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1
00:00:04,830 --> 00:00:06,615
[CHIMING]
2
00:00:06,963 --> 00:00:12,360
[BEEP]
3
00:00:12,403 --> 00:00:14,318
[SIGHS]
4
00:00:14,362 --> 00:00:16,407
UH, HON, YOU OK?
5
00:00:16,451 --> 00:00:18,366
THIS MOTION SENSOR
ALERT ON MY WATCH,
6
00:00:18,409 --> 00:00:20,672
IT KEEPS GOING OFF.
OHH...
7
00:00:20,716 --> 00:00:23,240
TURN THOSE NOTIFICATIONS
OFF, WOULD YOU?
8
00:00:23,284 --> 00:00:25,677
WHAT IF SOMEBODY'’S
OUTSIDE?
9
00:00:25,721 --> 00:00:29,246
IT'’S THE CAT.
IT'’S ALWAYS THE CAT.
10
00:00:29,290 --> 00:00:32,423
I DON'’T UNDERSTAND
HOW IT'’S NOT THE DAMN CAT.
11
00:00:32,467 --> 00:00:34,425
OHH, IT'’S 3:30
IN THE MORNING.
12
00:00:34,469 --> 00:00:36,253
[POUNDING]
13
00:00:36,297 --> 00:00:39,256
THAT'’S NOT THE CAT.
CALL 911.
14
00:00:39,300 --> 00:00:41,606
WAIT, TIM. LET'’S CHECK.
15
00:00:41,650 --> 00:00:45,306
MAN: COME ON!
PLEASE LET ME IN!
16
00:00:45,349 --> 00:00:47,525
PLEASE LET ME IN!
PLEASE...
17
00:00:47,569 --> 00:00:49,266
MAN ON PHONE:
HNA SECURITY. HOW CAN WE HELP?
18
00:00:49,310 --> 00:00:51,138
WE HAVE A--
I DON'’T KNOW--
19
00:00:51,181 --> 00:00:53,314
SOME CRAZY MAN
BANGING ON OUR DOOR.
20
00:00:53,357 --> 00:00:54,663
MAN ON PHONE: OK.
WE HAVE AN OFFICER
21
00:00:54,706 --> 00:00:55,838
ON THE WAY
TO YOUR ADDRESS.
22
00:00:55,881 --> 00:00:56,578
THIS LOOKS LIKE
HE'’S IN TROUBLE,
23
00:00:56,621 --> 00:00:57,535
LIKE, REAL TROUBLE.
24
00:00:57,579 --> 00:00:58,449
MAYBE WE SHOULD
TRY TO HELP HIM.
25
00:00:58,493 --> 00:00:59,711
NO.
MAN ON PHONE: NO.
26
00:00:59,755 --> 00:01:01,539
FOR YOUR SAFETY,
DO NOT OPEN THE DOOR
27
00:01:01,583 --> 00:01:03,585
OR ENGAGE WITH THIS MAN.
28
00:01:03,628 --> 00:01:05,804
OH, MY GOD, TIM.
SOMEBODY IS AFTER HIM.
29
00:01:05,848 --> 00:01:06,805
WE HAVE TO--
30
00:01:06,849 --> 00:01:08,764
WE ARE NOT
OPENING THE DOOR.
31
00:01:08,807 --> 00:01:10,722
MAN: HE'’S COMING!
PLEASE OPEN THE DOOR!
32
00:01:10,766 --> 00:01:13,247
PLEASE OPEN THE DOOR!
HE'’S GONNA KILL US!
33
00:01:13,290 --> 00:01:20,123
PLEASE SAVE US!
34
00:01:20,167 --> 00:01:22,778
ALVEZ: I'’M TELLING
YOU, I DON'’T WANT
A HOUSEWARMING PARTY.
35
00:01:22,821 --> 00:01:24,258
WHAT IS WRONG
WITH YOU?
36
00:01:24,301 --> 00:01:27,261
WHO DOESN'’T LIKE
RIBBON-ADORNED
37
00:01:27,304 --> 00:01:29,132
POTTED PLANTS
AND VEGGIE CRUDITEÉ
38
00:01:29,176 --> 00:01:30,960
AND HUMMUS WITH
YOUR FACE CARVED IN IT?
39
00:01:31,003 --> 00:01:33,441
DO YOU EVEN
FONDUE, BRO?
40
00:01:33,484 --> 00:01:35,965
WE'’VE GOT BIGGER
FISH TO FRY HERE.
41
00:01:36,008 --> 00:01:38,141
IT'’S LIFE AND DEATH,
42
00:01:38,185 --> 00:01:40,404
AND A HOUSEWARMING PARTY
JUST SEEMS STUPID.
43
00:01:40,448 --> 00:01:42,014
LEWIS: OOH, WHO'’S THROWING
A HOUSEWARMING PARTY?
44
00:01:42,058 --> 00:01:43,712
OH, PLEASE SAY IT'’S YOU.
45
00:01:43,755 --> 00:01:46,323
I'’M DYING
FOR SOME FRIVOLITY, JOY,
AND SOME OVERPRICED SNACKS.
46
00:01:46,367 --> 00:01:50,675
NOT ME, OK?
LISA WANTS ONE.
47
00:01:50,719 --> 00:01:51,850
SHE WANTS TO GET TO KNOW
48
00:01:51,894 --> 00:01:53,330
ALL OF YOU GUYS
A LITTLE BETTER.
49
00:01:53,374 --> 00:01:55,376
IN FACT, YOU'’RE THE
ONLY ONES INVITED.
50
00:01:55,419 --> 00:01:58,596
I THINK SOMEONE IS
AFRAID OF FORMAL GESTURES
51
00:01:58,640 --> 00:02:01,033
THAT MIGHT INSINUATE
A COMMITMENT.
52
00:02:01,077 --> 00:02:04,036
ALVEZ: OH, IS THAT
NOT THE KETEL ONE
53
00:02:04,080 --> 00:02:05,647
CALLING
THE POT BLACK?
54
00:02:05,690 --> 00:02:08,345
HEY, I'’M A REFORMED KETTLE,
AND WHAT IS IT THEY SAY?
55
00:02:08,389 --> 00:02:11,043
THE FOURTH TIME'’S
THE CHARM.
56
00:02:11,087 --> 00:02:12,828
JJ: WHAT ARE YOU
GUYS TALKING ABOUT?
57
00:02:12,871 --> 00:02:14,395
LEWIS: OH, HEY, LUKE'’S
THROWING A HOUSEWARMING PARTY.
58
00:02:14,438 --> 00:02:17,049
NO. I'’M NOT HAVING
A HOUSEWARMING PARTY.
59
00:02:17,093 --> 00:02:19,356
JJ: WHAT? I LOVE A GOOD
HOUSEWARMING PARTY.
60
00:02:19,400 --> 00:02:22,054
MATT, HELP ME OUT, PLEASE.
61
00:02:22,098 --> 00:02:24,622
UH, WHAT DOES
LISA WANT?
62
00:02:24,666 --> 00:02:27,190
[CHUCKLES]
63
00:02:27,234 --> 00:02:28,887
LISA WANTS
A PARTY.
64
00:02:28,931 --> 00:02:30,628
YEAH. YOU'’RE THROWING
THE PARTY, DUDE.
65
00:02:30,672 --> 00:02:32,413
MM-HMM.
OH...
66
00:02:32,456 --> 00:02:33,196
PRENTISS: LET'’S MEET
IN THE ROUND TABLE.
67
00:02:33,240 --> 00:02:34,806
WE HAVE A CASE.
[SIGHS]
68
00:02:34,850 --> 00:02:36,808
LISA PUT YOU UP
TO THIS, DIDN'’T SHE?
69
00:02:36,852 --> 00:02:39,028
MM! MM!
70
00:02:39,071 --> 00:02:41,073
TAKE A LOOK AT THIS.
71
00:02:41,117 --> 00:02:43,554
HE'’S COMING! HE'S COMING!
PLEASE OPEN THE DOOR!
72
00:02:43,598 --> 00:02:45,687
PLEASE HELP US!
HE'’S GONNA KILL US!
73
00:02:45,730 --> 00:02:48,255
PLEASE SAVE US!
74
00:02:48,298 --> 00:02:49,473
PORTLAND, OREGON, PD
NEEDS OUR HELP
75
00:02:49,517 --> 00:02:50,909
LOCATING THIS MAN.
76
00:02:50,953 --> 00:02:52,781
THEY BELIEVE THE ABDUCTION
MIGHT BE CONNECTED
77
00:02:52,824 --> 00:02:54,348
TO A LOCAL COUPLE
WHO WERE KILLED
78
00:02:54,391 --> 00:02:56,001
IN THEIR HOME LAST WEEK.
79
00:02:56,045 --> 00:02:57,873
THAT FIRST COUPLE
WAS FOUND BOUND
80
00:02:57,916 --> 00:02:59,831
WITH DUCT TAPE ON
THEIR HEADS, NECKS,
81
00:02:59,875 --> 00:03:01,442
WRISTS, AND HANDS.
82
00:03:01,485 --> 00:03:04,227
BOTH CRIMES INVOLVE DUCT TAPE,
AND DUCT TAPE IS PRETTY COMMON.
83
00:03:04,271 --> 00:03:06,534
YEAH, BUT ABDUCTING
COUPLES ISN'’T.
84
00:03:06,577 --> 00:03:08,536
I MEAN, "SAVE US.
HELP US"?
85
00:03:08,579 --> 00:03:10,886
THERE'’S DEFINITELY
ANOTHER ABDUCTEE
86
00:03:10,929 --> 00:03:12,409
ASSOCIATED WITH
THIS SECOND VICTIM.
87
00:03:12,453 --> 00:03:13,715
SIMMONS:
WELL, THIS GUY IS BAREFOOT
88
00:03:13,758 --> 00:03:15,238
AND WEARING BOXER SHORTS,
89
00:03:15,282 --> 00:03:16,544
SO EITHER THE UNSUB
SURPRISED THEM IN BED
90
00:03:16,587 --> 00:03:18,328
OR THIS COULD BE
A SEXUAL ENCOUNTER GONE WRONG.
91
00:03:18,372 --> 00:03:20,069
ROSSI: IF THIS STARTS
AS CONSENSUAL,
92
00:03:20,112 --> 00:03:21,592
IT CERTAINLY
DOESN'’T STAY THAT WAY.
93
00:03:21,636 --> 00:03:22,941
THIS GUY FIGHTS
FOR HIS FREEDOM,
94
00:03:22,985 --> 00:03:24,247
FLED FOR HIS LIFE
INSTEAD OF GOING BACK
95
00:03:24,291 --> 00:03:25,640
FOR HIS PARTNER.
96
00:03:25,683 --> 00:03:28,120
MUST BE SOME SADISTIC GAMES
THIS UNSUB'’S PLAYING.
97
00:03:28,164 --> 00:03:30,688
OK. I HATE TO SAY IT,
98
00:03:30,732 --> 00:03:32,603
BUT THE OTHER VICTIM
COULD BE DEAD,
99
00:03:32,647 --> 00:03:34,605
OR MAYBE THEY SPLIT
UP, AND THIS GUY
100
00:03:34,649 --> 00:03:36,781
WAS LUCKY ENOUGH
TO GET ON CAMERA.
101
00:03:36,825 --> 00:03:38,783
DID THEY USE
FACIAL RECOGNITION
TO I.D. THE VICTIM?
102
00:03:38,827 --> 00:03:40,655
GARCIA: YEAH, BUT
NOTHING'’S COME UP YET.
103
00:03:40,698 --> 00:03:41,786
SO WE HAVE
TWO CONFIRMED MURDERS
104
00:03:41,830 --> 00:03:43,179
AND TWO MORE
POTENTIAL ONES.
105
00:03:43,223 --> 00:03:44,833
WE'’RE GONNA HAVE TO MOVE
FAST TO STOP HIM.
106
00:03:44,876 --> 00:03:47,314
FORTUNATELY, WE WILL HAVE
REINFORCEMENTS ON THIS CASE.
107
00:03:47,357 --> 00:03:48,880
WHEELS UP.
108
00:03:48,924 --> 00:03:51,231
GARCIA: REINFORCEMENTS?
WHAT REINFORCEMENTS?
HIM.
109
00:03:51,274 --> 00:03:53,015
WAIT. YOU'’RE BACK?
110
00:03:53,058 --> 00:03:54,321
WHY ARE YOU BACK?
WHAT HAPPENED?
111
00:03:54,364 --> 00:03:55,713
NOTHING HAPPENED.
