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1
00:00:06,174 --> 00:00:08,084
( theme music playing )
2
00:01:38,432 --> 00:01:41,302
( waves softly crashing )
3
00:02:21,942 --> 00:02:24,142
( phone ringing )
4
00:02:34,355 --> 00:02:36,015
YOU KNOW, I'D WANT
TO TELL YOU SOME THINGS
5
00:02:36,123 --> 00:02:38,433
IF YOU'D WANT
TO LISTEN.
6
00:02:39,827 --> 00:02:42,157
HELLO.
7
00:02:44,064 --> 00:02:47,504
STOP. SHUT UP.
WHATEVER YOU WANT,
YOU'RE NOT GETTING IT.
8
00:02:47,601 --> 00:02:50,201
WHEREVER YOU ARE,
FUCKING STAY THERE
9
00:02:50,304 --> 00:02:52,314
AND LEAVE US ALONE!
10
00:02:52,406 --> 00:02:54,166
- ( phone beeps )
- ( Cissy panting )
11
00:02:54,275 --> 00:02:56,505
( car engine starts )
12
00:02:57,478 --> 00:02:59,408
OH, COME ON,
CISSY, DON'T.
13
00:02:59,513 --> 00:03:01,853
- COME ON!
- ( tires squealing )
14
00:03:01,949 --> 00:03:04,919
IS SHE HERE?
IS SHE HERE?
15
00:03:09,189 --> 00:03:11,289
WHAT'S GOING ON?
16
00:03:12,860 --> 00:03:15,660
( tires screech )
17
00:03:18,332 --> 00:03:21,342
- 14 YEARS LATE.
- WHO JUST PEELED
OUT OF HERE?
18
00:03:23,437 --> 00:03:25,667
SHAUN, GET DRESSED.
YOU'RE GOING TO WORK
WITH ME TODAY.
19
00:03:25,773 --> 00:03:27,243
I'M SUPPOSED
TO SURF WITH SAMMY.
20
00:03:27,341 --> 00:03:29,011
COME ON!
GET DRESSED.
21
00:03:29,109 --> 00:03:32,009
JUST DO WHAT YOUR
GRANDMOTHER SAYS, SHAUN.
22
00:03:32,112 --> 00:03:34,682
( sighs )
23
00:03:34,782 --> 00:03:37,252
YOU WANT TO TELL ME
WHAT THE HELL IS HAPPENING?
24
00:03:38,286 --> 00:03:40,086
WHAT'S HAPPENING...
25
00:03:40,187 --> 00:03:41,717
IS THE B-SIDE
BOMBSHELL
26
00:03:41,822 --> 00:03:43,862
HAS DECIDED SHE COULD
MAKE MORE OFF OF SHAUN
27
00:03:43,957 --> 00:03:45,657
THAN IN PORN.
28
00:03:45,759 --> 00:03:47,699
- THAT WAS TINA
ON THE PHONE?
- YEAH,
29
00:03:47,795 --> 00:03:49,925
AND IN THE GUINEA-RED
MUSTANG OUTSIDE.
30
00:03:51,899 --> 00:03:55,869
IF SHE THINKS SHE IS
GETTING HIM AWAY FROM ME...
31
00:03:55,969 --> 00:03:58,269
( grunts )
SHE'S TAKEN ONE
TOO MANY MONEY SHOTS.
32
00:03:59,673 --> 00:04:02,143
PUT THOSE SHOES ON, SHAUN.
WE'RE GETTING OUT OF HERE.
33
00:04:02,242 --> 00:04:04,012
- I WANT TO HAVE
SOME CEREAL.
- COME ON!
34
00:04:04,111 --> 00:04:05,811
LET'S GO.
35
00:04:07,748 --> 00:04:10,118
( door closes )
36
00:04:10,217 --> 00:04:12,317
( toilet flushing )
37
00:04:23,664 --> 00:04:25,504
SEE, JOHN,
THAT FREAKS ME OUT--
38
00:04:25,599 --> 00:04:27,869
YOU STANDING THERE,
JUST STARING.
39
00:04:30,771 --> 00:04:32,641
DO YOU LISTEN TO ME
WHEN I'M IN THERE?
40
00:04:32,740 --> 00:04:34,910
I LISTEN TO YOU.
41
00:04:37,177 --> 00:04:39,947
WORK HERE, CASS.
42
00:04:41,349 --> 00:04:43,579
HERE, IN MY HOTEL ROOM
43
00:04:43,684 --> 00:04:46,054
THAT I HAVE
NO MONEY TO PAY FOR?
44
00:04:46,153 --> 00:04:47,523
I WILL HAPPILY WORK, JOHN,
45
00:04:47,621 --> 00:04:50,361
IF YOU EXPLAIN
TO ME WHAT YOU MEAN.
46
00:04:50,458 --> 00:04:54,998
- WORK HERE.
- HERE... IN MY WORK AREA?
47
00:04:55,095 --> 00:04:58,695
WITH YOUR TOWELS
ON MY BARRIER?
48
00:04:59,633 --> 00:05:01,273
HUH? HOW'S THIS, JOHN?
49
00:05:01,369 --> 00:05:03,299
YOU LIKE THIS LOOK?
( ululates )
50
00:05:03,404 --> 00:05:05,874
FUCKIN' TOWELHEADS ARE GONNA
GET THEMSELVES ERADICATED.
51
00:05:10,511 --> 00:05:13,711
I'M BROKE, JOHN. OKAY?
52
00:05:13,814 --> 00:05:16,284
I AM NOT AVERSE TO WORK,
I BELIEVE IN IT.
53
00:05:16,384 --> 00:05:18,654
I BELIEVE
IN PAYING MY DEBTS.
54
00:05:18,752 --> 00:05:20,292
I'LL BE PAYING
ON MY STUDENT LOANS
55
00:05:20,388 --> 00:05:21,858
WHEN I'M
ON SOCIAL SECURITY.
56
00:05:23,791 --> 00:05:28,201
ALSO, LIKE EVERYONE ELSE,
I HAVE ISSUES AROUND MONEY.
57
00:05:28,295 --> 00:05:30,855
IT'S PROBABLY A HOLDOVER
FROM MY CHILDHOOD
58
00:05:30,964 --> 00:05:33,774
WHEN MY POP,
HE'D LEAVE FOR WORK
AND THEN THREE DAYS LATER
59
00:05:33,867 --> 00:05:36,197
WE'D GET A CALL ASKING
TO WIRE HIM BUS FARE HOME...
60
00:05:36,303 --> 00:05:39,013
FROM LAS VEGAS.
61
00:05:41,442 --> 00:05:43,442
IN SUMMARY, JOHN,
62
00:05:43,544 --> 00:05:46,684
I AM NO LONGER ABLE
TO TRADE ON MY SEX
63
00:05:46,780 --> 00:05:48,980
AND I NEED
TO MAKE SOME MONE.
64
00:05:52,052 --> 00:05:54,052
YOU NEED
YOUR CAMERA, CASS.
65
00:05:57,324 --> 00:06:00,764
IT'S SAFE, JOHN.
IT'S IN THE TRUNK OF MY CAR.
66
00:06:08,368 --> 00:06:10,498
UNLESS LINC'S HAD IT
REPOSSESSED.
67
00:06:13,106 --> 00:06:14,776
( bird squawks )
68
00:06:17,811 --> 00:06:19,511
( squawks )
69
00:06:20,848 --> 00:06:23,278
LISTEN TO ME.
LISTEN TO ME.
LISTEN TO ME!
70
00:06:23,383 --> 00:06:25,293
DO NOT CONFUSE...
71
00:06:25,385 --> 00:06:28,185
MY ADMITTING A MISTAKE--
LIKE A GENTLEMAN--
72
00:06:28,288 --> 00:06:30,518
WITH A CHECK
MADE OUT TO YOU
73
00:06:30,624 --> 00:06:32,734
TO SUBSEQUENTLY
GO BERSERK.
74
00:06:36,396 --> 00:06:37,926
( squawking )
75
00:06:39,433 --> 00:06:42,403
YES. I GOT ALONG
WITH THE HAWAIIAN, ZIPPY.
76
00:06:42,503 --> 00:06:44,573
26 YEARS
IN LAW ENFORCEMENT,
77
00:06:44,672 --> 00:06:47,312
I AM ABLE TO COEXIST
WITH SHITHEELS.
78
00:06:47,407 --> 00:06:49,437
THE SUBJECT
YOU RAISE NOW
79
00:06:49,543 --> 00:06:51,343
CONCERNS A DIFFERENT
KETTLE OF FISH.
