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♪ NOW, THE WORLD DON'T MOVE ♪
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00:00:02,503 --> 00:00:04,614
♪ TO THE BEAT OF JUST ONE DRUM ♪
3
00:00:04,638 --> 00:00:06,716
♪ WHAT MIGHT BE RIGHT FOR YOU ♪
4
00:00:06,740 --> 00:00:08,452
♪ MAY NOT BE RIGHT FOR SOME ♪
5
00:00:08,476 --> 00:00:10,687
♪ A MAN IS BORN ♪
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00:00:10,711 --> 00:00:12,622
♪ HE'S A MAN OF MEANS ♪
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♪ THEN ALONG COME TWO ♪
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00:00:14,915 --> 00:00:16,893
♪ THEY GOT NOTHIN'
BUT THEIR JEANS ♪
9
00:00:16,917 --> 00:00:18,561
♪ BUT THEY GOT
DIFF'RENT STROKES ♪
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00:00:18,585 --> 00:00:20,763
♪ IT TAKES DIFF'RENT STROKES ♪
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00:00:20,787 --> 00:00:22,532
♪ IT TAKES DIFF'RENT STROKES ♪
12
00:00:22,556 --> 00:00:25,068
♪ TO MOVE THE WORLD ♪
13
00:00:25,092 --> 00:00:26,236
♪ EVERYBODY'S GOT ♪
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00:00:26,260 --> 00:00:29,272
♪ A SPECIAL KIND OF STORY ♪
15
00:00:29,296 --> 00:00:32,942
♪ EVERYBODY FINDS
A WAY TO SHINE ♪
16
00:00:32,966 --> 00:00:34,577
♪ IT DON'T MATTER THAT YOU GOT ♪
17
00:00:34,601 --> 00:00:37,280
♪ NOT A LOT... SO WHAT? ♪
18
00:00:37,304 --> 00:00:38,348
♪ THEY'LL HAVE THEIRS
AND YOU'LL HAVE YOURS ♪
19
00:00:38,372 --> 00:00:40,783
♪ AND I'LL HAVE MINE ♪
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00:00:40,807 --> 00:00:43,186
♪ AND TOGETHER WE'LL BE FINE ♪
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♪ 'CAUSE IT TAKES
DIFF'RENT STROKES ♪
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00:00:44,711 --> 00:00:46,890
♪ TO MOVE THE
WORLD, YES, IT DOES ♪
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00:00:46,914 --> 00:00:50,949
♪ IT TAKES DIFF'RENT
STROKES TO MOVE THE WORLD ♪
24
00:00:56,123 --> 00:00:58,035
HI, ARNOLD.
25
00:00:58,059 --> 00:00:59,469
ARNOLD, I'VE GOT A
TERRIFIC SURPRISE FOR YOU.
26
00:00:59,493 --> 00:01:01,438
MRS. GORDON IS COMING BY TO
DISCUSS SOME BUSINESS WITH ME,
27
00:01:01,462 --> 00:01:02,439
AND SHE'S BRINGING
KATHY WITH HER.
28
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THAT'S NICE.
29
00:01:05,199 --> 00:01:06,843
WELL, YOU DON'T SEEM
TOO HAPPY ABOUT IT.
30
00:01:06,867 --> 00:01:07,877
IS SOMETHING WRONG?
31
00:01:07,901 --> 00:01:10,247
NO, AND I DON'T WANT
TO TALK ABOUT IT.
32
00:01:10,271 --> 00:01:11,948
ARNOLD, WHAT HAPPENED IN SCHOOL?
33
00:01:11,972 --> 00:01:13,750
DID YOU GET A BAD GRADE?
34
00:01:13,774 --> 00:01:16,353
WORSE. DID SOMEBODY
STEAL YOUR LUNCH?
35
00:01:16,377 --> 00:01:20,424
WORSE. I GOT A PART
IN MY CLASS PLAY.
36
00:01:20,448 --> 00:01:23,093
IT'S ABOUT ABRAHAM LINCOLN.
37
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WHAT'S SO TERRIBLE ABOUT THAT?
38
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I GOT TO BE LINCOLN.
39
00:01:29,457 --> 00:01:30,434
HEY, THAT'S A SWITCH.
40
00:01:30,458 --> 00:01:33,170
A BLACK ABE LINCOLN.
41
00:01:33,194 --> 00:01:37,174
THAT'S NOTHING. JOHN
WILKES BOOTH IS CHINESE.
42
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AND MOST OF THE
SLAVES ARE WHITE.
43
00:01:41,235 --> 00:01:43,547
WELL, WHAT ARE
YOU UNHAPPY ABOUT?
44
00:01:43,571 --> 00:01:45,549
YOU MUST BE GOOD IF THE TEACHER
PICKED YOU TO PLAY THE LEAD.
45
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SHE DIDN'T PICK ME.
46
00:01:46,873 --> 00:01:49,652
SHE PICKED MY
NAME OUT OF A BOWL.
47
00:01:49,676 --> 00:01:51,888
YOU GOT THE PART, DIDN'T YOU?
48
00:01:51,912 --> 00:01:53,823
AND YOU'RE GOING TO BE GREAT.
49
00:01:53,847 --> 00:01:56,293
I'LL BE THE ONLY ABE
LINCOLN IN HISTORY
50
00:01:56,317 --> 00:01:59,329
WHO'S SHORTER THAN HIS HAT.
51
00:01:59,353 --> 00:02:02,199
SON, YOU'LL HAVE A GREAT TIME.
52
00:02:02,223 --> 00:02:03,800
I WOULDN'T WORRY ABOUT IT.
53
00:02:03,824 --> 00:02:06,436
OH, SURE, BECAUSE YOU'RE NOT
GONNA BE THE ONE UP THERE ON STAGE
54
00:02:06,460 --> 00:02:07,870
WITH ALL THOSE
PEOPLE STARING AT YOU
55
00:02:07,894 --> 00:02:11,341
JUST SITTING THERE WAITING
FOR YOU TO THROW UP.
56
00:02:11,365 --> 00:02:13,977
ARNOLD, YOU'RE
GOING TO BE JUST FINE.
57
00:02:14,001 --> 00:02:15,979
YOU KIDDING? IF I
STAND UP IN CLASS
58
00:02:16,003 --> 00:02:17,547
JUST TO GIVE A BOOK REPORT,
59
00:02:17,571 --> 00:02:19,938
I SHAKE SO HARD THE
KIDS CALL ME CHARO.
60
00:02:23,677 --> 00:02:25,388
THINK OF IT THIS WAY, ARNOLD.
61
00:02:25,412 --> 00:02:27,023
WHAT'S THE WORST
THAT CAN HAPPEN?
62
00:02:27,047 --> 00:02:28,425
I CAN MAKE A COMPLETE
JERK OF MYSELF
63
00:02:28,449 --> 00:02:30,360
IN FRONT OF ALL MY FRIENDS.
64
00:02:30,384 --> 00:02:34,464
I MEAN BESIDES THAT?
65
00:02:34,488 --> 00:02:38,168
LOOK, ARNOLD, LOTS
OF US FEEL NERVOUS
66
00:02:38,192 --> 00:02:40,103
IF WE HAVE TO GET UP IN
FRONT OF A GROUP OF PEOPLE.
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00:02:40,127 --> 00:02:41,104
THAT'S NATURAL.
68
00:02:41,128 --> 00:02:42,405
THAT'S RIGHT.
69
00:02:42,429 --> 00:02:45,142
I REMEMBER THE FIRST PLAY I
WAS IN IN GRAMMAR SCHOOL,
70
00:02:45,166 --> 00:02:47,110
BOY WAS I NERVOUS.
71
00:02:47,134 --> 00:02:48,478
DID YOU HAVE THE
LEAD IN THE PLAY?
72
00:02:48,502 --> 00:02:51,181
NO, BUT I HAD A
VERY DIFFICULT PART.
73
00:02:51,205 --> 00:02:55,652
I WAS A TREE STUMP.
