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1
00:00:00,870 --> 00:00:02,437
PREVIOUSLY ONANGEL.
2
00:00:02,524 --> 00:00:04,569
ONCE UPON A TIME,
THERE WAS A VAMPIRE,
3
00:00:04,656 --> 00:00:06,919
AND HE WAS THE MEANEST VAMPIRE
IN ALL THE LAND.
4
00:00:07,007 --> 00:00:10,314
- [ Snarls ]
- THEN ONE DAY
HE'S CURSED BY GYPSIES.
5
00:00:10,401 --> 00:00:12,969
THEY RESTORE HIS HUMAN SOUL,
6
00:00:13,056 --> 00:00:15,015
SO HE GOES TO L.A.
TO FIGHT EVIL...
7
00:00:16,886 --> 00:00:19,802
AND ATONE FOR HIS CRIMES.
8
00:00:19,889 --> 00:00:21,673
- CORDELIA?
- ANGEL?
9
00:00:21,760 --> 00:00:24,328
- I DIDN'T KNOW YOU WERE IN L.A.
ARE YOU LIVING HERE?
- YEAH.
10
00:00:24,415 --> 00:00:26,374
I'VE BEEN SENT
BY THE POWERS THAT BE.
11
00:00:26,461 --> 00:00:28,115
I GET... VISIONS.
12
00:00:28,202 --> 00:00:30,073
A NAME, A FACE.
13
00:00:30,160 --> 00:00:31,814
THERE'S A LOT OF PEOPLE
IN THIS CITY NEED HELPING.
14
00:00:31,901 --> 00:00:33,772
SOME NEED SAVING.
15
00:00:34,686 --> 00:00:36,514
SOME NEED STOPPING.
16
00:00:36,601 --> 00:00:38,081
YOU GAME?
17
00:00:46,829 --> 00:00:49,310
[DOOR OPENS]
18
00:00:57,927 --> 00:01:00,669
HEY. MAYBE WE SHOULD
GO OVER THIS THING AGAIN
19
00:01:00,756 --> 00:01:02,801
OF YOU GETTING OUT
IN THE WORLD
20
00:01:02,888 --> 00:01:04,368
AND INVOLVING YOURSELF
WITH PEOPLE.
21
00:01:04,455 --> 00:01:05,935
IT'S FRIDAY NIGHT.
22
00:01:06,022 --> 00:01:07,980
IT'S THE MOST SOCIAL
NIGHT OF THE WEEK.
23
00:01:08,068 --> 00:01:10,200
I MEAN, A COUPLE OF LOOKERS
LIKE US SHOULD BE OUT THERE
24
00:01:10,287 --> 00:01:12,507
ENJOYING THE NIGHT LIFE.
25
00:01:12,594 --> 00:01:14,074
INSTEAD, YOU'RE SITTING HERE
MOPING AROUND THE DARK
26
00:01:14,161 --> 00:01:15,031
LIKE SOME KIND OF A...
27
00:01:15,118 --> 00:01:16,032
A VAMPIRE?
28
00:01:16,119 --> 00:01:17,599
WELL, YEAH.
29
00:01:17,686 --> 00:01:18,991
I WAS GONNA SAY SLACKER,
30
00:01:19,079 --> 00:01:20,950
BUT, YEAH, TO YOU,
MR. OBVIOUS.
31
00:01:21,037 --> 00:01:22,343
YOU GOTTA COME OUT, MAN.
32
00:01:22,430 --> 00:01:23,996
WHY?
33
00:01:24,084 --> 00:01:25,955
BECAUSE I THINK WE DESERVE
A NIGHT OF FUN, DON'T YA THINK?
34
00:01:26,042 --> 00:01:28,827
I MEAN, IT BREAKS UP
THOSE NIGHTS OF DEATH
AND MAYHEM.
35
00:01:28,914 --> 00:01:31,439
PLUS, WE COULD TOAST
THE NEW BUSINESS.
36
00:01:31,526 --> 00:01:34,268
YOU KNOW, THE THREE OF US.
[WHISTLES]
37
00:01:34,355 --> 00:01:37,706
YEAH. DOYLE, IF YOU
WANNA ASK CORDELIA OUT,
38
00:01:37,793 --> 00:01:39,403
JUST DO IT YOURSELF.
39
00:01:39,490 --> 00:01:41,753
WAIT A MINUTE.
I DON'T EVEN KNOW
IF SHE LIKES ME, MAN,
40
00:01:41,840 --> 00:01:43,320
UNLESS YOU PUT A GOOD WORD
IN FOR ME.
41
00:01:43,407 --> 00:01:44,930
YOU KNOW, JUST TELL HER
WHAT A GREAT GUY I AM.
42
00:01:45,017 --> 00:01:46,280
I BARELY KNOW YOU.
43
00:01:46,367 --> 00:01:48,108
PERFECT. THAT SHOULD MAKE IT
EASIER FOR YOU, THEN.
44
00:01:48,195 --> 00:01:49,109
Cordelia: HELLO!
45
00:01:49,196 --> 00:01:51,328
YOU KNOW, I'M--
46
00:01:51,415 --> 00:01:53,330
YOU TALKING ME UP TO HER.
47
00:01:53,417 --> 00:01:56,159
WHATEVER YOU DO,
DON'T LET HER IN ON
ME BEING HALF DEMON.
48
00:01:56,246 --> 00:01:59,162
OK? BECAUSE WOMEN
GET A LITTLE FUNNY
ABOUT THAT.
49
00:01:59,249 --> 00:02:00,598
THEY'RE FINALLY IN.
50
00:02:00,685 --> 00:02:02,209
THEY'RE IN.
51
00:02:04,385 --> 00:02:05,429
OK...
52
00:02:05,516 --> 00:02:07,257
YOUR CARDS.
THE CARDS.
53
00:02:08,693 --> 00:02:09,999
YOUR CALLING CARDS...
54
00:02:10,086 --> 00:02:12,132
TO LEAVE WITH PEOPLE SO THEY
KNOW HOW TO REACH YOU.
55
00:02:12,219 --> 00:02:14,438
GREAT IDEA! CALLING CARD.
56
00:02:14,525 --> 00:02:16,571
IT'S NOT LIKE YOU HAVE A SIGNAL
FOLKS CAN SHINE IN THE SKY
57
00:02:16,658 --> 00:02:17,746
WHENEVER YOU NEED
HELP, RIGHT?
58
00:02:17,833 --> 00:02:21,489
LOOK AT THAT.
THERE'S OUR NUMBER.
59
00:02:21,576 --> 00:02:23,665
IT'S RIGHT NEXT
TO A, UM...
60
00:02:23,752 --> 00:02:25,884
A...A BUTTERFLY?
61
00:02:28,191 --> 00:02:31,194
IT'S OBVIOUSLY NOT
A BUTTERFLY, YOU IDIOT.
62
00:02:31,281 --> 00:02:34,502
IT'S...A BIRD.
NO, WAIT. IT'S AN OWL.
63
00:02:34,589 --> 00:02:36,417
A BIRD THAT HUNTS AT NIGHT.
BRILLIANT! IT'S A--
64
00:02:36,504 --> 00:02:38,070
IT'S AN ANGEL.
65
00:02:38,158 --> 00:02:41,378
AN ANGEL. RIGHT.
IT'S AN ANGEL.
66
00:02:41,465 --> 00:02:43,902
BRILLIANT. SO OBVIOUS
AND YET SO CLEVER ON
SO MANY LEVELS.
67
00:02:43,989 --> 00:02:45,861
OH, SHUT UP.
AAH! JEEZ...
68
00:02:45,948 --> 00:02:47,645
COME ON, DON'T BE
SUCH A BABY.
69
00:02:47,732 --> 00:02:49,169
I BARELY HIT YOU.
70
00:02:51,083 --> 00:02:53,695
HEY, HEY, HEY, HEY.
71
00:02:53,782 --> 00:02:55,131
DOYLE.
72
00:03:01,920 --> 00:03:02,834
YOU OK, MAN?
73
00:03:02,921 --> 00:03:04,053
YEAH, I'M OK.
74
00:03:04,140 --> 00:03:06,664
SIT UP. WHAT'D YOU SEE?
WHAT'D YOU SEE?
75
00:03:06,751 --> 00:03:07,883
IT'S A BAR.
76
00:03:07,970 --> 00:03:10,233
UH, I THINK I RECOGNIZE IT.
77
00:03:10,320 --> 00:03:12,801
ONE OF THOSE TERMINALLY-STUCK-
IN-THE-EIGHTIES PLACES.
78
00:03:12,888 --> 00:03:14,585
YEAH, AND?
79
00:03:14,672 --> 00:03:15,847
THAT'S IT.
80
00:03:15,934 --> 00:03:17,806
NO FACES POPPED OUT
AT ME, MAN. JUST...
81
00:03:19,590 --> 00:03:21,113
JUST A FEELIN'.
82
00:03:21,201 --> 00:03:22,767
WHAT FEELING?
83
00:03:22,854 --> 00:03:25,161
SOMETHING'S GONNA HAPPEN.
84
00:03:26,728 --> 00:03:28,164
LOOKS LIKE
YOU GOT YOUR WISH.
85
00:03:28,251 --> 00:03:29,948
WE'RE GOIN' OUT
AFTER ALL, HUH?
86
00:03:56,061 --> 00:03:57,149
EXCUSE ME.
87
00:03:58,455 --> 00:04:00,457
MAY I?
WHAT?
88
00:04:01,806 --> 00:04:04,548
OH...SURE.
89
00:04:04,635 --> 00:04:05,419
PLEASE.
90
00:04:08,422 --> 00:04:09,684
KEVIN.
91
00:04:09,771 --> 00:04:11,512
SHARON.
92
00:04:20,172 --> 00:04:22,000
GOD, I REALLY HATE
PLACES LIKE THIS.
93
00:04:23,741 --> 00:04:25,482
DON'T YOU?
94
00:05:26,413 --> 00:05:29,546
HEY. CAN I? HI.
SURE.
95
00:05:29,633 --> 00:05:32,984
WHEN I WAS A KID, I THOUGHT,
"YOU GROW UP, YOU MEET HER."
96
00:05:33,071 --> 00:05:34,899
AND EVERYTHING JUST
SORT OF FALLS IN PLACE.
