Original subtitles

♪ NOW, THE WORLD DON'T MOVE ♪

♪ TO THE BEAT OF JUST ONE DRUM ♪

♪ WHAT MIGHT BE RIGHT FOR YOU ♪

♪ MAY NOT BE RIGHT FOR SOME ♪

♪ A MAN IS BORN ♪

♪ HE'S A MAN OF MEANS ♪

♪ THEN ALONG COME TWO ♪

♪ THEY GOT NOTHIN' BUT THEIR JEANS ♪

♪ BUT THEY GOT DIFF'RENT STROKES ♪

♪ IT TAKES DIFF'RENT STROKES ♪

♪ IT TAKES DIFF'RENT STROKES ♪

♪ TO MOVE THE WORLD ♪

♪ EVERYBODY'S GOT ♪

♪ A SPECIAL KIND OF STORY ♪

♪ EVERYBODY FINDS A WAY TO SHINE ♪

♪ IT DON'T MATTER THAT YOU GOT ♪

♪ NOT A LOT... SO WHAT? ♪

♪ THEY'LL HAVE THEIRS, YOU'LL HAVE YOURS ♪

♪ AND I'LL HAVE MINE ♪

♪ AND TOGETHER WE'LL BE FINE ♪

♪ 'CAUSE IT TAKES DIFF'RENT STROKES ♪

♪ TO MOVE THE WORLD, YES, IT DOES ♪

♪ IT TAKES DIFF'RENT STROKES TO MOVE THE WORLD ♪

- HI, WILLIS. - HEY, DAD.

- HI, WILLIS. - HI.

WHAT ARE YOU DOING?

TRYING TO FIGURE OUT THIS RUBIK'S CUBE.

WELL, REMEMBER,

IT'S THE BOOB BEHIND THE CUBE.

WILLIS, YOU ARE LOOKING AT ONE HAPPY SISTER.

DAD LET ME DRIVE THE CAR.

YOU'RE ALSO LOOKING AT ONE HAPPY BROTHER.

WE'RE STILL ALIVE TO TALK ABOUT IT.

ARNOLD, KIMBERLY DID VERY WELL.

YOU WERE THERE. YOU SAW HER.

NO, I DIDN'T.

THE MINUTE SHE TOOK THE WHEEL, I CLOSED MY EYES AND PRAYED.

YOU TOO?

DADDY, I DROVE VERY WELL.

I HAVE MY LEARNER'S PERMIT.

I EVEN STOP FOR PEDESTRIANS.

YEAH, AND THEY GOT UP AND THANKED YOU.

STOP IT.

DAD? WHEN ARE YOU GONNA GIVE ME SOME MORE WHEEL TIME IN THE LIMO?

LIKE WHEN WE WERE ON THAT COUNTRY ROAD.

YOU GOT IT. AS SOON AS YOU'RE 16,

YOU COMPLETED DRIVER'S EDUCATION,

HAVE A LEARNER'S PERMIT, JUST THE WAY KIMBERLY DID.

HOW COME YOU LET ME DRIVE LAST TIME?

THERE WEREN'T ANY CARS FOR MILES.

I THOUGHT IT WAS SAFE.

I JUST HAD BRAIN SURGERY.

I DIDN'T DO THAT BAD.

YOU WOULD HAVE DONE BETTER IF YOU USED THE BRAKES TO STOP INSTEAD OF THAT COW.

I DIDN'T HIT THAT COW.

NO, BUT YOU SURE SCARED THE HECK OUT OF HER.

WHEN SHE RAN AWAY, SHE LEFT A WHITE LINE DOWN THE MIDDLE OF THE ROAD.

I GOT TO HAVE MORE WHEEL TIME.

DRIVING IS IMPORTANT TO A GUY.

IT'S ALSO IMPORTANT TO A WOMAN, WILLIS.

NO, IT ISN'T.

A GUY'S A MAN WHEN HE GETS A CAR.

A GIRL'S A WOMAN WHEN SHE GETS A BRA.

HELLO.

OH, HELLO, JOAN. HOW ARE YOU?

OH, I'M LOOKING FORWARD TO IT.

NO.

I LOVE THE IDEA OF BEING TAKEN TO A DINNER DANCE

BY A BEAUTIFUL WOMAN EXECUTIVE.

I PROMISE. I WON'T EVEN REACH FOR THE CHECK.

YOU CAN PAY FOR THE CAB, THE DINNER.