74
00:02:55,676 --> 00:02:58,087
AND THE LITTLE GIRL THAT
PLAYED THE WOODPECKER
75
00:02:58,111 --> 00:03:02,225
HAD VERY SHARP TEETH.
76
00:03:02,249 --> 00:03:03,593
DON'T WORRY ABOUT IT, ARNOLD.
77
00:03:03,617 --> 00:03:04,794
IT'LL BE A PIECE OF CAKE.
78
00:03:04,818 --> 00:03:06,530
THAT'S EASY FOR YOU TO SAY.
79
00:03:06,554 --> 00:03:08,064
WHILE YOU'RE ALL
SITTING IN THE AUDIENCE,
80
00:03:08,088 --> 00:03:11,635
I'LL BE ON STAGE
DUCKING TOMATOES.
81
00:03:11,659 --> 00:03:13,303
ARNOLD, THEY'RE NOT GOING
TO BE THROWING TOMATOES,
82
00:03:13,327 --> 00:03:18,441
NOT AT TODAY'S PRICES.
83
00:03:18,465 --> 00:03:21,511
WHAT BOTHERS ME MOST
IS HAVING THE MAIN PART.
84
00:03:21,535 --> 00:03:24,314
IF I GOOF UP, I RUIN
IT FOR EVERYBODY.
85
00:03:24,338 --> 00:03:25,615
LOOK, ARNOLD, IF IT
MAKES YOU UPTIGHT,
86
00:03:25,639 --> 00:03:27,150
DON'T DO IT.
87
00:03:27,174 --> 00:03:28,218
BUT I WANT TO BE ABE LINCOLN.
88
00:03:28,242 --> 00:03:29,486
THEN DO IT.
89
00:03:29,510 --> 00:03:30,520
BUT I'M SCARED.
90
00:03:30,544 --> 00:03:31,521
THEN DON'T DO IT.
91
00:03:31,545 --> 00:03:33,590
BUT I WANT TO.
92
00:03:33,614 --> 00:03:37,394
I'M GETTING WHIPLASH.
93
00:03:37,418 --> 00:03:39,162
ARNOLD, OF COURSE YOU'LL
MAKE YOUR OWN DECISION,
94
00:03:39,186 --> 00:03:40,797
BUT REMEMBER THIS...
95
00:03:40,821 --> 00:03:42,899
IT NEVER HELPS TO
RUN AWAY FROM FEAR.
96
00:03:42,923 --> 00:03:44,867
HOW ABOUT IF I JUST TIPTOE AWAY?
97
00:03:45,959 --> 00:03:50,473
I'LL GET IT.
98
00:03:50,497 --> 00:03:51,874
HERE THEY ARE. HI,
KATHY. HI, DOROTHY.
99
00:03:51,898 --> 00:03:52,942
HELLO, HELLO.
100
00:03:52,966 --> 00:03:54,010
COME ON IN.
101
00:03:54,034 --> 00:03:55,245
HELLO, KATHY.
102
00:03:55,269 --> 00:03:56,313
THANKS FOR COMING OVER.
103
00:03:56,337 --> 00:03:57,514
OH, I BROUGHT THOSE LISTINGS
104
00:03:57,538 --> 00:03:59,282
ON THE PROPERTIES WE DISCUSSED.
105
00:03:59,306 --> 00:04:01,251
HEY, ARNOLD, HOW ABOUT A RIDE
106
00:04:01,275 --> 00:04:03,186
ON THE JACKSON EXPRESSWAY?
107
00:04:03,210 --> 00:04:05,154
YOU GOT IT. HOLD ON TIGHT.
108
00:04:05,178 --> 00:04:07,056
DON'T GO OVER 55.
109
00:04:07,080 --> 00:04:08,057
OH, I WON'T.
110
00:04:08,081 --> 00:04:09,892
EASY, ARNOLD.
111
00:04:09,916 --> 00:04:13,396
WATCH OUT FOR THE
DUMMY IN THE ROAD!
112
00:04:13,420 --> 00:04:16,733
THAT'S IT!
113
00:04:16,757 --> 00:04:18,235
ERRRR! ERRRR!
114
00:04:19,826 --> 00:04:23,139
THANKS FOR THE RIDE, PARNELLI.
115
00:04:23,163 --> 00:04:25,408
KATHY, TELL ARNOLD
YOUR GOOD NEWS.
116
00:04:25,432 --> 00:04:26,543
OH, YEAH.
117
00:04:26,567 --> 00:04:29,178
YOU LUCKY DEVIL.
118
00:04:29,202 --> 00:04:32,716
NEXT SEMESTER, GUESS WHAT
TERRIFIC KID IN A WHEELCHAIR
119
00:04:32,740 --> 00:04:34,251
WILL BE GOING TO YOUR SCHOOL.
120
00:04:34,275 --> 00:04:36,386
YOU? ALL RIGHT!
121
00:04:36,410 --> 00:04:38,187
OH, HEY, THAT'S
MARVELOUS, KATHY.
122
00:04:38,211 --> 00:04:39,356
I'M HAPPY TO SAY
123
00:04:39,380 --> 00:04:41,558
THEY'RE FINALLY PUTTING
IN RAMPS AND ELEVATORS
124
00:04:41,582 --> 00:04:42,726
AT ARNOLD'S SCHOOL.
125
00:04:42,750 --> 00:04:43,760
HEY, THAT'S GREAT.
126
00:04:43,784 --> 00:04:44,961
IT'S ABOUT TIME.
127
00:04:44,985 --> 00:04:45,962
WELL, LET'S GET A
LOOK AT THESE LISTINGS.
128
00:04:45,986 --> 00:04:46,963
WILL YOU EXCUSE US, KIDS?
129
00:04:46,987 --> 00:04:49,198
SURE. SURE.
130
00:04:49,222 --> 00:04:51,701
ISN'T THAT TERRIFIC, KATHY?
131
00:04:51,725 --> 00:04:53,503
NOW YOU'LL GET TO
SEE ARNOLD EVERY DAY.
132
00:04:53,527 --> 00:04:55,438
YEAH. WE CAN HAVE
RECESS TOGETHER.
133
00:04:55,462 --> 00:04:56,873
RIGHT.
134
00:04:56,897 --> 00:04:57,874
WE CAN HAVE LUNCH TOGETHER.
135
00:04:57,898 --> 00:04:59,476
RIGHT.
136
00:04:59,500 --> 00:05:01,378
WE CAN EVEN DO OUR
HOMEWORK TOGETHER.
137
00:05:01,402 --> 00:05:04,847
DON'T PRESS YOUR LUCK.
138
00:05:04,871 --> 00:05:06,983
HEY, ARNOLD, WHY
DON'T YOU TELL KATHY
139
00:05:07,007 --> 00:05:07,984
ABOUT YOUR GOOD NEWS.
140
00:05:08,008 --> 00:05:10,253
OH, YEAH.
141
00:05:10,277 --> 00:05:11,821
I GET THE CHANCE TO
MAKE A FOOL OF MYSELF
142
00:05:11,845 --> 00:05:13,723
IN FRONT OF A BUNCH OF PEOPLE.
143
00:05:13,747 --> 00:05:16,826
WELL, YOU DO THAT ALL THE TIME.
144
00:05:16,850 --> 00:05:19,028
THANKS.
145
00:05:19,052 --> 00:05:20,897
ARNOLD'S GOT THE
LEAD IN HIS CLASS PLAY,
146
00:05:20,921 --> 00:05:21,898
BUT HE DOESN'T WANT TO DO IT.
147
00:05:21,922 --> 00:05:23,500
WHY NOT?
148
00:05:23,524 --> 00:05:25,535
BECAUSE I HAVE TO
WEAR A STUPID COSTUME
149
00:05:25,559 --> 00:05:28,004
AND MEMORIZE A
BUNCH OF DUMB LINES
150
00:05:28,028 --> 00:05:30,607
AND WASTE ALL MY
FREE TIME REHEARSING.
