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1
00:00:19,758 --> 00:00:24,067
LENNY, PLEASE...DON'T.
2
00:00:24,154 --> 00:00:26,243
YOU THINK I'M NOT
GOING TO FIND YOU
3
00:00:26,330 --> 00:00:28,550
AFTER YOU
HUMILIATE ME...AGAIN?
4
00:00:28,637 --> 00:00:31,379
I DIDN'T DO ANYTHING.
I SWEAR, I'D NEVER--
5
00:00:31,466 --> 00:00:32,467
NO!
6
00:00:32,554 --> 00:00:34,947
I KNOW WHAT YOU DO.
7
00:00:35,035 --> 00:00:36,384
I SEE.
8
00:00:36,471 --> 00:00:38,908
THE MEN...THE LIES.
9
00:00:38,995 --> 00:00:40,953
THIS IS THE LAST TIME,
DAMN IT.
10
00:00:42,172 --> 00:00:45,132
WHAT ARE YOU ON, BABY?
11
00:00:45,219 --> 00:00:49,701
Y-YOU ONLY GET LIKE THIS
WHEN YOU--GRR.
12
00:00:52,400 --> 00:00:55,533
WHAT ARE YOU GONNA DO,
PULVERIZE ME RIGHT HERE?
13
00:00:55,620 --> 00:00:57,274
SOMEBODY'S
GONNA HEAR ME SCREAM.
14
00:00:57,361 --> 00:00:59,189
IN DOWNTOWN L.A. AT NIGHT?
15
00:01:02,105 --> 00:01:03,237
WHO'S GONNA HEAR, RACH?
16
00:01:03,324 --> 00:01:05,717
NOBODY WHO CARES.
17
00:01:05,804 --> 00:01:09,678
BESIDES, THIS WILL
ALL BE OVER FAST.
18
00:01:09,765 --> 00:01:10,722
LENNY...
19
00:01:10,809 --> 00:01:12,246
PLEASE...
20
00:01:12,333 --> 00:01:14,422
NO.
21
00:01:14,509 --> 00:01:16,554
I'M SORRY.
22
00:01:16,641 --> 00:01:18,556
I JUST...CAN'T
TAKE THIS ANYMORE.
23
00:01:21,168 --> 00:01:23,257
POOR LENNY. BURDEN OF
TERRORIZING YOUR GIRLFRIEND
TOO MUCH FOR YA?
24
00:01:23,344 --> 00:01:24,345
AAH.
25
00:01:24,432 --> 00:01:26,782
LUCKY FOR YOU,
I CAN MAKE IT STOP.
26
00:01:33,267 --> 00:01:34,485
RACHEL, YOU ALL RIGHT?
27
00:01:37,140 --> 00:01:38,533
IS HE--
28
00:01:38,620 --> 00:01:41,840
IT'S OK. HE'S NOT
GETTING UP FOR A WHILE.
29
00:01:41,927 --> 00:01:45,453
I CAN'T BELIEVE
YOU ACTUALLY SHOWED UP.
30
00:01:45,540 --> 00:01:48,238
WELL, THAT WAS
THE DEAL, RIGHT?
31
00:01:48,325 --> 00:01:50,501
HOW CAN I THANK YOU,
32
00:01:50,588 --> 00:01:53,635
YOU MYSTERIOUS,
BLACK-CLAD HUNK
OF A NIGHT THING?
33
00:01:53,722 --> 00:01:55,680
NO NEED, LITTLE LADY.
34
00:01:55,767 --> 00:01:59,162
YOUR TEARS OF GRATITUDE
ARE ENOUGH FOR ME.
35
00:01:59,249 --> 00:02:03,210
YOU SEE, I WAS ONCE
A BAD-ASS VAMPIRE,
36
00:02:03,297 --> 00:02:06,648
BUT LOVE AND A PESKY CURSE
DEFANGED ME.
37
00:02:06,735 --> 00:02:11,566
AND NOW I'M JUST
A BIG FLUFFY PUPPY
WITH BAD TEETH.
38
00:02:11,653 --> 00:02:14,656
NO, NOT THE HAIR.
NEVER THE HAIR.
39
00:02:14,743 --> 00:02:19,051
BUT THERE MUST BE SOME WAY
I CAN SHOW MY APPRECIATION.
40
00:02:19,139 --> 00:02:22,881
NO. HELPING THOSE IN NEED'S
MY JOB.
41
00:02:22,968 --> 00:02:26,189
AND WORKING UP A LOAD
OF SEXUAL TENSION
42
00:02:26,276 --> 00:02:29,453
AND PRANCING AWAY
LIKE A MAGNIFICENT POOF
43
00:02:29,540 --> 00:02:32,326
IS TRULY THANKS ENOUGH.
44
00:02:32,413 --> 00:02:33,936
I UNDERSTAND.
45
00:02:34,023 --> 00:02:36,330
I HAVE A NEPHEW
WHO'S GAY, SO--
46
00:02:36,417 --> 00:02:39,246
SAY NO MORE!
EVIL'S STILL AFOOT.
47
00:02:39,333 --> 00:02:42,945
AND I'M ALMOST OUT
OF THAT NANCY-BOY HAIR GEL
I LIKE SO MUCH.
48
00:02:43,032 --> 00:02:46,209
QUICKLY,
TO THE ANGELMOBILE. AWAY.
49
00:02:46,296 --> 00:02:48,559
[FLICKS LIGHTER]
50
00:02:52,781 --> 00:02:54,826
GO ON WITH YOU.
51
00:02:54,913 --> 00:02:59,222
PLAY THE BIG STRAPPING HERO
WHILE YOU CAN.
52
00:02:59,309 --> 00:03:03,052
YOU HAVE A FEW SURPRISES
COMING YOUR WAY.
53
00:03:03,139 --> 00:03:05,446
THE RING OF AMARRA...
54
00:03:05,533 --> 00:03:08,971
A VISIT FROM
YOUR OLD PAL SPIKE...
55
00:03:09,058 --> 00:03:11,147
AND OH, YEAH...
56
00:03:11,234 --> 00:03:14,063
YOUR GRUESOME,
HORRIBLE DEATH.
57
00:04:21,957 --> 00:04:24,612
Deejay: ANOTHER 40-MINUTE BLOCK
OF UNINTERRUPTED MUSIC.
58
00:04:24,699 --> 00:04:26,570
YOU'RE LISTENING
TO THE SOUNDS
59
00:04:26,657 --> 00:04:30,226
OF L.A.'S ONLY MODERN
ALTERNATIVE, KLA-ROCK.
60
00:04:30,313 --> 00:04:32,620
IT'S 11:05.
61
00:04:32,707 --> 00:04:34,926
DO YOU KNOW WHAT
YOUR KARMA IS?
62
00:04:38,756 --> 00:04:40,236
THIS IS SO AWESOME.
63
00:04:40,323 --> 00:04:42,194
OUR FIRST
WALK-IN CLIENT.
64
00:04:42,282 --> 00:04:43,979
EVERYTHING IS GOING
ACCORDING TO PLAN.
65
00:04:44,066 --> 00:04:45,763
SEE GIRL IN DISTRESS...
66
00:04:45,850 --> 00:04:48,244
SEE ANGEL SAVE GIRL FROM
DRUGGIE/STALKER BOYFRIEND...
67
00:04:48,331 --> 00:04:50,202
SEE BOYFRIEND GO TO JAIL...
68
00:04:50,290 --> 00:04:51,508
AND SEE...
69
00:04:53,118 --> 00:04:54,381
INVOICE!
70
00:04:54,468 --> 00:04:55,991
TA-DA.
71
00:04:59,777 --> 00:05:00,952
WHAT?
72
00:05:01,039 --> 00:05:03,346
NOTHING. YOU'RE DOING
A LOVELY JOB THERE.
73
00:05:03,433 --> 00:05:04,956
LOOKS VERY OFFICIAL.
74
00:05:05,043 --> 00:05:08,003
SO WHY ARE YOU NOT REJOICING
AT OUR FIRST PAYING CLIENT?
75
00:05:08,090 --> 00:05:12,007
'CAUSE THAT'S NOT MONEY
IN YOUR HAND, DARLIN'.
THAT'S MAIL.
76
00:05:12,094 --> 00:05:14,575
THERE'S A BIG DIFFERENCE BETWEEN
THAT AND ACTUALLY GETTIN' PAID.
77
00:05:14,662 --> 00:05:17,795
BUT SHE HAS TO PAY.
INVOICE.
78
00:05:17,882 --> 00:05:21,190
THAT'S THE RULE OF OUR
WHOLE, LIKE, SOCIETY.
79
00:05:21,277 --> 00:05:23,584
DEFAULTING. THAT'S ANOTHER
POPULAR RULE IN SOCIETY,
80
00:05:23,671 --> 00:05:25,107
ESPECIALLY WITH
THE DOWN-AND-OUTS.
81
00:05:25,194 --> 00:05:28,458
NOT THAT I'VE PERPETRATED
SAID HEINOUSNESS MYSELF--
82
00:05:28,545 --> 00:05:30,025
SO WHAT ARE YOU SAYING?
WHY BOTHER?
83
00:05:30,112 --> 00:05:31,940
ALL I'M SAYING IS,
84
00:05:32,027 --> 00:05:35,117
IF YOU AND I EVER
HOPE TO TAKE THAT CRUISE
TO THE BAHAMAS TOGETHER,
85
00:05:35,204 --> 00:05:38,033
WE'RE GONNA NEED A LOT MORE
CLIENTS OF MEANS.
86
00:05:38,120 --> 00:05:39,295
AND AN ALTERNATE REALITY
87
00:05:39,382 --> 00:05:40,644
IN WHICH YOU'RE
MATTHEW McCONAUGHEY.