112
00:03:55,757 --> 00:03:56,975
THE SEMINAR WRAPPED EARLY,
AND I MISSED YOU GUYS.
113
00:03:57,019 --> 00:03:58,281
ROSSI: WELL, YOU'’RE JUST
IN TIME TO HELP US
114
00:03:58,325 --> 00:03:59,935
REEL IN A NASTY ONE.
115
00:03:59,978 --> 00:04:01,328
PRENTISS: WE'’LL BRIEF YOU ON
THE WAY TO THE JET. LET'’S GO.
116
00:04:01,371 --> 00:04:02,590
AND WE'’LL
CATCH UP LATER.
117
00:04:02,633 --> 00:04:04,809
GO, MIGHTY
PROFESSOR. GO!
118
00:04:04,853 --> 00:04:07,247
[BREATHING RAPIDLY]
119
00:04:11,076 --> 00:04:16,038
J.P., ARE YOU AWAKE?
CAN YOU HEAR ME?
120
00:04:16,081 --> 00:04:18,040
YEAH.
121
00:04:18,083 --> 00:04:20,347
DID ANYONE SEE YOU?
122
00:04:20,390 --> 00:04:23,045
WHEN YOU
GOT OUT, DID ANYONE--
123
00:04:23,088 --> 00:04:25,265
PLEASE SAY YES.
124
00:04:25,308 --> 00:04:27,702
I--I DON'’T KNOW.
125
00:04:27,745 --> 00:04:30,618
I TRIED.
I TRIED, I SWEAR.
126
00:04:30,661 --> 00:04:33,490
HOW BAD DOES IT HURT?
127
00:04:33,534 --> 00:04:35,362
IT'’S BAD.
128
00:04:35,405 --> 00:04:40,236
OHH. I'’M REALLY SCARED.
129
00:04:40,280 --> 00:04:43,892
I AM, TOO.
130
00:04:43,935 --> 00:04:47,156
I LOVE YOU. I NEED
YOU TO KNOW THAT.
131
00:04:47,199 --> 00:04:49,201
IF WE DON'’T GET OUT OF HERE,
I NEED YOU TO KNOW THAT, OK?
132
00:04:49,245 --> 00:04:51,247
DON'’T SAY THAT.
[CLICKING]
133
00:04:51,291 --> 00:04:53,597
OH, NO. WAIT.
[WHIRRING]
134
00:04:53,641 --> 00:04:56,557
WAIT. IS THAT--
OH, GOD.
135
00:04:56,600 --> 00:04:59,037
[CLICKING]
136
00:04:59,081 --> 00:05:03,041
DON'’T DO THIS. WAIT.
OH, WAIT. DON'’T--
137
00:05:03,085 --> 00:05:05,392
J.P.: NOT AGAIN.
NOT AGAIN.
138
00:05:05,435 --> 00:05:07,742
NO, NO, NO.
NOT AGAIN.
139
00:05:07,785 --> 00:05:10,397
NIK, NIK, LOOK AT ME.
140
00:05:10,440 --> 00:05:11,876
NO. THIS ISN'’T FAIR.
WE DIDN'’T DO ANYTHING.
141
00:05:11,920 --> 00:05:13,138
NIK, LOOK AT ME,
PLEASE!
142
00:05:13,182 --> 00:05:14,575
NIK, LOOK AT ME.
143
00:05:14,618 --> 00:05:17,926
YOU'’RE THE LAST THING
THAT I WANT TO SEE, OK,
144
00:05:17,969 --> 00:05:21,712
YOU'’RE THE LAST THING
THAT I WANT TO SEE.
145
00:05:21,756 --> 00:05:23,627
NO. THIS ISN'’T FAIR.
146
00:05:23,671 --> 00:05:25,281
DON'’T DO THIS.
JUST DON'’T DO THIS.
DON'’T. PLEASE.
147
00:05:25,325 --> 00:05:27,283
DON'’T DO THIS.
148
00:05:27,327 --> 00:05:29,590
[GROANING]
149
00:05:29,633 --> 00:05:33,463
STOP!
AAH! AAH...
150
00:06:10,195 --> 00:06:12,850
J.J., VOICE-OVER:
"REVENGE, THE SWEETEST MORSEL
151
00:06:12,894 --> 00:06:16,201
TO THE MOUTH THAT
EVER WAS COOKED IN HELL."
152
00:06:16,245 --> 00:06:18,029
SIR WALTER SCOTT.
153
00:06:18,073 --> 00:06:20,205
STILL NO I.D. ON THE MAN
IN THE VIDEO
154
00:06:20,249 --> 00:06:22,120
OR ANY OTHER POTENTIAL
VICTIMS,
155
00:06:22,164 --> 00:06:24,209
SO WE SHOULD START
BY LOOKING AT THE FILES
156
00:06:24,253 --> 00:06:26,821
ON OUR MURDERED COUPLE
FROM A WEEK AGO.
157
00:06:26,864 --> 00:06:28,605
WE NEED TO CONFIRM
A CONNECTION.
158
00:06:28,649 --> 00:06:30,041
GARCIA, ON VIDEO CONFERENCE:
ON YOUR TABLETS, YOU'’LL SEE
159
00:06:30,085 --> 00:06:33,088
WILLIAM AND SARAH MENDELBAUM
OF PERRI PARK.
160
00:06:33,131 --> 00:06:36,396
WILLIAM WAS A BELOVED
DOCTOR IN THE COMMUNITY.
161
00:06:36,439 --> 00:06:37,962
HE RETIRED 3 YEARS AGO.
162
00:06:38,006 --> 00:06:41,488
AND SARAH VOLUNTEERED AT
A LOCAL BIRD SANCTUARY.
163
00:06:41,531 --> 00:06:43,577
BOTH OF THEM WERE
IN THEIR EARLY 60s.
164
00:06:43,620 --> 00:06:45,796
DRASTICALLY DIFFERENT
PHYSICAL VICTIMOLOGY
165
00:06:45,840 --> 00:06:47,798
THAN THE GUY
WE SAW LAST NIGHT,
166
00:06:47,842 --> 00:06:49,409
WHO WAS--
I DON'’T KNOW--
167
00:06:49,452 --> 00:06:51,323
IN HIS LATE 20s,
EARLY 30s.
168
00:06:51,367 --> 00:06:53,195
THE DUCT TAPE
TELLS THE TALE.
169
00:06:53,238 --> 00:06:55,197
THE FIRST COUPLE WAS
BOUND AROUND THE WRIST,
170
00:06:55,240 --> 00:06:56,720
ANKLES, AND NECK.
171
00:06:56,764 --> 00:06:58,548
SO WAS OUR GUY
IN THE VIDEO.
172
00:06:58,592 --> 00:07:00,245
THIS HAD GOT TO BE
THE SAME UNSUB.
173
00:07:00,289 --> 00:07:01,682
SIMMONS:
THE M.E. DETERMINED
THE WEAPON TO BE
174
00:07:01,725 --> 00:07:02,987
SOME KIND OF
A HUNTING KNIFE.
175
00:07:03,031 --> 00:07:05,076
ON THE MENDELBAUMS,
WE HAVE 5 STAB WOUNDS
176
00:07:05,120 --> 00:07:08,253
ON EACH--3 ON THE TORSO
AND TWO ON THEIR NECKS.
177
00:07:08,297 --> 00:07:09,559
LEWIS: THEIR EYEBROWS
WERE SINGED,
178
00:07:09,603 --> 00:07:10,995
THEIR EYELASHES
COMPLETELY BURNED OFF.
179
00:07:11,039 --> 00:07:13,084
THE TIPS OF THEIR EYEBALLS
WERE SEVERELY BURNED,
180
00:07:13,128 --> 00:07:14,912
AND THE SKIN AROUND THEIR EYES
SUSTAINED SECOND-DEGREE BURNS
181
00:07:14,956 --> 00:07:16,392
ANTEMORTEM.
182
00:07:16,436 --> 00:07:17,741
WHATEVER IT WAS
THAT BURNED THEM
183
00:07:17,785 --> 00:07:19,439
COULDN'’T BE FOUND
AT THE SCENE.
184
00:07:19,482 --> 00:07:20,744
YEAH. MUST BE
185
00:07:20,788 --> 00:07:22,398
FROM SOME KIND OF
LOCALIZED HEAT SOURCE,
186
00:07:22,442 --> 00:07:24,444
MAYBE A LIGHTER
OR BUTANE TORCH,
187
00:07:24,487 --> 00:07:27,925
SOMETHING SO FINITE
AND PRECISE THAT HE
188
00:07:27,969 --> 00:07:31,581
DIDN'’T MELT THE EYEBALLS
OR DESTROY THE EYE SOCKETS.
189
00:07:31,625 --> 00:07:34,105
REID: GARCIA, CAN YOU SHOW US
THE VIDEO FROM LAST NIGHT?
190
00:07:34,149 --> 00:07:36,630
UNFORTUNATELY, I CAN.
191
00:07:36,673 --> 00:07:40,111
HELP! HELP!
PLEASE LET ME IN!
192
00:07:40,155 --> 00:07:42,287
PAUSE IT
RIGHT THERE.
193
00:07:42,331 --> 00:07:44,333
HIS LEFT CORNEA.
YOU GUYS SEE THAT?
194
00:07:44,376 --> 00:07:46,291
EASILY WRITTEN OFF
AS REFLECTOR GLOW
195
00:07:46,335 --> 00:07:47,771
FROM LOW-LIGHT
VIDEO CONDITIONS,
196
00:07:47,815 --> 00:07:49,556
BUT I THINK
THE UNSUB BURNED IT,
197
00:07:49,599 --> 00:07:50,731
AND THE SKIN
AROUND THE AREA
198
00:07:50,774 --> 00:07:51,862
ISN'’T AFFECTED LIKE
ON THE MENDELBAUMS.
199
00:07:51,906 --> 00:07:53,385
HE'’S GETTING
BETTER AT THIS.
200
00:07:53,429 --> 00:07:55,126
PRENTISS: EXCEPT HE LOST CONTROL
OF HIS VICTIM LAST NIGHT,
201
00:07:55,170 --> 00:07:56,519
SO HE'’S NOT THAT GOOD.
202
00:07:56,563 --> 00:07:58,086
WHEN WE LAND,
SPENCER, J.J., MATT,
203
00:07:58,129 --> 00:07:59,609
GO TO THE MENDELBAUM
CRIME SCENE.
204
00:07:59,653 --> 00:08:01,350
THE REST OF US WILL SET UP
AT THE LOCAL PD.
205
00:08:01,393 --> 00:08:03,221
LET'’S HOPE WE FIND
THIS UNSUB
206
00:08:03,265 --> 00:08:05,180
BEFORE HE PERFECTS
HIS TECHNIQUE.
207
00:08:07,487 --> 00:08:09,532
LEWIS: SO THE FIRST VICTIMS,
THE MENDELBAUMS,
208
00:08:09,576 --> 00:08:11,186
THEY LIVED UP HERE
IN THE WEST,
209
00:08:11,229 --> 00:08:13,710
AND THEN THE ALDRIDGE HOUSE,
WHERE THE SECOND VICTIM
210
00:08:13,754 --> 00:08:16,278
RANG THE DOORBELL
WAS DOWN HERE IN THE SOUTH,
211
00:08:16,321 --> 00:08:18,280
SO WHAT ARE THESE
TWO NEIGHBORHOODS LIKE?
212
00:08:18,323 --> 00:08:19,890
BOTH QUIET.
213
00:08:19,934 --> 00:08:21,849
THE SOUTH PART IS
ADJACENT TO DOWNTOWN,
214
00:08:21,892 --> 00:08:23,590
AND THE WEST PART
IS MORE WELL-TO-DO
215
00:08:23,633 --> 00:08:25,069
AND SECLUDED
IN THE HILLS.
216
00:08:25,113 --> 00:08:26,941
BUT THE BLOOD TRAIL
FOUND AT THE ALDRIDGES'’
217
00:08:26,984 --> 00:08:28,551
WENT FROM THE PORCH
TO THE CURB,
218
00:08:28,595 --> 00:08:31,075
SO OUR UNSUB HAD
A WAITING VEHICLE,
219
00:08:31,119 --> 00:08:33,164
BUT WHICH DIRECTION DID
OUR VICTIM COME FROM?
220
00:08:33,208 --> 00:08:35,253
WELL, OUR GUY HAD MUD
ON HIS FEET.
221
00:08:35,297 --> 00:08:38,300
HOW HE GOT THAT WOULD
ANSWER YOUR QUESTION, EMILY.
