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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,607 --> 00:00:09,137 ( theme music playing ) 2 00:01:42,936 --> 00:01:45,136 ( seagulls cawing ) 3 00:01:51,912 --> 00:01:53,952 HEY, MOREASS! MY TOE! 4 00:01:54,047 --> 00:01:57,117 OWW! YEAH, YOU HARD-ON! 5 00:02:15,369 --> 00:02:17,369 ( rock music playing ) 6 00:05:08,308 --> 00:05:11,038 HAVEN'T I TOLD YOU NOT TO LEAVE YOUR FUCKING MACHINE ON 7 00:05:11,144 --> 00:05:15,454 TO SPEW INCOMPREHENSIBILITIES AT PASSERSBY LIKE A ROADSIDE FUCKING BOMB? 8 00:05:15,549 --> 00:05:17,449 I TURNED IT OFF LAST NIGHT. 9 00:05:17,551 --> 00:05:19,291 DID YOU TURN IT OFF TWICE, 10 00:05:19,387 --> 00:05:21,247 WHICH WOULD BE BACK ON? BECAUSE IT IS. 11 00:05:21,355 --> 00:05:23,185 DID YOU TOUCH THE KEYBOARD OR ANYTHING...? 12 00:05:23,290 --> 00:05:26,690 UH-HUH, WHILE I RAN MY TONGUE IN AND OUT OF THE LITTLE SOCKETS 13 00:05:26,794 --> 00:05:28,534 ON THE BACK OF THE FUCKING BOX. 14 00:05:28,629 --> 00:05:30,259 THAT'S BUTCHIE'S MOTEL. 15 00:05:30,364 --> 00:05:32,574 SHARP AS A TACK, YOU. 16 00:05:38,906 --> 00:05:41,266 HOLY SHIT. 17 00:05:41,375 --> 00:05:44,775 COME ON, WE GOT TO CHANGE YOU OUT OF YOUR FUCKING FATIGUES... 18 00:05:44,878 --> 00:05:46,978 OR WHATEVER THOSE THINGS ARE. 19 00:05:47,080 --> 00:05:49,480 HEY, YOU WAIT HERE, JOHN. 20 00:05:57,391 --> 00:06:00,391 - IS SHAUN ALL RIGHT? - SHAUN'S ALL RIGHT. 21 00:06:00,494 --> 00:06:03,034 HERE, THESE WON'T FIT YOU AND THEY'RE DIRTY, BUT... 22 00:06:03,130 --> 00:06:04,470 ( clears throat ) 23 00:06:04,565 --> 00:06:06,565 ...PUT THESE ON. 24 00:06:19,680 --> 00:06:21,950 WHERE WERE YOU COMING FROM OFF THE WATER? 25 00:06:22,049 --> 00:06:24,119 CINCINNATI. 26 00:06:25,352 --> 00:06:27,622 YOU'RE UP, BUDDY. 27 00:06:27,721 --> 00:06:29,791 IT'S ALL RIGHT, JOHN. GO WITH BUTCHIE. 28 00:06:36,363 --> 00:06:38,203 TAKE THAT WETSUIT OFF 29 00:06:38,298 --> 00:06:40,168 AND PUT THESE ON. 30 00:06:40,267 --> 00:06:42,067 NAH, WAIT WAIT WAIT WAIT WAIT. 31 00:06:42,169 --> 00:06:44,809 SHAUNIE, YOU READY? 32 00:06:53,714 --> 00:06:56,654 COME HERE. GET IN THERE. 33 00:06:59,653 --> 00:07:02,023 FINE, HURRY UP, MAN. 34 00:07:16,436 --> 00:07:18,106 HEY, CHICK. 35 00:07:18,205 --> 00:07:19,965 IT'S CASS, KAI. 36 00:07:21,675 --> 00:07:23,475 THEY'RE ALL RIGHT. THEY'RE BACK. 37 00:07:23,577 --> 00:07:26,577 GOOD, GOOD. 38 00:07:31,919 --> 00:07:35,189 THANKS FOR TAKING CARE OF HIM ALL THIS TIME. 39 00:07:42,229 --> 00:07:44,459 I GOTTA COOK. 40 00:07:46,734 --> 00:07:49,074 I'M HERE WITH THE MOTHER. 41 00:07:49,169 --> 00:07:51,539 I'M HERE ON SPEC. 42 00:08:01,481 --> 00:08:03,681 HI, MOM. 43 00:08:06,754 --> 00:08:08,964 - ARE YOU OKAY? - I'M FINE. 44 00:08:09,056 --> 00:08:12,356 I GOT TO TAKE YOU TO YOUR GRAM'S AND GRAMPS', SHAUNIE. 45 00:08:12,459 --> 00:08:14,029 I WANNA STAY WITH JOHN. 46 00:08:14,127 --> 00:08:16,927 YEAH WELL, I WANT A SEAL THAT BARKS MY NAME. 47 00:08:17,030 --> 00:08:18,930 YOU COMING? 48 00:08:20,167 --> 00:08:21,897 Butchie: YOU STAY HERE, JOHN. 49 00:08:22,002 --> 00:08:24,502 - I'LL KEEP AN EYE ON HIM. - THANKS. 50 00:08:24,605 --> 00:08:27,575 Shaun: I'LL COME BACK SOON, JOHN. 51 00:08:27,675 --> 00:08:30,505 YEAH, LET YOURSELF IN. 52 00:08:31,511 --> 00:08:33,181 LET'S SIT DOWN, JOHN. 53 00:08:33,280 --> 00:08:35,020 ( engine starts ) 54 00:09:00,107 --> 00:09:03,037 SHAUNIE! SHAUNIE! 55 00:09:07,014 --> 00:09:09,884 Butchie: HE CAME IN ON THE WATER, HIM AND JOHN. 56 00:09:09,983 --> 00:09:12,623 SHAUNIE'S NOT SURE FROM WHERE. 57 00:09:12,720 --> 00:09:15,290 LINC'S TALKING TO JOHN TO FIND OUT WHAT WENT ON. 58 00:09:15,388 --> 00:09:18,328 - LINC IS? - HEY, FREDDY GOT SQUAT WHEN HE TRIED. 59 00:09:18,425 --> 00:09:21,455 - MAYBE SLICK WILL WORK. - HE'S PROBABLY GONNA SIGN HIM TO A DEAL. 60 00:09:21,561 --> 00:09:23,131 WHERE HAVE YOU BEEN, GRAMPS? 61 00:09:25,265 --> 00:09:28,395 - HAVEN'T YOU DONE ENOUGH? - HEY, WHAT THE HELL DID SHE DO, MA? 62 00:09:28,501 --> 00:09:30,171 HOW MUCH TIME HAVE YOU GOT? 63 00:09:30,270 --> 00:09:33,170 I'LL TALK TO YOU LATER, SHAUNIE. I'M GLAD YOU'RE ALL RIGHT. 64 00:09:33,273 --> 00:09:37,683 - THANKS, MOM. - COME ON, I'LL DROP YOU OFF. 65 00:09:37,778 --> 00:09:40,478 CAN YOU MAKE ME A PEANUT BUTTER-BUTTER SANDWICH? 66 00:09:40,580 --> 00:09:42,680 NOT TUNA? 67 00:09:46,954 --> 00:09:49,164 SO... 68 00:09:49,256 --> 00:09:52,186 I'M THE GUY THAT EVERY TIME YOU SEE, YOU TELL THE END IS NEAR. 69 00:09:52,292 --> 00:09:54,802 YOU'RE LINC STARK. 70 00:09:54,895 --> 00:09:56,695 YOU SHOULD GET IN THE GAME. 71 00:09:56,797 --> 00:09:59,297 LIKE MITCH YOST? 72 00:10:01,101 --> 00:10:04,001 MITCH YOST SHOULD GET BACK IN THE GAME. 73 00:10:04,104 --> 00:10:06,874 SO I'VE NEVER BEEN IN THE GAME? 74 00:10:11,745 --> 00:10:14,245 IF MY WORDS ARE YOURS, 75 00:10:14,347 --> 00:10:16,817 CAN YOU HEAR MY FATHER? 76 00:10:18,151 --> 00:10:21,151 LET'S SAY I CAN. 77 00:10:21,254 --> 00:10:24,524 LET'S SAY THE ZEROS AND ONES IN CASS'S CAMERA 78 00:10:24,624 --> 00:10:27,134 HELP YOU HEAR MY FATHER'S WORD. 79 00:10:28,495 --> 00:10:31,595 CASS AND I GO BACK. 80 00:10:31,699 --> 00:10:35,769 LET'S SAY YOU AND CASS GO BACK, LINC STARK. 81 00:10:35,869 --> 00:10:38,639 LET'S SAY IN MY FATHER'S WORD, 82 00:10:38,739 --> 00:10:42,679 IN CASS'S CAMERA, THE INTERNET IS BIG. 83 00:10:42,776 --> 00:10:45,646 9/11 IS BIG. 84 00:10:45,746 --> 00:10:49,246 BUT NOT EVERY TOWELHEAD IS ERADICATED. 85 00:10:51,251 --> 00:10:53,991 LET'S SAY I DON'T FOLLOW. 86 00:10:54,087 --> 00:10:57,317 LET'S SAY WITHOUT CASS'S CAMERA, 87 00:10:57,424 --> 00:11:00,934 "BIG" AND "HUGE" WON'T MEAN DICK. 88 00:11:02,896 --> 00:11:05,196 GETTING DUSTED WON'T BE AN ISSUE. 89 00:11:10,804 --> 00:11:12,944 ( exhales ) 90 00:11:13,040 --> 00:11:15,910 THIS IS ME GRABBING MY BALLS AND JUMPING HERE, JOHN. 91 00:11:16,009 --> 00:11:18,709 GRAB YOUR JUMP-BALLS, LINC. 92 00:11:21,815 --> 00:11:25,715 YOU USE MY WORDS, 93 00:11:25,819 --> 00:11:28,819 AND WHEN YOU SPEAK THEM, 94 00:11:28,922 --> 00:11:32,562 IF I LISTEN RIGHT, I CAN HEAR YOUR FATHER? 