151
00:05:30,631 --> 00:05:33,443
IN OTHER WORDS, YOU'RE CHICKEN.
152
00:05:33,467 --> 00:05:35,144
THAT, TOO.
153
00:05:35,168 --> 00:05:37,880
WELL, REMEMBER WHAT THEY SAY.
154
00:05:37,904 --> 00:05:41,184
WHEN THE GOING GETS
TOUGH, THE TOUGH GET GOING.
155
00:05:41,208 --> 00:05:45,522
BUT THEY DIDN'T SAY
IN WHICH DIRECTION.
156
00:05:45,546 --> 00:05:48,257
HEY, FORGET IT, KATHY. HE'S
NOT GOING TO WANT TO DO IT.
157
00:05:48,281 --> 00:05:50,493
WHAT PART ARE YOU
SUPPOSED TO PLAY, ARNOLD?
158
00:05:50,517 --> 00:05:52,595
IF I TELL YOU, YOU'LL
MAKE FUN OF ME.
159
00:05:52,619 --> 00:05:54,997
NO, I WON'T.
160
00:05:55,021 --> 00:05:57,534
I'M SUPPOSED TO BE
ABRAHAM LINCOLN.
161
00:05:57,558 --> 00:06:03,540
WHO YOU GONNA
FREE, THE MUNCHKINS?
162
00:06:03,564 --> 00:06:05,709
SEE? I TOLD YOU
YOU'D MAKE FUN OF ME.
163
00:06:05,733 --> 00:06:09,912
YOU WERE RIGHT.
164
00:06:09,936 --> 00:06:11,147
COME ON, ARNOLD. YOU KNOW KATHY
165
00:06:11,171 --> 00:06:12,915
WAS ONLY KIDDING. YEAH, ARNOLD.
166
00:06:12,939 --> 00:06:15,117
SURE. DO THE PLAY, ARNOLD.
167
00:06:15,141 --> 00:06:16,853
YOU'LL BE TERRIFIC.
168
00:06:16,877 --> 00:06:18,421
YOU REALLY MEAN THAT?
169
00:06:18,445 --> 00:06:19,622
OF COURSE I DO.
170
00:06:19,646 --> 00:06:21,924
PLEASE, DO IT FOR ME.
171
00:06:21,948 --> 00:06:23,426
IF YOU DO, I'LL COME SEE IT.
172
00:06:23,450 --> 00:06:25,762
YOU WILL?
173
00:06:25,786 --> 00:06:29,265
YEAH, AND I'LL BE RIGHT IN THE
FRONT ROW ROOTING FOR YOU.
174
00:06:29,289 --> 00:06:30,533
YEAH. COME ON, ARNOLD. DO IT.
175
00:06:30,557 --> 00:06:32,134
SHOW 'EM YOU'RE NOT AFRAID.
176
00:06:32,158 --> 00:06:35,137
OK. ALL RIGHT.
177
00:06:35,161 --> 00:06:37,106
MOVE OVER, BRANDO.
178
00:06:37,130 --> 00:06:40,142
MAKE ROOM FOR JACKSON.
179
00:06:40,166 --> 00:06:42,779
HEY, WHY DON'T WE CELEBRATE
WITH SOME ICE CREAM?
180
00:06:42,803 --> 00:06:44,581
HEY, THAT'S A GOOD IDEA.
181
00:06:44,605 --> 00:06:47,684
THIS CALLS FOR A
21-SCOOP SALUTE.
182
00:06:47,708 --> 00:06:49,853
OK, FOLLOW ME, PARTNER.
183
00:06:49,877 --> 00:06:52,121
ALL RIGHT.
184
00:06:52,145 --> 00:06:53,122
YOU LIKE ROCKY ROAD?
185
00:06:53,146 --> 00:06:54,190
YEAH, IT'S OK.
186
00:06:54,214 --> 00:06:56,225
HEY, DAD! MRS. GORDON!
187
00:06:56,249 --> 00:06:58,595
HEY, YOU GUYS, DON'T
START WITHOUT ME, OK?
188
00:06:58,619 --> 00:07:00,830
WOULD YOU LIKE ME TO
BRING YOU SOME ICE CREAM?
189
00:07:00,854 --> 00:07:02,298
ICE CREAM?
190
00:07:02,322 --> 00:07:04,233
I REALLY SHOULD WATCH MY FIGURE.
191
00:07:04,257 --> 00:07:07,069
EAT THE ICE CREAM.
I'LL WATCH IT FOR YOU.
192
00:07:07,093 --> 00:07:09,406
WE'RE CELEBRATING. KATHY
GOT ARNOLD TO CHANGE HIS MIND.
193
00:07:09,430 --> 00:07:11,040
HE'S ALL EXCITED ABOUT
DOING THE PLAY NOW.
194
00:07:11,064 --> 00:07:12,041
THAT'S WONDERFUL.
195
00:07:12,065 --> 00:07:13,743
EXCUSE ME. I'LL BE
BACK IN A MINUTE.
196
00:07:13,767 --> 00:07:15,044
BOY, THAT KATHY'S
SOMETHING ELSE.
197
00:07:15,068 --> 00:07:16,112
SHE'S VERY GOOD FOR ARNOLD.
198
00:07:16,136 --> 00:07:18,014
WELL, ARNOLD IS
GOOD FOR HER, TOO.
199
00:07:18,038 --> 00:07:20,082
YOU KNOW, PHIL...
200
00:07:20,106 --> 00:07:22,919
I'M HAVING A... A LITTLE PROBLEM
201
00:07:22,943 --> 00:07:24,788
GETTING KATHY TO DO SOMETHING.
202
00:07:24,812 --> 00:07:26,989
MAYBE ARNOLD COULD HELP.
203
00:07:27,013 --> 00:07:27,990
WELL, I'M SURE ALL
YOU HAVE TO DO IS ASK.
204
00:07:28,014 --> 00:07:29,325
WHAT IS IT?
205
00:07:29,349 --> 00:07:30,927
IT'S ABOUT HER WALKING.
206
00:07:30,951 --> 00:07:33,630
WALKING? YOU MEAN KATHY WALKS?
207
00:07:33,654 --> 00:07:39,335
YES, SHE DOES, IF
SHE WANTS TO. SEE...
208
00:07:39,359 --> 00:07:43,105
HEY, I THOUGHT YOU GUYS WERE
REHEARSING THE LINCOLN PLAY WITH ARNOLD.
209
00:07:43,129 --> 00:07:47,076
WE WILL BE IF WE CAN GET
MR. PRESIDENT DOWN HERE.
210
00:07:47,100 --> 00:07:50,447
HAVE YOU TRIED PLAYING
HAIL TO THE CHIEF?
211
00:07:50,471 --> 00:07:53,249
AH, COME ON, ARNOLD, WE'VE
GOT OTHER THINGS TO DO.
212
00:07:53,273 --> 00:07:55,952
YES, ARNOLD, WE
HAVEN'T GOT ALL DAY.
213
00:07:55,976 --> 00:08:00,356
OK, I'M READY. GIVE ME MY CUE.
214
00:08:00,380 --> 00:08:03,359
"THE YEAR IS 1861,
215
00:08:03,383 --> 00:08:05,495
"AND OUR NATION IS AT WAR
OVER THE ISSUE OF SLAVERY.
216
00:08:05,519 --> 00:08:07,597
"ONE MAN COMES FORWARD
217
00:08:07,621 --> 00:08:09,599
"TO PROVIDE LEADERSHIP
IN THIS TROUBLED TIME.
218
00:08:09,623 --> 00:08:11,300
"LADIES AND GENTLEMEN,
219
00:08:11,324 --> 00:08:14,593
THE PRESIDENT OF
THE UNITED STATES."
220
00:08:33,413 --> 00:08:34,390
HOW DO I LOOK?
221
00:08:34,414 --> 00:08:38,695
I THINK THE SLAVES
ARE IN TROUBLE.
222
00:08:38,719 --> 00:08:40,497
I THINK YOU LOOK VERY
IMPRESSIVE, ARNOLD.