80
00:06:51,445 --> 00:06:52,975
( squawks )
81
00:06:53,080 --> 00:06:56,350
AND FOR ALL WE KNOW,
HE MAY BE A FISH,
THIS JOHN.
82
00:06:56,450 --> 00:06:58,550
"I'VE GOT
MY FISHEYE ON YOU."
83
00:06:58,652 --> 00:07:01,892
( thunder rumbling )
84
00:07:05,258 --> 00:07:08,058
( squawks )
85
00:07:08,161 --> 00:07:10,331
SO THIS ISN'T
AN EVENHANDED BACK AND FORTH.
86
00:07:10,430 --> 00:07:12,370
THIS IS ME
ON THE RECEIVING END
87
00:07:12,466 --> 00:07:15,666
OF YOU DELIVERING
UNALTERABLE INSTRUCTIONS.
88
00:07:15,769 --> 00:07:17,839
THEN WE CAN SAVE TIME
AND ARGUMENTATION.
89
00:07:17,938 --> 00:07:19,608
EXCUSE ME
WHILE I TAKE A PISS.
90
00:07:19,707 --> 00:07:21,507
IF YOU HAVE
AN OBJECTION,
91
00:07:21,609 --> 00:07:23,139
I'M SURE YOU CAN
CONVEY IT SILENTLY
92
00:07:23,243 --> 00:07:25,313
- ONCE I GET
MY STREAM GOING...
- ( squawks )
93
00:07:25,412 --> 00:07:27,282
...AND THEREBY
SHUT THAT DOWN TOO!
94
00:07:27,380 --> 00:07:29,850
- JESUS CHRIST, JESUS CHRIST,
JESUS CHRIST!
- ( squawks )
95
00:07:39,292 --> 00:07:41,562
THIS'LL PASS
IN A HEARTBEAT.
96
00:07:44,031 --> 00:07:46,571
YOU DON'T WANT TO GO
BANDYING THAT SHIT ABOUT.
97
00:07:48,301 --> 00:07:49,741
WHAT DO YOU MEAN?
98
00:07:49,837 --> 00:07:51,637
JUST ASK THE GIRL--
MARIE--
99
00:07:51,739 --> 00:07:54,509
ON BANDYING ABOUT MY...
100
00:07:54,608 --> 00:07:56,638
SLEEP TALK.
101
00:07:56,744 --> 00:08:00,154
- SLEEP TALK?
- YEAH.
102
00:08:00,247 --> 00:08:03,417
SHE'S GOT FIVE
OR SIX RESTING PLACES
ON THE BIG ISLAND.
103
00:08:03,517 --> 00:08:06,787
DIG HER UP AND ASK.
104
00:08:06,887 --> 00:08:09,787
THE OTHER NIGHT,
I HEARD YOU TALKING
IN YOUR SLEEP, RIGHT?
105
00:08:11,291 --> 00:08:13,191
"IS TWO DAYS OFF
A CRIME?
106
00:08:13,293 --> 00:08:16,103
DO I NEVER GET
TO FUCKIN' RELAX?"
107
00:08:16,196 --> 00:08:19,196
WHEN ARE YOU GONNA
TAKE THE PICTURES
OF YOUR WRIST?
108
00:08:19,299 --> 00:08:20,669
OH, UH...
109
00:08:20,768 --> 00:08:22,498
YOU KNOW, I'M HESITANT.
110
00:08:22,603 --> 00:08:25,513
YOU KNOW? PHYSICIANS,
THEY-- THEY TOSS IT OFF.
111
00:08:25,606 --> 00:08:28,206
"GET YOURSELF AN X-RAY,"
LIKE "NEXT LIGHT GO LEFT,"
112
00:08:28,308 --> 00:08:31,208
'CAUSE THEY NEVER HIT
NO BUMPS ON LIFE'S HIGHWAY,
RIGHT, BOSS?
113
00:08:32,880 --> 00:08:34,920
FELLAS LIKE US,
INFORMATION BALL
GETS ROLLING,
114
00:08:35,015 --> 00:08:37,715
NEXT THING YOU KNOW
WE'RE DEAD IN AN AVALANCHE--
115
00:08:37,818 --> 00:08:39,648
WANTS, WARRANTS,
FAILURES TO APPEAR.
116
00:08:39,753 --> 00:08:41,523
JUST REMEMBER
WHAT I SAID...
117
00:08:41,622 --> 00:08:43,692
THAT OTHER THING.
118
00:08:44,692 --> 00:08:46,232
BELIEVE ME,
IT'S RECORDED...
119
00:08:47,895 --> 00:08:49,695
IN HERE.
120
00:08:49,797 --> 00:08:52,297
"YOU WANT TO WIND UP
LIKE MARIE?
121
00:08:52,399 --> 00:08:54,899
FIVE PIECES."
122
00:09:04,845 --> 00:09:07,145
I'M NOT PULLING OUT
THIS TIME.
123
00:09:09,683 --> 00:09:11,223
IT ENDS TODAY, ERNIE...
124
00:09:14,121 --> 00:09:16,391
IN THIS PLACE.
125
00:09:16,489 --> 00:09:19,889
I CAN GIVE YOU A SODA
OR A CLAMATO, JOE,
126
00:09:19,993 --> 00:09:23,463
BUT I CAN'T SERVE YOU
LIQUOR AT ALL,
127
00:09:23,563 --> 00:09:26,373
NOT AS LONG AS YOU'RE
HOLDING THAT GUN.
128
00:09:26,466 --> 00:09:29,736
WHY WOULD YOU WANT
TO MAKE MY STORY
129
00:09:29,837 --> 00:09:31,437
THE PUNCH LINE
OF YOUR PRACTICAL JOKE?
130
00:09:31,538 --> 00:09:33,668
WHY, ERNIE?
131
00:09:33,774 --> 00:09:36,684
- I DIDN'T, JOE.
- HE KNEW I WAS BEHIND
132
00:09:36,777 --> 00:09:38,507
WITH MY BOOT OFF
133
00:09:38,612 --> 00:09:42,052
SQUEEZING PUSS OUT
OF WHERE THAT PUNJI STICK
WENT THROUGH MY FOOT.
134
00:09:42,149 --> 00:09:44,819
- WHO DID?
- THIS GUY YOU
PUT OUT THERE
135
00:09:44,918 --> 00:09:47,418
TO MAKE ME THINK
HE WAS WOUNDED SO BAD
136
00:09:47,520 --> 00:09:49,590
AND PRETEND
I BROUGHT HIM BACK.
137
00:09:51,124 --> 00:09:54,164
I NEVER REPEATED YOUR
STORY TO ANYONE, JOE.
138
00:09:54,261 --> 00:09:57,101
UM... I DON'T BELIEVE
YOU EVER TOLD US.
139
00:09:58,165 --> 00:10:00,525
YOU-- I TOLD YOU.
140
00:10:00,634 --> 00:10:02,744
I DON'T BELIEVE SO.
141
00:10:03,871 --> 00:10:06,311
Toy:
Go fuck yourself!
142
00:10:06,406 --> 00:10:08,436
- Shit for brains!
- WOULD YOU TAKE
THAT OUTSIDE?
143
00:10:08,541 --> 00:10:10,511
THIS ISN'T FUNNY?
144
00:10:10,610 --> 00:10:13,580
- Toy: Ass licker!
- YEAH WELL, MAKE IT FUNNY
OVER AT THE NO NAME.
145
00:10:13,681 --> 00:10:15,681
Toy:
Fuckin' idiot!
146
00:10:15,783 --> 00:10:18,793
I ALWAYS CARED MORE ABOUT
MY FEET THAN I SHOULD HAVE.
147
00:10:18,886 --> 00:10:21,486
WELL,
AN INFANTRY MAN'S FEET
148
00:10:21,588 --> 00:10:23,588
ARE AS IMPORTANT
AS HIS WEAPON.
149
00:10:23,691 --> 00:10:25,861
I COULDN'T HELP...
150
00:10:27,695 --> 00:10:29,425
CHARLIE C OR...
151
00:10:29,529 --> 00:10:31,259
PENCILHEAD,
152
00:10:32,265 --> 00:10:34,665
SLOWDUMP.
153
00:10:34,768 --> 00:10:37,268
- NONE OF 'EM.
- I'LL BET MY
DAUGHTER'S EYES
154
00:10:37,370 --> 00:10:39,810
YOU DID EVERYTHING
YOU COULD.
