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1
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*
2
00:00:02,400 --> 00:00:05,067
Narrator: THE HOUSES
OF PARLIAMENT IN LONDON,
3
00:00:05,100 --> 00:00:08,200
ONE OF THE MOST ICONIC
STRUCTURES ON THE PLANET.
4
00:00:08,233 --> 00:00:10,033
THIS WASN'T JUST BUILDING
A BUILDING.
5
00:00:10,067 --> 00:00:11,933
THIS WAS A MAJOR PIECE
OF ENGINEERING.
6
00:00:11,967 --> 00:00:13,867
Narrator:
MYSTERIES AND SECRETS LIE
7
00:00:13,900 --> 00:00:16,000
BENEATH THE SKIN
OF THIS MEGA STRUCTURE.
8
00:00:16,033 --> 00:00:19,033
IT'S THE MOST REMARKABLE
BUILDING IN THE WORLD.
9
00:00:19,067 --> 00:00:20,567
Narrator:
HOW DID ITS CREATORS
10
00:00:20,600 --> 00:00:23,333
PUSH TECHNOLOGY
TO THE VERY LIMITS
11
00:00:23,367 --> 00:00:27,233
AND INVENT THE BLUEPRINT
FOR MODERN SKYSCRAPERS?
12
00:00:27,267 --> 00:00:31,033
WHAT KEEPS THE WORLD'S MOST
FAMOUS CLOCK IN PERFECT TIME?
13
00:00:31,067 --> 00:00:35,667
AND HOW DOES IT SURVIVE ALL THAT
MOTHER NATURE CAN THROW AT IT?
14
00:00:35,700 --> 00:00:39,100
THE ONLY WAY
TO SOLVE THESE MYSTERIES IS
15
00:00:39,133 --> 00:00:43,100
TO BLOW THIS IMMENSE PALACE
APART, BRICK BY BRICK
16
00:00:43,133 --> 00:00:47,533
AND DISMANTLE ITS FAMOUS
CLOCK TOWER COG BY COG.
17
00:00:47,567 --> 00:00:51,033
DIVING DEEP THROUGH ITS WALL
AND VAULTS WILL HELP US
18
00:00:51,067 --> 00:00:53,200
UNEARTH THE ASTONISHING SECRETS
19
00:00:53,233 --> 00:00:55,900
AT THE HEART
OF THIS VICTORIAN WONDER.
20
00:00:55,933 --> 00:00:58,633
*
21
00:00:58,667 --> 00:01:01,700
-- Captions by VITAC --
www.vitac.com
22
00:01:01,733 --> 00:01:04,700
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
23
00:01:04,733 --> 00:01:07,200
STANDING ON THE BANKS
OF THE RIVER THAMES,
24
00:01:07,233 --> 00:01:11,400
IN THE HEART OF LONDON, ENGLAND,
IS THE PALACE OF WESTMINSTER,
25
00:01:11,433 --> 00:01:15,467
BETTER KNOWN
AS THE HOUSES OF PARLIAMENT.
26
00:01:18,200 --> 00:01:22,667
A LABYRINTH OF MORE THAN 3 MILES
OF CORRIDORS
27
00:01:22,700 --> 00:01:24,933
CONNECTING MORE THAN 1,000
28
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GRAND ROOMS, CHAMBERS,
AND VAULTS.
29
00:01:28,533 --> 00:01:30,200
THIS SITE HAS BEEN THE HOME
30
00:01:30,233 --> 00:01:34,167
OF THE BRITISH GOVERNMENT
FOR CENTURIES.
31
00:01:34,200 --> 00:01:38,433
IT'S BUILT TO LOOK LIKE
A GIANT MEDIEVAL CASTLE.
32
00:01:38,467 --> 00:01:41,833
BUT IT HIDES
MANY MODERN SECRETS.
33
00:01:44,933 --> 00:01:48,833
THIS IMMENSE PALACE
WAS COMPLETED IN 1870.
34
00:01:48,867 --> 00:01:53,233
IT HAS MORE THAN 1,000 ROOMS
SPREAD ACROSS 8 ACRES.
35
00:01:53,267 --> 00:01:56,800
IT HAS THREE SPECTACULAR TOWERS.
36
00:01:56,833 --> 00:01:59,067
TO THE SOUTH,
THE VICTORIA TOWER,
37
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THE TALLEST SQUARE TOWER
IN THE WORLD
38
00:02:01,367 --> 00:02:03,633
WHEN IT WAS COMPLETED.
39
00:02:03,667 --> 00:02:09,333
IN THE CENTER, THE HUGE SPIRE
HAS OVER 2,000 PANES OF GLASS.
40
00:02:09,367 --> 00:02:12,267
AND TO THE NORTH,
THE ICONIC BIG BEN,
41
00:02:12,300 --> 00:02:14,900
HOME TO ONE
OF THE GREATEST TIMEPIECES
42
00:02:14,933 --> 00:02:16,767
THE WORLD HAS EVER SEEN.
43
00:02:16,800 --> 00:02:19,533
*
44
00:02:19,567 --> 00:02:22,467
AN ENGINEERING MARVEL,
WHEN IT WAS CONSTRUCTED,
45
00:02:22,500 --> 00:02:24,800
THIS WAS ONE
OF THE MOST ADVANCED BUILDINGS
46
00:02:24,833 --> 00:02:26,133
ON THE PLANET.
47
00:02:28,967 --> 00:02:33,067
AN ARMY OF WORKERS KEEPS THE
HOUSES OF PARLIAMENT RUNNING.
48
00:02:33,100 --> 00:02:35,967
AND TODAY,
A MULTI-BILLION-DOLLAR
49
00:02:36,067 --> 00:02:38,567
RESTORATION PROJECT
IS UNDER WAY,
50
00:02:38,600 --> 00:02:42,933
UPGRADING THE BUILDING'S ROOF,
51
00:02:42,967 --> 00:02:45,633
STONEWORK,
52
00:02:45,667 --> 00:02:48,300
AND ORNATE INTERIORS.
53
00:02:48,333 --> 00:02:50,367
THE PROJECT IS HELPING TO UNLOCK
54
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THE VICTORIAN MYSTERIES
OF THE HOUSES OF PARLIAMENT.
55
00:02:54,733 --> 00:02:57,300
CHIEF AMONG THEM
IS THE CLOCK TOWER,
56
00:02:57,333 --> 00:03:00,167
A PIONEERING DISPLAY
OF ENGINEERING GENIUS
57
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BETTER KNOWN AS BIG BEN.
58
00:03:02,333 --> 00:03:05,367
*
59
00:03:08,867 --> 00:03:11,733
HOW DID THE VICTORIANS
MAKE THE WORLD'S LARGEST,
60
00:03:11,767 --> 00:03:16,200
MOST AMBITIOUS CLOCK
AND HAVE IT RUN ON TIME
61
00:03:16,233 --> 00:03:20,100
IN A TOWER
ALMOST 300 FEET TALL?
62
00:03:20,133 --> 00:03:21,967
INSIDE THE TOWER,
63
00:03:22,067 --> 00:03:24,700
IT IS MASTER CLOCKMAKER
IAN WESTWORTH'S JOB
64
00:03:24,733 --> 00:03:27,133
TO KEEP BIG BEN
RUNNING ON TIME.
65
00:03:27,167 --> 00:03:31,933
YOU'VE GOT 334 STAIRS
IN THE CLOCK TOWER
66
00:03:31,967 --> 00:03:36,233
AND NO LIFT, UNFORTUNATELY.
67
00:03:36,267 --> 00:03:38,433
Narrator:
IT'S A TASK THAT TAKES HIM
68
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BEHIND THE FACE
OF THIS FAMOUS LANDMARK
69
00:03:41,233 --> 00:03:42,533
AND INTO THE HEART
70
00:03:42,567 --> 00:03:45,067
OF THIS CLOCK'S
EXTRAORDINARY MECHANISM.
71
00:03:45,100 --> 00:03:48,133
*
72
00:03:49,500 --> 00:03:54,633
INSIDE THIS ICONIC CLOCK TOWER
HANGS BIG BEN ITSELF,
73
00:03:54,667 --> 00:03:58,267
THE NEARLY 14-TON BELL THAT
GIVES THE TOWER ITS NICKNAME.
74
00:03:58,300 --> 00:04:02,067
THE BELLS THAT CHIME ON
THE QUARTER-HOUR SIT AROUND IT.
75
00:04:02,100 --> 00:04:04,767
THEIR STRIKES ARE CONTROLLED
BY THE INTRICATE
76
00:04:04,800 --> 00:04:07,500
TICKING MECHANISM
AT THE HEART OF THE TOWER.
77
00:04:07,533 --> 00:04:12,500
IT KEEPS THE CLOCK ACCURATE
TO WITHIN JUST 2 SECONDS A WEEK.
78
00:04:12,533 --> 00:04:18,300
ON EACH SIDE, 312 SHARDS OF OPAL
GLASS MAKE UP THE CLOCK FACE.
79
00:04:19,867 --> 00:04:22,733
THE COPPER MINUTE HANDS
ARE 14 FEET LONG --
80
00:04:22,767 --> 00:04:25,500
AS TALL AS A DOUBLE-DECKER BUS.
81
00:04:25,533 --> 00:04:28,933
THESE FAMOUS DIALS HAVE KEPT
LONDON RUNNING ON TIME
82
00:04:28,967 --> 00:04:31,500
FOR 160 YEARS.
83
00:04:34,100 --> 00:04:37,933
LIKE ANY ORDINARY WRISTWATCH,
THIS CLOCK NEEDS WINDING,
84
00:04:37,967 --> 00:04:41,367
JUST AS IT DID
IN VICTORIAN TIMES.
85
00:04:41,400 --> 00:04:44,133
PUT THE WINDING HANDLE ON...
86
00:04:44,167 --> 00:04:48,133
AND THEN WINDING FOR ABOUT
THE NEXT HOUR AND A HALF.
87
00:04:48,167 --> 00:04:51,933
Narrator: WHEN PARLIAMENT
COMMISSIONED THIS CLOCK IN 1854,
88
00:04:51,967 --> 00:04:54,200
THEY INSISTED BIG BEN
BE THE BIGGEST,
89
00:04:54,233 --> 00:04:57,733
MOST POWERFUL CHIMING CLOCK
IN THE WORLD...
90
00:04:57,767 --> 00:04:59,333
[ GEAR CLICKS ]
91
00:04:59,367 --> 00:05:02,333
AND MOST CHALLENGING
FOR THE DESIGNERS,
92
00:05:02,367 --> 00:05:04,867
ACCURATE TO WITHIN
2 SECONDS PER WEEK.
93
00:05:04,900 --> 00:05:06,333
[ GEARS CLICKING ]
94
00:05:06,367 --> 00:05:07,633
BUT THERE WAS A PROBLEM
95
00:05:07,667 --> 00:05:10,600
WITH MAKING
SUCH A GIANT CLOCK ACCURATE.
96
00:05:10,633 --> 00:05:13,133
Westworth:
THE CLOCKMAKERS OF THE DAY
SAID YOU JUST COULDN'T DO IT.
97
00:05:13,167 --> 00:05:15,733
OUR MINUTE HANDS
ARE 14 FEET LONG,
98
00:05:15,767 --> 00:05:19,133
SO IN A GOOD GUST OF WIND,
THEY ACTED LIKE SAILS.
99
00:05:19,167 --> 00:05:22,467
AND CLOCKS BEFORE THIS TIME,
THE WIND WOULD CATCH THE HANDS,
100
00:05:22,500 --> 00:05:25,733
AND THE HANDS WOULD DRIVE BACK
AND MAKE THE CLOCK INACCURATE.
