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1
00:00:06,607 --> 00:00:09,137
( theme music playing )
2
00:01:42,936 --> 00:01:45,136
( seagulls cawing )
3
00:01:51,912 --> 00:01:53,952
HEY, MOREASS!
MY TOE!
4
00:01:54,047 --> 00:01:57,117
OWW!
YEAH, YOU HARD-ON!
5
00:02:15,369 --> 00:02:17,369
( rock music playing )
6
00:05:08,308 --> 00:05:11,038
HAVEN'T I TOLD
YOU NOT TO LEAVE YOUR
FUCKING MACHINE ON
7
00:05:11,144 --> 00:05:15,454
TO SPEW INCOMPREHENSIBILITIES
AT PASSERSBY LIKE A ROADSIDE
FUCKING BOMB?
8
00:05:15,549 --> 00:05:17,449
I TURNED IT OFF
LAST NIGHT.
9
00:05:17,551 --> 00:05:19,291
DID YOU
TURN IT OFF TWICE,
10
00:05:19,387 --> 00:05:21,247
WHICH WOULD BE BACK ON?
BECAUSE IT IS.
11
00:05:21,355 --> 00:05:23,185
DID YOU TOUCH THE KEYBOARD
OR ANYTHING...?
12
00:05:23,290 --> 00:05:26,690
UH-HUH, WHILE I RAN
MY TONGUE IN AND OUT
OF THE LITTLE SOCKETS
13
00:05:26,794 --> 00:05:28,534
ON THE BACK
OF THE FUCKING BOX.
14
00:05:28,629 --> 00:05:30,259
THAT'S BUTCHIE'S MOTEL.
15
00:05:30,364 --> 00:05:32,574
SHARP AS A TACK, YOU.
16
00:05:38,906 --> 00:05:41,266
HOLY SHIT.
17
00:05:41,375 --> 00:05:44,775
COME ON, WE GOT TO
CHANGE YOU OUT OF YOUR
FUCKING FATIGUES...
18
00:05:44,878 --> 00:05:46,978
OR WHATEVER
THOSE THINGS ARE.
19
00:05:47,080 --> 00:05:49,480
HEY, YOU WAIT HERE,
JOHN.
20
00:05:57,391 --> 00:06:00,391
- IS SHAUN ALL RIGHT?
- SHAUN'S ALL RIGHT.
21
00:06:00,494 --> 00:06:03,034
HERE, THESE WON'T FIT YOU
AND THEY'RE DIRTY, BUT...
22
00:06:03,130 --> 00:06:04,470
( clears throat )
23
00:06:04,565 --> 00:06:06,565
...PUT THESE ON.
24
00:06:19,680 --> 00:06:21,950
WHERE WERE YOU COMING FROM
OFF THE WATER?
25
00:06:22,049 --> 00:06:24,119
CINCINNATI.
26
00:06:25,352 --> 00:06:27,622
YOU'RE UP, BUDDY.
27
00:06:27,721 --> 00:06:29,791
IT'S ALL RIGHT, JOHN.
GO WITH BUTCHIE.
28
00:06:36,363 --> 00:06:38,203
TAKE THAT WETSUIT OFF
29
00:06:38,298 --> 00:06:40,168
AND PUT THESE ON.
30
00:06:40,267 --> 00:06:42,067
NAH, WAIT WAIT WAIT
WAIT WAIT.
31
00:06:42,169 --> 00:06:44,809
SHAUNIE, YOU READY?
32
00:06:53,714 --> 00:06:56,654
COME HERE.
GET IN THERE.
33
00:06:59,653 --> 00:07:02,023
FINE,
HURRY UP, MAN.
34
00:07:16,436 --> 00:07:18,106
HEY, CHICK.
35
00:07:18,205 --> 00:07:19,965
IT'S CASS, KAI.
36
00:07:21,675 --> 00:07:23,475
THEY'RE ALL RIGHT.
THEY'RE BACK.
37
00:07:23,577 --> 00:07:26,577
GOOD, GOOD.
38
00:07:31,919 --> 00:07:35,189
THANKS FOR TAKING CARE
OF HIM ALL THIS TIME.
39
00:07:42,229 --> 00:07:44,459
I GOTTA COOK.
40
00:07:46,734 --> 00:07:49,074
I'M HERE
WITH THE MOTHER.
41
00:07:49,169 --> 00:07:51,539
I'M HERE ON SPEC.
42
00:08:01,481 --> 00:08:03,681
HI, MOM.
43
00:08:06,754 --> 00:08:08,964
- ARE YOU OKAY?
- I'M FINE.
44
00:08:09,056 --> 00:08:12,356
I GOT TO TAKE
YOU TO YOUR GRAM'S
AND GRAMPS', SHAUNIE.
45
00:08:12,459 --> 00:08:14,029
I WANNA STAY
WITH JOHN.
46
00:08:14,127 --> 00:08:16,927
YEAH WELL, I WANT
A SEAL THAT BARKS
MY NAME.
47
00:08:17,030 --> 00:08:18,930
YOU COMING?
48
00:08:20,167 --> 00:08:21,897
Butchie:
YOU STAY HERE, JOHN.
49
00:08:22,002 --> 00:08:24,502
- I'LL KEEP AN EYE ON HIM.
- THANKS.
50
00:08:24,605 --> 00:08:27,575
Shaun:
I'LL COME BACK
SOON, JOHN.
51
00:08:27,675 --> 00:08:30,505
YEAH, LET YOURSELF IN.
52
00:08:31,511 --> 00:08:33,181
LET'S SIT DOWN, JOHN.
53
00:08:33,280 --> 00:08:35,020
( engine starts )
54
00:09:00,107 --> 00:09:03,037
SHAUNIE!
SHAUNIE!
55
00:09:07,014 --> 00:09:09,884
Butchie:
HE CAME IN ON THE WATER,
HIM AND JOHN.
56
00:09:09,983 --> 00:09:12,623
SHAUNIE'S NOT SURE
FROM WHERE.
57
00:09:12,720 --> 00:09:15,290
LINC'S TALKING TO JOHN
TO FIND OUT WHAT WENT ON.
58
00:09:15,388 --> 00:09:18,328
- LINC IS?
- HEY, FREDDY GOT SQUAT
WHEN HE TRIED.
59
00:09:18,425 --> 00:09:21,455
- MAYBE SLICK WILL WORK.
- HE'S PROBABLY GONNA
SIGN HIM TO A DEAL.
60
00:09:21,561 --> 00:09:23,131
WHERE HAVE YOU BEEN,
GRAMPS?
61
00:09:25,265 --> 00:09:28,395
- HAVEN'T YOU DONE ENOUGH?
- HEY, WHAT THE HELL
DID SHE DO, MA?
62
00:09:28,501 --> 00:09:30,171
HOW MUCH TIME
HAVE YOU GOT?
63
00:09:30,270 --> 00:09:33,170
I'LL TALK TO YOU LATER, SHAUNIE.
I'M GLAD YOU'RE ALL RIGHT.
64
00:09:33,273 --> 00:09:37,683
- THANKS, MOM.
- COME ON, I'LL DROP YOU OFF.
65
00:09:37,778 --> 00:09:40,478
CAN YOU MAKE ME
A PEANUT BUTTER-BUTTER
SANDWICH?
66
00:09:40,580 --> 00:09:42,680
NOT TUNA?
67
00:09:46,954 --> 00:09:49,164
SO...
68
00:09:49,256 --> 00:09:52,186
I'M THE GUY THAT
EVERY TIME YOU SEE,
YOU TELL THE END IS NEAR.
69
00:09:52,292 --> 00:09:54,802
YOU'RE LINC STARK.
70
00:09:54,895 --> 00:09:56,695
YOU SHOULD GET
IN THE GAME.
71
00:09:56,797 --> 00:09:59,297
LIKE MITCH YOST?
72
00:10:01,101 --> 00:10:04,001
MITCH YOST SHOULD
GET BACK IN THE GAME.
73
00:10:04,104 --> 00:10:06,874
SO I'VE NEVER
BEEN IN THE GAME?
74
00:10:11,745 --> 00:10:14,245
IF MY WORDS ARE YOURS,
75
00:10:14,347 --> 00:10:16,817
CAN YOU HEAR MY FATHER?
76
00:10:18,151 --> 00:10:21,151
LET'S SAY I CAN.
77
00:10:21,254 --> 00:10:24,524
LET'S SAY THE ZEROS
AND ONES IN CASS'S CAMERA
78
00:10:24,624 --> 00:10:27,134
HELP YOU HEAR
MY FATHER'S WORD.
79
00:10:28,495 --> 00:10:31,595
CASS AND I GO BACK.
80
00:10:31,699 --> 00:10:35,769
LET'S SAY YOU
AND CASS GO BACK,
LINC STARK.
81
00:10:35,869 --> 00:10:38,639
LET'S SAY
IN MY FATHER'S WORD,
82
00:10:38,739 --> 00:10:42,679
IN CASS'S CAMERA,
THE INTERNET IS BIG.
83
00:10:42,776 --> 00:10:45,646
9/11 IS BIG.
84
00:10:45,746 --> 00:10:49,246
BUT NOT EVERY TOWELHEAD
IS ERADICATED.
85
00:10:51,251 --> 00:10:53,991
LET'S SAY I DON'T FOLLOW.
86
00:10:54,087 --> 00:10:57,317
LET'S SAY
WITHOUT CASS'S CAMERA,
87
00:10:57,424 --> 00:11:00,934
"BIG" AND "HUGE"
WON'T MEAN DICK.
88
00:11:02,896 --> 00:11:05,196
GETTING DUSTED
WON'T BE AN ISSUE.
89
00:11:10,804 --> 00:11:12,944
( exhales )
90
00:11:13,040 --> 00:11:15,910
THIS IS ME GRABBING MY BALLS
AND JUMPING HERE, JOHN.
91
00:11:16,009 --> 00:11:18,709
GRAB YOUR
JUMP-BALLS, LINC.
92
00:11:21,815 --> 00:11:25,715
YOU USE MY WORDS,
93
00:11:25,819 --> 00:11:28,819
AND WHEN YOU SPEAK THEM,
94
00:11:28,922 --> 00:11:32,562
IF I LISTEN RIGHT,
I CAN HEAR YOUR FATHER?
