Original subtitles

Girl: COME ON SLOWPOKE, I'LL RACE YOU.

HEY, YOU'RE CHEATIN'!

HA, SO YOU BEAT ME, DO YOU HAVE TO BE SO SMUG?

I DIDN'T SAY A WORD.

WELL, YOU WERE THINKING IT.

HOW MUCH FURTHER IS IT?

NOT FAR, JUST OVER THAT HILL WE TAKE A TRAIL THAT CUTS ACROSS

THE HERMIT'S PROPERTY. COME ON.

WHAT'S THE MATTER?

THAT FENCE!

HELLO, MR. STANICK, WHEN DID OL' TONY FENCE OFF THE TRAIL?

I DON'T KNOW WHEN HE FENCED IT OFF, BUT I KNOW IT'S NOT

GOING TO STAY THAT WAY.

THAT MAN HAS PUSHED ME JUST A LITTLE TOO FAR.

[WIRES SNIPPING] [GUNSHOT]

MARK!

DON'T YOU KNOW ENOUGH TO ASK A MAN'S PERMISSION WHEN YOU

CROSS HIS LAND?

MY PA ASKED YOU ONCE, YOU...

YOU SAID IT WAS ALL RIGHT.

I DON'T BELIEVE YOU.

WHO IS YOUR PA?

LUCAS McCAIN, AND HE DID SO ASK YOU.

[GRUNTS] WELL, LOOKS TO ME LIKE YOU'VE

BEEN RUNNING THESE HORSES, PROBABLY HARD.

AH, KIDS DON'T KNOW ANYTHING ABOUT HORSES.T KNOW ANYTHING

MARK AN' I HAVE BEEN RAISED ON HORSES.

OH, YOU HAVE, HAVE YOU?

WELL, THEN THE FIRST THING YOU BETTER LEARN IS TO WATER HORSES

WHEN THEY'RE THIRSTY-- YOU KNOW HOW TO WATER HORSES, DON'T YOU?

YES, SIR.

ALL RIGHT.

YOU COME, COME.

MARK, THIS MAN SCARES ME, LET'S GO.

I'VE HEARD AN AWFUL LOT ABOUT HIM, BUT I'M BEGINNIN' TO THINK

HIS BARK IS A LOT WORSE THAN HIS BITE.

WELL, I DON'T LIKE HIM.

Old Tony: HEY HEY HEY!

YOU DON'T HAVE TO USE IT ALL, YOU KNOW!

IT'S BEEN A DRY YEAR.

YES, SIR.

THANK YOU VERY MUCH, SIR, I THINK WE'LL BE GOIN' NOW.

WELL, IS THAT, UH, IS THAT YOUR, UH, LUNCH IN THERE?

NO, SIR, THAT'S FOR ARROWHEADS.

WE'RE LOOKING FOR OLD INDIAN FLINTSTONES.

OHH! NO FOOD, YOU RUN AROUND ALL DAY LONG IN THE COUNTRY

WITHOUT ANYTHING TO EAT, AND THEN YOU'LL GO HOME AND YOU'LL

FILL UP ON PIE THAT ISN'T COOLED YET AND YOUR BELLY ACHE ALL

NIGHT, EH?

WELL, DON'T JUST STAND THERE.

COME ON INTO THE HOUSE, I'LL FEED YA.

THAT WAS THE BEST MEATLOAF I'VE EVER EATEN.

SURE WAS, THANKS, MR. TONY.

WELL, I JUST MADE IT THE WAY MY MAMA USED TO MAKE IT

IN OLD COUNTRY.

I NOTICED THE GUITAR.

DO YOU PLAY IT?

I HAVE NO TIME TO MONKEY AROUND WITH FOOLISHNESS, BUT

DON'T YOU GO BREAKING THAT, BOY!

I WOULDN'T HARM A MUSICAL INSTRUMENT, MR. TONY.

A GUITAR IS LIKE A FRIEND OR A PART OF YOU.