101
00:05:25,767 --> 00:05:28,067
*
102
00:05:28,100 --> 00:05:29,533
Narrator:
HOW DID THE VICTORIANS
103
00:05:29,567 --> 00:05:32,600
DESIGN A CLOCK
THAT COULD RESIST THE WIND?
104
00:05:36,567 --> 00:05:39,633
THE SECRET TO STOPPING
STRONG GUSTS BLOWING THE HANDS
105
00:05:39,667 --> 00:05:41,800
OUT OF TIME
IS A SET OF HEAVY WEIGHTS
106
00:05:41,833 --> 00:05:46,200
THAT PULL THE HANDS AROUND
AS THEY DROP.
107
00:05:46,233 --> 00:05:48,700
TWO SWINGING ARMS
KEEP THE WEIGHTS DROPPING
108
00:05:48,733 --> 00:05:51,300
AT THE CORRECT SPEED
BY PUSHING THE PENDULUM,
109
00:05:51,333 --> 00:05:54,133
WHICH SETS THE TICKING SPEED
OF THE CLOCK.
110
00:05:54,167 --> 00:05:57,467
*
111
00:05:57,500 --> 00:06:01,600
THE PENDULUM TURNS A RATCHET
WHEEL ONCE EVERY SECOND...
112
00:06:04,067 --> 00:06:07,067
...WHICH RELEASES THE WEIGHTS
BY A PRECISE AMOUNT...
113
00:06:09,633 --> 00:06:11,867
...SO THEY CAN PULL
THE CLOCK HANDS AROUND
114
00:06:11,900 --> 00:06:14,267
AT EXACTLY THE RIGHT SPEED.
115
00:06:19,833 --> 00:06:23,867
THE VICTORIANS HAD STOPPED
THE WIND FROM AFFECTING BIG BEN,
116
00:06:23,900 --> 00:06:27,067
BUT WITH ANY CLOCK,
MINUTE CHANGES IN THE ATMOSPHERE
117
00:06:27,100 --> 00:06:30,567
COULD ALSO IMPACT THE MECHANISM.
118
00:06:30,600 --> 00:06:34,500
AND THE BIGGER THE CLOCK,
THE BIGGER THE RISK.
119
00:06:34,533 --> 00:06:37,267
TODAY, IAN USES TECHNOLOGY
120
00:06:37,300 --> 00:06:40,400
THAT VICTORIAN CLOCKMAKERS
COULD ONLY DREAM OF.
121
00:06:40,433 --> 00:06:44,200
A SYSTEM OF SENSORS HOOKED UP
TO A COMPUTER ALLOWS HIM
122
00:06:44,233 --> 00:06:47,433
TO MONITOR
THE TINY ATMOSPHERIC CHANGES.
123
00:06:50,600 --> 00:06:53,067
WE'VE GOT TEMPERATURE
IN THE CLOCK ROOM,
124
00:06:53,067 --> 00:06:54,200
WHICH WE MONITOR ALL THE TIME.
125
00:06:54,233 --> 00:06:57,067
THE GREEN LINE TRACKS
CHANGES IN TEMPERATURE
126
00:06:57,067 --> 00:07:01,200
THAT CAUSES THE MECHANISM'S
METAL TO EXPAND AND CONTRACT.
127
00:07:01,233 --> 00:07:04,133
Westworth: JUST THESE LITTLE
BLIPS ON THE TEMPERATURE
128
00:07:04,167 --> 00:07:05,700
ARE PEOPLE COMING IN.
129
00:07:05,733 --> 00:07:07,700
THAT'S HOW ACCURATE
WE'RE ACTUALLY MONITORING
130
00:07:07,733 --> 00:07:09,733
WHAT'S GOING ON
INSIDE THE CLOCK ROOM.
131
00:07:09,767 --> 00:07:12,400
Narrator: ANOTHER SENSOR
ALLOWS IAN TO CHECK THE EFFECT
132
00:07:12,433 --> 00:07:15,767
OF THESE TEMPERATURE CHANGES
ON THE PENDULUM.
133
00:07:15,800 --> 00:07:18,600
AT THE BOTTOM OF
THE 14 1/2 FEET LONG PENDULUM,
134
00:07:18,633 --> 00:07:20,100
THERE'S AN OPTICAL SENSOR.
135
00:07:20,133 --> 00:07:22,533
EVERY TIME THE PENDULUM
BREAKS THE OPTICS,
136
00:07:22,567 --> 00:07:24,567
IT SENDS A MESSAGE
TO THIS LAPTOP.
137
00:07:24,600 --> 00:07:27,933
THE PENDULUM SHOULD
BE BREAKING IT EVERY 2 SECONDS.
138
00:07:27,967 --> 00:07:30,900
AND THE BROWN LINE
DOWN THE MIDDLE WILL TELL US
139
00:07:30,933 --> 00:07:34,367
EXACTLY HOW CLOSE
TO 2 SECONDS WE ARE.
140
00:07:34,400 --> 00:07:40,067
AT THE MOMENT,
WE'RE RUNNING AT 2.00012.
141
00:07:40,100 --> 00:07:42,167
SHE'S DOING
ABSOLUTELY FANTASTIC,
142
00:07:42,200 --> 00:07:44,400
APART FROM BEING
A LITTLE BIT SLOW.
143
00:07:44,433 --> 00:07:46,900
Narrator: IAN THINKS THAT
THE DAY'S TEMPERATURE CHANGES
144
00:07:46,933 --> 00:07:49,500
HAVE CAUSED THIS INACCURACY.
145
00:07:49,533 --> 00:07:52,700
IT MAY BE SMALL,
BUT WITHOUT EXPERT INTERVENTION,
146
00:07:52,733 --> 00:07:55,167
IT WILL KNOCK THE CLOCK
5 SECONDS OUT OF TIME
147
00:07:55,200 --> 00:07:57,767
IN A SINGLE DAY.
148
00:07:57,800 --> 00:08:02,733
IAN CHECKS IF BIG BEN
IS ON TIME.
149
00:08:02,767 --> 00:08:06,167
HE GETS AN ACCURATE READING
OF GREENWICH MEAN TIME
150
00:08:06,200 --> 00:08:09,100
AND THEN HEADS TO THE BELFRY.
151
00:08:09,133 --> 00:08:11,700
IT'S CURRENTLY ALMOST 10:00 A.M.
152
00:08:11,733 --> 00:08:16,067
WILL BIG BEN CHIME ON TIME?
153
00:08:16,067 --> 00:08:18,133
Westworth:
SO, WHAT YOU'LL SEE --
154
00:08:18,167 --> 00:08:20,233
THIS IS THE FIRST HAMMER
THAT MOVES,
155
00:08:20,267 --> 00:08:21,667
SO IT DOESN'T COME AS A SHOCK.
156
00:08:21,700 --> 00:08:23,533
IF YOU WATCH THAT ONE,
IT'LL LIFT UP
157
00:08:23,567 --> 00:08:25,967
AND DROP AND PLAY THE 16 NOTES.
158
00:08:26,067 --> 00:08:28,300
THEN THERE'S A PAUSE
OF ABOUT 10 SECONDS,
159
00:08:28,333 --> 00:08:29,500
AND THEN THAT ONE WILL GO.
160
00:08:29,533 --> 00:08:31,633
IT'LL BE ANY MOMENT...
161
00:08:31,667 --> 00:08:32,933
NOW.
162
00:08:32,967 --> 00:08:35,067
[ BELLS TOLLING ]
163
00:08:51,533 --> 00:08:53,567
[ BELL TOLLS ]
164
00:08:57,067 --> 00:08:59,800
Narrator: BIG BEN'S CHIME
ROARS ACROSS THE CAPITAL
165
00:08:59,833 --> 00:09:01,933
AT 118 DECIBELS,
166
00:09:01,967 --> 00:09:05,167
ALMOST AS LOUD
AS A JET PLANE TAKING OFF.
167
00:09:05,200 --> 00:09:07,733
Westworth: YOU CAN FEEL
THE VIBRATION OF THE BELL
168
00:09:07,767 --> 00:09:10,167
THROUGHOUT THE WHOLE BELFRY.
169
00:09:10,200 --> 00:09:11,867
WHEN THE BELL WAS FIRST FITTED,
170
00:09:11,900 --> 00:09:14,167
YOU COULD HEAR IT
10 KILOMETERS AWAY.
171
00:09:14,200 --> 00:09:17,433
NOWADAYS, YOU'LL BE LUCKY TO
HEAR IT HALF A KILOMETER AWAY
172
00:09:17,467 --> 00:09:21,233
ACROSS THE RIVER, 'CAUSE THERE'S
SO MUCH NOISE IN LONDON NOW.
173
00:09:21,267 --> 00:09:23,300
[ TOLLING CONTINUES ]
174
00:09:24,800 --> 00:09:27,267
Narrator:
SO, IS THE CLOCK ON TIME?
175
00:09:27,300 --> 00:09:29,267
WE'RE ONE SECOND SLOW.
176
00:09:29,300 --> 00:09:32,467
Narrator: WITH THE TEMPERATURE
AFFECTING BIG BEN THIS MUCH,
177
00:09:32,500 --> 00:09:35,300
IAN NEEDS TO BRING
THE CLOCK BACK UP TO SPEED.
178
00:09:35,333 --> 00:09:37,633
BUT HOW CAN HE ADJUST
THE TIME ON A CLOCK
179
00:09:37,667 --> 00:09:41,067
THAT'S GOT 14-FOOT-LONG HANDS?
180
00:09:41,067 --> 00:09:43,700
IAN KNOWS THE SECRET
THAT HAS BEEN PASSED DOWN
181
00:09:43,733 --> 00:09:46,600
FROM BIG BEN'S
ORIGINAL CLOCK KEEPERS.
182
00:09:46,633 --> 00:09:50,200
Westworth: TRADITIONALLY,
WHAT WE DO, WE ADD A PENNY.
183
00:09:50,233 --> 00:09:52,733
ONE PENNY --
OLD PRE-DECIMAL COIN --
184
00:09:52,767 --> 00:09:57,500
SPEEDS THE CLOCK UP JUST TO
BRING THE CLOCK BACK INTO TIME.
185
00:09:57,533 --> 00:09:59,667
Narrator: LIKE THOSE
ORIGINAL CLOCK KEEPERS,
186
00:09:59,700 --> 00:10:02,867
IAN KNOWS THIS TINY WEIGHT
RAISES THE PENDULUM'S
187
00:10:02,900 --> 00:10:06,000
CENTER OF GRAVITY
AND MAKES IT SWING FASTER.
188
00:10:06,033 --> 00:10:09,100
WE'VE CORRECTED IT,
AND IT'S COME BACK UP TO TIME.
189
00:10:09,133 --> 00:10:11,533
THAT'S PRETTY GOOD
FOR A 160-YEAR-OLD CLOCK.
190
00:10:11,567 --> 00:10:13,867
Narrator: WITH THE MIXTURE
OF VICTORIAN KNOW-HOW
191
00:10:13,900 --> 00:10:15,500
AND MODERN TECHNOLOGY,
192
00:10:15,533 --> 00:10:18,133
IAN KEEPS BIG BEN
IN PERFECT TIME.
193
00:10:18,167 --> 00:10:19,633
[ BELL TOLLS ]
194
00:10:19,667 --> 00:10:23,067
*
195
00:10:23,100 --> 00:10:26,467
THE CLOCK STANDS
IN A NEARLY 9,000-TON TOWER
196
00:10:26,500 --> 00:10:30,067
THAT RISES FROM LONDON'S
SOFT, GRAVELLY EARTH.
197
00:10:30,100 --> 00:10:33,600
HOW DID THE VICTORIANS
STOP THIS BEHEMOTH TOWER
198
00:10:33,633 --> 00:10:36,633
FROM COLLAPSING
ON SUCH UNSTABLE GROUND?
