All language subtitles for The.Mentalist.S03E09.1080p.WEBRip.x265-RARBG

(whispers) LISBON. LISBON!

DOES IT BITE?

HE COULD'VE KILLED ME.

SHH.

(police radio chatter)

(man) CBI?

YES, SIR. LISBON. JANE.

MULLERY.
WHAT TOOK YOU SO LONG?

SHERIFF, I UNDERSTAND THIS IS
A TOUGH SITUATION FOR YOU.

TOUGH SITUATION?
THIS IS DEPUTY NELSON CAPEL.

BEEN WITH ME 15 YEARS.
GOT 3 KIDS.

HE ANSWERED A 9-1-1 CALL
LAST NIGHT AT 10:23 FROM

A LOCAL GIRL, KEELEY FARLOWE,
ON HER CELL PHONE.

SHE GAVE HER LOCATION HERE,
AND THE LINE WENT DEAD.

THIS IS DEPUTY LANCE CONNOR.
FIVE YEARS IN.

HIS DAD WAS IN HIGH SCHOOL
WITH ME.

THE E.M.T. CAPTAIN
YOU SEE THERE

CRYING LIKE A BABY--

THAT'S MY NEPHEW TODD.

THE REASON HE'S CRYING--

THAT'S HIS FIANCéE,
THROAT CUT.

SO, YEAH, TOUGH SITUATION.
YOU GO AHEAD AND LOOK AT

WHATEVER IT IS
YOU WANT TO LOOK AT.

LET ME KNOW
WHEN YOU'RE DONE,

SO WE CAN TAKE THESE FOLKS
SOMEPLACE DECENT.

YEESH. THIS IS TROUBLE.

INTERESTING, THOUGH.

THREE DIFFERENT METHODS
OF KILLING.

WHY IS THAT?

IT'S ALWAYS BAD WHEN LOCAL COPS
ARE PERSONALLY INVOLVED.

THINK THE FEDS WOULD WANT
THIS ONE?

THE BODIES HAVE BEEN
ARRANGED AS WELL,

NOT IN AN OSTENTATIOUS WAY,

BUT THERE'S A DEFINITE AESTHETIC
AT WORK HERE.

HE TOOK HIS TIME.

YEAH, IT'S A TRULY COMPLICATED
MANIAC WE'RE DEALING WITH.

YES. I THINK
I WILL CALL THE FEDS.

NO, DON'T DO THAT.

I DON'T KNOW WHY,
BUT I...

I WANT THIS CASE.

OR VICE VERSA.

ALL RIGHT, BUT I HAVE
A FEELING I'M GONNA BE SORRY.

YOU PEOPLE DONE YET?

SHERIFF MULLERY,
JUST SO WE'RE ON THE SAME PAGE,

IN CASES LIKE THESE, WE,
THE CBI, HAVE SOLE JURISDICTION.

YOUR DEPARTMENT WOULD HAVE
A STRICTLY ADVISORY ROLE.

THAT'S THE WAY--
YOU CAN HAVE ALL
THE JURISDICTION YOU WANT.

I SWEAR TO GOD, THE MAN
WHO DID THIS WILL NOT LIVE

TO SEE A COURTROOM.

YOU DIDN'T HEAR THAT.

YEP. I'M ALREADY SORRY.

**

WHAT'S THE PASSWORD
FOR Wi-Fi?

SAY?

1-2-3-4.

OF COURSE.

SO...

CBI. TOP GUNS.

NOT REALLY.
I'M AGENT GRACE VAN PELT.

BOB WOOLGAR.
NUMBER TWO AROUND HERE.

THAT'S HOBBS.

SIR, MAY I HELP YOU?
MAY I PLEASE SPEAK WITH
WHOEVER IS IN CHARGE

OF THE MURDER INVESTIGATION?

WHY IS THAT?
I'M SORRY. ARE YOU IN CHARGE?

NO, BUT I--
I THOUGHT NOT. (chuckles)

SIR, I'M WITH THE CBI. WE'RE
IN CHARGE OF THIS INVESTIGATION.

IF YOU HAVE ANY INFORMATION
ABOUT THE CASE,

I'D BE MORE THAN HAPPY TO HELP.
MISS, NO OFFENSE. YOU ARE
FAR TOO YOUNG AND PRETTY

TO HAVE ANY AUTHORITY
IN THE MATTER.

I SHALL WAIT FOR YOUR CHIEF.

MM.

(man) IF YOU'RE MEDIA,
KEEP MOVIN'.

(gun cocks)

CBI. POLICE.

PUT THE WEAPON DOWN RIGHT NOW.

ALL RIGHT. NO PROBLEM.

NO NEED TO SHOUT.

AND YOU ARE...

I'M JOE HUNNICKER.

KEELEY'S MY GRANDDAUGHTER.

I LIVE HERE
WITH HER AND TODD.

COME ON IN.

(Joe) SHE WAS A GOOD GIRL.

YOU KNOW, IF SHE AND TODD
HADN'T BROUGHT ME IN HERE,

ON MY V.A. CHECK, I'D BE
IN A HOSTEL SOMEWHERE.

(door closes)

LISBON. JANE.

OH. HEY. YES, WE MET.

REALLY, I-I APOLOGIZE
FOR MY OUTBURST THERE.

I WAS, UH, A LITTLE CRAZY.

YOU CAN IMAGINE.

CALMED DOWN A LITTLE NOW.

REST ASSURED, I-I WON'T BE
PULLING ANY VIGILANTE NONSENSE.

WE'RE VERY SORRY
FOR YOUR LOSS.

AND I'M GLAD
YOU SEE IT THAT WAY.

THERE'S NO UPSIDE TO TAKING
THE LAW INTO YOUR OWN HANDS.

REVENGE TRULY DOESN'T WORK.
WELL, THAT'S JUST
A SWEEPING STATEMENT, ISN'T IT?

I'M SURE WE CAN ALL
THINK OF EXAMPLES

WHERE REVENGE HAS
WORKED SPLENDIDLY.
THANKS FOR YOUR INPUT.

JUST SAYIN'.

