All language subtitles for T.J..Miller.No.Real.Reason.2011.1080p.WEBRip.x264.AAC-[YTS.MX]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian Download
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:18,086 --> 00:00:20,054 - I WISH I DIDN'T HAVE TO DO THIS TO PERFORM, 4 00:00:20,054 --> 00:00:22,923 BUT IT'S GOTTEN ME THIS FAR. 5 00:00:22,923 --> 00:00:25,626 all: YOU'RE BAD. YOU'RE BAD. YOU'RE VERY, VERY BAD. 6 00:00:25,626 --> 00:00:27,828 - THANKS, GUYS. 7 00:00:27,828 --> 00:00:30,898 CAN YOU CLEAR ALL THIS OUT OF HERE? 8 00:00:30,898 --> 00:00:32,633 [sighs] 9 00:00:32,633 --> 00:00:35,303 [indistinct chatter] 10 00:00:35,303 --> 00:00:37,105 MOTHER, THANK YOU FOR EVERYTHING. 11 00:00:37,105 --> 00:00:39,107 - I HOPE YOU GET MARRIED AND DON'T DIE ALONE. 12 00:00:39,107 --> 00:00:42,042 [indistinct chatter] 13 00:00:43,577 --> 00:00:45,879 - FATHER, I JUST-- I WANTED TO SAY THANK YOU. 14 00:00:45,879 --> 00:00:47,815 - REALLY GREAT. 15 00:00:47,815 --> 00:00:49,583 - MELODY DUGGAN, MY HIGH SCHOOL DRAMA TEACHER, 16 00:00:49,583 --> 00:00:51,952 I CREDIT MY SUCCESS TO YOUR BRILLIANCE AS A TEACHER. 17 00:00:51,952 --> 00:00:53,854 - YOU WERE A PUSSY IN HIGH SCHOOL. 18 00:00:53,854 --> 00:00:55,823 YOU'LL BE A PUSSY FOREVER. 19 00:00:55,823 --> 00:00:57,591 - WEIRD ONE. 20 00:00:57,591 --> 00:00:59,393 NICK VATTEROTT, THANK YOU FOR EVERYTHING, MAN. 21 00:00:59,393 --> 00:01:00,494 - DID YOU GO UP YET? 22 00:01:00,494 --> 00:01:02,096 - NO, MAN, I'M-- - RIGHT ON. 23 00:01:02,096 --> 00:01:04,632 ALL RIGHT. HAVE A GOOD SET, DUDE. 24 00:01:04,632 --> 00:01:06,434 - IS THIS--OH. 25 00:01:06,434 --> 00:01:08,436 ACTUALLY, I WENT THE WRONG WAY. 26 00:01:08,436 --> 00:01:09,603 - GREAT SET, MAN. 27 00:01:09,603 --> 00:01:10,938 - I HAVEN'T GONE UP YET. 28 00:01:10,938 --> 00:01:12,273 - SUPER FUNNY. 29 00:01:12,273 --> 00:01:14,775 [indistinct chatter] 30 00:01:14,775 --> 00:01:18,212 - FATHER-- 31 00:01:18,212 --> 00:01:19,547 - T.J., I'M SO PROUD OF YOU. 32 00:01:19,547 --> 00:01:21,215 YOU COULDN'T FIND THE DOOR TO THIS ONE. 33 00:01:21,215 --> 00:01:24,017 - MOM, I DON'T KNOW WHY I DID ANY OF THIS. 34 00:01:24,017 --> 00:01:27,388 [upbeat hip-hop music] 35 00:01:27,388 --> 00:01:29,757 - * T.J. MILLER, T.J. MILLER 36 00:01:29,757 --> 00:01:31,559 * T-T-T-T-T-T-T 37 00:01:31,559 --> 00:01:32,693 * T.J. MILLER 38 00:01:32,693 --> 00:01:35,196 * T.J. MILLER, T.J. MILLER 39 00:01:35,196 --> 00:01:38,199 * 40 00:01:38,199 --> 00:01:41,135 [cheers and applause] 41 00:01:55,783 --> 00:01:58,085 - WHAT THE FUCK IS UP, COLORADO, HUH? 42 00:01:58,085 --> 00:02:00,688 [cheers and applause] 43 00:02:00,688 --> 00:02:03,491 I THINK THAT'S A GOOD WAY TO START THINGS OFF, YEAH? 44 00:02:03,491 --> 00:02:05,459 HEY, GUYS, THANKS FOR COMING. 45 00:02:05,459 --> 00:02:07,795 THIS GUY, TOTALLY UNIMPRESSED. 46 00:02:07,795 --> 00:02:11,064 FROM THE VERY START, NEVER CLAPPED, NOTHING. 47 00:02:11,064 --> 00:02:13,201 JUST SO HIGH. 48 00:02:13,201 --> 00:02:14,235 HE JUST TURNED TO HIS GIRLFRIEND. 49 00:02:14,235 --> 00:02:17,371 HE'S LIKE, "WHO IS THIS? 50 00:02:17,371 --> 00:02:20,007 "WHY DOES THIS COMEDIAN KEEP LOOKING DIFFERENT 51 00:02:20,007 --> 00:02:24,077 EACH TIME I BLINK?" 52 00:02:24,077 --> 00:02:25,479 NICE. 53 00:02:25,479 --> 00:02:28,382 YOU GOT YOUR OREGON HOODIE ON. THAT'S GOOD. 54 00:02:28,382 --> 00:02:32,320 ARE YOU AWARE OF THE STATE THAT YOU'RE IN, OR NO? 55 00:02:32,320 --> 00:02:34,222 LET'S START IT OFF. READY? 56 00:02:34,222 --> 00:02:36,557 I SAY, "HEY," YOU SAY, "HO." HEY. 57 00:02:36,557 --> 00:02:37,558 all: HO! 58 00:02:37,558 --> 00:02:38,659 - NOT EVERYBODY. JUST YOU. 59 00:02:38,659 --> 00:02:42,162 READY? 60 00:02:42,162 --> 00:02:43,231 HEY. - HO. 61 00:02:43,231 --> 00:02:44,932 - HEY. - HO. 62 00:02:44,932 --> 00:02:46,967 - HE'S GOOD. 63 00:02:46,967 --> 00:02:48,469 THAT WAS GOOD. YOU'RE A GOOD HO. 64 00:02:48,469 --> 00:02:49,403 I MEAN, YOU'RE-- 65 00:02:53,507 --> 00:02:59,079 OH, THIS IS GREAT. 66 00:02:59,079 --> 00:03:02,550 THAT'S EXCITING, RIGHT? OUR NATION'S CAPITOL. 67 00:03:02,550 --> 00:03:04,117 THAT'S NOT A BIG DEAL. 68 00:03:04,117 --> 00:03:06,387 I THROW UP IN THE STREET A LOT. I LIKE TO DRINK. 69 00:03:06,387 --> 00:03:07,821 AND I GET HUNGOVER. 70 00:03:07,821 --> 00:03:09,723 YOU KNOW WHEN YOU'RE HUNGOVER AND YOU'RE LIKE, 71 00:03:09,723 --> 00:03:13,561 "I AM DEFINITELY GONNA VOMIT TODAY... 72 00:03:13,561 --> 00:03:16,764 BUT I WONDER IF I CAN MAKE IT TO BREAKFAST FIRST"? 73 00:03:19,300 --> 00:03:20,434 SO I ROLLED THE DICE. 74 00:03:20,434 --> 00:03:22,470 I WAS INCORRECT IN MY ASSERTION. 75 00:03:22,470 --> 00:03:24,938 I KNOW THIS, 'CAUSE I MADE THAT SOUND 76 00:03:24,938 --> 00:03:26,740 THAT YOU MAKE WHEN YOU'RE DEFINITELY GONNA VOMIT. 77 00:03:26,740 --> 00:03:29,009 YOU KNOW, WHEN THERE'S NO DECISION LEFT? 78 00:03:29,009 --> 00:03:30,611 IT SOUNDS LIKE THIS: 79 00:03:30,611 --> 00:03:33,447 [retching violently] 80 00:03:33,447 --> 00:03:36,116 YOU KNOW? 81 00:03:36,116 --> 00:03:38,452 THAT'S A REAL PROBLEM. 82 00:03:38,452 --> 00:03:41,289 WHICH IS THE GREAT THING ABOUT THE HUMAN BODY TOO. 83 00:03:41,289 --> 00:03:43,190 NOT ONLY IS VOMITING DISGUSTING, 84 00:03:43,190 --> 00:03:46,727 WE GET TO LOOK LIKE A HUNGRY BABY BIRD RIGHT BEFOREHAND. 85 00:03:46,727 --> 00:03:49,297 [retching violently] 86 00:03:49,297 --> 00:03:52,032 "FEED ME, MOTHER!" 87 00:03:52,032 --> 00:03:53,867 IT'S A BRITISH BIRD, PERHAPS A NIGHTINGALE. 88 00:03:57,771 --> 00:03:59,239 WHAT WAS DIFFERENT ABOUT THIS TIME IS, 89 00:03:59,239 --> 00:04:01,642 RIGHT AS I BEGAN TO VOMIT, LIKE, RIGHT AS I WAS LIKE: 90 00:04:01,642 --> 00:04:02,910 [retching violently] 91 00:04:02,910 --> 00:04:04,878 I TURNED, AND I MADE EYE CONTACT WITH A WOMAN 92 00:04:04,878 --> 00:04:07,481 SITTING ACROSS THE STREET AT A STARBUCKS. 93 00:04:10,384 --> 00:04:13,854 AND THEN I HELD EYE CONTACT AS I VOMITED. 94 00:04:19,192 --> 00:04:22,530 WHICH IS TERRIBLE. 95 00:04:22,530 --> 00:04:25,499 FOR HER MOSTLY. 96 00:04:25,499 --> 00:04:27,701 'CAUSE I FEEL SO BAD FOR HER, YOU KNOW, 97 00:04:27,701 --> 00:04:31,872 BECAUSE HER MORNING STARTED OFF SUCCESSFULLY. 98 00:04:31,872 --> 00:04:33,707 YOU KNOW, SHE'S NOT WEARING THE CLOTHING SHE WAS IN 99 00:04:33,707 --> 00:04:35,042 THE NIGHT BEFORE. 100 00:04:35,042 --> 00:04:36,243 SHE'S UP ON TIME. 101 00:04:36,243 --> 00:04:37,411 SHE'S PROBABLY THINKING TO HERSELF, 102 00:04:37,411 --> 00:04:40,914 "WELL, ANOTHER SUCCESSFUL MORNING. 103 00:04:40,914 --> 00:04:43,216 "SIPPING A FRAPPE LATTE. WHAT DO THEY ALWAYS SAY? 104 00:04:43,216 --> 00:04:46,587 "EARLY TO BED, EARLY TO HAVE THE WORMS IN YOUR HOUSE. 105 00:04:46,587 --> 00:04:49,323 "I'M NOT VERY GOOD AT CLICHES, 106 00:04:49,323 --> 00:04:51,425 "OR AT LEAST THE PERSON IMPERSONATING ME ISN'T. 107 00:04:51,425 --> 00:04:56,930 "IT'S A REAL POINT OF INSECURITY FOR HIM. 108 00:04:56,930 --> 00:04:59,299 "BUT AT LEAST I WON'T HAVE AN AWKWARD INTERACTION WITH-- 109 00:04:59,299 --> 00:05:02,636 WHAT'S GOING ON WITH THAT BABY BIRD OF A MAN OVER THERE?" 110 00:05:02,636 --> 00:05:03,771 THEN SHE JUST SEES ME LIKE: 111 00:05:03,771 --> 00:05:06,707 [retching violently] 112 00:05:14,382 --> 00:05:16,650 I ALSO WALK LIKE A ZOMBIE WHEN I VOMIT. 113 00:05:22,523 --> 00:05:24,658 BUT I FEEL BAD FOR HER, YOU KNOW? 114 00:05:24,658 --> 00:05:26,394 'CAUSE WHAT'S GOING ON IN HER REALITY? 115 00:05:26,394 --> 00:05:29,196 SHE'S GOT TO GO HOME AND CALL HER FRIENDS, RIGHT? 116 00:05:29,196 --> 00:05:31,298 SHE DOESN'T KNOW THE CONTEXT. 117 00:05:31,298 --> 00:05:33,467 SHE JUST CALLS. SHE GOES, "OH, MY GOD, YOU GUYS. 118 00:05:33,467 --> 00:05:36,203 "I WAS SO UGLY THIS MORNING. 119 00:05:36,203 --> 00:05:38,472 I MADE A MAN VOMIT." 120 00:05:46,113 --> 00:05:49,650 I DON'T WANT HER TO THINK THAT, YOU KNOW? 121 00:05:49,650 --> 00:05:50,718 RIGHT? WOULDN'T YOU FEEL BAD? 122 00:05:57,024 --> 00:06:00,060 SORRY, I JUST MADE IT AWKWARD, DIDN'T I? 123 00:06:00,060 --> 00:06:01,061 I DO THAT A LOT. 124 00:06:01,061 --> 00:06:02,430 WHEN I MAKE EYE CONTACT 125 00:06:02,430 --> 00:06:04,131 WITH PEOPLE IN THE AUDIENCE, I'LL HOLD IT. 126 00:06:04,131 --> 00:06:06,900 LIKE, I'LL TALK TO SOMEBODY, AND THEN I'LL FINISH TALKING, 127 00:06:06,900 --> 00:06:10,337 BUT I WON'T LOOK AWAY... 128 00:06:10,337 --> 00:06:11,338 UNTIL THEN. 129 00:06:11,338 --> 00:06:13,574 THAT'S WEIRD. 130 00:06:13,574 --> 00:06:15,008 THAT'S A WEIRD THING, AND NOW I MADE IT ALL-- 131 00:06:15,008 --> 00:06:16,877 I DIDN'T MEAN TO MAKE-- YOU CAME TO THE SHOW. 132 00:06:16,877 --> 00:06:19,413 I APPRECIATE IT. I DON'T WANT TO MAKE IT WEIRD. 133 00:06:19,413 --> 00:06:21,381 IN FACT, IF I NEED TO TALK TO YOU FROM NOW ON, 134 00:06:21,381 --> 00:06:22,950 I'LL LOOK AT HER. 135 00:06:22,950 --> 00:06:25,352 IS THAT OKAY? 136 00:06:25,352 --> 00:06:28,055 I'M NOT TALKING TO YOU. 137 00:06:28,055 --> 00:06:30,624 IF I WANT TO TALK TO YOU, I'LL LOOK AT HER. 138 00:06:30,624 --> 00:06:34,327 IS THAT OKAY? 139 00:06:34,327 --> 00:06:36,229 [laughs] 140 00:06:38,365 --> 00:06:41,334 YOU'RE CRYING, DID YOU JUST COME FROM-- 141 00:06:41,334 --> 00:06:43,236 WHY ARE YOU EMBARRASSED ABOUT IT? 142 00:06:43,236 --> 00:06:44,805 THAT'D BE SO AWFUL IF I WAS LIKE, 143 00:06:44,805 --> 00:06:46,306 "WHY ARE YOU CRYING AT THE SHOW, HUH? 144 00:06:46,306 --> 00:06:48,709 "YOU'RE CRYING FROM LAUGHING? GET OUT OF HERE. 145 00:06:48,709 --> 00:06:51,945 GO SMOKE POT IN HIS VAN." 146 00:06:51,945 --> 00:06:54,848 [applause] 147 00:06:56,216 --> 00:06:58,318 I LIKE THE IDEA THAT MAYBE YOU GUYS ARE APPLAUDING 148 00:06:58,318 --> 00:07:01,154 THAT HE MIGHT HAVE A VAN. 149 00:07:01,154 --> 00:07:02,856 LIKE, "YEAH, LET'S HOPE HE DOES. 150 00:07:02,856 --> 00:07:05,893 "YEAH, THEN HE HAS A PLACE TO LIVE... 151 00:07:09,262 --> 00:07:10,664 AND LURE CHILDREN." 152 00:07:13,934 --> 00:07:15,536 DID YOU KNOW THAT, ACTUALLY-- THIS IS TRUE. 153 00:07:15,536 --> 00:07:19,840 THIS AREA OF COLORADO RIGHT AROUND HERE IN BOULDER 154 00:07:19,840 --> 00:07:23,577 HAS THE HIGHEST CASES OF PEDOPHILIA PER CAPITA 155 00:07:23,577 --> 00:07:25,012 OF ANYWHERE ELSE IN COLORADO. 156 00:07:25,012 --> 00:07:26,246 DID YOU KNOW THAT? 157 00:07:26,246 --> 00:07:27,881 THAT'S TRUE. I READ IT ON WIKIPEDIA. 158 00:07:27,881 --> 00:07:29,049 I MEAN, I PUT IT IN THERE, 159 00:07:29,049 --> 00:07:31,318 BUT I READ IT RIGHT AFTERWARDS... 160 00:07:31,318 --> 00:07:34,154 AS AN OPEN-SOURCE CODING CHECK. 161 00:07:40,027 --> 00:07:42,563 I DO, I CREEP PEOPLE OUT A LOT. 162 00:07:42,563 --> 00:07:44,031 I DON'T MEAN TO AT ALL. 163 00:07:44,031 --> 00:07:46,266 I REALIZED RECENTLY THAT SOMETIMES WHEN I'M EXCITED 164 00:07:46,266 --> 00:07:48,268 ABOUT SOMETHING, AFTER I SAY IT, I'LL GO LIKE THIS... 165 00:07:51,471 --> 00:07:53,774 DON'T EVER DO THAT. 166 00:07:53,774 --> 00:07:55,709 THAT MAKES ANYTHING YOU'RE SAYING SOUND, 167 00:07:55,709 --> 00:07:58,145 LIKE, MALICIOUS OR WITH MALINTENT. 168 00:07:58,145 --> 00:07:59,446 WATCH, I'LL SHOW YOU. 169 00:07:59,446 --> 00:08:01,014 "HEY, WHAT ARE YOU GUYS DOING AFTER THE SHOW?" 170 00:08:04,317 --> 00:08:07,387 WHAT DO I WANT TO DO TO THEM AFTER THE SHOW, YOU KNOW? 171 00:08:07,387 --> 00:08:09,256 "HEY, MAN, CAN I BORROW A STICK OF GUM?" 172 00:08:11,391 --> 00:08:15,328 THAT GUM AIN'T FOR CHEWING. 173 00:08:15,328 --> 00:08:16,764 EVEN NICE THINGS. 174 00:08:16,764 --> 00:08:18,966 "KAREN, CONGRATULATIONS. I HEARD YOU'RE PREGNANT." 175 00:08:22,369 --> 00:08:24,071 WHAT AM I GONNA DO, GO UP THERE AND GET IT? 176 00:08:30,077 --> 00:08:31,579 AND I HAVE A FRIEND. HE CREEPS ME OUT. 177 00:08:31,579 --> 00:08:34,314 TELL ME IF YOU HAVE ANYBODY LIKE THIS. 178 00:08:34,314 --> 00:08:36,283 HE WINKS AT ME A LOT. LIKE, TOO MUCH. 179 00:08:36,283 --> 00:08:38,051 ISN'T THAT WEIRD? 180 00:08:38,051 --> 00:08:40,888 'CAUSE IT'S 2011, AND THEY'RE NOT YOUR UNCLE, YOU KNOW? 181 00:08:40,888 --> 00:08:44,257 BUT HE'LL WINK, AND SOMETIMES IT'LL MAKE SENSE. 