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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,643 --> 00:00:11,079 HARRY, IS THERE ANY CEREAL LEFT? 2 00:00:11,112 --> 00:00:13,247 NOPE. 3 00:00:13,281 --> 00:00:14,548 GUESS I'LL JUST HAVE SOME TOAST. 4 00:00:14,582 --> 00:00:16,650 NO TOAST, EITHER. 5 00:00:16,684 --> 00:00:20,254 OH, AND WE'RE ALSO COMPLETELY OUT OF BREAD. 6 00:00:20,921 --> 00:00:22,223 GOOD MORNING! 7 00:00:22,256 --> 00:00:23,091 GOOD MORNING. 8 00:00:23,124 --> 00:00:25,826 NO, I TELL A LIE. IT'S A GREAT MORNING, 9 00:00:25,859 --> 00:00:29,563 AND IT WILL CULMINATE IN AN EVEN GREATER EVENING, 10 00:00:29,597 --> 00:00:32,566 FOR TONIGHT MARY AND I... 11 00:00:32,600 --> 00:00:35,203 WILL ATTEND KING OF THE JIG, 12 00:00:35,236 --> 00:00:39,740 STARRING IRISH TAP-DANCING SENSATION PETER CONNELLY. 13 00:00:49,717 --> 00:00:51,319 WHAT HAPPENED TO MY DELICIOUS COFFEE? 14 00:00:51,352 --> 00:00:53,287 [ENGLISH ACCENT] YOU SHOULD REALLY GET YOURSELF A BEAN GRINDER. 15 00:00:53,321 --> 00:00:55,823 THIS CANNED STUFF'S INTOLERABLE. 16 00:00:55,856 --> 00:00:57,024 OH! 17 00:00:57,057 --> 00:01:00,928 I'M GONNA GO AND HAVE A SMOKE. 18 00:01:00,961 --> 00:01:05,166 SALLY, IT APPEARS THAT YOUR NEW BOYFRIEND HAS BOGARTED MY COFFEE. 19 00:01:05,199 --> 00:01:07,768 YEAH. SOMETHING TELLS ME HE ATE ALL OUR CEREAL, TOO. 20 00:01:07,801 --> 00:01:09,903 YEAH? SO? 21 00:01:12,273 --> 00:01:13,574 [ENGLISH ACCENT] WE SPENT THE NIGHT TOGETHER. 22 00:01:13,607 --> 00:01:17,010 HE GOT A LITTLE HUNGRY. WHAT'S THE BIG DEAL? 23 00:01:18,011 --> 00:01:19,213 YOU SLEPT WITH HIM? 24 00:01:19,247 --> 00:01:21,582 NO, WE WERE DISCUSSING HIS WRITING. 25 00:01:21,615 --> 00:01:23,717 HE IS AN ARTIST, YOU KNOW. 26 00:01:24,185 --> 00:01:26,687 YEAH. A STARVING ARTIST. 27 00:01:27,955 --> 00:01:30,057 OH, HARRY, THAT WAS PRETTY CLEVER. 28 00:01:30,090 --> 00:01:33,361 YEAH. I HAVE NO IDEA WHY. 29 00:01:33,394 --> 00:01:35,829 I DON'T LIKE WHAT THIS GUY HAS DONE TO YOU, SALLY. 30 00:01:35,863 --> 00:01:37,398 YOU'RE BROODY AND MOODY, 31 00:01:37,431 --> 00:01:39,133 AND YOUR HAIR LOOKS LIKE--LIKE... 32 00:01:39,167 --> 00:01:41,535 LIKE WHAT? 33 00:01:41,569 --> 00:01:43,437 DOODY. 34 00:01:43,471 --> 00:01:45,072 YEAH, WELL, WHAT DO YOU KNOW? 35 00:01:45,105 --> 00:01:47,107 YOU AND YOUR IVORY TOWER, 36 00:01:47,141 --> 00:01:49,710 HURLING DOWN YOUR WISDOM McNUGGETS 37 00:01:49,743 --> 00:01:54,182 DIPPED IN THE SPECIAL SAUCE OF THE ESTABLISHMENT. 38 00:01:54,215 --> 00:01:55,916 [MUTTERING] 39 00:01:55,949 --> 00:01:57,251 NOW HANG ON THERE, MISSY. 40 00:01:57,285 --> 00:01:59,753 I COMMAND YOU TO DROP THAT RIDICULOUS ACCENT. 41 00:01:59,787 --> 00:02:01,589 WHAT ACCENT? THE BAD ENGLISH ONE. 42 00:02:01,622 --> 00:02:03,023 I DON'T HAVE TO DO A THING YOU-- 43 00:02:03,056 --> 00:02:04,692 LIEUTENANT. 44 00:02:04,725 --> 00:02:06,894 OKEY-DOKEY. 45 00:03:04,785 --> 00:03:06,620 SO, MARY, WHAT TIME SHOULD I PICK YOU UP 46 00:03:06,654 --> 00:03:09,156 FOR KING OF THE JIG? 47 00:03:09,189 --> 00:03:10,258 I'M NOT GOING WITH YOU. 48 00:03:10,291 --> 00:03:12,360 BUT WE MADE OUR PLANS 3 MONTHS AGO. 49 00:03:12,393 --> 00:03:13,861 WE BROKE UP. 50 00:03:13,894 --> 00:03:15,696 JUDITH AND I ALREADY GOT TICKETS. 51 00:03:15,729 --> 00:03:19,633 AND I AM NOT LEAVING THAT THEATER WITHOUT A SWEATY SCARF. 52 00:03:19,667 --> 00:03:20,901 WELL, WHAT AM I SUPPOSED TO DO? 53 00:03:20,934 --> 00:03:22,736 WELL, WHY DON'T YOU BRING ONE OF YOUR FRIENDS? 54 00:03:22,770 --> 00:03:23,971 MY FRIENDS? 55 00:03:24,004 --> 00:03:25,205 OH, OH... 56 00:03:25,239 --> 00:03:25,939 YES, OF COURSE. 