TELL US ABOUT KEELEY.

I DON'T KNOW WHAT TO SAY.

I LOVE HER.

WE'RE GETTING MARRIED.

WE WERE.

PARENTS?

AUTO ACCIDENT
ABOUT FIVE YEARS AGO.

DRUNK DRIVER. BOTH DEAD.

WHEN WAS THE LAST TIME
YOU SPOKE TO HER?

ABOUT AN HOUR
BEFORE SHE WAS DUE HOME...

I CALLED HER AND I...

I ASKED HER TO BRING HOME
SOME BEER AND CHIPS.

ME AND HUNNY WERE--
WERE PLAYIN' GIN RUMMY.

AND I COULD'VE PICKED HER UP.

YOU KNOW, I OFTEN DO
WHEN IT'S RAINING OR WHATEVER,

BUT LAST NIGHT--
LAST NIGHT I WAS JUST--

I WAS LAZY, I GUESS.

IT'S BASICALLY MY FAULT
THAT SHE'S DEAD.

DON'T.

DON'T SAY THAT, SON.

DON'T TAKE THAT ON YOURSELF.

(voice breaking)
PLEASE FIND WHO DID THIS.

(inhales deeply)

I JUST WANT TO KNOW WHY.

WHY?

(door closes)

KEELEY WORKED THE LATE SHIFT
FOR THE LAST YEAR.

4:00 TO 10:00,
AS RELIABLE AS CLOCKWORK.

GREAT KID.
EVERYBODY LOVED HER.

ALWAYS HAD A SMILE FOR YOU,
YOU KNOW?
YEAH, SHE THOUGHT
THE BEST OF FOLKS.

KINDA NAIVE THAT WAY.
MEANING ANYONE IN PARTICULAR?

NO, JUST, YOU KNOW,
IN GENERAL--TRUSTING.

LAST NIGHT, WHAT TIME
DID SHE LEAVE WORK?

10:00, AS ALWAYS,
ON THAT SO-AND-SO BICYCLE.

I TOLD HER IT WASN'T SAFE,

BUT SHE SAID IT SAVED MONEY
AND KEPT HER SKINNY.
DID ANYTHING UNUSUAL

HAPPEN DURING HER SHIFT?
ANYTHING AT ALL?

NOT THAT I SAW.

THERE WAS THIS TRUCKER
TRIED TO PICK HER UP.

COME IN A FEW TIMES NOW. ALWAYS
LEFT HER, LIKE, A 10-BUCK TIP.

HE WAS IN HERE YESTERDAY
AROUND CLOSING TIME.

YOU REMEMBER HIM, RUSTY?

SHE USED TO LOVE TO SHOW
HER ENGAGEMENT RING TO GUYS

TO SHUT 'EM DOWN, BUT THIS GUY
WAS LIKE, "I DON'T CARE."

HE KEPT ON TRYING.
DID YOU GET HIS NAME?

IT SAYS "GREG" ON HIS SHIRT.

YOU REMEMBER HIM--
BIG, OLD, GREASY FELLA.

NOPE. CAN'T SAY I DO.

HE DRIVES THIS TRUCK WITH THIS
BIG SMILING ORANGE ON THE SIDE,

WITH ARMS,

LIKE, "HI. I'M AN ORANGE."

EXAMPLES WHERE REVENGE
WORKED SPLENDIDLY. NICE.

I WAS JUST TEASING.

A LITTLE HYPOCRITICAL OF YOU
TO LECTURE HIM ON REVENGE,

DON'T YOU THINK?
HOW'S THAT?

UH, ALL THESE YEARS YOU'VE BEEN
HELPING ME SEEK REVENGE?

THAT'S DIFFERENT.

HOW'S THAT?
I'M IN CONTROL
OF THE SITUATION.

OH, REALLY?

SHE MUST HAVE BEEN ABDUCTED

SOMEWHERE ALONG
THIS STRETCH OF ROAD.

STRANGE WE HAVEN'T FOUND
HER BIKE.

MAYBE SHE DIDN'T HEAD
STRAIGHT HOME.

WHAT DO YOU MEAN,

"YOU'RE IN CONTROL
OF THE SITUATION"?

WHEN THE DAY COMES,
WHEN WE FIND RED JOHN,

I'M GONNA BE THERE TO STOP YOU
FROM DOING ANYTHING FOOLISH.

WE'RE GONNA PUT HIM IN FRONT
OF A JUDGE AND A JURY.
YOU REALLY BELIEVE THAT?

YES, I DO.

REALLY? I JUST ASSUMED YOU TOOK
THAT JUDGE AND JURY STUFF

WITH A GRAIN OF SALT.

WELL, YOU ASSUMED WRONG.
NO SALT.

YOU KNOW THE REALITY
WILL BE DIFFERENT.

RED JOHN IS MINE,

AND I'M GONNA EXACT
MY REVENGE ON HIM.

I THINK, WHEN THE TIME COMES,

YOU'LL SEE THAT VIOLENCE
IS NOT THE ANSWER.

I HAD NO IDEA YOUR NAIVE
IDEALISM WAS SO DEEPLY FELT.

HUSH.

HUSH.

HUSH.

EXCUSE ME.
YOU ARE AGENT TERESA LISBON?

YES, I AM.

GOOD EVENING, MA'AM.
MY NAME IS ELLIS MARS.

I UNDERSTAND YOU ARE LEADING

THE KEELEY FARLOWE
MURDER INVESTIGATION.
YES.

AH. POOR GIRL.

I OFTEN SAW HER AROUND TOWN,

SO FRESH, INNOCENT.

YES?

I HAVE INFORMATION.

THE KILLER IS GOING
TO STRIKE AGAIN.

SOON.
AND HOW DO YOU KNOW THAT,
SIR?

WELL, IT'S HARD TO EXPLAIN.
SOME CALL IT A THIRD EYE

OR E.S.P. I THINK OF IT
SIMPLY AS MY GIFT.

(chuckles)
(chuckles)

NOT INTERESTED.
THANKS, THOUGH.

WELL, I'VE BEEN WAITING HERE
FOR SEVERAL HOURS.