199
00:10:36,667 --> 00:10:38,533
AND HOW HAS IT SURVIVED
200
00:10:38,567 --> 00:10:41,800
AS THE CITY HAS EXPANDED
BENEATH IT?
201
00:10:43,667 --> 00:10:46,633
*
202
00:10:46,667 --> 00:10:48,900
Narrator: THE HOUSES
OF PARLIAMENT IN LONDON,
203
00:10:48,933 --> 00:10:53,000
THE MOST TECHNOLOGICALLY
ADVANCED BUILDING OF ITS AGE.
204
00:10:53,033 --> 00:10:55,967
AN ARMY OF EXPERTS
KEEPS THIS STRUCTURE RUNNING,
205
00:10:56,000 --> 00:10:59,267
REVEALING ITS VICTORIAN SECRETS
AS THEY GO.
206
00:10:59,300 --> 00:11:02,067
*
207
00:11:02,067 --> 00:11:04,267
FOR OVER A CENTURY,
BIG BEN HAS BEEN
208
00:11:04,300 --> 00:11:06,667
THE TICKING HEART
AT THE CITY'S CENTER.
209
00:11:06,700 --> 00:11:09,267
A TRIUMPH OF ENGINEERING,
210
00:11:09,300 --> 00:11:11,733
SUPPORTING THIS
GROUNDBREAKING CLOCK
211
00:11:11,767 --> 00:11:14,733
REQUIRES A TOWER
THAT'S EQUALLY MAGNIFICENT.
212
00:11:17,833 --> 00:11:20,933
MADE FROM OVER 1 MILLION
STONES AND BRICKS,
213
00:11:20,967 --> 00:11:24,833
THIS TOWER IS ENORMOUSLY HEAVY.
214
00:11:24,867 --> 00:11:29,633
38 TONS OF IRON TILE SIT
ON TOP OF THE SPIRE.
215
00:11:29,667 --> 00:11:34,333
BENEATH THEM,
THE BRONZE BELLS WEIGH 24 TONS.
216
00:11:34,367 --> 00:11:38,800
THE CLOCK MECHANISM IS
AS HEAVY AS A MILITARY TRUCK.
217
00:11:38,833 --> 00:11:41,833
TO HOLD UP
THE COLOSSAL STRUCTURE --
218
00:11:41,867 --> 00:11:45,100
NEARLY 9,000 TONS
OF STONE AND BRICK --
219
00:11:45,133 --> 00:11:49,133
THE VICTORIANS BUILT A CONCRETE
FOUNDATION ALMOST 10 FEET THICK
220
00:11:49,167 --> 00:11:52,933
TO STOP THE TOWERS FROM SINKING
INTO THE WET SAND BENEATH.
221
00:11:52,967 --> 00:11:56,400
THESE SOLID FOUNDATIONS
HAVE KEPT THIS LONDON LANDMARK
222
00:11:56,433 --> 00:11:59,567
STANDING TALL FOR 160 YEARS.
223
00:12:02,133 --> 00:12:04,267
BUT THE CHALLENGES
FACING BIG BEN
224
00:12:04,300 --> 00:12:07,533
WERE NOT OVER
WHEN CONSTRUCTION FINISHED.
225
00:12:07,567 --> 00:12:10,500
LONDON IS CONSTANTLY
REBUILDING ITSELF.
226
00:12:10,533 --> 00:12:12,367
AND ITS SUBTERRANEAN
RAIL NETWORK,
227
00:12:12,400 --> 00:12:14,933
THE UNDERGROUND,
IS EVER-EXPANDING.
228
00:12:17,767 --> 00:12:20,300
TODAY, THE CONSTRUCTION
OF NEW TRAIN TUNNELS
229
00:12:20,333 --> 00:12:23,367
POSES A CONSTANT THREAT
TO BUILDINGS ON THE SURFACE.
230
00:12:23,400 --> 00:12:27,067
THE LAST THING YOU WANT
IS STRUCTURES ABOVEGROUND
231
00:12:27,100 --> 00:12:29,833
MOVING BECAUSE OF WHAT
YOU'RE DOING BELOWGROUND.
232
00:12:29,867 --> 00:12:31,633
Narrator:
GEOFF MORRIS IS ONE
233
00:12:31,667 --> 00:12:33,800
OF THE LONDON UNDERGROUND'S
ENGINEERS.
234
00:12:33,833 --> 00:12:37,300
HE KNOWS JUST HOW DANGEROUS
TUNNELING CAN BE.
235
00:12:37,333 --> 00:12:39,767
AND THE WORST-CASE SCENARIO
WOULD BE COLLAPSE.
236
00:12:39,800 --> 00:12:41,733
Narrator: IN 1994,
237
00:12:41,767 --> 00:12:44,533
THE LONDON UNDERGROUND
EXCAVATED NEW TRAIN TUNNELS
238
00:12:44,567 --> 00:12:49,067
JUST 90 FEET
FROM THE BASE OF BIG BEN.
239
00:12:49,067 --> 00:12:51,933
AS TUNNELING PROGRESSED,
ENGINEERS WERE ALARMED
240
00:12:51,967 --> 00:12:54,833
TO DETECT MOVEMENT
IN THE BUILDINGS ABOVE.
241
00:12:57,767 --> 00:13:00,333
THERE WAS A PROBLEM
WITH THE GROUND MOVEMENT
242
00:13:00,367 --> 00:13:04,133
BECAUSE OF THE FOUNDATIONS
BECOMING DESTABILIZED.
243
00:13:04,167 --> 00:13:06,300
Narrator:
THE ENGINEERS FACED A CHALLENGE.
244
00:13:06,333 --> 00:13:10,367
THEY NEEDED TO STOP BIG BEN'S
CLOCK TOWER FROM TILTING, FAST,
245
00:13:10,400 --> 00:13:13,533
BUT THE PROBLEM
WAS BIGGER THAN THEY REALIZED.
246
00:13:13,567 --> 00:13:16,900
THE EARTH UNDER BIG BEN
IS EXTREMELY UNSTABLE.
247
00:13:16,933 --> 00:13:18,233
Morris:
IF YOU'VE BEEN TO THE SEASIDE
248
00:13:18,267 --> 00:13:19,567
AND YOU TRY AND DIG A HOLE,
249
00:13:19,600 --> 00:13:21,500
IT JUST INSTANTLY FILLS UP
WITH WATER
250
00:13:21,533 --> 00:13:23,267
AND GROWS WIDER INSTEAD
OF DEEPER,
251
00:13:23,300 --> 00:13:25,067
THEN THAT IS TYPICAL
OF THE GRAVEL
252
00:13:25,100 --> 00:13:28,967
AND THE GROUND CONDITIONS
AT WESTMINSTER.
253
00:13:29,067 --> 00:13:32,067
YOU NEED SOMETHING
THAT'S GONNA WORK VERY QUICKLY.
254
00:13:35,133 --> 00:13:38,200
Narrator: AS THE 24-FOOT-WIDE
TRAIN TUNNELS RAN CLOSE
255
00:13:38,233 --> 00:13:40,867
TO BIG BEN'S FOUNDATIONS...
256
00:13:40,900 --> 00:13:44,400
THE TOWER BEGAN TO LEAN.
257
00:13:44,433 --> 00:13:48,467
TO KEEP IT STABLE,
ENGINEERS DUG A DEEP SHAFT...
258
00:13:51,067 --> 00:13:52,967
...AND PUSHED LONG STEEL TUBES
259
00:13:53,067 --> 00:13:56,133
INTO THE GROUND
RIGHT BENEATH BIG BEN.
260
00:13:56,167 --> 00:14:00,067
EACH TUBE HAD 600 VALVES
261
00:14:00,067 --> 00:14:02,833
SO WORKERS COULD PUMP IN
A CONCRETE MIXTURE
262
00:14:02,867 --> 00:14:06,067
TO FILL THE CRACKS IN THE GROUND
WITH PRECISION.
263
00:14:06,067 --> 00:14:08,300
AS THE ENGINEERS
DUG THE TUNNELS,
264
00:14:08,333 --> 00:14:12,200
THEY INJECTED OVER 220 TONS
OF CONCRETE MIXTURE,
265
00:14:12,233 --> 00:14:14,200
SUCCESSFULLY STOPPING BIG BEN
266
00:14:14,233 --> 00:14:17,100
FROM BECOMING
A LEANING TOWER OF PISA.
267
00:14:19,533 --> 00:14:21,433
Morris:
ONCE THEY STABILIZED THE GROUND,
268
00:14:21,467 --> 00:14:24,367
IT WOULD'VE STOPPED
ANY POTENTIAL FURTHER MOVEMENT
269
00:14:24,400 --> 00:14:25,733
ON THE CLOCK TOWER.
270
00:14:25,767 --> 00:14:29,267
ONE OF THE KEY INGREDIENTS
INTO SUCCESSFUL TUNNELING.
271
00:14:29,300 --> 00:14:31,567
Narrator:
THIS INGENIOUS INTERVENTION
272
00:14:31,600 --> 00:14:36,633
KEPT THE TOWER STANDING UPRIGHT
AND THE BELLS RINGING ON TIME.
273
00:14:36,667 --> 00:14:38,700
[ BELLS TOLLING ]
274
00:14:41,267 --> 00:14:43,267
EXPERTS
MAY HAVE SAVED PARLIAMENT
275
00:14:43,300 --> 00:14:46,633
FROM DANGERS BELOWGROUND,
BUT NOW A BIGGER PROBLEM
276
00:14:46,667 --> 00:14:48,633
THREATENS IT FROM ABOVE.
277
00:14:48,667 --> 00:14:52,633
AFTER 160 YEARS COVERING
THE HOUSES OF PARLIAMENT,
278
00:14:52,667 --> 00:14:54,800
THE ROOF IS FAILING.
279
00:14:54,833 --> 00:14:57,900
WORK TO RESTORE IT GOES ON
DAY AND NIGHT.
280
00:15:00,300 --> 00:15:02,500
NO INSTRUCTIONS
FOR BUILDING THIS ROOF
281
00:15:02,533 --> 00:15:05,900
SURVIVE FROM VICTORIAN TIMES.
282
00:15:05,933 --> 00:15:07,900
AS ENGINEERS DISMANTLE
283
00:15:07,933 --> 00:15:11,133
THE 65,000-SQUARE-FOOT
ROOF STRUCTURE,
284
00:15:11,167 --> 00:15:16,400
THEY'RE UNCOVERING THE SECRETS
OF ITS INTRICATE DESIGN.
285
00:15:16,433 --> 00:15:19,767
ELTON BILTON IS IN CHARGE
OF THE OPERATION.
286
00:15:19,800 --> 00:15:22,333
*
287
00:15:22,367 --> 00:15:23,833
HOW'S THAT LOOKING?
ALL RIGHT?
288
00:15:23,867 --> 00:15:26,267
ELTON AND HIS TEAM
HAVE TO REMOVE
289
00:15:26,300 --> 00:15:28,700
AND REPAIR EVERY SINGLE TILE.
290
00:15:28,733 --> 00:15:32,833
WE'RE BUSY STRIPPING THE ROOF,
TAKING ALL THE OLD TILES OFF.
291
00:15:32,867 --> 00:15:35,367
THESE OLD TILES
THAT HAVE BEEN ON THE ROOF
292
00:15:35,400 --> 00:15:37,967
FOR OVER A HUNDRED YEARS,
293
00:15:38,067 --> 00:15:41,667
THEY ARE DAMAGED
AND IN A BAD STATE.
294
00:15:43,933 --> 00:15:45,833
Narrator:
AFTER SURVIVING LONDON'S WEATHER
295
00:15:45,867 --> 00:15:50,733
FOR AN INCREDIBLE 160 YEARS,
RESTORATION IS NOW CRITICAL.
