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NARRATOR: The ruins of two
colossal temples in Egypt,
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Karnak,
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and Luxor.
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Connecting them is an ancient
road flanked by mythical beasts.
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This is
the Avenue of Sphinxes.
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It's remarkable
these ancient structures
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have stood
for thousands of years.
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NARRATOR:
The route is used by
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the most powerful pharaohs
of ancient Egypt.
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The avenue lies buried
beneath the sands
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for thousands of years.
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Now, a vast restoration
project is returning
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this lost wonder
to its ancient glory.
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Today, we are bringing
the Sphinx back to life.
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Nobody has seen it like this
over thousands of years.
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NARRATOR: Our cameras have
unique access to follow experts
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as they decipher ancient
messages from the temple ruins.
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Despite centuries
of investigations,
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there are still many secrets.
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NARRATOR:
What is the purpose of
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this extraordinary construction,
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and who are the ancient rulers
who build it?
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To solve these mysteries,
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we blow away
the sands of time
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and unearth
this mighty structure.
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We explore sacred chambers
of ancient ruins...
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and digitally reconstruct
the avenue in all its splendor,
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to decode the secrets of
the Lost Sphinxes.
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Luxor.
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This modern metropolis
is home to
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the sprawling remains of
an ancient city,
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the Egyptian capital Thebes.
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Thebes is where
the pharaohs show off
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their power by building
their grandest structures.
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NARRATOR: In the center
of the city are
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the two largest temples
in all of Egypt...
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Karnak and Luxor.
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Together, they cover an area
the size of 60 football fields.
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In the 1950s,
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archaeologists make
an incredible
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discovery outside
the entrance of Karnak.
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Buried beneath the sand,
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they unearth a road made
of sandstone,
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and on either side,
colossal statues of sphinxes.
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Over 1200 of these mythological
creatures once line
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the entire length of this
1.5-mile avenue.
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The route connects Karnak
with another sacred temple
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complex, Luxor.
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What can these temples
and this
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extraordinary avenue reveal
about ancient Egypt?
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In 2021,
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after a 70-year
reconstruction project
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that cost more than
$30 million,
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the biggest restoration
endeavor in Egyptian history,
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the Avenue of Sphinxes is
finally open to investigators.
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A grand ceremony
is held in Luxor
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to celebrate the resurrection
of this ancient marvel.
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Meredith Brand is
on a mission to uncover
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the secret purpose of
the Avenue of Sphinxes.
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MEREDITH:
This avenue is massive.
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It's on a scale unlike
anything in ancient Egypt.
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NARRATOR: Meredith starts her
investigation at the southern
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end of the Avenue
at Luxor Temple.
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Luxor Temple is the seat of
the Pharaoh's divine power,
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and it's a great place to
start to look for clues.
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NARRATOR: Meredith ventures
through the temple gateway
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and into a vast columned room
called the Colonnade Hall.
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It is decorated with
the statues of
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powerful Pharaohs.
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This statue shows
the young King Tutankhamun.
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Based on the facial features,
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it looks like
the boy king himself.
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NARRATOR: Luxor Temple is
where the rulers of the most
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powerful dynasties of ancient
Egypt are crowned as Pharaohs.
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MEREDITH: Tutankhamun reigns
for only nine years,
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in an era called
the New Kingdom.
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This was a golden age for
ancient Egypt, and it
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was a particular moment of
prosperity and glory
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for Thebes.
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NARRATOR: Luxor Temple
and the Avenue of Sphinxes are
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vitally important
to the Pharaohs
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of New Kingdom Egypt.
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More clues about the avenue
could lie on
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the lavishly decorated walls
of the Colonnade Hall
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in the temple.
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They are covered in reliefs of
exquisite detail.
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Meredith inspects the images
and ancient inscriptions.
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MEREDITH: These
are fantastic carvings.
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They paint
a scene of lively joy.
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There's singers and drummers,
all kinds of musicians,
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dancers and acrobats and piles
and piles of food.
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This shows some kind of
massive celebration,
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and it must have been
so important that
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the Pharaoh wants
to immortalize it in stone,
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in a temple.
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NARRATOR: These beautiful
reliefs suggest the temple
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and the Avenue of Sphinxes
host a spectacular event.
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Meredith searches for
clues that
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could reveal who creates
this relief.
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MEREDITH:
This is a cartouche.
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It's an ancient Egyptian
symbol that provides protection
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for whatever
is written inside.
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This cartouche above me
seems to be from a king
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named Horemheb,
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but the closer I look,
something unusual is happening,
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and it seems like this
cartouche has been altered.
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NARRATOR:
The Pharaohs of ancient Egypt
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are obsessed with power
and legacy,
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sometimes to the detriment of
the rulers who came before.
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Meredith identifies
other cartouches,
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which also appear
to have been changed.
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She examines high-definition
images of them.
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MEREDITH:
It has the name Tutankhamun,
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but something's happening.
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Another Pharaoh comes
and inserts his hieroglyphs
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into the name
of Tutankhamun.
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What's happening
in this image is
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the same thing that's
happening in Luxor Temple.
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What this shows is that
the images in this temple
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: of the grand celebration are
actually made by Tutankhamun.
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NARRATOR: Tutankhamun's
short reign means that only
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a few of his works survive.
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Evidence that he creates
these reliefs and celebrates
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a huge event on the Avenue of
Sphinxes is remarkable.
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There must be
a reason why Tutankhamun
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wants to immortalize
the celebration in stone.
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NARRATOR: Tutankhamun constructs
a majestic relief in
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honor of
this grand celebration.
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Horemheb,
a Pharaoh who follows him,
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claims the work as his own.
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Meredith wants
to know who or what
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is at the heart of
the celebration
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and this magnificent
sacred complex.
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She makes her way
through Luxor Temple
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to the Avenue of
Sphinxes itself.
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The Sphinx is
the ancient Egyptians'
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ultimate symbol of strength
and protection.
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The most famous,
the Great Sphinx, guards
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the pyramid tombs
and temples of Giza.
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I'm on a path, and it's lined
on both sides by Sphinx.
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And when I look at them,
they're a bit different.
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They're not your
average Sphinx.
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This one has the body of
a lion and the head of a ram.
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This Sphinx makes me think
that this area is
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set apart as a route of
a sacred space.
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NARRATOR: The Sphinxes on the
avenue protect the ceremonial
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route between the temples
of Karnak and Luxor
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and make it a sacred place.
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This is remarkable.
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These hieroglyphs
tell me exactly
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what's going on
with the Sphinx.
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It reads Amun Ra,
king of the gods.
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Amun Ra
is the god of Luxor.
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He's the god
of Karnak Temple.
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The name Amun is on every
single one of these Sphinx,
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and it tells me that
this area is for Amun.
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Amun is central to what's
happening on this path.
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NARRATOR: Meredith makes her way
more than a mile
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along the avenue
to its northern end,
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the colossal
temple complex of Karnak.