95 00:11:32,659 --> 00:11:34,959 YES, LINC. 96 00:11:35,929 --> 00:11:38,769 IF YOU ARE THE END, I AM NEAR YOU. 97 00:11:40,300 --> 00:11:42,400 YES, LINC. 98 00:11:44,905 --> 00:11:47,305 WITHOUT CASS'S CAMERA, 99 00:11:47,407 --> 00:11:50,277 WHATEVER THE FUCK THAT IS, 100 00:11:50,377 --> 00:11:52,207 WE'RE ALL TOAST? 101 00:11:52,312 --> 00:11:56,722 YOU'RE ALL GOING TO BE TOAST. WE'RE COMING 9/11/14. 102 00:11:56,817 --> 00:11:58,987 FUCK ME, JOHN. 103 00:12:00,187 --> 00:12:01,987 FUCK YOU, LINC. 104 00:12:02,089 --> 00:12:03,989 IS THERE ANY SPECIAL PURPOSE TO US 105 00:12:04,091 --> 00:12:07,091 BURNING OUR ASS-CHEEKS OFF ON THIS ASPHALT? 106 00:12:07,194 --> 00:12:09,804 I DON'T KNOW, BUTCHIE, INSTEAD. 107 00:12:14,734 --> 00:12:16,604 IS MY ORDER READY? 108 00:12:16,703 --> 00:12:18,273 NOT TODAY. 109 00:12:18,371 --> 00:12:21,311 I ORDER SMOOTHIES FOR ME AND THE DOGS EVERY DAY. 110 00:12:21,408 --> 00:12:24,678 AND EVERY OTHER DAY THEY'RE READY AND TODAY THEY AREN'T. 111 00:12:24,778 --> 00:12:29,248 SO EITHER PISS OFF OR GO BEHIND THE COUNTER AND MAKE THEM YOURSELF. 112 00:12:35,488 --> 00:12:37,058 TECHNICALLY, 113 00:12:37,157 --> 00:12:40,127 THERE'S NO WAY WE CAN BE SEEING WHAT WE'RE SEEING. 114 00:12:40,227 --> 00:12:42,957 HEY, BACK OFF A SEC, WILL YOU? 115 00:12:44,965 --> 00:12:47,565 DON'T LEAVE TOWN. 116 00:12:47,667 --> 00:12:50,897 I'M STAYING, AND I'M TRYING NOT TO GIVE CISSY A HEART ATTACK. 117 00:12:51,004 --> 00:12:52,614 I'M ALL OVER IT, YOU KNOW-- 118 00:12:52,705 --> 00:12:54,765 WHAT SHAUNIE WAS UP TO WITH JOHN. 119 00:12:56,443 --> 00:12:59,253 JOHN'S NOT AN ASSHOLE OR HE'D KNOW HOW TO TAKE A DUMP. 120 00:13:06,019 --> 00:13:07,319 ( paper rustling ) 121 00:13:07,420 --> 00:13:09,460 GIVE THE GUY A TIP. 122 00:13:23,303 --> 00:13:26,673 Linc: DOES YOUR FATHER HAVE A FATHER, JOHN? 123 00:13:26,773 --> 00:13:28,743 MY FATHER HAS A FATHER. 124 00:13:28,842 --> 00:13:31,412 WHAT'S YOUR FATHER'S FATHER'S NAME? 125 00:13:31,511 --> 00:13:33,811 "FATHER." 126 00:13:33,914 --> 00:13:35,924 LIKE GEORGE FOREMAN AND HIS KIDS. 127 00:13:36,016 --> 00:13:38,386 LIKE GEORGE FOREMAN? 128 00:13:40,053 --> 00:13:42,693 DO YOU KNOW YOUR FATHER'S FATHER? 129 00:13:42,789 --> 00:13:46,289 I KNOW MY FATHER'S FATHER'S WORDS. 130 00:13:46,393 --> 00:13:48,433 WHAT ARE HIS WORDS? 131 00:13:48,528 --> 00:13:51,158 "LISTEN TO YOUR FATHER." 132 00:13:51,264 --> 00:13:53,934 THAT'S WHAT YOUR FATHER'S FATHER SAYS TO YOU? 133 00:13:54,034 --> 00:13:57,244 THAT'S WHAT MY FATHER'S FATHER SAYS TO MY FATHER. 134 00:13:57,337 --> 00:14:00,737 YOU DON'T TALK, YOU AND YOUR FATHER'S FATHER? 135 00:14:00,840 --> 00:14:02,180 WE DON'T TALK. 136 00:14:02,275 --> 00:14:04,535 BUT HE'S ALIVE, YOUR FATHER'S FATHER? 137 00:14:07,180 --> 00:14:10,480 I LISTEN TO MY FATHER'S WORDS. 138 00:14:10,583 --> 00:14:13,853 LET ME ASK YOU SOMETHING RIGHT FROM LEFT FUCKING FIELD, JOHN. 139 00:14:13,954 --> 00:14:16,224 - RIGHT FROM LEFT. - WHAT AM I SUPPOSED TO DO? 140 00:14:16,323 --> 00:14:18,033 I MEAN, TELL ME WHAT TO DO, MY BROTHER. 141 00:14:18,125 --> 00:14:20,255 JUST SPIT IT RIGHT THE FUCK OUT. 142 00:14:20,360 --> 00:14:22,760 FIVE WORDS, MAXIMUM, RIGHT NOW-- POW BOOM! 143 00:14:22,862 --> 00:14:24,432 MAXIMUM, RIGHT NOW, POW BOOM! 144 00:14:27,935 --> 00:14:31,335 - GIVE ME A POUND. - NO, YOU GIVE ME A POUND. 145 00:14:36,243 --> 00:14:38,483 Cissy: YOU GOT SOME "GOOD ONES"? 146 00:14:38,578 --> 00:14:41,978 "THEY" WANT TO SPONSOR YOU? WHAT DOES THAT MEAN, SHAUNIE? 147 00:14:42,082 --> 00:14:43,922 YOUR GRANDMOTHER'S RIGHT. WE DESERVE TO KNOW. 148 00:14:44,017 --> 00:14:46,647 I'D LIKE TO MOVE IN WITH JOHN AND DAD. 149 00:14:46,753 --> 00:14:48,663 IT'S TIME FOR ME TO GO. 150 00:14:48,755 --> 00:14:50,685 WHAT ARE YOU SAYING? 151 00:14:50,790 --> 00:14:52,290 YOU DON'T LOVE US? 152 00:14:52,392 --> 00:14:54,862 WE DID A HORRIBLE JOB? WHAT? 153 00:14:54,962 --> 00:14:59,102 YOU KNOW I HAVE THAT PACK WITH THE LINER FOR WETSUITS, OUT BACK. 154 00:14:59,199 --> 00:15:01,169 THAT'S OKAY, GRAMPS. I'M GOOD. 155 00:15:01,268 --> 00:15:03,168 - HEY. - WHAT ARE YOU TALKING ABOUT? 156 00:15:03,270 --> 00:15:07,670 WELL, I-- YOU KNOW, MAYBE IT IS TIME. 157 00:15:07,774 --> 00:15:11,314 YOU'RE SENDING SHAUNIE TO LIVE WITH BUTCHIE AND THAT ASSHOLE THAT RAN OFF WITH HIM? 158 00:15:11,411 --> 00:15:13,451 HOW CAN YOU BE THAT FUCKING THICK? 159 00:15:13,546 --> 00:15:16,146 HE SHOULD BE HERE, FOR CHRIST'S SAKE, WHERE WE CAN WATCH HIM. 160 00:15:16,249 --> 00:15:19,089 HE WAS HERE, CISSY. HE WAS HERE, 161 00:15:19,186 --> 00:15:22,786 YOU WERE HERE. YOU HAD BILL AND FREDDY OUT FRONT. 162 00:15:22,889 --> 00:15:25,959 I LOVE YOU, GRAMPS. I LOVE YOU, GRAM. 163 00:15:26,059 --> 00:15:28,459 I'M GONNA HOP OVER THE FENCE. 164 00:15:31,831 --> 00:15:34,031 ( door shuts ) 165 00:15:52,585 --> 00:15:55,685 GET BACK DOWN HERE. 166 00:15:55,788 --> 00:15:58,158 COULD YOU TURN OFF THE FAN? 167 00:15:59,859 --> 00:16:01,929 Linc: HOW'S SHAUN, BUTCHIE? 168 00:16:02,029 --> 00:16:04,299 MY MOM AND DAD ARE PISSING IN HIS EAR. 169 00:16:04,397 --> 00:16:07,327 - Linc: DO YOU HAVE A MOTHER, JOHN? - MY MOTHER IS MY FATHER. 170 00:16:07,434 --> 00:16:09,674 MY MOTHER'S A CUNT WITH EARFLAPS. 171 00:16:09,769 --> 00:16:12,809 YOUR MOTHER HAS TURNED HERSELF INTO THE WORST BALL-BUSTER KNOWN TO MAN 172 00:16:12,905 --> 00:16:14,665 SO NO ONE WOULD BE AROUND HER, 173 00:16:14,774 --> 00:16:18,014 AND SHE WOULDN'T HAVE TO BE AFRAID SHE'D DO SOMETHING LIKE THAT AGAIN. 174 00:16:18,111 --> 00:16:20,011 THAT'S HOW ASHAMED OF HERSELF SHE WAS. 175 00:16:20,113 --> 00:16:22,923 MITCH WIPES OUT. MITCH WIPES OUT CISSY. 176 00:16:23,016 --> 00:16:26,346 - CISSY SHOWS BUTCHIE HOW TO DO THAT. - WHAT THE FUCK, JOHN. 177 00:16:26,453 --> 00:16:28,163 BUTCHIE HURTS BARRY'S HEAD. 178 00:16:28,255 --> 00:16:30,915 MR. ROLLINS COMES IN BARRY'S FACE. 179 00:16:31,024 --> 00:16:33,434 WE ARE ALL FRAIL VESSELS. 