182 00:08:44,257 --> 00:08:45,458 AND THEN OTHER TIMES, IT WON'T. 183 00:08:45,458 --> 00:08:47,060 SO IT'S VERY CONFUSING. 184 00:08:47,060 --> 00:08:48,762 IT'S LIKE, "HEY, DO YOU WANT TO HANG OUT WITH THOSE GIRLS LATER? 185 00:08:48,762 --> 00:08:51,531 THEY'RE DOWN TO PARTY." 186 00:08:51,531 --> 00:08:53,133 AND I'LL BE LIKE, "YEAH, SURE. OH, YEAH. 187 00:08:53,133 --> 00:08:54,835 NO, THAT SOUNDS GOOD. YEAH. YEAH. YEAH." 188 00:08:54,835 --> 00:08:57,537 "YEAH, THEN MAYBE LATER, YOU AND ME CAN GET SOME PIZZA." 189 00:09:02,576 --> 00:09:07,214 "NO, I DON'T THINK I WANT TO DO THAT. 190 00:09:07,214 --> 00:09:10,117 DOES THAT INVOLVE US HAVING SEXUAL INTERCOURSE?" 191 00:09:10,117 --> 00:09:11,551 "NO." 192 00:09:14,588 --> 00:09:16,990 I LIKE THAT MOVE, WHEN A GUY GETS SCARED. 193 00:09:21,561 --> 00:09:24,397 I DON'T THINK THAT THERE SHOULD BE PLANTS WITH LEAVES 194 00:09:24,397 --> 00:09:28,001 OR FOLIAGE THAT HANGS DOWN IN AIRPORTS. 195 00:09:28,001 --> 00:09:29,336 I'LL EXPLAIN WHY. 196 00:09:29,336 --> 00:09:32,239 WOULDN'T THAT BE WEIRD IF I DIDN'T? 197 00:09:32,239 --> 00:09:37,210 I JUST MOVED ON RIGHT AFTER THAT. 198 00:09:37,210 --> 00:09:38,979 'CAUSE I FEEL LIKE A LOT OF TIMES I'M IN AIRPORTS, 199 00:09:38,979 --> 00:09:40,781 I'LL BE TEXTING, AND I'LL MOVE OUT OF SOMEBODY'S WAY, 200 00:09:40,781 --> 00:09:42,750 AND IF A PLANT EVEN JUST-- 201 00:09:42,750 --> 00:09:45,318 EVEN MILDLY TOUCHES, LIKE, GRAZES ANY-- 202 00:09:45,318 --> 00:09:47,855 [grunting] 203 00:09:47,855 --> 00:09:49,690 LIKE, SUDDENLY I KNOW MARTIAL ARTS, YOU KNOW? 204 00:09:49,690 --> 00:09:51,491 "IS IT A FERN OR A FICUS? 205 00:09:51,491 --> 00:09:54,795 AIM FOR THE ROOTS." 206 00:09:54,795 --> 00:09:58,966 AND I GOT TO STOP ACTING WEIRD IN AIRPORTS IN GENERAL REALLY. 207 00:09:58,966 --> 00:10:00,734 'CAUSE IT'S WEIRD. 208 00:10:00,734 --> 00:10:02,903 I'M GETTING MORE RECOGNIZABLE NOW, YOU KNOW, 209 00:10:02,903 --> 00:10:04,304 'CAUSE I'VE BEEN IN SOME MOVIES. 210 00:10:04,304 --> 00:10:05,605 I'M NOT FAMOUS. 211 00:10:05,605 --> 00:10:07,440 I'M, LIKE, THE LEAST FAMOUS YOU CAN BE 212 00:10:07,440 --> 00:10:10,878 WHILE STILL BEING CONSIDERED SORT OF FAMOUS, YOU KNOW? 213 00:10:10,878 --> 00:10:13,647 LIKE, I'M THE LEVEL OF CELEBRITY WHERE GROUPS OF GUYS AT AIRPORTS 214 00:10:13,647 --> 00:10:15,683 WILL KIND OF LOOK OVER AT ME AND WHISPER TO EACH OTHER 215 00:10:15,683 --> 00:10:17,651 AND THEN KIND OF LOOK BACK OVER. 216 00:10:17,651 --> 00:10:19,352 AND I'M NOT SURE IF THEY RECOGNIZE ME 217 00:10:19,352 --> 00:10:22,489 OR THEY WANT TO GANG-RAPE ME IN THE MEN'S ROOM. 218 00:10:22,489 --> 00:10:24,224 EITHER WAY, I'M FLATTERED. 219 00:10:28,628 --> 00:10:30,698 OR SOMETIMES I'LL GET SOMEBODY WHO KNOWS 220 00:10:30,698 --> 00:10:33,533 THAT THEY RECOGNIZE ME, BUT THEY CAN'T THINK 221 00:10:33,533 --> 00:10:36,503 OF THE MOVIE OR THE TV SHOW OR WHATEVER-- 222 00:10:36,503 --> 00:10:38,571 THEY DON'T KNOW WHERE THEY RECOGNIZE ME FROM. 223 00:10:38,571 --> 00:10:40,674 YEAH, NOW, THAT'S ALWAYS A WEIRD INTERACTION. 224 00:10:40,674 --> 00:10:42,242 I DON'T KNOW IF YOU'VE EVER INTERACTED WITH SOMEBODY 225 00:10:42,242 --> 00:10:45,578 WHO IS SIMULTANEOUSLY VERY EXCITED TO SEE YOU 226 00:10:45,578 --> 00:10:51,384 BUT ALSO VERY UPSET AND FRUSTRATED WITH THEMSELVES. 227 00:10:51,384 --> 00:10:53,954 THAT'S STRANGE, LIKE, "HEY, OH, YOU'RE THE GUY-- 228 00:10:53,954 --> 00:10:56,556 "OH, THIS IS SO--OH, THIS IS GREAT, SO YOU'RE FROM-- 229 00:10:56,556 --> 00:10:59,659 "YOU'RE THE GUY FROM-- GODDAMN IT! 230 00:10:59,659 --> 00:11:01,261 "HOLD ON A SECOND. DON'T YOU TELL ME! 231 00:11:01,261 --> 00:11:02,529 "I'M GONNA THINK OF IT. HOLD ON ONE SECOND. 232 00:11:02,529 --> 00:11:04,064 "SON OF A BITCH, TREVOR! DON'T-- 233 00:11:04,064 --> 00:11:05,699 "ALL RIGHT, YOU TELL ME EVERYTHING THAT YOU'VE BEEN IN. 234 00:11:05,699 --> 00:11:07,167 "I'LL TELL YOU EVERYTHING I'VE SEEN. 235 00:11:07,167 --> 00:11:08,368 "THEN WE'LL MATCH IT UP, AND THEN I'LL DECIDE 236 00:11:08,368 --> 00:11:09,803 IF IT'S WORTH TAKING A PICTURE." 237 00:11:15,275 --> 00:11:18,045 WHICH, BY THE WAY, IF YOU WANT TO TAKE A PICTURE WITH ME, 238 00:11:18,045 --> 00:11:21,614 YOU KNOW, FOR WHATEVER REASON, YOU'RE WELCOME TO, 239 00:11:21,614 --> 00:11:23,216 BUT TAKE A PRACTICE SHOT. 240 00:11:23,216 --> 00:11:27,287 I KNOW THAT SOUNDS WEIRD, BUT SO OFTEN, I'LL BE POSING, 241 00:11:27,287 --> 00:11:28,756 LIKE, WITH A GIRL, 242 00:11:28,756 --> 00:11:30,557 AND HER BOYFRIEND WILL BE USING HER CAMERA, 243 00:11:30,557 --> 00:11:33,827 AND HE WON'T KNOW HOW TO USE IT, AND SO THEN I'M POSING, 244 00:11:33,827 --> 00:11:35,963 AND YOU KNOW, SHE'S, YOU KNOW, 245 00:11:35,963 --> 00:11:37,064 STANDING NEXT TO ME, LIKE... 246 00:11:42,803 --> 00:11:47,340 "PRESS THE BUTTON. 247 00:11:47,340 --> 00:11:48,675 "PRESS THE-- THE BUTTON ON THE FRONT. 248 00:11:48,675 --> 00:11:50,377 "PRESS THE-- FINE, PRESS THE OTHER-- 249 00:11:50,377 --> 00:11:52,179 "PRESS THE ONE THAT LOOKS LIKE A CAMERA. 250 00:11:52,179 --> 00:11:56,116 "PRESS THE-- 251 00:11:56,116 --> 00:11:58,018 "PRESS--FINE, PRESS THE ONE BUTTON THAT YOU HAVEN'T PRESSED. 252 00:11:58,018 --> 00:11:59,252 "WHY DON'T YOU TRY PRESSING THAT? 253 00:11:59,252 --> 00:12:00,687 "WHAT DON'T YOU PRESS THAT BUTTON? 254 00:12:00,687 --> 00:12:02,222 "HE'S SO STUPID. HE CHEATED ON ME IN JULY. 255 00:12:02,222 --> 00:12:04,191 PRESS THE BUTTON!" 256 00:12:04,191 --> 00:12:05,292 THEN IT'S JUST ME LIKE... 257 00:12:20,841 --> 00:12:25,545 GOT TO WET THAT WHISTLE, YOU KNOW? 258 00:12:25,545 --> 00:12:28,515 ONE TIME I HAD A GUY-- THIS GUY APPROACHED ME 259 00:12:28,515 --> 00:12:32,485 AT THE AIRPORT, AND HE GOES, "HEY, YOU LOOK FAMILIAR." 260 00:12:32,485 --> 00:12:35,022 AND I SAID, "YEAH, WELL, YOU MIGHT HAVE SEEN ME IN, LIKE, 261 00:12:35,022 --> 00:12:36,389 SOME MOVIES OR ON TV OR SOMETHING." 262 00:12:36,389 --> 00:12:41,294 HE GOES, "NAH, WHAT HIGH SCHOOL DID YOU GO TO?" 263 00:12:41,294 --> 00:12:42,629 AND I WAS LIKE, "EAST HIGH." 264 00:12:42,629 --> 00:12:43,630 AND HE WAS LIKE-- 265 00:12:43,630 --> 00:12:45,365 [cheering] 266 00:12:45,365 --> 00:12:49,036 ALL RIGHT, YEAH. HE WAS EQUALLY EXCITED. 267 00:12:49,036 --> 00:12:52,572 AND I SAID, "EAST HIGH." 268 00:12:52,572 --> 00:12:55,208 AND HE GOES, "YEAH, YEAH, ME TOO." 269 00:12:55,208 --> 00:12:57,677 AND I SAID, "WELL, I DIDN'T SAY THE STATE OR THE CITY, 270 00:12:57,677 --> 00:12:59,012 AND IT'S NAMED AFTER A DIRECTION," 271 00:12:59,012 --> 00:13:01,648 AND HE GOES, "DID YOU RUN TRACK AND FIELD?" 272 00:13:01,648 --> 00:13:04,918 AND I SAID, "NO, I DIDN'T, SO MAYBE IT'S CHELSEA LATELY." 273 00:13:04,918 --> 00:13:08,688 HE GOES, "ME NEITHER. 274 00:13:08,688 --> 00:13:10,824 WHAT WAS YOUR BEST FRIEND'S NAME?" 275 00:13:10,824 --> 00:13:13,026 AND I WAS LIKE, "IT WAS LLOYD, BUT I--" 276 00:13:13,026 --> 00:13:16,429 THEN HE GOES, "I'M LLOYD." 277 00:13:16,429 --> 00:13:18,065 AND THAT'S HOW I RECONNECTED WITH MY BEST FRIEND 278 00:13:18,065 --> 00:13:19,366 FROM HIGH SCHOOL. 279 00:13:19,366 --> 00:13:22,069 [applause] 280 00:13:23,136 --> 00:13:27,440 DON'T BE PRESUMPTUOUS. 281 00:13:27,440 --> 00:13:29,042 THERE ARE GOOD THINGS 282 00:13:29,042 --> 00:13:31,879 ABOUT BECOMING A LITTLE BIT MORE RECOGNIZABLE. 283 00:13:31,879 --> 00:13:35,015 I NOW HAVE A RIDER, SO THAT'S WHAT I REQUIRE, 284 00:13:35,015 --> 00:13:36,950 OR I WON'T PERFORM, YOU KNOW. 285 00:13:36,950 --> 00:13:38,218 LIKE, YOU KNOW, SOME PEOPLE HAVE, LIKE, 286 00:13:38,218 --> 00:13:39,953 NO BROWN M&M'S OR WHATEVER. 287 00:13:39,953 --> 00:13:41,721 SO I HAVE, LIKE, YOU KNOW, 288 00:13:41,721 --> 00:13:43,390 A STOOL AND WATER AND EVERYTHING, 289 00:13:43,390 --> 00:13:46,026 BUT I ALSO PUT SOME THINGS IN THERE JUST FOR ME, 290 00:13:46,026 --> 00:13:47,360 YOU KNOW, JUST FOR FUN. 291 00:13:47,360 --> 00:13:50,497 LIKE, I REQUIRE-- IT SAYS IN THE RIDER-- 292 00:13:50,497 --> 00:13:54,334 A TERRIBLE TURKEY SANDWICH, AND THEN, IN PARENTHESES, 293 00:13:54,334 --> 00:13:59,006 IT SAYS, "OPEN TO INTERPRETATION." 294 00:13:59,006 --> 00:14:00,673 AND THEN, EITHER A REAL PINATA 295 00:14:00,673 --> 00:14:02,342 OR A HAND-DRAWN PICTURE OF A PINATA. 296 00:14:06,846 --> 00:14:09,849 NOW, I DO THIS FOR A COUPLE OF REASONS. 297 00:14:09,849 --> 00:14:12,419 ONE, I THINK IT'S HILARIOUS. 298 00:14:12,419 --> 00:14:14,054 TWO, IT'S NOT VERY HARD. 299 00:14:14,054 --> 00:14:17,057 YOU KNOW, I MEAN, I HAD THIS GIRL COME UP TO ME ONCE AND-- 300 00:14:17,057 --> 00:14:18,825 AT A COLLEGE, AND SHE GOES, "OH, MY GOD. 301 00:14:18,825 --> 00:14:21,194 "I AM SO SORRY. ALL THEY HAD WAS HAM SANDWICHES. 302 00:14:21,194 --> 00:14:23,964 SO I GOT YOU A HAM SANDWICH. IS THAT OKAY?" 303 00:14:23,964 --> 00:14:26,233 I SAID, "A HAM SANDWICH? 304 00:14:26,233 --> 00:14:31,538 "THAT'S A PRETTY TERRIBLE TURKEY SANDWICH. 305 00:14:31,538 --> 00:14:33,240 I LIKE THE WAY YOU'RE INTERPRETING THINGS." 306 00:14:39,412 --> 00:14:41,481 AND THEN, IF YOU CAN'T-- YOU KNOW, IF YOU CAN'T BUY ME 307 00:14:41,481 --> 00:14:45,352 A REAL PINATA, THEN ANYONE CAN DRAW A PINATA. 308 00:14:45,352 --> 00:14:47,487 AND IF YOU CAN'T, THEN I'LL REFUSE TO PERFORM, 309 00:14:47,487 --> 00:14:48,755 LIKE I DID IN UPSTATE NEW YORK 310 00:14:48,755 --> 00:14:50,190 AT ELMIRA COLLEGE FOR 25 MINUTES. 311 00:14:50,190 --> 00:14:51,691 AND LET ME TELL YOU THIS, 312 00:14:51,691 --> 00:14:54,427 IF YOU HAVE NEVER HAD A 22-YEAR-OLD 313 00:14:54,427 --> 00:14:57,730 BEGRUDGINGLY DRAW YOU A PINATA... 314 00:14:59,699 --> 00:15:02,269 I RECOMMEND IT. 315 00:15:02,269 --> 00:15:03,836 IT'S A LOT OF FUN. 316 00:15:03,836 --> 00:15:05,872 "HERE, YOU HAPPY? YOU WANT YOUR LITTLE GAME, T.J.? 317 00:15:05,872 --> 00:15:08,175 HERE. YOU HAPPY?" 318 00:15:08,175 --> 00:15:09,509 "BUT WHERE WILL HE HANG FROM?" 319 00:15:17,117 --> 00:15:19,953 AND THEN SOMETIMES PEOPLE GIVE ME REALLY COOL PINATAS, 320 00:15:19,953 --> 00:15:21,888 AND I ALWAYS TAKE THEM HOME, AND YOU GOT TO CARRY THEM 321 00:15:21,888 --> 00:15:23,890 ON THE PLANE, 'CAUSE YOU CAN'T CHECK A PINATA. 322 00:15:23,890 --> 00:15:25,258 THAT SHOULD BE A T-SHIRT. 323 00:15:29,429 --> 00:15:31,098 BUT I WAS AT THIS SMALL AIRPORT. 324 00:15:31,098 --> 00:15:34,634 IT WAS, LIKE, YOU KNOW, MAYBE TWO GATES, 25 PASSENGERS, 325 00:15:34,634 --> 00:15:36,103 AND I WENT INTO THE BATHROOM, AND WHEN I CAME OUT, 326 00:15:36,103 --> 00:15:38,505 THERE WAS A TSA AGENT, AND SHE WAS ALREADY MAD AT ME. 327 00:15:38,505 --> 00:15:40,007 NEVER MET ME. ALREADY. 328 00:15:40,007 --> 00:15:41,174 "SIR, EXCUSE ME. 329 00:15:41,174 --> 00:15:42,275 DO YOU HAVE ALL YOUR BELONGINGS?" 330 00:15:42,275 --> 00:15:43,943 I SAID, "YEAH, I THINK--" "REALLY? 331 00:15:43,943 --> 00:15:45,678 "THOSE AREN'T YOUR BELONGINGS OVER THERE? 332 00:15:45,678 --> 00:15:47,447 THOSE AREN'T YOUR BELONGINGS?" 333 00:15:47,447 --> 00:15:48,781 AND I JUST LOOK OVER, 334 00:15:48,781 --> 00:15:50,683 AND MY BELONGINGS THAT SHE WAS TALKING ABOUT 335 00:15:50,683 --> 00:15:53,186 WAS JUST THIS SINGLE, SOLITARY, LONELY PINATA, LIKE... 336 00:15:55,888 --> 00:15:57,524 "WHAT DID I DO?" YOU KNOW? 337 00:15:57,524 --> 00:15:59,459 I BELIEVE HE WAS ECUADORIAN. 338 00:15:59,459 --> 00:16:02,996 AND I SAID, "OH, YEAH. THAT'S MINE. 339 00:16:02,996 --> 00:16:05,065 I JUST, LIKE, COULDN'T CARRY IT INTO THE BATH--" 340 00:16:05,065 --> 00:16:07,300 SHE GOES, "SIR, IF YOU DON'T HAVE YOUR BELONGINGS WITH YOU, 341 00:16:07,300 --> 00:16:09,669 "WE'RE FORCED TO CONFISCATE AND DESTROY THEM. 342 00:16:09,669 --> 00:16:12,572 YOU SHOULD KNOW THAT." 343 00:16:12,572 --> 00:16:14,041 AND I SAID, "OKAY, YEAH, I JUST--I DIDN'T HAVE--" 344 00:16:14,041 --> 00:16:18,445 SHE GOES, "SIR, FORCED TO CONFISCATE AND DESTROY THEM. 345 00:16:18,445 --> 00:16:21,881 YOU SHOULD KNOW THAT." 346 00:16:21,881 --> 00:16:23,550 AND SHE WAS BEING SO RUDE, I COULDN'T HELP IT. 347 00:16:23,550 --> 00:16:25,418 I WAS JUST LIKE, "YOU SHOULD KNOW THIS. 348 00:16:25,418 --> 00:16:30,390 "FIRST OF ALL, I DON'T CARE ABOUT THOSE BELONGINGS. 