I HAVE ONE OF MY OWN.

WELL, I DIDN'T MEAN TO HOLLER, JUST THAT IT'S...

IT'S A KEEPSAKE, KIND OF.

DON'T SUPPOSE IT'S GOOD FOR ANYTHING ANYMORE ANYWAY.

THERE, YOU CAN...

YOU CAN LOOK AT IT IF YOU WANT TO.

THANK YOU.

[STRUMMING CHORD] [TUNING STRING]

ANYBODY CAN PICK AN' PLUCK, BUT GUITAR IS NO GOOD UNLESS YOU

SING TO IT.

ONLY TROUBLE IS, THERE ARE NO MORE GOOD SONGS.

SONGS ALL HAVE GONE TO RUIN, LIKE...

LIKE THE REST OF THE WORLD.

THERE USED TO BE GOOD ONES, PRETTY ONES,

LIKE "GREENSLEEVES."

* ALAS, MY LOVE, YOU DO ME WRONG

TO CAST ME OFF DISCOURTEOUSLY * * AND I HAVE LOVED YOU SO LONG

DELIGHTING IN YOUR COMPANY * * GREENSLEEVES WAS ALL MY JOY

* AND GREENSLEEVES WAS MY DELIGHT *

* GREENSLEEVES WAS MY HEART OF GOLD *

* AND WHO BUT MY LADY GREENSLEEVES *

** * THE GOWN SHE WORE

LIKE A MAIDEN QUEEN * * WAS VELVET

LIKE THE SKY ABOVE * * HER SLEEVES WERE MADE

OF SILKEN GREEN * * AND SILKEN GREEN

WAS MY LOVE * * GREENSLEEVES WAS ALL MY JOY

* AND GREENSLEEVES WAS MY DELIGHT *

* GREENSLEEVES WAS MY HEART OF GOLD *

* AND WHO BUT MY LADY GREENSLEEVES **

THAT WAS NICE, BOY, REAL NICE.

I HAD A SON ONCE ABOUT YOUR AGE, HE USED TO SING THAT SONG

FOR ME, IN THE EVENINGS.G THAT WAS HIS GUITAR, YOU KNOW.

IT'S A LONG TIME SINCE I HEARD MUSIC LIKE THAT.

YOU'RE THE FIRST COMPANY I'VE...

I'VE HAD...

A MAN FEELS LONELY FOR SOMEBODY TO TALK TO.

PERHAPS THAT'S WHY I HOLLER SO MUCH...

BECAUSE I HAVE SORT OF FORGOTTEN WHAT IT'S LIKE TO HEAR THE SOUND

OF A HUMAN VOICE.

WELL, WE BETTER GET GOING IF WE EXPECT TO FIND

ANY ARROWHEADS.

IT'S A LONG WAYS TO REDBUD CANYON.

REDBUD, WHY DO YOU WANT TO GO UP THERE?

THERE IS MUCH MORE INDIAN RELICS RIGHT HERE IN SYCAMORE CANYON.

OH, BUT THAT'S ON YOUR LAND, SIR, NOBODY EVER--

WELL, YOU ARE RIGHT, NOBODY EVER CAN GO ON MY LAND, BUT

I SAID YOU COULD, DIDN'T I?

WELL, NOW, YOU GO ON UP TO SYCAMORE, HUH?

GOSH, MR. TONY, THANKS.

YEAH, THANKS, WE'LL BRING BACK SOME ARROWHEADS FOR YOU.

GOOD, YOU DO THAT.

WE SURE WILL, THANKS AGAIN.

YEAH, THANKS. SEE YA.

[DOOR CLOSES] MICAH?

WELL, LUCAS BOY, JUST IN TIME TO JOIN ME FOR A CUP OF COFFEE.

I'LL HAVE HALF A CUP, MICAH.

DON'T YOU THINK IT'S ABOUT TIME YOU INVESTED IN

A NEW COFFEE POT?