180 00:16:40,033 --> 00:16:43,003 JOHN IS GOING ALL "PSYCHIC HOTLINE" ON US, HUH? 181 00:16:45,372 --> 00:16:47,812 CAN I CRASH WITH YOU AND JOHN, DAD? 182 00:16:47,907 --> 00:16:50,337 YOU CAN CRASH WITH ME. HE KEEPS RUNNING HIS MOUTH, 183 00:16:50,443 --> 00:16:52,553 JOHN MAY BE HOSPITALIZED BY THEN. 184 00:16:55,115 --> 00:16:57,345 WHAT'S UP WITH THE FLAK SUITS, MY BROTHER? 185 00:16:57,450 --> 00:16:59,820 THAT'S WHAT THEY CAME BACK WEARING. 186 00:16:59,919 --> 00:17:02,259 SHOWIN' UP IN CAMOUFLAGE? 187 00:17:02,355 --> 00:17:05,225 JOHN SPOUTING, "THE END IS NEAR. 9/11 IS BIG," 188 00:17:05,325 --> 00:17:07,555 LIABLE TO PUSH SOME PEOPLE'S BUTTONS, SHAUNIE. 189 00:17:07,660 --> 00:17:10,500 - THEY WANT TO SPONSOR US. - WHO WANTS TO SPONSOR YOU? 190 00:17:14,667 --> 00:17:18,067 WHAT THE FUCK'S GOING ON, JOHN? WHERE THE FUCK DID YOU GUYS GO? 191 00:17:18,171 --> 00:17:21,141 HEY HEY HEY, TALK TO SHAUNIE. I'LL TALK TO JOHN. 192 00:17:21,241 --> 00:17:24,241 - SOUNDS LIKE A FUCKING PLAN. - BUTCHIE HURT MY TIT. 193 00:17:26,479 --> 00:17:28,479 HERE, COME HERE. 194 00:17:30,883 --> 00:17:33,393 ( coughs ) 195 00:17:33,486 --> 00:17:36,316 IT'S YOURS. PICKED IT UP BY ACCIDENT. 196 00:17:36,423 --> 00:17:38,833 IF IT HAD RANG, WOULD YOU HAVE WANTED ME TO ANSWER IT? 197 00:17:38,925 --> 00:17:40,585 NO. 198 00:17:43,363 --> 00:17:45,273 IT RANG, I ANSWERED. 199 00:17:45,365 --> 00:17:49,065 MOANA'S COMING, LANDED IN SAN DIEGO. 200 00:17:49,169 --> 00:17:50,799 SHOULD I GET THE TOOLS FROM THE TRUNK? 201 00:17:50,903 --> 00:17:52,843 HE CALLED AHEAD. 202 00:17:52,939 --> 00:17:56,039 TRUE. 203 00:17:56,143 --> 00:17:58,483 SHOULD I BE STRAPPED ON MY PERSON, IN MY ROOM? 204 00:17:58,578 --> 00:18:02,378 ON THE EAR, I CAN RECOGNIZE THE DRIFT OF THINGS. 205 00:18:05,218 --> 00:18:07,588 LET IT PLAY OUT. 206 00:18:15,428 --> 00:18:17,928 DIDN'T THEY USED TO HAVE BIBLES IN THESE PLACES? 207 00:18:18,030 --> 00:18:21,600 YEAH, GIDEONS-- BIG DISTRIBUTOR. 208 00:18:23,303 --> 00:18:25,943 DON'T YOU UNDERSTAND, SHAUNIE? THIS SHIT'S FREAKING ME OUT. 209 00:18:26,038 --> 00:18:28,538 - YOU DISAPPEARED WITH YOUR MOM-- - WE WENT TO SEAWORLD. 210 00:18:28,641 --> 00:18:30,781 I KNOW YOU WENT TO SEAWORLD AND MOM BROUGHT YOU BACK. 211 00:18:30,877 --> 00:18:33,007 BUT JOHN TOLD SOME PEOPLE THAT YOU WERE GONNA BE GONE. 212 00:18:33,112 --> 00:18:35,682 AND BEFORE YOU CAME BACK, EVERYBODY WAS ALREADY FREAKED OUT. 213 00:18:35,782 --> 00:18:38,292 AND THEN YOUR MOM BROUGHT YOU BACK, AND THE NEXT MORNING, 214 00:18:38,385 --> 00:18:40,985 - YOU'RE FUCKING GONE AGAIN. - I WAS WITH JOHN. 215 00:18:41,087 --> 00:18:43,157 IT'S WHERE YOU WENT WITH JOHN, SHAUNIE, 216 00:18:43,256 --> 00:18:45,756 THAT'S GOT EVERYBODY'S SHORTS IN A BUNCH. 217 00:18:45,858 --> 00:18:47,788 I DON'T KNOW. 218 00:18:47,894 --> 00:18:52,504 SO THAT HAS EVERYONE WORRIED THAT HE HALF HYPNOTIZED YOU OR SOME FUCKING THING. 219 00:18:52,599 --> 00:18:55,769 - THEY HAD SOME PRETTY FUN ONES. - YOU REMEMBER THAT? 220 00:18:55,868 --> 00:18:58,068 SORT OF. 221 00:18:58,171 --> 00:19:00,241 YOU REMEMBER THEY WANT TO SPONSOR YOU? 222 00:19:00,340 --> 00:19:02,580 I SORT OF REMEMBER. 223 00:19:02,675 --> 00:19:04,975 WHAT DOES "SORT OF" MEAN, SHAUNIE? 224 00:19:05,077 --> 00:19:06,907 I REMEMBER TO SAY IT. 225 00:19:09,882 --> 00:19:12,322 THE WAVES WERE GOOD. 226 00:19:12,419 --> 00:19:14,349 WERE THE WAVES ON WATER? 227 00:19:14,454 --> 00:19:16,994 - I DON'T KNOW. - JESUS CHRIST! 228 00:19:17,089 --> 00:19:19,789 WHAT DID THEY DO TO YOU, SHAUNIE? WHERE THE FUCK DID YOU GO? 229 00:19:19,892 --> 00:19:22,302 CINCINNATI. 230 00:19:22,395 --> 00:19:25,495 CINCINNATI IS THAT WAY. THE SKY'S UP THERE. 231 00:19:28,268 --> 00:19:30,168 WHERE'S YOUR FRIEND, THE FUCKING CHEMIST? 232 00:19:30,270 --> 00:19:33,510 AT THE ALTERNATIVE APOTHECARY. 233 00:19:33,606 --> 00:19:35,676 - WHO ARE YOU CALLING? - BILL JACKS. 234 00:19:35,775 --> 00:19:38,805 YOU NEED TO BE WATCHED, MITCH-- YOU ALWAYS NEEDED THAT. 235 00:19:38,911 --> 00:19:42,821 - BILL JACKS, CAN I HELP YOU? - Cissy: Great news, Bill. 236 00:19:42,915 --> 00:19:44,715 SHAUNIE'S HOME. 237 00:19:44,817 --> 00:19:46,717 CAN YOU COME OVER? 238 00:19:46,819 --> 00:19:49,459 THANKS A LOT. 239 00:19:51,791 --> 00:19:55,231 - WELL, WHERE ARE YOU GOING? - ERRANDS. 240 00:19:57,430 --> 00:19:59,930 Linc: LET'S SAY YOU'RE NOT FROM AROUND HERE, JOHN. 241 00:20:00,032 --> 00:20:02,202 LET'S SAY I'M NOT, LINC. 242 00:20:02,302 --> 00:20:05,672 CHOCOLATE, VANILLA-- EVERYONE'S FROM SOMEWHERE, SO YOU'RE NOT FROM HERE. 243 00:20:05,772 --> 00:20:08,112 ON THE OTHER HAND, FINDING OUT YOU'RE NOT FROM HERE 244 00:20:08,207 --> 00:20:10,337 IS A BIT OF A NUT-NUDGE FOR US EARTHLINGS. 245 00:20:10,443 --> 00:20:12,453 I CAN'T IMAGINE YOUR OLD MAN WOULDN'T KNOW THAT. 246 00:20:12,545 --> 00:20:15,375 I CAN'T IMAGINE MY OLD MAN WOULDN'T KNOW THAT. 247 00:20:15,482 --> 00:20:17,882 THAT'S YOUR FATHER'S POINT-- WITH THE CAMO AND STUFF? 248 00:20:17,984 --> 00:20:21,354 - SCARE OUR BALLS OFF? - YOU HEAR MY FATHER'S WORDS. 249 00:20:22,955 --> 00:20:26,685 John: YOU HEAR THEM BETTER IN CASS'S CAMERA. 250 00:20:32,699 --> 00:20:34,969 WHO'S SUPPOSED TO SEE THIS, JOHN? 251 00:20:36,068 --> 00:20:38,568 YOU HEAR MY FATHER'S WORDS, LINC. 252 00:20:38,671 --> 00:20:40,341 ME. 253 00:20:40,440 --> 00:20:42,380 ( tires squeal ) 254 00:20:52,385 --> 00:20:55,855 YOUR FUCKIN' FATHER'S ON THE FUCKIN' CEILING. 255 00:20:55,955 --> 00:20:58,355 FINE. COME HERE, SHAUNIE. 256 00:20:59,959 --> 00:21:02,899 SOMETHING'S FUCKED AT THE HOUSE. I'LL CHECK IN. 257 00:21:02,995 --> 00:21:07,325 - ( engine starts ) - Butchie: HERE, HOOK UP. 258 00:21:09,336 --> 00:21:11,496 MEET THE JETSONS. 259 00:21:13,440 --> 00:21:15,240 Linc: I WANNA GIVE YOU AN ADDRESS. 260 00:21:15,342 --> 00:21:18,682 YOU MEET ME HERE AND BRING THE TAILOR. 261 00:21:24,517 --> 00:21:26,217 WHY DON'T WE JUST PULL YOU DOWN, DAD? 262 00:21:26,319 --> 00:21:29,689 NO. 263 00:21:29,789 --> 00:21:32,689 WHAT'S THE DIFFERENCE IF THE CEILING KEEPS YOU FROM FLYING OFF OR WE DO? 264 00:21:32,792 --> 00:21:37,332 LOOK, I WANT AS LITTLE COMPLICATION AS POSSIBLE. 