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1
00:01:01,411 --> 00:01:02,622
[CHARLES WHISTLES]
2
00:01:02,646 --> 00:01:03,646
Charles: JACK!
3
00:01:16,593 --> 00:01:17,593
HERE, BOY.
4
00:01:22,332 --> 00:01:24,032
THAT'S-A-BOY. GOOD, JACK.
5
00:01:27,638 --> 00:01:29,638
DO YOU WANT TO SEE?
6
00:01:44,171 --> 00:01:47,384
OOH, CARRIE, WHERE DO
YOU THINK YOU'RE GOING?
7
00:01:47,408 --> 00:01:49,819
MARY! LAURA! COME TO BREAKFAST.
8
00:01:49,843 --> 00:01:51,154
ALL RIGHT, MA.
9
00:01:51,178 --> 00:01:52,889
LAURA.
10
00:01:52,913 --> 00:01:55,358
HURRY UP! YOU HEARD MA.
11
00:01:55,382 --> 00:01:58,344
DON'T YOU DARE MAKE
US LATE FOR SCHOOL...
12
00:01:58,368 --> 00:02:00,296
NOT ON THE VERY FIRST DAY.
13
00:02:00,320 --> 00:02:01,320
I'M NOT GOING.
14
00:02:07,043 --> 00:02:08,020
IT'S A FINE MORNING.
15
00:02:08,044 --> 00:02:09,121
ISN'T IT?
16
00:02:09,145 --> 00:02:10,122
GOOD MORNING, MA.
17
00:02:10,146 --> 00:02:11,257
MARY.
18
00:02:11,281 --> 00:02:12,291
MORNING, PA.
19
00:02:12,315 --> 00:02:13,360
MORNING, MARY.
HAVE A GOOD SLEEP?
20
00:02:13,384 --> 00:02:14,361
YEAH.
21
00:02:14,385 --> 00:02:15,428
IS LAURA NEARLY READY?
22
00:02:15,452 --> 00:02:17,372
SHE SAYS SHE'S NOT GOING.
23
00:02:20,007 --> 00:02:22,247
NOW, DON'T WORRY.
I'LL SEE TO IT.
24
00:02:41,712 --> 00:02:44,290
WHAT'S THE MATTER, HALF-PINT?
25
00:02:44,314 --> 00:02:45,397
I DON'T WANT TO GO.
26
00:02:54,725 --> 00:02:57,987
IT'S KIND OF HARD FOR ME TO HEAR YOU
WITH THOSE COVERS ALL OVER YOUR HEAD.
27
00:02:58,011 --> 00:03:00,495
I DON'T WANT TO GO.
I WANT TO STAY HERE.
28
00:03:03,184 --> 00:03:06,263
WELL, I WISH YOU COULD STAY.
29
00:03:06,287 --> 00:03:09,032
YOU KNOW, I MADE A
PROMISE TO YOUR MA.
30
00:03:09,056 --> 00:03:11,168
TOLD HER ONCE WE GOT SETTLED,
IF WE WERE NEAR A SCHOOL,
31
00:03:11,192 --> 00:03:13,686
YOU AND YOUR SISTER WOULD GO.
32
00:03:13,710 --> 00:03:15,988
BUT YOU NEED ME HERE.
33
00:03:16,012 --> 00:03:18,324
WHO'S GOING TO HELP
YOU WITH THE FISH TRAPS?
34
00:03:18,348 --> 00:03:20,259
WHO'S GOING TO
TAKE CARE OF JACK?
35
00:03:20,283 --> 00:03:23,529
YOU'RE GOING TO
HAVE TIME FOR ALL THAT.
36
00:03:23,553 --> 00:03:24,764
YOU WOULDN'T WANT
ME TO BREAK A PROMISE
37
00:03:24,788 --> 00:03:26,949
I MADE TO YOUR MA, WOULD YOU?
38
00:03:26,973 --> 00:03:28,784
NO, PA.
39
00:03:28,808 --> 00:03:30,786
OK.
40
00:03:30,810 --> 00:03:32,722
THAT'S MY GIRL.
41
00:03:32,746 --> 00:03:34,090
NOW, YOU HURRY
UP AND GET DRESSED.
42
00:03:34,114 --> 00:03:36,274
BREAKFAST IS GOING TO GET COLD.
43
00:03:40,554 --> 00:03:42,835
TELL YOU SOMETHING
YOU DON'T KNOW.
44
00:03:43,757 --> 00:03:46,519
YOU'RE GOING TO LIKE SCHOOL.
45
00:03:46,543 --> 00:03:47,543
YES, PA.
46
00:03:50,029 --> 00:03:53,976
LET'S HAVE ANOTHER
LOOK AT THOSE HANDS.
47
00:03:54,000 --> 00:03:56,212
IT'S FINE. OH,
YOURS, TOO, CARRIE,
48
00:03:56,236 --> 00:03:57,813
SPIC AND SPAN.
49
00:03:57,837 --> 00:03:59,582
MA, MY NECK HURTS.
50
00:03:59,606 --> 00:04:02,151
WHAT? MARY SCRATCHED SO HARD,
51
00:04:02,175 --> 00:04:04,220
SHE LIKELY TOOK
THE SKIN CLEAN OFF.
52
00:04:04,244 --> 00:04:05,855
YOU'RE BIG ENOUGH TO
DO YOUR OWN SCRUBBING,
53
00:04:05,879 --> 00:04:07,022
ONLY YOU WON'T.
54
00:04:07,046 --> 00:04:09,292
I DON'T LIKE BEING BIG.
55
00:04:09,316 --> 00:04:10,782
I WISH I WAS CARRIE.
56
00:04:13,386 --> 00:04:17,267
MA... YOU THINK THEY'LL LIKE US?
57
00:04:17,291 --> 00:04:19,502
WHAT KIND OF A FOOLISH
QUESTION IS THAT?
58
00:04:19,526 --> 00:04:21,538
OF COURSE THEY'LL LIKE YOU.
59
00:04:21,562 --> 00:04:25,342
YOU JUST BE FRIENDLY
AND MIND YOUR MANNERS.
60
00:04:25,366 --> 00:04:27,611
NOW, LET ME HAVE A
BETTER LOOK AT YOU.
61
00:04:27,635 --> 00:04:28,635
TURN AROUND.
62
00:04:33,757 --> 00:04:36,469
YOU GIRLS ARE
SPROUTING UP SO FAST.
63
00:04:36,493 --> 00:04:37,503
THERE'S NOTHING
LEFT OF THOSE HEMS
64
00:04:37,527 --> 00:04:38,576
FOR ME TO LET DOWN.
65
00:04:40,063 --> 00:04:42,842
WELL, YOU'RE FRESH AND CLEAN,
66
00:04:42,866 --> 00:04:45,378
AND YOU'RE STARTING SCHOOL.
67
00:04:45,402 --> 00:04:46,517
THAT'S THE IMPORTANT THING.
68
00:04:49,289 --> 00:04:50,400
MA?
69
00:04:50,424 --> 00:04:51,467
HMM?
70
00:04:51,491 --> 00:04:53,619
HOW LONG IS ALL THIS
LEARNING GOING TO TAKE?
71
00:04:53,643 --> 00:04:55,355
[CHUCKLES]
72
00:04:55,379 --> 00:04:58,591
WE START LEARNING
WHEN WE'RE BORN, LAURA.
73
00:04:58,615 --> 00:05:02,083
AND IF WE'RE WISE, WE DON'T STOP
UNTIL THE LORD CALLS US HOME.
74
00:05:04,320 --> 00:05:06,182
THAT LONG?
75
00:05:06,206 --> 00:05:07,817
COME.
76
00:05:07,841 --> 00:05:09,474
I HAVE SOMETHING
SPECIAL FOR YOU TWO.
77
00:05:25,158 --> 00:05:28,170
MY SCHOOLBOOKS ARE YOURS NOW.
78
00:05:28,194 --> 00:05:29,405
YOU TAKE GOOD CARE OF THEM.
79
00:05:29,429 --> 00:05:30,707
WE WILL, MA.
80
00:05:30,731 --> 00:05:34,143
WELL, TIME TO GET STARTED.
81
00:05:34,167 --> 00:05:36,278
NOW, LAURA, YOU
TAKE THE LUNCH PAIL.
82
00:05:36,302 --> 00:05:38,781
REMEMBER TO BRING IT
HOME... AND THE CLOTH.
83
00:05:38,805 --> 00:05:40,005
Laura: I WILL.
84
00:05:42,058 --> 00:05:45,705
WELL, EVERYBODY'S
ALL SET FOR SCHOOL.
85
00:05:45,729 --> 00:05:47,039
NOW, NO DAWDLIN'.
86
00:05:47,063 --> 00:05:48,708
I DON'T WANT YOU TO BE
LATE THE FIRST DAY, ALL RIGHT?
87
00:05:48,732 --> 00:05:49,709
BE GOOD GIRLS.
88
00:05:49,733 --> 00:05:50,843
WE WILL, MA.
89
00:05:50,867 --> 00:05:52,067
ON YOUR WAY. HAVE A GOOD TIME.
90
00:06:01,812 --> 00:06:02,812
BYE, MA.
91
00:06:04,581 --> 00:06:07,026
GOOD-BYE, PA.
92
00:06:07,050 --> 00:06:08,215
BYE, CARRIE.
93
00:06:15,209 --> 00:06:17,809
A LOT OF GOOD-BYES FOR SOMEBODY
WHO'S GOING TO BE HOME FOR SUPPER.
94
00:06:21,648 --> 00:06:23,626
HA HA HA!
95
00:06:23,650 --> 00:06:25,361
HEY, YOU HOLD IT, YOUNG LADY!
96
00:06:25,385 --> 00:06:27,385
WE GET TO HOLD ON TO YOU
FOR A COUPLE OF YEARS YET.
97
00:06:30,924 --> 00:06:31,964
THERE THEY GO.
98
00:06:38,465 --> 00:06:40,198
CHARLES, THEY LOOK SO SMALL.
99
00:06:42,669 --> 00:06:43,768
STOP WORRYING.
100
00:07:05,893 --> 00:07:07,133
COME ON, LAURA.
101
00:07:28,114 --> 00:07:30,434
COME ON. YOU'RE
GONNA MAKE US LATE.
102
00:07:46,216 --> 00:07:48,127
[CHILDREN PLAYING AND SHOUTING]
103
00:07:48,151 --> 00:07:49,351
Mary: LAURA, COME ON.
104
00:08:00,680 --> 00:08:02,558
KICK IT OVER HERE, QUICK!
105
00:08:02,582 --> 00:08:04,060
GO AHEAD, LAURA.