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MEREDITH: Karnak Temple is
where the pharaohs demonstrate
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their power by building
the grandest structures.
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NARRATOR:
Thousands of years ago,
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Karnak Temple is a marvel of
the ancient world.
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It spans over 250 acres,
and is filled
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with chapels dedicated to
the gods of ancient Egypt.
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In the heart of the complex is
the temple's most sacred shrine,
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the Holy of Holies.
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A solid gold statue
of the god Amun
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is housed within
this inner sanctum.
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His crown is topped with
two feathers and a sun disc.
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Who is this mighty deity?
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And why is he worshiped
at Karnak
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and on the Avenue of Sphinxes?
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Meredith
makes her way through
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the vast temple
to the inner sanctuary.
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MEREDITH: This is where
there was a golden statue
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of the god, Amun.
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And the ancient Egyptians
believed that Amun himself in
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the form of a spirit lived
inside of the statue.
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The only people
allowed in this space
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were the king
and the high priest.
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This is the most sacred
location in Karnak Temple.
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NARRATOR: Meredith investigates
the sanctuary exterior for
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more evidence of
the mysterious god.
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This is Amun.
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I know it's Amun because of
his unique headdress.
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He has a crown
with two feathered plumes
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sticking out of it.
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And I see this image of
Amun all
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over the walls of the temple
of Karnak.
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It seems that almost every New
Kingdom Pharaoh came here
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and built a temple or
a building dedicated to the god.
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NARRATOR: Amun is the mightiest
of all the gods.
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He rises to power
in Egypt's New Kingdom,
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00:11:17,266 --> 00:11:20,567
from the 16th to the 11th
century BCE,
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the time of Tutankhamun.
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Looking at the statue,
I notice something else.
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It actually has the facial
features
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of the young boy king,
Tutankhamun,
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So this statue is
King Tutankhamun
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as the god, Amun.
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He would want to do this,
because if the king shows
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himself as the god,
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it links Amun and the king --
the king gets the benefit of
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00:11:47,967 --> 00:11:50,934
the power, protection,
and divinity of Amun.
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NARRATOR: Amun's rise to power
as the undisputed king of
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the gods coincides with
the rise of Thebes itself.
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00:12:04,600 --> 00:12:07,834
The royal capital
moves nearly 500 miles
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south from Memphis
to Thebes
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00:12:10,467 --> 00:12:12,634
in the 21st century BCE.
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Pharaohs make Amun the supreme
god of the Egyptian pantheon
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00:12:20,500 --> 00:12:23,166
and merge him
with the sun god, Ra.
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00:12:26,600 --> 00:12:29,467
Amun is the creator of
the universe
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00:12:29,533 --> 00:12:31,700
and is associated
with fertility
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00:12:31,700 --> 00:12:33,066
and the force of the wind.
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Karnak Temple
becomes the center of a cult
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dedicated to Amun,
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and Pharaohs construct temples
to show their
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00:12:44,266 --> 00:12:46,767
affiliation with the new king
of the gods.
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A grand avenue guarded by
elaborate Sphinxes is the focal
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point of a celebration of
Thebes' most powerful god,
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Amun.
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00:12:57,867 --> 00:13:01,266
MEREDITH: This is the site of
more than just a celebration.
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00:13:01,333 --> 00:13:03,967
It's a festival vital
for the king
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00:13:03,967 --> 00:13:06,667
of the gods, Amun,
and the Pharaoh himself.
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NARRATOR: What could be
so vital to the god, Amun,
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00:13:11,000 --> 00:13:13,166
and the Pharaohs of
the New Kingdom?
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00:13:14,300 --> 00:13:19,433
Could clues lie in a restored
chapel in the ruins of Thebes?
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00:13:28,000 --> 00:13:30,066
NARRATOR: The Avenue
of Sphinxes in Luxor,
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00:13:32,900 --> 00:13:35,266
a monumental road
at the heart of
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00:13:35,266 --> 00:13:38,233
the ancient Egyptian capital,
Thebes.
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00:13:39,467 --> 00:13:43,100
Meredith Brand is on a mission
to uncover the secrets
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00:13:43,100 --> 00:13:45,867
of the avenue
and a mysterious celebration
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00:13:45,867 --> 00:13:47,066
that takes place here.
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00:13:50,367 --> 00:13:52,867
Statues of Amun at Karnak
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00:13:52,934 --> 00:13:55,934
suggest he is at the center of
the celebrations,
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00:13:57,367 --> 00:14:01,533
and throughout the complex are
ruins that hold further clues.
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00:14:04,467 --> 00:14:07,567
Archaeologists excavate Karnak
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00:14:07,567 --> 00:14:09,000
and discover fragments of
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00:14:09,000 --> 00:14:12,066
a mysterious structure
scattered across the site.
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00:14:13,567 --> 00:14:16,667
They piece them together
and reveal it is once
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00:14:16,667 --> 00:14:21,333
a sacred chapel dedicated
to the god of Thebes, Amun.
244
00:14:22,900 --> 00:14:25,433
A plinth stands in
the center of the chapel.
245
00:14:27,667 --> 00:14:29,467
A gold-painted wooden boat is
246
00:14:29,467 --> 00:14:32,433
placed on top during
ritual celebrations.
247
00:14:33,367 --> 00:14:36,166
It holds a solid golden statue
of Amun.
248
00:14:38,100 --> 00:14:40,433
Who builds this
elaborate shrine?
249
00:14:41,367 --> 00:14:44,000
And what can it reveal
about the celebration
250
00:14:44,000 --> 00:14:45,834
on the Avenue of Sphinxes?
251
00:14:50,000 --> 00:14:52,333
Modern engineers
use the original
252
00:14:52,400 --> 00:14:55,533
fragments to painstakingly
rebuild the chapel.
253
00:14:57,700 --> 00:15:02,200
Meredith ventures inside to
examine the surviving evidence.
254
00:15:02,200 --> 00:15:06,266
This cartouche holds the clue
as to who built this chapel.
255
00:15:06,333 --> 00:15:08,266
It says
[speaking ancient Egyptian]
256
00:15:08,333 --> 00:15:10,000
Amun, Hatshepsut.
257
00:15:10,000 --> 00:15:12,266
This cartouche belongs to
Hatshepsut,
258
00:15:12,333 --> 00:15:13,634
a female king.
259
00:15:15,467 --> 00:15:17,767
She was around
the 1400s BC,
260
00:15:17,767 --> 00:15:21,900
a powerful Pharaoh of Egypt,
and this is her chapel to
261
00:15:21,900 --> 00:15:23,533
the god, Amun.
262
00:15:23,600 --> 00:15:25,867
NARRATOR: Hatshepsut
263
00:15:25,934 --> 00:15:27,967
constructs six chapels
like this one
264
00:15:28,033 --> 00:15:30,333
along the route of
the Avenue of Sphinxes.