THE BOTTOM IS JUST ABOUT BURNED OUT OF THAT ONE.

I DON'T KNOW, IT'S GOOD FOR A YEAR OR TWO YET, AND DON'T GO

SPENDING MY MONEY.

WHAT ARE YOU DOIN' IN TOWN?

HAVING SUPPER AT THE HOTEL WITH MARK AND LORRIE,

IF THEY EVER GET HERE.

THEY SHOULD HAVE BEEN BY NOW.

I DEMAND YOU DO SOMETHING.

WHAT'S EATIN' YOU, JOE?

YOU LOOK LIKE YOU RAN INTO A HERD OF WILD COMANCHES.

IT'S THAT TONY, TOLD YOU 500 TIMES HE OUGHT TO BE PUT AWAY.

YOU AND TONY LOCK HORNS AGAIN, IS THAT IT, JOE?

EVER SINCE WE CAME OVER ON THE BOAT TOGETHER, I'VE

LISTENED TO HIS INSULTS.

NOW, NOW, JOE, CALM DOWN, EVERYBODY KNOWS YOU AND TONY

ARE FEUDING AGAIN, BUT NOBODY KNOWS ABOUT WHAT.

I DOUBT IF YOU DO.

WHAT'S THE COMPLAINT THIS TIME?

HE TOOK A SHOT AT ME, THAT'S WHAT.

HE TRIED TO KILL ME.

NOW, WAIT A MINUTE, JOE, I'LL ADMIT TONY IS AN ODD ONE, BUT

TRYING TO KILL SOMEBODY-- WELL, WHY DON'T YOU ASK YOUR

OWN BOY, HE WAS THERE, HE AND THAT LORRIE.

OH, WHERE ARE THEY NOW?

I DON'T KNOW, I WANTED THEM TO COME ALONG.

MAYBE THEY WENT BACK TO THE RANCH.

WELL, I DOUBT IT, THEY WERE SUPPOSED TO MEET ME HERE.

I WAS SURE THEY WERE RIGHT BEHIND ME.

JOE, ARE YOU SURE THAT TONY TOOK A SHOT AT YOU?

NOW, I'M NOT A MAN WHO JOKES MUCH, YOU KNOW THAT.

WHEN I TELL YOU HE SHOT AT ME, HE SHOT AT ME.

MAYBE I BETTER GO OUT THERE AND SEE WHAT THIS IS ALL ABOUT.

I THINK I'LL RIDE ALONG WITH YOU, MICAH.

THAT'S FUNNY.

I FOUND THOSE TWO RIGHT TOGETHER, AND NOW I'VE LOOKED

FOR AN HOUR.

MARK?

WELL, I MUST SAY YOU LOOK COMFORTABLE.

I AM.

AREN'T YOU GONNA LOOK FOR ARROWHEADS ANYMORE?

IN A LITTLE WHILE.

WHAT'RE YOU THINKING ABOUT?

ABOUT OLD TONY AND HOW LONESOME HE MUST REALLY BE.

YEAH, I WAS THINKING IT TOO.

I WONDER WHAT HIS WIFE WAS LIKE.

MARK?

HUH?

DO YOU EVER WONDER WHAT YOUR WIFE WILL BE LIKE?

I MEAN, WHEN YOU GET MARRIED.

I SUPPOSE SO.

WELL, WHAT WOULD SHE BE LIKE?

REAL PRETTY, AN' A GOOD COOK.

OH, MARK, CAN'T YOU EVER BE SERIOUS?

DO YOU THINK THAT'S ALL THERE IS TO MARRIAGE?

NO, NOT REALLY.

THERE IS A LOT MORE.

LIKE WHAT?

WELL, PA AND I WAS TALKING ABOUT IT ONCE.

HE WAS TALKING ABOUT MY MOTHER.

I'LL NEVER FORGET A THING HE SAID.

HE SAID THAT THEY WERE MORE THAN JUST IN LOVE, THEY WERE FRIENDS.