95
00:11:32,659 --> 00:11:34,959
YES, LINC.
96
00:11:35,929 --> 00:11:38,769
IF YOU ARE THE END,
I AM NEAR YOU.
97
00:11:40,300 --> 00:11:42,400
YES, LINC.
98
00:11:44,905 --> 00:11:47,305
WITHOUT CASS'S CAMERA,
99
00:11:47,407 --> 00:11:50,277
WHATEVER THE FUCK
THAT IS,
100
00:11:50,377 --> 00:11:52,207
WE'RE ALL TOAST?
101
00:11:52,312 --> 00:11:56,722
YOU'RE ALL GOING TO BE TOAST.
WE'RE COMING 9/11/14.
102
00:11:56,817 --> 00:11:58,987
FUCK ME, JOHN.
103
00:12:00,187 --> 00:12:01,987
FUCK YOU, LINC.
104
00:12:02,089 --> 00:12:03,989
IS THERE ANY SPECIAL
PURPOSE TO US
105
00:12:04,091 --> 00:12:07,091
BURNING OUR ASS-CHEEKS OFF
ON THIS ASPHALT?
106
00:12:07,194 --> 00:12:09,804
I DON'T KNOW,
BUTCHIE, INSTEAD.
107
00:12:14,734 --> 00:12:16,604
IS MY ORDER READY?
108
00:12:16,703 --> 00:12:18,273
NOT TODAY.
109
00:12:18,371 --> 00:12:21,311
I ORDER SMOOTHIES FOR ME
AND THE DOGS EVERY DAY.
110
00:12:21,408 --> 00:12:24,678
AND EVERY OTHER DAY
THEY'RE READY AND TODAY
THEY AREN'T.
111
00:12:24,778 --> 00:12:29,248
SO EITHER PISS OFF
OR GO BEHIND THE COUNTER
AND MAKE THEM YOURSELF.
112
00:12:35,488 --> 00:12:37,058
TECHNICALLY,
113
00:12:37,157 --> 00:12:40,127
THERE'S NO WAY WE CAN BE
SEEING WHAT WE'RE SEEING.
114
00:12:40,227 --> 00:12:42,957
HEY, BACK OFF
A SEC, WILL YOU?
115
00:12:44,965 --> 00:12:47,565
DON'T LEAVE TOWN.
116
00:12:47,667 --> 00:12:50,897
I'M STAYING,
AND I'M TRYING NOT TO GIVE
CISSY A HEART ATTACK.
117
00:12:51,004 --> 00:12:52,614
I'M ALL OVER IT,
YOU KNOW--
118
00:12:52,705 --> 00:12:54,765
WHAT SHAUNIE WAS
UP TO WITH JOHN.
119
00:12:56,443 --> 00:12:59,253
JOHN'S NOT AN ASSHOLE OR HE'D
KNOW HOW TO TAKE A DUMP.
120
00:13:06,019 --> 00:13:07,319
( paper rustling )
121
00:13:07,420 --> 00:13:09,460
GIVE THE GUY A TIP.
122
00:13:23,303 --> 00:13:26,673
Linc:
DOES YOUR FATHER
HAVE A FATHER, JOHN?
123
00:13:26,773 --> 00:13:28,743
MY FATHER HAS A FATHER.
124
00:13:28,842 --> 00:13:31,412
WHAT'S YOUR FATHER'S
FATHER'S NAME?
125
00:13:31,511 --> 00:13:33,811
"FATHER."
126
00:13:33,914 --> 00:13:35,924
LIKE GEORGE FOREMAN
AND HIS KIDS.
127
00:13:36,016 --> 00:13:38,386
LIKE GEORGE FOREMAN?
128
00:13:40,053 --> 00:13:42,693
DO YOU KNOW
YOUR FATHER'S FATHER?
129
00:13:42,789 --> 00:13:46,289
I KNOW MY FATHER'S
FATHER'S WORDS.
130
00:13:46,393 --> 00:13:48,433
WHAT ARE HIS WORDS?
131
00:13:48,528 --> 00:13:51,158
"LISTEN
TO YOUR FATHER."
132
00:13:51,264 --> 00:13:53,934
THAT'S WHAT YOUR FATHER'S
FATHER SAYS TO YOU?
133
00:13:54,034 --> 00:13:57,244
THAT'S WHAT MY FATHER'S
FATHER SAYS TO MY FATHER.
134
00:13:57,337 --> 00:14:00,737
YOU DON'T TALK,
YOU AND YOUR FATHER'S FATHER?
135
00:14:00,840 --> 00:14:02,180
WE DON'T TALK.
136
00:14:02,275 --> 00:14:04,535
BUT HE'S ALIVE,
YOUR FATHER'S FATHER?
137
00:14:07,180 --> 00:14:10,480
I LISTEN
TO MY FATHER'S WORDS.
138
00:14:10,583 --> 00:14:13,853
LET ME ASK YOU SOMETHING
RIGHT FROM LEFT FUCKING FIELD,
JOHN.
139
00:14:13,954 --> 00:14:16,224
- RIGHT FROM LEFT.
- WHAT AM I SUPPOSED TO DO?
140
00:14:16,323 --> 00:14:18,033
I MEAN, TELL ME
WHAT TO DO, MY BROTHER.
141
00:14:18,125 --> 00:14:20,255
JUST SPIT IT RIGHT
THE FUCK OUT.
142
00:14:20,360 --> 00:14:22,760
FIVE WORDS, MAXIMUM,
RIGHT NOW-- POW BOOM!
143
00:14:22,862 --> 00:14:24,432
MAXIMUM, RIGHT NOW,
POW BOOM!
144
00:14:27,935 --> 00:14:31,335
- GIVE ME A POUND.
- NO, YOU GIVE ME A POUND.
145
00:14:36,243 --> 00:14:38,483
Cissy:
YOU GOT SOME
"GOOD ONES"?
146
00:14:38,578 --> 00:14:41,978
"THEY" WANT TO SPONSOR YOU?
WHAT DOES THAT MEAN, SHAUNIE?
147
00:14:42,082 --> 00:14:43,922
YOUR GRANDMOTHER'S RIGHT.
WE DESERVE TO KNOW.
148
00:14:44,017 --> 00:14:46,647
I'D LIKE TO MOVE IN
WITH JOHN AND DAD.
149
00:14:46,753 --> 00:14:48,663
IT'S TIME FOR ME
TO GO.
150
00:14:48,755 --> 00:14:50,685
WHAT ARE
YOU SAYING?
151
00:14:50,790 --> 00:14:52,290
YOU DON'T LOVE US?
152
00:14:52,392 --> 00:14:54,862
WE DID A HORRIBLE JOB?
WHAT?
153
00:14:54,962 --> 00:14:59,102
YOU KNOW I HAVE THAT PACK
WITH THE LINER FOR WETSUITS,
OUT BACK.
154
00:14:59,199 --> 00:15:01,169
THAT'S OKAY, GRAMPS.
I'M GOOD.
155
00:15:01,268 --> 00:15:03,168
- HEY.
- WHAT ARE YOU TALKING ABOUT?
156
00:15:03,270 --> 00:15:07,670
WELL, I-- YOU KNOW,
MAYBE IT IS TIME.
157
00:15:07,774 --> 00:15:11,314
YOU'RE SENDING SHAUNIE
TO LIVE WITH BUTCHIE AND THAT
ASSHOLE THAT RAN OFF WITH HIM?
158
00:15:11,411 --> 00:15:13,451
HOW CAN YOU BE
THAT FUCKING THICK?
159
00:15:13,546 --> 00:15:16,146
HE SHOULD BE HERE,
FOR CHRIST'S SAKE,
WHERE WE CAN WATCH HIM.
160
00:15:16,249 --> 00:15:19,089
HE WAS HERE, CISSY.
HE WAS HERE,
161
00:15:19,186 --> 00:15:22,786
YOU WERE HERE.
YOU HAD BILL AND FREDDY
OUT FRONT.
162
00:15:22,889 --> 00:15:25,959
I LOVE YOU, GRAMPS.
I LOVE YOU, GRAM.
163
00:15:26,059 --> 00:15:28,459
I'M GONNA HOP
OVER THE FENCE.
164
00:15:31,831 --> 00:15:34,031
( door shuts )
165
00:15:52,585 --> 00:15:55,685
GET BACK DOWN HERE.
166
00:15:55,788 --> 00:15:58,158
COULD YOU TURN OFF
THE FAN?
167
00:15:59,859 --> 00:16:01,929
Linc:
HOW'S SHAUN, BUTCHIE?
168
00:16:02,029 --> 00:16:04,299
MY MOM AND DAD ARE
PISSING IN HIS EAR.
169
00:16:04,397 --> 00:16:07,327
- Linc: DO YOU
HAVE A MOTHER, JOHN?
- MY MOTHER IS MY FATHER.
170
00:16:07,434 --> 00:16:09,674
MY MOTHER'S A CUNT
WITH EARFLAPS.
171
00:16:09,769 --> 00:16:12,809
YOUR MOTHER HAS TURNED HERSELF
INTO THE WORST BALL-BUSTER
KNOWN TO MAN
172
00:16:12,905 --> 00:16:14,665
SO NO ONE WOULD BE
AROUND HER,
173
00:16:14,774 --> 00:16:18,014
AND SHE WOULDN'T HAVE TO BE
AFRAID SHE'D DO SOMETHING
LIKE THAT AGAIN.
174
00:16:18,111 --> 00:16:20,011
THAT'S HOW ASHAMED
OF HERSELF SHE WAS.
175
00:16:20,113 --> 00:16:22,923
MITCH WIPES OUT.
MITCH WIPES OUT CISSY.
176
00:16:23,016 --> 00:16:26,346
- CISSY SHOWS
BUTCHIE HOW TO DO THAT.
- WHAT THE FUCK, JOHN.
177
00:16:26,453 --> 00:16:28,163
BUTCHIE HURTS BARRY'S HEAD.
178
00:16:28,255 --> 00:16:30,915
MR. ROLLINS COMES
IN BARRY'S FACE.
179
00:16:31,024 --> 00:16:33,434
WE ARE ALL
FRAIL VESSELS.