155
00:10:41,809 --> 00:10:44,309
( sobbing )
OH GOD, FORGIVE ME.
156
00:10:44,411 --> 00:10:46,851
YOU WANT ME
TO HOLD THAT?
157
00:10:52,185 --> 00:10:54,245
I'M NOT GONNA USE IT.
158
00:10:57,424 --> 00:10:59,294
I GUESS...
159
00:10:59,392 --> 00:11:02,502
HOWEVER
HIM I FOUND KNEW,
160
00:11:02,595 --> 00:11:04,355
YOU DIDN'T TELL HIM.
161
00:11:05,465 --> 00:11:07,595
NO.
162
00:11:07,701 --> 00:11:09,341
I SHOULD'VE TOLD YOU.
163
00:11:23,250 --> 00:11:25,790
- WHERE IS FUCKING KAI?
- I DON'T KNOW.
164
00:11:25,886 --> 00:11:28,016
JESUS CHRIST!
165
00:11:29,923 --> 00:11:31,523
ALL RIGHT.
YOU STAY IN THE STORE.
166
00:11:31,624 --> 00:11:33,494
YOU KEEP THE DOORS LOCKED.
167
00:11:33,593 --> 00:11:36,633
- WHO WAS IT OUTSIDE THE HOUSE?
- YOU DO NOT OPEN THE DOOR
FOR ANYBODY.
168
00:11:36,730 --> 00:11:39,930
- REPORTERS?
- JUST DON'T OPEN THE GODDAMNED
DOOR UNLESS IT'S KAI.
169
00:11:40,033 --> 00:11:41,903
WHAT IF THEY
TRY TO GET IN?
170
00:11:42,002 --> 00:11:44,442
DID YOU HEAR
WHAT I SAID, SHAUN?
171
00:11:45,705 --> 00:11:47,705
DO YOU UNDERSTAND ME?
172
00:11:49,209 --> 00:11:51,009
I'M NEVER GONNA GET
TO SURF ANYMORE.
173
00:11:51,111 --> 00:11:53,211
WELL, THAT SHOULD BE
THE WORST OF OUR PROBLEMS.
174
00:11:58,518 --> 00:12:00,818
HAVE I...
EVER HIT YOU?
175
00:12:02,389 --> 00:12:05,489
- NO.
- IF I HIT YOU,
YOU'LL KNOW IT.
176
00:12:05,592 --> 00:12:08,202
( keys jangling )
177
00:12:08,295 --> 00:12:10,855
( door opens, closes )
178
00:12:36,289 --> 00:12:37,989
Linc:
HE STOPPED
TO CHECK THE TIME.
179
00:12:38,091 --> 00:12:41,131
GANGBANGERS
MESSED UP HIS BRIEFCASE.
180
00:12:42,562 --> 00:12:44,972
DO YOU LIKE
YOUR NEW CLOTHES
FROM THE GIFT SHOP?
181
00:12:45,065 --> 00:12:46,725
I LIKE MY NEW CLOTHES.
182
00:12:46,834 --> 00:12:48,774
DO YOU THINK THEY
BOUGHT THEMSELVES?
183
00:12:49,769 --> 00:12:51,239
OH, FUCK.
184
00:12:53,306 --> 00:12:56,576
SO, DID YOU GET YOUR END
NEAR THE LADY, MY BROTHER?
185
00:12:56,676 --> 00:12:59,046
I GOT MY END NEAR
THE LADY, MY BROTHER.
186
00:12:59,146 --> 00:13:01,206
I BONED HER
AND BROKE HER JAW.
187
00:13:01,314 --> 00:13:03,424
DAMN, I'LL HAVE
TO GIVE HER
A COMBAT BONUS.
188
00:13:06,753 --> 00:13:08,793
DOES SHE WORK FOR YOU?
189
00:13:09,789 --> 00:13:11,959
ARE YOU WORKING?
190
00:13:12,059 --> 00:13:15,329
LINC'S GONNA HAVE TO GIVE
YOU A COMBAT BONUS, CASS.
191
00:13:17,564 --> 00:13:19,974
OH, YEAH?
192
00:13:20,067 --> 00:13:21,697
WELL, LINC CAN
TAKE HIS COMBAT BONUS
193
00:13:21,801 --> 00:13:24,071
AND SHOVE IT UP HIS ASS.
194
00:13:36,316 --> 00:13:37,946
KAI!
195
00:13:38,051 --> 00:13:39,951
GET TO THE SHOP!
196
00:13:40,053 --> 00:13:42,023
I'M SORRY
ABOUT YESTERDAY!
197
00:13:42,122 --> 00:13:44,062
ME AND BUTCHIE
WENT LOOKING FOR JOHN.
198
00:13:44,157 --> 00:13:46,857
SHUT UP AND GET
DOWN THERE
199
00:13:46,960 --> 00:13:49,130
AND KEEP
AN EYE ON SHAUN!
200
00:13:49,229 --> 00:13:52,529
- WHERE SHOULD
I PICK HIM UP?
- HE'S THERE NOW!
201
00:13:52,632 --> 00:13:54,972
LOCK THE DOOR
BEHIND YOU!
202
00:13:55,068 --> 00:13:58,068
DON'T LET ANYBODY IN!
203
00:13:58,171 --> 00:14:01,941
THAT PORNO SLUT
WHO MADE SHAUN
204
00:14:02,042 --> 00:14:04,082
WITH MY SCUMBAG SON
205
00:14:04,177 --> 00:14:06,807
AND LEFT HIM
ON MY DOORSTEP
206
00:14:06,914 --> 00:14:09,584
FOR ME TO RAISE
207
00:14:09,682 --> 00:14:11,452
IS BACK IN I.B.!
208
00:14:11,551 --> 00:14:14,321
DON'T LET ANYBODY IN!
209
00:14:14,421 --> 00:14:16,721
SHE MIGHT HAVE
HIRED A LAWYER
210
00:14:16,823 --> 00:14:18,833
TO SERVE PAPERS!
211
00:14:18,926 --> 00:14:22,396
I'M GOING HOME SO THAT
IF SHE COMES BACK
212
00:14:22,495 --> 00:14:26,365
I WILL BE THERE TO PUT
A BULLET IN HER HEART!
213
00:14:28,668 --> 00:14:31,568
- ( both whispering )
I'LL SEE YOU LATER.
- UNBELIEVABLE.
214
00:14:31,671 --> 00:14:34,371
FUCKING TINA,
THAT LOSER BITCH.
215
00:14:34,474 --> 00:14:36,814
HEY, BUTCHIE,
THE LESS YOU SAY NOW,
216
00:14:36,910 --> 00:14:38,650
THE LESS YOU HAVE
TO TAKE BACK.
217
00:14:54,494 --> 00:14:56,804
YOU WORK HERE A LOT?
218
00:14:56,896 --> 00:14:58,466
EVERY 15 YEARS.
219
00:14:59,832 --> 00:15:02,702
I'LL TELL YOU
SOMETHING FUCKED UP.
220
00:15:02,802 --> 00:15:06,372
- IT'LL COST YOU AN EXTRA $500.
- I'M HAVING A LITTLE
TROUBLE BREATHING.
221
00:15:06,473 --> 00:15:08,213
HAVING PAIN IN MY CHEST.
222
00:15:08,308 --> 00:15:09,838
HAVE YOU GOT
HEART PROBLEMS?
223
00:15:09,943 --> 00:15:11,743
NOT THAT I KNOW ABOUT.
224
00:15:11,844 --> 00:15:13,454
FUCK.
225
00:15:18,085 --> 00:15:20,285
I PUT FRAT BOY
INTO MY TRUCK...
226
00:15:22,122 --> 00:15:24,192
HE TOOK MY HAND
TO HIS BELLY...
227
00:15:25,758 --> 00:15:27,658
AND SAID I COULD HELP.
228
00:15:29,796 --> 00:15:32,026
AND IF I WASN'T WASTED,
229
00:15:32,132 --> 00:15:34,232
OR IT WASN'T A JOKE...
230
00:15:36,736 --> 00:15:38,566
I DID.
231
00:15:40,007 --> 00:15:42,337
HE TOOK MY HAND
TO HIS BELLY...
232
00:15:44,544 --> 00:15:46,354
AND HE HEALED.
233
00:15:51,351 --> 00:15:53,721
( laughing )
WHAT DO YOU THINK
ABOUT THAT?
234
00:15:59,459 --> 00:16:02,229
- WHAT HAPPENED?