265 00:21:37,430 --> 00:21:39,500 I NEED TO KNOW WHAT THIS IS ABOUT. 266 00:21:39,599 --> 00:21:41,829 WHAT ABOUT THE COMPLICATIONS FOR US, MITCH, 267 00:21:41,934 --> 00:21:46,444 WORRYIN' YOU'LL PISS ON OUR HEADS EVERY TIME WE WALK UNDER YOU? 268 00:21:46,539 --> 00:21:48,509 YOU COULD TELL ME ABOUT WHERE YOU WENT, GRAMPS. 269 00:21:48,608 --> 00:21:51,038 WELL, I CAN-- I CAN DO THAT FROM HERE. 270 00:21:51,143 --> 00:21:53,683 OH YEAH? THEN WHY AREN'T YOU, DAD? 271 00:21:53,780 --> 00:21:55,820 JUST GET OUT, GET OUT. DON'T LOOK. 272 00:21:55,915 --> 00:21:57,545 JUST... 273 00:21:57,650 --> 00:21:59,520 ( sobs ) 274 00:22:01,388 --> 00:22:03,418 GOIN' TO THE RESTROOM. 275 00:22:08,027 --> 00:22:10,127 Linc: MEN, THERE'S A PARADE THIS AFTERNOON 276 00:22:10,229 --> 00:22:13,399 DOWN AT THE PIER FOR SHAUN AND JOHN, 3:30, 4:00. 277 00:22:13,500 --> 00:22:17,140 DON'T BE NO-SHOWS. YOU'RE IN IT. 278 00:22:17,236 --> 00:22:19,706 OUR OWN CELEBRATORY BARBECUE, RAMON, 279 00:22:19,806 --> 00:22:21,806 IS THUS SOMEWHAT IMPINGED UPON. 280 00:22:21,908 --> 00:22:24,738 YOU GUYS, YOU'RE THE ISLAND CONTINGENT! 281 00:22:26,613 --> 00:22:28,883 WE COULD TAKE THIS STUFF TO WHEREVER THE PARADE'S AT. 282 00:22:28,981 --> 00:22:32,121 NO WAY TO PAINT THIS PATTERN ON MORE WETSUITS. 283 00:22:32,218 --> 00:22:35,188 IN THE TWO HOURS, YOU MEAN, BEFORE WE PUT THE PLAY ON IN THE BARN? 284 00:22:35,287 --> 00:22:38,927 - THE LOGO I COULD DO. - BARBECUE'S BEEN 86'd, DICKSTEIN. 285 00:22:39,025 --> 00:22:42,925 THE SURF GUY IS HAVING A PARADE DOWN BY THE PIER, 3:30. 286 00:22:43,029 --> 00:22:45,699 ALL RIGHT, LINC, SO AS HIS PERSONAL MANAGER NOW, 287 00:22:45,798 --> 00:22:48,268 WITH SHAUN BACK FROM THE DEAD AND OUTER SPACE TOO-- 288 00:22:48,367 --> 00:22:50,467 AND ASSUMING HE'S SIGNED YOU TOO? 289 00:22:50,570 --> 00:22:52,970 I ASSUMED YOU'VE SIGNED MING OF MARS? 290 00:22:53,072 --> 00:22:54,872 YOUR IDEA FOR THE SKIT IN THE BARN IS LIKE, 291 00:22:54,974 --> 00:22:58,344 "STINKWEED, IT'S FACE ON ALL THIS--" 292 00:22:58,445 --> 00:23:00,975 "A MIRACLE-- HALF OUR BASE RUNS THE OTHER WAY. 293 00:23:01,080 --> 00:23:03,850 DO WE MAKE THAT UP SELLING AT SHRINES?" 294 00:23:05,351 --> 00:23:07,251 SO YOU TELL HIM SOMETHING THAT I SAID TO YOU 295 00:23:07,353 --> 00:23:10,123 AND I'M SUPPOSED TO THINK, LIKE, "WHOA, HE JUST CAME UP WITH THAT." 296 00:23:10,222 --> 00:23:13,032 THEN I'M SUPPOSED TO WET MY PANTS AND OKAY THE STREET FAIR? 297 00:23:13,125 --> 00:23:16,055 "IF I GET YOU TO TIJUANA, THE KID CAN HEAR OUR CONFESSION." 298 00:23:18,865 --> 00:23:21,695 SOMETHING I DIDN'T SAY TO HIM. 299 00:23:21,801 --> 00:23:24,441 John: "DO YOU WANT ME TO WRITE YOU ANOTHER CHECK?" 300 00:23:24,537 --> 00:23:26,037 Jake: SOMETHING I DIDN'T SAY TO HER 301 00:23:26,138 --> 00:23:28,708 THAT HE COULD HAVE HEARD ON HER TAPE RECORDER. 302 00:23:31,878 --> 00:23:34,408 John: "WHAT ROOM IS SHE IN?" 303 00:23:44,123 --> 00:23:45,463 DO THE T-SHIRTS. 304 00:23:45,558 --> 00:23:47,988 STINKWEED LOGOS ON THE WETSUITS. 305 00:23:48,094 --> 00:23:50,164 WE NEED AN EL CAMINO. 306 00:23:50,262 --> 00:23:53,832 - WHOSE LOGO IS THIS? - "MIND YOUR OWN FUCKIN' BUSINESS INCORPORATED." 307 00:23:53,933 --> 00:23:56,743 I WANT TO SEE THAT LOGO EVERYWHERE WE SET UP. 308 00:23:56,836 --> 00:23:59,506 ( sighs ) IN TWO HOURS? 309 00:23:59,606 --> 00:24:01,866 AMAZING HE CAN DO DESIGN WORK WHILE UP ON A CROSS. 310 00:24:01,974 --> 00:24:04,084 WHOEVER JOHN IS FRONTING FOR, 311 00:24:04,176 --> 00:24:05,506 HE CALLS HIM HIS FATHER. 312 00:24:05,612 --> 00:24:07,652 I'M GUESSING IF HIS FATHER WANTED, 313 00:24:07,747 --> 00:24:10,517 WE'D ALL BE GOOD AND FUCKED BY NOW. 314 00:24:10,617 --> 00:24:13,847 SO YOU GUESS HIS OLD MAN'S GOT PLANS FOR THE YOSTS? 315 00:24:13,953 --> 00:24:15,793 HE TALKED TO ME BEFORE HE TALKED TO MITCH. 316 00:24:15,888 --> 00:24:18,858 SO HIS FATHER'S GOT PLANS FOR YOU TOO? 317 00:24:18,958 --> 00:24:22,328 I'M A SALESMAN. I'M GUESSING HE WANTS ME TO SELL THE FAMILY. 318 00:24:22,428 --> 00:24:23,828 THROUGH STINKWEED? 319 00:24:23,930 --> 00:24:25,730 ISN'T THAT HOW WE BUILT THE BRAND, 320 00:24:25,832 --> 00:24:27,732 SEEING THE WINNERS EARLY? 321 00:24:27,834 --> 00:24:30,744 - MAY I TELL YOU SOMETHING ABOUT MY BEARS? - ABSOLUTELY. 322 00:24:30,837 --> 00:24:34,007 THEY WERE WHAT MY EYES OPENED TO THIS MORNING, 323 00:24:34,106 --> 00:24:37,836 THERE ON THE FLOOR BESIDE MY MATTRESS IN MY OTHERWISE UNAPPOINTED BEDROOM. 324 00:24:37,944 --> 00:24:39,784 NICE. 325 00:24:39,879 --> 00:24:41,749 THEY WERE JUST AS I HAD SITUATED THEM 326 00:24:41,848 --> 00:24:44,118 BEFORE I LAID MY HEAD TO PILLOW. 327 00:24:44,216 --> 00:24:48,246 NOTHING UNTOWARD HAD TRANSPIRED IN THE DARKNESS. 328 00:24:48,354 --> 00:24:51,024 "MY GOD," I THOUGHT, 329 00:24:51,123 --> 00:24:54,763 "THEY'RE JUST TWO BEARS DOING WHAT BEARS DO." 330 00:24:54,861 --> 00:24:58,101 I DIDN'T SEE FREDDY'S TEDDY AND WONDER HOW HARD 331 00:24:58,197 --> 00:25:01,497 HE MAY HAVE VIOLATED MY TEDDY THE NIGHT BEFORE, 332 00:25:01,601 --> 00:25:05,671 OR HOW MANY TIMES HE MAY HAVE CALLED TEDDY "FAGGOT," 333 00:25:05,772 --> 00:25:08,012 OR "COCKSUCKER," OR "SISSY MARY." 334 00:25:08,107 --> 00:25:10,707 I CHOSE TO BELIEVE THEY PLAYED NICELY. 335 00:25:10,810 --> 00:25:14,750 - LIVE AND LEARN. - AND I CHOOSE TO DO SO STILL, 336 00:25:14,847 --> 00:25:17,517 EVEN IN THEIR PROXIMITY TO THE FLAME. 337 00:25:17,617 --> 00:25:20,847 I'M STANDING SO THEY DON'T GET SPARKED ON. 338 00:25:20,953 --> 00:25:24,923 TELL THE QUEER I DON'T LIKE THOSE BEARS SITTING TOGETHER. 339 00:25:27,193 --> 00:25:30,863 THAT'S YOUR OPENER. THEN ASK IF HIM AND THE BEANER 340 00:25:30,963 --> 00:25:33,973 ARE WEARING THEM CLOTHES TO THE PARADE. 341 00:25:35,735 --> 00:25:37,895 GO, GO AHEAD. 342 00:25:39,872 --> 00:25:42,542 HEY. 343 00:25:42,642 --> 00:25:45,682 BLAH BLAH BLAH, BLAH BLAH BLAH BLAH-- WE'RE TALKING, WE'RE TALKING. 