97
00:05:34,986 --> 00:05:37,075
YEAH...I HAD THAT.
98
00:05:37,162 --> 00:05:39,469
ONLY I HAD A HIM
WHERE YOU HAD A HER.
99
00:05:41,515 --> 00:05:45,257
ACTUALLY, I JUST HAD
A KEN AND A BARBIE.
100
00:05:45,345 --> 00:05:48,348
HEH. KEN AND BARBIE
HAD IT EASY.
101
00:05:48,435 --> 00:05:51,655
THEY DIDN'T HAVE TO COME
TO PLACES LIKE THIS,
102
00:05:51,742 --> 00:05:53,353
BUT YOU GOTTA TRY.
103
00:05:53,440 --> 00:05:58,401
I MEAN, WHAT IF SHE WAS HERE
AND YOU MISSED HER...
104
00:05:58,488 --> 00:06:02,144
BECAUSE YOU WERE, TOO,
I DON'T KNOW...
105
00:06:02,231 --> 00:06:04,015
BURNED OUT TO STILL BELIEVE?
106
00:06:06,191 --> 00:06:07,236
YOU KNOW WHAT I MEAN?
107
00:06:07,323 --> 00:06:09,456
I KNOW EXACTLY
WHAT YOU MEAN.
108
00:06:09,543 --> 00:06:11,501
YOU HAVE TO BELIEVE
THAT SOMEDAY
109
00:06:11,588 --> 00:06:13,329
YOU'LL MEET
SOMEONE SPECIAL.
110
00:06:15,070 --> 00:06:16,463
I THINK I HAVE.
111
00:06:18,595 --> 00:06:20,989
OH, GOD. I CAN'T BELIEVE
I JUST SAID THAT.
112
00:06:21,076 --> 00:06:23,470
I MEAN, I THINK
THAT YOU'RE SPECIAL,
BUT IT JUST SOUNDED SO--
113
00:06:23,557 --> 00:06:26,168
NO, IT SOUNDED NICE,
KEVIN.
114
00:06:37,527 --> 00:06:41,139
OOH, CLASSY.
115
00:06:41,226 --> 00:06:43,403
OK, NOW WHAT?
116
00:06:44,752 --> 00:06:46,144
ALL RIGHT, LOOK,
LET'S SPLIT UP,
117
00:06:46,231 --> 00:06:48,103
LOOK FOR SOMEONE WHO
MIGHT BE IN TROUBLE.
118
00:06:48,190 --> 00:06:49,931
OR SOMETHING THAT'S
ABOUT TO CAUSE IT.
119
00:06:58,156 --> 00:07:00,028
WHAT CAN I GET YA?
120
00:07:02,030 --> 00:07:03,771
UM, I'M JUST WONDERING.
121
00:07:03,858 --> 00:07:06,774
UH, YOU NOTICE ANYTHING
UNUSUAL HERE TONIGHT?
122
00:07:06,861 --> 00:07:08,210
UNUSUAL?
YEAH.
123
00:07:08,297 --> 00:07:11,213
YOU KNOW,
OUT OF THE ORDINARY?
124
00:07:11,300 --> 00:07:13,781
POSSIBLY EVEN...DANGEROUS?
125
00:07:13,868 --> 00:07:15,957
DON'T WORRY.
IT'S EARLY YET.
126
00:07:16,044 --> 00:07:18,438
THE REAL HOT WOMEN
DON'T MOSEY IN
TILL AROUND 11:00.
127
00:07:20,875 --> 00:07:23,834
HI! IF YOU'RE IN TROUBLE,
JUST CALL THIS NUMBER.
128
00:07:23,921 --> 00:07:26,228
WE CAN HELP.
129
00:07:26,315 --> 00:07:29,144
HI. BEING HARASSED
BY SOMEONE OR SOMETHING?
130
00:07:29,231 --> 00:07:30,798
DIAL US UP DAY OR NIGHT.
131
00:07:30,885 --> 00:07:32,582
HEY, YOU LOOK TROUBLED.
132
00:07:32,669 --> 00:07:34,366
OR IS THAT JUST
YOUR LAZY EYE?
133
00:07:34,454 --> 00:07:37,631
ANYWAY, CALL US.
WE'RE VERY DISCREET.
134
00:07:37,718 --> 00:07:39,937
HI! HOW ARE YOU?
135
00:07:40,024 --> 00:07:43,375
HEY, HEY, HEY. THIS ISN'T
A MARKETING SEMINAR, PRINCESS.
136
00:07:43,463 --> 00:07:46,727
YOU KNOW, WE NEED TO OPERATE
A LITTLE BIT MORE BELOW RADAR.
137
00:07:46,814 --> 00:07:48,293
WHAT RADAR?
138
00:07:48,380 --> 00:07:50,121
THE POLICE.
139
00:07:50,208 --> 00:07:52,080
YOU KNOW, THE SERVICE
OUR FRIEND ANGEL PROVIDES
140
00:07:52,167 --> 00:07:54,038
MIGHT PUT SOMEONE IN MIND
OF THE "V" WORD.
141
00:07:54,125 --> 00:07:55,866
VAMPIRE?
NO, VIGILANTE.
142
00:07:55,953 --> 00:07:57,041
OH.
143
00:07:57,128 --> 00:07:58,913
THERE'S LAWS AGAINST
THAT SORT OF THING.
144
00:07:59,000 --> 00:08:02,220
YOU NEED TO CHAT PEOPLE UP
A LITTLE BIT MORE CASUAL LIKE.
145
00:08:02,307 --> 00:08:04,832
HI. WHAT'S YOUR NAME?
HOW'S LIFE TREATING YA?
146
00:08:04,919 --> 00:08:07,095
WHAT'S THAT YOU SAY,
MINIONS FROM HELL
GETTING YOU DOWN?
147
00:08:07,182 --> 00:08:09,663
EXCUSE ME, BUT I AM
AN ACTRESS,
148
00:08:09,750 --> 00:08:11,708
A STUDENT OF
THE HUMAN ANIMAL.
149
00:08:11,795 --> 00:08:14,972
I DON'T HAVE
TO TALK TO PEOPLE
TO KNOW THEIR STORY.
150
00:08:15,059 --> 00:08:16,844
JAZZ HANDS...
OVER THERE?
151
00:08:16,931 --> 00:08:20,195
MAMA'S BOY.
PETER PAN COMPLEX.
152
00:08:20,282 --> 00:08:22,676
SELF-ABSORBED
CLOSET DEB
153
00:08:22,763 --> 00:08:24,982
WITH A BIG OLD
"THE WORLD OWES ME"
CHIP ON HER SHOULDER.
154
00:08:25,069 --> 00:08:27,898
AND CHECK OUT
SARAH, PLAIN AND TALL.
155
00:08:31,075 --> 00:08:33,208
HAS OR COMES FROM
BIG MONEY.
156
00:08:33,295 --> 00:08:35,253
HOW DO YOU KNOW ALL THAT?
157
00:08:35,340 --> 00:08:37,299
YOU GOTTA BE RICH
TO SNAG
158
00:08:37,386 --> 00:08:39,214
THE CALVIN KLEIN MODEL
SHE'S LEAVING WITH.
159
00:08:39,301 --> 00:08:41,216
YEAH, WELL, THEY'RE ALL RIVETING
INSIGHTS AND EVERYTHING,
160
00:08:41,303 --> 00:08:43,261
BUT WE NEED TO FIND SOMEONE
THAT'S IN TROUBLE.
161
00:08:43,348 --> 00:08:45,220
HOW'S ANGEL DOING?
162
00:08:45,307 --> 00:08:47,614
SERIOUSLY, I WASN'T
HITTING ON YOU.
163
00:08:52,140 --> 00:08:54,316
ARE YOU OK?
164
00:08:54,403 --> 00:08:55,360
WHAT?
165
00:08:55,447 --> 00:08:56,666
OH, NO, NOTHING.
SORRY.
166
00:08:56,753 --> 00:08:59,147
NO, UM...
167
00:08:59,234 --> 00:09:01,410
AM I OK?
168
00:09:01,497 --> 00:09:04,761
WELL, YOU JUST
LOOKED...BAD.
169
00:09:04,848 --> 00:09:07,416
YOU DON'T LOOK BAD.
YOU LOOK VERY NICE.
170
00:09:07,503 --> 00:09:09,418
I THINK I'M JUST
GONNA HAVE MY DRINK.
171
00:09:09,505 --> 00:09:10,593
THANKS.
172
00:09:12,029 --> 00:09:13,944
FOR THINKING
YOU LOOK BAD
173
00:09:14,031 --> 00:09:16,730
OR FOR THINKING
YOU LOOK GOOD?
174
00:09:16,817 --> 00:09:19,254
YOU CHOOSE. I'M ANGEL.
175
00:09:20,429 --> 00:09:22,170
I'M--I'M KATE.
176
00:09:25,173 --> 00:09:26,827
SO DO YOU
COME HERE A LOT?
177
00:09:26,914 --> 00:09:29,394
FIRST TIME. YOU KNOW,
IT'S REALLY--
178
00:09:29,481 --> 00:09:30,961
EASY? YEAH.
179
00:09:34,356 --> 00:09:36,358
I PREFER
THOSE COOL BARS THAT
ARE HARD TO GET INTO,
180
00:09:36,445 --> 00:09:37,925
BUT I CAN'T
GET INTO THEM.
181
00:09:38,012 --> 00:09:40,101
ANYWAY, THIS IS
CLOSE TO HOME.
182
00:09:43,060 --> 00:09:45,062
SO DID YOU JUST STOP IN?
183
00:09:45,149 --> 00:09:46,455
I'M--I'M SORT OF
LOOKING FOR SOMEONE.
184
00:09:46,542 --> 00:09:47,848
OH, IF I'M KEEPING YOU--
185
00:09:47,935 --> 00:09:51,199
NO, NO. I'M JUST
LOOKING FOR SOMEONE TO...
186
00:09:51,286 --> 00:09:52,504
RESCUE?
187
00:09:52,592 --> 00:09:55,638
ARE YOU MAYBE IN NEED
OF SOME RESCUING?