222
00:08:38,343 --> 00:08:40,215
POLICE CHIEF: THE WEST
PART IS RIGHT AT THE EDGE
223
00:08:40,258 --> 00:08:42,086
OF A HUGE
WOODED FOREST.
224
00:08:42,130 --> 00:08:43,914
ALL RIGHT. SO THAT MEANS
OUR VICTIM WOULD HAVE HAD
225
00:08:43,958 --> 00:08:46,090
TO HAVE APPROACHED
THROUGH HERE
226
00:08:46,134 --> 00:08:48,049
FROM THIS NEIGHBORHOOD,
I'’M ASSUMING. ROXY HEIGHTS?
227
00:08:48,092 --> 00:08:49,441
THAT WOULD TRACK.
228
00:08:49,485 --> 00:08:51,443
WAIT. IF HE WOULD'’VE
JUST MADE A RIGHT
229
00:08:51,487 --> 00:08:53,097
WHEN HE CAME OUT
OF THE CUL-DE-SAC,
230
00:08:53,141 --> 00:08:55,578
HE WOULD'’VE RUN SMACK DAB
INTO A POLICE SUBSTATION.
231
00:08:55,622 --> 00:08:57,101
HE WOULD'’VE BEEN SAVED.
232
00:08:57,145 --> 00:08:59,060
PRENTISS: MAYBE HE
DIDN'’T KNOW THE AREA.
233
00:08:59,103 --> 00:09:00,757
POLICE CHIEF: IT'’S NOT
LIKE WE KEPT IT A SECRET.
234
00:09:00,801 --> 00:09:02,716
WE DO ALL KINDS
OF NEIGHBORHOOD OUTREACH.
235
00:09:02,759 --> 00:09:04,761
NO. IT CHANGES
OUR PROFILE.
236
00:09:04,805 --> 00:09:07,721
HE PICKED A VICTIM OR,
MORE LIKELY, A COUPLE
237
00:09:07,764 --> 00:09:09,026
THAT ISN'’T LOCAL.
238
00:09:09,070 --> 00:09:10,550
IF THEY'’RE HARD TO FIND,
HE'’S HARD TO FIND.
239
00:09:10,593 --> 00:09:13,030
SO WAS THAT ON PURPOSE,
OR DID HE JUST GET LUCKY?
240
00:09:13,074 --> 00:09:15,467
MAYBE THE MENDELBAUM
CRIME SCENE
241
00:09:15,511 --> 00:09:18,079
WILL HELP US
FIGURE THAT OUT.
242
00:09:18,122 --> 00:09:21,735
J.J.: THANK YOU FOR LETTING US
INTO YOUR PARENTS'’ HOME.
243
00:09:21,778 --> 00:09:23,258
ARE YOU GONNA CATCH
THE SON OF A BITCH
244
00:09:23,301 --> 00:09:25,086
THAT DID THIS TO THEM?
245
00:09:25,129 --> 00:09:28,437
WELL, WE WON'’T LEAVE
UNTIL WE DO.
246
00:09:28,480 --> 00:09:31,440
SO HOW LONG DID YOUR DAD
PRACTICE MEDICINE HERE?
247
00:09:31,483 --> 00:09:35,270
35 YEARS,
RETIRED FOR ONLY 3.
248
00:09:35,313 --> 00:09:37,272
IT'’S QUITE A LEGACY.
249
00:09:37,315 --> 00:09:40,318
CAN YOU THINK OF
ANYONE WHO WOULD WANT
250
00:09:40,362 --> 00:09:42,756
TO HURT HIM
OR YOUR MOM?
251
00:09:42,799 --> 00:09:45,454
NO. MY DAD WAS
A PEDIATRICIAN.
252
00:09:45,497 --> 00:09:49,763
EVERYONE LOVED HIM
AND MY MOM.
253
00:09:49,806 --> 00:09:54,637
I DON'’T GET IT.
WHY--
254
00:09:56,683 --> 00:09:58,336
WHY WHAT?
255
00:09:58,380 --> 00:10:01,035
WHEN MY PARENTS WOULDN'’T
ANSWER MY CALLS OR TEXTS,
256
00:10:01,078 --> 00:10:04,647
I CAME OVER
TO CHECK ON THEM, AND--
257
00:10:04,691 --> 00:10:07,476
YOU FOUND THE BODIES.
258
00:10:07,519 --> 00:10:11,349
YEAH, BUT
BEFORE I DID,
259
00:10:11,393 --> 00:10:13,787
THE WHOLE HOUSE
WAS DARK.
260
00:10:13,830 --> 00:10:15,789
I WAS STUMBLING AROUND,
TRYING TO FIND THEM,
261
00:10:15,832 --> 00:10:17,791
AND WHEN I GOT
TO THE FUSE BOX,
262
00:10:17,834 --> 00:10:19,662
ALL THE BREAKERS
WERE TRIPPED.
263
00:10:19,706 --> 00:10:22,665
SO THE KILLER TURNED OFF
ALL THE LIGHTS.
264
00:10:22,709 --> 00:10:24,362
THIS WASN'’T IN
THE POLICE REPORT.
265
00:10:24,406 --> 00:10:26,277
DID YOU TELL THEM?
266
00:10:26,321 --> 00:10:27,670
IS IT IMPORTANT?
267
00:10:27,714 --> 00:10:29,324
UH, IT MIGHT BE.
268
00:10:31,413 --> 00:10:34,546
UH, EXCUSE ME.
269
00:10:34,590 --> 00:10:36,157
[INDISTINCT CONVERSATIONS]
270
00:10:39,377 --> 00:10:43,077
SO WE RULED OUT
THE SON, RIGHT?
271
00:10:43,120 --> 00:10:44,948
YEAH. HE WAS HOME
ALL NIGHT. WHY?
272
00:10:44,992 --> 00:10:46,776
WELL, THE UNSUB CUT
THE POWER TO THE HOUSE,
273
00:10:46,820 --> 00:10:48,952
AND RAY DIDN'’T MENTION IT
TO THE POLICE.
274
00:10:48,996 --> 00:10:51,041
IT'’S ODD, BUT HE DID JUST
LOSE BOTH HIS PARENTS.
275
00:10:51,085 --> 00:10:52,695
AND THAT TRACKS
WITH WHAT WE FOUND.
276
00:10:52,739 --> 00:10:53,827
WELL, WHAT
DID YOU FIND?
277
00:10:53,870 --> 00:10:55,045
REID: WELL, THE UNSUB
SECURED THEM HERE
278
00:10:55,089 --> 00:10:56,438
AND NOT VERY WELL.
279
00:10:56,481 --> 00:10:57,569
HOW CAN YOU TELL?
280
00:10:57,613 --> 00:10:58,788
BUTANE BURNS
ON THE TABLE.
281
00:10:58,832 --> 00:11:00,485
THEY SQUIRMED AS HE
BROUGHT THE LIGHTER DOWN.
282
00:11:00,529 --> 00:11:04,402
OK. WELL, WHY BLIND HIM,
THEN STAB?
283
00:11:04,446 --> 00:11:06,578
HE HAS THEM SECURE.
IT'’S ALREADY DARK.
284
00:11:06,622 --> 00:11:08,319
WHAT IS HE TRYING
TO ACCOMPLISH?
285
00:11:08,363 --> 00:11:12,323
SIMMONS: THIS.
SO WE ASKED THE POLICE
286
00:11:12,367 --> 00:11:16,110
TO DUST FOR PRINTS, BUT WE
WERE NOT EXPECTING THIS.
287
00:11:16,153 --> 00:11:17,851
OH, MY GOD.
288
00:11:17,894 --> 00:11:20,462
THE PRINTS ALL BELONG TO
MR. AND MRS. MENDELBAUM.
289
00:11:20,505 --> 00:11:23,508
JJ: YEAH.
THEY WERE TRYING
290
00:11:23,552 --> 00:11:26,381
TO FEEL THEIR WAY
AROUND BLIND.
291
00:11:26,424 --> 00:11:29,297
AND HE WAS WATCHING THEM
WITH HIS GOGGLES ON.
292
00:11:29,340 --> 00:11:31,691
HE WANTED TO SEE
THEM STRUGGLE.
293
00:11:31,734 --> 00:11:34,824
NO. HE WANTED TO
SEE THEM PANIC.
294
00:11:34,868 --> 00:11:38,393
HE WANTED THEM TO KNOW
THAT AT ANY POINT,
295
00:11:38,436 --> 00:11:41,265
HE COULD STAB THEM,
WHICH HE DID
296
00:11:41,309 --> 00:11:44,007
RIGHT THERE
AND THEN HERE.
297
00:11:44,051 --> 00:11:45,966
WE THOUGHT THAT LAST
NIGHT'’S VICTIM GOT
LUCKY AND ESCAPED,
298
00:11:46,009 --> 00:11:48,185
BUT THIS CRIME SCENE
TELLS AN ENTIRELY
DIFFERENT STORY.
299
00:11:48,229 --> 00:11:51,188
YEAH. HE LET THEM
GO ON PURPOSE,
300
00:11:51,232 --> 00:11:53,103
FIRST IN A CONTROLLED
SETTING LIKE THIS,
301
00:11:53,147 --> 00:11:55,149
THEN OUT
IN THE WILD.
302
00:11:55,192 --> 00:11:57,064
SO LAST NIGHT'’S VICTIM
DIDN'’T GET LUCKY.
303
00:11:57,107 --> 00:12:00,763
NO. OUR UNSUB'’S
A HUNTER.
304
00:12:00,807 --> 00:12:04,027
[SOBBING]
305
00:12:06,595 --> 00:12:08,553
NIKKI: IT'’S OK.
306
00:12:08,597 --> 00:12:10,991
BABY, IT'’S--
IT'’S OK.
307
00:12:12,906 --> 00:12:16,387
NIK, I CAN'’T SEE.
308
00:12:16,431 --> 00:12:18,520
JUST...
I CAN'’T SEE.
309
00:12:18,563 --> 00:12:20,827
FOCUS ON MY VOICE.
310
00:12:20,870 --> 00:12:22,742
I--I--
311
00:12:22,785 --> 00:12:24,744
THINK ABOUT THE PLACE
THAT WE MET.
312
00:12:24,787 --> 00:12:27,181
REMEMBER?
313
00:12:27,224 --> 00:12:29,923
BALBOA.
BALBOA ISLAND.
314
00:12:29,966 --> 00:12:34,057
REMEMBER THAT SUNSET?
OTHERWORLDLY, RIGHT?
315
00:12:34,101 --> 00:12:37,408
THE PINKS, THE BLUES.
316
00:12:37,452 --> 00:12:39,497
YEAH.
317
00:12:39,541 --> 00:12:41,891
J.P.: I WAS HOPING THAT
IF YOU NOTICED ME
318
00:12:41,935 --> 00:12:45,852
NOTICING THEM, YOU'’D
HAVE COFFEE WITH ME.
319
00:12:45,895 --> 00:12:48,898
NIK: IT WORKED.
IT DID.
320
00:12:48,942 --> 00:12:50,900
WHAT WAS THE NAME
OF THAT COFFEE SHOP?
321
00:12:50,944 --> 00:12:52,684
THE BALBOA ISLAND
COFFEE COMPANY.
322
00:12:52,728 --> 00:12:54,077
WE'’RE GONNA GO
BACK THERE, OK?
323
00:12:54,121 --> 00:12:55,252
YEAH.
324
00:12:55,296 --> 00:12:55,731
I PROMISE YOU, WE'’RE
GONNA MAKE IT BACK.
325
00:12:55,775 --> 00:12:57,037
[DOOR OPENS]
326
00:12:57,080 --> 00:12:58,690
SHH, SHH, SHH.
SHH, SHH, SHH.
327
00:12:58,734 --> 00:13:00,997
HE'’S COMING.
SHH. HE'’S COMING.
328
00:13:01,041 --> 00:13:04,131
I HEAR HIM.
SHH, SHH.
329
00:13:04,174 --> 00:13:06,829
[NIKKI SOBBING]
330
00:13:15,882 --> 00:13:19,363
UH...UH...
331
00:13:24,368 --> 00:13:26,196
J.P.: NIK. NIK?
332
00:13:26,240 --> 00:13:27,981
NO. NO.
NIK?
333
00:13:28,024 --> 00:13:30,287
NO, NO.
IT'’S MY TURN. HURT ME.
334
00:13:30,331 --> 00:13:32,942
HE'’S GOT A KNIFE.
WHAT?
335
00:13:32,986 --> 00:13:35,989
OH...OH...OH...
336
00:13:36,032 --> 00:13:37,947
[BREATHING HEAVILY]
337
00:13:43,735 --> 00:13:45,955
COME ON.