88
00:05:40,731 --> 00:05:41,993
HELLO, L.A.
89
00:05:42,080 --> 00:05:45,127
OZ? OH, MY GOD.
90
00:05:45,214 --> 00:05:47,825
OZ, I AM SO HAPPY
TO SEE YOU.
91
00:05:47,912 --> 00:05:49,958
GOOD OLD OZ.
92
00:05:50,045 --> 00:05:53,178
OZ. OZ!
93
00:05:53,265 --> 00:05:56,312
LET ME JUST
TAKE A STAB AT THIS,
BUT YOU'D BE OZ?
94
00:05:56,399 --> 00:05:57,705
GOOD GUESS.
95
00:05:57,792 --> 00:06:02,405
THIS IS SO COOL. I MEAN,
HERE YOU ARE IN L.A.,
96
00:06:02,492 --> 00:06:04,494
AND YOU'RE THE TOTAL EMBODIMENT
OF ALL THINGS SUNNYDALE.
97
00:06:04,581 --> 00:06:07,236
IT'S A BURDEN,
BUT I MANAGE.
98
00:06:07,323 --> 00:06:09,281
OK, WE HAVE SERIOUS
CATCHING UP TO DO.
99
00:06:09,369 --> 00:06:11,893
HOW'S EVERYTHING?
HOW-HOW'S THE BRONZE?
100
00:06:11,980 --> 00:06:13,068
THE SAME.
101
00:06:13,155 --> 00:06:14,112
AND THE GANG?
102
00:06:14,199 --> 00:06:15,592
THEY'RE GOOD.
GOOD?
103
00:06:15,679 --> 00:06:16,767
GOOD!
104
00:06:16,854 --> 00:06:17,899
GOOD.
105
00:06:20,815 --> 00:06:21,990
WE DONE?
COMPLETELY.
106
00:06:22,077 --> 00:06:24,166
[COUGHS]
107
00:06:24,253 --> 00:06:27,735
OH, THIS IS DOYLE.
HE, AIR QUOTE, WORKS HERE.
108
00:06:27,822 --> 00:06:28,866
HEY.
109
00:06:28,953 --> 00:06:31,129
SO I HEARD THE RUMORS.
110
00:06:31,216 --> 00:06:33,262
UH, YOU CAN FILL ME IN
ON THE REAL DEAL.
111
00:06:33,349 --> 00:06:34,263
YOU GUYS ARE,
LIKE, DETECTIVES?
112
00:06:34,350 --> 00:06:36,308
NO. I'M AN ACTRESS.
113
00:06:36,396 --> 00:06:38,528
QUITE A CAPTIVATING ONE
AT THAT.
114
00:06:38,615 --> 00:06:40,443
AND, BETWEEN MY MANY GIGS,
115
00:06:40,530 --> 00:06:41,879
I SOMETIMES CHOOSE
TO HELP ANGEL.
116
00:06:41,966 --> 00:06:43,794
HE'S THE DETECTIVE.
117
00:06:43,881 --> 00:06:45,709
DOES HE HAVE A HAT AND GUN?
118
00:06:45,796 --> 00:06:47,319
JUST FANGS.
119
00:06:47,407 --> 00:06:50,148
WELL, THAT WORKS.
WHERE IS HE?
120
00:07:01,203 --> 00:07:02,639
HEY, GUYS.
121
00:07:02,726 --> 00:07:03,640
HEY.
122
00:07:03,727 --> 00:07:04,641
OZ.
123
00:07:04,728 --> 00:07:05,773
ANGEL.
124
00:07:05,860 --> 00:07:07,209
NICE SURPRISE.
THANKS.
125
00:07:07,296 --> 00:07:08,340
STAYING LONG?
126
00:07:08,428 --> 00:07:09,603
A FEW DAYS.
127
00:07:09,690 --> 00:07:12,040
THEY ALWAYS LIKE THIS?
128
00:07:12,127 --> 00:07:13,694
NO. WE'RE USUALLY
LACONIC.
129
00:07:13,781 --> 00:07:15,304
COME ON IN.
130
00:07:16,784 --> 00:07:19,700
SO...GOOD TO SEE YOU.
131
00:07:19,787 --> 00:07:22,311
LIKEWISE. I CAME
PRIMARILY FOR A GIG,
132
00:07:22,398 --> 00:07:25,140
BUT ALSO
TO GIVE YOU THIS.
133
00:07:27,142 --> 00:07:30,145
WAIT A MINUTE. IS THAT
WHAT I THINK IT IS?
134
00:07:31,538 --> 00:07:33,235
IT'S THE GEM OF AMARRA.
135
00:07:33,322 --> 00:07:34,541
ONE AND THE SAME.
136
00:07:39,154 --> 00:07:41,112
BUFFY WANTED YOU
TO HAVE IT.
137
00:07:41,199 --> 00:07:44,768
HEY...BUFFY. HOW IS
GOOD OLD BUFFY, ANYWAY?
138
00:07:44,855 --> 00:07:46,509
SHE'S--
139
00:07:46,596 --> 00:07:48,206
WHAT, STILL THE BRAVE
LITTLE SLAYER,
140
00:07:48,293 --> 00:07:50,252
OR SHE MOPING AROUND
IN THE DARK LIKE--
141
00:07:50,339 --> 00:07:53,298
NOBODY AROUND HERE.
MM-MMM.
142
00:07:53,385 --> 00:07:55,300
SHE'S GOOD.
143
00:07:56,693 --> 00:07:58,652
SHE'S BUFFY.
144
00:07:58,739 --> 00:08:00,349
AND I'M SURE WE'LL BE
INTERESTED IN THAT LATER,
145
00:08:00,436 --> 00:08:04,135
BUT FOR RIGHT NOW,
CAN WE CONCENTRATE ON THE
MOTHER LODE ANGEL JUST HIT?
146
00:08:04,222 --> 00:08:06,747
WHAT ARE YOU WAITING FOR,
MAN? PUT IT ON.
147
00:08:06,834 --> 00:08:09,184
OK, YOU'RE GETTING WEIRD
WITH THIS RING.
148
00:08:09,271 --> 00:08:11,882
SINCE WHEN DID YOU
GET ALL VERSACE
ABOUT ACCESSORIZING?
149
00:08:11,969 --> 00:08:13,667
SINCE THE ACCESSORY
IS PRICELESS
150
00:08:13,754 --> 00:08:16,408
AND RENDERS THE WEARER
100% UNKILLABLE.
151
00:08:16,496 --> 00:08:18,367
UNKILLABLE?
152
00:08:18,454 --> 00:08:21,588
WHEW. LIKE, NOT EVEN STAKES?
153
00:08:21,675 --> 00:08:24,591
NOT NOTHING.
NOT STAKES, NOT FIRE.
154
00:08:24,678 --> 00:08:28,159
BEST OF ALL,
NOT EVEN SUNLIGHT.
I MEAN, JUST THINK OF IT, MAN.
155
00:08:28,246 --> 00:08:30,771
POOLSIDE TANNING...
BARGAIN MATINEES,
PLUS THERE ARE SEVERAL
156
00:08:30,858 --> 00:08:33,034
STRIP CLUBS I KNOW
OF THAT HAVE A FABULOUS
LUNCHEON BUFFET
157
00:08:33,121 --> 00:08:34,992
THAT'S REALLY QUITE TASTY.
158
00:08:35,079 --> 00:08:36,690
IT'S...I'VE HEARD.
159
00:08:36,777 --> 00:08:39,083
AND IT'S FROM BUFFY?
160
00:08:39,170 --> 00:08:40,955
YEAH. YOUR
OLD BUDDY SPIKE
161
00:08:41,042 --> 00:08:42,478
DUG UP SUNNYDALE
LOOKING FOR IT.
162
00:08:42,565 --> 00:08:45,176
GOT A FISTFUL OF BUFFY
AND LEFT IT BEHIND.
163
00:08:45,263 --> 00:08:46,134
SHE WANTED TO BE SURE
IT WAS IN GOOD HANDS.
164
00:08:46,221 --> 00:08:47,788
SO SHE SENT YOU?
165
00:08:47,875 --> 00:08:49,006
I WAS HEADING THIS WAY.
166
00:08:49,093 --> 00:08:52,140
AND SHE DIDN'T EVEN
SEND A NOTE? WOW!
167
00:08:52,227 --> 00:08:54,751
THAT'S REALLY--
168
00:08:54,838 --> 00:08:57,232
THIS IS ONE OF THOSE TIMES
169
00:08:57,319 --> 00:08:59,930
THAT I SHOULD JUST SHY AWAY
FROM THE TOPIC, ISN'T IT?
170
00:09:00,017 --> 00:09:02,106
COME ON, I GOT SOMETHING
THAT'LL BOOST YOUR SPIRITS.
171
00:09:02,193 --> 00:09:05,762
WHY DON'T YOU PUT IT ON?
AND HERE, I'LL STAKE YA.
IT'LL BE FUN.
172
00:09:05,849 --> 00:09:07,329
MAYBE LATER.
173
00:09:07,416 --> 00:09:09,853
YOU OUT OF YOUR MIND?I SAID MAYBE LATER.
174
00:09:09,940 --> 00:09:11,376
YEAH--
DOYLE.
175
00:09:11,463 --> 00:09:15,816
OK, HAVE IT YOUR WAY.
176
00:09:15,903 --> 00:09:18,601
BUT I'M STILL GOING TO
CELEBRATE WITH A DRINK
DOWN AT THE PUB.
177
00:09:18,688 --> 00:09:22,083
HE'D CELEBRATE
THE OPENING OF A MAILBOX
WITH A DRINK DOWN AT THE PUB.