188
00:09:55,725 --> 00:09:57,945
THAT'S THE STRANGEST LINE
I'M GONNA HEAR TONIGHT.
189
00:09:58,032 --> 00:09:59,642
NO, NO, IT'S NOT
A LINE. I'M...
190
00:09:59,729 --> 00:10:02,689
OH, I DIDN'T MEAN--
THAT WAS HARSH.
191
00:10:02,776 --> 00:10:04,691
HEY, NO. YOU KNOW...
192
00:10:04,778 --> 00:10:06,431
I'M NOT VERY GOOD
AT THIS TALKING.
193
00:10:06,518 --> 00:10:09,826
WELL, I'M THE EXPERT.
I'M SURE YOU CAN SEE.
194
00:10:09,913 --> 00:10:11,741
BUT THE ANSWER'S NO.
I DON'T NEED RESCUING.
195
00:10:14,091 --> 00:10:16,790
I GAVE UP ON THE
KNIGHT-IN-SHINING-ARMOR
CONCEPT A WHILE AGO.
196
00:10:18,748 --> 00:10:20,097
ANYWAY, I DON'T EXPECT
TO FIND HIM HERE
197
00:10:20,184 --> 00:10:21,664
AT THE INTERNATIONAL
HOUSE OF POSERS.
198
00:10:24,058 --> 00:10:26,060
PEOPLE CAN SURPRISE YOU.
199
00:10:26,147 --> 00:10:29,193
I SOUND LIKE
A BIG HYPOCRITE,
DON'T I?
200
00:10:29,280 --> 00:10:32,414
RAGGING ON THIS PLACE.
I STILL COME HERE
MOST EVERY NIGHT.
201
00:10:34,198 --> 00:10:36,287
HOW ELSE YOU GONNA
MEET SOMEBODY
OUTSIDE OF WORK?
202
00:10:36,374 --> 00:10:40,074
IT'S EITHER THIS
OR...SIT AT HOME
ALONE IN THE DARK.
203
00:10:40,161 --> 00:10:42,554
WOULDN'T WANT THAT.
204
00:10:42,642 --> 00:10:46,254
SO, UM...
WHAT DO YOU DO?
205
00:10:47,516 --> 00:10:48,560
DO?
206
00:10:48,648 --> 00:10:49,605
FOR A LIVING.
207
00:10:49,692 --> 00:10:53,174
I, UH, WELL, BASICALLY,
I'M, UH...
208
00:10:53,261 --> 00:10:54,784
I HELP--I'M A VETERINARIAN.
209
00:10:54,871 --> 00:10:55,742
REALLY?
210
00:10:58,527 --> 00:11:00,398
I ALWAYS SAY
A MAN THAT LOVES ANIMALS
211
00:11:00,485 --> 00:11:01,965
IS A MAN YOU CAN TRUST.
212
00:11:06,317 --> 00:11:08,189
SO YOU GOT EVERYONE
FIGURED OUT, HUH?
213
00:11:08,276 --> 00:11:11,279
NOT EVERYONE. I MEAN,
YOU I DON'T GET.
214
00:11:11,366 --> 00:11:12,672
ME?
215
00:11:12,759 --> 00:11:15,413
YEAH. WHAT'S WITH THOSE
VISION THINGS OF YOURS?
216
00:11:15,500 --> 00:11:17,111
THEY'RE MESSAGES I GET,
217
00:11:17,198 --> 00:11:19,243
YOU KNOW,
FROM THE HIGHER POWERS,
218
00:11:19,330 --> 00:11:20,331
WHOEVER THEY ARE.
219
00:11:20,418 --> 00:11:21,463
YOU KNOW, IT'S MY GIFT.
220
00:11:21,550 --> 00:11:23,770
IF THAT WAS MY GIFT,
I'D RETURN IT.
221
00:11:23,857 --> 00:11:26,033
HUMPH. I MEAN, YOU GET
THOSE HEADACHES,
222
00:11:26,120 --> 00:11:29,384
AND THEN YOU DO
THIS BLEH THING
WITH YOUR FACE.
223
00:11:29,471 --> 00:11:31,299
WHAT THING WITH MY FACE?
224
00:11:31,386 --> 00:11:33,388
PLUS, YOUR VISIONS
ARE KIND OF LAME.
225
00:11:33,475 --> 00:11:36,043
A BAR? THAT'S NICE
AND VAGUE.
226
00:11:36,130 --> 00:11:38,567
THEY SHOULD
SEND YOU ONE OF THOSE
SELF-DESTRUCTING TAPES,
227
00:11:38,654 --> 00:11:40,438
YOU KNOW, THAT COMES
WITH A DOSSIER.
228
00:11:40,525 --> 00:11:42,049
I'LL BE SURE AND MENTION IT.
229
00:11:42,136 --> 00:11:44,878
HEY, YOU THE ONE
HANDING OUT THESE CARDS?
230
00:11:44,965 --> 00:11:47,097
DO YOU NEED HELP?
231
00:11:47,184 --> 00:11:49,883
I WAS WONDERING, IF THIS
IS REALLY YOUR NUMBER,
232
00:11:49,970 --> 00:11:51,145
MIND IF I RING YOU UP
SOMETIME FOR A DATE?
233
00:11:51,232 --> 00:11:52,450
YEAH, SHE MINDS.
234
00:11:52,537 --> 00:11:55,192
I CAN HANDLE THIS, OK?
YES, I MIND.
235
00:11:55,279 --> 00:11:56,672
THIS IS A BUSINESS CARD.
236
00:11:56,759 --> 00:11:58,718
WE OFFER OUR SERVICES
TO PEOPLE IN NEED.
237
00:11:58,805 --> 00:12:01,024
WELL, I MIGHT BE IN NEED
OF A LITTLE SERVICE.
238
00:12:01,111 --> 00:12:02,983
YOU CHARGE BY THE HOUR?
239
00:12:03,070 --> 00:12:04,332
EXCUSE ME?
240
00:12:04,419 --> 00:12:07,161
ALL RIGHT, JUST EVERYONE
RELAX HERE A LITTLE BIT.
241
00:12:07,248 --> 00:12:08,075
THE LADY'S WITH ME,
ALL RIGHT?
242
00:12:08,162 --> 00:12:09,119
NO, I'M NOT!
243
00:12:09,206 --> 00:12:11,034
NOBODY'S TALKING
TO YOU, WIPE.
244
00:12:11,121 --> 00:12:13,384
WELL, I GUESS I JUST...
245
00:12:13,471 --> 00:12:16,300
I JUST HAVE A HARD TIME,
YOU KNOW...
246
00:12:16,387 --> 00:12:18,389
TRUSTING PEOPLE.
247
00:12:18,476 --> 00:12:21,697
MALE PEOPLE
PARTICULARLY.
248
00:12:21,784 --> 00:12:23,873
IN A PLACE LIKE THIS,
IT'S NOT LIKE ANYBODY'S
249
00:12:23,960 --> 00:12:25,745
GONNA COME UP
AND SHOW YOU WHO
THEY REALLY ARE.
250
00:12:27,050 --> 00:12:28,704
EVERYBODY'S TOO BUSY
TRYING TO GET...
251
00:12:28,791 --> 00:12:30,271
I DON'T KNOW...
252
00:12:30,358 --> 00:12:32,534
WHATEVER IT IS
THEY'RE LOOKING FOR.
253
00:12:32,621 --> 00:12:34,492
WHAT ARE YOU LOOKING FOR?
254
00:12:34,579 --> 00:12:37,147
DEPENDS HOW MANY
DAIQUIRIS I'VE HAD.
255
00:12:37,234 --> 00:12:40,542
OH, GOD. WAY TO COME OFF--
LIKE A DRUNKEN SLUT.
256
00:12:40,629 --> 00:12:43,719
SLUT'S BETTER THAN
A HYPOCRITE, THOUGH,
RIGHT? MOVING UP.
257
00:12:43,806 --> 00:12:46,461
KIND OF HARD ON YOURSELF.
258
00:12:46,548 --> 00:12:49,638
I'M A SELF-FLAGELLATING
HYPOCRITE-SLUT.
259
00:12:49,725 --> 00:12:50,944
WHAT WAS YOUR QUESTION?
260
00:12:51,031 --> 00:12:52,380
WHAT ARE YOU LOOKING FOR?
261
00:12:55,513 --> 00:12:57,602
I GUESS I'M JUST TRYING
TO MAKE A CONNECTION.
262
00:12:59,909 --> 00:13:02,433
THE MORE I COME
TO PLACES LIKE THIS,
263
00:13:02,520 --> 00:13:03,913
THE HARDER IT GETS.
264
00:13:04,000 --> 00:13:05,741
WHAT ABOUT YOU?
265
00:13:05,828 --> 00:13:07,264
WHAT ARE YOU
LOOKING FOR IN HERE?
266
00:13:07,351 --> 00:13:08,657
I HONESTLY DON'T KNOW,
267
00:13:08,744 --> 00:13:10,746
BUT I'LL KNOW IT
WHEN I SEE IT.
268
00:13:12,313 --> 00:13:14,141
WOULD YOU?
269
00:13:15,838 --> 00:13:17,318
I'M SORRY. FORGET IT.
270
00:13:17,405 --> 00:13:18,972
WHAT?
271
00:13:19,059 --> 00:13:22,932
I WAS JUST GONNA ASK YOU
IF YOU WANTED TO GO
SOMEPLACE...
272
00:13:23,019 --> 00:13:24,586
MORE QUIET.
273
00:13:26,501 --> 00:13:28,068
UM, I CAN'T.
274
00:13:30,722 --> 00:13:32,246
I HAVE TO STAY HERE.
275
00:13:33,290 --> 00:13:35,162
RIGHT.
276
00:13:36,467 --> 00:13:37,381
I WOULD.
277
00:13:37,468 --> 00:13:38,730
NO, THAT'S OK.
278
00:13:46,651 --> 00:13:48,305
LISTEN, I DON'T WANT
ANY TROUBLE, OK?
279
00:13:48,392 --> 00:13:49,567
HEY, WHAT'S
THE TROUBLE?
280
00:13:49,654 --> 00:13:51,352
THERE'S NO TROUBLE.
281
00:13:51,439 --> 00:13:53,441
DID I NOT JUST
GET THROUGH SAYING WE
DIDN'T WANT ANY TROUBLE?