180
00:16:40,033 --> 00:16:43,003
JOHN IS GOING ALL
"PSYCHIC HOTLINE"
ON US, HUH?
181
00:16:45,372 --> 00:16:47,812
CAN I CRASH WITH YOU
AND JOHN, DAD?
182
00:16:47,907 --> 00:16:50,337
YOU CAN CRASH WITH ME.
HE KEEPS RUNNING
HIS MOUTH,
183
00:16:50,443 --> 00:16:52,553
JOHN MAY BE
HOSPITALIZED BY THEN.
184
00:16:55,115 --> 00:16:57,345
WHAT'S UP WITH
THE FLAK SUITS, MY BROTHER?
185
00:16:57,450 --> 00:16:59,820
THAT'S WHAT THEY
CAME BACK WEARING.
186
00:16:59,919 --> 00:17:02,259
SHOWIN' UP
IN CAMOUFLAGE?
187
00:17:02,355 --> 00:17:05,225
JOHN SPOUTING,
"THE END IS NEAR.
9/11 IS BIG,"
188
00:17:05,325 --> 00:17:07,555
LIABLE TO PUSH
SOME PEOPLE'S BUTTONS,
SHAUNIE.
189
00:17:07,660 --> 00:17:10,500
- THEY WANT TO SPONSOR US.
- WHO WANTS TO SPONSOR YOU?
190
00:17:14,667 --> 00:17:18,067
WHAT THE FUCK'S GOING ON, JOHN?
WHERE THE FUCK DID YOU GUYS GO?
191
00:17:18,171 --> 00:17:21,141
HEY HEY HEY, TALK TO SHAUNIE.
I'LL TALK TO JOHN.
192
00:17:21,241 --> 00:17:24,241
- SOUNDS LIKE A FUCKING PLAN.
- BUTCHIE HURT MY TIT.
193
00:17:26,479 --> 00:17:28,479
HERE, COME HERE.
194
00:17:30,883 --> 00:17:33,393
( coughs )
195
00:17:33,486 --> 00:17:36,316
IT'S YOURS.
PICKED IT UP BY ACCIDENT.
196
00:17:36,423 --> 00:17:38,833
IF IT HAD RANG,
WOULD YOU HAVE WANTED
ME TO ANSWER IT?
197
00:17:38,925 --> 00:17:40,585
NO.
198
00:17:43,363 --> 00:17:45,273
IT RANG,
I ANSWERED.
199
00:17:45,365 --> 00:17:49,065
MOANA'S COMING,
LANDED IN SAN DIEGO.
200
00:17:49,169 --> 00:17:50,799
SHOULD I GET THE TOOLS
FROM THE TRUNK?
201
00:17:50,903 --> 00:17:52,843
HE CALLED AHEAD.
202
00:17:52,939 --> 00:17:56,039
TRUE.
203
00:17:56,143 --> 00:17:58,483
SHOULD I BE STRAPPED
ON MY PERSON, IN MY ROOM?
204
00:17:58,578 --> 00:18:02,378
ON THE EAR, I CAN RECOGNIZE
THE DRIFT OF THINGS.
205
00:18:05,218 --> 00:18:07,588
LET IT PLAY OUT.
206
00:18:15,428 --> 00:18:17,928
DIDN'T THEY USED TO HAVE
BIBLES IN THESE PLACES?
207
00:18:18,030 --> 00:18:21,600
YEAH, GIDEONS--
BIG DISTRIBUTOR.
208
00:18:23,303 --> 00:18:25,943
DON'T YOU UNDERSTAND, SHAUNIE?
THIS SHIT'S FREAKING ME OUT.
209
00:18:26,038 --> 00:18:28,538
- YOU DISAPPEARED
WITH YOUR MOM--
- WE WENT TO SEAWORLD.
210
00:18:28,641 --> 00:18:30,781
I KNOW
YOU WENT TO SEAWORLD
AND MOM BROUGHT YOU BACK.
211
00:18:30,877 --> 00:18:33,007
BUT JOHN TOLD SOME PEOPLE
THAT YOU WERE GONNA BE GONE.
212
00:18:33,112 --> 00:18:35,682
AND BEFORE YOU CAME BACK,
EVERYBODY WAS ALREADY
FREAKED OUT.
213
00:18:35,782 --> 00:18:38,292
AND THEN YOUR MOM
BROUGHT YOU BACK,
AND THE NEXT MORNING,
214
00:18:38,385 --> 00:18:40,985
- YOU'RE FUCKING GONE AGAIN.
- I WAS WITH JOHN.
215
00:18:41,087 --> 00:18:43,157
IT'S WHERE YOU WENT
WITH JOHN, SHAUNIE,
216
00:18:43,256 --> 00:18:45,756
THAT'S GOT EVERYBODY'S
SHORTS IN A BUNCH.
217
00:18:45,858 --> 00:18:47,788
I DON'T KNOW.
218
00:18:47,894 --> 00:18:52,504
SO THAT HAS EVERYONE WORRIED
THAT HE HALF HYPNOTIZED YOU
OR SOME FUCKING THING.
219
00:18:52,599 --> 00:18:55,769
- THEY HAD SOME
PRETTY FUN ONES.
- YOU REMEMBER THAT?
220
00:18:55,868 --> 00:18:58,068
SORT OF.
221
00:18:58,171 --> 00:19:00,241
YOU REMEMBER
THEY WANT TO SPONSOR YOU?
222
00:19:00,340 --> 00:19:02,580
I SORT OF REMEMBER.
223
00:19:02,675 --> 00:19:04,975
WHAT DOES "SORT OF"
MEAN, SHAUNIE?
224
00:19:05,077 --> 00:19:06,907
I REMEMBER
TO SAY IT.
225
00:19:09,882 --> 00:19:12,322
THE WAVES WERE GOOD.
226
00:19:12,419 --> 00:19:14,349
WERE THE WAVES ON WATER?
227
00:19:14,454 --> 00:19:16,994
- I DON'T KNOW.
- JESUS CHRIST!
228
00:19:17,089 --> 00:19:19,789
WHAT DID THEY
DO TO YOU, SHAUNIE?
WHERE THE FUCK DID YOU GO?
229
00:19:19,892 --> 00:19:22,302
CINCINNATI.
230
00:19:22,395 --> 00:19:25,495
CINCINNATI IS THAT WAY.
THE SKY'S UP THERE.
231
00:19:28,268 --> 00:19:30,168
WHERE'S YOUR FRIEND,
THE FUCKING CHEMIST?
232
00:19:30,270 --> 00:19:33,510
AT THE ALTERNATIVE
APOTHECARY.
233
00:19:33,606 --> 00:19:35,676
- WHO ARE YOU CALLING?
- BILL JACKS.
234
00:19:35,775 --> 00:19:38,805
YOU NEED TO BE WATCHED, MITCH--
YOU ALWAYS NEEDED THAT.
235
00:19:38,911 --> 00:19:42,821
- BILL JACKS, CAN I HELP YOU?
- Cissy: Great news, Bill.
236
00:19:42,915 --> 00:19:44,715
SHAUNIE'S HOME.
237
00:19:44,817 --> 00:19:46,717
CAN YOU COME OVER?
238
00:19:46,819 --> 00:19:49,459
THANKS A LOT.
239
00:19:51,791 --> 00:19:55,231
- WELL, WHERE ARE
YOU GOING?
- ERRANDS.
240
00:19:57,430 --> 00:19:59,930
Linc:
LET'S SAY YOU'RE NOT
FROM AROUND HERE, JOHN.
241
00:20:00,032 --> 00:20:02,202
LET'S SAY I'M NOT, LINC.
242
00:20:02,302 --> 00:20:05,672
CHOCOLATE, VANILLA--
EVERYONE'S FROM SOMEWHERE,
SO YOU'RE NOT FROM HERE.
243
00:20:05,772 --> 00:20:08,112
ON THE OTHER HAND,
FINDING OUT YOU'RE
NOT FROM HERE
244
00:20:08,207 --> 00:20:10,337
IS A BIT OF A NUT-NUDGE
FOR US EARTHLINGS.
245
00:20:10,443 --> 00:20:12,453
I CAN'T IMAGINE YOUR
OLD MAN WOULDN'T KNOW THAT.
246
00:20:12,545 --> 00:20:15,375
I CAN'T IMAGINE MY OLD MAN
WOULDN'T KNOW THAT.
247
00:20:15,482 --> 00:20:17,882
THAT'S YOUR FATHER'S POINT--
WITH THE CAMO AND STUFF?
248
00:20:17,984 --> 00:20:21,354
- SCARE OUR BALLS OFF?
- YOU HEAR MY FATHER'S WORDS.
249
00:20:22,955 --> 00:20:26,685
John:
YOU HEAR THEM BETTER
IN CASS'S CAMERA.
250
00:20:32,699 --> 00:20:34,969
WHO'S SUPPOSED
TO SEE THIS, JOHN?
251
00:20:36,068 --> 00:20:38,568
YOU HEAR MY FATHER'S
WORDS, LINC.
252
00:20:38,671 --> 00:20:40,341
ME.
253
00:20:40,440 --> 00:20:42,380
( tires squeal )
254
00:20:52,385 --> 00:20:55,855
YOUR FUCKIN' FATHER'S
ON THE FUCKIN' CEILING.
255
00:20:55,955 --> 00:20:58,355
FINE.
COME HERE, SHAUNIE.
256
00:20:59,959 --> 00:21:02,899
SOMETHING'S FUCKED
AT THE HOUSE.
I'LL CHECK IN.
257
00:21:02,995 --> 00:21:07,325
- ( engine starts )
- Butchie: HERE, HOOK UP.
258
00:21:09,336 --> 00:21:11,496
MEET THE JETSONS.
259
00:21:13,440 --> 00:21:15,240
Linc:
I WANNA GIVE YOU
AN ADDRESS.
260
00:21:15,342 --> 00:21:18,682
YOU MEET ME HERE
AND BRING THE TAILOR.
261
00:21:24,517 --> 00:21:26,217
WHY DON'T WE JUST
PULL YOU DOWN, DAD?
262
00:21:26,319 --> 00:21:29,689
NO.
