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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:19,100 --> 00:00:22,000 [ Pipe organ playing ] 2 00:02:37,500 --> 00:02:39,800 [ Horn honking ] 3 00:02:46,300 --> 00:02:47,800 "Sun-telegram," please. 4 00:03:02,800 --> 00:03:04,900 [ Bell rings ] 5 00:03:12,800 --> 00:03:14,600 Come get your book. 6 00:03:14,700 --> 00:03:15,900 It's Mr. Man wearing suit. 7 00:03:16,000 --> 00:03:18,800 Go on, Mr. Suit man. Big up, Mr. Suit man! 8 00:03:18,900 --> 00:03:21,800 Oh, it's Mr. Man reading book. He's a smart man. 9 00:03:21,900 --> 00:03:24,900 He's a Mr. Book man. Respect book man. Big up! 10 00:03:36,000 --> 00:03:37,300 Good morning, Johnny. 11 00:03:37,400 --> 00:03:39,000 I have some goodies for you. 12 00:03:39,100 --> 00:03:41,700 First, the latest from the hit parade. 13 00:03:41,800 --> 00:03:45,700 Then, the Jerome kern song you requested. 14 00:03:45,700 --> 00:03:51,500 ♪ So, always look for the silver lining... ♪ 15 00:03:51,500 --> 00:03:54,900 ♪ And try to find ♪ 16 00:03:55,000 --> 00:03:58,800 ♪ the sunny side of life ♪ 17 00:03:58,900 --> 00:04:01,300 Oh, fine. Just fine, Victor. 18 00:04:01,300 --> 00:04:03,300 Have the Rudolph friml records arrived yet? 19 00:04:03,300 --> 00:04:05,400 Oh, I'm expecting them any day now. 20 00:04:05,500 --> 00:04:07,600 Great. Will you charge these to my account? 21 00:04:07,600 --> 00:04:08,800 Thanks, Victor. 22 00:04:11,400 --> 00:04:14,700 Woman: Look at this. What is this? 23 00:04:14,800 --> 00:04:19,100 This is boring. I can't do anything with this. 24 00:04:19,200 --> 00:04:21,400 When we agreed to show you at the gallery, 25 00:04:21,500 --> 00:04:24,000 your work was fresh and exciting. 26 00:04:24,100 --> 00:04:26,900 Like the grey series, now that was really something. 27 00:04:26,900 --> 00:04:30,400 [ Heavy accent ] I don't feel grey anymore. 28 00:04:30,400 --> 00:04:31,900 I don't have time for you 29 00:04:32,000 --> 00:04:33,800 and your pretentious artist bullshit. 30 00:04:33,900 --> 00:04:35,400 I'm trying to run a business. 31 00:04:35,500 --> 00:04:37,700 I've a responsibility to the owners of the ubuwa 32 00:04:37,800 --> 00:04:39,600 to showcase important New York artists. 33 00:04:39,700 --> 00:04:42,900 And you've given me nothing I can use. 34 00:04:43,000 --> 00:04:45,000 Fabrice would never treat me like this. 35 00:04:45,100 --> 00:04:46,500 Never! 36 00:04:46,500 --> 00:04:48,000 Well, then, go back to fabrice. 37 00:04:48,100 --> 00:04:49,900 But give me something challenging. 38 00:04:49,900 --> 00:04:51,300 Challenge me. 39 00:04:55,600 --> 00:04:57,900 Good morning, Samantha. 40 00:04:57,900 --> 00:05:00,300 How was the Van gogh of noho? 41 00:05:00,400 --> 00:05:01,600 The less said, the better. 42 00:05:01,700 --> 00:05:04,000 Man: Telegram. 43 00:05:04,100 --> 00:05:05,700 Telegram? 44 00:05:09,200 --> 00:05:11,200 Are you Samantha winter? 45 00:05:11,300 --> 00:05:12,800 Mm-yeah. 46 00:05:12,900 --> 00:05:14,300 Oh, sign here. 47 00:05:18,800 --> 00:05:21,200 So, you live around here? 48 00:05:30,200 --> 00:05:32,400 "Dearest Samantha-- stop. 49 00:05:32,500 --> 00:05:35,400 Let's hit the town tonight and drag a sock-- stop. 50 00:05:35,500 --> 00:05:38,100 Thinking of you-- stop. Johnny." 51 00:05:38,200 --> 00:05:42,000 Ah, why don't you respond by pony express? 52 00:05:42,100 --> 00:05:44,500 At least I have a boyfriend, Richard. 53 00:05:44,600 --> 00:05:46,400 Go ahead, kick me while I'm down. 54 00:05:52,000 --> 00:05:53,200 Hiya, ace. 55 00:05:56,500 --> 00:05:58,200 Mother: What have I told you? 56 00:05:59,100 --> 00:06:00,100 Johnny? 57 00:06:00,200 --> 00:06:01,500 Hiya, chief, what's the lowdown? 58 00:06:01,500 --> 00:06:03,500 Let's put this over. Good morning, Ms. Moseley. 59 00:06:03,600 --> 00:06:05,000 It's about the government cover-up story. 60 00:06:05,100 --> 00:06:06,200 I can't wait to start. 61 00:06:06,300 --> 00:06:08,100 I've to give this story to Murphy. 62 00:06:08,100 --> 00:06:09,600 Great. Hi, how are the kids? 63 00:06:09,700 --> 00:06:11,500 Now you don't have anything to do-- 64 00:06:11,500 --> 00:06:14,000 don't worry, I've got a story to whet your whistle. 65 00:06:14,100 --> 00:06:15,900 Mr. Meyerscholtz, I personally guarantee 66 00:06:16,000 --> 00:06:18,000 we will scoop the journal-American on this one. 67 00:06:18,000 --> 00:06:19,200 The journal-American? 68 00:06:19,200 --> 00:06:21,400 Johnny, this is Timothy burns. 69 00:06:21,500 --> 00:06:23,500 Hiya, tough guy, your friends call you Timmy? 70 00:06:23,500 --> 00:06:25,500 - Tim. - Tim is the new photographer. 71 00:06:25,500 --> 00:06:27,300 Oh, you need a ball of fire 72 00:06:27,400 --> 00:06:29,600 to show this cake-eater everything of a modern newspaper. 73 00:06:29,700 --> 00:06:32,200 Well, that's me all over. Okay, timbo, here's what's what. 74 00:06:32,200 --> 00:06:33,600 You're wet behind the ears, 75 00:06:33,700 --> 00:06:35,700 stick with me and everything will be Jake. 76 00:06:35,700 --> 00:06:37,800 You have to be kidding. 77 00:06:37,900 --> 00:06:40,600 Johnny, Johnny... 78 00:06:40,600 --> 00:06:42,600 Johnny: You and me, we've to work together... 79 00:06:42,700 --> 00:06:45,500 As a team. The reporter and his photographer. 80 00:06:45,600 --> 00:06:48,200 Like steak and eggs, Montgomery and stone... 81 00:06:48,300 --> 00:06:49,600 Laverne and Shirley. 82 00:06:49,600 --> 00:06:50,700 Don't change the subject. 83 00:06:50,800 --> 00:06:52,500 Why, we'll be working side by side. 84 00:06:52,600 --> 00:06:54,000 Through long hours into the night, 85 00:06:54,100 --> 00:06:55,100 seven nights a week. 86 00:06:55,200 --> 00:06:56,600 How'll your partner feel about that? 87 00:06:56,700 --> 00:06:58,200 You are my partner, Tim guy. 88 00:06:58,300 --> 00:07:00,600 No, are you seeing anyone right now? 89 00:07:00,700 --> 00:07:02,900 Well, there is a special someone in my life. 90 00:07:03,000 --> 00:07:05,100 A warm, tender loving soul. 91 00:07:05,100 --> 00:07:07,000 Not one of these fly-by-night pippins. 92 00:07:07,000 --> 00:07:08,700 I'm talking the bee's knees-- 93 00:07:08,800 --> 00:07:09,800 Samantha. 94 00:07:09,900 --> 00:07:11,200 Wait, you're dating a Samantha? 95 00:07:11,200 --> 00:07:13,700 I know what you're thinking, every fellow needs a gal. 96 00:07:13,800 --> 00:07:16,000 Even a hard working newspaper man like myself. 97 00:07:16,100 --> 00:07:19,400 - I just assumed-- - they thought Lindy was lucky. 98 00:07:19,500 --> 00:07:21,300 I feel slap-happy all over. 99 00:07:21,300 --> 00:07:23,100 In just 27 days, I've come to-- 100 00:07:23,200 --> 00:07:26,500 - 27? - Grand and glorious days. 101 00:07:26,600 --> 00:07:30,100 One whole month and I haven't even gotten past first base. 102 00:07:30,200 --> 00:07:31,300 I thought you liked him? 103 00:07:31,400 --> 00:07:32,500 I do like him. 104 00:07:32,600 --> 00:07:34,400 So, what are you waiting for? 105 00:07:34,500 --> 00:07:37,500 I am not waiting for anything. I am ready. 106 00:07:37,600 --> 00:07:39,700 He's charming and considerate. 107 00:07:39,800 --> 00:07:41,700 But you ain't getting busy. 108 00:07:41,800 --> 00:07:43,400 Exactly. 109 00:07:43,500 --> 00:07:45,800 Samantha, guys are stupid. 110 00:07:45,900 --> 00:07:50,700 You've gotta give 'em directions so they can find their way home. 111 00:07:50,800 --> 00:07:53,400 You do, I mean, hey, it goes without saying. 112 00:07:53,400 --> 00:07:55,000 That's written. That's a written rule. 113 00:07:57,600 --> 00:07:59,300 Wait, where are we going? 114 00:07:59,400 --> 00:08:01,600 We're paying a call on Samantha. 115 00:08:01,700 --> 00:08:03,000 She works here? 116 00:08:05,800 --> 00:08:07,900 Oh, don't look now. 117 00:08:08,000 --> 00:08:09,600 It's zeppo Marx. 118 00:08:09,700 --> 00:08:11,400 [ Samantha chuckling ] Richard! 119 00:08:14,400 --> 00:08:15,600 Samantha, dear, 120 00:08:15,600 --> 00:08:17,600 I hope you don't mind my visit here. 121 00:08:17,700 --> 00:08:19,000 Of course not, Johnny. 122 00:08:19,100 --> 00:08:20,900 Gee, you look swell. 123 00:08:20,900 --> 00:08:23,400 Oh, Samantha, meet my new right arm. 124 00:08:23,500 --> 00:08:25,000 What are you doing here? 125 00:08:25,100 --> 00:08:26,300 I'm working. 126 00:08:26,400 --> 00:08:28,600 Prostituting your talents for a newspaper? 127 00:08:28,700 --> 00:08:29,900 You know all about prostitutes. 128 00:08:29,900 --> 00:08:31,400 Oh, you two know each other? 129 00:08:31,500 --> 00:08:32,700 Johnny, i-- 130 00:08:32,700 --> 00:08:35,500 sorry to break the reunion. We've got to take the air. 131 00:08:35,500 --> 00:08:38,800 Timmy's got to get up to snuff to be a big-time photographer. 132 00:08:38,900 --> 00:08:40,200 So, be dolled up tonight. 133 00:08:40,300 --> 00:08:43,000 I'll pop by around 9:00 and we'll go button shining. 134 00:08:43,100 --> 00:08:44,600 [ Chuckles ] Okay. 135 00:08:44,700 --> 00:08:46,400 You're the limit. 136 00:08:49,000 --> 00:08:50,300 [ Kiss ] 137 00:08:50,300 --> 00:08:51,800 Something, you knowing Richard. 138 00:08:51,800 --> 00:08:54,600 Yeah, we live-- used to live together. 139 00:08:54,700 --> 00:08:56,600 Roommates, huh? Cut down on expenses. 140 00:08:56,700 --> 00:08:57,900 That's using the old noodle. 141 00:08:57,900 --> 00:09:00,900 The money you save isn't worth living with a drama queen. 142 00:09:00,900 --> 00:09:02,700 Oh, so he's a theatrical fellow? 143 00:09:02,800 --> 00:09:04,300 You could call it that. 144 00:09:04,400 --> 00:09:05,800 I'd just say he's burned up 145 00:09:05,900 --> 00:09:07,800 that Samantha's gaga for me instead of him. 146 00:09:07,900 --> 00:09:09,400 What are you talking about? 147 00:09:09,500 --> 00:09:11,300 Some guys are just lucky, that's all. 148 00:09:11,400 --> 00:09:12,600 I don't think so. 149 00:09:12,700 --> 00:09:14,800 Samantha and I are in seventh heaven. 150 00:09:23,400 --> 00:09:24,800 You ready? 151 00:09:24,800 --> 00:09:26,700 Johnny, please, I know what I'm doing. 152 00:09:26,800 --> 00:09:28,800 Now you're talking, confidence. 153 00:09:28,800 --> 00:09:30,400 Ladies and gentlemen... 154 00:09:30,400 --> 00:09:35,100 Welcome to the opening of the new gramercy park library. 155 00:09:35,200 --> 00:09:37,600 [ Instrumental "the library opening" plays ] 156 00:10:37,800 --> 00:10:39,700 [ Applause ] 157 00:10:47,800 --> 00:10:50,500 So, how does it feel? First day on the payroll. 158 00:10:50,600 --> 00:10:51,800 Great. 159 00:10:51,900 --> 00:10:54,300 I still remember my first assignment. 160 00:10:54,400 --> 00:10:55,600 Exhilarating. 161 00:10:55,600 --> 00:10:57,000 Dude, what's your problem? 162 00:10:57,100 --> 00:10:59,900 You cover some bullshit story, you think it's Watergate. 163 00:11:00,000 --> 00:11:01,400 This whole thing is stupid. 164 00:11:01,500 --> 00:11:03,700 Nobody reads the "sun-telegram" anyway. 