- HE ONLY HIT THE PAPERS
YESTERDAY.
235
00:16:02,329 --> 00:16:04,959
THERE WAS NO WAY
SHE WAS KEEPING TRACK
OF HIM BEFORE THAT
236
00:16:05,065 --> 00:16:06,665
TILL THERE WAS
SOMETHING IN IT FOR HER.
237
00:16:06,766 --> 00:16:09,936
SO SHE DOES NOT KNOW
WE HAVE A SHOP--
THE PORN QUEEN--
238
00:16:10,037 --> 00:16:11,637
SO THAT IS
WHERE I LEFT HIM.
239
00:16:11,738 --> 00:16:15,178
WITH KAI?
240
00:16:15,275 --> 00:16:18,745
I GOT HER OUT
OF THE TRAILER
TO GO TO THE SHOP
241
00:16:18,845 --> 00:16:20,705
TO KEEP SHAUN COMPANY.
242
00:16:21,981 --> 00:16:23,751
NOW LET THAT BITCH
COME BACK HERE.
243
00:16:23,850 --> 00:16:25,790
DO NOT SMOKE
IN HERE, CISSY.
244
00:16:25,885 --> 00:16:27,445
JESUS CHRIST!
245
00:16:32,859 --> 00:16:35,499
- I LEVITATED.
- WHAT?
246
00:16:35,595 --> 00:16:37,455
LISTEN, IT WASN'T
A HALLUCINATION
247
00:16:37,564 --> 00:16:39,904
LIKE WE-- LIKE WE THOUGHT
WHEN WE TALKED BEFORE--
248
00:16:39,999 --> 00:16:42,339
ME BEING UP IN THE AIR.
249
00:16:42,435 --> 00:16:45,205
SO WHAT ABOUT
THE FASCINATING
INFECTED-SINUS THEORY?
250
00:16:45,305 --> 00:16:47,935
CISSY, THE LEVITATION
WAS WITNESSED.
251
00:16:48,041 --> 00:16:50,641
AND WHAT DID
THE WITNESS SAY, MITCH,
252
00:16:50,743 --> 00:16:53,183
"WHATEVER"?
253
00:16:55,548 --> 00:16:57,818
- FORGET IT.
- WELL, THANKS FOR
THE OKAY ON THAT.
254
00:16:57,917 --> 00:16:59,547
LET'S SEE HOW
LONG IT TAKES ME.
255
00:16:59,652 --> 00:17:01,122
THERE. DONE.
256
00:17:01,221 --> 00:17:03,221
YOU KNOW, IF--
IF YOU'D LET ME FINISH,
257
00:17:03,323 --> 00:17:06,633
I WAS GONNA SUGGEST
THAT MAYBE THERE'S
SOME CONNECTION--
258
00:17:06,726 --> 00:17:08,896
YOU'RE A JERK.
259
00:17:08,995 --> 00:17:11,025
INSTEAD OF FLOATING,
I WISH YOU COULD FLY
260
00:17:11,131 --> 00:17:14,231
500 MILES AN HOUR
INTO A FUCKING BRICK WALL!
261
00:17:16,136 --> 00:17:18,066
YOU KNOW WHAT?
NOT IN HERE.
262
00:17:18,171 --> 00:17:20,211
GIVE ME FUCKING CIGARETTES!
263
00:17:20,307 --> 00:17:22,977
THAT WHORE...
IS COMING FOR SHAUN!
264
00:17:23,076 --> 00:17:25,446
THAT DOESN'T GIVE YOU
THE RIGHT TO POISON ME.
265
00:17:25,545 --> 00:17:28,375
GET OUT THEN.
GET THE FUCK OUT
OR I WILL POISON YOU.
266
00:17:28,481 --> 00:17:30,981
OKAY, GO SMOKE
IN THE HOUSE.
267
00:17:31,084 --> 00:17:32,794
YOU'LL SEE ME
WALKING DOWN
THE DRIVEWAY.
268
00:17:32,885 --> 00:17:36,255
NO. YOU GET OUT.
269
00:17:36,356 --> 00:17:38,726
CISSY, I'M JUST
GONNA BE A MINUTE.
270
00:17:41,361 --> 00:17:43,401
I'M GONNA PRAY FOR YOU.
271
00:17:51,938 --> 00:17:53,338
( rock music playing )
272
00:17:58,811 --> 00:18:01,051
( coughs )
273
00:18:01,148 --> 00:18:04,078
JEEZ, I WONDER
WHO'S SMOKING REEFER.
274
00:18:06,553 --> 00:18:08,863
SHAUN, ARE YOU TRYING
TO GET THE PLACE
SHUT DOWN?
275
00:18:08,955 --> 00:18:10,785
WHO'S GONNA CATCH ME?
276
00:18:10,890 --> 00:18:12,630
GRAM SAID
DON'T LET ANYONE IN.
277
00:18:31,178 --> 00:18:33,908
CAN WE GET OUT OF HERE?
278
00:18:34,013 --> 00:18:35,753
GO TO BLACK'S
OR SOMETHING?
279
00:18:37,417 --> 00:18:40,117
I CAN HIDE
IN THE BACK OF THE CAR
UNTIL WE GET OUT OF TOWN.
280
00:18:40,220 --> 00:18:42,420
NO, NOT RIGHT NOW.
281
00:18:43,923 --> 00:18:46,163
WHY?
282
00:18:47,860 --> 00:18:50,160
I'M NO GOOD
AT PUTTING SHIT
INTO WORDS, SHAUNIE.
283
00:18:50,263 --> 00:18:52,633
SOMETIMES IT TAKES
STICKING AROUND
TO GIVE THINGS
284
00:18:52,732 --> 00:18:54,772
A CHANCE TO WORK OUT.
285
00:18:58,238 --> 00:19:00,538
( sighs )
WE'RE GONNA
OPEN FOR BUSINESS.
286
00:19:01,908 --> 00:19:04,838
AND YOU'RE GONNA HANG HERE
AND NOT GIVE ME ANY GRIEF.
287
00:19:16,889 --> 00:19:18,889
BETTER?
288
00:19:21,093 --> 00:19:23,203
YEAH. YEAH,
A LITTLE BETTER, BUT--
289
00:19:24,030 --> 00:19:26,000
OH, FUCK ME--
290
00:19:26,098 --> 00:19:28,338
FEEL HOW WET
MY FOREHEAD IS.
291
00:19:38,010 --> 00:19:39,480
WHAT ARE YOU DOING?
292
00:19:39,579 --> 00:19:41,379
I'M WETTING
A WASHCLOTH.
293
00:19:41,481 --> 00:19:43,681
( water running )
294
00:19:46,018 --> 00:19:48,218
( sighs )
295
00:20:02,702 --> 00:20:04,802
HOW DO YOU FEEL?
296
00:20:06,005 --> 00:20:09,305
UH, BETTER.
DEFINITELY BETTER.
297
00:20:11,043 --> 00:20:13,183
BREAKS MY HEART, BUT...
298
00:20:13,280 --> 00:20:14,980
GONNA HAVE
TO PASS ON THE SEX.
299
00:20:18,451 --> 00:20:20,551
WE DON'T GIVE REFUNDS.
300
00:20:27,794 --> 00:20:30,764
YOU WANT ME
TO LEAVE YOU A MIDOL?
301
00:20:30,863 --> 00:20:32,933
NO, I'M GOOD.
302
00:20:35,067 --> 00:20:37,197
WHAT'S YOUR NAME?
303
00:20:37,304 --> 00:20:39,374
TINA BLAKE.
304
00:20:40,873 --> 00:20:42,713
REALLY?
305
00:20:45,412 --> 00:20:47,452
I'M SUPPOSED TO BELIEVE
YOU DIDN'T KNOW?
306
00:20:48,815 --> 00:20:50,975
HONEST TO GOD...
307
00:20:51,083 --> 00:20:52,553
I NEVER LET MYSELF
WATCH PORN,
308
00:20:52,652 --> 00:20:54,722
OTHERWISE I'D NEVER
DO ANYTHING ELSE.
309
00:20:57,223 --> 00:20:59,993
I FEEL LIKE
I'M MEETING BABE RUTH.
310
00:21:01,428 --> 00:21:03,298
DID HE FUCK A LOT
OF PEOPLE AT ONCE?
311
00:21:05,798 --> 00:21:07,798
I'M LINC STARK.
312
00:21:11,203 --> 00:21:13,313
I FEEL LIKE
I'M MEETING BABE RUTH.
