLYBUTTONS.
45
00:01:34,361 --> 00:01:36,039
THAT'S SILLY.
46
00:01:36,063 --> 00:01:38,808
IT WOULD LOOK GREAT
ON A RECORD LABEL.
47
00:01:38,832 --> 00:01:40,752
AND THE LITTLE HOLE
IS ALREADY THERE.
48
00:01:42,336 --> 00:01:44,081
WHAT THEY FINALLY DECIDED ON...
49
00:01:44,105 --> 00:01:45,615
GET THIS FOR A CATCHY NAME...
50
00:01:45,639 --> 00:01:48,006
THE AFRO-DISIACS.
51
00:01:50,911 --> 00:01:52,456
THAT'S A REALLY
CUTE NAME, WILLIS.
52
00:01:52,480 --> 00:01:55,758
I STILL PREFER THE CRAZY
NAMES WE HAD IN MY DAY...
53
00:01:55,782 --> 00:01:57,749
LIKE GUY LOMBARDO.
54
00:01:59,920 --> 00:02:03,433
GUY LOMBARDO! I USED TO LISTEN
TO HIM EVERY NEW YEAR'S EVE...
55
00:02:03,457 --> 00:02:06,002
AND CRY.
56
00:02:06,026 --> 00:02:07,971
GEE, YOU'RE REALLY
SENTIMENTAL, ADELAIDE.
57
00:02:07,995 --> 00:02:09,694
NO, I WAS REALLY BOMBED.
58
00:02:11,532 --> 00:02:15,579
WELL, WHAT'S REALLY GONNA SELL
THIS GROUP IS A GORGEOUS SINGER.
59
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YOU MEAN BESIDES YOURSELF?
60
00:02:18,405 --> 00:02:21,351
NO. I MEAN CHARLENE.
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00:02:21,375 --> 00:02:23,052
I'M GONNA TALK TO THE GUYS
ABOUT LETTING HER SING, TOO.
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00:02:23,076 --> 00:02:24,621
SHE'S GOT A SUPER VOICE.
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REALLY? THAT'S GREAT.
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00:02:26,547 --> 00:02:29,493
COME ON, WILLIS.
DON'T EXAGGERATE.
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I'M NOT! COME ON,
GIVE 'EM A SAMPLE.
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SING WITH THIS CASSETTE.
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00:02:33,053 --> 00:02:34,897
WILLIS, THEY DON'T
WANT TO HEAR ME SING.
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00:02:34,921 --> 00:02:36,099
YES, WE DO. SURE.
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00:02:36,123 --> 00:02:38,001
Kimberly: TRY US.
70
00:02:38,025 --> 00:02:40,437
JUST SING AND LET MY
FAMILY BE THE JUDGE.
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00:02:40,461 --> 00:02:42,439
ANYWAY, YOU GOTTA GET USED
TO SINGING IN FRONT OF PEOPLE.
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00:02:42,463 --> 00:02:45,623
AT LEAST WE WON'T
THROW TOMATOES.
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00:02:46,300 --> 00:02:49,179
WELL, WITH THAT KIND OF
ENCOURAGEMENT, HOW CAN I SAY NO?
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Arnold: ALL RIGHT! YEAH.
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00:02:55,209 --> 00:02:57,820
♪ THE MAGIC IS WORKING ♪
76
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♪ THE MAGIC IS WORKING ♪
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♪ FALLING IN LOVE ♪
78
00:03:04,685 --> 00:03:07,319
♪ YOU WERE SENT
FROM HEAVEN ABOVE ♪
79
00:03:09,256 --> 00:03:11,100
♪ ALL OF MY LIFE ♪
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00:03:11,124 --> 00:03:13,936
♪ I HOPED TO FIND ♪
81
00:03:13,960 --> 00:03:18,275
♪ SOMEONE LIKE YOU,
SO SWEET AND SO KIND ♪
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00:03:18,299 --> 00:03:22,879
♪ NEVER THOUGHT I'D LOVE AGAIN ♪
83
00:03:22,903 --> 00:03:26,816
♪ I THOUGHT MY LIFE
HAD COME TO AN END ♪
84
00:03:26,840 --> 00:03:29,118
♪ THEN OUT OF THE BLUE ♪
85
00:03:29,142 --> 00:03:32,021
♪ THERE YOU WERE ♪
86
00:03:32,045 --> 00:03:36,426
♪ TAKING MY HEART,
YOU CAPTURED IT ♪
87
00:03:36,450 --> 00:03:40,797
♪ YOU STOOD LIKE A
KNIGHT IN SHINING ARMOR ♪
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♪ YOU CHANGED MY LIFE,
YOU'RE SUCH A CHARMER ♪
89
00:03:44,991 --> 00:03:47,437
♪ THE MAGIC IS WORKING ♪
90
00:03:47,461 --> 00:03:49,506
♪ FALLING IN LOVE ♪
91
00:03:49,530 --> 00:03:52,041
♪ THE MAGIC IS WORKING ♪
92
00:03:52,065 --> 00:03:54,477
♪ I'M FALLING IN LOVE ♪
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00:03:54,501 --> 00:03:56,501
♪ YOU WERE SENT
FROM HEAVEN ABOVE ♪
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00:03:59,573 --> 00:04:03,953
♪ I FEEL SO GOOD ABOUT
YOUR LOVING, BABY ♪
95
00:04:03,977 --> 00:04:08,358
♪ I FEEL SO GOOD ABOUT
YOUR LOVING, BABY ♪
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00:04:08,382 --> 00:04:11,450
♪ I FEEL SO GOOD ABOUT
YOUR LOVING, BABY ♪
97
00:04:21,462 --> 00:04:23,406
WOW!
98
00:04:23,430 --> 00:04:25,675
NOW THERE'S A MAMA
WHO REALLY GETS DOWN
99
00:04:25,699 --> 00:04:27,599
AND TORTURES YOUR SOUL.
100
00:04:29,703 --> 00:04:31,581
RIGHT ON!
101
00:04:31,605 --> 00:04:34,284
BOY, MUSIC SURE HAS CHANGED.
102
00:04:34,308 --> 00:04:37,086
WHATEVER HAPPENED TO THE
SENTIMENTAL OLDIES BUT GOODIES
103
00:04:37,110 --> 00:04:39,055
FROM MY DAY, LIKE...
104
00:04:51,525 --> 00:04:54,237
THEY DON'T WRITE
SONGS LIKE THAT ANYMORE.
105
00:04:54,261 --> 00:04:55,494
THANK GOODNESS.
106
00:04:57,598 --> 00:04:59,476
HEY, CHARLENE, WOULD YOU
LIKE SOMETHING COLD TO DRINK?
107
00:04:59,500 --> 00:05:02,412
THANKS.
108
00:05:02,436 --> 00:05:04,581
HEY, SOUNDS LIKE YOU'RE GONNA
HAVE QUITE A GROUP THERE, WILLIS.