296
00:15:53,067 --> 00:15:55,333
IT'S A DANGEROUS UNDERTAKING.
297
00:15:55,367 --> 00:15:58,767
Bilton: EACH TILE WEIGHS
BETWEEN 40 AND 50 KILOGRAMS.
298
00:15:58,800 --> 00:16:02,100
YOU WOULDN'T WANT A TILE
LIKE THAT FALLING ON YOUR HEAD.
299
00:16:02,133 --> 00:16:05,500
THEY'VE GOT SHARP EDGES,
AND THEY'RE VERY HEAVY.
300
00:16:05,533 --> 00:16:07,167
Narrator:
ELTON REMOVES THE TILES
301
00:16:07,200 --> 00:16:09,900
SO HE CAN SEND THEM AWAY
FOR REPAIRS.
302
00:16:12,167 --> 00:16:16,967
THEY MAY LOOK THE SAME,
BUT EVERY SINGLE TILE IS UNIQUE.
303
00:16:17,067 --> 00:16:18,833
PUTTING THE REPAIRED TILES BACK
304
00:16:18,867 --> 00:16:20,933
WILL BE AN ENORMOUS
JIGSAW PUZZLE.
305
00:16:20,967 --> 00:16:23,233
Bilton: BEFORE ANYTHING
GETS REMOVED FROM THE ROOF,
306
00:16:23,267 --> 00:16:25,300
EACH AND EVERY COMPONENT
HAS A UNIQUE NUMBER.
307
00:16:25,333 --> 00:16:26,467
OTHERWISE, IT WOULD BE CHAOS,
308
00:16:26,500 --> 00:16:28,167
AND WE WOULDN'T KNOW WHERE
TO PUT THINGS.
309
00:16:28,200 --> 00:16:32,233
Narrator: USING THIS PROCESS,
ONCE THE TILES ARE RESTORED,
310
00:16:32,267 --> 00:16:35,233
ELTON WILL REASSEMBLE
THE 7,000-TILE ROOF
311
00:16:35,267 --> 00:16:37,533
EXACTLY
AS THE VICTORIANS INTENDED.
312
00:16:37,567 --> 00:16:38,933
OKAY, THAT TILE'S NOW READY
313
00:16:38,967 --> 00:16:41,233
TO GO BACK TO THE FACTORY
FOR RESTORATION.
314
00:16:43,367 --> 00:16:45,067
Narrator:
WHY DID THE VICTORIANS
315
00:16:45,067 --> 00:16:47,833
BUILD THE ROOF
WITH SUCH A COMPLEX DESIGN?
316
00:16:47,867 --> 00:16:51,167
*
317
00:16:51,200 --> 00:16:55,833
THE ANSWER LIES
IN A 19th-CENTURY DISASTER.
318
00:16:55,867 --> 00:16:59,200
AT THIS TRAINING CENTER
50 MILES FROM PARLIAMENT,
319
00:16:59,233 --> 00:17:01,700
FIREFIGHTERS
THINK THEY KNOW WHAT HAPPENED.
320
00:17:01,733 --> 00:17:03,933
IS EVERYBODY FIT AND WELL
TO TAKE PART
321
00:17:03,967 --> 00:17:05,400
IN THIS
LIVE-FIRE EXERCISE?
322
00:17:05,433 --> 00:17:06,867
I NEED A POSITIVE RESPONSE
FROM YOU ALL.
323
00:17:06,900 --> 00:17:08,067
All: YES, SIR.
324
00:17:08,067 --> 00:17:09,800
Narrator: THE ORIGINAL
HOUSES OF PARLIAMENT
325
00:17:09,833 --> 00:17:11,400
WERE A COLLECTION
OF MEDIEVAL BUILDINGS
326
00:17:11,433 --> 00:17:15,767
THAT HAD STOOD ON THE THAMES
FOR ALMOST 1,000 YEARS.
327
00:17:15,800 --> 00:17:19,400
BUT IN 1834,
A FIRE BROKE OUT IN PARLIAMENT
328
00:17:19,433 --> 00:17:22,967
THAT CAUSED DESTRUCTION
ON AN UNPRECEDENTED SCALE.
329
00:17:23,067 --> 00:17:25,367
THE SUDDEN FIREBALL
WAS SO BRIGHT,
330
00:17:25,400 --> 00:17:28,433
IT WAS SEEN 25 MILES AWAY.
331
00:17:31,800 --> 00:17:33,433
THE BIG MYSTERY --
332
00:17:33,467 --> 00:17:36,967
WHAT CAUSED
SUCH A DEVASTATING EXPLOSION?
333
00:17:38,800 --> 00:17:41,767
*
334
00:17:41,800 --> 00:17:43,833
[ FIRE CRACKLING ]
335
00:17:46,133 --> 00:17:48,133
Narrator: IN LONDON,
336
00:17:48,167 --> 00:17:51,067
PAULINE HOLDEN
TRAINS FIREFIGHTERS.
337
00:17:51,100 --> 00:17:55,233
SHE THINKS THE 1834 EXPLOSION
AT THE HOUSES OF PARLIAMENT
338
00:17:55,267 --> 00:17:58,833
WAS TRIGGERED BY A DEADLY
PHENOMENON CALLED A FLASHOVER.
339
00:17:58,867 --> 00:18:02,700
A FLASHOVER CAN OCCUR EXTREMELY
QUICKLY -- WITHIN MINUTES.
340
00:18:02,733 --> 00:18:04,900
Narrator: AS FIRE HEATS
341
00:18:04,933 --> 00:18:07,067
THE COMBUSTIBLE MATERIALS
IN A ROOM,
342
00:18:07,067 --> 00:18:09,267
THEY RELEASE FLAMMABLE GASES.
343
00:18:09,300 --> 00:18:13,967
IF THESE GASES ARE TRAPPED
IN AN ENCLOSED SPACE...
344
00:18:14,067 --> 00:18:16,333
WHEN THE FIRE REACHES
A CRITICAL TEMPERATURE,
345
00:18:16,367 --> 00:18:19,500
THERE'S ONE POSSIBLE OUTCOME.
346
00:18:19,533 --> 00:18:22,700
FIRE MAKES THE GASES
EXPLODE INTO A FIREBALL.
347
00:18:26,533 --> 00:18:29,067
Narrator:
THIS IS A FLASHOVER.
348
00:18:29,100 --> 00:18:31,833
BACK IN 1834,
349
00:18:31,867 --> 00:18:35,700
PARLIAMENT'S BUILDINGS
WERE MADE FROM STONE.
350
00:18:35,733 --> 00:18:39,800
BUT THE ROOFS
WERE MADE FROM WOOD.
351
00:18:39,833 --> 00:18:42,700
THE FLASHOVER
IGNITED THE WOODEN ROOFS,
352
00:18:42,733 --> 00:18:46,467
SPREADING THE BLAZE
WITH ASTONISHING SPEED.
353
00:18:46,500 --> 00:18:49,633
FIREFIGHTERS BATTLED IN VAIN.
354
00:18:49,667 --> 00:18:53,067
THE FIRE DESTROYED
THE HOUSES OF PARLIAMENT.
355
00:18:53,100 --> 00:18:56,733
BRITAIN'S GOVERNMENT
NEEDED A NEW HEADQUARTERS.
356
00:18:56,767 --> 00:19:00,767
AND THIS TIME,
IT WOULD BE FIREPROOF.
357
00:19:00,800 --> 00:19:03,833
*
358
00:19:05,167 --> 00:19:07,900
INSIDE ANOTHER SECTION
OF THE ROOF'S STRUCTURE,
359
00:19:07,933 --> 00:19:10,900
PALACE ARCHITECT ADAM WATROBSKI
IS INVESTIGATING
360
00:19:10,933 --> 00:19:13,833
HOW THE VICTORIANS
ENSURED THEIR PARLIAMENT
361
00:19:13,867 --> 00:19:15,900
WOULD NEVER BURN TO THE GROUND.
362
00:19:17,967 --> 00:19:20,767
Watrobski:
AFTER THE GREAT FIRE OF 1834,
363
00:19:20,800 --> 00:19:23,467
ONE OF THE PRIORITIES
IN REBUILDING
364
00:19:23,500 --> 00:19:25,100
THE NEW PALACE OF WESTMINSTER
365
00:19:25,133 --> 00:19:27,400
WAS TO MAKE IT
AS FIREPROOF AS POSSIBLE.
366
00:19:27,433 --> 00:19:31,400
AND THIS REMARKABLE ROOF IS PART
OF THAT FIREPROOFING EXERCISE.
367
00:19:31,433 --> 00:19:33,367
Narrator: THE VICTORIAN
ENGINEERS TOOK ADVANTAGE
368
00:19:33,400 --> 00:19:35,433
OF A NEW BUILDING MATERIAL.
369
00:19:35,467 --> 00:19:39,867
THE FRAME OF THE ROOF AND TILES
ARE ALL MADE FROM CAST IRON.
370
00:19:39,900 --> 00:19:43,067
CAST IRON HAD NEVER BEEN USED
ON THIS SCALE BEFORE.
371
00:19:43,067 --> 00:19:46,533
Narrator: WITH A MELTING POINT
OF 2,300 DEGREES,
372
00:19:46,567 --> 00:19:48,767
THIS CAST-IRON ROOF
WOULD HOLD UP
373
00:19:48,800 --> 00:19:51,100
WHEN A TIMBER ROOF
WOULD JUST BURN.
374
00:19:51,133 --> 00:19:53,533
THE CAST-IRON ROOF
USED CUTTING-EDGE TECHNOLOGY,
375
00:19:53,567 --> 00:19:56,233
BOTH IN TERMS OF THE MATERIALS
AND THEIR CONSTRUCTION,
376
00:19:56,267 --> 00:19:59,133
WITH, OF COURSE, NOT A COMPUTER
IN SIGHT WHEN IT WAS DESIGNED,
377
00:19:59,167 --> 00:20:01,833
SO THIS WAS A HUGE EXPERIMENT.
378
00:20:01,867 --> 00:20:04,733
Narrator: PULLING THIS OFF
WAS A GREAT CHALLENGE.
379
00:20:04,767 --> 00:20:08,433
CAST IRON IS EXTREMELY HEAVY,
SO HOW DID THE VICTORIANS
380
00:20:08,467 --> 00:20:12,067
DESIGN THIS ROOF SO THAT IT
WOULDN'T COLLAPSE IN ON ITSELF?
381
00:20:13,933 --> 00:20:18,400
THE SECRET LIES HIDDEN INSIDE.
382
00:20:18,433 --> 00:20:22,767
THE 7,000 CAST-IRON TILES
THAT COVER THE ENTIRE PALACE
383
00:20:22,800 --> 00:20:27,700
ADD OVER 386 TONS
TO THE WEIGHT OF THE ROOF.
384
00:20:27,733 --> 00:20:30,300
BUT EACH TILE HAS
A CLEVER DESIGN,
385
00:20:30,333 --> 00:20:32,767
WHICH ALLOWS THEM
TO BECOME EXCEPTIONALLY STRONG
386
00:20:32,800 --> 00:20:35,033
AS THEY LOCK RIGIDLY TOGETHER.
387
00:20:39,367 --> 00:20:42,067
UNDERNEATH, A LIGHTWEIGHT
SKELETON OF TRUSSES
388
00:20:42,100 --> 00:20:44,800
IS ENOUGH
TO HOLD THE ROOF ALOFT.
389
00:20:44,833 --> 00:20:47,333
THE TRUSSES ADD VERY LITTLE
ADDITIONAL PRESSURE
390
00:20:47,367 --> 00:20:50,567
TO THE WALLS BELOW,
CREATING THIS UNIQUE SYSTEM
391
00:20:50,600 --> 00:20:54,033
THAT STILL PROTECTS THE HOUSES
OF PARLIAMENT TO THIS DAY.