106
00:08:04,084 --> 00:08:05,161
UH-UH. YOU FIRST.
107
00:08:05,185 --> 00:08:06,529
WHY ME?
108
00:08:06,553 --> 00:08:09,165
'CAUSE YOU'RE ALWAYS
BRAGGING ABOUT BEING OLDEST.
109
00:08:09,189 --> 00:08:11,868
IT'S YOUR PLACE TO GO FIRST.
110
00:08:11,892 --> 00:08:13,092
WE'LL GO TOGETHER.
111
00:08:34,798 --> 00:08:36,142
FROM THE SOUND OF YOU,
112
00:08:36,166 --> 00:08:38,411
WE FIGURED WE'D COME INTO
A FLOCK OF PRAIRIE CHICKENS.
113
00:08:38,435 --> 00:08:39,445
LAURA!
114
00:08:39,469 --> 00:08:42,148
SNIPES YOURSELVES...
LONG-LEGGED SNIPES.
115
00:08:42,172 --> 00:08:43,849
Children: ♪ SNIPES, SNIPES ♪
116
00:08:43,873 --> 00:08:45,768
♪ LONG-LEGGED SNIPES ♪
117
00:08:45,792 --> 00:08:49,422
♪ SNIPES, SNIPES,
LONG-LEGGED SNIPES ♪
118
00:08:49,446 --> 00:08:51,658
♪ SNIPES, SNIPES... ♪
119
00:08:51,682 --> 00:08:54,327
YOU STOP BEING MEAN TO
THEM, OR I'LL TELL MAMA ON YOU.
120
00:08:54,351 --> 00:08:55,328
GO AHEAD, CHRISTY.
121
00:08:55,352 --> 00:08:56,552
SEE IF I CARE!
122
00:09:05,411 --> 00:09:06,811
COUNTRY GIRLS.
123
00:09:22,578 --> 00:09:24,512
[CHILDREN TALKING]
124
00:09:36,243 --> 00:09:37,586
[TAPPING]
125
00:09:37,610 --> 00:09:38,588
SETTLE DOWN, CHILDREN.
126
00:09:38,612 --> 00:09:39,612
SETTLE DOWN.
127
00:09:45,668 --> 00:09:47,949
Teacher: WON'T
YOU COME IN, GIRLS?
128
00:10:11,678 --> 00:10:14,423
YOU MUST BE THE NEW GIRLS
FROM PLUM CREEK, AREN'T YOU?
129
00:10:14,447 --> 00:10:15,691
YES, MA'AM.
130
00:10:15,715 --> 00:10:17,176
I'M MISS BEADLE.
131
00:10:17,200 --> 00:10:20,079
I'M MARY INGALLS,
MA'AM, AND THAT'S LAURA.
132
00:10:20,103 --> 00:10:21,948
Miss Beadle: I'M VERY
PLEASED TO MEET YOU,
133
00:10:21,972 --> 00:10:23,566
AND I'LL PUT YOUR
NAME IN THIS REGISTER,
134
00:10:23,590 --> 00:10:25,430
AND THAT WILL MAKE IT OFFICIAL.
135
00:10:31,247 --> 00:10:32,980
WE HAVE OUR OWN BOOKS.
136
00:10:35,318 --> 00:10:37,029
THEY BELONGED TO MA.
137
00:10:37,053 --> 00:10:40,533
OH, I CAN SEE SHE
TOOK FINE CARE OF THEM.
138
00:10:41,491 --> 00:10:45,051
NOW, HOW MUCH SCHOOLING
HAVE YOU GIRLS HAD?
139
00:10:46,296 --> 00:10:48,040
NONE.
140
00:10:48,064 --> 00:10:49,064
BUT I CAN READ.
141
00:10:56,639 --> 00:10:59,251
[SOFTLY] I CAN'T, BUT I
KNOW THE ALPHABET.
142
00:10:59,275 --> 00:11:02,020
I THOUGHT YOU OUGHT TO KNOW.
143
00:11:02,044 --> 00:11:03,489
THANK YOU, LAURA.
144
00:11:03,513 --> 00:11:05,924
AND DON'T YOU WORRY.
YOU'LL LEARN FAST.
145
00:11:05,948 --> 00:11:08,094
AND I'LL HELP YOU EVERY
SPARE MINUTE I CAN.
146
00:11:08,118 --> 00:11:09,150
THANK YOU.
147
00:11:12,455 --> 00:11:14,233
CHILDREN...
148
00:11:14,257 --> 00:11:16,736
I'D LIKE YOU TO WELCOME
2 NEW STUDENTS.
149
00:11:16,760 --> 00:11:18,871
THIS IS MARY AND LAURA INGALLS.
150
00:11:18,895 --> 00:11:20,615
Children, weakly: HELLO.
151
00:11:23,400 --> 00:11:26,245
NOW, I WOULDN'T CALL
THAT MUCH OF A WELCOME.
152
00:11:26,269 --> 00:11:29,031
WE'D LIKE TO HEAR YOU
SAY, "GOOD MORNING, MARY..."
153
00:11:29,055 --> 00:11:31,917
Children: GOOD MORNING, MARY.
154
00:11:31,941 --> 00:11:32,941
AND...
155
00:11:34,828 --> 00:11:36,494
Children: GOOD MORNING, LAURA.
156
00:11:39,032 --> 00:11:40,642
THERE'S A NICE PLACE
FOR YOU RIGHT UP FRONT.
157
00:11:40,666 --> 00:11:44,106
THAT WAY, YOU CAN SIT
TOGETHER AND SHARE YOUR BOOKS.
158
00:11:47,173 --> 00:11:48,885
DID YOU BRING A SLATE?
159
00:11:48,909 --> 00:11:50,436
NO, MA'AM.
160
00:11:50,460 --> 00:11:52,905
WELL, YOU CAN'T LEARN TO
WRITE PROPERLY WITHOUT A SLATE.
161
00:11:52,929 --> 00:11:54,009
I'LL LEND YOU MINE.
162
00:11:55,248 --> 00:11:57,368
Nellie: COUNTRY GIRLS.
163
00:12:01,304 --> 00:12:03,449
Miss Beadle: HERE YOU GO.
164
00:12:03,473 --> 00:12:04,750
THANK YOU, MISS BEADLE.
165
00:12:04,774 --> 00:12:06,251
YOU'RE WELCOME.
166
00:12:06,275 --> 00:12:07,386
NOW, LAURA, I'D LIKE YOU TO TURN
167
00:12:07,410 --> 00:12:09,422
TO THE FIRST PAGE
IN YOUR SPELLER.
168
00:12:09,446 --> 00:12:10,423
LET'S SEE HOW MANY NEW WORDS
169
00:12:10,447 --> 00:12:12,157
YOU CAN TAKE HOME
WITH YOU TONIGHT.
170
00:12:12,181 --> 00:12:13,181
YES, MA'AM!
171
00:12:18,571 --> 00:12:21,834
ALL RIGHT, CLASS. TODAY WE'RE
GOING TO START WITH SUMS.
172
00:12:21,858 --> 00:12:25,204
[CHILDREN GROAN]
173
00:12:25,228 --> 00:12:26,605
Miss Beadle: WILLIE?
174
00:12:26,629 --> 00:12:28,057
YES, MA'AM?
175
00:12:28,081 --> 00:12:29,280
BY 3s, PLEASE, WILLIE.
176
00:12:43,997 --> 00:12:45,641
MA'AM?
177
00:12:45,665 --> 00:12:48,461
HOW'S HE EVER GONNA GET
ALL THOSE NUMBERS OFF AGAIN?
178
00:12:48,485 --> 00:12:50,418
[CHILDREN LAUGH]
179
00:12:52,689 --> 00:12:53,689
SILENCE!
180
00:12:55,225 --> 00:12:57,425
THERE WILL BE SILENCE
IN THIS CLASSROOM.
181
00:13:02,782 --> 00:13:05,227
WILLIE, LAURA HAS
ASKED A QUESTION.
182
00:13:05,251 --> 00:13:07,411
WILL YOU PLEASE
DEMONSTRATE THE ANSWER?
183
00:13:13,827 --> 00:13:15,504
MARY, LOOK.
184
00:13:15,528 --> 00:13:17,823
IT'S CLEAN AS A WHISTLE.
185
00:13:17,847 --> 00:13:19,692
WHAT DID I TELL YOU?
186
00:13:19,716 --> 00:13:21,494
COUNTRY GIRLS.
187
00:13:21,518 --> 00:13:23,746
DON'T EVEN KNOW
WHAT A BLACKBOARD IS.
188
00:13:23,770 --> 00:13:24,770
NELLIE.
189
00:13:34,380 --> 00:13:40,462
Laura: C-A-T, CAT.
190
00:13:40,486 --> 00:13:41,486
MM-HMM.
191
00:13:44,090 --> 00:13:49,505
B-A-T, BAT.
192
00:13:49,529 --> 00:13:50,529
RIGHT.
193
00:13:52,749 --> 00:13:56,934
M-A-T, MAT.
194
00:13:59,889 --> 00:14:04,971
P-A-T, PAT.
195
00:14:04,995 --> 00:14:05,972
GOOD.
196
00:14:05,996 --> 00:14:08,074
I LEARNED THE WHOLE FIRST ROW.
197
00:14:08,098 --> 00:14:10,926
HEY, HOW ABOUT IF I GIVE YOU ONE
THAT ISN'T EVEN ON THAT FIRST ROW?
198
00:14:10,950 --> 00:14:11,961
LET ME SEE. WHAT'S A GOOD WORD?
199
00:14:11,985 --> 00:14:13,634
HOW ABOUT RAT?
200
00:14:16,806 --> 00:14:17,856
RAT.
201
00:14:21,828 --> 00:14:28,510
R... A... T, RAT.
202
00:14:28,534 --> 00:14:30,112
PERFECT.
203
00:14:30,136 --> 00:14:32,315
I'D SAY THAT WAS
A FINE DAY'S WORK.
204
00:14:32,339 --> 00:14:34,550
IT SEEMS TO ME YOU
KIND OF LIKE SCHOOL, HUH?
205
00:14:34,574 --> 00:14:36,519
OH, I DO, PA.
206
00:14:36,543 --> 00:14:39,155
AND YOU SHOULD
JUST SEE MISS BEADLE.
207
00:14:39,179 --> 00:14:42,508
SHE'S THE BEST TEACHER
IN THE WHOLE WORLD,
208
00:14:42,532 --> 00:14:45,010
AND SHE SMILES ALL THE TIME,
209
00:14:45,034 --> 00:14:47,830
AND SHE SMELLS AS
GOOD AS SHE LOOKS.