57 00:03:25,973 --> 00:03:27,575 IT'S JUST THAT THERE'S SO MANY. 58 00:03:27,608 --> 00:03:30,444 CHOOSING ONE COULD RESULT IN HURT FEELINGS. 59 00:03:30,478 --> 00:03:33,947 IRONICALLY, I MIGHT END UP LOSING FRIENDS OVER THIS. 60 00:03:33,981 --> 00:03:34,982 MAYBE WE'LL SEE YOU THERE. 61 00:03:35,015 --> 00:03:36,284 MM, YEAH, I'LL SEE YOU THERE. 62 00:03:36,317 --> 00:03:41,889 YEAH, WITH ONE OF MY MANY, MANY FRIENDS! 63 00:03:41,922 --> 00:03:42,423 NINA-- 64 00:03:42,456 --> 00:03:44,858 NOT A CHANCE IN HELL. 65 00:03:49,397 --> 00:03:50,398 ARE YOU SURE YOU CAN'T MAKE IT? 66 00:03:50,431 --> 00:03:53,233 IT SHOULD BE A GREAT SHOW. 67 00:03:53,267 --> 00:03:54,902 I TOLD YOU, MY NAME IS DICK SOLOMON. 68 00:03:54,935 --> 00:03:58,406 YOU MADE A DELIVERY AT MY OFFICE A FEW MONTHS BACK. 69 00:03:58,439 --> 00:04:00,641 YES, I SIGNED YOUR ELECTRONIC CLIPBOARD, 70 00:04:00,674 --> 00:04:04,445 AND YOU MADE A NICE COMMENT ABOUT THE SIZE OF MY PACKAGE. 71 00:04:04,478 --> 00:04:05,713 HELLO? HELLO?! 72 00:04:05,746 --> 00:04:06,980 OHH! 73 00:04:11,285 --> 00:04:13,287 [NORMAL VOICE AGAIN] OH, NO. IS THAT BAYWATCH? 74 00:04:15,289 --> 00:04:17,425 IT'S NOT BAYWATCH. 75 00:04:17,458 --> 00:04:19,460 IT'S BAYWATCH NIGHTS. 76 00:04:21,695 --> 00:04:22,896 SO WHAT'S THE DIFFERENCE? 77 00:04:22,930 --> 00:04:24,898 IT'S COLDER AT NIGHT. 78 00:04:28,969 --> 00:04:30,170 [CLICK] THERE! 79 00:04:30,203 --> 00:04:32,506 THERE'S SOMETHING TO FEED YOUR SOULS. 80 00:04:34,608 --> 00:04:35,843 MMM...HEY! 81 00:04:35,876 --> 00:04:38,178 SHE WILL KILL YOU. 82 00:04:39,313 --> 00:04:41,014 SO YOU WANNA GO ROLLER-BLADING? 83 00:04:41,048 --> 00:04:43,283 OH, I DON'T HAVE ANY ROLLER BLADES. 84 00:04:43,317 --> 00:04:44,385 HOW ABOUT A VIDEO GAME? 85 00:04:44,418 --> 00:04:46,153 OH, HARRY HAS YAHTZEE! 86 00:04:46,186 --> 00:04:49,557 YAHTZEE! 87 00:04:49,590 --> 00:04:50,958 NO OFFENSE, SOLOMON, 88 00:04:50,991 --> 00:04:52,960 BUT THIS PLACE SUCKS. 89 00:04:53,561 --> 00:04:55,162 HEY! YOU! WHAT? 90 00:04:55,195 --> 00:04:58,031 WOULD YOU LIKE TO JOIN ME FOR A NIGHT AT THE THEATER? 91 00:04:59,367 --> 00:05:01,201 NO. 92 00:05:01,735 --> 00:05:02,870 THIS IS SO ODD. 93 00:05:02,903 --> 00:05:05,238 I CAN'T FIND ANYONE WHO WANTS TO JOIN ME 94 00:05:05,272 --> 00:05:07,074 FOR KING OF THE JIG. 95 00:05:07,107 --> 00:05:09,343 ONE COULD DRAW THE MISTAKEN CONCLUSION THAT... 96 00:05:09,377 --> 00:05:11,979 I DON'T HAVE ANY FRIENDS. 97 00:05:12,012 --> 00:05:13,781 [DERISIVELY] KING OF THE JIG. 98 00:05:13,814 --> 00:05:17,851 PETER CONNELLY'S STRIP-MINING AN ENTIRE CULTURE FOR PROFIT. 99 00:05:17,885 --> 00:05:19,487 THAT IS SO TRUE. 100 00:05:19,520 --> 00:05:20,588 AND YOU KNOW WHAT ELSE? 101 00:05:20,621 --> 00:05:22,890 I NEED MONEY FOR ROLLER BLADES. 102 00:05:22,923 --> 00:05:23,557 ROLLER BLADES? 103 00:05:23,591 --> 00:05:24,758 YEAH, AND A FEW OTHER THINGS 104 00:05:24,792 --> 00:05:26,059 ALL MY FRIENDS SEEM TO HAVE. 105 00:05:26,093 --> 00:05:28,829 ARE THINGS REALLY GONNA BRING YOU HAPPINESS, TOMMY? 106 00:05:28,862 --> 00:05:30,531 YEAH. 107 00:05:31,932 --> 00:05:34,001 THAT SADDENS ME. 108 00:05:34,034 --> 00:05:35,002 GREAT, TOMMY. 109 00:05:35,035 --> 00:05:36,837 YOU MADE HIM SAD. 110 00:05:36,870 --> 00:05:38,372 YOU HAPPY? 111 00:05:39,072 --> 00:05:40,541 COME ON, DICK, LET'S SEE THE WALLET. 112 00:05:40,574 --> 00:05:42,543 NO, TOMMY, YOU'LL HAVE TO GET YOUR OWN MONEY. 113 00:05:42,576 --> 00:05:44,712 I'M STRETCHED THIN JUST COVERING THE BARE ESSENTIALS: 114 00:05:44,745 --> 00:05:48,616 FOOD, CLOTHING, SHELTER, AND THEATER TICKETS. 