263
00:21:29,789 --> 00:21:32,689
WHAT'S THE DIFFERENCE
IF THE CEILING KEEPS YOU
FROM FLYING OFF OR WE DO?
264
00:21:32,792 --> 00:21:37,332
LOOK, I WANT AS LITTLE
COMPLICATION AS POSSIBLE.
265
00:21:37,430 --> 00:21:39,500
I NEED TO KNOW WHAT
THIS IS ABOUT.
266
00:21:39,599 --> 00:21:41,829
WHAT ABOUT
THE COMPLICATIONS
FOR US, MITCH,
267
00:21:41,934 --> 00:21:46,444
WORRYIN' YOU'LL PISS
ON OUR HEADS EVERY TIME
WE WALK UNDER YOU?
268
00:21:46,539 --> 00:21:48,509
YOU COULD TELL ME ABOUT
WHERE YOU WENT, GRAMPS.
269
00:21:48,608 --> 00:21:51,038
WELL, I CAN--
I CAN DO THAT FROM HERE.
270
00:21:51,143 --> 00:21:53,683
OH YEAH? THEN WHY
AREN'T YOU, DAD?
271
00:21:53,780 --> 00:21:55,820
JUST GET OUT, GET OUT.
DON'T LOOK.
272
00:21:55,915 --> 00:21:57,545
JUST...
273
00:21:57,650 --> 00:21:59,520
( sobs )
274
00:22:01,388 --> 00:22:03,418
GOIN' TO THE RESTROOM.
275
00:22:08,027 --> 00:22:10,127
Linc:
MEN, THERE'S A PARADE
THIS AFTERNOON
276
00:22:10,229 --> 00:22:13,399
DOWN AT THE PIER
FOR SHAUN AND JOHN,
3:30, 4:00.
277
00:22:13,500 --> 00:22:17,140
DON'T BE NO-SHOWS.
YOU'RE IN IT.
278
00:22:17,236 --> 00:22:19,706
OUR OWN CELEBRATORY
BARBECUE, RAMON,
279
00:22:19,806 --> 00:22:21,806
IS THUS SOMEWHAT
IMPINGED UPON.
280
00:22:21,908 --> 00:22:24,738
YOU GUYS,
YOU'RE THE ISLAND
CONTINGENT!
281
00:22:26,613 --> 00:22:28,883
WE COULD TAKE
THIS STUFF TO WHEREVER
THE PARADE'S AT.
282
00:22:28,981 --> 00:22:32,121
NO WAY TO PAINT THIS PATTERN
ON MORE WETSUITS.
283
00:22:32,218 --> 00:22:35,188
IN THE TWO HOURS, YOU MEAN,
BEFORE WE PUT THE PLAY ON
IN THE BARN?
284
00:22:35,287 --> 00:22:38,927
- THE LOGO I COULD DO.
- BARBECUE'S BEEN 86'd,
DICKSTEIN.
285
00:22:39,025 --> 00:22:42,925
THE SURF GUY IS
HAVING A PARADE DOWN
BY THE PIER, 3:30.
286
00:22:43,029 --> 00:22:45,699
ALL RIGHT, LINC,
SO AS HIS PERSONAL
MANAGER NOW,
287
00:22:45,798 --> 00:22:48,268
WITH SHAUN
BACK FROM THE DEAD
AND OUTER SPACE TOO--
288
00:22:48,367 --> 00:22:50,467
AND ASSUMING
HE'S SIGNED YOU TOO?
289
00:22:50,570 --> 00:22:52,970
I ASSUMED YOU'VE SIGNED
MING OF MARS?
290
00:22:53,072 --> 00:22:54,872
YOUR IDEA FOR THE SKIT
IN THE BARN IS LIKE,
291
00:22:54,974 --> 00:22:58,344
"STINKWEED,
IT'S FACE ON ALL THIS--"
292
00:22:58,445 --> 00:23:00,975
"A MIRACLE-- HALF OUR BASE
RUNS THE OTHER WAY.
293
00:23:01,080 --> 00:23:03,850
DO WE MAKE THAT UP
SELLING AT SHRINES?"
294
00:23:05,351 --> 00:23:07,251
SO YOU TELL HIM SOMETHING
THAT I SAID TO YOU
295
00:23:07,353 --> 00:23:10,123
AND I'M SUPPOSED TO THINK,
LIKE, "WHOA, HE JUST
CAME UP WITH THAT."
296
00:23:10,222 --> 00:23:13,032
THEN I'M SUPPOSED
TO WET MY PANTS AND OKAY
THE STREET FAIR?
297
00:23:13,125 --> 00:23:16,055
"IF I GET YOU TO TIJUANA,
THE KID CAN HEAR OUR
CONFESSION."
298
00:23:18,865 --> 00:23:21,695
SOMETHING I DIDN'T
SAY TO HIM.
299
00:23:21,801 --> 00:23:24,441
John:
"DO YOU WANT ME TO WRITE
YOU ANOTHER CHECK?"
300
00:23:24,537 --> 00:23:26,037
Jake:
SOMETHING I DIDN'T SAY TO HER
301
00:23:26,138 --> 00:23:28,708
THAT HE COULD HAVE HEARD
ON HER TAPE RECORDER.
302
00:23:31,878 --> 00:23:34,408
John:
"WHAT ROOM IS SHE IN?"
303
00:23:44,123 --> 00:23:45,463
DO THE T-SHIRTS.
304
00:23:45,558 --> 00:23:47,988
STINKWEED LOGOS
ON THE WETSUITS.
305
00:23:48,094 --> 00:23:50,164
WE NEED AN EL CAMINO.
306
00:23:50,262 --> 00:23:53,832
- WHOSE LOGO IS THIS?
- "MIND YOUR OWN FUCKIN'
BUSINESS INCORPORATED."
307
00:23:53,933 --> 00:23:56,743
I WANT TO SEE THAT LOGO
EVERYWHERE WE SET UP.
308
00:23:56,836 --> 00:23:59,506
( sighs )
IN TWO HOURS?
309
00:23:59,606 --> 00:24:01,866
AMAZING HE CAN
DO DESIGN WORK
WHILE UP ON A CROSS.
310
00:24:01,974 --> 00:24:04,084
WHOEVER JOHN IS
FRONTING FOR,
311
00:24:04,176 --> 00:24:05,506
HE CALLS HIM
HIS FATHER.
312
00:24:05,612 --> 00:24:07,652
I'M GUESSING
IF HIS FATHER WANTED,
313
00:24:07,747 --> 00:24:10,517
WE'D ALL BE GOOD
AND FUCKED BY NOW.
314
00:24:10,617 --> 00:24:13,847
SO YOU GUESS HIS OLD MAN'S
GOT PLANS FOR THE YOSTS?
315
00:24:13,953 --> 00:24:15,793
HE TALKED TO ME
BEFORE HE TALKED TO MITCH.
316
00:24:15,888 --> 00:24:18,858
SO HIS FATHER'S GOT
PLANS FOR YOU TOO?
317
00:24:18,958 --> 00:24:22,328
I'M A SALESMAN.
I'M GUESSING HE WANTS ME
TO SELL THE FAMILY.
318
00:24:22,428 --> 00:24:23,828
THROUGH STINKWEED?
319
00:24:23,930 --> 00:24:25,730
ISN'T THAT HOW
WE BUILT THE BRAND,
320
00:24:25,832 --> 00:24:27,732
SEEING THE WINNERS
EARLY?
321
00:24:27,834 --> 00:24:30,744
- MAY I TELL YOU SOMETHING
ABOUT MY BEARS?
- ABSOLUTELY.
322
00:24:30,837 --> 00:24:34,007
THEY WERE WHAT MY EYES
OPENED TO THIS MORNING,
323
00:24:34,106 --> 00:24:37,836
THERE ON THE FLOOR BESIDE
MY MATTRESS IN MY OTHERWISE
UNAPPOINTED BEDROOM.
324
00:24:37,944 --> 00:24:39,784
NICE.
325
00:24:39,879 --> 00:24:41,749
THEY WERE JUST AS
I HAD SITUATED THEM
326
00:24:41,848 --> 00:24:44,118
BEFORE I LAID
MY HEAD TO PILLOW.
327
00:24:44,216 --> 00:24:48,246
NOTHING UNTOWARD HAD
TRANSPIRED IN THE DARKNESS.
328
00:24:48,354 --> 00:24:51,024
"MY GOD," I THOUGHT,
329
00:24:51,123 --> 00:24:54,763
"THEY'RE JUST TWO BEARS
DOING WHAT BEARS DO."
330
00:24:54,861 --> 00:24:58,101
I DIDN'T SEE FREDDY'S TEDDY
AND WONDER HOW HARD
331
00:24:58,197 --> 00:25:01,497
HE MAY HAVE VIOLATED
MY TEDDY THE NIGHT BEFORE,
332
00:25:01,601 --> 00:25:05,671
OR HOW MANY TIMES HE MAY
HAVE CALLED TEDDY "FAGGOT,"
333
00:25:05,772 --> 00:25:08,012
OR "COCKSUCKER,"
OR "SISSY MARY."
334
00:25:08,107 --> 00:25:10,707
I CHOSE TO BELIEVE
THEY PLAYED NICELY.
335
00:25:10,810 --> 00:25:14,750
- LIVE AND LEARN.
- AND I CHOOSE TO DO SO
STILL,
336
00:25:14,847 --> 00:25:17,517
EVEN IN THEIR PROXIMITY
TO THE FLAME.
337
00:25:17,617 --> 00:25:20,847
I'M STANDING SO THEY
DON'T GET SPARKED ON.
338
00:25:20,953 --> 00:25:24,923
TELL THE QUEER I DON'T LIKE
THOSE BEARS SITTING TOGETHER.
339
00:25:27,193 --> 00:25:30,863
THAT'S YOUR OPENER.
THEN ASK IF HIM AND THE BEANER
340
00:25:30,963 --> 00:25:33,973
ARE WEARING THEM CLOTHES
TO THE PARADE.
341
00:25:35,735 --> 00:25:37,895
GO, GO AHEAD.
342
00:25:39,872 --> 00:25:42,542
HEY.
