All language subtitles for 3. Controlling The Vocal

Okay,
So the first thing that we want to do

jumping in here
is I'm going to turn all of these

actually, I'm going to leave them on
so you can then see what each one is.

But the first thing that I

that I like to do
is I actually let's turn them off first.

So as you can tell as well,
I've programed.

So in there off none of the plug ins
are on to save you CPU.

So the first thing is first
is let's go to this

part of the track

and I pulled up an all you need for
this is the Waves gold bundle.

I'm pretty sure I've owned these things
in the waves Gold bundle.

So if you have that, you're in action.

So if you look at this,
I've taken all of these kind

of different points
in the RFQ and made them

if you
go all the way, it's pretty exaggerated.

But pretty much
what you're also going to want to do is

figure out
where your voice lies in the spectrum.

So I'm going to play it along with
my voice so you can hear what is going on.

But first of all, when I crank this
all the way up, that's obviously going to

be a little bit too much.

But what I've done is taken out

kind of these problem areas
as well as in this, a vitamin piece.

These three pieces go up along with it.

So as you go as you push that IQ,

these two pieces of the vitamin
go up as well

to kind of give you that high end boost.
So check this out.

This is what happens when you
turn it on and you use it.

IQ. Where you at?

All right.

With Jihad Alberta test.

I've got you still got.

Yeah.

We can fix all this
and I want to get it done.

So you're going to listen to Pentaho.

I got to pick and choose.

You see those different moves now?

It's going to show him through.

Come to look what I'm missing.

So maybe a round in there.

So you get some clarity going on.

The next piece
that's going to do is control.

And this is one of my favorite knobs
because these are just concepts

that I believe in.

So the first is this C4, which is I'm
using only here to control the dynamics.

So as you look, if you boost this up,

the control knob, it's
affecting the threshold pretty much.

These are set standard,

these three different bands,
but it's affecting the threshold of these.

And obviously I've set them
so they move at different times as well

because I typically like to compress
the low end.

I have this low one box,
the frequencies that you're going

to compress the lows quicker
than you do the highs,

because that I find that it's easier
for my vocals to get boxy.

So I have a little bit hitting the lows
a little bit harder as well as

a compressor that's coming in.

If you notice the threshold knob

as you kind of turn
this up and I have it locked out there

because I do want you guys
to go overboard.

But pretty much what you're shooting for
here is with this compressor.

I don't like it too.

I'm just trying to catch the peaks
for this initial

for this initial compressor, which is why
it's not in this compressed button.

Again, we're just
this is a knob just to control the vocal,

kind of bring it in a little bit.

So when you're you
and you're dialing this in,

you're going to want to
look at those two things.

And then as well a sibilance,
which is this is pretty much a DSR.

So that way as you kind of start
to boost things on the control side,

it doesn't get to

it doesn't get to see
as you start to compress things.

So check this out.

With your heart albums elevated.

I've got you still got to
yeah we can fix all this and I want.

To get it done overboard.

Listen to that
haha. Got to pick and choose.

You choose different moves
now it's time to show him through.

Come to look what I'm missing.

He doesn't think this is so
you would run to.

I don't like this to go past
negative three

or just excuse me three in terms of gain
reduction on the compressor.

So that's kind of what I'm shooting force.

That's B that would be kind
of what I'm looking for right there.

And the last piece of this
kind of the whole controlling the vocal

piece is the R compressor.

So what

I've done is I've
linked a threshold in the gain together

so that as you push this up,
those two kind of work in tandem.

I've also left about four ratio of four.

You can control the seven
which you left the open.

So if you want more compression,
you can put more compression

and then the attack and release.

I left these open as well

because these are going to be things

that you're going to want to maybe come in
and dial in on your own track.

But this you can kind of
feel it out for your own track

to depend on depends on where you want the
how much compression,

how little you want.

With your hotelbeds test.

I think what you're still going to.

Yeah, we can fix.

So that's a lot right.

Down the road
but you're going to listen to that haha.

I got to pick and choose.

You feel those different moves now?

It's going to show improve.

Come to look what a mess this made you.

Think this is.

So you were to maybe somewhere in there
just a pain that you had to put up with.

You push through but now you're jaded.

So right now we went from this.

With your jihad albums to. To this.

Book, Jihad albums to.

Just clear more controlled.

And then after we have
those in, we're going to start

to add the kind of fun, different pieces
to actually enhance the vocal.