392
00:20:54,067 --> 00:20:57,100
*
393
00:21:00,167 --> 00:21:03,200
IN THESE VAST WORKSHOPS
IN SOUTH YORKSHIRE,
394
00:21:03,233 --> 00:21:05,967
WORKERS ARE PREPARING THE IRON
TILES THAT HAVE COME OFF
395
00:21:06,067 --> 00:21:07,800
PARLIAMENT'S ROOF
FOR RESTORATION.
396
00:21:07,833 --> 00:21:11,233
THE ORIGINAL ENGINEERS
COULD NEVER HAVE PREDICTED
397
00:21:11,267 --> 00:21:12,967
HOW A CENTURY
OF LONDON'S WEATHER
398
00:21:13,067 --> 00:21:15,367
WOULD AFFECT THIS UNIQUE ROOF.
399
00:21:15,400 --> 00:21:18,767
WORKERS BLAST THE TILES
WITH PARTICLES OF STEEL,
400
00:21:18,800 --> 00:21:20,367
REMOVING THE RUST AND GRIME
401
00:21:20,400 --> 00:21:23,433
TO REVEAL ANY HOLES
OR FRACTURES IN THE IRON.
402
00:21:25,300 --> 00:21:26,833
REPAIRING THIS DAMAGE IS
403
00:21:26,867 --> 00:21:30,833
THE MOST IMPORTANT STAGE
OF THE RESTORATION.
404
00:21:30,867 --> 00:21:33,933
IT'S A HIGHLY SPECIALIZED JOB.
405
00:21:40,100 --> 00:21:41,467
DANNY WHITWORTH IS IN CHARGE
406
00:21:41,500 --> 00:21:44,067
OF FIXING
PARLIAMENT'S ROOF TILES.
407
00:21:52,133 --> 00:21:55,100
DANNY APPLIES BRONZE
AT OVER 1,500 DEGREES
408
00:21:55,133 --> 00:21:57,133
INTO THE DEFECTS IN THE TILE.
409
00:21:57,167 --> 00:21:59,633
THIS RESTORES
THE TILE'S STRENGTH.
410
00:22:02,800 --> 00:22:06,600
BUT APPLYING TOO MUCH HEAT COULD
CAUSE THE BRITTLE IRON TO CRACK.
411
00:22:22,367 --> 00:22:24,467
WITH ONE SLIP OF THE HAND,
412
00:22:24,500 --> 00:22:27,733
DANNY COULD RUIN
THE 160-YEAR-OLD TILE.
413
00:22:43,167 --> 00:22:46,200
*
414
00:22:54,433 --> 00:22:57,400
ONCE REPAIRED,
THE TILES ARE RETURNED
415
00:22:57,433 --> 00:22:59,067
TO THE HOUSES OF PARLIAMENT,
416
00:22:59,067 --> 00:23:01,667
READY FOR ELTON
TO INSTALL ON THE ROOF.
417
00:23:01,700 --> 00:23:04,733
*
418
00:23:06,867 --> 00:23:08,467
THAT'S A PREFECT FIT.
419
00:23:08,500 --> 00:23:12,200
IF THEY ALL FIT IN LIKE THAT,
WE'D BE VERY HAPPY.
420
00:23:12,233 --> 00:23:15,333
THIS ROOF SHOULD LAST
FOR ANOTHER 80 TO 100 YEARS.
421
00:23:15,367 --> 00:23:17,600
THANKS TO ELTON'S TEAM,
422
00:23:17,633 --> 00:23:20,467
ANOTHER SECTION
OF THE ROOF IS COMPLETE.
423
00:23:20,500 --> 00:23:24,200
JOB WELL DONE, I'D SAY.
424
00:23:24,233 --> 00:23:26,433
Narrator:
THE PALACE'S ALL-IRON ROOF
425
00:23:26,467 --> 00:23:30,067
WAS A UNIQUE
ENGINEERING SOLUTION.
426
00:23:30,067 --> 00:23:33,067
BUT ITS VICTORIAN CREATORS
WANTED TO PUSH PARLIAMENT
427
00:23:33,067 --> 00:23:35,833
TO RECORD-BREAKING HEIGHTS.
428
00:23:35,867 --> 00:23:40,200
TO DO THIS, THEY HAD TO INVENT
A RADICAL NEW WAY OF BUILDING
429
00:23:40,233 --> 00:23:43,600
AND TAKE ON
THE RIVER THAMES ITSELF.
430
00:23:46,767 --> 00:23:49,800
*
431
00:23:51,067 --> 00:23:52,967
Narrator:
BRITAIN'S HOUSES OF PARLIAMENT,
432
00:23:53,067 --> 00:23:56,067
A BUILDING LIGHT-YEARS
AHEAD OF ITS TIME.
433
00:23:56,100 --> 00:23:58,667
TODAY, EXPERTS ARE DECIPHERING
434
00:23:58,700 --> 00:24:02,667
THE MYSTERIES
OF ITS VICTORIAN DESIGN.
435
00:24:02,700 --> 00:24:07,433
AT ITS SOUTHERN END SOARS THE
EXTRAORDINARY VICTORIA TOWER.
436
00:24:07,467 --> 00:24:10,500
IT STANDS 320 FEET HIGH,
437
00:24:10,533 --> 00:24:13,200
EVEN TALLER
THAN BIG BEN'S CLOCK TOWER.
438
00:24:13,233 --> 00:24:18,067
YET AT ITS BASE CONTAINS A VAST,
OPEN, CEREMONIAL ENTRANCE.
439
00:24:19,900 --> 00:24:24,700
HOW DID ENGINEERS BUILD THIS
320-FOOT-HIGH MEGA STRUCTURE
440
00:24:24,733 --> 00:24:30,233
AND SUPPORT ITS NINE FLOORS
ABOVE THIS EMPTY SPACE?
441
00:24:30,267 --> 00:24:33,233
*
442
00:24:33,267 --> 00:24:36,867
THE TRADITIONAL BRICKS
AND STONES HIDE A SECRET --
443
00:24:36,900 --> 00:24:40,400
AN IMMENSE IRON SKELETON.
444
00:24:40,433 --> 00:24:45,200
A NETWORK OF TAPERING COLUMNS,
EACH 200 FEET TALL,
445
00:24:45,233 --> 00:24:48,600
SUPPORTS THE WEIGHT
OF THE BUILDING'S FLOORS.
446
00:24:51,300 --> 00:24:53,400
THE COLUMNS CHANNEL
THIS IMMENSE LOAD
447
00:24:53,433 --> 00:24:57,067
DOWN TO A BASE MADE
FROM 13-TON GIRDERS.
448
00:24:57,100 --> 00:25:01,433
IT TRANSFERS THE WEIGHT OF THE
FLOORS ONTO FOUR EXTERNAL WALLS,
449
00:25:01,467 --> 00:25:04,733
LEAVING AN IMMENSE
STONE VAULT BELOW.
450
00:25:04,767 --> 00:25:09,300
THE VICTORIA TOWER'S ENGINEERING
WAS DECADES AHEAD OF ITS TIME.
451
00:25:12,700 --> 00:25:15,067
THIS TOWER WAS THE INSPIRATION
452
00:25:15,067 --> 00:25:18,833
FOR ONE OF AMERICA'S
EARLIEST SKYSCRAPERS --
453
00:25:18,867 --> 00:25:21,733
THE WOOLWORTH BUILDING
IN NEW YORK.
454
00:25:21,767 --> 00:25:24,233
ITS IRON SKELETON
WAS A VITAL STEP
455
00:25:24,267 --> 00:25:26,567
TOWARDS DEVELOPING
STEEL-FRAME SKYSCRAPERS
456
00:25:26,600 --> 00:25:30,433
IN THE 20th CENTURY,
WHICH WENT ON TO DOMINATE
457
00:25:30,467 --> 00:25:33,600
NOT ONLY NEW YORK'S
ICONIC SKYLINE,
458
00:25:33,633 --> 00:25:37,400
BUT CITIES ACROSS THE WORLD.
459
00:25:37,433 --> 00:25:42,067
THE VICTORIANS HAD BUILT A
PRECURSOR TO MODERN SKYSCRAPERS,
460
00:25:42,067 --> 00:25:43,867
BUT WHY DID THEY NEED
TO CONSTRUCT
461
00:25:43,900 --> 00:25:46,067
SUCH AN EXTRAORDINARY STRUCTURE?
462
00:25:46,067 --> 00:25:49,067
*
463
00:25:52,067 --> 00:25:55,200
DEEP INSIDE THE VICTORIA TOWER
HOLDS PARLIAMENT'S
464
00:25:55,233 --> 00:25:59,567
MOST PRECIOUS TREASURES, JUST AS
IT DID WHEN IT WAS BUILT.
465
00:25:59,600 --> 00:26:03,533
AROUND US, WE CAN SEE
64,000 ACTS OF PARLIAMENT,
466
00:26:03,567 --> 00:26:07,967
DATING BACK TO THE 15th CENTURY,
STORED IN PARCHMENT SCROLLS,
467
00:26:08,067 --> 00:26:10,433
ONE SCROLL PER ACT --
468
00:26:10,467 --> 00:26:12,633
ALL THE LAWS
THAT HAVE BEEN PASSED
469
00:26:12,667 --> 00:26:14,567
BY PARLIAMENT
OVER THE CENTURIES.
470
00:26:14,600 --> 00:26:17,367
Narrator:
ARCHIVIST CAROLINE SHENTON
471
00:26:17,400 --> 00:26:19,733
GUARDS THESE PRICELESS LAWS.
472
00:26:19,767 --> 00:26:22,933
IT'S AN AMAZING SPACE
AND AIR-CONDITIONED, TOO --
473
00:26:22,967 --> 00:26:26,333
16 DEGREES CENTIGRADE
AND 55% HUMIDITY,
474
00:26:26,367 --> 00:26:29,500
WHICH HELPS TO KEEP
ALL THESE INCREDIBLE SCROLLS
475
00:26:29,533 --> 00:26:32,767
AT THE RIGHT TEMPERATURE
TO PRESERVE THEM FOR THE FUTURE.
476
00:26:32,800 --> 00:26:36,167
Narrator: STORING ALL OF
PARLIAMENT'S DOCUMENTS AND LAWS
477
00:26:36,200 --> 00:26:40,067
PUSH THE VICTORIA TOWER UP
TO ITS RECORD-BREAKING HEIGHT.
478
00:26:42,700 --> 00:26:45,500
BUT BUILDING BIG
WAS A HUGE CHALLENGE.
479
00:26:45,533 --> 00:26:49,933
BACK IN 1834, AS TODAY,
ROADS AND HISTORIC BUILDINGS
480
00:26:49,967 --> 00:26:52,267
SURROUNDED THE SITE
ON THREE SIDES.
481
00:26:52,300 --> 00:26:55,067
THERE WAS NO SPACE
FOR THE SCAFFOLDING OR CRANES
482
00:26:55,067 --> 00:26:57,267
THAT COULD CREATE
SUCH A VAST TOWER.
483
00:26:57,300 --> 00:27:01,567
THE VICTORIANS NEEDED TO INVENT
A RADICALLY NEW WAY OF BUILDING.
484
00:27:04,067 --> 00:27:07,100
ENGINEERS HIT
ON AN INGENIOUS SOLUTION...
485
00:27:09,533 --> 00:27:11,800
...TO USE A GIANT,
RISING PLATFORM
486
00:27:11,833 --> 00:27:15,800
AND BUILD THE ENTIRE TOWER
FROM THE INSIDE OUT.
487
00:27:15,833 --> 00:27:19,333
EIGHT MEN HOISTED UP
THE 44-TON PLATFORM,
488
00:27:19,367 --> 00:27:22,400
CRANKING THE GEARS
IN 6-FOOT BURSTS.