344 00:25:45,778 --> 00:25:49,118 YOU'RE LISTENING, NOW YOU'RE LISTENING. LOOK AT THE BEARS FOR A SECOND. 345 00:25:49,215 --> 00:25:51,115 LOOK AT THE BEAR, UH-HUH. THAT'S GOOD. 346 00:25:51,217 --> 00:25:53,517 HEY, YOU'RE WEARING THEM CLOTHES TO THE PARADE? 347 00:25:53,620 --> 00:25:56,590 - I THOUGHT I WOULD. - FINE. 348 00:26:00,492 --> 00:26:02,562 AREN'T THESE PARADE-APPROPRIATE? 349 00:26:02,662 --> 00:26:06,632 DICKSTEIN HAD A LIFE-CHANGING EXPERIENCE, WHY HE'S BEEN OUT OF TOUCH. 350 00:26:06,733 --> 00:26:09,273 HE'S WEARING THOSE. 351 00:26:10,436 --> 00:26:13,136 ( grumbles ) 352 00:26:13,239 --> 00:26:17,439 - WE ALL RIGHT? - WHAT DID HE SAY ABOUT THE BEARS? 353 00:26:17,543 --> 00:26:21,613 UH, SEGREGATED WHENEVER THEY'RE INDOORS. 354 00:26:22,682 --> 00:26:25,152 CHERRY OLDIES, 8th AND PALM. 355 00:26:25,251 --> 00:26:29,591 - CHERRY OLDIES, 8th AND PALM, WHAT? - HAS AN EL CAMINO. 356 00:26:31,090 --> 00:26:32,990 THEN WE BETTER GO CHECK THE FUCKER OUT. 357 00:26:33,092 --> 00:26:35,902 WHOA WHOA WHOA WHOA WHOA-- OVER THERE. OVER THERE, HUH? 358 00:26:35,995 --> 00:26:37,895 MISS, MISS, I TOLD YOU ONCE ABOUT THE KODAK. 359 00:26:37,997 --> 00:26:40,997 FUCKIN' PLEASE, HUH? NOT AT US. 360 00:26:41,100 --> 00:26:44,200 ( mocks ) STARE ME DOWN. STARE ME DOWN! 361 00:26:44,303 --> 00:26:46,613 YOU WANT A PICTURE? YOU WANT A PICTURE? 362 00:26:46,706 --> 00:26:49,336 TAKE A FUCKIN' PICTURE-- OF ME, NOT HIM. 363 00:26:49,441 --> 00:26:54,381 I'M TAKING A PICTURE OF THE ENTIRE SCENE, MY BROTHER. 364 00:26:54,480 --> 00:26:57,020 ALL THE ZEROS AND ONES, HUH? 365 00:26:57,817 --> 00:26:59,647 THAT'S HOW I WORK. 366 00:26:59,752 --> 00:27:02,422 FUCKIN' BALL-BUSTER. 367 00:27:02,521 --> 00:27:05,191 CAN WE PLEASE GET READY FOR MOANA? 368 00:27:05,291 --> 00:27:07,231 KINDA CUTE. 369 00:27:08,661 --> 00:27:11,601 SHE JUST CALLED YOU A ZERO. 370 00:27:11,698 --> 00:27:15,298 Salesman: I FEEL THAT YOU BOYS ARE READY FOR THIS CAMINO. 371 00:27:15,401 --> 00:27:17,371 FUCKIN' LUG NUTS ON A T-BIRD. 372 00:27:17,469 --> 00:27:20,969 BETWEEN THE TWO OF US, WE OWN MORE CARS THAN YOU HAVE ON THIS LOT. 373 00:27:21,073 --> 00:27:23,143 MY GUESS IS YOUR FEELING IS PROBABLY RIGHT. 374 00:27:23,242 --> 00:27:25,582 THAT'S NOT WHAT I MEAN BY "READY"-- 375 00:27:25,678 --> 00:27:27,748 NUMBER OF VEHICLES OWNED. 376 00:27:27,847 --> 00:27:30,447 WHAT DO YOU MEAN, POPS? 377 00:27:30,549 --> 00:27:33,289 WE GOTS TO BOOGIE. 378 00:27:33,385 --> 00:27:37,755 OH, SO I HAVE TO KNOW WHAT I MEAN BEFORE I CAN HAVE A FEELING? 379 00:27:37,857 --> 00:27:40,487 DO I HAVE TO KNOW THAT YOU'LL UNDERSTAND ME? 380 00:27:40,592 --> 00:27:44,132 DO YOU HAVE TO KNOW YOU'LL UNDERSTAND BEFORE YOU LISTEN? 381 00:27:44,230 --> 00:27:47,200 25 CARS BETWEEN YOU? 382 00:27:47,299 --> 00:27:50,569 YOU SHOULD HAVE LET ME SIT DOWN BEFORE YOU TOLD ME. 383 00:27:50,669 --> 00:27:54,539 I'VE GOT THAT MANY DEALERSHIPS IN EACH OF THAT MANY SECTORS 384 00:27:54,640 --> 00:27:58,480 AND BRANDS ON GODDAMN FRANCHISE. 385 00:27:58,577 --> 00:28:00,207 I GOTTA BOOGIE! ME! 386 00:28:00,312 --> 00:28:02,682 HE FEELS YOU'RE READY FOR THE CAMINO. 387 00:28:02,782 --> 00:28:06,952 - YOU'RE OFF-LINE NOW, COUNTRY. - I DON'T KNOW, BUTCHIE, INSTEAD. 388 00:28:07,053 --> 00:28:09,563 HOW'S HE FOR HIGH PERFORMANCE? 389 00:28:09,655 --> 00:28:12,315 AND HE AIN'T WHO'S WORST UNDERPOWERED. 390 00:28:12,424 --> 00:28:16,264 INTRUSIONS, EVANESCENCES... 391 00:28:16,362 --> 00:28:19,402 I'M A SHEPHERD, WITHOUT CROOK OR UNDERSTANDING! 392 00:28:19,498 --> 00:28:23,438 FITS AND STOPS AND STARTS, WAVES AND RIPPLES 393 00:28:23,535 --> 00:28:26,235 AND RAMIFICATIONS! BUSTED KNEE, 394 00:28:26,338 --> 00:28:28,038 MOTHER-SON HANDJOBS. 395 00:28:28,140 --> 00:28:29,810 CHRIST, JESUS CHRIST, JESUS CHRIST! 396 00:28:29,909 --> 00:28:32,809 CROSSES... AND SHOULDERS TO BEAR 'EM. 397 00:28:36,015 --> 00:28:38,375 EL CAMINO! $15,000 AS IS. 398 00:28:38,484 --> 00:28:42,024 - Linc: IS IT GASSED? - FUCKING-A RIGHT, IT'S GASSED, LINC. 399 00:28:43,956 --> 00:28:45,886 YOU AND YOUR 25 CARS. 400 00:28:45,992 --> 00:28:47,792 CIRCLE AND LINE ON THE WALL, 401 00:28:47,894 --> 00:28:50,104 AND ZEROS AND GODDAMN ONES 402 00:28:50,196 --> 00:28:52,626 IS WHAT TO TURN THE BOTH OF YOUR GIFTS TO-- 403 00:28:52,731 --> 00:28:54,271 AND NOT ONE DAMN MINUTE TO WASTE. 404 00:28:54,366 --> 00:28:57,096 RAGHEADS ARE GONNA GET THEMSELVES ERADICATED. 405 00:28:57,203 --> 00:29:00,213 COUNTRY, I TOOK YOU OFF-LINE. 406 00:29:00,306 --> 00:29:03,306 MANUEL! 407 00:29:03,409 --> 00:29:05,879 GET A CAGE ON THIS THING. 408 00:29:13,119 --> 00:29:17,089 - Freddy: HOW WAS THE FLIGHT? - IT WAS GOOD, YOU KNOW, FAIR. 409 00:29:17,189 --> 00:29:18,959 GOT SICK? 410 00:29:19,058 --> 00:29:21,528 SHMALL KINE, NOT REALLY. 411 00:29:21,627 --> 00:29:23,527 WHAT THEN? 412 00:29:23,629 --> 00:29:28,129 TERRIBLE FUCKIN' HURRICANE, TSUNAMI? 413 00:29:28,234 --> 00:29:30,704 WHAT THE FUCK YOU TALKIN' ABOUT? WHERE? 414 00:29:30,803 --> 00:29:32,743 FIVE DAYS SINCE WE SPOKE, 415 00:29:32,839 --> 00:29:34,869 MAYBE THEY HAD THEM AT THE AIRPORT. 416 00:29:34,974 --> 00:29:37,444 CLEAR SKIES, BRAH. 417 00:29:39,345 --> 00:29:42,105 MAYBE YOU SPENT THEM TURNIN' OVER AND OVER, 418 00:29:42,214 --> 00:29:45,994 "WHAT'S HE TALKING ABOUT, THIS HAOLE FUCK, 419 00:29:46,085 --> 00:29:48,515 PRETENDING TO GIVE ME SOMETHING?" 420 00:29:48,620 --> 00:29:50,420 MAYBE YOU SPENT THEM... 421 00:29:50,522 --> 00:29:53,932 "HE MUST HAVE GOT OLD FUCKIN' FAST OVER THERE, 422 00:29:54,026 --> 00:29:57,026 THINKS HE'S GONNA MOVE ON ME, 423 00:29:57,129 --> 00:30:00,429 CONFUSING ME FOR SOME OTHER KANAKA. 424 00:30:00,532 --> 00:30:05,072 MAYBE HANDLE HIS SHIT FOR HIM BEFORE HE HANDLES MINE FOR ME." 425 00:30:05,171 --> 00:30:08,011 YOU KNOW I GOT TO THINK ABOUT THAT. 426 00:30:12,011 --> 00:30:14,151 BUT YOU DIDN'T COME IN HERE BLAZING... 427 00:30:14,246 --> 00:30:16,116 COME ON, FREDDY, YOU RAISED ME UP. 428 00:30:16,215 --> 00:30:18,345 ...SO I KNOW YOU DIDN'T TRAVEL ALONE. 