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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:47,914 --> 00:00:50,782 CAPTIONING MADE POSSIBLE BY TRIMARK HOME VIDEO 2 00:02:11,781 --> 00:02:14,182 I WISH I COULD BE LIKE HER. 3 00:02:14,251 --> 00:02:15,216 ALSO ME. 4 00:02:15,285 --> 00:02:19,287 BUT YOU'RE A SERVANT GIRL, MAYA. 5 00:02:19,356 --> 00:02:20,888 I MUST GO. SHE'LL BE WAITING. 6 00:02:20,957 --> 00:02:21,889 AND I? 7 00:02:21,958 --> 00:02:23,224 YOU CAN'T GO, 8 00:02:23,293 --> 00:02:27,429 BUT I'LL COME AND TELL YOU EVERYTHING. 9 00:02:39,392 --> 00:02:41,325 Rasa Devi: SO, KAMA SUTRA, 10 00:02:41,394 --> 00:02:44,295 THE GREATEST BOOK OF LOVE EVER WRITTEN. 11 00:02:44,381 --> 00:02:47,015 KAMA MEANS... 12 00:02:47,084 --> 00:02:48,516 LOVE. 13 00:02:48,585 --> 00:02:50,352 AND SUTRA MEANS? 14 00:02:50,420 --> 00:02:51,853 Tara: LESSONS? 15 00:02:51,921 --> 00:02:52,854 VERY GOOD. 16 00:02:52,922 --> 00:02:54,856 SO HERE WE HAVE IT. 17 00:02:54,924 --> 00:02:56,358 LESSONS ON LOVE. 18 00:02:56,426 --> 00:02:58,860 AN ANCIENT BOOK ON MEN AND WOMEN 19 00:02:58,928 --> 00:03:01,296 AND THEIR RELATIONSHIP THROUGH LIFE TOGETHER. 20 00:03:01,365 --> 00:03:03,798 NOW, WHY DO WE STUDY IT, 21 00:03:03,867 --> 00:03:05,300 YOU MAY ALL ASK, 22 00:03:05,369 --> 00:03:06,801 WHEN IT WAS WRITTEN 23 00:03:06,870 --> 00:03:08,903 SO MANY HUNDREDS OF YEARS AGO? 24 00:03:08,972 --> 00:03:10,638 BECAUSE LOVE REMAINS 25 00:03:10,707 --> 00:03:12,407 AS MEANINGFUL AND MYSTERIOUS TODAY 26 00:03:12,476 --> 00:03:13,674 AS IT WAS THEN. 27 00:03:15,111 --> 00:03:17,044 THE KAMA SUTRA TEACHES S 28 00:03:17,113 --> 00:03:19,547 THE MANY WAYS TO USE OUR BODY FOR LOVE. 29 00:03:19,616 --> 00:03:21,048 IT ALSO TEACHES US 30 00:03:21,117 --> 00:03:22,751 THAT THE WAYS OF LOVE 31 00:03:22,802 --> 00:03:24,235 ARE MUCH DEEPER. 32 00:03:24,304 --> 00:03:26,170 BUT, OF COURSE, IT TELLS US 33 00:03:26,239 --> 00:03:29,206 WE MUST LEARN TO USE OUR BODY VERY WELL. 34 00:03:29,276 --> 00:03:31,576 SO...LIFT UP YOUR SKIRTS 35 00:03:31,645 --> 00:03:33,911 AND LOOK AT YOUR... 36 00:03:33,980 --> 00:03:35,079 FEET. 37 00:03:35,148 --> 00:03:36,914 ONE DOESN'T PAY MUCH ATTENTION 38 00:03:36,983 --> 00:03:39,416 TO ONE'S FEET OR TOES, 39 00:03:39,485 --> 00:03:41,919 BUT BELIEVE ME WHEN I TELL YOU... 40 00:03:41,988 --> 00:03:44,922 IF YOU TOUCH THE TOES AND FEET 41 00:03:44,991 --> 00:03:46,357 IN A CERTAIN WAY... 42 00:03:46,425 --> 00:03:47,424 [GIGGLES] 43 00:03:47,493 --> 00:03:50,128 IT CAN BRING GREAT PLEASURE TO YOUR LOVER. 44 00:03:53,166 --> 00:03:55,266 [GOATS BLEATING] 45 00:03:55,334 --> 00:03:56,600 [COWS MOOING] 46 00:04:04,510 --> 00:04:07,645 [HUMMING] 47 00:04:07,714 --> 00:04:09,013 MAYA... 48 00:04:13,653 --> 00:04:16,620 Woman: MAYA, IS THAT YOU? 49 00:04:18,291 --> 00:04:21,225 MASI, WHY DO I ALWAYS HAVE TO WEAR 50 00:04:21,294 --> 00:04:22,226 TARA'S OLD CLOTHES 51 00:04:22,295 --> 00:04:23,995 WHEN SHE NEVER WEARS MINE? 52 00:04:24,081 --> 00:04:26,514 WHAT HAVE I DONE IN MY PAST LIFE 53 00:04:26,583 --> 00:04:29,016 TO INHERIT YOU FROM YOUR MAD MOTHER? 54 00:04:29,086 --> 00:04:31,919 JUST BECAUSE TARA AND BIKI DRANK FROM MY BREAST, 55 00:04:31,988 --> 00:04:33,654 THEY LET YOU PLAY WITH HER. 56 00:04:33,707 --> 00:04:36,958 SO WHAT IF YOU BATHE WITH TARA? 57 00:04:37,026 --> 00:04:38,993 THAT DOESN'T MEAN YOU CAN BECOME A MAHARANI YOURSELF. 58 00:04:39,062 --> 00:04:42,930 BE GRATEFUL THEY LET YOU DANCE WITH HER. 59 00:04:42,999 --> 00:04:44,432 PSST! 60 00:04:45,569 --> 00:04:46,734 MAYA. 61 00:04:46,803 --> 00:04:47,719 BIKI. 62 00:04:47,787 --> 00:04:48,919 [LAUGHING] 63 00:05:01,101 --> 00:05:03,034 JUST BECAUSE YOU'RE A PRINCE, 64 00:05:03,103 --> 00:05:05,536 YOU THINK YOU CAN SPY ON ME? 65 00:05:05,605 --> 00:05:06,871 [OUT OF BREATH] 66 00:05:06,940 --> 00:05:09,040 ONE DAY I WILL BE KING, 67 00:05:09,109 --> 00:05:12,376 AND YOU WILL BE MY QUEEN... 68 00:05:12,445 --> 00:05:15,379 AND MY SLAVE. 69 00:05:15,448 --> 00:05:16,881 I'M NO ONE'S SLAVE. 70 00:05:16,950 --> 00:05:18,883 FOREVER! 71 00:05:18,952 --> 00:05:22,403 I WANT TO KNOW EVERYTHING TARA KNOWS. 72 00:05:22,472 --> 00:05:25,406 YOU ARE TRULY PAGLI. 73 00:05:25,475 --> 00:05:26,841 MY MAD ONE. 74 00:05:28,311 --> 00:05:31,479 HIPS JUST LIKE YOUR MOTHER. 75 00:05:36,085 --> 00:05:40,421 WHEN SHE DANCED ONE JHALAK... 76 00:05:40,490 --> 00:05:42,857 AND THE ROOM WOULD BE STILL. 77 00:05:45,495 --> 00:05:48,930 YOU'D BETTER DESERVE THOSE DANCING BELLS SHE LEFT YOU. 78 00:05:48,999 --> 00:05:51,533 [DRUM BEATING] 79 00:05:51,601 --> 00:05:53,735 [BELLS JANGLING] 80 00:06:20,730 --> 00:06:22,763 Rasa Devi: VERY GOOD, MAYA. 81 00:06:25,835 --> 00:06:29,237 WE ARE DOING THE DANCE OF ENTICEMENT, TARA. 82 00:06:29,306 --> 00:06:31,573 YOU ARE THE ONE WITH THE BEAUTIFUL EYES. 83 00:06:31,641 --> 00:06:33,241 SO, PLAY WITH THEM. 84 00:06:35,412 --> 00:06:38,279 YOU HAVE TO MESMERIZE WITH THEM. 85 00:06:41,050 --> 00:06:42,917 DON'T GIVE UP, PRINCESS TARA. 86 00:06:42,985 --> 00:06:44,919 COME ON, COME ON. TRY. 87 00:06:44,971 --> 00:06:46,236 [DRUM BEATS] 88 00:07:42,712 --> 00:07:44,879 BEAUTIFUL DANCING, MAYA. 89 00:07:46,032 --> 00:07:47,932 COME, MY PRINCESS TARA. 90 00:07:48,001 --> 00:07:50,167 MY DARLING. 91 00:07:51,671 --> 00:07:53,771 THIS IS FOR YOU. 92 00:07:55,474 --> 00:07:57,174 NEW CLOTHES? 93 00:07:57,243 --> 00:07:58,409 FOR ME? 94 00:07:58,477 --> 00:08:00,611 I'VE NEVER HAD NEW CLOTHES. 95 00:08:00,680 --> 00:08:02,046 THANK YOU, SAHIB. 96 00:08:03,933 --> 00:08:05,232 TARA. 97 00:08:10,640 --> 00:08:11,873 [GIGGLES] 98 00:08:11,941 --> 00:08:14,042 HOW IS IT? 99 00:08:14,110 --> 00:08:17,045 IT LOOKS LIKE LEFTOVERS. 100 00:08:17,113 --> 00:08:19,714 YOU CAN WEAR IT AT MY WEDDING. 101 00:08:21,450 --> 00:08:23,885 I AM GOING TO BE MARRIED 102 00:08:23,953 --> 00:08:25,820 TO THE GREAT RAJ SINGH. 103 00:08:31,144 --> 00:08:33,278 [SINGING] 104 00:08:33,346 --> 00:08:35,113 [WOMEN LAUGHING] 105 00:08:36,950 --> 00:08:39,384 SUCH A TENDER FLOWER, 106 00:08:39,452 --> 00:08:41,386 STILL UNOPENED. 107 00:08:41,454 --> 00:08:44,389 HA HA HA HA! - HA HA HA HA! 108 00:08:44,457 --> 00:08:46,891 WOMEN, BEING OF TENDER NATURE, 109 00:08:46,960 --> 00:08:48,726 WANT TENDER BEGINNINGS, EH? 110 00:08:48,795 --> 00:08:50,228 [WOMEN LAUGH] 111 00:08:50,297 --> 00:08:53,398 THE WISDOM OF THE KAMA SUTRA IS S, 112 00:08:53,466 --> 00:08:55,900 IT TEACHES US NOT TO RUSH. 113 00:08:55,969 --> 00:08:58,903 FOR THE FIRST 3 DAYS AFTER MARRIAGE, 114 00:08:58,972 --> 00:09:00,871 THE GIRL AND THE BOY 115 00:09:00,941 --> 00:09:04,342 SHOULD ABSTAIN FROM SEXUAL PLEASURES. 116 00:09:04,411 --> 00:09:05,843 OH, YES! 117 00:09:05,912 --> 00:09:07,345 ON THE 10th NIGHT, 118 00:09:07,414 --> 00:09:09,847 THE KING WILL BEGIN GENTLE LOVE PLAY 119 00:09:09,916 --> 00:09:11,849 TO CREATE CONFIDENCE IN YOU. 120 00:09:11,918 --> 00:09:13,351 HE WILL EMBRACE YOU 121 00:09:13,420 --> 00:09:15,353 WITH THE UPPER PART OF HIS BODY IN DARKNESS 122 00:09:15,422 --> 00:09:17,355 BECAUSE HE DOESN'T KNOW YOU WELL. 123 00:09:17,424 --> 00:09:19,857 YOU SHOULD AT THIS TIME 124 00:09:19,926 --> 00:09:22,360 ACCEPT HIS EMBRACE 125 00:09:22,429 --> 00:09:26,364 AND ALLOW HIM TO PUT BETEL NUT IN YOUR... 126 00:09:26,433 --> 00:09:27,731 MMM... 127 00:09:27,800 --> 00:09:28,732 MOUTH. 128 00:09:28,801 --> 00:09:30,568 HA HA HA HA! 129 00:09:30,636 --> 00:09:33,637 [CHEERING AND DRUMS BEATING] 130 00:10:20,319 --> 00:10:23,855 GOD BLESS THE ALLIANCE OF OUR 2 KINGDOMS. 