265
00:15:32,667 --> 00:15:36,166
Meredith examines the chapel
exterior for clues about
266
00:15:36,233 --> 00:15:39,066
what happens during
the celebration on the avenue.
267
00:15:41,266 --> 00:15:43,266
Oh, look at that image!
268
00:15:43,266 --> 00:15:45,000
It's fantastic!
269
00:15:45,000 --> 00:15:47,166
There's these dancers
doing back flips
270
00:15:47,166 --> 00:15:50,333
and acrobats and a musician
with a harp.
271
00:15:50,400 --> 00:15:54,266
The whole procession seems
lively, fun entertainment.
272
00:15:54,266 --> 00:15:57,767
It kind of reminds me of
the image at Luxor Temple.
273
00:15:58,867 --> 00:16:00,533
NARRATOR: A procession
depicted at Luxor
274
00:16:03,166 --> 00:16:05,333
is celebrated
on the avenue, too.
275
00:16:07,200 --> 00:16:10,333
Meredith searches
for more reliefs
276
00:16:10,400 --> 00:16:13,667
that could reveal further
clues about this grand event.
277
00:16:15,600 --> 00:16:17,867
MEREDITH:
This scene is important.
278
00:16:17,934 --> 00:16:22,533
It shows the king, who is
behind a procession of priests,
279
00:16:22,600 --> 00:16:25,066
walking on a road or avenue,
280
00:16:25,133 --> 00:16:27,433
carrying a barque of Amun.
281
00:16:29,100 --> 00:16:31,900
NARRATOR:
The barque is a sacred vessel
282
00:16:31,900 --> 00:16:34,767
and a key feature of ancient
Egyptian rituals.
283
00:16:37,567 --> 00:16:40,100
The relief reveals
the statue and barque
284
00:16:40,100 --> 00:16:42,667
are a vital part
of a ritual procession.
285
00:16:43,567 --> 00:16:46,767
They're moving forward towards
a building that's like
286
00:16:46,767 --> 00:16:49,967
a waystation or a stopping
point in the procession.
287
00:16:50,033 --> 00:16:54,333
And inside is
the barque, and outside,
288
00:16:54,400 --> 00:16:57,367
there is the king,
offering incense
289
00:16:57,367 --> 00:17:00,100
and doing rituals
at this waystation.
290
00:17:00,100 --> 00:17:04,200
So this shows an entire
ritual scene on an avenue
291
00:17:04,200 --> 00:17:08,667
with key points of rest for
the barque and ritual practice.
292
00:17:08,734 --> 00:17:10,166
NARRATOR:
The procession rests
293
00:17:10,233 --> 00:17:12,967
at the six shrines
built by Hatshepsut.
294
00:17:15,200 --> 00:17:17,467
Priests perform rituals
in honor of
295
00:17:17,467 --> 00:17:19,533
the god Amun
in each shrine.
296
00:17:20,767 --> 00:17:22,967
Here it is -- the key.
297
00:17:23,033 --> 00:17:26,767
It says
[speaking Ancient Egyptian],
298
00:17:26,834 --> 00:17:29,200
"his beautiful
festival of Opet."
299
00:17:29,200 --> 00:17:30,900
That's the name
of the festival.
300
00:17:30,900 --> 00:17:33,066
This is the Opet Festival.
301
00:17:35,000 --> 00:17:36,867
NARRATOR: Meredith wants
to know if the Opet
302
00:17:36,867 --> 00:17:39,767
Festival is just about
honoring Amun.
303
00:17:41,200 --> 00:17:44,333
She examines the structure of
the chapel for clues.
304
00:17:46,600 --> 00:17:48,867
Oh, this is fascinating!
305
00:17:48,867 --> 00:17:53,166
The entire bottom
of this chapel is built
306
00:17:53,233 --> 00:17:56,667
with this black diorite stone --
to the ancient Egyptians,
307
00:17:56,667 --> 00:18:00,367
black represented the fertile
Nile soil after the flood.
308
00:18:00,367 --> 00:18:03,967
It was the source of life to
the ancient Egyptians, and
309
00:18:04,033 --> 00:18:07,433
ancient Egyptian kings
were concerned with rebirth,
310
00:18:07,500 --> 00:18:09,100
renewal, and regeneration.
311
00:18:09,100 --> 00:18:13,166
Fertility was their main
earthly and spiritual goal.
312
00:18:14,600 --> 00:18:17,166
NARRATOR: The black stone
reveals the importance of
313
00:18:17,166 --> 00:18:19,767
the annual Nile flood
to the festival
314
00:18:19,767 --> 00:18:21,533
on the Avenue of Sphinxes.
315
00:18:25,867 --> 00:18:30,767
The Nile Valley is inundated
every year by monsoon rains.
316
00:18:30,767 --> 00:18:33,934
Millions of gallons of water
pour into the river.
317
00:18:37,266 --> 00:18:41,000
Priests monitor the river's
depth in special structures
318
00:18:41,000 --> 00:18:42,767
called Nilometers
319
00:18:42,767 --> 00:18:46,533
and forecast the annual flood
and the size of the harvest.
320
00:18:49,467 --> 00:18:52,834
The monsoon rainwater
overflows the Nile's banks
321
00:18:54,467 --> 00:18:56,967
and leaves behind
a rich layer of silt.
322
00:18:58,667 --> 00:19:02,867
Farmers plant their crops in
this nutrient-rich soil
323
00:19:02,867 --> 00:19:06,834
and grow the food that powers
Egyptian civilization.
324
00:19:09,567 --> 00:19:12,166
MEREDITH: The symbolism of
the black stone is clear.
325
00:19:12,233 --> 00:19:15,467
The Opet Festival is
about the Nile inundation.
326
00:19:15,467 --> 00:19:18,266
Everybody in ancient Egypt was
concerned about the flood
327
00:19:18,333 --> 00:19:21,767
of the Nile, from the king to
the commoner.
328
00:19:21,834 --> 00:19:24,867
NARRATOR: The Opet Festival is
a grand celebration
329
00:19:24,934 --> 00:19:26,066
to honor the mighty Amun.
330
00:19:27,867 --> 00:19:29,266
Ancient Egyptians believe
331
00:19:29,333 --> 00:19:31,734
the ceremony ensures
the annual flood.
332
00:19:33,100 --> 00:19:36,100
It is the Nile flood that
allows all life
333
00:19:36,100 --> 00:19:37,834
in Egypt to thrive.
334
00:19:39,367 --> 00:19:40,867
The avenue
and the temples are
335
00:19:40,867 --> 00:19:43,533
used for this ritual
for 1,000 years.
336
00:19:45,000 --> 00:19:47,634
But who builds
the Avenue of Sphinxes?
337
00:19:48,867 --> 00:19:52,634
Could clues be found on
the mythical beasts themselves?
338
00:20:00,600 --> 00:20:02,834
NARRATOR:
Luxor, Egypt.