210
00:14:47,854 --> 00:14:49,699
I CAME RIGHT OUT AND ASKED,
211
00:14:49,723 --> 00:14:52,985
AND SHE TOLD ME SHE WEARS
SOMETHING CALLED LEMON VERBENA.
212
00:14:53,009 --> 00:14:54,170
HMM.
213
00:14:54,194 --> 00:14:58,473
SHE'S THE MOST
BEAUTIFUL LADY I EVER SAW...
214
00:14:58,497 --> 00:15:00,442
EXCEPT FOR MA, OF COURSE.
215
00:15:00,466 --> 00:15:03,346
WELL, I MUST SAY SHE
MUST BE SOMETHING SPECIAL
216
00:15:03,370 --> 00:15:05,814
TO BE EVEN CLOSE TO YOUR MA.
217
00:15:05,838 --> 00:15:07,082
CHARLES!
218
00:15:07,106 --> 00:15:08,083
Charles: HOW ABOUT YOU, MARY?
219
00:15:08,107 --> 00:15:09,151
DID YOU LIKE SCHOOL TODAY?
220
00:15:09,175 --> 00:15:11,086
THERE'S A REAL NICE
GIRL NAMED CHRISTY.
221
00:15:11,110 --> 00:15:13,356
SHE'LL PROBABLY
BE MY BEST FRIEND.
222
00:15:13,380 --> 00:15:14,357
GOOD.
223
00:15:14,381 --> 00:15:16,192
ANYBODY IN PARTICULAR
YOU LIKE, LAURA?
224
00:15:16,216 --> 00:15:18,660
SOMEONE IN
PARTICULAR I DON'T LIKE...
225
00:15:18,684 --> 00:15:20,162
THAT SNIPPY NELLIE OLESON.
226
00:15:20,186 --> 00:15:21,263
LAURA!
227
00:15:21,287 --> 00:15:24,883
YOU KNOW WHAT SHE
CALLED US? COUNTRY GIRLS.
228
00:15:24,907 --> 00:15:25,884
WELL, YOU ARE COUNTRY GIRLS.
229
00:15:25,908 --> 00:15:27,386
THERE'S NOTHING BAD ABOUT THAT.
230
00:15:27,410 --> 00:15:29,388
THERE IS THE WAY SHE SAID IT.
231
00:15:29,412 --> 00:15:31,390
"LOOK AT THE COUNTRY GIRLS!"
232
00:15:31,414 --> 00:15:34,577
MADE ME SO MAD, I WANTED
TO SMACK HER GOOD.
233
00:15:34,601 --> 00:15:37,479
NOW, JUST A MINUTE. I DON'T WANT
TO HEAR YOU TALKING LIKE THAT.
234
00:15:37,503 --> 00:15:40,499
YOU GO TO SCHOOL
TO LEARN, NOT TO FIGHT.
235
00:15:40,523 --> 00:15:41,801
PART OF WHAT YOU HAVE TO LEARN
236
00:15:41,825 --> 00:15:43,703
IS HOW TO GET ON WITH OTHERS.
237
00:15:43,727 --> 00:15:46,538
ALL RIGHT. I'LL TRY.
238
00:15:46,562 --> 00:15:50,142
NOW, YOUNG LADY, YOU'RE GOING
TO DO A LOT MORE THAN JUST TRY.
239
00:15:50,166 --> 00:15:52,844
REMEMBER, LAURA,
DO UNTO OTHERS...
240
00:15:52,868 --> 00:15:53,845
THAT'S RIGHT.
241
00:15:53,869 --> 00:15:55,814
AND THAT MEANS NO NAME-CALLING,
242
00:15:55,838 --> 00:15:58,350
NO FIGHTING, AND NO TEASING.
243
00:15:58,374 --> 00:15:59,936
UNDERSTOOD?
244
00:15:59,960 --> 00:16:00,960
YES, SIR.
245
00:16:02,445 --> 00:16:03,445
ALL RIGHT.
246
00:16:05,715 --> 00:16:08,060
HERE.
247
00:16:08,084 --> 00:16:09,462
YOU TAKE THAT IN TO
OLESON'S STORE TOMORROW
248
00:16:09,486 --> 00:16:11,513
AND BUY YOURSELVES A SLATE.
249
00:16:11,537 --> 00:16:13,983
YOU OUGHT TO HAVE ENOUGH
LEFT OVER FOR A PAPER TABLET.
250
00:16:14,007 --> 00:16:16,502
OH, PA, THANK YOU!
251
00:16:16,526 --> 00:16:19,421
Laura: THANK YOU.
252
00:16:19,445 --> 00:16:21,574
THEN YOU'RE NOT MAD AT ME?
253
00:16:21,598 --> 00:16:24,843
WELL, NOT YET, BUT I WILL BE
254
00:16:24,867 --> 00:16:26,679
IF YOU TWO ARE NOT UP IN BED
255
00:16:26,703 --> 00:16:28,614
QUICKER THAN I CAN SAY JACK...
256
00:16:28,638 --> 00:16:30,318
ROBINSON! ROBINSON!
257
00:16:38,565 --> 00:16:40,175
IT'S HARD TO BELIEVE
THAT'S THE SAME LITTLE GIRL
258
00:16:40,199 --> 00:16:42,845
WE COULD HARDLY GET
OUT OF BED THIS MORNING.
259
00:16:42,869 --> 00:16:44,547
I HOPED SHE'D LIKE IT,
260
00:16:44,571 --> 00:16:45,581
BUT I DIDN'T KNOW.
261
00:16:45,605 --> 00:16:47,383
OH, SHE'LL BE FINE.
262
00:16:47,407 --> 00:16:50,219
SURE WAS FEISTY ABOUT THAT
NELLIE OLESON, WASN'T SHE?
263
00:16:50,243 --> 00:16:51,520
I WONDER WHY.
264
00:16:51,544 --> 00:16:52,888
YOU HAVEN'T MET HER MOTHER.
265
00:16:52,912 --> 00:16:54,390
HAVE YOU? MM-HMM.
266
00:16:54,414 --> 00:16:56,758
Laura: PA?
267
00:16:56,782 --> 00:17:00,129
HAT. H-A-T.
268
00:17:00,153 --> 00:17:01,580
HAT.
269
00:17:01,604 --> 00:17:03,982
B-E-D. BED.
270
00:17:04,006 --> 00:17:05,006
GOOD NIGHT, PA.
271
00:17:06,643 --> 00:17:07,843
GOOD NIGHT, LAURA.
272
00:17:15,235 --> 00:17:16,578
WHAT YOU DOING?
273
00:17:16,602 --> 00:17:19,070
FAT. F-A-T. FAT.
274
00:17:48,017 --> 00:17:49,227
GOOD MORNING.
275
00:17:49,251 --> 00:17:50,279
Girls: GOOD MORNING.
276
00:17:50,303 --> 00:17:53,048
I'LL BE WITH YOU
IN A MINUTE, GIRLS.
277
00:17:53,072 --> 00:17:54,750
YOU SURE YOU GOT
THE MONEY, MARY?
278
00:17:54,774 --> 00:17:56,785
IT'S IN MY POCKET...
RIGHT WHERE MA PINNED IT.
279
00:17:56,809 --> 00:17:57,809
[DOOR CLOSES]
280
00:18:00,045 --> 00:18:02,023
♪ SNIPES, SNIPES,
LONG-LEGGED SNIPES ♪
281
00:18:02,047 --> 00:18:03,024
WILLIE, NELLIE... YOU TWO
GET ON OUT OF HERE NOW.
282
00:18:03,048 --> 00:18:04,960
THIS STORE IS NOT A PLAYHOUSE.
283
00:18:04,984 --> 00:18:07,024
WILLIE, DO YOU HEAR ME? OUT!
284
00:18:11,591 --> 00:18:14,236
WELL, NOW, WHAT CAN
I DO FOR YOU TODAY?
285
00:18:14,260 --> 00:18:15,904
WE'D LIKE A SLATE, MR. OLESON,
286
00:18:15,928 --> 00:18:18,340
AND A PAPER TABLET
FOR SCHOOL, PLEASE.
287
00:18:18,364 --> 00:18:20,724
I'VE GOT JUST WHAT YOU NEED.
288
00:18:22,635 --> 00:18:24,813
THOSE ARE MINE!
289
00:18:24,837 --> 00:18:26,732
GO AHEAD. KEEP IT.
290
00:18:26,756 --> 00:18:29,618
IT'S ALL OURS, ANYWAY.
291
00:18:29,642 --> 00:18:32,771
WE CAN HAVE AS MUCH
CANDY AS WE WANT.
292
00:18:32,795 --> 00:18:34,075
HERE WE ARE.
293
00:18:40,202 --> 00:18:42,914
PA SAID THAT WOULD BE
ENOUGH TO PAY FOR THE BOTH.
294
00:18:42,938 --> 00:18:44,416
AND HE WAS RIGHT,
295
00:18:44,440 --> 00:18:46,051
BUT YOU'LL NEED A SLATE PENCIL,
296
00:18:46,075 --> 00:18:47,953
UNLESS YOU ALREADY HAVE ONE.
297
00:18:47,977 --> 00:18:49,555
NO, SIR, WE DON'T.
298
00:18:49,579 --> 00:18:52,107
WELL, THAT WILL
BE ANOTHER PENNY.
299
00:18:52,131 --> 00:18:55,110
I DON'T THINK THE COUNTRY
GIRLS HAVE ANOTHER PENNY.
300
00:18:55,134 --> 00:18:56,495
WHAT DO YOU THINK, WILLIE?
301
00:18:56,519 --> 00:18:57,997
I'M TELLING YOU TWO
FOR THE LAST TIME.
302
00:18:58,021 --> 00:19:00,341
NOW YOU GET ON OUT OF HERE!
303
00:19:06,045 --> 00:19:08,557
WELL, IF YOU WEREN'T
PLANNING ON BUYING A PENCIL,
304
00:19:08,581 --> 00:19:11,243
I IMAGINE YOU'RE A LITTLE SHORT.
305
00:19:11,267 --> 00:19:12,644
YOU JUST TAKE IT
ALONG WITH YOU ANYHOW,
306
00:19:12,668 --> 00:19:15,714
AND TELL YOUR PA TO PAY ME THE
NEXT TIME HE COMES INTO TOWN.
307
00:19:15,738 --> 00:19:18,450
NO, SIR. CASH ON THE BARREL.
308
00:19:18,474 --> 00:19:21,303
PA MAKES THAT A STRICT RULE.