131 00:10:43,326 --> 00:10:45,760 Man: NOW LET'S SEE IF THE KING'S BRIDE 132 00:10:45,828 --> 00:10:47,961 IS WORTH HER WEIGHT IN GOLD. 133 00:10:48,030 --> 00:10:49,229 Second man: LET'S SEE. 134 00:10:49,299 --> 00:10:50,931 Maya: HE'S COMING. 135 00:10:56,372 --> 00:10:57,871 HE'S SO YOUNG. 136 00:10:59,426 --> 00:11:03,311 SMALL PRICE TO PAY FOR SUCH BEAUTY. 137 00:11:03,379 --> 00:11:05,413 LET'S HOPE SHE'S WORTH IT. 138 00:11:22,732 --> 00:11:24,431 TARA, HE LIKES YOU. 139 00:11:24,500 --> 00:11:26,433 GO TO YOUR ROOM. 140 00:11:26,502 --> 00:11:27,401 [SPITS] 141 00:11:48,224 --> 00:11:49,323 [WOMEN LAUGHING] 142 00:11:49,392 --> 00:11:53,093 Woman: AND WHEN WILL THIS FLOWER OPEN? OH, MY. 143 00:11:53,146 --> 00:11:55,078 I WAIT UPON THAT NIGHT. 144 00:11:55,148 --> 00:11:57,448 AND WHAT A NIGHT THAT WILL BE. 145 00:11:57,534 --> 00:11:59,466 [LAUGHTER] 146 00:12:03,039 --> 00:12:04,939 PLEASE COME. PLEASE COME. 147 00:12:05,008 --> 00:12:06,407 COME HERE. 148 00:12:06,475 --> 00:12:07,408 MASI. 149 00:12:07,476 --> 00:12:08,543 OH, MAYA. 150 00:12:19,622 --> 00:12:21,889 MMM! 151 00:12:21,958 --> 00:12:23,791 MMM, MMM, MMM. 152 00:12:30,266 --> 00:12:31,666 THAT'S HER. 153 00:12:31,734 --> 00:12:33,167 THERE SHE IS-- 154 00:12:33,235 --> 00:12:34,802 MY LOTUS WOMAN. 155 00:12:34,854 --> 00:12:36,787 MAYBE THAT WAS MY PADMINI. 156 00:12:36,856 --> 00:12:39,690 I FOUND HER. 157 00:12:39,758 --> 00:12:41,192 I LOST HER. 158 00:12:41,260 --> 00:12:42,426 SEEING THINGS AGAIN? 159 00:12:42,494 --> 00:12:43,928 WHAT SAYS THE DOCTOR? 160 00:12:43,996 --> 00:12:44,929 EXAMINING, EXAMINING. 161 00:12:44,997 --> 00:12:46,163 PULSE TELLS ALL. 162 00:12:46,232 --> 00:12:47,931 HEY, MAYA. 163 00:12:48,000 --> 00:12:49,433 MAYA. 164 00:12:52,254 --> 00:12:54,438 EASY ON THOSE SWEETS. 165 00:12:54,507 --> 00:12:56,507 THAT'S HOT STUFF. 166 00:12:57,743 --> 00:12:59,142 APHRODISIACS. 167 00:13:03,449 --> 00:13:05,849 PUT ONE IN MY MOUTH, MAYA. 168 00:13:07,720 --> 00:13:10,987 OPEN YOUR MOUTH AND CLOSE YOUR EYES. 169 00:14:18,157 --> 00:14:20,424 YES? 170 00:14:23,395 --> 00:14:25,362 FORGIVE ME FOR DISTURBING YOU, 171 00:14:25,431 --> 00:14:26,563 GREAT KING. 172 00:14:26,633 --> 00:14:27,965 YOUR NAME? 173 00:14:29,268 --> 00:14:31,068 MAYA. 174 00:14:31,137 --> 00:14:32,770 [SNAPS FINGERS] 175 00:14:40,146 --> 00:14:42,846 COULD YOU BE ANYTHING BUT MAYA? 176 00:14:47,153 --> 00:14:50,421 I'VE BROUGHT YOU SOMETHING. 177 00:14:50,490 --> 00:14:54,224 SOME MALIDA TO SWEETEN YOUR TONGUE. 178 00:15:03,736 --> 00:15:06,170 THIS IS ALL I NEED. 179 00:15:09,942 --> 00:15:12,976 THIS IS ALL I NEED TO SWEETEN MY TONGUE. 180 00:17:12,114 --> 00:17:13,981 [PRIEST CHANTING IN HINDI] 181 00:18:11,640 --> 00:18:13,741 [ASSEMBLAGE SHOUTS AFFIRMATION] 182 00:18:13,809 --> 00:18:15,408 [SINGING] 183 00:18:16,879 --> 00:18:17,878 TARA... 184 00:18:17,947 --> 00:18:20,013 YOU'RE LEAVING US... 185 00:18:20,082 --> 00:18:21,115 [CRYING] FOREVER. 186 00:18:21,183 --> 00:18:23,550 TARA... 187 00:18:32,594 --> 00:18:34,461 [INDISTINCT] 188 00:18:39,334 --> 00:18:40,400 MA. 189 00:18:40,469 --> 00:18:41,902 MA. 190 00:18:41,971 --> 00:18:42,970 MA... 191 00:18:45,808 --> 00:18:48,275 PLEASE GET MAYA FOR ME. 192 00:18:48,343 --> 00:18:51,478 I WANT TO MARRY HER. 193 00:18:51,531 --> 00:18:53,163 [WOMEN CRYING] 194 00:18:56,152 --> 00:18:58,518 THIS IS FOR YOU, MAYA. 195 00:18:58,571 --> 00:19:00,237 [WOMEN CRYING] 196 00:19:02,408 --> 00:19:03,741 TARA... 197 00:19:06,078 --> 00:19:09,813 ALL MY LIFE I HAVE LIVED WITH YOUR USED THINGS. 198 00:19:11,784 --> 00:19:13,483 BUT NOW... 199 00:19:16,155 --> 00:19:19,723 SOMETHING I HAVE USED IS YOURS FOREVER. 200 00:19:29,368 --> 00:19:30,901 [INDISTINCT] 201 00:20:08,424 --> 00:20:10,224 MAYA! 202 00:20:10,292 --> 00:20:11,725 MAYA. 203 00:20:11,793 --> 00:20:13,927 I'LL LEAVE THIS PLACE FOREVER! 204 00:20:13,995 --> 00:20:14,928 MAYA. 205 00:20:14,996 --> 00:20:15,929 MAYA. 206 00:20:15,997 --> 00:20:18,131 MAYA, LISTEN TO ME. 207 00:20:18,200 --> 00:20:19,933 LISTEN TO ME. 208 00:20:20,001 --> 00:20:21,702 THINK ABOUT IT. 209 00:20:21,770 --> 00:20:24,705 BIKI LOVES YOU. 210 00:20:24,773 --> 00:20:27,741 YOU WILL BE ALMOST LIKE TARA. 211 00:20:27,809 --> 00:20:30,744 YOU A PRINCESS AND SHE A QUEEN. 212 00:20:30,812 --> 00:20:33,247 I'M SUPPOSED TO JUST SAY YES TO EVERYTHING? 213 00:20:33,315 --> 00:20:35,949 TO TARA'S CLOTHES, TO HER USED DOWRY, 214 00:20:36,017 --> 00:20:37,618 AND NOW TO HER BROTHER? 215 00:20:40,589 --> 00:20:43,056 IT'S OUR DESTINY, MAYA. 216 00:20:44,326 --> 00:20:47,361 I'LL MAKE MY OWN DESTINY, MASI. 217 00:20:50,483 --> 00:20:52,549 PLEASE. 218 00:20:52,618 --> 00:20:54,151 LET ME BE. 219 00:20:58,524 --> 00:20:59,956 SHE SAID NO? 220 00:21:00,026 --> 00:21:01,392 THANK GOD. 221 00:21:01,460 --> 00:21:03,394 I COULD NEVER SHOW MY FACE. 222 00:21:03,462 --> 00:21:04,895 DAUGHTER MARRIES KING, 223 00:21:04,963 --> 00:21:07,197 SON MARRIES SERVANT GIRL. 224 00:21:11,337 --> 00:21:12,869 COME, MA. 225 00:21:15,207 --> 00:21:17,141 COME, MA! 226 00:21:26,451 --> 00:21:27,651 [GASPS] 227 00:21:34,894 --> 00:21:36,643 [MAYA SCREAMING] 228 00:21:36,711 --> 00:21:38,511 YOU WHORE! 229 00:21:40,682 --> 00:21:41,781 Annabi: PLEASE! 230 00:21:41,850 --> 00:21:43,050 STOP, PLEASE! 231 00:21:43,118 --> 00:21:45,953 [SHOUTING] 232 00:21:46,021 --> 00:21:47,520 Annabi: STOP, PLEASE! 233 00:21:47,573 --> 00:21:50,340 PLEASE, I BEG OF YOU, NO. 234 00:21:51,726 --> 00:21:53,193 BIKI. 235 00:21:55,431 --> 00:21:58,031 I'M SO SORRY. 236 00:22:01,053 --> 00:22:03,520 [BIKI SCREAMING] 237 00:22:03,589 --> 00:22:05,055 PLEASE. 238 00:22:05,124 --> 00:22:07,191 [BIKI SCREAMING] 239 00:22:14,700 --> 00:22:16,133 MAYA? 240 00:22:19,471 --> 00:22:20,738 MAYA. 241 00:22:22,108 --> 00:22:24,708 OH, MASI... 242 00:22:39,024 --> 00:22:41,691 YOU HAD BETTER GO, MY PAGLI. 243 00:22:43,595 --> 00:22:46,029 YOUR MOTHER'S BLESSINGS ARE WITH YOU. 244 00:22:46,098 --> 00:22:47,331 GO! 245 00:22:47,416 --> 00:22:50,884 AND TAKE THESE BELLS WITH YOU, 246 00:22:50,952 --> 00:22:52,886 SO THE WORLD WILL KNOW 247 00:22:52,954 --> 00:22:54,621 THE WHORE IS COMING! 248 00:23:35,380 --> 00:23:37,714 [CHILDREN SHOUTING] 249 00:24:32,971 --> 00:24:34,905 FOR THE BLOOD. 250 00:24:34,973 --> 00:24:36,907 I KNOW ABOUT THE BLOOD. 251 00:24:36,975 --> 00:24:38,909 JUST PUT IT UNDERNEATH YOU 252 00:24:38,977 --> 00:24:41,411 AT THE TIME OF THE PAIN. 253 00:24:41,479 --> 00:24:42,412 WHAT PAIN? 254 00:24:42,480 --> 00:24:45,415 JUST LIKE THE TEARING OF A BACK TOOTH. 255 00:24:45,483 --> 00:24:47,918 ONE MOMENT THERE, ONE MOMENT GONE. 256 00:24:47,986 --> 00:24:49,452 [WOMEN LAUGH] 257 00:24:55,510 --> 00:24:56,442 ENOUGH. 258 00:24:56,511 --> 00:24:59,429 SHE IS READY FOR YOU, MY SON. 259 00:24:59,497 --> 00:25:01,932 YOUR GOOD LUCK CHARM. 260 00:25:15,597 --> 00:25:18,532 ONE DAY YOU ARE YOUR FATHER'S PROPERTY... 261 00:25:19,902 --> 00:25:22,936 THE NEXT DAY YOU ARE YOUR HUSBAND'S PROPERTY. 262 00:25:24,990 --> 00:25:26,923 MUST BE DIFFICULT. 263 00:25:36,085 --> 00:25:38,518 WHY NOT PUT THAT AROUND ME? 264 00:26:21,479 --> 00:26:22,612 OW! 265 00:26:22,681 --> 00:26:24,614 I PROMISE I WILL NOT DO IT AGAIN 266 00:26:24,683 --> 00:26:26,382 IF YOU EMBRACE ME. 267 00:26:26,451 --> 00:26:28,652 I CANNOT. 268 00:26:28,720 --> 00:26:29,953 YOU CAN. 269 00:26:33,692 --> 00:26:35,391 YOU EVEN WANT TO. 270 00:26:37,162 --> 00:26:38,361 MMM... 271 00:26:41,299 --> 00:26:42,331 NO. 272 00:26:42,400 --> 00:26:43,700 PLEASE. 273 00:26:43,769 --> 00:26:46,235 I WILL PRESS THE MARKS OF MY TEETH AND NAILS 274 00:26:46,304 --> 00:26:47,403 INTO YOUR BREASTS 275 00:26:47,472 --> 00:26:49,472 AND I WILL SAY I FOUND YOU THIS WAY 276 00:26:49,541 --> 00:26:51,607 AND THAT ANOTHER MAN HAD DONE IT. 277 00:26:53,244 --> 00:26:54,944 AND WHAT WILL YOU SAY THEN? 278 00:26:55,013 --> 00:26:58,314 I WILL SAY I AM INNOCENT. 