178
00:09:22,170 --> 00:09:23,954
YOU COMING, OZ?
179
00:09:24,041 --> 00:09:25,042
YEAH, I COULD EAT.
180
00:09:25,129 --> 00:09:26,914
GO AHEAD.
181
00:10:18,008 --> 00:10:20,924
OH, GOD.
182
00:10:21,011 --> 00:10:24,972
YOU KNOW WHAT WOULD FEEL
REALLY GOOD RIGHT NOW?
183
00:10:25,059 --> 00:10:28,105
ONE OF THOSE MIND-NUMBING,
HEAD-CRACKING VISIONS
184
00:10:28,192 --> 00:10:29,716
THAT I GET
FROM TIME TO TIME.
185
00:10:29,803 --> 00:10:31,805
BECAUSE THAT WOULD
REALLY KILL ME.
186
00:10:31,892 --> 00:10:35,112
WHAT, IS THERE SOME
KIND OF TRICK TO THIS?
187
00:10:35,199 --> 00:10:38,159
I THINK THE TRICK
IS LAYING OFF THE ALE
188
00:10:38,246 --> 00:10:40,378
BEFORE YOU START QUOTING ANGELA'S ASHES
189
00:10:40,465 --> 00:10:41,510
AND WEEPING LIKE A BABY MAN.
190
00:10:41,597 --> 00:10:44,252
HEY, THAT'S A GOOD BOOK.
191
00:10:44,339 --> 00:10:45,601
SO I'VE HEARD.
192
00:10:45,688 --> 00:10:48,256
BUT I DOUBT VERY MUCH
THAT THE MAIN CHARACTERS
193
00:10:48,343 --> 00:10:49,649
ARE BETTY
AND BARNEY RUBBLE,
194
00:10:49,736 --> 00:10:52,695
AS YOU SO VEHEMENTLY
INSISTED LAST NIGHT.
195
00:10:52,782 --> 00:10:56,656
ALSO, I DON'T THINK
OZ APPRECIATED BEING CALLED
MY LITTLE BAMM-BAMM ALL NIGHT.
196
00:11:11,845 --> 00:11:13,934
[TELEPHONE RINGING]
197
00:11:24,031 --> 00:11:26,207
HELLO. HELLO?
198
00:11:26,294 --> 00:11:27,904
ANGEL?
199
00:11:27,991 --> 00:11:30,298
RACHEL, IS THAT YOU?
200
00:11:30,385 --> 00:11:32,866
THEY LET LENNY OUT.
201
00:11:32,953 --> 00:11:35,172
THE LAWYER SAID
SOMETHING ABOUT
A TECHNICALITY.
202
00:11:35,259 --> 00:11:36,957
I'LL BE RIGHT THERE.
203
00:11:46,227 --> 00:11:47,532
ANGEL.
204
00:11:47,619 --> 00:11:50,579
I BELIEVE YOU HAVE
SOMETHING I'M LOOKING FOR.
205
00:11:50,666 --> 00:11:53,451
SHINY LITTLE BAUBLE.
206
00:11:53,538 --> 00:11:55,453
MIGHT AS WELL GO HOME, SPIKE.
207
00:11:55,540 --> 00:11:57,586
GEM OF AMARRA STAYS WITH ME.
208
00:12:02,460 --> 00:12:06,247
WHY? 'CAUSE YOU'RE
ANGEL, VAMP DETECTIVE NOW?
209
00:12:06,334 --> 00:12:07,596
OOH, I'M SO SCARED.
210
00:12:07,683 --> 00:12:10,860
WHAT'S NEXT, VAMPIRE COWBOY?
211
00:12:10,947 --> 00:12:12,253
VAMPIRE FIREMAN?
212
00:12:12,340 --> 00:12:14,516
OH, VAMPIRE BALLERINA.
213
00:12:14,603 --> 00:12:16,213
I DO LIKE TO WORK
WITH MY LEGS.
214
00:12:31,402 --> 00:12:35,102
SO, YOU AND I
DUKE IT OUT, HUH?
215
00:12:35,189 --> 00:12:37,104
IS THIS YOUR BIG STRATEGY
FOR GETTING THE RING BACK?
216
00:12:37,191 --> 00:12:38,322
I HAD A PLAN.
217
00:12:41,325 --> 00:12:43,153
YOU? A PLAN?
218
00:12:43,240 --> 00:12:46,722
A GOOD PLAN. SMART,
CAREFULLY LAID OUT.
219
00:12:46,809 --> 00:12:48,898
BUT I GOT BORED.
220
00:12:51,118 --> 00:12:53,816
ALL THAT WATCHING,
WAITING.
221
00:12:53,903 --> 00:12:56,253
MY LEGS
STARTED TO CRAMP.
222
00:12:57,602 --> 00:12:58,778
ENOUGH WITH THE HIT 'N' QUIP.
223
00:12:58,865 --> 00:13:00,170
JUST TELL ME
WHERE THE DAMNED RING IS.
224
00:13:00,257 --> 00:13:02,999
IT WOULDN'T GO
WITH YOUR OUTFIT.
225
00:13:15,620 --> 00:13:17,318
CORDELIA...
226
00:13:17,405 --> 00:13:19,102
YOU LOOK SMASHING.
227
00:13:19,189 --> 00:13:21,583
YOU LOSE WEIGHT?
228
00:13:21,670 --> 00:13:24,934
YES! YOU KNOW, THERE'S
THIS GREAT GYM ON--
229
00:13:25,021 --> 00:13:26,544
HEY...
230
00:13:27,545 --> 00:13:29,417
I'LL GET THAT RING.
231
00:13:29,504 --> 00:13:33,160
THIS ISN'T OVER TILL ONE OF US
IS A PILE OF DUST, MATE.
232
00:13:33,247 --> 00:13:34,857
ARE YOU OK?
233
00:13:34,944 --> 00:13:37,077
MORE IMPORTANTLY,
HOW'S THE RING?
234
00:13:37,164 --> 00:13:39,079
IT'S FINE.
235
00:13:39,166 --> 00:13:42,473
I CAN'T SAY THE SAME
FOR YOU TWO, THOUGH.
236
00:13:42,560 --> 00:13:45,476
BETTER GET OUT OF SIGHT
TILL THIS THING'S OVER.
SPIKE'S OUT FOR BLOOD.
237
00:13:45,563 --> 00:13:46,651
TAKE HER TO YOUR PLACE.
238
00:13:46,738 --> 00:13:50,394
HIS PLACE? WHY CAN'T
I JUST GO HOME?
239
00:13:50,481 --> 00:13:51,961
'CAUSE HE KNOWS YOU,
CORDELIA.
240
00:13:52,048 --> 00:13:53,310
IF HE WANTS,
HE'LL TRACK YOU DOWN.
241
00:13:53,397 --> 00:13:56,139
WELL, HE'S NOT INVITED, RIGHT?
HE CAN'T COME IN.
242
00:13:56,226 --> 00:13:58,446
NO, BUT HE CAN BURN
THE PLACE TO THE GROUND.
243
00:13:58,533 --> 00:14:01,101
OK, THEN.
DOYLE'S PLACE IT IS.
244
00:14:01,188 --> 00:14:03,625
WHAT ABOUT YOU, MAN?
HE'LL BE COMING BACK
FOR YOU BEFORE LONG.
245
00:14:03,712 --> 00:14:05,192
I KNOW.
246
00:14:05,279 --> 00:14:06,280
Cordelia: SO WHAT
ARE YOU GOING TO DO?
247
00:14:06,367 --> 00:14:07,977
FIND HIM FIRST.
248
00:14:08,064 --> 00:14:10,719
ALL RIGHT, LET'S GO.
249
00:14:21,730 --> 00:14:25,299
NO, MAN, NOT SPICE.
THAT'S THE BIRD THAT
WORKS DOWN ON BROADWAY.
250
00:14:25,386 --> 00:14:28,432
SPIKE, AS IN RAILROAD.
251
00:14:28,519 --> 00:14:31,131
UH-HUH,
YEAH, VAMPIRE, RIGHT.
252
00:14:31,218 --> 00:14:35,222
NO? OK, THEN, THANKS.
253
00:14:36,745 --> 00:14:39,139
FRANKIE TRIPOD,
A BIG NO.
254
00:14:39,226 --> 00:14:41,663
FRANKIE TRIPOD?
OH, I GET IT.
255
00:14:41,750 --> 00:14:43,491
SOME KIND OF THREE-LEGGED
MONSTER, RIGHT?
256
00:14:43,578 --> 00:14:44,840
NO, HE'S HUMAN.
257
00:14:44,927 --> 00:14:48,888
THEN WHAT'S HIS NAME
SUPPOSED TO--OH.
258
00:14:48,975 --> 00:14:51,891
HEY, LISTEN, WHY DON'T YOU
SIT DOWN, GET COMFORTABLE?
259
00:14:51,978 --> 00:14:54,676
ANGEL SAID
I SHOULD GO THROUGH
EVERY NAME IN MY BOOK
260
00:14:54,763 --> 00:14:56,939
UNTIL I GET A BEAD WHERE
SPIKE IS HIDING OUT.
261
00:14:57,026 --> 00:14:58,462
COULD BE A WHILE.
262
00:14:58,549 --> 00:15:00,812
PLEASE. I COULDN'T
GET COMFORTABLE HERE
263
00:15:00,900 --> 00:15:02,814
IF THE FLOOR
WAS LINED WITH MINK.
264
00:15:02,902 --> 00:15:05,513
I MEAN, HOW CAN YOU
LIVE LIKE THIS?