223
00:08:40,521 --> 00:08:41,498
AND WHEN THE PLAY'S OVER,
224
00:08:41,522 --> 00:08:44,501
YOU SHOULD CONSIDER
GROWING A BEARD.
225
00:08:44,525 --> 00:08:47,103
LOOK, YOU GOT MY VOTE,
ABE. LET'S GET STARTED, OK?
226
00:08:47,127 --> 00:08:48,771
NOT YET. I PROMISED KATHY
227
00:08:48,795 --> 00:08:51,774
SHE COULD HAVE A SNEAK PREVIEW
BEFORE THE PLAY TOMORROW.
228
00:08:51,798 --> 00:08:53,676
OH, ARNOLD, LOOK, I'VE
GOT HOMEWORK TO DO.
229
00:08:53,700 --> 00:08:56,278
YOU JUST CALL ME
WHEN YOU'RE READY, OK?
230
00:08:56,302 --> 00:08:58,180
YEAH, SAME HERE,
ARNOLD. ALL RIGHT.
231
00:08:58,204 --> 00:09:00,950
ARNOLD.
232
00:09:00,974 --> 00:09:03,152
YOU NOW, KATHY'S MOTHER TOLD
ME SOMETHING THE OTHER DAY
233
00:09:03,176 --> 00:09:04,787
THAT'S VERY EXCITING.
234
00:09:04,811 --> 00:09:06,489
WHAT'S THAT?
235
00:09:06,513 --> 00:09:08,958
KATHY CAN WALK WITH CRUTCHES.
236
00:09:08,982 --> 00:09:10,894
SHE CAN?
237
00:09:10,918 --> 00:09:13,195
HOW COME SHE NEVER DOES?
238
00:09:13,219 --> 00:09:16,265
WELL, SHE DOESN'T LIKE TO.
239
00:09:16,289 --> 00:09:18,601
SEE, WHEN SHE'S IN A WHEELCHAIR,
240
00:09:18,625 --> 00:09:20,003
SHE FEELS VERY SECURE.
241
00:09:20,027 --> 00:09:21,470
WHEN SHE'S ON HER CRUTCHES,
242
00:09:21,494 --> 00:09:23,439
SHE FEELS EMBARRASSED,
SELF-CONSCIOUS.
243
00:09:23,463 --> 00:09:25,542
SHE'S AFRAID THE KIDS
WILL LAUGH AT HER.
244
00:09:25,566 --> 00:09:27,577
WELL, THEY BETTER NOT
LAUGH IN FRONT OF ME,
245
00:09:27,601 --> 00:09:32,314
OR I'LL LEAVE A TRAIL OF BLOODY
KNEECAPS AROUND THIS TOWN.
246
00:09:32,338 --> 00:09:34,250
WELL, ARNOLD, I THINK WHAT
KATHY NEEDS RIGHT NOW
247
00:09:34,274 --> 00:09:37,921
IS A GOOD FRIEND, NOT A HIT MAN.
248
00:09:37,945 --> 00:09:39,556
YOU THINK YOU
COULD ENCOURAGE HER
249
00:09:39,580 --> 00:09:40,723
TO TRY WALKING
WITH HER CRUTCHES?
250
00:09:40,747 --> 00:09:44,093
SURE, I COULD, DAD.
251
00:09:44,117 --> 00:09:45,428
BY THE TIME I'M
THROUGH WITH HER,
252
00:09:45,452 --> 00:09:47,964
SHE'LL WANT TO RUN
THE BOSTON MARATHON.
253
00:09:47,988 --> 00:09:51,067
THANKS, ARNOLD. I KNEW I
COULD COUNT ON YOU TO HELP HER.
254
00:09:51,091 --> 00:09:54,771
OF COURSE. YOU'RE TALKING TO
THE GUY WHO ENDED THE CIVIL WAR.
255
00:09:55,896 --> 00:09:56,873
THANK YOU. I'LL GET IT, DAD.
256
00:09:56,897 --> 00:10:01,744
IT'S PROBABLY KATHY.
257
00:10:01,768 --> 00:10:04,614
HEY, LOOK AT YOU.
258
00:10:04,638 --> 00:10:07,216
WHAT'S GOING DOWN, ABE?
259
00:10:07,240 --> 00:10:11,253
STEP INTO THE OVAL OFFICE.
260
00:10:11,277 --> 00:10:12,288
HI, KATHY, DOROTHY.
261
00:10:12,312 --> 00:10:14,156
HI, PHIL. HI, MR. DRUMMOND.
262
00:10:14,180 --> 00:10:17,627
ARNOLD, YOU LOOK JUST
LIKE ABRAHAM LINCOLN.
263
00:10:17,651 --> 00:10:22,765
YEAH, EXCEPT YOU COULD USE
MORE HEIGHT AND LESS COLOR.
264
00:10:22,789 --> 00:10:24,567
THE KIDS ARE GOING TO
REHEARSE WHILE WE WORK.
265
00:10:24,591 --> 00:10:26,435
LET'S GO. OH, TERRIFIC.
266
00:10:26,459 --> 00:10:29,038
OH, DID YOU HAVE A
CHANCE TO TALK TO HIM?
267
00:10:29,062 --> 00:10:30,506
YEAH.
268
00:10:30,530 --> 00:10:33,042
ALL RIGHT.
269
00:10:33,066 --> 00:10:34,611
I GOTTA GO CALL
KIMBERLY AND WILLIS
270
00:10:34,635 --> 00:10:36,813
SO THEY CAN HELP ME TO REHEARSE.
271
00:10:36,837 --> 00:10:39,716
HEY, I GOT A BETTER IDEA.
272
00:10:39,740 --> 00:10:41,484
HOW ABOUT YOU
HELPING ME TONIGHT?
273
00:10:41,508 --> 00:10:43,519
OK. I'D LOVE TO.
274
00:10:43,543 --> 00:10:45,788
WELL, HERE'S WHAT YOU DO.
275
00:10:45,812 --> 00:10:47,356
MM-HMM.
276
00:10:47,380 --> 00:10:50,159
JUST OPEN THIS LIKE THAT,
277
00:10:50,183 --> 00:10:51,928
AND READ ALL THE PARTS
THAT AREN'T UNDERLINED.
278
00:10:51,952 --> 00:10:52,962
START RIGHT HERE.
279
00:10:52,986 --> 00:10:54,330
OK.
280
00:10:54,354 --> 00:10:57,033
"THE YEAR IS 1861
281
00:10:57,057 --> 00:10:58,768
"AND OUR NATION IS AT WAR
282
00:10:58,792 --> 00:11:00,136
"OVER THE ISSUE OF SLAVERY.
283
00:11:00,160 --> 00:11:03,039
"ONE MAN COMES FORWARD
284
00:11:03,063 --> 00:11:05,942
"TO PROVIDE LEADERSHIP
IN THIS TROUBLED TIME.
285
00:11:05,966 --> 00:11:07,710
"LADIES AND GENTLEMEN,
286
00:11:07,734 --> 00:11:10,135
THE PRESIDENT OF
THE UNITED STATES."
287
00:11:15,075 --> 00:11:19,155
FOUR SCORE AND SEVEN YEARS AGO,
288
00:11:19,179 --> 00:11:21,557
OUR FATHERS BROUGHT
FORTH ON THIS CONTINENT
289
00:11:21,581 --> 00:11:22,992
A NEW NATION.
290
00:11:27,287 --> 00:11:28,965
HEY, COME ON.
291
00:11:31,324 --> 00:11:33,569
YOU WERE TERRIFIC, ARNOLD.
292
00:11:33,593 --> 00:11:35,705
YOU'RE GONNA BE
THE HIT OF THE PLAY.
293
00:11:35,729 --> 00:11:37,473
I'M GONNA WHEEL
MYSELF UP ON THAT STAGE,
294
00:11:37,497 --> 00:11:38,474
AND I'M GONNA THROW
FLOWERS AT YOU.