343
00:25:42,642 --> 00:25:45,682
BLAH BLAH BLAH,
BLAH BLAH BLAH BLAH--
WE'RE TALKING, WE'RE TALKING.
344
00:25:45,778 --> 00:25:49,118
YOU'RE LISTENING,
NOW YOU'RE LISTENING.
LOOK AT THE BEARS FOR A SECOND.
345
00:25:49,215 --> 00:25:51,115
LOOK AT THE BEAR, UH-HUH.
THAT'S GOOD.
346
00:25:51,217 --> 00:25:53,517
HEY, YOU'RE WEARING THEM
CLOTHES TO THE PARADE?
347
00:25:53,620 --> 00:25:56,590
- I THOUGHT I WOULD.
- FINE.
348
00:26:00,492 --> 00:26:02,562
AREN'T THESE
PARADE-APPROPRIATE?
349
00:26:02,662 --> 00:26:06,632
DICKSTEIN HAD
A LIFE-CHANGING EXPERIENCE,
WHY HE'S BEEN OUT OF TOUCH.
350
00:26:06,733 --> 00:26:09,273
HE'S WEARING THOSE.
351
00:26:10,436 --> 00:26:13,136
( grumbles )
352
00:26:13,239 --> 00:26:17,439
- WE ALL RIGHT?
- WHAT DID HE SAY
ABOUT THE BEARS?
353
00:26:17,543 --> 00:26:21,613
UH, SEGREGATED WHENEVER
THEY'RE INDOORS.
354
00:26:22,682 --> 00:26:25,152
CHERRY OLDIES,
8th AND PALM.
355
00:26:25,251 --> 00:26:29,591
- CHERRY OLDIES,
8th AND PALM, WHAT?
- HAS AN EL CAMINO.
356
00:26:31,090 --> 00:26:32,990
THEN WE BETTER GO
CHECK THE FUCKER OUT.
357
00:26:33,092 --> 00:26:35,902
WHOA WHOA WHOA
WHOA WHOA-- OVER THERE.
OVER THERE, HUH?
358
00:26:35,995 --> 00:26:37,895
MISS, MISS, I TOLD YOU
ONCE ABOUT THE KODAK.
359
00:26:37,997 --> 00:26:40,997
FUCKIN' PLEASE, HUH?
NOT AT US.
360
00:26:41,100 --> 00:26:44,200
( mocks )
STARE ME DOWN.
STARE ME DOWN!
361
00:26:44,303 --> 00:26:46,613
YOU WANT A PICTURE?
YOU WANT A PICTURE?
362
00:26:46,706 --> 00:26:49,336
TAKE A FUCKIN' PICTURE--
OF ME, NOT HIM.
363
00:26:49,441 --> 00:26:54,381
I'M TAKING A PICTURE
OF THE ENTIRE SCENE,
MY BROTHER.
364
00:26:54,480 --> 00:26:57,020
ALL THE ZEROS
AND ONES, HUH?
365
00:26:57,817 --> 00:26:59,647
THAT'S HOW I WORK.
366
00:26:59,752 --> 00:27:02,422
FUCKIN' BALL-BUSTER.
367
00:27:02,521 --> 00:27:05,191
CAN WE PLEASE
GET READY FOR MOANA?
368
00:27:05,291 --> 00:27:07,231
KINDA CUTE.
369
00:27:08,661 --> 00:27:11,601
SHE JUST
CALLED YOU A ZERO.
370
00:27:11,698 --> 00:27:15,298
Salesman:
I FEEL THAT YOU BOYS
ARE READY FOR THIS CAMINO.
371
00:27:15,401 --> 00:27:17,371
FUCKIN' LUG NUTS
ON A T-BIRD.
372
00:27:17,469 --> 00:27:20,969
BETWEEN THE TWO OF US,
WE OWN MORE CARS THAN YOU
HAVE ON THIS LOT.
373
00:27:21,073 --> 00:27:23,143
MY GUESS IS YOUR FEELING
IS PROBABLY RIGHT.
374
00:27:23,242 --> 00:27:25,582
THAT'S NOT WHAT
I MEAN BY "READY"--
375
00:27:25,678 --> 00:27:27,748
NUMBER OF VEHICLES OWNED.
376
00:27:27,847 --> 00:27:30,447
WHAT DO YOU MEAN, POPS?
377
00:27:30,549 --> 00:27:33,289
WE GOTS TO BOOGIE.
378
00:27:33,385 --> 00:27:37,755
OH, SO I HAVE TO KNOW
WHAT I MEAN BEFORE I
CAN HAVE A FEELING?
379
00:27:37,857 --> 00:27:40,487
DO I HAVE TO KNOW THAT
YOU'LL UNDERSTAND ME?
380
00:27:40,592 --> 00:27:44,132
DO YOU HAVE TO KNOW
YOU'LL UNDERSTAND
BEFORE YOU LISTEN?
381
00:27:44,230 --> 00:27:47,200
25 CARS BETWEEN YOU?
382
00:27:47,299 --> 00:27:50,569
YOU SHOULD HAVE LET ME
SIT DOWN BEFORE YOU TOLD ME.
383
00:27:50,669 --> 00:27:54,539
I'VE GOT THAT MANY
DEALERSHIPS IN EACH
OF THAT MANY SECTORS
384
00:27:54,640 --> 00:27:58,480
AND BRANDS ON
GODDAMN FRANCHISE.
385
00:27:58,577 --> 00:28:00,207
I GOTTA BOOGIE!
ME!
386
00:28:00,312 --> 00:28:02,682
HE FEELS YOU'RE READY
FOR THE CAMINO.
387
00:28:02,782 --> 00:28:06,952
- YOU'RE OFF-LINE NOW, COUNTRY.
- I DON'T KNOW, BUTCHIE,
INSTEAD.
388
00:28:07,053 --> 00:28:09,563
HOW'S HE FOR
HIGH PERFORMANCE?
389
00:28:09,655 --> 00:28:12,315
AND HE AIN'T WHO'S
WORST UNDERPOWERED.
390
00:28:12,424 --> 00:28:16,264
INTRUSIONS,
EVANESCENCES...
391
00:28:16,362 --> 00:28:19,402
I'M A SHEPHERD,
WITHOUT CROOK OR UNDERSTANDING!
392
00:28:19,498 --> 00:28:23,438
FITS AND STOPS AND STARTS,
WAVES AND RIPPLES
393
00:28:23,535 --> 00:28:26,235
AND RAMIFICATIONS!
BUSTED KNEE,
394
00:28:26,338 --> 00:28:28,038
MOTHER-SON HANDJOBS.
395
00:28:28,140 --> 00:28:29,810
CHRIST, JESUS CHRIST,
JESUS CHRIST!
396
00:28:29,909 --> 00:28:32,809
CROSSES...
AND SHOULDERS
TO BEAR 'EM.
397
00:28:36,015 --> 00:28:38,375
EL CAMINO!
$15,000 AS IS.
398
00:28:38,484 --> 00:28:42,024
- Linc: IS IT GASSED?
- FUCKING-A RIGHT,
IT'S GASSED, LINC.
399
00:28:43,956 --> 00:28:45,886
YOU AND YOUR 25 CARS.
400
00:28:45,992 --> 00:28:47,792
CIRCLE AND LINE
ON THE WALL,
401
00:28:47,894 --> 00:28:50,104
AND ZEROS
AND GODDAMN ONES
402
00:28:50,196 --> 00:28:52,626
IS WHAT TO TURN
THE BOTH OF YOUR GIFTS TO--
403
00:28:52,731 --> 00:28:54,271
AND NOT ONE DAMN
MINUTE TO WASTE.
404
00:28:54,366 --> 00:28:57,096
RAGHEADS ARE GONNA GET
THEMSELVES ERADICATED.
405
00:28:57,203 --> 00:29:00,213
COUNTRY,
I TOOK YOU OFF-LINE.
406
00:29:00,306 --> 00:29:03,306
MANUEL!
407
00:29:03,409 --> 00:29:05,879
GET A CAGE
ON THIS THING.
408
00:29:13,119 --> 00:29:17,089
- Freddy: HOW WAS THE FLIGHT?
- IT WAS GOOD, YOU KNOW, FAIR.
409
00:29:17,189 --> 00:29:18,959
GOT SICK?
410
00:29:19,058 --> 00:29:21,528
SHMALL KINE,
NOT REALLY.
411
00:29:21,627 --> 00:29:23,527
WHAT THEN?
412
00:29:23,629 --> 00:29:28,129
TERRIBLE FUCKIN' HURRICANE,
TSUNAMI?
413
00:29:28,234 --> 00:29:30,704
WHAT THE FUCK
YOU TALKIN' ABOUT?
WHERE?
414
00:29:30,803 --> 00:29:32,743
FIVE DAYS
SINCE WE SPOKE,
415
00:29:32,839 --> 00:29:34,869
MAYBE THEY HAD THEM
AT THE AIRPORT.
416
00:29:34,974 --> 00:29:37,444
CLEAR SKIES, BRAH.
417
00:29:39,345 --> 00:29:42,105
MAYBE YOU SPENT THEM
TURNIN' OVER AND OVER,
418
00:29:42,214 --> 00:29:45,994
"WHAT'S HE TALKING ABOUT,
THIS HAOLE FUCK,
419
00:29:46,085 --> 00:29:48,515
PRETENDING TO GIVE ME
SOMETHING?"
420
00:29:48,620 --> 00:29:50,420
MAYBE YOU SPENT THEM...
421
00:29:50,522 --> 00:29:53,932
"HE MUST HAVE GOT OLD
FUCKIN' FAST OVER THERE,
422
00:29:54,026 --> 00:29:57,026
THINKS HE'S GONNA
MOVE ON ME,
423
00:29:57,129 --> 00:30:00,429
CONFUSING ME
FOR SOME OTHER KANAKA.
424
00:30:00,532 --> 00:30:05,072
MAYBE HANDLE HIS SHIT FOR HIM
BEFORE HE HANDLES MINE
FOR ME."
425
00:30:05,171 --> 00:30:08,011
YOU KNOW I GOT
TO THINK ABOUT THAT.
426
00:30:12,011 --> 00:30:14,151
BUT YOU DIDN'T
COME IN HERE BLAZING...