165 00:11:03,800 --> 00:11:05,800 I just took this job for the money. 166 00:11:05,900 --> 00:11:08,600 Oh, I see. You think the world owes you a living. 167 00:11:08,700 --> 00:11:10,600 You feel for that, hook, line and sinker. 168 00:11:10,700 --> 00:11:12,800 Why aren't there goddamn taxis in this town? 169 00:11:12,800 --> 00:11:16,100 This is a fine way to treat a fella. 170 00:11:16,100 --> 00:11:18,100 Tim! Timmy! 171 00:11:18,200 --> 00:11:20,000 Can't you and me get together? 172 00:11:20,100 --> 00:11:21,800 Let's go to luncheon, my treat. 173 00:11:21,800 --> 00:11:23,100 Fine! 174 00:11:23,200 --> 00:11:25,700 Let me just grab a dim box. [ Whistles ] 175 00:11:29,100 --> 00:11:32,300 Oh, I'm so hungry I could eat the hip off a horse. 176 00:11:32,400 --> 00:11:34,600 I'll have the chopped beef and onion with coffee. 177 00:11:34,600 --> 00:11:36,100 Tim-Tim, order whatever you want, 178 00:11:36,200 --> 00:11:37,400 the sky's the limit. 179 00:11:37,500 --> 00:11:40,100 I'll have a mixed green salad, dressing on the side. 180 00:11:40,100 --> 00:11:42,500 And an herbal tea. 181 00:11:42,600 --> 00:11:44,500 You ought to have some meat with food, 182 00:11:44,600 --> 00:11:46,600 a growing boy like you. 183 00:11:46,700 --> 00:11:49,200 - That stuff will kill you. - Banana oil. 184 00:11:51,700 --> 00:11:54,000 [Instrumental music] 185 00:12:12,600 --> 00:12:13,800 Hey, baby. 186 00:12:15,300 --> 00:12:17,000 You lost? 187 00:12:17,100 --> 00:12:18,100 No. 188 00:12:22,600 --> 00:12:24,200 Whatcha got there, drugs? 189 00:12:24,300 --> 00:12:25,200 Leave me alone! 190 00:12:25,300 --> 00:12:27,500 Hey, get off of me! 191 00:12:27,500 --> 00:12:29,900 [ Screaming ] 192 00:12:29,900 --> 00:12:32,900 What are you doing? Leave it. It's none of your business. 193 00:12:33,000 --> 00:12:34,800 Hey, get off of me! 194 00:12:34,800 --> 00:12:38,100 That's enough, you two. 195 00:12:38,100 --> 00:12:40,300 Mind your business, "dick Tracy." 196 00:12:40,400 --> 00:12:43,100 Oh, a wise guy. 197 00:12:43,200 --> 00:12:46,300 I ought to send you right out on your ear. 198 00:12:46,400 --> 00:12:49,100 Put that away before I shove it down your throat. 199 00:12:49,200 --> 00:12:50,800 Let's go, bitch! 200 00:12:54,700 --> 00:12:56,400 Hey, my bike! 201 00:13:01,700 --> 00:13:04,700 Timmy, go find a flatfoot to help this young lady. 202 00:13:04,800 --> 00:13:05,900 A what? 203 00:13:06,000 --> 00:13:07,200 Oh, yeah. 204 00:13:09,300 --> 00:13:11,800 Some fellas think they can get fresh with a girl. 205 00:13:11,900 --> 00:13:12,900 Thank you, so much. 206 00:13:13,000 --> 00:13:14,400 Think nothing of it. 207 00:13:14,400 --> 00:13:17,000 Those yellow bellied cads needed a good slap. 208 00:13:17,000 --> 00:13:18,200 You, um... 209 00:13:18,200 --> 00:13:22,600 Um, aren't you Johnny twennies? 210 00:13:22,700 --> 00:13:24,900 You column really inspires me. 211 00:13:24,900 --> 00:13:26,500 Oh, is that a fact? 212 00:13:26,600 --> 00:13:28,900 Yeah. It helps me get through the day. 213 00:13:28,900 --> 00:13:31,100 What is it you do exactly? 214 00:13:31,200 --> 00:13:34,000 I deliver prescriptions for this drug store... 215 00:13:34,100 --> 00:13:35,500 But that's only temporary. 216 00:13:35,600 --> 00:13:36,500 I have plans. 217 00:13:36,600 --> 00:13:38,900 Yeah. That's swell. 218 00:13:39,000 --> 00:13:42,800 One day, I'm going to sing at the metropolitan opera. 219 00:13:42,800 --> 00:13:45,400 That sounds grand. Where did you study? 220 00:13:45,500 --> 00:13:49,100 - Well, I haven't exactly-- - oh, a natural, huh? 221 00:13:49,100 --> 00:13:51,800 Do prefer singing German or Italian? 222 00:13:51,900 --> 00:13:55,200 I know a little Spanish. 223 00:13:55,300 --> 00:13:56,800 Well, I think you're going places. 224 00:13:56,900 --> 00:13:58,900 I've got a good feeling about this one. 225 00:13:58,900 --> 00:14:01,900 You do? 226 00:14:02,000 --> 00:14:05,400 So, what composers do you like? 227 00:14:05,500 --> 00:14:07,500 Oh, all the biggies. Irving Berlin, 228 00:14:07,600 --> 00:14:09,500 Vincent youmans, George gershwin, 229 00:14:09,500 --> 00:14:11,100 how about you? 230 00:14:11,200 --> 00:14:13,700 Verdi, puccini, rossini. 231 00:14:13,800 --> 00:14:15,100 Oh, you're like my mother. 232 00:14:15,200 --> 00:14:17,300 You go in for the long-hair stuff, huh? 233 00:14:17,300 --> 00:14:18,500 Yeah, I guess so. 234 00:14:18,500 --> 00:14:19,600 Ah, good work, Timmy. 235 00:14:19,600 --> 00:14:21,400 Well, see you at the opera, kid. 236 00:14:24,900 --> 00:14:26,000 Woman: Taxi. 237 00:14:26,800 --> 00:14:28,000 Snap it up, tiny Tim. 238 00:14:28,100 --> 00:14:30,000 We've got to put this day to rest. 239 00:14:35,600 --> 00:14:38,200 You're not finished yet? You've got five minutes. 240 00:14:38,300 --> 00:14:40,000 You wouldn't want me to rush, boss, 241 00:14:40,100 --> 00:14:41,400 I might make a mistake. 242 00:14:41,400 --> 00:14:43,500 Where is what's his name, Tim? 243 00:14:43,500 --> 00:14:45,800 - Hey, Tim soldier? - Is he any good? 244 00:14:45,900 --> 00:14:50,300 He's an ace, boss. We make a swell team. Never you fear. 245 00:14:50,300 --> 00:14:52,300 Here you go. 246 00:14:52,400 --> 00:14:53,800 A library opening? 247 00:14:53,900 --> 00:14:55,100 Sorry I took so long. 248 00:14:55,200 --> 00:14:57,500 I had to get the contrast right. 249 00:15:00,500 --> 00:15:02,000 What the hell is this? 250 00:15:02,100 --> 00:15:03,600 Come on, Timmy, let's have it. 251 00:15:03,600 --> 00:15:05,000 Have what? 252 00:15:05,100 --> 00:15:07,400 What else you got? 253 00:15:07,400 --> 00:15:08,900 The speaker? The crowds, what? 254 00:15:08,900 --> 00:15:10,000 No. 255 00:15:10,100 --> 00:15:11,400 Are you on the level? 256 00:15:11,500 --> 00:15:13,200 You mean, you stood there this afternoon 257 00:15:13,300 --> 00:15:14,700 and didn't take a single snapshot? 258 00:15:14,800 --> 00:15:16,000 I took lots of shots. 259 00:15:16,100 --> 00:15:17,300 But the lady, the ribbon-- 260 00:15:17,400 --> 00:15:19,600 you're saying you missed the slicing of the ribbon? 261 00:15:19,700 --> 00:15:22,400 - Yes! - Oh, why me? 262 00:15:22,500 --> 00:15:23,800 This is a nice mess. 263 00:15:23,900 --> 00:15:25,800 Your very first assignment, a washout. 264 00:15:25,800 --> 00:15:27,300 I'm not talking through my hat... 265 00:15:27,400 --> 00:15:29,100 You've to buckle down and get corking 266 00:15:29,200 --> 00:15:30,800 otherwise the world'll pass you by. 267 00:15:30,800 --> 00:15:33,100 - This was a big story-- - you know what, Johnny? 268 00:15:33,100 --> 00:15:35,100 I'm a photographer, an artist. 269 00:15:35,200 --> 00:15:37,100 I don't need this human interest bullshit. 270 00:15:37,200 --> 00:15:39,800 So you can take your story, and take your paper, 271 00:15:39,900 --> 00:15:42,500 and take your ribbon, and shove 'em up your ass! 272 00:15:46,200 --> 00:15:48,000 Well, you gotta like the kid's moxie. 273 00:15:51,800 --> 00:15:56,000 This is all you need to know. No fuckups this time. 274 00:15:56,000 --> 00:15:58,300 Don't worry. 275 00:15:58,400 --> 00:15:59,900 Don't tell me "don't fucking worry." 276 00:15:59,900 --> 00:16:02,100 It worries me. 277 00:16:02,200 --> 00:16:03,900 Take it easy, tyrus. 278 00:16:04,000 --> 00:16:05,700 Haven't I always come through for you? 279 00:16:05,800 --> 00:16:07,200 I'll believe when I see it 280 00:16:07,300 --> 00:16:08,900 in fucking black and white. 281 00:16:10,600 --> 00:16:12,000 Hey, you, er... 282 00:16:12,100 --> 00:16:14,800 You got any stuff? 'Cause I'm a little short... 283 00:16:14,900 --> 00:16:16,100 ...right now. 284 00:16:24,800 --> 00:16:26,400 This is an advance. 285 00:16:26,500 --> 00:16:27,900 Cool. 286 00:16:29,000 --> 00:16:31,200 Who's next? 287 00:16:31,200 --> 00:16:32,700 I've got two more. 288 00:16:32,800 --> 00:16:34,700 "Newsday" and "sun-telegram." 289 00:16:39,700 --> 00:16:43,500 M'sieur twennies. Wonderful to see you. 290 00:16:43,600 --> 00:16:45,300 And who is the lovely lady? 291 00:16:45,400 --> 00:16:47,100 Samantha winter, meet Francis. 292 00:16:47,100 --> 00:16:49,600 It's nice to meet you. 293 00:16:49,700 --> 00:16:51,800 The pleasure is mine. 294 00:16:51,800 --> 00:16:53,000 How's your mother doing? 295 00:16:53,100 --> 00:16:56,000 Oh, just fine, Francis. Thank you for asking. 296 00:16:56,100 --> 00:16:57,600 [ Snaps fingers ] 297 00:16:57,600 --> 00:16:59,100 If you just follow Louie. 298 00:17:04,900 --> 00:17:07,600 [ Band plays "dancing in the dark" ] 299 00:17:12,600 --> 00:17:14,200 Johnny, you're looking good. 300 00:17:14,300 --> 00:17:17,700 Hiya, Lester. 301 00:17:17,700 --> 00:17:19,700 The usual, Louie. This time for two. 302 00:17:26,800 --> 00:17:29,500 Johnny, this is wonderful. 303 00:17:29,600 --> 00:17:32,300 Sure, it's the swellest speak in town. 304 00:17:32,400 --> 00:17:34,700 A toast. To you, Samantha. 305 00:17:34,700 --> 00:17:36,700 I went into this with my eyes open, 306 00:17:36,800 --> 00:17:38,900 and now I'm seeing nothing but stars. 307 00:17:42,900 --> 00:17:46,400 Oh, now I did it. Excuse me, my darling. 308 00:17:46,500 --> 00:17:48,000 I shan't be a moment. 309 00:17:54,200 --> 00:17:56,400 - Hiya, Chester. - Hello, Mr. Twennies. 310 00:17:56,500 --> 00:17:59,700 Would you believe what an oaf I am? 311 00:17:59,800 --> 00:18:01,300 You nervous or something? 312 00:18:01,400 --> 00:18:03,400 As a matter of fact, it's this girl. 313 00:18:03,500 --> 00:18:05,500 I mean, blue plate special all the way. 314 00:18:05,600 --> 00:18:07,300 I don't wanna gum up the works. 315 00:18:07,300 --> 00:18:08,700 No, sir. 316 00:18:08,800 --> 00:18:10,500 She's not one of those everyday flappers. 317 00:18:10,600 --> 00:18:13,400 She's like a held girl from the cover of "smart set." 318 00:18:13,400 --> 00:18:15,600 Bobbed hair and chi-fa-fa on the side. 319 00:18:15,600 --> 00:18:17,800 I don't want her to think I'm a rounder. 320 00:18:17,900 --> 00:18:19,600 No problem. 321 00:18:19,700 --> 00:18:22,800 Just look her in the eyes and say "I'm crazy about you." 322 00:18:22,800 --> 00:18:24,900 It worked for me and Mrs. Chester. 323 00:18:25,000 --> 00:18:26,300 Well, thanks. 324 00:18:30,600 --> 00:18:33,200 Johnny, hey. I haven't seen you around the club lately. 325 00:18:33,200 --> 00:18:36,000 Don't take it so hard. I've got lots on my mind. 326 00:18:36,000 --> 00:18:37,600 - Cigarette, Johnny? - I'm loaded. 327 00:18:38,500 --> 00:18:40,000 I get off around 1:30. 328 00:18:40,100 --> 00:18:41,600 Good for you and 1:30. 329 00:18:41,700 --> 00:18:43,400 I thought about maybe having a drink. 330 00:18:43,500 --> 00:18:46,000 Nothing doing. Why don't you put in with Joey varona? 331 00:18:46,100 --> 00:18:47,300 He had eyes on you. 332 00:18:47,400 --> 00:18:49,200 Are you kiddin'? Joey's a pig. 333 00:18:49,300 --> 00:18:51,200 Besides, he doesn't have that adorable chin, either. 