279 00:26:59,985 --> 00:27:01,651 WHO WILL BELIEVE YOU? 280 00:27:10,896 --> 00:27:12,211 UHH! 281 00:27:24,209 --> 00:27:26,009 [GASPS] 282 00:27:30,365 --> 00:27:31,531 AAH! 283 00:27:32,801 --> 00:27:34,201 [MOANING IN PAIN] 284 00:27:34,269 --> 00:27:35,135 [GRUNTING] 285 00:27:36,471 --> 00:27:38,671 UH! 286 00:27:38,740 --> 00:27:39,672 [CRYING] 287 00:27:39,741 --> 00:27:40,673 OH! 288 00:27:40,742 --> 00:27:41,808 [GASPS] 289 00:27:41,877 --> 00:27:43,543 MAYA. 290 00:27:46,932 --> 00:27:49,199 MAYA? 291 00:27:49,267 --> 00:27:53,402 YOU JUST CALLED ME MAYA. 292 00:27:53,471 --> 00:27:55,404 ARE YOU TRYING TO READ MY MIND? 293 00:27:55,473 --> 00:27:56,672 NO. 294 00:27:56,742 --> 00:27:58,875 DID THEY NOT PREPARE YOU?! 295 00:28:00,645 --> 00:28:03,113 DIDN'T THEY TELL YOU NEVER TO QUESTION YOUR HUSBAND?! 296 00:28:04,682 --> 00:28:06,750 NO! 297 00:28:06,818 --> 00:28:09,052 GET ME THE CHIEF COURTESAN! 298 00:28:10,455 --> 00:28:12,655 OHH! 299 00:29:44,883 --> 00:29:47,083 [PRAYING IN HINDI] 300 00:30:20,769 --> 00:30:22,435 MY NAME IS JAI. 301 00:30:22,504 --> 00:30:23,936 JAI KUMAR. 302 00:30:24,005 --> 00:30:25,938 I AM THE ROYAL SCULPTOR, 303 00:30:26,007 --> 00:30:28,941 AND I SAW YOU AT THE KING'S WEDDING. 304 00:30:29,010 --> 00:30:30,443 YOU DON'T KNOW THIS, 305 00:30:30,512 --> 00:30:32,578 BUT YOU INSPIRE MY WORK. 306 00:30:35,883 --> 00:30:37,317 I WORK IN STONE, 307 00:30:37,385 --> 00:30:39,051 LIKE THESE TEMPLES. 308 00:30:44,292 --> 00:30:47,226 IT'S HARD TO BELIEVE SHE'S MADE OF STONE. 309 00:30:47,295 --> 00:30:48,728 WHY? 310 00:30:48,797 --> 00:30:50,697 STONE HAS LIFE. 311 00:31:16,958 --> 00:31:18,290 PADMINI. 312 00:32:03,989 --> 00:32:05,889 IT'S NOT RIGHT. 313 00:32:26,928 --> 00:32:27,994 DON'T MOVE. 314 00:32:29,363 --> 00:32:30,429 MAYA! 315 00:32:33,234 --> 00:32:34,867 MAYA! 316 00:32:43,528 --> 00:32:45,478 I'M SORRY. 317 00:32:45,547 --> 00:32:47,447 LET ME EXPLAIN. 318 00:32:47,515 --> 00:32:49,949 I WORK WITH MY HANDS. 319 00:32:50,017 --> 00:32:53,453 I DIDN'T WANT TO FRIGHTEN YOU OR EMBARRASS YOU. 320 00:32:53,521 --> 00:32:56,622 WHY DO YOU FEEL SO FREE TO TOUCH ME? 321 00:32:58,159 --> 00:33:01,160 AND DON'T TALK TO ME AS IF I WAS YOUR SERVANT. 322 00:33:01,213 --> 00:33:03,879 I'M NOT YOUR SERVANT. 323 00:33:03,948 --> 00:33:06,816 A SERVANT IS A MASTER IN DISGUISE. 324 00:33:13,959 --> 00:33:15,024 WHERE DO YOU LIVE? 325 00:33:16,461 --> 00:33:18,595 COME, I'LL WALK YOU HOME. 326 00:33:20,732 --> 00:33:23,399 YOU DO HAVE A HOME TO GO TO? 327 00:33:26,137 --> 00:33:27,570 LISTEN, I KNOW SOMEWHERE. 328 00:33:27,639 --> 00:33:29,806 IF YOU AGREE, I CAN TAKE YOU THERE. 329 00:33:29,874 --> 00:33:31,307 SHE IS WONDERFUL. 330 00:33:31,375 --> 00:33:34,376 SHE TEACHES THE KAMA SUTRA. 331 00:33:34,445 --> 00:33:36,395 EVERYTHING I'M TRYING TO UNDERSTAND 332 00:33:36,464 --> 00:33:38,898 ABOUT LOVE IN MY WORK, SHE KNOWS. 333 00:33:38,967 --> 00:33:40,900 LET ME TAKE YOU TO HER. 334 00:34:00,355 --> 00:34:02,255 HMM? 335 00:34:02,323 --> 00:34:04,891 WHEN YOU DANCE THE DANCE OF ENTICEMENT 336 00:34:04,959 --> 00:34:06,759 FOR A MAN, 337 00:34:06,827 --> 00:34:11,397 YOU DANCE LIKE HE'S THE ONLY ONE LEFT IN THE WORLD 338 00:34:11,465 --> 00:34:13,399 COME ON. COME ON, TRY. 339 00:34:13,467 --> 00:34:15,368 PLAY. 340 00:34:15,436 --> 00:34:17,870 [INSTRUMENTS PLAY] 341 00:34:42,463 --> 00:34:43,396 [MUSIC STOPS] 342 00:34:43,464 --> 00:34:44,330 RASA. 343 00:34:46,000 --> 00:34:46,933 JAI KUMAR. 344 00:34:47,001 --> 00:34:49,936 AND TO WHAT DO WE OWE THIS HONOR? 345 00:34:51,072 --> 00:34:52,504 THIS IS MAYA... 346 00:34:52,573 --> 00:34:53,839 A NEW FRIEND. 347 00:34:56,177 --> 00:34:58,010 SHE NEEDS A PLACE TO STAY. 348 00:34:58,079 --> 00:34:59,011 COME, MAYA. 349 00:34:59,080 --> 00:35:00,813 JOIN US. 350 00:35:09,006 --> 00:35:09,905 PLAY. 351 00:35:11,375 --> 00:35:13,826 SO TARA WAS BEING WEIGHED IN GOLD, 352 00:35:13,895 --> 00:35:16,829 AND SHE INSULTED ME BEFORE THE KING, SO I... 353 00:35:16,898 --> 00:35:17,763 YOU WHAT? 354 00:35:20,936 --> 00:35:23,369 I WENT TO THE KING'S CHAMBER, 355 00:35:23,438 --> 00:35:25,371 AND I GAVE MYSELF TO HIM 356 00:35:25,440 --> 00:35:26,872 THE NIGHT OF HIS WEDDING. 357 00:35:26,942 --> 00:35:29,375 OHH. WAS HE AS GOOD AS HIS FATHER? 358 00:35:29,444 --> 00:35:30,876 OH, RASA DEVI, 359 00:35:30,946 --> 00:35:32,378 THE FUSS, THE SHAME. 360 00:35:32,447 --> 00:35:33,379 SHAME? 361 00:35:33,448 --> 00:35:35,815 NOW, THAT IS AN ANCIENT WORD. 362 00:35:35,883 --> 00:35:38,318 WHEN THE KING I SERVED AS CHIEF COURTESAN 363 00:35:38,386 --> 00:35:39,819 WENT TO WAR, 364 00:35:39,887 --> 00:35:42,322 THE QUEEN, BEING THE DUTIFUL WIFE SHE WAS, 365 00:35:42,390 --> 00:35:44,324 WASHED HIS FEET WITH HOLY WATER. 366 00:35:44,392 --> 00:35:46,326 SHE DRANK THE SAME WATER 367 00:35:46,394 --> 00:35:47,827 EVERY DAY HE WAS GONE. 368 00:35:47,895 --> 00:35:48,828 [MAYA LAUGHS] 369 00:35:48,896 --> 00:35:50,330 WHEN HE CAME BACK... 370 00:35:50,398 --> 00:35:52,565 HE RODE STRAIGHT TO MY DOOR. 371 00:35:52,633 --> 00:35:55,734 DO YOU THINK THAT HONORED THE QUEEN? 372 00:35:57,505 --> 00:35:58,938 HONOR AND SHAME 373 00:35:59,007 --> 00:36:02,308 MAY BE 2 SIDES OF THE SAME COIN. 374 00:36:03,778 --> 00:36:06,645 IT'S SO BEAUTIFUL HERE. 375 00:36:06,714 --> 00:36:09,648 YOU ARE WELCOME TO LIVE WITH US HERE, MAYA. 376 00:36:09,717 --> 00:36:11,384 I PREPARE WOMEN. 377 00:36:11,453 --> 00:36:14,220 SOME BECOME COURTESANS IN THE KING'S HAREM. 378 00:36:14,289 --> 00:36:15,721 OTHERS BECOME WIVES. 379 00:36:15,790 --> 00:36:18,724 I TEACH MY GIRLS THE KAMA SUTRA-- 380 00:36:18,793 --> 00:36:20,726 THAT THE ART OF LOVE 381 00:36:20,795 --> 00:36:23,729 IS MUCH MORE THAN THE ACT ITSELF. 382 00:36:23,798 --> 00:36:24,730 COME. 383 00:36:24,799 --> 00:36:25,865 REST. 384 00:36:32,374 --> 00:36:33,439 [BIRD CRIES] 385 00:36:48,956 --> 00:36:50,890 YOU HAVE IT IN YOU 386 00:36:50,958 --> 00:36:53,393 TO BE A GREAT COURTESAN, MAYA. 387 00:36:53,461 --> 00:36:55,895 RESERVED MAYBE FOR RAJ SINGH HIMSELF. 388 00:36:55,963 --> 00:36:56,896 THE KING? 389 00:36:56,964 --> 00:36:58,398 AND WHY NOT? 390 00:36:58,466 --> 00:36:59,899 NO, RASA DEVI, NEVER. 391 00:36:59,967 --> 00:37:00,833 HUSH. 392 00:37:00,902 --> 00:37:03,836 WE SHALL NOT SPEAK OF IT AGAIN. 393 00:37:03,905 --> 00:37:06,338 YOU STAY HERE AS A DAUGHTER. 394 00:37:06,408 --> 00:37:08,841 AND IF YOU CHANGE YOUR MIND... 395 00:37:08,910 --> 00:37:10,443 YOU COME TELL ME. 396 00:37:24,025 --> 00:37:25,758 I USED TO WORSHIP INSIDE TEMPLES... 397 00:37:27,228 --> 00:37:30,096 UNTIL I SAW THAT EVERYTHING AROUND ME WAS HOLY... 398 00:37:31,566 --> 00:37:32,765 THE WATERFALL... 399 00:37:34,869 --> 00:37:36,001 STONE... 400 00:37:37,705 --> 00:37:38,771 GRASS. 401 00:37:40,442 --> 00:37:42,641 ALL PURE SPIRIT. 402 00:37:45,447 --> 00:37:49,315 NOW LIKE A MADMAN, 403 00:37:49,384 --> 00:37:51,650 I WORSHIP EVERYTHING I SEE... 404 00:37:53,020 --> 00:37:53,886 LIKE YOU. 405 00:38:15,893 --> 00:38:17,760 THERE'S A STORY TOLD 406 00:38:17,829 --> 00:38:19,127 ABOUT THE NEIGHBORING KING 407 00:38:19,196 --> 00:38:20,480 AND HIS FAVORITE COURTESAN. 408 00:38:20,548 --> 00:38:23,983 THIS COURTESAN BECAME PREGNANT 409 00:38:24,051 --> 00:38:25,618 AT THE SAME TIME AS HIS QUEEN. 410 00:38:25,687 --> 00:38:28,153 SHE GAVE BIRTH TO A SON 411 00:38:28,222 --> 00:38:29,956 A FEW DAYS BEFORE THE QUEEN HAD A DAUGHTER. 