427
00:30:14,246 --> 00:30:16,116
COME ON, FREDDY,
YOU RAISED ME UP.
428
00:30:16,215 --> 00:30:18,345
...SO I KNOW
YOU DIDN'T TRAVEL ALONE.
429
00:30:27,059 --> 00:30:30,199
YOU COCKSUCKERS ALWAYS NEED
SOMEONE TO WORK FOR.
430
00:30:35,601 --> 00:30:38,941
TELL THE CHINAMAN,
"FREDDY'S GOT 17
SAFE DEPOSITS."
431
00:30:39,038 --> 00:30:43,378
TELL HIM, "HE'LL TAKE
A TASTE FOR THREE YEARS
432
00:30:43,475 --> 00:30:45,335
BUT ALL HE WANTS IS OUT."
433
00:30:47,179 --> 00:30:51,279
BUT-- BEFORE YOU
TALK TO HIM,
434
00:30:51,383 --> 00:30:55,153
IF YOU EAT SOMETHING
STRANGE THAT PUTS A BRAIN
IN YOUR FUCKIN' HEAD,
435
00:30:55,254 --> 00:30:57,894
MOANA, TELL THE CHINAMAN...
436
00:30:57,990 --> 00:31:01,060
TO GO FUCK HIMSELF,
437
00:31:01,160 --> 00:31:03,460
AND ASK ME FOR THE KEYS
ON YOUR OWN.
438
00:31:21,613 --> 00:31:23,753
( car doors slam )
439
00:31:23,849 --> 00:31:25,779
I GOT THEM.
I GOT THE FISH.
440
00:31:25,884 --> 00:31:27,094
JAKE FERRIS,
STINKWEED.
441
00:31:27,186 --> 00:31:29,086
CAN ANYONE
THROW ME A BONE?
442
00:31:29,188 --> 00:31:30,558
WHOSE RIDE WOULD
THIS BE NOW?
443
00:31:30,656 --> 00:31:32,986
Reporter:
HAS SHAUN YOST BEEN
FOUND OR NOT?
444
00:31:33,092 --> 00:31:34,832
Jake:
AH, THERE MAY BE
SOME NEWS ON THAT.
445
00:31:34,927 --> 00:31:37,397
WE'RE PUTTING
SOMETHING TOGETHER
FOR YOU GUYS SOON.
446
00:31:37,496 --> 00:31:39,626
- THANKS.
- IS THAT TINA BLAKE?
447
00:31:41,233 --> 00:31:44,143
CAN I GET SOME RHYTHM?
SHE'S PART OF MY PRIVATE LIFE.
448
00:31:46,272 --> 00:31:49,112
THIS AIN'T THE TIME
TO BREAK YOU'RE
HIS MOTHER.
449
00:31:51,978 --> 00:31:54,178
THINK OF A PLACE
WE'RE GOING.
450
00:31:54,280 --> 00:31:56,680
THERE'S A FENCE
AROUND BACK--
WE COULD CLIMB OVER.
451
00:32:03,122 --> 00:32:07,232
BRAH, TRY TAKE
YOUR GLASSES OFF.
452
00:32:10,296 --> 00:32:12,596
Freddy:
HAVIN' IT WHERE
WE COULD SEE IT,
453
00:32:12,698 --> 00:32:15,628
- THAT'S THE CHINAMAN
ASKING TO NEGOTIATE.
- THEY'RE ALREADY IN THE CAR.
454
00:32:15,734 --> 00:32:18,544
ASKIN' TO NEGOTIATE
WITH ME...
455
00:32:18,637 --> 00:32:21,837
WOW.
456
00:32:21,940 --> 00:32:26,150
...VOLUNTEERING
TO OFF MOANA.
457
00:32:26,245 --> 00:32:29,775
THAT KID BETTER BE
MORE THAN HALF-SMART.
458
00:32:29,881 --> 00:32:32,351
SO WHAT'D THE BUGGAH
BULAI TO YOU?
459
00:32:32,451 --> 00:32:34,291
BRAH,
460
00:32:34,386 --> 00:32:36,916
I THINK THAT BUGGAH LIKE ME
TAKE OVER HIS TURF IN HAWAII.
461
00:32:37,023 --> 00:32:39,163
WHAT?
HOW COME?
462
00:32:39,258 --> 00:32:41,688
I DON'T KNOW.
MAYBE HE HAD A VISION
OR SOMETHING.
463
00:32:41,793 --> 00:32:44,463
- I DON'T KNOW.
- FUCKING MAHU.
464
00:32:44,563 --> 00:32:46,273
SO WHAT?
465
00:32:46,365 --> 00:32:48,265
HE, LIKE, GIVE YOU
HIS BUSINESS
466
00:32:48,367 --> 00:32:50,637
SO YOU CAN COME
AND GIVE 'EM BACK
TO ME?
467
00:32:50,736 --> 00:32:52,096
( chuckles )
468
00:32:52,204 --> 00:32:55,044
BRAH, I DON'T GIVE
NOTHING TO NOBODY.
469
00:32:55,141 --> 00:32:57,781
IF ANYTHING, I TAKE.
470
00:32:57,876 --> 00:33:00,276
AH, MOANA.
471
00:33:00,379 --> 00:33:02,809
YOU REMEMBER
SMALL KID TIME?
472
00:33:02,914 --> 00:33:04,554
I USED TO HANG YOU
OVER THE ROOF
473
00:33:04,650 --> 00:33:07,050
SO YOU CAN BREAK IN
THROUGH THE WINDOW
AND ROB THE HOUSE?
474
00:33:07,153 --> 00:33:09,163
YOU TRUST ME THEN,
RIGHT?
475
00:33:09,255 --> 00:33:11,155
YEAH, BUT THAT WAS
HANABADDAH DAYS.
476
00:33:11,257 --> 00:33:13,587
THAT WAS THEN,
THIS IS NOW.
477
00:33:13,692 --> 00:33:15,162
AND YOU KNOW WHAT?
478
00:33:15,261 --> 00:33:17,701
I MAY BE PUPULE,
BUT I AIN'T NO LOLO.
479
00:33:17,796 --> 00:33:19,796
I NEVER SAY
YOU WAS LOLO.
480
00:33:19,898 --> 00:33:22,928
SO WHAT? WHAT?
481
00:33:23,035 --> 00:33:25,535
WHAT YOU LIKE ME
DO NOW?
482
00:33:25,637 --> 00:33:28,337
I DON'T KNOW,
I THINK MO' BETTAH
YOU HELE BACK TO HAWAII.
483
00:33:28,440 --> 00:33:31,480
LET ME FIGURE OUT
WHAT'S REALLY GOING ON.
484
00:33:31,577 --> 00:33:33,647
HOW'S THAT SOUND?
485
00:33:33,745 --> 00:33:35,205
OKAY, BROTHER.
486
00:33:35,314 --> 00:33:39,094
I'LL GO HELE BACK,
BUT REMEMBER ONE THING:
487
00:33:39,185 --> 00:33:41,885
WE GO BACK A LONG
LONG WAY, BROTHER.
488
00:33:41,987 --> 00:33:44,657
REMEMBER,
YOU AND I,
489
00:33:44,756 --> 00:33:46,426
WE OHANA.
490
00:33:46,525 --> 00:33:48,455
YEAH.
491
00:33:49,961 --> 00:33:52,561
WHAT, I CAN THROW MY GLASSES
BACK ON OR WHAT?
492
00:33:52,664 --> 00:33:55,504
( sighs )
SHOOT.
493
00:33:55,601 --> 00:33:57,401
ALL RIGHT.
494
00:33:59,238 --> 00:34:02,308
- ALOHA.
- ALOHA NO, BROTHER.
495
00:34:09,715 --> 00:34:11,475
( sighs )
496
00:34:19,091 --> 00:34:21,191
DROVE OFF--
497
00:34:21,293 --> 00:34:22,963
THE CHINAMAN.
498
00:34:23,061 --> 00:34:25,301
MOANA WALKED AWAY
ON FOOT.
499
00:34:25,397 --> 00:34:27,667
LET'S GO
TO THE PARADE.
500
00:34:29,568 --> 00:34:32,968
YOU BRING YOUR CELL PHONE
WITH YOU, DEFINITELY.
501
00:34:33,071 --> 00:34:35,671
HE WON'T BE USING
NO CELL PHONE.
502
00:34:38,310 --> 00:34:41,380
ONE WAY OR ANOTHER,
HE'LL BE COMIN'.
503
00:35:08,240 --> 00:35:10,380
WHAT DO YOU WANT HERE?
504
00:35:11,643 --> 00:35:14,013
THIS.
505
00:35:14,112 --> 00:35:16,252
TIMES SQUARE,
NEW YEAR'S EVE--
506
00:35:16,348 --> 00:35:18,848
ONLY THING MISSING'S
THE BALL...
507
00:35:18,950 --> 00:35:20,750
WHICH COULD BE
HIM IN THERE.
508
00:35:23,689 --> 00:35:25,919
THIS, SHAUN...?
509
00:35:26,024 --> 00:35:29,604
Linc: WE SELL IT AS
A STINKWEED DRUMROLL, HYPE FOR
THE YOST FAMILY SIGNING--
510
00:35:29,695 --> 00:35:32,725
ALL THE YOSTS
IN STINKWEED GEAR,
TREMENDOUS COMING-OUT PARTY.
511
00:35:32,831 --> 00:35:36,841
- WHAT ABOUT JOHN?
- HE'S YOUR STUDENT.
YOU MADE ME SIGN HIM.
512
00:35:36,935 --> 00:35:39,305
Jake:
FOLD HIM INTO
THE FAMILY PACKAGE.
513
00:35:39,405 --> 00:35:40,765
IT LAYS DOWN COVER, MITCH,
514
00:35:40,872 --> 00:35:44,042
FOR WHATEVER'S GOING ON,
AS LONG AS IT'S GOING ON.
515
00:35:44,142 --> 00:35:46,982
NONE OF THOSE FLESH-EATERS
KNOW ABOUT ME YET.
516
00:35:47,078 --> 00:35:48,808
YOU EVER PLAN ON
GOING OUTSIDE?
517
00:35:53,319 --> 00:35:55,689
DO I ASSUME
NO PERMITS WERE
SECURED?