(sighs) WELL, PERHAPS YOU ARE
MORE BROAD-MINDED, SIR.

UH, DON'T GET ME STARTED.

I FORGIVE YOUR BRUSQUENESS.

I CAN TELL THAT YOU HAVE BEEN
VISITED BY GREAT TRAGEDY.

OH, REALLY?

I'M SORRY.
I DID NOT MEAN TO OFFEND.

I JUST, UH, SAW IT
IN YOUR EYES.

GOOD-BYE, MR. MARS.

IF YOU DO NEED MY HELP AGAIN,
PLEASE CALL ME.

I'LL HAPPILY COME BACK.

(Van Pelt) CHO AND RIGSBY
HAVE GONE BACK TO SACRAMENTO

TO PICK UP GREGOR HOBART, DRIVES
A TRUCK FOR HAPPY CITRUS FARMS.

WAS SEEN TALKING TO KEELEY
AS SHE LEFT WORK.
WHAT ABOUT FORENSICS?

THEY PUT A RUSH ON THE REPORT,
BE HERE FIRST THING

IN THE MORNING, AND I BOOKED US
ROOMS AT THE NEAREST MOTEL--

REASONABLE PRICE.
DEPUTY HOBBS SAYS IT'S CLEAN.

GOOD. IT'S BEEN A LONG DAY.
HMM.

YOU ALL RIGHT, JANE?

OH, SMALL-TOWN MOTEL,
GAS STATION PIZZA--

WHAT COULD BE BETTER?
(chuckles)

(man) "TIGER, TIGER,
BURNING BRIGHT,

"IN THE FORESTS
OF THE NIGHT,

"WHAT IMMORTAL HAND OR EYE

COULD FRAME
THY FEARFUL SYMMETRY?"

(air hisses)

(Rigsby) GREGOR HOBART?

YES.

DON'T RUN.

WASN'T GOING TO.

YEAH, YOU HAD THAT LOOK
ABOUT YOU.

NO ONE CALLS ME GREGOR.

WHAT'S THIS ABOUT?

KEELEY FARLOWE.
SHE'S DEAD, MURDERED.

OH, NO.

YOU WERE FOND OF KEELEY,
WERE YOU?

YES, I WAS.

DID YOU EVER TELL HER THAT?

SURE. I ASKED HER OUT.

WHAT WAS HER RESPONSE?

UH, I THINK
SHE WAS INTRIGUED.

YOU THINK? SHE WAS
ENGAGED TO BE MARRIED.

WE'RE ALL SINNERS, BROTHER,

EVEN NICE GIRLS LIKE KEELEY.
AND WHEN DID
YOU LAST SPEAK TO HER?

YESTERDAY, UH,
WHEN SHE LEFT WORK.

WHEN SHE LEFT WORK? WHERE?

OUTSIDE THE DINER,
IN THE STREET.

SHE WAS UNLOCKING HER BIKE.
THAT MAKES YOU THE LAST PERSON
TO SEE HER ALIVE.

MM, APART FROM HER KILLER.
RIGHT. SO YOU SAID HI?

MM-HMM. I SAID "HI."
SHE SAID "HI."

SHE WAS UPSET,

AND SO I TRIED
TO MAKE HER FEEL BETTER.

I TOLD HER A JOKE.

THIS GOAT WALKS INTO A BAR--

WHAT WAS SHE UPSET ABOUT?

THE COOK AT THE DINNER WAS
HASSLING HER ON THE SLY,

GRABBING AT HER.
YOU KNOW, A SECRET LECH.

THEY HAD A TUSSLE
JUST BEFORE I SAW HER.

SO SHE WAS UPSET.

SO ANYWAY, I MADE HER LAUGH,

SHE RODE OFF HAPPY.

AND THAT'S THE LAST
YOU SAW OF HER?

YEAH.

THE STRANGE THING?

WHEN SHE WAS LEAVING,

THE MOON WAS COMING UP
OVER THE HILLS,

AND IT LOOKED LIKE SHE WAS
RIDING TO THE MOON...

YOU KNOW?

I WAS ADMIRING
HOW PRETTY SHE LOOKED.

AND AT THE SAME TIME,

IT GAVE ME A BAD FEELING,

LIKE AN EVIL OMEN.

WE HEAR YOU WERE HARASSING
KEELEY FARLOWE,

PUTTING YOUR HANDS ON HER?
NO.

WE HEAR YOU HAD A FIGHT
WITH HER YESTERDAY.
NO.

IT'S HOT IN HERE.
ROLL UP YOUR SLEEVES.

THAT'S OKAY. I'M NOT HOT.

LOOK, A CAT DID THIS.

(whistles)

THERE IS NO CAT, RUSTY,

AND FORENSICS WILL FIND
YOUR SKIN

UNDER KEELEY'S FINGERNAILS,
WON'T THEY?

I WANT A LAWYER.

LEAVE HIM ALONE WITH ME
FOR TEN MINUTES.

I'LL GET A CONFESSION.
THAT'S A GREAT IDEA.

THAT'S NOT THE WAY WE WORK.

DON'T WORRY ABOUT IT, LITTLE
LADY. GO YOURSELF A LATTE.

CHECK YOUR E-MAIL.
IT WON'T TAKE LONG.
SHERIFF, I BELIEVE WE HAVE
SOME CULTURAL DIFFERENCES HERE.

I THINK WE'LL TAKE THIS
GENTLEMAN BACK TO SACRAMENTO,

QUESTION HIM THERE,
AVOID FRICTION. COME ON.

YOU HAD HER AT "LITTLE LADY."

MY AUNT HAD A CAT--
LITTLE CHARLIE MANSON WITH FUR.

"PERCY"--HE WAS CALLED.

GET IT? PURR... SEE.

INTERESTING ANECDOTE.
JUST TRYING TO KEEP
OUR FRIEND AT EASE, RIGHT?

WAIT.
HEY!

(Rusty grunting)
(Todd) YOU'RE A DEAD MAN.

(Rusty panting) LET GO OF ME.

(grunting)

RELAX, SIR.

RELAX
AND THE PAIN WILL STOP.