AS A MATTER OF FACT, I'LL BE A LITTLE UPSET IF YOU DON'T SEND ME A CORSAGE.

SEE YOU TONIGHT. BYE, JOAN.

DADDY, YOU'RE LETTING A WOMAN TAKE YOU DANCING?

LONG AS SHE PAYS, I'LL LET HER LEAD IF SHE WANTS TO.

HELLO, HELLO, HELLO!

HELLO, SOPHIA. COME IN, COME IN.

HI, KIDS!

All: HI, AUNT SOPHIA.

AUNT SOPHIA, GUESS WHAT?

DADDY LET ME DRIVE THE CAR TODAY.

OH, THAT'S WONDERFUL, DEAR,

BUT DRIVING'S NOT FOR ME.

AS FAR AS I'M CONCERNED, NEW YORK IS DIVIDED INTO 2 KINDS OF PEOPLE:

THOSE WHO DRIVE AND THOSE WHO GET HIT BY THOSE WHO DRIVE.

THOSE WHO HIDE IN MANHOLES.

I ALWAYS TAKE TAXIS.

THEY'RE SAFER, AND YOU GET TO KEEP UP ON ALL THE NEW SWEAR WORDS.

OH, AUNT SOPHIA, I'M SORRY,

BUT I LEFT THE SCARF IN THE GLOVE COMPARTMENT OF DAD'S CAR.

WHAT SCARF?

THE SCARF YOU ASKED ME TO PICK UP FOR YOU TODAY.

OHH, THAT'S RIGHT, THE SCARF.

SO THAT'S WHY I'M HERE.

THAT'S PROBABLY CHARLENE.

WE'RE GONNA STUDY SCIENCE TOGETHER.

THAT MUST BE A NEW CODE NAME FOR MAKIN' OUT.

OH, HI, CHARLENE. COME ON IN.

HI, WILLIS. HI, EVERYBODY.

HI. HI, CHARLENE.

HOW ARE YOU DOING, KIMBERLY?

OH, GREAT! JUST GREAT.

DADDY LET ME DRIVE THE CAR TODAY.

OH, WOW! I CAN'T WAIT TILL I'M AS OLD AS YOU.

DON'T RUSH IT, CHARLENE. YOU'LL BE OVER THE HILL BEFORE YOU KNOW IT.

RIGHT, YOU DON'T WANNA GO FROM BEING A YOUNG PEPPER TO AN OLD POOPER.

DON'T PAY ANY ATTENTION TO THEM, CHARLENE.

COME ON, LET'S HIT THOSE BOOKS.

SHE'S SUCH A PRETTY LITTLE THING.

DO THEY REALLY STUDY UP THERE?

WELL, WHEN YOU WERE THAT AGE AND YOU WERE STUDYING

ALONE WITH A BOY, WHAT DID YOU DO?

THEY WOULDN'T DARE.

DON'T WORRY, I'M NOT LOOKING.

GO RIGHT AHEAD IF YOU'RE BUMPING GUMS.

YOU CAN OPEN UP YOUR EYES, ARNOLD. ALL WE'RE DOING IS OUR HOMEWORK.

HEY, YOU REALLY ARE DOING NOTHING.

BROTHER, YOU LOSIN' YOUR TOUCH?

YOU KNOW, ARNOLD'S RIGHT.

WE'RE JUST SITTING HERE DOING NOTHIN'.

LET'S DO A LITTLE SOMETHING.

WILLIS, THERE'S A TIME AND A PLACE FOR EVERYTHING.

OK. THE TIME IS TONIGHT, AND THE PLACE IS AT THE MOVIES.

AND I'M TALKIN' BALCONY HEAT.

OH, WILLIS, I CAN'T.

I'M GOING TO A ROCK CONCERT TONIGHT.

A ROCK CONCERT? WITHOUT ME?!

BUT YOU SAID YOU DIDN'T LIKE THAT GROUP.

WHAT GROUP?

THE GARBAGE DISPOSALS.

BESIDES, THE CONCERT'S A LONG WAY OUT, AND WE'D HAVE TO TAKE THE SUBWAY,

AND YOU DON'T LIKE TAKING SUBWAYS AT NIGHT.

TCH! NOT UNLESS I GET COMBAT PAY.

AND, BY THE WAY, I DON'T LIKE YOU TAKING THEM EITHER.

OH. WELL, I'M NOT GOING BY SUBWAY.

THEN HOW YOU GETTIN' THERE?