313
00:21:32,124 --> 00:21:33,594
YEAH, JUST TO LET YOU KNOW,
314
00:21:33,693 --> 00:21:35,833
WHEREVER YOU'RE BEING
USELESS AT THE MOMENT,
315
00:21:35,928 --> 00:21:37,658
THAT PIECE OF TRASH
YOUR SON CAME OUT OF
316
00:21:37,764 --> 00:21:39,904
IS BACK IN I.B.
317
00:21:55,515 --> 00:21:57,375
I HOPE YOU'RE
FUCKIN' HAPPY.
318
00:22:13,566 --> 00:22:15,866
( car starts )
319
00:22:22,308 --> 00:22:24,338
( chattering )
320
00:22:39,058 --> 00:22:40,858
( Indian music playing )
321
00:22:45,932 --> 00:22:48,442
( bell ringing )
322
00:22:49,469 --> 00:22:51,499
( crowd chattering )
323
00:23:03,783 --> 00:23:06,423
DID HE RAG ON ME
ALL THE TIME?
324
00:23:06,519 --> 00:23:09,189
TURN ME
INTO A DARTBOARD?
325
00:23:09,288 --> 00:23:11,458
I NEVER HEARD HIM
SAY YOUR NAME.
326
00:23:13,292 --> 00:23:15,562
'CAUSE HE LOVED ME
SO MUCH.
327
00:23:15,662 --> 00:23:17,332
KNOWING BUTCHIE...
328
00:23:17,430 --> 00:23:20,000
THAT PROBABLY
WOULD BE WHY.
329
00:23:20,099 --> 00:23:23,169
- BULLSHIT.
- BULLSHIT?
330
00:23:23,269 --> 00:23:26,269
10 PEOPLE IN A ROOM,
BUTCHIE TALKS TO NINE OF 'EM.
331
00:23:26,372 --> 00:23:28,172
WHO DOES HE WANT
TO MEET?
332
00:23:36,683 --> 00:23:39,253
WHEN WE WERE
KNOWING EACH OTHER,
HE WOULD LESS IGNORE YOU
333
00:23:39,351 --> 00:23:41,351
THAN KNOCK YOU
INTO THE WALL BY ACCIDENT
334
00:23:41,454 --> 00:23:43,064
FOUR OR FIVE TIMES.
335
00:23:47,393 --> 00:23:49,433
DID YOU WANT
TO CALL HIM SHAUN?
336
00:23:53,800 --> 00:23:55,540
WE'D COME OFF TOUR
AND BUTCHIE WOULD GO
337
00:23:55,635 --> 00:23:57,835
TO MITCH AND CISSY'S HOUSE
THREATENING TO BURN
338
00:23:57,937 --> 00:24:00,567
THAT PLACE DOWN BECAUSE
THEY WOULDN'T CALL HIM THAT.
339
00:24:02,609 --> 00:24:06,279
AND THOSE FIRST COUPLE
OF YEARS, HE DIDN'T
CARE ABOUT ANYTHING.
340
00:24:06,378 --> 00:24:09,848
I MEAN, I THINK THAT'S WHY
HE STARTED GOING AERIAL--
HE JUST DIDN'T.
341
00:24:09,949 --> 00:24:11,979
AND WHEN HE SAW THEY
WERE TAKING POINTS AWAY,
342
00:24:12,084 --> 00:24:14,994
OF COURSE, HE-- HE JUST
MADE IT HIS FUCKING THING.
343
00:24:21,060 --> 00:24:23,560
I THOUGHT "SHAUN"
SOUNDED LIKE THE WAVES
344
00:24:23,663 --> 00:24:25,803
WHEN THEY WERE
GOING BACK OUT.
345
00:24:25,898 --> 00:24:28,068
AND YOU COME BACK TO SEE
HOW YOUR BOY GREW UP.
346
00:24:31,871 --> 00:24:33,941
BEING THAT HIS DAD AND I
DON'T TALK ANYMORE,
347
00:24:34,040 --> 00:24:36,280
IT'S PROBABLY BEST
YOU DON'T TELL BUTCHIE
348
00:24:36,375 --> 00:24:38,335
WE SAW EACH OTHER.
349
00:24:38,444 --> 00:24:41,784
I DON'T KNOW YET
IF BUTCHIE'S TALKING TO ME.
350
00:24:41,881 --> 00:24:44,651
ANYTHING ELSE
I CAN DO TO HELP?
351
00:24:49,822 --> 00:24:51,822
FOCUS.
352
00:25:00,032 --> 00:25:01,802
( knocks on door )
353
00:25:05,972 --> 00:25:07,572
( laughs )
354
00:25:11,410 --> 00:25:13,380
WHAT DO YOU WANT?
355
00:25:13,479 --> 00:25:15,479
NOT BAD,
HOW HAVE YOU BEEN?
356
00:25:15,582 --> 00:25:17,852
OH, YOU WANNA PLAY NICE?
357
00:25:17,950 --> 00:25:20,890
YOU LEFT OUR BABY
ON MY PARENTS' DOORSTEP.
358
00:25:22,021 --> 00:25:24,161
WE DIDN'T HAVE A DOORSTEP,
REMEMBER, BUTCHIE?
359
00:25:24,256 --> 00:25:26,756
HE WAS TWO HOURS OLD!
360
00:25:26,859 --> 00:25:28,759
OR A BED OR FOOD
IN THE REFRIGERATOR,
361
00:25:28,861 --> 00:25:30,661
AND OF COURSE
NO ONE KNEW WHERE YOU WERE.
362
00:25:30,763 --> 00:25:33,333
I HAD...
PASSPORT PROBLEMS.
363
00:25:33,432 --> 00:25:35,332
- I WANT TO SEE SHAUN.
- YEAH.
364
00:25:35,434 --> 00:25:39,044
HE'S IN ALL THE PAPERS
AND YOU REMEMBER
YOU'RE HIS MOTHER?
365
00:25:41,073 --> 00:25:43,213
( voice cracks )
I NEVER FORGOT I WAS
HIS MOTHER.
366
00:25:51,651 --> 00:25:53,491
TURN OFF THE FUCKIN'
FAUCET, TINA.
367
00:25:53,586 --> 00:25:55,246
GIVE ME
A FUCKIN' BREAK.
368
00:26:11,838 --> 00:26:13,538
SO YOU KNOW WHAT I DO?
369
00:26:13,640 --> 00:26:15,710
EVERYBODY...
AT THE SAME TIME
370
00:26:15,808 --> 00:26:17,608
WHILE EVERY DIPSHIT
ON THE INTERNET
371
00:26:17,710 --> 00:26:19,180
WHIPS HIS SKIPPY
WATCHIN'.
372
00:26:21,147 --> 00:26:24,217
AND YOU'RE PRESIDENT OF
THE I.B. MORALITY BRIGADE?
373
00:26:27,453 --> 00:26:29,193
YEAH, I KNOW
WHAT YOU DO.
374
00:26:36,228 --> 00:26:38,158
I'D LIKE TO STOP.
375
00:26:39,598 --> 00:26:40,968
I'D LIKE TO BE HIS MOM.
376
00:26:41,067 --> 00:26:42,967
( snickers )
AIN'T GONNA HAPPEN, TINA.
377
00:26:43,836 --> 00:26:46,406
CISSY'S A PRETTY GOOD HATER.
378
00:26:46,505 --> 00:26:49,405
I SUPPOSE YOU
PUTTING A GOOD WORD IN
IS OUT OF THE QUESTION?
379
00:26:49,508 --> 00:26:53,078
ME COMING OUT
AGAINST YOU WOULD PROBABLY
IMPROVE YOUR CHANCES.
380
00:26:54,580 --> 00:26:56,150
I DON'T KNOW
WHAT I'M DOING.
381
00:26:59,151 --> 00:27:02,121
WELL, I NEVER
LET THAT SLOW ME UP.
382
00:27:02,221 --> 00:27:05,121
I DON'T KNOW
WHAT I THOUGHT
WAS GONNA HAPPEN.
383
00:27:09,762 --> 00:27:11,502
TELL HER
I'M GONNA SEE HIM--
384
00:27:11,597 --> 00:27:13,197
ONCE, ANYWAY.
385
00:27:16,468 --> 00:27:18,068
TELL HER
NOT TO STOP ME.
386
00:27:18,170 --> 00:27:20,710
OR WHAT, YOU'RE GONNA
SET YOURSELF ON FIRE?