115 00:05:48,649 --> 00:05:50,317 YEAH, TOMMY, YOU WANT MONEY... 116 00:05:50,350 --> 00:05:52,653 MAYBE YOU SHOULD GO GET A JOB. 117 00:05:52,686 --> 00:05:54,321 HARRY, TOMMY HAS A JOB. 118 00:05:54,354 --> 00:05:55,956 YEAH. I GO TO SCHOOL. 119 00:05:55,989 --> 00:05:59,460 OH. THEN MAYBE I SHOULD GO GET A JOB. 120 00:06:06,600 --> 00:06:09,269 OH, MAN. 121 00:06:14,975 --> 00:06:16,009 GOOD EVENING. 122 00:06:16,043 --> 00:06:17,945 WOULD YOU BY ANY CHANCE NEED A TICKET FOR THE SHOW? 123 00:06:17,978 --> 00:06:20,013 WE HAVE TICKETS. THAT'S WHY WE'RE HERE. 124 00:06:20,047 --> 00:06:23,417 WELL, WHAT IF I KNOCKED OFF 5 BUCKS? 125 00:06:24,117 --> 00:06:24,818 10 BUCKS? 126 00:06:24,852 --> 00:06:27,588 I'M INSANE! THIS TICKET MUST GO! 127 00:06:27,621 --> 00:06:28,422 HI, DICK. 128 00:06:28,456 --> 00:06:29,590 HELLO, MARY, JUDITH. 129 00:06:29,623 --> 00:06:32,059 I-I'M JUST WAITING HERE FOR MY FRIEND. 130 00:06:32,092 --> 00:06:33,326 WELL, I HOPE THEY GET HERE SOON. 131 00:06:33,360 --> 00:06:35,763 THEY'RE GOING TO CLOSE THE DOORS IN 5 MINUTES. 132 00:06:35,796 --> 00:06:36,864 BEAR IN MIND: 133 00:06:36,897 --> 00:06:37,765 NO ONE WILL BE SEATED 134 00:06:37,798 --> 00:06:39,700 ONCE PETER CONNELLY'S SHIRT COMES OFF. 135 00:06:39,733 --> 00:06:41,234 [GASP] 136 00:06:43,370 --> 00:06:45,105 WHO NEEDS TICKETS?! TICKETS HERE! 137 00:06:45,138 --> 00:06:48,442 GET YOUR RED-HOT TICKETS! CUT-PRICE TICKETS HERE! 138 00:06:48,476 --> 00:06:49,977 HEY, WHAT DO YOU THINK YOU'RE DOING? 139 00:06:50,010 --> 00:06:52,680 OH, OH, NO. NOTHING ILLEGAL IS GOING ON HERE, OFFICER. 140 00:06:52,713 --> 00:06:54,448 I JUST BOUGHT AN EXTRA TICKET, 141 00:06:54,482 --> 00:06:55,716 AND I'M TRYING TO UNLOAD IT. 142 00:06:55,749 --> 00:06:58,819 YOU KNOW, HOPEFULLY, FOR A NICE PROFIT. 143 00:06:59,753 --> 00:07:01,221 SCALPING TICKETS IS A MISDEMEANOR. 144 00:07:01,254 --> 00:07:01,855 COME WITH ME. 145 00:07:01,889 --> 00:07:03,156 WAIT A SECOND, UH... 146 00:07:03,190 --> 00:07:05,025 IT'S OK, RICO. HE'S A FRIEND. 147 00:07:05,058 --> 00:07:06,960 YEAH, THAT'S RIGHT. 148 00:07:09,863 --> 00:07:11,264 THAT'S RIGHT. DON'S A FRIEND OF MINE. 149 00:07:11,298 --> 00:07:12,199 DON AND I ARE FRIENDS. 150 00:07:12,232 --> 00:07:14,401 MY FRIEND DON. 151 00:07:14,434 --> 00:07:17,237 ALL RIGHT. SEE YOU BACK AT THE STATION, DON. 152 00:07:17,270 --> 00:07:19,106 SO, DON, I HAVE AN EXTRA TICKET. 153 00:07:19,139 --> 00:07:20,674 IT'S YOURS IF YOU WANT IT. 154 00:07:20,708 --> 00:07:24,044 AN EXTRA TICKET, HUH? I HEAR IT'S A PRETTY GOOD SHOW. 155 00:07:24,077 --> 00:07:29,016 PRETTY GOOD? THE RUTHERFORD BUGLE CALLS IT "TAP-LICIOUS." 156 00:07:29,049 --> 00:07:31,418 WELL, I SUPPOSE CRIME COULD STRIKE INSIDE THE THEATER 157 00:07:31,451 --> 00:07:33,253 JUST AS WELL AS IT COULD OUT HERE. 158 00:07:33,286 --> 00:07:35,088 LOOK AT ABE LINCOLN. 159 00:07:35,122 --> 00:07:36,857 LET'S GO! 160 00:07:37,591 --> 00:07:39,026 AH! GOOD NEWS. 161 00:07:39,059 --> 00:07:41,962 THE FALAFEL CONNECTION NEEDS A NIGHT MANAGER. 162 00:07:41,995 --> 00:07:44,464 HARRY, YOU GO TO BED AT 8:00. 163 00:07:44,498 --> 00:07:48,135 BESIDES, THIS JOB REQUIRES A HIGH SCHOOL DIPLOMA. 164 00:07:48,168 --> 00:07:51,104 WELL, THAT'S DISCRIMINATION. 165 00:07:51,138 --> 00:07:53,741 MAN, YOU NEED DIPLOMAS FOR ALL THESE JOBS. 166 00:07:53,774 --> 00:07:55,509 WHICH I DON'T GOT, LET'S EAT 167 00:07:55,543 --> 00:07:57,845 HEY, WAIT. 168 00:07:57,878 --> 00:08:00,648 YOU ARE JUST GONNA HAVE TO GO TO HIGH SCHOOL 169 00:08:00,681 --> 00:08:02,482 AND GET A HIGH SCHOOL DIPLOMA. 