I THINK YOU SHOULD.
BUT HE'S A GOOD KID.
HE JUST GOT CARRIED AWAY.

ARE WE GONNA RUIN HIS LIFE
WITH A CRIMINAL RECORD?

I MEAN, HASN'T
HE SUFFERED ENOUGH ALREADY?
VENGEANCE IS NOT LEGAL.
PEOPLE NEED TO KNOW THAT.

SO I HAVE JUSTICE AND HUMANITY
ON MY SIDE,

AND LISBON HAS A TEACHABLE
MOMENT. LET ME TALK TO HIM.

I WILL PERSUADE HIM
TO DROP THE NOTION OF REVENGE.

I'LL PUT HIM BACK
ON THE RIGHT PATH.
YOU THINK YOU CAN DO THAT?

I KNOW I CAN.
I'VE BEEN THERE.

OKAY, GO DO THAT.

AND IF HE SAYS THE RIGHT THINGS,
AND YOU BELIEVE HIM,

THEN HE CAN WALK AWAY.

YES, MA'AM.

HAVE A SEAT.

(sighs deeply) YOU JUST TRIED
TO KILL AN INNOCENT MAN.

YOU'RE VERY LUCKY
YOU FAILED.

I DIDN'T FAIL.

I MEAN, I WASN'T THINKING.

I DON'T KNOW
WHAT I WAS DOING.

YOU'RE SURE
HE'S NOT THE GUY?

HE'S NOT THE GUY. TRUST ME.

CBI CHIEF WANTS TO CHARGE YOU
WITH ASSAULT.

WELL, I GUESS
I GOT IT COMING TO ME.

UNLESS.... UNLESS...

YOU'RE WILLING TO SWEAR
YOU'VE LEARNED YOUR LESSON

AND YOU WON'T PURSUE
PERSONAL VENGEANCE.

I CAN'T DO THAT, MR. JANE.

I FIND WHO DID THIS TO...

(voice breaking)
TO KEELEY, I WILL KILL HIM.

I CAN'T SWEAR
TO DO OTHERWISE.

(lowered voice) TODD, YOU REPEAT
WHAT I TELL YOU NOW,

AND I WILL DENY
EVERY WORD OF IT.

IF YOU TRULY WANT REVENGE,
YOU HAVE TO BE HARD.

YOU HAVE TO BE DISHONEST
AND DEVIOUS AND COLD.

YOU CAN'T LET PEOPLE SEE
WHAT'S IN YOUR HEART.

OKAY.

SO ANYHOW,
I'M--I'M VERY SORRY.

I SWEAR
IT WILL NEVER HAPPEN AGAIN.

I'M GLAD
TO HEAR YOU SAY THAT.

AND I'M GLAD TO SAY THAT YOU CAN
WALK OUT OF HERE A FREE MAN.

NO CHARGES.

THANK YOU.

(sighs)

THANK YOU.

THAT WAS ALL B.S., RIGHT?

IT SOUNDED PRETTY SINCERE
TO ME.

I HOPE YOU KNOW
WHAT YOU'RE DOING.
ABOUT 78% SURE.

GRACE, WHAT IS IT?
THE BALLISTICS REPORT
CAME IN.

DEPUTY CONNOR WAS SHOT WITH
THE SAME .45 CALIBER HANDGUN

THAT WAS USED
IN THE HOWARD/ORTIZ MURDERS.
OH, CRAP.

HOWARD/ORTIZ MURDERS?

(sighs)

TWO MONTHS AGO,
SAC P.D. OFFICER JEFF ORTIZ

WAS SHOT DEAD
BY A PASSING MOTORIST.

THEN EXACTLY ONE MONTH LATER,

C.H.P. OFFICER RANCE HOWARD WAS
SHOT DEAD WITH THE SAME HANDGUN.

BOTH INCIDENTS OCCURRED LATE
AT NIGHT ON COUNTRY ROADS.

HOWARD USED TO WORK HERE
BEFORE YOUR TIME. GOOD GUY.

THE SAN FRANCISCO OFFICE
HAS THE CASE.

DID YOU TALK TO 'EM?
YEAH, THEY'RE SENDING OVER
A COPY OF THE CASE FILES.

A SERIAL KILLER OF POLICEMEN.
VERY INTERESTING.

THIS IS NOT
A FASCINATING PUZZLE.

IT'S A MEDIA CRAP STORM.
(folder hits table)

OKAY.

SAN FRANCISCO
BASICALLY HAS NOTHING

ON THE HOWARD/ORTIZ MURDERS.

NO FORENSICS APART
FROM BALLISTICS,

NO WITNESSES, NO LEADS.

AND RUSTY MOORE WAS
ON VACATION IN FLORIDA

WHEN THE FIRST MURDER OCCURRED.

HOBART'S COMPANY LOG PUTS HIM
OUT OF RANGE IN BOTH INSTANCES.

SO WE CAN DISCARD BOTH OF THEM
AS SUSPECTS.
WELL, FORENSICS FOUND

NO SUSPICIOUS D.N.A.
ON KEELEY OR THE TWO DEPUTIES.

THE TIRE TRACKS AT THE SCENE OF
THE CRIME WERE STANDARD MAKE.

OVER 5 MILLION SOLD
IN CALIFORNIA ALONE.

WE GOT NOTHING, BASICALLY.

A MONTHLY PATTERN,

A .45 CALIBER HANDGUN,

AND A GRUDGE AGAINST THE POLICE.

BUT WHY KEELEY?
SHE'S NOT POLICE.

WHY NOT KEELEY?
HE SEES HER RIDING ALONG.

IT'S EASY
TO KNOCK HER OFF HER BIKE.

NOW HE HAS BAIT TO LURE
THE DEPUTIES INTO A TRAP.

IN ANY CASE, THE KILLER'S
GOTTEN MORE ELABORATE.

IT STARTED WITH
A SIMPLE DRIVE-BY.

NOW WE HAVE MULTIPLE VICTIMS,
STAGING OF BODIES, ARSON.

HE'S BEGINNING TO ENJOY HIMSELF,
SPREADING HIS WINGS.