387
00:27:30,750 --> 00:27:32,950
ALL RIGHT, OKAY.
388
00:27:33,753 --> 00:27:35,553
YOU KNOW MY MOM.
389
00:27:35,654 --> 00:27:37,224
I'LL SUGGEST IT.
390
00:27:38,457 --> 00:27:40,187
THANK YOU.
391
00:27:51,771 --> 00:27:54,171
( door closes )
392
00:27:54,273 --> 00:27:56,343
- ( crowd cheering )
- ( competitors thudding )
393
00:28:02,882 --> 00:28:05,352
Man:
GET BACK UP!
394
00:28:09,621 --> 00:28:11,591
NO!
395
00:28:11,690 --> 00:28:13,790
( people shouting )
396
00:28:15,962 --> 00:28:17,832
JOHN-- JOHN,
DON'T DO THAT.
397
00:28:17,930 --> 00:28:20,300
LOOK, A NEW
ECO-WARRIOR.
398
00:28:26,906 --> 00:28:29,076
- ( crowd cheering )
- ( bell rings )
399
00:28:34,446 --> 00:28:36,046
( knocks on door )
400
00:28:43,655 --> 00:28:45,715
IS SHAUNIE STILL
IN LOCKDOWN?
401
00:28:45,825 --> 00:28:47,825
WHO WANTS TO KNOW?
402
00:28:49,461 --> 00:28:51,861
- SHE WANTS TO MEET
HER SON.
- HER SON?
403
00:28:54,867 --> 00:28:57,437
AND YOU COME TO ME?
404
00:28:59,571 --> 00:29:02,711
SHE'S QUITTING...
THE BUSINESS.
405
00:29:02,809 --> 00:29:04,439
IT'S "THE BUSINESS" NOW?
406
00:29:04,543 --> 00:29:07,253
SMILIN' AT THE CAMERA
WHILE SIX GUYS COME
IN YOUR FACE?
407
00:29:07,346 --> 00:29:09,546
LOOK, YOU CAN SUPERVISE
OR HAVE HER SIGN SOMETHING,
408
00:29:09,648 --> 00:29:11,778
BUT JUST ONE VISIT
AND SHE'S GONE.
409
00:29:11,884 --> 00:29:14,354
IT'S NOT YOUR
FUCKING BUSINESS.
410
00:29:14,453 --> 00:29:17,363
IT'S NOT YOUR BUSINESS.
AND IF IT WERE
YOUR BUSINESS,
411
00:29:17,456 --> 00:29:20,186
TELL ME WHAT GOOD
COULD POSSIBLY COME OUT
OF LETTING HIM MEET HER?
412
00:29:20,292 --> 00:29:22,392
HEY, I AM
THE PRESIDENT FOR LIFE
413
00:29:22,494 --> 00:29:25,204
OF THE TINA-BLAKE-CAN-
GO-FUCK-HERSELF CLUB, OKAY?
414
00:29:29,635 --> 00:29:31,235
I THINK SHE MIGHT
DO SOMETHING STUPID.
415
00:29:31,337 --> 00:29:33,107
'CAUSE EVERYTHING
UP TO NOW'S BEEN
HIGH MATH.
416
00:29:33,205 --> 00:29:36,305
NO, I MEAN
SHE MIGHT OFF HERSELF.
417
00:29:36,408 --> 00:29:39,448
THAT GIVES HER
A RIGHT TO MY GRANDSON?
418
00:29:39,545 --> 00:29:41,975
BECAUSE SHE'S THINKING
ABOUT KILLING HERSELF?
419
00:29:42,081 --> 00:29:44,121
WHO DOESN'T THINK ABOUT
KILLING HERSELF?
420
00:29:44,216 --> 00:29:46,516
WHO DOESN'T THINK
ABOUT IT EVERY DAY
OF HER FUCKIN' LIFE?
421
00:29:46,618 --> 00:29:48,918
HEY... JUST DROP IT.
422
00:29:49,021 --> 00:29:50,721
HUH. I THOUGHT
YOU WERE AN IDIOT
423
00:29:50,823 --> 00:29:53,093
BEFORE YOU STARTED
SHOOTING DOPE,
424
00:29:53,192 --> 00:29:54,962
BUT YOU WERE
A 12-YEAR-OLD GENIUS
425
00:29:55,061 --> 00:29:57,231
COMPARED TO
THE STUPID FUCK
YOU ARE NOW.
426
00:29:57,329 --> 00:30:00,869
AS MUCH ACID AS I TOOK,
I WAS NEVER AS STUPID
AS YOU.
427
00:30:02,034 --> 00:30:04,174
I'M OUTTA HERE.
428
00:30:04,270 --> 00:30:06,240
TELL HER SHE COMES
ANYWHERE NEAR SHAUN,
429
00:30:06,338 --> 00:30:09,078
SHE WON'T HAVE
TO KILL HERSELF,
I'LL DO IT FOR HER!
430
00:30:18,150 --> 00:30:20,290
( breathing heavily )
431
00:30:57,156 --> 00:30:59,956
- ( shop door closes )
- ( sighs )
432
00:31:00,059 --> 00:31:02,629
WELL, THERE'S ANOTHER DAY
OF SENSATIONAL BUSINESS.
433
00:31:04,096 --> 00:31:06,326
IS IT MY MOM
GRAM'S ALL PISSED ABOUT?
434
00:31:07,766 --> 00:31:11,066
- I WON'T SAY YOU TOLD.
- WILL YOU GIVE ME A BREAK?
435
00:31:11,170 --> 00:31:15,170
WAS IT HER THIS MORNING
OUTSIDE THE HOUSE?
436
00:31:15,274 --> 00:31:18,814
I'M NOT SAYING
IT WASN'T, ALL RIGHT?
437
00:31:18,911 --> 00:31:21,811
YOU KEEP THAT
TO YOURSELF AND DON'T
ASK ME ANYTHING ELSE.
438
00:31:21,914 --> 00:31:24,254
WHY'D MY MOM COME BACK?
439
00:31:24,350 --> 00:31:26,150
WAS IT TO SEE ME?
440
00:31:27,386 --> 00:31:29,986
( sighs )
PROBABLY SEE YOU...
441
00:31:31,690 --> 00:31:33,260
PROBABLY SEE YOUR DAD.
442
00:31:40,366 --> 00:31:41,696
COME ON, GET IN.
443
00:31:41,800 --> 00:31:44,640
I'LL STICK AROUND
AND GIVE THINGS
A CHANCE TO WORK OUT.
444
00:32:03,922 --> 00:32:05,522
TELL YOUR CUNT MOTHER
445
00:32:05,624 --> 00:32:08,064
IF IT'S 'CAUSE I'M NO GOOD,
THAT'S ONE THING.
446
00:32:08,160 --> 00:32:10,130
BUT IF IT'S 'CAUSE
I LEFT SHAUNIE AT THE DOOR,
447
00:32:10,229 --> 00:32:11,999
I DIDN'T LEAVE HIM
'CAUSE I DIDN'T CARE.
448
00:32:12,098 --> 00:32:15,028
I STOPPED AN HOUR BEFORE
AND I DIDN'T LEAVE HIM
449
00:32:15,134 --> 00:32:18,774
'CAUSE WHEN I RANG
THE BELL AND WAITED ACROSS
THE STREET, NOBODY ANSWERED.
450
00:32:18,870 --> 00:32:23,010
AND I CAME BACK AND GOT HIM
AND SAT WITH HIM IN THE CAB.
451
00:32:23,109 --> 00:32:25,409
AND WHEN SHE CAME HOME,
I CAME AND RANG AGAIN.
452
00:32:25,511 --> 00:32:28,281
AND I DIDN'T WALK
BACK TO THE CAB TILL
I SAW SHE'D GOT HIM.
453
00:32:29,681 --> 00:32:31,481
I WAITED
ACROSS THE STREET.
454
00:32:31,583 --> 00:32:34,723
I WAITED TILL SHE
CAME OUT AND PICKED
HIM UP IN HIS BLANKET.
455
00:32:34,820 --> 00:32:37,490
- OKAY, TINA.
- YOU TELL HER
I CARED ABOUT HIM.
456
00:32:39,891 --> 00:32:42,831
IF SHAUNIE'D BEEN
WITH ME, I'D HAVE HAD
TO STAY HIGH TO FUCK.
457
00:32:42,928 --> 00:32:44,728
I'D HAVE BEEN USED UP
IN SIX MONTHS,
458
00:32:44,830 --> 00:32:47,530
I'D HAVE BEEN TRICKING
FOR NICKELS OUTSIDE
THE BUS STATION.