338
00:13:53,963 --> 00:13:57,706
GET UP.
339
00:13:57,749 --> 00:13:59,403
[GROANS]
340
00:14:00,796 --> 00:14:02,885
NOW LET'’S SEE YOU
GET OUT OF HERE.
341
00:14:02,929 --> 00:14:05,018
GO ON. GET GOING.
342
00:14:05,061 --> 00:14:06,584
NIKKI: J.P.
343
00:14:06,628 --> 00:14:09,065
REID: BASED ON THE VIDEO,
THE UNSUB'’S GOGGLES
344
00:14:09,109 --> 00:14:10,850
USE A PROCESS
CALLED AMPLIFICATION
345
00:14:10,893 --> 00:14:12,242
WHICH INCREASES
THE AVAILABLE LIGHT
346
00:14:12,286 --> 00:14:14,244
IN ORDER TO MAKE IT BRIGHT
ENOUGH FOR EYES TO SEE IT.
347
00:14:14,288 --> 00:14:16,812
NOW, HE CAN SEE HIS VICTIMS,
BUT THEY CAN'’T SEE HIM,
348
00:14:16,856 --> 00:14:18,596
BUT HERE'’S THE PART
THAT DOESN'’T MAKE SENSE.
349
00:14:18,640 --> 00:14:20,381
ONCE THEY'’RE BLINDED,
350
00:14:20,424 --> 00:14:22,600
HE SHOULDN'’T NEED
TO WEAR THAT ANYMORE.
351
00:14:22,644 --> 00:14:25,690
OR IT COULD BE SYMBOLIC, OR
HE'’S MAKING A STATEMENT--
352
00:14:25,734 --> 00:14:28,171
COLORBLIND. LOVE IS BLIND,
BLIND JUSTICE.
353
00:14:28,215 --> 00:14:30,347
GARCIA,
YOU'’RE ON SPEAKER.
354
00:14:30,391 --> 00:14:31,914
GARCIA, ON PHONE:
OOH, I LIVE FOR SPEAKER. OK.
355
00:14:31,958 --> 00:14:34,090
I HAVE FOUND
ADDITIONAL SECURITY FOOTAGE
356
00:14:34,134 --> 00:14:37,441
OF OUR VIDEO GUY RUNNING--
OR SHOULD I SAY SPRINTING?--
357
00:14:37,485 --> 00:14:39,835
PAST 3 HOUSES IN ROXY HEIGHTS.
358
00:14:39,879 --> 00:14:43,360
SENT IT TO YOUR TABLETS
EXACTLY NOW.
359
00:14:43,404 --> 00:14:46,059
LEWIS: WOW.
BUT HE'’S REALLY MOVING.
360
00:14:46,102 --> 00:14:48,104
THIS IS AFTER TWO MILES
ACROSS OPEN FOREST,
361
00:14:48,148 --> 00:14:49,714
HE'’S STILL SPRINTING.
362
00:14:49,758 --> 00:14:50,933
WELL, THAT COULD BE
JUST ADRENALINE,
363
00:14:50,977 --> 00:14:52,630
BUT THIS GUY'’S GOT
PERFECT FORM.
364
00:14:52,674 --> 00:14:54,937
PRENTISS: HE'’S ALSO WEARING
AN EXERCISE WATCH.
365
00:14:54,981 --> 00:14:57,287
THIS VICTIM TRAINED REGULARLY.
366
00:14:57,331 --> 00:14:59,115
LEWIS: WELL, MAYBE HE'’S
A RUNNER FROM OUT-OF-TOWN.
367
00:14:59,159 --> 00:15:00,943
ARE THERE ANY
UPCOMING MARATHONS?
368
00:15:00,987 --> 00:15:02,423
POLICE CHIEF:
YES, TOMORROW.
369
00:15:02,466 --> 00:15:04,816
THERE'’S A HALF-MARATHON
FOR BREAST CANCER RESEARCH.
370
00:15:04,860 --> 00:15:06,644
I'’VE RUN IT
A FEW TIMES MYSELF
371
00:15:06,688 --> 00:15:08,168
IN MEMORY OF
MY AUNT JOYCE.
372
00:15:08,211 --> 00:15:10,910
GARCIA, I WANT YOU TO RUN
THE ENTRANTS'’ NAMES.
373
00:15:10,953 --> 00:15:13,086
CROSS-REFERENCE THEM
WITH THEIR BIB PHOTOS
374
00:15:13,129 --> 00:15:15,305
AND THE VIDEO STILLS
OF OUR MISSING MAN.
375
00:15:15,349 --> 00:15:17,612
LOOK FOR
ROMANTIC COUPLES
RUNNING TOGETHER,
376
00:15:17,655 --> 00:15:19,135
MARRIED OR DOMESTIC,
377
00:15:19,179 --> 00:15:21,050
SPANNING SEXUAL
PREFERENCE LINES.
378
00:15:21,094 --> 00:15:23,792
ALL OVER IT, BOSS, LIKE BEANIES
ON MAN BUNS ON HIPSTERS.
379
00:15:23,835 --> 00:15:26,403
[BEEPING]
380
00:15:26,447 --> 00:15:27,883
OH. HERE WE GO.
381
00:15:27,927 --> 00:15:30,842
J.P. McCOY--32,
NIKKI PARENO--29,
382
00:15:30,886 --> 00:15:32,975
RECENTLY ENGAGED, FROM
HUNTINGTON BEACH, CALIFORNIA.
383
00:15:33,019 --> 00:15:35,021
HE'’S A FINANCIAL PLANNER.
SHE'’S A VET TECH.
384
00:15:35,064 --> 00:15:37,588
LOOKS LIKE THEY WERE STAYING
AT A HOME-SHARE RENTAL
385
00:15:37,632 --> 00:15:39,329
THEY GOT OFF COZYNEST.
386
00:15:39,373 --> 00:15:40,765
IT'’S JUST LIKE AIRBnB.
387
00:15:40,809 --> 00:15:42,854
IT'’S TEMPORARY RENTALS,
HAVING TO TRUST STRANGERS.
388
00:15:42,898 --> 00:15:44,944
IT'’S PRETTY RISKY
IF YOU THINK ABOUT IT.
389
00:15:44,987 --> 00:15:46,902
ADDRESS SENT.
390
00:15:46,946 --> 00:15:47,947
[COMPUTER BEEPING]
391
00:15:53,213 --> 00:15:55,345
NIK...
392
00:15:55,389 --> 00:15:57,869
NIK, IS HE GONE?
393
00:15:57,913 --> 00:15:59,349
I THINK SO.
394
00:15:59,393 --> 00:16:00,655
J.P.: OK. YEAH.
395
00:16:00,698 --> 00:16:02,178
I GOT TO GET
YOU FREE.
396
00:16:02,222 --> 00:16:03,310
NO, NO, NO ,NO, NO.
NO. NO.
397
00:16:03,353 --> 00:16:04,964
HE'’S GONNA BE
RIGHT BACK.
398
00:16:05,007 --> 00:16:07,444
PLEASE, J.P.
NOW IS YOUR CHANCE.
399
00:16:07,488 --> 00:16:09,533
I'’LL TRY AND HELP YOU.
400
00:16:09,577 --> 00:16:14,756
THERE'’S A STAIRCASE ABOUT
12 FEET AHEAD OF YOU.
401
00:16:14,799 --> 00:16:18,151
KEEP GOING. THAT'’S IT.
402
00:16:18,194 --> 00:16:19,239
OK.
403
00:16:26,072 --> 00:16:28,552
LEWIS, ROSSI, TAKE THE BACK.
WAIT FOR MY MARK.
404
00:16:28,596 --> 00:16:29,858
NOW BE CAREFUL.
405
00:16:29,901 --> 00:16:31,251
TAKE THE HAND RAIL
406
00:16:31,294 --> 00:16:33,253
AND JUST TAKE ONE
STEP AT A TIME, OK?
407
00:16:33,296 --> 00:16:35,211
ONE STEP AT A TIME.
408
00:16:35,255 --> 00:16:37,909
MAN: MOVING INTO
POSITION.
409
00:16:37,953 --> 00:16:39,911
[INDISTINCT CONVERSATION]
410
00:16:39,955 --> 00:16:42,914
NIK, NIK, NIK,
I HEAR VOICES.
411
00:16:42,958 --> 00:16:45,134
YOU CAN DO THIS, J.P.
412
00:16:45,178 --> 00:16:46,744
JUST HEAD TOWARD
THEIR VOICES.
413
00:17:03,805 --> 00:17:05,850
OK. WE'’RE READY.
414
00:17:17,036 --> 00:17:19,603
1, 2, 3.
415
00:17:28,830 --> 00:17:31,267
CLEAR.
416
00:17:31,311 --> 00:17:32,834
[PANTING]
417
00:17:32,877 --> 00:17:34,575
THEY'’RE NOT HERE.
418
00:17:37,447 --> 00:17:39,319
UH!
HUH...
419
00:17:50,417 --> 00:17:52,897
HE CUT OFF THE POWER
HERE, AS WELL.
420
00:17:52,941 --> 00:17:54,725
THIS IS HOW
HE GAINS CONTROL.
421
00:17:54,769 --> 00:17:57,032
RIGHT. SO THEY RUN OUTSIDE
TO CHECK THE FUSE BOX.
422
00:17:57,076 --> 00:17:58,338
HE GETS INSIDE.
423
00:17:58,381 --> 00:17:59,861
THEY COME BACK IN,
AND THEY'’RE IMMEDIATELY
424
00:17:59,904 --> 00:18:01,254
AT A DISADVANTAGE
IN THE DARK.
425
00:18:01,297 --> 00:18:02,516
JUST LIKE
THE MENDELBAUMS.
426
00:18:02,559 --> 00:18:03,952
YEAH, BUT THAT'’S
WHERE IT ENDS.
427
00:18:03,995 --> 00:18:06,172
I MEAN, THERE'’S NO STUMBLING
AROUND IN THE DARK HERE.
428
00:18:06,215 --> 00:18:08,261
THERE'’S NO HANDPRINTS
AT ALL BEYOND THE USUAL.
429
00:18:08,304 --> 00:18:10,785
HE DID NOT
KILL THEM HERE.
430
00:18:10,828 --> 00:18:14,832
SO THE UNSUB MOVED THEM
TO A SECONDARY LOCATION.
431
00:18:14,876 --> 00:18:16,617
IT'’S RISKY TO MOVE
TWO PEOPLE.
432
00:18:16,660 --> 00:18:18,619
WHY DO IT,
433
00:18:18,662 --> 00:18:20,795
AND HOW DO YOU DO IT
WITHOUT BEING SEEN?
434
00:18:20,838 --> 00:18:23,450
ALL RIGHT,
SO WE KNOW THIS GUY
435
00:18:23,493 --> 00:18:25,974
LIKES TO TAKE BIG RISKS,
WHICH HE'’S DONE HERE
436
00:18:26,017 --> 00:18:28,150
BY COMING ALL THE WAY
ACROSS TOWN TO THIS HOUSE,
437
00:18:28,194 --> 00:18:29,630
BUT WE STILL
DON'’T KNOW
438
00:18:29,673 --> 00:18:31,153
WHY THIS HOUSE
IS SO SPECIAL.
439
00:18:31,197 --> 00:18:33,155
ISRAEL KEYES EVADED
CAPTURE FOR DECADES
440
00:18:33,199 --> 00:18:35,331
BECAUSE HE
CRACKED THE CODE.
441
00:18:35,375 --> 00:18:37,159
RIGHT. DON'’T KILL ANYBODY
CONNECTED TO YOU,
442
00:18:37,203 --> 00:18:39,292
AND DON'’T KILL IN A SPACE
THAT CAN BE CONNECTED TO YOU.
443
00:18:39,335 --> 00:18:41,424
WELL, MAYBE THIS UNSUB
DID HIS RESEARCH
444
00:18:41,468 --> 00:18:43,818
AND FIGURED
THAT OUT, TOO.
445
00:18:43,861 --> 00:18:45,820
ALL RIGHT, SO MAYBE
THIS GUY'’S SMART ENOUGH
446
00:18:45,863 --> 00:18:48,127
TO HAVE CREATED A SPECIAL
LAYER OF PROTECTION
447
00:18:48,170 --> 00:18:49,998
BY USING COZYNEST TO
FIND AND ATTACK STRANGERS,
448
00:18:50,041 --> 00:18:52,043
OR IT'’S THE OPPOSITE,
AND THERE'’S SOME KIND
449
00:18:52,087 --> 00:18:54,611
OF AN EMOTIONAL TIE
AND HE CHOSE THIS
HOUSE PURPOSEFULLY.