295
00:11:38,498 --> 00:11:40,176
THANKS.
296
00:11:40,200 --> 00:11:41,678
BUT WHY WHEEL UP?
297
00:11:41,702 --> 00:11:43,212
WHY NOT WALK UP
ON YOUR CRUTCHES?
298
00:11:43,236 --> 00:11:45,848
MY CRUTCHES?
299
00:11:45,872 --> 00:11:47,717
HOW DO YOU KNOW
ABOUT MY CRUTCHES?
300
00:11:47,741 --> 00:11:49,819
HAS MY MOTHER BEEN BLABBING?
301
00:11:49,843 --> 00:11:52,555
WHAT'S THE DIFFERENCE?
302
00:11:52,579 --> 00:11:55,391
THE DIFFERENCE IS IT'S
NONE OF YOUR BUSINESS.
303
00:11:55,415 --> 00:11:59,028
HEY, WHAT ARE YOU
GETTING SO MAD ABOUT?
304
00:11:59,052 --> 00:12:00,596
WHAT'S WRONG WITH WALKING
UP ON YOUR CRUTCHES?
305
00:12:00,620 --> 00:12:01,964
HAVE YOU EVER TRIED IT?
306
00:12:01,988 --> 00:12:03,532
NO.
307
00:12:03,556 --> 00:12:05,902
HAS ANYBODY EVER TOLD YOU
308
00:12:05,926 --> 00:12:10,372
THAT YOU LOOK LIKE A
REJECT FROM THE MUPPETS?
309
00:12:10,396 --> 00:12:12,274
NO.
310
00:12:12,298 --> 00:12:13,509
WELL, THAT'S WHAT
THEY SAY TO ME,
311
00:12:13,533 --> 00:12:15,778
AND SOMETIMES EVEN WORSE.
312
00:12:15,802 --> 00:12:18,214
AW, THOSE KIDS ARE JUST
A BUNCH OF AIRHEADS.
313
00:12:18,238 --> 00:12:20,516
DON'T LET THAT STOP YOU.
314
00:12:20,540 --> 00:12:22,985
DON'T YOU EVER WANT TO
GET OUT OF YOUR WHEELCHAIR
315
00:12:23,009 --> 00:12:25,287
AND GO TO SCHOOL
WITHOUT ANY HELP?
316
00:12:25,311 --> 00:12:27,123
THAT'S THE REASON THEY'RE
PUTTING IN RAMPS AND ELEVATORS.
317
00:12:27,147 --> 00:12:29,491
DON'T YOU KNOW ANYTHING, DUMMY?
318
00:12:29,515 --> 00:12:34,130
BUT KATHY, WHAT ABOUT THE
PLACES THAT DON'T HAVE RAMPS?
319
00:12:34,154 --> 00:12:36,766
DON'T YOU WANT TO BE ABLE TO GO
ANYPLACE YOU LIKE WITHOUT YOUR CHAIR?
320
00:12:36,790 --> 00:12:38,935
WHEN I NEED YOUR
HELP, I'LL ASK FOR IT.
321
00:12:38,959 --> 00:12:41,204
MOM!
322
00:12:41,228 --> 00:12:42,939
MOTHER!
323
00:12:42,963 --> 00:12:43,940
BUT KATHY, ALL I WAS...
324
00:12:43,964 --> 00:12:45,474
MOM!
325
00:12:45,498 --> 00:12:46,709
WHAT IS IT, DEAR?
326
00:12:46,733 --> 00:12:47,944
I WANT TO GO HOME.
327
00:12:47,968 --> 00:12:48,978
WHAT'S WRONG, HONEY?
328
00:12:49,002 --> 00:12:50,246
NOTHING.
329
00:12:50,270 --> 00:12:52,314
WHAT HAPPENED, ARNOLD?
330
00:12:52,338 --> 00:12:54,150
DAD, I JUST ASKED HER
ABOUT HER CRUTCHES,
331
00:12:54,174 --> 00:12:57,220
AND WORLD WAR III BROKE OUT.
332
00:12:57,244 --> 00:13:00,056
ARNOLD DIDN'T MEAN
ANY HARM, DEAR.
333
00:13:00,080 --> 00:13:01,924
I DON'T CARE WHAT HE MEANT.
334
00:13:01,948 --> 00:13:03,826
HE'S NOT MY FRIEND ANYMORE,
335
00:13:03,850 --> 00:13:05,394
AND YOU SHOULDN'T HAVE TOLD HIM.
336
00:13:05,418 --> 00:13:07,730
OH, SWEETHEART.
337
00:13:07,754 --> 00:13:10,399
AND ANOTHER THING...
ABOUT YOUR ACTING.
338
00:13:10,423 --> 00:13:11,700
WHAT ABOUT MY ACTING?
339
00:13:11,724 --> 00:13:15,604
IT STINKS.
340
00:13:15,628 --> 00:13:19,341
WHAT YOU TALKIN' 'BOUT, KATHY?
341
00:13:19,365 --> 00:13:22,044
KATHY, THAT'S NOT VERY NICE.
342
00:13:22,068 --> 00:13:24,847
YEAH, AND YOU SAID
MY ACTING WAS TERRIFIC.
343
00:13:24,871 --> 00:13:27,449
I ONLY SAID THAT TO
MAKE YOU FEEL GOOD.
344
00:13:27,473 --> 00:13:29,418
THEY'RE GONNA LAUGH YOU
OFF THE STAGE TOMORROW.
345
00:13:29,442 --> 00:13:32,210
YOU COULDN'T ACT YOUR
WAY OUT OF A BAGGIE.
346
00:13:35,481 --> 00:13:37,559
SHE DIDN'T REALLY
MEAN THAT, ARNOLD.
347
00:13:37,583 --> 00:13:41,097
I'M SORRY.
348
00:13:41,121 --> 00:13:42,631
I'LL TALK TO YOU LATER, PHIL.
349
00:13:42,655 --> 00:13:45,990
SURE. BYE, DOROTHY.
350
00:13:47,760 --> 00:13:50,273
WELL, DAD.
351
00:13:50,297 --> 00:13:54,476
GOT ANY OTHER GREAT
IDEAS FOR HELPING A FRIEND?
352
00:13:54,500 --> 00:13:56,245
I'M SORRY, ARNOLD.
353
00:13:56,269 --> 00:13:59,882
I HAD NO IDEA THAT
SHE'D TAKE IT THAT WAY.
354
00:13:59,906 --> 00:14:01,350
NOT ONLY DID I LOSE A FRIEND,
355
00:14:01,374 --> 00:14:03,886
BUT DID YOU HEAR WHAT
SHE SAID ABOUT MY ACTING?
356
00:14:03,910 --> 00:14:05,988
IT STINKS.
357
00:14:06,012 --> 00:14:11,627
SHE DIDN'T SAY IT
STINKS REAL BAD.
358
00:14:11,651 --> 00:14:13,930
I'M SURE SHE JUST SAID
THAT OUT OF ANGER.
359
00:14:13,954 --> 00:14:15,464
UMMM, YEAH.
360
00:14:15,488 --> 00:14:17,533
I WONDER WHO'S
GOING TO KILL ME FIRST,
361
00:14:17,557 --> 00:14:19,068
JOHN WILKES BOOTHE
362
00:14:19,092 --> 00:14:21,726
OR THE AUDIENCE.
363
00:14:26,366 --> 00:14:27,743
BETTER GET GOING, ARNOLD.
364
00:14:27,767 --> 00:14:28,845
YOU DON'T WANT TO BE
LATE FOR THE SCHOOL
365
00:14:28,869 --> 00:14:31,480
ON THE DAY YOU FREE THE SLAVES.
366
00:14:31,504 --> 00:14:35,517
I'M TOO SICK TO TALK.
367
00:14:35,541 --> 00:14:37,320
WHAT'D YOU SAY?
368
00:14:37,344 --> 00:14:39,455
I'M TOO SICK TO TALK.
