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These are the user uploaded subtitles that are being translated: 1 00:00:00,833 --> 00:00:02,367 * 2 00:00:02,400 --> 00:00:05,067 Narrator: THE HOUSES OF PARLIAMENT IN LONDON, 3 00:00:05,100 --> 00:00:08,200 ONE OF THE MOST ICONIC STRUCTURES ON THE PLANET. 4 00:00:08,233 --> 00:00:10,033 THIS WASN'T JUST BUILDING A BUILDING. 5 00:00:10,067 --> 00:00:11,933 THIS WAS A MAJOR PIECE OF ENGINEERING. 6 00:00:11,967 --> 00:00:13,867 Narrator: MYSTERIES AND SECRETS LIE 7 00:00:13,900 --> 00:00:16,000 BENEATH THE SKIN OF THIS MEGA STRUCTURE. 8 00:00:16,033 --> 00:00:19,033 IT'S THE MOST REMARKABLE BUILDING IN THE WORLD. 9 00:00:19,067 --> 00:00:20,567 Narrator: HOW DID ITS CREATORS 10 00:00:20,600 --> 00:00:23,333 PUSH TECHNOLOGY TO THE VERY LIMITS 11 00:00:23,367 --> 00:00:27,233 AND INVENT THE BLUEPRINT FOR MODERN SKYSCRAPERS? 12 00:00:27,267 --> 00:00:31,033 WHAT KEEPS THE WORLD'S MOST FAMOUS CLOCK IN PERFECT TIME? 13 00:00:31,067 --> 00:00:35,667 AND HOW DOES IT SURVIVE ALL THAT MOTHER NATURE CAN THROW AT IT? 14 00:00:35,700 --> 00:00:39,100 THE ONLY WAY TO SOLVE THESE MYSTERIES IS 15 00:00:39,133 --> 00:00:43,100 TO BLOW THIS IMMENSE PALACE APART, BRICK BY BRICK 16 00:00:43,133 --> 00:00:47,533 AND DISMANTLE ITS FAMOUS CLOCK TOWER COG BY COG. 17 00:00:47,567 --> 00:00:51,033 DIVING DEEP THROUGH ITS WALL AND VAULTS WILL HELP US 18 00:00:51,067 --> 00:00:53,200 UNEARTH THE ASTONISHING SECRETS 19 00:00:53,233 --> 00:00:55,900 AT THE HEART OF THIS VICTORIAN WONDER. 20 00:00:55,933 --> 00:00:58,633 * 21 00:00:58,667 --> 00:01:01,700 -- Captions by VITAC -- www.vitac.com 22 00:01:01,733 --> 00:01:04,700 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 23 00:01:04,733 --> 00:01:07,200 STANDING ON THE BANKS OF THE RIVER THAMES, 24 00:01:07,233 --> 00:01:11,400 IN THE HEART OF LONDON, ENGLAND, IS THE PALACE OF WESTMINSTER, 25 00:01:11,433 --> 00:01:15,467 BETTER KNOWN AS THE HOUSES OF PARLIAMENT. 26 00:01:18,200 --> 00:01:22,667 A LABYRINTH OF MORE THAN 3 MILES OF CORRIDORS 27 00:01:22,700 --> 00:01:24,933 CONNECTING MORE THAN 1,000 28 00:01:24,967 --> 00:01:28,500 GRAND ROOMS, CHAMBERS, AND VAULTS. 29 00:01:28,533 --> 00:01:30,200 THIS SITE HAS BEEN THE HOME 30 00:01:30,233 --> 00:01:34,167 OF THE BRITISH GOVERNMENT FOR CENTURIES. 31 00:01:34,200 --> 00:01:38,433 IT'S BUILT TO LOOK LIKE A GIANT MEDIEVAL CASTLE. 32 00:01:38,467 --> 00:01:41,833 BUT IT HIDES MANY MODERN SECRETS. 33 00:01:44,933 --> 00:01:48,833 THIS IMMENSE PALACE WAS COMPLETED IN 1870. 34 00:01:48,867 --> 00:01:53,233 IT HAS MORE THAN 1,000 ROOMS SPREAD ACROSS 8 ACRES. 35 00:01:53,267 --> 00:01:56,800 IT HAS THREE SPECTACULAR TOWERS. 36 00:01:56,833 --> 00:01:59,067 TO THE SOUTH, THE VICTORIA TOWER, 37 00:01:59,067 --> 00:02:01,333 THE TALLEST SQUARE TOWER IN THE WORLD 38 00:02:01,367 --> 00:02:03,633 WHEN IT WAS COMPLETED. 39 00:02:03,667 --> 00:02:09,333 IN THE CENTER, THE HUGE SPIRE HAS OVER 2,000 PANES OF GLASS. 40 00:02:09,367 --> 00:02:12,267 AND TO THE NORTH, THE ICONIC BIG BEN, 41 00:02:12,300 --> 00:02:14,900 HOME TO ONE OF THE GREATEST TIMEPIECES 42 00:02:14,933 --> 00:02:16,767 THE WORLD HAS EVER SEEN. 43 00:02:16,800 --> 00:02:19,533 * 44 00:02:19,567 --> 00:02:22,467 AN ENGINEERING MARVEL, WHEN IT WAS CONSTRUCTED, 45 00:02:22,500 --> 00:02:24,800 THIS WAS ONE OF THE MOST ADVANCED BUILDINGS 46 00:02:24,833 --> 00:02:26,133 ON THE PLANET. 47 00:02:28,967 --> 00:02:33,067 AN ARMY OF WORKERS KEEPS THE HOUSES OF PARLIAMENT RUNNING. 48 00:02:33,100 --> 00:02:35,967 AND TODAY, A MULTI-BILLION-DOLLAR 49 00:02:36,067 --> 00:02:38,567 RESTORATION PROJECT IS UNDER WAY, 50 00:02:38,600 --> 00:02:42,933 UPGRADING THE BUILDING'S ROOF, 51 00:02:42,967 --> 00:02:45,633 STONEWORK, 52 00:02:45,667 --> 00:02:48,300 AND ORNATE INTERIORS. 53 00:02:48,333 --> 00:02:50,367 THE PROJECT IS HELPING TO UNLOCK 54 00:02:50,400 --> 00:02:54,700 THE VICTORIAN MYSTERIES OF THE HOUSES OF PARLIAMENT. 55 00:02:54,733 --> 00:02:57,300 CHIEF AMONG THEM IS THE CLOCK TOWER, 56 00:02:57,333 --> 00:03:00,167 A PIONEERING DISPLAY OF ENGINEERING GENIUS 57 00:03:00,200 --> 00:03:02,300 BETTER KNOWN AS BIG BEN. 58 00:03:02,333 --> 00:03:05,367 * 59 00:03:08,867 --> 00:03:11,733 HOW DID THE VICTORIANS MAKE THE WORLD'S LARGEST, 60 00:03:11,767 --> 00:03:16,200 MOST AMBITIOUS CLOCK AND HAVE IT RUN ON TIME 61 00:03:16,233 --> 00:03:20,100 IN A TOWER ALMOST 300 FEET TALL? 62 00:03:20,133 --> 00:03:21,967 INSIDE THE TOWER, 63 00:03:22,067 --> 00:03:24,700 IT IS MASTER CLOCKMAKER IAN WESTWORTH'S JOB 64 00:03:24,733 --> 00:03:27,133 TO KEEP BIG BEN RUNNING ON TIME. 65 00:03:27,167 --> 00:03:31,933 YOU'VE GOT 334 STAIRS IN THE CLOCK TOWER 66 00:03:31,967 --> 00:03:36,233 AND NO LIFT, UNFORTUNATELY. 67 00:03:36,267 --> 00:03:38,433 Narrator: IT'S A TASK THAT TAKES HIM 68 00:03:38,467 --> 00:03:41,200 BEHIND THE FACE OF THIS FAMOUS LANDMARK 69 00:03:41,233 --> 00:03:42,533 AND INTO THE HEART 70 00:03:42,567 --> 00:03:45,067 OF THIS CLOCK'S EXTRAORDINARY MECHANISM. 71 00:03:45,100 --> 00:03:48,133 * 72 00:03:49,500 --> 00:03:54,633 INSIDE THIS ICONIC CLOCK TOWER HANGS BIG BEN ITSELF, 73 00:03:54,667 --> 00:03:58,267 THE NEARLY 14-TON BELL THAT GIVES THE TOWER ITS NICKNAME. 74 00:03:58,300 --> 00:04:02,067 THE BELLS THAT CHIME ON THE QUARTER-HOUR SIT AROUND IT. 75 00:04:02,100 --> 00:04:04,767 THEIR STRIKES ARE CONTROLLED BY THE INTRICATE 76 00:04:04,800 --> 00:04:07,500 TICKING MECHANISM AT THE HEART OF THE TOWER. 77 00:04:07,533 --> 00:04:12,500 IT KEEPS THE CLOCK ACCURATE TO WITHIN JUST 2 SECONDS A WEEK. 78 00:04:12,533 --> 00:04:18,300 ON EACH SIDE, 312 SHARDS OF OPAL GLASS MAKE UP THE CLOCK FACE. 79 00:04:19,867 --> 00:04:22,733 THE COPPER MINUTE HANDS ARE 14 FEET LONG -- 80 00:04:22,767 --> 00:04:25,500 AS TALL AS A DOUBLE-DECKER BUS. 81 00:04:25,533 --> 00:04:28,933 THESE FAMOUS DIALS HAVE KEPT LONDON RUNNING ON TIME 82 00:04:28,967 --> 00:04:31,500 FOR 160 YEARS. 