282
00:13:53,528 --> 00:13:55,225
WE ARE TROUBLE-FREE, OK?
283
00:13:55,312 --> 00:13:57,488
TURNS OUT SHE'S A HOOKER,
AND HER PIMP HERE
284
00:13:57,575 --> 00:13:58,446
IS GIVING ME A HARD TIME.
285
00:13:58,533 --> 00:13:59,577
THAT'S IT.
286
00:13:59,664 --> 00:14:00,752
DOWN, CORD, JUST--
287
00:14:00,840 --> 00:14:02,189
DID YOU HEAR WHAT
HE JUST SAID ABOUT ME?
288
00:14:02,276 --> 00:14:03,973
OK, EVERYONE JUST
SIMMER DOWN HERE.
289
00:14:04,060 --> 00:14:06,933
VIOLENCE IS NOT GONNA
SOLVE A THING, ALL RIGHT?
290
00:14:07,020 --> 00:14:08,412
ON THE OTHER HAND,
IT'S KIND OF FESTIVE.
291
00:14:09,587 --> 00:14:10,980
OH, MY GOSH.
292
00:14:14,505 --> 00:14:15,898
OH, MY GOD.
293
00:14:24,472 --> 00:14:25,603
OW.
294
00:14:38,834 --> 00:14:40,618
THOSE TWO JERKS STARTED IT.
295
00:14:40,705 --> 00:14:42,577
HEY, NOT A WORD.
NOT A WORD.
296
00:14:42,664 --> 00:14:43,447
EVERY TIME
WITH YOU GUYS.
297
00:14:43,534 --> 00:14:44,753
OUT.
298
00:14:44,840 --> 00:14:46,146
COME ON, LET'S GO.
299
00:14:48,452 --> 00:14:50,367
WOW. ARE YOU OK?
300
00:14:50,454 --> 00:14:52,413
YEAH, FINE, THANKS.
301
00:14:55,720 --> 00:14:57,157
YEAH, UM...
302
00:14:58,375 --> 00:15:00,334
I'M OK. UH...
303
00:15:01,944 --> 00:15:03,685
YOU OK?
304
00:15:03,772 --> 00:15:08,733
WELL, NOW, THAT'S FOR YOU
TO FIND OUT.
305
00:15:08,820 --> 00:15:12,302
NO, I MEAN, I'D REALLY
LIKE TO KNOW.
306
00:15:12,389 --> 00:15:15,958
SO, UH, HOW DO YOU
WANNA DO THIS?
307
00:15:16,045 --> 00:15:17,351
20 QUESTIONS?
308
00:15:22,922 --> 00:15:23,966
SO...
309
00:15:24,053 --> 00:15:25,837
MARCIE FROM BARSTOW--
310
00:15:25,925 --> 00:15:27,927
THAT DOESN'T EVEN RHYME
OR ANYTHING.
311
00:15:30,146 --> 00:15:33,323
IT'S WILD. US MEETING
OVER A BAR FIGHT.
312
00:15:33,410 --> 00:15:36,457
ISN'T IT GREAT WHEN
2 PEOPLE MAKE A CONNECTION?
313
00:15:41,201 --> 00:15:42,550
IT'S LATE.
314
00:15:42,637 --> 00:15:44,465
YEAH.
315
00:15:46,684 --> 00:15:48,077
I SHOULD--
316
00:15:48,164 --> 00:15:49,209
I KNOW.
317
00:15:52,299 --> 00:15:53,343
WELL--
318
00:15:53,430 --> 00:15:56,346
WELL, I MEAN,
IF YOU HAVE TO LEAVE,
319
00:15:56,433 --> 00:15:58,261
I UNDERSTAND.
320
00:15:58,348 --> 00:16:00,960
BUT I'D JUST
LIKE TO HOLD YOU.
321
00:16:13,320 --> 00:16:16,149
I'M HAVING A HARD TIME
BELIEVING DOYLE'S VISION
322
00:16:16,236 --> 00:16:18,716
MEANT THAT I WAS SUPPOSED
TO COME HERE AND BREAK UP
A BAR FIGHT.
323
00:16:18,803 --> 00:16:22,155
YEAH, WELL, IF IT WAS,
I'M IN FOR SOME SERIOUS
WORKMAN'S COMP.
324
00:16:22,242 --> 00:16:24,070
THINK. COULD
EITHER OF YOU SENSE
325
00:16:24,157 --> 00:16:25,419
THAT ANYBODY HERE
TONIGHT NEEDED HELP?
326
00:16:25,506 --> 00:16:27,203
YEAH, EVERYBODY.
327
00:16:27,290 --> 00:16:29,553
THIS SOCIALIZING THING
IS BRUTAL.
328
00:16:29,640 --> 00:16:32,295
I MEAN, I WAS YOUNG ONCE.
I USED TO GO TO BARS.
329
00:16:32,382 --> 00:16:33,949
IT WAS NEVER LIKE THIS.
330
00:16:34,036 --> 00:16:35,777
I USED TO GO TO TAVERNS.
331
00:16:35,864 --> 00:16:38,649
SMALL TOWNS.
EVERYBODY USED TO KNOW
EACH OTHER.
332
00:16:38,736 --> 00:16:39,955
YEAH, LIKE HIGH SCHOOL.
333
00:16:40,042 --> 00:16:41,739
IT'S EASY TO DATE THERE.
334
00:16:41,826 --> 00:16:43,611
WE ALL HAD SO MUCH
IN COMMON.
335
00:16:43,698 --> 00:16:46,135
BEING MONSTER FOOD
EVERY OTHER WEEK,
FOR INSTANCE.
336
00:16:46,222 --> 00:16:47,702
WELL, YOU'RE IN
THE BIG, BAD CITY NOW,
337
00:16:47,789 --> 00:16:49,312
WHERE EVERYONE'S A STRANGER,
338
00:16:49,399 --> 00:16:52,707
HIDING BEHIND WALLS,
KEEPING SECRETS.
339
00:16:52,794 --> 00:16:54,926
SORRY, FOLKS.
GOTTA KICK YOU OUT NOW.
340
00:16:55,014 --> 00:16:56,493
SURE.
341
00:16:56,580 --> 00:16:58,713
I GUESS THE SINGLE LIFE'S
PARTICULARLY TOUGH ON YOU.
342
00:16:58,800 --> 00:17:01,020
WHY?
343
00:17:01,107 --> 00:17:02,586
WELL, A COUPLE
HUNDRED YEARS AGO,
344
00:17:02,673 --> 00:17:04,284
THE ONLY THING
YOU HAD TO WORRY ABOUT
WAS A HANGOVER.
345
00:17:04,371 --> 00:17:05,894
TODAY, 'CAUSE OF
YOUR CURSE THINGY,
346
00:17:05,981 --> 00:17:08,331
YOU CAN'T SLEEP WITH ANYONE
347
00:17:08,418 --> 00:17:10,290
OR ELSE YOU MIGHT FEEL
A MOMENT OF TRUE HAPPINESS
348
00:17:10,377 --> 00:17:12,466
AND LOSE YOUR SOUL,
BECOME EVIL AGAIN,
349
00:17:12,553 --> 00:17:14,076
AND KILL EVERYONE.
350
00:17:14,163 --> 00:17:17,340
THANKS, CORDELIA,
I ALWAYS APPRECIATE
YOUR PERSPECTIVE.
351
00:17:17,427 --> 00:17:20,996
NO PROBLEM. HEY,
THE LAST THING I WANT
352
00:17:21,083 --> 00:17:23,520
IS TO SHOW UP AT THE OFFICE
AND FIND THAT I AM WORKING
353
00:17:23,607 --> 00:17:25,392
FOR A HOMICIDAL MONSTER.
354
00:18:09,566 --> 00:18:11,525
YOU KNOW, THIS IS
COMPLETELY WHACK, MAN.
355
00:18:11,612 --> 00:18:13,396
I DON'T EVEN KNOW WHAT
I'M LOOKING FOR ANYMORE.
356
00:18:13,483 --> 00:18:16,443
YOU'RE LOOKING FOR
ANY MENTION OF EVENTS
IN AND AROUND THAT BAR.
357
00:18:16,530 --> 00:18:18,749
OK, I'M IN THE NEWS GROUP
SEARCH ENGINE.
358
00:18:18,836 --> 00:18:19,881
NOW, WHAT'S THE NAME
OF THE PLACE AGAIN?
359
00:18:19,968 --> 00:18:21,100
D'OBLIQUE.
360
00:18:21,187 --> 00:18:22,623
CAPITAL D, APOSTROPHE,
CAPITAL O-B-L-I--
361
00:18:22,710 --> 00:18:26,061
NOT SO FAST.
OK, CAPITAL D...
362
00:18:26,148 --> 00:18:29,064
APOSTROPHE, APOSTROPHE,
APOSTROPHE.
363
00:18:29,151 --> 00:18:32,415
OH, I GOT IT. OK, NOW,
WHAT'S AFTER THAT AGAIN?
364
00:18:32,502 --> 00:18:33,677
HEY, YOU KNOW WHAT?
I NEED A BREAK.
365
00:18:33,764 --> 00:18:36,724
LET ME GET IN HERE.
366
00:18:41,163 --> 00:18:43,165
HOW'D YOU PICK UP
COMPUTER SKILLS?
367
00:18:43,252 --> 00:18:44,775
DOWNLOADING PICTURES
OF NAKED WOMEN?
368
00:18:44,862 --> 00:18:47,082
WELL, THAT'S
MORE OR LESS ACCURATE.
369
00:18:47,169 --> 00:18:50,259
HELLO. WE GOT 2 HITS.
370
00:18:51,478 --> 00:18:53,044
LOOK AT THAT.
371
00:18:53,132 --> 00:18:55,090
"SEARCH CONTINUES
FOR HEATHER NOLAN.
372
00:18:55,177 --> 00:18:56,831
"MISSING SINCE
LATE LAST MONTH,
373
00:18:56,918 --> 00:18:59,181
"THE 24-YEAR-OLD PARALEGAL
REPORTEDLY VANISHED
374
00:18:59,268 --> 00:19:01,488
AFTER LEAVING A DOWNTOWN BAR
CALLED D'OBLIQUE."