369
00:14:39,479 --> 00:14:42,491
ARNOLD, I CAN'T UNDERSTAND
A WORD YOU'RE SAYING.
370
00:14:42,515 --> 00:14:47,196
I SAID I'M TOO SICK TO TALK.
371
00:14:47,220 --> 00:14:48,197
HEY, GUYS,
372
00:14:48,221 --> 00:14:50,066
THE BATHROOM'S ALL YOURS.
373
00:14:50,090 --> 00:14:51,734
WELL, IF YOU'RE SICK, ARNOLD,
374
00:14:51,758 --> 00:14:53,669
I GUESS I BETTER TELL DAD.
375
00:14:53,693 --> 00:14:55,571
HE'S SICK? WHAT'S
THE MATTER WITH HIM.
376
00:14:55,595 --> 00:14:58,107
I THINK HONEST ABE IS JIVING US.
377
00:14:58,131 --> 00:15:03,412
I AM NOT. I'M IN GREAT PAIN.
378
00:15:03,436 --> 00:15:04,646
HEY, WHAT'S THE
HOLDUP HERE, GANG?
379
00:15:04,670 --> 00:15:06,382
ADELAIDE'S GOT
BREAKFAST ON THE TABLE.
380
00:15:06,406 --> 00:15:09,518
ARNOLD SAYS HE'S
SICK AND IN GREAT PAIN.
381
00:15:09,542 --> 00:15:12,255
OH, WELL, THAT
SOUNDS VERY SERIOUS.
382
00:15:12,279 --> 00:15:13,956
I GUESS I'D BETTER
CALL THE DOCTOR
383
00:15:13,980 --> 00:15:15,224
AND ASK HIM TO
COME GIVE HIM A SHOT.
384
00:15:15,248 --> 00:15:19,095
IT'S NOT THAT SERIOUS.
385
00:15:19,119 --> 00:15:21,697
IT'S NOT? THEN
WHAT IS IT, ARNOLD?
386
00:15:21,721 --> 00:15:24,300
I GUESS IT'S JUST
SOMETHING SEMI-FATAL.
387
00:15:24,324 --> 00:15:25,968
OH, WHAT TOUGH LUCK...
388
00:15:25,992 --> 00:15:28,771
GETTING SICK ON
THE DAY OF HIS PLAY.
389
00:15:28,795 --> 00:15:31,507
YEAH, WHAT A BAD BREAK.
390
00:15:31,531 --> 00:15:34,277
I EVEN HAD A SPEECH READY
FOR THE END OF THE PLAY
391
00:15:34,301 --> 00:15:35,912
WHEN I WAS GOING TO
THANK ALL THE LITTLE PEOPLE
392
00:15:35,936 --> 00:15:39,415
WHO HELPED ME
MAKE IT TO THE TOP.
393
00:15:39,439 --> 00:15:40,682
WELL, I WOULDN'T WORRY, ARNOLD.
394
00:15:40,706 --> 00:15:42,018
YOU CAN STILL MAKE THAT SPEECH.
395
00:15:42,042 --> 00:15:44,486
HOW, IF I'M NOT IN THE PLAY?
396
00:15:44,510 --> 00:15:45,687
OH, YOU'RE GONNA BE IN THE PLAY.
397
00:15:45,711 --> 00:15:47,723
YOU'D SEND A SICK KID
398
00:15:47,747 --> 00:15:51,093
INTO THE MIDDLE
OF THE CIVIL WAR?
399
00:15:51,117 --> 00:15:53,362
LITTLE BROTHER, YOU'RE NOT SICK.
400
00:15:53,386 --> 00:15:56,132
YOU'RE JUST UPSET
BECAUSE OF WHAT KATHY SAID.
401
00:15:56,156 --> 00:15:59,936
WELL, WHEN YOUR BEST FRIEND
SAYS YOUR ACTING STINKS,
402
00:15:59,960 --> 00:16:03,906
IT DOESN'T EXACTLY FILL
YOU WITH CONFIDENCE.
403
00:16:03,930 --> 00:16:05,607
OH, ARNOLD, YOU KNOW
SHE REALLY DIDN'T MEAN IT.
404
00:16:05,631 --> 00:16:07,243
SHE ONLY SAID IT
BECAUSE SHE WAS UPSET.
405
00:16:07,267 --> 00:16:09,578
ARNOLD?
406
00:16:09,602 --> 00:16:11,647
ARNOLD?
407
00:16:11,671 --> 00:16:13,182
WHEN YOU AGREED
TO PLAY THAT PART,
408
00:16:13,206 --> 00:16:14,783
YOU MADE A COMMITMENT.
409
00:16:14,807 --> 00:16:16,452
A LOT OF PEOPLE ARE
DEPENDING ON YOU.
410
00:16:16,476 --> 00:16:17,987
THE TEACHER, THE
KIDS IN THE PLAY,
411
00:16:18,011 --> 00:16:19,855
THE AUDIENCE.
412
00:16:19,879 --> 00:16:22,024
YOU ALSO MADE A
COMMITMENT TO YOURSELF.
413
00:16:22,048 --> 00:16:23,559
NOW, IF YOU DON'T
GO THROUGH WITH IT,
414
00:16:23,583 --> 00:16:26,162
YOU'LL REGRET IT
THE REST OF YOUR LIFE.
415
00:16:26,186 --> 00:16:31,600
THAT LONG?
416
00:16:31,624 --> 00:16:33,769
OK.
417
00:16:33,793 --> 00:16:35,704
I BETTER GET MY STOVEPIPE HAT
418
00:16:35,728 --> 00:16:38,229
AND START EMANCIPATING.
419
00:16:40,100 --> 00:16:42,945
FOUR SCORE AND SEVEN YEARS AGO,
420
00:16:42,969 --> 00:16:45,514
OUR FATHERS BROUGHT
FORTH ON THIS CONTINENT
421
00:16:45,538 --> 00:16:48,050
A NEW NATION... ALL RIGHT
CHILDREN, IS EVERYBODY READY?
422
00:16:48,074 --> 00:16:50,019
YES, MA'AM. GREAT.
423
00:16:50,043 --> 00:16:51,653
FEELING O.K., MR. PRESIDENT?
424
00:16:51,677 --> 00:16:52,654
MISS CHUNG,
425
00:16:52,678 --> 00:16:53,822
TO TELL YOU THE TRUTH,
426
00:16:53,846 --> 00:16:57,360
MY STOMACH FEELS LIKE
IT'S ON THE SPIN CYCLE.
427
00:16:57,384 --> 00:16:58,961
THAT'S PERFECTLY NORMAL, ARNOLD.
428
00:16:58,985 --> 00:17:01,797
BUT BELIEVE ME, ONCE YOU GET OUT
THERE IN FRONT OF THAT AUDIENCE,
429
00:17:01,821 --> 00:17:03,599
ALL YOUR NERVOUSNESS
WILL DISAPPEAR.
430
00:17:03,623 --> 00:17:05,067
IT WILL? SURE,
431
00:17:05,091 --> 00:17:06,902
YOU'LL FEEL RIGHT AT HOME
AS IF YOU'VE BEEN DOING IT
432
00:17:06,926 --> 00:17:07,970
ALL YOUR LIFE.
433
00:17:07,994 --> 00:17:09,205
IN FACT, YOU'LL PROBABLY FORGET
434
00:17:09,229 --> 00:17:10,973
ALL THOSE PEOPLE ARE OUT THERE.
435
00:17:10,997 --> 00:17:13,809
WELL THEN, WHAT
AM I WORRIED ABOUT?
436
00:17:13,833 --> 00:17:14,943
LET'S GET THE SHOW ON THE ROAD.
437
00:17:14,967 --> 00:17:16,479
ALL RIGHT.
438
00:17:16,503 --> 00:17:20,516
THERE'S NO BUSINESS
LIKE SHOW BUSINESS,
439
00:17:20,540 --> 00:17:23,574
IT'S LIKE NO BUSINESS I KNOW.
440
00:17:28,381 --> 00:17:29,992
THIS IS SO EXCITING.