83 00:04:34,100 --> 00:04:37,933 LIKE ANY ORDINARY WRISTWATCH, THIS CLOCK NEEDS WINDING, 84 00:04:37,967 --> 00:04:41,367 JUST AS IT DID IN VICTORIAN TIMES. 85 00:04:41,400 --> 00:04:44,133 PUT THE WINDING HANDLE ON... 86 00:04:44,167 --> 00:04:48,133 AND THEN WINDING FOR ABOUT THE NEXT HOUR AND A HALF. 87 00:04:48,167 --> 00:04:51,933 Narrator: WHEN PARLIAMENT COMMISSIONED THIS CLOCK IN 1854, 88 00:04:51,967 --> 00:04:54,200 THEY INSISTED BIG BEN BE THE BIGGEST, 89 00:04:54,233 --> 00:04:57,733 MOST POWERFUL CHIMING CLOCK IN THE WORLD... 90 00:04:57,767 --> 00:04:59,333 [ GEAR CLICKS ] 91 00:04:59,367 --> 00:05:02,333 AND MOST CHALLENGING FOR THE DESIGNERS, 92 00:05:02,367 --> 00:05:04,867 ACCURATE TO WITHIN 2 SECONDS PER WEEK. 93 00:05:04,900 --> 00:05:06,333 [ GEARS CLICKING ] 94 00:05:06,367 --> 00:05:07,633 BUT THERE WAS A PROBLEM 95 00:05:07,667 --> 00:05:10,600 WITH MAKING SUCH A GIANT CLOCK ACCURATE. 96 00:05:10,633 --> 00:05:13,133 Westworth: THE CLOCKMAKERS OF THE DAY SAID YOU JUST COULDN'T DO IT. 97 00:05:13,167 --> 00:05:15,733 OUR MINUTE HANDS ARE 14 FEET LONG, 98 00:05:15,767 --> 00:05:19,133 SO IN A GOOD GUST OF WIND, THEY ACTED LIKE SAILS. 99 00:05:19,167 --> 00:05:22,467 AND CLOCKS BEFORE THIS TIME, THE WIND WOULD CATCH THE HANDS, 100 00:05:22,500 --> 00:05:25,733 AND THE HANDS WOULD DRIVE BACK AND MAKE THE CLOCK INACCURATE. 101 00:05:25,767 --> 00:05:28,067 * 102 00:05:28,100 --> 00:05:29,533 Narrator: HOW DID THE VICTORIANS 103 00:05:29,567 --> 00:05:32,600 DESIGN A CLOCK THAT COULD RESIST THE WIND? 104 00:05:36,567 --> 00:05:39,633 THE SECRET TO STOPPING STRONG GUSTS BLOWING THE HANDS 105 00:05:39,667 --> 00:05:41,800 OUT OF TIME IS A SET OF HEAVY WEIGHTS 106 00:05:41,833 --> 00:05:46,200 THAT PULL THE HANDS AROUND AS THEY DROP. 107 00:05:46,233 --> 00:05:48,700 TWO SWINGING ARMS KEEP THE WEIGHTS DROPPING 108 00:05:48,733 --> 00:05:51,300 AT THE CORRECT SPEED BY PUSHING THE PENDULUM, 109 00:05:51,333 --> 00:05:54,133 WHICH SETS THE TICKING SPEED OF THE CLOCK. 110 00:05:54,167 --> 00:05:57,467 * 111 00:05:57,500 --> 00:06:01,600 THE PENDULUM TURNS A RATCHET WHEEL ONCE EVERY SECOND... 112 00:06:04,067 --> 00:06:07,067 ...WHICH RELEASES THE WEIGHTS BY A PRECISE AMOUNT... 113 00:06:09,633 --> 00:06:11,867 ...SO THEY CAN PULL THE CLOCK HANDS AROUND 114 00:06:11,900 --> 00:06:14,267 AT EXACTLY THE RIGHT SPEED. 115 00:06:19,833 --> 00:06:23,867 THE VICTORIANS HAD STOPPED THE WIND FROM AFFECTING BIG BEN, 116 00:06:23,900 --> 00:06:27,067 BUT WITH ANY CLOCK, MINUTE CHANGES IN THE ATMOSPHERE 117 00:06:27,100 --> 00:06:30,567 COULD ALSO IMPACT THE MECHANISM. 118 00:06:30,600 --> 00:06:34,500 AND THE BIGGER THE CLOCK, THE BIGGER THE RISK. 119 00:06:34,533 --> 00:06:37,267 TODAY, IAN USES TECHNOLOGY 120 00:06:37,300 --> 00:06:40,400 THAT VICTORIAN CLOCKMAKERS COULD ONLY DREAM OF. 121 00:06:40,433 --> 00:06:44,200 A SYSTEM OF SENSORS HOOKED UP TO A COMPUTER ALLOWS HIM 122 00:06:44,233 --> 00:06:47,433 TO MONITOR THE TINY ATMOSPHERIC CHANGES. 123 00:06:50,600 --> 00:06:53,067 WE'VE GOT TEMPERATURE IN THE CLOCK ROOM, 124 00:06:53,067 --> 00:06:54,200 WHICH WE MONITOR ALL THE TIME. 125 00:06:54,233 --> 00:06:57,067 THE GREEN LINE TRACKS CHANGES IN TEMPERATURE 126 00:06:57,067 --> 00:07:01,200 THAT CAUSES THE MECHANISM'S METAL TO EXPAND AND CONTRACT. 127 00:07:01,233 --> 00:07:04,133 Westworth: JUST THESE LITTLE BLIPS ON THE TEMPERATURE 128 00:07:04,167 --> 00:07:05,700 ARE PEOPLE COMING IN. 129 00:07:05,733 --> 00:07:07,700 THAT'S HOW ACCURATE WE'RE ACTUALLY MONITORING 130 00:07:07,733 --> 00:07:09,733 WHAT'S GOING ON INSIDE THE CLOCK ROOM. 131 00:07:09,767 --> 00:07:12,400 Narrator: ANOTHER SENSOR ALLOWS IAN TO CHECK THE EFFECT 132 00:07:12,433 --> 00:07:15,767 OF THESE TEMPERATURE CHANGES ON THE PENDULUM. 133 00:07:15,800 --> 00:07:18,600 AT THE BOTTOM OF THE 14 1/2 FEET LONG PENDULUM, 134 00:07:18,633 --> 00:07:20,100 THERE'S AN OPTICAL SENSOR. 135 00:07:20,133 --> 00:07:22,533 EVERY TIME THE PENDULUM BREAKS THE OPTICS, 136 00:07:22,567 --> 00:07:24,567 IT SENDS A MESSAGE TO THIS LAPTOP. 137 00:07:24,600 --> 00:07:27,933 THE PENDULUM SHOULD BE BREAKING IT EVERY 2 SECONDS. 138 00:07:27,967 --> 00:07:30,900 AND THE BROWN LINE DOWN THE MIDDLE WILL TELL US 139 00:07:30,933 --> 00:07:34,367 EXACTLY HOW CLOSE TO 2 SECONDS WE ARE. 140 00:07:34,400 --> 00:07:40,067 AT THE MOMENT, WE'RE RUNNING AT 2.00012. 141 00:07:40,100 --> 00:07:42,167 SHE'S DOING ABSOLUTELY FANTASTIC, 142 00:07:42,200 --> 00:07:44,400 APART FROM BEING A LITTLE BIT SLOW. 143 00:07:44,433 --> 00:07:46,900 Narrator: IAN THINKS THAT THE DAY'S TEMPERATURE CHANGES 144 00:07:46,933 --> 00:07:49,500 HAVE CAUSED THIS INACCURACY. 145 00:07:49,533 --> 00:07:52,700 IT MAY BE SMALL, BUT WITHOUT EXPERT INTERVENTION, 146 00:07:52,733 --> 00:07:55,167 IT WILL KNOCK THE CLOCK 5 SECONDS OUT OF TIME 147 00:07:55,200 --> 00:07:57,767 IN A SINGLE DAY. 148 00:07:57,800 --> 00:08:02,733 IAN CHECKS IF BIG BEN IS ON TIME. 149 00:08:02,767 --> 00:08:06,167 HE GETS AN ACCURATE READING OF GREENWICH MEAN TIME 150 00:08:06,200 --> 00:08:09,100 AND THEN HEADS TO THE BELFRY. 151 00:08:09,133 --> 00:08:11,700 IT'S CURRENTLY ALMOST 10:00 A.M. 152 00:08:11,733 --> 00:08:16,067 WILL BIG BEN CHIME ON TIME? 153 00:08:16,067 --> 00:08:18,133 Westworth: SO, WHAT YOU'LL SEE -- 154 00:08:18,167 --> 00:08:20,233 THIS IS THE FIRST HAMMER THAT MOVES, 155 00:08:20,267 --> 00:08:21,667 SO IT DOESN'T COME AS A SHOCK. 156 00:08:21,700 --> 00:08:23,533 IF YOU WATCH THAT ONE, IT'LL LIFT UP 157 00:08:23,567 --> 00:08:25,967 AND DROP AND PLAY THE 16 NOTES. 158 00:08:26,067 --> 00:08:28,300 THEN THERE'S A PAUSE OF ABOUT 10 SECONDS, 159 00:08:28,333 --> 00:08:29,500 AND THEN THAT ONE WILL GO. 160 00:08:29,533 --> 00:08:31,633 IT'LL BE ANY MOMENT... 