265
00:15:05,600 --> 00:15:08,298
I DIDN'T UNTIL LAST WEEK,
THEN I SAW WHAT YOU DID
WITH YOUR PLACE,
266
00:15:08,385 --> 00:15:10,083
AND I JUST HAD
TO CALL MY DECORATOR.
267
00:15:10,170 --> 00:15:13,825
NO WAY! MY APARTMENT
IS NOWHERE NEAR THIS YUCKY.
268
00:15:17,829 --> 00:15:20,006
IT SMELLS LIKE
BONG WATER IN HERE.
269
00:15:20,093 --> 00:15:21,964
OK, SOME LAUNDRY MAY BE
A COUPLE OF DAYS PAST DUE,
I CONFESS--
270
00:15:22,051 --> 00:15:23,487
[TELEPHONE RINGING]
271
00:15:25,141 --> 00:15:26,186
YEAH.
272
00:15:26,273 --> 00:15:27,927
HEY, KIZZY.
273
00:15:29,232 --> 00:15:30,538
YEAH, A VAMP
CALLED SPIKE.
274
00:15:30,625 --> 00:15:32,105
NO, HUH?
275
00:15:32,192 --> 00:15:34,890
WHAT? A "C" NOTE?
276
00:15:34,977 --> 00:15:37,066
I ABSOLUTELY
PAID THAT BACK, MAN.
277
00:15:37,153 --> 00:15:38,850
HEY, NO.
278
00:15:38,938 --> 00:15:40,940
SORRY, THERE GOES
MY OTHER LINE.
279
00:15:42,332 --> 00:15:43,420
HE WAS MISTAKEN.
280
00:15:43,507 --> 00:15:45,335
BUT I DIDN'T HAVE TIME
TO GET INTO IT, RIGHT?
281
00:15:45,422 --> 00:15:47,816
I'M ON A MISSION HERE.
282
00:15:48,948 --> 00:15:50,819
SO WHAT ABOUT
THIS SPIKE?
283
00:15:50,906 --> 00:15:52,081
IS HE AS BAD
AS ALL THAT?
284
00:15:52,168 --> 00:15:53,604
SHOULD I BE SWEATING?
285
00:15:53,691 --> 00:15:56,259
NO. HE'S NOT SO--
286
00:15:59,306 --> 00:16:00,263
SWEAT.
287
00:16:01,395 --> 00:16:03,963
THAT'S WHAT I FIGURED.
288
00:16:08,924 --> 00:16:10,926
YOU KEEP SHOWING UP
LIKE THIS,
289
00:16:11,013 --> 00:16:12,797
I'M GONNA START THINKING
YOU'RE A MAN OF YOUR WORD.
290
00:16:12,884 --> 00:16:14,974
STRANGER THINGS.
291
00:16:15,061 --> 00:16:17,106
NOT MANY.
292
00:16:17,193 --> 00:16:21,981
SO WE'LL GET YOU OUT OF HERE.
THERE ARE PLACES YOU CAN GO
WHERE YOU'LL BE SAFE.
293
00:16:22,068 --> 00:16:23,460
HEH. LIKE A SHELTER?
294
00:16:23,547 --> 00:16:25,245
IT'S A START.
295
00:16:25,332 --> 00:16:27,638
HE WON'T BE ABLE
TO FIND YOU, I SWEAR.
296
00:16:27,725 --> 00:16:30,554
IT-IT'S NOT THE SHELTER.
IT'S JUST, UH...
297
00:16:34,384 --> 00:16:38,258
HALF THE TIME, YOU KNOW HOW
THIS WHOLE THING STARTS UP
AGAIN, LENNY AND ME?
298
00:16:38,345 --> 00:16:39,999
YOU CALL HIM.
299
00:16:40,086 --> 00:16:44,612
I--I--I JUST...I START
TO JONES FOR HIM.
300
00:16:44,699 --> 00:16:47,006
THE WAY HE JONESES FOR ROCK.
301
00:16:47,093 --> 00:16:50,052
AND I CALL, OR I FIND HIM
IN SOME DIVE,
302
00:16:50,139 --> 00:16:51,836
AND I DRAG HIM HOME,
303
00:16:51,923 --> 00:16:53,664
AND IT'S GOOD
FOR A WHILE.
304
00:16:53,751 --> 00:16:55,318
BUT IT DOESN'T LAST.
305
00:16:55,405 --> 00:16:58,060
THIS LAST TIME,
HE WOULD'VE KILLED YOU.
306
00:17:06,112 --> 00:17:08,462
I'M SCARED, ANGEL.
307
00:17:08,549 --> 00:17:12,814
I'M MORE SCARED OF ME
THAN I AM OF HIM RIGHT NOW.
308
00:17:12,901 --> 00:17:15,164
YOU'RE AT A CROSSROADS.
I KNOW.
309
00:17:15,251 --> 00:17:18,689
IT'S EITHER GO FOR
THE EASY FIX OR WAIT
FOR THE CONSEQUENCES
310
00:17:18,776 --> 00:17:21,997
OR TAKE THE HARD ROAD
AND GO WITH FAITH.
311
00:17:22,084 --> 00:17:24,478
OH, GOD.
312
00:17:24,565 --> 00:17:28,830
YOU'RE NOT FROM THAT FREAKY
CHURCH ON SUNSET, ARE YOU?
313
00:17:28,917 --> 00:17:32,094
IN YOURSELF.
THAT KIND OF FAITH.
314
00:17:32,181 --> 00:17:36,185
WHAT I'M SAYING IS
IF YOU LEAVE LENNY
FOR GOOD, IT'LL HURT,
315
00:17:36,272 --> 00:17:38,666
BUT EVENTUALLY YOU'LL
BE STRONGER FOR IT.
316
00:17:38,753 --> 00:17:41,321
AND MAYBE YOU'LL
FIND YOUR WAY
317
00:17:41,408 --> 00:17:43,279
TO THE KIND OF LOVE
YOU DESERVE.
318
00:17:43,366 --> 00:17:46,413
YOU MEAN THE KIND THAT COMES
WITHOUT 911 CALLS?
319
00:17:46,500 --> 00:17:49,111
THAT'S THE GENERAL IDEA.
320
00:17:50,721 --> 00:17:54,725
OH, YEAH. SPIKE'S NEARLY
DONE BUFFY IN A FEW TIMES.
321
00:17:54,812 --> 00:17:56,814
I MENTION HE'S KILLED
2 SLAYERS ALREADY?
322
00:17:56,901 --> 00:17:58,381
YA DID.
323
00:17:58,468 --> 00:17:59,687
OH, AND THIS ONE TIME,
324
00:17:59,774 --> 00:18:01,341
HE AND DRU
RAISED THIS DEMON
325
00:18:01,428 --> 00:18:03,560
THAT BURNED PEOPLE ALIVE
FROM THE INSIDE.
326
00:18:03,647 --> 00:18:06,433
IT WAS THIS WHOLE WEIRD THING
WITH AN ARM IN A BOX.
327
00:18:06,520 --> 00:18:07,825
AN ARM IN A BOX?
328
00:18:09,697 --> 00:18:11,655
[TELEPHONE RINGS]
329
00:18:11,742 --> 00:18:12,787
[ALTERS ACCENT]
HOUSE OF PIES.
330
00:18:12,874 --> 00:18:15,311
DOYLE. IS THAT YOU?
331
00:18:15,398 --> 00:18:17,096
OH, SORRY, MAN.
JUST LAYING LOW.
332
00:18:17,183 --> 00:18:19,185
ALL THOSE CALLS
TO PAST ACQUAINTANCES
333
00:18:19,272 --> 00:18:20,751
STIRRED UP A FEW,
UH, RESENTMENTS.
334
00:18:20,838 --> 00:18:22,318
I HOPE IT WAS WORTH IT.
335
00:18:22,405 --> 00:18:24,451
LISTEN, MANNY THE PIG
SAID HE DIDN'T KNOW
ANYTHING
336
00:18:24,538 --> 00:18:26,235
ABOUT A VAMPIRE
CALLED SPIKE.
337
00:18:26,322 --> 00:18:28,324
SO?
338
00:18:28,411 --> 00:18:31,022
HE SAID THAT BEFORE
I MENTIONED ANYTHING
ABOUT SPIKE.
339
00:18:31,110 --> 00:18:34,809
YOU'LL FIND HIM AT
A JOINT DOWN ON THIRD
CALLED THE ORBIT ROOM.
340
00:18:34,896 --> 00:18:37,812
OK, I'LL START WITH
MANNY THE PIG, THEN.
341
00:18:37,899 --> 00:18:39,205
WORK YOUR WAY DOWN.
342
00:18:41,946 --> 00:18:43,339
HE LEFT FOR THE CLUB.
343
00:18:47,038 --> 00:18:48,518
TRY THE GAME.
344
00:18:56,831 --> 00:18:58,659
PUT 'EM DOWN.
345
00:18:58,746 --> 00:19:00,443
HE'LL KILL ME IF I TALK.
346
00:19:00,530 --> 00:19:02,184
HOW HEALTHY
DO YOU THINK IT IS
TO STAY QUIET?
347
00:19:03,229 --> 00:19:05,100
HE'S OUT BACK.
348
00:19:10,540 --> 00:19:11,933
[METAL CLANGING]
349
00:19:18,548 --> 00:19:19,375
LET HER GO.
350
00:19:22,291 --> 00:19:25,294
DID ANYONE EVER TELL YOU
YOU'RE A HELL OF
A BUZZ-KILL, MATE?
351
00:19:26,774 --> 00:19:27,731
RUN.
352
00:19:33,955 --> 00:19:36,218
CAUGHT ME FAIR AND SQUARE,
WHITE HAT.