334 00:18:51,300 --> 00:18:53,100 Alright, none of that. I'm taken, see? 335 00:18:53,100 --> 00:18:54,800 Now, scram, you ten-cent glamour girl. 336 00:18:57,200 --> 00:18:59,700 I have some herbal cigarettes, too, Johnny. 337 00:19:02,300 --> 00:19:05,200 So, who was that girl you were talking to? 338 00:19:05,200 --> 00:19:06,800 Just some dame. 339 00:19:06,900 --> 00:19:08,100 Listen, sweetheart, 340 00:19:08,200 --> 00:19:10,400 there's something I want to tell you. 341 00:19:13,100 --> 00:19:14,900 I'm crazy about you. 342 00:19:18,100 --> 00:19:19,500 Yes? 343 00:19:19,600 --> 00:19:22,300 Uh, let's say we fidget the digit. 344 00:19:30,200 --> 00:19:33,000 [ Band plays "Mississippi mud" ] 345 00:20:14,600 --> 00:20:17,300 And how about that Theodore dreiser? What a writer. 346 00:20:17,400 --> 00:20:20,100 Oh, I know who you're talking about. Theodore dreiser... 347 00:20:20,100 --> 00:20:21,400 He was "Dr. Seuss, right? 348 00:20:21,500 --> 00:20:23,500 Not sure. Don't think he was a doctor. 349 00:20:23,500 --> 00:20:26,700 No, I'm pretty sure. "One fish, two fish, 350 00:20:26,800 --> 00:20:28,700 red fish, blue fish." 351 00:20:28,800 --> 00:20:31,700 Then again, he's no sinclair Lewis. 352 00:20:31,800 --> 00:20:33,500 Well, here we are. 353 00:20:33,600 --> 00:20:36,300 Yes, well, goodnight. 354 00:20:39,200 --> 00:20:41,200 Oh, ouch! Ouch! What is it? 355 00:20:41,200 --> 00:20:43,600 I think I twisted my ankle. All that dancing. 356 00:20:43,600 --> 00:20:46,100 Let me help you. Everything's going to be hunky-dory. 357 00:20:46,200 --> 00:20:47,500 Ow! 358 00:20:54,600 --> 00:20:57,500 See? You're home free. 359 00:20:57,600 --> 00:21:00,000 Um... help me to the sofa. 360 00:21:07,300 --> 00:21:10,800 Thanks, Johnny, I'm so glad you're here. 361 00:21:10,900 --> 00:21:12,300 Well, until tomorrow. 362 00:21:12,400 --> 00:21:14,100 Uh... how about a drink? 363 00:21:14,200 --> 00:21:16,400 Oh, I'm not sure. 364 00:21:16,500 --> 00:21:17,800 See? Your ankle's almost better. 365 00:21:21,300 --> 00:21:24,000 [ Romantic music plays ] 366 00:21:33,300 --> 00:21:34,800 I only had one clean glass. 367 00:21:34,900 --> 00:21:37,400 So, we'll have to share. 368 00:21:37,400 --> 00:21:39,200 Maybe I should take a rain check. 369 00:21:39,300 --> 00:21:41,600 Uh, Johnny... Can you undo me? 370 00:21:47,800 --> 00:21:51,000 Oh, Johnny, I want you. 371 00:21:51,000 --> 00:21:53,200 That's funny. Uncle Sam wants me. 372 00:21:53,300 --> 00:21:55,300 I want my little gob, everybody wants something. 373 00:21:55,300 --> 00:21:56,500 [ Samantha screams ] 374 00:21:56,600 --> 00:21:58,500 Samantha! I don't know what to say? 375 00:21:58,600 --> 00:22:01,300 What is it, Johnny. Don't you like me? 376 00:22:01,400 --> 00:22:03,800 Sure, I like you, baby. You make me all goofy. 377 00:22:03,900 --> 00:22:05,200 But this is not decent. 378 00:22:05,300 --> 00:22:09,100 Just tell me the truth. What is really going on here? 379 00:22:09,200 --> 00:22:10,900 I'm not exactly sure of that myself. 380 00:22:10,900 --> 00:22:12,100 Are you gay? 381 00:22:12,200 --> 00:22:14,900 Of course I'm gay. I'm gay as a day in may. 382 00:22:15,000 --> 00:22:16,400 You know what I mean. 383 00:22:16,500 --> 00:22:19,200 I mean, don't you like girls? 384 00:22:19,300 --> 00:22:22,000 Why sure I like girls. I like all kinds of people. 385 00:22:22,100 --> 00:22:24,400 I'm just good-natured. 386 00:22:24,400 --> 00:22:28,300 Oh, my god. I mean, that's cool. 387 00:22:28,300 --> 00:22:34,400 It's just I never imagined... So, you're bi? 388 00:22:34,400 --> 00:22:37,200 Well, I'm by myself most of the time, 389 00:22:37,300 --> 00:22:38,500 except when I'm with you. 390 00:22:38,600 --> 00:22:40,400 That's it, get out. 391 00:22:40,500 --> 00:22:42,400 What is it, baby? Ain't we got fun? 392 00:22:42,500 --> 00:22:44,700 I just want you to make love to me. 393 00:22:44,800 --> 00:22:46,600 That's all I want too, sweetheart. 394 00:22:50,000 --> 00:22:51,200 That's it? 395 00:22:51,200 --> 00:22:52,700 That's it. 396 00:22:52,700 --> 00:22:55,200 I can't do this anymore. 397 00:22:55,300 --> 00:22:56,800 I've got to keep some dignity. 398 00:22:56,900 --> 00:22:58,400 May I call on you tomorrow? 399 00:22:58,500 --> 00:23:00,300 No! 400 00:23:44,400 --> 00:23:46,400 [ Knock on door ] 401 00:23:49,400 --> 00:23:51,700 We're here to talk business. 402 00:23:51,800 --> 00:23:54,100 Say, what's the gag? 403 00:23:54,100 --> 00:23:57,600 We work for someone who wants to make you a proposal. 404 00:23:57,700 --> 00:23:59,400 A proposal? 405 00:23:59,500 --> 00:24:02,700 Sorry, but I'm already spoken for. 406 00:24:02,800 --> 00:24:06,500 Look, Johnny, we know the kind of crap you write in that paper. 407 00:24:06,600 --> 00:24:08,000 What are you? Maxwell Perkins? 408 00:24:08,900 --> 00:24:10,100 Who's Maxwell Perkins? 409 00:24:10,100 --> 00:24:12,000 There is no Maxwell Perkins. 410 00:24:12,100 --> 00:24:15,000 He's fucking with US. 411 00:24:15,000 --> 00:24:17,100 So, who's Maxwell Perkins? 412 00:24:17,100 --> 00:24:19,900 Tomorrow you're going to run a story that says, 413 00:24:20,000 --> 00:24:23,300 "Elijah pitt, drowned in the Hudson." 414 00:24:23,400 --> 00:24:25,100 You got me all wrong, brother. 415 00:24:25,200 --> 00:24:27,200 I'm a newspaper man, not an undertaker. 416 00:24:27,200 --> 00:24:28,600 So fucking stubborn, Johnny. 417 00:24:28,700 --> 00:24:30,000 You're a Taurus, right? 418 00:24:30,100 --> 00:24:31,200 Squid, please! 419 00:24:31,300 --> 00:24:33,000 - I'm just saying-- - shut the fuck up! 420 00:24:33,000 --> 00:24:34,800 You want me to leave you alone 421 00:24:34,800 --> 00:24:36,300 while you finish this lover's quarrel? 422 00:24:36,400 --> 00:24:38,100 I don't have time for this bullshit. 423 00:24:38,200 --> 00:24:40,700 What's your price? Mr. Pitt is willing to pay. 424 00:24:40,700 --> 00:24:43,300 - Elijah pitt? - Yeah, that's right. 425 00:24:43,400 --> 00:24:45,100 Elijah pitt can go suck a lemon. 426 00:24:45,200 --> 00:24:46,700 Don't fuck with Mr. Pitt! 427 00:24:46,700 --> 00:24:49,300 Get your paws off me. For two cents, i'd-- 428 00:24:49,300 --> 00:24:50,700 you'd what!? 429 00:24:54,100 --> 00:24:55,500 That was fucking stupid. 430 00:24:55,600 --> 00:24:58,800 Hey, don't you guys know when you're being kidded? 431 00:24:58,900 --> 00:25:00,300 Take it easy. 432 00:25:00,300 --> 00:25:02,600 You'll get a square deal from me, no fooling. 433 00:25:02,700 --> 00:25:04,100 You'll do it? 434 00:25:04,200 --> 00:25:05,900 Sure I will. 435 00:25:06,000 --> 00:25:08,300 I just need to jot down some particulars. 436 00:25:08,300 --> 00:25:10,000 Fine. 437 00:25:10,100 --> 00:25:13,200 Would you mind handing me that note pad? 438 00:25:13,300 --> 00:25:15,300 Tell your boyfriend to drop the pop gun 439 00:25:15,300 --> 00:25:17,100 before somebody gets popped. 440 00:25:21,700 --> 00:25:23,100 Now, get smart. 441 00:25:23,200 --> 00:25:25,400 Nobody's going to play me for a sucker. See? 442 00:25:25,500 --> 00:25:27,700 Climb back into whatever hole you came out of 443 00:25:27,800 --> 00:25:30,300 if I don't see you again it'll be too soon. 444 00:25:30,300 --> 00:25:31,600 Mr. Pitt won't like this. 445 00:25:31,600 --> 00:25:33,900 So far, I don't like your Mr. Pitt, either. 446 00:25:34,000 --> 00:25:35,800 Now beat it, both of you. 447 00:25:46,900 --> 00:25:49,900 What a day. 448 00:25:49,900 --> 00:25:52,800 [ Instrumental music ] 449 00:26:17,900 --> 00:26:19,500 [ Horn blows ] 450 00:26:19,600 --> 00:26:21,200 Good morning, master twennies. 451 00:26:21,300 --> 00:26:23,200 Oh, Hastings! 452 00:26:23,200 --> 00:26:26,000 [ Sighs ] 453 00:26:26,000 --> 00:26:28,100 She's back? 454 00:26:28,100 --> 00:26:29,100 Oh, dear. 455 00:26:31,800 --> 00:26:33,500 Do you want to call a taxi? 456 00:26:33,600 --> 00:26:35,900 No need to, sir. 457 00:26:35,900 --> 00:26:38,300 I brought the car. 458 00:26:38,300 --> 00:26:39,700 Mother's car? 459 00:26:46,000 --> 00:26:48,900 [ Instrumental music ] 460 00:27:49,000 --> 00:27:52,900 I am having a dinner party, tonight at 8:00, 461 00:27:52,900 --> 00:27:56,800 where you will meet a miss dottie lausenger, 462 00:27:56,800 --> 00:27:58,700 a lovely young debutante. 463 00:27:58,800 --> 00:28:01,200 The lausengers and I have decided 464 00:28:01,300 --> 00:28:03,600 that a wedding would be fortuitous. 465 00:28:03,700 --> 00:28:05,000 Mother! 466 00:28:05,100 --> 00:28:08,700 The lausengers are one of the most important families 467 00:28:08,800 --> 00:28:09,900 in New York. 468 00:28:10,000 --> 00:28:12,200 But, mother, I already have a girlfriend. 469 00:28:12,300 --> 00:28:14,500 A "girl friend"? 470 00:28:14,600 --> 00:28:16,800 How could you have a "girl friend"?" 471 00:28:16,800 --> 00:28:19,000 Do I know her? Have I met her? 472 00:28:19,100 --> 00:28:20,700 Who is she? 473 00:28:20,700 --> 00:28:23,400 Her name is Samantha. 474 00:28:23,500 --> 00:28:25,100 Does she have a last name? 475 00:28:26,300 --> 00:28:28,600 Winter. Samantha winter. 476 00:28:28,600 --> 00:28:30,000 Winter... 477 00:28:30,100 --> 00:28:31,500 I never heard of them. 478 00:28:31,600 --> 00:28:32,700 Mother. 479 00:28:32,800 --> 00:28:34,500 - "Winter"... - Mother. 480 00:28:36,000 --> 00:28:37,300 "Winter"... 481 00:28:37,400 --> 00:28:41,400 Not everyone is listed in the social register, you know? 482 00:28:41,500 --> 00:28:43,300 They do not exist. 483 00:28:43,400 --> 00:28:46,800 For crying out loud, mother. I'm crazy about Samantha. 484 00:28:46,900 --> 00:28:50,700 I do not believe there is any such person as Samantha winter. 485 00:28:50,800 --> 00:28:53,600 You are simply trying to avoid meeting miss lausenger. 486 00:28:53,700 --> 00:28:54,800 Apple sauce. 487 00:28:54,900 --> 00:28:56,800 John! 488 00:28:56,900 --> 00:28:58,200 Sorry, mother. 489 00:29:04,900 --> 00:29:08,500 Why don't you bring the alleged "miss winter" 490 00:29:08,600 --> 00:29:10,900 this evening, so I can meet her? 491 00:29:11,000 --> 00:29:12,300 Fine. 492 00:29:13,800 --> 00:29:15,900 Actually, I can't. 493 00:29:16,000 --> 00:29:17,100 Why not? 494 00:29:20,800 --> 00:29:24,900 Either you bring "miss winter" to my dinner this evening, 495 00:29:24,900 --> 00:29:27,800 or you shall be seated next to miss lausenger tonight, 496 00:29:27,900 --> 00:29:30,400 and every night thereafter. 497 00:29:38,800 --> 00:29:41,700 [ Instrumental music ] 498 00:30:08,100 --> 00:30:10,000 Hello, Johnny. 499 00:30:10,100 --> 00:30:11,900 Hiya, bartlett, how's tricks? 500 00:30:12,000 --> 00:30:13,100 Never better. 501 00:30:22,900 --> 00:30:23,800 Hiya, Mike, where's Timmy? 