429 00:30:27,059 --> 00:30:30,199 YOU COCKSUCKERS ALWAYS NEED SOMEONE TO WORK FOR. 430 00:30:35,601 --> 00:30:38,941 TELL THE CHINAMAN, "FREDDY'S GOT 17 SAFE DEPOSITS." 431 00:30:39,038 --> 00:30:43,378 TELL HIM, "HE'LL TAKE A TASTE FOR THREE YEARS 432 00:30:43,475 --> 00:30:45,335 BUT ALL HE WANTS IS OUT." 433 00:30:47,179 --> 00:30:51,279 BUT-- BEFORE YOU TALK TO HIM, 434 00:30:51,383 --> 00:30:55,153 IF YOU EAT SOMETHING STRANGE THAT PUTS A BRAIN IN YOUR FUCKIN' HEAD, 435 00:30:55,254 --> 00:30:57,894 MOANA, TELL THE CHINAMAN... 436 00:30:57,990 --> 00:31:01,060 TO GO FUCK HIMSELF, 437 00:31:01,160 --> 00:31:03,460 AND ASK ME FOR THE KEYS ON YOUR OWN. 438 00:31:21,613 --> 00:31:23,753 ( car doors slam ) 439 00:31:23,849 --> 00:31:25,779 I GOT THEM. I GOT THE FISH. 440 00:31:25,884 --> 00:31:27,094 JAKE FERRIS, STINKWEED. 441 00:31:27,186 --> 00:31:29,086 CAN ANYONE THROW ME A BONE? 442 00:31:29,188 --> 00:31:30,558 WHOSE RIDE WOULD THIS BE NOW? 443 00:31:30,656 --> 00:31:32,986 Reporter: HAS SHAUN YOST BEEN FOUND OR NOT? 444 00:31:33,092 --> 00:31:34,832 Jake: AH, THERE MAY BE SOME NEWS ON THAT. 445 00:31:34,927 --> 00:31:37,397 WE'RE PUTTING SOMETHING TOGETHER FOR YOU GUYS SOON. 446 00:31:37,496 --> 00:31:39,626 - THANKS. - IS THAT TINA BLAKE? 447 00:31:41,233 --> 00:31:44,143 CAN I GET SOME RHYTHM? SHE'S PART OF MY PRIVATE LIFE. 448 00:31:46,272 --> 00:31:49,112 THIS AIN'T THE TIME TO BREAK YOU'RE HIS MOTHER. 449 00:31:51,978 --> 00:31:54,178 THINK OF A PLACE WE'RE GOING. 450 00:31:54,280 --> 00:31:56,680 THERE'S A FENCE AROUND BACK-- WE COULD CLIMB OVER. 451 00:32:03,122 --> 00:32:07,232 BRAH, TRY TAKE YOUR GLASSES OFF. 452 00:32:10,296 --> 00:32:12,596 Freddy: HAVIN' IT WHERE WE COULD SEE IT, 453 00:32:12,698 --> 00:32:15,628 - THAT'S THE CHINAMAN ASKING TO NEGOTIATE. - THEY'RE ALREADY IN THE CAR. 454 00:32:15,734 --> 00:32:18,544 ASKIN' TO NEGOTIATE WITH ME... 455 00:32:18,637 --> 00:32:21,837 WOW. 456 00:32:21,940 --> 00:32:26,150 ...VOLUNTEERING TO OFF MOANA. 457 00:32:26,245 --> 00:32:29,775 THAT KID BETTER BE MORE THAN HALF-SMART. 458 00:32:29,881 --> 00:32:32,351 SO WHAT'D THE BUGGAH BULAI TO YOU? 459 00:32:32,451 --> 00:32:34,291 BRAH, 460 00:32:34,386 --> 00:32:36,916 I THINK THAT BUGGAH LIKE ME TAKE OVER HIS TURF IN HAWAII. 461 00:32:37,023 --> 00:32:39,163 WHAT? HOW COME? 462 00:32:39,258 --> 00:32:41,688 I DON'T KNOW. MAYBE HE HAD A VISION OR SOMETHING. 463 00:32:41,793 --> 00:32:44,463 - I DON'T KNOW. - FUCKING MAHU. 464 00:32:44,563 --> 00:32:46,273 SO WHAT? 465 00:32:46,365 --> 00:32:48,265 HE, LIKE, GIVE YOU HIS BUSINESS 466 00:32:48,367 --> 00:32:50,637 SO YOU CAN COME AND GIVE 'EM BACK TO ME? 467 00:32:50,736 --> 00:32:52,096 ( chuckles ) 468 00:32:52,204 --> 00:32:55,044 BRAH, I DON'T GIVE NOTHING TO NOBODY. 469 00:32:55,141 --> 00:32:57,781 IF ANYTHING, I TAKE. 470 00:32:57,876 --> 00:33:00,276 AH, MOANA. 471 00:33:00,379 --> 00:33:02,809 YOU REMEMBER SMALL KID TIME? 472 00:33:02,914 --> 00:33:04,554 I USED TO HANG YOU OVER THE ROOF 473 00:33:04,650 --> 00:33:07,050 SO YOU CAN BREAK IN THROUGH THE WINDOW AND ROB THE HOUSE? 474 00:33:07,153 --> 00:33:09,163 YOU TRUST ME THEN, RIGHT? 475 00:33:09,255 --> 00:33:11,155 YEAH, BUT THAT WAS HANABADDAH DAYS. 476 00:33:11,257 --> 00:33:13,587 THAT WAS THEN, THIS IS NOW. 477 00:33:13,692 --> 00:33:15,162 AND YOU KNOW WHAT? 478 00:33:15,261 --> 00:33:17,701 I MAY BE PUPULE, BUT I AIN'T NO LOLO. 479 00:33:17,796 --> 00:33:19,796 I NEVER SAY YOU WAS LOLO. 480 00:33:19,898 --> 00:33:22,928 SO WHAT? WHAT? 481 00:33:23,035 --> 00:33:25,535 WHAT YOU LIKE ME DO NOW? 482 00:33:25,637 --> 00:33:28,337 I DON'T KNOW, I THINK MO' BETTAH YOU HELE BACK TO HAWAII. 483 00:33:28,440 --> 00:33:31,480 LET ME FIGURE OUT WHAT'S REALLY GOING ON. 484 00:33:31,577 --> 00:33:33,647 HOW'S THAT SOUND? 485 00:33:33,745 --> 00:33:35,205 OKAY, BROTHER. 486 00:33:35,314 --> 00:33:39,094 I'LL GO HELE BACK, BUT REMEMBER ONE THING: 487 00:33:39,185 --> 00:33:41,885 WE GO BACK A LONG LONG WAY, BROTHER. 488 00:33:41,987 --> 00:33:44,657 REMEMBER, YOU AND I, 489 00:33:44,756 --> 00:33:46,426 WE OHANA. 490 00:33:46,525 --> 00:33:48,455 YEAH. 491 00:33:49,961 --> 00:33:52,561 WHAT, I CAN THROW MY GLASSES BACK ON OR WHAT? 492 00:33:52,664 --> 00:33:55,504 ( sighs ) SHOOT. 493 00:33:55,601 --> 00:33:57,401 ALL RIGHT. 494 00:33:59,238 --> 00:34:02,308 - ALOHA. - ALOHA NO, BROTHER. 495 00:34:09,715 --> 00:34:11,475 ( sighs ) 496 00:34:19,091 --> 00:34:21,191 DROVE OFF-- 497 00:34:21,293 --> 00:34:22,963 THE CHINAMAN. 498 00:34:23,061 --> 00:34:25,301 MOANA WALKED AWAY ON FOOT. 499 00:34:25,397 --> 00:34:27,667 LET'S GO TO THE PARADE. 500 00:34:29,568 --> 00:34:32,968 YOU BRING YOUR CELL PHONE WITH YOU, DEFINITELY. 501 00:34:33,071 --> 00:34:35,671 HE WON'T BE USING NO CELL PHONE. 502 00:34:38,310 --> 00:34:41,380 ONE WAY OR ANOTHER, HE'LL BE COMIN'. 503 00:35:08,240 --> 00:35:10,380 WHAT DO YOU WANT HERE? 504 00:35:11,643 --> 00:35:14,013 THIS. 505 00:35:14,112 --> 00:35:16,252 TIMES SQUARE, NEW YEAR'S EVE-- 506 00:35:16,348 --> 00:35:18,848 ONLY THING MISSING'S THE BALL... 507 00:35:18,950 --> 00:35:20,750 WHICH COULD BE HIM IN THERE. 508 00:35:23,689 --> 00:35:25,919 THIS, SHAUN...? 509 00:35:26,024 --> 00:35:29,604 Linc: WE SELL IT AS A STINKWEED DRUMROLL, HYPE FOR THE YOST FAMILY SIGNING-- 510 00:35:29,695 --> 00:35:32,725 ALL THE YOSTS IN STINKWEED GEAR, TREMENDOUS COMING-OUT PARTY. 511 00:35:32,831 --> 00:35:36,841 - WHAT ABOUT JOHN? - HE'S YOUR STUDENT. YOU MADE ME SIGN HIM. 512 00:35:36,935 --> 00:35:39,305 Jake: FOLD HIM INTO THE FAMILY PACKAGE. 513 00:35:39,405 --> 00:35:40,765 IT LAYS DOWN COVER, MITCH, 514 00:35:40,872 --> 00:35:44,042 FOR WHATEVER'S GOING ON, AS LONG AS IT'S GOING ON. 515 00:35:44,142 --> 00:35:46,982 NONE OF THOSE FLESH-EATERS KNOW ABOUT ME YET. 516 00:35:47,078 --> 00:35:48,808 YOU EVER PLAN ON GOING OUTSIDE? 517 00:35:53,319 --> 00:35:55,689 DO I ASSUME NO PERMITS WERE SECURED? 