518
00:35:55,787 --> 00:35:58,057
UH, STINKWEED'S
A GOOD CITIZEN OF I.B.,
519
00:35:58,156 --> 00:35:59,486
WE'VE GOT ONE
TO SET UP IN THE PARK.
520
00:35:59,591 --> 00:36:01,591
IF YOU TOOK
YOUR HAT OFF INDOORS,
521
00:36:01,693 --> 00:36:04,333
YOU MIGHT REALIZE I WAS
REFERRING TO TRAFFIC CONTROL.
522
00:36:04,430 --> 00:36:06,600
FORM UP ADJACENT
TO THE SURF SHOP
523
00:36:06,698 --> 00:36:08,928
AND I'LL LEAD
YOUR VEHICLES IN.
524
00:36:34,226 --> 00:36:36,426
BACK IN THE GAME,
MITCH YOST.
525
00:36:38,864 --> 00:36:40,504
( birdcall )
526
00:36:48,307 --> 00:36:50,137
STARE ME DOWN!
527
00:36:50,242 --> 00:36:52,642
STARE ME DOWN!
528
00:36:53,945 --> 00:36:55,745
IT'S EL DIABLO.
529
00:36:57,115 --> 00:36:58,875
I GUESS YOU'RE BACK.
530
00:36:58,984 --> 00:37:03,494
Bill:
THE STAGING AREA THAT
I HAD DESIGNATED WAS CLOSED.
531
00:37:03,589 --> 00:37:05,519
I TRIED TO GET SOME
CITIZENS TO MOVE THEIR CARS.
532
00:37:05,624 --> 00:37:08,164
WE GOT A REPORT YOU
WERE INTIMIDATING
CUSTOMERS.
533
00:37:08,260 --> 00:37:09,830
I WASN'T INTIMIDATING
CUSTOMERS!
534
00:37:09,928 --> 00:37:12,458
ASK HER! I HAVE COFFEE
IN THERE EVERY DAY.
535
00:37:12,564 --> 00:37:14,834
AND NOW I'M IN CUFFS,
FOR CHRIST'S SAKES.
536
00:37:14,933 --> 00:37:17,743
YOU WANT TO MAKE
YOURSELVES USEFUL?
CITE HIM!
537
00:37:17,836 --> 00:37:22,166
- BECAUSE THOSE THINGS CUT THE
LEGS OUT FROM UNDER OLDSTERS.
- ( dog yips )
538
00:37:22,274 --> 00:37:25,614
JUST WHEN YOU THINK
THINGS CAN'T GET WORSE,
THE MAN WITH THE DOG.
539
00:37:25,711 --> 00:37:27,911
IT'S THE ALBATROSS
AROUND MY NECK.
540
00:37:28,013 --> 00:37:29,653
MR. MANDATORY
RETIREMENT.
541
00:37:29,748 --> 00:37:32,418
WHAT THE FUCK IS THIS CIRCUS?
I'M ON MY WAY TO THE VET--
542
00:37:32,518 --> 00:37:34,488
THIS IS OBSTRUCTION
OF A PEACE OFFICER.
543
00:37:34,586 --> 00:37:37,186
- WE'RE PEACE OFFICERS!
- AND YOU'RE RETIRED.
544
00:37:37,289 --> 00:37:39,329
LOOK AT THE VEHICLES.
545
00:37:39,425 --> 00:37:43,995
LOOK AT THE VEHICLES.
THIS SITUATION IS DETERIORATING
BY THE SECOND.
546
00:37:44,095 --> 00:37:48,195
EXCUSE US, OFFICERS,
WE HAVE A LIMITED-USE PERMIT
FOR AN EVENT NEAR THE PIER.
547
00:37:48,300 --> 00:37:50,070
THEY HAD A PERMIT,
AND MY STRATEGY
548
00:37:50,168 --> 00:37:51,868
WAS TO STAGE
THE VEHICLES HERE.
549
00:37:51,970 --> 00:37:54,710
WHY STAGE THE VEHICLES
HERE IF THE EVENT IS
THREE BLOCKS AWAY?
550
00:37:54,806 --> 00:37:56,536
WHY NOT JUST GO THERE?
551
00:37:59,378 --> 00:38:02,908
GIVE THESE GUYS AN ESCORT,
GET 'EM OFF THE FUCKIN' STREE,
AND SET UP DOWN THERE.
552
00:38:03,014 --> 00:38:05,354
BECAUSE YOUR POODLE'S
LATE FOR HIS HAIRCUT?
553
00:38:05,451 --> 00:38:07,921
DOG HAS A FULMINATING
FUNGUS ON HIS PAD.
554
00:38:08,019 --> 00:38:12,319
Man:
HEY, TINA, I'M THE GUY
THAT JERKS OFF TO YOUR TAPES!
555
00:38:12,424 --> 00:38:15,894
- SHUT UP, YOU PERV!
- HOW WOULD YOU LIKE TO SUCK
HER EX-HUSBAND'S DICK?
556
00:38:15,994 --> 00:38:19,304
YEAH, SEE IF YOU CAN TELL
THE WORLD WHAT A USEFUL
LIFE YOU'VE LED
557
00:38:19,398 --> 00:38:21,168
WITH THAT KIND
OF MOUTHFUL!
558
00:38:21,266 --> 00:38:24,196
YOU PERV-DICK-
MOUTHFUL 24!
559
00:38:24,302 --> 00:38:27,212
GO AHEAD,
YOU'LL BE LED THROUGH!
560
00:38:27,305 --> 00:38:29,475
FOLLOW THE POLICE
OFFICERS.
561
00:38:29,575 --> 00:38:31,775
YOU'LL BE LED THROUGH!
LEAD THEM THROUGH!
562
00:38:31,877 --> 00:38:35,377
GO ON THROUGH!
YOU'RE BEING LED
BY THE POLICE OFFICERS,
563
00:38:35,481 --> 00:38:39,351
THE COCKSUCKERS THAT
FORGOT TO TAKE MY CUFFS OFF!
564
00:38:39,451 --> 00:38:41,651
GO ON THROUGH!
565
00:38:41,753 --> 00:38:45,993
GO ON.
HERE'S A DRUG CASUALTY--
THINKS THIS CAR'S NORMAL.
566
00:38:46,091 --> 00:38:50,401
GO AHEAD, IT'S THE HOMOSEXUAL
IN THE HYBRID-- GO ON!
567
00:38:50,496 --> 00:38:53,026
- YOU'RE BEING LED THROUGH.
- ( wolf whistles )
568
00:38:54,733 --> 00:38:56,803
LOOK AT THE BREASTS
ON THESE WOMEN!
569
00:38:56,902 --> 00:39:00,742
THIS COUNTRY IS DOOMED!
BUT GO AHEAD, HAVE FUN.
570
00:39:12,418 --> 00:39:14,918
LOW-RENT
AND HALF-ASSED...
571
00:39:15,020 --> 00:39:17,860
- HARDCORE STINKWEED.
- ( all cheer )
572
00:39:17,956 --> 00:39:23,256
BUT WE ALWAYS
ROLL WITH THE LOVELY
STINKWEED LADIES.
573
00:39:23,361 --> 00:39:25,031
( men whistling )
574
00:39:27,298 --> 00:39:30,038
WE GOT SOME FREE
T-SHIRTS RIGHT HERE.
LADIES, THROW 'EM OUT!
575
00:39:30,135 --> 00:39:34,305
CHECK OUT THE NEW DESIGN.
COME TO THE BOOTH. CHECK OUT
THE NEW STINKWEED LOGO!
576
00:39:34,406 --> 00:39:37,676
HEY, PRESS, DON'T FORGET
TO TAKE THESE GIFT BASKETS
ON THE WAY OUT!
577
00:39:37,776 --> 00:39:40,106
YOU DON'T TAKE 'EM,
JAKE WON'T BE ABLE
TO WRITE 'EM OFF.
578
00:39:40,211 --> 00:39:42,751
TAKE A GOOD LOOK, MA.
579
00:39:42,848 --> 00:39:44,518
WE'RE THEM NOW.
580
00:39:44,616 --> 00:39:47,546
IF I LOOK FAMILIAR,
PROBABLY SOMETIME IN YOUR LIFE
581
00:39:47,653 --> 00:39:52,223
YOU'VE SEEN LINC STARK'S CAR
GETTING DETAILED.
582
00:39:52,323 --> 00:39:55,233
LINC STARK
FOUNDED STINKWEED;
583
00:39:55,326 --> 00:39:58,926
OUR C.E.O.
AND IN-HOUSE VISIONARY.
584
00:39:59,030 --> 00:40:02,330
LINC'S GOT PLANS
AND HE'S HERE TO TELL YOU
ALL ABOUT THEM
585
00:40:02,434 --> 00:40:05,044
AND I GUARANTEE YOU,
THEY'RE BIG!
586
00:40:07,473 --> 00:40:09,683
Linc:
STANDING DOWN HERE
AT SURFHENGE,
587
00:40:09,775 --> 00:40:12,605
BECAUSE THEY DO NOT WANT
TO BE ON THE SAME STAGE AS ME...
588
00:40:12,711 --> 00:40:14,611
LINK'S GOING TO SELL
THE FAMILY.
589
00:40:14,713 --> 00:40:17,353
...LADIES AND GENTLEMEN--
CISSY AND MITCH YOST!
590
00:40:17,449 --> 00:40:19,119
( cheering, applause )
591
00:40:19,217 --> 00:40:21,417
TINA BLAKE--
592
00:40:21,520 --> 00:40:24,090
THE NAME MIGHT BE FAMILIAR
TO SOME OF YOU.
593
00:40:24,189 --> 00:40:26,589
BUTCHIE YOST!
594
00:40:26,692 --> 00:40:28,962
SOMEBODY, CHECK THAT MAN
FOR A WEAPON.
595
00:40:29,060 --> 00:40:30,730
SHAUN YOST!
596
00:40:30,829 --> 00:40:33,029
BUTCHIE'S NEW
SURFING DISCOVERY--
597
00:40:33,131 --> 00:40:35,901
JOHNNY MONAD
FROM CINCINNATI!