109
00:05:04,605 --> 00:05:07,216
YEAH, EXCEPT FOR WE GOT
ONE LITTLE PROBLEM, DAD...
110
00:05:07,240 --> 00:05:09,852
I WONDER IF YOU CAN
GIVE ME SOME ADVICE.
111
00:05:09,876 --> 00:05:11,488
WHY NOT? I'VE GOT
TONS OF IT LEFT OVER
112
00:05:11,512 --> 00:05:14,658
FROM ALL THE ADVICE
YOU DIDN'T TAKE BEFORE.
113
00:05:14,682 --> 00:05:17,494
WELL, AFTER TOMORROW WE'VE
GOT NO PLACE TO REHEARSE.
114
00:05:17,518 --> 00:05:19,429
SEE, THE GUY WHO'S LETTING
THEM USE THE RECORDING STUDIO
115
00:05:19,453 --> 00:05:21,698
IS KICKING THEM OUT
UNLESS THEY CAN PAY.
116
00:05:21,722 --> 00:05:24,000
WELL, WHERE WERE THEY
REHEARSING BEFORE THAT?
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00:05:24,024 --> 00:05:27,184
OH, IN THE GARAGE BEHIND
ROSSI'S FISH MARKET.
118
00:05:27,494 --> 00:05:29,172
THAT'S SMART.
119
00:05:29,196 --> 00:05:30,996
NOBODY WILL NOTICE IF YOU STINK.
120
00:05:36,169 --> 00:05:37,280
I'D LIKE TO HELP, WILLIS,
121
00:05:37,304 --> 00:05:38,915
BUT I CAN'T THINK OF A PLACE.
122
00:05:38,939 --> 00:05:40,739
OH, BUT, DAD, YOU'RE NOT
THINKING HARD ENOUGH.
123
00:05:44,044 --> 00:05:45,888
WILLIS, YOU'RE NOT SUGGESTING...
124
00:05:45,912 --> 00:05:47,190
YOU DON'T THINK
FOR A MINUTE THAT I...
125
00:05:47,214 --> 00:05:48,925
OH, NO, NO, NO. NO WAY.
126
00:05:48,949 --> 00:05:51,894
BUT, DAD, WE'RE IN A
PENTHOUSE, THE 30th FLOOR.
127
00:05:51,918 --> 00:05:53,930
I MEAN, DAD, WHO DO WE DISTURB?
128
00:05:53,954 --> 00:05:56,274
EVERYBODY FROM
THE 29th FLOOR DOWN.
129
00:05:57,658 --> 00:06:00,937
DAD, ALL THE OTHER GUYS'
APARTMENTS ARE TOO SMALL,
130
00:06:00,961 --> 00:06:03,973
AND IF WE CAN'T REHEARSE
THE GROUP WILL BREAK UP.
131
00:06:03,997 --> 00:06:07,076
AND THEN MY CAREER WILL
NEVER GET OFF THE GROUND.
132
00:06:07,100 --> 00:06:08,945
YEAH. WILLIS' ROCKET TO STARDOM
133
00:06:08,969 --> 00:06:10,502
WILL GO PBBBBTHH!
134
00:06:12,606 --> 00:06:15,852
BUT DAD, YOU'RE OUR LAST CHANCE.
135
00:06:15,876 --> 00:06:18,722
WILLIS, WHAT YOU JUST
DID TO ME WAS VERY UNFAIR.
136
00:06:18,746 --> 00:06:20,523
WHAT DID I DO?
137
00:06:20,547 --> 00:06:22,191
FIRST OF ALL, YOU
MADE ME FEEL GUILTY
138
00:06:22,215 --> 00:06:25,261
AND THEN YOU
DOUBLE-CROSSED ME WITH LOGIC.
139
00:06:25,285 --> 00:06:27,196
OK, YOU CAN USE THE
APARTMENT AFTER TOMORROW,
140
00:06:27,220 --> 00:06:29,298
BUT KEEP THE NOISE LEVEL DOWN.
141
00:06:29,322 --> 00:06:30,567
GREAT! THANKS, DAD!
142
00:06:30,591 --> 00:06:32,635
THAT'S MY DAD.
143
00:06:32,659 --> 00:06:34,526
WE DON'T CALL HIM THE
BIG PUSHOVER FOR NOTHING.
144
00:06:35,662 --> 00:06:37,273
OH, UH, DAD,
145
00:06:37,297 --> 00:06:39,642
THERE'S JUST ONE
OTHER LITTLE THING.
146
00:06:39,666 --> 00:06:42,379
HOW MUCH?
147
00:06:42,403 --> 00:06:44,748
HOW DID YOU KNOW
IT WAS ABOUT MONEY?
148
00:06:44,772 --> 00:06:48,418
BECAUSE "JUST ONE OTHER
LITTLE THING" ALWAYS IS.
149
00:06:48,442 --> 00:06:50,720
WELL, HOW WOULD YOU
LIKE TO INVEST IN OUR GROUP?
150
00:06:50,744 --> 00:06:52,221
YOU KNOW, WE
NEED THINGS LIKE, UM,
151
00:06:52,245 --> 00:06:53,990
ROCK GROUPS NEED COSTUMES.
152
00:06:54,014 --> 00:06:55,692
WELL, I DON'T SUPPOSE
IT SHOULD COST TOO MUCH
153
00:06:55,716 --> 00:06:57,356
TO BUY SOME TORN T-SHIRTS.
154
00:06:59,052 --> 00:07:01,598
WHAT'S MORE IMPORTANT IS WE NEED
THE MONEY TO CUT A DEMO RECORD.
155
00:07:01,622 --> 00:07:03,266
HOW MUCH WILL THAT COST?
156
00:07:03,290 --> 00:07:05,101
JUST A FEW HUNDRED DOLLARS.
157
00:07:05,125 --> 00:07:07,559
OH, DAD, FOR YOU
THAT'S CHICKEN FEED.
158
00:07:09,029 --> 00:07:12,096
I GUESS YOU THINK
THAT'S A POULTRY SUM.
159
00:07:14,768 --> 00:07:16,446
DAD, YOU OUGHTA
GIVE HIM THE MONEY
160
00:07:16,470 --> 00:07:18,269
JUST FOR LISTENING TO THAT JOKE.
161
00:07:23,544 --> 00:07:24,954
I'LL TELL YOU WHAT, WILLIS.
162
00:07:24,978 --> 00:07:26,456
I'LL GIVE IT SOME THOUGHT.
163
00:07:26,480 --> 00:07:27,957
HEY, DAD, WHY DON'T YOU
COME DOWN TO HEAR US
164
00:07:27,981 --> 00:07:29,392
AT THE STUDIO TOMORROW?
165
00:07:29,416 --> 00:07:30,894
WE'VE STILL GOT
ONE MORE DAY LEFT.