518 00:35:55,787 --> 00:35:58,057 UH, STINKWEED'S A GOOD CITIZEN OF I.B., 519 00:35:58,156 --> 00:35:59,486 WE'VE GOT ONE TO SET UP IN THE PARK. 520 00:35:59,591 --> 00:36:01,591 IF YOU TOOK YOUR HAT OFF INDOORS, 521 00:36:01,693 --> 00:36:04,333 YOU MIGHT REALIZE I WAS REFERRING TO TRAFFIC CONTROL. 522 00:36:04,430 --> 00:36:06,600 FORM UP ADJACENT TO THE SURF SHOP 523 00:36:06,698 --> 00:36:08,928 AND I'LL LEAD YOUR VEHICLES IN. 524 00:36:34,226 --> 00:36:36,426 BACK IN THE GAME, MITCH YOST. 525 00:36:38,864 --> 00:36:40,504 ( birdcall ) 526 00:36:48,307 --> 00:36:50,137 STARE ME DOWN! 527 00:36:50,242 --> 00:36:52,642 STARE ME DOWN! 528 00:36:53,945 --> 00:36:55,745 IT'S EL DIABLO. 529 00:36:57,115 --> 00:36:58,875 I GUESS YOU'RE BACK. 530 00:36:58,984 --> 00:37:03,494 Bill: THE STAGING AREA THAT I HAD DESIGNATED WAS CLOSED. 531 00:37:03,589 --> 00:37:05,519 I TRIED TO GET SOME CITIZENS TO MOVE THEIR CARS. 532 00:37:05,624 --> 00:37:08,164 WE GOT A REPORT YOU WERE INTIMIDATING CUSTOMERS. 533 00:37:08,260 --> 00:37:09,830 I WASN'T INTIMIDATING CUSTOMERS! 534 00:37:09,928 --> 00:37:12,458 ASK HER! I HAVE COFFEE IN THERE EVERY DAY. 535 00:37:12,564 --> 00:37:14,834 AND NOW I'M IN CUFFS, FOR CHRIST'S SAKES. 536 00:37:14,933 --> 00:37:17,743 YOU WANT TO MAKE YOURSELVES USEFUL? CITE HIM! 537 00:37:17,836 --> 00:37:22,166 - BECAUSE THOSE THINGS CUT THE LEGS OUT FROM UNDER OLDSTERS. - ( dog yips ) 538 00:37:22,274 --> 00:37:25,614 JUST WHEN YOU THINK THINGS CAN'T GET WORSE, THE MAN WITH THE DOG. 539 00:37:25,711 --> 00:37:27,911 IT'S THE ALBATROSS AROUND MY NECK. 540 00:37:28,013 --> 00:37:29,653 MR. MANDATORY RETIREMENT. 541 00:37:29,748 --> 00:37:32,418 WHAT THE FUCK IS THIS CIRCUS? I'M ON MY WAY TO THE VET-- 542 00:37:32,518 --> 00:37:34,488 THIS IS OBSTRUCTION OF A PEACE OFFICER. 543 00:37:34,586 --> 00:37:37,186 - WE'RE PEACE OFFICERS! - AND YOU'RE RETIRED. 544 00:37:37,289 --> 00:37:39,329 LOOK AT THE VEHICLES. 545 00:37:39,425 --> 00:37:43,995 LOOK AT THE VEHICLES. THIS SITUATION IS DETERIORATING BY THE SECOND. 546 00:37:44,095 --> 00:37:48,195 EXCUSE US, OFFICERS, WE HAVE A LIMITED-USE PERMIT FOR AN EVENT NEAR THE PIER. 547 00:37:48,300 --> 00:37:50,070 THEY HAD A PERMIT, AND MY STRATEGY 548 00:37:50,168 --> 00:37:51,868 WAS TO STAGE THE VEHICLES HERE. 549 00:37:51,970 --> 00:37:54,710 WHY STAGE THE VEHICLES HERE IF THE EVENT IS THREE BLOCKS AWAY? 550 00:37:54,806 --> 00:37:56,536 WHY NOT JUST GO THERE? 551 00:37:59,378 --> 00:38:02,908 GIVE THESE GUYS AN ESCORT, GET 'EM OFF THE FUCKIN' STREE, AND SET UP DOWN THERE. 552 00:38:03,014 --> 00:38:05,354 BECAUSE YOUR POODLE'S LATE FOR HIS HAIRCUT? 553 00:38:05,451 --> 00:38:07,921 DOG HAS A FULMINATING FUNGUS ON HIS PAD. 554 00:38:08,019 --> 00:38:12,319 Man: HEY, TINA, I'M THE GUY THAT JERKS OFF TO YOUR TAPES! 555 00:38:12,424 --> 00:38:15,894 - SHUT UP, YOU PERV! - HOW WOULD YOU LIKE TO SUCK HER EX-HUSBAND'S DICK? 556 00:38:15,994 --> 00:38:19,304 YEAH, SEE IF YOU CAN TELL THE WORLD WHAT A USEFUL LIFE YOU'VE LED 557 00:38:19,398 --> 00:38:21,168 WITH THAT KIND OF MOUTHFUL! 558 00:38:21,266 --> 00:38:24,196 YOU PERV-DICK- MOUTHFUL 24! 559 00:38:24,302 --> 00:38:27,212 GO AHEAD, YOU'LL BE LED THROUGH! 560 00:38:27,305 --> 00:38:29,475 FOLLOW THE POLICE OFFICERS. 561 00:38:29,575 --> 00:38:31,775 YOU'LL BE LED THROUGH! LEAD THEM THROUGH! 562 00:38:31,877 --> 00:38:35,377 GO ON THROUGH! YOU'RE BEING LED BY THE POLICE OFFICERS, 563 00:38:35,481 --> 00:38:39,351 THE COCKSUCKERS THAT FORGOT TO TAKE MY CUFFS OFF! 564 00:38:39,451 --> 00:38:41,651 GO ON THROUGH! 565 00:38:41,753 --> 00:38:45,993 GO ON. HERE'S A DRUG CASUALTY-- THINKS THIS CAR'S NORMAL. 566 00:38:46,091 --> 00:38:50,401 GO AHEAD, IT'S THE HOMOSEXUAL IN THE HYBRID-- GO ON! 567 00:38:50,496 --> 00:38:53,026 - YOU'RE BEING LED THROUGH. - ( wolf whistles ) 568 00:38:54,733 --> 00:38:56,803 LOOK AT THE BREASTS ON THESE WOMEN! 569 00:38:56,902 --> 00:39:00,742 THIS COUNTRY IS DOOMED! BUT GO AHEAD, HAVE FUN. 570 00:39:12,418 --> 00:39:14,918 LOW-RENT AND HALF-ASSED... 571 00:39:15,020 --> 00:39:17,860 - HARDCORE STINKWEED. - ( all cheer ) 572 00:39:17,956 --> 00:39:23,256 BUT WE ALWAYS ROLL WITH THE LOVELY STINKWEED LADIES. 573 00:39:23,361 --> 00:39:25,031 ( men whistling ) 574 00:39:27,298 --> 00:39:30,038 WE GOT SOME FREE T-SHIRTS RIGHT HERE. LADIES, THROW 'EM OUT! 575 00:39:30,135 --> 00:39:34,305 CHECK OUT THE NEW DESIGN. COME TO THE BOOTH. CHECK OUT THE NEW STINKWEED LOGO! 576 00:39:34,406 --> 00:39:37,676 HEY, PRESS, DON'T FORGET TO TAKE THESE GIFT BASKETS ON THE WAY OUT! 577 00:39:37,776 --> 00:39:40,106 YOU DON'T TAKE 'EM, JAKE WON'T BE ABLE TO WRITE 'EM OFF. 578 00:39:40,211 --> 00:39:42,751 TAKE A GOOD LOOK, MA. 579 00:39:42,848 --> 00:39:44,518 WE'RE THEM NOW. 580 00:39:44,616 --> 00:39:47,546 IF I LOOK FAMILIAR, PROBABLY SOMETIME IN YOUR LIFE 581 00:39:47,653 --> 00:39:52,223 YOU'VE SEEN LINC STARK'S CAR GETTING DETAILED. 582 00:39:52,323 --> 00:39:55,233 LINC STARK FOUNDED STINKWEED; 583 00:39:55,326 --> 00:39:58,926 OUR C.E.O. AND IN-HOUSE VISIONARY. 584 00:39:59,030 --> 00:40:02,330 LINC'S GOT PLANS AND HE'S HERE TO TELL YOU ALL ABOUT THEM 585 00:40:02,434 --> 00:40:05,044 AND I GUARANTEE YOU, THEY'RE BIG! 586 00:40:07,473 --> 00:40:09,683 Linc: STANDING DOWN HERE AT SURFHENGE, 587 00:40:09,775 --> 00:40:12,605 BECAUSE THEY DO NOT WANT TO BE ON THE SAME STAGE AS ME... 588 00:40:12,711 --> 00:40:14,611 LINK'S GOING TO SELL THE FAMILY. 589 00:40:14,713 --> 00:40:17,353 ...LADIES AND GENTLEMEN-- CISSY AND MITCH YOST! 590 00:40:17,449 --> 00:40:19,119 ( cheering, applause ) 591 00:40:19,217 --> 00:40:21,417 TINA BLAKE-- 592 00:40:21,520 --> 00:40:24,090 THE NAME MIGHT BE FAMILIAR TO SOME OF YOU. 593 00:40:24,189 --> 00:40:26,589 BUTCHIE YOST! 594 00:40:26,692 --> 00:40:28,962 SOMEBODY, CHECK THAT MAN FOR A WEAPON. 595 00:40:29,060 --> 00:40:30,730 SHAUN YOST! 596 00:40:30,829 --> 00:40:33,029 BUTCHIE'S NEW SURFING DISCOVERY-- 597 00:40:33,131 --> 00:40:35,901 JOHNNY MONAD FROM CINCINNATI! 