161 00:08:31,667 --> 00:08:32,933 NOW. 162 00:08:32,967 --> 00:08:35,067 [ BELLS TOLLING ] 163 00:08:51,533 --> 00:08:53,567 [ BELL TOLLS ] 164 00:08:57,067 --> 00:08:59,800 Narrator: BIG BEN'S CHIME ROARS ACROSS THE CAPITAL 165 00:08:59,833 --> 00:09:01,933 AT 118 DECIBELS, 166 00:09:01,967 --> 00:09:05,167 ALMOST AS LOUD AS A JET PLANE TAKING OFF. 167 00:09:05,200 --> 00:09:07,733 Westworth: YOU CAN FEEL THE VIBRATION OF THE BELL 168 00:09:07,767 --> 00:09:10,167 THROUGHOUT THE WHOLE BELFRY. 169 00:09:10,200 --> 00:09:11,867 WHEN THE BELL WAS FIRST FITTED, 170 00:09:11,900 --> 00:09:14,167 YOU COULD HEAR IT 10 KILOMETERS AWAY. 171 00:09:14,200 --> 00:09:17,433 NOWADAYS, YOU'LL BE LUCKY TO HEAR IT HALF A KILOMETER AWAY 172 00:09:17,467 --> 00:09:21,233 ACROSS THE RIVER, 'CAUSE THERE'S SO MUCH NOISE IN LONDON NOW. 173 00:09:21,267 --> 00:09:23,300 [ TOLLING CONTINUES ] 174 00:09:24,800 --> 00:09:27,267 Narrator: SO, IS THE CLOCK ON TIME? 175 00:09:27,300 --> 00:09:29,267 WE'RE ONE SECOND SLOW. 176 00:09:29,300 --> 00:09:32,467 Narrator: WITH THE TEMPERATURE AFFECTING BIG BEN THIS MUCH, 177 00:09:32,500 --> 00:09:35,300 IAN NEEDS TO BRING THE CLOCK BACK UP TO SPEED. 178 00:09:35,333 --> 00:09:37,633 BUT HOW CAN HE ADJUST THE TIME ON A CLOCK 179 00:09:37,667 --> 00:09:41,067 THAT'S GOT 14-FOOT-LONG HANDS? 180 00:09:41,067 --> 00:09:43,700 IAN KNOWS THE SECRET THAT HAS BEEN PASSED DOWN 181 00:09:43,733 --> 00:09:46,600 FROM BIG BEN'S ORIGINAL CLOCK KEEPERS. 182 00:09:46,633 --> 00:09:50,200 Westworth: TRADITIONALLY, WHAT WE DO, WE ADD A PENNY. 183 00:09:50,233 --> 00:09:52,733 ONE PENNY -- OLD PRE-DECIMAL COIN -- 184 00:09:52,767 --> 00:09:57,500 SPEEDS THE CLOCK UP JUST TO BRING THE CLOCK BACK INTO TIME. 185 00:09:57,533 --> 00:09:59,667 Narrator: LIKE THOSE ORIGINAL CLOCK KEEPERS, 186 00:09:59,700 --> 00:10:02,867 IAN KNOWS THIS TINY WEIGHT RAISES THE PENDULUM'S 187 00:10:02,900 --> 00:10:06,000 CENTER OF GRAVITY AND MAKES IT SWING FASTER. 188 00:10:06,033 --> 00:10:09,100 WE'VE CORRECTED IT, AND IT'S COME BACK UP TO TIME. 189 00:10:09,133 --> 00:10:11,533 THAT'S PRETTY GOOD FOR A 160-YEAR-OLD CLOCK. 190 00:10:11,567 --> 00:10:13,867 Narrator: WITH THE MIXTURE OF VICTORIAN KNOW-HOW 191 00:10:13,900 --> 00:10:15,500 AND MODERN TECHNOLOGY, 192 00:10:15,533 --> 00:10:18,133 IAN KEEPS BIG BEN IN PERFECT TIME. 193 00:10:18,167 --> 00:10:19,633 [ BELL TOLLS ] 194 00:10:19,667 --> 00:10:23,067 * 195 00:10:23,100 --> 00:10:26,467 THE CLOCK STANDS IN A NEARLY 9,000-TON TOWER 196 00:10:26,500 --> 00:10:30,067 THAT RISES FROM LONDON'S SOFT, GRAVELLY EARTH. 197 00:10:30,100 --> 00:10:33,600 HOW DID THE VICTORIANS STOP THIS BEHEMOTH TOWER 198 00:10:33,633 --> 00:10:36,633 FROM COLLAPSING ON SUCH UNSTABLE GROUND? 199 00:10:36,667 --> 00:10:38,533 AND HOW HAS IT SURVIVED 200 00:10:38,567 --> 00:10:41,800 AS THE CITY HAS EXPANDED BENEATH IT? 201 00:10:43,667 --> 00:10:46,633 * 202 00:10:46,667 --> 00:10:48,900 Narrator: THE HOUSES OF PARLIAMENT IN LONDON, 203 00:10:48,933 --> 00:10:53,000 THE MOST TECHNOLOGICALLY ADVANCED BUILDING OF ITS AGE. 204 00:10:53,033 --> 00:10:55,967 AN ARMY OF EXPERTS KEEPS THIS STRUCTURE RUNNING, 205 00:10:56,000 --> 00:10:59,267 REVEALING ITS VICTORIAN SECRETS AS THEY GO. 206 00:10:59,300 --> 00:11:02,067 * 207 00:11:02,067 --> 00:11:04,267 FOR OVER A CENTURY, BIG BEN HAS BEEN 208 00:11:04,300 --> 00:11:06,667 THE TICKING HEART AT THE CITY'S CENTER. 209 00:11:06,700 --> 00:11:09,267 A TRIUMPH OF ENGINEERING, 210 00:11:09,300 --> 00:11:11,733 SUPPORTING THIS GROUNDBREAKING CLOCK 211 00:11:11,767 --> 00:11:14,733 REQUIRES A TOWER THAT'S EQUALLY MAGNIFICENT. 212 00:11:17,833 --> 00:11:20,933 MADE FROM OVER 1 MILLION STONES AND BRICKS, 213 00:11:20,967 --> 00:11:24,833 THIS TOWER IS ENORMOUSLY HEAVY. 214 00:11:24,867 --> 00:11:29,633 38 TONS OF IRON TILE SIT ON TOP OF THE SPIRE. 215 00:11:29,667 --> 00:11:34,333 BENEATH THEM, THE BRONZE BELLS WEIGH 24 TONS. 216 00:11:34,367 --> 00:11:38,800 THE CLOCK MECHANISM IS AS HEAVY AS A MILITARY TRUCK. 217 00:11:38,833 --> 00:11:41,833 TO HOLD UP THE COLOSSAL STRUCTURE -- 218 00:11:41,867 --> 00:11:45,100 NEARLY 9,000 TONS OF STONE AND BRICK -- 219 00:11:45,133 --> 00:11:49,133 THE VICTORIANS BUILT A CONCRETE FOUNDATION ALMOST 10 FEET THICK 220 00:11:49,167 --> 00:11:52,933 TO STOP THE TOWERS FROM SINKING INTO THE WET SAND BENEATH. 221 00:11:52,967 --> 00:11:56,400 THESE SOLID FOUNDATIONS HAVE KEPT THIS LONDON LANDMARK 222 00:11:56,433 --> 00:11:59,567 STANDING TALL FOR 160 YEARS. 223 00:12:02,133 --> 00:12:04,267 BUT THE CHALLENGES FACING BIG BEN 224 00:12:04,300 --> 00:12:07,533 WERE NOT OVER WHEN CONSTRUCTION FINISHED. 225 00:12:07,567 --> 00:12:10,500 LONDON IS CONSTANTLY REBUILDING ITSELF. 226 00:12:10,533 --> 00:12:12,367 AND ITS SUBTERRANEAN RAIL NETWORK, 227 00:12:12,400 --> 00:12:14,933 THE UNDERGROUND, IS EVER-EXPANDING. 228 00:12:17,767 --> 00:12:20,300 TODAY, THE CONSTRUCTION OF NEW TRAIN TUNNELS 229 00:12:20,333 --> 00:12:23,367 POSES A CONSTANT THREAT TO BUILDINGS ON THE SURFACE. 230 00:12:23,400 --> 00:12:27,067 THE LAST THING YOU WANT IS STRUCTURES ABOVEGROUND 231 00:12:27,100 --> 00:12:29,833 MOVING BECAUSE OF WHAT YOU'RE DOING BELOWGROUND. 232 00:12:29,867 --> 00:12:31,633 Narrator: GEOFF MORRIS IS ONE 233 00:12:31,667 --> 00:12:33,800 OF THE LONDON UNDERGROUND'S ENGINEERS. 234 00:12:33,833 --> 00:12:37,300 HE KNOWS JUST HOW DANGEROUS TUNNELING CAN BE. 235 00:12:37,333 --> 00:12:39,767 AND THE WORST-CASE SCENARIO WOULD BE COLLAPSE. 236 00:12:39,800 --> 00:12:41,733 Narrator: IN 1994, 237 00:12:41,767 --> 00:12:44,533 THE LONDON UNDERGROUND EXCAVATED NEW TRAIN TUNNELS 238 00:12:44,567 --> 00:12:49,067 JUST 90 FEET FROM THE BASE OF BIG BEN. 239 00:12:49,067 --> 00:12:51,933 AS TUNNELING PROGRESSED, ENGINEERS WERE ALARMED 240 00:12:51,967 --> 00:12:54,833 TO DETECT MOVEMENT IN THE BUILDINGS ABOVE. 