166
00:07:30,918 --> 00:07:33,563
FAIR ENOUGH. OK, I'LL DO THAT.
167
00:07:33,587 --> 00:07:35,732
GREAT. THE GUYS IN THE GROUP
WILL REALLY APPRECIATE THAT.
168
00:07:35,756 --> 00:07:37,522
YEP, WE SURE WILL.
169
00:07:39,059 --> 00:07:40,537
WE?
170
00:07:40,561 --> 00:07:42,371
ARNOLD, WHAT DO YOU
HAVE TO DO WITH THE GROUP?
171
00:07:42,395 --> 00:07:44,040
HOW CAN YOU SAY
THAT AFTER DAD AND I
172
00:07:44,064 --> 00:07:46,297
WERE NICE ENOUGH TO LET
YOU USE OUR APARTMENT?
173
00:07:49,803 --> 00:07:50,947
WILLIS, THERE MUST BE SOMETHING
174
00:07:50,971 --> 00:07:53,091
YOU CAN LET ARNOLD DO.
175
00:07:54,407 --> 00:07:55,518
LET HIM BE YOUR GOFER.
176
00:07:55,542 --> 00:07:57,041
COME ON, WHY NOT?
177
00:08:01,448 --> 00:08:02,792
ALL RIGHT, ARNOLD,
YOU CAN BE OUR GOFER.
178
00:08:02,816 --> 00:08:05,094
OH, THANKS, WILLIS!
179
00:08:05,118 --> 00:08:08,118
OH, I'M GONNA BE A
GOFER! THANKS, WILLIS!
180
00:08:09,857 --> 00:08:12,802
WHAT'S A GOFER?
181
00:08:12,826 --> 00:08:15,137
IT MEANS YOU GO FOR SANDWICHES,
182
00:08:15,161 --> 00:08:17,139
YOU GO FOR DRINKS, YOU
GO FOR ANYTHING WE WANT.
183
00:08:17,163 --> 00:08:20,276
YOU MEAN TO BE A
PART OF YOUR GROUP
184
00:08:20,300 --> 00:08:21,945
I'VE GOT TO BE A
CRUMMY MESSENGER?
185
00:08:21,969 --> 00:08:24,447
A FLUNKY?
186
00:08:24,471 --> 00:08:26,649
THE BOTTOM OF THE BARREL?
187
00:08:26,673 --> 00:08:28,618
THAT'S RIGHT.
188
00:08:28,642 --> 00:08:30,322
I CAN LIVE WITH THAT.
189
00:08:39,686 --> 00:08:41,464
ANYTHING I CAN DO
FOR YOU, DARREN?
190
00:08:41,488 --> 00:08:42,632
NOT AT THE MOMENT, MY MAN.
191
00:08:42,656 --> 00:08:44,501
WELL, REMEMBER, I'M YOUR GOFER.
192
00:08:44,525 --> 00:08:47,045
MY FURRY LITTLE TAIL
IS AT YOUR SERVICE.
193
00:08:48,328 --> 00:08:50,740
YOU JUST KEEP IT OUT OF THE WAY
194
00:08:50,764 --> 00:08:54,284
OR YOU'RE GONNA HAVE A
SHOE IN YOUR FURRY LITTLE TAIL.
195
00:08:54,902 --> 00:08:56,946
HERE'S OUR RECORD, GUYS.
196
00:08:56,970 --> 00:08:58,450
YEAH, DADDY BIG BUCKS.
197
00:09:00,407 --> 00:09:01,985
WELL, I CAN'T STAY
VERY LONG, WILLIS.
198
00:09:02,009 --> 00:09:03,620
I'VE GOT TO GET TO
A BUSINESS MEETING.
199
00:09:03,644 --> 00:09:05,021
OK, WELL, WE'LL
GET RIGHT TO IT, DAD.
200
00:09:05,045 --> 00:09:06,288
FELLAS, I WANT YOU
TO MEET MY DAD.
201
00:09:06,312 --> 00:09:07,323
HI. HOW YOU DOING?
202
00:09:07,347 --> 00:09:09,291
HI. NICE TO SEE YOU.
203
00:09:09,315 --> 00:09:11,193
UH, WILLIS TELLS ME YOU
GUYS ARE VERY FINE MUSICIANS.
204
00:09:11,217 --> 00:09:13,696
THAT'S TRUE.
205
00:09:13,720 --> 00:09:15,932
OK, LET'S MAKE THIS
ONE GOOD, GUYS.
206
00:09:15,956 --> 00:09:17,667
WILLIS, CAN I INTRODUCE YOU?
207
00:09:17,691 --> 00:09:19,569
OK, ARNOLD, BUT MAKE IT SHORT.
208
00:09:19,593 --> 00:09:21,473
SHORT IS MY MIDDLE NAME.
209
00:09:26,299 --> 00:09:29,012
AND NOW, HERE'S THAT
FANTABULOUS NEW GROUP,
210
00:09:29,036 --> 00:09:31,347
THE AFRO-DISIACS.
211
00:09:31,371 --> 00:09:35,151
FEATURING THE VOICE OF THAT
MELLOW FELLOW, WILLIS JACKSON.
212
00:09:35,175 --> 00:09:36,719
THEY'RE ALL JUST
COMING OFF OF A TOUR
213
00:09:36,743 --> 00:09:38,810
OF ROSSI'S FISH MARKET.
214
00:09:42,749 --> 00:09:45,917
♪ I'VE BEEN WALKING IN A CLOUD ♪
215
00:09:50,023 --> 00:09:53,391
♪ GOT ME SINGING
AND TALKING LOUD ♪
216
00:09:57,030 --> 00:09:59,976
♪ DRIVING ME CRAZY ♪
217
00:10:00,000 --> 00:10:01,600
♪ WITH YOUR DANCING ♪
218
00:10:04,137 --> 00:10:07,050
♪ WATCHING YOU SHAKE IT ♪
219
00:10:07,074 --> 00:10:08,439
♪ DON'T MEAN MAYBE ♪
220
00:10:12,345 --> 00:10:14,457
♪ MAKE ME SEE ♪
221
00:10:14,481 --> 00:10:18,127
♪ THAT YOU REALLY WANT TO BE ♪
222
00:10:18,151 --> 00:10:22,732
♪ MY ONE AND ONLY
DARLIN' SWEET BABY ♪
223
00:10:22,756 --> 00:10:25,635
♪ COME ON, BE MY
LADY 'CAUSE, BABY ♪
224
00:10:25,659 --> 00:10:29,138
♪ SINCE I MET YOU ♪
225
00:10:29,162 --> 00:10:30,842
♪ LOVE HAS GOT ME DANCIN' ♪
226
00:10:32,432 --> 00:10:36,112
♪ SINCE I MET YOU ♪
227
00:10:36,136 --> 00:10:39,048
♪ LOVE'S GOT ME DANCIN' ♪
228
00:10:44,410 --> 00:10:46,689
WILLIS, MAN,
229
00:10:46,713 --> 00:10:48,324
IF YOU HAD GOOD LEGS,
230
00:10:48,348 --> 00:10:51,327
YOU'D BE ANOTHER TINA TURNER.