441
00:17:30,016 --> 00:17:31,593
I LOVE AN OPENING NIGHT...
442
00:17:31,617 --> 00:17:34,363
EVEN WHEN IT'S AN
OPENING AFTERNOON.
443
00:17:34,387 --> 00:17:37,033
YOU KNOW, THEY SHOULD'VE MADE
ME TECHNICAL ADVISOR ON THIS PLAY.
444
00:17:37,057 --> 00:17:39,635
I KNOW ALL ABOUT
ABRAHAM LINCOLN.
445
00:17:39,659 --> 00:17:43,472
I WAS HERE WHEN ALL
THIS REALLY HAPPENED.
446
00:17:43,496 --> 00:17:45,207
THAT'S RIGHT, KIDS.
447
00:17:45,231 --> 00:17:46,275
SHE'S THE ONE THAT
PERSUADED LINCOLN
448
00:17:46,299 --> 00:17:49,278
TO GO TO THE THEATER THAT NIGHT.
449
00:17:49,302 --> 00:17:51,680
LADIES AND GENTLEMEN,
I'M MS. CHUNG
450
00:17:51,704 --> 00:17:54,250
AND I'D LIKE TO
WELCOME YOU TO P.S. 89.
451
00:17:54,274 --> 00:17:56,485
WE HOPE YOU'LL ENJOY
YOURSELVES THIS AFTERNOON.
452
00:17:56,509 --> 00:17:59,422
AND NOW, I'M PROUD TO PRESENT
453
00:17:59,446 --> 00:18:02,324
OUR FIFTH GRADE CLASS
IN A WONDERFUL PLAY...
454
00:18:02,348 --> 00:18:04,226
ABE LINCOLN, THE
GREAT EMANCIPATOR.
455
00:18:17,530 --> 00:18:19,975
THE YEAR IS 1861,
456
00:18:19,999 --> 00:18:21,544
AND OUR NATION IS AT WAR
457
00:18:21,568 --> 00:18:23,812
OVER THE ISSUE OF SLAVERY.
458
00:18:23,836 --> 00:18:26,248
ONE MAN COMES FORWARD
459
00:18:26,272 --> 00:18:28,884
TO PROVIDE LEADERSHIP
IN THIS TROUBLED TIME.
460
00:18:28,908 --> 00:18:30,919
LADIES AND GENTLEMEN,
461
00:18:30,943 --> 00:18:33,456
THE PRESIDENT ON
THE UNITED STATES.
462
00:18:45,691 --> 00:18:48,304
FOUR YEARS AGO,
THE SCORE WAS 7-4
463
00:18:48,328 --> 00:18:50,872
IN FAVOR OF OUR FATHERS.
464
00:18:54,601 --> 00:18:57,279
I MEAN, UH... FOUR FATHERS AGO,
465
00:18:57,303 --> 00:18:59,881
THE NATION SCORED.
466
00:19:02,875 --> 00:19:08,591
40 FATHERS COULDN'T SCORE.
467
00:19:08,615 --> 00:19:12,161
FOUR SCORE AND SEVEN
YEARS AGO, DUMMY.
468
00:19:12,185 --> 00:19:14,619
FOUR SCORE AND SEVEN
YEARS AGO, DUMMY...
469
00:19:27,033 --> 00:19:28,611
LADIES AND GENTLEMEN,
470
00:19:28,635 --> 00:19:30,146
IF YOU'LL EXCUSE
US FOR A MOMENT,
471
00:19:30,170 --> 00:19:32,448
THEE SEEMS TO BE
A SMALL PROBLEM.
472
00:19:32,472 --> 00:19:34,283
I THINK I'D BETTER GO BACKSTAGE
473
00:19:34,307 --> 00:19:38,454
AND HAVE A TALK WITH
THE SMALL PROBLEM.
474
00:19:38,478 --> 00:19:42,158
OH, POOR ARNOLD. HE'S
ABSOLUTELY PETRIFIED.
475
00:19:42,182 --> 00:19:44,160
I DIDN'T THINK HE
WAS THAT RELAXED.
476
00:19:44,184 --> 00:19:47,596
I'VE NEVER SEEN HIM
THAT SCARED BEFORE.
477
00:19:47,620 --> 00:19:53,302
I'M JUST GLAD HE DIDN'T
LEAVE A PUDDLE ON THE STAGE.
478
00:19:53,326 --> 00:19:56,272
ARNOLD, PLEASE COME OUT.
479
00:19:56,296 --> 00:19:58,174
ARNOLD...
480
00:19:58,198 --> 00:20:00,643
OH, ARNOLD, PLEASE
LET GO OF THAT RADIATOR.
481
00:20:00,667 --> 00:20:02,444
THERE'S NOTHING TO BE AFRAID OF.
482
00:20:02,468 --> 00:20:05,714
I'M NOT AFRAID. I'M JUST COLD.
483
00:20:05,738 --> 00:20:07,949
OH, MR. DRUMMOND, MAYBE
YOU CAN GET THROUGH TO HIM.
484
00:20:07,973 --> 00:20:12,555
DAD, THEY WERE LAUGHING AT ME.
485
00:20:12,579 --> 00:20:13,589
NO, THEY WEREN'T, SON.
486
00:20:13,613 --> 00:20:15,057
THEY WERE LAUGHING WITH YOU.
487
00:20:15,081 --> 00:20:17,459
WELL, I WASN'T LAUGHING.
488
00:20:17,483 --> 00:20:19,595
LOOK, ARNOLD, IF
YOU'LL JUST RELAX,
489
00:20:19,619 --> 00:20:21,063
EVERYTHING WILL BE FINE.
490
00:20:21,087 --> 00:20:22,598
EVERYBODY OUT THERE
WANTS YOU TO DO WELL.
491
00:20:22,622 --> 00:20:23,765
THEY'RE ALL ROOTING FOR YOU.
492
00:20:23,789 --> 00:20:27,303
THEY WANNA ROOT, BUS
'EM TO A FOOTBALL GAME.
493
00:20:27,327 --> 00:20:30,172
NOW, ARNOLD...
494
00:20:30,196 --> 00:20:32,408
EVERYBODY'S GONNA
CALL YOU A QUITTER.
495
00:20:32,432 --> 00:20:35,010
I CAN LIVE WITH THAT.
496
00:20:35,034 --> 00:20:36,878
NOW, ARNOLD, PLEASE,
LET GO OF THE RADIATOR
497
00:20:36,902 --> 00:20:38,380
AND GO BACK OUT ON THE STAGE.
498
00:20:38,404 --> 00:20:39,981
THE SHOW MUST GO ON.
499
00:20:40,005 --> 00:20:42,017
WELL, IT CAN GO ON WITHOUT ME.
500
00:20:42,041 --> 00:20:43,819
I'M RETIRING FROM SHOW BUSINESS.
501
00:20:43,843 --> 00:20:47,155
TURNING IN MY BEARD.
502
00:20:47,179 --> 00:20:48,657
MS. CHUNG, WILL YOU EXCUSE
US FOR A MINUTE, PLEASE?
503
00:20:48,681 --> 00:20:52,961
OF COURSE.
504
00:20:52,985 --> 00:20:55,664
ARNOLD, EVERYBODY
IS WAITING FOR YOU.
505
00:20:55,688 --> 00:21:01,036
NOW, I'M NOT ASKING
YOU, I'M TELLING YOU.
506
00:21:01,060 --> 00:21:02,771
LET GO OF THAT THING
507
00:21:02,795 --> 00:21:08,143
AND GET YOUR LITTLE
BUTT OUT ON THE STAGE.
508
00:21:08,167 --> 00:21:10,412
DAD, NO WAY, NO HOW,
509
00:21:10,436 --> 00:21:16,118
NO CHANCE, AND NO
FURTHER DISCUSSION.
510
00:21:16,142 --> 00:21:17,319
HEY, ARNOLD.
511
00:21:17,343 --> 00:21:18,554
LOOK WHO'S HERE.