349 00:16:30,390 --> 00:16:31,924 "I DON'T KNOW WHY YOU'RE MAKING IT PLURAL. 350 00:16:31,924 --> 00:16:33,426 "ARE YOU COUNTING THE LEGS SEPARATELY? 351 00:16:38,831 --> 00:16:42,502 "SO YOU CAN CONFISCATE IT, AND TWO, YOU SHOULD KNOW 352 00:16:42,502 --> 00:16:44,304 "THAT IF YOU DESTROY THOSE BELONGINGS, 353 00:16:44,304 --> 00:16:46,573 YOU'RE GONNA GET A LOT OF CANDY." 354 00:16:46,573 --> 00:16:49,509 [applause] 355 00:16:54,147 --> 00:16:58,985 SHE DIDN'T FIND THAT VERY FUNNY. 356 00:16:58,985 --> 00:17:00,553 I HAVE A PROBLEM RIGHT NOW 357 00:17:00,553 --> 00:17:02,689 WITH ANYBODY WHO HAS A SMALL MODICUM OF AUTHORITY OVER YOU, 358 00:17:02,689 --> 00:17:04,824 BUT THEN THEY EXERT MORE CONTROL THAN THEY NEED TO 359 00:17:04,824 --> 00:17:06,326 BECAUSE IT MAKES THEM FEEL IMPORTANT, 360 00:17:06,326 --> 00:17:08,195 AND IT'S NOT JUST THE TSA. 361 00:17:08,195 --> 00:17:11,998 FOR INSTANCE, RECENTLY I WAS TRYING TO PAY BY CREDIT CARD 362 00:17:11,998 --> 00:17:15,502 AT A HAUNTED HOUSE. 363 00:17:15,502 --> 00:17:17,504 AND THE GIRL SAID, "I'M GONNA NEED TO SEE SOME I.D." 364 00:17:17,504 --> 00:17:19,672 AND I COULDN'T FIND MY I.D., AND I SAID, "LOOK, I'M SO SORRY, 365 00:17:19,672 --> 00:17:21,641 "BUT THESE ARE ALL MY FRIENDS, AND I SAID I WOULD PAY, 366 00:17:21,641 --> 00:17:23,543 "SO YOU COULD YOU JUST-- 367 00:17:23,543 --> 00:17:25,645 CAN YOU MAKE AN EXCEPTION THIS ONE TIME?" 368 00:17:25,645 --> 00:17:31,050 AND SHE GOES, "SORRY. NO CREDIT CARD, NO I.D." 369 00:17:31,050 --> 00:17:33,653 WHICH DIDN'T MAKE ANY SENSE AT ALL. 370 00:17:33,653 --> 00:17:37,190 IN FACT, THAT WAS THE OPPOSITE OF WHAT WAS HAPPENING. 371 00:17:37,190 --> 00:17:40,993 I DIDN'T THINK IT WAS A GOOD TIME TO BRING THAT UP. 372 00:17:40,993 --> 00:17:42,762 SO I SAID, "LOOK, I KNOW THAT. 373 00:17:42,762 --> 00:17:44,197 "I UNDERSTAND THAT'S THE PROTOCOL, 374 00:17:44,197 --> 00:17:46,799 "BUT YOU'RE THE ONLY PERSON HERE, YOU KNOW, 375 00:17:46,799 --> 00:17:48,168 SO MAYBE YOU COULD MAKE AN--" 376 00:17:48,168 --> 00:17:51,571 I MEAN, SHE WASN'T THE ONLY PERSON THERE. 377 00:17:51,571 --> 00:17:54,907 THAT WOULD BE A TERRIBLE HAUNTED HOUSE. 378 00:17:54,907 --> 00:17:57,944 SHE'S JUST LIKE, "HERE'S YOUR CHANGE. 379 00:17:57,944 --> 00:17:59,246 "HOLD ON FOR JUST A LITTLE BIT. 380 00:18:03,950 --> 00:18:07,120 "COME ON BACK! 381 00:18:07,120 --> 00:18:09,389 "AH! 382 00:18:09,389 --> 00:18:11,858 WAIT HERE, LIKE, 20, 30." 383 00:18:11,858 --> 00:18:13,893 BUT SHE WAS THE ONLY PERSON THAT HAD TO, LIKE, YOU KNOW, 384 00:18:13,893 --> 00:18:17,530 FOLLOW THROUGH WITH THAT RULE, SO SHE DIDN'T LET US IN, 385 00:18:17,530 --> 00:18:19,566 SO AS I LEFT, I JUST TURNED TO HER, 386 00:18:19,566 --> 00:18:23,436 AND I WENT, "SO LET ME JUST GET ALL THIS STRAIGHT, OKAY? 387 00:18:23,436 --> 00:18:25,305 "SO YOU'RE TELLING ME YOU WON'T LET ME PAY FOR MY FRIENDS 388 00:18:25,305 --> 00:18:26,739 "AND I TO GO INTO YOUR ESTABLISHMENT 389 00:18:26,739 --> 00:18:29,576 "BECAUSE I DON'T HAVE I.D. FOR A CREDIT CARD 390 00:18:29,576 --> 00:18:31,711 "THAT YOU'RE CONCERNED I STOLE 391 00:18:31,711 --> 00:18:38,285 "AND HEADED STRAIGHT TO THE HAUNTED HOUSE? 392 00:18:38,285 --> 00:18:40,253 "I JUST FOUND A CREDIT CARD, AND I WAS LIKE, 'FREE MONEY! 393 00:18:40,253 --> 00:18:41,921 "'WHAT DO WE DO, ELECTRONICS? 394 00:18:41,921 --> 00:18:44,123 NO, LET'S GET SCARED WITH OUR FRIENDS FOR 25 MINUTES!'" 395 00:18:49,662 --> 00:18:51,531 AND I WAS REALLY PISSED TOO, YOU KNOW, 396 00:18:51,531 --> 00:18:54,033 BECAUSE I DON'T GET SCARED BY MOVIES ANYMORE, YOU KNOW, 397 00:18:54,033 --> 00:18:55,668 OR THE DARK OR SPIDERS. 398 00:18:55,668 --> 00:18:58,705 IT'S MOSTLY JUST HAUNTED HOUSES AND THEN STEPHEN KING NOVELS. 399 00:18:58,705 --> 00:19:00,473 DO YOU GUYS GET SCARED BY THOSE? ARE THOSE SCARY? 400 00:19:00,473 --> 00:19:02,041 [scattered applause] 401 00:19:02,041 --> 00:19:03,510 YEAH, IF YOU DON'T THINK SO, THEN YOU'RE WRONG, 402 00:19:03,510 --> 00:19:06,279 AND YOU NEED TO THINK ABOUT YOUR OWN LIFE. 403 00:19:06,279 --> 00:19:10,183 I'M SORRY, THAT'S THIS CATCHPHRASE 404 00:19:10,183 --> 00:19:12,519 THAT I'M TRYING TO GET TO CATCH ON, YOU KNOW? 405 00:19:12,519 --> 00:19:15,222 BUT IT DOESN'T REALLY FIT ANYWHERE, YOU KNOW. 406 00:19:15,222 --> 00:19:18,391 THINK ABOUT YOUR OWN LIFE. 407 00:19:18,391 --> 00:19:23,363 ANYWAY... 408 00:19:23,363 --> 00:19:24,864 BUT STEPHEN KING NOVELS, THEY REALLY--THEY DO. 409 00:19:24,864 --> 00:19:26,433 THEY SCARE ME. 410 00:19:26,433 --> 00:19:29,236 THEY'RE SO SCARY, I THINK HE'S GOT TO GET SCARED 411 00:19:29,236 --> 00:19:31,671 WHILE HE'S WRITING THEM. 412 00:19:31,671 --> 00:19:33,005 DO YOU THINK? 413 00:19:33,005 --> 00:19:39,111 DO YOU THINK HE'S EVER, LIKE, "OH, GOD. 414 00:19:39,111 --> 00:19:42,982 "OH, JESUS CHRIST. 415 00:19:42,982 --> 00:19:44,784 "WHAT WILL I WRITE NEXT? 416 00:19:48,187 --> 00:19:52,292 AH!" 417 00:19:52,292 --> 00:19:53,960 THEY'RE SO SCARY, SOMETIMES I DON'T EVEN WANT 418 00:19:53,960 --> 00:19:55,628 TO TURN THE PAGE, YOU KNOW? 419 00:19:55,628 --> 00:19:58,331 I JUST WANT TO THROW THE BOOK OUT THE WINDOW. 420 00:19:58,331 --> 00:19:59,866 OR IF I'M IN A ROOM WITH NO WINDOWS, 421 00:19:59,866 --> 00:20:01,601 I WANT TO RUN INTO ANOTHER ROOM AND THROW IT OUT OF THAT WINDOW. 422 00:20:01,601 --> 00:20:03,370 OR IF I'M IN A HOUSE WITH NO WINDOWS, 423 00:20:03,370 --> 00:20:05,472 I WANT TO RUN DOWNSTAIRS AND THROW IT OUT OF THE FRONT DOOR. 424 00:20:05,472 --> 00:20:07,740 OR IF I'M IN A HOUSE WITH NO WINDOWS AND NO DOORS, 425 00:20:07,740 --> 00:20:08,741 THAT'S SCARY. 426 00:20:08,741 --> 00:20:10,109 HOW DID I GET IN THERE? 427 00:20:14,281 --> 00:20:16,148 I'M NOT A VERY COOL GUY. 428 00:20:16,148 --> 00:20:18,150 I'M REALLY NOT. 429 00:20:18,150 --> 00:20:19,952 I KNOW THIS BECAUSE WHAT DO COOL GUYS DO 430 00:20:19,952 --> 00:20:22,121 WHEN THEY GET A CORONA, HUH? 431 00:20:22,121 --> 00:20:23,623 WHAT DO THEY DO WITH THE LIME? 432 00:20:23,623 --> 00:20:25,758 THEY'LL PRESS THE LIME DOWN INTO THE BOTTLE, 433 00:20:25,758 --> 00:20:27,360 AND THEN THEY TURN THE BOTTLE UPSIDE DOWN 434 00:20:27,360 --> 00:20:29,061 SO THAT THE LIME SLOWLY FLOATS UPWARDS 435 00:20:29,061 --> 00:20:30,997 TO THE BOTTOM OF THE BOTTLE, AND BY THEY TURN IT BACK AROUND, 436 00:20:30,997 --> 00:20:32,865 USUALLY THEY'RE HAVING SEX WITH A WOMAN. 437 00:20:42,241 --> 00:20:43,810 I ALWAYS TRY AND DO THAT. 438 00:20:43,810 --> 00:20:45,211 I'M LIKE, "OH, YEAH, YOU'RE GOING BACK TO NURSING-- 439 00:20:45,211 --> 00:20:46,546 HOLD ON A SECOND. I GOT A CORONA, SO--" 440 00:20:46,546 --> 00:20:48,047 [mimics liquid splashing] 441 00:20:54,120 --> 00:20:57,590 AND WHENEVER I ASK ADVICE ABOUT HOW TO KIND OF ACT MORE SMOOTH 442 00:20:57,590 --> 00:21:00,460 IN CERTAIN SITUATIONS, PEOPLE ALWAYS GIVE ME SIMILAR-- 443 00:21:00,460 --> 00:21:01,694 LIKE, DO YOU EVER HAVE ANYBODY SAY TO YOU, 444 00:21:01,694 --> 00:21:03,530 "JUST DO YOUR THING"? 445 00:21:03,530 --> 00:21:05,865 "JUST DO YOUR THING, MAN. DON'T WORRY ABOUT IT, T.J. 446 00:21:05,865 --> 00:21:09,369 JUST DO YOUR THING. JUST DO YOUR THING." 447 00:21:09,369 --> 00:21:12,305 I DON'T WANT TO DO THAT. 448 00:21:12,305 --> 00:21:14,006 BECAUSE MY THING IS THIS: 449 00:21:18,978 --> 00:21:21,414 THAT'S A WEIRD THING. DON'T TELL ME TO DO THAT. 450 00:21:21,414 --> 00:21:23,916 THAT'S NOT GONNA HELP ME IN ANY SITUATION. 451 00:21:33,225 --> 00:21:36,396 I AM KIND OF A STRANGE GUY, AS I MENTIONED. 452 00:21:36,396 --> 00:21:39,799 I WANT TO TELL A STORY TO ILLUSTRATE THAT. 453 00:21:39,799 --> 00:21:43,002 MY EX-WIFE OF 27 YEARS, KAREN, WAS THROWING -- 454 00:21:43,002 --> 00:21:46,005 [laughter] 455 00:21:48,408 --> 00:21:53,446 SEE, THIS IS WHY COMEDIANS DON'T OPEN UP TO AUDIENCES. 456 00:21:53,446 --> 00:21:58,117 'CAUSE WE GET SLAPPED IN THE FACE. 457 00:21:58,117 --> 00:21:59,619 SHE WAS THROWING AWAY HER TENNIS OUTFIT. 458 00:21:59,619 --> 00:22:00,853 YOU GUYS KNOW WHAT THAT IS. 459 00:22:00,853 --> 00:22:02,389 IT'S A MATCHING SKIRT AND TANK TOP 460 00:22:02,389 --> 00:22:05,024 USED IN THE RECREATIONAL PLAY AND COMPETITION OF TENNIS. 461 00:22:05,024 --> 00:22:07,827 SO SHE WAS GETTING RID OF IT, AND I SAID, 462 00:22:07,827 --> 00:22:09,228 "DO YOU THINK THAT WILL FIT ME?" 463 00:22:09,228 --> 00:22:10,897 AND SHE SAID, "YEAH, I THINK IT'S ELASTIC." 464 00:22:10,897 --> 00:22:12,064 SO I TRIED IT ON, AND IT FIT, 465 00:22:12,064 --> 00:22:16,002 AND I KEPT IT FOR WHENEVER I GOT HIGH. 466 00:22:16,002 --> 00:22:20,006 'CAUSE IT WAS COMFORTABLE, AND IT LOOKED HILARIOUS. 467 00:22:20,006 --> 00:22:21,374 AND ONE TIME WE WERE ALL HANGING OUT, 468 00:22:21,374 --> 00:22:22,742 AND MY COUSIN CAME OVER, 469 00:22:22,742 --> 00:22:24,777 AND I WAS WEARING THE TENNIS OUTFIT, AND HE GOES, 470 00:22:24,777 --> 00:22:26,746 "HEY, YOU KNOW WHAT YOU SHOULD DO? 471 00:22:26,746 --> 00:22:29,348 YOU SHOULD GO DOWNSTAIRS TO THE CORNER OF SUNSET AND VINE"-- 472 00:22:29,348 --> 00:22:30,383 WHICH IS A VERY BUSY INTERSECTION 473 00:22:30,383 --> 00:22:31,884 WHERE I LIVE IN LOS ANGELES. 474 00:22:31,884 --> 00:22:33,486 AND HE'S LIKE, "AND YOU SHOULD SMOKE A CIGARETTE 475 00:22:33,486 --> 00:22:36,088 "IN THAT OUTFIT. 476 00:22:36,088 --> 00:22:39,191 I DARE YOU." 477 00:22:39,191 --> 00:22:41,928 AND I WAS LIKE, "YOU DARE ME? WHAT ARE WE, 15? 478 00:22:41,928 --> 00:22:45,998 LET'S DO THIS THING." 479 00:22:45,998 --> 00:22:47,700 SO I WENT DOWNSTAIRS, BUT IT'S HOLLYWOOD, 480 00:22:47,700 --> 00:22:50,670 SO NOBODY WAS REALLY WEIRDED OUT BY IT. 481 00:22:50,670 --> 00:22:52,572 BUT THEN, AS I WAS ABOUT TO FINISH, 482 00:22:52,572 --> 00:22:56,676 THIS GROUP OF THUGGISH YOUTHS, YOU KNOW, APPROACHED, 483 00:22:56,676 --> 00:23:01,047 LIKE YOUNG RAPSCALLIONS, NE'ER-DO-WELLS, NO-GOODNIKS, 484 00:23:01,047 --> 00:23:05,618 NOT-AS-GOOD-AS-THE-OTHERSES. 485 00:23:05,618 --> 00:23:09,221 IT'S A PHRASE THAT NEVER CAUGHT ON IN THE '30s. 486 00:23:09,221 --> 00:23:10,623 THEY WERE APPROACHING, 487 00:23:10,623 --> 00:23:11,991 AND I KNEW THEY WERE GONNA YELL SOMETHING AT ME. 488 00:23:11,991 --> 00:23:13,526 YOU KNOW WHEN KIDS ARE LIKE, "HEY! HEY!" 489 00:23:13,526 --> 00:23:14,927 YOU KNOW, YOU KNOW IT. YOU KNOW IT. 490 00:23:14,927 --> 00:23:16,729 SO I WANTED TO HEAD THEM OFF AT THE PASS. 491 00:23:16,729 --> 00:23:19,098 I WANTED TO YELL SOMETHING AT THEM FIRST, 492 00:23:19,098 --> 00:23:20,733 BUT I'M NOT MEAN OR TOUGH. 493 00:23:20,733 --> 00:23:25,037 I'M JUST WEIRD, SO I WAS LIKE, "WHAT IS THE WEIRDEST THING 494 00:23:25,037 --> 00:23:28,140 "THAT A FULL-GROWN MAN IN A TENNIS OUTFIT 495 00:23:28,140 --> 00:23:34,146 COULD YELL AT A GROUP OF THUGGISH YOUTHS?" 496 00:23:34,146 --> 00:23:35,347 SO THIS IS WHAT I DID AS THEY APPROACHED. 497 00:23:35,347 --> 00:23:36,749 LIKE, "HEY! HEY!" 498 00:23:36,749 --> 00:23:38,485 BEFORE THEY COULD YELL ANYTHING, JUST FULL TENNIS OUTFIT, 499 00:23:38,485 --> 00:23:39,486 I TURNED, AND I WENT: 500 00:23:39,486 --> 00:23:40,487 "[clears throat] 501 00:23:40,487 --> 00:23:42,388 FAGGOTS!" 502 00:23:42,388 --> 00:23:45,291 [cheers and applause] 503 00:23:46,759 --> 00:23:52,131 BUT HERE'S THE THING, I WAS IMMEDIATELY PUNISHED 504 00:23:52,131 --> 00:23:54,667 FOR YELLING THAT, BECAUSE AS I TURNED TO RUN 505 00:23:54,667 --> 00:23:56,536 INTO MY BUILDING BECAUSE I'M A COWARD 506 00:23:56,536 --> 00:23:59,572 AND I DIDN'T WANT THEM TO KILL ME, 507 00:23:59,572 --> 00:24:02,742 I REMEMBERED THAT TENNIS OUTFITS DON'T HAVE POCKETS, 508 00:24:02,742 --> 00:24:06,078 SO I DIDN'T HAVE THE KEYS TO MY THING, 509 00:24:06,078 --> 00:24:10,382 SO I WAS JUST LEFT OUTSIDE MY BUILDING KNOCKING, THINKING, 510 00:24:10,382 --> 00:24:13,586 "THIS IS GONNA BE THE WEIRDEST OBITUARY EVER." 511 00:24:16,288 --> 00:24:18,625 BUT THEY DIDN'T KILL ME, THANK GOODNESS. 