489
00:27:26,167 --> 00:27:29,800
ON TOP, A CRANE LIFTED
THE 4 TONS OF STONES
490
00:27:29,833 --> 00:27:31,900
FROM THE GROUND TO THE PLATFORM.
491
00:27:31,933 --> 00:27:33,900
POWERED BY A STEAM ENGINE,
492
00:27:33,933 --> 00:27:37,400
IT COULD DELIVER
10 LOADS AN HOUR.
493
00:27:37,433 --> 00:27:39,733
TWO MORE CRANES
PLACED THE HEAVY STONES
494
00:27:39,767 --> 00:27:42,133
IN POSITION ON THE TOWER WALLS.
495
00:27:42,167 --> 00:27:44,133
TO OBSERVERS, THE TOWER APPEARED
496
00:27:44,167 --> 00:27:48,067
TO GROW EFFORTLESSLY
UNDER ITS OWN STEAM.
497
00:27:48,100 --> 00:27:50,867
THIS INNOVATIVE CONSTRUCTION
TECHNIQUE SOLVED
498
00:27:50,900 --> 00:27:53,700
THE ENGINEERS' PROBLEM
ON ONE SIDE OF THE PALACE.
499
00:27:53,733 --> 00:27:55,800
BUT ON THE OTHER SIDE,
THEY HAD TO CONTEND
500
00:27:55,833 --> 00:27:59,067
WITH AN EVEN GREATER
ADVERSARY --
501
00:27:59,100 --> 00:28:02,333
THE RIVER THAMES.
502
00:28:02,367 --> 00:28:05,267
AT PARLIAMENT'S RIVER WALL,
503
00:28:05,300 --> 00:28:08,900
WHERE THE HOUSES OF PARLIAMENT
MEETS THE RIVER THAMES,
504
00:28:08,933 --> 00:28:12,300
STRUCTURAL ENGINEER
ALISTAIR LENCZNER INVESTIGATES
505
00:28:12,333 --> 00:28:13,700
HOW THE VICTORIANS CREATED
506
00:28:13,733 --> 00:28:16,633
THE SPACE THEY NEEDED
FOR THE NEW PARLIAMENT.
507
00:28:16,667 --> 00:28:19,833
THEY WORKED OUT THAT THE SIZE
OF BUILDING THEY REALLY NEEDED
508
00:28:19,867 --> 00:28:23,733
WAS ACTUALLY A LOT LARGER THAN
THE SPACE THAT WAS AVAILABLE.
509
00:28:23,767 --> 00:28:26,467
Narrator:
WITH ROADS AND BUILDINGS
SURROUNDING THE SITE,
510
00:28:26,500 --> 00:28:30,233
PARLIAMENT'S DESIGNERS COULD
ONLY EXPAND IN ONE DIRECTION.
511
00:28:30,267 --> 00:28:34,467
SO, IF WE CONSIDER
THIS AREA HERE...
512
00:28:36,167 --> 00:28:38,800
IS THE FOUNDATION
OF THE NEW BUILDING DESIGN,
513
00:28:38,833 --> 00:28:44,133
BUT THIS LINE HERE IS THE LINE
OF THE RIVERBANK AT THE TIME.
514
00:28:44,167 --> 00:28:46,933
SO WE CAN SEE THAT ALL THIS PART
OF THE BUILDING
515
00:28:46,967 --> 00:28:51,367
HAD TO BE BUILT OUT INTO
THE EXISTING TIDAL RIVER THAMES.
516
00:28:51,400 --> 00:28:54,333
Narrator: TO BUILD ON THIS LAND,
VICTORIAN ENGINEERS
517
00:28:54,367 --> 00:28:56,433
NEEDED TO RECLAIM IT
FROM THE RIVER.
518
00:28:56,467 --> 00:28:58,300
IT WAS A HUGE CHALLENGE
THAT CALLED
519
00:28:58,333 --> 00:29:01,233
FOR A TRAILBLAZING
CONSTRUCTION PLAN.
520
00:29:02,900 --> 00:29:05,933
*
521
00:29:10,733 --> 00:29:13,167
Narrator: TO BUILD LONDON'S
HOUSES OF PARLIAMENT,
522
00:29:13,200 --> 00:29:16,400
ENGINEERS HAD TO RECLAIM LAND
FROM THE RIVER THAMES.
523
00:29:16,433 --> 00:29:19,267
FIRST, THEY TOOK TWIN ROWS
OF TIMBER PILES,
524
00:29:19,300 --> 00:29:23,067
EACH 36 FEET DEEP, AND DROVE
THEM INTO THE RIVERBED.
525
00:29:23,067 --> 00:29:24,933
THEN THEY FIXED SHEETS OF STEEL
526
00:29:24,967 --> 00:29:27,400
BETWEEN THE PILES
TO CREATE TWO BARRIERS.
527
00:29:27,433 --> 00:29:31,300
EACH BARRIER
WAS OVER 790 FEET LONG.
528
00:29:34,600 --> 00:29:37,167
THE ENGINEERS FILLED
THE SPACE WITH CLAY
529
00:29:37,200 --> 00:29:40,867
TO CREATE A WATERTIGHT WALL
CALLED A COFFERDAM.
530
00:29:44,433 --> 00:29:48,167
FINALLY, THEY DRAINED
THE TRAPPED RIVER WATER
531
00:29:48,200 --> 00:29:50,500
AND FILLED THE SPACE
WITH CONCRETE
532
00:29:50,533 --> 00:29:53,233
TO FORM THE FOUNDATIONS
OF PARLIAMENT.
533
00:29:55,433 --> 00:29:57,767
THE FINAL CHALLENGE WAS
TO REPLACE THE TEMPORARY
534
00:29:57,800 --> 00:29:59,733
COFFERDAM WITH SOMETHING
STRONG ENOUGH
535
00:29:59,767 --> 00:30:02,600
TO WITHSTAND THE MIGHTY THAMES.
536
00:30:02,633 --> 00:30:04,800
SO, ONCE THE COFFERDAM
HAD BEEN BUILT
537
00:30:04,833 --> 00:30:07,333
AND THEY'D CREATED
THE DRY SPACE BEHIND IT,
538
00:30:07,367 --> 00:30:09,067
THAT ALLOWED THEM
TO START CONSTRUCTION
539
00:30:09,100 --> 00:30:11,100
OF THE PERMANENT RIVER WALL.
540
00:30:11,133 --> 00:30:13,600
Narrator: THIS WALL NEEDS
TO PROTECT PARLIAMENT
541
00:30:13,633 --> 00:30:16,433
FROM THE EXTREME PRESSURES
OF THE RISING TIDE.
542
00:30:16,467 --> 00:30:18,967
THE SECRET TO THE STRENGTH
OF THE RIVER WALL
543
00:30:19,000 --> 00:30:20,500
LIES IN ITS SHAPE.
544
00:30:20,533 --> 00:30:24,167
AT HIGH TIDE, THE PRESSURE GETS
BIGGER THE LOWER YOU GET DOWN.
545
00:30:24,200 --> 00:30:27,100
TO RESIST THAT HIGHER PRESSURE
LOWER DOWN,
546
00:30:27,133 --> 00:30:29,033
THE RIVER WALL ITSELF
NEEDS TO GET WIDER
547
00:30:29,067 --> 00:30:33,733
AND MORE MASSIVE TO STAY STABLE
UNDER THE WATER PRESSURE.
548
00:30:33,767 --> 00:30:37,633
BEHIND ME, YOU CAN SEE THE SHAPE
WHICH TAPERS UPWARDS.
549
00:30:37,667 --> 00:30:40,067
Narrator:
TODAY, DAMS ALL OVER THE WORLD
550
00:30:40,100 --> 00:30:42,500
USE THIS SAME TAPER DESIGN.
551
00:30:42,533 --> 00:30:44,400
IT HAS KEPT
THE HOUSES OF PARLIAMENT
552
00:30:44,433 --> 00:30:49,333
STANDING TALL IN THE RIVER
FOR OVER 160 YEARS.
553
00:30:49,367 --> 00:30:52,433
BUT THESE STONES
AREN'T INVINCIBLE.
554
00:30:52,467 --> 00:30:56,400
ON THE ROOFTOP,
THE STONEWORK IS UNDER ATTACK.
555
00:30:56,433 --> 00:30:59,500
ON THE LORDS' ROOF,
ARCHITECT ADAM WATROBSKI
556
00:30:59,533 --> 00:31:03,200
INVESTIGATES THE FABRIC
OF THE BUILDING.
557
00:31:03,233 --> 00:31:05,600
Watrobski: THERE'S A GARGOYLE
UP THERE WITH A HEAD MISSING.
558
00:31:05,633 --> 00:31:09,133
THE STONE CORRODED SO MUCH THAT
THAT HEAD PROBABLY FELL OFF.
559
00:31:09,167 --> 00:31:11,667
Narrator: ENGINEERS
MUST CONSTANTLY MONITOR
560
00:31:11,700 --> 00:31:14,233
PARLIAMENT'S LIMESTONE EXTERIOR.
561
00:31:14,267 --> 00:31:17,733
THIS BLACK IS AN ACCUMULATION
OF ATMOSPHERIC POLLUTION
562
00:31:17,767 --> 00:31:20,800
PRODUCED BY COAL FIRES
AND BY FACTORIES
563
00:31:20,833 --> 00:31:22,633
DURING THE VICTORIAN ERA.
564
00:31:22,667 --> 00:31:24,067
Narrator:
THIS POLLUTION WILL HAVE
565
00:31:24,100 --> 00:31:26,567
LONG-TERM EFFECTS
ON THE BUILDING.
566
00:31:26,600 --> 00:31:28,567
Watrobski: THE POLLUTION
THAT YOU SEE ON THE SURFACE
567
00:31:28,600 --> 00:31:31,333
IS QUITE DAMAGING,
BECAUSE THE RAIN FALLS ON IT,
568
00:31:31,367 --> 00:31:34,700
AND THE BLACK,
WHICH IS CARBON, FORMS ACID,
569
00:31:34,733 --> 00:31:37,167
AND THE ACID
THEN CHANGES THE COMPOSITION
570
00:31:37,200 --> 00:31:42,433
OF THE STONE INTO THIS POWDER,
WHICH JUST SIMPLY DROPS OFF.
571
00:31:42,467 --> 00:31:44,600
Narrator:
ADAM'S TEAM MUST REPLACE
572
00:31:44,633 --> 00:31:48,767
THIS DETERIORATED STONEWORK
WITH NEW, MORE ROBUST LIMESTONE,
573
00:31:48,800 --> 00:31:51,900
A JOB THAT CONTINUES
ACROSS THE BUILDING.
574
00:31:51,933 --> 00:31:53,933
BUT POLLUTION
IS NOT THE ONLY THING
575
00:31:53,967 --> 00:31:57,533
THAT THREATENS
PARLIAMENT'S DELICATE STONE.
576
00:31:57,567 --> 00:32:00,367
THERE IS ONE EVER-PRESENT DANGER
577
00:32:00,400 --> 00:32:04,067
THAT ONLY PARLIAMENT'S
MOST UNUSUAL TEAM CAN TACKLE.
578
00:32:04,100 --> 00:32:05,733
[ BELL JINGLING ]
579
00:32:05,767 --> 00:32:07,200
Bigwood: I DO GET
A LOT OF FUNNY LOOKS,
580
00:32:07,233 --> 00:32:08,667
ESPECIALLY WHEN PEOPLE PASS ME.
581
00:32:08,700 --> 00:32:10,933
A LOT OF THE TIME,
THEY LOOK BACK AT ME
582
00:32:10,967 --> 00:32:13,333
'CAUSE THEY DON'T BELIEVE
WHAT THEY'VE JUST SEEN.