231
00:10:51,351 --> 00:10:53,195
WELL, DAD, WHAT DO YOU
SAY ABOUT BACKING US?
232
00:10:53,219 --> 00:10:55,865
WELL, I'LL TELL YOU, FELLAS.
233
00:10:55,889 --> 00:10:57,900
HOW ABOUT IT? COME
ON, MR. DRUMMOND.
234
00:10:57,924 --> 00:10:59,736
I THINK YOU FOUND YOURSELF
A PIGEON. YOU'RE GREAT.
235
00:10:59,760 --> 00:11:02,071
THANKS, DAD.
236
00:11:02,095 --> 00:11:03,628
ALL RIGHT, MAN!
237
00:11:07,600 --> 00:11:10,312
MAYBE I'LL HAVE BETTER LUCK
IN SHOW BUSINESS THIS TIME.
238
00:11:10,336 --> 00:11:13,116
SOME YEARS AGO, I PASSED UP A
CHANCE TO INVEST IN OKLAHOMA!
239
00:11:13,140 --> 00:11:15,384
I PUT MY MONEY INTO A
SHOW CALLED MONTANA.
240
00:11:18,344 --> 00:11:19,889
WELL, THANKS AGAIN, DAD.
241
00:11:19,913 --> 00:11:21,390
HAPPY TO DO IT, SON.
242
00:11:21,414 --> 00:11:22,391
WELL, I GOTTA GET TO MY MEETING.
243
00:11:22,415 --> 00:11:25,028
DRIVE CAREFULLY, DAD.
244
00:11:25,052 --> 00:11:27,092
DON'T RUN OVER ANYONE
WHO BUYS RECORDS, DAD.
245
00:11:29,656 --> 00:11:32,101
WILLIS, I THOUGHT YOUR GIRLFRIEND
WAS COMING OVER. WHERE IS SHE?
246
00:11:32,125 --> 00:11:33,402
WELL, I BETTER CALL HER
AND SEE WHAT'S HAPPENING.
247
00:11:33,426 --> 00:11:34,603
I'LL CALL HER FROM OUTSIDE
248
00:11:34,627 --> 00:11:36,205
SO YOU BROTHERS CAN REHEARSE.
249
00:11:36,229 --> 00:11:37,506
YOU JUST DON'T WANT ME
HEARING ALL THAT KISSY-POO
250
00:11:37,530 --> 00:11:39,842
YOU DO OVER THE PHONE.
251
00:11:44,771 --> 00:11:46,983
WANT TO TAKE A RUN AT MONDAY
BLUES ON TUESDAY WHILE WE'RE WAITING?
252
00:11:47,007 --> 00:11:48,751
NAH. IT'S A DRAG
WITHOUT A LEAD VOCALIST.
253
00:11:48,775 --> 00:11:51,020
HEY! KIMBERLY KNOWS THAT SONG.
254
00:11:51,044 --> 00:11:53,422
YOU OUGHTA LET HER SING IT.
255
00:11:53,446 --> 00:11:55,224
♪ I GOT THE MONDAY BLUES ♪
256
00:11:55,248 --> 00:11:56,993
♪ ON TUESDAY ♪
257
00:12:00,120 --> 00:12:02,565
♪ I GOT THIS HOLE IN MY HEART ♪
258
00:12:08,028 --> 00:12:09,438
GET DOWN, ARNOLD.
259
00:12:09,462 --> 00:12:10,862
AND STAY DOWN.
260
00:12:13,233 --> 00:12:14,877
HOW LONG YOU BEEN
SINGING, KIMBERLY?
261
00:12:14,901 --> 00:12:17,546
OFF AND ON FOR A LONG TIME.
I PLAY A LITTLE GUITAR TOO.
262
00:12:17,570 --> 00:12:19,716
HOW ABOUT HELPING US
OUT SO WE CAN REHEARSE?
263
00:12:19,740 --> 00:12:21,540
AW, YOU WOULDN'T
WANT TO HEAR ME SING.
264
00:12:23,844 --> 00:12:25,822
BUT IF YOU INSIST.
265
00:12:25,846 --> 00:12:28,157
I'LL JUST TAKE A
LOOK AT THE MUSIC.
266
00:12:28,181 --> 00:12:29,792
HEY, ARNOLD, YOU
GOT A TALENTED FAMILY.
267
00:12:29,816 --> 00:12:30,827
I MEAN, YOUR BROTHER SINGS,
268
00:12:30,851 --> 00:12:31,928
YOUR SISTER PLAYS GUITAR.
269
00:12:31,952 --> 00:12:32,995
WHAT DO YOU DO?
270
00:12:33,019 --> 00:12:34,285
I EAT.
271
00:12:36,456 --> 00:12:38,167
YOU ALL SET, KIMBERLY?
272
00:12:38,191 --> 00:12:39,936
OH, READY AS I'LL EVER BE.
273
00:12:41,995 --> 00:12:44,741
♪ JUST GOT THE MESSAGE ♪
274
00:12:44,765 --> 00:12:47,565
♪ TO TELL ME YOU WON'T
BE AROUND ANYMORE ♪
275
00:12:50,436 --> 00:12:54,016
♪ SO WHAT SHOULD I DO
WITH THIS HOLE IN MY HEART ♪
276
00:12:54,040 --> 00:12:58,154
♪ WHERE MY WORLD USED TO BE? ♪
277
00:12:58,178 --> 00:13:02,391
♪ HANGOVERS DON'T GIVE
THE PLEASURE THEY USED TO ♪
278
00:13:02,415 --> 00:13:04,727
♪ SO WHAT SHOULD I DO ♪
279
00:13:04,751 --> 00:13:07,252
♪ WITH THE MONDAY
BLUES ON TUESDAY? ♪
280
00:13:10,257 --> 00:13:13,236
♪ I TRIED TO LAUGH AND PLAY ♪
281
00:13:13,260 --> 00:13:17,874
♪ ALL THROUGH THE NIGHT ♪
282
00:13:17,898 --> 00:13:20,709
♪ BUT I CAN'T PRETEND ♪
283
00:13:20,733 --> 00:13:26,348
♪ THAT THERE'S NOTHING WRONG ♪
284
00:13:26,372 --> 00:13:30,019
♪ LIES THAT LINGER ♪
285
00:13:30,043 --> 00:13:34,891
♪ LATCHED ONTO MY HEART ♪
286
00:13:34,915 --> 00:13:37,894
♪ I SEE YOU COME HOME ♪
287
00:13:37,918 --> 00:13:41,019
♪ ALONE AT NIGHT ♪
288
00:13:44,424 --> 00:13:48,827
♪ THE MONDAY BLUES ON TUESDAY ♪
289
00:13:58,705 --> 00:14:00,449
THAT WAS REALLY GOOD, KIMBERLY.