I'M READING YOUR INTERVIEW

WITH HOBART,
THE POETICAL TRUCKER.

HE SAYS THAT WHEN KEELEY
RODE OFF, AND I QUOTE,

"THE MOON WAS COMING UP
OVER THE HILLS,

"AND IT LOOKED LIKE SHE WAS
RIDING TO THE MOON, YOU KNOW?

"AND I WAS ADMIRING
HOW PRETTY SHE LOOKED,

"AND AT THE SAME TIME,
I HAD A BAD FEELING ABOUT IT,

LIKE AN EVIL OMEN."

(folder hits table)

MOON RISES IN THE EAST.

SO SHE WAS RIDING EAST.
BUT HER ROUTE HOME IS
WEST OF THE DINER.

SHE WASN'T HEADED HOME
WHEN SHE LEFT WORK.
WE'VE BEEN LOOKING
FOR THE ABDUCTION SITE

ON THE WRONG STRETCH OF ROAD.

(whistles)

(Mullery) YEAH,
THAT'S KEELEY'S BIKE.

OKAY. WE'RE GONNA HAVE TO
CORDON OFF THIS WHOLE AREA.

I'M GONNA CALL FORENSICS,
GET SOME TECHS DOWN HERE.

WHERE DOES THIS GO?
WHERE--WHERE WAS SHE HEADED?

ABOUT HALF A MILE DOWN,

THERE'S A MAKE-OUT SPOT
THAT THE LOCAL KIDS USE.

AFTER THAT, NOTHING TILL
YOU GET TO GAINERSVILLE,

20 MILES AWAY.

(Rigsby)
HEY, I GOT SOMETHIN'.

LOOKS LIKE A BUTTON FROM
A PEACOAT TYPE OF THING,

LIKE SAILORS WEAR?

SAILORS AND, UH, FIREMEN.
FIREMEN.

WE'RE INVESTIGATING
THE ORCHARD MURDERS.

WE NEED A LIST
OF ALL THE FIREFIGHTERS

THAT WEREN'T ON DUTY
THE NIGHT BEFORE LAST

AND ANYONE WHO WAS SUPPOSED TO
BE ON DUTY BUT DIDN'T SHOW UP.

OKAY.

YOU LOOK TROUBLED.

NO. YEAH, ACTUALLY,

I MEAN, THERE WAS ONE GUY
WHO DIDN'T SHOW UP THAT NIGHT,

BUT... THERE'S NO WAY.
HE'S--HE'S NOT THAT KIND OF GUY.

WHAT'S HIS NAME?

KITCHEN. BEN KITCHEN.

AND WHERE CAN WE FIND
MR. KITCHEN?

YO, KITCH. GET OUT HERE.

THESE DETECTIVES WANT
TO TALK TO YOU.

OKAY. WHAT'D I DO?

HOW'D YOU LOSE
YOUR EYEBROWS?

BARBECUE ACCIDENT, AT HOME.

AND WHY DIDN'T YOU COME INTO
WORK THE NIGHT BEFORE LAST?

STOMACH BUG.
MIGHT BE IT WAS THE BARBECUE.

(chuckles)

WHAT'S THIS ABOUT?
YOUR LACK OF EYEBROWS.

I KNOW WHAT SHE LOOKS LIKE.

I DIDN'T KILL HER.

I WAS HOME,

LIKE I SAID
A MILLION TIMES NOW.

YOU SAY THAT,
BUT YOU HAVE NO PROOF.

I DON'T NEED PROOF.
YOU NEED PROOF.

YOU HAVE A BAD ATTITUDE.
WHAT'S THE MATTER?

MY FACE HURTS.

YOU DON'T LIKE POLICEMEN?

(sighs)

DON'T LOVE 'EM.

(cell phone rings)

IT'S NOTHING PERSONAL.

IT'S A FIREFIGHTER'S TRADITION.
(ring)

(ring)

SHERIFF MULLERY.

Hey, Lisbon,

I HEAR YOU GOT A SUSPECT
IN CUSTODY.
Yeah.

HE LOOKS PRETTY GOOD
FOR IT.
HUH. FIREFIGHTER, HUH?

YEAH. BEN KITCHEN?
Yeah, I know him.

GREAT. LOOK, I'M ON MY WAY
TO THE OFFICE NOW.

THAT'S ALL RIGHT, SHERIFF.
IT'S EARLY DAYS YET.

We don't even know if he--
DON'T WORRY.
I WON'T INTERFERE.

I LEARNED MY LESSON--
(gunshot)

HELLO?

Sheriff?

Sheriff Mullery? Hello?

Hello?

WAITING FOR CONFIRMATION
FROM BALLISTICS,

BUT THE M.E. TOOK WHAT LOOKS
LIKE A .45 SLUG FROM MULLERY.

SAME CALIBER AS THE PREVIOUS
MURDERS, SAME M.O.

SO WE HAVE TO ASSUME
IT'S THE SAME SHOOTER,

ONLY A DIFFERENT SCHEDULE.

THREE DAYS FROM THE LAST MURDER
INSTEAD OF A MONTH.

WHY THE CHANGE?

BECAUSE HE HAD
TO KILL MULLERY.

BECAUSE MULLERY
DISCOVERED SOMETHING.

WHY DID MULLERY
KEEP IT QUIET THEN?

AND HOW DID THE KILLER KNOW THAT
HE HAD DISCOVERED SOMETHING?

GOOD QUESTIONS.

SIR, I DON'T CARE
WHAT YOU HAVE TO SAY,

YOU'RE NOT ALLOWED IN.
PLEASE, DEPUTY.
I AM TRYING TO HELP.

HOBBS, IT'S OKAY.
I'LL DEAL WITH HIM.

WHAT BRINGS YOU BACK HERE,
MR. MARS?

I'M SORRY.
I NEVER CAUGHT YOUR NAME.

PATRICK... JANE.

PATRICK.

PATRICK, I DON'T MEAN
TO BE SELF-SERVING,

BUT I DID TELL YOU THERE
WOULD BE ANOTHER KILLING.

YES, YOU DID.