309
00:19:21,327 --> 00:19:22,805
AND IT'S A GOOD ONE,
310
00:19:22,829 --> 00:19:26,224
THOUGH MOST FOLKS
FIND IT HARD TO LIVE BY.
311
00:19:26,248 --> 00:19:28,060
WE THANK YOU ANYWAY, MR. OLESON.
312
00:19:28,084 --> 00:19:29,061
YOU'RE WELCOME, GIRLS.
313
00:19:29,085 --> 00:19:30,062
BYE-BYE.
314
00:19:30,086 --> 00:19:31,063
BYE.
315
00:19:31,087 --> 00:19:32,087
BYE.
316
00:19:47,954 --> 00:19:52,067
THAT NELLIE OLESON'S THE
MEANEST GIRL I EVER DID SEE.
317
00:19:52,091 --> 00:19:54,570
I COULD NEVER BE THAT MEAN.
318
00:19:54,594 --> 00:19:56,071
I COULD.
319
00:19:56,095 --> 00:19:57,339
MEANER...
320
00:19:57,363 --> 00:20:00,509
IF MA AND PA WOULD LET ME.
321
00:20:00,533 --> 00:20:03,779
WE DO NEED A
SLATE PENCIL, LAURA.
322
00:20:03,803 --> 00:20:05,748
PA GAVE US SO MUCH ALREADY.
323
00:20:05,772 --> 00:20:07,416
WE CAN'T ASK FOR MORE.
324
00:20:07,440 --> 00:20:08,440
NO.
325
00:20:11,210 --> 00:20:14,406
OUR CHRISTMAS PENNIES!
WE STILL HAVE THOSE.
326
00:20:14,430 --> 00:20:17,192
I COULD USE MINE TO BUY
THE PENCIL, AND WE'D SHARE IT.
327
00:20:17,216 --> 00:20:19,728
AND YOU COULD OWN HALF MY PENNY.
328
00:20:19,752 --> 00:20:21,072
COME ON. WE'LL BE
LATE FOR SCHOOL.
329
00:20:46,362 --> 00:20:47,762
THAT'S VERY GOOD, LAURA.
330
00:20:55,154 --> 00:20:59,301
"HOW...
331
00:20:59,325 --> 00:21:00,736
"WOU...
332
00:21:00,760 --> 00:21:02,805
WOUL..."
333
00:21:02,829 --> 00:21:04,039
THE "L" IS SILENT.
334
00:21:04,063 --> 00:21:06,241
I KNOW IT'S CONFUSING, BUT...
335
00:21:06,265 --> 00:21:07,476
"WOOED."
336
00:21:07,500 --> 00:21:09,745
"HOW..."
337
00:21:09,769 --> 00:21:10,746
"WOULD."
338
00:21:10,770 --> 00:21:12,648
THAT'S RIGHT. THAT'S RIGHT.
339
00:21:12,672 --> 00:21:15,884
"HOW WOULD...
340
00:21:15,908 --> 00:21:18,876
YE-OO..."
341
00:21:22,148 --> 00:21:23,547
"YOU"! YEAH.
342
00:21:25,551 --> 00:21:28,463
"HOW WOULD YOU..."
343
00:21:28,487 --> 00:21:29,598
"LICKY"?
344
00:21:29,622 --> 00:21:32,768
NO. "I."
345
00:21:32,792 --> 00:21:33,769
"LIKE."
346
00:21:33,793 --> 00:21:35,871
THAT'S RIGHT.
347
00:21:35,895 --> 00:21:37,339
WHAT ABOUT THE "E"?
348
00:21:37,363 --> 00:21:39,241
WELL, YOU DON'T... IT'S SILENT.
349
00:21:39,265 --> 00:21:41,293
LIKE THE "L"? THAT'S RIGHT.
350
00:21:41,317 --> 00:21:42,317
OH.
351
00:21:47,322 --> 00:21:49,256
[NO AUDIO]
352
00:22:00,603 --> 00:22:03,015
Laura, narrating: IF I HAD
A REMEMBRANCE BOOK,
353
00:22:03,039 --> 00:22:06,084
THERE'S ONE THING I'D WANT
TO PUT IN IT ABOUT SCHOOL.
354
00:22:06,108 --> 00:22:09,421
MA AND PA WERE
RIGHT. IT WAS FUN.
355
00:22:09,445 --> 00:22:11,389
ESPECIALLY WHEN ALL
THE DIFFERENT LETTERS
356
00:22:11,413 --> 00:22:13,825
STARTED TURNING INTO WORDS.
357
00:22:13,849 --> 00:22:16,695
BUT LEARNING TO WRITE WAS
ONE OF THE HARDEST THINGS
358
00:22:16,719 --> 00:22:18,085
I EVER HOPED TO DO.
359
00:22:23,459 --> 00:22:26,772
RECESS WAS SUPPOSED
TO BE THE MOST FUN,
360
00:22:26,796 --> 00:22:32,744
ONLY NELLIE OLESON WOULDN'T EVER LET US
PLAY ANYTHING BUT RING AROUND THE ROSY.
361
00:22:32,768 --> 00:22:35,447
CAN'T WE PLAY SOMETHING ELSE?
362
00:22:35,471 --> 00:22:36,681
Children: ♪ RING
AROUND THE ROSY... ♪
363
00:22:36,705 --> 00:22:38,182
Laura, narrating: I
DIDN'T WANT TO,
364
00:22:38,206 --> 00:22:40,985
BUT MA SAID, "DO UNTO OTHERS..."
365
00:22:41,009 --> 00:22:42,521
I COULDN'T HELP WONDERING
366
00:22:42,545 --> 00:22:45,529
WHEN NELLIE'S MA WOULD GET
AROUND TO TELLING HER THE SAME THING.
367
00:22:47,299 --> 00:22:48,944
THERE WE ARE, MRS. GRANDY.
368
00:22:48,968 --> 00:22:50,579
DID YOU SAY 60 CENTS?
369
00:22:50,603 --> 00:22:52,448
THAT'S RIGHT.
370
00:22:52,472 --> 00:22:53,482
THANK YOU.
371
00:22:53,506 --> 00:22:54,850
GIVE MY BEST TO ELI,
372
00:22:54,874 --> 00:22:57,519
AND TELL HIM NOT TO MAKE
HIMSELF SUCH A STRANGER, HMM?
373
00:22:57,543 --> 00:22:59,555
THANK YOU, NELS. I WILL.
374
00:22:59,579 --> 00:23:00,556
GOOD DAY, MRS. GRANDY.
375
00:23:00,580 --> 00:23:01,580
GOOD DAY, NELS.
376
00:23:04,216 --> 00:23:05,249
GOOD DAY.
377
00:23:14,676 --> 00:23:15,653
HELLO.
378
00:23:15,677 --> 00:23:16,654
OH!
379
00:23:16,678 --> 00:23:18,073
I'M MRS. INGALLS.
380
00:23:18,097 --> 00:23:19,674
HOW DO YOU DO, MRS. INGALLS?
381
00:23:19,698 --> 00:23:21,559
I BELIEVE MY HUSBAND
SPOKE WITH YOU.
382
00:23:21,583 --> 00:23:23,361
YES, YES. YES, INDEED.
383
00:23:23,385 --> 00:23:25,664
FRESH EGGS. HE
SAID YOU BUY THEM.
384
00:23:25,688 --> 00:23:27,232
YES, WE DO.
385
00:23:27,256 --> 00:23:28,496
Woman: I DO THE BUYING.
386
00:23:33,062 --> 00:23:35,473
MRS. INGALLS, MY WIFE.
387
00:23:35,497 --> 00:23:36,708
HOW DO YOU DO, MRS. OLESON?
388
00:23:36,732 --> 00:23:40,678
WELL, NELLIE'S TOLD ME
ABOUT YOUR, UH, GIRLS.
389
00:23:40,702 --> 00:23:42,013
ALL GOOD, I HOPE.
390
00:23:42,037 --> 00:23:43,799
HOW MANY DO WE HAVE HERE?
391
00:23:43,823 --> 00:23:44,823
3 DOZEN.
392
00:23:50,479 --> 00:23:52,256
BROWN?
393
00:23:52,280 --> 00:23:53,992
THESE EGGS ARE BROWN.
394
00:23:54,016 --> 00:23:56,297
THEY DON'T BRING
AS MUCH AS WHITE.
395
00:23:58,554 --> 00:24:01,633
7 OF THEM ARE DOUBLE YOLKS.
396
00:24:01,657 --> 00:24:03,991
BROWN EGGS GET 4
CENTS LESS A DOZEN.
397
00:24:10,399 --> 00:24:13,528
ALL RIGHT. 4 CENTS
LESS FOR THE BROWN.
398
00:24:13,552 --> 00:24:14,552
AH.
399
00:24:21,727 --> 00:24:23,738
[WHIMPERING]
400
00:24:23,762 --> 00:24:27,042
HEY, JACK. THERE
YOU GO. GO ON, BOY.
401
00:24:42,481 --> 00:24:44,259
PRETTY QUIET TONIGHT.
402
00:24:44,283 --> 00:24:45,460
YES. HASN'T BEEN A
WORD OUT OF THEM
403
00:24:45,484 --> 00:24:47,762
FOR MORE THAN AN HOUR.
404
00:24:47,786 --> 00:24:48,786
I WAS TALKING ABOUT YOU.
405
00:24:51,924 --> 00:24:53,804
I MET MRS. OLESON TODAY.
406
00:24:55,494 --> 00:24:56,494
OH.
407
00:24:58,865 --> 00:25:00,008
IF NELLIE'S ANYTHING
LIKE HER MOTHER,
408
00:25:00,032 --> 00:25:03,112
I CAN UNDERSTAND WHY
LAURA'S BEEN SO UPSET.
409
00:25:05,037 --> 00:25:06,648
DO YOU KNOW WHAT SHE TOLD ME?
410
00:25:06,672 --> 00:25:07,782
MM-MMM.
411
00:25:07,806 --> 00:25:10,919
SHE TOLD ME BROWN EGGS
BRING LESS THAN WHITE.
412
00:25:10,943 --> 00:25:12,354
MUST BE SOMETHING
PECULIAR TO MINNESOTA.
413
00:25:12,378 --> 00:25:13,655
I NEVER HEARD OF THAT BEFORE.
414
00:25:13,679 --> 00:25:16,791
YOU NEVER HEARD IT
BEFORE 'CAUSE IT ISN'T TRUE.