YOU HITCHIN' A RIDE WITH CLARK KENT?

NO, I'M GETTING A RIDE WITH ONE OF THE KIDS FROM MY SCHOOL.

OH! WELL, WHO'S THE LUCKY GIRL WITH THE CAR?

SHERWOOD JOHNSON.

THAT'S A FUNNY NAME FOR A GIRL.

WHO'S SHERWOOD JOHNSON?

JUST A GUY. WHAT'S THE DIFFERENCE?

THE DIFFERENCE IS I DON'T TRUST GUYS WITH CARS.

WELL, WHY NOT?

BECAUSE THEY THINK THEY'RE SUCH HOT SHOTS

AND WHEN THEY GET A CAR THEY START FEELIN' THEIR OATS.

AND BEFORE YOU KNOW IT,

THEY START FEELING YOUR OATS.

WILLIS, SHERWOOD'S A FRIEND WHO JUST OFFERED ME A RIDE.

THAT'S ALL. AREN'T YOU EVER GONNA START TRUSTING ME?

SURE. AS SOON AS YOU START TAKING UGLY PILLS.

SEE? YOU DON'T TRUST ME.

SURE I DO. AS LONG AS YOU SIT IN THE BACK SEAT

AND SHERWOOD'S CHAINED TO THE WHEEL.

IF THAT'S YOUR ATTITUDE, WILLIS, I'LL SEE YOU.

HEY, LISTEN, I DIDN'T MEAN TO RUFFLE YOUR FEATHERS, LITTLE BIRD.

I'LL WALK YOU HOME.

NO, THANKS.

TOO BAD YOU'RE NOT SHERWOOD.

YOU COULD DRIVE ME HOME.

AM I WRONG, OR DID I SEE SMOKE COMING OUT OF HER EARS?

WOMEN! WHO NEEDS THEM?

I DO.

HURRY, KIDS.

WE DON'T WANNA BE LATE FOR THE MOVIES.

HEY! CHECK OUT THE TALL BLOND PENGUIN.

WELL, HOW DO I LOOK?

YOU LOOK VERY HANDSOME, PHILIP.

SMASHING, DADDY.

WELL, IF I'M NOT, I WASTED 3 DABS OF KISSABLE NUMBER 5 BEHIND EACH EAR.

HELLO? OH, YES, GEORGE, THANK YOU.

TELL HER I'LL BE RIGHT DOWN.

JOAN'S WAITING WITH A TAXI.

SHE'S PICKING ME UP... AND THE CHECK.

YOU'RE REALLY LETTING A WOMAN TAKE YOU OUT, PHILIP?

YEAH. DOES THAT SHOCK YOU?

OH, DON'T BE SILLY.

I SUPPORTED 2 HUSBANDS

LONG BEFORE THEY EVER CALLED IT EQUAL RIGHTS.

IN THOSE DAYS, THEY JUST CALLED IT STUPID.

NOW, DADDY, IF I KNOW YOU, WHEN THE BILL COMES,

YOU'RE GONNA BE REACHING FOR YOUR WALLET AS USUAL.

ARE YOU SUGGESTING I'M A PUSHOVER?

YES.

WELL, COME TO THINK OF IT, YOU'RE RIGHT.

BUT NOT THIS TIME, I WON'T BE.

NO. SURE YOU WON'T BE.

NO, I WON'T.

NOW JUST WATCH.

LOOK. HERE.

MY CREDIT CARDS,

RIGHT HERE.

MY CAR KEYS.

I'M DISARMED, DEFENSELESS, AND VULNERABLE.

I HOPE SHE'LL BE GENTLE WITH ME.

BYE.

NIGHT, DAD.

BE CAREFUL!

WILLIS, ARE YOU SURE YOU WON'T CHANGE YOUR MIND ABOUT THE MOVIE?

NO, THANKS.

OK, KIDS, LET'S GO.

ALL RIGHT. GOOD NIGHT, WILLIS.

GOOD NIGHT, WILLIS.

HI, CHARLENE, IT'S ME.

WHAT DO YOU WANT, WILLIS?

I JUST WANTED TO APOLOGIZE FOR MAKING YOU THINK THAT I DON'T TRUST YOU.

WELL, YOU SHOULD APOLOGIZE.

WHAT DOES HE DRIVE, ANYWAY?

WHAT'S THE DIFFERENCE? I THINK IT'S A VAN.

A VAN?!