412 00:38:30,024 --> 00:38:33,192 THE COURTESAN KNEW THAT HER SON WOULD BE CONSIDERED 413 00:38:33,260 --> 00:38:35,928 A THREAT TO THE THRONE, SO THE EUNUCHS 414 00:38:35,997 --> 00:38:37,897 WOULD BE DISPATCHED TO KILL HER CHILD. 415 00:38:37,966 --> 00:38:40,332 SHE WAS DETERMINED TO SAVE HIM. 416 00:38:45,206 --> 00:38:47,072 IT WAS DIWALI, 417 00:38:47,141 --> 00:38:49,842 AND THE POTTERS CAME TO GIFT THEIR VESSELS. 418 00:38:49,911 --> 00:38:51,877 SUDDENLY, THE COURTESAN HAD AN IDEA. 419 00:38:51,946 --> 00:38:54,247 SHE BEGGED ONE OF THE POTTERS 420 00:38:54,315 --> 00:38:56,782 TO SMUGGLE HER BABY OUT IN AN UNUSED URN. 421 00:38:56,851 --> 00:39:00,153 DID THE COURTESAN SEE HER SON AGAIN? 422 00:39:00,221 --> 00:39:01,654 YES, SHE DID. 423 00:39:01,722 --> 00:39:05,791 EVERY FEW YEARS THE BOY WOULD BE DRESSED AS A GIRL 424 00:39:05,860 --> 00:39:07,260 AND SMUGGLED INTO THE INNER COURT. 425 00:39:07,328 --> 00:39:09,328 WHY? 426 00:39:09,397 --> 00:39:13,266 MEN CAN'T ENTER THE HAREM. 427 00:39:13,334 --> 00:39:17,236 SO THEY DRESSED THE BOY UP, 428 00:39:17,305 --> 00:39:19,238 AND HIS MOTHER 429 00:39:19,307 --> 00:39:22,007 WOULD TAKE HIM ALONG SECRET PASSAGES. 430 00:39:22,076 --> 00:39:24,277 THEY WOULD SPEND A FEW HOURS TOGETHER. 431 00:39:26,781 --> 00:39:28,347 THEN HE WOULD BE SMUGGLED OUT... 432 00:39:29,684 --> 00:39:32,751 AND THE COURTESAN KNEW THAT IT WOULD BE SOME TIME 433 00:39:32,820 --> 00:39:34,153 BEFORE SHE SAW HER CHILD AGAIN. 434 00:39:36,924 --> 00:39:39,858 A FEW YEARS LATER SHE DIED. 435 00:39:46,967 --> 00:39:48,401 MAYA, COME. 436 00:40:26,674 --> 00:40:31,009 AND THIS POSITION IS CALLED TWINING OF THE CREEPER. 437 00:40:31,078 --> 00:40:33,011 NOW WE ADD TO THIS 438 00:40:33,080 --> 00:40:36,382 WHAT THE KAMA SUTRA CALS THE THROBBING KISS. 439 00:40:36,451 --> 00:40:38,417 AND THIS IS THE WAY 440 00:40:38,486 --> 00:40:40,753 FOR BOTH LOVERS TO HAVE THE PLEASURE 441 00:40:40,821 --> 00:40:43,756 OF KISSING THE LOWER LIP AT THE SAME TIME. 442 00:40:47,662 --> 00:40:49,094 THIS WAS GENTLE. 443 00:40:49,163 --> 00:40:52,465 WHAT ABOUT WHEN LOVE FEELS INTENSE? 444 00:40:52,533 --> 00:40:54,967 ON THE FIRST UNION, FOR EXAMPLE, 445 00:40:55,035 --> 00:40:57,803 OR WHEN ANGRY LOVERS ARE RECONCILED? 446 00:40:57,872 --> 00:41:01,807 OR WHEN ONE IS INTOXICATED AND FULL OF ENERGY? 447 00:41:01,876 --> 00:41:04,410 HOW CAN WE EXPRESS OUR PASSION THEN? 448 00:41:04,479 --> 00:41:09,047 CALLED BY THE KAMA SUTRA, "THE BLADE OF THE SAW." 449 00:41:10,685 --> 00:41:14,019 A WOMAN WHO SEES THE MARKS OF HER LOVER'S NAILS ON HER BODY 450 00:41:14,088 --> 00:41:15,521 BECOMES EXCITED AGAIN. 451 00:41:20,628 --> 00:41:24,079 ALWAYS REMEMBER, THERE SHOULD BE VARIETY IN LOVE SPORT. 452 00:41:44,518 --> 00:41:47,519 JAI, YOUR PADMINI IS THERE. 453 00:41:50,457 --> 00:41:52,692 THERE, THERE. SHE'S BEEN WAITING FOR HOURS. GO. 454 00:42:49,717 --> 00:42:52,584 I FORGOT TO RETURN THIS TO YOU THE OTHER DAY. 455 00:42:58,109 --> 00:42:59,208 YOU TOUCH ME, 456 00:42:59,276 --> 00:43:01,309 AND I DON'T KNOW IF IT'S ABOUT YOUR WORK OR... 457 00:43:02,846 --> 00:43:04,013 ABOUT WHAT? 458 00:43:04,081 --> 00:43:08,017 SOMETHING ELSE. DON'T ASK ME TO NAME IT. 459 00:43:11,455 --> 00:43:13,522 IS WHAT YOU DO DIFFERENT FROM THEM, 460 00:43:13,590 --> 00:43:16,892 FROM THE MEN IN THE STREET? 461 00:43:16,961 --> 00:43:19,061 YOU'RE THE SAME AS THEM, AREN'T YOU? 462 00:43:20,464 --> 00:43:22,998 YOU'RE ACCUSING ME OF BEING THE SAME AS THOSE MEN? 463 00:43:24,935 --> 00:43:26,835 I'LL TAKE YOU SOMEWHERE TONIGHT, 464 00:43:26,921 --> 00:43:28,621 AND YOU CAN SEE FOR YOURSELF. 465 00:43:29,891 --> 00:43:32,124 BUT YOU WILL HAVE TO DRESS LIKE A MAN. 466 00:43:35,696 --> 00:43:37,796 EXAMINING. EXAMINING. 467 00:43:56,217 --> 00:43:58,984 LEAVE. I'M GOING IN AS A COMMONER. 468 00:44:04,375 --> 00:44:06,275 CAN I HAVE SOME WINE? 469 00:44:32,370 --> 00:44:33,902 Raj: KUMAR. 470 00:44:33,971 --> 00:44:34,936 SAHIB? 471 00:44:35,005 --> 00:44:36,372 YOU DON'T KNOW ME, KUMAR. 472 00:44:36,440 --> 00:44:39,541 TONIGHT I'M ONE OF YOU. 473 00:44:39,610 --> 00:44:43,211 COME HERE, YOU CHEAP LITTLE SLUT. 474 00:44:43,281 --> 00:44:44,713 THERE IS JOY IN 3 THINGS-- 475 00:44:44,782 --> 00:44:48,617 EATING MEAT, RIDING MEAT, 476 00:44:48,686 --> 00:44:50,252 AND PUTTING MEAT INTO MEAT. 477 00:44:51,789 --> 00:44:52,721 HEY! HEY! HEY! 478 00:44:52,790 --> 00:44:54,523 I NEED A WOMAN. 479 00:44:56,026 --> 00:44:58,994 CHANDRA BAI, CAN YOU GET ME A YOUNG ONE? 480 00:44:59,062 --> 00:45:02,531 MAY I ENTREAT YOU TO SEE A SPECIAL FLOWER OF MINE? 481 00:45:02,600 --> 00:45:06,868 A VIRGIN AS YET UNKNOWN TO MEN. 482 00:45:06,937 --> 00:45:10,339 I HAD A VIRGIN NOT SO LONG AGO. 483 00:45:10,408 --> 00:45:13,509 A STRANGE GIRL WITH A FACE LIKE A QUEEN. 484 00:45:13,577 --> 00:45:15,477 SOMETIMES I STILL LONG FOR HER. 485 00:45:28,826 --> 00:45:31,760 ALL THE WAY FROM THE HIMALAYAS. 486 00:45:31,829 --> 00:45:34,396 PADMINI HERSELF. 487 00:45:35,699 --> 00:45:38,133 A FRESH ROSE OF THE GUTTER 488 00:45:38,202 --> 00:45:40,035 TO BLOOM ONLY FOR YOU. 489 00:46:00,874 --> 00:46:02,741 ALMOST THE FACE OF A QUEEN. 490 00:46:06,314 --> 00:46:07,179 I'LL TAKE HER. 491 00:46:11,085 --> 00:46:13,351 ENJOYING? HUH? 492 00:46:30,337 --> 00:46:32,071 OH, RASA! 493 00:46:37,778 --> 00:46:40,613 YOU HAVE SEEN HOW SOME MEN CAN BE LIKE ANIMALS, 494 00:46:40,681 --> 00:46:43,582 BUT IT IS NOT ALL MEN. 495 00:46:43,651 --> 00:46:46,919 I DON'T BELIEVE JAI KUMAR IS LIKE THAT. 496 00:46:46,988 --> 00:46:51,156 AND SINCE WHEN IS WOMAN SIMPLY A HELPLESS ANIMAL? 497 00:46:51,225 --> 00:46:54,459 JUST LIKE MEN, WE ARE AWAKE 498 00:46:54,528 --> 00:46:55,961 AND FILLED WITH LONGING. 499 00:46:56,030 --> 00:46:57,129 BUT-- 500 00:46:57,197 --> 00:46:58,563 NO BUTS. 501 00:46:58,633 --> 00:47:01,967 PASSION REMAINS THE SPIRIT BEHIND EXISTENCE, MAYA. 502 00:47:02,036 --> 00:47:04,003 NOTHING WILL EVER CHANGE THAT. 503 00:47:05,305 --> 00:47:08,140 IT'S HOW WE USE OUR PASSION THAT IS OF ESSENCE. 504 00:47:08,208 --> 00:47:11,510 NOW WE MUST LISTEN TO WHAT THE KAMA SUTRA TEACHES, 505 00:47:11,578 --> 00:47:14,579 THAT THE TRUE UNION BETWEEN MAN AND WOMAN 506 00:47:14,649 --> 00:47:19,018 CAN TAKE US BEYOND THIS ANIMAL LUST INTO TOTAL TRUST 507 00:47:19,086 --> 00:47:21,219 AND MERGING WITH THE OTHER, 508 00:47:21,288 --> 00:47:25,090 WHERE EACH BECOMES BOTH. 509 00:47:25,159 --> 00:47:26,424 IMAGINE SUCH BLISS. 510 00:47:54,321 --> 00:47:55,921 THE STORY YOU TOLD ME 511 00:47:55,989 --> 00:47:57,923 ABOUT THE COURTESAN AND HER SON, 512 00:47:57,975 --> 00:47:59,975 IT WAS YOU, WASN'T IT? 513 00:51:46,887 --> 00:51:47,953 JAI. 514 00:51:49,089 --> 00:51:53,175 I MADE SOME COCONUT RICE FOR YOU. 515 00:51:55,512 --> 00:51:58,062 I KNOW YOU DON'T USUALLY EAT WHEN YOU WORK. 516 00:51:59,833 --> 00:52:01,399 SOMETHING'S WRONG. 517 00:52:01,468 --> 00:52:03,502 WHAT IS IT? TELL ME. 518 00:52:08,142 --> 00:52:09,841 I'M WORKING DIFFERENTLY. 519 00:52:09,910 --> 00:52:11,910 BUT THAT'S GOOD, ISN'T IT? 520 00:52:11,979 --> 00:52:14,579 SHE'S BEAUTIFUL. 521 00:52:16,283 --> 00:52:18,516 SOMETHING ABOUT BEING WITH YOU HAS... 522 00:52:21,188 --> 00:52:24,622 WHEN I WORK, I SEE YOU ALL THE TIME. 523 00:52:25,893 --> 00:52:27,458 YOU'RE WITH ME AT EVERY MOMENT. 524 00:52:35,368 --> 00:52:39,004 IS THAT ALL YOU SEE IN ME, YOUR WORK, 525 00:52:39,072 --> 00:52:40,906 A PIECE OF STONE? 526 00:52:40,958 --> 00:52:42,690 WHAT IF I CAN'T WORK PROPERLY WITHOUT YOU? 527 00:52:42,759 --> 00:52:43,691 YOU DON'T HAVE TO. 528 00:52:43,760 --> 00:52:45,227 WE CAN WORK TOGETHER. 529 00:52:45,312 --> 00:52:48,079 NO. I'VE NEVER NEEDED ANYONE. 