512
00:21:18,578 --> 00:21:21,022
WHAT'S GOING DOWN?
513
00:21:21,046 --> 00:21:22,391
KATHY, WHAT ARE YOU DOING HERE?
514
00:21:22,415 --> 00:21:24,360
YOU INVITED ME, REMEMBER?
515
00:21:24,384 --> 00:21:25,527
WHERE'S YOUR MOTHER, KATHY?
516
00:21:25,551 --> 00:21:27,929
SHE'S OUT FRONT WAITING
FOR THE GUTLESS WONDER
517
00:21:27,953 --> 00:21:30,499
TO GET BACK OUT ON STAGE.
518
00:21:30,523 --> 00:21:33,802
WHO YOU CALLING
A GUTLESS WONDER?
519
00:21:33,826 --> 00:21:37,706
THE RADIATOR ISN'T
EXACTLY HANGING ON TO YOU.
520
00:21:37,730 --> 00:21:39,475
SHE'S GOT YOU THERE, ARNOLD.
521
00:21:39,499 --> 00:21:42,043
WELL, SHE SHOULD TALK.
522
00:21:42,067 --> 00:21:44,112
SOMEBODY WHO'S TOO
AFRAID TO USE THEIR CRUTCHES
523
00:21:44,136 --> 00:21:45,147
IN FRONT OF OTHER PEOPLE.
524
00:21:45,171 --> 00:21:47,449
WRONG.
525
00:21:47,473 --> 00:21:49,418
WRONG? WHAT DO YOU MEAN, KATHY?
526
00:21:49,442 --> 00:21:51,487
WELL, I THOUGHT ABOUT
WHAT ARNOLD SAID YESTERDAY,
527
00:21:51,511 --> 00:21:52,821
AND HE WAS RIGHT.
528
00:21:52,845 --> 00:21:57,192
SO I WALKED THIS MORNING,
AND RIGHT OUT IN PUBLIC.
529
00:21:57,216 --> 00:21:59,161
YEAH. YOU DID?
530
00:21:59,185 --> 00:22:00,929
WELL, HOW COME YOU
DIDN'T CALL AND TELL ME?
531
00:22:00,953 --> 00:22:02,631
SHE WANTED TO
SURPRISE YOU, ARNOLD.
532
00:22:02,655 --> 00:22:03,632
HELLO, PHIL.
533
00:22:03,656 --> 00:22:04,733
HI, DOROTHY.
534
00:22:04,757 --> 00:22:06,302
DIG THIS, ARNOLD.
535
00:22:06,326 --> 00:22:09,638
HERE, HELP ME UP, MOM. PLEASE?
536
00:22:09,662 --> 00:22:11,873
OK.
537
00:22:11,897 --> 00:22:14,009
HERE WE GO.
538
00:22:14,033 --> 00:22:15,210
OK.
539
00:22:15,234 --> 00:22:16,994
YEAH. OK?
540
00:22:21,474 --> 00:22:22,751
HOW ABOUT THAT?
541
00:22:22,775 --> 00:22:24,787
ALL RIGHT!
542
00:22:24,811 --> 00:22:26,922
THAT IS MARVELOUS, KATHY.
543
00:22:26,946 --> 00:22:28,256
THANK YOU.
544
00:22:28,280 --> 00:22:30,392
NOW LISTEN, YOU TURKEY.
545
00:22:30,416 --> 00:22:32,894
IF I CAN DO IT, SO CAN YOU.
546
00:22:32,918 --> 00:22:35,731
NOW GET OUT ON THAT
STAGE AND KNOCK 'EM DEAD.
547
00:22:35,755 --> 00:22:38,033
ALL RIGHT, I WILL.
548
00:22:38,057 --> 00:22:43,505
GOOD BOY.
549
00:22:43,529 --> 00:22:45,407
DON'T GO AWAY.
550
00:22:45,431 --> 00:22:48,777
I MAY BE RIGHT BACK.
551
00:22:48,801 --> 00:22:50,479
GOOD FOR YOU, SON. GOOD FOR YOU.
552
00:22:57,910 --> 00:22:59,755
WELL, HOW'D IT GO, DAD?
553
00:22:59,779 --> 00:23:01,657
YEAH. DOES ARNOLD
STILL HAVE COLD FEET?
554
00:23:01,681 --> 00:23:03,525
HE DID, BUT KATHY SHOWED UP
555
00:23:03,549 --> 00:23:06,795
AND GAVE HIM A HOT FOOT.
556
00:23:06,819 --> 00:23:08,330
LADIES AND GENTLEMEN,
557
00:23:08,354 --> 00:23:10,131
THANK YOU FOR YOUR PATIENCE.
558
00:23:10,155 --> 00:23:13,435
AND NOW, ONCE AGAIN,
WE ARE PROUD TO PRESENT
559
00:23:13,459 --> 00:23:15,971
ABE LINCOLN, THE
GREAT EMANCIPATOR.
560
00:23:23,469 --> 00:23:26,214
THE YEAR IS 1861,
561
00:23:26,238 --> 00:23:27,850
AND OUR NATION IS AT WAR
562
00:23:27,874 --> 00:23:30,218
OVER THE ISSUE OF SLAVERY.
563
00:23:30,242 --> 00:23:32,588
ONE MAN COMES FORWARD
564
00:23:32,612 --> 00:23:35,156
TO PROVIDE LEADERSHIP
IN THIS TROUBLED TIME.
565
00:23:35,180 --> 00:23:36,992
LADIES AND GENTLEMEN,
566
00:23:37,016 --> 00:23:39,528
THE PRESIDENT OF
THE UNITED STATES.
567
00:23:56,903 --> 00:23:59,581
FOUR SCORE AND SEVEN YEARS AGO,
568
00:23:59,605 --> 00:24:02,217
OUR FATHERS BROUGHT
FORTH ON THIS CONTINENT
569
00:24:02,241 --> 00:24:04,019
A NEW NATION,
570
00:24:04,043 --> 00:24:06,087
CONCEIVED IN LIBERTY,
571
00:24:06,111 --> 00:24:08,424
AND DEDICATED TO THE PROPOSITION
572
00:24:08,448 --> 00:24:12,828
THAT ALL MEN ARE CREATED EQUAL.
573
00:24:12,852 --> 00:24:14,630
WAIT! WAIT A MINUTE!
574
00:24:14,654 --> 00:24:19,200
THERE'S MORE.
575
00:24:19,224 --> 00:24:22,059
NOW WE ARE ENGAGED...
576
00:24:37,543 --> 00:24:39,721
♪ NOW, THE WORLD DON'T MOVE ♪
577
00:24:39,745 --> 00:24:42,123
♪ TO THE BEAT OF JUST ONE DRUM ♪
578
00:24:42,147 --> 00:24:43,992
♪ WHAT MIGHT BE RIGHT FOR YOU ♪
579
00:24:44,016 --> 00:24:45,894
♪ MAY NOT BE RIGHT FOR SOME ♪
580
00:24:45,918 --> 00:24:47,663
♪ A MAN IS BORN ♪
581
00:24:47,687 --> 00:24:49,765
♪ HE'S A MAN OF MEANS ♪
582
00:24:49,789 --> 00:24:51,900
♪ THEN ALONG COME TWO ♪
583
00:24:51,924 --> 00:24:53,936
♪ THEY GOT NOTHIN'
BUT THEIR JEANS ♪
584
00:24:53,960 --> 00:24:55,871
♪ BUT THEY GOT
DIFF'RENT STROKES ♪
585
00:24:55,895 --> 00:24:57,940
♪ IT TAKES DIFF'RENT STROKES ♪
586
00:24:57,964 --> 00:24:59,842
♪ IT TAKES DIFF'RENT STROKES ♪
587
00:24:59,866 --> 00:25:01,844
♪ TO MOVE THE
WORLD, YES, IT DOES ♪
588
00:25:01,868 --> 00:25:03,734
♪ IT TAKES DIFF'RENT STROKES ♪
41051
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