241 00:12:57,767 --> 00:13:00,333 THERE WAS A PROBLEM WITH THE GROUND MOVEMENT 242 00:13:00,367 --> 00:13:04,133 BECAUSE OF THE FOUNDATIONS BECOMING DESTABILIZED. 243 00:13:04,167 --> 00:13:06,300 Narrator: THE ENGINEERS FACED A CHALLENGE. 244 00:13:06,333 --> 00:13:10,367 THEY NEEDED TO STOP BIG BEN'S CLOCK TOWER FROM TILTING, FAST, 245 00:13:10,400 --> 00:13:13,533 BUT THE PROBLEM WAS BIGGER THAN THEY REALIZED. 246 00:13:13,567 --> 00:13:16,900 THE EARTH UNDER BIG BEN IS EXTREMELY UNSTABLE. 247 00:13:16,933 --> 00:13:18,233 Morris: IF YOU'VE BEEN TO THE SEASIDE 248 00:13:18,267 --> 00:13:19,567 AND YOU TRY AND DIG A HOLE, 249 00:13:19,600 --> 00:13:21,500 IT JUST INSTANTLY FILLS UP WITH WATER 250 00:13:21,533 --> 00:13:23,267 AND GROWS WIDER INSTEAD OF DEEPER, 251 00:13:23,300 --> 00:13:25,067 THEN THAT IS TYPICAL OF THE GRAVEL 252 00:13:25,100 --> 00:13:28,967 AND THE GROUND CONDITIONS AT WESTMINSTER. 253 00:13:29,067 --> 00:13:32,067 YOU NEED SOMETHING THAT'S GONNA WORK VERY QUICKLY. 254 00:13:35,133 --> 00:13:38,200 Narrator: AS THE 24-FOOT-WIDE TRAIN TUNNELS RAN CLOSE 255 00:13:38,233 --> 00:13:40,867 TO BIG BEN'S FOUNDATIONS... 256 00:13:40,900 --> 00:13:44,400 THE TOWER BEGAN TO LEAN. 257 00:13:44,433 --> 00:13:48,467 TO KEEP IT STABLE, ENGINEERS DUG A DEEP SHAFT... 258 00:13:51,067 --> 00:13:52,967 ...AND PUSHED LONG STEEL TUBES 259 00:13:53,067 --> 00:13:56,133 INTO THE GROUND RIGHT BENEATH BIG BEN. 260 00:13:56,167 --> 00:14:00,067 EACH TUBE HAD 600 VALVES 261 00:14:00,067 --> 00:14:02,833 SO WORKERS COULD PUMP IN A CONCRETE MIXTURE 262 00:14:02,867 --> 00:14:06,067 TO FILL THE CRACKS IN THE GROUND WITH PRECISION. 263 00:14:06,067 --> 00:14:08,300 AS THE ENGINEERS DUG THE TUNNELS, 264 00:14:08,333 --> 00:14:12,200 THEY INJECTED OVER 220 TONS OF CONCRETE MIXTURE, 265 00:14:12,233 --> 00:14:14,200 SUCCESSFULLY STOPPING BIG BEN 266 00:14:14,233 --> 00:14:17,100 FROM BECOMING A LEANING TOWER OF PISA. 267 00:14:19,533 --> 00:14:21,433 Morris: ONCE THEY STABILIZED THE GROUND, 268 00:14:21,467 --> 00:14:24,367 IT WOULD'VE STOPPED ANY POTENTIAL FURTHER MOVEMENT 269 00:14:24,400 --> 00:14:25,733 ON THE CLOCK TOWER. 270 00:14:25,767 --> 00:14:29,267 ONE OF THE KEY INGREDIENTS INTO SUCCESSFUL TUNNELING. 271 00:14:29,300 --> 00:14:31,567 Narrator: THIS INGENIOUS INTERVENTION 272 00:14:31,600 --> 00:14:36,633 KEPT THE TOWER STANDING UPRIGHT AND THE BELLS RINGING ON TIME. 273 00:14:36,667 --> 00:14:38,700 [ BELLS TOLLING ] 274 00:14:41,267 --> 00:14:43,267 EXPERTS MAY HAVE SAVED PARLIAMENT 275 00:14:43,300 --> 00:14:46,633 FROM DANGERS BELOWGROUND, BUT NOW A BIGGER PROBLEM 276 00:14:46,667 --> 00:14:48,633 THREATENS IT FROM ABOVE. 277 00:14:48,667 --> 00:14:52,633 AFTER 160 YEARS COVERING THE HOUSES OF PARLIAMENT, 278 00:14:52,667 --> 00:14:54,800 THE ROOF IS FAILING. 279 00:14:54,833 --> 00:14:57,900 WORK TO RESTORE IT GOES ON DAY AND NIGHT. 280 00:15:00,300 --> 00:15:02,500 NO INSTRUCTIONS FOR BUILDING THIS ROOF 281 00:15:02,533 --> 00:15:05,900 SURVIVE FROM VICTORIAN TIMES. 282 00:15:05,933 --> 00:15:07,900 AS ENGINEERS DISMANTLE 283 00:15:07,933 --> 00:15:11,133 THE 65,000-SQUARE-FOOT ROOF STRUCTURE, 284 00:15:11,167 --> 00:15:16,400 THEY'RE UNCOVERING THE SECRETS OF ITS INTRICATE DESIGN. 285 00:15:16,433 --> 00:15:19,767 ELTON BILTON IS IN CHARGE OF THE OPERATION. 286 00:15:19,800 --> 00:15:22,333 * 287 00:15:22,367 --> 00:15:23,833 HOW'S THAT LOOKING? ALL RIGHT? 288 00:15:23,867 --> 00:15:26,267 ELTON AND HIS TEAM HAVE TO REMOVE 289 00:15:26,300 --> 00:15:28,700 AND REPAIR EVERY SINGLE TILE. 290 00:15:28,733 --> 00:15:32,833 WE'RE BUSY STRIPPING THE ROOF, TAKING ALL THE OLD TILES OFF. 291 00:15:32,867 --> 00:15:35,367 THESE OLD TILES THAT HAVE BEEN ON THE ROOF 292 00:15:35,400 --> 00:15:37,967 FOR OVER A HUNDRED YEARS, 293 00:15:38,067 --> 00:15:41,667 THEY ARE DAMAGED AND IN A BAD STATE. 294 00:15:43,933 --> 00:15:45,833 Narrator: AFTER SURVIVING LONDON'S WEATHER 295 00:15:45,867 --> 00:15:50,733 FOR AN INCREDIBLE 160 YEARS, RESTORATION IS NOW CRITICAL. 296 00:15:53,067 --> 00:15:55,333 IT'S A DANGEROUS UNDERTAKING. 297 00:15:55,367 --> 00:15:58,767 Bilton: EACH TILE WEIGHS BETWEEN 40 AND 50 KILOGRAMS. 298 00:15:58,800 --> 00:16:02,100 YOU WOULDN'T WANT A TILE LIKE THAT FALLING ON YOUR HEAD. 299 00:16:02,133 --> 00:16:05,500 THEY'VE GOT SHARP EDGES, AND THEY'RE VERY HEAVY. 300 00:16:05,533 --> 00:16:07,167 Narrator: ELTON REMOVES THE TILES 301 00:16:07,200 --> 00:16:09,900 SO HE CAN SEND THEM AWAY FOR REPAIRS. 302 00:16:12,167 --> 00:16:16,967 THEY MAY LOOK THE SAME, BUT EVERY SINGLE TILE IS UNIQUE. 303 00:16:17,067 --> 00:16:18,833 PUTTING THE REPAIRED TILES BACK 304 00:16:18,867 --> 00:16:20,933 WILL BE AN ENORMOUS JIGSAW PUZZLE. 305 00:16:20,967 --> 00:16:23,233 Bilton: BEFORE ANYTHING GETS REMOVED FROM THE ROOF, 306 00:16:23,267 --> 00:16:25,300 EACH AND EVERY COMPONENT HAS A UNIQUE NUMBER. 307 00:16:25,333 --> 00:16:26,467 OTHERWISE, IT WOULD BE CHAOS, 308 00:16:26,500 --> 00:16:28,167 AND WE WOULDN'T KNOW WHERE TO PUT THINGS. 309 00:16:28,200 --> 00:16:32,233 Narrator: USING THIS PROCESS, ONCE THE TILES ARE RESTORED, 310 00:16:32,267 --> 00:16:35,233 ELTON WILL REASSEMBLE THE 7,000-TILE ROOF 311 00:16:35,267 --> 00:16:37,533 EXACTLY AS THE VICTORIANS INTENDED. 312 00:16:37,567 --> 00:16:38,933 OKAY, THAT TILE'S NOW READY 313 00:16:38,967 --> 00:16:41,233 TO GO BACK TO THE FACTORY FOR RESTORATION. 314 00:16:43,367 --> 00:16:45,067 Narrator: WHY DID THE VICTORIANS 315 00:16:45,067 --> 00:16:47,833 BUILD THE ROOF WITH SUCH A COMPLEX DESIGN? 316 00:16:47,867 --> 00:16:51,167 * 317 00:16:51,200 --> 00:16:55,833 THE ANSWER LIES IN A 19th-CENTURY DISASTER. 318 00:16:55,867 --> 00:16:59,200 AT THIS TRAINING CENTER 50 MILES FROM PARLIAMENT, 319 00:16:59,233 --> 00:17:01,700 FIREFIGHTERS THINK THEY KNOW WHAT HAPPENED. 