170 00:08:02,516 --> 00:08:04,417 HUH? NO. 171 00:08:04,451 --> 00:08:05,653 NOOO. 172 00:08:05,686 --> 00:08:07,788 NOOOO! OH, FORGET IT. 173 00:08:07,821 --> 00:08:08,689 I DON'T WANNA. 174 00:08:08,722 --> 00:08:10,991 AH, HARRY, COME ON. LET'S GO SIGN YOU UP. 175 00:08:11,024 --> 00:08:14,161 YOU SEE, YOU GOTTA THINK OF A DIPLOMA AS AN INVESTMENT. 176 00:08:14,194 --> 00:08:17,197 YEAH. AN INVESTMENT IN YOUR ROLLER BLADES. 177 00:08:17,230 --> 00:08:20,734 AH, YOU SEE? YOU'RE LEARNING ALREADY. 178 00:08:23,737 --> 00:08:26,506 [APPLAUSE WITHIN] 179 00:08:27,007 --> 00:08:28,508 WHOO! 180 00:08:36,149 --> 00:08:37,384 WHOO! 181 00:08:39,553 --> 00:08:40,754 WHOO! HUH! HUH! HUH! 182 00:08:58,338 --> 00:08:59,573 HO! HO! HO! HO! 183 00:09:06,847 --> 00:09:10,117 OH, GOD! OH, THAT WAS THE MOST SPECTACULAR THING I'VE EVER SEEN. 184 00:09:10,150 --> 00:09:11,919 OH, WAS THAT GREAT, OR WHAT? 185 00:09:11,952 --> 00:09:14,722 OH, YES, MY FRIEND AND I WERE JUST DISCUSSING IT. 186 00:09:14,755 --> 00:09:17,457 MARY, JUDITH, YOU REMEMBER DON ORVILLE. 187 00:09:17,490 --> 00:09:18,358 HOW DO YOU DO? 188 00:09:18,391 --> 00:09:19,760 DICK, I DIDN'T REALIZE YOU AND DON 189 00:09:19,793 --> 00:09:20,661 WERE SUCH GOOD FRIENDS. 190 00:09:20,694 --> 00:09:22,562 WELL, YOU KNOW HOW IT IS-- 191 00:09:22,596 --> 00:09:24,131 THE COLLEGE PROFESSOR AND POLICE OFFICER, 192 00:09:24,164 --> 00:09:27,067 IT'S A SCHEDULING NIGHTMARE, BUT WHEN WE DO FIND THE TIME, 193 00:09:27,100 --> 00:09:29,302 DON AND I ARE PRACTICALLY INSEPARABLE. 194 00:09:29,336 --> 00:09:32,172 ISN'T THAT RIGHT, DONNY, OLD BOY? 195 00:09:32,205 --> 00:09:34,374 NOT ENTIRELY. 196 00:09:38,345 --> 00:09:40,848 HEY, WHAT ARE-- SHH! 197 00:09:42,082 --> 00:09:44,584 WHAT ARE YOU WR-- SHH! 198 00:09:45,118 --> 00:09:47,120 WHAT ARE YOU WRITE-- SHH! 199 00:09:47,921 --> 00:09:49,923 WHAT ARE YOU WRITING IN YOUR JOURNAL? 200 00:09:51,759 --> 00:09:54,061 OH, HERE THEY COME. RIGHT ON TIME. 201 00:09:54,094 --> 00:09:56,664 PETER CONNELLY'S OBEDIENT LITTLE SHEEP. 202 00:09:56,697 --> 00:09:58,531 THEY'VE SAT THROUGH HIS PUPPET SHOW, 203 00:09:58,565 --> 00:09:59,900 PURCHASED HIS T-SHIRTS, 204 00:09:59,933 --> 00:10:02,870 AND NOW THEY'RE HERE TO DISCUSS THE EXPERIENCE 205 00:10:02,903 --> 00:10:03,937 AND FEEL CULTURED. 206 00:10:03,971 --> 00:10:05,238 OH, THAT'S PATHETIC. 207 00:10:05,272 --> 00:10:06,406 IT'S NOT THEIR FAULT. 208 00:10:06,439 --> 00:10:07,808 CONNELLY HAS THEM PROGRAMMED. 209 00:10:07,841 --> 00:10:09,309 HE'S THE HEAD OF THE MONSTER. 210 00:10:09,342 --> 00:10:10,543 THE HEAD OF THE MONSTER? 211 00:10:10,577 --> 00:10:11,378 YEAH, I'D LIKE TO HAVE 212 00:10:11,411 --> 00:10:13,881 5 MINUTES ALONE WITH THAT PHONY. 213 00:10:13,914 --> 00:10:16,283 WHY, WHAT WOULD YOU DO TO HIM, SETH? 214 00:10:16,316 --> 00:10:18,051 LET'S JUST SAY... 215 00:10:18,085 --> 00:10:21,421 HE WOULD NEVER DANCE AGAIN. 216 00:10:25,993 --> 00:10:28,561 INCOMING! 217 00:10:28,595 --> 00:10:30,063 YOU GET IT? 'CAUSE WE'RE COMING IN, RIGHT? 218 00:10:30,097 --> 00:10:31,999 HEH HEH HEH. AHH... 219 00:10:32,032 --> 00:10:36,870 TURNS OUT PAINTBALL IS LOT MORE FUN THAN I THOUGHT, HUH, DON? 220 00:10:40,674 --> 00:10:43,844 WELL, YOU DIDN'T HAVE TO TIE ME DOWN AND DO ME EXECUTION-STYLE. 221 00:10:43,877 --> 00:10:45,145 COME ON, I WAS JUST PLAYING AROUND. 222 00:10:45,178 --> 00:10:47,014 NO HARD FEELINGS. HEY... 223 00:10:47,047 --> 00:10:47,881 FRIENDS? 224 00:10:47,915 --> 00:10:49,582 FRIENDS. 225 00:10:52,219 --> 00:10:52,986 LET ME BUY YOU A BEER. 226 00:10:53,020 --> 00:10:55,088 HEY! 2 BEERS HERE. 227 00:10:55,122 --> 00:10:57,691 I'D LIKE TO GET A COUPLE OF RUTHERFORD RAILROAD STOUTS. 