375
00:19:01,575 --> 00:19:03,707
MISSING GIRL. THAT SOUNDS
A LITTLE MORE UP YOUR ALLEY.
376
00:19:03,794 --> 00:19:06,536
WHAT'S THE SECOND ONE SAY?
377
00:19:06,623 --> 00:19:08,712
"BADLY MUTILATED BODY
FOUND IN A DUMPSTER
378
00:19:08,799 --> 00:19:10,453
"NEARLY 3 WEEKS AGO,
379
00:19:10,540 --> 00:19:13,717
"DESCRIBED BY
THE CORONER'S OFFICE
AS EVISCERATED,
380
00:19:13,804 --> 00:19:15,676
"HAS BEEN POSITIVELY
IDENTIFIED
381
00:19:15,763 --> 00:19:18,374
"AS THAT OF 28-YEAR-OLD
MARTIN HABER,
382
00:19:18,461 --> 00:19:20,768
"LAST SEEN WITH
AN UNIDENTIFIED
FEMALE COMPANION
383
00:19:20,855 --> 00:19:22,770
AT D'OBLIQUE, A TRENDY
SINGLES ESTABLISHMENT."
384
00:19:22,857 --> 00:19:24,293
THAT'S IT, THEN.
385
00:19:24,380 --> 00:19:25,990
PROBABLY BEEN A LOT MORE
DISAPPEARANCES
386
00:19:26,077 --> 00:19:27,296
THAT THE PRESS
HASN'T TRACED BACK
TO THE BAR YET.
387
00:19:27,383 --> 00:19:29,342
SO, WE GOT A MISSING GIRL
AND A STIFF.
388
00:19:29,429 --> 00:19:30,647
AN EVISCERATED STIFF.
389
00:19:30,734 --> 00:19:32,345
GO DOWNSTAIRS
AND USE THE LIBRARY.
390
00:19:32,432 --> 00:19:34,477
TRY TO NARROW DOWN A LIST
OF EVISCERATING DEMONS,
391
00:19:34,564 --> 00:19:37,350
ONES WHICH MAY HAVE REASONS
TO PREY ON YOUNG SINGLES.
392
00:19:37,437 --> 00:19:39,134
WHERE ARE YOU GOING?
393
00:19:39,221 --> 00:19:41,180
TO THE BAR. SEE IF I CAN
MEET A KILLER.
394
00:19:44,835 --> 00:19:46,750
OHH. EXCUSE ME.
395
00:19:48,274 --> 00:19:49,492
WELL, HELLO.
396
00:19:49,579 --> 00:19:51,799
HI...KATE.
397
00:19:51,886 --> 00:19:55,237
UH...I'M GLAD
TO SEE YOU AGAIN.
398
00:19:55,324 --> 00:19:57,152
REALLY...
399
00:19:57,239 --> 00:20:00,068
YEAH, I OWE YOU
AN APOLOGY
400
00:20:00,155 --> 00:20:01,417
FOR LAST NIGHT.
401
00:20:01,504 --> 00:20:03,680
YOU DON'T OWE ME
ANYTHING.
402
00:20:03,767 --> 00:20:05,378
NO, IT WAS RUDE.
403
00:20:06,640 --> 00:20:09,077
OK, THEN, UM...
404
00:20:09,164 --> 00:20:12,428
MAYBE YOU CAN BUY ME A DRINK,
AND WE CAN START FRESH.
405
00:20:14,300 --> 00:20:16,650
I DON'T THINK THAT YOU
SHOULD GO IN THERE
TONIGHT.
406
00:20:16,737 --> 00:20:17,999
WHAT DO YOU MEAN?
407
00:20:18,086 --> 00:20:20,219
I'M NOT SURE IT'S SAFE.
408
00:20:20,306 --> 00:20:22,177
WHAT'S NOT SAFE?
409
00:20:22,264 --> 00:20:24,484
I CAN'T REALLY
EXPLAIN IT.
410
00:20:24,571 --> 00:20:26,747
WELL, YOU KNOW,
I HAVE A PROBLEM
WITH TRUSTING PEOPLE,
411
00:20:26,834 --> 00:20:28,923
AND SURPRISE--YOU'RE NOT
MAKING IT ANY BETTER.
412
00:20:29,010 --> 00:20:30,272
I'M JUST ASKING YOU
NOT TO GO IN THERE.
413
00:20:30,359 --> 00:20:32,231
WHERE ARE YOU GOING?
414
00:20:33,406 --> 00:20:35,103
IN THERE.
415
00:20:35,190 --> 00:20:37,714
WELL, I'LL TELL YOU WHAT.
416
00:20:37,801 --> 00:20:41,196
I CAN GO WHEREVER I WANT,
AND, UH, YOU CAN GO TO HELL.
417
00:20:47,115 --> 00:20:49,117
BEEN THERE...
DONE THAT.
418
00:20:55,384 --> 00:20:56,385
THE USUAL?
419
00:20:56,472 --> 00:20:57,647
THANKS.
420
00:21:18,102 --> 00:21:20,279
YOU KNOW, SOME GUYS
HAVE GOT REAL PROBLEMS.
421
00:21:24,195 --> 00:21:26,067
I'M SORRY.
YOU WERE SAYING...
422
00:21:26,154 --> 00:21:29,766
NOTHING.
IT'S JUST MY JOB.
423
00:21:29,853 --> 00:21:32,769
YOU KNOW, IT'S HARD
TO MEET PEOPLE.
424
00:21:32,856 --> 00:21:36,382
EVERYBODY IS WATCHING
THEIR OWN BACK.
425
00:21:36,469 --> 00:21:38,297
IT'S TOUGH...
426
00:21:38,384 --> 00:21:40,255
KNOWING WHO
YOU CAN TRUST.
427
00:21:40,342 --> 00:21:42,039
I'M SURPRISED.
428
00:21:42,126 --> 00:21:44,215
I WOULD THINK YOU COULD HAVE
YOUR PICK OF GIRLS.
429
00:21:44,303 --> 00:21:45,826
YEAH?
430
00:21:47,610 --> 00:21:50,221
WELL, I DON'T KNOW.
431
00:21:50,309 --> 00:21:53,312
I--I WAS PRETTY MUCH
A SPAZ IN HIGH SCHOOL.
432
00:21:53,399 --> 00:21:55,749
A REAL "SOMETHING'S
OUT THERE" GEEK,
433
00:21:55,836 --> 00:21:58,578
WITH THE GANG
OF GEEKTOID MINIONS.
434
00:21:58,665 --> 00:22:01,363
I COULDN'T GET A DATE
TO SAVE MY LIFE.
435
00:22:01,450 --> 00:22:03,234
WELL...
436
00:22:03,322 --> 00:22:06,107
IT'S A GOOD THING
HIGH SCHOOL'S OVER.
437
00:22:09,502 --> 00:22:10,677
YEAH.
438
00:22:18,554 --> 00:22:19,990
YO, MAN, WHERE'S KEVIN?
439
00:22:20,077 --> 00:22:21,644
HELL IF I KNOW.
440
00:22:21,731 --> 00:22:23,429
I HAVEN'T SEEN HIM
IN HERE TONIGHT. WHY?
441
00:22:23,516 --> 00:22:25,169
DUDE DIDN'T SHOW UP
FOR WORK TODAY.
442
00:22:25,256 --> 00:22:26,823
AND HE'S NOT
ANSWERING HIS PHONE.
443
00:22:26,910 --> 00:22:28,738
PRETTY SURE HE HOOKED UP
WITH SOME GIRL LAST NIGHT.
444
00:22:28,825 --> 00:22:31,001
PROBABLY SLEEPING IT OFF.
445
00:22:31,088 --> 00:22:33,221
WHAT GIRL?
446
00:22:39,096 --> 00:22:40,228
YOU KNOW WHAT?
HERE'S, UH, HERE'S
ANOTHER ONE:
447
00:22:40,315 --> 00:22:41,664
PIASCA.
448
00:22:41,751 --> 00:22:43,710
IT'S A FLESH-EATING
INDIAN DEMON
449
00:22:43,797 --> 00:22:47,148
THAT ENTERS VICTIMS
THROUGH THE MOUTH
450
00:22:47,235 --> 00:22:49,150
AND EVISCERATES
FROM WITHIN.
451
00:22:49,237 --> 00:22:50,760
YOU GONNA PUT
THAT ONE DOWN?
452
00:22:50,847 --> 00:22:54,242
YEP. UHH! DEMONS,
IS THERE ANYTHING
MORE DISGUSTING?
453
00:22:56,766 --> 00:22:58,899
YOU THINK SO?
454
00:22:58,986 --> 00:23:02,772
COME ON. OK, LOOK
AT THIS ONE.
455
00:23:02,859 --> 00:23:06,167
THIS DEMON WEARS
A WREATH OF INTESTINES
AROUND ITS HEAD.
456
00:23:06,254 --> 00:23:08,996
I MEAN, HONESTLY, WHAT
KIND OF STATEMENT IS
THIS THING TRYING TO MAKE?
457
00:23:09,083 --> 00:23:11,868
WELL, I MEAN, YOU KNOW,
IT REALLY DEPENDS,
DOESN'T IT?
458
00:23:11,955 --> 00:23:14,958
UM, I MEAN, I THINK
SOME DEMONS COULD
ACTUALLY BE NICE,
459
00:23:15,045 --> 00:23:16,917
YOU KNOW, GIVEN
THE OPPORTUNITY.
460
00:23:17,004 --> 00:23:20,094
I THINK YOU'D HAVE
TO GET TO KNOW THEM,
YEAH?
461
00:23:20,181 --> 00:23:22,313
I'VE KNOWN A LOT OF DEMONS
AND, SLIME ASIDE,
462
00:23:22,401 --> 00:23:24,141
NOT A LOT GOING ON THERE.
463
00:23:28,363 --> 00:23:30,670
SHARON. SHARON.
HER NAME'S SHARON.
464
00:23:30,757 --> 00:23:31,758
KIND OF A REGULAR.
465
00:23:31,845 --> 00:23:32,933
SHARON?
466
00:23:33,020 --> 00:23:34,238
THAT DOWDY CHICK.