353
00:19:40,135 --> 00:19:43,965
GUESS THERE'S NOTHING TO DO NOW
BUT GO ALONG QUIETLY
354
00:19:44,052 --> 00:19:46,010
AND PAY MY DEBT TO SOCIETY.
355
00:19:46,097 --> 00:19:48,012
YOU THINK YOU CAN
COME TO MY TOWN
AND PULL THIS CRAP?
356
00:19:48,099 --> 00:19:50,798
YOU NEVER LEARN, SPIKE.
357
00:19:50,885 --> 00:19:52,756
I MAY BE
A SLOW LEARNER, BUT...
358
00:19:58,153 --> 00:20:00,068
EVENTUALLY I CATCH ON.
359
00:20:12,559 --> 00:20:15,083
ANGEL SHOULD HAVE
CALLED BY NOW.
360
00:20:17,955 --> 00:20:19,870
THIS IS BAD.
361
00:20:19,957 --> 00:20:22,046
MAYBE NOT.
362
00:20:22,133 --> 00:20:24,440
MAYBE HE DID AWAY WITH SPIKE
IN SHORT ORDER
363
00:20:24,527 --> 00:20:26,616
AND DECIDED TO GIVE A GO
AT SURFING.
364
00:20:26,703 --> 00:20:28,227
RIGHT.
365
00:20:28,314 --> 00:20:29,837
WHAT AM I
WORRIED ABOUT?
366
00:20:29,924 --> 00:20:31,926
ANGEL HAS THE RING,
RIGHT?
367
00:20:32,013 --> 00:20:34,494
ABSOLUTELY. I BETCHA
HE'S HANGING 10
368
00:20:34,581 --> 00:20:37,105
OFF THE SANDY SHORES
OF MALIBU RIGHT ABOUT NOW,
369
00:20:37,192 --> 00:20:39,063
WIND IN HIS HAIR,
370
00:20:39,150 --> 00:20:41,109
BIKINI BABES A-WHISTLIN'.
371
00:20:50,031 --> 00:20:51,815
[CLASSICAL MUSIC PLAYS]
372
00:20:53,600 --> 00:20:56,037
MARCUS IS AN EXPERT.
373
00:20:56,124 --> 00:20:58,735
SOME SAY ARTIST,
374
00:20:58,822 --> 00:21:00,824
BUT I'VE NEVER BEEN
COMFORTABLE WITH LABELS.
375
00:21:00,911 --> 00:21:05,002
HE'S A BLOODY
KING OF TORTURE, HE IS.
376
00:21:05,089 --> 00:21:07,744
HUMANS, DEMONS...
377
00:21:07,831 --> 00:21:11,095
POLITICIANS--
MAKES NO DIFFERENCE.
378
00:21:11,182 --> 00:21:15,230
SOME SAY HE INVENTED
SEVERAL OF THE CLASSICS,
379
00:21:15,317 --> 00:21:17,363
BUT HE WON'T TELL ME
WHICH ONES.
380
00:21:20,627 --> 00:21:24,500
BENEATH THE COOL EXTERIOR,
YOU'LL FIND HE'S RATHER SHY.
381
00:21:24,587 --> 00:21:26,894
EXCEPT WITH KIDS.
382
00:21:28,765 --> 00:21:31,246
YOU LIKE KIDS,
DON'T YOU, MARCUS?
383
00:21:32,421 --> 00:21:34,684
WELL, LIKES TO EAT.
384
00:21:34,771 --> 00:21:37,208
AND OTHER NASTY THINGS.
385
00:21:46,261 --> 00:21:47,523
HIS SKIN.
386
00:21:47,610 --> 00:21:48,655
ANNOYING, ISN'T IT?
387
00:21:48,742 --> 00:21:49,786
STILL ATTACHED.
388
00:21:49,873 --> 00:21:51,832
OVER 200 YEARS
OF LIVING,
389
00:21:51,919 --> 00:21:55,270
AND SO LITTLE
EXTERNAL DAMAGE.
390
00:21:55,357 --> 00:21:57,664
WHAT ABOUT INTERNAL?
391
00:21:57,751 --> 00:21:59,318
DO YOU TWO
NEED TO BE ALONE,
392
00:21:59,405 --> 00:22:01,624
OR CAN WE GET ON
WITH THE OUCHY PART?
393
00:22:01,711 --> 00:22:03,234
HE'S KNOWN LOVE.
394
00:22:03,322 --> 00:22:05,976
WITH A SLAYER, NO LESS.
HOW'S THAT FOR PERVERSION?
395
00:22:06,063 --> 00:22:08,196
AND HE HAS A SOUL.
396
00:22:08,283 --> 00:22:10,894
RIGHT, VAMPIRE WITH A SOUL,
397
00:22:10,981 --> 00:22:13,984
CURSY-CURSED TO WALK THE EARTH
TRYING TO DO GOOD.
398
00:22:14,071 --> 00:22:15,725
THAT'S NOT GONNA
BE A PROBLEM, IS IT?
399
00:22:15,812 --> 00:22:17,379
ON THE CONTRARY.
400
00:22:17,466 --> 00:22:18,989
CREATURES WITH SOULS
HAVE SOMETHING TO LOSE.
401
00:22:19,076 --> 00:22:20,948
SOULS, FINGERS, TOES.
402
00:22:21,035 --> 00:22:22,341
LET'S GET CHOPPING,
SHALL WE?
403
00:22:22,428 --> 00:22:24,081
I WANT MY DAMN RING.
404
00:22:24,168 --> 00:22:27,215
WHAT DO YOU WANT, ANGEL?
405
00:22:27,302 --> 00:22:30,697
ARE YOU GONNA TORTURE ME
OR JUST BORE ME TO DEATH, HUH?
406
00:22:37,268 --> 00:22:39,749
AAH! AAH!
407
00:22:39,836 --> 00:22:41,055
PROBABLY A LITTLE OF BOTH.
408
00:22:42,491 --> 00:22:44,972
SOMEONE'S HAVING
SHISH KEBAB.
409
00:22:47,888 --> 00:22:50,194
WHAT DO YOU WANT, ANGEL?
410
00:22:50,281 --> 00:22:54,373
HOUSE IN THE COUNTRY, GOOD PAIR
OF RUNNING SHOES YOU COULD
ALSO WEAR OUT TO DINNER.
411
00:22:54,460 --> 00:22:55,983
WHY DO YOU KEEP
ASKING HIM THAT?
412
00:22:56,070 --> 00:22:58,725
AND WHY DO YOU KEEP PLAYING
THAT BLEEDING BRAHMS?
413
00:22:58,812 --> 00:23:01,162
ACTUALLY, IT'S MOZART.
SYMPHONY 41.
414
00:23:01,249 --> 00:23:02,903
I FIND IT
VERY EFFECTIVE.
415
00:23:02,990 --> 00:23:05,732
WELL, PERSONALLY,
I PREFER HIS OLDER, FUNNIER
SYMPHONIES MYSELF.
416
00:23:05,819 --> 00:23:07,864
LOOK, I WANT MY RING!
417
00:23:07,951 --> 00:23:10,171
AND IF I DON'T GET IT
PRETTY SOON--
418
00:23:12,782 --> 00:23:14,610
I'M GONNA STAKE
ME OLD SIRE
419
00:23:14,697 --> 00:23:16,264
RIGHT HERE AND NOW.
420
00:23:16,351 --> 00:23:18,832
HE KNOWS YOU WON'T KILL HIM
UNTIL YOU GET THE RING.
421
00:23:18,919 --> 00:23:20,573
HE KNOWS YOU'RE LYING.
422
00:23:20,660 --> 00:23:23,402
YOU GET IT FOR ME.
423
00:23:25,795 --> 00:23:29,059
SOON HE'LL WANNA TELL ME
EVERYTHING HE HAS TO TELL
AND THEN SOME.
424
00:23:29,146 --> 00:23:31,584
AND HE KNOWS I'M NOT LYING.
425
00:23:33,368 --> 00:23:34,891
I BELIEVE HE DOES.
426
00:23:34,978 --> 00:23:37,024
YOU'RE AN IDIOT, SPIKE.YOU THINK?
427
00:23:37,111 --> 00:23:38,852
'CAUSE I'M NOT THE ONE
CHAINED TO THE CEILING
428
00:23:38,939 --> 00:23:40,375
WITH HOT POKERS
IN MY SIDE.
429
00:23:40,462 --> 00:23:43,378
YOU HIRED A VAMPIRE.
430
00:23:43,465 --> 00:23:46,860
WHAT DO YOU THINK HE'S GONNA DO
WITH THE RING WHEN HE FINDS IT,
HUH? HAND IT OVER TO YOU?
431
00:23:46,947 --> 00:23:49,689
OH, GOOD LORD.
WHY DIDN'T I THINK OF--
432
00:23:49,776 --> 00:23:51,821
OH, HALF A MO', I DID.
433
00:23:51,908 --> 00:23:54,955
I HIRED A GUY
WHO DOESN'T CARE
ABOUT THE RING
434
00:23:55,042 --> 00:23:57,131
OR ANYTHING ELSE
ON GOD'S GREEN EARTH,
435
00:23:57,218 --> 00:24:00,439
EXCEPT TAKING BLOKES APART
ONE PIECE AT A TIME.
436
00:24:00,526 --> 00:24:01,788
IT'S CALLED
ADDICTION, ANGEL.
437
00:24:01,875 --> 00:24:04,138
WE ALL HAVE THEM.
438
00:24:04,225 --> 00:24:07,881
I BELIEVE YOURS IS NAMED
SLUTTY THE VAMPIRE SLAYER.
439
00:24:07,968 --> 00:24:10,449
[MUSIC ENDS]
440
00:24:10,536 --> 00:24:12,538
THANK YOU.