339
00:20:04,400 --> 00:20:07,166
The huge Avenue of Sphinxes
is the site
340
00:20:07,166 --> 00:20:11,166
of a grand religious festival
dedicated to god, Amun.
341
00:20:12,367 --> 00:20:14,834
MEREDITH: The Avenue of
the Sphinx is central to
342
00:20:14,900 --> 00:20:16,266
the power of the pharaoh,
343
00:20:16,266 --> 00:20:18,367
and it's a marvel
of ancient engineering
344
00:20:18,367 --> 00:20:20,066
and infrastructure.
345
00:20:20,066 --> 00:20:22,166
NARRATOR: The resources
of ancient Egypt are
346
00:20:22,166 --> 00:20:25,266
poured into this vast
construction project.
347
00:20:25,266 --> 00:20:26,767
But the name
of the Pharaoh who
348
00:20:26,767 --> 00:20:29,667
first builds it
is shrouded in mystery.
349
00:20:30,500 --> 00:20:34,333
Clues could lie in the design
of the Sphinxes themselves.
350
00:20:38,567 --> 00:20:41,166
The Karnak end
of the avenue
351
00:20:41,166 --> 00:20:45,066
features more than 100
exquisitely carved Criosphinxes.
352
00:20:46,000 --> 00:20:49,000
They have the body of
a resting lion,
353
00:20:49,000 --> 00:20:51,266
the head of a ram,
354
00:20:51,333 --> 00:20:54,166
and a statue of a Pharaoh
between the paws.
355
00:20:56,567 --> 00:20:59,166
The Luxor end of the avenue
356
00:20:59,233 --> 00:21:01,467
has hundreds of Androsphinxes.
357
00:21:03,266 --> 00:21:05,433
They also have
the body of a lion,
358
00:21:06,400 --> 00:21:08,834
but each has
the same human head,
359
00:21:10,000 --> 00:21:13,367
and they sit on a platform
covered in hieroglyphs.
360
00:21:14,867 --> 00:21:17,600
Could these human-headed
Sphinxes shed
361
00:21:17,600 --> 00:21:19,567
light on who builds
the avenue?
362
00:21:24,200 --> 00:21:29,066
The Great Sphinx of Giza,
300 miles north of Luxor,
363
00:21:29,133 --> 00:21:32,467
also features the face of
the Pharaoh who builds it.
364
00:21:35,767 --> 00:21:37,834
He is believed
to be the Khafre.
365
00:21:41,200 --> 00:21:43,467
It could be that
the faces on the Sphinx
366
00:21:43,467 --> 00:21:46,834
here might be evidence of
the builder of the avenue.
367
00:21:49,266 --> 00:21:53,133
Meredith searches for clues
at the avenue's southern end.
368
00:21:54,767 --> 00:21:57,066
MEREDITH: This is the Sphinx
of Luxor Temple.
369
00:21:57,133 --> 00:22:01,166
And when I look at it closer,
it's got the royal headdress,
370
00:22:01,166 --> 00:22:04,867
a cobra from its brow,
and a big false beard.
371
00:22:04,867 --> 00:22:07,667
Those are all
hallmarks of kingship.
372
00:22:07,734 --> 00:22:09,834
So this clearly is
the face of a pharaoh.
373
00:22:11,266 --> 00:22:13,166
NARRATOR: Meredith examines
the base of one
374
00:22:13,166 --> 00:22:15,467
of the Sphinxes
for more clues.
375
00:22:17,367 --> 00:22:20,166
Here it is -- this is
the clue I'm looking for.
376
00:22:20,233 --> 00:22:23,266
This is the name of
the pharaoh who builds
377
00:22:23,266 --> 00:22:25,600
the entirety of
all the Sphinx
378
00:22:25,600 --> 00:22:28,066
I see here, and it says,
[speaking ancient Egyptian].
379
00:22:29,300 --> 00:22:31,066
That's Nectanebo the First.
380
00:22:31,066 --> 00:22:35,066
He's the first king of
the last great Egyptian dynasty,
381
00:22:35,133 --> 00:22:36,500
and his plans,
382
00:22:36,500 --> 00:22:40,867
his grand design for Karnak
and Luxor, shape what we call
383
00:22:40,867 --> 00:22:42,467
the Avenue of Sphinx today.
384
00:22:43,767 --> 00:22:46,066
NARRATOR: Nectanebo
is a powerful
385
00:22:46,066 --> 00:22:48,867
and ambitious
military commander.
386
00:22:48,867 --> 00:22:53,266
In 380 BCE, he overthrows
the reigning Pharaoh
387
00:22:53,266 --> 00:22:56,834
in a military coup
and proclaims himself as ruler.
388
00:22:58,166 --> 00:23:01,467
He is the last Pharaoh to
build at the Avenue of Sphinx.
389
00:23:03,367 --> 00:23:06,467
MEREDITH: His plans
and initiatives between Luxor
390
00:23:06,533 --> 00:23:10,533
and Karnak, his design,
last to this day.
391
00:23:15,367 --> 00:23:18,767
NARRATOR: Meredith ventures
deep into Luxor Temple to find
392
00:23:18,834 --> 00:23:21,233
out who is the first Pharaoh
to build here.
393
00:23:23,066 --> 00:23:25,400
This is Amenhotep the Third.
394
00:23:25,400 --> 00:23:27,467
His name is right up
there -- Nebmaatre.
395
00:23:28,600 --> 00:23:30,767
And he has a cobra
on his brow,
396
00:23:30,834 --> 00:23:32,867
a sign of kingship.
397
00:23:32,867 --> 00:23:35,266
NARRATOR: Amenhotep is
the grandfather of Tutankhamun.
398
00:23:36,600 --> 00:23:41,166
His reign begins
in around 1390 BCE,
399
00:23:41,166 --> 00:23:44,667
over 1000 years before
Nectanebo the First.
400
00:23:46,600 --> 00:23:49,767
Amenhotep the Third shapes
the Theban infrastructure
401
00:23:49,767 --> 00:23:51,166
with his monuments,
402
00:23:51,233 --> 00:23:53,266
and he's instrumental
to constructing
403
00:23:53,266 --> 00:23:54,467
the Avenue of the Sphinx.
404
00:23:55,667 --> 00:23:59,500
But Hatshepsut's cartouche in
the Red Chapel of Karnak
405
00:23:59,500 --> 00:24:01,266
proves that the construction
406
00:24:01,266 --> 00:24:04,934
of the avenue goes even
further back than Amenhotep.
407
00:24:07,500 --> 00:24:09,567
It is Hatshepsut
who first builds
408
00:24:09,567 --> 00:24:13,233
the processional road in
the 15th century BCE.
409
00:24:14,200 --> 00:24:18,066
She constructs human-headed
Sphinxes in her own likeness.
410
00:24:20,400 --> 00:24:25,400
Decades later, Amenhotep
the Third expands the avenue
411
00:24:25,400 --> 00:24:28,033
and connects it to another
temple complex.