598
00:40:40,939 --> 00:40:43,479
STINKWEED,
A WING AND A PRAYER
599
00:40:43,575 --> 00:40:46,805
UNTIL WE SIGNED BUTCHIE YOST
15 YEARS AGO.
600
00:40:46,912 --> 00:40:48,952
BUTCHIE YOST PUT
STINKWEED ON THE MAP
601
00:40:49,047 --> 00:40:52,877
AND WE DID ALL WE COULD
TO HELP BUTCHIE CRASH AND BURN.
602
00:40:52,984 --> 00:40:55,554
'CAUSE BUSINESS IS BUSINESS.
IN OUR BUSINESS,
603
00:40:55,654 --> 00:40:59,124
WE SELL CRASH-AND-BURN
LIKE FORD SELLS TOUGH.
604
00:40:59,224 --> 00:41:01,594
( mock weeping )
YOU GOT A HANKIE?
605
00:41:01,693 --> 00:41:04,863
TIME PASSES,
I SEE BUTCHIE YOST'S
SON SURFING.
606
00:41:04,963 --> 00:41:07,303
SHAUN YOST SURFS
LIKE AN ANGEL.
607
00:41:07,398 --> 00:41:10,498
AND WHEN I PITCH IT TO MITCH
AND CISSY YOST, THEY AGREE
608
00:41:10,602 --> 00:41:13,172
TO LET SHAUN SIGN WITH ME
BECAUSE IT'S WHAT HE WANTS.
609
00:41:13,271 --> 00:41:16,581
OH, AND MAYBE I MAKE A PROMISE
THAT I WON'T DO THE SAME THING
610
00:41:16,675 --> 00:41:19,405
WITH SHAUN
THAT I DID WITH BUTCHIE.
611
00:41:19,511 --> 00:41:22,951
HUNTINGTON BEACH,
SHAUN GOES DOWN.
612
00:41:24,282 --> 00:41:26,622
SORRY, CISSY.
SORRY, MITCH.
613
00:41:26,718 --> 00:41:30,118
DO NOT THINK FOR A SECOND,
NO MATTER WHAT HE SAYS,
614
00:41:30,221 --> 00:41:33,891
THAT THE LEOPARD
WILL EVER CHANGE HIS SPOTS.
615
00:41:33,992 --> 00:41:36,632
STINKWEED MARKETS
SHAUN'S SPRAINED NECK
616
00:41:36,728 --> 00:41:38,898
AS A MIRACLE JOURNEY
BACK FROM DEATH
617
00:41:38,997 --> 00:41:41,227
BY SURFING'S NEW
YOUNG SUPERSTAR.
618
00:41:41,332 --> 00:41:43,572
SHAUN AND JOHN
GO AWOL SURFING,
619
00:41:43,669 --> 00:41:47,109
THE LEOPARD DECIDES TO SELL IT
AS A DISAPPEARANCE.
620
00:41:47,205 --> 00:41:50,235
HE CALLS THE GRANDPARENTS,
GETS THEM ALL FREAKED OUT.
621
00:41:50,341 --> 00:41:54,081
THEY CALL THE MEDIA,
TELL 'EM SHAUN'S MISSING.
622
00:41:54,179 --> 00:41:55,909
SHAUN AND JOHN
COME HOME.
623
00:41:56,014 --> 00:41:57,954
CISSY AND MITCH
ARE DOWN ON THE LEOPARD.
624
00:41:58,049 --> 00:42:00,889
BUTCHIE WANTS TO BUST
A CAP IN HIS ASS.
625
00:42:00,986 --> 00:42:03,716
SOME PEOPLE
JUST WILL NOT SEE
THE BUSINESS ANGLE.
626
00:42:03,822 --> 00:42:07,462
WHICH IS HOW AND WHY THE LEOPARD
IS HERE BEFORE YOU NOW.
627
00:42:07,559 --> 00:42:09,929
THE YOSTS HAVE THROWN
A COLLAR ON THE CAT.
628
00:42:10,028 --> 00:42:11,928
THEY'RE MAKING HIM
CLIMB IN A CAGE.
629
00:42:12,030 --> 00:42:15,930
THEY WILL STAY WITH STINKWEED
ONLY IF I GET OUT.
630
00:42:16,034 --> 00:42:17,944
STINKWEED LAYS DOWN
COVER FOR MY FATHER.
631
00:42:18,036 --> 00:42:20,536
AH-BAH-DEE,
AH-BAH-DEE, AH-BAH-DEE.
I'M OUT, FOLKS!
632
00:42:20,639 --> 00:42:22,409
JAKE FERRIS,
THE NEW C.E.O.
633
00:42:22,507 --> 00:42:24,207
LINC IS EL CAMINO.
634
00:42:24,309 --> 00:42:26,879
WE WILL NEVER
DO BAD AGAIN.
635
00:42:26,978 --> 00:42:29,248
( Jake, softly )
LINC STARK, LADIES
AND GENTLEMEN.
636
00:42:29,347 --> 00:42:32,017
( rock music playing )
637
00:42:32,117 --> 00:42:33,717
GET OFF MY FUCKING FOOT
OR I'LL KILL YOU.
638
00:42:33,819 --> 00:42:37,089
LOOK--
OTHER SIDE.
639
00:42:47,065 --> 00:42:49,565
TALK OR GET THE FUCK
OUT OF HERE.
640
00:42:51,402 --> 00:42:54,572
BRAH, GIVE ME
THE KEYS.
641
00:43:03,448 --> 00:43:06,378
CHECK OUT
THE NEW WETSUITS,
STINKWEED'S NEW DESIGN.
642
00:43:06,484 --> 00:43:10,194
John:
DR. SMITH COMES BACK 20 YEARS
YOUNGER FROM CINCINNATI.
643
00:43:11,489 --> 00:43:13,119
CISSY GETS KNOCKED-UP.
644
00:43:13,224 --> 00:43:15,364
SHE'S BIGGER
THAN LEONA HELMSLEY.
645
00:43:17,495 --> 00:43:19,025
EARTH PUTS DICKSTEIN
ON RETAINER.
646
00:43:19,130 --> 00:43:21,370
DAPHNE KEEPS
HIS HEAD STRAIGHT.
647
00:43:26,705 --> 00:43:29,305
- ( cheering )
- John: JERRI MEETS A SLEW
OF NEW HARELIPS.
648
00:43:32,143 --> 00:43:35,483
MY FATHER FOUR-WALLS
BARRY'S BAR.
649
00:43:35,580 --> 00:43:38,180
DR. SMITH TRAINS
DWAYNE AND RAMON.
650
00:43:39,785 --> 00:43:42,345
MY FATHER FREELANCES
IN CASS'S CAMERA.
651
00:44:04,075 --> 00:44:07,005
SAYING I'D NOT CLIMB
THOSE STAIRS AGAIN
652
00:44:07,112 --> 00:44:09,752
OR COME BACK
IN THIS ROOM...
653
00:44:11,582 --> 00:44:14,192
I GUESS NOW YOU KNOW
I'M A FIBBER.
654
00:44:29,667 --> 00:44:31,897
WHY I CAME UP HERE,
SWEETHEART...
655
00:44:34,505 --> 00:44:37,075
THAT SON OF THE YOST BOY--
656
00:44:37,175 --> 00:44:40,505
BUTCHIE WHO HELPED YOU
WITH YOUR GROCERIES?
657
00:44:40,611 --> 00:44:42,811
HIS SON WENT MISSING.
658
00:44:42,914 --> 00:44:45,324
THE LONG AND SHORT
OF IT, SHAUN--
659
00:44:45,416 --> 00:44:47,486
BUTCHIE'S SON--
660
00:44:47,585 --> 00:44:50,555
SAFELY RETURNED.
661
00:44:50,655 --> 00:44:53,085
HAPPY OUTCOME.
662
00:44:57,295 --> 00:44:59,355
ON THE DOWNSIDE,
663
00:44:59,464 --> 00:45:01,474
THE GREEN ONE'S GONE.
664
00:45:01,566 --> 00:45:04,066
I WAS REMISS,
665
00:45:04,169 --> 00:45:07,509
TROTTING HIM PLACES
OUTSIDE THE HOUSE.
666
00:45:07,605 --> 00:45:09,835
ALTHOUGH I'LL SAY,
667
00:45:09,941 --> 00:45:13,341
FIRST EXCURSION OUT
I TOOK HIM TO THE HOSPITAL.
668
00:45:15,180 --> 00:45:18,120
IT WAS A...
669
00:45:18,216 --> 00:45:20,816
WORTHWHILE VISIT.
670
00:45:25,290 --> 00:45:28,060
SEE, THIS IS WHY...
671
00:45:28,159 --> 00:45:30,899
THIS IS WHY
I DON'T COME UP HERE.
672
00:45:32,163 --> 00:45:34,703
WHERE DO YOU START
AND STOP?
673
00:45:34,800 --> 00:45:37,100
EVERY EVENT
AND INCIDENT--
674
00:45:37,202 --> 00:45:39,202
"OH, IF SHE COULD HAVE
ONLY SEEN THIS!
675
00:45:39,304 --> 00:45:41,844
WOULDN'T SHE HAVE LAUGHED
TO HAVE SEEN THAT?"
676
00:45:52,250 --> 00:45:54,690
IF I TOOK THE MOUTH-HARP
TO HAND TO COME UP WITH,
677
00:45:54,786 --> 00:45:56,816
I'D HAVE NEVER MADE IT
UP THE STAIRS
678
00:45:56,922 --> 00:45:59,292
OR I'D PLAY TO YOU.
679
00:46:02,760 --> 00:46:04,930
HERE I GO DOWN.
680
00:46:11,036 --> 00:46:13,806
GOD LOVE YOU, MY LO',
681
00:46:13,905 --> 00:46:16,335
AND HOLD YOU TIGHT.
682
00:46:21,279 --> 00:46:22,709
LOIS...
683
00:46:22,814 --> 00:46:25,784
LO', LOOK AT THIS!
684
00:46:26,985 --> 00:46:29,445
( rock music continues )
685
00:46:31,256 --> 00:46:33,856
John:
MOTHER OF GOD, CASS-KAI.
686
00:46:38,964 --> 00:46:42,204
( rock music continues )
52307
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