320 00:17:01,733 --> 00:17:03,933 IS EVERYBODY FIT AND WELL TO TAKE PART 321 00:17:03,967 --> 00:17:05,400 IN THIS LIVE-FIRE EXERCISE? 322 00:17:05,433 --> 00:17:06,867 I NEED A POSITIVE RESPONSE FROM YOU ALL. 323 00:17:06,900 --> 00:17:08,067 All: YES, SIR. 324 00:17:08,067 --> 00:17:09,800 Narrator: THE ORIGINAL HOUSES OF PARLIAMENT 325 00:17:09,833 --> 00:17:11,400 WERE A COLLECTION OF MEDIEVAL BUILDINGS 326 00:17:11,433 --> 00:17:15,767 THAT HAD STOOD ON THE THAMES FOR ALMOST 1,000 YEARS. 327 00:17:15,800 --> 00:17:19,400 BUT IN 1834, A FIRE BROKE OUT IN PARLIAMENT 328 00:17:19,433 --> 00:17:22,967 THAT CAUSED DESTRUCTION ON AN UNPRECEDENTED SCALE. 329 00:17:23,067 --> 00:17:25,367 THE SUDDEN FIREBALL WAS SO BRIGHT, 330 00:17:25,400 --> 00:17:28,433 IT WAS SEEN 25 MILES AWAY. 331 00:17:31,800 --> 00:17:33,433 THE BIG MYSTERY -- 332 00:17:33,467 --> 00:17:36,967 WHAT CAUSED SUCH A DEVASTATING EXPLOSION? 333 00:17:38,800 --> 00:17:41,767 * 334 00:17:41,800 --> 00:17:43,833 [ FIRE CRACKLING ] 335 00:17:46,133 --> 00:17:48,133 Narrator: IN LONDON, 336 00:17:48,167 --> 00:17:51,067 PAULINE HOLDEN TRAINS FIREFIGHTERS. 337 00:17:51,100 --> 00:17:55,233 SHE THINKS THE 1834 EXPLOSION AT THE HOUSES OF PARLIAMENT 338 00:17:55,267 --> 00:17:58,833 WAS TRIGGERED BY A DEADLY PHENOMENON CALLED A FLASHOVER. 339 00:17:58,867 --> 00:18:02,700 A FLASHOVER CAN OCCUR EXTREMELY QUICKLY -- WITHIN MINUTES. 340 00:18:02,733 --> 00:18:04,900 Narrator: AS FIRE HEATS 341 00:18:04,933 --> 00:18:07,067 THE COMBUSTIBLE MATERIALS IN A ROOM, 342 00:18:07,067 --> 00:18:09,267 THEY RELEASE FLAMMABLE GASES. 343 00:18:09,300 --> 00:18:13,967 IF THESE GASES ARE TRAPPED IN AN ENCLOSED SPACE... 344 00:18:14,067 --> 00:18:16,333 WHEN THE FIRE REACHES A CRITICAL TEMPERATURE, 345 00:18:16,367 --> 00:18:19,500 THERE'S ONE POSSIBLE OUTCOME. 346 00:18:19,533 --> 00:18:22,700 FIRE MAKES THE GASES EXPLODE INTO A FIREBALL. 347 00:18:26,533 --> 00:18:29,067 Narrator: THIS IS A FLASHOVER. 348 00:18:29,100 --> 00:18:31,833 BACK IN 1834, 349 00:18:31,867 --> 00:18:35,700 PARLIAMENT'S BUILDINGS WERE MADE FROM STONE. 350 00:18:35,733 --> 00:18:39,800 BUT THE ROOFS WERE MADE FROM WOOD. 351 00:18:39,833 --> 00:18:42,700 THE FLASHOVER IGNITED THE WOODEN ROOFS, 352 00:18:42,733 --> 00:18:46,467 SPREADING THE BLAZE WITH ASTONISHING SPEED. 353 00:18:46,500 --> 00:18:49,633 FIREFIGHTERS BATTLED IN VAIN. 354 00:18:49,667 --> 00:18:53,067 THE FIRE DESTROYED THE HOUSES OF PARLIAMENT. 355 00:18:53,100 --> 00:18:56,733 BRITAIN'S GOVERNMENT NEEDED A NEW HEADQUARTERS. 356 00:18:56,767 --> 00:19:00,767 AND THIS TIME, IT WOULD BE FIREPROOF. 357 00:19:00,800 --> 00:19:03,833 * 358 00:19:05,167 --> 00:19:07,900 INSIDE ANOTHER SECTION OF THE ROOF'S STRUCTURE, 359 00:19:07,933 --> 00:19:10,900 PALACE ARCHITECT ADAM WATROBSKI IS INVESTIGATING 360 00:19:10,933 --> 00:19:13,833 HOW THE VICTORIANS ENSURED THEIR PARLIAMENT 361 00:19:13,867 --> 00:19:15,900 WOULD NEVER BURN TO THE GROUND. 362 00:19:17,967 --> 00:19:20,767 Watrobski: AFTER THE GREAT FIRE OF 1834, 363 00:19:20,800 --> 00:19:23,467 ONE OF THE PRIORITIES IN REBUILDING 364 00:19:23,500 --> 00:19:25,100 THE NEW PALACE OF WESTMINSTER 365 00:19:25,133 --> 00:19:27,400 WAS TO MAKE IT AS FIREPROOF AS POSSIBLE. 366 00:19:27,433 --> 00:19:31,400 AND THIS REMARKABLE ROOF IS PART OF THAT FIREPROOFING EXERCISE. 367 00:19:31,433 --> 00:19:33,367 Narrator: THE VICTORIAN ENGINEERS TOOK ADVANTAGE 368 00:19:33,400 --> 00:19:35,433 OF A NEW BUILDING MATERIAL. 369 00:19:35,467 --> 00:19:39,867 THE FRAME OF THE ROOF AND TILES ARE ALL MADE FROM CAST IRON. 370 00:19:39,900 --> 00:19:43,067 CAST IRON HAD NEVER BEEN USED ON THIS SCALE BEFORE. 371 00:19:43,067 --> 00:19:46,533 Narrator: WITH A MELTING POINT OF 2,300 DEGREES, 372 00:19:46,567 --> 00:19:48,767 THIS CAST-IRON ROOF WOULD HOLD UP 373 00:19:48,800 --> 00:19:51,100 WHEN A TIMBER ROOF WOULD JUST BURN. 374 00:19:51,133 --> 00:19:53,533 THE CAST-IRON ROOF USED CUTTING-EDGE TECHNOLOGY, 375 00:19:53,567 --> 00:19:56,233 BOTH IN TERMS OF THE MATERIALS AND THEIR CONSTRUCTION, 376 00:19:56,267 --> 00:19:59,133 WITH, OF COURSE, NOT A COMPUTER IN SIGHT WHEN IT WAS DESIGNED, 377 00:19:59,167 --> 00:20:01,833 SO THIS WAS A HUGE EXPERIMENT. 378 00:20:01,867 --> 00:20:04,733 Narrator: PULLING THIS OFF WAS A GREAT CHALLENGE. 379 00:20:04,767 --> 00:20:08,433 CAST IRON IS EXTREMELY HEAVY, SO HOW DID THE VICTORIANS 380 00:20:08,467 --> 00:20:12,067 DESIGN THIS ROOF SO THAT IT WOULDN'T COLLAPSE IN ON ITSELF? 381 00:20:13,933 --> 00:20:18,400 THE SECRET LIES HIDDEN INSIDE. 382 00:20:18,433 --> 00:20:22,767 THE 7,000 CAST-IRON TILES THAT COVER THE ENTIRE PALACE 383 00:20:22,800 --> 00:20:27,700 ADD OVER 386 TONS TO THE WEIGHT OF THE ROOF. 384 00:20:27,733 --> 00:20:30,300 BUT EACH TILE HAS A CLEVER DESIGN, 385 00:20:30,333 --> 00:20:32,767 WHICH ALLOWS THEM TO BECOME EXCEPTIONALLY STRONG 386 00:20:32,800 --> 00:20:35,033 AS THEY LOCK RIGIDLY TOGETHER. 387 00:20:39,367 --> 00:20:42,067 UNDERNEATH, A LIGHTWEIGHT SKELETON OF TRUSSES 388 00:20:42,100 --> 00:20:44,800 IS ENOUGH TO HOLD THE ROOF ALOFT. 389 00:20:44,833 --> 00:20:47,333 THE TRUSSES ADD VERY LITTLE ADDITIONAL PRESSURE 390 00:20:47,367 --> 00:20:50,567 TO THE WALLS BELOW, CREATING THIS UNIQUE SYSTEM 391 00:20:50,600 --> 00:20:54,033 THAT STILL PROTECTS THE HOUSES OF PARLIAMENT TO THIS DAY. 392 00:20:54,067 --> 00:20:57,100 * 393 00:21:00,167 --> 00:21:03,200 IN THESE VAST WORKSHOPS IN SOUTH YORKSHIRE, 394 00:21:03,233 --> 00:21:05,967 WORKERS ARE PREPARING THE IRON TILES THAT HAVE COME OFF 395 00:21:06,067 --> 00:21:07,800 PARLIAMENT'S ROOF FOR RESTORATION. 