530 00:52:48,148 --> 00:52:49,447 I'VE NEVER NEEDED TO RELY ON ANYONE. 531 00:53:01,612 --> 00:53:03,045 WE CAN'T BE TOGETHER. 532 00:53:04,915 --> 00:53:06,114 DON'T FALL IN LOVE WITH ME. 533 00:53:12,690 --> 00:53:15,791 YOU WERE THE ONE THAT TALKED ABOUT LOVE ALL THE TIME. 534 00:53:27,404 --> 00:53:30,806 AND NOW IT'S FACING YOU, YOU RUN FROM IT. 535 00:54:09,096 --> 00:54:11,696 SOMETIMES THINGS DON'T MAKE SENSE IMMEDIATELY. 536 00:54:17,737 --> 00:54:19,837 I HAVE KNOWN HIM A FEW YEARS NOW. 537 00:54:19,907 --> 00:54:22,540 HE IS USED TO BEING ALONE. 538 00:54:24,244 --> 00:54:25,343 BE PATIENT, MAYA. 539 00:54:26,730 --> 00:54:28,463 BE PATIENT. 540 00:54:28,532 --> 00:54:29,831 I LOVED BEING WITH HIM. 541 00:54:31,335 --> 00:54:35,237 I WOULD HAVE DONE ANYTHING JUST TO BE WITH HIM. 542 00:54:35,305 --> 00:54:37,372 WHAT KIND OF LOVE ARE YOU TALKING ABOUT, 543 00:54:37,441 --> 00:54:39,408 REAL LOVE? 544 00:54:41,045 --> 00:54:42,810 IF YOU'RE LOOKING FOR REAL LOVE, 545 00:54:42,879 --> 00:54:45,580 YOU'VE CHOSEN THE HARDEST TASK OF ALL. 546 00:54:47,684 --> 00:54:50,818 THE WORK FOR WHICH ALL OTHER WORK IS BUT PREPARATION. 547 00:54:52,756 --> 00:54:56,324 BUT I WAS READY. 548 00:54:56,393 --> 00:54:59,477 I WANTED TO GIVE MYSELF TO HIM. 549 00:54:59,546 --> 00:55:02,314 LOVE DOES NOT MEAN SURRENDERING, 550 00:55:02,382 --> 00:55:04,349 LOSING YOURSELF. 551 00:55:04,418 --> 00:55:07,319 IT IS A CALL TO RIPEN. 552 00:55:08,788 --> 00:55:11,022 DON'T LOOK FOR STRAIGHT LINES, MAYA. 553 00:55:11,091 --> 00:55:12,857 LIFE IS NEVER LIKE THAT. 554 00:55:17,864 --> 00:55:20,631 I WANT TO UNDERSTAND PROPERLY, RASA DEVI. 555 00:55:20,700 --> 00:55:22,934 I WANT TO LEARN ABOUT THE RULES OF LOE 556 00:55:23,003 --> 00:55:25,070 AND HOW TO APPLY THEM. 557 00:55:25,138 --> 00:55:27,905 AND IF I CAN'T USE THEM ON THE ONE I LOVE... 558 00:55:29,642 --> 00:55:32,043 I'LL USE THEM ON THE ONES I DON'T. 559 00:55:34,848 --> 00:55:36,381 TEACH ME. 560 00:55:36,450 --> 00:55:37,849 I'M READY. 561 00:55:38,985 --> 00:55:41,353 AT ALL TIMES AND IN ALL COUNTRIES, 562 00:55:41,421 --> 00:55:43,822 THERE'S EVER BEEN A LITTLE RIVALRY 563 00:55:43,890 --> 00:55:45,890 BETWEEN THE CHASTE AND THE UNCHASTE. 564 00:55:47,126 --> 00:55:49,527 BUT WHILE SOME WOMEN ARE BORN COURTESANS, 565 00:55:49,596 --> 00:55:50,662 LET'S FACE IT, 566 00:55:50,731 --> 00:55:53,197 EVERY WOMAN HAS GOT AN INKLING OF THE PROFESSION 567 00:55:53,266 --> 00:55:54,699 IN HER NATURE 568 00:55:54,768 --> 00:55:57,068 AND MAKES HERSELF AGREEABLE TO THE OTHER SEX. 569 00:55:57,136 --> 00:55:59,604 ONE OF THE ARTS OF THE COURTESAN 570 00:55:59,673 --> 00:56:02,306 IS THAT WHILE - SHE INVOLVES HERSELF IN SEX 571 00:56:02,376 --> 00:56:03,708 WITHOUT LOVE, 572 00:56:03,777 --> 00:56:07,879 SHE CONDUCTS HERSELF AS IF LOVE WERE INDEED NATURAL. 573 00:56:09,549 --> 00:56:12,183 BECAUSE WE ALL KNOW THAT MEN LOVE WOMEN 574 00:56:12,252 --> 00:56:14,686 WHO APPARENTLY LOVE THEM. 575 00:56:14,755 --> 00:56:17,822 BUT EVEN COURTESANS SHOULD NOT ALWAYS BE WELCOMING 576 00:56:17,891 --> 00:56:21,092 BECAUSE WE MUST KNOW THAT MEN ARE APT TO DESPISE 577 00:56:21,160 --> 00:56:23,094 THINGS THAT ARE EASILY ACQUIRED. 578 00:56:26,533 --> 00:56:28,900 YOU CAN HEAR ALL THESE RULES, 579 00:56:28,968 --> 00:56:32,069 BUT REMEMBER ONCE THE WHEEL OF LOVE IS SET IN MOTION... 580 00:56:34,240 --> 00:56:37,174 THERE ARE NO RULES AND NO ORDER. 581 00:56:43,750 --> 00:56:45,049 SALUTE THE DAY! 582 00:56:45,118 --> 00:56:47,218 SALUTE THE HILLS AND FLOWERS! 583 00:56:47,287 --> 00:56:48,686 [CHANTING] 584 00:56:51,024 --> 00:56:52,323 Vazir: ENOUGH. 585 00:57:06,273 --> 00:57:07,538 IS THIS THE STATUE? 586 00:57:16,349 --> 00:57:17,448 WHOSE IS THIS? 587 00:57:17,517 --> 00:57:18,849 IT'S MINE, SAHIB. 588 00:57:18,919 --> 00:57:20,484 YOURS, KUMAR? 589 00:57:28,395 --> 00:57:31,796 SO IMBUED IS THIS STONE WITH THE WARMTH OF WOMAN. 590 00:57:33,633 --> 00:57:35,233 I WANT TO KISS THE SKIN. 591 00:57:39,439 --> 00:57:41,672 I HAVE KISSED THE SKIN. 592 00:57:49,282 --> 00:57:51,215 I HAVE KISSED THIS SKIN. 593 00:57:51,284 --> 00:57:53,718 WHO IS SHE? 594 00:57:53,787 --> 00:57:56,321 A YOUNG WOMAN I FOUND-- 595 00:57:56,389 --> 00:57:57,555 BRING HER TO ME. 596 00:57:57,624 --> 00:57:59,890 I WISH I COULD, SAHIB, 597 00:57:59,959 --> 00:58:04,028 BUT SHE DISAPPEARED. 598 00:58:04,096 --> 00:58:05,162 THEN WE MUST FIND HER. 599 00:58:05,231 --> 00:58:06,397 Vazir: SAHIB. 600 00:58:08,501 --> 00:58:10,968 AS A REWARD FOR YOUR MOST EXCELLENT WORK, KUMAR, 601 00:58:11,037 --> 00:58:12,470 YOU SHALL WRESTLE ME. 602 00:58:12,539 --> 00:58:14,339 VAZIR, PAY THE MAN HIS WEIGHT IN GOLD. 603 00:58:14,407 --> 00:58:15,340 SAHIB. 604 00:58:22,199 --> 00:58:23,832 SING. 605 00:58:23,900 --> 00:58:26,167 [WOMAN SINGING IN HINDI] 606 00:59:13,400 --> 00:59:15,333 YOU MADE HER WAIT. 607 00:59:15,402 --> 00:59:17,935 NOW YOU WILL HAVE TO WAIT. 608 00:59:35,172 --> 00:59:36,821 LISTEN! LISTEN! 609 00:59:36,889 --> 00:59:40,991 WE ARE LOOKING FOR THE WOMAN WHO INSPIRED JAI KUMAR. 610 00:59:41,060 --> 00:59:44,545 HER SKIN, THE COLOR OF FRESHLY HARVESTED WHEAT. 611 00:59:44,614 --> 00:59:47,849 HER LIMBS LONG AND LANGUOROUS 612 00:59:47,917 --> 00:59:49,117 LIKE THE CREEPER. 613 01:00:15,746 --> 01:00:16,911 THANK YOU. 614 01:00:23,253 --> 01:00:25,553 ARE YOU READY, MY PRECIOUS CHILD? 615 01:00:25,622 --> 01:00:27,689 I'M FRIGHTENED. 616 01:00:29,192 --> 01:00:31,793 I WAS FRIGHTENED, TOO, THE DAY THEY CAME FOR ME. 617 01:00:33,263 --> 01:00:35,463 IT IS GOOD TO BE A LITTLE FRIGHTENED 618 01:00:35,532 --> 01:00:39,000 BECAUSE IT MEANS YOU FEEL THINGS. 619 01:00:42,355 --> 01:00:43,220 COME. 620 01:01:27,951 --> 01:01:30,084 ANOTHER COURTESAN, MY QUEEN. 621 01:01:30,153 --> 01:01:31,085 NAME? 622 01:01:32,221 --> 01:01:33,087 MAYA. 623 01:01:36,059 --> 01:01:37,124 MAYA? 624 01:01:51,775 --> 01:01:52,857 ENOUGH! 625 01:01:54,544 --> 01:01:55,410 TARA! 626 01:01:58,181 --> 01:02:00,248 HOW LONG DO YOU EXPECT TO LANGUISH? 627 01:02:01,384 --> 01:02:02,317 ALL DAY? 628 01:02:02,402 --> 01:02:05,737 I WAS LONGING TO SEE YOU. 629 01:02:06,906 --> 01:02:08,122 GET OUT! 630 01:02:16,850 --> 01:02:19,016 MY SON HAS AN EYE. 631 01:02:19,085 --> 01:02:20,168 I TRAINED HIM. 632 01:02:28,862 --> 01:02:29,794 YOURS? 633 01:02:29,863 --> 01:02:31,629 OF COURSE. 634 01:02:35,568 --> 01:02:37,034 'TIS THE USUAL CUSTOM. 635 01:02:41,074 --> 01:02:43,407 THE USUAL CUSTOM NO LONGER APPLIES. 636 01:02:48,180 --> 01:02:52,950 IF A COURTESAN IS NOT ELEGANTLY ATTIRED, 637 01:02:53,019 --> 01:02:56,554 SHE WILL NOT EXHILARATE MY HUSBAND. 638 01:02:56,623 --> 01:02:59,240 EXHILARATION IS MY DEPARTMENT. 639 01:03:01,545 --> 01:03:03,011 YOU GET ME SOMETHING NEW, 640 01:03:03,079 --> 01:03:04,879 OR WE WILL KEEP YOUR HUSBAND WAITING. 641 01:03:06,182 --> 01:03:08,416 AND I'M SURE I WILL BE BLAMED FOR IT. 642 01:03:10,186 --> 01:03:13,120 HE IS FULL OF LUST, AND SHE IS IN THE EYE. 643 01:03:13,189 --> 01:03:14,822 GET HER SOMETHING NEW AND QUICKLY, TARA. 644 01:03:25,334 --> 01:03:26,668 SAHIB? 645 01:03:29,305 --> 01:03:31,072 WHAT NEWS FROM THE STARS? 646 01:03:31,141 --> 01:03:34,108 THERE IS NEWS OF THE SHAH, SAHIB. 647 01:03:36,245 --> 01:03:37,111 LATER. 648 01:03:38,247 --> 01:03:39,747 TELL ME THE STARS. 649 01:03:40,884 --> 01:03:43,617 JUPITER, THE SIGN OF GOOD FORTUNE, 650 01:03:43,687 --> 01:03:45,953 IS PLACED IN YOUR HOUSE OF LOVE AND MARRIAGE. 651 01:03:46,022 --> 01:03:48,756 AN AUSPICIOUS TIME FOR LOVE. 652 01:03:50,927 --> 01:03:52,393 GOOD. 653 01:03:52,461 --> 01:03:55,763 SAHIB, WE MUST SPEAK. 654 01:04:00,737 --> 01:04:02,203 I SAID LATER. 