228 00:10:57,725 --> 00:10:59,727 YEAH, YOU KNOW, THEY BREW IT RIGHT HERE IN RUTHERFORD. 229 00:10:59,760 --> 00:11:03,764 YEAH, THEY PUT A MICROBREWERY IN THE OLD...BREWERY. 230 00:11:03,797 --> 00:11:05,866 HEY, WE OUGHT TO GO TAKE A TOUR SOMETIME. 231 00:11:05,899 --> 00:11:08,268 YEAH. FREE SAMPLES. CAN'T BEAT THAT WITH A STICK. 232 00:11:08,301 --> 00:11:09,236 NO, SIR, YOU CAN'T. 233 00:11:09,269 --> 00:11:10,771 AND YOU KNOW... 234 00:11:10,804 --> 00:11:12,372 THE LADIES LOVE THE BEER. 235 00:11:12,405 --> 00:11:13,874 OH, YEAH. 236 00:11:13,907 --> 00:11:15,809 YOU KNOW WHO ELSE LOVES THE BEER? 237 00:11:15,843 --> 00:11:18,178 PATHETIC LONELY GUYS. 238 00:11:18,645 --> 00:11:21,014 OK, ENOUGH OF THAT. 239 00:11:21,048 --> 00:11:23,784 SO TOMORROW NIGHT I WAS THINKING SUSHI AND THE DOG TRACK? 240 00:11:23,817 --> 00:11:26,286 WELL, THAT SOUNDS LIKE FUN, BUT TOMORROW NIGHT'S NO GOOD FOR ME. 241 00:11:26,319 --> 00:11:27,687 NO. YOU WORKING THE LATE SHIFT? 242 00:11:27,721 --> 00:11:29,056 NO. OH, YOU GOT A HOT DATE? 243 00:11:29,089 --> 00:11:30,457 NO, NO. WHO IS SHE? COME ON, COME ON. 244 00:11:30,490 --> 00:11:32,159 NO, NO... HEH HEH HEH. 245 00:11:32,192 --> 00:11:33,593 NO, I'M GOING OUT WITH MY BUDDY ERNIE. 246 00:11:33,626 --> 00:11:36,563 WE'RE BOWLING A COUPLE OF GAMES AND EATING SOME CHICKEN WINGS. 247 00:11:36,596 --> 00:11:40,033 OH, OF COURSE. CHICKEN WINGS. 248 00:11:40,067 --> 00:11:43,904 I'M SURE YOU'LL HAVE A GOOD TIME WITH YOUR BUDDY ERNIE. 249 00:11:43,937 --> 00:11:45,238 SMOOTH. 250 00:11:45,272 --> 00:11:47,474 DISAPPOINTING. 251 00:11:48,742 --> 00:11:51,544 COME ON, HARRY. IT'S TIME FOR SCHOOL. 252 00:12:07,160 --> 00:12:09,096 HOW DO I LOOK? 253 00:12:09,396 --> 00:12:10,030 WHAT IS THIS? 254 00:12:10,063 --> 00:12:10,931 WHAT? MY BACKPACK. 255 00:12:10,964 --> 00:12:12,032 YEAH. IT'S A BACKPACK. 256 00:12:12,065 --> 00:12:13,000 YOU DON'T WEAR IT ON YOUR BACK. 257 00:12:13,033 --> 00:12:15,368 JUST THROW IT OVER YOUR SHOULDER. 258 00:12:17,871 --> 00:12:18,906 I'M A LITTLE NERVOUS. 259 00:12:18,939 --> 00:12:20,908 ALL RIGHT, ALL RIGHT. THERE'S NO NEED TO BE. 260 00:12:20,941 --> 00:12:23,343 NIGHT SCHOOL IS THE SAME THING AS REGULAR SCHOOL. 261 00:12:23,376 --> 00:12:25,545 THE ONLY DIFFERENCE IS IT'S AT NIGHT. 262 00:12:25,578 --> 00:12:28,181 WHICH MAKES IT REALLY SPOOKY. 263 00:12:28,215 --> 00:12:29,983 GRANTED. BUT THERE'S ONLY A FEW THINGS 264 00:12:30,017 --> 00:12:31,418 YOU NEED TO REMEMBER, YOU KNOW: 265 00:12:31,451 --> 00:12:33,386 MAKE SURE THE TOUGH GUYS THINK YOU'RE COOL, 266 00:12:33,420 --> 00:12:34,721 GRAB A SEAT NEXT TO A BABE, 267 00:12:34,754 --> 00:12:36,623 AND, UH, YOU KNOW, DON'T LET THE TEACHER PUSH YOU AROUND. 268 00:12:36,656 --> 00:12:40,560 OK. TOUGH, BABE, DON'T LET THE TEACHER PUSH YOU AROUND. 269 00:12:40,593 --> 00:12:41,328 IS THAT IT? 270 00:12:41,361 --> 00:12:43,163 OH! YEAH, AND NEVER PUT YOUR MOUTH 271 00:12:43,196 --> 00:12:45,432 DIRECTLY ON THE DRINKING FOUNTAIN. 272 00:12:45,465 --> 00:12:46,766 BUT THAT'S HOW I DRINK FROM THE FOUNTAIN. 273 00:12:46,800 --> 00:12:48,368 NOT AT SCHOOL. 274 00:12:48,401 --> 00:12:50,037 OK. 275 00:12:50,070 --> 00:12:51,872 WELL... 276 00:12:51,905 --> 00:12:53,907 HERE I GO. 277 00:12:55,843 --> 00:12:58,111 OH, UH, AREN'T YOU FORGETTING SOMETHING? 278 00:12:58,145 --> 00:12:59,646 I'M SORRY. 279 00:13:00,780 --> 00:13:02,282 NO! THE SNACK! 280 00:13:02,315 --> 00:13:03,984 OH! 281 00:13:07,955 --> 00:13:09,422 GREAT SHOW, PETER. 282 00:13:09,456 --> 00:13:10,657 YOU KILLED OUT THERE. 