502 00:30:23,900 --> 00:30:25,200 Haven't seen him. 503 00:30:25,200 --> 00:30:27,900 Hey, Johnny, there's a girl here to see you. 504 00:30:28,000 --> 00:30:30,600 Hiya, kid. What's the angle? 505 00:30:30,700 --> 00:30:33,700 Say, what's the matter, something in your eye? 506 00:30:33,800 --> 00:30:37,200 Johnny, I'm sorry. I didn't know who else I could go to. 507 00:30:37,200 --> 00:30:38,500 Here. 508 00:30:43,500 --> 00:30:45,900 It can't be as bad as all that. 509 00:30:46,000 --> 00:30:49,400 It is. I lost my job at the drug store. 510 00:30:49,400 --> 00:30:52,400 The pharmacist blamed me for the stolen bicycle. 511 00:30:52,500 --> 00:30:54,400 So, that's what, huh? 512 00:30:54,500 --> 00:30:57,900 I ought to give that guy a sock in the nose. 513 00:30:58,000 --> 00:31:00,100 Well, when you're given lemons, make lemonade. 514 00:31:00,200 --> 00:31:01,400 Come along, kid. 515 00:31:01,500 --> 00:31:03,200 Everything's going to be right as rain. 516 00:31:03,300 --> 00:31:04,500 Ooh, just one second. 517 00:31:07,300 --> 00:31:10,200 Yukon, 1927, please. 518 00:31:10,300 --> 00:31:14,800 Uh, no. Yukon, 1927. 519 00:31:14,800 --> 00:31:18,100 Just give me the ubuwa gallery. 520 00:31:18,100 --> 00:31:20,600 The ubuwa gallery. 521 00:31:20,700 --> 00:31:23,500 What am I, Noah Webster? 522 00:31:23,600 --> 00:31:25,400 Fine. 523 00:31:25,500 --> 00:31:27,800 [ Telephone ringing ] 524 00:31:27,800 --> 00:31:29,200 Excuse me. 525 00:31:32,200 --> 00:31:34,700 Ubuwa. 526 00:31:34,800 --> 00:31:37,700 Oh, it's you. 527 00:31:37,800 --> 00:31:41,100 I know we're on the skids, I wanna make it up to you. 528 00:31:41,100 --> 00:31:42,400 Oh, is that right? 529 00:31:42,500 --> 00:31:44,200 I want you to meet my mother. 530 00:31:44,200 --> 00:31:45,600 Your what? 531 00:31:45,700 --> 00:31:48,100 Well, she's heard so much about you. 532 00:31:48,100 --> 00:31:49,900 Were you not listening last night? 533 00:31:49,900 --> 00:31:53,600 Did I not make it very clear that this is not working out? 534 00:31:53,700 --> 00:31:57,200 Well, I forgive you. 535 00:31:57,200 --> 00:31:58,900 You forgive--? 536 00:31:59,000 --> 00:32:02,500 Oh, alright. 537 00:32:02,600 --> 00:32:04,200 You're a doll. 538 00:32:04,300 --> 00:32:05,800 Johnny? 539 00:32:05,900 --> 00:32:08,300 Gotta go. 540 00:32:08,300 --> 00:32:10,200 Coming, Mr. Meyerscholtz. 541 00:32:11,400 --> 00:32:13,000 I'll be back in a jiffy. 542 00:32:16,600 --> 00:32:20,800 Johnny twennies, what a fucking asshole. 543 00:32:20,800 --> 00:32:22,800 Could you give me the horoscopes? 544 00:32:25,000 --> 00:32:26,200 What? 545 00:32:32,000 --> 00:32:34,900 Johnny, this is Mr. Harold durant. 546 00:32:35,000 --> 00:32:37,800 He's the new owner of the "sun-telegram." 547 00:32:37,900 --> 00:32:39,200 Oh, glad to know you. 548 00:32:39,300 --> 00:32:42,000 And Mr. Durant has a two-year plan. 549 00:32:42,100 --> 00:32:44,700 For putting the "sun-telegram" back on top. 550 00:32:44,700 --> 00:32:46,000 Oh, that's telling 'em. 551 00:32:46,100 --> 00:32:48,000 The point is.... 552 00:32:48,100 --> 00:32:51,400 Certain elements aren't part of the plan. 553 00:32:51,500 --> 00:32:53,900 And your column, 554 00:32:54,000 --> 00:32:57,600 well, we need the advertising space. 555 00:32:57,700 --> 00:33:00,000 Johnny, I'm going to have to let you go. 556 00:33:03,000 --> 00:33:06,100 But you've still got severance pay... 557 00:33:06,200 --> 00:33:10,000 You've got 14 weeks of vacation time coming to you. 558 00:33:10,000 --> 00:33:11,400 I'm sorry. 559 00:33:11,400 --> 00:33:14,300 [ Telephone ringing ] 560 00:33:16,200 --> 00:33:18,700 Listen, chief, I'm a newspaper man. 561 00:33:18,800 --> 00:33:21,800 Neither you nor some jelly bean can take that away from me. 562 00:33:21,800 --> 00:33:23,500 I've got a story that's a panic. 563 00:33:23,600 --> 00:33:25,700 It'll double your circulation, triple it, even. 564 00:33:25,800 --> 00:33:27,700 Johnny, I don't know. 565 00:33:27,800 --> 00:33:29,800 Oh, it's a yarn, I tell ya. 566 00:33:29,900 --> 00:33:32,900 I'm supposed to avoid confrontations, 567 00:33:32,900 --> 00:33:34,300 my therapist says. 568 00:33:34,300 --> 00:33:36,200 Okay, Johnny, you get one more chance. 569 00:33:36,200 --> 00:33:37,400 You won't regret it. 570 00:33:37,500 --> 00:33:40,200 But, if that story isn't on my desk by 8:00, 571 00:33:40,300 --> 00:33:43,000 I'll personally come to your house and strangle you. 572 00:33:43,000 --> 00:33:44,400 Timmy, you're here. 573 00:33:44,400 --> 00:33:47,100 I've to deliver a story, or my goose is cooked. 574 00:33:47,200 --> 00:33:49,000 I came to pick up my stuff. 575 00:33:49,100 --> 00:33:50,900 - What do you mean? - I'm quitting, Johnny. 576 00:33:50,900 --> 00:33:53,400 - I'm through with this shit. - Oh, so that's the game. 577 00:33:53,500 --> 00:33:56,000 Throw in the towel when it starts getting too rough. 578 00:33:56,000 --> 00:33:57,300 I don't need your deprecation. 579 00:33:57,400 --> 00:34:00,400 Okay, Mr. Dictionary. That's how you want to play? 580 00:34:00,500 --> 00:34:02,000 Look, Timmy, I'll level with you. 581 00:34:02,100 --> 00:34:05,000 I'm onto a big scoop, I need you to do it right. 582 00:34:05,100 --> 00:34:06,000 Forget it, Johnny. 583 00:34:06,100 --> 00:34:07,300 This story'll make your career. 584 00:34:07,400 --> 00:34:09,100 How could you walk away from that? 585 00:34:09,200 --> 00:34:10,400 Watch me. 586 00:34:17,500 --> 00:34:19,900 Okay, kid. Let US take an ankle excursion. 587 00:34:21,900 --> 00:34:24,200 Johnny, what a pleasant surprise. 588 00:34:24,300 --> 00:34:26,300 I didn't expect you back here this week. 589 00:34:26,400 --> 00:34:29,400 Unfortunately, the Rudolph friml records have not come in yet. 590 00:34:29,400 --> 00:34:33,200 That's fine. Mr. Victor young, I'd like you to meet Ms.... 591 00:34:33,300 --> 00:34:34,600 Clemens. Virginia clemens. 592 00:34:34,700 --> 00:34:36,000 Good day, Ms. Clemens. 593 00:34:36,100 --> 00:34:37,700 Ms. Clemens needs a break here. 594 00:34:37,800 --> 00:34:40,000 I thought maybe you could give her a job. 595 00:34:40,100 --> 00:34:41,300 She's topheavy with talent. 596 00:34:41,300 --> 00:34:43,100 She knows bruckner from brahms and everything. 597 00:34:43,200 --> 00:34:46,200 Oh, I don't know. My son helps out during the day. 598 00:34:49,300 --> 00:34:51,200 Oh, Milo. 599 00:34:51,300 --> 00:34:53,800 Then again, Milo could use some help. 600 00:34:53,900 --> 00:34:55,400 Now you're talking. 601 00:34:55,500 --> 00:34:58,000 See, kid? Looks like things are looking up. 602 00:34:58,100 --> 00:35:00,100 [ Piano playing ] 603 00:35:00,200 --> 00:35:03,500 ♪ Life was a song ♪ 604 00:35:03,600 --> 00:35:07,300 ♪ you came along ♪ 605 00:35:07,400 --> 00:35:10,100 ♪ I've laid awake ♪ 606 00:35:10,200 --> 00:35:14,700 ♪ the whole night through ♪ 607 00:35:14,700 --> 00:35:18,200 ♪ if I but dared ♪ 608 00:35:18,300 --> 00:35:22,000 ♪ to think you cared ♪ 609 00:35:22,000 --> 00:35:24,300 ♪ this is what ♪ 610 00:35:24,400 --> 00:35:29,100 ♪ I'd say to yoo-hoo... ♪ 611 00:35:29,200 --> 00:35:31,200 Here, buy yourself some singin' lessons. 612 00:35:36,300 --> 00:35:37,800 [ Upbeat tempo ] 613 00:35:37,800 --> 00:35:41,900 ♪ Oh, honey you were meant for me ♪ 614 00:35:41,900 --> 00:35:45,800 ♪ and I was meant for you ♪ 615 00:35:45,900 --> 00:35:49,400 ♪ nature fashioned you and when she was done ♪ 616 00:35:49,500 --> 00:35:52,700 ♪ you were all the sweet things rolled up into one ♪ 617 00:35:52,800 --> 00:35:56,500 ♪ you're like a plaintive melody ♪ 618 00:35:56,500 --> 00:36:00,400 ♪ that never lets me free ♪ 619 00:36:00,500 --> 00:36:03,800 ♪ for I'm content the angels must have sent you ♪ 620 00:36:03,900 --> 00:36:07,200 ♪ and they meant you just for me ♪ 621 00:36:07,200 --> 00:36:09,700 Hey, I'm a regular arden and ohman. 622 00:36:11,300 --> 00:36:12,700 Yeah, man. 623 00:36:12,700 --> 00:36:15,500 [ Dixieland style jazz ] 624 00:36:38,000 --> 00:36:40,600 [ Singing operatic style ] 625 00:36:44,700 --> 00:36:46,300 An angel! 626 00:36:51,400 --> 00:36:55,400 ♪ You're like a plaintive melody ♪ 627 00:36:55,500 --> 00:36:59,100 ♪ that never lets me free ♪ 628 00:36:59,200 --> 00:37:02,500 ♪ for I'm content the angels must have sent you ♪ 629 00:37:02,600 --> 00:37:06,500 ♪ and they meant you just for me ♪ 630 00:37:06,500 --> 00:37:09,900 ♪ oh, I'm content the angels must have sent you ♪ 631 00:37:10,000 --> 00:37:14,300 ♪ and they meant you just for me. ♪ 632 00:37:15,900 --> 00:37:18,500 Bella, Bella! 633 00:37:18,600 --> 00:37:21,500 My dear. Where do you perform? 634 00:37:21,600 --> 00:37:23,800 - Where? - Nowhere. 635 00:37:23,900 --> 00:37:25,500 Nowhere? A catastrophe. 636 00:37:25,600 --> 00:37:27,400 But soon to be mended. 637 00:37:27,500 --> 00:37:30,800 I beg your pardon, but I am senor navarro. 638 00:37:30,800 --> 00:37:32,100 You've heard of me? 639 00:37:32,100 --> 00:37:33,300 Oui! 640 00:37:33,400 --> 00:37:37,300 And I'm here in your country to discover talent... 641 00:37:37,400 --> 00:37:39,600 To sing at la scala. 642 00:37:39,700 --> 00:37:44,300 You must, you must audition for me this very day. 643 00:37:44,400 --> 00:37:46,000 Really? Do you really mean that? 644 00:37:46,100 --> 00:37:49,600 Do i-- do i-- do i-- do I? 645 00:37:49,700 --> 00:37:51,500 Bella, Bella, Bella. 646 00:37:51,600 --> 00:37:53,500 Beautiful. 647 00:37:53,500 --> 00:37:57,300 I want you to come to my suite at the Milton Plaza at 3pm sharp. 648 00:37:57,300 --> 00:37:59,500 [ Popping sounds ] Ciao! 649 00:38:02,200 --> 00:38:06,200 Bella, Bella, Bella, Bella, Bella... 650 00:38:08,200 --> 00:38:13,100 Ah, you're on your way, pidge. 651 00:38:13,100 --> 00:38:15,600 Johnny, thank you so much for everything. 652 00:38:15,700 --> 00:38:16,900 All in a day's work. 653 00:38:24,200 --> 00:38:25,200 Young love. 654 00:38:26,900 --> 00:38:28,200 Tough luck. 655 00:38:34,700 --> 00:38:38,200 Hey, Johnny. Remember US? 656 00:38:38,300 --> 00:38:40,900 Does a banker remember a bad check? 657 00:38:40,900 --> 00:38:43,700 Mr. Pitt has decided to renegotiate your contract. 658 00:38:43,700 --> 00:38:45,900 You write the story, he lets you live. 659 00:38:46,000 --> 00:38:47,300 There's a deadline. 660 00:38:47,300 --> 00:38:50,400 Listen, you fucking piece of shit! 661 00:38:50,500 --> 00:38:52,000 If this doesn't go like clockwork, 662 00:38:52,000 --> 00:38:54,700 I'll permanently fuck you up. 663 00:38:54,800 --> 00:38:56,400 You got that? 664 00:38:56,400 --> 00:38:57,900 You keep riding me like this, 665 00:38:58,000 --> 00:39:00,000 you're going to have to pay the fare. 666 00:39:00,000 --> 00:39:01,700 Motherfucker! 667 00:39:05,500 --> 00:39:08,100 Okay, Johnny, no more games. 668 00:39:08,200 --> 00:39:11,600 Either write the fucking story... 