512 00:24:18,625 --> 00:24:19,959 UM... 513 00:24:19,959 --> 00:24:21,193 ALL THEY DID WAS-- THE TOUGHEST-LOOKING KID, 514 00:24:21,193 --> 00:24:22,194 THIS IS WHAT HE YELLED. 515 00:24:22,194 --> 00:24:24,163 HE JUST GOES, "YOU TOO OLD, 516 00:24:24,163 --> 00:24:26,766 YOU WILL-FERRELL-LOOKING MOTHERFUCKER!" 517 00:24:31,604 --> 00:24:35,642 WHICH, I THINK I WIN THAT ROUND. 518 00:24:35,642 --> 00:24:36,943 HERE'S WHY. 519 00:24:36,943 --> 00:24:40,312 LET'S IMAGINE HIM TELLING THE STORY LATER. 520 00:24:40,312 --> 00:24:42,014 "YO, SO WE WAS WALKING DOWN THE STREET, RIGHT? 521 00:24:42,014 --> 00:24:43,550 "AND THERE WAS THIS DUDE IN A-- 522 00:24:43,550 --> 00:24:46,719 "FULL-GROWN GUY, YOU KNOW, TENNIS OUTFIT. 523 00:24:46,719 --> 00:24:48,788 "YOU KNOW, MATCHING SKIRT AND TANK TOP 524 00:24:48,788 --> 00:24:53,660 "USED IN THE RECREATIONAL PLAY AND COMPETITION OF TENNIS? 525 00:24:53,660 --> 00:24:56,796 "SO HE LOOKED AT US, AND HE WAS LIKE, 'HEH-HEH, FAGGOTS!' 526 00:24:56,796 --> 00:25:02,134 "NO, HE-- NO, HE YELLED THAT AT US. 527 00:25:02,134 --> 00:25:03,335 "WHAT DO YOU MEAN WHAT WAS I WEARING? 528 00:25:03,335 --> 00:25:04,537 "I WAS WEARING THIS. 529 00:25:09,408 --> 00:25:12,311 "SO ANYWAY, WE WALKED BY, AND I WAS LIKE, 'YOU TOO OLD, 530 00:25:12,311 --> 00:25:14,513 "YOU WILL-FERRELL-LOOKING MOTHERFUCKER!' 531 00:25:20,687 --> 00:25:22,321 "WHAT DO YOU MEAN TOO OLD TO WHAT? 532 00:25:25,958 --> 00:25:28,427 "TOO OLD TO WEAR A TENNIS OUTFIT. 533 00:25:31,598 --> 00:25:33,399 YOU GOT TO CUT THAT SHIT OUT AT 23." 534 00:25:37,269 --> 00:25:38,571 I USED TO LIVE IN CHICAGO, 535 00:25:38,571 --> 00:25:39,739 AND I WAS IN NEW YORK FOR A LITTLE WHILE. 536 00:25:39,739 --> 00:25:40,740 [scattered applause] 537 00:25:40,740 --> 00:25:42,074 YEAH, THERE IT IS. 538 00:25:42,074 --> 00:25:44,644 THAT'S THE SOFTEST EXCITEMENT FOR CHICAGO-- 539 00:25:44,644 --> 00:25:45,712 [cheers] 540 00:25:45,712 --> 00:25:47,079 "I USED TO LIVE IN CHICAGO." 541 00:25:47,079 --> 00:25:48,080 THREE OR FOUR PEOPLE WERE LIKE, 542 00:25:48,080 --> 00:25:52,118 "[weakly] YEAH. 543 00:25:52,118 --> 00:25:55,421 "I FEEL NEUTRAL ABOUT THAT. 544 00:25:55,421 --> 00:25:57,790 "IT WAS JUST MORE OF AN OPPORTUNITY 545 00:25:57,790 --> 00:26:01,560 TO LET AIR OUT OF MY BODY." 546 00:26:01,560 --> 00:26:03,930 I LIKE PUBLIC TRANSIT, BECAUSE YOU GET TO INTERACT WITH PEOPLE 547 00:26:03,930 --> 00:26:06,799 THAT YOU WOULD NEVER INTERACT WITH OTHERWISE, YOU KNOW? 548 00:26:06,799 --> 00:26:08,935 THE BEST THING I EVER SAW, ON THE TRAIN IN CHICAGO, 549 00:26:08,935 --> 00:26:10,169 THERE'S WAS THIS KID. 550 00:26:10,169 --> 00:26:11,604 HE HAD HIS SHIRT UP ABOVE HIS NIPPLES, 551 00:26:11,604 --> 00:26:13,973 AND HE WAS GOING LIKE THIS: 552 00:26:17,476 --> 00:26:21,013 AND I ADMIRED HIS FREEDOM. 553 00:26:21,013 --> 00:26:23,349 BUT HIS FATHER THOUGHT HE WAS A FUNNY GUY, AND HE GOES-- 554 00:26:23,349 --> 00:26:26,418 LOUD ENOUGH SO THAT EVERYBODY COULD HEAR--HE GOES, "UH-OH. 555 00:26:26,418 --> 00:26:29,689 "YOU KNOW WHAT HAPPENS TO PEOPLE WITH EXPOSED BELLIES. 556 00:26:29,689 --> 00:26:32,324 BELLY SLAP!" 557 00:26:32,324 --> 00:26:34,026 AND THEN HE SLAPPED THE KID'S BELLY, 558 00:26:34,026 --> 00:26:35,494 LIKE, REALLY, REALLY HARD, THOUGH. 559 00:26:35,494 --> 00:26:36,495 LIKE, THE KID WAS LIKE... 560 00:26:36,495 --> 00:26:39,198 "[grunting]" 561 00:26:39,198 --> 00:26:40,499 SO I WANTED TO SAY SOMETHING. 562 00:26:40,499 --> 00:26:41,801 SO I JUST WALKED UP TO THE FATHER, 563 00:26:41,801 --> 00:26:43,369 AND I WENT, "EXCUSE ME, SIR. 564 00:26:47,339 --> 00:26:49,041 "YOU GAVE YOUR WORD. 565 00:26:54,681 --> 00:26:58,017 SLAP IT." 566 00:26:58,017 --> 00:27:01,353 THEY GOT OFF AT THE NEXT STOP. 567 00:27:01,353 --> 00:27:04,256 I FOLLOWED THEM HOME. 568 00:27:04,256 --> 00:27:05,858 I LIVED WITH THAT FAMILY FOR TWO YEARS. 569 00:27:10,296 --> 00:27:11,630 ONE THING I DO NOT MISS 570 00:27:11,630 --> 00:27:14,133 ABOUT BEING ON PUBLIC TRANSPORTATION IS, 571 00:27:14,133 --> 00:27:15,434 I HATE MAKING EYE CONTACT 572 00:27:15,434 --> 00:27:17,469 WITH ANYBODY UNDER THE AGE OF THREE. 573 00:27:17,469 --> 00:27:18,905 DO YOU GUYS HATE THAT? 574 00:27:18,905 --> 00:27:22,241 YOU EVER LOCK EYES WITH A BABY OR A TODDLER? 575 00:27:22,241 --> 00:27:24,711 'CAUSE THEY DON'T LOOK AWAY. 576 00:27:24,711 --> 00:27:26,378 THEY HAVEN'T LEARNED THAT YET, YOU KNOW? 577 00:27:26,378 --> 00:27:28,147 SO YOU'LL BE LIKE, "HEY, LITTLE BUDDY." 578 00:27:28,147 --> 00:27:32,919 AND THEY'RE LIKE: 579 00:27:32,919 --> 00:27:34,286 AND THEN EVENTUALLY, YOU LOOK AWAY, 580 00:27:34,286 --> 00:27:38,024 'CAUSE YOU'RE A PERSON WITH MANNERS. 581 00:27:38,024 --> 00:27:39,826 BUT IF YOU LOOK BACK, THEY'RE JUST STILL STARING. 582 00:27:39,826 --> 00:27:41,761 SO I ALWAYS MAKE A FACE, 'CAUSE I FEEL LIKE 583 00:27:41,761 --> 00:27:42,962 THAT'S WHAT I WOULD HAVE WANTED 584 00:27:42,962 --> 00:27:44,130 WHEN I WAS A LITTLE BABY, YOU KNOW? 585 00:27:44,130 --> 00:27:45,531 LOCK EYES WITH A STRANGER. 586 00:27:45,531 --> 00:27:46,999 MAKE A LITTLE FACE, AND I LOOK AT HIM, AND I GO: 587 00:27:46,999 --> 00:27:49,802 [hissing] 588 00:27:51,370 --> 00:27:53,239 WHICH IS DIFFICULT TO EXPLAIN IF A MOTHER CATCHES YOU DOING IT. 589 00:28:02,581 --> 00:28:05,417 ALL RIGHT. LET'S DO SOME SHORT JOKES. 590 00:28:05,417 --> 00:28:07,419 THESE WILL BE FUN. 591 00:28:07,419 --> 00:28:10,022 I GOT CALLED A GAYWAD RECENTLY. 592 00:28:10,022 --> 00:28:13,259 GAY WAD. 593 00:28:13,259 --> 00:28:14,994 SOME GUY YELLED AT ME FROM HIS TRUCK. 594 00:28:14,994 --> 00:28:16,729 THAT'S GREAT. ONE GAY ISN'T ENOUGH FOR ME. 595 00:28:16,729 --> 00:28:18,831 I'M A WET CLUMP OF HOMOSEXUALITY. 596 00:28:22,301 --> 00:28:23,469 IS THIS GAY, THOUGH? 597 00:28:23,469 --> 00:28:25,671 LAST WEEK, I ROOFIED A GIRL. YEAH. 598 00:28:25,671 --> 00:28:27,740 BUT WHEN SHE WAS PASSED OUT, I JUST REDID HER HAIR. 599 00:28:27,740 --> 00:28:29,942 IT LOOKED TERRIBLE. 600 00:28:40,352 --> 00:28:41,988 YOU GUYS LIKE TO PLAY WITH WORDS? 601 00:28:41,988 --> 00:28:44,090 I'M DYSLEXIC. 602 00:28:44,090 --> 00:28:46,625 AND I GOT REALLY DEPRESSED ABOUT IT RECENTLY, 603 00:28:46,625 --> 00:28:48,660 SO I ENDED UP SLITTING MY ANKLES. 604 00:28:55,501 --> 00:28:57,003 I LEFT A SUICIDE NOTE. 605 00:28:57,003 --> 00:28:58,304 IT SAID, "SEE YOU LATER, CROCODILES." 606 00:29:05,411 --> 00:29:07,646 CALLED SOMEBODY AN INDIAN GIVER RECENTLY. 607 00:29:07,646 --> 00:29:10,249 THEY WERE REALLY OFFENDED, SO I HAD TO TAKE IT BACK. 608 00:29:19,691 --> 00:29:21,928 MY NAME IS T.J. MILLER. 609 00:29:21,928 --> 00:29:26,098 I'M TIRED OF BEING CALLED "T-GAY BUTT-FILLER." 610 00:29:26,098 --> 00:29:28,434 SO LET'S CUT THAT OUT, SPECIFICALLY ON THE INTERNET. 611 00:29:33,605 --> 00:29:36,275 I WANT TO BE KNOWN BY MY CHRISTIAN NAME, BUTT FUCKER. 612 00:29:38,911 --> 00:29:41,513 THAT'S WHAT MY BOYFRIEND CHRISTIAN CALLS ME. 613 00:29:41,513 --> 00:29:44,483 I'M NOT GAY, BUT THAT'S A GREAT JOKE. 614 00:29:44,483 --> 00:29:47,219 DON'T GET IN THE WAY OF YOUR OWN FUN. 615 00:29:51,490 --> 00:29:53,792 SOMETIMES I CAN TELL IMMEDIATELY WHEN I MEET SOMEONE 616 00:29:53,792 --> 00:29:55,094 THAT WE'LL NEVER BE GOOD FRIENDS 617 00:29:55,094 --> 00:29:56,628 BECAUSE OF SOMETHING THAT THEY SAY. 618 00:29:56,628 --> 00:29:57,729 LIKE, IF WHEN YOU LIKE SOMETHING, 619 00:29:57,729 --> 00:29:59,531 YOU SAY "COOL BEANS"-- 620 00:29:59,531 --> 00:30:01,000 LIKE, "COOL BEANS. 621 00:30:01,000 --> 00:30:03,269 THAT'S COOL BEANS." 622 00:30:03,269 --> 00:30:07,706 THEN US BEING GOOD FRIENDS IS NOT COOL BEANS WITH ME. 623 00:30:07,706 --> 00:30:09,842 IF YOU STILL THINK IT'S STILL FUNNY TO SAY, "GUESS WHAT. 624 00:30:09,842 --> 00:30:11,210 CHICKEN BUTT." 625 00:30:11,210 --> 00:30:14,746 GUESS WHAT. WE'LL NEVER BE GOOD FRIENDS. 626 00:30:14,746 --> 00:30:16,482 IF YOU SAY, "THAT IS SO RANDOM. HOW RANDOM IS THAT? 627 00:30:16,482 --> 00:30:17,783 THAT IS, LIKE, SO RANDOM." 628 00:30:17,783 --> 00:30:18,784 YOU'RE RIGHT; THAT'S VERY RANDOM. 629 00:30:18,784 --> 00:30:20,086 BUT YOU KNOW WHAT'S CONSISTENT? 630 00:30:20,086 --> 00:30:23,255 THE FACT THAT WE'LL NEVER BE GOOD FRIENDS. 631 00:30:23,255 --> 00:30:27,026 AND IF WE'RE IN THE CAR AND YOU SAY, "OOH, LOOK AT THE CLOCK. 632 00:30:27,026 --> 00:30:31,363 IT'S 11:11. MAKE A WISH." 633 00:30:31,363 --> 00:30:33,532 AND 30 SECONDS LATER, YOU'RE STILL ALIVE, 634 00:30:33,532 --> 00:30:38,570 MY WISH DIDN'T COME TRUE, AND WE'LL NEVER BE GOOD FRIENDS. 635 00:30:43,609 --> 00:30:45,644 I LIKE TO GO UP TO GIRLS SOMETIMES AND GO LIKE THIS: 636 00:30:48,680 --> 00:30:51,750 "SO SARAH AND I WERE-- EXCUSE ME. 637 00:30:51,750 --> 00:30:54,353 "MY EYES ARE UP HERE. 638 00:30:54,353 --> 00:30:57,756 "THEY'RE NOT DOWN HERE. THEY'RE UP HERE. 639 00:30:57,756 --> 00:31:01,260 "I KNOW I HAVE GLITTER HERE. YOU LOOK UP HERE. 640 00:31:01,260 --> 00:31:02,261 NOW SLAP IT." 641 00:31:10,102 --> 00:31:12,071 I LIKE LONG ISLAND ICED TEAS. 642 00:31:12,071 --> 00:31:15,007 [cheers] 643 00:31:16,075 --> 00:31:17,343 I LIKE LONG ISLAND ICED TEAS 644 00:31:17,343 --> 00:31:18,444 BECAUSE THEY'RE MORE OF A STATEMENT 645 00:31:18,444 --> 00:31:20,046 THAN THEY ARE A DRINK. 646 00:31:20,046 --> 00:31:21,813 YOU KNOW, THE BARTENDER'S SAYING, "WHAT WILL YOU HAVE?" 647 00:31:21,813 --> 00:31:23,415 AND YOU'RE SAYING, "ALL OF IT. 648 00:31:23,415 --> 00:31:27,153 "I'LL TAKE ALL OF IT. PUT IT IN A TALL WEIRD GLASS. 649 00:31:27,153 --> 00:31:29,956 "WITH A SPLASH OF COCA-COLA SO NO ONE CAN SEE 650 00:31:29,956 --> 00:31:34,426 HOW LONELY I AM INSIDE." 651 00:31:34,426 --> 00:31:37,463 MIMOSAS ARE FUN TOO, BECAUSE IF YOU'RE DRINKING CHAMPAGNE 652 00:31:37,463 --> 00:31:40,032 AT 8:00 A.M., YOU'RE AN ALCOHOLIC, 653 00:31:40,032 --> 00:31:44,703 BUT IF YOU ADD ORANGE JUICE, IT'S JUST AN EARLY BRUNCH. 654 00:31:44,703 --> 00:31:46,338 BUT BEWARE OF THIS, OKAY? 655 00:31:46,338 --> 00:31:49,341 SOME PLACES WILL ADVERTISE BOTTOMLESS MIMOSAS. 656 00:31:49,341 --> 00:31:52,478 LET ME JUST SAY THIS, OKAY? 657 00:31:52,478 --> 00:31:55,581 FROM PERSONAL EXPERIENCE, IF BY 10:00 A.M. YOU'RE SO DRUNK 658 00:31:55,581 --> 00:31:57,916 THAT YOU'RE PHYSICALLY FORCING YOUR WAITER 659 00:31:57,916 --> 00:32:01,320 TO WEAR THE FRENCH TOAST HAT THAT YOU MADE HIM, 660 00:32:01,320 --> 00:32:05,724 YOU'VE REACHED THE BOTTOM OF THOSE MIMOSAS. 661 00:32:05,724 --> 00:32:08,327 YOU'VE REACHED THE ROCK BOTTOM. 662 00:32:08,327 --> 00:32:11,263 [cheers and applause] 663 00:32:15,634 --> 00:32:18,837 I HAVE A PRESCRIPTION FOR MARIJUANA IN LOS ANGELES. 664 00:32:18,837 --> 00:32:22,341 [cheers] 665 00:32:22,341 --> 00:32:24,343 IT'S FOR ANXIETY. 666 00:32:24,343 --> 00:32:27,946 PRIMARILY ANXIETY ABOUT GETTING ARRESTED FOR MARIJUANA. 667 00:32:27,946 --> 00:32:30,882 [applause] 668 00:32:34,653 --> 00:32:39,291 SO LET'S CLEAR THAT RIGHT UP. 669 00:32:39,291 --> 00:32:41,660 I GOT KICKED OUT OF THE PARTY STORE FOR PARTYING. 670 00:32:41,660 --> 00:32:44,963 THAT DOESN'T SEEM FAIR. 671 00:32:44,963 --> 00:32:47,333 THEY SHOULD CALL IT THE UNFUN STREAMER STORE 672 00:32:47,333 --> 00:32:48,934 WHERE YOU'RE NOT ALLOWED TO BREAK-DANCE 673 00:32:48,934 --> 00:32:50,802 AND FUNNEL GIN AND TONICS STORE. 674 00:32:59,945 --> 00:33:02,381 I'M SO EXCITED TO TELL THIS NEXT JOKE. 675 00:33:05,651 --> 00:33:07,853 HEY, HAVE YOU GUYS EVER BEEN TO A BIG LOTS? 676 00:33:07,853 --> 00:33:10,189 IT LOOKS LIKE A TARGET JUST GOT LOOTED. 677 00:33:14,560 --> 00:33:18,397 IT'S FUN. 678 00:33:18,397 --> 00:33:21,367 SOMETIMES WHEN I'M TALKING TO A GUY WITH A SHORT MAN COMPLEX-- 679 00:33:21,367 --> 00:33:23,001 YOU KNOW THOSE GUYS WITH A NAPOLEON COMPLEX 680 00:33:23,001 --> 00:33:25,804 THAT WON'T LET YOU GET A WORD IN EDGEWISE? 681 00:33:25,804 --> 00:33:28,140 WHEN I'M LISTENING TO THEM, I LIKE TO GO LIKE THIS... 682 00:33:28,140 --> 00:33:30,676 "UH-HUH. SURE. 683 00:33:30,676 --> 00:33:33,879 "REALLY? OKAY. 684 00:33:33,879 --> 00:33:37,183 "AND THEN WHAT HAPPENED? 