412
00:24:31,867 --> 00:24:35,000
Amenhotep's grandson,
Tutankhamun, picks
413
00:24:35,000 --> 00:24:38,033
up the project once again
and expands it.
414
00:24:40,467 --> 00:24:43,033
One thousand years
after the boy king,
415
00:24:43,867 --> 00:24:46,467
Nectanebo the First
adds the human-headed
416
00:24:46,533 --> 00:24:50,266
Sphinxes that flank
the entrance to Luxor Temple.
417
00:24:53,667 --> 00:24:55,166
MEREDITH:
The Avenue of the Sphinx is
418
00:24:55,166 --> 00:24:57,834
a vast construction project
spanning generations
419
00:24:57,900 --> 00:25:00,166
of Pharaohs
over 1,000 years.
420
00:25:00,166 --> 00:25:02,066
NARRATOR:
Ancient engineers craft
421
00:25:02,133 --> 00:25:05,266
the Sphinx with extraordinary
detail and precision.
422
00:25:06,166 --> 00:25:10,834
Can modern engineers resurrect
these ancient masterpieces?
423
00:25:20,266 --> 00:25:22,934
NARRATOR:
Luxor, Egypt.
424
00:25:24,467 --> 00:25:27,233
The restored ruins of
the Avenue of Sphinxes
425
00:25:27,300 --> 00:25:30,166
runs through the center of
the ancient city.
426
00:25:31,467 --> 00:25:34,100
The avenue lies
buried for thousands
427
00:25:34,100 --> 00:25:36,333
of years beneath
the desert sands.
428
00:25:38,000 --> 00:25:40,567
Restorers begin
the task of uncovering
429
00:25:40,567 --> 00:25:43,066
the avenue
over 70 years ago.
430
00:25:44,000 --> 00:25:45,900
MOSTAFA: This project is
considered to be one of
431
00:25:45,900 --> 00:25:48,367
the biggest restoration
projects all over
432
00:25:48,367 --> 00:25:49,567
the Egyptian history.
433
00:25:49,567 --> 00:25:51,967
Now, it's accessible for
the first time for
434
00:25:52,033 --> 00:25:54,567
the investigators to come to
study everything
435
00:25:54,567 --> 00:25:56,066
about the Sphinxes.
436
00:25:57,266 --> 00:26:00,767
NARRATOR: Now, restoration work
helps investigators piece
437
00:26:00,767 --> 00:26:02,533
together what
these magnificent
438
00:26:02,600 --> 00:26:05,066
Sphinxes look like
in their prime.
439
00:26:06,900 --> 00:26:09,233
Each Androsphinx is carved
440
00:26:09,300 --> 00:26:11,333
from a monolithic block
of sandstone.
441
00:26:12,667 --> 00:26:16,767
Stonemasons get to work on
the finer details.
442
00:26:16,767 --> 00:26:19,100
They sculpt the lion's body
443
00:26:19,100 --> 00:26:21,066
and the human head
444
00:26:21,133 --> 00:26:22,967
with breathtaking precision.
445
00:26:25,367 --> 00:26:28,333
Artists decorated with
a vibrant palette
446
00:26:28,400 --> 00:26:29,834
of mineral-based paints.
447
00:26:32,867 --> 00:26:36,367
Finally, they carve
mysterious hieroglyphs
448
00:26:36,367 --> 00:26:38,333
into the base of each Sphinx.
449
00:26:41,266 --> 00:26:42,967
How are modern experts
450
00:26:43,033 --> 00:26:45,934
reconstructing
these ancient masterpieces?
451
00:26:52,567 --> 00:26:54,233
Mostafa Al-Saghir
452
00:26:54,300 --> 00:26:57,100
heads a team of excavators
and restorers who
453
00:26:57,100 --> 00:27:00,667
work to return the Sphinxes
to their ancient glory.
454
00:27:02,367 --> 00:27:05,767
This restoration project had
been started more than
455
00:27:05,767 --> 00:27:08,767
70 years ago, when the first
statue of the Sphinx is
456
00:27:08,834 --> 00:27:11,066
discovered in front
of Luxor Temple.
457
00:27:12,367 --> 00:27:15,166
NARRATOR: Today, Mostafa
and his team work to
458
00:27:15,166 --> 00:27:17,934
restore one of
the human-headed Androsphinxes.
459
00:27:19,467 --> 00:27:21,166
MOSTAFA:
Today is a very special day.
460
00:27:21,233 --> 00:27:23,367
We are now making
the restoration for one of
461
00:27:23,367 --> 00:27:26,567
the Sphinxes that had been found
here in this area.
462
00:27:26,567 --> 00:27:29,433
Only a few statues had been
found, because during
463
00:27:29,500 --> 00:27:31,934
the medieval period, many of
them had been destroyed.
464
00:27:32,867 --> 00:27:36,166
NARRATOR: Mostafa's mission
is to position the head
465
00:27:36,166 --> 00:27:38,734
back onto the body of
the Sphinx statue.
466
00:27:40,000 --> 00:27:42,166
MOSTAFA: This work is really
important, because
467
00:27:42,233 --> 00:27:43,767
it's a real piece of
the history.
468
00:27:43,767 --> 00:27:47,333
It really gives us good
information about the work done
469
00:27:47,400 --> 00:27:48,567
by Nectanebo the First here,
470
00:27:48,567 --> 00:27:51,667
especially in the immediate
area of the Avenue of Sphinx
471
00:27:51,667 --> 00:27:53,433
between Karnak
and Luxor Temples.
472
00:27:54,467 --> 00:27:57,000
NARRATOR: Nectanebo
the First is obsessed
473
00:27:57,000 --> 00:27:59,166
with the power
of the Sphinx.
474
00:27:59,166 --> 00:28:03,233
He builds more Sphinx statues
than any other Pharaoh.
475
00:28:06,000 --> 00:28:07,767
The team start by clearing
476
00:28:07,767 --> 00:28:10,433
the Sphinx of years
of dirt and debris.
477
00:28:11,567 --> 00:28:13,867
MOSTAFA: My team really are
experienced with this,
478
00:28:13,867 --> 00:28:16,467
but they are dealing with
a piece of the history.
479
00:28:16,467 --> 00:28:19,166
So they have to take care
for every step they are
480
00:28:19,233 --> 00:28:20,867
doing today.
481
00:28:20,867 --> 00:28:23,767
NARRATOR: Next, the crew
use a crane to lift
482
00:28:23,767 --> 00:28:27,433
the ancient head of the Sphinx
into place over the body.
483
00:28:28,266 --> 00:28:30,867
MOSTAFA: We are bringing
the Sphinx back to life.
484
00:28:30,867 --> 00:28:33,834
Nobody has seen it like this
over thousands of years.
485
00:28:34,767 --> 00:28:37,467
NARRATOR: The slightest error
will be a failure
486
00:28:37,467 --> 00:28:39,667
for Mustafa and his team.