669 00:39:11,700 --> 00:39:13,800 - Yes! Yes! - What? 670 00:39:13,900 --> 00:39:16,300 Are you going to write the goddamn story or not? 671 00:39:16,400 --> 00:39:17,900 Yes! 672 00:39:19,600 --> 00:39:20,800 Good. 673 00:39:20,900 --> 00:39:23,400 First I need a meeting with Mr. Pitt. 674 00:39:23,500 --> 00:39:24,900 What the fuck for? 675 00:39:25,000 --> 00:39:27,000 To give the story a sense of reality. 676 00:39:29,000 --> 00:39:30,500 No meeting, no dice. 677 00:39:31,700 --> 00:39:32,900 Fine. 678 00:39:32,900 --> 00:39:36,900 White knuckle bar, 5:00. 679 00:39:36,900 --> 00:39:38,300 And Johnny... 680 00:39:40,800 --> 00:39:43,600 I hope you told your girlfriend you love her, 681 00:39:43,700 --> 00:39:45,300 because if you try anything, 682 00:39:45,400 --> 00:39:48,200 I'm going to skull-fuck her until she cries "hail Mary." 683 00:39:48,200 --> 00:39:49,700 Don't you touch her. 684 00:39:53,600 --> 00:39:55,500 You got a lot of anger issues. 685 00:40:02,100 --> 00:40:03,300 The use of negative space 686 00:40:03,400 --> 00:40:05,900 has been prevalent in his work since the mid '80s. 687 00:40:05,900 --> 00:40:08,000 This represents his most recent developments. 688 00:40:08,000 --> 00:40:09,300 As a matter of fact, 689 00:40:09,300 --> 00:40:11,400 in last month's "art digest"-- 690 00:40:13,700 --> 00:40:15,700 excuse me one moment. 691 00:40:18,500 --> 00:40:20,600 Johnny, what are you doing? 692 00:40:20,700 --> 00:40:21,800 I'm incognito. 693 00:40:21,900 --> 00:40:23,700 - Hey, Johnny. - Rats. 694 00:40:23,800 --> 00:40:25,200 Samantha, about tonight-- 695 00:40:25,200 --> 00:40:28,000 I know. I'm sorry to snap at you earlier. 696 00:40:28,100 --> 00:40:31,700 I've been a little... Tense lately. 697 00:40:31,800 --> 00:40:33,600 - I can't make it tonight. - What? 698 00:40:33,700 --> 00:40:36,400 I think it's best if we call the whole thing quits. 699 00:40:36,500 --> 00:40:38,800 What?! 700 00:40:38,900 --> 00:40:41,200 You called in morning to beg for my forgiveness, 701 00:40:41,200 --> 00:40:42,400 and now you're dumping me? 702 00:40:42,500 --> 00:40:44,300 I think you owe me an explanation. 703 00:40:44,400 --> 00:40:46,200 It's for your own protection, see? 704 00:40:46,300 --> 00:40:50,000 I'm being chiseled by these mobsters and I'm afraid your life may be in danger. 705 00:40:50,100 --> 00:40:51,400 This is complete bullshit. 706 00:40:51,500 --> 00:40:53,500 If you're seeing someone else, just tell me. 707 00:40:53,600 --> 00:40:55,800 You don't have to make up some stupid story. 708 00:40:55,800 --> 00:40:58,400 Samantha! I can't believe you'd suggest such a thing. 709 00:40:58,400 --> 00:41:00,000 I'm on the up and up. 710 00:41:00,000 --> 00:41:03,300 Honest Indian, I'm heading for the police right now. 711 00:41:04,900 --> 00:41:06,700 Well... 712 00:41:06,800 --> 00:41:08,500 Goodbye. 713 00:41:14,500 --> 00:41:16,800 What's it this time? Aa meeting? 714 00:41:16,800 --> 00:41:18,400 He's being chased by the mob. 715 00:41:18,500 --> 00:41:20,500 That's points for originality. 716 00:41:20,600 --> 00:41:21,800 What's up with him? 717 00:41:21,900 --> 00:41:24,800 I don't know, but I'm going to find out. 718 00:41:27,900 --> 00:41:30,800 [ Instrumental music ] 719 00:41:58,000 --> 00:42:00,800 [ Music continues ] 720 00:42:19,500 --> 00:42:21,500 [ Mills brothers singing "diga diga doo" ] 721 00:42:21,500 --> 00:42:23,500 ♪ Zulu man is feelin' blue ♪ 722 00:42:23,500 --> 00:42:25,400 ♪ hear his heart beat a little tattoo ♪ 723 00:42:25,500 --> 00:42:27,300 ♪ diga diga doo, diga doo doo ♪ 724 00:42:27,400 --> 00:42:29,000 ♪ diga diga doo, diga doo ♪ 725 00:42:29,100 --> 00:42:30,900 ♪ you love me and I love you ♪ 726 00:42:30,900 --> 00:42:32,900 ♪ and when you love it is natural to... ♪ 727 00:42:33,000 --> 00:42:34,700 ♪ Diga diga doo, diga doo doo ♪ 728 00:42:34,800 --> 00:42:36,600 ♪ diga diga doo, diga doo ♪ 729 00:42:36,700 --> 00:42:40,400 ♪ I'm so very diga diga doo by nature ♪ 730 00:42:40,500 --> 00:42:42,200 ♪ if you don't say diga diga ♪ 731 00:42:42,200 --> 00:42:44,300 ♪ to your mate you're gonna lose a papa ♪ 732 00:42:44,300 --> 00:42:46,300 ♪ so let those funny people smile ♪ 733 00:42:46,400 --> 00:42:48,100 ♪ how can there be a virgin isle ♪ 734 00:42:48,200 --> 00:42:49,800 ♪ diga diga doo, diga doo doo ♪ 735 00:42:49,800 --> 00:42:51,900 ♪ diga diga doo, diga doo ♪ 736 00:42:52,000 --> 00:42:54,900 [ Song continues ] 737 00:43:22,000 --> 00:43:24,900 [ Song continues ] 738 00:43:36,500 --> 00:43:39,500 [ Police radio ] 739 00:44:03,100 --> 00:44:06,600 Can you help me, miss? I'm buying a gift. 740 00:44:06,700 --> 00:44:09,500 He likes classical music. 741 00:44:09,500 --> 00:44:12,900 Well, if it's someone you know, but don't like, 742 00:44:12,900 --> 00:44:14,800 get him Wagner. 743 00:44:14,900 --> 00:44:16,800 If it's someone you like, but don't know, 744 00:44:16,900 --> 00:44:20,000 get him schubert's trout quintet. 745 00:44:20,100 --> 00:44:22,000 And if it's someone you like, 746 00:44:22,000 --> 00:44:24,100 but would like to get to know better... 747 00:44:24,200 --> 00:44:25,700 - Well... - Yes? 748 00:44:25,800 --> 00:44:28,400 There's only one choice. 749 00:44:30,900 --> 00:44:33,000 Chopin's piano concerto no. 2. 750 00:44:35,000 --> 00:44:37,500 You know how sometimes there's things you want to say 751 00:44:37,500 --> 00:44:39,000 but can't quite say them? 752 00:44:39,000 --> 00:44:41,100 Well, this music speaks the feelings 753 00:44:41,200 --> 00:44:43,200 you wish you were able to say. 754 00:44:43,300 --> 00:44:44,800 Really? 755 00:44:44,800 --> 00:44:47,900 It's like Johnny twennies column in the "sun-telegram." 756 00:44:48,000 --> 00:44:52,500 He says, "act first and have second thoughts second." 757 00:44:52,600 --> 00:44:55,000 I never thought of it like that. 758 00:44:55,000 --> 00:44:56,400 I'll take it. 759 00:44:58,000 --> 00:45:00,900 Oh! Mr. Young, I have to get ready for my audition. 760 00:45:02,200 --> 00:45:03,500 Break a leg. 761 00:45:04,300 --> 00:45:05,800 [ Crashing sound ] 762 00:45:05,900 --> 00:45:07,600 Not you, Milo! 763 00:45:09,500 --> 00:45:11,700 Let's not go through this again, Richard. 764 00:45:11,800 --> 00:45:14,400 You said you wanted a change, but you said "temporary." 765 00:45:14,500 --> 00:45:16,600 This does not look very temporary to me. 766 00:45:16,700 --> 00:45:18,300 This is what you wanted, remember? 767 00:45:18,400 --> 00:45:20,400 Why does everything have to be an issue? 768 00:45:20,400 --> 00:45:22,100 It's not an issue, it's a discussion. 769 00:45:22,200 --> 00:45:23,800 Banana oil! 770 00:45:26,600 --> 00:45:28,400 - What did you say? - Nothing. 771 00:45:28,500 --> 00:45:30,000 Just finish packing. 772 00:45:30,100 --> 00:45:31,900 I don't want to. 773 00:45:31,900 --> 00:45:34,800 Don't start, Richard. This is hard enough, okay? 774 00:45:37,500 --> 00:45:39,100 Look... 775 00:45:39,100 --> 00:45:41,000 It doesn't have to be like-- 776 00:45:41,000 --> 00:45:42,100 [ buzzer sounds ] 777 00:45:42,200 --> 00:45:43,600 Go. 778 00:45:49,600 --> 00:45:51,900 Hiya, timrod. Mind if I come in? 779 00:45:52,000 --> 00:45:54,400 Johnny, now is not the best time. 780 00:45:54,400 --> 00:45:56,500 Listen, I'm in a pickle. 781 00:45:56,600 --> 00:45:59,400 I tried to go to the cops, but they're no help. 782 00:45:59,400 --> 00:46:01,000 I already told you I quit. 783 00:46:01,000 --> 00:46:04,100 I heard you the first time, you don't have to shout. 784 00:46:04,200 --> 00:46:05,700 Richard, what are you doing here? 785 00:46:05,800 --> 00:46:06,700 Moving day. 786 00:46:06,800 --> 00:46:07,800 Johnny, please. 787 00:46:07,900 --> 00:46:09,600 Seriously, Timmy, one favor, and I'll get. 788 00:46:09,700 --> 00:46:11,000 For old times' sake. 789 00:46:11,100 --> 00:46:12,100 "Old times"? 790 00:46:12,200 --> 00:46:13,900 Don't expect him to remember old times. 791 00:46:14,000 --> 00:46:15,200 He has a short-term memory. 792 00:46:15,300 --> 00:46:17,600 Look, we tried, okay? 793 00:46:17,700 --> 00:46:19,900 We said this was going to be a trial. 794 00:46:19,900 --> 00:46:21,600 A trial by Franz kafka. 795 00:46:21,700 --> 00:46:24,000 Just... get your stuff and go. 796 00:46:27,000 --> 00:46:28,400 Here's what's what. 797 00:46:28,400 --> 00:46:30,400 I'm to meet mob boss at 5:00, 798 00:46:30,500 --> 00:46:32,700 I want you to take some pictures of him, 799 00:46:32,700 --> 00:46:33,700 but on the sly. 800 00:46:33,800 --> 00:46:35,400 - "Mob boss"? - That's the idea. 801 00:46:35,500 --> 00:46:39,800 Do you spend all day watching old movies on cable? 802 00:46:39,800 --> 00:46:41,400 Do you even get cable? 803 00:46:41,500 --> 00:46:43,200 Sure, I get cables all the time. 804 00:46:43,300 --> 00:46:44,300 Why, just last week-- 805 00:46:44,300 --> 00:46:45,800 I don't know, it sounds like 806 00:46:45,900 --> 00:46:47,100 pulitzer prize material to me. 807 00:46:47,100 --> 00:46:48,800 That's the spirit. 808 00:46:48,800 --> 00:46:51,000 Alright, I'll do it. 809 00:46:51,100 --> 00:46:53,400 Atta-boy! Now here's how we make it stick. 810 00:46:57,500 --> 00:46:59,400 Lady, the meter's running. 811 00:46:59,400 --> 00:47:00,700 Shut up. 812 00:47:03,000 --> 00:47:05,900 [ Instrumental music ] 813 00:47:32,800 --> 00:47:34,100 Follow that cab! 814 00:47:35,500 --> 00:47:36,600 You've got to be kidding. 815 00:47:36,700 --> 00:47:38,700 Follow the goddamn cab! 816 00:47:41,900 --> 00:47:44,800 [ Instrumental music ] 817 00:47:51,900 --> 00:47:53,200 Hiya, kid! You're looking great! 818 00:47:53,200 --> 00:47:54,500 You think so? 819 00:47:54,500 --> 00:47:57,200 Sure. Why, I bet you must have oodles of gentlemen callers. 820 00:47:57,300 --> 00:48:00,900 Now, don't tell me there isn't some fella who's stuck on you. 821 00:48:00,900 --> 00:48:04,000 Well, there's someone I sort of like. 822 00:48:04,000 --> 00:48:05,900 Well, that's just ducky. 823 00:48:17,900 --> 00:48:19,600 May I help you? 824 00:48:19,600 --> 00:48:23,400 I'm Virginia clemens, I'm here to audition for Mr. Navarro. 825 00:48:23,500 --> 00:48:26,000 Senor navarro will see you now. 826 00:48:30,100 --> 00:48:32,700 Hiya, big guy. Circus in town? 827 00:48:32,800 --> 00:48:34,000 Who are you, the agent? 828 00:48:34,000 --> 00:48:37,000 Me? No, I'm just an interested party. 829 00:48:40,700 --> 00:48:44,300 I'm Maurice, senor navarro's associate. 830 00:48:45,900 --> 00:48:47,700 This way, please. 831 00:48:50,100 --> 00:48:52,200 Virginia: Thank you. 832 00:48:52,200 --> 00:48:54,900 "Interested parties" wait in here. 833 00:48:55,900 --> 00:48:57,900 I got you. 834 00:49:00,100 --> 00:49:01,400 Care for some tea? 835 00:49:01,500 --> 00:49:03,700 I'll have if you are. 836 00:49:06,300 --> 00:49:08,200 One lump, or two lumps? 837 00:49:08,300 --> 00:49:10,900 Oh, no. I'm not falling for that bit. 838 00:49:10,900 --> 00:49:13,800 - Cream. - As you like it. 839 00:49:13,800 --> 00:49:15,900 Ah, a Shakespeare maven. 