598 00:40:40,939 --> 00:40:43,479 STINKWEED, A WING AND A PRAYER 599 00:40:43,575 --> 00:40:46,805 UNTIL WE SIGNED BUTCHIE YOST 15 YEARS AGO. 600 00:40:46,912 --> 00:40:48,952 BUTCHIE YOST PUT STINKWEED ON THE MAP 601 00:40:49,047 --> 00:40:52,877 AND WE DID ALL WE COULD TO HELP BUTCHIE CRASH AND BURN. 602 00:40:52,984 --> 00:40:55,554 'CAUSE BUSINESS IS BUSINESS. IN OUR BUSINESS, 603 00:40:55,654 --> 00:40:59,124 WE SELL CRASH-AND-BURN LIKE FORD SELLS TOUGH. 604 00:40:59,224 --> 00:41:01,594 ( mock weeping ) YOU GOT A HANKIE? 605 00:41:01,693 --> 00:41:04,863 TIME PASSES, I SEE BUTCHIE YOST'S SON SURFING. 606 00:41:04,963 --> 00:41:07,303 SHAUN YOST SURFS LIKE AN ANGEL. 607 00:41:07,398 --> 00:41:10,498 AND WHEN I PITCH IT TO MITCH AND CISSY YOST, THEY AGREE 608 00:41:10,602 --> 00:41:13,172 TO LET SHAUN SIGN WITH ME BECAUSE IT'S WHAT HE WANTS. 609 00:41:13,271 --> 00:41:16,581 OH, AND MAYBE I MAKE A PROMISE THAT I WON'T DO THE SAME THING 610 00:41:16,675 --> 00:41:19,405 WITH SHAUN THAT I DID WITH BUTCHIE. 611 00:41:19,511 --> 00:41:22,951 HUNTINGTON BEACH, SHAUN GOES DOWN. 612 00:41:24,282 --> 00:41:26,622 SORRY, CISSY. SORRY, MITCH. 613 00:41:26,718 --> 00:41:30,118 DO NOT THINK FOR A SECOND, NO MATTER WHAT HE SAYS, 614 00:41:30,221 --> 00:41:33,891 THAT THE LEOPARD WILL EVER CHANGE HIS SPOTS. 615 00:41:33,992 --> 00:41:36,632 STINKWEED MARKETS SHAUN'S SPRAINED NECK 616 00:41:36,728 --> 00:41:38,898 AS A MIRACLE JOURNEY BACK FROM DEATH 617 00:41:38,997 --> 00:41:41,227 BY SURFING'S NEW YOUNG SUPERSTAR. 618 00:41:41,332 --> 00:41:43,572 SHAUN AND JOHN GO AWOL SURFING, 619 00:41:43,669 --> 00:41:47,109 THE LEOPARD DECIDES TO SELL IT AS A DISAPPEARANCE. 620 00:41:47,205 --> 00:41:50,235 HE CALLS THE GRANDPARENTS, GETS THEM ALL FREAKED OUT. 621 00:41:50,341 --> 00:41:54,081 THEY CALL THE MEDIA, TELL 'EM SHAUN'S MISSING. 622 00:41:54,179 --> 00:41:55,909 SHAUN AND JOHN COME HOME. 623 00:41:56,014 --> 00:41:57,954 CISSY AND MITCH ARE DOWN ON THE LEOPARD. 624 00:41:58,049 --> 00:42:00,889 BUTCHIE WANTS TO BUST A CAP IN HIS ASS. 625 00:42:00,986 --> 00:42:03,716 SOME PEOPLE JUST WILL NOT SEE THE BUSINESS ANGLE. 626 00:42:03,822 --> 00:42:07,462 WHICH IS HOW AND WHY THE LEOPARD IS HERE BEFORE YOU NOW. 627 00:42:07,559 --> 00:42:09,929 THE YOSTS HAVE THROWN A COLLAR ON THE CAT. 628 00:42:10,028 --> 00:42:11,928 THEY'RE MAKING HIM CLIMB IN A CAGE. 629 00:42:12,030 --> 00:42:15,930 THEY WILL STAY WITH STINKWEED ONLY IF I GET OUT. 630 00:42:16,034 --> 00:42:17,944 STINKWEED LAYS DOWN COVER FOR MY FATHER. 631 00:42:18,036 --> 00:42:20,536 AH-BAH-DEE, AH-BAH-DEE, AH-BAH-DEE. I'M OUT, FOLKS! 632 00:42:20,639 --> 00:42:22,409 JAKE FERRIS, THE NEW C.E.O. 633 00:42:22,507 --> 00:42:24,207 LINC IS EL CAMINO. 634 00:42:24,309 --> 00:42:26,879 WE WILL NEVER DO BAD AGAIN. 635 00:42:26,978 --> 00:42:29,248 ( Jake, softly ) LINC STARK, LADIES AND GENTLEMEN. 636 00:42:29,347 --> 00:42:32,017 ( rock music playing ) 637 00:42:32,117 --> 00:42:33,717 GET OFF MY FUCKING FOOT OR I'LL KILL YOU. 638 00:42:33,819 --> 00:42:37,089 LOOK-- OTHER SIDE. 639 00:42:47,065 --> 00:42:49,565 TALK OR GET THE FUCK OUT OF HERE. 640 00:42:51,402 --> 00:42:54,572 BRAH, GIVE ME THE KEYS. 641 00:43:03,448 --> 00:43:06,378 CHECK OUT THE NEW WETSUITS, STINKWEED'S NEW DESIGN. 642 00:43:06,484 --> 00:43:10,194 John: DR. SMITH COMES BACK 20 YEARS YOUNGER FROM CINCINNATI. 643 00:43:11,489 --> 00:43:13,119 CISSY GETS KNOCKED-UP. 644 00:43:13,224 --> 00:43:15,364 SHE'S BIGGER THAN LEONA HELMSLEY. 645 00:43:17,495 --> 00:43:19,025 EARTH PUTS DICKSTEIN ON RETAINER. 646 00:43:19,130 --> 00:43:21,370 DAPHNE KEEPS HIS HEAD STRAIGHT. 647 00:43:26,705 --> 00:43:29,305 - ( cheering ) - John: JERRI MEETS A SLEW OF NEW HARELIPS. 648 00:43:32,143 --> 00:43:35,483 MY FATHER FOUR-WALLS BARRY'S BAR. 649 00:43:35,580 --> 00:43:38,180 DR. SMITH TRAINS DWAYNE AND RAMON. 650 00:43:39,785 --> 00:43:42,345 MY FATHER FREELANCES IN CASS'S CAMERA. 651 00:44:04,075 --> 00:44:07,005 SAYING I'D NOT CLIMB THOSE STAIRS AGAIN 652 00:44:07,112 --> 00:44:09,752 OR COME BACK IN THIS ROOM... 653 00:44:11,582 --> 00:44:14,192 I GUESS NOW YOU KNOW I'M A FIBBER. 654 00:44:29,667 --> 00:44:31,897 WHY I CAME UP HERE, SWEETHEART... 655 00:44:34,505 --> 00:44:37,075 THAT SON OF THE YOST BOY-- 656 00:44:37,175 --> 00:44:40,505 BUTCHIE WHO HELPED YOU WITH YOUR GROCERIES? 657 00:44:40,611 --> 00:44:42,811 HIS SON WENT MISSING. 658 00:44:42,914 --> 00:44:45,324 THE LONG AND SHORT OF IT, SHAUN-- 659 00:44:45,416 --> 00:44:47,486 BUTCHIE'S SON-- 660 00:44:47,585 --> 00:44:50,555 SAFELY RETURNED. 661 00:44:50,655 --> 00:44:53,085 HAPPY OUTCOME. 662 00:44:57,295 --> 00:44:59,355 ON THE DOWNSIDE, 663 00:44:59,464 --> 00:45:01,474 THE GREEN ONE'S GONE. 664 00:45:01,566 --> 00:45:04,066 I WAS REMISS, 665 00:45:04,169 --> 00:45:07,509 TROTTING HIM PLACES OUTSIDE THE HOUSE. 666 00:45:07,605 --> 00:45:09,835 ALTHOUGH I'LL SAY, 667 00:45:09,941 --> 00:45:13,341 FIRST EXCURSION OUT I TOOK HIM TO THE HOSPITAL. 668 00:45:15,180 --> 00:45:18,120 IT WAS A... 669 00:45:18,216 --> 00:45:20,816 WORTHWHILE VISIT. 670 00:45:25,290 --> 00:45:28,060 SEE, THIS IS WHY... 671 00:45:28,159 --> 00:45:30,899 THIS IS WHY I DON'T COME UP HERE. 672 00:45:32,163 --> 00:45:34,703 WHERE DO YOU START AND STOP? 673 00:45:34,800 --> 00:45:37,100 EVERY EVENT AND INCIDENT-- 674 00:45:37,202 --> 00:45:39,202 "OH, IF SHE COULD HAVE ONLY SEEN THIS! 675 00:45:39,304 --> 00:45:41,844 WOULDN'T SHE HAVE LAUGHED TO HAVE SEEN THAT?" 676 00:45:52,250 --> 00:45:54,690 IF I TOOK THE MOUTH-HARP TO HAND TO COME UP WITH, 677 00:45:54,786 --> 00:45:56,816 I'D HAVE NEVER MADE IT UP THE STAIRS 678 00:45:56,922 --> 00:45:59,292 OR I'D PLAY TO YOU. 679 00:46:02,760 --> 00:46:04,930 HERE I GO DOWN. 680 00:46:11,036 --> 00:46:13,806 GOD LOVE YOU, MY LO', 681 00:46:13,905 --> 00:46:16,335 AND HOLD YOU TIGHT. 682 00:46:21,279 --> 00:46:22,709 LOIS... 683 00:46:22,814 --> 00:46:25,784 LO', LOOK AT THIS! 684 00:46:26,985 --> 00:46:29,445 ( rock music continues ) 685 00:46:31,256 --> 00:46:33,856 John: MOTHER OF GOD, CASS-KAI. 686 00:46:38,964 --> 00:46:42,204 ( rock music continues ) 52307

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