487
00:28:39,667 --> 00:28:41,166
They know what to do,
488
00:28:41,233 --> 00:28:43,467
but they have to be really
careful, because there is no
489
00:28:43,467 --> 00:28:45,066
chance for any mistake.
490
00:28:46,467 --> 00:28:48,467
NARRATOR:
With the head in position,
491
00:28:48,467 --> 00:28:50,900
the key moment has arrived.
492
00:28:50,900 --> 00:28:53,166
So this is
the most important moment.
493
00:28:53,166 --> 00:28:55,667
They have to be really
accurate to put
494
00:28:55,667 --> 00:28:58,734
the head and to fit
perfectly over the statue.
495
00:29:00,066 --> 00:29:01,900
NARRATOR:
Inches at a time,
496
00:29:01,900 --> 00:29:04,934
they place the head
delicately onto the body.
497
00:29:09,667 --> 00:29:12,533
The team maneuvers the head
into perfect position,
498
00:29:13,467 --> 00:29:17,433
removes the crane, and brushes
away the final debris.
499
00:29:19,266 --> 00:29:22,667
They use a special cement mix
made with plaster and red
500
00:29:22,667 --> 00:29:26,834
brick to secure the head of
the Androsphinx into place.
501
00:29:28,767 --> 00:29:30,867
MOSTAFA: This is the moment
that we are waiting for.
502
00:29:30,934 --> 00:29:33,066
Now, the restoration work
is complete.
503
00:29:33,133 --> 00:29:37,433
We really feel so satisfied to
bring the Sphinx back to life.
504
00:29:38,367 --> 00:29:41,166
NARRATOR: All that's left is
for the restoration team to
505
00:29:41,233 --> 00:29:43,767
make final checks on
the quality of the work...
506
00:29:43,767 --> 00:29:46,567
[scattered applause]
507
00:29:46,567 --> 00:29:49,567
and celebrate
the successful restoration
508
00:29:49,567 --> 00:29:51,333
of the ancient Sphinx.
509
00:29:53,567 --> 00:29:55,967
The original
construction requires
510
00:29:56,033 --> 00:29:58,967
an enormous workforce of
skilled craftspeople.
511
00:30:01,266 --> 00:30:05,166
Stonemasons cut sandstone in the
quarries of Gebel el-Silsila.
512
00:30:06,767 --> 00:30:10,567
Sailors transport it
75 miles downriver
513
00:30:10,567 --> 00:30:12,166
to Thebes by barge.
514
00:30:13,767 --> 00:30:17,667
Skilled workers use copper
tools to cut the sandstone
515
00:30:17,667 --> 00:30:19,233
into smaller slabs
516
00:30:19,300 --> 00:30:22,734
and assemble them to
form the paving of the avenue.
517
00:30:24,767 --> 00:30:28,767
Stonemasons intricately
carve blocks of sandstone
518
00:30:28,834 --> 00:30:31,767
and transform them into
the Sphinxes that line
519
00:30:31,767 --> 00:30:33,634
the processional road.
520
00:30:35,667 --> 00:30:39,266
Finally, they inscribe
hieroglyphs on the base
521
00:30:39,266 --> 00:30:40,967
to honor the Pharaoh
522
00:30:41,033 --> 00:30:43,934
and paint the Sphinxes
with bright pigments.
523
00:30:46,100 --> 00:30:48,533
MOSTAFA: There should be
hundreds or even thousands of
524
00:30:48,600 --> 00:30:50,100
engineers, stonemasons,
525
00:30:50,100 --> 00:30:54,667
artists, who construct this
magnificent Avenue of Sphinx
526
00:30:54,734 --> 00:30:56,934
from Luxor to Karnak Temples.
527
00:30:58,767 --> 00:31:01,767
NARRATOR: The engineers who
construct this mighty Avenue
528
00:31:01,767 --> 00:31:05,266
of Sphinxes do so
for a single purpose --
529
00:31:05,266 --> 00:31:06,834
the Opet Festival.
530
00:31:08,467 --> 00:31:11,867
What is the grand finale of
the Opet Festival?
531
00:31:12,867 --> 00:31:16,066
Can clues be found at
a mysterious shrine
532
00:31:16,133 --> 00:31:18,233
in Luxor Temple?
533
00:31:26,767 --> 00:31:30,834
NARRATOR: The monumental
temples of Karnak and Luxor
534
00:31:31,767 --> 00:31:34,934
are linked by the iconic
Avenue of Sphinxes.
535
00:31:36,867 --> 00:31:38,834
In ancient times,
536
00:31:38,900 --> 00:31:42,266
a grand celebration of
the annual Nile flood takes
537
00:31:42,266 --> 00:31:45,467
place here --
the Opet Festival.
538
00:31:46,567 --> 00:31:48,266
But the magnificent finale to
539
00:31:48,266 --> 00:31:51,066
the festival is shrouded
in mystery.
540
00:31:51,066 --> 00:31:53,867
Luxor temple is
the final destination
541
00:31:53,867 --> 00:31:55,000
of the Opet Festival,
542
00:31:55,000 --> 00:31:57,166
and there must be more to
discover inside.
543
00:31:58,767 --> 00:32:00,500
NARRATOR: Beyond
the imposing walls
544
00:32:00,500 --> 00:32:03,066
and colonnades
of Luxor Temple
545
00:32:03,133 --> 00:32:06,266
lies a mysterious structure
that marks
546
00:32:06,333 --> 00:32:08,667
the end point of
the procession.
547
00:32:10,867 --> 00:32:14,467
It is flanked by
four towering columns
548
00:32:14,467 --> 00:32:17,266
that are shaped
like lotus flowers,
549
00:32:17,333 --> 00:32:19,467
a symbol of life
and creation.
550
00:32:21,567 --> 00:32:24,367
The shrine has
three mysterious rooms,
551
00:32:25,867 --> 00:32:29,533
each seemingly built to house
something of great importance.
552
00:32:30,400 --> 00:32:32,867
Could this shrine hold
clues about
553
00:32:32,867 --> 00:32:36,000
the grand finale of
the Opet Festival?
554
00:32:36,000 --> 00:32:37,767
And what can it reveal about
555
00:32:37,767 --> 00:32:40,934
the Pharaoh's obsession with
this annual ritual?
556
00:32:43,166 --> 00:32:45,734
Meredith
ventures into the shrine.
557
00:32:45,800 --> 00:32:49,433
She examines the walls
and spots an important clue.
558
00:32:51,100 --> 00:32:55,066
This room is clearly dedicated
to the god, Amun.
559
00:32:55,066 --> 00:32:57,967
His image is on both sides of
the door.
560
00:32:57,967 --> 00:33:00,767
It's on the door frame.
561
00:33:00,767 --> 00:33:04,367
And when I look through,
I can clearly see the god, Amun,
562
00:33:04,433 --> 00:33:08,266
and even there's a picture of
his sacred barque.