283 00:13:10,690 --> 00:13:12,893 EH, NOT AS GOOD AS THE SHOW IN BRANSON, BUT, UH, 284 00:13:12,926 --> 00:13:15,428 [HEELS CLICK] I'LL CASH THE CHECK. 285 00:13:16,729 --> 00:13:18,231 PETER CONNELLY! 286 00:13:21,168 --> 00:13:23,770 EH, WHAT HAPPENED TO THE REDHEAD FROM THE SECOND ROW? 287 00:13:23,803 --> 00:13:25,572 SHE'S OUTSIDE. 288 00:13:27,707 --> 00:13:30,210 GIVE HER A T-SHIRT AND SEND HER HOME. 289 00:13:31,178 --> 00:13:33,746 PETER, I'M SO SORRY TO BURST IN ON YOU LIKE THIS, 290 00:13:33,780 --> 00:13:35,515 BUT I JUST COULDN'T CONTROL MYSELF. 291 00:13:35,548 --> 00:13:38,318 EH! BOYS! WHY DON'T YOU TAKE A WALK, 292 00:13:38,351 --> 00:13:42,189 SEE IF YOU CAN FIND SOME OF THOSE MENTHOL CIGARETTES I LIKE SO MUCH, EH? 293 00:13:42,222 --> 00:13:43,723 EH! EH! 294 00:13:45,125 --> 00:13:47,560 SO...WHERE SHOULD WE BEGIN, 295 00:13:47,594 --> 00:13:50,597 ME NOT-SO-WEE LASS? 296 00:13:50,630 --> 00:13:52,199 WELL, WHY DON'T YOU TELL ME? 297 00:13:52,232 --> 00:13:53,733 [GASPS] 298 00:13:55,202 --> 00:13:57,437 YOU STRIKE ME AS A LADY WHO KNOWS... 299 00:13:57,470 --> 00:13:58,271 [PATS CHAIR] 300 00:13:58,305 --> 00:13:59,806 WHAT SHE WANTS. 301 00:13:59,839 --> 00:14:02,275 WELL, PETER... [CLEARING THROAT] 302 00:14:02,309 --> 00:14:06,079 YOU KNOW WHAT I WANT RIGHT NOW MORE THAN ANYTHING IN THE WORLD? 303 00:14:06,113 --> 00:14:07,647 TELL ME, BUTTERCUP. 304 00:14:09,082 --> 00:14:10,150 COFFEE. 305 00:14:10,183 --> 00:14:11,484 COFFEE? 306 00:14:11,518 --> 00:14:13,720 YEAH. YOU KNOW, I WANT TO BE WIDE AWAKE 307 00:14:13,753 --> 00:14:16,856 IN CASE WE GO FOR A RIDE ON THE OLD TOUR BUS. 308 00:14:16,890 --> 00:14:19,359 EH! WELL, THEN, BY ALL MEANS, LASS, 309 00:14:19,392 --> 00:14:22,029 LET US...LATTé! 310 00:14:25,732 --> 00:14:26,799 WHAT WOULD YOU LIKE? 311 00:14:26,833 --> 00:14:29,502 I'LL HAVE A CAPPUCCINO. 312 00:14:29,536 --> 00:14:30,670 ROOT BEER. 313 00:14:30,703 --> 00:14:31,804 OHH. 314 00:14:31,838 --> 00:14:32,672 WHAT? 315 00:14:32,705 --> 00:14:34,741 IT'S NOT WHAT DON WOULD ORDER. 316 00:14:34,774 --> 00:14:35,976 DON WOULD ORDER A MOCHA. 317 00:14:36,009 --> 00:14:37,844 FINE. I'LL HAVE A MOCHA. 318 00:14:37,877 --> 00:14:40,013 DON WOULD ORDER IT WITH GUSTO. 319 00:14:40,047 --> 00:14:42,215 I'LL HAVE A MOCHA. 320 00:14:44,317 --> 00:14:45,318 THAT'S TOO MUCH GUSTO. 321 00:14:45,352 --> 00:14:47,487 WELL, HOW WOULD DON SAY, "GET BENT"? 322 00:14:47,520 --> 00:14:49,122 I'LL TELL YOU HOW HE'D SAY IT. 323 00:14:49,156 --> 00:14:51,224 BY GOING OUT TO EAT CHICKEN WINGS WITH HIS FRIEND ERNIE 324 00:14:51,258 --> 00:14:52,725 AND LEAVING ME IN THE LURCH! 325 00:14:52,759 --> 00:14:55,062 HEY, WHAT ABOUT THE CHECK HERE? 326 00:14:55,095 --> 00:14:57,230 NO WONDER YOU DON'T HAVE ANY FRIENDS. 327 00:15:09,342 --> 00:15:12,779 WHAT'S YOUR PROBLEM? 328 00:15:12,812 --> 00:15:13,680 I'M SORRY. 329 00:15:13,713 --> 00:15:17,184 SAVE IT. DON'T EVER LET IT HAPPEN AGAIN. 330 00:15:17,717 --> 00:15:19,119 YOU BUMPED INTO ME. 331 00:15:19,152 --> 00:15:21,721 I THINK I KNOW THAT! 332 00:15:30,830 --> 00:15:33,000 IS THIS SEAT TAKEN? 333 00:15:33,033 --> 00:15:36,036 NO. PLEASE SIT DOWN. 334 00:15:36,769 --> 00:15:39,139 SO... 335 00:15:39,172 --> 00:15:41,474 WHAT BRINGS YOU IN HERE, PRETTY LADY? 336 00:15:43,210 --> 00:15:45,212 [PURRING LIKE A TIGER] 337 00:15:48,648 --> 00:15:50,450 AHH, HAVE A SEAT RIGHT OVER THERE, HONEY, 338 00:15:50,483 --> 00:15:51,884 AND I'LL BE RIGHT BACK, OK? 339 00:15:51,918 --> 00:15:54,421 DON'T MAKE ME COME AND GIT YA! 340 00:15:57,090 --> 00:15:58,891 SETH! 341 00:15:58,925 --> 00:16:00,793 SALLY, YOU LOOK SEXY. 342 00:16:00,827 --> 00:16:02,262 WHAT? 343 00:16:02,295 --> 00:16:04,131 IN A VERY STEREOTYPICAL KIND OF WAY 344 00:16:04,164 --> 00:16:06,033 THAT DOES NOTHING FOR ME. 345 00:16:06,066 --> 00:16:07,700 SETH, LOOK WHAT I BROUGHT YOU. 346 00:16:07,734 --> 00:16:08,501 WHAT? 347 00:16:08,535 --> 00:16:09,836 IT'S THE HEAD OF THE MONSTER HIMSELF, 348 00:16:09,869 --> 00:16:11,504 PETER CONNELLY. 