I DON'T THINK I UNDERSTAND.

WELL, HE MEANT THAT, THAT SHE WAS SOMEONE HE COULD... HE COULD

TALK TO, ABOUT HIS TROUBLES AN'... ABOUT ANYTHIN'.

LIKE US, MARK?

SURE LIKE US, WE'RE FRIENDS AN' WE CAN TALK--

UH, BETTER GO LOOK FOR THOSE ARROWHEADS, IF YOU PLAN ON

GETTIN' ANY, AND DON'T GO TOO FAR AND GET YOURSELF LOST.

MARK McCAIN, WILL YOU QUIT TREATING ME LIKE A LITTLE GIRL!

[SIGHS] RIGHT THERE IS WHERE IT

HAPPENED, I WAS STANDING THERE, NOT DOING A THING.

[GUNSHOTS] THAT'S FAR ENOUGH ALL OF YOU.

TAKE IT EASY, JOE.

TONY, LISTEN TO ME.

Tony: WHAT DO YOU WANT?

I WANNA TALK TO YOU.

I'M NOT TALKING TO JOE STANICK!

FOR 30 YEARS I'VE TRIED TALKING TO HIM, DIDN'T DO ANY GOOD.

WON'T DO ANY GOOD NOW.

SEE, I TOLD YOU, DIDN'T I?

NO USE TRYING TO REASON WITH HIM.

TONY, I JUST WANNA TALK TO YOU ABOUT A COUPLE OF CHILDREN,

MY SON MARK AN' A YOUNG GIRL.

MR. McCAIN, YOU AND MARSHAL CAN COME UP IF YOU WANT TO.

BUT IF JOE STANICK PUTS ONE FOOT ON MY LAND, I'LL START SHOOTING!

JOE, YOU STAY PUT, LUCAS AN' I ARE GOING UP.

AN' IF YOU START ANYTHING WITH THAT RIFLE, TONY WON'T BE THE

ONLY ONE GIVING YOU A BAD TIME.

ALL I WANNA KNOW, TONY, IS WHERE MARK AND LORRIE WENT WHEN

THEY LEFT HERE.

Joe: QUIT TRYING TO REASON WITH THE OLD FOOL.

YOU'RE THE LAW, MARSHAL, TAKE HIM IN.

I TOLD YOU HE SHOT AT ME, DIDN'T I?

I DID NOT SHOOT AT YOU, I SHOT STRAIGHT UP IN THE AIR,

YOU RUN LIKE OSTRICH, YOU ALWAYS BEEN COWARD,

EVEN IN OLD COUNTRY.

YOU OUGHT TO BE LOCKED UP, SOMEBODY COULD LOOK AFTER

YOU, LIKE YOUR COUSIN RUDOLF.

I CAN LOOK AFTER MYSELF A LOT BETTER THAN YOU LOOK AFTER THOSE

COWS OF YOURS!

THEY HAVE BEEN IN MY GARDEN AGAIN!

THEN YOU DROVE THEM THERE!

PROBABLY FIGURED ON BUTCHERING ONE.

NOBODY CALLS ME COW THIEF.

NOW, TONY, PUT DOWN THAT SHOTGUN-- NOW, LOOK, JOE!

YOU EITHER SHUT YOUR MOUTH OR GET OUT OF HERE.

WHY DON'T YOU SEND HIM BACK TO TOWN, MICAH?

WE'RE NOT GONNA GET ANYWHERE THIS WAY.

THAT'S THE FIRST SENSIBLE THING I'VE HEARD SO FAR.

JOE, YOU'VE MADE YOUR COMPLAINT AND I'M LOOKING

INTO IT.

NOW GET OUT OF HERE AND LET ME HANDLE IT.

I'LL GET OUT, BUT IF YOU DON'T SEE TO IT THAT OLD FOOL'S

PUT AWAY WHERE HE CAN'T HARM ANYONE, I'LL GO STRAIGHT TO

THE GOVERNOR.