441
00:24:14,278 --> 00:24:16,019
SPEAKING
OF LITTLE BUFF,
442
00:24:16,106 --> 00:24:17,673
I RAN INTO HER
RECENTLY.
443
00:24:17,760 --> 00:24:18,935
YOUR NAME
DIDN'T COME UP.
444
00:24:19,022 --> 00:24:21,895
ALTHOUGH, SHE HAS
BEEN AWFUL BUSY...
445
00:24:21,982 --> 00:24:25,028
JUMPING THE BONES OF
THE VERY FIRST LUNKHEAD
WHO CAME ALONG.
446
00:24:25,115 --> 00:24:26,508
GOOD-LOOKING FELLOW.
447
00:24:26,595 --> 00:24:28,031
USED HER SHAMELESSLY.
448
00:24:29,903 --> 00:24:33,559
SHE IS CUTE
WHEN SHE'S HURTING,
ISN'T SHE?
449
00:24:33,646 --> 00:24:36,562
I THINK SHE'S CUTER
WHEN SHE'S KICKING YOUR ASS.
450
00:24:42,350 --> 00:24:43,612
[SIGHS]
451
00:24:43,699 --> 00:24:45,875
I THINK I'LL GET
SOME FRESH AIR,
452
00:24:45,962 --> 00:24:48,399
LEAVE YOU
2 KIDS TO IT.
453
00:24:48,487 --> 00:24:49,357
AAH!
454
00:24:51,054 --> 00:24:52,621
[ANGEL GROANING]
455
00:24:52,708 --> 00:24:55,319
NOW, THAT'S MUSIC.
456
00:25:07,723 --> 00:25:09,638
IF I WAS A RING...
457
00:25:09,725 --> 00:25:10,987
WHERE WOULD I BE?
458
00:25:32,095 --> 00:25:33,749
WELL, THIS IS FUN...
459
00:25:33,836 --> 00:25:36,535
BUT IT'S GONNA GET OLD
REAL FAST.
460
00:25:41,757 --> 00:25:44,194
MOST THINGS THAT
LIVE AND BREATHE
461
00:25:44,281 --> 00:25:47,502
HATE THE DARK
AND LOVE THE LIGHT.
462
00:25:52,333 --> 00:25:53,639
AAH!
463
00:25:56,946 --> 00:26:00,123
WE'RE DIFFERENT, THOUGH,
AREN'T WE? WE HATE THE LIGHT
OF DAY,
464
00:26:00,210 --> 00:26:01,734
AND IT HATES US BACK IN KIND.
465
00:26:05,955 --> 00:26:09,002
YOU HID THE RING, ANGEL.
466
00:26:09,089 --> 00:26:11,961
YOU COULD BE WALKING
IN THE LIGHT RIGHT NOW.
467
00:26:12,048 --> 00:26:17,445
SO I HAVE TO WONDER,
WHAT DO YOU WANT,
IF NOT THE RING?
468
00:26:17,532 --> 00:26:20,622
IT'S THROUGH THE PAIN
THAT WE FIND THE TRUTH
OF WHO WE ARE.
469
00:26:20,709 --> 00:26:23,364
IT STRIPS US
OF OUR DEFENSES.
470
00:26:23,451 --> 00:26:26,759
WE ARE MADE INNOCENT AGAIN,
LIKE CHILDREN.
471
00:26:26,846 --> 00:26:29,022
I LIKE CHILDREN, ANGEL.
472
00:26:29,109 --> 00:26:32,025
I'M HERE TO HELP YOU
FIND THAT INNOCENCE
473
00:26:32,112 --> 00:26:34,680
HERE...WITH THE LIGHT.
474
00:26:35,855 --> 00:26:37,944
[ANGEL GROANING]
475
00:26:40,207 --> 00:26:41,861
WHEN YOU'RE THROUGH
GIVING THE PLACE
476
00:26:41,948 --> 00:26:43,602
THE FULL
JOHNNY DEPP-OVER,
477
00:26:43,689 --> 00:26:45,255
I HOPE YOU HAVE
THE CASH TO PAY
FOR ALL OF THIS.
478
00:26:45,342 --> 00:26:47,170
CORDELIA.
479
00:26:47,257 --> 00:26:48,607
LOVE THE HAIR.
480
00:26:48,694 --> 00:26:49,738
WISH I COULD SAY
THE SAME TO YOU.
481
00:26:49,825 --> 00:26:51,610
THAT'S CLOSE ENOUGH,
DIMWIT.
482
00:26:53,307 --> 00:26:56,092
WHAT IS IT
WITH YOU GOOD GUYS
RUNNING IN PACKS?
483
00:26:56,179 --> 00:26:57,180
WHO'S THIS ONE, THEN?
484
00:26:57,267 --> 00:26:58,660
MORE THAN MEETS THE EYE,
BLONDIE.
485
00:26:58,747 --> 00:27:01,576
OOH, THE MICK'S GOT SPINE.
486
00:27:01,663 --> 00:27:04,144
MAYBE I'LL SNAP IT IN 2.
487
00:27:04,231 --> 00:27:05,319
DO YOU WANT ME
TO USE THIS?
488
00:27:07,016 --> 00:27:09,453
YOU'LL BE DEAD
BEFORE THE ARROW
LEAVES THE BOW.
489
00:27:11,760 --> 00:27:13,719
NOW, WHERE WAS I?
490
00:27:13,806 --> 00:27:15,677
BLOODY TIRED OF
LOOKING FOR THAT RING.
491
00:27:15,764 --> 00:27:17,418
I THINK YOU TWO
SHOULD TAKE OVER NOW.
492
00:27:17,505 --> 00:27:18,985
WHERE'S ANGEL?
493
00:27:19,072 --> 00:27:20,813
ANGEL? UM...
494
00:27:20,900 --> 00:27:23,380
TALL BROODING GUY,
CAVEMAN BROW?
495
00:27:23,467 --> 00:27:26,296
HE'S HAVING THE LIVING HELL
TORTURED OUT OF HIM.
496
00:27:26,383 --> 00:27:28,690
AND YOU KNOW
HOW STUBBORN HE CAN BE.
497
00:27:28,777 --> 00:27:30,431
HE MIGHT DIE BEFORE
HE GIVES UP THE RING.
498
00:27:30,518 --> 00:27:34,348
WHY DON'T YOU TWO FIND IT
REAL FAST AND GIVE IT TO ME?
499
00:27:34,435 --> 00:27:35,610
I'LL LET ANGEL GO.
500
00:27:35,697 --> 00:27:37,960
I DON'T TRUST YOU.
501
00:27:38,047 --> 00:27:40,920
TO COIN A POPULAR
SUNNYDALE PHRASE, "DUH."
502
00:27:41,007 --> 00:27:43,052
BUT YOU HAVE UNTIL SUNDOWN
TO SAVE HIM.
503
00:27:43,139 --> 00:27:45,533
YOU'LL FIND ME BEHIND
PETERSON'S FISHERY
504
00:27:45,620 --> 00:27:47,491
BETWEEN SEWARD
AND WESTMINSTER.
505
00:27:47,578 --> 00:27:50,799
DON'T BE LATE.
506
00:27:50,886 --> 00:27:53,846
YOU DID TERRIBLE THINGS
WHEN YOU WERE BAD,
DIDN'T YOU?
507
00:27:53,933 --> 00:27:58,241
AND NOW YOU'RE TRYING
SO HARD TO DO GOOD.
508
00:27:58,328 --> 00:27:59,678
BUT, ANGEL...
509
00:27:59,765 --> 00:28:02,071
THERE'S NOTHING
EITHER BAD OR GOOD,
510
00:28:02,158 --> 00:28:04,160
BUT THINKING
MAKES IT SO.
511
00:28:08,861 --> 00:28:11,515
NOW I CAN MAKE THE PAIN
GO AWAY.
512
00:28:11,602 --> 00:28:13,169
AAARGH!
513
00:28:13,256 --> 00:28:15,606
AND AS YOU KNOW,
514
00:28:15,694 --> 00:28:17,043
I CAN BRING IT BACK
AGAIN.
515
00:28:17,130 --> 00:28:18,697
AAH!
516
00:28:26,139 --> 00:28:28,707
WHAT DO YOU WANT,
ANGEL?
517
00:28:28,794 --> 00:28:31,710
I THINK I KNOW,
BUT I'D LIKE TO
HEAR IT FROM YOU.
518
00:28:31,797 --> 00:28:33,494
THE TRUTH.
519
00:28:33,581 --> 00:28:35,104
I'LL KNOW
IF YOU'RE LYING.
520
00:28:41,545 --> 00:28:42,416
I WANT...
521
00:28:47,029 --> 00:28:48,422
FORGIVENESS.
522
00:28:48,509 --> 00:28:50,076
YES.
523
00:28:50,163 --> 00:28:51,642
THAT'S THE TRUTH.
524
00:28:51,730 --> 00:28:53,819
AND YOU WANNA EARN IT.
525
00:28:53,906 --> 00:28:56,299
YOU'RE NOT THE TYPE WHO
TAKES THE EASY WAY OUT,
526
00:28:56,386 --> 00:28:59,172
WHICH IS WHY
I LIKE YOU SO MUCH.
527
00:28:59,259 --> 00:29:00,956
IN THE END,
528
00:29:01,043 --> 00:29:03,176
YOU WON'T FEEL GUILT...
529
00:29:03,263 --> 00:29:04,743
OR REMORSE...
530
00:29:04,830 --> 00:29:07,310
OR ANYTHING
BUT PURE DARKNESS.
531
00:29:07,397 --> 00:29:09,704
IN THE END,
532
00:29:09,791 --> 00:29:11,097
THE RING, THE PAST,
533
00:29:11,184 --> 00:29:13,708
NONE OF IT WILL MEAN
ANYTHING ANYMORE.