450
00:18:54,655 --> 00:18:57,136
ALVEZ: YOUR DADDY
SAID YOU'’RE SORT OF
451
00:18:57,179 --> 00:18:58,920
A NIGHT OWL AROUND
THE NEIGHBORHOOD.
452
00:18:58,963 --> 00:19:01,314
I HAVE A HARD TIME SLEEPING,
AND I LIKE THE NIGHT.
453
00:19:01,357 --> 00:19:04,012
ANYTHING HAPPEN LAST
NIGHT THAT'’S A LITTLE
454
00:19:04,055 --> 00:19:05,840
OUT OF THE NORMAL
ROUTINE FOR AROUND HERE?
455
00:19:05,883 --> 00:19:07,363
OUR NEIGHBORS LIKE
TO RENT THEIR PLACE OUT
456
00:19:07,407 --> 00:19:08,669
ON COZYNEST,
SO IT'’S ALWAYS
457
00:19:08,712 --> 00:19:10,453
A MIXED BAG
NEXT DOOR.
458
00:19:10,497 --> 00:19:13,587
WELL, DID YOU SEE
ANYONE COMING OR GOING?
459
00:19:13,630 --> 00:19:16,111
WELL, EARLIER,
I WAS IN MY ROOM,
460
00:19:16,155 --> 00:19:17,852
AND I SAW THE GUY
AND A GIRL COME HOME,
461
00:19:17,895 --> 00:19:19,201
MUST HAVE BEEN
FROM A RUN.
462
00:19:19,245 --> 00:19:20,507
WHAT ABOUT AFTER THAT?
463
00:19:20,550 --> 00:19:22,204
I THOUGHT THEY INVITED
A FRIEND OVER BECAUSE
464
00:19:22,248 --> 00:19:25,294
I SAW THIS GUY HELPING
THE RUNNER DUDE INTO A CAR.
465
00:19:25,338 --> 00:19:27,470
THE NEW GUY, WHAT
DID HE LOOK LIKE?
466
00:19:27,514 --> 00:19:29,342
DARK CLOTHES, A HOODIE.
467
00:19:29,385 --> 00:19:31,474
SOMETHING ABOUT HIM MADE ME
ASSUME HE WAS A DEALER,
468
00:19:31,518 --> 00:19:33,215
YOU KNOW?
469
00:19:33,259 --> 00:19:36,087
HE HAD THESE WEIRD
SUNGLASSES ON AND EVERYTHING.
470
00:19:36,131 --> 00:19:38,568
THESE SUNGLASSES, WHAT
WAS WEIRD ABOUT THEM,
471
00:19:38,612 --> 00:19:40,527
I MEAN, OTHER THAN HE
HAD THEM ON AT NIGHT?
472
00:19:40,570 --> 00:19:42,964
HAD SOMETHING
SHINY ON THEM,
473
00:19:43,007 --> 00:19:45,053
LIKE A STRIPE
OR SOMETHING.
474
00:19:45,096 --> 00:19:46,881
IT CAUGHT MY EYE WHEN
HE OPENED THE CAR DOOR
475
00:19:46,924 --> 00:19:48,665
AND THE OVERHEAD
LIGHT WENT ON.
476
00:19:48,709 --> 00:19:50,319
IF I WERE TO SHOW
YOU A PICTURE
477
00:19:50,363 --> 00:19:52,539
OF THESE SUNGLASSES, WOULD
YOU BE ABLE TO I.D. THEM?
478
00:19:52,582 --> 00:19:55,019
YEAH. SURE.
479
00:19:56,412 --> 00:19:58,240
THAT'’S THEM.
480
00:19:58,284 --> 00:20:00,373
THANKS, MAN.
481
00:20:02,026 --> 00:20:03,941
WE NEED TO DELIVER
THE PROFILE.
482
00:20:06,292 --> 00:20:08,642
THE UNSUB WE'’RE LOOKING FOR
IS BELIEVED TO BE A WHITE MALE
483
00:20:08,685 --> 00:20:12,298
IN HIS LATE 20s TO EARLY 30s
WHO IS VISUALLY IMPAIRED.
484
00:20:12,341 --> 00:20:14,038
ALVEZ: NOW, BASED ON
EYEWITNESS CONFIRMATION,
485
00:20:14,082 --> 00:20:15,649
HE'’S WEARING THESE.
486
00:20:15,692 --> 00:20:18,129
THEY'’RE ELECTRONIC SUNGLASSES
THAT HELP HIM SEE IN THE DARK.
487
00:20:18,173 --> 00:20:20,654
WOMAN: SO HE'’S BLIND? THAT
SHOULD MAKE HIM EASY TO FIND.
488
00:20:20,697 --> 00:20:22,830
REID: NO. HE'’S IMPAIRED,
NOT FULLY SIGHTLESS,
489
00:20:22,873 --> 00:20:24,440
AND WITH THE AID
OF THE GLASSES
490
00:20:24,484 --> 00:20:26,050
AND THE NIGHT-VISION
GOGGLES, HE MOST LIKELY
491
00:20:26,094 --> 00:20:27,922
HAS CLOSE
TO FULL VISION.
492
00:20:27,965 --> 00:20:30,490
WHAT'’S MORE RELEVANT FOR
OUR PROFILE, HOWEVER,
493
00:20:30,533 --> 00:20:32,318
IS THAT BEHIND
THIS DISABILITY LURKS
494
00:20:32,361 --> 00:20:35,669
A PSYCHOPATH INCAPABLE
OF FEELING EMPATHY.
495
00:20:35,712 --> 00:20:37,714
BUT HIS RAGE OVER
HIS CONDITION
IS NOW EXTERNALIZED
496
00:20:37,758 --> 00:20:40,717
ON HIS VICTIMS,
INCLUDING ANYONE WHO
SHOWS HIM ANY EMPATHY.
497
00:20:40,761 --> 00:20:42,980
LEWIS: IT'’S ALSO POSSIBLE
THAT THIS UNSUB HAS LEARNED
498
00:20:43,024 --> 00:20:45,026
HOW TO WEAPONIZE
HIS DISABILITY
499
00:20:45,069 --> 00:20:46,854
IN ORDER TO MAKE
HIMSELF SEEM
500
00:20:46,897 --> 00:20:48,421
LESS THREATENING
TO HIS VICTIMS.
501
00:20:48,464 --> 00:20:50,684
ROSSI: HOWEVER, THIS UNSUB
HAS LIMITED SOCIAL SKILLS.
502
00:20:50,727 --> 00:20:53,208
HIS DISABILITY HAS KEPT HIM
WITHDRAWN AND ISOLATED.
503
00:20:53,252 --> 00:20:55,341
THAT'’S WHY HE'S TAKEN
HIS OWN IMPAIRMENT OUT
504
00:20:55,384 --> 00:20:56,994
ON HIS VICTIMS.
505
00:20:57,038 --> 00:20:59,693
HE WANTS THEM TO KNOW
WHAT IT'’S LIKE TO BE HIM.
506
00:20:59,736 --> 00:21:02,217
BRINGING THEM TO HIS LEVEL
ALLOWS HIM TO DRAW OUT
507
00:21:02,261 --> 00:21:06,265
THE TORTURE AND ENGAGE
IN CAT-AND-MOUSE-TYPE
PLAY WITH THEM.
508
00:21:06,308 --> 00:21:08,049
PSYCHOPATHS
GET BORED EASILY.
509
00:21:08,092 --> 00:21:10,660
THAT'’S WHY THEY TAKE
BIGGER AND BIGGER RISKS.
510
00:21:10,704 --> 00:21:12,706
THAT'’S WHY HE RELEASED J.P.,
511
00:21:12,749 --> 00:21:15,056
AND WE EXPECT HIM TO CONTINUE
TO ESCALATE WITH NIKKI.
512
00:21:15,099 --> 00:21:16,449
WHAT DOES THAT
LOOK LIKE?
513
00:21:16,492 --> 00:21:18,320
REID: IT COULD BE PRETENDING
TO CARE ABOUT HER
514
00:21:18,364 --> 00:21:20,366
OR PRETENDING TO LET HER GO
AFTER HE BLINDS HER.
515
00:21:20,409 --> 00:21:23,543
NIKKI MIGHT HAVE A CHANCE
IF SHE CAN PROVE THAT
516
00:21:23,586 --> 00:21:26,197
SHE SEES HIM AS A HUMAN BEING
INSTEAD OF A MONSTER,
517
00:21:26,241 --> 00:21:28,025
WHICH IS HOW HE FEELS.
518
00:21:30,114 --> 00:21:32,943
J.P., YOU MADE--
519
00:21:32,987 --> 00:21:35,381
OH...OH...
520
00:21:35,424 --> 00:21:39,080
OH...DID YOU
HURT HIM?
521
00:21:39,123 --> 00:21:41,604
DID YOU?
522
00:21:41,648 --> 00:21:44,825
OH, PLEASE. NO.
523
00:21:44,868 --> 00:21:47,393
OH...
524
00:21:47,436 --> 00:21:50,787
[PANTING]
525
00:21:50,831 --> 00:21:53,268
UH...
526
00:21:53,312 --> 00:21:56,227
UH...
527
00:21:56,271 --> 00:21:58,752
YOU DON'’T
HAVE TO KILL ME.
528
00:21:58,795 --> 00:22:00,710
LET ME GO. I WON'’T
SAY ANYTHING.
529
00:22:09,066 --> 00:22:11,025
LOOK AT ME.
530
00:22:13,636 --> 00:22:15,725
ARE YOU REPULSED BY ME?
531
00:22:18,641 --> 00:22:21,427
WHAT HAPPENED TO YOU?
532
00:22:21,470 --> 00:22:24,430
I WANT TO KNOW.
PLEASE TELL ME.
533
00:22:32,176 --> 00:22:34,091
[WHISPERING INDISTINCTLY]
534
00:22:37,660 --> 00:22:39,140
WHOA.
535
00:22:39,183 --> 00:22:40,315
REID, ON PHONE:
WHAT'’D YOU FIND, GARCIA?
536
00:22:40,359 --> 00:22:42,143
WELL, THE FIRST
TWO VICTIMS WERE
537
00:22:42,186 --> 00:22:44,624
VERY WELL-RESPECTED, JUST
LIKE THEIR SON REPORTED,
538
00:22:44,667 --> 00:22:47,409
BUT DR. MENDELBAUM WAS NOT
WITHOUT A CHECKERED PAST.
539
00:22:47,453 --> 00:22:49,759
I'’M SENDING YOU
A NEWS CLIPPING NOW.
540
00:22:49,803 --> 00:22:52,893
YOU ARE, I'’M SURE,
AWARE OF EXPOSURE THERAPY.
541
00:22:52,936 --> 00:22:54,938
IT'’S A FORM OF COGNITIVE
BEHAVIORAL THERAPY
542
00:22:54,982 --> 00:22:56,462
THAT'’S BEEN AROUND
SINCE THE 1950s IN WHICH
543
00:22:56,505 --> 00:22:59,334
A PATIENT IS FORCED
TO CONFRONT THEIR ANXIETIES.
544
00:22:59,378 --> 00:23:01,423
TAKE ARACHNOPHOBIA,
FOR INSTANCE.
545
00:23:01,467 --> 00:23:04,295
UNDER THE GUIDANCE OF A DOCTOR
AND/OR A PSYCHOLOGIST,
546
00:23:04,339 --> 00:23:06,428
A PATIENT IS METHODICALLY
INTRODUCED TO SPIDERS
547
00:23:06,472 --> 00:23:08,125
IN A CONTROLLED SETTING,
THE IDEA BEING THAT
548
00:23:08,169 --> 00:23:09,779
THE MORE FAMILIAR
THEY ARE WITH ARACHNIDS--
549
00:23:09,823 --> 00:23:11,302
THE LESS
YOU FEAR THEM.
550
00:23:11,346 --> 00:23:12,695
WELL, IT LOOKS LIKE
DR. MENDELBAUM
551
00:23:12,739 --> 00:23:14,610
WAS TRYING THIS OUT
WITH HIS PATIENTS.
552
00:23:14,654 --> 00:23:15,959
GARCIA: TWO--CORRECT
ME IF I'’M WRONG,
553
00:23:16,003 --> 00:23:18,397
AND I WANT TO BE WRONG--
WERE CHILDREN, NO?