415
00:25:16,815 --> 00:25:19,594
SHE PAID ME 4 CENTS LESS
A DOZEN FOR THE BROWN,
416
00:25:19,618 --> 00:25:20,829
AND THEN SHE TURNED
AROUND AND SOLD THEM
417
00:25:20,853 --> 00:25:22,530
FOR EXACTLY THE
SAME AS THE WHITE.
418
00:25:22,554 --> 00:25:24,933
I WAS BUYING THIS
THREAD. I HEARD HER DO IT.
419
00:25:24,957 --> 00:25:26,501
I'LL TALK TO HER
HUSBAND. HE'S A FAIR MAN.
420
00:25:26,525 --> 00:25:30,705
NO. IF YOU DO THAT,
SHE WON'T BUY ANY EGGS.
421
00:25:30,729 --> 00:25:32,941
WE NEED THE MONEY.
422
00:25:32,965 --> 00:25:34,076
[SIGHS]
423
00:25:34,100 --> 00:25:36,044
I'LL HANDLE IT.
424
00:25:36,068 --> 00:25:38,546
WANT TO FIGHT YOUR
OWN BATTLES, HUH?
425
00:25:38,570 --> 00:25:40,448
THIS ONE.
426
00:25:40,472 --> 00:25:41,616
AND, CHARLES, I INTEND TO WIN.
427
00:25:41,640 --> 00:25:42,672
[JACK BARKS]
428
00:25:46,913 --> 00:25:49,046
JUST REMEMBER...
DO UNTO OTHERS...
429
00:25:52,952 --> 00:25:56,020
[DOOR OPENS AND CLOSES]
430
00:26:03,245 --> 00:26:05,640
♪ RING AROUND THE ROSY ♪
431
00:26:05,664 --> 00:26:07,776
♪ POCKETFUL OF POSIES ♪
432
00:26:07,800 --> 00:26:11,468
♪ ASHES, ASHES,
WE ALL FALL DOWN ♪
433
00:26:13,940 --> 00:26:16,684
COME ON, LAURA. DON'T
YOU WANT TO PLAY?
434
00:26:16,708 --> 00:26:20,171
WHY DO WE ALWAYS HAVE TO
PLAY RING AROUND THE ROSY?
435
00:26:20,195 --> 00:26:21,974
BECAUSE I SAY SO.
436
00:26:21,998 --> 00:26:24,076
♪ RING AROUND THE ROSY ♪
437
00:26:24,100 --> 00:26:25,577
Laura: ♪ UNCLE
JOHN IS SICK A-BED ♪
438
00:26:25,601 --> 00:26:27,312
♪ WHAT SHALL WE SEND HIM? ♪
439
00:26:27,336 --> 00:26:29,531
♪ PIECE OF PIE, A
PIECE OF CAKE ♪
440
00:26:29,555 --> 00:26:33,384
♪ UNCLE JOHN IS SICK A-BED,
WHAT SHALL WE SEND HIM? ♪
441
00:26:33,408 --> 00:26:34,991
LAURA INGALLS, YOU STOP THAT!
442
00:26:36,562 --> 00:26:38,940
♪ APPLE AND DUMPLING ♪
443
00:26:38,964 --> 00:26:40,809
WHAT SHALL WE SEND IT IN?
444
00:26:40,833 --> 00:26:42,511
STOP!
445
00:26:42,535 --> 00:26:45,447
YOU HAVE IT YOUR WAY
EVERY SINGLE DAY, NELLIE.
446
00:26:45,471 --> 00:26:48,349
WELL, TODAY, I WANT
TO PLAY UNCLE JOHN!
447
00:26:48,373 --> 00:26:50,919
RING AROUND THE ROSY!
448
00:26:50,943 --> 00:26:51,958
UNCLE JOHN!
449
00:26:54,229 --> 00:26:56,641
YOU WANT TO FIGHT, I'LL FIGHT!
450
00:26:56,665 --> 00:26:59,745
YOU WANT TO PLAY,
WE'RE PLAYING UNCLE JOHN!
451
00:27:01,970 --> 00:27:04,082
GO ON. GO AHEAD.
452
00:27:04,106 --> 00:27:06,818
SO I DID WHAT YOU
SAID I SHOULDN'T.
453
00:27:06,842 --> 00:27:09,621
THAT IS, I DID UNTO NELLIE,
454
00:27:09,645 --> 00:27:13,058
BUT NOT WHAT YOU HAD IN MIND.
455
00:27:13,082 --> 00:27:16,428
I'M SORRY FOR GOING AGAINST YOU.
456
00:27:16,452 --> 00:27:18,163
SEEMS LIKE IT KEPT
BUILDING UP INSIDE ME
457
00:27:18,187 --> 00:27:21,099
RIGHT FROM THAT FIRST DAY.
458
00:27:21,123 --> 00:27:22,334
[SIGHS]
459
00:27:22,358 --> 00:27:24,969
WELL, AT LEAST YOU DID
ONE THING RIGHT, HALF-PINT.
460
00:27:24,993 --> 00:27:26,071
I DID?
461
00:27:26,095 --> 00:27:30,242
MM-HMM. YOU CAME TO US
AND TOLD US ON YOUR OWN.
462
00:27:30,266 --> 00:27:33,812
YOUR MA AND I DIDN'T HAVE TO
HEAR IT FROM SOMEBODY ELSE.
463
00:27:33,836 --> 00:27:36,214
NOW WHAT DO YOU THINK
WE OUGHT TO DO ABOUT IT?
464
00:27:36,238 --> 00:27:38,216
WHATEVER YOU THINK'S BEST, PA,
465
00:27:38,240 --> 00:27:39,572
BUT SHE DID START IT.
466
00:27:45,964 --> 00:27:50,011
YOU THOUGHT YOU HAD GOOD
REASON FOR WHAT YOU DID.
467
00:27:50,035 --> 00:27:51,079
AND THIS TIME, JUST FOR ONCE,
468
00:27:51,103 --> 00:27:53,482
I'M INCLINED TO AGREE WITH YOU.
469
00:27:53,506 --> 00:27:55,484
THE IMPORTANT THING IS,
ARE YOU GOING TO DO IT AGAIN?
470
00:27:55,508 --> 00:27:58,353
NO, PA.
471
00:27:58,377 --> 00:27:59,854
THAT A PROMISE?
472
00:27:59,878 --> 00:28:00,878
PROMISE.
473
00:28:03,198 --> 00:28:05,310
ALL RIGHT. WE WON'T
SAY ANY MORE ABOUT IT.
474
00:28:05,334 --> 00:28:06,334
OFF TO BED.
475
00:28:15,961 --> 00:28:19,674
HALF-PINT, DON'T FORGET
NOW. YOU MADE A PROMISE.
476
00:28:19,698 --> 00:28:21,743
YOU WON'T DO IT AGAIN.
477
00:28:21,767 --> 00:28:23,879
OH, NO, PA. I WON'T.
478
00:28:23,903 --> 00:28:25,614
I WON'T HAVE TO.
479
00:28:25,638 --> 00:28:27,278
NELLIE'S SCARED OF ME NOW.
480
00:28:35,798 --> 00:28:37,542
CHARLES, YOU WERE
MUCH TOO EASY ON HER.
481
00:28:37,566 --> 00:28:40,044
SHE'S NOT THE LEAST BIT
SORRY FOR WHAT SHE DID.
482
00:28:40,068 --> 00:28:43,047
YOU HEARD WHAT THE CHILD
SAID. IT WAS NELLIE'S FAULT.
483
00:28:43,071 --> 00:28:44,916
THE BIBLE SAYS TURN
THE OTHER CHEEK.
484
00:28:44,940 --> 00:28:46,851
I THINK THAT'S SOMETIMES
EASIER SAID THAN DONE,
485
00:28:46,875 --> 00:28:48,975
OR WE'D ALL BE WEARING
HALOS INSTEAD OF HOMESPUN.
486
00:28:52,881 --> 00:28:55,427
[PLAYING SLOW TUNE]
487
00:28:55,451 --> 00:28:57,331
YOU'RE AS BAD AS SHE IS.
488
00:29:00,322 --> 00:29:03,282
WELL, AT LEAST SHE
COMES BY IT HONESTLY.
489
00:29:38,393 --> 00:29:39,538
MORNING, MRS. INGALLS.
490
00:29:39,562 --> 00:29:42,974
GOOD MORNING, MR. OLESON.
491
00:29:42,998 --> 00:29:45,343
WELL, I EXPECT YOU'RE
HERE TO APOLOGIZE
492
00:29:45,367 --> 00:29:47,896
FOR WHAT HAPPENED
YESTERDAY AT THE SCHOOL.
493
00:29:47,920 --> 00:29:49,653
I'M HERE TO SELL
EGGS, MRS. OLESON.
494
00:29:52,024 --> 00:29:53,268
HMM.
495
00:29:53,292 --> 00:29:56,004
I MIGHT HAVE EXPECTED AS MUCH.
496
00:29:56,028 --> 00:29:58,556
LET ME TELL YOU
SOMETHING, MRS. INGALLS.
497
00:29:58,580 --> 00:30:00,958
YOUR DAUGHTER LAURA
IS A TROUBLEMAKER,
498
00:30:00,982 --> 00:30:02,927
AND YOU'D BEST TAKE HER IN HAND.
499
00:30:02,951 --> 00:30:04,796
STARTING FIGHTS
IN THE SCHOOLYARD
500
00:30:04,820 --> 00:30:07,465
AND PUSHING OTHER
CHILDREN AROUND!
501
00:30:07,489 --> 00:30:10,352
NELLIE APPARENTLY HAS HER
OWN VERSION OF THE TRUTH.
502
00:30:10,376 --> 00:30:12,020
IF YOU'D CARE TO QUESTION
THE OTHER CHILDREN...
503
00:30:12,044 --> 00:30:14,325
BROWN EGGS ARE
STILL 4 CENTS LESS.
504
00:30:19,968 --> 00:30:22,079
YOU DIDN'T BRING ANY BROWN EGGS.
505
00:30:22,103 --> 00:30:24,849
OH, MY HUSBAND SOLD THEM
TO THE MEN AT HANSON'S MILL
506
00:30:24,873 --> 00:30:26,607
FOR 3 CENTS MORE
THAN YOU PAID ME.
507
00:30:28,426 --> 00:30:30,404
THAT'S GRATITUDE.
508
00:30:30,428 --> 00:30:34,209
NO. THAT'S GOOD BUSINESS.
509
00:30:34,233 --> 00:30:37,678
MAYBE THEY'LL BUY
YOUR WHITE EGGS AS WELL.
510
00:30:37,702 --> 00:30:41,949
AS A MATTER OF FACT, MY HUSBAND
SAID THEY'D BE GLAD TO GET THEM.