840 00:49:16,000 --> 00:49:17,300 Measure for measure, 841 00:49:17,400 --> 00:49:19,800 I take the bard over these modern poets. 842 00:49:19,900 --> 00:49:21,300 I'm with you, bub. 843 00:49:21,300 --> 00:49:22,800 Take t. S. Eliot for example. 844 00:49:22,900 --> 00:49:25,100 He's got the technique, but it just doesn't have 845 00:49:25,200 --> 00:49:27,400 the spark as, say, "the merchant of venice." 846 00:49:27,500 --> 00:49:30,100 Whoa, that one gives me the willies. 847 00:49:30,100 --> 00:49:31,900 You and me both, brother. 848 00:49:34,000 --> 00:49:36,800 "The crow doth sing as sweetly as the lark, 849 00:49:38,400 --> 00:49:43,400 when neither is attended, and I think the nightingale, 850 00:49:43,500 --> 00:49:45,900 if she should sing by day, 851 00:49:45,900 --> 00:49:49,600 when every goose is cackling, would be thought 852 00:49:49,700 --> 00:49:52,800 no better a musician than the wren." 853 00:49:55,000 --> 00:49:57,200 That goes double for me. 854 00:50:03,100 --> 00:50:04,000 [ Horn blaring ] 855 00:50:09,500 --> 00:50:10,500 [ Faint screams ] 856 00:50:19,400 --> 00:50:22,700 Hey, Maurice, speaking of singing, 857 00:50:22,800 --> 00:50:24,900 how come I don't hear any? 858 00:50:24,900 --> 00:50:26,100 Don't worry. 859 00:50:26,200 --> 00:50:29,200 Momentarily, she'll be singing like a canary. 860 00:50:29,300 --> 00:50:32,200 Is that so? 861 00:50:32,200 --> 00:50:34,700 Maybe I'd better check, how they're making out in there. 862 00:50:34,700 --> 00:50:36,700 That's not such a good idea. 863 00:50:36,700 --> 00:50:38,700 Maybe they need a piano player. 864 00:50:38,800 --> 00:50:41,700 Senor navarro has his own "pianist." 865 00:50:42,600 --> 00:50:44,500 [ Chuckling ] 866 00:50:46,300 --> 00:50:48,000 [ Faint screams ] 867 00:50:48,000 --> 00:50:49,800 That's my cue! 868 00:50:51,900 --> 00:50:53,800 [ Techno music playing ] 869 00:50:59,500 --> 00:51:01,700 My goodness! 870 00:51:01,700 --> 00:51:03,100 Johnny! 871 00:51:03,200 --> 00:51:07,800 Hey, Johnny, we're working on her Bella, Bella-- 872 00:51:07,800 --> 00:51:09,500 what are you doing? 873 00:51:09,500 --> 00:51:12,300 When you get slapped, you'll take it and like it. 874 00:51:13,400 --> 00:51:15,600 She-she make me wear this. 875 00:51:17,200 --> 00:51:18,500 Wait! 876 00:51:18,600 --> 00:51:21,500 "All's well that ends well," baby. 877 00:51:23,100 --> 00:51:26,100 ♪ Ridi, pagliaccio... ♪ 878 00:51:27,800 --> 00:51:29,600 [ Weeping ] 879 00:51:34,300 --> 00:51:37,700 Don't take it so hard, kid, there'll be other breaks. 880 00:51:37,800 --> 00:51:39,800 [ Sniffling ] I know. 881 00:51:45,400 --> 00:51:47,300 [ Instrumental music ] 882 00:51:58,000 --> 00:51:59,700 I can't fucking believe this. 883 00:52:00,600 --> 00:52:02,700 Yeah, yeah. $47.30. 884 00:52:05,800 --> 00:52:07,900 God, I love New York. 885 00:52:19,700 --> 00:52:21,400 Gibson, please. 886 00:52:32,800 --> 00:52:35,200 Hey, stranger, buy me a drink? 887 00:52:38,500 --> 00:52:40,600 Jack on the rocks. 888 00:52:40,700 --> 00:52:43,700 So, where were you this afternoon? 889 00:52:43,800 --> 00:52:47,300 Ah, I'm sorry, do I know you? 890 00:52:47,400 --> 00:52:49,000 Do you know me? 891 00:52:49,100 --> 00:52:50,800 [ Camera clicking ] 892 00:52:53,900 --> 00:52:55,900 Where were you this afternoon? 893 00:52:56,000 --> 00:52:59,100 Johnny: Er... i-i-i-- 894 00:52:59,200 --> 00:53:01,400 I don't remember. Here and there. 895 00:53:01,500 --> 00:53:02,800 Oh, really? 896 00:53:02,800 --> 00:53:07,700 So, how are the rooms at the Milton Plaza? 897 00:53:07,700 --> 00:53:12,100 What? Um, I hear they're very nice. 898 00:53:12,200 --> 00:53:15,300 Can I get another, please? 899 00:53:15,400 --> 00:53:17,400 What are you doing tonight? 900 00:53:17,400 --> 00:53:18,700 I already told you, 901 00:53:18,800 --> 00:53:20,300 I'm having dinner with my mother. 902 00:53:20,300 --> 00:53:21,700 With your mother--? 903 00:53:21,700 --> 00:53:24,300 Oh, right... Your "mother." 904 00:53:24,300 --> 00:53:25,700 Hi, Samantha. 905 00:53:25,800 --> 00:53:27,500 Well, did you get 'em? 906 00:53:27,600 --> 00:53:30,100 No problem. It was kind of cool, actually. 907 00:53:30,200 --> 00:53:31,900 Good work, timbuktu. I'm proud of you. 908 00:53:32,000 --> 00:53:32,900 See you tonight? 909 00:53:33,000 --> 00:53:34,900 8:00, with the prints. 910 00:53:35,600 --> 00:53:36,700 What's going on? 911 00:53:36,800 --> 00:53:38,300 Would you quit asking fool questions? 912 00:53:38,400 --> 00:53:40,900 - Not until you tell the truth. - I did tell you. 913 00:53:41,000 --> 00:53:42,700 You expect me to believe that crap? 914 00:53:42,800 --> 00:53:44,500 I don't want them to hurt you. 915 00:53:44,600 --> 00:53:46,000 - Oh, great. - Listen, poopsie... 916 00:53:46,100 --> 00:53:47,600 I'm in a real fix. See? 917 00:53:47,700 --> 00:53:50,700 You don't like story, I've another, but the truth is the truth. 918 00:53:50,700 --> 00:53:52,300 I think we really had something. 919 00:53:52,400 --> 00:53:56,200 But now I'm swimming in barrel of trouble, and I'm not gonna get you dunked. 920 00:53:56,200 --> 00:53:59,000 Get wise and make off like I never talked to you. 921 00:54:00,300 --> 00:54:02,900 - Another! - No more for her, she's flush. 922 00:54:03,000 --> 00:54:05,400 Here, put her in a cab. Would you, pal? 923 00:54:12,400 --> 00:54:15,300 [ Instrumental music ] 924 00:54:17,400 --> 00:54:20,000 ♪ Tell US, senorita, do they grow ♪ 925 00:54:20,100 --> 00:54:23,500 ♪ any more like you... Down in Mexico ♪ 926 00:54:23,500 --> 00:54:26,000 ♪ that is something we should like to know... ♪ 927 00:54:26,100 --> 00:54:27,900 ♪ For in case they do... ♪ 928 00:54:27,900 --> 00:54:29,700 ♪ There, we'll have to go... ♪ 929 00:54:29,700 --> 00:54:33,200 ♪ Though love in Spanish we can't discuss... ♪ 930 00:54:33,300 --> 00:54:35,800 ♪ Please don't be clannish with US ♪ 931 00:54:35,900 --> 00:54:39,200 ♪ senorita, harken to our plaintive serenade ♪ 932 00:54:39,300 --> 00:54:41,900 ♪ fascinating maid ♪ 933 00:54:42,000 --> 00:54:45,500 ♪ wonderful juanita... ♪ 934 00:54:45,600 --> 00:54:49,100 ♪ Dark-eyed senorita... ♪ 935 00:54:49,100 --> 00:54:52,700 ♪ Blushing, tropic, Rose so divine ♪ 936 00:54:52,800 --> 00:54:56,200 ♪ could you learn to be a clinging vine? ♪ 937 00:54:56,300 --> 00:54:59,800 ♪ Never was so sweet-a... ♪ 938 00:54:59,900 --> 00:55:03,400 ♪ Maid as you, juanita... ♪ 939 00:55:03,500 --> 00:55:07,000 ♪ My heart beating, keeps repeating ♪ 940 00:55:07,100 --> 00:55:10,600 ♪ when will juanita be mine? ♪ 941 00:55:10,600 --> 00:55:12,400 ♪ Dance for US, senorita! ♪ 942 00:55:12,500 --> 00:55:15,500 What's buzzin', cousin? 943 00:55:15,600 --> 00:55:17,700 You know why you were summoned? 944 00:55:17,800 --> 00:55:20,600 Gimme three guesses. 945 00:55:20,700 --> 00:55:26,000 You have consistently disrupted our business endeavors... 946 00:55:26,100 --> 00:55:30,800 ...frustrated our smuggling efforts and refused our bribes... 947 00:55:30,900 --> 00:55:33,500 Now you must pay. 948 00:55:33,500 --> 00:55:35,900 Can you break twenty? 949 00:55:37,700 --> 00:55:39,300 Samantha: Johnny! 950 00:55:39,400 --> 00:55:42,400 ♪ Wonderful juanita... ♪ 951 00:55:42,400 --> 00:55:45,900 ♪ Dark-eyed senorita... ♪ 952 00:55:46,000 --> 00:55:49,600 ♪ Blushing, tropic, Rose so divine ♪ 953 00:55:49,600 --> 00:55:53,100 ♪ could you learn to be a clinging vine? ♪ 954 00:55:53,200 --> 00:55:55,000 ♪ Never was so sweet-a... ♪ 955 00:56:02,100 --> 00:56:03,300 Johnny! 956 00:56:14,500 --> 00:56:15,400 Johnny! 957 00:56:17,900 --> 00:56:19,800 [ Instrumental music ] 958 00:56:20,900 --> 00:56:21,800 [ Grunting ] 959 00:56:25,600 --> 00:56:27,500 [ Dramatic music ] 960 00:56:41,300 --> 00:56:42,200 [ Screams ] 961 00:56:49,000 --> 00:56:50,100 Say, what's the idea? 962 00:56:50,200 --> 00:56:51,100 You fucked up, Johnny. 963 00:56:51,200 --> 00:56:52,400 Let me loose. 964 00:56:52,400 --> 00:56:54,800 We tried to be reasonable, we asked you nicely. 965 00:56:54,900 --> 00:56:57,100 But you had to make things fucking difficult. 966 00:56:57,100 --> 00:56:59,900 So we brought you a little something. 967 00:57:01,300 --> 00:57:03,800 What did you do, snatch a Venus de Milo? 968 00:57:03,900 --> 00:57:06,100 Even better. 969 00:57:06,200 --> 00:57:09,000 Johnny, if you don't write the goddamn article, 970 00:57:09,000 --> 00:57:12,700 I'm going to blow a fucking hole through your girlfriend. 971 00:57:12,800 --> 00:57:14,800 Well, you're going to need pretty good aim. 972 00:57:14,900 --> 00:57:16,700 What the fuck you talking about? 973 00:57:16,800 --> 00:57:19,000 I'm going to shoot your goddamn girlfriend, Johnny. 974 00:57:19,000 --> 00:57:20,400 That's not my girlfriend. 975 00:57:20,400 --> 00:57:21,500 That's not your girlfriend? 976 00:57:21,600 --> 00:57:23,100 I thought that was your girlfriend? 977 00:57:23,200 --> 00:57:24,400 No, she's not. That's Virginia. 978 00:57:24,500 --> 00:57:25,500 - Your girlfriend. - No. 979 00:57:25,600 --> 00:57:27,100 Then who the fuck's your girlfriend? 980 00:57:27,100 --> 00:57:28,100 - Samantha! - Who's this? 981 00:57:28,200 --> 00:57:29,800 - Virginia. - Who's Samantha? 982 00:57:29,900 --> 00:57:32,100 - My girlfriend. - Who is this tied-up bitch? 983 00:57:32,200 --> 00:57:33,700 - That's Virginia. - Shut up! 984 00:57:33,700 --> 00:57:35,300 Who the fuck's Samantha? 985 00:57:39,300 --> 00:57:40,300 [ Touch tones ] 986 00:57:40,300 --> 00:57:41,700 Are you okay? 987 00:57:41,700 --> 00:57:44,100 [ Ringing ] 988 00:57:44,100 --> 00:57:45,700 What, no luck? 989 00:57:45,700 --> 00:57:47,700 Lost the trail. 990 00:57:47,700 --> 00:57:50,300 Have you seen Tim? I'm really worried about him. 991 00:57:50,400 --> 00:57:53,400 Yeah, he was with Johnny, chasing invisible bogeymen. 992 00:57:53,500 --> 00:57:55,000 [ Continues ringing ] 993 00:57:55,000 --> 00:57:59,500 What kind of moron doesn't have an answering machine? 994 00:57:59,600 --> 00:58:02,400 Maybe you should go home and get some rest. 995 00:58:08,800 --> 00:58:10,400 [ Gunshot ] 996 00:58:10,500 --> 00:58:13,000 Shut the fuck up, and start typing. 997 00:58:19,100 --> 00:58:22,200 Alright, you got me. 998 00:58:22,300 --> 00:58:24,500 I know when I'm licked. 999 00:58:31,600 --> 00:58:32,600 This "k" is broken. 1000 00:58:32,700 --> 00:58:34,800 - So don't use "k." - Don't use "k"? 1001 00:58:34,900 --> 00:58:36,600 - Fuck you! - Type! 1002 00:58:39,500 --> 00:58:40,700 How do you spell "pitt"? 1003 00:58:40,800 --> 00:58:42,100 Two ts. 1004 00:58:43,700 --> 00:58:46,000 Just one thing, fellas, you may want to know... 1005 00:58:46,100 --> 00:58:48,800 My partner, Timmy, has some cute snapshots of your boss 1006 00:58:48,900 --> 00:58:51,000 that go to press tonight. 