WILLIS, WILL YOU STOP IMAGINING THINGS.

NOTHING'S GONNA HAPPEN.

YOU BET NOTHING'S GONNA HAPPEN.

AND YOU KNOW WHY?

'CAUSE I'M GONNA DRIVE YOU TO THE CONCERT IN MY DAD'S LIMO.

SAY WHAT?

YOU HEARD ME.

YOUR DAD SAID YOU COULD TAKE THE LIMO?

HE DIDN'T SAY I COULDN'T.

BUT, WILLIS, YOU DON'T EVEN HAVE A DRIVER'S LICENSE.

DON'T WORRY, SWEET STUFF. MY DAD LET ME DRIVE BEFORE.

WELL, IF YOU REALLY THINK IT'S ALL RIGHT...

OF COURSE IT IS.

I GOT THE WHEELS, AND ALL I NEED IS YOU,

LITTLE MAMA.

OH, WILLIS, YOU KNOW I'D RATHER BE WITH YOU,

BUT WHAT'LL I TELL SHERWOOD?

AW, TELL THAT TURKEY IT'S THANKSGIVING AND GIVE HIM THE AXE.

SEE YOU IN HALF AN HOUR, MY LITTLE FLOWER.

ALL RIGHT!

THANKS FOR THE MOVIE, AUNT SOPHIA.

YOU'RE WELCOME, EVEN IF IT STUNK.

STUNK IS RIGHT.

FIRST TIME I EVER SEEN PEOPLE LINE UP IN A MOVIE THEATER TO GET OUT.

OH, LOOK, HERE'S A NOTE FROM WILLIS.

OH, WHAT A THOUGHTFUL BOY.

HE LIVES HERE AND STILL WRITES HOME.

"HANGIN' OUT WITH THE GUYS. WON'T BE TOO LATE. WILLIS."

WELL, THAT'S GOOD. MAYBE HE CAN FORGET ABOUT CHARLENE FOR A WHILE.

OH, SPEAKING OF FORGETTING,

WE FORGOT TO GET THE SCARF YOU LEFT

IN YOUR FATHER'S CAR THIS AFTERNOON.

OH, YEAH. OH, AUNT SOPHIA, ALL YOU HAVE TO DO

IS CALL THE DOORMAN ON THE TELEPHONE,

AND HE'LL RUN DOWN TO THE GARAGE AND GET IT FOR YOU.

GOOD IDEA. HOW DO I GET THE DOORMAN?

JUST PRESS THIS BUTTON MARKED "DOORMAN."

HOW CLEVER.

TOO BAD THEY DON'T HAVE A BUTTON MARKED "WARREN BEATTY."

HELLO? I'M CALLING FROM MR. DRUMMOND'S APARTMENT.

I WAS WONDERING IF YOU WOULD BE SO KIND AS TO...

WHAT? WHAT?

HE HAS THE CUTEST GERMAN ACCENT.

HE'S SPANISH.

I DIDN'T KNOW THEY SPOKE GERMAN IN SPAIN.

ACHTUNG!

WOULD YOU PLEASE FIND-O MY SCARF-O?

SCHNELL.

IT'S IN THE GLOVE COMPARTMENT OF MR. DRUMMOND'S CAR.

GLOVE-O COMPARTMENT-O.

UH, GRACIAS.

OH, I THINK I'M GONNA MAKE MYSELF A SNACK.

WOULD YOU LIKE ANYTHING, AUNT SOPHIA DEAR?

NO, THANK YOU, DEAR.

OH, KIMBERLY DEAR...

YES?

WHAT ABOUT ARNOLD DEAR?

WELL, OK, JAWS.

COME ON, LET'S GO ATTACK THE REFRIGERATOR.

ALL RIGHT.

HELLO.

DID YOU FIND MY SCARF-O?

IT'S NOT THERE?

BUT IT'S IN THE GLOVE COMPARTMENT.

THE GLOVE COMPARTMENT'S NOT THERE.

OH. THE WHOLE CAR IS NOT THERE!

IT'S BEEN STOLEN?

I BETTER REPORT THIS.

DANKE SCHOEN.

LET ME SEE... 9-1-1.

HELLO, OPERATOR,

I'M CALLING FROM 697 PARK AVENUE.

WOULD YOU PLEASE CONNECT ME WITH THE POLICE, PLEASE?

THANK YOU.