511
00:30:41,973 --> 00:30:43,240
GOOD DAY, MRS. OLESON.
512
00:30:45,010 --> 00:30:48,323
NOW, MRS. INGALLS...
513
00:30:48,347 --> 00:30:50,508
I'M A VERY BUSY WOMAN,
514
00:30:50,532 --> 00:30:53,161
TOO BUSY TO
QUIBBLE OVER PENNIES.
515
00:30:53,185 --> 00:30:56,898
UM, WE'LL BUY YOUR BROWN EGGS,
516
00:30:56,922 --> 00:30:58,054
SAME PRICE AS THE WHITE.
517
00:31:07,532 --> 00:31:09,410
IF IT'S YARD GOODS
YOU'RE AFTER, MRS. INGALLS,
518
00:31:09,434 --> 00:31:13,681
YOU'LL FIND THIS IS
MORE TO YOUR NEEDS.
519
00:31:13,705 --> 00:31:14,983
THANK YOU, MRS. OLESON.
520
00:31:15,007 --> 00:31:15,984
MM-HMM.
521
00:31:16,008 --> 00:31:17,852
I PREFER THIS.
522
00:31:17,876 --> 00:31:19,520
WON'T WEAR WELL.
523
00:31:19,544 --> 00:31:23,758
COUNTRY FOLK HAVE TO
THINK MORE ON THE PRACTICAL.
524
00:31:23,782 --> 00:31:25,826
I'LL TAKE THE BLUE.
525
00:31:25,850 --> 00:31:27,595
IT WILL BE A MISTAKE.
526
00:31:27,619 --> 00:31:29,814
THEN IT WILL BE MY MISTAKE.
527
00:31:29,838 --> 00:31:31,149
I BELIEVE IT'S CUSTOMARY
528
00:31:31,173 --> 00:31:34,373
TO LET THE BUYER DO THE
CHOOSING, MRS. OLESON.
529
00:31:35,443 --> 00:31:38,039
THAT'S QUITE ALL RIGHT.
530
00:31:38,063 --> 00:31:39,463
I BEG YOUR PARDON.
531
00:31:41,066 --> 00:31:43,411
I'LL TAKE A DRESS
LENGTH, PLEASE.
532
00:31:43,435 --> 00:31:45,380
WELL, IT DOES COME DEAR,
533
00:31:45,404 --> 00:31:47,415
BUT THERE'S NOT A FINER
PIECE OF GOODS IN THE STORE.
534
00:31:47,439 --> 00:31:49,551
[DOOR SLAMS]
535
00:31:49,575 --> 00:31:51,615
IT'S GOING TO LOOK RIGHT
SMART ON YOU, MRS. INGALLS.
536
00:31:59,517 --> 00:32:02,763
DON'T TOUCH, LAURA!
YOU'LL GET IT ALL GRUBBY.
537
00:32:02,787 --> 00:32:04,332
[SIGH] I DON'T KNOW
WHAT POSSESSED ME,
538
00:32:04,356 --> 00:32:07,402
SPENDING SO MUCH
MONEY ON MYSELF.
539
00:32:07,426 --> 00:32:11,272
IF MRS. OLESON JUST HADN'T
GONE ON SO ABOUT COUNTRY FOLKS,
540
00:32:11,296 --> 00:32:14,375
AS IF ALL WE'RE FIT TO
WEAR IS FLOUR SACKS.
541
00:32:14,399 --> 00:32:15,543
I'M GLAD YOU BOUGHT IT.
542
00:32:15,567 --> 00:32:16,544
SO AM I.
543
00:32:16,568 --> 00:32:18,488
Charles: SO AM I.
544
00:32:21,807 --> 00:32:25,086
PRIDE GOETH BEFORE A FALL.
545
00:32:25,110 --> 00:32:27,689
I'LL JUST TAKE IT BACK
AND SEE IF MR. OLESON
546
00:32:27,713 --> 00:32:28,873
WILL GIVE ME THE MONEY ON IT.
547
00:32:32,100 --> 00:32:33,511
CAROLINE, WHY DO YOU
THINK THE GOOD LORD
548
00:32:33,535 --> 00:32:35,212
WENT TO ALL THAT TROUBLE
OF MAKING YOU SO PRETTY
549
00:32:35,236 --> 00:32:37,076
IF HE DIDN'T WANT YOU TO
HAVE A NEW BLUE DRESS?
550
00:32:39,074 --> 00:32:41,185
YOU'LL BE BEAUTIFUL, MA.
551
00:32:41,209 --> 00:32:43,688
I CAN'T WAIT TILL
EVERYONE SEES YOU.
552
00:32:43,712 --> 00:32:47,142
THEY'RE GOING TO THINK THEY'RE
LOOKING AT A PIECE OF HEAVEN.
553
00:32:47,166 --> 00:32:48,443
IF THEY DON'T
THINK THAT ALREADY,
554
00:32:48,467 --> 00:32:49,610
I CAN'T SAY MUCH
FOR THEIR JUDGMENT
555
00:32:49,634 --> 00:32:50,634
OR THEIR EYESIGHT.
556
00:32:52,104 --> 00:32:54,037
OH! WHAT AM I GOING
TO DO WITH YOU?
557
00:32:58,843 --> 00:33:00,943
WHAT AM I GOING TO
DO WITH THE LOT OF YOU?
558
00:33:09,371 --> 00:33:11,249
Laura, narrating: MA
GATHERED ENOUGH EGGS
559
00:33:11,273 --> 00:33:12,616
TO WALK US INTO TOWN
560
00:33:12,640 --> 00:33:15,386
TWO OR 3 TIMES EVERY WEEK.
561
00:33:15,410 --> 00:33:16,921
SOMETIMES, SHE'D TELL US ABOUT
562
00:33:16,945 --> 00:33:19,223
WHEN SHE WAS A LITTLE GIRL.
563
00:33:19,247 --> 00:33:21,659
I TRIED SCRUNCHING
HER DOWN IN MY MIND,
564
00:33:21,683 --> 00:33:25,629
SO AS I COULD SEE HER ALL
BAREFOOT, PIGTAILS FLYING,
565
00:33:25,653 --> 00:33:27,465
BUT IT NEVER DID WORK.
566
00:33:27,489 --> 00:33:29,833
SHE KEPT RIGHT ON BEING MOM,
567
00:33:29,857 --> 00:33:31,469
WHICH WAS ALL RIGHT,
568
00:33:31,493 --> 00:33:36,273
SINCE WE LOVED HER A WHOLE
LOT JUST THE WAY SHE WAS.
569
00:33:36,297 --> 00:33:37,875
ARITHMETIC WAS EASY,
570
00:33:37,899 --> 00:33:39,944
AND I LIKED READING MOST OF ALL,
571
00:33:39,968 --> 00:33:43,614
BUT WRITING... I DIDN'T
THINK I'D EVER LEARN
572
00:33:43,638 --> 00:33:46,517
TO PUT DOWN BIG
WORDS THE WAY MARY DID,
573
00:33:46,541 --> 00:33:48,207
NOT EVEN WITH MA TO HELP ME.
574
00:33:51,330 --> 00:33:52,440
WAIT UP, MARY!
575
00:33:52,464 --> 00:33:53,808
DON'T TELL TILL I GET THERE!
576
00:33:53,832 --> 00:33:55,143
MA! MA!
577
00:33:55,167 --> 00:33:56,878
Caroline: WHAT'S THE MATTER?
578
00:33:56,902 --> 00:33:58,579
WHERE'S PA?
579
00:33:58,603 --> 00:34:00,114
WHAT'S GOING ON DOWN THERE?
580
00:34:00,138 --> 00:34:01,916
Laura: WE'RE GOING TO
HAVE A VISITORS' DAY.
581
00:34:01,940 --> 00:34:03,985
PRACTICALLY EVERYBODY
IN TOWN WILL BE THERE.
582
00:34:04,009 --> 00:34:06,821
YOU AND MA AND ALL THE
PARENTS AND ALL THE KIDS.
583
00:34:06,845 --> 00:34:08,906
YOU GET TO SEE
WHERE MARY AND ME SIT.
584
00:34:08,930 --> 00:34:10,675
Mary: WE ALL HAVE TO WRITE
WHAT THEY CALL AN ESSAY
585
00:34:10,699 --> 00:34:14,178
ABOUT ANYTHING WE WANT AND STAND
UP IN FRONT AND READ IT OUT LOUD.
586
00:34:14,202 --> 00:34:16,347
AND YOU COULD WEAR
YOUR NEW BLUE DRESS.
587
00:34:16,371 --> 00:34:18,149
YOU BETTER GET
STARTED ON THAT, MA.
588
00:34:18,173 --> 00:34:19,750
IT'S THE END OF THIS WEEK.
589
00:34:19,774 --> 00:34:22,303
YOU TWO BETTER GET BUSY
ON YOUR ESSAYS RIGHT NOW.
590
00:34:22,327 --> 00:34:23,643
WE WILL. COME ON!
591
00:34:27,933 --> 00:34:31,535
AND WAIT TILL YOU SMELL
MISS BEADLE'S LEMON VERBENA!
592
00:34:40,496 --> 00:34:42,173
Laura, narrating: MA
AND MARY AND ME
593
00:34:42,197 --> 00:34:45,309
WORKED HARD AND
STEADY THAT WHOLE WEEK,
594
00:34:45,333 --> 00:34:47,979
BUT BEFORE WE
KNEW IT, TIME WAS UP.
595
00:34:48,003 --> 00:34:51,015
VISITORS' DAY WAS
THE NEXT MORNING.
596
00:34:51,039 --> 00:34:53,551
MA'S DRESS WAS PRETTY NEAR DONE,
597
00:34:53,575 --> 00:34:56,688
AND SO WAS MARY'S ESSAY.
598
00:34:56,712 --> 00:34:59,357
Mary: WELL, I'M FINISHED.
599
00:34:59,381 --> 00:35:00,458
KNOW WHAT I WROTE ABOUT?
600
00:35:00,482 --> 00:35:01,659
WHAT, DEAR?
601
00:35:01,683 --> 00:35:04,328
ABOUT PA BUILDING THE
LITTLE HOUSE ON THE PRAIRIE
602
00:35:04,352 --> 00:35:07,098
AND THE WOLVES AND THE INDIANS
603
00:35:07,122 --> 00:35:09,534
AND HAVING TO MOVE ON
604
00:35:09,558 --> 00:35:12,169
AND HOW WE CAME TO PLUM CREEK.
605
00:35:12,193 --> 00:35:13,471
HOW'S THAT SOUND?