685 00:33:37,183 --> 00:33:39,085 "NO. 686 00:33:39,085 --> 00:33:41,320 "WELL, WHERE WAS SARAH? 687 00:33:41,320 --> 00:33:43,489 "WHAT DID SHE SAY? 688 00:33:43,489 --> 00:33:46,225 "NO. 689 00:33:46,225 --> 00:33:48,760 "TELL ME MORE ABOUT THAT. 690 00:33:48,760 --> 00:33:50,829 "REALLY? 691 00:33:50,829 --> 00:33:53,299 UH-UH." 692 00:33:53,299 --> 00:33:55,101 AND THEN WHEN I'M SHORTER THAN THEM, I JUST GO, 693 00:33:55,101 --> 00:33:56,768 "HOW'S THE WEATHER UP THERE?" 694 00:33:56,768 --> 00:33:58,437 AND I PUNCH THEM IN THE DICK. 695 00:33:58,437 --> 00:34:00,572 [cheers and applause] 696 00:34:00,572 --> 00:34:02,508 THAT JOKE'S EVEN BETTER ON PAPER. 697 00:34:13,018 --> 00:34:15,754 MY FRIEND SAID TO ME, "T.J., YOU'RE MORE OF A WORD MAN. 698 00:34:15,754 --> 00:34:20,326 ME, NOT SO MUCH AS MUCH." 699 00:34:20,326 --> 00:34:22,394 I SAID, "YEPPERS, YEPPPERS, JOHNNY DEPPERS." 700 00:34:22,394 --> 00:34:23,429 YOU CAN USE THAT. 701 00:34:27,966 --> 00:34:31,437 I'D LIKE TO "PRE-FACE" THIS NEXT JOKE BY SAYING THAT I DON'T KNOW 702 00:34:31,437 --> 00:34:36,942 THE CORRECT "PRO-NOWN-CIATION" OF THE WORD "PREFIKAY." 703 00:34:36,942 --> 00:34:40,446 SO I WAS READING THE "PROFUSE" OF THIS BOOK THE OTHER DAY, 704 00:34:40,446 --> 00:34:41,680 AND I WAS LIKE, "THIS IS SO LONG, 705 00:34:41,680 --> 00:34:43,382 IT NEEDS ITS OWN 'PREFACHAY.'" 706 00:34:50,289 --> 00:34:52,858 PRONUNCIATION OF THE WORD PREFACE JOKE 707 00:34:52,858 --> 00:34:55,427 DIDN'T GO THAT WELL, HUH? 708 00:34:55,427 --> 00:34:58,230 THAT'S OKAY. I GOT OTHER STUFF. 709 00:34:58,230 --> 00:35:00,299 HEY, WHAT DO GAY HORSES EAT? 710 00:35:00,299 --> 00:35:01,767 all: HEY! 711 00:35:01,767 --> 00:35:05,237 - HORSE DICK. 712 00:35:05,237 --> 00:35:07,673 OH, YOU LIKE THAT ONE BETTER? YEAH? 713 00:35:07,673 --> 00:35:09,841 JUST GETTING THE INTELLECTUAL BAROMETER OF THE ROOM. 714 00:35:23,489 --> 00:35:25,191 THIS GUY. 715 00:35:25,191 --> 00:35:27,125 I LIKE LATE LAUGHERS, YOU KNOW? 716 00:35:27,125 --> 00:35:29,328 GUYS THAT ARE THINKING A LITTLE BIT ABOUT IT, 717 00:35:29,328 --> 00:35:31,630 DECIDE TO RETURN TO THE LAUGHTER. 718 00:35:31,630 --> 00:35:33,165 [laughs] 719 00:35:35,734 --> 00:35:38,103 [laughs] 720 00:35:38,103 --> 00:35:39,471 BUT I'M NOT MAKING FUN OF YOUR LAUGH. 721 00:35:39,471 --> 00:35:41,473 I WANT YOU TO KNOW THAT--AT ALL. 722 00:35:41,473 --> 00:35:43,809 'CAUSE I HATE IT WHEN PEOPLE MAKE FUN OF PEOPLE'S LAUGHS. 723 00:35:43,809 --> 00:35:45,477 IT'S SUCH A TERRIBLE THING. 724 00:35:45,477 --> 00:35:47,078 YOU EVER HAD ANYBODY MAKE FUN OF YOUR LAUGH? 725 00:35:47,078 --> 00:35:49,548 THAT'S BASICALLY LIKE SAYING, "HEY, YOU KNOW THAT SOUND 726 00:35:49,548 --> 00:35:52,918 "THAT YOU MAKE WHEN YOU'RE HAPPY AND JOYFUL 727 00:35:52,918 --> 00:35:56,087 "AND THE TRAGEDY AND SADNESS THAT PERMEATES OUR LIVES 728 00:35:56,087 --> 00:35:59,258 "IS TEMPORARILY SET ASIDE FOR A MOMENT OF EUPHORIA? 729 00:35:59,258 --> 00:36:02,328 "YEAH, YOU SOUND STUPID. 730 00:36:02,328 --> 00:36:04,162 YOU SHOULD STOP DOING THAT." 731 00:36:07,899 --> 00:36:09,535 AND WHEN WE FIRST STARTED DATING, 732 00:36:09,535 --> 00:36:14,673 KAREN USED TO SAY THAT SHE HATED WHEN I WOULD LAUGH REALLY HARD, 733 00:36:14,673 --> 00:36:18,244 BECAUSE SHE SAID IT SOUNDED LIKE I WANTED TO KILL HER. 734 00:36:20,546 --> 00:36:23,114 YOU KNOW HOW SNOOP DOGG SAYS YOU GOT TO DROP IT LIKE IT'S HOT? 735 00:36:23,114 --> 00:36:25,116 WELL, I DROPPED THAT LIKE IT WAS ANY TEMPERATURE. 736 00:36:25,116 --> 00:36:26,485 [maniacal laughter] 737 00:36:26,485 --> 00:36:30,456 I'M GONNA KILL YOU. 738 00:36:30,456 --> 00:36:33,091 SORRY. 739 00:36:33,091 --> 00:36:34,660 UGH. 740 00:36:34,660 --> 00:36:36,795 THIS WOMAN WOULDN'T LET ME HOLD HER BABY THE OTHER DAY, 741 00:36:36,795 --> 00:36:40,766 BECAUSE SHE SAID I WAS TOO DRUNK. 742 00:36:40,766 --> 00:36:43,569 OKAY, FIRST OF ALL, DON'T BRING YOUR BABY INTO THE BAR. 743 00:36:43,569 --> 00:36:45,971 AM I RIGHT? 744 00:36:45,971 --> 00:36:47,639 AND SECOND OF ALL, 745 00:36:47,639 --> 00:36:50,876 IF I'M DRINKING MALT LIQUOR ON A PLAYGROUND, I CALL THAT A BAR. 746 00:36:50,876 --> 00:36:54,413 YEAH. YEAH. 747 00:36:59,751 --> 00:37:02,187 DO YOU EVER SAY SOMETHING AND YOU REGRET IT RIGHT AFTERWARDS? 748 00:37:02,187 --> 00:37:05,957 LIKE I JUST DID, YEAH. 749 00:37:05,957 --> 00:37:07,526 YOU WANT TO HEAR THE WORST THING THAT I EVER SAID? 750 00:37:07,526 --> 00:37:08,794 THIS IS SO AWFUL. 751 00:37:08,794 --> 00:37:10,296 I WAS AT THIS PARTY, AND THIS GIRL CAME OVER, 752 00:37:10,296 --> 00:37:11,530 AND SHE WENT INTO THE BATHROOM, AND I DON'T KNOW WHY, 753 00:37:11,530 --> 00:37:12,564 BUT I TURNED TO MY FRIEND, AND I GO, 754 00:37:12,564 --> 00:37:13,999 "[wincing] 755 00:37:13,999 --> 00:37:16,868 LOOKS LIKE SHE GOT HIT IN THE FACE WITH A SHOVEL." 756 00:37:16,868 --> 00:37:20,138 AND HE WAS LIKE, "SHE DID GET HIT IN THE FACE WITH A SHOVEL." 757 00:37:20,138 --> 00:37:21,807 AND I WAS LIKE, "SORRY." 758 00:37:21,807 --> 00:37:24,943 AND HE'S LIKE, "T.J., YOU HIT HER IN THE FACE WITH A SHOVEL. 759 00:37:24,943 --> 00:37:27,145 "THREE WEEKS AGO, YOU WERE BURYING TREASURE, 760 00:37:27,145 --> 00:37:28,380 AND SHE SCARED YOU." 761 00:37:28,380 --> 00:37:31,116 AND THAT'S TRUE. SHE CAME OUT OF NOWHERE. 762 00:37:34,620 --> 00:37:36,187 I DON'T CARE IF YOU-- 763 00:37:36,187 --> 00:37:37,188 I DON'T CARE IF YOU LIKE MY COMEDY 764 00:37:37,188 --> 00:37:38,557 OR IF YOU THINK I'M FUNNY. 765 00:37:38,557 --> 00:37:39,958 IT DOESN'T MATTER TO ME, BECAUSE AFTER THE SHOW, 766 00:37:39,958 --> 00:37:43,329 I'M PROBABLY GONNA GET A LITTLE BIT OF THIS. 767 00:37:43,329 --> 00:37:44,830 MAYBE SOME OF THIS. 768 00:37:44,830 --> 00:37:47,966 SOME OF THIS. 769 00:37:47,966 --> 00:37:50,369 OR IF I'M REALLY LUCKY, TONIGHT WILL BE THE NIGHT 770 00:37:50,369 --> 00:37:52,771 I'LL GET WHAT I'VE ALWAYS BEEN LOOKING FOR, 771 00:37:52,771 --> 00:37:53,939 A LITTLE BIT OF THIS. 772 00:38:02,781 --> 00:38:04,550 YOU KNOW WHAT'S WEIRD ABOUT THAT ONE, 773 00:38:04,550 --> 00:38:07,085 THOSE OF YOU THAT DIDN'T LIKE IT DON'T KNOW WHY. 774 00:38:12,358 --> 00:38:16,127 SOME OF MY BEST THINKING IS DONE IN MY SHIRT THAT SAYS, "IDAHO? 775 00:38:16,127 --> 00:38:20,699 YOU DA HO." 776 00:38:20,699 --> 00:38:22,568 I WAS THINKING ABOUT HOW LANGUAGE TRULY IS A ELASTIC, 777 00:38:22,568 --> 00:38:24,102 ISN'T IT? 778 00:38:24,102 --> 00:38:27,773 EVEN CHANGING ONE LETTER CAN CHANGE THE SEMANTICS OF A WORD, 779 00:38:27,773 --> 00:38:29,307 AND THEN I HAD A TOTALLY SEPARATE THOUGHT. 780 00:38:29,307 --> 00:38:32,310 I WAS THINKING ABOUT HOW OUR PERCEPTION OF OUR OWN BODIES 781 00:38:32,310 --> 00:38:33,712 IS MUCH MORE IMPORTANT 782 00:38:33,712 --> 00:38:36,114 THAN OTHER PEOPLE'S PERCEPTION OF OUR BODIES. 783 00:38:36,114 --> 00:38:37,683 ISN'T THAT TRUE? 784 00:38:37,683 --> 00:38:39,184 AND I WAS THINKING ABOUT THAT WHEN I WAS WEARING MY SHIRT 785 00:38:39,184 --> 00:38:40,686 THAT SAYS, "THIS IS AIN'T A BEER BELLY. 786 00:38:40,686 --> 00:38:42,954 IT'S A GAS TANK FOR A FUCK MACHINE." 787 00:38:52,398 --> 00:38:54,466 SO I GUESS WHAT I'M SAYING IS, T-SHIRTS CAN TELL YOU 788 00:38:54,466 --> 00:38:56,635 A LOT ABOUT A PERSON AND HOW THEY THINK. 789 00:38:56,635 --> 00:38:58,269 FOR INSTANCE, I SAW A GUY. 790 00:38:58,269 --> 00:39:01,507 HE WAS WEARING A SHIRT THAT SAID, "WARNING, CHOKING HAZARD." 791 00:39:01,507 --> 00:39:05,010 AND THEN THERE WAS AN ARROW POINTING DOWN. 792 00:39:05,010 --> 00:39:06,745 AND THAT TELLS YOU A FEW THINGS ABOUT THAT GUY. 793 00:39:06,745 --> 00:39:07,879 ONE, HE'S GOT A KILLER SENSE OF HUMOR. 794 00:39:07,879 --> 00:39:09,915 AM I RIGHT? 795 00:39:09,915 --> 00:39:12,884 TWO, HE'S CONCERNED WITH OTHER PEOPLE'S SAFETY. 796 00:39:12,884 --> 00:39:15,053 THAT'S A BONUS. 797 00:39:15,053 --> 00:39:18,824 AND THREE, HE'S A DATE RAPIST. 798 00:39:18,824 --> 00:39:22,961 SO DON'T TALK TO HIM. 799 00:39:22,961 --> 00:39:26,798 I FEEL LIKE THOSE ARE THE GUYS THAT WRITE BATHROOM GRAFFITI. 800 00:39:26,798 --> 00:39:28,366 I DON'T KNOW. 801 00:39:28,366 --> 00:39:32,270 HOW MANY OF YOU ARE ENTHUSIASTIC ABOUT BATHROOM GRAFFITI? 802 00:39:32,270 --> 00:39:34,272 I THINK IT'S NICE FOR SOMEBODY TO TAKE TIME OUT 803 00:39:34,272 --> 00:39:36,241 OF WHAT THEY'RE DOING TO WRITE SOMETHING FOR US 804 00:39:36,241 --> 00:39:41,112 TO READ WHILE WE'RE DOING WHAT THEY WERE DOING. 805 00:39:41,112 --> 00:39:43,214 BUT I FIND IT'S OFTEN EXAGGERATED, YOU KNOW? 806 00:39:43,214 --> 00:39:44,783 IT'S HYPERBOLE FOR EFFECT. 807 00:39:44,783 --> 00:39:46,384 SO I CARRY A SHARPIE MARKER, 808 00:39:46,384 --> 00:39:50,989 AND I'LL ADD TO IT UNDERNEATH TO MAKE IT MORE TRUTHFUL. 809 00:39:50,989 --> 00:39:53,024 SO YOU KNOW, SOMEBODY WILL WRITE, LIKE, 810 00:39:53,024 --> 00:39:55,160 "FLORIDA STATE SUCKS." 811 00:39:55,160 --> 00:39:56,428 AND UNDERNEATH, I'LL WRITE, 812 00:39:56,428 --> 00:40:00,699 "MOSTLY BECAUSE OF BUDGETARY RESTRICTIONS." 813 00:40:00,699 --> 00:40:02,768 YOU KNOW, OR THEY'LL WRITE, "SARAH'S A SLUT." 814 00:40:02,768 --> 00:40:04,670 AND UNDERNEATH, I'LL WRITE, "BECAUSE HER PARENTS DIDN'T 815 00:40:04,670 --> 00:40:06,505 "GIVE HER ENOUGH ATTENTION, SHE SEEKS OUT MALE ATTENTION 816 00:40:06,505 --> 00:40:09,841 IN NEGATIVE WAYS." 817 00:40:09,841 --> 00:40:11,109 THAT'S TRUE. 818 00:40:15,481 --> 00:40:18,484 OR SOMEBODY WILL WRITE, "FOR A GOOD TIME, CALL THIS NUMBER." 819 00:40:18,484 --> 00:40:20,218 AND I'LL CROSS OUT THE NUMBER AND PUT MINE, 820 00:40:20,218 --> 00:40:23,989 AND THEN I'LL CROSS OUT THE WORD GOOD AND PUT, "WEIRD." 821 00:40:23,989 --> 00:40:27,125 AND THEN I'LL CUT OUT TWO LITTLE EYE HOLES RIGHT ABOVE IT, 822 00:40:27,125 --> 00:40:28,627 SO WHEN THEY'RE FINISHED READING, 823 00:40:28,627 --> 00:40:29,761 AND I JUST POP UP AND GO: 824 00:40:40,606 --> 00:40:45,110 CAN YOU GUYS IMAGINE IF I HAD KETCHUP BOTTLES INSTEAD OF LEGS? 825 00:40:45,110 --> 00:40:47,546 TAKE A MOMENT AND IMAGINE THAT. 826 00:40:47,546 --> 00:40:49,347 IF I HAD KETCHUP BOTTLES FOR LEGS. 827 00:40:49,347 --> 00:40:52,350 LOOK AT THAT. 828 00:40:52,350 --> 00:40:56,054 NOW, HOW MANY OF YOU IN HERE, 829 00:40:56,054 --> 00:40:59,491 WHEN YOU IMAGINED MY LEGS OF KETCHUP BOTTLES, 830 00:40:59,491 --> 00:41:01,059 IMAGINED THE FAT BASE OF THE BOTTLE 831 00:41:01,059 --> 00:41:02,227 WHERE MY FEET WOULD BE? 832 00:41:02,227 --> 00:41:03,261 BY ROUND OF APPLAUSE, HOW MANY PEOPLE? 833 00:41:03,261 --> 00:41:04,262 YES? 834 00:41:04,262 --> 00:41:05,897 [applause] 835 00:41:05,897 --> 00:41:07,799 SO YOU'RE ALL PEOPLE THAT I WOULD CONSIDER TO BE FRIENDS, 836 00:41:07,799 --> 00:41:10,201 AND YOU'RE REASONABLE INDIVIDUALS, OKAY? 837 00:41:10,201 --> 00:41:13,438 NOW HOW MANY OF THE REST OF YOU LIVE IN A FANCIFUL WORLD, 838 00:41:13,438 --> 00:41:15,473 AND YOU IMAGINED THAT I HAD THE LITTLE WHITE CAPS 839 00:41:15,473 --> 00:41:16,542 AS MY SHOES? 840 00:41:16,542 --> 00:41:17,543 [applause] 841 00:41:17,543 --> 00:41:19,645 SURE. YEAH. YEAH. YEAH. 842 00:41:19,645 --> 00:41:24,082 LIKE THAT'S PHYSICALLY POSSIBLE. 843 00:41:24,082 --> 00:41:27,085 I CAN'T BALANCE ON THOSE LITTLE CIPPY-CAPPY. 844 00:41:29,320 --> 00:41:31,356 TIP-TOPPERS. OKAY? 845 00:41:31,356 --> 00:41:33,992 AS SOON AS I GET ANY SPEED GOING, I'M GONNA TRIP. 846 00:41:33,992 --> 00:41:35,460 MY LEGS ARE GONNA SHATTER EVERYWHERE. 847 00:41:39,264 --> 00:41:41,466 HERE'S ANOTHER WEIRD THING ABOUT THE HUMAN MIND. 848 00:41:41,466 --> 00:41:44,970 NOW EVERYBODY IMAGINE ME WITH WINGS ON MY HEAD. 849 00:41:44,970 --> 00:41:46,738 IMAGINE THAT. 850 00:41:46,738 --> 00:41:49,608 WE ALL IMAGINED THE SAME THING, THIS, RIGHT? 851 00:41:49,608 --> 00:41:52,410 NOBODY IMAGINED THIS. 852 00:41:52,410 --> 00:41:54,179 'CAUSE IT HURTS YOUR NOSE. 853 00:42:00,986 --> 00:42:03,555 I'VE BEEN PRACTICING INTRODUCING MYSELF 854 00:42:03,555 --> 00:42:07,058 AS SOMEONE NAMED TIM GREGORY. 