HELLO, OFFICER,

I WOULD LIKE TO REPORT A STOLEN LIMOUSINE

BELONGING TO MR. PHILIP DRUMMOND.

DESCRIPTION?

ABOUT 5'11", 160 POUNDS...

AND BLUE EYES.

OH, YOU MEAN THE CAR.

WELL, IT'S A BLACK LIMOUSINE,

AND THE LICENSE PLATE SAYS DRUMMOND3.

THANK YOU, OFFICER.

BYE-BYE.

OH, MY, THAT'S TERRIBLE.

WHAT'S TERRIBLE?

SOMEONE HAS STOLEN YOUR FATHER'S LIMOUSINE.

HOLD IT.

WHAT YOU TALKIN' ABOUT, AUNT SOPHIA?

THE DOORMAN CALLED, AND IT'S NOT IN THE GARAGE.

WELL, WE BETTER CALL THE POLICE.

I ALREADY DID. ALL WE CAN DO NOW IS WAIT.

AND HOPE.

AND EAT.

I THINK I'LL HAVE A CUP OF TEA AND A TYLENOL.

NOW, WHO WOULD WANT TO STEAL DAD'S LIMOUSINE RIGHT OUT OF THE GARAGE?

WELL, THERE ARE GANGS OF PROFESSIONALS AROUND

OR MAYBE JUST A MUGGER WHO WANTS TO GET OFF HIS FEET.

YOU KNOW, A LOT OF KIDS TAKE CARS FOR JOYRIDES.

AND I THINK I'M RELATED TO ONE OF 'EM.

WILLIS, I HOPE YOU DIDN'T DO WHAT I THINK YOU DID.

YOU DID.

GIVE ME THE POLICE, PLEASE.

697 PARK AVENUE.

HELLO, POLICE?

A LADY JUST CALLED ABOUT A STOLEN LIMOUSINE

THAT BELONGS TO MR. PHILIP DRUMMOND

OF PARK AVENUE?

RIGHT. DRUMMOND.

WELL, THAT WAS A MISTAKE.

SOMEBODY JUST PARKED IT IN THE WRONG PLACE, THAT'S ALL.

SORRY TO BOTHER YOU.

LISTEN, WE'LL LAY A CHECK ON YOU FOR THE POLICEMEN'S BALL.

MY DAD IS LOADED.

HI, GANG!

PHILIP, WHAT ARE YOU DOING HOME SO EARLY?

OH, I HAD TO GET THIS TUXEDO BACK TO THE FUNERAL PARLOR.

NO, ACTUALLY, JOAN HAD TO CATCH AN EARLY PLANE.

NEVER HAS ONE DANCED AND DINED SO WELL AND PAID SO LITTLE.

SHE EVEN GAVE ME MONEY FOR THE MEN'S ROOM.

I CAME OUT AHEAD, I DIDN'T HAVE TO GO.

WHAT IS THIS SILENCE?

IT CAN'T BE RESPECT.

HEY, WHAT'S WRONG?

WELL, DADDY, YOU SEE, IT'S LIKE THIS.

WHEN WE GOT BACK FROM THE MOV...

I-I'LL TELL HIM, DEAR.

OLDER PEOPLE ARE BETTER AT TELLING BAD NEWS.

WHAT BAD NEWS?

PHILIP, I'LL TRY TO BE AS DELICATE AS POSSIBLE.

YOU REMEMBER THE LIMOUSINE YOU USED TO HAVE?

USED TO HAVE?!

WHAT HAPPENED TO MY LIMO?

DID SOMEBODY RUN INTO IT DOWN AT THE GARAGE?

SOMETHING WORSE?

IT WAS STRIPPED?

STOLEN?

MY LIMO WAS STOLEN!

HELLO, I WANT THE POLICE. GIVE ME THE 19th PRECINCT.

DADDY, WE'VE ALREADY REPORTED IT TO THE POLICE.

Drummond: OH.

OH, WELL, MAYBE THEY FOUND IT. HELLO?

I'M CALLING ABOUT A LIMOUSINE THAT WAS REPORTED STOLEN.

YEAH, THE NAME IS PHILIP DRUMMOND.

DRUMMOND.

WHAT DO YOU MEAN, THE REPORT WAS CANCELED?

EXCUSE ME.

SOPHIA, DID YOU CALL AND TELL THEM IT WAS A FALSE ALARM?

IF IT HAD BEEN A FALSE ALARM,

I WOULD'VE CALLED THE FIRE DEPARTMENT.