534
00:29:13,795 --> 00:29:15,666
YOU'LL BE FREE.
535
00:29:15,754 --> 00:29:17,451
I PROMISE.
536
00:29:17,538 --> 00:29:20,193
AND I PROMISE...
537
00:29:20,280 --> 00:29:22,499
TO KILL YOU.
538
00:29:22,586 --> 00:29:25,589
NOW, NOW.
STAKING THE TORTURER
IS STRICTLY PROHIBITED.
539
00:29:28,723 --> 00:29:30,551
EASY, BIG FELLA!
540
00:29:30,638 --> 00:29:32,553
STILL NEED THAT RING.
541
00:29:32,640 --> 00:29:34,163
NOW YOU'VE MADE HIM MAD.
542
00:29:34,250 --> 00:29:35,861
WOULDN'T WANNA BE
IN YOUR CHAINS.
543
00:29:35,948 --> 00:29:37,863
Marcus:
WON'T BE LONG NOW.
544
00:29:37,950 --> 00:29:42,258
WELL, WHAT'S SAY I GRAB
A PAIR OF NEEDLE-NOSE PLIERS
AND GIVE A HAND?
545
00:29:46,349 --> 00:29:48,221
DRAT!
546
00:29:48,308 --> 00:29:49,265
Doyle: WHAT?
547
00:29:49,352 --> 00:29:50,440
IT'S NOT IN THE FREEZER,
548
00:29:50,527 --> 00:29:51,920
AND IT'S NOT
IN THE TOILET TANK.
549
00:29:52,007 --> 00:29:54,401
IN THE MOVIES, IT'S ALWAYS
IN ONE OF THOSE PLACES.
550
00:29:54,488 --> 00:29:55,576
IT'S NOT HERE.
551
00:29:55,663 --> 00:29:57,447
WE'VE LOOKED EVERYWHERE.
552
00:29:57,534 --> 00:29:58,666
EXCEPT...
553
00:29:58,753 --> 00:30:01,016
THE RAT-INFESTED
SEWER TUNNELS HE USES
554
00:30:01,103 --> 00:30:03,192
TO GET AROUND
IN THE DAYTIME.
555
00:30:05,978 --> 00:30:08,110
OK, THIS IS NOT
A NEEDLE IN A HAYSTACK.
556
00:30:08,197 --> 00:30:10,199
THIS IS A NEEDLE
IN KANSAS.
557
00:30:10,286 --> 00:30:12,245
I KNOW YOU'RE RIGHT.
558
00:30:12,332 --> 00:30:13,942
WE JUST GOTTA
KEEP LOOKING.
559
00:30:41,056 --> 00:30:42,623
HERE!
560
00:30:44,799 --> 00:30:46,540
HOW DID YOU DO THAT?
561
00:30:46,627 --> 00:30:47,976
YOU GOTTA GET LUCKY
SOMETIMES.
562
00:30:48,063 --> 00:30:49,804
I COULD HUG YOU!
563
00:30:49,891 --> 00:30:51,545
YOU'RE NOT THAT LUCKY.
NOW, COME ON.
564
00:30:51,632 --> 00:30:53,242
WE GOTTA SAVE ANGEL.
565
00:30:53,329 --> 00:30:55,636
RIGHT...BY GIVING
SPIKE EXACTLY
WHAT HE WANTS
566
00:30:55,723 --> 00:30:56,463
SO HE CAN KILL US.
567
00:30:56,550 --> 00:30:57,551
RIGHT!
568
00:30:57,638 --> 00:30:59,770
NO. WE NEED A PLAN.
569
00:31:04,340 --> 00:31:05,385
SO...
570
00:31:05,472 --> 00:31:06,603
WHERE'S MY RING?
571
00:31:06,690 --> 00:31:07,691
NOT ON US.
572
00:31:07,778 --> 00:31:09,258
BUT WE KNOW
WHERE IT IS.
573
00:31:09,345 --> 00:31:12,348
AND SUDDENLY,
I'M SO PAINFULLY BORED.
574
00:31:12,435 --> 00:31:14,960
TIME RUNS SHORT, CHILDREN.
575
00:31:15,047 --> 00:31:18,877
GIVE ME THAT RING AS IF
ANGEL'S LIFE DEPENDED ON IT.
576
00:31:18,964 --> 00:31:19,834
LISTEN,
YOU LITTLE COCKNEY,
577
00:31:19,921 --> 00:31:21,836
TAKE US TO ANGEL NOW.
578
00:31:21,923 --> 00:31:24,491
SO, IF HE'S STILL
IN ONE PIECE,
579
00:31:24,578 --> 00:31:26,885
WE'LL TELL YOU
WHERE YOU CAN
FIND YOUR RING.
580
00:31:26,972 --> 00:31:28,625
HE'S STILL ALIVE, I THINK.
581
00:31:30,062 --> 00:31:32,891
IN ONE PIECE WAS NEVER
PART OF THE DEAL.
582
00:31:34,893 --> 00:31:36,024
AAH!
583
00:31:36,111 --> 00:31:37,939
LUCY, I'M HOME.
584
00:31:38,026 --> 00:31:39,201
ANGEL!HEY! HEY!
585
00:31:39,288 --> 00:31:41,029
A DEAL'S A DEAL.
586
00:31:41,116 --> 00:31:42,901
CORDELIA...
587
00:31:42,988 --> 00:31:44,990
AND OUR DEAL WAS
FOR THE RING. SO...
588
00:31:45,077 --> 00:31:46,730
YOU'VE WASTED QUITE ENOUGH
OF MY TIME.
589
00:31:46,817 --> 00:31:48,950
I'D REALLY LIKE IT...NOW!
590
00:31:49,037 --> 00:31:53,259
YOU WANT THE RING,
YOU DOG, HUH?
591
00:31:54,434 --> 00:31:55,217
GO FETCH.
592
00:31:57,480 --> 00:31:59,352
OK, GOOD.
593
00:31:59,439 --> 00:32:01,832
YOU'VE GOT THE RING,
WE'VE GOT ANGEL.
594
00:32:01,920 --> 00:32:04,966
AND NOW YOU'RE GONNA
LEAVE US ALONE,
AND WE'RE GONNA LEAVE.
595
00:32:05,053 --> 00:32:08,970
COME ON. YOU DON'T
REALLY THINK WE'RE
GONNA DO THAT, DO YOU?
596
00:32:10,885 --> 00:32:11,842
NOT REALLY.
NO.
597
00:32:19,024 --> 00:32:19,981
SPIKE.
598
00:32:39,609 --> 00:32:42,395
WHERE'S THE RING?
599
00:32:46,747 --> 00:32:48,705
BLOODY HELL.
600
00:33:10,423 --> 00:33:12,729
SON OF A BITCH!
601
00:33:15,558 --> 00:33:17,778
I DO THE WORK,
602
00:33:17,865 --> 00:33:20,259
I DO THE DIGGING,
603
00:33:20,346 --> 00:33:22,174
FIGHT OFF A SLAYER,
604
00:33:22,261 --> 00:33:24,567
DRIVE TO L.A.,
605
00:33:24,654 --> 00:33:26,656
HIRE THE HELP,
606
00:33:26,743 --> 00:33:28,876
AND WHAT DO I GET?
607
00:33:28,963 --> 00:33:33,359
ROYALLY SCREWED, IS WHAT!
608
00:33:33,446 --> 00:33:35,187
WELL, THAT CINCHES IT.
609
00:33:35,274 --> 00:33:36,753
NO MORE PARTNERS.
610
00:33:36,840 --> 00:33:39,974
FROM NOW ON,
I'M MY OWN MAN.
611
00:33:40,061 --> 00:33:42,890
A LONE WOLF.
612
00:33:42,977 --> 00:33:44,935
SOLE SURVIVOR.
613
00:33:45,023 --> 00:33:47,416
HEY, LOOK OUT!
614
00:33:47,503 --> 00:33:49,418
HERE COMES SPIKE,
615
00:33:49,505 --> 00:33:52,160
THE BIGGEST, BADDEST,
MOTHER--
616
00:33:57,296 --> 00:33:59,472
[PANTING]
617
00:34:01,735 --> 00:34:03,737
I REALLY HOPE
THEY KILL EACH OTHER.
618
00:34:27,500 --> 00:34:28,327
HOW'S HE DOING?
619
00:34:28,414 --> 00:34:29,328
HE'LL LIVE.
620
00:34:29,415 --> 00:34:30,416
NOT WITHOUT HELP.
621
00:34:30,503 --> 00:34:31,286
WE NEED TO GET
HIM TO A HOSPITAL.
622
00:34:31,373 --> 00:34:32,722
I HEAR YOU, BUT WHICH ONE?
623
00:34:32,809 --> 00:34:34,115
THEY ALL TEND TO SPECIALIZE
IN HUMANS.
624
00:34:34,202 --> 00:34:35,899
HE'S RIGHT. TOO RISKY.
625
00:34:35,986 --> 00:34:37,684
YOU KNOW ANY FIRST-AID?
626
00:34:37,771 --> 00:34:39,990
YOUR BASIC SIXTH GRADE,
BUT I CAN IMPROVISE.
627
00:34:40,078 --> 00:34:41,601
IF WE GET HIM
SOMEPLACE DARK,
MAYBE I CAN--
628
00:34:41,688 --> 00:34:42,602
TURN AROUND.
629
00:34:42,689 --> 00:34:43,777
Oz: ANGEL.
630
00:34:43,864 --> 00:34:44,647
HE'S DELIRIOUS.
IGNORE HIM.
631
00:34:44,734 --> 00:34:46,084
TURN AROUND!