855 00:42:07,058 --> 00:42:11,429 HERE ARE MY TOP THREE FAVORITES. 856 00:42:11,429 --> 00:42:14,566 HI, I'M TIM GREGORY. PUT HERE THERE, RIGHT THERE. 857 00:42:18,870 --> 00:42:20,505 YO, WHAT'S UP? IT'S ME, TIMMY G. 858 00:42:20,505 --> 00:42:22,007 TIM GREGORY. 859 00:42:29,615 --> 00:42:32,718 WHOA--I DIDN'T NOTICE YOU THERE, LURKING IN THE SHADOWS. 860 00:42:32,718 --> 00:42:34,853 ARE YOU A NINJA? JUST KIDDING. I'M TIM. 861 00:42:38,356 --> 00:42:39,991 SO THOSE ARE MY THREE FAVORITES. 862 00:42:39,991 --> 00:42:42,460 IF YOU CAN THINK OF ANY BETTER ONES, 863 00:42:42,460 --> 00:42:44,162 SEND ME A FACEBOOK MESSAGE, 864 00:42:44,162 --> 00:42:46,264 BUT DON'T EVER TELL ME TO FACEBOOK YOU, 865 00:42:46,264 --> 00:42:48,066 'CAUSE I'LL JUST HIT YOU IN THE FACE WITH A BOOK. 866 00:43:01,579 --> 00:43:03,414 WELL, WE CAN ALL AGREE. 867 00:43:03,414 --> 00:43:05,717 DENVER-BOULDER LIKES TO FUCKING PARTY. 868 00:43:05,717 --> 00:43:08,654 [cheers and applause] 869 00:43:12,357 --> 00:43:15,026 AS I MENTIONED BEFORE, 870 00:43:15,026 --> 00:43:17,262 I RECENTLY GOT DIVORCED FROM MY WIFE OF-- 871 00:43:17,262 --> 00:43:20,265 EX-WIFE NOW. I KEEP SAYING WIFE. 872 00:43:20,265 --> 00:43:24,502 MY EX-WIFE OF 27 YEARS, KAREN, AND-- 873 00:43:24,502 --> 00:43:27,272 YOU KNOW, WHENEVER YOU SPLIT FROM SOMEONE, 874 00:43:27,272 --> 00:43:29,107 WE ALWAYS WANT TO BLAME THE OTHER PERSON, DON'T WE? 875 00:43:29,107 --> 00:43:30,375 WE DO. 876 00:43:30,375 --> 00:43:31,710 BUT IT'S ALWAYS BOTH PEOPLE'S FAULT. 877 00:43:31,710 --> 00:43:33,211 I HAD MY PART IN IT, YOU KNOW? 878 00:43:33,211 --> 00:43:34,813 I WAS IRRESPONSIBLE. 879 00:43:34,813 --> 00:43:37,415 I DIDN'T ALWAYS KEEP MY WORD, YOU KNOW? 880 00:43:37,415 --> 00:43:40,118 I ASKED QUESTIONS THAT I DIDN'T REALLY 881 00:43:40,118 --> 00:43:41,853 WANT TO KNOW THE ANSWER TO. 882 00:43:41,853 --> 00:43:43,922 LIKE, GUYS, DON'T DO THIS. 883 00:43:43,922 --> 00:43:46,157 I ASKED HER WHAT SHE THOUGHT ABOUT THE SIZE OF... 884 00:43:46,157 --> 00:43:47,092 YOU KNOW. 885 00:43:55,466 --> 00:43:57,168 AND SHE SAID IT WAS JUST RIGHT. 886 00:43:57,168 --> 00:43:59,838 THAT'S WHAT SHE SAID, JUST RIGHT. 887 00:43:59,838 --> 00:44:01,807 YEAH, THAT'S GREAT. 888 00:44:01,807 --> 00:44:05,210 LET'S ALL THINK ABOUT THAT AS A GROUP. 889 00:44:05,210 --> 00:44:07,846 THAT MEANS SHE'S HAD A LOT SMALLER. 890 00:44:07,846 --> 00:44:11,049 SHE'S ALSO HAD A LOT BIGGER. 891 00:44:11,049 --> 00:44:14,452 BUT I ENDED UP BEING JUST RIGHT. 892 00:44:14,452 --> 00:44:18,456 SHE'S LIKE GOLDILOCKS. SHE TRIED EVERYTHING. 893 00:44:18,456 --> 00:44:21,960 BUT THE PORRIDGE WAS PENISES. 894 00:44:21,960 --> 00:44:25,630 SHE'S THE GOLDILOCKS OF DICKS. 895 00:44:25,630 --> 00:44:26,932 SHE'S GOLDI-COCKS. 896 00:44:34,505 --> 00:44:38,143 LADIES, YOU SHOULD KNOW I'M ALL HEAD, NO SHAFT. 897 00:44:42,380 --> 00:44:43,648 ALL HEAD, NO SHAFT. 898 00:44:43,648 --> 00:44:45,616 LOOKS LIKE A PORTABELLA MUSHROOM SMASHED MY DICK. 899 00:44:49,087 --> 00:44:51,356 GOT ONE OF THEM SHIITAKE COCKS. 900 00:44:51,356 --> 00:44:54,225 SUPER MARIO 1-UP DICK. 901 00:44:54,225 --> 00:44:56,127 A GIRL GOES DOWN ON ME, SHE GETS AN EXTRA GUY. 902 00:44:56,127 --> 00:44:57,062 THAT'S WEIRD. 903 00:45:01,833 --> 00:45:04,335 NOW, I REALIZE THAT I MAY HAVE ALIENATED SOME OF YOU 904 00:45:04,335 --> 00:45:06,504 WITH THAT LAST PIECE OF MATERIAL. 905 00:45:06,504 --> 00:45:10,441 AND I WANT TO APOLOGIZE, BUT RATHER THAN PUSH YOU AWAY, 906 00:45:10,441 --> 00:45:11,442 I WAS ACTUALLY TRYING TO HELP YOU 907 00:45:11,442 --> 00:45:13,111 BY BRINGING YOU CLOSER TO ME. 908 00:45:13,111 --> 00:45:14,813 AND YOU'RE PROBABLY THINKING, "T.J., HOW IS THAT POSSIBLE?" 909 00:45:14,813 --> 00:45:16,147 WELL, WHAT DO WE DO WHEN SOMETHING GOES WRONG 910 00:45:16,147 --> 00:45:17,182 IN OUR LIVES? 911 00:45:17,182 --> 00:45:18,183 WHAT DO WE SAY? 912 00:45:18,183 --> 00:45:20,952 FML, RIGHT? F. MY LIFE. 913 00:45:20,952 --> 00:45:25,290 FUCK MY L. OR WHATEVER YOU WANT TO SAY. 914 00:45:25,290 --> 00:45:29,294 BUT HOPEFULLY THE NEXT TIME THAT SOMETHING BAD HAPPENS TO YOU, 915 00:45:29,294 --> 00:45:30,661 YOU'LL STOP YOURSELF. 916 00:45:30,661 --> 00:45:33,498 YOU'LL SAY, "FM-- HOLD ON A SECOND. 917 00:45:33,498 --> 00:45:36,001 "YOU KNOW, T.J. MILLER CAME ON STAGE, 918 00:45:36,001 --> 00:45:39,871 "AND HE OPENED UP TO US ABOUT A CONDITION THAT HE HAD 919 00:45:39,871 --> 00:45:45,210 "WHERE HE WAS PRIMARILY HEAD AND VERY LITTLE SHAFT. 920 00:45:45,210 --> 00:45:49,614 "AND NO MATTER HOW BAD THINGS GET FOR ME, AT LEAST IN COLLEGE, 921 00:45:49,614 --> 00:45:52,483 "THEY DIDN'T USE TO CALL ME 'OLD BROCCOLI DICK.'" 922 00:45:55,453 --> 00:45:58,123 NOW, I TRIED TO MAKE THE BEST OF IT, OKAY? 923 00:45:58,123 --> 00:46:00,826 I TRIED TO MAKE LEMONS OUT OF LEMONADE. 924 00:46:00,826 --> 00:46:02,227 THAT'S VERY DIFFICULT. 925 00:46:02,227 --> 00:46:03,594 THAT'S THE WRONG ORDER IN WHICH TO DO THAT. 926 00:46:03,594 --> 00:46:05,163 YOU GOT TO FREEZE THE LEMONADE 927 00:46:05,163 --> 00:46:07,298 INTO LITTLE FROZEN LEMON BALL SPHERE-- 928 00:46:07,298 --> 00:46:11,069 I DON'T WANT TO TALK ABOUT IT. 929 00:46:11,069 --> 00:46:18,543 THE POINT IS, MY TALE IS A TALE OF INSPIRATION AND HOPE. 930 00:46:18,543 --> 00:46:21,880 BECAUSE WITH ENOUGH HARD WORK AND DEDICATION, 931 00:46:21,880 --> 00:46:24,149 I WAS IN YOGI BEAR 3-D. 932 00:46:24,149 --> 00:46:27,085 [cheers and applause] 933 00:46:34,292 --> 00:46:36,261 I AM PLEASED TO SAY THAT I MADE ENOUGH MONEY 934 00:46:36,261 --> 00:46:38,363 THAT I GOT AN OPERATION DOWN THERE, 935 00:46:38,363 --> 00:46:40,798 AND NOW IT LOOKS A LITTLE BIT MORE LIKE THIS: 936 00:46:45,736 --> 00:46:48,439 MY PENIS HAS A METAL BASE, AND THE HEAD IS DETACHABLE. 937 00:46:48,439 --> 00:46:51,676 AND IT AMPLIFIES YOUR VOICE, 938 00:46:51,676 --> 00:46:53,444 WHICH MAKES FOR VERY CONFUSING FELLATIO. 939 00:47:00,018 --> 00:47:03,922 BUT YOU KNOW, KAREN HAD HER ISSUES TOO. 940 00:47:03,922 --> 00:47:05,957 [sighs] 941 00:47:05,957 --> 00:47:08,226 SHE HAD TRUST ISSUES, YOU KNOW? 942 00:47:08,226 --> 00:47:09,394 SHE WENT THROUGH MY EMAIL. 943 00:47:09,394 --> 00:47:10,595 DO WE HAVE ANY GIRLS IN HERE 944 00:47:10,595 --> 00:47:14,565 THAT GO THROUGH THEIR GUYS' EMAIL? 945 00:47:14,565 --> 00:47:16,201 - [whistling] 946 00:47:16,201 --> 00:47:18,803 [scattered cheers] 947 00:47:18,803 --> 00:47:20,805 - DO WE HAVE ANY GIRLS IN HERE THAT ARE SITTING 948 00:47:20,805 --> 00:47:23,508 AS COMPLETELY STILL SO AS NOT TO BETRAY 949 00:47:23,508 --> 00:47:27,913 THE FACT THAT THEY-- 950 00:47:27,913 --> 00:47:29,447 AND WHY WOULD SHE DO THAT? 951 00:47:29,447 --> 00:47:31,516 AND DID YOU GUYS LIKE THAT MOVE WHEN I ALMOST HIT THE STOOL? 952 00:47:31,516 --> 00:47:34,419 THAT WAS PRETTY GOOD. I ALMOST HIT THE STOOL. 953 00:47:34,419 --> 00:47:36,154 I WAS ABOUT TO BACK INTO IT, 954 00:47:36,154 --> 00:47:38,289 BUT INSTEAD I DID A LITTLE PIROUETTE, 955 00:47:38,289 --> 00:47:39,925 AND NOW EVERYTHING'S FINE, 956 00:47:39,925 --> 00:47:40,959 AND IF I HAD JUST NOT MENTIONED IT, 957 00:47:40,959 --> 00:47:41,993 WE WOULD HAVE BEEN GOOD. 958 00:47:46,998 --> 00:47:48,599 SHE DID. SHE WENT THROUGH MY EMAILS. 959 00:47:48,599 --> 00:47:49,968 WHY WOULD YOU DO THAT? 960 00:47:49,968 --> 00:47:51,269 WHY WOULD YOU GO THROUGH SOMEONE'S EMAIL? 961 00:47:51,269 --> 00:47:52,904 DID SHE FIND WHAT SHE WAS LOOKING FOR? 962 00:47:52,904 --> 00:47:55,440 DID SHE FIND SOME EMAIL THAT WAS LIKE, "HEY, IT'S ME, T.J. 963 00:47:55,440 --> 00:47:57,175 "READ ALL THIS IN WHISPER TONE. 964 00:47:57,175 --> 00:47:59,510 "I LOVE CHEATING ON YOU WITH MY GIRLFRIEND, OKAY? 965 00:47:59,510 --> 00:48:01,712 "ALL RIGHTY, I GOT TO GO. SHE'S SITTING RIGHT NEXT TO ME. 966 00:48:01,712 --> 00:48:04,815 LOVE YOU MORE THAN HER, T.J." 967 00:48:04,815 --> 00:48:06,217 NO, OF COURSE NOT, OKAY. 968 00:48:06,217 --> 00:48:09,554 AND SHE EVEN WENT THROUGH PAST EMAILS, YOU KNOW? 969 00:48:09,554 --> 00:48:11,089 SHE WENT THROUGH EMAILS 970 00:48:11,089 --> 00:48:12,958 THAT I HAD SENT TO A COLLEGE GIRLFRIEND, 971 00:48:12,958 --> 00:48:15,260 AND WHY WOULD SHE DO THAT? 972 00:48:15,260 --> 00:48:18,796 WAS SHE JUST LIKE, "I WANT TO HAVE A TERRIBLE WEEK," YOU KNOW? 973 00:48:18,796 --> 00:48:21,132 SHE CAME TO ME-- THIS IS TRUE-- 974 00:48:21,132 --> 00:48:23,001 AND SHE SAID, "YOU KNOW WHAT? 975 00:48:23,001 --> 00:48:24,335 "YOU'RE AN UNORIGINAL JERK. 976 00:48:24,335 --> 00:48:25,937 "EVERYTHING THAT YOU'VE SAID TO ME, 977 00:48:25,937 --> 00:48:28,773 YOU'VE SAID TO SOME OTHER GIRL." 978 00:48:28,773 --> 00:48:32,377 AND I FELT AWFUL, BUT I WAS LIKE, "YEAH. 979 00:48:32,377 --> 00:48:34,345 OF COURSE." 980 00:48:34,345 --> 00:48:37,548 THERE'S ONLY A LIMITED AMOUNT OF WORDS IN THE ENGLISH LANGUAGE 981 00:48:37,548 --> 00:48:39,650 THAT MAKE SENSE TO SAY TO A FEMALE. 982 00:48:39,650 --> 00:48:42,420 IF YOU CAN ONLY USE THEM ONCE, YOU'RE GONNA RUN OUT 983 00:48:42,420 --> 00:48:46,924 AND BE LIKE, "GARBAGE TRUCK, BANANA BOAT." 984 00:48:46,924 --> 00:48:47,959 DID SHE WANT ME TO MAKE UP-- 985 00:48:47,959 --> 00:48:50,261 - INCONSIDERATE FUCK! 986 00:48:50,261 --> 00:48:53,164 [all gasping] 987 00:48:53,164 --> 00:48:57,302 - OH, SEE, SO-- 988 00:48:57,302 --> 00:49:01,039 SO AS I WAS SAYING EARLIER, 989 00:49:01,039 --> 00:49:05,510 BEFORE A GIRL DURING MY COMEDY CENTRAL HOUR SPECIAL 990 00:49:05,510 --> 00:49:10,281 GOT UP AND WENT, "YOU'RE AN INCONSIDERATE FUCK!" 991 00:49:10,281 --> 00:49:13,218 [applause] 992 00:49:17,222 --> 00:49:20,125 OH, GOD. 993 00:49:20,125 --> 00:49:25,863 SHE HAD A BACK TATTOO THAT IN CHINESE, I THINK, SAID, "SORRY." 994 00:49:25,863 --> 00:49:29,067 [cheers and applause] 995 00:49:29,067 --> 00:49:32,037 IT SAID-- 996 00:49:32,037 --> 00:49:36,074 ACTUALLY, I READ THE WHOLE THING. 997 00:49:36,074 --> 00:49:37,842 IT SAID, "SORRY, I'M SURE YOU THOUGHT 998 00:49:37,842 --> 00:49:39,677 THIS WAS GOING TO BE BETTER." 999 00:49:39,677 --> 00:49:42,613 [cheers] 1000 00:49:48,886 --> 00:49:52,790 SO AS I WAS SAYING, YOU KNOW, 1001 00:49:52,790 --> 00:49:55,993 WHEN KAREN WENT THROUGH MY EMAILS AND SHE SAID 1002 00:49:55,993 --> 00:49:58,129 HOW UNORIGINAL I WAS, I MEAN, 1003 00:49:58,129 --> 00:49:59,230 WHAT DID SHE WANT ME TO DO? 1004 00:49:59,230 --> 00:50:00,831 DID SHE WANT ME TO MAKE UP WORDS? 1005 00:50:00,831 --> 00:50:02,133 I WOULD HAVE, YOU KNOW? 1006 00:50:02,133 --> 00:50:06,537 I LOVED HER. YOU KNOW. 1007 00:50:06,537 --> 00:50:08,173 I WOULD HAVE GONE UP TO HER AND SAID, "HEY, LISTEN TO ME. 1008 00:50:08,173 --> 00:50:09,807 "I LOVE YOU SO MUCH, BUT I WOULD NEVER SAY THAT, 1009 00:50:09,807 --> 00:50:12,009 "BECAUSE I'VE SAID IT BEFORE. 1010 00:50:12,009 --> 00:50:13,878 "INSTEAD, I WANT TO TELL YOU 1011 00:50:13,878 --> 00:50:18,749 "THAT YOU'RE ABSOLUTELY 'FADAKTUYAPUTS,' 1012 00:50:18,749 --> 00:50:22,953 "AND WHEN WE'RE TOGETHER, IT IS SO 'SHAPUNKAYOOTS.' 1013 00:50:25,956 --> 00:50:29,894 "AND I'VE NEVER SAID ANY OF THIS TO ANYBODY BEFORE. 1014 00:50:29,894 --> 00:50:31,596 "BUT WHEN WE MAKE LOVE, IT IS ABSOLUTELY... 1015 00:50:31,596 --> 00:50:37,502 [speaking nonsense syllables]" 1016 00:50:41,172 --> 00:50:42,173 NO, 'CAUSE SHE WAS A PESSIMIST. 1017 00:50:42,173 --> 00:50:43,608 SHE PROBABLY WOULD HAVE SAID, 1018 00:50:43,608 --> 00:50:46,444 "YOU PROBABLY SAID THAT TO SOME NATIVE AMERICAN GIRL." 1019 00:50:50,348 --> 00:50:52,750 I TRAVEL A LOT NOW. 1020 00:50:52,750 --> 00:50:54,919 ONE OF THE WAYS THAT I MAKE IT BETTER IS, 1021 00:50:54,919 --> 00:50:57,755 YOU KNOW WHENEVER A PLANE LANDS, 1022 00:50:57,755 --> 00:50:59,857 THE PILOT WILL GET ON THE P.A. SYSTEM AND GO, 1023 00:50:59,857 --> 00:51:02,627 "UNITED AIRLINES WOULD LIKE TO BE THE FIRST TO WELCOME YOU 1024 00:51:02,627 --> 00:51:03,628 "TO DENVER, COLORADO. 1025 00:51:03,628 --> 00:51:04,862 "WE APPRECIATE YOUR BUSINESS, 1026 00:51:04,862 --> 00:51:05,930 AND WE HOPE YOU'LL FLY WITH US AGAIN." 