396 00:21:07,833 --> 00:21:11,233 THE ORIGINAL ENGINEERS COULD NEVER HAVE PREDICTED 397 00:21:11,267 --> 00:21:12,967 HOW A CENTURY OF LONDON'S WEATHER 398 00:21:13,067 --> 00:21:15,367 WOULD AFFECT THIS UNIQUE ROOF. 399 00:21:15,400 --> 00:21:18,767 WORKERS BLAST THE TILES WITH PARTICLES OF STEEL, 400 00:21:18,800 --> 00:21:20,367 REMOVING THE RUST AND GRIME 401 00:21:20,400 --> 00:21:23,433 TO REVEAL ANY HOLES OR FRACTURES IN THE IRON. 402 00:21:25,300 --> 00:21:26,833 REPAIRING THIS DAMAGE IS 403 00:21:26,867 --> 00:21:30,833 THE MOST IMPORTANT STAGE OF THE RESTORATION. 404 00:21:30,867 --> 00:21:33,933 IT'S A HIGHLY SPECIALIZED JOB. 405 00:21:40,100 --> 00:21:41,467 DANNY WHITWORTH IS IN CHARGE 406 00:21:41,500 --> 00:21:44,067 OF FIXING PARLIAMENT'S ROOF TILES. 407 00:21:52,133 --> 00:21:55,100 DANNY APPLIES BRONZE AT OVER 1,500 DEGREES 408 00:21:55,133 --> 00:21:57,133 INTO THE DEFECTS IN THE TILE. 409 00:21:57,167 --> 00:21:59,633 THIS RESTORES THE TILE'S STRENGTH. 410 00:22:02,800 --> 00:22:06,600 BUT APPLYING TOO MUCH HEAT COULD CAUSE THE BRITTLE IRON TO CRACK. 411 00:22:22,367 --> 00:22:24,467 WITH ONE SLIP OF THE HAND, 412 00:22:24,500 --> 00:22:27,733 DANNY COULD RUIN THE 160-YEAR-OLD TILE. 413 00:22:43,167 --> 00:22:46,200 * 414 00:22:54,433 --> 00:22:57,400 ONCE REPAIRED, THE TILES ARE RETURNED 415 00:22:57,433 --> 00:22:59,067 TO THE HOUSES OF PARLIAMENT, 416 00:22:59,067 --> 00:23:01,667 READY FOR ELTON TO INSTALL ON THE ROOF. 417 00:23:01,700 --> 00:23:04,733 * 418 00:23:06,867 --> 00:23:08,467 THAT'S A PREFECT FIT. 419 00:23:08,500 --> 00:23:12,200 IF THEY ALL FIT IN LIKE THAT, WE'D BE VERY HAPPY. 420 00:23:12,233 --> 00:23:15,333 THIS ROOF SHOULD LAST FOR ANOTHER 80 TO 100 YEARS. 421 00:23:15,367 --> 00:23:17,600 THANKS TO ELTON'S TEAM, 422 00:23:17,633 --> 00:23:20,467 ANOTHER SECTION OF THE ROOF IS COMPLETE. 423 00:23:20,500 --> 00:23:24,200 JOB WELL DONE, I'D SAY. 424 00:23:24,233 --> 00:23:26,433 Narrator: THE PALACE'S ALL-IRON ROOF 425 00:23:26,467 --> 00:23:30,067 WAS A UNIQUE ENGINEERING SOLUTION. 426 00:23:30,067 --> 00:23:33,067 BUT ITS VICTORIAN CREATORS WANTED TO PUSH PARLIAMENT 427 00:23:33,067 --> 00:23:35,833 TO RECORD-BREAKING HEIGHTS. 428 00:23:35,867 --> 00:23:40,200 TO DO THIS, THEY HAD TO INVENT A RADICAL NEW WAY OF BUILDING 429 00:23:40,233 --> 00:23:43,600 AND TAKE ON THE RIVER THAMES ITSELF. 430 00:23:46,767 --> 00:23:49,800 * 431 00:23:51,067 --> 00:23:52,967 Narrator: BRITAIN'S HOUSES OF PARLIAMENT, 432 00:23:53,067 --> 00:23:56,067 A BUILDING LIGHT-YEARS AHEAD OF ITS TIME. 433 00:23:56,100 --> 00:23:58,667 TODAY, EXPERTS ARE DECIPHERING 434 00:23:58,700 --> 00:24:02,667 THE MYSTERIES OF ITS VICTORIAN DESIGN. 435 00:24:02,700 --> 00:24:07,433 AT ITS SOUTHERN END SOARS THE EXTRAORDINARY VICTORIA TOWER. 436 00:24:07,467 --> 00:24:10,500 IT STANDS 320 FEET HIGH, 437 00:24:10,533 --> 00:24:13,200 EVEN TALLER THAN BIG BEN'S CLOCK TOWER. 438 00:24:13,233 --> 00:24:18,067 YET AT ITS BASE CONTAINS A VAST, OPEN, CEREMONIAL ENTRANCE. 439 00:24:19,900 --> 00:24:24,700 HOW DID ENGINEERS BUILD THIS 320-FOOT-HIGH MEGA STRUCTURE 440 00:24:24,733 --> 00:24:30,233 AND SUPPORT ITS NINE FLOORS ABOVE THIS EMPTY SPACE? 441 00:24:30,267 --> 00:24:33,233 * 442 00:24:33,267 --> 00:24:36,867 THE TRADITIONAL BRICKS AND STONES HIDE A SECRET -- 443 00:24:36,900 --> 00:24:40,400 AN IMMENSE IRON SKELETON. 444 00:24:40,433 --> 00:24:45,200 A NETWORK OF TAPERING COLUMNS, EACH 200 FEET TALL, 445 00:24:45,233 --> 00:24:48,600 SUPPORTS THE WEIGHT OF THE BUILDING'S FLOORS. 446 00:24:51,300 --> 00:24:53,400 THE COLUMNS CHANNEL THIS IMMENSE LOAD 447 00:24:53,433 --> 00:24:57,067 DOWN TO A BASE MADE FROM 13-TON GIRDERS. 448 00:24:57,100 --> 00:25:01,433 IT TRANSFERS THE WEIGHT OF THE FLOORS ONTO FOUR EXTERNAL WALLS, 449 00:25:01,467 --> 00:25:04,733 LEAVING AN IMMENSE STONE VAULT BELOW. 450 00:25:04,767 --> 00:25:09,300 THE VICTORIA TOWER'S ENGINEERING WAS DECADES AHEAD OF ITS TIME. 451 00:25:12,700 --> 00:25:15,067 THIS TOWER WAS THE INSPIRATION 452 00:25:15,067 --> 00:25:18,833 FOR ONE OF AMERICA'S EARLIEST SKYSCRAPERS -- 453 00:25:18,867 --> 00:25:21,733 THE WOOLWORTH BUILDING IN NEW YORK. 454 00:25:21,767 --> 00:25:24,233 ITS IRON SKELETON WAS A VITAL STEP 455 00:25:24,267 --> 00:25:26,567 TOWARDS DEVELOPING STEEL-FRAME SKYSCRAPERS 456 00:25:26,600 --> 00:25:30,433 IN THE 20th CENTURY, WHICH WENT ON TO DOMINATE 457 00:25:30,467 --> 00:25:33,600 NOT ONLY NEW YORK'S ICONIC SKYLINE, 458 00:25:33,633 --> 00:25:37,400 BUT CITIES ACROSS THE WORLD. 459 00:25:37,433 --> 00:25:42,067 THE VICTORIANS HAD BUILT A PRECURSOR TO MODERN SKYSCRAPERS, 460 00:25:42,067 --> 00:25:43,867 BUT WHY DID THEY NEED TO CONSTRUCT 461 00:25:43,900 --> 00:25:46,067 SUCH AN EXTRAORDINARY STRUCTURE? 462 00:25:46,067 --> 00:25:49,067 * 463 00:25:52,067 --> 00:25:55,200 DEEP INSIDE THE VICTORIA TOWER HOLDS PARLIAMENT'S 464 00:25:55,233 --> 00:25:59,567 MOST PRECIOUS TREASURES, JUST AS IT DID WHEN IT WAS BUILT. 465 00:25:59,600 --> 00:26:03,533 AROUND US, WE CAN SEE 64,000 ACTS OF PARLIAMENT, 466 00:26:03,567 --> 00:26:07,967 DATING BACK TO THE 15th CENTURY, STORED IN PARCHMENT SCROLLS, 467 00:26:08,067 --> 00:26:10,433 ONE SCROLL PER ACT -- 468 00:26:10,467 --> 00:26:12,633 ALL THE LAWS THAT HAVE BEEN PASSED 469 00:26:12,667 --> 00:26:14,567 BY PARLIAMENT OVER THE CENTURIES. 470 00:26:14,600 --> 00:26:17,367 Narrator: ARCHIVIST CAROLINE SHENTON 471 00:26:17,400 --> 00:26:19,733 GUARDS THESE PRICELESS LAWS. 472 00:26:19,767 --> 00:26:22,933 IT'S AN AMAZING SPACE AND AIR-CONDITIONED, TOO -- 473 00:26:22,967 --> 00:26:26,333 16 DEGREES CENTIGRADE AND 55% HUMIDITY, 474 00:26:26,367 --> 00:26:29,500 WHICH HELPS TO KEEP ALL THESE INCREDIBLE SCROLLS 475 00:26:29,533 --> 00:26:32,767 AT THE RIGHT TEMPERATURE TO PRESERVE THEM FOR THE FUTURE. 476 00:26:32,800 --> 00:26:36,167 Narrator: STORING ALL OF PARLIAMENT'S DOCUMENTS AND LAWS 477 00:26:36,200 --> 00:26:40,067 PUSH THE VICTORIA TOWER UP TO ITS RECORD-BREAKING HEIGHT. 478 00:26:42,700 --> 00:26:45,500 BUT BUILDING BIG WAS A HUGE CHALLENGE. 