WELL, NOW, LET'S SEE IF WE CAN MAKE SOME SENSE.

HELP! MARK!

MARK! HELP!

COME ON, LORRIE, IT'S TIME WE GET STARTED BACK.

DO YOU HEAR ME? COME ON.

ALL RIGHT, IF YOU'RE HIDIN', I GIVE UP, COME ON.

MARK!

LORRIE?

LORRIE!

LORRIE, YOU ALL RIGHT?

WHEN THE THREE OF YOU COME BREAKING IN HERE,

GUNS ALL OVER YOU, WHAT'S A MAN EXPECTED TO DO?

A MAN GOT THE RIGHT TO PROTECT HIS PROPERTY, DOESN'T HE?

OR DO YOU TELL ME THAT...

THAT THE LAW ONLY WORKS FOR...

FOR JOE STANICK?

THE LAW IS AVAILABLE TO YOU IF YOU WANNA USE IT, SAME AS

ANYBODY ELSE, BUT YOU KEEP HIDING OUT UP HERE--

IT'S MY RIGHT TO LIVE ALONE IF I WANT TO!

THERE IS NOTHING FOR ME OUT THERE, NEVER HAS BEEN, NOT SINCE

MY WIFE DIED.

WELL, I LOST MY WIFE TOO, TONY, QUITE A WHILE AGO.

I DIDN'T LIKE IT EITHER, BUT THE WORLD KEPT RIGHT ON TURNING.

IT IS EASY FOR YOU TO SAY.

YOU HAD SON TO LOOK AFTER AND LOVE-- WELL, I DID TOO,

AT FIRST, BUT, NO MORE.

NOW I LOST SON TOO.

WELL, MAYBE YOU CAN UNDERSTAND WHY I MIGHT BE

A LITTLE WORRIED ABOUT MINE.

YES, I CAN UNDERSTAND THAT.

YOU SEE, I WAS JUST STARTING OUT AFTER THEM WHEN YOU CAME IN.

MAYBE THAT'S WHY I LOST MY HEAD SORT OF.

MAYBE THAT'S WHY I GOT TO FEELING IF ANYTHING SHOULD

HAPPEN TO THE TWO KIDS, IT WAS MY FAULT.

IT WAS I WHO SENT THEM INTO SYCAMORE CANYON.

SUPPOSE THEY WENT BEYOND THE CANYON? OVER INTO THE SWAMP?

THAT PLACE IS FULL OF QUICKSAND.

MARK HAS BETTER SENSE THAN THAT, MICAH.

THERE IS NO NEED FOR THEM TO GO BEYOND IT-- THE INDIAN

BURIAL GROUND IS AT THIS END.

I JUST WANT TO HELP NOW, MR. McCAIN, THAT'S ALL.

I JUST WANT TO HELP.

THE MAIN THING NOW IS FOR US TO GET OVER THERE AND LOOK FOR

THEM-- LET'S GO.

LORRIE, WHERE ARE YOU?

Lorrie: HELP! HELP!

LORRIE, I CAN HEAR YA!

JUS' KEEP ON YELLIN'!

HELP! MARK! MARK, HELP!

HELP!

LORRIE!

LORRIE!

HELP! MARK!

MARK!

MARK?

MARK!

HEY, THEY DUG FOR FLINTS HERE.

NO BETTER PLACE FOR ARROWHEADS.

NEVER MIND THAT, LOOK AT THIS.

WHAT IS IT?

WELL, LORRIE MUST HAVE WALKED ON AHEAD AND MARK FOLLOWED.

THERE'S HER PRINTS AND THERE ARE HIS.

THEY COULD HAVE CUT THROUGH THE GORGE AND COME OUT BY

REDBUD CANYON.

THE BEST THING WE CAN DO IS SPLIT UP AND CIRCLE AROUND.

WE CAN MEET BACK HERE.

ONE OF US HAS GOTTA BUMP INTO 'EM.