459
00:32:47,633 --> 00:32:50,373
- OKAY.
- HE'D HAVE WOUND UP DEAD
OR IN AN ORPHANAGE.
460
00:32:50,469 --> 00:32:53,369
ASK HER WHO I WAS SUPPOSED
TO LEAVE HIM WITH.
461
00:32:53,472 --> 00:32:56,242
WAS I SUPPOSED TO MAIL HIM
TO YOUR DUMPSTER IN CABO?
462
00:32:57,376 --> 00:32:59,176
- SORRY.
- YOU TELL HER
THAT'S FUCKED
463
00:32:59,278 --> 00:33:01,778
IF IT'S 'CAUSE
SHE THINKS I DIDN'T CARE.
464
00:33:01,880 --> 00:33:03,550
ALL THE PROBLEMS
YOU HAD WITH HER,
465
00:33:03,649 --> 00:33:06,119
AS A BIG A BALLBUSTER
AS YOU TALK ABOUT HER BEING,
466
00:33:06,218 --> 00:33:08,618
I KNEW WITH HER
HE'D HAVE SOMEONE
PAYING ATTENTION TO HIM.
467
00:33:08,720 --> 00:33:11,120
YEAH, MOM WAS NEVER
SHY WITH THE ATTENTION.
468
00:33:11,223 --> 00:33:14,063
PROBLEM WAS
JUST GETTING HER OUT
OF YOUR FUCKIN' FACE.
469
00:33:22,034 --> 00:33:23,974
WOULD YOU TELL HIM
HE GREW UP HANDSOME?
470
00:33:24,070 --> 00:33:26,270
I WAS PROUD
HE WON HIS EVENT.
471
00:33:31,310 --> 00:33:34,210
COME ON.
TELL HIM YOURSELF.
472
00:33:51,697 --> 00:33:53,827
WHAT A DAY.
473
00:33:53,932 --> 00:33:56,032
WHAT A GREAT DAY,
HUH, JOHN?
474
00:33:56,135 --> 00:33:59,135
GOT TO MEET
SOME HARE KRISHNAS,
475
00:33:59,238 --> 00:34:01,038
HANG OUT WITH
SOME ECO-WARRIORS.
476
00:34:01,140 --> 00:34:04,610
YOU GOT TO DANCE IN YOUR
FIRST LITTLE DRUM CIRCLE.
477
00:34:04,710 --> 00:34:06,210
WORK HERE, CASS.
478
00:34:07,446 --> 00:34:09,316
SO WHAT I'M THINKING
IN TERMS OF GETTING
479
00:34:09,415 --> 00:34:12,015
THIS WONDERFUL WORK SEEN
BY AS MANY EYES AS WE CAN,
480
00:34:12,118 --> 00:34:14,148
IS YOU KNOW, MAYBE--
481
00:34:14,253 --> 00:34:17,563
MAYBE I SHOULD GET BACK
IN TOUCH WITH LINC STARK.
482
00:34:17,656 --> 00:34:19,986
I MEAN, IF I HAD
TO EAT A LITTLE CROW
483
00:34:20,092 --> 00:34:23,532
AND GO BACK TO WORK
ON SOME OTHER PROJECT,
484
00:34:23,629 --> 00:34:26,899
TO ACCESS, YOU KNOW,
LINC'S EXPERIENCE
485
00:34:26,998 --> 00:34:29,468
AND THE STRUCTURE
OF HIS ORGANIZATION,
486
00:34:29,568 --> 00:34:32,798
IT'D BE FOR THE SAKE
OF THIS GREAT WORK
WE'RE DOING.
487
00:34:32,904 --> 00:34:36,284
- YOU KNOW WHAT I MEAN?
- I KNOW WHAT YOU MEAN.
488
00:34:37,843 --> 00:34:40,113
OR, AS AN ALTERNATIVE, JOHN,
489
00:34:40,212 --> 00:34:41,952
YOU COULD TAKE
YOUR HAND OFF MY CHEEK
490
00:34:42,047 --> 00:34:45,347
AND GO UP IN THE AIR
LIKE I SAW MITCH YOST DO
IN THIS VERY ROOM.
491
00:34:50,122 --> 00:34:52,422
I KNOW THAT THERE'S
SOMETHING GOING ON.
492
00:34:54,226 --> 00:34:57,426
AND I DON'T DOUBT THAT YOU'RE
IN THE MIDDLE OF IT, JOHN.
493
00:34:57,529 --> 00:34:59,669
BUT THE THING--
494
00:34:59,765 --> 00:35:02,465
YOU KNOW
WHAT THE THING IS,
495
00:35:02,568 --> 00:35:04,598
IS THAT I AM
STILL A GIRL...
496
00:35:06,338 --> 00:35:08,068
FROM HIBBING, MINNESOTA.
497
00:35:08,174 --> 00:35:10,114
I STILL GREW UP HUNGRY,
498
00:35:10,209 --> 00:35:11,479
AND I STILL
WANT TO HAVE A SAY
499
00:35:11,577 --> 00:35:13,677
WHAT PART I PLAY
IN THE CHRISTMAS PAGEANT.
500
00:35:17,716 --> 00:35:19,816
SHOW ME THAT I HAVE
A LITTLE PULL.
501
00:35:21,253 --> 00:35:24,323
GO UP IN THE AIR
FOR CASS-KAI.
502
00:35:27,293 --> 00:35:29,203
THE CAMERA'S
UP IN THE AIR.
503
00:35:33,899 --> 00:35:35,799
GET YOUR HANDS OFF ME.
504
00:35:37,869 --> 00:35:39,669
IT'S IN THE CAMERA?
505
00:35:39,771 --> 00:35:41,711
IT'S IN THE CAMERA.
506
00:35:43,742 --> 00:35:45,912
WORK HERE, CASS.
507
00:35:48,880 --> 00:35:51,150
OKAY.
508
00:35:51,250 --> 00:35:54,890
OKAY, HMM, HERE WE GO.
509
00:35:54,986 --> 00:35:56,656
( chuckles )
510
00:35:56,755 --> 00:35:58,515
ABRACADABRA.
511
00:35:58,624 --> 00:36:01,394
TRANSFORMING
MY WORK AREA...
512
00:36:02,828 --> 00:36:04,798
INTO YOUR SLEEP AREA.
513
00:36:04,896 --> 00:36:06,696
- HMM?
- MM-HMM.
514
00:36:09,868 --> 00:36:12,168
I'M GONNA FIND IT
IN THE CAMERA TOMORROW.
515
00:36:17,343 --> 00:36:20,753
LOOK, JOHN,
A LEAP OF FAITH, HUH?
516
00:36:25,284 --> 00:36:27,324
ABRACADABRA.
517
00:36:29,921 --> 00:36:31,891
( inhales )
518
00:36:34,826 --> 00:36:36,656
( dog barking )
519
00:37:00,051 --> 00:37:03,421
Butchie:
LET'S HANG OUT ALL NIGHT
AND STEAL THEIR MORNING PAPER.
520
00:37:24,075 --> 00:37:26,075
YOU SAVED
THEIR LIFE, TINA...
521
00:37:26,177 --> 00:37:28,647
GIVING HER SHAUNIE.
522
00:37:28,747 --> 00:37:31,717
MAN, THINGS WERE
SO FUCKED UP BACK THEN.
523
00:37:33,652 --> 00:37:35,922
DAD WAS HURT.
524
00:37:36,021 --> 00:37:38,591
THEY WEREN'T THAT LONG
BACK FROM THE ISLANDS.
525
00:37:38,690 --> 00:37:41,290
I KNOW A LOT OF SHIT
WENT DOWN OVER THERE,
I THINK.
526
00:37:42,428 --> 00:37:43,998
MAYBE STEPPING OUT
ON EACH OTHER.
527
00:37:46,064 --> 00:37:50,004
- A LOT OF ACID.
- EVEN AFTER YOU WERE DONE
STEALING FROM THEIR STASH?
528
00:37:50,101 --> 00:37:52,771
THAT WAS
A NATURE PROJECT
FOR SCHOOL.
529
00:38:00,412 --> 00:38:03,622
IT WAS COMING APART
AT THE SEAMS FOR MY MOM,
WHAT I'M TRYING TO SAY.
530
00:38:03,715 --> 00:38:05,615
SURE WASN'T
DOING YOU ANY GOOD.