467
00:23:34,325 --> 00:23:37,677
UH, KEVIN. SCRAPING
THE BOTTOM OF
THE BARREL.
468
00:23:37,764 --> 00:23:39,200
LOOK, WHERE CAN
I FIND SHARON?
469
00:23:39,287 --> 00:23:42,377
SHE'S IN HERE TONIGHT.
NO KEVIN, THOUGH.
470
00:23:42,464 --> 00:23:45,467
I GUESS IT WASN'T
TRUE LOVE AFTER ALL.
471
00:23:45,554 --> 00:23:47,513
AH, SHE WAS THERE
JUST A MINUTE AGO,
472
00:23:47,600 --> 00:23:49,558
GETTING IT ON
WITH SOME SCREECH.
473
00:23:49,645 --> 00:23:51,212
YEAH, THAT'S DEFINITELY
MORE HER LEVEL.
474
00:23:51,299 --> 00:23:53,344
OK, ANY IDEA
WHERE SHE LIVES?
475
00:23:53,432 --> 00:23:55,521
NO.WHAT ABOUT
A LAST NAME?
476
00:23:55,608 --> 00:23:58,698
LAST NAME? NOT A LOT
OF LAST NAMES IN
A PLACE LIKE THIS.
477
00:23:58,785 --> 00:24:00,743
IT'S RICHLER.
478
00:24:03,746 --> 00:24:05,444
I ASKED HER OUT
A COUPLE TIMES.
479
00:24:23,853 --> 00:24:24,985
I'M SORRY.
480
00:24:27,117 --> 00:24:28,771
I WANTED THIS TO GO BETTER.
481
00:24:31,774 --> 00:24:34,821
MAYBE I WAS
TRYING TOO HARD.
482
00:24:34,908 --> 00:24:37,650
I JUST REALLY LIKE YOU.
483
00:24:39,782 --> 00:24:41,523
NEXT TIME,
IT'LL BE BETTER.
484
00:24:45,962 --> 00:24:46,920
ROLL OVER.
485
00:24:48,791 --> 00:24:49,923
OK.
486
00:25:04,024 --> 00:25:06,809
THIS IS NICE.
487
00:25:06,896 --> 00:25:10,334
I THINK SOMETIMES
WHAT WE REALLY NEED--
488
00:25:10,421 --> 00:25:13,599
AAH! AAH! AAH!
489
00:25:51,637 --> 00:25:53,203
YOU'RE NOT HUMAN.
490
00:25:53,290 --> 00:25:54,683
NEWS FLASH, PAL.
491
00:25:54,770 --> 00:25:56,903
YOU'RE A BIT OFF
THE EVOLUTIONARY CHART
YOURSELF.
492
00:26:00,341 --> 00:26:03,344
THIS HAS TO STOP.
YOU HAVE TO STOP.
493
00:26:03,431 --> 00:26:06,347
I WILL, WHEN I
FIND THE RIGHT ONE,
494
00:26:06,434 --> 00:26:07,870
THE ONE I
CAN STAY WITH.
495
00:26:07,957 --> 00:26:10,351
THE RIGHT BODY?
496
00:26:10,438 --> 00:26:12,005
WHAT'S WRONG
WITH THIS ONE?
497
00:26:12,092 --> 00:26:15,225
NOTHING...YET.
498
00:26:15,312 --> 00:26:18,925
IT'S NEW AND DIFFERENT.
499
00:26:19,012 --> 00:26:20,491
IT'S GREAT...
500
00:26:22,189 --> 00:26:24,800
BUT IT WON'T LAST.
501
00:26:24,887 --> 00:26:27,890
I ALREADY KNOW IT'S
NOT THE ONE I CAN LIVE IN.
502
00:26:27,977 --> 00:26:29,500
THEN IT'LL HAVE TO BE
THE ONE YOU DIE IN.
503
00:27:18,158 --> 00:27:20,682
KATE, WHAT ARE
YOU DOING HERE?
504
00:27:23,729 --> 00:27:25,513
LOOK, I KNOW WHAT
THIS LOOKS LIKE.
505
00:27:28,342 --> 00:27:29,735
SO DO I.
506
00:27:38,395 --> 00:27:40,310
L.A.P.D. YOU
HAVE THE RIGHT TO--I WAIVE IT.
507
00:27:40,397 --> 00:27:42,617
HOW'D YOU FIND ME?
508
00:27:42,704 --> 00:27:43,923
I'VE BEEN TRACKING YOU
SINCE LAST NIGHT.
509
00:27:44,010 --> 00:27:46,316
LISTEN--DON'T MOVE!
NOT A STEP.
510
00:27:46,403 --> 00:27:48,188
BACKUP IS ON THE WAY.
511
00:27:48,275 --> 00:27:50,059
WE'RE ON THE SAME SIDE.
I'M AFTER THIS GUY, TOO.
512
00:27:50,146 --> 00:27:51,582
YOU'RE TELLING ME
YOU'RE AN INVESTIGATOR?
513
00:27:51,670 --> 00:27:53,933
MORE OR LESS.WHERE'S YOUR LICENSE?
514
00:27:54,020 --> 00:27:56,675
RIGHT.THAT'S THE LESS PART.
515
00:27:56,762 --> 00:27:59,112
KATE, YOU DON'T KNOW.
YOU DIDN'T SEE--
516
00:27:59,199 --> 00:28:02,681
WHAT I SEE
IS THE CARVING JOB
OF AN IMPOTENT SICKO.
517
00:28:02,768 --> 00:28:05,553
IT'S FRUSTRATING,
ISN'T IT,
518
00:28:05,640 --> 00:28:07,250
NOT BEING ABLE TO CONNECT?
519
00:28:07,337 --> 00:28:09,644
TO LOVE LIKE OTHER PEOPLE?
520
00:28:09,731 --> 00:28:11,385
HOW DO YOU GET THEM
TO TRUST YOU, ANGEL?
521
00:28:11,472 --> 00:28:13,474
GIVE THEM THE BIG,
DARK EYES?
522
00:28:13,561 --> 00:28:15,345
THE "I'M-NOT-GOOD-
WITH-TALK" SPEECH?
523
00:28:15,432 --> 00:28:16,956
LOOK, HE GIVES THEM WHAT
THEY'RE LONGING FOR.
524
00:28:17,043 --> 00:28:18,566
AND THAT IS?HOPE.
525
00:28:18,653 --> 00:28:20,002
THAT THEIR LONELINESS
MIGHT END,
526
00:28:20,089 --> 00:28:21,787
AND HE'S GONNA KEEP
DOING IT AGAIN--
527
00:28:21,874 --> 00:28:24,311
UNLESS I LET YOU GO
SO YOU CAN STOP HIM.
528
00:28:24,398 --> 00:28:26,356
SAVE ME THE LINES.
I'VE HEARD THEM.
529
00:28:26,443 --> 00:28:27,923
AND I'VE HEARD YOURS.
530
00:28:28,010 --> 00:28:29,795
SOMETHING
ABOUT NOT BEING
ABLE TO TRUST PEOPLE?
531
00:28:29,882 --> 00:28:31,579
TURN AROUND.
532
00:28:35,061 --> 00:28:36,062
I'M SORRY.
533
00:28:36,149 --> 00:28:37,411
IS THAT A CONFESSION?
534
00:28:37,498 --> 00:28:39,108
I DIDN'T DO THAT.
I'M SORRY FOR THIS.
535
00:28:45,593 --> 00:28:47,377
[CAR ALARM BLARES]
536
00:28:48,639 --> 00:28:50,641
[HORN HONKS]
537
00:29:04,220 --> 00:29:07,267
WOW! THIS PLACE IS, UH...
538
00:29:07,354 --> 00:29:09,530
I THOUGHT GIRLS WERE
SUPPOSED TO LIKE
PRETTY THINGS?
539
00:29:09,617 --> 00:29:11,053
OH, DON'T START, OK?
540
00:29:11,140 --> 00:29:13,882
ANGEL TOLD US TO MEET HERE,
SO WE'RE MEETING HERE.
541
00:29:13,969 --> 00:29:15,579
BUT THAT DOESN'T MEAN
THAT YOU CAN...
542
00:29:15,666 --> 00:29:17,799
THAT IS SO HIGH SCHOOL.
543
00:29:17,886 --> 00:29:20,976
"CORDELIA WEARS BRAS.
OOH, SHE HAS GIRL PARTS."
544
00:29:21,063 --> 00:29:23,457
TAKE IT EASY.
YOU'RE BEING A TAD
DEFENSIVE HERE.
545
00:29:23,544 --> 00:29:25,154
I THINK IT
IS REFRESHING
546
00:29:25,241 --> 00:29:26,765
TO SEE A WOMAN
LIVING LIKE THIS.
547
00:29:26,852 --> 00:29:28,157
YOU KNOW, IT MEANS
YOU'RE NOT SO UPTIGHT.
548
00:29:28,244 --> 00:29:29,768
YOU LIVE FOR THE MOMENT.
549
00:29:32,379 --> 00:29:33,119
[KNOCK ON DOOR]YOU'RE DISGUSTING.
550
00:29:34,511 --> 00:29:35,643
[KNOCK KNOCK]
551
00:29:37,863 --> 00:29:38,777
WHO IS IT?
552
00:29:38,864 --> 00:29:40,039
Angel: IT'S ME.
553
00:29:43,346 --> 00:29:44,434
OH, MY GOD!
554
00:29:44,521 --> 00:29:45,566
ARE YOU OK?
555
00:29:47,089 --> 00:29:49,309
LOOK, I CAN'T, UM--
556
00:29:49,396 --> 00:29:51,615
INVITE HIM IN.
AS LONG AS YOU'RE ALIVE,
557
00:29:51,702 --> 00:29:53,313
VAMPIRES, THEY CAN'T
CROSS THE THRESHOLD
UNLESS YOU INVITE--
558
00:29:53,400 --> 00:29:55,750
OH, RIGHT, RIGHT.
YOU PROMISE YOU'LL
STAY GOOD?
559
00:29:55,837 --> 00:29:58,405
CORDELIA.I'M KIDDING.
COME IN.
560
00:30:01,321 --> 00:30:03,366
WHAT THE HELL HAPPENED
TO YOU, MAN?