606
00:35:13,495 --> 00:35:15,607
THAT SOUNDS GOOD TO ME.
607
00:35:15,631 --> 00:35:17,575
WHAT DID YOU WRITE ABOUT, LAURA?
608
00:35:17,599 --> 00:35:20,845
MINE? MINE'S A SURPRISE.
609
00:35:20,869 --> 00:35:22,413
WELL, THAT'S FAIR ENOUGH.
610
00:35:22,437 --> 00:35:23,548
I'LL TELL YOU, THAT SURPRISE
611
00:35:23,572 --> 00:35:26,283
IS GOING TO COME PRETTY
EARLY IN THE MORNING.
612
00:35:26,307 --> 00:35:28,887
IT'S ABOUT TIME FOR YOU
GIRLS TO BE GETTING TO BED.
613
00:35:28,911 --> 00:35:31,231
I KNOW IT'S TIME
FOR CARRIE AND ME.
614
00:35:32,581 --> 00:35:34,191
I'LL PUT HER TO SLEEP.
615
00:35:34,215 --> 00:35:35,226
COME ON, LAURA.
616
00:35:35,250 --> 00:35:36,370
IN A MINUTE.
617
00:35:48,797 --> 00:35:51,509
WHAT IS IT, LAURA?
618
00:35:51,533 --> 00:35:53,912
THE ESSAY?
619
00:35:53,936 --> 00:35:57,515
IT'S NOT AN ESSAY...
NOT LIKE MARY'S.
620
00:35:57,539 --> 00:36:00,251
IT'S NOT SUPPOSED
TO BE LIKE MARY'S.
621
00:36:00,275 --> 00:36:01,419
SHE'S OLDER THAN YOU ARE.
622
00:36:01,443 --> 00:36:03,320
SHE KNOWS MORE WORDS.
623
00:36:03,344 --> 00:36:05,356
I KNOW LOTS OF WORDS, MA.
624
00:36:05,380 --> 00:36:07,324
TROUBLE IS, THEY'RE IN MY HEAD,
625
00:36:07,348 --> 00:36:08,826
AND I CAN'T GET
'EM DOWN ON PAPER
626
00:36:08,850 --> 00:36:10,929
LIKE THEY'RE SUPPOSED TO BE.
627
00:36:10,953 --> 00:36:13,197
ALL I KNOW HOW TO
WRITE IS LITTLE WORDS.
628
00:36:13,221 --> 00:36:15,332
THAT'S ALL YOU'RE
SUPPOSED TO KNOW.
629
00:36:15,356 --> 00:36:17,602
YOU'RE JUST SAYING THAT
TO MAKE ME FEEL BETTER.
630
00:36:17,626 --> 00:36:21,205
I'M SAYING THAT
BECAUSE IT'S TRUE.
631
00:36:21,229 --> 00:36:23,124
MA...
632
00:36:23,148 --> 00:36:25,659
IF I WAS TO TELL YOU SOMETHING,
633
00:36:25,683 --> 00:36:27,495
COULD YOU KEEP IT SECRET?
634
00:36:27,519 --> 00:36:31,649
IF YOU ASK ME TO, OF COURSE.
635
00:36:31,673 --> 00:36:33,651
I'M SCARED.
636
00:36:33,675 --> 00:36:37,354
I'M SCARED OF GETTING UP IN
FRONT OF ALL THOSE PEOPLE.
637
00:36:37,378 --> 00:36:40,008
I JUST KNOW THEY'RE
GOING TO LAUGH AT ME.
638
00:36:40,032 --> 00:36:41,297
DARLING, THEY WON'T LAUGH.
639
00:36:43,802 --> 00:36:45,747
ALL THAT MISS BEADLE ASKS OF YOU
640
00:36:45,771 --> 00:36:48,383
IS THAT YOU DO YOUR BEST.
641
00:36:48,407 --> 00:36:50,818
AND AS LONG AS YOU
DO YOUR BEST, LAURA,
642
00:36:50,842 --> 00:36:53,287
WE'LL ALWAYS BE PROUD OF YOU.
643
00:36:53,311 --> 00:36:54,789
BUT THEY LAUGHED BEFORE,
644
00:36:54,813 --> 00:36:57,825
WHEN THEY CALLED US
LONG-LEGGED SNIPES.
645
00:36:57,849 --> 00:37:00,328
THAT WAS JUST TEASING,
646
00:37:00,352 --> 00:37:03,347
AND THAT WAS BEFORE
THEY KNEW YOU.
647
00:37:03,371 --> 00:37:06,918
BUT WHAT IF THEY DO LAUGH?
648
00:37:06,942 --> 00:37:08,241
THEY WON'T, LAURA.
649
00:37:11,680 --> 00:37:12,746
THEY WON'T.
650
00:37:42,226 --> 00:37:43,226
CAROLINE?
651
00:37:46,230 --> 00:37:47,230
CAROLINE?
652
00:37:50,418 --> 00:37:51,896
YES?
653
00:37:51,920 --> 00:37:53,531
ARE YOU ALL RIGHT?
654
00:37:53,555 --> 00:37:56,099
EVERYTHING'S FINE, CHARLES.
655
00:37:56,123 --> 00:37:58,435
I'M SORRY IF THE
LIGHT DISTURBED YOU.
656
00:37:58,459 --> 00:37:59,603
NO, IT'S ALL RIGHT.
657
00:37:59,627 --> 00:38:01,347
MUST BE MIDNIGHT. WHY
DON'T YOU COME TO BED?
658
00:38:02,698 --> 00:38:06,477
I WILL, SOON AS I'M FINISHED.
659
00:38:06,501 --> 00:38:07,501
GOOD NIGHT.
660
00:38:27,305 --> 00:38:28,985
COME ON, GIRLS!
TIME FOR BREAKFAST!
661
00:38:31,276 --> 00:38:32,276
THERE WE GO.
662
00:38:34,446 --> 00:38:35,789
Mary: MORNING, PA!
663
00:38:35,813 --> 00:38:37,158
MORNING, MARY.
664
00:38:37,182 --> 00:38:39,527
SOME MILK? UH.
665
00:38:39,551 --> 00:38:40,528
Laura: MORNING, PA.
666
00:38:40,552 --> 00:38:41,796
GOOD MORNING, SWEETIE.
667
00:38:41,820 --> 00:38:43,997
MMM, YOU LOOK
PRETTY THIS MORNING.
668
00:38:44,021 --> 00:38:44,998
MWAH. HI, DARLING.
669
00:38:45,022 --> 00:38:46,102
Caroline: GOOD MORNING!
670
00:38:59,938 --> 00:39:02,483
MA, YOU USED YOUR YARD GOODS
671
00:39:02,507 --> 00:39:04,769
TO MAKE DRESSES FOR US.
672
00:39:04,793 --> 00:39:06,270
AND WHY NOT?
673
00:39:06,294 --> 00:39:08,606
MY BROWN DRESS
IS PERFECTLY GOOD.
674
00:39:08,630 --> 00:39:10,908
THERE.
675
00:39:10,932 --> 00:39:13,010
BESIDES, I DON'T HAVE TO GET
UP IN FRONT OF ALL THOSE PEOPLE
676
00:39:13,034 --> 00:39:14,445
LIKE YOU DO.
677
00:39:14,469 --> 00:39:16,980
WE WOULDN'T HAVE MINDED
WEARING OUR CALICOES.
678
00:39:17,004 --> 00:39:18,682
WE WOULDN'T HAVE MINDED.
679
00:39:18,706 --> 00:39:21,852
WELL, I WOULD HAVE MINDED.
680
00:39:21,876 --> 00:39:22,987
HOW LONG ARE YOU
GOING TO MAKE ME WAIT
681
00:39:23,011 --> 00:39:24,839
TO SEE HOW THEY LOOK ON YOU?
682
00:39:24,863 --> 00:39:27,075
I'M GOING TO PUT
MINE ON RIGHT NOW.
683
00:39:27,099 --> 00:39:28,865
I SURELY DO LOVE YOU, MA.
684
00:39:35,973 --> 00:39:37,133
YOU'RE QUITE A WOMAN, MA.
685
00:39:40,895 --> 00:39:44,008
I WANT A NEW DRESS FOR MY DOLLY.
686
00:39:44,032 --> 00:39:48,579
HA HA HA! YOU'LL GET
ONE, SWEETHEART.
687
00:39:48,603 --> 00:39:52,182
Willie: "I HAVE BEEN RIDING
HORSES ALL OF MY DAYS.
688
00:39:52,206 --> 00:39:56,854
I LIKE RIDING HORSES
MORE THAN I LIKE..."
689
00:39:56,878 --> 00:39:59,390
[CHILDREN GIGGLING]
690
00:39:59,414 --> 00:40:02,360
"MORE THAN I LIKE...
691
00:40:02,384 --> 00:40:04,261
"I LIKE RIDING HORSES.
692
00:40:04,285 --> 00:40:08,599
"MY PA IS GOING
TO BUY ME A PONY.
693
00:40:08,623 --> 00:40:13,203
"HE WILL LET ME PICK OUT
ANY PONY IN THE TOWN...
694
00:40:13,227 --> 00:40:16,095
TO BUY FOR ME FOR MY BIRTHDAY."
695
00:40:25,323 --> 00:40:28,152
Miss Beadle: THANK YOU, WILLIE.
696
00:40:28,176 --> 00:40:30,296
AND NOW WE'LL HEAR
FROM NELLIE OLESON.
697
00:40:38,854 --> 00:40:40,832
"MY HOME.
698
00:40:40,856 --> 00:40:44,835
"MY HOME IS THE BEST HOUSE
IN ALL OF WALNUT GROVE.
699
00:40:44,859 --> 00:40:48,355
"WE HAVE CARPETS IN EVERY
ROOM... BOUGHTEN CARPETS.
700
00:40:48,379 --> 00:40:50,090
"WE HAVE 3 SETS OF DISHES:
701
00:40:50,114 --> 00:40:52,409
"ONE FOR EVERY
DAY, ONE FOR SUNDAY,
702
00:40:52,433 --> 00:40:53,844
AND ONE FOR WHEN SOMEONE..."
703
00:40:53,868 --> 00:40:55,818
[GIGGLING]
704
00:41:00,091 --> 00:41:03,504
"FOR SOMEONE SPECIAL AND
VERY IMPORTANT COMES TO VISIT,
705
00:41:03,528 --> 00:41:05,606
WHICH WE'VE NEVER
EVEN USED YET."
706
00:41:05,630 --> 00:41:07,470
"WE HAVE REAL LACE CURTAINS..."
707
00:41:08,566 --> 00:41:11,912
"AND 6 GENUINE
OIL PAINTINGS AND..."