479 00:26:45,533 --> 00:26:49,933 BACK IN 1834, AS TODAY, ROADS AND HISTORIC BUILDINGS 480 00:26:49,967 --> 00:26:52,267 SURROUNDED THE SITE ON THREE SIDES. 481 00:26:52,300 --> 00:26:55,067 THERE WAS NO SPACE FOR THE SCAFFOLDING OR CRANES 482 00:26:55,067 --> 00:26:57,267 THAT COULD CREATE SUCH A VAST TOWER. 483 00:26:57,300 --> 00:27:01,567 THE VICTORIANS NEEDED TO INVENT A RADICALLY NEW WAY OF BUILDING. 484 00:27:04,067 --> 00:27:07,100 ENGINEERS HIT ON AN INGENIOUS SOLUTION... 485 00:27:09,533 --> 00:27:11,800 ...TO USE A GIANT, RISING PLATFORM 486 00:27:11,833 --> 00:27:15,800 AND BUILD THE ENTIRE TOWER FROM THE INSIDE OUT. 487 00:27:15,833 --> 00:27:19,333 EIGHT MEN HOISTED UP THE 44-TON PLATFORM, 488 00:27:19,367 --> 00:27:22,400 CRANKING THE GEARS IN 6-FOOT BURSTS. 489 00:27:26,167 --> 00:27:29,800 ON TOP, A CRANE LIFTED THE 4 TONS OF STONES 490 00:27:29,833 --> 00:27:31,900 FROM THE GROUND TO THE PLATFORM. 491 00:27:31,933 --> 00:27:33,900 POWERED BY A STEAM ENGINE, 492 00:27:33,933 --> 00:27:37,400 IT COULD DELIVER 10 LOADS AN HOUR. 493 00:27:37,433 --> 00:27:39,733 TWO MORE CRANES PLACED THE HEAVY STONES 494 00:27:39,767 --> 00:27:42,133 IN POSITION ON THE TOWER WALLS. 495 00:27:42,167 --> 00:27:44,133 TO OBSERVERS, THE TOWER APPEARED 496 00:27:44,167 --> 00:27:48,067 TO GROW EFFORTLESSLY UNDER ITS OWN STEAM. 497 00:27:48,100 --> 00:27:50,867 THIS INNOVATIVE CONSTRUCTION TECHNIQUE SOLVED 498 00:27:50,900 --> 00:27:53,700 THE ENGINEERS' PROBLEM ON ONE SIDE OF THE PALACE. 499 00:27:53,733 --> 00:27:55,800 BUT ON THE OTHER SIDE, THEY HAD TO CONTEND 500 00:27:55,833 --> 00:27:59,067 WITH AN EVEN GREATER ADVERSARY -- 501 00:27:59,100 --> 00:28:02,333 THE RIVER THAMES. 502 00:28:02,367 --> 00:28:05,267 AT PARLIAMENT'S RIVER WALL, 503 00:28:05,300 --> 00:28:08,900 WHERE THE HOUSES OF PARLIAMENT MEETS THE RIVER THAMES, 504 00:28:08,933 --> 00:28:12,300 STRUCTURAL ENGINEER ALISTAIR LENCZNER INVESTIGATES 505 00:28:12,333 --> 00:28:13,700 HOW THE VICTORIANS CREATED 506 00:28:13,733 --> 00:28:16,633 THE SPACE THEY NEEDED FOR THE NEW PARLIAMENT. 507 00:28:16,667 --> 00:28:19,833 THEY WORKED OUT THAT THE SIZE OF BUILDING THEY REALLY NEEDED 508 00:28:19,867 --> 00:28:23,733 WAS ACTUALLY A LOT LARGER THAN THE SPACE THAT WAS AVAILABLE. 509 00:28:23,767 --> 00:28:26,467 Narrator: WITH ROADS AND BUILDINGS SURROUNDING THE SITE, 510 00:28:26,500 --> 00:28:30,233 PARLIAMENT'S DESIGNERS COULD ONLY EXPAND IN ONE DIRECTION. 511 00:28:30,267 --> 00:28:34,467 SO, IF WE CONSIDER THIS AREA HERE... 512 00:28:36,167 --> 00:28:38,800 IS THE FOUNDATION OF THE NEW BUILDING DESIGN, 513 00:28:38,833 --> 00:28:44,133 BUT THIS LINE HERE IS THE LINE OF THE RIVERBANK AT THE TIME. 514 00:28:44,167 --> 00:28:46,933 SO WE CAN SEE THAT ALL THIS PART OF THE BUILDING 515 00:28:46,967 --> 00:28:51,367 HAD TO BE BUILT OUT INTO THE EXISTING TIDAL RIVER THAMES. 516 00:28:51,400 --> 00:28:54,333 Narrator: TO BUILD ON THIS LAND, VICTORIAN ENGINEERS 517 00:28:54,367 --> 00:28:56,433 NEEDED TO RECLAIM IT FROM THE RIVER. 518 00:28:56,467 --> 00:28:58,300 IT WAS A HUGE CHALLENGE THAT CALLED 519 00:28:58,333 --> 00:29:01,233 FOR A TRAILBLAZING CONSTRUCTION PLAN. 520 00:29:02,900 --> 00:29:05,933 * 521 00:29:10,733 --> 00:29:13,167 Narrator: TO BUILD LONDON'S HOUSES OF PARLIAMENT, 522 00:29:13,200 --> 00:29:16,400 ENGINEERS HAD TO RECLAIM LAND FROM THE RIVER THAMES. 523 00:29:16,433 --> 00:29:19,267 FIRST, THEY TOOK TWIN ROWS OF TIMBER PILES, 524 00:29:19,300 --> 00:29:23,067 EACH 36 FEET DEEP, AND DROVE THEM INTO THE RIVERBED. 525 00:29:23,067 --> 00:29:24,933 THEN THEY FIXED SHEETS OF STEEL 526 00:29:24,967 --> 00:29:27,400 BETWEEN THE PILES TO CREATE TWO BARRIERS. 527 00:29:27,433 --> 00:29:31,300 EACH BARRIER WAS OVER 790 FEET LONG. 528 00:29:34,600 --> 00:29:37,167 THE ENGINEERS FILLED THE SPACE WITH CLAY 529 00:29:37,200 --> 00:29:40,867 TO CREATE A WATERTIGHT WALL CALLED A COFFERDAM. 530 00:29:44,433 --> 00:29:48,167 FINALLY, THEY DRAINED THE TRAPPED RIVER WATER 531 00:29:48,200 --> 00:29:50,500 AND FILLED THE SPACE WITH CONCRETE 532 00:29:50,533 --> 00:29:53,233 TO FORM THE FOUNDATIONS OF PARLIAMENT. 533 00:29:55,433 --> 00:29:57,767 THE FINAL CHALLENGE WAS TO REPLACE THE TEMPORARY 534 00:29:57,800 --> 00:29:59,733 COFFERDAM WITH SOMETHING STRONG ENOUGH 535 00:29:59,767 --> 00:30:02,600 TO WITHSTAND THE MIGHTY THAMES. 536 00:30:02,633 --> 00:30:04,800 SO, ONCE THE COFFERDAM HAD BEEN BUILT 537 00:30:04,833 --> 00:30:07,333 AND THEY'D CREATED THE DRY SPACE BEHIND IT, 538 00:30:07,367 --> 00:30:09,067 THAT ALLOWED THEM TO START CONSTRUCTION 539 00:30:09,100 --> 00:30:11,100 OF THE PERMANENT RIVER WALL. 540 00:30:11,133 --> 00:30:13,600 Narrator: THIS WALL NEEDS TO PROTECT PARLIAMENT 541 00:30:13,633 --> 00:30:16,433 FROM THE EXTREME PRESSURES OF THE RISING TIDE. 542 00:30:16,467 --> 00:30:18,967 THE SECRET TO THE STRENGTH OF THE RIVER WALL 543 00:30:19,000 --> 00:30:20,500 LIES IN ITS SHAPE. 544 00:30:20,533 --> 00:30:24,167 AT HIGH TIDE, THE PRESSURE GETS BIGGER THE LOWER YOU GET DOWN. 545 00:30:24,200 --> 00:30:27,100 TO RESIST THAT HIGHER PRESSURE LOWER DOWN, 546 00:30:27,133 --> 00:30:29,033 THE RIVER WALL ITSELF NEEDS TO GET WIDER 547 00:30:29,067 --> 00:30:33,733 AND MORE MASSIVE TO STAY STABLE UNDER THE WATER PRESSURE. 548 00:30:33,767 --> 00:30:37,633 BEHIND ME, YOU CAN SEE THE SHAPE WHICH TAPERS UPWARDS. 549 00:30:37,667 --> 00:30:40,067 Narrator: TODAY, DAMS ALL OVER THE WORLD 550 00:30:40,100 --> 00:30:42,500 USE THIS SAME TAPER DESIGN. 551 00:30:42,533 --> 00:30:44,400 IT HAS KEPT THE HOUSES OF PARLIAMENT 552 00:30:44,433 --> 00:30:49,333 STANDING TALL IN THE RIVER FOR OVER 160 YEARS. 553 00:30:49,367 --> 00:30:52,433 BUT THESE STONES AREN'T INVINCIBLE. 554 00:30:52,467 --> 00:30:56,400 ON THE ROOFTOP, THE STONEWORK IS UNDER ATTACK. 555 00:30:56,433 --> 00:30:59,500 ON THE LORDS' ROOF, ARCHITECT ADAM WATROBSKI 556 00:30:59,533 --> 00:31:03,200 INVESTIGATES THE FABRIC OF THE BUILDING. 