YOU LOOK WRECKED.
561
00:30:03,453 --> 00:30:06,152
THAT WOMAN THAT I WAS
TALKING TO AT THE BAR
LAST NIGHT,
562
00:30:06,239 --> 00:30:07,806
YOU KNOW, KATE?
563
00:30:07,893 --> 00:30:09,938
SHE'S THE KILLER?SHE'S A COP.
564
00:30:10,025 --> 00:30:11,722
FOLLOWED ME
TO ANOTHER BODY.
565
00:30:11,810 --> 00:30:13,376
NOW SHE THINKS
YOU'RE THE KILLER.
566
00:30:13,463 --> 00:30:15,770
YEAH. SO WE DON'T HAVE
A LOT OF TIME TO--
567
00:30:19,774 --> 00:30:21,167
YOU ACTUALLY LIVE HERE?
568
00:30:21,254 --> 00:30:22,864
YES, OK?
569
00:30:22,951 --> 00:30:25,867
IS IT MY FAULT
THAT MAID SERVICE
WAS INTERRUPTED?
570
00:30:25,954 --> 00:30:28,522
IT WAS SUPPOSED TO GO
HOME, HOTEL, HOTEL,
HUSBAND.
571
00:30:28,609 --> 00:30:31,177
NOW, CAN WE MOVE ON?
572
00:30:31,264 --> 00:30:33,788
YEAH, WELL, WE PUT
TOGETHER THAT LIST
OF EVISCERATING DEMONS
573
00:30:33,875 --> 00:30:35,224
THAT YOU ASKED FOR.
574
00:30:35,311 --> 00:30:36,356
WE ACTUALLY NARROWED
IT DOWN TO 3 OR 4--
575
00:30:36,443 --> 00:30:37,574
I SAW IT.
IT'S A BURROWER.
576
00:30:37,661 --> 00:30:39,011
IT'S A DONKEY?
577
00:30:39,098 --> 00:30:41,840
OH, WE DIDN'T SEE
ANY DONKEY DEMONS.
578
00:30:41,927 --> 00:30:44,233
BURROWER.OH.
579
00:30:44,320 --> 00:30:47,236
IT EVISCERATES ITS
VICTIMS AS IT GOES
FROM BODY TO BODY,
580
00:30:47,323 --> 00:30:49,195
AND THEN MAY ONLY BE
ABLE TO DO IT
581
00:30:49,282 --> 00:30:50,674
AFTER SOME KIND
OF SEX ACT,
582
00:30:50,761 --> 00:30:52,154
EXCHANGE
OF FLUIDS THING.
583
00:30:52,241 --> 00:30:53,590
LOVELY.EWWW!
584
00:30:53,677 --> 00:30:55,114
LOOK, I WANT YOU
GUYS TO FIND OUT
ANYTHING YOU CAN
585
00:30:55,201 --> 00:30:56,506
ABOUT THIS THING,
WEAKNESSES,
ESPECIALLY.
586
00:30:56,593 --> 00:30:59,553
IT WAS AMAZINGLY
STRONG WHILE WE
WERE FIGHTING.
587
00:30:59,640 --> 00:31:01,424
IT MAY BE
HARD TO KILL.
588
00:31:01,511 --> 00:31:02,773
HEY, WE'RE ON IT.
589
00:31:02,861 --> 00:31:04,210
GOOD.
590
00:31:04,297 --> 00:31:05,559
I'M GONNA GET BACK
TO THE BAR,
591
00:31:05,646 --> 00:31:06,777
SEE IF I
CAN FIND THIS THING.
592
00:31:06,865 --> 00:31:07,691
WHAT MAKES YOU
THINK IT WILL SHOW?
593
00:31:07,778 --> 00:31:08,997
IT KNOWS YOU'RE
AFTER IT.
594
00:31:09,084 --> 00:31:11,130
IT'LL BE OUT THERE.
595
00:31:11,217 --> 00:31:13,132
IT'S GOTTA KEEP TRYING
TO MAKE THE CONNECTION.
596
00:31:13,219 --> 00:31:14,829
WHY?
597
00:31:16,526 --> 00:31:18,267
'CAUSE THAT'S WHAT
LONELY PEOPLE DO.
598
00:31:35,197 --> 00:31:38,766
♪ THE LIZARDS
AND THE DYING ROSE ♪
599
00:31:38,853 --> 00:31:43,075
♪ IS PROOF I
DON'T NEED YOU ALONG ♪
600
00:31:43,162 --> 00:31:46,774
♪ THE DEMIGODS
AND ANGRY GHOSTS ♪
601
00:31:46,861 --> 00:31:50,647
♪ SO GOD, GOD KNOWS
I'M NOT AT HOME ♪
602
00:31:50,734 --> 00:31:56,305
♪ OH, I'LL NEVER FIND
SOMEONE QUITE LIKE YOU ♪
603
00:31:56,392 --> 00:31:58,655
♪ AGAIN ♪
604
00:31:58,742 --> 00:32:05,706
♪ I'LL NEVER FIND SOMEONE
QUITE LIKE YOU AGAIN ♪
605
00:32:30,731 --> 00:32:32,037
♪ I ♪
606
00:32:33,908 --> 00:32:41,133
♪ I LOOKED INTO
YOUR EYES AND SIGHED ♪
607
00:32:41,220 --> 00:32:48,879
♪ OH, THAT DOES NOT EXIST ♪
608
00:32:48,967 --> 00:32:57,366
♪ I LOOKED INTO YOUR EYES
AND SIGHED ♪
609
00:32:57,453 --> 00:33:02,371
♪ OH, I WISH I WAS... ♪
610
00:33:21,738 --> 00:33:23,479
MORNING.HEY, UH...
611
00:33:25,220 --> 00:33:27,048
SO ANY LUCK YET?
612
00:33:27,135 --> 00:33:28,441
NO, NOT YET.
613
00:33:28,528 --> 00:33:30,312
I KNOW I CAN RECOGNIZE
THIS THING
614
00:33:30,399 --> 00:33:32,488
IF I JUST SAW
IT IN ANOTHER BODY.
615
00:33:32,575 --> 00:33:34,012
THAT SHOULDN'T BE
A PROBLEM THEN.
616
00:33:34,099 --> 00:33:35,317
THAT NARROWS IT DOWN
TO ABOUT, WHAT,
617
00:33:35,404 --> 00:33:36,971
5 MILLION SUSPECTS
IN THE NAKED CITY?
618
00:33:38,625 --> 00:33:40,279
HOW ABOUT YOU,
DID YOU FIND ANYTHING?
619
00:33:40,366 --> 00:33:44,283
UH, UH, UM, YEAH,
WE FOUND A NAME FOR
THIS BURROWER GUY.
620
00:33:44,370 --> 00:33:46,850
UH, TALAMOUR.
621
00:33:46,937 --> 00:33:49,897
HE'S BEEN AROUND FOREVER,
A DAWN-OF-TIME KINDA DUDE.
622
00:33:49,984 --> 00:33:51,594
ANY WEAKNESSES?FEW AND FAR BETWEEN.
623
00:33:51,681 --> 00:33:54,423
THIS KID IS STRONG,
LIKE YOU SAID.
624
00:33:54,510 --> 00:33:56,991
HE'S NOT TOO CRAZY
ABOUT FIRE, THOUGH.
625
00:33:57,078 --> 00:33:58,558
SOMETHING WE
HAVE IN COMMON.
626
00:33:58,645 --> 00:34:01,430
IT'S A PARASITE,
MOVES FROM BODY TO BODY.
627
00:34:01,517 --> 00:34:03,911
AND WHEN IT STARTS TO
LEAVE ONE FOR THE NEXT,
628
00:34:03,998 --> 00:34:06,392
NOT GONNA GAG HERE,
BUT THE FIRST ONE GOES
KAPLOOEY PRETTY FAST.
629
00:34:06,479 --> 00:34:09,438
YEP, CURDLES LIKE
CREAM ON A HOT DAY.
630
00:34:09,525 --> 00:34:12,615
I BELIEVE I COVERED THAT
WITH NON-DAIRY KAPLOOEY.
631
00:34:12,702 --> 00:34:13,834
I'M GONNA NEED HELP
TO FIND THIS THING.
632
00:34:15,618 --> 00:34:16,576
WELL,
WHO YOU CALLING?
633
00:34:16,663 --> 00:34:17,751
KATE.
634
00:34:17,838 --> 00:34:19,057
CAGNEY AND LACEY
KATE?
635
00:34:19,144 --> 00:34:20,884
I THOUGHT WE WERE
HIDING FROM HER.
636
00:34:20,971 --> 00:34:23,322
WE WERE. BUT SHE'S BEEN
TRACKING THIS THING A LOT
LONGER THAN WE HAVE.
637
00:34:23,409 --> 00:34:25,933
[RING]
638
00:34:26,020 --> 00:34:27,152
LOCKLEY.
639
00:34:27,239 --> 00:34:29,806
Angel: IT'S ME.
640
00:34:29,893 --> 00:34:31,895
I NEED YOU TO HELP ME
FIND THE KILLER.
641
00:34:31,982 --> 00:34:33,593
WELL, THAT'S EASY.
I'M TALKING TO HIM.
642
00:34:33,680 --> 00:34:36,465
NO, NOW THAT WOULD MAKE
THINGS NICE AND CLEAN,
WOULDN'T IT?
643
00:34:36,552 --> 00:34:39,686
BUT IT'S NOT TRUE, AND I
THINK SOME PART OF YOU
KNOWS THAT.
644
00:34:39,773 --> 00:34:43,255
LOOK, HE'S STILL OUT THERE.
WE SHOULD BE SHARING
INFORMATION.
645
00:34:43,342 --> 00:34:44,604
THAT'S NOT POSSIBLE.
646
00:34:44,691 --> 00:34:46,519
ALL I NEED IS 5 MINUTES.
647
00:34:46,606 --> 00:34:49,609
IF YOU STILL THINK
I'M YOUR MAN AFTER THAT,
ARREST ME.
648
00:34:49,696 --> 00:34:51,785
MEET ME AT
THE BAR AT 7:00.