I'LL CUT THROUGH HERE.

I'M JUST AN OLD FOOL.

MARK!

HELP!

MARK!

THERE YOU ARE, LORRIE!

DON'T MOVE, OVER HERE, GIVE...

GIVE ME YOUR HAND, I'LL PULL YOU OUT.

GIVE ME YOUR HAND, HERE!

JUST DON'T MOVE, GIVE IT TO ME!

DON'T YOU PULL, LET ME PULL.

Mark: HELP! HELP!

IT'LL BE DARK IN ANOTHER HOUR.

THERE'S A DOZEN CANYONS THOSE KIDS COULD HAVE WANDERED INTO

AN' BE ALL RIGHT.

YEAH, I CAN'T BELIEVE MARK WOULD GET LOST, NOT IN THIS

COUNTRY.

OR MAYBE HE GOT HURT, AND THE GIRL HAS GONE FOR HELP.

DO YOU THINK THERE IS ANY POSSIBILITY I HAVEN'T THOUGHT

ABOUT?

WELL, WHAT DO WE DO?

WELL, KEEP LOOKING, MICAH.

Lorrie: HELP!

Mark: HELP, SOMEBODY.

HELP!

DON'T STRUGGLE!

DON'T STRUGGLE!

HELP, HELP!

MARK!

TAKE IT EASY.

MARK!

IN THE SWAMP, I FOUND THEM!

QUICKSAND!

YOU BEST LEAVE YOUR HORSE HERE.

HELP! OVER HERE!

Mark: HELP! HELP!

HELP!

DO-- DON'T MOVE, JUST STAY STILL.

HELP!

Lucas: LORRIE, BE STILL!

DON'T MOVE!

IT'S ALL RIGHT, MY PA'S HERE.

HELP!

PA, HURRY UP.

BE STILL, KIDS.

PA, HURRY.

DON'T MOVE!

HURRY, PA.

BE STILL, SON.

PA, WE'RE GOING DOWN.

HOLD ONTO LORRIE, MARK.

PA...

I SURE AM GLAD TO SEE YOU.

ME TOO, SON...

ME TOO.

JUST BECAUSE I SAY THERE'S NO CHARGE AGAINST YOU THIS TIME,

DOESN'T ME YOU GO ROUND WAVING A SHOTGUN ANYTIME THE NOTION

STRIKES YOU.

NOW, I'LL ADMIT JOE STANICK IS HARD TO GET ALONG WITH,

BUT THEN, SO ARE YOU.

MAYBE IF YOU TWO OLD GOATS WOULD QUIT BUTTIN' YOUR HEADS

TOGETHER-- I GUESS I HAVE BEEN ALONE TOO

LONG, I'VE FORGOTTEN HOW TO GET ALONG WITH PEOPLE.

NOW, YOU MADE A GOOD START, TOWARD REMEMBERING TODAY, TONY.

AH, KIDS GETTING IN TROUBLE, TRACKING MUD ALL OVER THE HOUSE,

FINE THING THEY DIDN'T EVEN REMEMBER TO BRING ME THE FLINTS

THEY PROMISED ME.

I LOST ALL THE GOOD ONES IN THE SWAMP, BUT WE'LL COME BACK

AGAIN, WON'T WE, MARK?

HA, SO YOU GO AND COME BACK TO SEE ME, EH? HA HA!

I DIDN'T EVEN ASK YA.

NEXT THING YOU KNOW, THEY'LL BE WANTING ME TO TAKE 'EM TO THE

FANCY HOTEL AND BUY 'EM SUPPER.

WHEN THAT TIME COMES, TONY, THE SUPPER IS GONNA BE ON ME,

AND I HOPE IT'LL BE SOON.

Old Tony: HEY, WHAT ARE YOU SITTING THERE FOR?

YOU SAID YOURSELF THE GUITAR NEEDED TUNING.

WELL GO AHEAD, TUNE HER UP!

[ALL LAUGHING]