1007 00:58:52,100 --> 00:58:54,500 God-fucking-damn it! 1008 00:58:54,600 --> 00:58:56,900 God-fucking-damn it! 1009 00:58:59,000 --> 00:59:00,000 You're fucking dead. 1010 00:59:00,100 --> 00:59:01,500 You're dead. 1011 00:59:01,600 --> 00:59:04,400 Sure, go ahead. But then you'll never stop those photos. 1012 00:59:04,500 --> 00:59:07,500 And we know how camera-shy your Mr. Pitt is. 1013 00:59:09,200 --> 00:59:11,000 But I'm not unreasonable. 1014 00:59:11,100 --> 00:59:13,700 Tell Mr. Pitt I want to renegotiate my contract. 1015 00:59:13,800 --> 00:59:16,000 He gets the photos if he lets her go. 1016 00:59:16,100 --> 00:59:18,400 I thought she wasn't your fucking girlfriend? 1017 00:59:18,400 --> 00:59:20,500 Haven't you lowlids ever heard of chivalry? 1018 00:59:20,600 --> 00:59:22,000 Mmm...! 1019 00:59:28,000 --> 00:59:29,800 We'll talk to Mr. Pitt. 1020 00:59:34,100 --> 00:59:36,500 Don't go anywhere. 1021 00:59:40,300 --> 00:59:43,000 Hey, baby, how ya' doing this fine evening? 1022 00:59:43,100 --> 00:59:44,300 [ Chuckling ] 1023 00:59:44,400 --> 00:59:45,900 It's cool. 1024 00:59:47,200 --> 00:59:48,500 [ Muffled shouting ] 1025 00:59:50,700 --> 00:59:53,700 Well, no use sitting here. 1026 00:59:53,800 --> 00:59:57,400 What would the great Houdini do in a situation like this? 1027 01:00:04,600 --> 01:00:06,600 Hey, get a load of that. 1028 01:00:11,200 --> 01:00:12,500 Well... 1029 01:00:15,900 --> 01:00:18,000 Johnny, what's going on? Who are those guys? 1030 01:00:18,100 --> 01:00:21,400 Just a couple of hoodoos trying to put one over. 1031 01:00:21,500 --> 01:00:24,200 Let's beat it, kid, before those jailbirds come home to roost. 1032 01:00:24,300 --> 01:00:25,700 Shouldn't we go to the police? 1033 01:00:25,800 --> 01:00:28,200 Sure thing, kid. But first... 1034 01:00:28,300 --> 01:00:30,200 I got a dinner date. 1035 01:00:33,600 --> 01:00:38,800 So, how do you enjoy barnard, dottie? 1036 01:00:38,900 --> 01:00:40,300 It sucks. 1037 01:00:43,500 --> 01:00:47,200 The Columbia boys seem to have quite a team this season, hm? 1038 01:00:49,400 --> 01:00:50,500 Whatever. 1039 01:00:57,300 --> 01:00:59,300 [ Ring bell ] 1040 01:01:06,600 --> 01:01:08,500 [ Whispering ] 1041 01:01:14,300 --> 01:01:16,800 Are you alright, Mr. Pitzer? 1042 01:01:16,900 --> 01:01:17,900 What? 1043 01:01:18,000 --> 01:01:20,100 Are you alright? 1044 01:01:20,200 --> 01:01:23,600 Oh, I'm sorry. My eyes are a little dry. 1045 01:01:23,700 --> 01:01:25,000 Oh. 1046 01:01:27,700 --> 01:01:28,600 Ugh! 1047 01:01:37,800 --> 01:01:40,100 Hiya, Hastings. Where's mother? 1048 01:01:40,200 --> 01:01:42,300 Why, she's-- she's-- 1049 01:01:45,000 --> 01:01:47,100 does somebody actually live here? 1050 01:01:47,200 --> 01:01:49,000 Indubitably. 1051 01:01:51,800 --> 01:01:54,200 Evening, all. I apologize for my tardiness, 1052 01:01:54,300 --> 01:01:56,900 but the work of the modern newspaperman is never through. 1053 01:01:56,900 --> 01:01:59,000 Mr. and Mrs. Lausenger, my son, John. 1054 01:01:59,100 --> 01:02:01,800 John, I'd like you to meet Mr. and Mrs. Lausenger. 1055 01:02:01,900 --> 01:02:03,300 And their lovely daughter, dottie. 1056 01:02:03,400 --> 01:02:05,100 Good evening. Call me Johnny. 1057 01:02:06,100 --> 01:02:07,400 Mr. and Mrs. Pitzer, 1058 01:02:07,500 --> 01:02:09,500 I'd like you to meet my son, John. 1059 01:02:09,600 --> 01:02:11,900 John, this is Mr. Jaffrey pitzer and his wife. 1060 01:02:11,900 --> 01:02:15,500 Mr. Pitzer is the district attorney of New York. 1061 01:02:15,600 --> 01:02:17,700 Oh, have I got a surprise for you. 1062 01:02:17,700 --> 01:02:19,000 Really? 1063 01:02:19,100 --> 01:02:21,000 And of course, you know the reverend sheehan. 1064 01:02:21,100 --> 01:02:23,000 - Hiya, rev. - Johnny. 1065 01:02:26,400 --> 01:02:27,500 [ Doorbell rings ] 1066 01:02:27,500 --> 01:02:29,100 That must be for me. 1067 01:02:29,100 --> 01:02:31,300 Hastings will attend to it. 1068 01:02:37,300 --> 01:02:39,000 Hiya, Lester. How are you? 1069 01:02:39,100 --> 01:02:40,100 Fine. 1070 01:02:40,100 --> 01:02:41,300 That's great. Come on in. 1071 01:02:41,400 --> 01:02:43,200 Hiya, fellas, thanks for stopping by. 1072 01:02:43,300 --> 01:02:45,800 Just set up any old where. 1073 01:02:45,900 --> 01:02:47,500 Hey, how are you? 1074 01:02:47,600 --> 01:02:49,300 Do you know these artists? 1075 01:02:49,400 --> 01:02:51,400 It's okay, Hastings. They're with me. 1076 01:02:51,400 --> 01:02:54,900 I'll lock up the silver. 1077 01:02:55,000 --> 01:02:56,500 Well, the party ain't over yet. 1078 01:02:56,600 --> 01:02:58,500 I brought some after dinner entertainment. 1079 01:02:58,600 --> 01:03:00,200 The Cleopatra four, plus two. 1080 01:03:00,200 --> 01:03:02,200 They may not be a theater guild attraction, 1081 01:03:02,200 --> 01:03:03,800 but they sure can wang-doodle. 1082 01:03:03,800 --> 01:03:05,900 [ Doorbell rings ] Excuse me, won't you? 1083 01:03:05,900 --> 01:03:07,700 - John? - I shan't be a minute. 1084 01:03:07,800 --> 01:03:08,700 Well... 1085 01:03:11,700 --> 01:03:13,600 Take a load off, Hastings, I got it. 1086 01:03:13,700 --> 01:03:15,100 I say, master twennies, 1087 01:03:15,200 --> 01:03:17,900 I've been answering that door for some 47 years. 1088 01:03:18,000 --> 01:03:20,000 So, take the night off, you deserve it. 1089 01:03:20,000 --> 01:03:23,300 Timbo! Victor? Milo? What are you doing here? 1090 01:03:23,300 --> 01:03:27,000 Johnny, they're here! 1091 01:03:27,000 --> 01:03:29,600 The Rudolph friml records. 1092 01:03:29,700 --> 01:03:32,800 We decided to deliver them personally. 1093 01:03:36,800 --> 01:03:37,900 Milo! 1094 01:03:37,900 --> 01:03:39,900 Here, let me help you. 1095 01:03:39,900 --> 01:03:41,100 [ Sighs ] 1096 01:03:44,600 --> 01:03:47,500 [ Violin playing ] 1097 01:03:52,400 --> 01:03:54,700 Thug #1: Look, I don't know where pitt is. 1098 01:03:54,700 --> 01:03:57,300 What am I, his babysitter? 1099 01:04:04,400 --> 01:04:06,700 Goddamn it! Mother-- 1100 01:04:07,800 --> 01:04:09,500 fucking write... 1101 01:04:09,600 --> 01:04:12,800 The fucking story! Fuck you, man! 1102 01:04:12,900 --> 01:04:15,300 Write the fucking story! 1103 01:04:16,900 --> 01:04:18,200 Fuck! 1104 01:04:21,400 --> 01:04:22,800 Johnny: "Dear, fellas, 1105 01:04:22,900 --> 01:04:25,400 sorry I couldn't stay, but I had a prior engagement. 1106 01:04:25,500 --> 01:04:27,900 If you need me, I'll be at the following address..." 1107 01:04:32,900 --> 01:04:35,200 Please, Johnny, sit down. 1108 01:04:35,200 --> 01:04:37,400 We haven't had a chance to speak this evening. 1109 01:04:37,500 --> 01:04:38,700 [ Doorbell rings ] 1110 01:04:38,800 --> 01:04:40,700 Have another old fashioned, rev. I'll be back. 1111 01:04:40,800 --> 01:04:41,900 Oh, but i-- 1112 01:04:44,700 --> 01:04:45,800 well, of all the-- 1113 01:04:45,800 --> 01:04:46,800 - Timmy! - Twennies! 1114 01:04:46,900 --> 01:04:48,000 Ahh! 1115 01:04:48,100 --> 01:04:49,900 Can't you read a goddamn clock? 1116 01:04:50,000 --> 01:04:52,500 I put myself on the line, and you don't deliver. 1117 01:04:52,600 --> 01:04:54,300 I'm hanging by a thread here, Johnny. 1118 01:04:54,400 --> 01:04:57,400 As soon as Timmy gets here, you'll have it. Word of honor. 1119 01:04:57,400 --> 01:05:00,500 - This better be worth it. - Oh, it is. 1120 01:05:00,500 --> 01:05:01,900 [ Doorbell ringing ] 1121 01:05:05,000 --> 01:05:06,800 Ah-ha! 1122 01:05:06,900 --> 01:05:09,000 Alright, Hastings, you beat me that time. 1123 01:05:09,000 --> 01:05:11,600 That is because I am a professional. 1124 01:05:13,300 --> 01:05:14,800 Ah-ha! 1125 01:05:16,800 --> 01:05:18,700 That's him. 1126 01:05:18,800 --> 01:05:21,800 He's the one! 1127 01:05:21,800 --> 01:05:24,900 I say, my good man, what is this accusation? 1128 01:05:24,900 --> 01:05:25,900 Oh! 1129 01:05:25,900 --> 01:05:28,600 He's the one here. Him, here. 1130 01:05:28,600 --> 01:05:30,800 You, you... 1131 01:05:30,900 --> 01:05:32,700 He's-a broke my nose. 1132 01:05:32,700 --> 01:05:34,500 Look, fella, don't get all burned up. 1133 01:05:34,500 --> 01:05:37,300 He's-a broke my beautiful Roman nose. 1134 01:05:37,300 --> 01:05:39,800 Officer, arrest that man. 1135 01:05:39,900 --> 01:05:41,800 He's the man who tried to make me 1136 01:05:41,900 --> 01:05:44,400 undo his zipper with my teeth! 1137 01:05:44,500 --> 01:05:46,300 Oh, no, no! 1138 01:05:48,200 --> 01:05:50,100 Navarro: Oh! My back! 1139 01:05:50,100 --> 01:05:52,300 He's-a broke my back! 1140 01:05:53,800 --> 01:05:56,600 Johnny! Where's Tim? 1141 01:05:56,700 --> 01:05:58,200 That's what I'd like to know. 1142 01:05:58,300 --> 01:05:59,700 Isn't he supposed to be here? 1143 01:05:59,800 --> 01:06:01,500 You're telling me. 1144 01:06:04,800 --> 01:06:06,500 Mr. Twennies, 1145 01:06:06,500 --> 01:06:10,100 just stopped by to see how everything went last night. 1146 01:06:10,200 --> 01:06:11,500 How's that? 1147 01:06:11,600 --> 01:06:13,000 With your lady friend. 1148 01:06:13,100 --> 01:06:15,600 Did you say, "I'm crazy about you?" 1149 01:06:17,500 --> 01:06:20,300 Come on in, Chester. Have a soda pop. 1150 01:06:20,400 --> 01:06:21,700 [ Doorbell ] 1151 01:06:24,800 --> 01:06:27,000 [ Winded ] I followed the band all the way here. 1152 01:06:27,100 --> 01:06:28,300 I had to see you. 1153 01:06:28,400 --> 01:06:30,100 Listen, sister, we've been through all that. 1154 01:06:30,200 --> 01:06:34,000 Why don't you take a cold shower and hit the Springs alone? 1155 01:06:34,100 --> 01:06:36,100 Johnny, what would you like US to play? 1156 01:06:36,200 --> 01:06:38,000 Something snappy, Lester. 1157 01:06:38,100 --> 01:06:39,000 Where's your partner? 1158 01:06:39,100 --> 01:06:41,300 - Timmy! - Where? 1159 01:06:41,300 --> 01:06:42,700 Oh--! 1160 01:06:42,800 --> 01:06:44,300 Master twennies, shall you be serving 1161 01:06:44,300 --> 01:06:46,600 vintage wine to your guests this evening? 1162 01:06:46,600 --> 01:06:48,100 Table wine and cocktails, Hastings. 1163 01:06:48,100 --> 01:06:50,400 Very good, sir. 1164 01:06:50,500 --> 01:06:52,100 Find a hubby, you dizzy dame! 1165 01:06:52,200 --> 01:06:55,200 Johnny, my deepest apologies for Milo's clumsiness. 1166 01:06:55,200 --> 01:06:56,800 He gets excited, you see? 1167 01:06:56,900 --> 01:06:59,300 He does so love the vagabond king. 1168 01:06:59,400 --> 01:07:00,800 That's understandable, Victor. 1169 01:07:00,900 --> 01:07:03,100 I kill you! 1170 01:07:03,100 --> 01:07:05,300 Get a hold of yourself! 1171 01:07:06,400 --> 01:07:08,000 Where is Tim man! 1172 01:07:10,100 --> 01:07:11,300 Timmy, finally. You got it? 1173 01:07:11,400 --> 01:07:12,800 Yeah, right here. 1174 01:07:13,900 --> 01:07:15,500 Are you okay? 1175 01:07:15,600 --> 01:07:17,200 Yeah, I'm okay. 1176 01:07:18,900 --> 01:07:20,900 - Well? - Have no fear, Mr. M. 1177 01:07:21,000 --> 01:07:22,200 Your Patience will be rewarded. 