290
00:14:00,473 --> 00:14:02,473
BETTER THAN GOOD, IT WAS BAD!
291
00:14:03,944 --> 00:14:05,688
YOU GOT A GREAT VOICE, KIMBERLY.
292
00:14:05,712 --> 00:14:08,346
GLADYS KNIGHT,
EAT YOUR PIPS OUT.
293
00:14:09,883 --> 00:14:11,727
THANKS, GUYS.
294
00:14:11,751 --> 00:14:13,996
HEY...
295
00:14:14,020 --> 00:14:16,598
HOW ABOUT USING KIMBERLY
TO SING WITH THE GROUP, TOO?
296
00:14:16,622 --> 00:14:18,734
HEY, THAT'S A THOUGHT.
CHECK THIS OUT...
297
00:14:18,758 --> 00:14:20,769
KIMBERLY SINGS, AND SHE'S WHITE.
298
00:14:20,793 --> 00:14:22,426
I NOTICED THAT.
299
00:14:24,264 --> 00:14:26,142
NOW, LOOK, GUYS.
300
00:14:26,166 --> 00:14:27,944
THE FOUR OF US ARE
BLACK, AND SO IS WILLIS.
301
00:14:27,968 --> 00:14:29,533
I NOTICED THAT, TOO.
302
00:14:30,770 --> 00:14:32,949
WHAT ABOUT IT, H.B.?
YEAH, WHAT ABOUT IT?
303
00:14:32,973 --> 00:14:35,218
WHAT A GREAT GIMMICK. WE'D
BE THE ONLY GROUP IN THE WORLD
304
00:14:35,242 --> 00:14:37,141
WITH A BLACK AND WHITE
BROTHER-SISTER TEAM.
305
00:14:38,578 --> 00:14:40,522
YEAH.
306
00:14:40,546 --> 00:14:42,546
THE SYNCOPATION INTEGRATION.
307
00:14:45,818 --> 00:14:48,231
RECORD COMPANIES WILL
BE BEATING DOWN OUR DOOR.
308
00:14:48,255 --> 00:14:50,699
KIMBERLY, HOW WOULD YOU
LIKE TO BE AN AFRO-DISIAC?
309
00:14:50,723 --> 00:14:53,669
OH, WOULD I? OH,
THIS IS FANTASTIC!
310
00:14:53,693 --> 00:14:56,072
WELL, REMEMBER, IT WAS MY IDEA,
311
00:14:56,096 --> 00:14:57,406
SO WHEN YOU'RE UP
THERE ACCEPTING A GRAMMY
312
00:14:57,430 --> 00:14:58,841
AND THANKING THE LITTLE PEOPLE,
313
00:14:58,865 --> 00:15:00,865
DON'T FORGET THE
LITTLEST OF THEM ALL.
314
00:15:02,269 --> 00:15:03,909
I WILL BE THANKING
YOU, LITTLE IDOL MAKER.
315
00:15:05,939 --> 00:15:08,499
I'M GONNA GO TELL MY
FRIEND. I'LL BE RIGHT BACK.
316
00:15:09,976 --> 00:15:11,988
WHAT DO WE DO ABOUT
WILLIS' GIRLFRIEND?
317
00:15:12,012 --> 00:15:14,456
SHE'S COMING OVER TO AUDITION.
318
00:15:14,480 --> 00:15:16,092
I'M AFRAID THAT'S
WILLIS' PROBLEM.
319
00:15:16,116 --> 00:15:18,294
KIMBERLY'S IN. CHARLENE'S OUT.
320
00:15:18,318 --> 00:15:20,418
WHAT YOU TALKIN' 'BOUT, H.B.?
321
00:15:24,057 --> 00:15:25,902
HER MOTHER SAYS
CHARLENE'S ON HER WAY.
322
00:15:25,926 --> 00:15:27,736
SHE SHOULD BE HERE ANY SECOND.
323
00:15:27,760 --> 00:15:32,008
IF YOU'RE LUCKY HER
BUS'LL GET HIJACKED.
324
00:15:32,032 --> 00:15:34,310
WHAT'S THAT SUPPOSED TO MEAN?
325
00:15:34,334 --> 00:15:35,945
IT MEANS YOU HAVE TO TELL
CHARLENE WE CAN'T USE HER.
326
00:15:35,969 --> 00:15:37,613
WE'VE ALREADY GOT A GIRL SINGER.
327
00:15:37,637 --> 00:15:40,182
SAY WHAT?
328
00:15:40,206 --> 00:15:41,683
HE'S TALKING ABOUT YOUR SISTER.
329
00:15:41,707 --> 00:15:43,452
KIMBERLY?
330
00:15:43,476 --> 00:15:45,754
SHE'S TERRIFIC.
331
00:15:45,778 --> 00:15:47,323
WOULDN'T EVEN KNOW SHE COULD
SING IF IT WASN'T FOR ARNOLD.
332
00:15:47,347 --> 00:15:50,226
IS THAT RIGHT?
333
00:15:50,250 --> 00:15:53,370
I WONDER HOW THE FALKLAND
ISLANDS ARE THIS TIME OF YEAR.
334
00:15:58,358 --> 00:16:00,136
YOU GUYS CAN'T DO THIS TO ME.
335
00:16:00,160 --> 00:16:02,805
I PROMISED CHARLENE SHE'S GOT
A SHOT SINGING WITH THE GROUP.
336
00:16:02,829 --> 00:16:04,840
YEAH, BUT WE WANT KIMBERLY.
337
00:16:04,864 --> 00:16:06,542
WHAT AM I GONNA SAY TO CHARLENE?
338
00:16:06,566 --> 00:16:08,899
HOW ABOUT SEE YOU
LATER, LITTLE MAMA?
339
00:16:10,636 --> 00:16:14,083
WILLIS, I DIDN'T THINK
THEY'D CUT CHARLENE OUT.
340
00:16:14,107 --> 00:16:16,518
KNOCK IT OFF, YOU
LITTLE TROUBLE MAKER.
341
00:16:16,542 --> 00:16:19,322
LITTLE TROUBLE
MAKER KNOCKING OFF.
342
00:16:19,346 --> 00:16:21,424
KIMBERLEY'S GOOD FOR THE GROUP.
343
00:16:21,448 --> 00:16:23,525
WE LIKE THE IDEA OF HAVING
A BROTHER AND SISTER TEAM.
344
00:16:23,549 --> 00:16:25,461
WHAT'S SO SPECIAL ABOUT THAT?
345
00:16:25,485 --> 00:16:27,129
LOOK AT DONNY AN MARIE.
346
00:16:27,153 --> 00:16:29,698
THEY KEEP GETTING CANCELLED.