1027 00:51:05,930 --> 00:51:07,165 WHAT I LIKE TO DO IS, 1028 00:51:07,165 --> 00:51:08,533 RIGHT BEFORE WE'RE ABOUT TO TOUCH DOWN, 1029 00:51:08,533 --> 00:51:10,668 I JUST YELL, "WELCOME TO DENVER!" 1030 00:51:17,007 --> 00:51:18,309 'CAUSE THEY HAVE TO GET ON AND GO, 1031 00:51:18,309 --> 00:51:21,846 "[sighs] 1032 00:51:25,350 --> 00:51:27,952 "WELL, NOW HE SAID IT, SO I CAN'T SAY IT. 1033 00:51:27,952 --> 00:51:29,287 "HE ALREADY SAID IT. 1034 00:51:29,287 --> 00:51:32,557 "YOU SHUT UP, GLENN. YOU'RE THE COPILOT. 1035 00:51:32,557 --> 00:51:35,493 "UNITED AIRLINES WOULD LIKE TO BE THE SECOND TO WELCOME YOU 1036 00:51:35,493 --> 00:51:38,863 "TO DENVER, COLORADO, THANKS TO PASSENGER 19B 1037 00:51:38,863 --> 00:51:43,434 WHO HAD 15 SCOTCH AND SODAS AND FELL ASLEEP IN THE BATHROOM." 1038 00:51:43,434 --> 00:51:45,303 THAT'S A TRUE STORY, THAT LAST PART. 1039 00:51:45,303 --> 00:51:48,239 [cheers and applause] 1040 00:51:55,246 --> 00:51:56,781 I LIVE IN SOUTHERN CALIFORNIA. 1041 00:51:56,781 --> 00:52:01,952 IN NORTHERN CALIFORNIA, A YOUNG COUPLE TRIED TO SELL THEIR BABY 1042 00:52:01,952 --> 00:52:04,722 IN A WAL-MART PARKING LOT FOR $50. 1043 00:52:04,722 --> 00:52:05,756 - YEAH! 1044 00:52:05,756 --> 00:52:07,225 - NOW, BEFORE YOU FREAK OUT-- 1045 00:52:07,225 --> 00:52:09,494 AND DEFINITELY DON'T YELL "YEAH" LIKE THAT GUY DID. 1046 00:52:09,494 --> 00:52:14,399 THAT GUY WAS LIKE, "YEAH! OH, NOPE. NO. 1047 00:52:14,399 --> 00:52:17,134 I'M NOT IN A SAFE PLACE." 1048 00:52:17,134 --> 00:52:21,972 BEFORE YOU FREAK OUT, THE COUPLE WAS DEFINITELY METH HEADS. 1049 00:52:21,972 --> 00:52:23,408 THEY WERE DEFINITELY METH HEADS. 1050 00:52:23,408 --> 00:52:26,076 I KNOW THIS BECAUSE I LOOKED UP THEIR PICTURE ONLINE, 1051 00:52:26,076 --> 00:52:28,479 AND YOU KNOW WHEN YOU'VE BEEN DOING METH 1052 00:52:28,479 --> 00:52:29,847 AND YOU'VE BEEN SCRATCHING YOUR FACE ALL DAY 1053 00:52:29,847 --> 00:52:31,349 'CAUSE IT FEELS SO GOOD, AND YOU'RE LIKE, 1054 00:52:31,349 --> 00:52:32,583 "I GOT TO STOP SCRATCHING MY FACE, 1055 00:52:32,583 --> 00:52:33,884 OTHERWISE IT'S GONNA START BLEEDING," 1056 00:52:33,884 --> 00:52:35,186 BUT IT FEELS SO GOOD THAT YOU'RE LIKE, 1057 00:52:35,186 --> 00:52:36,621 "I JUST WANT TO SCRATCH IT ONE MORE TIME," 1058 00:52:36,621 --> 00:52:38,189 SO YOU MAKE A DEAL WITH YOURSELF WHERE YOU'RE LIKE, 1059 00:52:38,189 --> 00:52:39,490 "OKAY, I CAN JUST SCRATCH IT ONE MORE TIME REALLY, REALLY GOOD, 1060 00:52:39,490 --> 00:52:40,558 AND THEN I WON'T SCRATCH IT AGAIN," 1061 00:52:40,558 --> 00:52:41,992 BUT THEN YOU START SCRATCHING, 1062 00:52:41,992 --> 00:52:43,528 AND YOU'RE LIKE, "I'M GONNA KEEP SCRATCHING." 1063 00:52:43,528 --> 00:52:45,696 AND THEN YOU START BLEEDING PROFUSELY? 1064 00:52:45,696 --> 00:52:49,500 THAT'S WHEN THEY TOOK THE PICTURE. 1065 00:52:49,500 --> 00:52:51,736 BUT I'M NOT CONCERNED WITH THE SALE OF BABIES. 1066 00:52:51,736 --> 00:52:53,971 YOU'LL FIND THAT OUT ABOUT ME IF WE BECOME BETTER FRIENDS. 1067 00:52:53,971 --> 00:52:58,709 AND I'M ALSO NOT TOO CONCERNED WITH METH USE 1068 00:52:58,709 --> 00:53:01,779 UNTIL I HEARD THIS STORY, BECAUSE METH IS NOW-- 1069 00:53:01,779 --> 00:53:06,717 THAT'S A TERRIBLE DRUG BECAUSE OF WHAT IT DOES TO YOUR MIND 1070 00:53:06,717 --> 00:53:12,089 IN TERMS OF UNDERSTANDING THE VALUE OF A BABY 1071 00:53:12,089 --> 00:53:17,262 AND HOW TO SELL A BABY. 1072 00:53:17,262 --> 00:53:18,729 $50? 1073 00:53:18,729 --> 00:53:20,898 FIRST OF ALL, THEY PICKED THE WRONG SALES LOCATION, 1074 00:53:20,898 --> 00:53:21,899 AND THAT'S EVERYTHING. 1075 00:53:21,899 --> 00:53:23,534 A WAL-MART PARKING LOT? 1076 00:53:23,534 --> 00:53:27,071 NO ONE IS WALKING INTO A WAL-MART EXCITED 1077 00:53:27,071 --> 00:53:31,242 ABOUT THEIR LIFE AND WANTING TO ADD MORE PEOPLE TO IT. 1078 00:53:31,242 --> 00:53:33,678 IF ANYTHING, THEY'RE THERE BECAUSE THEY CAN'T STOP 1079 00:53:33,678 --> 00:53:37,548 ADDING PEOPLE TO THEIR LIFE. 1080 00:53:37,548 --> 00:53:38,983 THINK ABOUT IT. 1081 00:53:38,983 --> 00:53:40,451 HAVE YOU EVER WALKED INTO WAL-MART AND BEEN LIKE, 1082 00:53:40,451 --> 00:53:42,387 "ALL MY DREAMS ARE COMING TRUE"? 1083 00:53:42,387 --> 00:53:44,722 NO. OKAY. 1084 00:53:44,722 --> 00:53:46,357 IF ANYTHING, YOU'RE THERE 1085 00:53:46,357 --> 00:53:49,360 'CAUSE YOU KEEP ACCIDENTALLY ADDING MORE LIFES TO YOUR LIFE. 1086 00:53:51,529 --> 00:53:53,531 BUT LET'S JUST PRETEND FOR A SECOND THAT SOMEBODY 1087 00:53:53,531 --> 00:53:55,400 WOULD WAKE UP THAT MORNING, AND THEY'RE LIKE, 1088 00:53:55,400 --> 00:53:59,236 "OH, I WISH I HAD A BABY, BUT I DON'T HAVE A GIRLFRIEND 1089 00:53:59,236 --> 00:54:02,106 OR A WIFE, AND I WOULD BUY ONE, BUT THAT'S ILLEGAL, 1090 00:54:02,106 --> 00:54:05,976 SO I GUESS I'LL JUST GO TO WAL-MART." 1091 00:54:05,976 --> 00:54:07,445 AND THEN, AS THEY'RE WALKING TO WAL-MART, 1092 00:54:07,445 --> 00:54:08,879 THEY'RE APPROACHED BY A YOUNG METH HEAD COUPLE, 1093 00:54:08,879 --> 00:54:11,816 AND THEY WERE LIKE, "HEY, YOU WANT TO BUY A BABY?" 1094 00:54:11,816 --> 00:54:15,486 "YES, I DO. THERE IS A DEITY. HOW MUCH FOR THE BABY?" 1095 00:54:15,486 --> 00:54:17,522 "$50." 1096 00:54:17,522 --> 00:54:20,725 "WHAT'S WRONG WITH THE BABY? 1097 00:54:20,725 --> 00:54:23,828 "$50? IS THE BABY ON CLEARANCE? 1098 00:54:23,828 --> 00:54:26,531 ARE THEY ROLLING BACK BABY PRICES?" 1099 00:54:28,833 --> 00:54:32,136 CAN WE ALL AGREE, OKAY, HUMAN LIFE IS PRICELESS, RIGHT? 1100 00:54:32,136 --> 00:54:37,207 BUT A BABY IS WORTH AT LEAST $1,200. 1101 00:54:37,207 --> 00:54:40,110 WELL, $1,300 IF IT'S PUERTO RICAN. 1102 00:54:40,110 --> 00:54:42,046 [moaning] 1103 00:54:44,482 --> 00:54:46,484 YOU KNOW, A LOT OF YOU REACTED NEGATIVELY 1104 00:54:46,484 --> 00:54:51,556 TO THE LAST PART OF THAT JOKE, BUT IF YOU'D LISTENED CAREFULLY, 1105 00:54:51,556 --> 00:54:57,695 I OVERVALUED THE PUERTO RICAN BABY BY $100. 1106 00:54:57,695 --> 00:55:01,065 SO IF WHEN I SAID THAT THE GENERAL BABY WAS $1,200 1107 00:55:01,065 --> 00:55:03,834 AND THE PUERTO RICAN CHILD WAS $1,300 1108 00:55:03,834 --> 00:55:06,737 AND YOU WENT, "UGH," YOU'RE RACIST. 1109 00:55:06,737 --> 00:55:10,307 THINK ABOUT YOUR OWN LIFE. 1110 00:55:10,307 --> 00:55:13,243 [cheers and applause] 1111 00:55:19,650 --> 00:55:21,619 OKAY, I'D LIKE TO DO SOME CHARACTERS FOR YOU GUYS. 1112 00:55:21,619 --> 00:55:23,320 THESE ARE REALLY SHORT AND STRANGE, 1113 00:55:23,320 --> 00:55:25,322 SO IF YOU DIDN'T LIKE THE MORE ABSTRACT MATERIAL, 1114 00:55:25,322 --> 00:55:26,657 THEN YOU'RE DEFINITELY NOT GONNA LIKE THIS, 1115 00:55:26,657 --> 00:55:28,826 BUT JUST BEAR WITH ME. 1116 00:55:28,826 --> 00:55:30,395 IT'LL ALL BE OVER SOON. 1117 00:55:30,395 --> 00:55:33,364 THIS FIRST CHARACTER, THIS IS, LIKE, A HIP-HOP GUY, 1118 00:55:33,364 --> 00:55:34,632 BUT WHEN HE LAUGHS, 1119 00:55:34,632 --> 00:55:37,334 HE LAUGHS LIKE A YOUNG ASIAN SCHOOLGIRL. 1120 00:55:37,334 --> 00:55:38,636 "YO, WHAT'S UP? YOU GOING TO THE CLUB LATER? 1121 00:55:38,636 --> 00:55:40,371 "YEAH, I'M ABOUT TO HIT THAT UP. 1122 00:55:40,371 --> 00:55:42,306 "IF I'M LUCKY, I'LL BE HITTING SOMETHING ELSE UP LATER ON, 1123 00:55:42,306 --> 00:55:43,408 "YOU KNOW WHAT I'M SAYING? 1124 00:55:43,408 --> 00:55:46,276 [tittering]" 1125 00:55:51,649 --> 00:55:56,120 THIS NEXT CHARACTER... 1126 00:55:56,120 --> 00:55:57,722 THIS IS A GUY WHO DOESN'T KNOW 1127 00:55:57,722 --> 00:56:00,157 HOW TO USE THE WORD "CLUSTERFUCK" CORRECTLY. 1128 00:56:02,727 --> 00:56:04,429 "HEY, YOU KNOW THAT WAITRESS I WAS WITH LAST NIGHT? 1129 00:56:04,429 --> 00:56:05,863 TOTALLY CLUSTERFUCKED HER." 1130 00:56:14,171 --> 00:56:16,340 THIS NEXT CHARACTER, THIS IS A GUY WHO-- 1131 00:56:16,340 --> 00:56:19,910 WHENEVER HE'S TRYING TO THINK OF SOMETHING, HE HUMS TO HIMSELF, 1132 00:56:19,910 --> 00:56:24,248 BUT THE ONLY MUSIC HE'S EVER HEARD IS HEAVY METAL. 1133 00:56:24,248 --> 00:56:26,684 "HOW LONG HAVE I LIVED HERE? I HAVE TO THINK ABOUT THAT. 1134 00:56:26,684 --> 00:56:29,620 [humming aggressively] 1135 00:56:31,722 --> 00:56:32,690 OH, ABOUT SIX MONTHS." 1136 00:56:39,263 --> 00:56:41,331 THANK YOU. 1137 00:56:41,331 --> 00:56:46,136 THIS NEXT CHARACTER, THIS IS GUY WHOSE FAVORITE BAR IS A GAY BAR, 1138 00:56:46,136 --> 00:56:49,774 BUT HE DOESN'T KNOW THAT IT'S A GAY BAR. 1139 00:56:49,774 --> 00:56:51,341 "YOU GUYS WANT TO GO TO MY FAVORITE PLACE? 1140 00:56:51,341 --> 00:56:53,410 "YEAH, IT'S CALLED THE MAN HOLE. YEAH, IT'S A LOT OF FUN. 1141 00:56:53,410 --> 00:56:55,045 "YOU CAN TAKE OFF YOUR SHIRT IF IT GETS HOT, 1142 00:56:55,045 --> 00:56:56,714 "AND THEY HAVE HOLES IN THE BATHROOM STALLS 1143 00:56:56,714 --> 00:56:58,082 "SO YOU CAN PLAY TRICKS ON EACH OTHER, 1144 00:56:58,082 --> 00:56:59,617 LIKE, 'WHAT ARE YOU DOING IN THERE?'" 1145 00:57:10,260 --> 00:57:13,764 THIS NEXT CHARACTER, THIS IS A ROBOT 1146 00:57:13,764 --> 00:57:15,933 WHO'S ABOUT TO GET BUSY ON THE DANCE FLOOR 1147 00:57:15,933 --> 00:57:20,505 BY DOING THE PERSON. 1148 00:57:20,505 --> 00:57:22,372 "ALL RIGHT, LET'S DO THIS THING. 1149 00:57:22,372 --> 00:57:24,074 "I'M GONNA DO THE PERSON. 1150 00:57:24,074 --> 00:57:26,911 I HAVE EMOTIONS, AND I NEED TO EAT TO LIVE." 1151 00:57:33,751 --> 00:57:36,687 [cheers and applause] 1152 00:57:40,558 --> 00:57:42,627 THIS IS A GIRL WHOSE ORGASM FACE, 1153 00:57:42,627 --> 00:57:47,064 HER "O" FACE, IS COMPLETELY NEUTRAL. 1154 00:57:47,064 --> 00:57:48,265 "OH, MY GOSH. OH. OH, THIS IS AMAZING. 1155 00:57:48,265 --> 00:57:49,433 "OH, RIGHT THERE. RIGHT THERE. 1156 00:57:49,433 --> 00:57:50,968 "OH, HERE IT COMES. HERE IT COMES. 1157 00:57:50,968 --> 00:57:53,938 "[moaning] 1158 00:57:56,173 --> 00:57:57,708 OH, MY GOD. THAT WAS AMAZING." 1159 00:58:03,380 --> 00:58:05,516 THIS IS A GUY WHO'S REALLY PUSHY ABOUT WHETHER OR NOT 1160 00:58:05,516 --> 00:58:08,686 YOU WANT A BITE OF HIS BANANA. 1161 00:58:08,686 --> 00:58:09,820 "HEY, YOU WANT A BITE OF THIS OR NOT? 1162 00:58:09,820 --> 00:58:11,288 "I'M NOT ASKING A SECOND TIME. 1163 00:58:11,288 --> 00:58:12,790 "YOU WANT POTASSIUM IN YOUR DIET, 1164 00:58:12,790 --> 00:58:14,224 "OR DO YOU WANT TO GET A FOOT CRAMP TONIGHT? 1165 00:58:14,224 --> 00:58:16,326 "TIME'S TICKING. 1166 00:58:16,326 --> 00:58:17,261 [muffled] FUCK YOU." 1167 00:58:24,101 --> 00:58:28,739 AND THIS IS GUY WHO'S IMPOTENT, BUT THAT DOESN'T STOP HIM 1168 00:58:28,739 --> 00:58:30,908 FROM TALKING REALLY DIRTY IN THE BEDROOM. 1169 00:58:33,878 --> 00:58:38,649 "OH, YEAH, YOU WANT SOME OF THIS SOGGY CHURRO, HUH? 1170 00:58:38,649 --> 00:58:41,652 "COME GET SOME OF THIS LIMP, BROKEN BABY'S ARM. 1171 00:58:44,454 --> 00:58:46,924 LET'S SEE IF WE CAN GET THIS WET NOODLE AL DENTE." 1172 00:58:50,527 --> 00:58:52,462 THAT WAS TOO MUCH PROBABLY. YEAH. SORRY. 1173 00:58:52,462 --> 00:58:54,565 WAS PROBABLY TOO MUCH. 1174 00:58:54,565 --> 00:58:58,869 OH, THEN YOU'RE DEFINITELY NOT GONNA LIKE THIS ONE. 1175 00:58:58,869 --> 00:59:01,038 SO THIS A GIRL THAT, WHENEVER SHE GETS HER PERIOD, 1176 00:59:01,038 --> 00:59:02,773 SHE TALKS ABOUT IT A LOT, 1177 00:59:02,773 --> 00:59:05,710 BECAUSE SHE THINKS IT'S REALLY CUTE AND FUNNY, BUT IT'S NOT. 1178 00:59:05,710 --> 00:59:07,211 IT'S HER PERIOD, AND IT'S PRIVATE, 1179 00:59:07,211 --> 00:59:09,714 AND SHE DOESN'T NEED TO TALK ABOUT IT ALL THE TIME. 1180 00:59:09,714 --> 00:59:11,816 "OKAY, YOU GUYS, I HAVE TO GO TO THE LITTLE GIRL'S ROOM. 1181 00:59:11,816 --> 00:59:13,884 "YEAH, A LITTLE VISIT FROM AUNT FLO. 1182 00:59:13,884 --> 00:59:17,755 "IT'S A CRIMSON WAVE DOWN THERE, SO SAVE ME SOME CALAMARI. 1183 00:59:17,755 --> 00:59:19,023 "NO MARINARA, THOUGH. 1184 00:59:19,023 --> 00:59:21,258 I BROUGHT MY OWN." 1185 00:59:21,258 --> 00:59:22,326 [explosion] 1186 00:59:22,326 --> 00:59:25,362 [cheers and applause] 1187 00:59:25,362 --> 00:59:28,265 [alarm sounding] 1188 00:59:31,902 --> 00:59:34,905 [gunfire] 1189 00:59:50,387 --> 00:59:52,022 SO THIS NEXT CHARACTER... 