655 01:04:07,643 --> 01:04:11,079 VAZIR, MATTERS OF STATE ARE YOUR AFFAIR 656 01:04:11,147 --> 01:04:13,480 AS LOVE IS MINE. 657 01:04:16,419 --> 01:04:18,285 [WOMAN SINGING IN HINDI] 658 01:05:00,613 --> 01:05:02,213 ADJUST. 659 01:05:02,282 --> 01:05:03,981 ADJUST, MY CHILD. 660 01:05:12,625 --> 01:05:14,559 IT'S AN OLD STORY. 661 01:05:14,627 --> 01:05:16,394 HE HAD HER ON YOUR WEDDING NIGHT... 662 01:05:19,632 --> 01:05:21,932 JUST THE WAY RASA HAD MY HUSBAND. 663 01:05:24,304 --> 01:05:27,104 THERE ARE COURTESANS, AND THEN THERE ARE WIVES. 664 01:05:28,374 --> 01:05:30,608 THERE ARE DOZENS LIKE HER, 665 01:05:30,677 --> 01:05:33,277 BUT YOU ARE QUEEN. 666 01:06:10,383 --> 01:06:12,082 THE GLORY OF GOD IS IN YOU. 667 01:07:14,447 --> 01:07:15,613 [MOANS] 668 01:07:37,020 --> 01:07:38,336 [CROWD SHOUTING] 669 01:07:45,795 --> 01:07:47,728 OH, IT WAS A GOOD NIGHT. 670 01:07:47,797 --> 01:07:51,732 KUMAR, WHOSE ARTISTRY PLEASES MY GODS, 671 01:07:51,801 --> 01:07:54,968 WHATEVER YOU'VE HEARD, IN THE RING, WE'RE EQUAL. 672 01:07:59,475 --> 01:08:00,707 WITH OR WITHOUT CLAWS? 673 01:08:00,777 --> 01:08:03,010 I CAN BE LETHAL ENOUGH WITHOUT THEM. 674 01:08:04,446 --> 01:08:05,746 GOOD. 675 01:08:13,756 --> 01:08:15,489 [CHANTING] 676 01:08:46,506 --> 01:08:48,673 [COUGHING] 677 01:08:50,142 --> 01:08:52,910 YOU DO THAT AGAIN, YOU'LL HAVE NO ARMS. 678 01:08:57,283 --> 01:08:58,348 FORGIVE ME, SAHIB. 679 01:09:04,891 --> 01:09:06,190 GOOD FIGHT, KUMAR. 680 01:09:08,260 --> 01:09:10,327 WE HAVE SOME WORK TO DISCUSS. 681 01:09:10,396 --> 01:09:12,162 WILL YOU JOIN ME TONIGHT? 682 01:09:12,231 --> 01:09:13,097 HUH? 683 01:09:21,957 --> 01:09:24,192 PEOPLE SAY I THINK TOO MUCH ABOUT WOMEN. 684 01:09:27,263 --> 01:09:29,664 WHAT IS THERE MORE IMPORTANT TO THINK ABOUT? 685 01:09:39,625 --> 01:09:40,891 TO OUR GREAT KING. 686 01:09:40,960 --> 01:09:42,726 STARTED OFF A GREAT WARRIOR, 687 01:09:42,795 --> 01:09:46,630 ENDED AS AN INSECT SUCKING ON A POPPY FLOWER. 688 01:09:46,699 --> 01:09:47,898 Prem: VAZIR. 689 01:09:47,967 --> 01:09:50,834 CAPTURED. YOU DRAW THE FLEETING MOMENT. 690 01:09:50,903 --> 01:09:52,803 SHOW ME THE ETERNAL. 691 01:09:57,810 --> 01:09:59,310 YOU DID MAKE LOVE TO MAYA, THEN? 692 01:10:02,482 --> 01:10:03,547 YOU KNOW HER NAME? 693 01:10:03,616 --> 01:10:05,449 I KNOW EVERYTHING. 694 01:10:05,518 --> 01:10:07,318 ANSWER ME. 695 01:10:07,386 --> 01:10:09,453 I'M WAITING. 696 01:10:09,522 --> 01:10:12,156 WORK CAN ONLY BE AN ACT OF LOVE. 697 01:10:14,427 --> 01:10:16,693 YOU WILL GO TO CHINA TO FETCH ANOTHER, 698 01:10:16,762 --> 01:10:17,928 YOU CLUMSY SON OF A WHORE! 699 01:10:17,997 --> 01:10:19,964 YES, SAHIB. RIGHT AWAY. 700 01:10:22,668 --> 01:10:25,002 I HAVE FOUND YOUR GIRL, KUMAR. 701 01:10:26,839 --> 01:10:27,972 SIT, SIT. 702 01:10:31,511 --> 01:10:35,045 I TELL YOU SHE GOVERNS ME AND WINDS ME UP AT A WHIM. 703 01:10:37,249 --> 01:10:38,816 MY MOODS DEPEND ON HER. 704 01:10:40,520 --> 01:10:43,888 I WANT TO OPEN MY EYES TO HER UNDER ME... 705 01:10:46,859 --> 01:10:48,025 IN THE MORNING. 706 01:10:51,547 --> 01:10:54,832 YOU SHOULD BE GIVEN AN AUDIENCE WITH HER, KUMAR. 707 01:10:56,702 --> 01:10:58,636 I WANT YOU TO CARVE HER 708 01:10:58,704 --> 01:11:01,371 ACROSS THE ROOF OF MY ROOM... 709 01:11:01,424 --> 01:11:03,256 BUT IF I WAS GOD, 710 01:11:03,325 --> 01:11:05,208 I'D CARVE HER ACROSS THE BRIGHT BLUE SKY. 711 01:11:16,923 --> 01:11:18,188 POISON. 712 01:11:18,257 --> 01:11:20,457 BITTER AS BILE. 713 01:11:20,526 --> 01:11:21,992 BUT WHEN TAKEN FROM CHILDHOOD, 714 01:11:22,061 --> 01:11:23,894 IT MAKES YOU IMMUNE FROM ENEMIES. 715 01:12:08,107 --> 01:12:09,539 Tara: MY RAJ... 716 01:12:20,686 --> 01:12:22,820 ALL MY LIFE... 717 01:12:22,888 --> 01:12:25,155 I HAVE LIVED WITH YOUR USED THINGS. 718 01:12:26,525 --> 01:12:29,392 NOW ALL YOUR LIFE, YOU'LL USE MINE. 719 01:12:29,461 --> 01:12:30,327 SO... 720 01:12:32,264 --> 01:12:33,964 TELL ME, ARE YOU HAPPY NOW? 721 01:12:34,033 --> 01:12:35,465 TARA... 722 01:12:38,370 --> 01:12:39,536 I WAS YOUNG. 723 01:12:45,878 --> 01:12:47,277 I HAD NO IDEA THEN 724 01:12:47,346 --> 01:12:49,046 THAT WHAT I DID THAT NIGHT 725 01:12:49,115 --> 01:12:50,681 WOULD CHANGE YOUR LIFE FOREVER... 726 01:12:52,518 --> 01:12:53,751 AND MINE, TOO. 727 01:12:53,819 --> 01:12:55,819 YOU GOT WHAT YOU WANTED. 728 01:12:58,524 --> 01:12:59,923 HE DESIRES YOU. 729 01:13:02,094 --> 01:13:03,927 AT LEAST ONE OF US IS HAPPY. 730 01:13:03,996 --> 01:13:06,196 DO YOU THINK THAT JUST BECAUSE THE KING DESIRES ME, 731 01:13:06,265 --> 01:13:07,264 IT MAKES ME HAPPY? 732 01:13:07,332 --> 01:13:08,431 DOES IT NOT? 733 01:13:08,500 --> 01:13:12,736 NO, TARA, IT DOES NOT. 734 01:13:20,512 --> 01:13:22,046 SOMETIMES... 735 01:13:24,449 --> 01:13:27,517 WHEN I CATCH A GLIMPSE OF THE WORLD OUTSIDE... 736 01:13:29,655 --> 01:13:32,923 TREES, SKY... 737 01:13:42,168 --> 01:13:45,669 I WISH WE WERE FREE LIKE WHEN WE WERE CHILDREN. 738 01:13:48,107 --> 01:13:49,039 TARA... 739 01:14:09,328 --> 01:14:10,694 YOU MEET AGAIN. 740 01:14:12,331 --> 01:14:13,797 ENCHANTED. 741 01:14:16,486 --> 01:14:17,952 WHAT SHALL I DO? 742 01:14:18,020 --> 01:14:20,020 WILL YOU DANCE? 743 01:14:51,937 --> 01:14:53,336 I LIKE THIS POSITION. 744 01:14:56,208 --> 01:14:58,559 I DID NOT AGREE TO SCULPTING BY COMMITTEE, SAHIB. 745 01:15:01,463 --> 01:15:03,898 ALLOW ME THE HONOR OF A... 746 01:15:03,966 --> 01:15:05,432 AN ARTIST'S PRIVACY. 747 01:15:10,472 --> 01:15:11,338 [SNAP] 748 01:15:17,362 --> 01:15:18,228 [GASPS] 749 01:15:35,347 --> 01:15:36,213 MAYA... 750 01:15:38,016 --> 01:15:39,650 I LOVE YOU. 751 01:15:41,187 --> 01:15:42,853 YOU LOVE ONLY YOURSELF. 752 01:15:51,029 --> 01:15:51,962 [SIGHS] 753 01:15:52,030 --> 01:15:53,396 HOW NAIVE OF ME. 754 01:16:04,477 --> 01:16:06,343 [LABORED BREATHING] 755 01:16:16,989 --> 01:16:17,988 MAYA. 756 01:16:18,056 --> 01:16:20,256 MAYA. 757 01:16:20,325 --> 01:16:21,591 FORGIVE ME, PLEASE. 758 01:16:21,660 --> 01:16:23,493 I WAS AFRAID OF LOSING CONTROL. 759 01:16:30,535 --> 01:16:31,401 MAYA. 760 01:16:33,472 --> 01:16:35,172 YOU HURT ME. 761 01:16:35,241 --> 01:16:37,607 [DISTANT VOICE, INDISTINCT] 762 01:16:40,145 --> 01:16:41,811 I BELONG TO HIM NOW. 763 01:16:41,881 --> 01:16:42,779 NO. 764 01:16:47,152 --> 01:16:49,186 I BELONG TO YOU. 765 01:16:59,265 --> 01:17:01,064 [SOBS] 766 01:17:07,273 --> 01:17:08,638 I MADE A MISTAKE. 767 01:17:12,611 --> 01:17:14,211 TAKE ME BACK. 768 01:17:19,285 --> 01:17:20,217 OHHH... 769 01:17:20,286 --> 01:17:21,151 OHHH... 770 01:17:27,960 --> 01:17:28,892 JAI... 771 01:17:47,779 --> 01:17:49,413 I MARRY YOU... 772 01:17:49,481 --> 01:17:51,315 YOU MARRY ME. 773 01:18:00,926 --> 01:18:02,392 I MARRY YOU... 774 01:18:04,263 --> 01:18:05,628 YOU MARRY ME. 775 01:18:43,118 --> 01:18:46,052 DR. MANI, WE BELIEVE QUEEN TARA IS HYSTERICAL. 776 01:18:46,121 --> 01:18:47,053 OHHH... 777 01:18:47,122 --> 01:18:49,556 WE FOUND HER FLUSHED AND WITHOUT BREATH. 778 01:18:49,625 --> 01:18:51,692 HER BODY DOES NOT KEEP FROM TWISTING. 779 01:18:51,760 --> 01:18:54,928 HAVE THE SPIRITS POSSESSED HER? I WANT TO KNOW. 780 01:18:56,632 --> 01:18:58,431 HER HEART, PLEASE. 781 01:18:58,500 --> 01:19:00,300 [MOANING] 782 01:19:02,020 --> 01:19:02,986 Tara: MMM? 783 01:19:05,874 --> 01:19:06,806 OHH! 784 01:19:06,875 --> 01:19:08,375 OHHH... 785 01:19:08,444 --> 01:19:09,459 OHHH... AIIEEE... 786 01:19:19,655 --> 01:19:20,887 SO? 787 01:19:20,956 --> 01:19:22,539 HER PULSE... 788 01:19:22,608 --> 01:19:23,840 IT'S NORMAL. 