554
00:23:18,440 --> 00:23:19,963
REID: THEY WERE, AND
EXPOSURE THERAPY WITH CHILDREN
555
00:23:20,007 --> 00:23:21,661
HAS TO BE ADMINISTERED
WITH EXTREME CARE,
556
00:23:21,704 --> 00:23:23,619
OR IT CAN BE INTERPRETED
AS NEGATIVE REINFORCEMENT,
557
00:23:23,663 --> 00:23:25,621
COMPOUNDING THE PROBLEM.
558
00:23:25,665 --> 00:23:27,144
RAY WITHHELD DETAILS
559
00:23:27,188 --> 00:23:29,625
ABOUT HIS PARENTS'’
MURDER FROM THE POLICE.
560
00:23:29,669 --> 00:23:31,453
CONSCIOUSLY
OR UNCONSCIOUSLY,
561
00:23:31,497 --> 00:23:33,324
HE MAY HAVE FEARED
THAT THIS PLAYED
A PART IN IT.
562
00:23:33,368 --> 00:23:34,717
WELL, IF THE UNSUB WAS
ONE OF HIS DAD'’S PATIENTS,
563
00:23:34,761 --> 00:23:36,502
HE MIGHT BE RIGHT.
564
00:23:36,545 --> 00:23:38,460
ONE OF THESE KIDS
TOOK HIS OWN LIFE
565
00:23:38,504 --> 00:23:41,332
ONLY AFTER A FEW SESSIONS
OF EXPOSURE THERAPY,
566
00:23:41,376 --> 00:23:43,770
BUT THAT WAS ENOUGH FOR
YOUR FATHER TO DISCONTINUE
567
00:23:43,813 --> 00:23:45,902
HIS WORK AND TAKE
A LEAVE OF ABSENCE.
568
00:23:45,946 --> 00:23:49,340
NO. THAT CASE HAS NOTHING TO DO
WITH WHAT HAPPENED TO MY FOLKS.
569
00:23:49,384 --> 00:23:50,994
WE SETTLED
WITH THE FAMILY.
570
00:23:51,038 --> 00:23:52,779
WE AGREE, BUT YOUR
PARENTS'’ KILLER
571
00:23:52,822 --> 00:23:54,520
COULD HAVE BEEN
ANOTHER KID
HE TREATED.
572
00:23:57,218 --> 00:23:59,568
RAY--
573
00:23:59,612 --> 00:24:02,005
RAY, WE KNOW YOUR
FATHER WAS A GOOD MAN
574
00:24:02,049 --> 00:24:04,486
AND A GOOD DOCTOR,
575
00:24:04,530 --> 00:24:06,662
THAT HE REGULARLY
GAVE FREE CHECKUPS,
576
00:24:06,706 --> 00:24:08,490
AND MEDICAL CARE
TO AT-RISK KIDS.
577
00:24:08,534 --> 00:24:11,014
REID: EVEN GOOD MEN
MAKE MISTAKES.
578
00:24:11,058 --> 00:24:14,191
YOU NEED TO HELP US
FIX WHAT YOUR DAD DID
579
00:24:14,235 --> 00:24:16,193
BECAUSE RIGHT NOW,
HIS KILLER
580
00:24:16,237 --> 00:24:18,282
HAS TWO MORE VICTIMS
SOMEPLACE.
581
00:24:21,677 --> 00:24:25,420
HE KEPT DETAILED RECORDS.
WE STILL HAVE THEM.
582
00:24:25,464 --> 00:24:27,857
JJ: WE'’RE GONNA NEED
TO SEE THOSE.
583
00:24:27,901 --> 00:24:30,686
WHAT DO YOU
WANT FROM ME?
584
00:24:30,730 --> 00:24:33,733
IS THERE SOMETHING
I CAN HELP YOU WITH?
585
00:24:42,306 --> 00:24:44,570
AAH!
586
00:24:44,613 --> 00:24:46,746
AAH!
587
00:24:49,444 --> 00:24:51,490
[TAPE RIPPING]
588
00:24:51,533 --> 00:24:55,102
[GROANS]
589
00:24:58,105 --> 00:25:00,977
IS THIS
ANOTHER GAME?
590
00:25:01,021 --> 00:25:03,719
NO.
591
00:25:03,763 --> 00:25:06,330
NO MORE GAMES.
592
00:25:07,593 --> 00:25:08,724
[GASPS]
593
00:25:09,856 --> 00:25:11,205
YOU'’RE GONNA BE MY EYES.
594
00:25:19,648 --> 00:25:22,216
HE KEPT ALL OF HIS
OLD PATIENT RECORDS,
595
00:25:22,259 --> 00:25:25,785
EVEN THE NOT
SO SUCCESSFUL ONES.
596
00:25:25,828 --> 00:25:30,050
HE WAS WRITING A MEMOIR
ABOUT HIS RESEARCH,
597
00:25:30,093 --> 00:25:32,879
EVEN ADMITTING HIS FAILURES,
IN HOPES TO FIND
598
00:25:32,922 --> 00:25:35,577
A BETTER WAY
TO HELP THESE KIDS.
599
00:25:35,621 --> 00:25:39,146
IF YOU DON'’T MIND,
I'’LL LEAVE YOU TO IT.
600
00:25:39,189 --> 00:25:40,887
HEY, UM...
601
00:25:40,930 --> 00:25:43,193
I KNOW THIS IS
REALLY HARD FOR YOU.
602
00:25:43,237 --> 00:25:44,847
WE REALLY
APPRECIATE IT.
603
00:25:47,937 --> 00:25:50,766
OH, TALK ABOUT
A NEEDLE IN A HAYSTACK.
604
00:25:50,810 --> 00:25:52,681
AND THEY'’RE ANONYMIZED,
NO NAMES.
605
00:25:52,725 --> 00:25:55,902
HUH. OK, WELL,
A NEEDLE
IN AN OCEAN.
606
00:25:55,945 --> 00:26:00,428
SO ACCORDING TO GARCIA,
THE STUDY TOOK PLACE
607
00:26:00,471 --> 00:26:03,431
FROM THE LATE NINETIES
TO THE EARLY 2000s,
608
00:26:03,474 --> 00:26:04,824
SO LET'’S JUST
PULL EVERYTHING
609
00:26:04,867 --> 00:26:06,086
FROM THAT
TIME FRAME.
610
00:26:06,129 --> 00:26:08,088
DR. MENDELBAUM SEEMED
TO FOCUS ON PATIENTS
611
00:26:08,131 --> 00:26:10,220
SUFFERING FROM
SEPARATION ANXIETY,
612
00:26:10,264 --> 00:26:12,266
WHICH IS A COMMON
CONDITION IN CHILDHOOD.
613
00:26:12,309 --> 00:26:13,920
AND THIS SORT OF THERAPY
CAN BE EFFECTIVE
614
00:26:13,963 --> 00:26:15,443
WITH PROPER SUPERVISION,
615
00:26:15,486 --> 00:26:17,619
BUT WITHOUT
THE PROPER GUIDANCE,
616
00:26:17,663 --> 00:26:19,142
IT CAN HAVE
THE OPPOSITE EFFECT.
617
00:26:19,186 --> 00:26:20,970
IT CAN TAKE
AN OTHERWISE EFFECTIVE
FORM OF THERAPY
618
00:26:21,014 --> 00:26:23,538
AND TURN IT INTO
AN ENDLESS FORM OF TORTURE.
619
00:26:23,582 --> 00:26:25,975
AND HOW WOULD THAT
ANXIETY MANIFEST?
620
00:26:26,019 --> 00:26:27,716
CRYING IN SCHOOL,
FEAR OF DROWNING,
621
00:26:27,760 --> 00:26:30,153
REFUSAL
TO SLEEP ALONE.
622
00:26:30,197 --> 00:26:32,112
FEAR OF THE DARK?
623
00:26:32,155 --> 00:26:33,983
ABSOLUTELY.
NYCTOPHOBIA.
624
00:26:34,027 --> 00:26:35,768
THIS FILE MIGHT
BE OUR UNSUB--
625
00:26:35,811 --> 00:26:38,335
NUMBER 20411.
626
00:26:38,379 --> 00:26:40,642
ONE OF THE PRIMARY
TREATMENTS
IS DESENSITIZATION,
627
00:26:40,686 --> 00:26:42,165
INCREMENTAL,
NONTHREATENING INTERVALS
628
00:26:42,209 --> 00:26:43,993
OF DARKNESS,
KIND OF LIKE BEING
IN SOLITARY CONFINEMENT.
629
00:26:44,037 --> 00:26:45,516
THAT'’S NOT GOOD.
630
00:26:45,560 --> 00:26:46,561
NO. IT IS NOT.
631
00:26:46,605 --> 00:26:47,954
OK, SO IT LOOKS LIKE
HE WAS A PATIENT
632
00:26:47,997 --> 00:26:50,347
FOR 14 MONTHS BEFORE
THE STUDY WAS STOPPED.
633
00:26:50,391 --> 00:26:54,830
THE DOC WAS TRYING
A MORE AGGRESSIVE
APPROACH--
634
00:26:54,874 --> 00:26:57,354
LONGER PERIODS OF
ISOLATION IN THE DARK,
635
00:26:57,398 --> 00:26:59,879
THE USE OF BLINDFOLDS
WITHIN HYPNOSIS--
636
00:26:59,922 --> 00:27:02,185
SINCE THIS PATIENT HAD
SUCH A SEVERE CASE.
637
00:27:02,229 --> 00:27:03,839
THAT'’S NOT LONG ENOUGH
FOR IRREVERSIBLE
638
00:27:03,883 --> 00:27:06,537
BRAIN DAMAGE, BUT IT
THE DOCTOR STOPPED
HIS THERAPY
639
00:27:06,581 --> 00:27:08,191
AFTER HIS OTHER
PATIENT'’S SUICIDE,
640
00:27:08,235 --> 00:27:09,628
THE UNSUB'’S PARENTS
MIGHT HAVE DECIDED
641
00:27:09,671 --> 00:27:11,847
TO CONTINUE THE THERAPY
UNSUPERVISED.
642
00:27:11,891 --> 00:27:15,198
OR EVEN AS A WAY TO PUNISH
HIM WHEN HE ACTED OUT,
643
00:27:15,242 --> 00:27:16,722
LOCKING HIM IN THE DARK,
THINKING THEY'’RE
644
00:27:16,765 --> 00:27:19,028
HELPING HIM,
TOUGHENING HIM UP--
645
00:27:19,072 --> 00:27:21,378
THEIR PSEUDO,
AMATEUR VERSION OF
646
00:27:21,422 --> 00:27:23,642
THE DOCTOR'’S TREATMENT,
COMPLETELY DANGEROUS,
647
00:27:23,685 --> 00:27:25,861
UPPING THE ANTE
AND RETRAUMATIZING HIM.
648
00:27:25,905 --> 00:27:28,995
WE NEED TO CRACK THIS CODE
AND FIND PATIENT 20411.
649
00:27:31,954 --> 00:27:34,348
SO NOW THAT YOU
KNOW THE TRUTH...
650
00:27:37,133 --> 00:27:40,049
YOU STILL WANT
TO HELP ME?
651
00:27:40,093 --> 00:27:42,225
YES.
652
00:27:42,269 --> 00:27:44,227
I PROMISE THAT
I'’LL HELP YOU,
653
00:27:44,271 --> 00:27:47,622
BUT FIRST, I WANT
TO SEE J.P., PLEASE.
654
00:27:51,974 --> 00:27:53,628
GO.
655
00:27:55,282 --> 00:27:57,327
GO.
656
00:28:03,203 --> 00:28:04,683
[CLICK]
657
00:28:08,512 --> 00:28:11,341
PRENTISS: I JUST GOT
OFF THE PHONE WITH GARCIA.
658
00:28:11,385 --> 00:28:13,300
THE OWNERS OF THE COZYNEST HOUSE
WHERE J.P. AND NIKKI
659
00:28:13,343 --> 00:28:15,041
WERE ABDUCTED
ARE OUT OF TOWN.
660
00:28:15,084 --> 00:28:17,478
HOWEVER, WE WERE ABLE
TO TRACK DOWN THEIR DAUGHTER,
661
00:28:17,521 --> 00:28:19,088
WHO MANAGES THE RENTAL
IN THEIR ABSENCE.
662
00:28:19,132 --> 00:28:20,655
SHE'’S ON HER WAY IN.
663
00:28:20,699 --> 00:28:21,656
GREAT.
664
00:28:21,700 --> 00:28:22,962
IT'’S GOT TO BE HERE.
665
00:28:23,005 --> 00:28:24,224
I'’VE APPLIED EVERY POTENTIAL
NUMERIC ALGORITHM,
666
00:28:24,267 --> 00:28:25,616
AND SO FAR, NOTHING.