583
00:32:13,367 --> 00:32:15,333
[ BELL JINGLING ]
584
00:32:15,367 --> 00:32:18,400
*
585
00:32:24,067 --> 00:32:26,067
Narrator: MARK BIGWOOD
AND HIS HAWK, ANGEL,
586
00:32:26,100 --> 00:32:28,900
PROTECT PARLIAMENT
FROM A SURPRISING THREAT --
587
00:32:28,933 --> 00:32:32,100
LONDON'S ARMY OF PIGEONS.
588
00:32:32,133 --> 00:32:33,533
[ PIGEON COOS ]
589
00:32:33,567 --> 00:32:37,067
ANGEL'S JOB IS TO KEEP
THE PIGEONS OFF THE BUILDING.
590
00:32:37,067 --> 00:32:40,233
PIGEONS' DROPPINGS
ARE VERY ACIDIC TO THE LIMESTONE
591
00:32:40,267 --> 00:32:41,633
THAT THE PALACE IS BUILT OF,
592
00:32:41,667 --> 00:32:43,733
AND IT WOULD CAUSE
AN AWFUL LOT OF DAMAGE
593
00:32:43,767 --> 00:32:46,967
TO THE STONEWORK,
SOME OF IT IRREVERSIBLE.
594
00:32:47,067 --> 00:32:48,733
Narrator:
WITHOUT THIS ESSENTIAL WORK,
595
00:32:48,767 --> 00:32:50,533
THE PIGEON DROPPINGS
COULD DESTROY
596
00:32:50,567 --> 00:32:54,700
THE PALACE'S
DELICATE LIMESTONE FACADE.
597
00:32:54,733 --> 00:32:56,233
[ BELL JINGLES ]
598
00:32:56,267 --> 00:32:59,433
THE AIM ISN'T
TO ACTUALLY CATCH THE PIGEONS.
599
00:32:59,467 --> 00:33:02,967
ANGEL'S PRESENCE HERE PROVIDES
ALL OF THE DETERRENT NEEDED.
600
00:33:03,067 --> 00:33:06,367
Bigwood: PIGEONS ARE NATURALLY
AFRAID OF BIRDS OF PREY.
601
00:33:06,400 --> 00:33:09,367
AND PIGEONS RECOGNIZE THE FACT
THAT HE'S A BIRD OF PREY,
602
00:33:09,400 --> 00:33:11,067
SO THEY ARE AFRAID OF IT.
603
00:33:11,100 --> 00:33:13,700
Narrator:
MARK AND ANGEL'S ROOFTOP PATROLS
604
00:33:13,733 --> 00:33:15,900
HAVE HAD A HUGE IMPACT.
605
00:33:15,933 --> 00:33:19,267
WHEN WE STARTED WORKING HERE
ABOUT 10, 15 YEARS AGO,
606
00:33:19,300 --> 00:33:22,433
THERE WAS APPROXIMATELY 30,
40 PIGEONS
607
00:33:22,467 --> 00:33:25,267
THAT WERE PERMANENTLY ON SITE.
608
00:33:25,300 --> 00:33:27,433
THEY WERE ROOSTING
AND NESTING ON SITE.
609
00:33:27,467 --> 00:33:29,500
AND NOW THERE'S JUST
A COUPLE OF PIGEONS
610
00:33:29,533 --> 00:33:32,233
THAT WANDER IN DURING THE DAY.
611
00:33:32,267 --> 00:33:35,067
Narrator: MARK AND ANGEL'S
INVALUABLE WORK IS HELPING
612
00:33:35,100 --> 00:33:38,467
TO KEEP PARLIAMENT'S
STONEWORK PRISTINE
613
00:33:38,500 --> 00:33:41,933
160 YEARS AFTER IT WAS BUILT.
614
00:33:43,767 --> 00:33:46,267
TODAY, INVESTIGATORS
ARE UNLOCKING THE SECRETS
615
00:33:46,300 --> 00:33:50,933
HELD INSIDE
THIS EXTRAORDINARY BUILDING.
616
00:33:50,967 --> 00:33:55,933
THEY'RE FINDING SPACES THAT
APPEAR TO HAVE HIDDEN PURPOSES.
617
00:33:55,967 --> 00:33:58,967
COULD THIS VAST CAVITY
AT THE HEART OF THE BUILDING
618
00:33:59,067 --> 00:34:03,067
BE THE SECRET TO UNDERSTANDING
THESE HUGE TUNNEL SYSTEMS?
619
00:34:03,100 --> 00:34:06,067
*
620
00:34:07,700 --> 00:34:10,667
*
621
00:34:10,700 --> 00:34:13,967
Narrator:
LONDON'S HOUSES OF PARLIAMENT,
622
00:34:14,067 --> 00:34:16,667
A VICTORIAN ENGINEERING MARVEL
623
00:34:16,700 --> 00:34:21,233
ENCASED IN A SPECTACULAR
GOTHIC SHELL.
624
00:34:21,267 --> 00:34:23,600
PARLIAMENT ISN'T JUST
A MONUMENT.
625
00:34:23,633 --> 00:34:26,267
IT'S A LIVING, WORKING BUILDING.
626
00:34:28,700 --> 00:34:31,500
THE VICTORIANS HAD TO MAKE SURE
PEOPLE COULD WORK HERE
627
00:34:31,533 --> 00:34:35,433
DURING THE COLDEST
WINTER MONTHS.
628
00:34:35,467 --> 00:34:39,633
OPEN FIRES HEATED UP
ITS 1,000-PLUS ROOMS.
629
00:34:41,333 --> 00:34:46,967
SO HOW DID THEY STOP PARLIAMENT
FROM FILLING UP WITH SMOKE?
630
00:34:47,067 --> 00:34:51,233
AN AMAZING INNOVATION SITS RIGHT
AT THE HEART OF THE PALACE.
631
00:34:51,267 --> 00:34:55,233
THIS ELABORATE SPIRE IS,
IN FACT, A CHIMNEY
632
00:34:55,267 --> 00:34:59,267
THAT SITS ABOVE THE PALACE'S
BUSY CENTRAL LOBBY.
633
00:34:59,300 --> 00:35:02,067
WARM AIR
FROM THE ROOM BELOW ROSE UP
634
00:35:02,067 --> 00:35:04,767
THROUGH A HOLE
IN ITS DOMED ROOF.
635
00:35:04,800 --> 00:35:09,900
THIS CREATED AN UPWARDS CURRENT
THAT PUSHES SMOKE UP
636
00:35:09,933 --> 00:35:13,067
AND OUT OF THE GIGANTIC SPIRE
THROUGH 16 HOLES
637
00:35:13,100 --> 00:35:17,200
SPREAD ACROSS THE TOWER
AND 32 OPEN WINDOWS.
638
00:35:20,367 --> 00:35:22,467
THIS HIDDEN VENTILATION SYSTEM
639
00:35:22,500 --> 00:35:25,633
WAS THE FIRST OF ITS KIND
ANYWHERE IN THE WORLD.
640
00:35:25,667 --> 00:35:28,700
*
641
00:35:34,067 --> 00:35:36,067
TODAY, THIS CHIMNEY IS LOCKED UP
642
00:35:36,067 --> 00:35:39,167
AND KEPT SECRET FROM MOST
VISITORS TO PARLIAMENT.
643
00:35:39,200 --> 00:35:42,233
*
644
00:35:48,900 --> 00:35:52,067
ARCHITECT ADAM WATROBSKI
INVESTIGATES IF IT
645
00:35:52,067 --> 00:35:54,833
COULD REALLY HAVE WORKED
AS THE DESIGNERS HOPED.
646
00:35:54,867 --> 00:35:56,900
WE'RE DIRECTLY
OVER CENTRAL LOBBY,
647
00:35:56,933 --> 00:36:00,300
WHICH IS THE CROSSROADS
OF THE PALACE OF WESTMINSTER.
648
00:36:00,333 --> 00:36:04,433
Narrator:
THIS LOCATION IS CRUCIAL
TO THE VICTORIAN CHIMNEY DESIGN.
649
00:36:04,467 --> 00:36:06,767
ADAM WANTS TO TEST
JUST HOW EFFICIENT
650
00:36:06,800 --> 00:36:09,467
THE VENTILATION SYSTEM WAS.
651
00:36:09,500 --> 00:36:12,200
YOU CAN FEEL
REALLY QUITE A STRONG UPDRAFT
652
00:36:12,233 --> 00:36:15,400
COMING FROM CENTRAL LOBBY
BELOW ME HERE.
653
00:36:15,433 --> 00:36:17,100
I'VE GOT THIS PIECE OF KIT HERE,
654
00:36:17,133 --> 00:36:20,733
WHICH, AS I STEP BACK,
WILL MEASURE THE AIR SPEED.
655
00:36:20,767 --> 00:36:22,867
IT'S VERY RAPIDLY RISING HERE.
656
00:36:22,900 --> 00:36:24,567
QUITE A HIGH SPEED.
657
00:36:24,600 --> 00:36:26,767
Narrator: THIS AIR CURRENT
IS STRONG ENOUGH
658
00:36:26,800 --> 00:36:29,267
TO PUSH SMOKE UP
AND OUT OF THE SPIRE.
659
00:36:29,300 --> 00:36:32,667
IT'S EVEN FASTER THAN MODERN
AIR-CONDITIONING SYSTEMS.
660
00:36:32,700 --> 00:36:35,467
THIS PART OF THE HISTORICAL
VENTILATION SYSTEM
661
00:36:35,500 --> 00:36:39,200
WOULD'VE REALLY WORKED
QUITE WELL.
662
00:36:39,233 --> 00:36:41,533
Narrator: CLEAN AIR FLOWED IN
THROUGH THE TOPS
663
00:36:41,567 --> 00:36:45,867
OF THE TALLEST TOWERS TO AVOID
THE POLLUTION OF THE CITY.
664
00:36:45,900 --> 00:36:50,200
GIANT, 10-FOOT FANS DREW
FRESH AIR THROUGH HUGE TUNNELS
665
00:36:50,233 --> 00:36:52,933
IN THE BASEMENT AND PUMPED IT
666
00:36:52,967 --> 00:36:56,400
TO HUNDREDS OF ROOMS
ACROSS THE PALACE.
667
00:36:56,433 --> 00:37:00,700
BELOW THE HOUSE OF COMMONS,
A GAUZE FILTER PURIFIED THE AIR,
668
00:37:00,733 --> 00:37:04,867
A WATER SPRAY MOISTENED IT,
AND HOT COILS MADE IT WARM
669
00:37:04,900 --> 00:37:07,933
BEFORE RELEASING IT
INTO THE CHAMBER.
670
00:37:07,967 --> 00:37:10,400
OLD AIR RUSHED OUT
THROUGH THE CEILINGS
671
00:37:10,433 --> 00:37:12,400
AND FUNNELED THROUGH THE SPIRE.
672
00:37:12,433 --> 00:37:15,067
HERE, THE AIR RISING
FROM THE CENTRAL LOBBY
673
00:37:15,067 --> 00:37:17,233
LIFTED IT FROM THE BUILDING.
674
00:37:20,600 --> 00:37:23,900
TODAY, THE HUGE HEATING
AND VENTILATION TUNNELS
675
00:37:23,933 --> 00:37:25,800
IN THE BUILDING
HAVE BEEN REPURPOSED
676
00:37:25,833 --> 00:37:28,767
AND ARE EQUIPPED
WITH MODERN UTILITIES.
677
00:37:28,800 --> 00:37:30,733
BUT ADAM STILL FINDS TRACES
678
00:37:30,767 --> 00:37:33,967
OF THIS PIONEERING SYSTEM
THROUGHOUT THE BUILDING.