349 00:16:11,538 --> 00:16:13,340 PETER CONNELLY? IS HE HERE RIGHT NOW? 350 00:16:13,373 --> 00:16:16,376 YEAH. GO LET HIM HAVE IT. COME ON. 351 00:16:18,845 --> 00:16:20,247 PETER CONNELLY. 352 00:16:20,280 --> 00:16:22,915 YES. 353 00:16:22,949 --> 00:16:25,552 OH, MY GOD, CAN I HAVE YOUR AUTOGRAPH? 354 00:16:29,922 --> 00:16:31,591 WHAT HAPPENED OUT THERE? 355 00:16:31,624 --> 00:16:33,293 THAT WASN'T THE SETH I KNOW! 356 00:16:33,326 --> 00:16:35,362 SALLY, PLEASE! 357 00:16:35,395 --> 00:16:37,397 I WAS MOCKING CONNELLY. 358 00:16:37,430 --> 00:16:39,932 HE SIGNED YOUR SHOES. 359 00:16:40,900 --> 00:16:42,069 YEAH. 360 00:16:42,102 --> 00:16:44,404 THE SHOES OF A MAN WHO HATES HIM. 361 00:16:44,437 --> 00:16:46,073 HA HAH! 362 00:16:51,010 --> 00:16:53,480 I DON'T BELIEVE THIS. 363 00:16:53,513 --> 00:16:55,848 YOU'RE A FRAUD! 364 00:16:55,882 --> 00:16:59,086 SALLY, THE WHOLE CULTURE HERE'S A FRAUD. 365 00:16:59,119 --> 00:17:01,954 I'M A FRAUD, YOU'RE A FRAUD, LIFE'S A FRAUD. 366 00:17:01,988 --> 00:17:06,593 YES, BUT YOU IN PARTICULAR ARE A COMPLETE FRAUD! 367 00:17:06,626 --> 00:17:08,395 GOD, WHEN I THINK OF WHAT I GAVE UP FOR YOU. 368 00:17:08,428 --> 00:17:10,463 I MEAN, MY FAMILY, MY SELF-RESPECT, 369 00:17:10,497 --> 00:17:14,000 MY HAIR-CARE REGIMEN! 370 00:17:14,734 --> 00:17:18,305 WAIT, JUST RELAX. YOU'RE BEING STUPID. 371 00:17:22,342 --> 00:17:24,677 THAT'S THE WRONG THING TO SAY. 372 00:17:26,213 --> 00:17:29,882 JIG ON OUTTA HERE, LOSER! GET OUT! 373 00:17:35,955 --> 00:17:39,359 SO HE SAYS, "THEY'RE NOT TEFLON BULLETS. THEY'RE DUM-DUMS." 374 00:17:41,161 --> 00:17:42,061 DUM-DUMS. 375 00:17:42,095 --> 00:17:43,830 HEH HEH-- 376 00:17:43,863 --> 00:17:45,965 DON. 377 00:17:45,998 --> 00:17:47,267 DICK, WHAT ARE YOU DOING HERE? 378 00:17:47,300 --> 00:17:51,771 I WAS UNDER THE IMPRESSION THIS WAS OUR PLACE, DON. 379 00:17:51,804 --> 00:17:54,207 I GUESS I WAS WRONG. 380 00:17:54,241 --> 00:17:57,009 AND WHO MIGHT YOU BE, ERNIE? 381 00:17:57,043 --> 00:17:57,577 ERNIE. 382 00:17:57,610 --> 00:17:59,446 NO. 383 00:17:59,479 --> 00:18:00,980 SO THIS IS WHO YOU CHOOSE? 384 00:18:01,013 --> 00:18:02,949 CHOOSE? CHOOSE TO HURT ME WITH. 385 00:18:02,982 --> 00:18:05,185 UH, ERNIE'S A FRIEND OF MINE FROM THE ACADEMY. 386 00:18:05,218 --> 00:18:08,888 SO TELL ME, DON, WHAT IS IT HE HAS THAT I DON'T? 387 00:18:08,921 --> 00:18:10,056 A LEAF BLOWER? 388 00:18:10,089 --> 00:18:12,525 OH! 389 00:18:12,559 --> 00:18:14,827 WELL, I'LL TELL YOU WHAT, MR. DON ORVILLE! 390 00:18:14,861 --> 00:18:16,896 WHEN YOU DECIDE WHAT IT IS YOU WANT FROM THIS RELATIONSHIP, 391 00:18:16,929 --> 00:18:20,133 WHY DON'T YOU JUST LET ME KNOW, HMM? 392 00:18:20,633 --> 00:18:22,869 OH, AND ONE MORE THING: 393 00:18:22,902 --> 00:18:25,405 YOU'RE A LOUSY DANCER! 394 00:18:32,011 --> 00:18:33,246 I-I'M SORRY, ERNIE. 395 00:18:33,280 --> 00:18:34,681 I DON'T KNOW WHAT TO SAY. 396 00:18:34,714 --> 00:18:36,683 IT'S OK, DON. I UNDERSTAND. 397 00:18:36,716 --> 00:18:38,218 I'M GAY, TOO. 398 00:18:42,389 --> 00:18:44,491 I'M NOT GAY. 399 00:18:44,524 --> 00:18:49,862 OH. WELL, ME NEITHER. I JUST DIDN'T WANT YOU TO FEEL UNCOMFORTABLE. 400 00:18:51,464 --> 00:18:54,334 "THE BOY GOES TO THE STORE." 