WELL, WHO COULD'VE CANCELED THAT REPORT?

DON'T LOOK AT ME, DAD.

ARNOLD?

I GUESS THIS IS WHAT THEY CALL THE PROCESS OF ELIMINATION.

NEVER MIND, OFFICER. THANKS, ANYWAY. WHAT?

WHAT CHECK FOR THE POLICEMEN'S BALL?

OH, HE DID, DID HE?

WELL, IT'LL BE IN THE MAIL TOMORROW.

THANK YOU.

ARNOLD, JUST WHY DID YOU CANCEL THAT POLICE REPORT?

TEMPORARY INSANITY?

STOP STALLING, ARNOLD.

WHERE'S YOUR BROTHER?

WHAT BROTHER DID YOU HAVE IN MIND?

WHAT A CONCERT.

MMM.

WHAT A NIGHT.

WHAT A KISS.

WHAT KISS?

THIS ONE.

YOU'RE PRETTY SMOOTH.

I KNOW.

WE GOTTA GET GOING.

OH, WHAT'D YOU THINK I WAS TRYING TO DO?

IT'S ALMOST MIDNIGHT.

MIDNIGHT?! OH, WOW!

I BETTER GO BEFORE MY DAD REALIZES THE CAR IS MISS...

I MEAN...

I PROMISED HIM I WOULDN'T BE LATE.

WILLIS, DID YOUR FATHER REALLY SAY IT WAS OK TO TAKE THE CAR?

WELL, WHAT'S THE DIFFERENCE?

THE DIFFERENCE IS NOT ONLY ARE YOU DRIVING WITHOUT A LICENSE,

BUT YOU DIDN'T EVEN GET YOUR FATHER'S PERMISSION.

YOU LIED TO ME.

CHARLENE, WILL YOU QUIT NAGGING ME?

WE'RE NOT EVEN MARRIED.

WHAT WAS THAT?

I DON'T KNOW.

WELL, I KNOW.

YOU BACKED INTO MY MOTORCYCLE.

S-SORRY, OFFICER.

I DIDN'T SEE YOU PULL UP.

I GUESS YOUR REARVIEW MIRROR WAS TOO STEAMED UP.

HOW OLD ARE YOU?

I'M GONNA BE 18.

WHEN?

IN ABOUT 2 1/2 YEARS.

NOW, YOU KNOW, SON,

I COULD'VE BEEN ON THAT MOTORCYCLE YOU JUST BACKED INTO.

IN WHICH CASE, YOU WOULD'VE BEEN TALKIN' TO A DEAD COP.

NOW, LET ME SEE THE REGISTRATION.

WHY DO YOU NEED THAT?

ANY TIME I CATCH AN UNDERAGE DRIVER IN A BIG LIMOUSINE,

I JUST WONDER WHO HE STOLE IT FROM.

OFFICER, I DIDN'T STEAL IT.

MY DAD LET ME BORROW IT.

SURE, SURE, KID.

WHAT'S YOUR NAME?

WILLIS JACKSON.

IT SAYS HERE THE OWNER'S NAME IS DRUMMOND.

I'M ADOPTED.

AND WHO ARE YOU, HIS MOTHER?

OFFICER, IF IT'LL DO ANY GOOD,

MY FATHER'S A POLICEMAN, TOO.

YEAH, HE'S WITH THE VICE SQUAD,

DETECTIVE ALEX DuPREY.

YOU CAN CHECK IT OUT.

I WILL.

I SEE. WELL, ALL RIGHT, THANK YOU VERY MUCH.

WELL, AT LEAST HE'S NOT IN ANY OF THE HOSPITALS.

THANK GOD FOR THAT.

DAD, TRY NOT TO BE TOO ANGRY WITH WILLIS.

ANGRY? HE'S AN INEXPERIENCED DRIVER.

I'M TOO CONCERNED ABOUT HIS SAFETY TO BE ANGRY WITH HIM.

IF THAT'S WILLIS, I'LL KILL HIM.

HI, DAD.

MR. DRUMMOND TO YOU.

THIS IS A POLICEMAN.

I NOTICED THAT.

COME IN, OFFICER.

WHAT'S THE PROBLEM?

MR. DRUMMOND, YOUR SON WAS CAUGHT DRIVING WITHOUT A LICENSE,

AND THAT'S A SERIOUS OFFENSE.

I KNOW IT IS.

I CAN'T IMAGINE WHAT GOT INTO HIM.