679
00:37:36,967 --> 00:37:40,067
THIS IS ONE OF THE ORIGINAL
VENTILATION HATCHES,
680
00:37:40,067 --> 00:37:42,533
WHICH WERE CONTROLLED
BY AN ARMY OF PEOPLE
681
00:37:42,567 --> 00:37:44,200
IN THESE UNDERGROUND TUNNELS.
682
00:37:44,233 --> 00:37:47,933
AND THIS WAS USED TO ALLOW
THE FRESH AIR INTO THE TUNNELS
683
00:37:47,967 --> 00:37:49,600
AND TO BE SUBSEQUENTLY WARMED
684
00:37:49,633 --> 00:37:53,400
AND DISTRIBUTED
THROUGHOUT THE BUILDING.
685
00:37:53,433 --> 00:37:55,900
Narrator:
THIS VENTILATION SYSTEM EVOLVED
686
00:37:55,933 --> 00:37:58,500
AS TIME
AND TECHNOLOGY PROGRESSED,
687
00:37:58,533 --> 00:38:02,533
SOMETIMES INVOLVING
SOME BIZARRE GADGETS.
688
00:38:02,567 --> 00:38:06,633
WELL, THIS IS THE PERISCOPE,
WHICH WAS INCORPORATED
689
00:38:06,667 --> 00:38:10,633
IN THE POST-WAR RECONSTRUCTION
OF THE HOUSE OF COMMONS.
690
00:38:10,667 --> 00:38:12,800
Narrator: THIS PIECE
OF SUBMARINE TECHNOLOGY
691
00:38:12,833 --> 00:38:14,667
HAD A UNIQUE USE.
692
00:38:14,700 --> 00:38:16,567
Watrobski:
AND IF YOU LOOK THROUGH IT,
693
00:38:16,600 --> 00:38:20,167
YOU CAN SEE QUITE CLEARLY
WHAT'S HAPPENING IN THERE.
694
00:38:20,200 --> 00:38:22,300
I CAN SEE THE SPEAKER'S CHAIR,
695
00:38:22,333 --> 00:38:25,833
AND I CAN SEE THE BENCHES
AT THE SIDE.
696
00:38:25,867 --> 00:38:28,433
Narrator: WHOEVER SAT HERE
WOULD BE ABLE TO CONTROL
697
00:38:28,467 --> 00:38:30,533
THE BUILDING'S AIR-CONDITIONING.
698
00:38:30,567 --> 00:38:34,533
Watrobski: THE IDEA OF
A PERISCOPE IS A FABULOUS IDEA,
699
00:38:34,567 --> 00:38:37,300
SO THAT WHOEVER WAS CONTROLLING
THE AIR-CONDITIONING SYSTEM HERE
700
00:38:37,333 --> 00:38:39,967
COULD ACTUALLY SEE, LIVE,
WHAT WAS HAPPENING STRAIGHTAWAY
701
00:38:40,067 --> 00:38:44,067
BEFORE THE ADVENT
OF CLOSED-CIRCUIT TELEVISION.
702
00:38:44,067 --> 00:38:48,967
Narrator: TODAY, THE PERISCOPE
IS NO LONGER IN USE.
703
00:38:49,067 --> 00:38:52,567
INGENIOUS ENGINEERING ENABLED
PARLIAMENT'S RESIDENTS
704
00:38:52,600 --> 00:38:56,833
TO STAY WARM AND PROVIDED THEM
WITH FRESH AIR TO BREATHE.
705
00:38:56,867 --> 00:38:58,833
THE FINISHING TOUCH WAS
706
00:38:58,867 --> 00:39:01,567
TO MAKE THE HOUSES
OF PARLIAMENT BEAUTIFUL.
707
00:39:01,600 --> 00:39:04,100
IT IS BRITAIN'S
MOST PRESTIGIOUS BUILDING,
708
00:39:04,133 --> 00:39:09,100
AND THE VICTORIANS INSISTED IT
BE SPECTACULAR INSIDE AND OUT.
709
00:39:09,133 --> 00:39:12,167
*
710
00:39:15,700 --> 00:39:18,900
IN THE CENTRAL LOBBY,
STONEMASON ANDY MIDWINTER
711
00:39:18,933 --> 00:39:21,867
IS MAKING SURE
IT STAYS THAT WAY.
712
00:39:21,900 --> 00:39:25,933
WE'RE DOING EXACTLY THE SAME
AS WHAT THE VICTORIANS DID.
713
00:39:27,900 --> 00:39:29,767
Narrator:
THE STAINED-GLASS WINDOWS,
714
00:39:29,800 --> 00:39:33,667
WOOD CARVINGS, AND STATUES
MUST ALL BE LOOKED AFTER.
715
00:39:33,700 --> 00:39:35,833
BUT WITH OVER 1 MILLION PEOPLE
716
00:39:35,867 --> 00:39:38,100
PASSING THROUGH PARLIAMENT
EVERY YEAR,
717
00:39:38,133 --> 00:39:41,667
IT'S THE GOTHIC FLOOR TILES
THAT NEED THE MOST ATTENTION.
718
00:39:41,700 --> 00:39:43,767
Midwinter: ORIGINALLY,
WHEN THEY WERE FIRST LAID,
719
00:39:43,800 --> 00:39:45,433
THEY'D BE QUITE A VIBRANT COLOR.
720
00:39:45,467 --> 00:39:49,500
OVER THE YEARS, BASICALLY,
THE PATTERN STARTS ERASING.
721
00:39:52,633 --> 00:39:54,367
Narrator:
ANDY MUST CAREFUL CUT
722
00:39:54,400 --> 00:39:57,167
EVERY SINGLE TILE
OUT OF THE FLOOR.
723
00:39:57,200 --> 00:39:59,900
WE USE, LIKE,
A LITTLE TILE CUTTER
724
00:40:00,067 --> 00:40:02,867
WITH A NICE, THIN BLADE.
725
00:40:02,900 --> 00:40:06,567
SO, WHAT WE LITERALLY DO,
CUT BETWEEN THE TWO TILES
726
00:40:06,600 --> 00:40:11,333
SO WE RELEASE THE PRESSURE
AROUND THE SIDES OF THE TILES,
727
00:40:11,367 --> 00:40:14,267
AND THEN WE'LL JUST GET
A HAMMER AND A CLAW
728
00:40:14,300 --> 00:40:17,400
AND GENTLY PUT IT
UNDERNEATH THE TILE
729
00:40:17,433 --> 00:40:20,267
AND GIVE IT A COUPLE OF TAPS.
730
00:40:20,300 --> 00:40:23,433
AND THE TILE SHOULD GENTLY LIFT
WITHOUT DAMAGE.
731
00:40:23,467 --> 00:40:25,300
Narrator:
HIS NEXT JOB IS TO REPLACE
732
00:40:25,333 --> 00:40:28,167
EACH ORIGINAL TILE
WITH AN EXACT REPLICA.
733
00:40:28,200 --> 00:40:30,133
Midwinter:
THIS IS A BRAND-NEW TILE
734
00:40:30,167 --> 00:40:34,200
WHICH HAS BEEN MADE SPECIFICALLY
FOR THIS FLOOR.
735
00:40:34,233 --> 00:40:39,533
THE DESIGN IS EXACTLY THE SAME
AS THE ORIGINAL PUGIN DESIGN,
736
00:40:39,567 --> 00:40:43,800
RIGHT DOWN TO, LIKE, THE LITTLE
DOTS, THE COLORS, EVERYTHING.
737
00:40:43,833 --> 00:40:47,733
Narrator:
RE-CREATING THESE VICTORIAN
TILES HASN'T BEEN EASY.
738
00:40:47,767 --> 00:40:51,167
THE ORIGINAL MANUFACTURERS
DON'T EXIST NO MORE.
739
00:40:51,200 --> 00:40:55,333
Narrator: A MODERN MANUFACTURER
HAD TO REPRODUCE THESE TILES
740
00:40:55,367 --> 00:40:58,233
ONE BY ONE,
MATCHING THE PATTERNS BY EYE.
741
00:40:58,267 --> 00:41:00,467
IT'S BEEN A SLOW PROCESS.
742
00:41:00,500 --> 00:41:03,133
Midwinter: IT HAS BEEN ABOUT
SIX YEARS IN THE MAKING.
743
00:41:03,167 --> 00:41:04,900
THEY ARE HANDMADE.
744
00:41:04,933 --> 00:41:09,133
EVEN THE VERY SIMPLE SORT
OF TILES, IT STILL TAKES SKILL.
745
00:41:09,167 --> 00:41:11,700
IT'S AN ART FORM IN ITSELF.
746
00:41:11,733 --> 00:41:13,733
Narrator:
AND THESE MODERN REPLACEMENTS
747
00:41:13,767 --> 00:41:16,200
EVEN IMPROVE
ON THE VICTORIAN MODELS.
748
00:41:16,233 --> 00:41:19,267
THEY ARE FIRED
AT A MUCH HIGHER TEMPERATURE
749
00:41:19,300 --> 00:41:21,433
THAN THE ORIGINALS
WOULD'VE BEEN.
750
00:41:21,467 --> 00:41:25,067
MAKES THE TILE A MUCH,
MUCH HARDER TILE.
751
00:41:25,067 --> 00:41:28,067
Narrator: ALL THAT'S LEFT IS
TO LAY THEM IN THE FLOOR.
752
00:41:28,100 --> 00:41:30,267
IT'S A HUGE JOB.
753
00:41:30,300 --> 00:41:34,733
THE TILES COVER AN AREA
THE SIZE OF A FOOTBALL FIELD.
754
00:41:34,767 --> 00:41:37,333
ON AVERAGE, ONE PANEL,
755
00:41:37,367 --> 00:41:41,733
I THINK IT'S 714 TILES,
756
00:41:41,767 --> 00:41:45,067
AND WE'VE DONE 10 PANELS,
12 PANELS.
757
00:41:45,100 --> 00:41:49,600
I'VE SET, MYSELF,
OVER 5,000 TILES.
758
00:41:49,633 --> 00:41:53,300
AND WE'VE GOT MANY,
MANY MORE TO GO.
759
00:41:53,333 --> 00:41:55,533
Narrator: WHEN ANDY IS FINISHED,
THE SPLENDOR
760
00:41:55,567 --> 00:41:58,700
OF THE VICTORIANS' VISION
WILL SHINE THROUGH AGAIN.
761
00:41:58,733 --> 00:42:01,833
*
762
00:42:04,567 --> 00:42:07,067
THANKS TO A DEDICATED TEAM
OF EXPERTS
763
00:42:07,067 --> 00:42:11,100
WORKING ACROSS THE BUILDING,
THIS AGING MEGA PALACE
764
00:42:11,133 --> 00:42:13,967
CAN EXPECT
TO GROW OLD GRACEFULLY
765
00:42:14,067 --> 00:42:18,367
AND SURVIVE HUNDREDS OF YEARS
INTO THE FUTURE.
766
00:42:18,400 --> 00:42:22,500
ITS REMARKABLE ROOF...
767
00:42:22,533 --> 00:42:25,100
HIGH-PRECISION CLOCK,
768
00:42:25,133 --> 00:42:28,067
AND UNIQUE VENTILATION SYSTEM --
769
00:42:28,100 --> 00:42:32,467
ALL EVIDENCE OF A BUILDING
LIGHT-YEARS AHEAD OF ITS TIME...
770
00:42:32,500 --> 00:42:36,900
A TRUE MASTERPIECE
OF THE VICTORIAN AGE...
771
00:42:36,933 --> 00:42:40,133
AND ONE OF THE MOST
AWE-INSPIRING BUILDINGS
772
00:42:40,167 --> 00:42:41,733
EVER CREATED.
773
00:42:41,767 --> 00:42:44,800
*
61661
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