401 00:18:54,367 --> 00:18:56,236 HARRY... 402 00:18:56,269 --> 00:18:58,605 WOULD YOU LIKE TO DIAGRAM THE SENTENCE? 403 00:18:58,638 --> 00:19:02,909 WELL, YOU'RE THE ONE WITH THE CHALK. KNOCK YOURSELF OUT. 404 00:19:03,710 --> 00:19:06,145 I'D REALLY APPRECIATE IT IF YOU'D GIVE IT A TRY. 405 00:19:06,179 --> 00:19:08,047 WELL, LOOK, IF YOU WANT YOUR BUTT KISSED, 406 00:19:08,080 --> 00:19:11,384 WHY DON'T YOU CALL ON MRS. DeGUZMAN? 407 00:19:12,018 --> 00:19:12,852 MAN, 408 00:19:12,885 --> 00:19:15,121 JUST DIAGRAM THE DAMN SENTENCE. 409 00:19:15,154 --> 00:19:16,756 WELL, BACK OFF, BUDDY. 410 00:19:16,789 --> 00:19:19,692 MAYBE I DON'T KNOW HOW TO DIAGRAM THE DAMN SENTENCE. 411 00:19:19,726 --> 00:19:22,729 YOU EVER STOP TO THINK OF THAT? 412 00:19:23,530 --> 00:19:25,598 THAT'S OK, HARRY. IF YOU HAD ALL THE ANSWERS, 413 00:19:25,632 --> 00:19:27,700 YOU WOULDN'T NEED TO BE HERE. 414 00:19:27,734 --> 00:19:30,169 WHAT'S YOUR POINT, TEACH? 415 00:19:30,203 --> 00:19:34,173 WELL, MY POINT IS WE'RE ALL HERE TO LEARN TOGETHER. 416 00:19:34,207 --> 00:19:34,907 WE ARE? 417 00:19:34,941 --> 00:19:36,443 YES. 418 00:19:37,477 --> 00:19:38,245 ARE YOU SURE? 419 00:19:38,278 --> 00:19:39,779 I'M SURE. 420 00:19:42,282 --> 00:19:44,951 I WANNA LEARN! 421 00:19:47,119 --> 00:19:49,789 I WANNA LEARN! 422 00:19:58,798 --> 00:19:59,832 DICK, DO YOU MIND?! 423 00:19:59,866 --> 00:20:01,601 I HAVE WORK TO DO. 424 00:20:01,634 --> 00:20:03,236 OH, I'M SORRY. 425 00:20:03,270 --> 00:20:04,371 I WAS JUST SITTING HERE THINKING 426 00:20:04,404 --> 00:20:07,374 WHAT A LONELY SHAMBLES MY LIFE HAS BECOME. 427 00:20:07,407 --> 00:20:09,442 I DON'T HAVE ANY FRIENDS. 428 00:20:09,476 --> 00:20:10,810 AND YOU KNOW WHY? 429 00:20:10,843 --> 00:20:12,111 BECAUSE I DEVOTED ALL MY TIME 430 00:20:12,144 --> 00:20:14,914 TO MY RELATIONSHIP WITH YOU. 431 00:20:14,947 --> 00:20:17,317 FINGER-POINTING IS NOT GOING TO SOLVE YOUR PROBLEMS. 432 00:20:17,350 --> 00:20:18,885 I'M NOT FINGER-POINTING. 433 00:20:18,918 --> 00:20:21,821 BUT IT'S YOUR FAULT! YOU! 434 00:20:21,854 --> 00:20:24,223 YOU WOULDN'T COME WITH ME TO KING OF THE JIG! 435 00:20:24,257 --> 00:20:28,027 I HAD TO REPLACE YOU WITH DON, AND NOW HE WON'T EVEN SPEAK TO ME. 436 00:20:29,329 --> 00:20:31,331 HEY, DICK... 437 00:20:32,432 --> 00:20:33,600 DON. 438 00:20:33,633 --> 00:20:35,302 SO... 439 00:20:35,335 --> 00:20:36,536 HEY. LOOK. 440 00:20:36,569 --> 00:20:38,838 YEAH. YEAH. 441 00:20:38,871 --> 00:20:39,639 LAST NIGHT? 442 00:20:39,672 --> 00:20:40,206 NO BIGGIE. 443 00:20:40,239 --> 00:20:41,207 COOL. 444 00:20:41,240 --> 00:20:42,475 SO...BURGER? 445 00:20:42,509 --> 00:20:43,142 FRIES? 446 00:20:43,175 --> 00:20:44,176 LATER? SURE. 447 00:20:44,210 --> 00:20:46,045 SOLID. 448 00:20:51,951 --> 00:20:54,454 THAT'S MY MAIN MAN. 449 00:20:57,657 --> 00:21:00,727 OHH, IT IS SUCH A RELIEF TO BE RID OF SETH. 450 00:21:00,760 --> 00:21:02,662 SO YOU CAN GET BACK TOGETHER WITH DON? 451 00:21:02,695 --> 00:21:05,465 NO. SO I CAN SHAVE THE POODLES FROM UNDER MY ARMS. 452 00:21:05,498 --> 00:21:06,833 SMOOTH. 453 00:21:06,866 --> 00:21:09,268 HANDS OFF, PERVERT! 454 00:21:09,302 --> 00:21:10,403 YOU KNOW, SALLY, 455 00:21:10,437 --> 00:21:12,038 YOU MAY HAVE LOST A BOYFRIEND, 456 00:21:12,071 --> 00:21:13,973 AND I MAY HAVE FOUND A FRIEND, 457 00:21:14,006 --> 00:21:16,042 BUT YOU KNOW WHAT'S THE MOST IMPORTANT THING? 458 00:21:16,075 --> 00:21:17,176 WHAT? 459 00:21:17,209 --> 00:21:18,711 THAT I FOUND A FRIEND. 460 00:21:52,879 --> 00:21:54,881 ALL YOURS. 31432

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