YOU HAVE ANY IDEA WHAT THE PUNISHMENT FOR THIS IS?

THAT'S UP TO THE JUDGE.

THE JUDGE SHOULD REMEMBER THAT HE WAS ONCE A BOY HIMSELF.

UNLESS HE'S A WOMAN.

WELL, COULDN'T YOU ASK THE JUDGE TO GO EASY ON HIM?

HE'S NEVER BEEN IN TROUBLE BEFORE.

IF IT WAS UP TO ME,

I WOULDN'T GIVE HIM HIS DRIVER'S LICENSE UNTIL HE WAS 21.

I WAS THINKING MORE LIKE 46.

21? OH, NO.

BY THAT TIME, HE COULD BE MARRIED AND HAVE A FAMILY

AND NO WAY TO GET TO THE SUPERMARKET.

YOU'LL ALSO HAVE TO PAY FOR MY MANGLED MOTORCYCLE.

HE BACKED INTO IT.

BACKED INTO IT?

GOOD LORD.

AND SINCE HE'S A MINOR, YOU'RE RESPONSIBLE.

BUT DAD'S INNOCENT!

HE WAS OUT ON THE TOWN WITH A LOVELY LADY

WHO TOOK HIM TO DINNER AND BOUGHT HIM A CORSAGE.

IT WAS ONLY A GARDENIA.

YOU'LL BE NOTIFIED WHEN TO APPEAR, MR. DRUMMOND.

I HAVE A SQUAD CAR DOWNSTAIRS.

I'LL TAKE THE GIRL HOME.

I'VE BEEN IN TOUCH WITH HER FATHER.

THANK YOU.

AND IS MY FATHER GONNA BE IN TOUCH WITH ME.

WHERE'S MY LIMOUSINE?

OH, IT'S BEEN IMPOUNDED.

AND TO GET IT OUT, IT'S GONNA COST YOU ABOUT 100 BUCKS.

OH, NO. IT'S GONNA COST HIM ABOUT 100 BUCKS.

GOOD NIGHT, WILLIS.

WILL I SEE YOU TOMORROW?

SURE. ONLY THIS TIME, DO US BOTH A FAVOR.

PICK ME UP ON YOUR SKATEBOARD.

GOOD NIGHT. GOOD NIGHT.

DAD, I... THIS IS THE DUMBEST THING I EVER DID.

RIGHT.

YOU'RE LUCKY THAT THE ONLY THING YOU MANGLED

WAS A MOTORCYCLE.

IT COULD'VE BEEN A LOT MORE SERIOUS.

I REALIZE THAT YOU WANT TO BE TREATED AS AN ADULT,

BUT YOU HAVE TO EARN THAT RIGHT.

YOU HAVE TO ACT LIKE ONE FIRST.

I'M SORRY, DAD.

AND I APOLOGIZE FOR MAKING ALL YOU GUYS WORRY ABOUT ME.

THAT'S ALL RIGHT, WILLIS.

BY THE WAY, DID YOU NOTICE, WHEN THEY IMPOUNDED THE CAR,

DID THEY IMPOUND MY SCARF, TOO?

I'M SORRY.

WILLIS, I HAVE NO CHOICE.

I'M GOING TO GROUND YOU BUT GOOD.

FOR HOW LONG?

UNTIL YOU GET SOME SENSE IN YOUR HEAD.

THAT'S NOT FAIR.

WILLIS MIGHT NOT GET TO DRIVE FOR THE REST OF HIS LIFE.

COME ON, WILLIS. YOU AND I HAVE SOME BUSINESS TO DISCUSS.

♪ NOW, THE WORLD DON'T MOVE ♪

♪ TO THE BEAT OF JUST ONE DRUM ♪

♪ WHAT MIGHT BE RIGHT FOR YOU ♪

♪ MAY NOT BE RIGHT FOR SOME ♪

♪ A MAN IS BORN ♪

♪ HE'S A MAN OF MEANS ♪

♪ THEN ALONG COME TWO ♪

♪ THEY GOT NOTHIN' BUT THEIR JEANS ♪

♪ BUT THEY GOT DIFF'RENT STROKES ♪

♪ IT TAKES DIFF'RENT STROKES ♪

♪ IT TAKES DIFF'RENT STROKES ♪

♪ TO MOVE THE WORLD, YES, IT DOES ♪

♪ IT TAKES DIFF'RENT STROKES TO MOVE THE WORLD ♪