347
00:16:29,722 --> 00:16:31,334
YOU'RE MISSING THE POINT.
348
00:16:31,358 --> 00:16:33,302
YOU'D BE A BLACK AND
WHITE BROTHER-SISTER TEAM.
349
00:16:33,326 --> 00:16:34,403
WE COULDN'T MISS.
350
00:16:34,427 --> 00:16:36,372
GREAT!
351
00:16:36,396 --> 00:16:39,897
THEN WE'LL CHANGE THE NAME OF OUR
GROUP TO VANILLA AND THE CHOCOLATE CHIPS.
352
00:16:44,170 --> 00:16:47,649
IF YOU DON'T USE
CHARLENE, FORGET ABOUT ME.
353
00:16:47,673 --> 00:16:50,252
ALL RIGHT. OKAY.
354
00:16:50,276 --> 00:16:52,288
YEAH. FINE.
355
00:16:52,312 --> 00:16:56,280
DON'T YOU EVEN WANT
TO ARGUE A LITTLE BIT?
356
00:16:57,917 --> 00:17:00,929
WE CAN ALWAYS GET ANOTHER
SINGER TO REPLACE YOU.
357
00:17:00,953 --> 00:17:01,930
THERE ARE PLENTY AROUND.
358
00:17:01,954 --> 00:17:03,754
♪ I GOT THE MONDAY BLUES ♪
359
00:17:06,893 --> 00:17:07,870
KNOCK IT OFF.
360
00:17:07,894 --> 00:17:10,172
I DON'T BELIEVE YOU GUYS.
361
00:17:10,196 --> 00:17:13,175
I GOT YOU THE PLACE TO
REHEARSE AND MY DAD'S BREAD,
362
00:17:13,199 --> 00:17:15,777
AND YOU STAB ME IN
THE BACK WITH MY SISTER.
363
00:17:15,801 --> 00:17:17,279
WHAT'S THE MATTER, WILLIS?
364
00:17:17,303 --> 00:17:19,148
YOU KNOW DARN WELL.
365
00:17:19,172 --> 00:17:21,050
YOU ACED CHARLENE OUT
OF SINGING WITH THE GROUP.
366
00:17:21,074 --> 00:17:24,153
HEY! YOU GUYS DIDN'T
TELL ME CHARLENE WAS OUT!
367
00:17:24,177 --> 00:17:26,622
I DON'T WANNA TAKE
ANYTHING AWAY FRO CHARLENE!
368
00:17:26,646 --> 00:17:28,886
GOOD! WE ACCEPT
YOUR RESIGNATION.
369
00:17:30,350 --> 00:17:32,395
HEY, NOBODY'S RESIGNING.
370
00:17:32,419 --> 00:17:33,862
WE WANT KIMBERLY,
AND THAT'S THAT.
371
00:17:33,886 --> 00:17:35,464
NO WAY, MAN!
372
00:17:39,092 --> 00:17:42,004
WELL, ANYWAY, THE GROUP IS
REALLY VERY GOOD, ADELAIDE.
373
00:17:42,028 --> 00:17:44,573
I WAS SURPRISED AT
HOW WELL WILLIS SINGS.
374
00:17:44,597 --> 00:17:46,642
I NEVER EVEN KNEW HE COULD SING.
375
00:17:46,666 --> 00:17:49,678
OH, SURE. HE SINGS IN
THE SHOWER ALL THE TIME.
376
00:17:49,702 --> 00:17:51,280
WELL, I WOULDN'T KNOW
ANYTHING ABOUT THAT.
377
00:17:51,304 --> 00:17:52,903
I NEVER TOOK A SHOWER WITH HIM.
378
00:17:57,843 --> 00:17:59,755
HEY, HEY, HEY, HEY!
COOL IT! COOL IT!
379
00:17:59,779 --> 00:18:01,723
WHAT'S THE ARGUMENT ABOUT?
380
00:18:01,747 --> 00:18:04,427
DAD, KIMBERLY
RUINED MY ENTIRE LIFE!
381
00:18:04,451 --> 00:18:06,828
AGAIN?
382
00:18:06,852 --> 00:18:09,765
I MEAN IT, DAD. THE GUYS
WANT KIMBERLY TO SING
383
00:18:09,789 --> 00:18:12,068
INSTEAD OF CHARLENE WHO
THINKS SHE'S GOT THE JOB.
384
00:18:12,092 --> 00:18:14,670
WELL, HOW DO YOU THINK
CHARLENE'S GONNA TAKE THAT NEWS?
385
00:18:14,694 --> 00:18:18,240
SHE'LL FEEL REAL GOOD
RIGHT AFTER SHE KILLS ME.
386
00:18:18,264 --> 00:18:22,344
AND AFTER SHE KILLS
HIM, HE'LL KILL ME!
387
00:18:22,368 --> 00:18:25,381
I'M GONNA BE THE DEAD GOFER!
388
00:18:25,405 --> 00:18:27,216
KIMBERLY,
389
00:18:27,240 --> 00:18:29,418
HOW DO YOU FEEL ABOUT THIS?
390
00:18:29,442 --> 00:18:31,053
WELL, DADDY, I DON'T
WANNA CAUSE ANY TROUBLE
391
00:18:31,077 --> 00:18:32,721
BETWEEN WILLIS AND CHARLENE,
392
00:18:32,745 --> 00:18:34,390
BUT I'D REALLY LIKE TO
SING WITH THE GROUP.
393
00:18:34,414 --> 00:18:36,592
THEN I THINK YOU HAVE
EVERY RIGHT TO GO FOR IT.
394
00:18:36,616 --> 00:18:38,260
IT ISN'T AS THOUGH YOU
WERE DOING THIS DELIBERATELY
395
00:18:38,284 --> 00:18:39,728
TO HURT CHARLENE.
396
00:18:39,752 --> 00:18:43,466
OF COURSE NOT! AND WILLIS
WANTS TO QUIT OVER THIS.
397
00:18:43,490 --> 00:18:45,201
MAN, WILLIS, YOU CAN'T QUIT NOW!
398
00:18:45,225 --> 00:18:47,269
YOU CAN ALWAYS GET
ANOTHER GIRLFRIEND,
399
00:18:47,293 --> 00:18:49,271
BUT WHERE ARE YOU
GONNA GET ANOTHER GROUP
400
00:18:49,295 --> 00:18:51,795
THAT LETS YOU SING
WITH A VOICE LIKE YOURS?
401
00:18:55,235 --> 00:18:58,880
WILLIS, IT'S VERY NOBLE OF
YOU TO VOLUNTEER TO QUIT,
402
00:18:58,904 --> 00:19:01,071
BUT DON'T DO SOMETHING
THAT YOU'LL REGRET.
403
00:19:03,610 --> 00:19:05,621
OH, PLEASE, WILLIS,
PLEASE DON'T QUIT.