789 01:19:26,428 --> 01:19:27,361 OHH... 790 01:19:27,429 --> 01:19:28,462 [BREATHES RAPIDLY] 791 01:19:28,547 --> 01:19:31,080 OHH! 792 01:19:31,133 --> 01:19:32,799 UHH! 793 01:19:32,885 --> 01:19:34,351 UHH! UHH! 794 01:19:34,419 --> 01:19:35,385 EXAMINING. 795 01:19:35,453 --> 01:19:36,353 EXAMINING. 796 01:19:37,956 --> 01:19:38,989 UHHH? 797 01:19:39,057 --> 01:19:40,557 UHH. 798 01:19:40,626 --> 01:19:42,625 MMM. UHH! 799 01:19:42,678 --> 01:19:44,678 UHH... 800 01:19:44,747 --> 01:19:47,080 AHH! 801 01:19:55,924 --> 01:19:57,791 [WHISPERING INAUDIBLY] 802 01:19:59,594 --> 01:20:01,094 SAHIB. 803 01:20:04,967 --> 01:20:05,999 UHH! UHH! 804 01:20:07,136 --> 01:20:08,001 UHH! 805 01:20:10,655 --> 01:20:13,489 IT SEEMS THE OPIUM HAS MADE YOU HALF A MAN. 806 01:20:13,559 --> 01:20:16,426 YOU CANNOT PASS HER OVER. I'VE HEARD RUMORS 807 01:20:16,494 --> 01:20:19,462 THAT HER OWN BROTHER'S BEING COURTED BY THE SHAH. 808 01:20:19,531 --> 01:20:22,632 INVADERS LIKE THE SHAH, WITH OR WITHOUT THAT HUNCHBACK, 809 01:20:22,701 --> 01:20:24,634 ARE NO MATCH FOR MY STRENGTH. 810 01:20:24,703 --> 01:20:26,636 IT IS NOT YOU THAT ARE STRONG. 811 01:20:26,705 --> 01:20:28,738 IT IS YOUR NEIGHBORS THAT ARE WEAK. 812 01:20:28,807 --> 01:20:30,223 THE GODS PROTECT ME. 813 01:20:30,292 --> 01:20:32,693 I WILL SHOW YOU. BIKI IS NOTHING. 814 01:20:32,761 --> 01:20:34,894 JUST SHOW ME AN HEIR FROM THE QUEEN... 815 01:20:34,980 --> 01:20:37,647 BEFORE I GET A BASTARD FROM ONE OF YOUR WHORES! 816 01:20:38,951 --> 01:20:42,886 SWEET BROTHER-IN-LAW, THIS IS YOUR HOME. 817 01:20:42,955 --> 01:20:45,388 YOU CAN HAVE ANYTHING YOU WANT. 818 01:20:45,457 --> 01:20:46,890 HA HA HA! 819 01:20:46,959 --> 01:20:48,892 NOW, WHAT CAN I OFFER YOU? 820 01:20:50,361 --> 01:20:51,294 MORE MUSIC? 821 01:20:51,362 --> 01:20:53,296 HA HA HA! 822 01:20:53,364 --> 01:20:54,464 OH. BOYS. 823 01:20:54,532 --> 01:20:56,299 DO YOU INSULT ME? 824 01:20:56,367 --> 01:20:58,301 OH, NO, NO, NO, NO, NO, NO. 825 01:20:58,369 --> 01:20:59,803 HA HA HA HA! 826 01:20:59,871 --> 01:21:02,739 OR IS IT TIME YOU HAD WOMEN? 827 01:21:02,808 --> 01:21:05,508 HA HA! I ALWAYS WANTED WOMEN... 828 01:21:06,812 --> 01:21:09,746 EVER SINCE I... HA HA...STOOD UP. 829 01:21:09,815 --> 01:21:11,247 PFFT! - HA HA HA! 830 01:21:11,316 --> 01:21:12,248 WOMEN? 831 01:21:12,317 --> 01:21:14,250 CERTAINLY, WOMEN YOU SHALL HAVE. 832 01:21:14,319 --> 01:21:16,753 YOU SHALL HAVE THE PICK OF MY HAREM. 833 01:21:16,822 --> 01:21:18,421 HOW MANY DO YOU WANT? 834 01:21:18,490 --> 01:21:19,422 HA HA! 835 01:21:19,491 --> 01:21:20,423 3? 836 01:21:20,492 --> 01:21:22,425 4? - HA HA HA! 837 01:21:22,494 --> 01:21:24,427 DON'T WORRY, WE'LL BLINDFOLD THEM. 838 01:21:24,496 --> 01:21:25,428 HA HA! 839 01:21:25,497 --> 01:21:26,930 HA HA HA! 840 01:21:26,999 --> 01:21:29,633 AND TIE UP THEIR HANDS AS WELL. 841 01:21:29,701 --> 01:21:30,634 UNH! 842 01:21:30,702 --> 01:21:32,636 HA HA HA HA HA HA! 843 01:21:32,704 --> 01:21:34,938 HA HA HA HA! - HA HA HA HA! 844 01:21:35,007 --> 01:21:36,439 HA HA! 845 01:21:36,508 --> 01:21:38,608 HA HA HA HA! 846 01:21:42,180 --> 01:21:44,914 Biki: I WRITE THIS IN THE INTEREST OF THE PEOPLE, 847 01:21:44,983 --> 01:21:47,850 WHO ARE BEING NEGLECTED BY A DEBAUCHED KING. 848 01:21:51,189 --> 01:21:52,788 NOW TAKE THIS TO THE SHAH. 849 01:21:52,857 --> 01:21:53,789 SAHIB. 850 01:21:53,858 --> 01:21:55,458 Biki: HE HAS INSULTED MY SISTER 851 01:21:55,527 --> 01:21:57,994 AND SQUEEZES THE COMMON FOLK EACH DAY 852 01:21:58,063 --> 01:22:00,963 TO FEED HIS APPETITES. HE HAS PUT HIS AFFAIRS 853 01:22:01,033 --> 01:22:04,401 ENTIRELY IN THE HANDS OF HIS PRIME MINISTER, THE VAZIR. 854 01:22:04,469 --> 01:22:08,388 I PUT MYSELF IN YOUR ROYAL HANDS AS AN ALLY. 855 01:22:08,457 --> 01:22:09,856 PRINCE BIKRAM SINGH. 856 01:22:13,328 --> 01:22:16,163 [SINGING IN HINDI] 857 01:22:48,163 --> 01:22:50,763 HA HA HA HA HA HA! 858 01:22:50,832 --> 01:22:51,698 MMM. 859 01:23:06,615 --> 01:23:09,049 [INDISTINCT VOICES] 860 01:23:09,118 --> 01:23:12,552 [VOICES REPEATING PHRASE IN HINDI] 861 01:23:14,956 --> 01:23:16,656 I WANT TO BE ALONE. 862 01:23:26,468 --> 01:23:28,402 I WANT TO BE ALONE WITH YOU. 863 01:23:28,470 --> 01:23:29,369 RAJ. 864 01:23:33,808 --> 01:23:35,242 JUST YOU AND I... 865 01:23:35,310 --> 01:23:36,543 TOGETHER. 866 01:23:38,480 --> 01:23:39,679 [SIGHS] 867 01:23:48,674 --> 01:23:50,707 LET ME LIE IN YOUR ARMS. 868 01:23:56,515 --> 01:23:59,015 Raj: GIVE ME SOME COMFORT. 869 01:24:04,773 --> 01:24:06,073 OH, PLEASE. 870 01:24:07,776 --> 01:24:08,641 WHAT? 871 01:24:10,779 --> 01:24:11,711 I CANNOT. 872 01:24:26,128 --> 01:24:29,229 DO YOU THINK YOU'RE THE ONLY WOMAN? 873 01:24:29,298 --> 01:24:30,730 I HAVE HUNDREDS WAITING. 874 01:24:30,799 --> 01:24:32,165 GO TO THEM. 875 01:24:41,477 --> 01:24:43,009 ONCE YOU WANTED ME. 876 01:24:44,646 --> 01:24:46,846 I SERVICED YOU, THAT'S ALL. 877 01:24:50,152 --> 01:24:52,185 YOU HAVE NO POWER OVER ME. 878 01:24:54,156 --> 01:24:55,021 GO. 879 01:25:03,765 --> 01:25:05,098 GO NOW. 880 01:25:23,619 --> 01:25:24,551 MY LOVE. 881 01:25:24,620 --> 01:25:25,619 OHH... 882 01:25:25,687 --> 01:25:26,819 OH, MY LOVE. 883 01:25:26,888 --> 01:25:28,688 I CAN'T CONTINUE THIS WAY. 884 01:25:34,296 --> 01:25:37,497 THIS IS THE LAST TIME I SNEAK IN LIKE SOME RAT! 885 01:25:39,634 --> 01:25:41,501 I'M HIS COURTESAN, THAT'S ALL. 886 01:25:43,805 --> 01:25:44,804 OHHH... 887 01:26:01,439 --> 01:26:04,307 BEAUTIFUL WOMEN ARE A LAW UNTO THEMSELVES. 888 01:26:07,612 --> 01:26:10,313 I NO LONGER HAVE ANY AUTHORITY OVER HER. 889 01:26:14,452 --> 01:26:15,818 LIFE IS STRANGE. 890 01:26:22,794 --> 01:26:23,759 FIGHT ME. 891 01:26:26,798 --> 01:26:28,798 FIGHT ME, KUMAR! 892 01:26:31,303 --> 01:26:32,835 I WANT TO SWEAT. 893 01:26:34,306 --> 01:26:35,471 CLAWS! 894 01:26:37,809 --> 01:26:38,908 AND BLEED. 895 01:26:46,784 --> 01:26:47,650 OPIUM! 896 01:27:09,807 --> 01:27:11,240 STRIKE! 897 01:27:11,309 --> 01:27:12,274 HUH?! 898 01:27:12,344 --> 01:27:13,376 STRIKE! 899 01:27:16,848 --> 01:27:18,848 AAH! AAH! 900 01:27:41,957 --> 01:27:43,556 [GASPING] 901 01:27:43,625 --> 01:27:44,557 UHH! 902 01:27:44,626 --> 01:27:45,491 Jai: NO! 903 01:27:47,963 --> 01:27:49,129 OHH! 904 01:27:52,134 --> 01:27:53,332 OHHH! 905 01:27:57,822 --> 01:27:59,688 WHY DID YOU DO THIS? 906 01:28:06,097 --> 01:28:07,963 I CANNOT STAND THIS ANYMORE. 907 01:28:10,768 --> 01:28:13,702 BECAUSE I LOVE YOU, MY WORK HAS A POWER 908 01:28:13,771 --> 01:28:15,771 THAT EVEN I CANNOT EXPLAIN. 909 01:28:19,944 --> 01:28:21,644 WHAT DO I WORK FOR? 910 01:28:23,281 --> 01:28:24,147 [SIGHS] 911 01:28:26,117 --> 01:28:28,051 TO AROUSE THIS KING OF OURS? 912 01:28:29,287 --> 01:28:30,653 WE LEAVE TONIGHT. 913 01:28:34,959 --> 01:28:37,826 AS SOON AS IT'S DARK, WE'LL FIND A WAY OUT. 914 01:28:40,432 --> 01:28:42,264 Raj: WHERE'S THE WHORE WITH THE HEART OF A VULTURE?! 915 01:28:44,519 --> 01:28:45,885 WHERE IS SHE?! 916 01:28:55,797 --> 01:28:57,163 WERE YOU INVITED? 917 01:28:59,467 --> 01:29:01,767 I DIDN'T ASK HIM IN, MY LOVE. DID YOU? 918 01:29:04,239 --> 01:29:05,104 YOU. 919 01:29:07,409 --> 01:29:08,974 YOU OFFEND ME. 920 01:29:09,043 --> 01:29:11,244 IT IS A CRIME TO OFFEND YOUR RULER. 921 01:29:11,313 --> 01:29:12,245 RULER? 922 01:29:12,314 --> 01:29:14,581 YOU REIGN, SAHIB. YOU DO NOT RULE. 923 01:29:18,420 --> 01:29:19,785 YOU WILL DIE, KUMAR. 924 01:29:21,590 --> 01:29:24,557 YOU WILL DIE LIKE THE BASTARD COMMONER YOU ARE! 925 01:29:24,625 --> 01:29:27,526 TAKE HIM AWAY TO THE VALLEY OF STONES. 