531
00:38:05,717 --> 00:38:08,287
THE SECOND
SHE'D LAY EYES ON YOU,
SHE'D START SCREAMING.
532
00:38:08,387 --> 00:38:11,057
WELL, MAYBE IT'S BECAUSE
SHE LAID EYES ON YOU.
533
00:38:13,191 --> 00:38:14,861
IT WASN'T A BURDEN
YOU PUT ON HER.
534
00:38:14,960 --> 00:38:18,400
YOU KNOW,
GETTING SHAUNIE
TO HOLD WAS A GIFT.
535
00:38:18,497 --> 00:38:20,867
SHE HELD ON REAL TIGHT
A LONG FUCKIN' TIME.
536
00:38:49,561 --> 00:38:51,961
( dog barking )
537
00:39:02,107 --> 00:39:03,707
GET INSIDE.
538
00:39:05,243 --> 00:39:07,183
TONIGHT IS
THE WRONG NIGHT
539
00:39:07,278 --> 00:39:09,008
TO BE CREEPING AROUND.
540
00:39:09,114 --> 00:39:11,054
( whispers )
SHE'S OUTSIDE.
541
00:39:13,184 --> 00:39:14,724
WHAT?
542
00:39:16,655 --> 00:39:19,015
LIKE EVERY OTHER THING
YOU CAN'T HIDE HIM FROM.
543
00:39:20,859 --> 00:39:22,629
NOW LET'S GO ASK REAL NICE
IF YOU CAN GO PEEK
544
00:39:22,728 --> 00:39:24,528
ON HOW GOOD HE TURNED OUT.
545
00:39:30,636 --> 00:39:32,096
HOW DO YOU KNOW
SHE'S OUT THERE?
546
00:39:32,203 --> 00:39:35,873
- SHE'S WITH BUTCHIE.
I SAW THEM.
- THEY SEND YOU IN HERE?
547
00:39:35,974 --> 00:39:39,454
I SAW THEM, CISSY.
I WENT AROUND BACK
SO THEY WOULDN'T SEE ME.
548
00:39:39,545 --> 00:39:41,475
TO TELL ME TO LET
HER IN? AND HIM?
549
00:39:41,580 --> 00:39:43,880
SO THEY CAN FUCK UP SHAUNIE
LIKE EVERYTHING ELSE?
550
00:39:51,723 --> 00:39:53,993
OH MY GOD.
OH MY GOD.
551
00:39:54,092 --> 00:39:58,132
SHOOT ME THEN.
TAKE THAT GUN AND SHOOT ME
IF YOU WANT HER TO SEE HIM.
552
00:40:00,999 --> 00:40:03,069
YOU SIT DOWN, CISSY.
YOU SIT DOWN AT THAT TABLE.
553
00:40:05,771 --> 00:40:07,571
LIGHT YOURSELF
A CIGARETTE.
554
00:40:07,673 --> 00:40:09,143
( knocks on door )
555
00:40:43,642 --> 00:40:45,582
SHE ONLY WANTS
TO LOOK AT HIM, MOM...
556
00:40:46,612 --> 00:40:48,082
THEN SHE'LL GO.
557
00:40:57,623 --> 00:41:00,093
HE'S SLEEPING.
558
00:41:00,191 --> 00:41:02,161
DO NOT WAKE HIM UP.
559
00:41:47,539 --> 00:41:49,239
THANK YOU.
560
00:42:26,211 --> 00:42:28,451
( whispers )
HEY, WHERE ARE YOU
GOING WITH MY GUN?
561
00:42:28,546 --> 00:42:30,876
( whispers )
OUT OF YOUR FUCKIN' HOUSE.
562
00:42:32,350 --> 00:42:34,090
( door closes )
563
00:43:06,251 --> 00:43:07,951
( crickets chirping )
564
00:43:12,758 --> 00:43:15,228
WHAT DO YOU SEE?
565
00:43:18,496 --> 00:43:20,426
THE STARS.
566
00:43:20,531 --> 00:43:22,601
UH...
567
00:43:26,171 --> 00:43:28,141
UH, CLOUDS--
568
00:43:28,239 --> 00:43:31,009
OF COURSE LOWER DOWN.
569
00:43:36,481 --> 00:43:38,381
PARTIAL MOON.
570
00:43:42,688 --> 00:43:45,058
PLANE GOING
WHO KNOWS WHERE.
571
00:43:47,058 --> 00:43:48,888
A BLOODBATH.
572
00:43:50,561 --> 00:43:52,031
DESTINATION BLOODBATH,
573
00:43:52,130 --> 00:43:56,200
PLANE GOING
WHO KNOWS WHERE.
ALL ABOARD!
574
00:43:56,301 --> 00:43:57,941
PREPARE FOR WAR,
MY BROTHER.
575
00:43:58,036 --> 00:44:00,506
PREPARE FOR WAR!
ALL ABOARD!
576
00:44:00,605 --> 00:44:02,065
PLANE GOING
WHO KNOWS WHERE!
577
00:44:02,173 --> 00:44:03,743
ALL ABOARD!
578
00:44:09,948 --> 00:44:12,078
I'M GIVING HAWAII
TO MOANA.
579
00:44:15,486 --> 00:44:17,956
WOW. WOW.
580
00:44:18,056 --> 00:44:19,516
OH-- WHOA...
581
00:44:19,624 --> 00:44:20,994
WOW.
582
00:44:21,092 --> 00:44:23,162
HE'S GONNA THINK
I MEAN TO KILL HIM.
583
00:44:24,930 --> 00:44:27,130
COME TRY TO KILL ME.
584
00:44:38,243 --> 00:44:40,153
BUTCHIE.
585
00:44:44,315 --> 00:44:47,685
- HE DON'T LOOK DOPE SICK.
- AIN'T DOPE SICK.
HE AIN'T USING,
586
00:44:47,786 --> 00:44:50,086
WHAT I OVERHEARD
UNDER THE HALF-PIPE.
587
00:44:53,358 --> 00:44:55,828
Freddy:
THINK MAYBE HE'S
COPPIN' SOMEWHERES ELSE?
588
00:44:55,927 --> 00:44:58,527
I PUT IT OUT THERE--
NO HARM, NO FOUL.
589
00:44:58,629 --> 00:45:01,469
YOU'VE GOT A SPECIAL
HISTORY WITH HIM--
590
00:45:01,566 --> 00:45:03,326
WE JUST WANT
TO BE NOTIFIED.
591
00:45:17,816 --> 00:45:20,886
( faucet dripping )
592
00:45:57,488 --> 00:45:58,518
( gunshot )
593
00:45:58,623 --> 00:46:00,933
( romantic ballad playing )
594
00:46:02,828 --> 00:46:05,058
FUCK YOU.
595
00:46:08,099 --> 00:46:10,399
( jazz music playing )
596
00:46:19,077 --> 00:46:21,077
HEY.
597
00:46:28,954 --> 00:46:30,494
WE KNOW EACH OTHER.
598
00:46:32,757 --> 00:46:34,827
I WAS WONDERING WHAT
YOU WANTED TO DRINK.
599
00:46:36,995 --> 00:46:39,055
A COSMOPOLITAN.
600
00:46:44,669 --> 00:46:46,439
DID YOU GET
TO SEE SHAUN?
601
00:46:48,874 --> 00:46:51,044
ANY CASUALTIES?
602
00:46:53,478 --> 00:46:55,478
HOW DO YOU FEEL?
603
00:46:56,714 --> 00:46:58,824
LIKE NOW
I'VE GOTTA LEAVE TOWN.
604
00:46:58,917 --> 00:47:01,187
IT'S NIGHTTIME,
FOR CHRIST'S SAKE.
605
00:47:01,286 --> 00:47:03,146
IT'S BAD LUCK
TO LEAVE TOWN AT NIGHT.
606
00:47:04,122 --> 00:47:06,292
- FOR THE DRINK.
- I PAY.
607
00:47:09,460 --> 00:47:11,600
I PAY.
608
00:47:11,696 --> 00:47:13,656
- YOU SPEAK SPANISH?
- Bartender: NO.
609
00:47:13,764 --> 00:47:16,104
HMM, I... AM MUCHO HOMBRE
610
00:47:16,201 --> 00:47:18,071
AND WE'LL DO OUR DRINKING
IN THE ROOM.
611
00:47:18,169 --> 00:47:20,009
THANKS.
612
00:47:23,909 --> 00:47:25,439
KEEP ME IN THE GAME.
613
00:47:35,887 --> 00:47:38,917
( classic rock playing )
44087
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