563
00:33:08,333 --> 00:33:09,867
So this is
the place where Amun
564
00:33:09,867 --> 00:33:12,667
rests towards the end of
the Opet Festival.
565
00:33:14,300 --> 00:33:16,867
NARRATOR: Two smaller rooms
flank the chamber
566
00:33:16,867 --> 00:33:19,233
where Amun's barque shrine
is kept.
567
00:33:20,667 --> 00:33:24,066
Meredith wants to find out
who they could be dedicated to
568
00:33:24,967 --> 00:33:26,734
and what this could
reveal about
569
00:33:26,800 --> 00:33:29,333
the final stages of
the Opet Festival.
570
00:33:30,500 --> 00:33:32,667
NARRATOR: She investigates
the first chamber.
571
00:33:33,667 --> 00:33:35,266
This image is important.
572
00:33:35,266 --> 00:33:38,066
It has the symbol of the moon.
573
00:33:38,066 --> 00:33:40,600
There's the crescent-shaped
moon underneath
574
00:33:40,600 --> 00:33:44,567
the sun, and that's sitting
on a sacred boat.
575
00:33:44,634 --> 00:33:48,667
This shows the symbol of
the moon god, Khonsu,
576
00:33:48,667 --> 00:33:52,266
and it's his sacred barque
that resided in this shrine.
577
00:33:54,400 --> 00:33:57,066
Amun is not
the only god worshiped
578
00:33:57,066 --> 00:33:58,734
during the Opet Festival.
579
00:34:00,166 --> 00:34:04,000
The god, Khonsu, is central to
ancient Egyptian religion
580
00:34:04,000 --> 00:34:05,934
and also to this celebration.
581
00:34:07,500 --> 00:34:09,867
Meredith enters
the final chamber to
582
00:34:09,867 --> 00:34:12,367
find out which other gods
reside here.
583
00:34:13,867 --> 00:34:17,266
This image is at the back of
the shrine, and it shows
584
00:34:17,266 --> 00:34:19,166
the king offering to
585
00:34:19,166 --> 00:34:22,834
a goddess, and she has
a vulture headdress
586
00:34:22,900 --> 00:34:25,266
and the crown of upper
and lower Egypt.
587
00:34:25,266 --> 00:34:27,600
That's the symbol of
the goddess Mut.
588
00:34:27,600 --> 00:34:30,266
So this tells me,
this shrine is
589
00:34:30,266 --> 00:34:32,834
dedicated to the barque of
the goddess Mut.
590
00:34:34,000 --> 00:34:38,500
NARRATOR: These three gods --
Amun, Mut, and Khonsu --
591
00:34:38,500 --> 00:34:41,967
are each vital to
the Opet Festival.
592
00:34:41,967 --> 00:34:43,500
Ancient Egyptians
must perform
593
00:34:43,500 --> 00:34:46,467
elaborate rituals to
appease them.
594
00:34:46,533 --> 00:34:50,567
If they don't, the annual Nile
flood might fail,
595
00:34:50,634 --> 00:34:54,734
and with it, the miracle of
Egypt's life-giving harvest.
596
00:34:54,800 --> 00:34:57,166
The Opet Festival is
a celebration of
597
00:34:57,166 --> 00:35:00,166
the renewal of the divine
power of the Theban Triad,
598
00:35:00,166 --> 00:35:02,467
Amun, Mut, and Khonsu.
599
00:35:04,767 --> 00:35:07,867
NARRATOR: The festival
begins at Karnak Temple.
600
00:35:07,867 --> 00:35:09,834
High priests
take the statues of
601
00:35:09,900 --> 00:35:13,667
the three gods and carry them
on ceremonial barques.
602
00:35:17,467 --> 00:35:20,166
The Pharaoh accompanies
the priests as they
603
00:35:20,233 --> 00:35:23,033
begin the procession along
the Avenue of Sphinx.
604
00:35:28,166 --> 00:35:32,066
The procession stops at six
waystations along the route
605
00:35:32,133 --> 00:35:34,834
and finally reaches
Luxor Temple.
606
00:35:38,200 --> 00:35:41,066
The ceremonial barques
are taken into the shrine
607
00:35:41,066 --> 00:35:42,967
of the Theban Triad,
608
00:35:42,967 --> 00:35:46,233
and two weeks of feasting
and celebration begin.
609
00:35:48,867 --> 00:35:53,934
The gods of the Theban Triad
rest in place at Luxor Temple.
610
00:35:54,000 --> 00:35:55,233
They are appeased,
611
00:35:56,166 --> 00:35:59,734
and the vital Nile flood is
ensured for another year.
612
00:36:00,667 --> 00:36:03,600
MEREDITH: The annual Nile flood
gives life to Egypt.
613
00:36:03,600 --> 00:36:06,467
It brings in new soil
and water to grow crops
614
00:36:06,467 --> 00:36:07,400
that everyone
needed to survive,
615
00:36:07,400 --> 00:36:10,867
and festivals
like Opet ensured
616
00:36:10,867 --> 00:36:12,734
the flood would come.
617
00:36:12,800 --> 00:36:15,066
NARRATOR:
Why else is the Opet Festival
618
00:36:15,133 --> 00:36:16,867
important to the pharaohs?
619
00:36:16,867 --> 00:36:20,266
Could it be used to maintain
their grip on power?
620
00:36:28,467 --> 00:36:31,166
NARRATOR:
Two grand temples,
621
00:36:31,166 --> 00:36:33,266
Luxor...
622
00:36:33,266 --> 00:36:34,533
and Karnak.
623
00:36:36,100 --> 00:36:39,967
Mighty pharaohs pour resources
into them for over a millennia.
624
00:36:41,000 --> 00:36:43,533
They connect them with
a ceremonial road,
625
00:36:44,467 --> 00:36:46,066
the Avenue of Sphinxes,
626
00:36:47,367 --> 00:36:51,166
built for the grand annual
Opet Festival.
627
00:36:51,166 --> 00:36:53,000
MEREDITH:
The Opet Festival celebrates
628
00:36:53,000 --> 00:36:55,967
the renewal of the divine power
of the Theban Triad,
629
00:36:56,033 --> 00:36:57,767
Amun, Mut, and Khonsu.
630
00:36:57,767 --> 00:37:01,333
It guarantees the life-giving
waters of the Nile flood
631
00:37:01,400 --> 00:37:04,767
and ensures the inundation
for the prosperity of Egypt.
632
00:37:06,000 --> 00:37:08,166
NARRATOR: Meredith wants
to know why the Pharaohs
633
00:37:08,166 --> 00:37:10,967
are so obsessed
with the Opet Festival.
634
00:37:12,667 --> 00:37:16,433
She heads into the heart of
Luxor Temple to find out.
635
00:37:18,467 --> 00:37:20,567
This is a remarkable image.