667
00:28:25,660 --> 00:28:26,879
SIMMONS: WELL, IF
THIS EXPOSURE THERAPY
668
00:28:26,922 --> 00:28:28,619
WAS THE UNSUB'’S STRESSOR,
669
00:28:28,663 --> 00:28:30,752
WHY WAIT UNTIL NOW
TO TAKE HIS REVENGE?
670
00:28:30,796 --> 00:28:32,449
HE COULD HAVE
BEEN LOCKED UP.
671
00:28:32,493 --> 00:28:34,625
OR MOVED AWAY
OR HAD BEEN HOSPITALIZED.
672
00:28:34,669 --> 00:28:36,497
MORE TO THE POINT,
WHY GO AFTER
673
00:28:36,540 --> 00:28:39,108
A SEEMINGLY RANDOM COUPLE
LIKE J.P. AND NIKKI?
674
00:28:39,152 --> 00:28:42,285
IT JUST
DOESN'’T ADD UP
675
00:28:42,329 --> 00:28:45,462
UNLESS IT WAS ABOUT
676
00:28:45,506 --> 00:28:47,334
THE HOME
THEY'’RE STAYING IN
677
00:28:47,377 --> 00:28:49,423
AND NOT ABOUT
THEM SPECIFICALLY.
678
00:28:49,466 --> 00:28:53,296
THIS GUY ABSOLUTELY
LIVES FOR THE HUNT,
679
00:28:53,340 --> 00:28:57,170
SO WHAT IF THIS
ISN'’T ONLY ABOUT
680
00:28:57,213 --> 00:28:59,781
REENACTING HIS TRAUMA
BUT IT'’S ALSO
681
00:28:59,825 --> 00:29:01,696
ABOUT UNFINISHED
BUSINESS?
682
00:29:01,740 --> 00:29:03,393
SIMMONS: BUT
WITH WHO, THOUGH?
683
00:29:03,437 --> 00:29:05,482
I MEAN, WHO'’S LEFT
FOR HIM TO HUNT?
684
00:29:15,536 --> 00:29:18,278
WHERE ARE WE GOING?
685
00:29:18,321 --> 00:29:21,281
YOU HELP ME,
I'’LL HELP YOU.
686
00:29:24,284 --> 00:29:27,200
THESE CODES REPRESENT CHILDREN,
BUT THEY'’RE OBSCURE
687
00:29:27,243 --> 00:29:30,681
TO PROTECT THEM,
PERSONALLY CONNECTED
688
00:29:30,725 --> 00:29:32,901
BUT SUPERSEDES NUMERICAL LOGIC.
689
00:29:35,382 --> 00:29:38,298
HOME ADDRESS.
690
00:29:38,341 --> 00:29:40,474
LEWIS: DO YOU
RECOGNIZE THIS MAN?
691
00:29:40,517 --> 00:29:43,129
NO, BUT I'’M CONFUSED.
692
00:29:43,172 --> 00:29:45,522
YOU SAID THESE PEOPLE
WERE ABDUCTED BY THIS MAN.
693
00:29:45,566 --> 00:29:47,698
ARE THEY DEAD?
694
00:29:47,742 --> 00:29:50,005
RIGHT NOW,
THEY'’RE MISSING,
695
00:29:50,049 --> 00:29:52,355
BUT THE LAST PLACE THAT
THEY WERE SEEN ALIVE
696
00:29:52,399 --> 00:29:54,357
WAS AT YOUR PARENTS'’
RENTAL HOUSE.
697
00:29:54,401 --> 00:29:56,359
YOU TAKE CARE
OF THAT FOR THEM?
698
00:29:56,403 --> 00:29:58,187
YEAH. I MEAN,
I JUST MAKE SURE
699
00:29:58,231 --> 00:29:59,841
PEOPLE GET
CHECKED IN AND OUT
700
00:29:59,885 --> 00:30:01,843
AND THAT THE PLACE
GETS CLEANED UP
IN BETWEEN GUESTS.
701
00:30:01,887 --> 00:30:04,063
YOU EVER HAVE ANY PROBLEMS
WITH ANY OTHER GUESTS?
702
00:30:04,106 --> 00:30:05,586
YOU EVER HAVE
TO GO OUT THERE?
703
00:30:05,629 --> 00:30:07,849
NO. WITH THE WEBSITE,
IT PRETTY MUCH RUNS ITSELF.
704
00:30:07,893 --> 00:30:10,504
THIS WAS JUST A WAY FOR THEM
TO MAKE SOME EXTRA MONEY.
705
00:30:10,547 --> 00:30:12,114
WE DON'’T BELIEVE
THE SUSPECT WENT
706
00:30:12,158 --> 00:30:14,682
TO YOUR
PARENTS'’ HOUSE
BY COINCIDENCE.
707
00:30:14,725 --> 00:30:16,727
YOU THINK THEY
WERE THE TARGET?
708
00:30:16,771 --> 00:30:18,773
IT'’S POSSIBLE.
709
00:30:18,817 --> 00:30:20,470
DID YOU
GROW UP THERE?
710
00:30:20,514 --> 00:30:24,735
YEAH, BUT MY PARENTS
ARE QUIET, HOMEBODIES.
711
00:30:24,779 --> 00:30:28,565
I DON'’T KNOW WHO WOULD
EVEN DO SOMETHING LIKE THIS.
712
00:30:28,609 --> 00:30:34,615
DOES THE NUMBER
20411 MEAN ANYTHING TO YOU?
713
00:30:39,098 --> 00:30:40,839
CHRISTIAN,
WHAT DOES IT MEAN?
714
00:30:43,406 --> 00:30:45,713
I HAVEN'’T TALKED
ABOUT THIS IN--
715
00:30:47,019 --> 00:30:49,673
I DON'’T EVEN KNOW IF--
716
00:30:49,717 --> 00:30:53,764
IT'’S ALL RIGHT.
TAKE YOUR TIME.
717
00:30:53,808 --> 00:30:56,898
IN HIGH SCHOOL, I WENT
TO THIS BONFIRE PARTY
718
00:30:56,942 --> 00:30:59,466
IN THE WOODS.
719
00:30:59,509 --> 00:31:01,772
THERE WAS A LOT
OF DRINKING, YOU KNOW,
720
00:31:01,816 --> 00:31:04,775
TYPICAL HIGH-SCHOOL
STUFF.
721
00:31:04,819 --> 00:31:08,605
THIS BOY CONVINCED ME
TO TAKE HIM
722
00:31:08,649 --> 00:31:13,784
TO INSPIRATION POINT,
THE LOCAL OVERLOOK.
723
00:31:13,828 --> 00:31:15,917
MARS WAS SUPPOSED
TO BE VISIBLE,
724
00:31:15,961 --> 00:31:19,790
AND HE WANTED ME TO
DESCRIBE IT FOR HIM.
725
00:31:19,834 --> 00:31:22,532
I FELT BAD FOR HIM,
SO I WENT.
726
00:31:22,576 --> 00:31:25,753
BECAUSE
HE WAS BLIND?
727
00:31:25,796 --> 00:31:30,714
I MEAN,
NOT COMPLETELY.
728
00:31:32,934 --> 00:31:34,980
HE--
729
00:31:42,857 --> 00:31:45,947
HE TRIED TO HOLD ME DOWN,
730
00:31:45,991 --> 00:31:48,036
EVEN WRAPPED TAPE
AROUND MY WRISTS
731
00:31:48,080 --> 00:31:51,474
AND TIED A SCARF AROUND MY EYES.
732
00:31:51,518 --> 00:31:53,824
I KEPT FIGHTING
AND MANAGED TO GET AWAY,
733
00:31:53,868 --> 00:31:56,610
BUT HE CAME AFTER ME,
734
00:31:56,653 --> 00:31:59,308
LAUGHING.
735
00:31:59,352 --> 00:32:02,311
I HAVE NEVER BEEN
SO SCARED IN MY LIFE,
736
00:32:02,355 --> 00:32:04,139
AND I STARTED SCREAMING,
AND, THANKFULLY,
737
00:32:04,183 --> 00:32:06,925
ONE OF MY FRIENDS HEARD ME
AND CAME RUNNING,
738
00:32:06,968 --> 00:32:12,147
BUT THE LOOK
ON THIS GUY'’S FACE,
739
00:32:12,191 --> 00:32:14,845
HE WAS CLEARLY ENJOYING IT,
740
00:32:14,889 --> 00:32:17,457
AND HE COULD SEE BETTER
THAN HE LET ON.
741
00:32:19,372 --> 00:32:22,331
HIS HOUSE
WAS RIGHT BY MY SCHOOL,
742
00:32:22,375 --> 00:32:24,986
AND EVERY DAY, I WAS REMINDED,
743
00:32:25,030 --> 00:32:28,337
EVERY SINGLE DAY.
744
00:32:28,381 --> 00:32:31,993
IT MADE ME SICK.
745
00:32:32,037 --> 00:32:36,650
HE LIVED AT
20411 MANSARD LANE.
746
00:32:36,693 --> 00:32:40,001
WHAT WAS HIS NAME?
747
00:32:40,045 --> 00:32:42,873
COULD I POSSIBLY
EVER FORGET IT?
748
00:32:42,917 --> 00:32:45,659
IT'’S DUSTIN EISWORTH.
749
00:32:45,702 --> 00:32:47,966
GARCIA: DUSTIN EISWORTH--SON
OF TROY AND PATRICIA EISWORTH
750
00:32:48,009 --> 00:32:51,534
OF 20411 MANSARD LANE.
751
00:32:51,578 --> 00:32:54,320
HE TICKS ALL OF
THE TROUBLED-YOUTH BOXES.
752
00:32:54,363 --> 00:32:56,017
SENDING YOU DIRECTIONS NOW.
753
00:32:56,061 --> 00:32:57,584
LEWIS: ALL RIGHT.
WE'’RE ON OUR WAY.
754
00:32:57,627 --> 00:32:59,020
SAME.
755
00:32:59,064 --> 00:33:00,456
PRENTISS: GARCIA, WHAT ELSE
DO WE NEED TO KNOW?
756
00:33:00,500 --> 00:33:02,023
GARCIA, ON PHONE: WELL,
HE WAS KICKED OUT OF SCHOOL
757
00:33:02,067 --> 00:33:03,894
FOR A CORNUCOPIA
OF DISCIPLINARY ISSUES,
758
00:33:03,938 --> 00:33:07,637
INCLUDING CHRISTIAN'’S
ACCOUNT OF THE ASSAULT.
759
00:33:07,681 --> 00:33:09,726
THEN HE WENT TO REFORM SCHOOL.
760
00:33:09,770 --> 00:33:13,034
THEN HE WENT TO PRISON
FOR GETTING IN A BAR FIGHT
761
00:33:13,078 --> 00:33:16,124
THAT LEFT ONE MAN
PERMANENTLY BLIND.
762
00:33:16,168 --> 00:33:17,908
HE WAS ONLY SUPPOSED TO SERVE
3 YEARS IN PRISON.
763
00:33:17,952 --> 00:33:19,432
HE ENDED UP SERVING 10,
764
00:33:19,475 --> 00:33:21,564
MOST OF THOSE
IN SOLITARY CONFINEMENT,
765
00:33:21,608 --> 00:33:23,436
AFTER KILLING ANOTHER INMATE.
766
00:33:23,479 --> 00:33:25,003
LET ME GUESS.
HE JUST GOT OUT.
767
00:33:25,046 --> 00:33:26,178
GARCIA, ON PHONE.
3 WEEKS AGO.
768
00:33:26,221 --> 00:33:28,180
SO DUSTIN SAT IN PRISON
FOR OVER A DECADE,
769
00:33:28,223 --> 00:33:30,051
HIS RESENTMENT
BUILDING UP.
770
00:33:30,095 --> 00:33:31,531
REID, ON PHONE: NOT TO MENTION,
HIS VISUAL CONDITION
771
00:33:31,574 --> 00:33:33,054
WOULD BE SEVERELY
DETERIORATED
772
00:33:33,098 --> 00:33:34,795
DUE TO ALL THAT
TIME IN SOLITARY.
773
00:33:34,838 --> 00:33:36,057
ALVEZ, ON PHONE: WELL, IF HE'’S
STAYING AT HIS PARENTS'’ HOUSE,
774
00:33:36,101 --> 00:33:37,754
HE KILLED THEM,
FIRST BLINDING THEM
775
00:33:37,798 --> 00:33:39,756
SO THAT THEY COULD
KNOW HOW HE FELT,
776
00:33:39,800 --> 00:33:41,410
THEN OFF TO
THE MENDELBAUMS'’.