404
00:19:05,645 --> 00:19:07,778
I'LL FEEL EVEN WORSE!
405
00:19:09,315 --> 00:19:11,693
OK. I'M IN.
406
00:19:11,717 --> 00:19:13,050
OH, GREAT, WILLIS.
407
00:19:16,756 --> 00:19:19,067
WILLIS, YOU DID THE RIGHT THING.
408
00:19:19,091 --> 00:19:21,937
MAYBE SO, BUT HOW AM I
GONNA FACE CHARLENE?
409
00:19:21,961 --> 00:19:24,273
WELL, YOUR FIRST
MOVE WAS A GOOD ONE.
410
00:19:24,297 --> 00:19:26,842
YOU LEFT THE RECORDING
STUDIO BEFORE SHE SHOWED UP.
411
00:19:29,068 --> 00:19:30,912
OH, MAN, I HOPE THAT'S NOT
CHARLENE. ANSWER IT, ARNOLD.
412
00:19:30,936 --> 00:19:32,748
WHAT IF IT IS HER?
413
00:19:32,772 --> 00:19:33,982
JUST SMILE LIKE
THERE'S NOTHING WRONG.
414
00:19:34,006 --> 00:19:35,306
OK...
415
00:19:40,446 --> 00:19:42,491
HEY, ARNOLD.
416
00:19:42,515 --> 00:19:44,515
THE REASON I'M SMILING IS
'CAUSE NOTHING'S WRONG!
417
00:19:47,720 --> 00:19:49,532
WILLIS, WHAT'S GOING ON?
418
00:19:49,556 --> 00:19:51,900
WHEN I GOT TO THE
RECORDING STUDIO,
419
00:19:51,924 --> 00:19:54,637
THEY GAVE ME A NOTE THAT
THE REHEARSAL WAS CANCELLED.
420
00:19:54,661 --> 00:19:57,373
WHAT HAPPENED TO THE GUYS? OOH, I'M
NERVOUS ABOUT AUDITIONING FOR THEM.
421
00:19:57,397 --> 00:19:59,841
NERVOUS?
422
00:19:59,865 --> 00:20:02,010
THEN WHY DON'T WE
POSTPONE IT FOR A WHILE?
423
00:20:02,034 --> 00:20:04,713
LIKE A COUPLE OF YEARS!
424
00:20:04,737 --> 00:20:06,148
WHY SHOULD I POSTPONE IT?
425
00:20:06,172 --> 00:20:07,849
CHARLENE!
426
00:20:07,873 --> 00:20:09,485
HAVE YOU GOT A COLD?
427
00:20:09,509 --> 00:20:12,188
A COLD? NO. WHY?
428
00:20:12,212 --> 00:20:14,256
BECAUSE YOUR VOICE SOUNDS FUNNY.
429
00:20:14,280 --> 00:20:16,058
I MEAN, IF YOU SING
YOU COULD STRAIN IT
430
00:20:16,082 --> 00:20:18,227
AND WEAR OUT THE
LINING OF YOUR THROAT!
431
00:20:18,251 --> 00:20:21,630
AND THROATS ARE VERY
DIFFICULT TO... RE-LINE!
432
00:20:21,654 --> 00:20:23,965
WILLIS, MY THROAT IS FINE.
433
00:20:23,989 --> 00:20:25,201
WHAT KIND OF JIVE
ARE YOU GIVING ME?
434
00:20:25,225 --> 00:20:27,369
NO, I'M NOT.
435
00:20:27,393 --> 00:20:29,738
YOU KNOW, TO TELL YOU THE TRUTH,
436
00:20:29,762 --> 00:20:32,474
I'M REALLY WORRIED ABOUT
YOU SINGING WITH THE GROUP.
437
00:20:32,498 --> 00:20:34,476
REMEMBER WHAT HAPPENED TO
BETTE MIDLER IN THAT MOVIE THE ROSE?
438
00:20:34,500 --> 00:20:35,944
WHAT ABOUT IT?
439
00:20:35,968 --> 00:20:37,879
SHE WAS YOUNG AND PRETTY,
440
00:20:37,903 --> 00:20:40,316
THEN SHE GOT ON THAT CRAZY
SHOW BIZ MERRY-GO-ROUND,
441
00:20:40,340 --> 00:20:42,451
DRAGGED FROM ONE ROCK
CONCERT TO ANOTHER,
442
00:20:42,475 --> 00:20:44,986
POPPING PILLS, BELTING BOOZE.
443
00:20:45,010 --> 00:20:47,489
YOU KNOW, SHE WAS
STRUNG OUT AND HUNG OVER!
444
00:20:47,513 --> 00:20:49,380
AND THAT WAS ON A GOOD DAY.
445
00:20:51,384 --> 00:20:53,028
SHE BURNED HERSELF OUT.
446
00:20:53,052 --> 00:20:55,297
UNTIL FINALLY SHE COULDN'T
EVEN STAND ON HER FEET.
447
00:20:55,321 --> 00:20:58,322
WHEN SHE SANG, THEY HAD
TO TIE HER TO THE MICROPHONE.
448
00:21:00,260 --> 00:21:02,238
COME ON, GUYS.
449
00:21:02,262 --> 00:21:05,641
YOU WANT TO END
UP WITH THE SHAKES.
450
00:21:05,665 --> 00:21:08,611
DRYING OUT IN A DRUG
WARD WITH A VOICE
451
00:21:08,635 --> 00:21:11,075
THAT SOUNDS LIKE A
GARBAGE DISPOSAL.
452
00:21:14,807 --> 00:21:16,318
HI, CHARLENE.
453
00:21:16,342 --> 00:21:18,587
OH, HI.
454
00:21:18,611 --> 00:21:20,822
LOOK, CHARLENE, I'M
REALLY SORRY ABOUT THIS.
455
00:21:20,846 --> 00:21:22,625
I HOPE WILLIS EXPLAINED THAT
I WOULD NEVER DO ANYTHING
456
00:21:22,649 --> 00:21:24,627
TO HURT YOU INTENTIONALLY.
457
00:21:24,651 --> 00:21:25,651
HURT ME?
458
00:21:28,087 --> 00:21:29,665
WILLIS, WHAT DOES SHE MEAN?
459
00:21:29,689 --> 00:21:32,000
WELL, UM...
460
00:21:32,024 --> 00:21:35,103
CHARLENE, IT'S HARD TO
FIND THE RIGHT WORDS...
461
00:21:35,127 --> 00:21:37,873
YEAH, I GOT A FEELING YOUR
SISTER GOT THE SINGING JOB
462
00:21:37,897 --> 00:21:40,208
AND YOU'RE A LOW-DOWN
SNEAKY DOUBLE-CROSSER!
463
00:21:40,232 --> 00:21:42,472
SHE SURE FOUND THE RIGHT WORDS.
464
00:21:45,505 --> 00:21:47,082
CHARLENE, LET ME EXPLAIN...