649
00:34:51,872 --> 00:34:53,874
SURE, THAT'S ACTUALLY
ON MY TO-DO LIST
THIS WEEK,
650
00:34:53,961 --> 00:34:55,963
WALK INTO A SERIAL
KILLER'S TRAP.
651
00:34:56,050 --> 00:34:58,835
LOOK, I DON'T CARE IF
YOU COME ARMED, WIRED,
AND COVERED BY SHARPSHOOTERS.
652
00:34:58,922 --> 00:35:00,446
DO WHATEVER IT TAKES
TO FEEL SECURE.
653
00:35:04,450 --> 00:35:07,540
I CAN HELP YOU, KATE,
BUT YOU JUST HAVE
TO TRUST ME.
654
00:35:19,987 --> 00:35:21,989
KATE, THE USUAL?
655
00:35:24,122 --> 00:35:26,167
THAT'S NOT YOUR USUAL.
656
00:35:26,254 --> 00:35:28,952
EVERY NOW AND THEN
I'M IN THE MOOD FOR
SOMETHING DIFFERENT.
657
00:35:29,039 --> 00:35:31,129
LOOK, YOU KNOW THAT GUY
THAT WAS IN HERE
THE OTHER NIGHT?
658
00:35:31,216 --> 00:35:33,218
HE WAS TALL, NICE-LOOKING,
HELPED YOU OUT IN
THE BAR FIGHT?
659
00:35:33,305 --> 00:35:34,784
SURE, SURE.
660
00:35:34,871 --> 00:35:36,046
LET ME KNOW AS SOON
AS HE GETS HERE,
WOULD YOU?
661
00:35:36,134 --> 00:35:37,570
YEAH, YOU BET.
662
00:35:37,657 --> 00:35:38,788
THANKS.
663
00:35:43,967 --> 00:35:46,056
GOD, I HATE PLACES LIKE
THIS, DON'T YOU?
664
00:35:46,144 --> 00:35:48,842
I DO, BUT, UM--I KINDA GUESSED THAT.
665
00:35:48,929 --> 00:35:51,497
YOU DON'T LOOK
LIKE YOU'RE IN
YOUR ELEMENT HERE,
666
00:35:51,584 --> 00:35:53,281
WHICH IS A COMPLIMENT,
BY THE WAY.
667
00:35:53,368 --> 00:35:56,110
THANKS. UH, LOOK,
I WOULD REALLY LOVE TO CHAT,
668
00:35:56,197 --> 00:35:57,285
BUT I'M--ACTUALLY,
I'M WAITING FOR SOMEONE.
669
00:35:57,372 --> 00:35:58,852
THAT GUY
YOU'RE LOOKING FOR?
670
00:35:58,939 --> 00:36:01,507
I THINK HE'S OUT
BACK IN THE ALLEY.WHAT IS HE DOING THERE?
671
00:36:01,594 --> 00:36:03,552
I WAS JUST TAKING OUT
SOME TRASH AND THERE HE WAS.
672
00:36:03,639 --> 00:36:05,032
LOOKED LIKE HE
WAS READY TO RABBIT.
673
00:36:05,119 --> 00:36:06,555
SHOW ME.
674
00:36:06,642 --> 00:36:08,340
SORRY.I GUESS YOU'RE
GONNA HAVE TO KEEP TROLLING.
675
00:36:20,613 --> 00:36:23,181
CALL THIS NUMBER.
TELL THE SERGEANT
THAT I NEED--AAH!
676
00:36:47,030 --> 00:36:48,510
KATE?
677
00:36:48,597 --> 00:36:50,382
KATE?
678
00:36:50,469 --> 00:36:51,992
CAN YOU MOVE?
679
00:36:52,079 --> 00:36:54,037
MOVE!
680
00:36:57,302 --> 00:36:59,652
I GUESS YOU'RE DONE
WITH THAT BODY.
681
00:37:03,133 --> 00:37:04,961
IT'S TOUGH BEING THE GUY.
682
00:37:05,048 --> 00:37:07,268
YOU DON'T GET TO FINISH.
YOU JUST COME APART
AT THE SEAMS.
683
00:37:28,768 --> 00:37:30,291
I CAN'T LET HIM
GET AWAY.
684
00:37:30,378 --> 00:37:33,163
HE'S NOT GONNA LEAVE.
HE'S GONNA KILL AGAIN, NOW.
685
00:37:33,251 --> 00:37:34,164
YOU THINK SO?
686
00:37:34,252 --> 00:37:35,644
HE HAS TO.
687
00:37:37,559 --> 00:37:38,821
UH!
688
00:37:53,314 --> 00:37:55,838
HEY, HOW'S IT GOING?
689
00:37:55,925 --> 00:37:57,840
I BEEN NOTICING HOW
GRACEFUL YOU MOVE,
690
00:37:57,927 --> 00:37:59,973
AND WAS WONDERING IF
YOU WERE, LIKE, A DANCER
OR SOMETHING.
691
00:38:00,060 --> 00:38:02,280
BECAUSE I WISH
I COULD MOVE...
692
00:38:06,893 --> 00:38:09,287
HEY, EXCUSE ME.
THAT'S REALLY A BEAUTIFUL
DRESS YOU'RE WEARING.
693
00:38:09,374 --> 00:38:10,766
I MEAN IT.
694
00:38:10,853 --> 00:38:12,899
REALLY BRINGS OUT
YOUR SKIN TONE.
695
00:38:17,773 --> 00:38:18,948
NOW WHAT?
696
00:38:20,776 --> 00:38:22,691
WOULD YOU LIKE
A DRINK OR SOMETHING?
697
00:38:22,778 --> 00:38:24,606
'CAUSE I'M, LIKE,
THE BARTENDER HERE.
698
00:38:26,608 --> 00:38:29,307
JUST...WANT TO TALK
TO SOMEBODY.
699
00:38:29,394 --> 00:38:31,396
OPEN UP,
700
00:38:31,483 --> 00:38:33,006
WANT TO MAKE
A CONNECTION.
701
00:38:39,708 --> 00:38:41,057
WE'RE GOING OUT
THAT WINDOW.
702
00:38:41,144 --> 00:38:42,624
IT'S ALMOST 20 FEET UP.
703
00:38:45,279 --> 00:38:46,759
WHO ARE YOU?
704
00:39:22,185 --> 00:39:23,796
PLEASE, I JUST
WANT TO HOLD YOU.
705
00:39:23,883 --> 00:39:24,971
[GASPS] OHH!
706
00:39:50,300 --> 00:39:51,737
RUN!
707
00:41:07,552 --> 00:41:09,902
IT ALL SEEMS TO ADD UP.
708
00:41:09,989 --> 00:41:12,078
THE BARTENDER WAS CONNECTED
TO EVERYONE.
709
00:41:14,297 --> 00:41:16,299
I MUST HAVE TALKED
TO HIM A DOZEN TIMES.
710
00:41:16,386 --> 00:41:18,388
I NEVER HAD A CLUE.
711
00:41:18,476 --> 00:41:20,260
IT'S HARD TO
GET TO KNOW PEOPLE.
712
00:41:20,347 --> 00:41:22,784
YES, IT IS.
713
00:41:26,396 --> 00:41:29,574
I DIDN'T THANK YOU...
714
00:41:29,661 --> 00:41:31,706
FOR SAVING MY LIFE.
715
00:41:31,793 --> 00:41:33,447
I THINK SAVING MINE
WAS A START.
716
00:41:37,146 --> 00:41:39,584
I THINK YOU SHOULD KNOW
I SEARCHED YOUR PLACE,
717
00:41:39,671 --> 00:41:42,456
ILLEGALLY, NO WARRANT.
718
00:41:42,543 --> 00:41:43,936
WHY ARE YOU TELLING ME?
719
00:41:44,023 --> 00:41:45,503
I DON'T KNOW.
720
00:41:47,461 --> 00:41:49,245
I GUESS SO WE
CAN START FRESH,
721
00:41:49,332 --> 00:41:51,944
NO SECRETS.
722
00:41:52,031 --> 00:41:54,816
THAT'S SOME PRETTY
WEIRD STUFF FOR
A VETERINARIAN.
723
00:41:57,732 --> 00:41:59,255
LOOK,
IF YOU EVER NEED ME
724
00:41:59,342 --> 00:42:00,605
OR IF I CAN HELP YOU
IN ANY WAY...
725
00:42:04,086 --> 00:42:06,088
WHAT IS THIS,
A LOBSTER?
726
00:42:06,175 --> 00:42:08,438
UH...
727
00:42:08,526 --> 00:42:09,657
I'LL BE AROUND.
728
00:42:11,572 --> 00:42:13,095
Man: DETECTIVE LOCKLEY,
729
00:42:13,182 --> 00:42:14,488
MAY I SPEAK WITH YOU
A MINUTE?YES, SIR.
730
00:42:20,146 --> 00:42:21,321
WHAT'S UP?
731
00:42:32,854 --> 00:42:34,160
I KNOW YOU GUYS
HAVE BEEN WORKING HARD,
732
00:42:34,247 --> 00:42:36,815
I MEAN, COOPED UP
INSIDE A LOT.
733
00:42:36,902 --> 00:42:40,949
AND, UH, TO SHOW
MY APPRECIATION,
I WAS THINKING,
734
00:42:41,036 --> 00:42:43,256
THE NIGHT BEING,
YOU KNOW, YOUNG AND ALL,
735
00:42:43,343 --> 00:42:45,171
THAT THE 3 OF US...
736
00:42:47,652 --> 00:42:50,263
COULD...
WELL, SHOULD...
737
00:42:50,350 --> 00:42:52,004
YOU KNOW, MAYBE, UH,
738
00:42:52,091 --> 00:42:53,440
GO OUT.
739
00:42:58,184 --> 00:42:59,881
YOU KNOW...
740
00:42:59,968 --> 00:43:01,187
FOR FUN.
741
00:43:02,362 --> 00:43:06,279
OR WE CAN GO HOME.
742
00:43:07,802 --> 00:43:10,022
AND YOU COULD SIT
IN THE DARK ALONE.
743
00:43:12,546 --> 00:43:15,070
GOD, YES.
THANK YOU.
744
00:43:30,390 --> 00:43:31,783
[DOOR CLOSES]
745
00:44:14,695 --> 00:44:17,002
GRR! ARRGH!
52652
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