708
00:41:11,936 --> 00:41:13,869
[LAUGHTER]
709
00:41:18,860 --> 00:41:19,860
[LAUGHTER STOPS]
710
00:41:22,046 --> 00:41:23,624
"AND 6 GENUINE OIL PAINTINGS,
711
00:41:23,648 --> 00:41:26,994
"AND I HAVE MY OWN ROOM,
AND WILLIE HAS HIS OWN.
712
00:41:27,018 --> 00:41:29,130
"ALL OF OUR FURNITURE
IS BOUGHTEN, TOO,
713
00:41:29,154 --> 00:41:31,181
"AND IT COST A WHOLE LOT.
714
00:41:31,205 --> 00:41:34,151
"IF I TOLD YOU HOW MUCH, YOU'D
PROBABLY FAINT DEAD AWAY.
715
00:41:34,175 --> 00:41:36,387
"BUT MY PA, OLESON'S MERCANTILE,
716
00:41:36,411 --> 00:41:39,523
"SAYS TALKING ABOUT HOW
MUCH THINGS COST ISN'T PROPER,
717
00:41:39,547 --> 00:41:42,143
"BUT IT COST DEAR, I
CAN TELL YOU THAT,
718
00:41:42,167 --> 00:41:44,779
"AND IT'S THE NICEST
FURNITURE OF ANY FURNITURE
719
00:41:44,803 --> 00:41:47,881
IN ANY HOUSE IN WALNUT GROVE."
720
00:41:47,905 --> 00:41:49,839
[APPLAUSE]
721
00:41:55,363 --> 00:41:57,074
THANK YOU, NELLIE.
722
00:41:57,098 --> 00:41:59,538
AND NOW WE'LL HEAR
FROM LAURA INGALLS.
723
00:42:19,604 --> 00:42:20,670
"MY MOTHER."
724
00:42:22,274 --> 00:42:24,952
MY SISTER MARY IS
GOING TO TELL YOU
725
00:42:24,976 --> 00:42:29,106
HOW PA BROUGHT US WEST
AND HOW HARD HE WORKED,
726
00:42:29,130 --> 00:42:31,175
AND I DON'T MEAN TO
TAKE ANYTHING FROM HIM
727
00:42:31,199 --> 00:42:35,463
BY TELLING YOU MA WORKED
PLENTY HARD HERSELF.
728
00:42:35,487 --> 00:42:37,297
STILL DOES.
729
00:42:37,321 --> 00:42:40,467
SHE COOKS AND SEWS AND CLEANS
730
00:42:40,491 --> 00:42:44,688
AND TAKES CARE OF THE
LOT OF US, PA INCLUDED.
731
00:42:44,712 --> 00:42:46,790
I REMEMBER ONCE
WHEN I WAS LITTLE,
732
00:42:46,814 --> 00:42:48,825
COMING DOWN WITH THE FEVER.
733
00:42:48,849 --> 00:42:51,962
MA SAT UP NEXT TO
ME ALL NIGHT LONG.
734
00:42:51,986 --> 00:42:55,565
I SLEPT SOME, BUT SHE, NEVER.
735
00:42:55,589 --> 00:43:00,204
ANYTIME I'D OPEN MY EYES,
SHE'D BE THERE, SMILING,
736
00:43:00,228 --> 00:43:03,540
PUTTING A COLD CLOTH TO MY HEAD.
737
00:43:03,564 --> 00:43:06,309
NOW WITH ME AND
MARY SPROUTING UP...
738
00:43:06,333 --> 00:43:08,345
WHICH IS WHAT MA CALLS IT...
739
00:43:08,369 --> 00:43:11,282
IF THERE'S THE LEAST
LITTLEST NOISE IN THE NIGHT,
740
00:43:11,306 --> 00:43:14,702
MA WOULD COME CLIMBING
UP THE LADDER INTO THE LOFT
741
00:43:14,726 --> 00:43:17,238
TO MAKE SURE WE'RE ALL RIGHT.
742
00:43:17,262 --> 00:43:20,107
I RECKON THERE'S TIMES
SHE GETS BONE-TIRED,
743
00:43:20,131 --> 00:43:22,476
BUT YOU'D NEVER KNOW IT.
744
00:43:22,500 --> 00:43:24,645
HER SMILE'S THE LAST THING I SEE
745
00:43:24,669 --> 00:43:27,381
BEFORE I CLOSE MY EYES AT NIGHT
746
00:43:27,405 --> 00:43:31,151
AND THE FIRST THING I
WANT TO SEE IN THE MORNING.
747
00:43:31,175 --> 00:43:33,821
SHE'S BEEN SELLING
EGGS TO THE MERCANTILE
748
00:43:33,845 --> 00:43:38,308
AND SAVED ENOUGH TO BUY YARD
GOODS TO MAKE HERSELF A NEW DRESS.
749
00:43:38,332 --> 00:43:43,914
THIS MORNING, MARY AND ME FOUND OUT SHE
MADE DRESSES FOR THE TWO OF US INSTEAD.
750
00:43:43,938 --> 00:43:47,434
THAT'S BECAUSE SHE LOVES US.
751
00:43:47,458 --> 00:43:50,403
THAT'S THE KIND OF MOTHER MA IS,
752
00:43:50,427 --> 00:43:52,267
AND THAT'S WHY WE
LOVE HER SO MUCH.
753
00:43:53,831 --> 00:43:55,765
[APPLAUSE]
754
00:44:08,429 --> 00:44:10,379
[NO AUDIO]
755
00:44:21,542 --> 00:44:23,353
YOU'RE A LUCKY MAN, MR. INGALLS.
756
00:44:23,377 --> 00:44:25,022
WELL, THANK YOU, MR. OLESON.
757
00:44:25,046 --> 00:44:26,023
GUESS THAT'S THE
ONE THING IN THIS LIFE
758
00:44:26,047 --> 00:44:27,624
I'M ABSOLUTELY SURE OF.
759
00:44:27,648 --> 00:44:28,688
Mrs. Oleson: NELS!
760
00:44:32,937 --> 00:44:34,648
VERY LUCKY.
761
00:44:34,672 --> 00:44:36,750
MA'AM.
762
00:44:36,774 --> 00:44:39,086
MA, PA, WHAT DID YOU THINK?
763
00:44:39,110 --> 00:44:40,420
DID YOU LIKE MY ESSAY?
764
00:44:40,444 --> 00:44:42,656
I THOUGHT IT WAS LOVELY, MARY.
765
00:44:42,680 --> 00:44:43,924
YOU MADE ME OUT
TO BE A BIT OF A HERO,
766
00:44:43,948 --> 00:44:45,468
BUT I GUESS I CAN'T
FAULT YOU FOR THAT.
767
00:44:54,859 --> 00:44:55,899
LAURA.
768
00:44:57,528 --> 00:45:00,407
WHAT YOU SAID
TODAY WAS BEAUTIFUL,
769
00:45:00,431 --> 00:45:03,960
AND I'LL TREASURE
IT AS LONG AS I LIVE,
770
00:45:03,984 --> 00:45:06,029
BUT...
771
00:45:06,053 --> 00:45:09,693
IT WASN'T WHAT YOU HAD WRITTEN
DOWN ON THE PAPER, WAS IT?
772
00:45:11,275 --> 00:45:13,821
IT'S WHAT I WOULD
HAVE WRITTEN IF I COULD.
773
00:45:13,845 --> 00:45:16,490
I KNOW THAT, DEAR,
774
00:45:16,514 --> 00:45:19,715
BUT IT WASN'T REALLY
AN ESSAY, WAS IT?
775
00:45:22,703 --> 00:45:23,703
NO, MA.
776
00:45:37,885 --> 00:45:41,731
I THINK I BETTER GIVE
IT TO MISS BEADLE.
777
00:45:41,755 --> 00:45:43,467
WHAT DO YOU THINK SHE'LL DO?
778
00:45:43,491 --> 00:45:45,731
THAT'S UP TO MISS BEADLE.
779
00:46:17,991 --> 00:46:19,703
AH, MRS. INGALLS!
780
00:46:19,727 --> 00:46:22,672
YOU AND YOUR HUSBAND MUST BE
VERY PROUD OF YOUR GIRLS TODAY.
781
00:46:22,696 --> 00:46:23,740
WE ARE.
782
00:46:23,764 --> 00:46:25,376
AND YOU, YOUNG LADY,
783
00:46:25,400 --> 00:46:27,311
YOU GAVE ONE OF THE
FINEST RECITATIONS
784
00:46:27,335 --> 00:46:29,135
IT'S BEEN MY PLEASURE TO HEAR.
785
00:46:32,907 --> 00:46:36,147
LAURA WANTED YOU TO
SEE HER PAPER, MISS BEADLE.
786
00:46:36,443 --> 00:46:37,443
OH.
787
00:46:46,938 --> 00:46:49,416
YES.
788
00:46:49,440 --> 00:46:52,736
LAURA'S SPELLING HAS
IMPROVED A GREAT DEAL.
789
00:46:52,760 --> 00:46:56,006
HER PENMANSHIP NEEDS
A LITTLE IMPROVEMENT.
790
00:46:56,030 --> 00:46:58,359
BUT I THINK WITH A
LITTLE MORE HARD WORK,
791
00:46:58,383 --> 00:47:00,560
BY THE TIME THE
SCHOOL YEAR'S OUT,
792
00:47:00,584 --> 00:47:02,544
SHE'LL HAVE THAT
MASTERED AS WELL.
793
00:47:08,342 --> 00:47:10,502
THANK YOU, MISS BEADLE.
794
00:47:36,170 --> 00:47:39,650
Laura, narrating: MA TOOK
MARY'S ESSAY AND MINE, TOO.
795
00:47:39,674 --> 00:47:42,653
SHE SAID SHE WAS GOING TO
PUT THEM IN THE SPECIAL BOX
796
00:47:42,677 --> 00:47:45,889
WHERE SHE KEPT THE SCHOOLBOOKS
AND HER WEDDING DRESS
797
00:47:45,913 --> 00:47:48,558
AND EVERYTHING SHE LOVED MOST.
798
00:47:48,582 --> 00:47:51,662
MADE US PROUD SHE'D
WANT 'EM FOR REMEMBERING.
799
00:47:51,686 --> 00:47:53,997
BUT I KNEW, EVEN
WITHOUT THE PAPERS,
800
00:47:54,021 --> 00:47:57,267
THERE WASN'T ONE OF US
LIKELY TO FORGET THAT DAY.
801
00:47:57,291 --> 00:47:58,390
NOT EVER.
51600
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