926 01:29:27,595 --> 01:29:28,694 Maya: NO! 927 01:29:28,763 --> 01:29:30,196 NO! 928 01:29:30,265 --> 01:29:31,231 NO! 929 01:29:32,367 --> 01:29:33,299 NO! 930 01:29:34,435 --> 01:29:36,002 NO! 931 01:29:36,071 --> 01:29:36,936 NO! 932 01:29:38,940 --> 01:29:40,089 NO! 933 01:30:05,183 --> 01:30:06,549 LET ME GO! 934 01:30:16,628 --> 01:30:18,494 WHAT ARE YOU GOING TO DO? 935 01:30:25,703 --> 01:30:27,570 [WHISPERING] What am I going to do? 936 01:31:27,148 --> 01:31:28,014 TARA! 937 01:31:32,654 --> 01:31:34,086 I HATE YOU. 938 01:31:35,389 --> 01:31:36,255 [SOBS] 939 01:31:39,511 --> 01:31:40,443 UHH! 940 01:31:40,512 --> 01:31:42,445 [SOBS] 941 01:31:42,514 --> 01:31:44,947 ALL MY LIFE YOU HATED ME! 942 01:31:45,016 --> 01:31:47,450 YOU COULD HAVE FINISHED ME OFF, BUT YOU DIDN'T! 943 01:31:47,519 --> 01:31:50,286 YOU KNOW WHY? 944 01:31:50,354 --> 01:31:52,955 BECAUSE I SURVIVED YOU. 945 01:31:53,024 --> 01:31:54,624 I WANTED TO LIVE. 946 01:31:54,692 --> 01:31:57,293 [SOBS] 947 01:31:57,361 --> 01:31:59,796 NOW YOU BETTER SURVIVE ME... 948 01:31:59,864 --> 01:32:01,230 AND YOUR HUSBAND... 949 01:32:01,299 --> 01:32:05,501 AND ANY--ANYTHING ELSE THAT HAPPENS TO HURT YOU. 950 01:32:26,474 --> 01:32:27,840 THEY TOOK HIM. 951 01:32:30,645 --> 01:32:31,510 WHO? 952 01:32:35,483 --> 01:32:36,683 JAI KUMAR. 953 01:32:42,657 --> 01:32:44,857 YOU LOVE JAI KUMAR? 954 01:32:46,527 --> 01:32:47,393 MMM. 955 01:33:24,465 --> 01:33:26,832 WE SHALL NOT SURRENDER TO DESPAIR. 956 01:33:30,838 --> 01:33:32,788 THIS IS REALLY NOT SO DIFFICULT. 957 01:33:34,158 --> 01:33:36,425 I CAN SHOW YOU HOW TO DRESS. 958 01:33:36,494 --> 01:33:40,363 I CAN SHOW YOU HOW TO MARK HIM AND TOUCH HIM. 959 01:33:42,333 --> 01:33:44,200 MEN ARE NOT SUCH A MYSTERY. 960 01:33:47,671 --> 01:33:49,372 FIRST I WILL MARK YOU. 961 01:34:42,443 --> 01:34:44,677 HE WILL KNOW A WOMAN MADE THESE MARKS. 962 01:34:45,814 --> 01:34:47,180 IT WILL EXCITE HIM. 963 01:35:04,114 --> 01:35:05,881 MAYA. 964 01:35:05,950 --> 01:35:07,550 JAI IS GOING TO BE KILLED... 965 01:35:07,618 --> 01:35:09,485 AND I CANNOT STOP IT. 966 01:35:16,944 --> 01:35:18,811 I WILL HELP YOU SEE HIM. 967 01:35:34,179 --> 01:35:35,744 NOW IS THE TIME. 968 01:35:35,813 --> 01:35:37,946 THE DOCTOR WILL HELP YOU. 969 01:35:46,490 --> 01:35:47,356 THANK YOU. 970 01:35:52,997 --> 01:35:54,997 OUR DEEPEST GRATITUDE, DOCTOR. 971 01:36:14,101 --> 01:36:15,568 VAZIR? 972 01:36:16,938 --> 01:36:18,938 Raj: WHO IS IT? [COUGHS] 973 01:36:19,006 --> 01:36:20,372 [COUGHS] 974 01:36:20,441 --> 01:36:21,540 SPEAK UP. 975 01:36:25,296 --> 01:36:26,629 GREETINGS, RAJ. 976 01:36:31,452 --> 01:36:32,351 TARA? 977 01:37:10,958 --> 01:37:12,825 HA HA HA. 978 01:37:14,261 --> 01:37:16,028 MAYA'S TAUGHT YOU WELL. 979 01:37:25,606 --> 01:37:26,672 OHHH... 980 01:37:29,276 --> 01:37:33,879 IN THE END...IT ALWAYS COMES DOWN TO THE WIFE. 981 01:38:06,080 --> 01:38:07,012 AAH. 982 01:38:07,081 --> 01:38:08,647 OHHH! 983 01:38:10,250 --> 01:38:11,450 UNH! 984 01:38:13,420 --> 01:38:15,420 THE MARK OF A TIGER'S NAIL. 985 01:38:21,596 --> 01:38:24,296 YOU ARE COMMON TO MANY WOMEN. 986 01:38:26,266 --> 01:38:28,533 I WOULD SEE YOU ALWAYS... 987 01:38:28,603 --> 01:38:30,869 SO AROUSED BY OTHERS... 988 01:38:30,938 --> 01:38:33,271 UNDRESSING THEM WITH YOUR EYES. 989 01:38:36,276 --> 01:38:38,911 HOW I LOVED YOU THEN. 990 01:38:38,980 --> 01:38:40,646 AND HOW I ANGUISHED. 991 01:38:40,715 --> 01:38:43,215 YOU DO HATE ME. 992 01:38:43,283 --> 01:38:44,382 NO, RAJ. 993 01:38:44,451 --> 01:38:46,885 I DO NOT LOVE YOU ENOUGH... 994 01:38:46,954 --> 01:38:48,420 TO HATE YOU. 995 01:38:54,294 --> 01:38:56,061 [COUGHS] 996 01:39:42,793 --> 01:39:43,658 JAI? 997 01:39:48,565 --> 01:39:49,631 JAI. 998 01:40:03,297 --> 01:40:04,964 EMBRACE ME, MY LOVE. 999 01:40:24,668 --> 01:40:27,435 YOU HAVE TO BE VERY BRAVE, MY LOVE. 1000 01:40:28,639 --> 01:40:30,239 THEY TAKE YOU TOMORROW. 1001 01:40:34,178 --> 01:40:37,345 AND I WILL BE WITH YOU ALWAYS. 1002 01:40:39,349 --> 01:40:40,849 ALWAYS. 1003 01:40:53,697 --> 01:40:54,830 MAYA. 1004 01:41:12,649 --> 01:41:15,184 BIND ME TO YOU WITH THIS HAIR FOREVER. 1005 01:41:19,723 --> 01:41:21,590 [SOBBING] 1006 01:41:26,496 --> 01:41:27,863 [SOBBING] OHH! 1007 01:41:35,990 --> 01:41:37,356 I AM YOURS. 1008 01:41:40,661 --> 01:41:41,626 TAKE ME. 1009 01:41:43,464 --> 01:41:45,197 CUT THIS HAIR. IT'S YOURS. 1010 01:42:06,136 --> 01:42:07,336 MY FLOWER. 1011 01:42:08,805 --> 01:42:10,072 JAI... 1012 01:42:10,140 --> 01:42:12,007 YOU HAVE MY HEART. 1013 01:42:33,580 --> 01:42:34,946 I LOVE YOU. 1014 01:42:38,319 --> 01:42:39,451 OHHH... 1015 01:43:33,890 --> 01:43:35,590 YOU CAME BACK FOR ME. 1016 01:43:38,813 --> 01:43:40,478 EVEN LIKE THIS, I WANT YOU. 1017 01:43:42,149 --> 01:43:43,448 YOU HAVE ME. 1018 01:43:48,956 --> 01:43:51,323 BUT I ASK ONLY ONE THING. 1019 01:43:53,660 --> 01:43:55,627 PLEASE FREE HIM. 1020 01:43:58,349 --> 01:43:59,348 PLEASE? 1021 01:44:00,951 --> 01:44:02,150 PLEASE? 1022 01:44:07,291 --> 01:44:08,991 PLEASE. I'M BEGGING YOU. 1023 01:44:09,059 --> 01:44:10,425 PLEASE. 1024 01:44:12,796 --> 01:44:14,229 I WILL DO ANYTHING. 1025 01:44:20,804 --> 01:44:22,471 NO! I WANT MORE THAN THIS! 1026 01:44:24,308 --> 01:44:25,673 I WANT YOUR HEART. 1027 01:44:26,977 --> 01:44:30,012 IN YOUR HEART, PLEASE, GIVE HIM UP. 1028 01:44:32,483 --> 01:44:34,016 IF YOU FREE HIM. 1029 01:44:41,976 --> 01:44:44,676 IF I FREE HIM, YOU MUST NEVER SEE HIS FACE AGAIN. 1030 01:44:51,152 --> 01:44:53,218 SWEAR IT ON YOUR MOTHER'S NAME. 1031 01:44:56,157 --> 01:44:57,522 I SWEAR IT. 1032 01:45:13,607 --> 01:45:15,040 YOU'RE A LYING WHORE! 1033 01:45:15,108 --> 01:45:19,511 JAI KUMAR WILL DIE! AND I WILL WATCH HIM DIE! 1034 01:45:19,580 --> 01:45:21,463 [DRUM BEATS] 1035 01:45:27,971 --> 01:45:28,837 AAH! 1036 01:45:30,807 --> 01:45:31,873 OHHHH! 1037 01:45:36,563 --> 01:45:37,512 OHH... 1038 01:45:37,581 --> 01:45:39,447 [PEOPLE SHOUTING] 1039 01:45:42,987 --> 01:45:44,402 SAHIB! 1040 01:45:44,471 --> 01:45:45,336 SAHIB. 1041 01:45:49,810 --> 01:45:50,675 SAHIB. 1042 01:45:52,145 --> 01:45:53,077 SAHIB. 1043 01:45:53,146 --> 01:45:55,580 A BOX WAS LEFT AT THE GATE 1044 01:45:55,649 --> 01:45:57,916 WITH A MESSAGE FROM THE SHAH. 1045 01:45:57,985 --> 01:46:01,386 HE...HE HAS ENTERED OUR KINGDOM, SAHIB. 1046 01:46:01,454 --> 01:46:03,788 HIS TROOPS ARE ADVANCING UPON US. 1047 01:46:20,106 --> 01:46:21,006 Raj: VAZIR. 1048 01:46:23,944 --> 01:46:25,076 OH... 1049 01:46:25,145 --> 01:46:26,377 UH...UHHH... 1050 01:46:26,446 --> 01:46:28,146 UHHH! 1051 01:46:28,214 --> 01:46:29,147 AAH! 1052 01:46:29,215 --> 01:46:30,916 Man: CALL THE QUEEN! 1053 01:46:54,442 --> 01:46:55,641 UHH... 1054 01:47:00,764 --> 01:47:01,663 UHH. 1055 01:47:03,867 --> 01:47:04,733 COMFORT ME. 1056 01:47:17,948 --> 01:47:19,447 I NEED SOME COMFORT. 1057 01:47:27,007 --> 01:47:28,874 [SHOUTING] 1058 01:47:53,166 --> 01:47:55,199 [ELEPHANT TRUMPETS] 1059 01:48:01,759 --> 01:48:04,208 [TRUMPETING] 1060 01:48:07,431 --> 01:48:08,279 [DRUMS STOP] 1061 01:48:54,344 --> 01:48:56,477 Biki: MAYA! 1062 01:49:18,085 --> 01:49:19,517 Maya: KNOWING LOVE, 1063 01:49:19,587 --> 01:49:23,021 I WILL ALLOW ALL THINGS TO COME AND GO... 1064 01:49:23,090 --> 01:49:26,024 TO BE AS SUPPLE AS THE WIND... 1065 01:49:26,093 --> 01:49:29,094 AND TAKE EVERYTHING THAT COMES WITH GREAT COURAGE. 1066 01:49:30,764 --> 01:49:33,198 AS RASA WOULD SAY TO ME: 1067 01:49:33,266 --> 01:49:35,366 "LIFE IS RIGHT IN ANY CASE." 1068 01:49:38,772 --> 01:49:41,707 MY HEART IS AS OPEN AS THE SKY. 1069 01:49:41,775 --> 01:49:44,643 [WOMAN SINGING IN HINDI] 1070 01:50:12,206 --> 01:50:15,123 CAPTIONING MADE POSSIBLE BY TRIMARK HOME VIDEO 1071 01:50:15,192 --> 01:50:18,126 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 67170

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