POOR MULLERY.

LISBON WAS ACTUALLY ON THE PHONE
WITH HIM WHEN HE DIED.

WELL, I SUPPOSE WE OWE YOU
AN APOLOGY, BUT, UH...

NO. NO, NO, NO, NO.

WITHOUT DOUBT, THERE CAN BE
NO FAITH. (chuckles)

ALL I ASK IS THAT
YOU'LL LISTEN TO ME NOW

WITH, UH, AN OPEN MIND.

NOW THAT YOU KNOW
WHAT I SAY IS TRUE,

PERHAPS YOU COULD IMAGINE HOW
HELPFUL THAT COULD BE TO YOU.

CAN YOU IMAGINE THAT?

ARE YOU TRYING
TO HYPNOTIZE ME?

NO.

(chuckles) PATRICK,
OF COURSE NOT.

(chuckles)
FELT A LITTLE WEIRD.

YEAH. NO. TRYING IS NOTHING.
DOING IS EVERYTHING,

AND ALL I'M DOING IS ASKING

FOR YOU
TO LET ME HELP YOU. HMM?

I CAN HELP YOU.

YOU CAN HELP US.
COME ON IN.

THANK YOU. (clears throat)

LISBON, SHERIFF,
YOU REMEMBER MR. MARS?
YES.

HE CAN HELP.
REALLY?

HE CAN?
WELL, I KNOW YOU'RE SKEPTICAL,
BUT PLEASE, HEAR HIM OUT.

I THINK
YOU'LL BE VERY IMPRESSED.

I NEED TO RUN TO THE STORE.

THEN WE SHOULD TAKE HIM OUT TO
KEELEY'S PLACE TO LOOK AROUND.

I'LL BE RIGHT BACK.

(Ellis) I SENSE
THAT YOU'RE UPSET.
OH, REALLY?

OH, YES, I SEE.

YOU WERE THE LAST PERSON

TO SPEAK WITH SHERIFF MULLERY,
WEREN'T YOU?

YES.

OH, I SEE YOU RIGHT THERE
WHEN HE DIED.

AHEM. NO.

NO.

RIGHT THERE,
BUT NOT THERE.

YOU WERE ON THE PHONE WITH HIM
WHEN HE DIED.

WHOA.

HOW DID YOU KNOW THAT?

A PSYCHIC?

YOU'RE KIDDING ME.

COME ON.

THIS GUY'S GOOD.

WHAT ROOM IS THAT?

IT'S THE BATHROOM.

UH-HUH.

SO WHAT--WHAT'S THE GAG?

BECAUSE THIS APPEARS TO BE
AN ABSURD WASTE OF TIME.
YES, IT DOES, DOESN'T IT?

WAIT A MINUTE, THOUGH.
YOU'LL ENJOY THE NEXT PART.

THE MARK OF A GOOD PSYCHIC IS
THE ABILITY TO IMPROVISE,

TO USE TO YOUR ADVANTAGE
WHATEVER PROPS

MIGHT COME TO HAND.
OH.

(Woolgar) WHAT IS IT?
A TOOTH?

A WOLF'S TOOTH.

WHERE ON EARTH WOULD
A WOLF'S TOOTH COME FROM?

THE KILLER MUST HAVE
LEFT IT HERE.

IT'S A SIGN.

AS A CLAIRVOYANT,

A MAN OF CLEAR SIGHT,
IF YOU WILL,

IT'S MY OPINION THE KILLER HAS
A STRONG LYCANTHROPIC COMPLEX.

HE BELIEVES HE'S A WEREWOLF
OR A WOLF MAN--

"WERE" BEING
AN ANGLO-SAXON WORD FOR "MAN."

HENCE, OF COURSE, THE MONTHLY
PATTERN OF HIS CRIMES.

HIS BEHAVIOR IS DRIVEN
BY THE PHASES OF THE MOON.
(man) YOU'RE SAYING

THERE'S A KILLER OUT THERE
THAT TURNS INTO A WOLF?
NO, NO, NO, NO.

NO, I'M SAYING
THERE'S A KILLER OUT THERE

WHO BELIEVES
HE TURNS INTO A WOLF,

AND SO HE IS A WOLF
AND BEHAVES LIKE ONE.

THE MIND IS A POWERFUL MACHINE.
IT CAN CREATE REALITY

NOW I THINK I KNOW
WHAT YOUR GAME IS.

REALLY?
MM.

I'D BE VERY SURPRISED
IF YOU DID.

OUCH!

OF COURSE. YOU'RE RIGHT.

THE KILLER IS DRIVEN
BY THE PHASES OF THE MOON.

THAT IS BRILLIANT.
HOW DID YOU WORK THAT OUT?
SIMPLE DEDUCTION.

AND THE LAST KILLING DIDN'T
BREAK THE PATTERN AT ALL.

IT SIMPLY INITIATED
A DIFFERENT LUNAR CYCLE.

EXACTLY.

SO TONIGHT--
IT'S A BIG NIGHT, HUH?
TONIGHT?

MOON'S AT ITS APOGEE.

I'M NO ASTROLOGER,

BUT, UH, ISN'T THAT
A HIGHLY CHARGED MOMENT?

IT CAN BE. IT DEPENDS.
AND SINCE SERIAL KILLERS
ALWAYS HAVE

A VERY STRONG URGE TO RETURN
TO THE SCENE OF THEIR CRIMES...
OH?

YEAH. WOULDN'T WANNA BE
UP IN THOSE HILLS TONIGHT.

THAT WEREWOLF STUFF
GIVES ME THE CREEPS.
(laughs) WELL, NO, IT'S, UH,

EASY TO BE SCARED
OF THE UNKNOWN, HMM?

WOULD YOU EXCUSE ME?
OH, UH, UH...
WELL, OF COURSE.

AH.

MM. (chuckles)

SHERIFF WOOLGAR,
DO YOU HAVE ANY DEPUTIES

WATCHING OVER
THE ORIGINAL CRIME SCENE?

NO. WHY?