636
00:37:20,567 --> 00:37:23,900
Amenhotep the Third inscribes
on these walls
637
00:37:23,900 --> 00:37:27,000
the source of Pharaoh's
divine power.
638
00:37:27,000 --> 00:37:31,333
Here, he depicts his mother
sitting on a bed with the god,
639
00:37:31,400 --> 00:37:35,100
Amun, and Amun is extending
the key of life,
640
00:37:35,100 --> 00:37:37,100
the Ankh sign,
to the mother.
641
00:37:37,100 --> 00:37:39,967
He is giving her
divine essence.
642
00:37:40,033 --> 00:37:43,467
And from this moment,
Amenhotep the Third is born.
643
00:37:43,467 --> 00:37:46,533
He is not just a mortal,
he's also a god.
644
00:37:47,800 --> 00:37:49,800
NARRATOR:
Amenhotep portrays himself
645
00:37:49,800 --> 00:37:52,000
as a direct descendant
of Amun,
646
00:37:52,000 --> 00:37:55,867
king of the gods and the focus
of the Opet Festival.
647
00:37:57,000 --> 00:38:00,066
He engraves his claim in stone
so that all
648
00:38:00,066 --> 00:38:03,900
who see it will know of
his divine conception.
649
00:38:03,900 --> 00:38:05,967
This is a delightful image.
650
00:38:06,033 --> 00:38:09,166
It shows the god, Amun,
and this small child
651
00:38:09,233 --> 00:38:12,567
is actually Amenhotep the Third,
and he's sitting on Amun's lap.
652
00:38:12,634 --> 00:38:17,367
The intimacy in this image
connects the Pharaoh to
653
00:38:17,367 --> 00:38:19,000
the gods.
654
00:38:19,000 --> 00:38:21,567
NARRATOR: The Pharaoh
Amenhotep's relationship with
655
00:38:21,567 --> 00:38:24,567
our moon is close
and personal.
656
00:38:24,634 --> 00:38:28,333
So the Pharaoh's celebration
of Amun at the Opet Festival
657
00:38:28,400 --> 00:38:31,233
is also a celebration
of the Pharaoh himself.
658
00:38:37,266 --> 00:38:40,233
Meredith heads to the most
sacred part of the temple.
659
00:38:41,467 --> 00:38:44,367
This is the inner sanctuary
of Luxor Temple.
660
00:38:44,367 --> 00:38:48,767
It is the holy of holies, and
there's a special image here,
661
00:38:48,767 --> 00:38:53,233
and it shows the god, Amun,
and the Pharaoh in an embrace.
662
00:38:53,300 --> 00:38:55,367
It demonstrates that
the god Amun
663
00:38:55,367 --> 00:38:57,433
is the source
of the Pharaoh's power.
664
00:38:58,867 --> 00:39:00,667
NARRATOR: The people of Thebes
gather to
665
00:39:00,734 --> 00:39:03,667
witness the Opet Festival
procession each year.
666
00:39:04,767 --> 00:39:07,000
They are surrounded by
powerful images
667
00:39:07,000 --> 00:39:09,433
of their god
and their Pharaoh.
668
00:39:11,100 --> 00:39:14,433
The Opet Festival was an amazing
chance for the people
669
00:39:14,500 --> 00:39:17,567
of Egypt to get a glimpse of
the god, Amun.
670
00:39:17,634 --> 00:39:20,767
It solidified their personal
connection with the god.
671
00:39:20,767 --> 00:39:23,967
It also allowed the Pharaoh
to legitimize
672
00:39:24,033 --> 00:39:26,934
his reign through his intimate
relationship with Amun.
673
00:39:30,166 --> 00:39:32,000
NARRATOR:
The Pharaoh is at the center
674
00:39:32,000 --> 00:39:33,367
of a ritual ceremony,
675
00:39:33,367 --> 00:39:37,734
staged and managed to affirm
his divine right to rule.
676
00:39:42,166 --> 00:39:44,367
He leads
the two-week celebration
677
00:39:44,367 --> 00:39:46,166
of the inundation of the Nile
678
00:39:46,166 --> 00:39:49,066
and a new year of
his reign over Egypt.
679
00:39:51,166 --> 00:39:53,100
The entire population
of Thebes
680
00:39:53,100 --> 00:39:55,333
takes part
in the Opet Festival.
681
00:39:55,400 --> 00:39:58,667
Dancers, singers,
and wrestlers
682
00:39:58,734 --> 00:40:00,967
perform around
the temple complex.
683
00:40:02,100 --> 00:40:03,800
When the celebration is over,
684
00:40:03,800 --> 00:40:06,800
the priests float the statues
and barque shrines
685
00:40:06,800 --> 00:40:08,967
on barges back to Karnak,
686
00:40:09,033 --> 00:40:11,734
where they remain
until the following year.
687
00:40:13,700 --> 00:40:18,000
After two weeks of celebrating,
the spirits of Amun, Mut,
688
00:40:18,000 --> 00:40:21,000
Khonsu, and even the Pharaoh
are revived.
689
00:40:21,000 --> 00:40:24,066
They emerge from Luxor
temple rejuvenated.
690
00:40:24,133 --> 00:40:26,567
And after,
the Nile will flood,
691
00:40:26,567 --> 00:40:28,900
the fertility will come back
to the land,
692
00:40:28,900 --> 00:40:30,433
and Egypt will prosper.
693
00:40:31,367 --> 00:40:33,667
NARRATOR: The vast
megastructure of the Avenue
694
00:40:33,667 --> 00:40:37,066
of Sphinxes is built
for a single purpose,
695
00:40:38,367 --> 00:40:41,433
a processional route for
the Opet Festival.
696
00:40:42,367 --> 00:40:45,266
The rituals practiced here
are vital to all
697
00:40:45,266 --> 00:40:49,367
of Egypt, from the Pharaoh to
the common people.
698
00:40:49,367 --> 00:40:51,166
MEREDITH: The Avenue
of the Sphinx is
699
00:40:51,166 --> 00:40:53,767
a vital link
between the king of
700
00:40:53,834 --> 00:40:54,867
the gods, Amun,
701
00:40:54,934 --> 00:40:57,433
the Pharaoh, and the ancient
Egyptian people.
702
00:40:58,467 --> 00:41:02,667
NARRATOR: Built by generations
of Pharaohs over a millennium,
703
00:41:02,667 --> 00:41:06,867
the Avenue of Sphinxes is at
the center of Egyptian culture.
704
00:41:08,867 --> 00:41:11,867
Buried beneath
the sands of time,
705
00:41:11,867 --> 00:41:15,533
archaeologists uncover it
thousands of years later,
706
00:41:17,166 --> 00:41:18,967
to reveal a vital connection
707
00:41:19,033 --> 00:41:21,433
between the temples of
ancient Thebes,
708
00:41:22,667 --> 00:41:26,000
uncovering the secrets of
the Lost Sphinxes.
56979
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