632
00:34:46,171 --> 00:34:47,346
SO YOU CAN DO WHAT?
633
00:34:47,433 --> 00:34:48,869
IT'S DAYLIGHT,
AND YOU'RE RINGLESS.
634
00:34:48,956 --> 00:34:50,958
UNLESS YOU'RE
CHANGING THE ACT
TO HUMAN TORCH,
635
00:34:51,045 --> 00:34:52,133
I DON'T THINK SO.
636
00:34:52,220 --> 00:34:54,179
SHE'S RIGHT.
YOU'RE DEATH ON TOAST NOW
637
00:34:54,266 --> 00:34:55,397
AND NO SHAPE TO BE FIGHTING
A TORTURE DEMON.
638
00:34:55,484 --> 00:34:56,616
AAGH!
639
00:34:56,703 --> 00:34:57,878
GOD!
640
00:34:57,965 --> 00:35:01,577
OK. HE'S GOT A THING
FOR CHILDREN.
641
00:35:01,664 --> 00:35:04,319
OZ, TURN AROUND.
HE CAN'T HAVE GONE FAR.
642
00:35:13,372 --> 00:35:15,765
HELLO, BOYS AND GIRLS.
643
00:35:30,215 --> 00:35:32,130
GO! RUN! MOVE YOUR
LITTLE SCOUT LEGS.
644
00:35:32,217 --> 00:35:34,044
NOW! GO! COME ON!
645
00:35:37,265 --> 00:35:38,353
Doyle: DAMN IT.
I'LL GET HIM.
646
00:35:43,358 --> 00:35:44,533
DOYLE!
647
00:35:44,620 --> 00:35:45,230
ARE YOU SURE
ABOUT THIS?
648
00:35:45,317 --> 00:35:46,361
YEAH.
649
00:36:02,725 --> 00:36:04,074
Cordelia: WHERE IS HE?
650
00:36:29,056 --> 00:36:31,232
WHAT ARE YOU PLANNING TO DO,
KILL ME?
651
00:36:31,319 --> 00:36:32,364
WELL, AFTER ALL,
I PROMISED.
652
00:36:48,380 --> 00:36:49,381
YOU NEVER CRACKED ME, MARCUS.
653
00:36:53,211 --> 00:36:54,777
YOU TRIED,
BUT YOU FAILED.
654
00:36:54,864 --> 00:36:57,040
NOW, THAT...
THAT'S GOTTA BE TORTURE.
655
00:37:01,697 --> 00:37:03,656
AAAHHH!
656
00:37:36,428 --> 00:37:37,820
ARE YOU OK?
657
00:37:37,907 --> 00:37:39,822
FINE.
658
00:37:39,909 --> 00:37:41,607
THANKS FOR THE HELP,
MAN.
659
00:37:41,694 --> 00:37:43,565
YOU WERE KEY.
660
00:37:43,652 --> 00:37:45,350
YOU'RE...
661
00:37:45,437 --> 00:37:46,916
INCREDIBLY PALE.
662
00:37:49,528 --> 00:37:51,399
LOOK, YOU SHOULD LIE DOWN.
663
00:37:51,486 --> 00:37:53,271
WE SHOULD TAKE YOU HOME.
664
00:37:54,924 --> 00:37:56,578
JUST GIVE HIM A MINUTE.
665
00:38:13,987 --> 00:38:15,902
HE'S VERY PALE.
666
00:38:17,164 --> 00:38:18,731
PALER THAN MOST PEOPLE.
667
00:38:36,923 --> 00:38:39,229
Doyle: SO HOW LONG HAS IT BEEN
BETWEEN SUNSETS?
668
00:38:40,666 --> 00:38:43,016
200 YEARS,
GIVE OR TAKE.
669
00:38:43,103 --> 00:38:45,584
WELL, YOU GOTTA BE FEELING
PRETTY DAMN GOOD, THEN.
670
00:38:45,671 --> 00:38:48,500
I MEAN, THIS RING,
IT CHANGES EVERYTHING,
DON'T IT?
671
00:38:54,984 --> 00:38:56,682
YEAH, IT IS SPECTACULAR,
I KNOW,
672
00:38:56,769 --> 00:38:59,424
BUT I DO PROMISE THERE WILL BE
ANOTHER ONE JUST LIKE IT
AGAIN TOMORROW.
673
00:38:59,511 --> 00:39:01,382
NOT FOR ME.
674
00:39:01,469 --> 00:39:03,776
WHAT ARE YOU SAYING?
675
00:39:03,863 --> 00:39:07,083
THAT THE CITY'S GONNA GET
HIT BY A METEOR BEFORE
TOMORROW NIGHT OR--
676
00:39:07,170 --> 00:39:09,564
NO.
NO. IT'S TOO HORRIBLE TO SAY.
677
00:39:09,651 --> 00:39:11,392
I CAN'T EVEN BRING MYSELF
TO SAY THE OTHER.
678
00:39:11,479 --> 00:39:12,959
I'M NOT GONNA WEAR
THE RING.
679
00:39:13,046 --> 00:39:14,526
THAT WAS THE OTHER.
680
00:39:17,790 --> 00:39:20,183
YOU GOT A REAL ADDICTION
TO THE BROODING PART OF LIFE.
681
00:39:20,270 --> 00:39:21,620
ANYONE EVER TELL YOU THAT?
682
00:39:21,707 --> 00:39:24,884
ONCE OR TWICE.
683
00:39:24,971 --> 00:39:27,365
CARE TO EXPLAIN?
684
00:39:27,452 --> 00:39:30,542
I MEAN, THIS RING
IS YOUR REDEMPTION. IT'S WHAT
YOU'VE BEEN WAITING FOR.
685
00:39:30,629 --> 00:39:33,675
NO. IT JUST
LOOKS LIKE IT.
686
00:39:33,762 --> 00:39:35,808
ANGEL, MAN,
THINK WHAT YOU'RE SAYING.
687
00:39:35,895 --> 00:39:36,765
I HAVE.
688
00:39:38,114 --> 00:39:40,203
I'VE THOUGHT OF IT
FROM EVERY ANGLE.
689
00:39:40,290 --> 00:39:43,206
WHAT I FIGURE IS,
I DID A LOT OF DAMAGE
IN MY DAY,
690
00:39:43,293 --> 00:39:45,121
MORE THAN YOU CAN
IMAGINE.
691
00:39:47,820 --> 00:39:49,691
SO, WHAT,
YOU DON'T GET THE RING
692
00:39:49,778 --> 00:39:52,128
BECAUSE YOUR PERIOD
OF SELF-FLAGELLATION
ISN'T OVER YET?
693
00:39:52,215 --> 00:39:53,782
THINK OF ALL
THE DAYTIME PEOPLE
YOU COULD HELP
694
00:39:53,869 --> 00:39:54,870
BETWEEN 9:00 AND 5:00.
695
00:39:54,957 --> 00:39:57,220
THEY HAVE HELP.
696
00:39:57,307 --> 00:39:59,745
THE WHOLE WORLD IS
DESIGNED FOR THEM,
697
00:39:59,832 --> 00:40:03,139
SO MUCH THAT THEY HAVE
NO IDEA WHAT GOES ON
AROUND THEM AFTER DARK.
698
00:40:04,924 --> 00:40:06,926
THEY DON'T SEE
THE WEAK ONES
LOST IN THE NIGHT
699
00:40:07,013 --> 00:40:09,232
OR THE THINGS
THAT PREY ON THEM.
700
00:40:12,061 --> 00:40:14,499
AND IF I JOIN THEM,
701
00:40:14,586 --> 00:40:16,805
MAYBE I'D STOP SEEING,
TOO.
702
00:40:20,026 --> 00:40:23,203
AND WHO'D LOOK OUT
FOR ALL THE INSOMNIACS?
703
00:40:23,290 --> 00:40:25,684
I WAS BROUGHT BACK
FOR A REASON, DOYLE.
704
00:40:25,771 --> 00:40:27,512
AND AS MUCH AS I'D
LIKE TO KID MYSELF,
705
00:40:27,599 --> 00:40:29,427
I DON'T THINK
IT WAS FOR 18 HOLES
AT RANCHO.
706
00:41:08,901 --> 00:41:11,686
OH, AND THAT RACHEL GIRL WITH
THE CRAZY BOYFRIEND CALLED.
707
00:41:11,773 --> 00:41:15,864
SAID TO SAY THANKS
AND THAT SHE FOUND
A LITTLE FAITH.
708
00:41:15,951 --> 00:41:18,650
SAID YOU'D KNOW
WHAT THAT MEANS.
709
00:41:18,737 --> 00:41:21,914
I DON'T KNOW ABOUT YOU,
BUT I HAD A NICE DAY.
710
00:41:24,656 --> 00:41:27,093
YOU KNOW, EXCEPT
FOR THE BULK OF IT,
711
00:41:27,180 --> 00:41:28,921
WHERE I WAS NEARLY
TORTURED TO DEATH.
712
00:41:29,008 --> 00:41:30,400
HEY, YOU STOOD UP.
713
00:41:30,488 --> 00:41:33,273
OH, GOD.
I WAS THIS CLOSE TO
TELLING HIM EVERYTHING.
714
00:41:33,360 --> 00:41:35,318
I MEAN,
ONE MORE HOT POKER,
715
00:41:35,405 --> 00:41:38,974
AND I WAS GIVING HIM
THE RING, YOUR MOM,
716
00:41:39,061 --> 00:41:39,888
EVERYTHING.
717
00:41:41,411 --> 00:41:43,588
Angel: HOW IS YOUR MOM?
718
00:42:20,929 --> 00:42:23,236
GRR! ARRGH!
49885
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