WELL, I'VE BEEN THINKING
ABOUT ALL THIS WOLF STUFF,

AND IT OCCURS TO ME
THAT IT'S VERY LIKELY

THAT THE KILLER WILL RETURN
TO THE SCENE OF THE CRIME.
WHY?

WELL, SERIAL KILLERS DO,
DON'T THEY?

WELL,
SOME DO AND SOME DON'T.

SOMEONE THAT THINKS
THEY'RE A WOLF

WILL ALMOST CERTAINLY RETURN.

WOLVES ALWAYS RETURN
TO THEIR KILLS.

THEY DO.

I'LL PUT SOME MEN UP THERE.

THAT'S SMART.

(insects chirping)

(Ellis) AAH!

(panting)

AAH!

OH!

(continues panting)

(grunts)

(whimpers)

(panting)

(continues panting)

GOOD EVENING. GET IN.

(grunts) GO.

WHAT ON EARTH
ARE YOU DOING OUT HERE?

(panting)

I WAS WAITING
FOR THE KILLER.

BUT HE SAW ME.

HE CHASED ME.

THAT WASN'T THE KILLER.
THAT WAS THE POLICE,

AND NOW THEY PROBABLY THINK
YOU'RE THE KILLER.

OH, MY GOD. OH!

THIS IS YOUR FAULT.
EXCUSE ME? HOW SO?

DID I TELL YOU TO GO OUT THERE
IN THE MIDDLE OF THE NIGHT?

NO, I DID NOT.
UH, I'LL GO TO THE POLICE.
I'LL EXPLAIN THINGS TO THEM.

THEY'LL SEE
IT'S A MISUNDERSTANDING.

YEAH, SURE, THEY WILL.

THEY'LL ONLY KEEP YOU LOCKED UP
A COUPLE OF DAYS.

AS LONG AS NO ANGRY COPS TRY
TO TAKE REVENGE, YOU'LL BE FINE.
OH, MY GOD. OH, MY GOD.

DON'T WORRY. I'LL HELP YOU.

WE CAN FIX THIS, OKAY?

JUST TRUST ME.

TODD. IT'S JANE.
MEET ME AT THE SHERIFF'S OFFICE.

(lowered voice) LISBON.

LISBON, GET DRESSED. I HAVE
AN EXCELLENT PLAY IN MOTION.

LISBON.

WHAT IS IT?

UH, GET DRESSED.

I HAVE AN EXCELLENT PLAY
IN MOTION.

HUH?

(groans)

(Woolgar) WE'RE ABOUT TO CRACK
THE BIGGEST CASE

THIS AREA'S HAD IN A LONG TIME,
AND WE ARE RUNNING OUT OF TIME.

(telephone ringing)
I WANT HIM FLAGGED FOR ARREST
AT ALL THE AIRPORTS IN THE AREA.

WHAT'S HAPPENING?
THEY FOUND SOMEONE?

ASK SHERIFF WOOLGAR.

WELL, THEN LET ME TALK
TO SOMEONE WHO CAN,

FOR CRYING OUT LOUD!
YES, I'LL WAIT.

WHAT'S THE RUMPUS?
BOB, IT'S OKAY.

I PROMISE I WON'T DO ANYTHING
CRAZY. I JUST WANT TO KNOW.

MY GUYS SPOTTED ELLIS MARS
CREEPING AROUND THE CRIME SCENE.

HE RAN OFF WHEN CHALLENGED,
LEFT HIS CAR.

WE FOUND DRIED BLOOD
AND A LONG, DARK HUMAN HAIR

ON THE BACK SEAT. IT'S ON
ITS WAY TO FORENSICS NOW.
ELLIS MARS?
THAT DOESN'T MAKE SENSE.

OH, WE SHOULD HAVE
REALIZED BEFORE.

HE KNEW LISBON WAS ON THE PHONE
WITH MULLERY WHEN HE DIED.

PSYCHIC POWERS, HE SAID.
WAIT. HE KNEW THAT?
H-HOW COULD HE KNOW THAT?

EXACTLY. HE'S NOT PSYCHIC.
HE WAS THERE.

YEAH, BUT HE--
HE'S BEEN HELPING YOU GUYS.

IT'S A COMMON PSYCHOPATHIC
PROFILE, CLASSIC ALMOST.

THEY SEEK A PART
IN THE INVESTIGATION,

THEY SEEK THE SPOTLIGHT.
WELL, WHERE IS HE NOW?

WE DON'T KNOW.

HEY. THIS IS
ACTING SHERIFF WOOLGAR,

VINELAND TOWNSHIP.

YES.

(lowered voice) COUNT TO TEN,
THEN MEET ME OUTSIDE.

WELL, WHAT THE HECK DO I HAVE TO
DO TO GET PEOPLE AT THE AIRPORT?

YES, NOW!

(engine idling)

GET IN.

WHERE ARE WE GOING?

YOU'LL SEE.

GET IN.

ELLIS MARS IS IN ROOM 21.

(whispering) CONSIDER IT A GIFT
FROM A BROTHER IN ARMS.

I HOPE SOMEDAY SOMEONE
WILL DO THE SAME FOR ME.

(chuckles)

YOU'RE MESSING WITH ME.

NO.

I'LL SHOW YOU.

(key jangles)

SEE?

OH, MY GOD.

GO AHEAD.

(gasps)

WHAT ARE YOU WAITING FOR?

THIS GUY CUT KEELEY'S THROAT
AND WATCHED HER DIE.

I... I DIDN'T.

DON'T BOTHER LYING TO US,
MARS.

WE FOUND KEELEY'S BLOOD AND HAIR
IN YOUR CAR.
THAT'S IMPOSSIBLE!

WHAT'S GOING ON, TODD?

I'M NOT GONNA SHOOT THIS GUY.

ALL THAT TALK OF REVENGE WAS
JUST HOT AIR, WAS IT?

YOU DON'T HAVE THE GUTS.
OH, I GOT THE GUTS, ALL RIGHT.

I JUST DON'T KNOW FOR SURE
HE DID IT.

WE HAVE HARD EVIDENCE
AGAINST HIM.

YES, YOU DO,
AND I DON'T UNDERSTAND THAT.