1178 01:07:22,200 --> 01:07:23,800 We've got a story that's big. 1179 01:07:23,900 --> 01:07:25,800 I'm talking the hippodrome of news articles. 1180 01:07:25,900 --> 01:07:28,400 It'll put the "sun-telegram" back on top where it belongs. 1181 01:07:28,400 --> 01:07:30,900 Not just the number one daily in New York, 1182 01:07:30,900 --> 01:07:32,300 but in america. 1183 01:07:32,300 --> 01:07:33,800 Yes, yes, yes. Where is it? 1184 01:07:33,900 --> 01:07:35,300 Up here, boss. Up here. 1185 01:07:35,400 --> 01:07:37,500 Johnny, Johnny, what are you doing to me? 1186 01:07:37,600 --> 01:07:40,500 Take it easy, chief. Give me fifteen. You'll get your story. 1187 01:07:40,500 --> 01:07:41,900 Hastings! 1188 01:07:42,000 --> 01:07:45,000 Get me a typewriter, some paper, and a bourbon, on the double. 1189 01:07:45,000 --> 01:07:46,100 A double, sir? 1190 01:07:46,200 --> 01:07:47,900 No, a single, but on the double. 1191 01:07:48,000 --> 01:07:49,100 On the rocks, sir? 1192 01:07:49,100 --> 01:07:51,100 - Just get me a drink. - Very good, sir. 1193 01:07:51,100 --> 01:07:52,900 Mr. District attorney, come on in here. 1194 01:07:53,000 --> 01:07:55,200 I believe this will interest you as well. 1195 01:07:55,200 --> 01:07:56,400 Quiet everybody, please, please. 1196 01:07:56,500 --> 01:07:59,000 - Johnny... - Not now, Timmy. 1197 01:07:59,000 --> 01:08:01,000 I'm sorry, sir. This is all we have. 1198 01:08:01,000 --> 01:08:02,100 Thanks, Hastings. 1199 01:08:02,100 --> 01:08:03,700 - Johnny! - Save it, Tim-wit. 1200 01:08:03,800 --> 01:08:06,200 Ladies and gentlemen, tonight you are to be privileged 1201 01:08:06,200 --> 01:08:07,700 with a story that will appear 1202 01:08:07,800 --> 01:08:09,700 in tomorrow morning's "New York sun-telegram." 1203 01:08:09,800 --> 01:08:11,700 My partner, Timothy burns and I, 1204 01:08:11,700 --> 01:08:13,700 are about to print the very first pictures 1205 01:08:13,800 --> 01:08:15,900 of the notorious criminal Elijah pitt. 1206 01:08:16,000 --> 01:08:16,900 What?! 1207 01:08:18,200 --> 01:08:19,600 Let me see those. 1208 01:08:19,700 --> 01:08:21,500 - Sure thing, Mr. D.A. - Johnny! 1209 01:08:23,900 --> 01:08:27,400 Well, Timmy, this is a picture of the d.A., jaffrey pit-- 1210 01:08:27,500 --> 01:08:29,000 ...zer. 1211 01:08:29,100 --> 01:08:31,500 You... give me those pictures. 1212 01:08:32,900 --> 01:08:34,800 Listen, mister! The jig is up. 1213 01:08:34,800 --> 01:08:37,200 Now it's time for you to pay your debt. 1214 01:08:37,300 --> 01:08:38,200 [ Door opens ] 1215 01:08:40,900 --> 01:08:44,400 Tyrus, squibb! Kill him! 1216 01:08:44,500 --> 01:08:46,000 Ah... 1217 01:08:46,100 --> 01:08:47,000 Fuck! 1218 01:08:47,100 --> 01:08:48,500 We gotta-- 1219 01:08:50,800 --> 01:08:52,700 how's that icy mitt fit ya? 1220 01:08:52,800 --> 01:08:55,800 They had one earful too many of your bunk, I'd imagine. 1221 01:08:55,800 --> 01:08:57,900 Who do you think you are? 1222 01:08:58,000 --> 01:09:00,000 This city is for decent folks, 1223 01:09:00,100 --> 01:09:02,700 and won't tolerate a brush-ape like you any longer. 1224 01:09:02,800 --> 01:09:04,700 If you think that's a bunch of hokum, 1225 01:09:04,800 --> 01:09:09,000 just wait until you read tomorrow's headline. 1226 01:09:09,100 --> 01:09:10,100 [ Applause ] 1227 01:09:11,300 --> 01:09:12,900 Shit! 1228 01:09:13,000 --> 01:09:14,700 Take that and print it, Mr. M. 1229 01:09:14,800 --> 01:09:17,100 Johnny, you're the best. 1230 01:09:18,900 --> 01:09:21,200 John twennies... 1231 01:09:21,300 --> 01:09:23,000 Oh, you're so good. 1232 01:09:23,100 --> 01:09:25,800 What is the meaning of this? Who are all these people? 1233 01:09:25,800 --> 01:09:27,200 They were not invited. 1234 01:09:27,300 --> 01:09:28,700 Mother, when i'm in the swim, 1235 01:09:28,800 --> 01:09:30,200 I want to be with goldfish. 1236 01:09:30,300 --> 01:09:32,400 Come back to the table this instant 1237 01:09:32,400 --> 01:09:35,100 and sit next to dottie lausenger. 1238 01:09:35,200 --> 01:09:37,200 This is most embarrassing. 1239 01:09:37,300 --> 01:09:38,300 I'm sorry, mother... 1240 01:09:38,300 --> 01:09:40,100 I can't sit next to dottie lausenger 1241 01:09:40,200 --> 01:09:42,500 when my heart belongs to Samantha winter. 1242 01:09:42,500 --> 01:09:45,100 - Is this-- - Samantha? Well, no. 1243 01:09:45,100 --> 01:09:47,100 Well, that's... Virginia. 1244 01:09:47,200 --> 01:09:48,400 Well, what do you know? 1245 01:09:48,500 --> 01:09:51,000 Why don't you come back to the club with me? 1246 01:09:51,000 --> 01:09:52,300 Oh, not this? 1247 01:09:52,300 --> 01:09:54,400 No, this isn't Samantha either, this is, well-- 1248 01:09:54,400 --> 01:09:56,000 [ doorbell rings ] 1249 01:09:56,100 --> 01:09:58,600 Hit the road, small change, you're cramping my act. 1250 01:10:01,400 --> 01:10:03,500 Good heavens! 1251 01:10:03,600 --> 01:10:04,500 Samantha. 1252 01:10:06,200 --> 01:10:08,500 Mother: Oh, my! 1253 01:10:08,600 --> 01:10:11,000 Mother, meet Samantha winter. 1254 01:10:11,100 --> 01:10:12,800 This is the girl of my dreams, 1255 01:10:12,900 --> 01:10:14,900 and she's the one I want to marry. 1256 01:10:14,900 --> 01:10:17,500 That is, if she'll have me. 1257 01:10:17,500 --> 01:10:19,300 I-- uh... 1258 01:10:21,000 --> 01:10:23,400 I don't blame you for being sore at me, dearest. 1259 01:10:23,500 --> 01:10:25,500 I gave you the brush-off, and I'm sorry. 1260 01:10:25,600 --> 01:10:27,300 I was only looking out for you. 1261 01:10:27,400 --> 01:10:29,800 Oh, Johnny. 1262 01:10:29,800 --> 01:10:31,500 Hit it, boys. 1263 01:10:31,600 --> 01:10:32,500 [ Uptempo jazz ] 1264 01:10:39,900 --> 01:10:41,800 ♪ Fellas, if you're on ♪ 1265 01:10:41,900 --> 01:10:43,800 ♪ I can spin a yarn ♪ 1266 01:10:43,900 --> 01:10:48,600 ♪ that was told to me by able seaman Jones ♪ 1267 01:10:48,700 --> 01:10:50,600 ♪ once he had the blues ♪ 1268 01:10:50,700 --> 01:10:52,600 ♪ so he took a cruise ♪ 1269 01:10:52,700 --> 01:10:57,200 ♪ far away from night clubs and from saxophones ♪ 1270 01:10:57,300 --> 01:11:01,800 ♪ he said, yo-ho, I made a certain port ♪ 1271 01:11:01,900 --> 01:11:06,000 ♪ and when you talk about real he-man sport... ♪ 1272 01:11:06,100 --> 01:11:08,700 ♪ Hot ginger and dynamite ♪ 1273 01:11:08,800 --> 01:11:10,700 ♪ there's nothing but that at night ♪ 1274 01:11:10,800 --> 01:11:12,700 ♪ back in Nagasaki where the fellas chew tobaccy ♪ 1275 01:11:12,800 --> 01:11:15,400 ♪ and the women wicky wacky woo ♪ 1276 01:11:15,400 --> 01:11:17,500 ♪ the way they can entertain ♪ 1277 01:11:17,600 --> 01:11:19,400 ♪ would even hurry a hurricane ♪ 1278 01:11:19,500 --> 01:11:21,500 ♪ back in Nagasaki where the fellas chew tobaccy ♪ 1279 01:11:21,600 --> 01:11:23,700 ♪ and the women wicky wacky woo ♪ 1280 01:11:23,800 --> 01:11:26,300 ♪ in fujiyama you get a mama ♪ 1281 01:11:26,300 --> 01:11:28,100 ♪ and then your troubles increase ♪ 1282 01:11:28,200 --> 01:11:30,300 ♪ in some pagoda, she orders soda ♪ 1283 01:11:30,400 --> 01:11:32,800 ♪ the earth shakes milk shakes, ten cents apiece ♪ 1284 01:11:32,900 --> 01:11:35,000 ♪ they kissy and huggy nice ♪ 1285 01:11:35,000 --> 01:11:37,000 ♪ by jingo, it's worth the price ♪ 1286 01:11:37,100 --> 01:11:39,000 ♪ back in Nagasaki where the fellas chew tobaccy ♪ 1287 01:11:39,000 --> 01:11:41,300 ♪ and the women wicky wacky woo ♪ 1288 01:11:41,300 --> 01:11:43,600 ♪ with an ice cream cone and a bottle of tea ♪ 1289 01:11:43,700 --> 01:11:45,700 ♪ you can rest all day by the hickory tree ♪ 1290 01:11:45,800 --> 01:11:48,100 ♪ when the night comes round oh, gosh, oh, gee... ♪ 1291 01:11:48,200 --> 01:11:50,600 ♪ Mother, mother, mother pin a Rose on me ♪ 1292 01:11:54,800 --> 01:11:57,200 By chance, could you be an actress, hm? 1293 01:11:57,300 --> 01:11:58,600 I'm a model slash actress. 1294 01:11:59,700 --> 01:12:02,600 [ Uptempo jazz ] 1295 01:12:20,300 --> 01:12:24,700 How would you like to be in Roman polanski's new movie? 1296 01:12:24,800 --> 01:12:27,200 ♪ Oh, sweet kimona I pulled a boner ♪ 1297 01:12:27,300 --> 01:12:29,300 ♪ kept it up at high speed ♪ 1298 01:12:29,400 --> 01:12:31,400 ♪ I got rheumatics, and then sciatics ♪ 1299 01:12:31,500 --> 01:12:33,900 ♪ of halitosis, that's guaranteed ♪ 1300 01:12:34,000 --> 01:12:36,000 ♪ you must have to act your age ♪ 1301 01:12:36,100 --> 01:12:37,900 ♪ or wind up inside a cage ♪ 1302 01:12:38,000 --> 01:12:39,800 ♪ back in nagasack... ♪ 1303 01:12:39,900 --> 01:12:42,100 ♪ Well, the fellahs chew toback... ♪ 1304 01:12:42,200 --> 01:12:44,700 ♪ And the women wicky wack... ♪ 1305 01:12:46,100 --> 01:12:48,600 ♪ And the women wicky wack... ♪ 1306 01:12:50,500 --> 01:12:53,300 ♪ And the women wicky wacky woo...! ♪ 1307 01:12:54,400 --> 01:12:57,000 I'm crazy about you. 1308 01:12:58,600 --> 01:13:01,500 [ Instrumental music ] 1309 01:13:28,600 --> 01:13:31,500 [ Music continues ] 1310 01:13:58,600 --> 01:14:01,500 [ Music continues ] 1311 01:14:28,600 --> 01:14:31,500 [ Music continues ] 1312 01:14:32,700 --> 01:14:35,600 [ Instrumental music ] 1313 01:14:37,900 --> 01:14:41,900 ♪ Somethings are not meant to be ♪ 1314 01:14:42,000 --> 01:14:46,500 ♪ and soon will vanish like an old melody ♪ 1315 01:14:46,500 --> 01:14:50,600 ♪ the stories we read of and take no heat of ♪ 1316 01:14:50,700 --> 01:14:54,500 ♪ they all of them pass so wave ♪ 1317 01:14:54,500 --> 01:14:58,200 ♪ but the twenties are here to stay ♪ 1318 01:15:04,000 --> 01:15:08,100 ♪ When lamp lights are burning low ♪ 1319 01:15:08,100 --> 01:15:12,400 ♪ our tribulations fade like some passing show ♪ 1320 01:15:12,500 --> 01:15:14,700 ♪ a heart burning passion ♪ 1321 01:15:14,700 --> 01:15:16,900 ♪ the flashiest fashion ♪ 1322 01:15:16,900 --> 01:15:20,700 ♪ will suddenly seem blase ♪ 1323 01:15:20,800 --> 01:15:25,400 ♪ though the twenties are here to stay ♪ 1324 01:15:25,500 --> 01:15:29,800 ♪ my dear when we are dancing together ♪ 1325 01:15:29,900 --> 01:15:34,300 ♪ don't fear that it's soon will be dawn ♪ 1326 01:15:34,400 --> 01:15:38,500 ♪ although we shall not be together ♪ 1327 01:15:38,600 --> 01:15:41,600 ♪ the moment lives on ♪ 1328 01:15:43,300 --> 01:15:47,500 ♪ like ships that pass in the night ♪ 1329 01:15:47,500 --> 01:15:49,600 ♪ our love is briefed here ♪ 1330 01:15:49,600 --> 01:15:51,900 ♪ but ever so right ♪ 1331 01:15:51,900 --> 01:15:54,000 ♪ remember the fiend dear ♪ 1332 01:15:54,100 --> 01:15:56,200 ♪ lives but a dream dear ♪ 1333 01:15:56,300 --> 01:15:59,200 ♪ no matter what people say ♪ 1334 01:16:00,800 --> 01:16:03,800 ♪ the twenties are here to stay ♪ 1335 01:16:30,800 --> 01:16:33,700 [ Instrumental music ] 1336 01:16:40,600 --> 01:16:44,900 ♪ For love maybe fleeting ♪ 1337 01:16:44,900 --> 01:16:47,800 ♪ I'll keep repeating ♪ 1338 01:16:47,800 --> 01:16:53,000 ♪ the twenties are here to stay ♪♪ 94894