777
00:33:41,454 --> 00:33:43,586
NEXT, HE WENT LOOKING
FOR CHRISTIAN RUSSO
778
00:33:43,630 --> 00:33:45,936
BECAUSE SHE'’S THE ONE THAT
GOT HIM KICKED OUT OF SCHOOL
779
00:33:45,980 --> 00:33:48,069
BUT FOUND NIKKI AND J.P.
INSTEAD.
780
00:33:48,113 --> 00:33:49,549
AND NOW HE'’S RECREATING
781
00:33:49,592 --> 00:33:51,029
HIS CAT-AND-MOUSE POWER
PLAY WITH THEM.
782
00:33:51,072 --> 00:33:52,552
HE WON'’T GO DOWN
WITHOUT A FIGHT.
783
00:33:52,595 --> 00:33:55,381
DO NOT
UNDERESTIMATE
THIS MAN.
784
00:34:13,834 --> 00:34:16,837
DO YOU SEE THEM?
785
00:34:18,665 --> 00:34:20,232
I TRIED
TO FORGIVE THEM
786
00:34:20,275 --> 00:34:23,713
JUST LIKE I TRIED TO
FORGIVE DR. MENDELBAUM.
787
00:34:23,757 --> 00:34:25,498
YOU KNOW
WHAT THEY SAID?
788
00:34:25,541 --> 00:34:28,457
DEAR OLD MOM AND DAD,
YOU KNOW WHAT THEY SAID?
789
00:34:28,501 --> 00:34:31,808
THEY SAID I WAS SICK.
790
00:34:31,852 --> 00:34:35,290
WELL, THEY
MADE ME SICK,
791
00:34:35,334 --> 00:34:40,817
AND THEN I WENT
TO GET CHRISTIAN,
792
00:34:40,861 --> 00:34:46,562
BUT I FOUND YOU THERE,
YOU AND J.P.
793
00:34:46,606 --> 00:34:48,129
[GASPS]
794
00:34:48,173 --> 00:34:53,134
NO. NO. PLEASE. J.P.--
795
00:34:53,178 --> 00:34:55,615
J.P., J.P.
796
00:34:55,658 --> 00:34:57,312
[SOBBING]
797
00:34:57,356 --> 00:34:58,313
NO!
798
00:34:58,357 --> 00:34:59,532
DUSTIN: WHAT
DID YOU THINK?
799
00:34:59,575 --> 00:35:02,143
WHAT, YOU THOUGHT
I WOULD KEEP HIM ALIVE?
800
00:35:02,187 --> 00:35:03,753
YOU THOUGHT I WOULD
LET YOU GO?
801
00:35:03,797 --> 00:35:06,539
YOU THOUGHT I NEEDED YOUR HELP?
802
00:35:06,582 --> 00:35:10,151
I MIGHT BE GOING BLIND,
BUT I'’M NOT STUPID.
803
00:35:10,195 --> 00:35:12,588
I COULD SEE
RIGHT THROUGH YOU.
804
00:35:12,632 --> 00:35:16,157
[PANTING]
805
00:35:16,201 --> 00:35:18,464
EVERYONE THINKS THEY'’RE
BETTER THAN DUSTIN.
806
00:35:18,507 --> 00:35:21,031
EVERYONE THINKS
THEY'’RE STRONGER
THAN ME
807
00:35:21,075 --> 00:35:23,033
AND THEY'’RE SMARTER THAN ME,
THAT I'’M STILL
808
00:35:23,077 --> 00:35:25,688
THAT SCARED LITTLE BOY
AFRAID OF THE DARK.
809
00:35:25,732 --> 00:35:27,212
YAAH!
810
00:35:27,255 --> 00:35:29,953
AH! UH...
811
00:35:29,997 --> 00:35:31,999
DUSTIN: UH!
812
00:36:01,159 --> 00:36:05,163
HELP! SOMEONE!
I'’M IN HERE!
813
00:36:08,644 --> 00:36:09,689
[GROANS SOFTLY]
814
00:36:14,259 --> 00:36:16,261
HELP! I'’M IN HERE!
815
00:36:16,304 --> 00:36:18,219
J.J.: STAY WITH US.
WE'’RE COMING IN. WHERE IS HE?
816
00:36:18,263 --> 00:36:21,135
I DON'’T KNOW.
SOMEWHERE IN THE HOUSE.
817
00:36:21,179 --> 00:36:23,790
[LOUD THUD]
818
00:36:23,833 --> 00:36:25,052
GO, GO, GO!
819
00:36:30,840 --> 00:36:33,234
CHECKING ROOMS.
820
00:36:35,497 --> 00:36:37,456
HAVE MEDICAL STANDING BY.
ALL RIGHT.
821
00:36:37,499 --> 00:36:40,328
LET'’S GET HER OUT OF HERE.
THE HOUSE ISN'’T SECURE.
822
00:36:40,372 --> 00:36:42,330
I'’LL FINISH CHECKING
UPSTAIRS.
823
00:37:01,480 --> 00:37:04,222
[CLICK CLICK CLICK]
824
00:37:04,265 --> 00:37:06,746
FBI.
825
00:37:10,358 --> 00:37:12,621
FBI.
826
00:37:25,852 --> 00:37:27,897
[GUNSHOT]
827
00:37:34,687 --> 00:37:36,166
THANKS.
828
00:37:41,041 --> 00:37:43,435
LEWIS, VOICE-OVER: "WE'’RE ALL
GOING TO DIE, ALL OF US.
829
00:37:43,478 --> 00:37:45,045
"WHAT A CIRCUS.
830
00:37:45,088 --> 00:37:48,353
"THAT ALONE SHOULD MAKE US
LOVE EACH OTHER, BUT IT DOESN'’T.
831
00:37:48,396 --> 00:37:51,225
"WE ARE TERRORIZED AND FLATTENED
BY TRIVIALITIES.
832
00:37:51,269 --> 00:37:53,749
WE ARE EATEN UP BY NOTHING."
833
00:37:53,793 --> 00:37:55,882
CHARLES BUKOWSKI.
834
00:37:55,925 --> 00:37:58,711
WOMAN: ♪ I ALWAYS HAD
A VISION IN MY HEAD... ♪
835
00:37:58,754 --> 00:38:00,234
REID: DID YOU GUYS KNOW
THAT THE PRESUMPTION
836
00:38:00,278 --> 00:38:01,844
ABOUT BLINDNESS CAUSING
YOUR SENSE OF SMELL
837
00:38:01,888 --> 00:38:03,498
TO HEIGHTEN IS
ACTUALLY A MYTH?
838
00:38:03,542 --> 00:38:06,066
THE FACT IS, YOUR MEMORY
OF SMELL SHARPENS,
839
00:38:06,109 --> 00:38:07,720
BUT NOT YOUR
ACTUAL SENSE.
840
00:38:07,763 --> 00:38:09,896
WOW. KEEP GOING.
841
00:38:09,939 --> 00:38:11,550
YOU GOT ANYTHING
ELSE IN THERE
842
00:38:11,593 --> 00:38:13,116
YOU WANT
TO LET OUT?
843
00:38:13,160 --> 00:38:14,814
REID: THERE'’S NEVER BEEN
A SINGLE DOCUMENTED CASE
844
00:38:14,857 --> 00:38:17,425
OF ANYONE WHO WAS BORN BLIND
DEVELOPING SCHIZOPHRENIA.
845
00:38:17,469 --> 00:38:19,558
OH, INTERESTING FACTS
FOR 200, ALEX.
846
00:38:19,601 --> 00:38:20,820
TELL HIM WHAT HE'’S WON.
847
00:38:20,863 --> 00:38:23,257
GARCIA: HEY, HEY, HEY!
848
00:38:23,301 --> 00:38:24,519
HEY!
HEY!
849
00:38:24,563 --> 00:38:26,391
HA HA! OK. METHINKS THOU DOST
PROTEST TOO MUCH
850
00:38:26,434 --> 00:38:30,395
ABOUT THIS WHOLE NOT LIKING
A HOUSEWARMING THING.
851
00:38:30,438 --> 00:38:32,048
WHERE'’S LISA?
852
00:38:32,092 --> 00:38:34,094
ALVEZ: SHE GOT
CALLED AWAY
853
00:38:34,137 --> 00:38:36,096
AT THE LAST MINUTE
TO COVER NIGHT SHIFT,
854
00:38:36,139 --> 00:38:38,403
SO I GUESS E.R. DOCTORS
COME WITH A PERFECTLY
855
00:38:38,446 --> 00:38:40,579
BUILT-IN,
ACCEPTABLE EXCUSE
856
00:38:40,622 --> 00:38:43,103
TO NOT BE AT THEIR OWN
PARTIES, EVEN IF IT WAS
857
00:38:43,146 --> 00:38:44,409
THEIR OWN IDEA
IN THE FIRST PLACE.
858
00:38:44,452 --> 00:38:46,019
AS DO FBI AGENTS.
ANYWAY, DON'’T BE RUDE.
859
00:38:46,062 --> 00:38:48,935
OPEN MY GIFT.
OK.
860
00:38:48,978 --> 00:38:50,632
COME ON. JUST
OPEN THE GIFT.
861
00:38:50,676 --> 00:38:53,243
OOH, OK.
YAY!
862
00:38:53,287 --> 00:38:54,593
ALL RIGHT. WELL, LOOK.
863
00:38:54,636 --> 00:38:57,422
I'’M BEGINNING TO UNDERSTAND
THE VALUE
864
00:38:57,465 --> 00:38:59,685
OF A HOUSEWARMING PARTY.
865
00:38:59,728 --> 00:39:01,208
THANK YOU.
866
00:39:01,251 --> 00:39:03,123
PRENTISS: HEY. SINCE
LISA CAN'’T MAKE IT,
867
00:39:03,166 --> 00:39:04,646
YOU NEED TO BE SURE
TO TELL HER
868
00:39:04,690 --> 00:39:06,300
THIS IS
FROM ALL OF US--
869
00:39:06,344 --> 00:39:08,476
BREAD, SALT, AND WINE.
870
00:39:08,520 --> 00:39:11,305
DON'’T MAKE ME QUOTE
THE WHOLE MOVIE.
871
00:39:11,349 --> 00:39:13,133
ALVEZ: UH, AM I
MISSING SOMETHING?
872
00:39:13,176 --> 00:39:14,613
I MEAN, I THOUGHT
WE WERE ALL OFF THE CARBS.
873
00:39:14,656 --> 00:39:16,484
GARCIA:
GUYS NEVER GET THIS.
874
00:39:16,528 --> 00:39:18,007
SINCE YOU APPARENTLY
WERE SICK
875
00:39:18,051 --> 00:39:20,619
ON THE MANDATORY VIEWING DAY
OF "IT'’S A WONDERFUL LIFE,"
876
00:39:20,662 --> 00:39:23,491
WE'’RE ALL GONNA HELP YOU OUT.
877
00:39:23,535 --> 00:39:26,451
MAY YOUR HOME
ALWAYS HAVE...
878
00:39:26,494 --> 00:39:29,715
J.J.: BREAD THAT YOUR HOUSE
MAY NEVER KNOW HUNGER...
879
00:39:29,758 --> 00:39:31,891
SALT THAT LIFE MAY
ALWAYS HAVE FLAVOR...
880
00:39:31,934 --> 00:39:33,588
SIMMONS: AND WINE,
IN WHICH JOY
881
00:39:33,632 --> 00:39:35,634
AND PROSPERITY
MAY REIGN FOREVER.
882
00:39:35,677 --> 00:39:38,593
OH, YES. THERE WILL ALWAYS
BE WINE IN THIS HOUSE.
883
00:39:38,637 --> 00:39:40,116
TO LISA.
TO LISA.
884
00:39:40,160 --> 00:39:41,335
TO LISA.
TO LISA.
885
00:39:41,379 --> 00:39:43,642
CHEERS.
ROSSI: SALUD.
886
00:39:43,685 --> 00:39:45,644
REID: IN 1947, THE FBI
ISSUED A STATEMENT
887
00:39:45,687 --> 00:39:47,646
DISCREDITING
"IT'’S A WONDERFUL LIFE"
888
00:39:47,689 --> 00:39:49,517
BECAUSE THEY SAID
IT PROMOTED COMMUNISM.
889
00:39:49,561 --> 00:39:51,867
ALVEZ: SO GOOD TO HAVE
YOU BACK, DOC...
890
00:39:51,911 --> 00:39:55,436
[MUSIC PLAYING]
891
00:40:14,368 --> 00:40:17,284
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
61878
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