465
00:21:47,106 --> 00:21:49,851
YOU DON'T HAVE TO. I
GOT IT LOUD AND CLEAR.
466
00:21:49,875 --> 00:21:52,187
WILLIS, HOW COULD
YOU DO THIS TO ME?
467
00:21:52,211 --> 00:21:53,555
BUT I DIDN'T!
468
00:21:53,579 --> 00:21:55,291
HE DIDN'T! I DID! I'LL QUIT.
469
00:21:55,315 --> 00:21:57,326
IT'S ALL MY FAULT. I'M QUITTIN'!
470
00:21:57,350 --> 00:21:59,350
WHY DON'T Y'ALL QUIT, AND
I'LL SING WITH THE GROUP?
471
00:22:04,424 --> 00:22:06,134
HEY, HOLD IT. HEY, HEY.
472
00:22:06,158 --> 00:22:07,569
I THOUGHT YOU WERE
GONNA SETTLE THIS.
473
00:22:07,593 --> 00:22:09,037
WHAT DO YOU THINK WE'RE DOING?
474
00:22:09,061 --> 00:22:10,939
I AM SICK AND TIRED OF
THIS CONSTANT ARGUING
475
00:22:10,963 --> 00:22:12,474
AND I WANT IT TO STOP RIGHT NOW.
476
00:22:12,498 --> 00:22:14,510
IS THAT CLEAR?
477
00:22:14,534 --> 00:22:16,612
DAD, CHARLENE THINKS
THAT I'M THE ONE THAT...
478
00:22:16,636 --> 00:22:19,815
WILLIS. I SAID I WANT AN
END TO THIS BICKERING.
479
00:22:19,839 --> 00:22:22,839
GET IT, WILLIS? DAD DOESN'T
WANNA HEAR ONE MORE BICK!
480
00:22:26,111 --> 00:22:27,856
NOW WE'RE GONNA SETTLE
THIS ONCE AND FOR ALL,
481
00:22:27,880 --> 00:22:29,925
AND WE'RE GONNA DO IT MY WAY...
482
00:22:29,949 --> 00:22:32,761
OR ELSE I'LL
WITHDRAW MY SUPPORT.
483
00:22:32,785 --> 00:22:36,498
THAT MEANS NO DEMO
RECORD, NO GROUP.
484
00:22:36,522 --> 00:22:38,734
NOW... I HAVE AN IDEA.
485
00:22:38,758 --> 00:22:41,303
WHATEVER IT IS, WE LOVE IT!
486
00:22:41,327 --> 00:22:43,905
AND ONCE AGAIN, ON
THE DRUMMOND LABEL
487
00:22:43,929 --> 00:22:47,509
BEFORE A PACKED HOUSE, WE
BRING YOU THE AFRO-DISIACS
488
00:22:47,533 --> 00:22:51,279
AND THAT GREAT NEW SINGING
GROUP, THE THREE NUTS!
489
00:22:51,303 --> 00:22:53,136
I MEAN NOTES!
490
00:23:01,981 --> 00:23:06,127
♪ EBONY AND IVORY ♪
491
00:23:06,151 --> 00:23:10,632
♪ LIVE TOGETHER IN
PERFECT HARMONY ♪
492
00:23:10,656 --> 00:23:13,335
♪ SIDE BY SIDE ON MY PIANO ♪
493
00:23:13,359 --> 00:23:15,504
♪ KEYBOARD, OH, LORD ♪
494
00:23:15,528 --> 00:23:18,262
♪ WHY DON'T WE? ♪
495
00:23:23,503 --> 00:23:25,781
♪ WE ALL KNOW ♪
496
00:23:25,805 --> 00:23:29,852
♪ THAT PEOPLE ARE THE
SAME WHEREVER YOU GO ♪
497
00:23:29,876 --> 00:23:31,854
♪ AND THERE'S GOOD AND BAD ♪
498
00:23:31,878 --> 00:23:34,390
♪ IN EVERYONE ♪
499
00:23:34,414 --> 00:23:37,158
♪ WE LEARN TO LIVE ♪
500
00:23:37,182 --> 00:23:39,361
♪ WE LEARN TO GIVE EACH OTHER ♪
501
00:23:39,385 --> 00:23:41,864
♪ WHAT WE NEED TO SURVIVE ♪
502
00:23:41,888 --> 00:23:44,622
♪ TOGETHER, ALIVE ♪
503
00:23:46,859 --> 00:23:49,070
♪ EBONY AND IVORY ♪
504
00:23:49,094 --> 00:23:50,372
♪ ARE LIVIN' IN
PERFECT HARMONY ♪
505
00:23:50,396 --> 00:23:54,109
♪ E-BON-Y ♪
506
00:23:58,805 --> 00:24:01,950
I THINK YOU KIDS ARE
REALLY GONNA MAKE IT BIG.
507
00:24:01,974 --> 00:24:04,352
YOU REALLY THINK SO, DAD?
YOU THINK WE'LL HIT IT BIG?
508
00:24:04,376 --> 00:24:07,022
YEAH, BUT DON'T WORRY, WILLIS.
IF YOU GET RICH AND FAMOUS,
509
00:24:07,046 --> 00:24:09,212
YOU'LL ALWAYS BE A NOBODY TO ME.
510
00:24:12,552 --> 00:24:15,764
HEY, GUYS... ONE MORE TIME?
511
00:24:38,410 --> 00:24:40,322
♪ NOW THE WORLD DON'T MOVE ♪
512
00:24:40,346 --> 00:24:42,558
♪ TO THE BEAT OF JUST ONE DRUM ♪
513
00:24:42,582 --> 00:24:44,693
♪ WHAT MIGHT BE RIGHT FOR YOU ♪
514
00:24:44,717 --> 00:24:46,662
♪ MAY NOT BE RIGHT FOR SOME ♪
515
00:24:46,686 --> 00:24:48,497
♪ A MAN IS BORN ♪
516
00:24:48,521 --> 00:24:50,466
♪ HE'S A MAN OF MEANS ♪
517
00:24:50,490 --> 00:24:52,601
♪ THEN ALONG COME TWO ♪
518
00:24:52,625 --> 00:24:54,770
♪ THEY GOT NOTHING
BUT THEIR JEANS ♪
519
00:24:54,794 --> 00:24:56,572
♪ BUT THEY GOT
DIFF'RENT STROKES ♪
520
00:24:56,596 --> 00:24:58,640
♪ IT TAKES DIFF'RENT STROKES ♪
521
00:24:58,664 --> 00:25:00,509
♪ IT TAKES DIFF'RENT STROKES ♪
522
00:25:00,533 --> 00:25:03,011
♪ TO MOVE THE
WORLD, YES, IT DOES ♪
523
00:25:03,035 --> 00:25:06,470
♪ IT TAKES DIFF'RENT
STROKES TO MOVE THE WORLD ♪
38455
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