1190 01:00:03,400 --> 01:00:05,670 THIS IS A GIRL WHO'S IN LAS VEGAS, 1191 01:00:05,670 --> 01:00:09,606 AND SHE DESPERATELY WANTS TO USE THE SLOGAN FOR LAS VEGAS, 1192 01:00:09,606 --> 01:00:13,944 BUT SHE DOESN'T KNOW HOW OR WHY OR WHEN TO USE IT. 1193 01:00:13,944 --> 01:00:18,282 "HEY, YOU GUYS, I HAVE A BOILED EGG IN MY PANTIES. 1194 01:00:18,282 --> 01:00:22,452 WHAT HAPPENS IN VEGAS STAYS IN VEGAS." 1195 01:00:29,459 --> 01:00:31,929 THIS NEXT CHARACTER, THIS IS A COMEDIAN 1196 01:00:31,929 --> 01:00:33,630 WHO PROBABLY SHOULD HAVE QUIT WHILE HE WAS AHEAD. 1197 01:00:40,771 --> 01:00:43,708 [cheers and applause] 1198 01:00:50,748 --> 01:00:52,750 THIS IS A SOUTHERN BELLE WHO'S VERY UNATTRACTIVE, 1199 01:00:52,750 --> 01:00:54,351 SO WHEN SHE WALKS DOWN THE STREET, 1200 01:00:54,351 --> 01:00:57,521 SHE HAS TO WHISTLE AT HERSELF TO GET PEOPLE'S ATTENTION. 1201 01:00:59,556 --> 01:01:01,158 "[whistling] 1202 01:01:01,158 --> 01:01:04,428 "WHY DON'T YOU TAKE A PICTURE? IT'LL LAST LONGER. 1203 01:01:04,428 --> 01:01:07,331 "HERE'S A CAMERA. 1204 01:01:07,331 --> 01:01:10,167 "THANKS. BYE-BYE NOW. 1205 01:01:10,167 --> 01:01:12,369 "WHOOPS, CAUGHT YOU-- 1206 01:01:12,369 --> 01:01:14,304 "WHOOPS, CAUGHT YOU LOOKING-- 1207 01:01:14,304 --> 01:01:18,142 EXCUSE ME. WHOOPS, CAUGHT YOU LOOKING." 1208 01:01:25,950 --> 01:01:27,517 OKAY. 1209 01:01:27,517 --> 01:01:31,455 THIS IS A GIRL WHO SET OUT TO HAVE A FUN TIME 1210 01:01:31,455 --> 01:01:34,959 FOR THE EVENING BUT ENDED UP JUST RUINING IT FOR EVERYBODY. 1211 01:01:37,461 --> 01:01:40,064 "YOU'RE AN INCONSIDERATE ASSHOLE." 1212 01:01:40,064 --> 01:01:43,000 [cheers and applause] 1213 01:02:01,385 --> 01:02:04,755 THIS IS A GUY WHO, WHENEVER SOMETHING GOES RIGHT FOR HIM, 1214 01:02:04,755 --> 01:02:08,759 HE CELEBRATES, BUT FOR TOO LONG AND IN THE WRONG WAY. 1215 01:02:09,960 --> 01:02:11,095 "HEY, DID YOU GUYS HEAR 1216 01:02:11,095 --> 01:02:12,797 "THE MIAMI HEAT COVERED THE SPREAD? 1217 01:02:12,797 --> 01:02:15,399 "YEAH! 1218 01:02:15,399 --> 01:02:20,304 "YEAH! YEAH! 1219 01:02:20,304 --> 01:02:22,239 "YEAH! 1220 01:02:22,239 --> 01:02:26,043 YEAH! NOTICE THE ARMS!" 1221 01:02:28,412 --> 01:02:29,947 THANK YOU-- 1222 01:02:29,947 --> 01:02:32,950 [cheers and applause] 1223 01:02:38,488 --> 01:02:41,591 ALL RIGHT, SO JUST WANT TO TELL YOU GUYS ONE MORE STORY. 1224 01:02:41,591 --> 01:02:44,261 SORRY THERE'S SO MUCH CONFETTI ON YOU. 1225 01:02:44,261 --> 01:02:47,932 THIS GUY'S COVERED IN CONFETTI. 1226 01:02:47,932 --> 01:02:50,334 HOW OFTEN DOES THAT HAPPEN, THOUGH? 1227 01:02:50,334 --> 01:02:54,371 WOULDN'T IT BE WEIRD IF YOU WERE LIKE, "PRETTY MUCH EVERY DAY." 1228 01:02:54,371 --> 01:02:58,408 HE'S HAD THE WEIRDEST LIFE. 1229 01:02:58,408 --> 01:03:00,644 SO I WANT TO TELL ONE LAST STORY. 1230 01:03:00,644 --> 01:03:01,778 THIS IS A TRUE STORY. 1231 01:03:01,778 --> 01:03:04,381 I REALLY LIKE MAKING A FACE 1232 01:03:04,381 --> 01:03:06,750 WHEN I GET MY DRIVER'S LICENSE PHOTO TAKEN, 1233 01:03:06,750 --> 01:03:09,453 BUT IT'S ILLEGAL IN CALIFORNIA. 1234 01:03:09,453 --> 01:03:10,687 YOU'RE NOT ALLOWED TO DO THAT. 1235 01:03:10,687 --> 01:03:12,957 I KNOW, BECAUSE I CALLED, AND I ASKED, 1236 01:03:12,957 --> 01:03:15,725 AND THEY SAID IF YOU MAKE A FACE, 1237 01:03:15,725 --> 01:03:17,895 THEN THEY HAVE TO RETAKE THE PHOTOGRAPH, 1238 01:03:17,895 --> 01:03:19,329 AND IF YOU DO IT THREE TIMES, 1239 01:03:19,329 --> 01:03:21,098 THEN YOU DON'T GET YOUR LICENSE FOR THE DAY. 1240 01:03:21,098 --> 01:03:23,767 AND I WAS REALLY BUMMED OUT, BUT THEN I CAME UP 1241 01:03:23,767 --> 01:03:26,436 WITH WHAT I THINK IS ONE OF THE BEST IDEAS 1242 01:03:26,436 --> 01:03:29,940 THAT I'VE EVER HAD. 1243 01:03:29,940 --> 01:03:33,610 WHAT ARE THEY GONNA DO IF YOU WALK INTO THE DMV 1244 01:03:33,610 --> 01:03:37,281 ALREADY MAKING THE FACE? 1245 01:03:42,819 --> 01:03:44,421 NOW, YOU GOT TO PICK A FACE THAT DOESN'T LOOK LIKE 1246 01:03:44,421 --> 01:03:46,523 YOU'RE MAKING A FACE, BUT YOU STILL WANT TO LOOK WEIRD, 1247 01:03:46,523 --> 01:03:48,592 SO THE ONE I WENT WITH WAS THIS ONE. 1248 01:03:57,301 --> 01:04:00,804 'CAUSE THERE'S PEOPLE THAT LOOK LIKE THAT. 1249 01:04:00,804 --> 01:04:03,908 AND THAT'S WHAT I HELD FOR AND HOUR AND 25 MINUTES. 1250 01:04:03,908 --> 01:04:06,510 THAT'S TRUE. THIS IS TRUE. 1251 01:04:06,510 --> 01:04:07,644 I WENT THROUGH EVERY SINGLE LINE. 1252 01:04:07,644 --> 01:04:08,913 I DID. I WAS LIKE, "HERE YOU GO. 1253 01:04:08,913 --> 01:04:10,847 [mumbling]" 1254 01:04:20,724 --> 01:04:24,828 I WASN'T EVEN SITTING. I WAS JUST CROUCHING. 1255 01:04:24,828 --> 01:04:27,397 THEN IT CAME TIME TO GO TO THE PHOTOGRAPHY LINE, 1256 01:04:27,397 --> 01:04:29,299 SO I WENT ALL THE WAY THROUGH, AND I GAVE THEM MY STUFF. 1257 01:04:29,299 --> 01:04:30,634 I WAS LIKE, "HERE YOU GO." 1258 01:04:30,634 --> 01:04:31,902 WHICH, I DON'T KNOW WHY I CHANGED MY VOICE. 1259 01:04:31,902 --> 01:04:33,070 I DIDN'T NEED TO. 1260 01:04:33,070 --> 01:04:35,139 I GUESS I JUST THOUGHT IT MATCHED, 1261 01:04:35,139 --> 01:04:36,673 BUT THE GUY IN THE PHOTOGRAPHY LINE-- 1262 01:04:36,673 --> 01:04:38,608 THIS IS ALL TRUE-- HE WASN'T EVEN LOOKING. 1263 01:04:38,608 --> 01:04:41,045 HE WAS ON THE COMPUTER, AND WHEN HE LOOKED UP AND SAW MY FACE, 1264 01:04:41,045 --> 01:04:42,046 I SWEAR TO GOD, HE WENT LIKE THIS. 1265 01:04:42,046 --> 01:04:43,047 HE GOES... 1266 01:04:43,047 --> 01:04:44,982 "[gasps]" 1267 01:04:48,885 --> 01:04:52,923 NOW, I REALIZE I'M THE ONE CREATING THE MISCHIEF HERE, 1268 01:04:52,923 --> 01:04:54,925 BUT IF YOUR REFLEXIVE REACTION 1269 01:04:54,925 --> 01:04:58,428 TO A STRANGE-LOOKING INDIVIDUAL IS... 1270 01:04:58,428 --> 01:05:00,330 "[gasps]" 1271 01:05:00,330 --> 01:05:04,434 PERHAPS DON'T WORK IN THE PHOTOGRAPHY SECTION 1272 01:05:04,434 --> 01:05:07,337 OF THE DMV. 1273 01:05:07,337 --> 01:05:08,973 SO MY PAPERWORK WAS ALL IN ORDER. 1274 01:05:08,973 --> 01:05:11,375 ALL HE COULD SAY WAS, "OKAY, GO STAND BEHIND THE WHITE LINE," 1275 01:05:11,375 --> 01:05:12,977 AND AS I TURNED, I BEGAN TO LAUGH, 1276 01:05:12,977 --> 01:05:14,511 AND I HAD TO COMPOSE MYSELF, 1277 01:05:14,511 --> 01:05:18,715 BECAUSE I REMEMBERED THAT THE ONLY THING 1278 01:05:18,715 --> 01:05:20,650 THAT HE CAN SAY TO ME WHEN IT CAME TIME 1279 01:05:20,650 --> 01:05:25,255 TO TAKE A PHOTOGRAPH WAS "SMILE." 1280 01:05:25,255 --> 01:05:28,358 AND I REALIZED THAT THIS GUY... 1281 01:05:28,358 --> 01:05:32,929 WHEN HE SMILES, CAN LOOK REAL WEIRD. 1282 01:05:32,929 --> 01:05:35,265 SO I GOT READY TO TAKE THE PHOTOGRAPH, YOU KNOW. 1283 01:05:35,265 --> 01:05:36,800 I STOOD BEHIND THE WHITE LINE. I WAS LIKE... 1284 01:05:44,074 --> 01:05:45,775 THE GUY'S LIKE, "OKAY, YOU ALL SET?" 1285 01:05:45,775 --> 01:05:47,444 I'M LIKE, "[muffled] UH-HUH. YEAH." 1286 01:05:47,444 --> 01:05:50,981 HE'S LIKE, "OKAY...SMILE." 1287 01:05:52,682 --> 01:05:54,184 [mimics flash bulb popping] 1288 01:05:54,184 --> 01:05:56,253 THAT'S WHAT'S ON MY CALIFORNIA DRIVER'S LICENSE. 1289 01:05:56,253 --> 01:05:59,189 [cheers and applause] 1290 01:06:14,138 --> 01:06:17,074 THANK YOU GUYS VERY MUCH. 1291 01:06:17,074 --> 01:06:20,444 THAT CONCLUDES THE SHOW, BUT BEFORE I SAW GOOD-BYE, 1292 01:06:20,444 --> 01:06:22,246 I JUST WANT TO SAY... 1293 01:06:25,749 --> 01:06:27,351 HELL YEAH IT IS. 1294 01:06:27,351 --> 01:06:28,918 GOOD NIGHT, EVERYBODY. THANK YOU VERY MUCH. 1295 01:06:28,918 --> 01:06:30,054 [cheers and applause] 1296 01:06:30,054 --> 01:06:33,057 [upbeat hip-hop music] 1297 01:06:33,057 --> 01:06:40,997 * 1298 01:06:52,342 --> 01:06:53,677 - * DENVER, DENVER 1299 01:06:53,677 --> 01:06:54,978 - * CALLING FROM DENVER 1300 01:06:54,978 --> 01:06:57,047 - * FREEDOM OF SPEECH HERE, NO CENSURE * 1301 01:06:57,047 --> 01:06:59,783 * BUT DON'T DISS THE CITY OR THE THUNDERDOME YOU ENTER * 1302 01:06:59,783 --> 01:07:01,085 * TALK SHIT ABOUT HER 1303 01:07:01,085 --> 01:07:02,419 * TRUST THAT I'LL DEFEND HER * 1304 01:07:02,419 --> 01:07:04,521 * ATTACK DENVER, YOUR WEAPONS WE RENDER * 1305 01:07:04,521 --> 01:07:05,655 - * USELESS 1306 01:07:05,655 --> 01:07:07,391 - * CHUG COORS, TIP THE BARTENDER * 1307 01:07:07,391 --> 01:07:08,458 - * DENVER, DENVER 1308 01:07:08,458 --> 01:07:09,459 - * CALLING FROM DENVER 1309 01:07:09,459 --> 01:07:10,460 - * ADDRESS UNKNOWN 1310 01:07:10,460 --> 01:07:11,928 * RETURN TO DENVER 1311 01:07:11,928 --> 01:07:14,298 * ONLY GO TO GAY PRIDE WHEN I'M ON A BENDER * 1312 01:07:14,298 --> 01:07:15,599 * AIN'T LIKE TEXAS WOMEN * 1313 01:07:15,599 --> 01:07:17,267 * DON'T HAVE TO GUESS THE GENDER * 1314 01:07:17,267 --> 01:07:19,669 * ROCKY MOUNTAIN OYSTERS, I'LL EAT IT IF IT'S TENDER * 1315 01:07:19,669 --> 01:07:22,306 * YOU'D EAT BULL'S BALLS TOO IF YOU HAD HUMAN BALLS, WENDELL * 1316 01:07:22,306 --> 01:07:23,440 - *DENVER, DENVER * 1317 01:07:23,440 --> 01:07:24,908 * FUCK YOU, WENDELL* 1318 01:07:24,908 --> 01:07:27,111 - * GIRLS HOT ARE HOT TRANS FAT OR TRANSGENDER * 1319 01:07:27,111 --> 01:07:28,512 * IF YOU'RE DAUGHTER'S BAD AT SCHOOL * 1320 01:07:28,512 --> 01:07:29,846 * THEY'RE GONNA SUSPEND HER * 1321 01:07:29,846 --> 01:07:31,515 * PREP A DEEP TAN IN PUEBLO 1322 01:07:31,515 --> 01:07:33,083 * PRETENDER 1323 01:07:33,083 --> 01:07:34,784 * WE GOT THE ROCKY MOUNTAINS IN ALL OF THEIR SPLENDOR * 1324 01:07:34,784 --> 01:07:37,254 * BUT NOT ROCKY, 'CAUSE WE ARE A CONTENDER * 1325 01:07:37,254 --> 01:07:38,422 - * DENVER, DENVER 1326 01:07:38,422 --> 01:07:39,789 * CALLING FROM DENVER 1327 01:07:39,789 --> 01:07:40,890 - * ATLANTA'S WHERE THEY PLAYERS PLAY * 1328 01:07:40,890 --> 01:07:42,226 * BUT THEY LIVE IN DENVER 1329 01:07:42,226 --> 01:07:44,628 * RATHER DRIVE STONED, AVOID A FENDER BENDER * 1330 01:07:44,628 --> 01:07:47,164 * WANT TO MARRY HOLLY BUT OBSESSED WITH KENDRA * 1331 01:07:47,164 --> 01:07:48,465 * WENT TO WAR WITH TEXAS 1332 01:07:48,465 --> 01:07:49,766 *THEY SURRENDERED * 1333 01:07:49,766 --> 01:07:51,301 * WHAT'S MORE, ALL THAT STUFF * 1334 01:07:51,301 --> 01:07:53,537 * ABOUT US EATING TEXAN BABIES IS FOLKLORE * 1335 01:07:53,537 --> 01:07:54,838 * WE DO DRINK THEIR BLOOD THOUGH * 1336 01:07:54,838 --> 01:07:57,107 * SERIOUSLY, FUCK A BUNCH OF TEXANS-ER * 1337 01:07:57,107 --> 01:07:58,208 - * DENVER, DENVER 1338 01:07:58,208 --> 01:07:59,809 - * CALLING FROM DENVER 1339 01:07:59,809 --> 01:08:02,045 - * I GRABBED YOUR ASS 'CAUSE IT WAS LOOKING TENDER * 1340 01:08:02,045 --> 01:08:03,180 * DON'T SEND ME TO JAIL * 1341 01:08:03,180 --> 01:08:04,448 * I'M A FIRST-TIME OFFENDER * 1342 01:08:04,448 --> 01:08:05,449 * GO AHEAD 1343 01:08:05,449 --> 01:08:07,050 *ASSIGN A PUBLIC DEFENDER * 1344 01:08:07,050 --> 01:08:10,720 * 'CAUSE OUR LAWYERS ARE THE FUCKING BOMB, Y'ALL * 1345 01:08:10,720 --> 01:08:13,190 HAVE A DOPE-ASS LEGAL REPRESENTATION! 1346 01:08:13,190 --> 01:08:15,959 [grunting] 1347 01:08:15,959 --> 01:08:18,362 LEGAL EAGLES AND LEGAL BEAGLES, Y'ALL! 1348 01:08:18,362 --> 01:08:19,763 DON'T FORGET WHAT YOU HEARD! 1349 01:08:19,763 --> 01:08:21,865 GO FORTH AND SPREAD THE WORD, Y'ALL! 1350 01:08:21,865 --> 01:08:23,500 DENVER, COLORADO! 1351 01:08:23,500 --> 01:08:25,001 BALLERADO! 1352 01:08:25,001 --> 01:08:27,637 303 DOPEST LAWYERS IN THE COUNTRY, YO! 1353 01:08:27,637 --> 01:08:29,506 ONE TIME FOR J. KENT MILLER. 1354 01:08:29,506 --> 01:08:31,508 DOIN' LAW, YA'LL! CHECK IT! 1355 01:08:31,508 --> 01:08:33,743 YOU KNOW HOW THOSE COLORADO LAWYERS DO, WHAT! 1356 01:08:33,743 --> 01:08:36,446 THEY ALWAYS GOT TO BACK UP TO DRINK, MAN! 1357 01:08:36,446 --> 01:08:37,781 WHY? 1358 01:08:37,781 --> 01:08:40,550 'CAUSE THEY JUST PASSED THE BAR, Y'ALL! 1359 01:08:40,550 --> 01:08:41,985 - T.J., GOD DAMN IT. 1360 01:08:41,985 --> 01:08:43,487 YOU RHYMED "TENDER" WITH "DENVER" LIKE SIX TIMES. 1361 01:08:43,487 --> 01:08:44,854 - MORE LIKE THREE. 1362 01:08:44,854 --> 01:08:46,156 - THAT'S STILL A LOT. - THAT'S TRUE. 96983

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.