I GUESS YOU'RE FRAMING HIM
FOR SOME REASON, BUT WHY?

AND WHY WOULD YOU WANT ME

TO KILL SOMEONE
WHO DIDN'T REALLY DO IT?

WHAT'S YOUR GAME?

HUH?

YOU'RE SETTING ME UP,
AREN'T YOU?

OR I'M SIMPLY
TELLING YOU THE TRUTH,

AND MARS IS GUILTY.

NO.

NO?

AND YOU'RE SURE?

YEAH, WELL, YOU'RE RIGHT.

MARS' ONLY CRIME IS
FOOLISHNESS AND FRAUD.

I SET HIM UP.

GET OUTTA HERE.

(door opens)

(door closes)

WHAT'S THIS ABOUT?

SEE, THE THING IS, TODD,

THERE'S ONLY ONE WAY YOU CAN BE
SO SURE OF HIS INNOCENCE.

IT WAS YOU THAT KILLED KEELEY

AND MULLERY
AND ALL OF THOSE COPS.

(sighs) YOU'RE NUTS.

OH, DON'T--DON'T BOTHER
WITH THE SONG AND DANCE.

I'M SATISFIED YOU'RE GUILTY.

YOU'RE
A GARDEN VARIETY PSYCHOPATH.

PROBABLY BEEN KILLING RANDOM
PEOPLE HERE AND THERE FOR YEARS.

I'M NOT SURE WHY YOU TURNED
ON COPS ALL OF A SUDDEN,

BUT I'M SURE YOU HAVE
YOUR GOOD REASONS.

YOUR DAD WAS A COP, RIGHT?
YES, HE WAS.

HE WAS MEAN TO YOU, MADE YOU
HATE POLICEMEN, MAYBE?

NO. HE WAS
A KIND AND GENTLE MAN.

THEN WHO WAS IT
THAT MADE YOU THIS WAY?

AND PLEASE DON'T SAY IT
WAS YOUR MOTHER.

THAT'D BE TOO CLICHéD.
MY MOTHER WAS A SAINT.

YOU'RE MISTAKEN ABOUT ME.

REALLY.

REALLY?

OH. WELL, LET ME
RUN IT DOWN FOR YOU.

YOU KILLED KEELEY BECAUSE
SHE WAS GETTING TOO CLINGY.

SHE WAS ASKING TOO MANY
QUESTIONS ABOUT YOUR OTHER LIFE.

SHE BUGGED YOU.

MULLERY DIED BECAUSE HE
RECOGNIZED THAT BUTTON AS YOURS,

AND HE ASKED YOU ABOUT IT.

YOU STALLED HIM, THEN YOU HAD
TO KILL HIM QUICK.

BROKE THE MONTHLY PATTERN,

WHICH WASN'T ABOUT THE MOON,
OF COURSE.

ONCE A MONTH, HUNNICKER GOT
HIS V.A. CHECK,

GOES ON A BINGE,
DRINKS TILL HE BLACKS OUT,

AND GIVES YOU AN ALIBI.
HOW AM I DOING SO FAR?

YOU'RE VERY CLEVER, MR. JANE.
THANK YOU.

I MUST CONFESS,
I UNDERESTIMATED YOU.

MORE LIKE YOU OVERESTIMATED
YOURSELF, TODD.

NO. YOU SAY THAT ONLY BECAUSE

YOU DON'T SEE
THE WHOLE BIG PICTURE.

THERE'S A REASON
FOR EVERYTHING I'VE DONE.

WHAT'S THE BIG PICTURE?

YOU'LL NEVER KNOW.
RIGHT. THERE'S NO BIG PICTURE.

OH, TRUST ME.

IT WOULD BLOW...

YOUR... MIND.

(clicks)

(scoffs)
(click)

NO FIRING PIN.

OOPS.

OF COURSE.
(gun thuds)

CHO! RIGSBY!

DROP THE WEAPON!
HANDS ON YOUR HEAD!

(knife thuds)

AH.
(handcuffs click)

(clank)

WHAT IS IT?

I'VE CHANGED MY MIND.

I WANT TO TALK.

THAT'S A SMART MOVE.

BUT I'LL ONLY TALK
TO MR. JANE.

WHY IS THAT?

WE HAVE A CONNECTION.

MAYBE HE DOESN'T WANT
TO TALK TO YOU.

TELL HIM I HAVE A SECRET.

A SECRET
ONLY HE WILL UNDERSTAND.

A SECRET, HUH?

THAT'S WHAT HE SAID,

THAT YOU WERE THE ONLY ONE
WHO WOULD UNDERSTAND,

THAT YOU AND HE HAD
A CONNECTION.
MEH. HE'S JUST TRYING
TO LEND AN AIR OF MYSTERY

TO HIS SAD LITTLE STORY
OF MADNESS.

THE CASE WILL GO A LOT EASIER
IF WE CAN GET HIM TO TALK.

I HAVE SPENT ENOUGH TIME
WITH THAT CREEP.

STARING INTO THE ABYSS--
YOU KNOW, IT'S NOT HEALTHY.

PLEASE?

JUST HEAR
WHAT HE HAS TO SAY.

HE'S RIGHT DOWNSTAIRS
IN THE HOLDING CELL.

(sighs deeply)

(keys jangle)

(lock clicks)

(thud)

(hissing)

(panting)

(monitor beeping steadily,
air hissing)

P.S.U. IS STARTING
AN INVESTIGATION.

THEY FIGURE
IT'S SOMEBODY GETTING REVENGE

FOR OFFICER HOWARD.
HMM.

THEY'LL NEED TO SPEAK WITH YOU
LATER TODAY.

OKAY.

DOCTOR SAYS HIS SYSTEMS
ARE SHUTTING DOWN,

THAT HE WON'T REGAIN
CONSCIOUSNESS.

(sighs)

OKAY, THEN.

I'M GONNA GO FINISH UP
THE PAPERWORK NOW.

(groaning)

(whispers) TIGER, TIGER...

(monitor beeps,
emitting continuous tone)

STAY TUNED FOR SCENES
FROM OUR NEXT EPISODE.