557 00:31:03,233 --> 00:31:05,600 Watrobski: THERE'S A GARGOYLE UP THERE WITH A HEAD MISSING. 558 00:31:05,633 --> 00:31:09,133 THE STONE CORRODED SO MUCH THAT THAT HEAD PROBABLY FELL OFF. 559 00:31:09,167 --> 00:31:11,667 Narrator: ENGINEERS MUST CONSTANTLY MONITOR 560 00:31:11,700 --> 00:31:14,233 PARLIAMENT'S LIMESTONE EXTERIOR. 561 00:31:14,267 --> 00:31:17,733 THIS BLACK IS AN ACCUMULATION OF ATMOSPHERIC POLLUTION 562 00:31:17,767 --> 00:31:20,800 PRODUCED BY COAL FIRES AND BY FACTORIES 563 00:31:20,833 --> 00:31:22,633 DURING THE VICTORIAN ERA. 564 00:31:22,667 --> 00:31:24,067 Narrator: THIS POLLUTION WILL HAVE 565 00:31:24,100 --> 00:31:26,567 LONG-TERM EFFECTS ON THE BUILDING. 566 00:31:26,600 --> 00:31:28,567 Watrobski: THE POLLUTION THAT YOU SEE ON THE SURFACE 567 00:31:28,600 --> 00:31:31,333 IS QUITE DAMAGING, BECAUSE THE RAIN FALLS ON IT, 568 00:31:31,367 --> 00:31:34,700 AND THE BLACK, WHICH IS CARBON, FORMS ACID, 569 00:31:34,733 --> 00:31:37,167 AND THE ACID THEN CHANGES THE COMPOSITION 570 00:31:37,200 --> 00:31:42,433 OF THE STONE INTO THIS POWDER, WHICH JUST SIMPLY DROPS OFF. 571 00:31:42,467 --> 00:31:44,600 Narrator: ADAM'S TEAM MUST REPLACE 572 00:31:44,633 --> 00:31:48,767 THIS DETERIORATED STONEWORK WITH NEW, MORE ROBUST LIMESTONE, 573 00:31:48,800 --> 00:31:51,900 A JOB THAT CONTINUES ACROSS THE BUILDING. 574 00:31:51,933 --> 00:31:53,933 BUT POLLUTION IS NOT THE ONLY THING 575 00:31:53,967 --> 00:31:57,533 THAT THREATENS PARLIAMENT'S DELICATE STONE. 576 00:31:57,567 --> 00:32:00,367 THERE IS ONE EVER-PRESENT DANGER 577 00:32:00,400 --> 00:32:04,067 THAT ONLY PARLIAMENT'S MOST UNUSUAL TEAM CAN TACKLE. 578 00:32:04,100 --> 00:32:05,733 [ BELL JINGLING ] 579 00:32:05,767 --> 00:32:07,200 Bigwood: I DO GET A LOT OF FUNNY LOOKS, 580 00:32:07,233 --> 00:32:08,667 ESPECIALLY WHEN PEOPLE PASS ME. 581 00:32:08,700 --> 00:32:10,933 A LOT OF THE TIME, THEY LOOK BACK AT ME 582 00:32:10,967 --> 00:32:13,333 'CAUSE THEY DON'T BELIEVE WHAT THEY'VE JUST SEEN. 583 00:32:13,367 --> 00:32:15,333 [ BELL JINGLING ] 584 00:32:15,367 --> 00:32:18,400 * 585 00:32:24,067 --> 00:32:26,067 Narrator: MARK BIGWOOD AND HIS HAWK, ANGEL, 586 00:32:26,100 --> 00:32:28,900 PROTECT PARLIAMENT FROM A SURPRISING THREAT -- 587 00:32:28,933 --> 00:32:32,100 LONDON'S ARMY OF PIGEONS. 588 00:32:32,133 --> 00:32:33,533 [ PIGEON COOS ] 589 00:32:33,567 --> 00:32:37,067 ANGEL'S JOB IS TO KEEP THE PIGEONS OFF THE BUILDING. 590 00:32:37,067 --> 00:32:40,233 PIGEONS' DROPPINGS ARE VERY ACIDIC TO THE LIMESTONE 591 00:32:40,267 --> 00:32:41,633 THAT THE PALACE IS BUILT OF, 592 00:32:41,667 --> 00:32:43,733 AND IT WOULD CAUSE AN AWFUL LOT OF DAMAGE 593 00:32:43,767 --> 00:32:46,967 TO THE STONEWORK, SOME OF IT IRREVERSIBLE. 594 00:32:47,067 --> 00:32:48,733 Narrator: WITHOUT THIS ESSENTIAL WORK, 595 00:32:48,767 --> 00:32:50,533 THE PIGEON DROPPINGS COULD DESTROY 596 00:32:50,567 --> 00:32:54,700 THE PALACE'S DELICATE LIMESTONE FACADE. 597 00:32:54,733 --> 00:32:56,233 [ BELL JINGLES ] 598 00:32:56,267 --> 00:32:59,433 THE AIM ISN'T TO ACTUALLY CATCH THE PIGEONS. 599 00:32:59,467 --> 00:33:02,967 ANGEL'S PRESENCE HERE PROVIDES ALL OF THE DETERRENT NEEDED. 600 00:33:03,067 --> 00:33:06,367 Bigwood: PIGEONS ARE NATURALLY AFRAID OF BIRDS OF PREY. 601 00:33:06,400 --> 00:33:09,367 AND PIGEONS RECOGNIZE THE FACT THAT HE'S A BIRD OF PREY, 602 00:33:09,400 --> 00:33:11,067 SO THEY ARE AFRAID OF IT. 603 00:33:11,100 --> 00:33:13,700 Narrator: MARK AND ANGEL'S ROOFTOP PATROLS 604 00:33:13,733 --> 00:33:15,900 HAVE HAD A HUGE IMPACT. 605 00:33:15,933 --> 00:33:19,267 WHEN WE STARTED WORKING HERE ABOUT 10, 15 YEARS AGO, 606 00:33:19,300 --> 00:33:22,433 THERE WAS APPROXIMATELY 30, 40 PIGEONS 607 00:33:22,467 --> 00:33:25,267 THAT WERE PERMANENTLY ON SITE. 608 00:33:25,300 --> 00:33:27,433 THEY WERE ROOSTING AND NESTING ON SITE. 609 00:33:27,467 --> 00:33:29,500 AND NOW THERE'S JUST A COUPLE OF PIGEONS 610 00:33:29,533 --> 00:33:32,233 THAT WANDER IN DURING THE DAY. 611 00:33:32,267 --> 00:33:35,067 Narrator: MARK AND ANGEL'S INVALUABLE WORK IS HELPING 612 00:33:35,100 --> 00:33:38,467 TO KEEP PARLIAMENT'S STONEWORK PRISTINE 613 00:33:38,500 --> 00:33:41,933 160 YEARS AFTER IT WAS BUILT. 614 00:33:43,767 --> 00:33:46,267 TODAY, INVESTIGATORS ARE UNLOCKING THE SECRETS 615 00:33:46,300 --> 00:33:50,933 HELD INSIDE THIS EXTRAORDINARY BUILDING. 616 00:33:50,967 --> 00:33:55,933 THEY'RE FINDING SPACES THAT APPEAR TO HAVE HIDDEN PURPOSES. 617 00:33:55,967 --> 00:33:58,967 COULD THIS VAST CAVITY AT THE HEART OF THE BUILDING 618 00:33:59,067 --> 00:34:03,067 BE THE SECRET TO UNDERSTANDING THESE HUGE TUNNEL SYSTEMS? 619 00:34:03,100 --> 00:34:06,067 * 620 00:34:07,700 --> 00:34:10,667 * 621 00:34:10,700 --> 00:34:13,967 Narrator: LONDON'S HOUSES OF PARLIAMENT, 622 00:34:14,067 --> 00:34:16,667 A VICTORIAN ENGINEERING MARVEL 623 00:34:16,700 --> 00:34:21,233 ENCASED IN A SPECTACULAR GOTHIC SHELL. 624 00:34:21,267 --> 00:34:23,600 PARLIAMENT ISN'T JUST A MONUMENT. 625 00:34:23,633 --> 00:34:26,267 IT'S A LIVING, WORKING BUILDING. 626 00:34:28,700 --> 00:34:31,500 THE VICTORIANS HAD TO MAKE SURE PEOPLE COULD WORK HERE 627 00:34:31,533 --> 00:34:35,433 DURING THE COLDEST WINTER MONTHS. 628 00:34:35,467 --> 00:34:39,633 OPEN FIRES HEATED UP ITS 1,000-PLUS ROOMS. 629 00:34:41,333 --> 00:34:46,967 SO HOW DID THEY STOP PARLIAMENT FROM FILLING UP WITH SMOKE? 630 00:34:47,067 --> 00:34:51,233 AN AMAZING INNOVATION SITS RIGHT AT THE HEART OF THE PALACE. 631 00:34:51,267 --> 00:34:55,233 THIS ELABORATE SPIRE IS, IN FACT, A CHIMNEY 632 00:34:55,267 --> 00:34:59,267 THAT SITS ABOVE THE PALACE'S BUSY CENTRAL LOBBY. 633 00:34:59,300 --> 00:35:02,067 WARM AIR FROM THE ROOM BELOW ROSE UP 634 00:35:02,067 --> 00:35:04,767 THROUGH A HOLE IN ITS DOMED ROOF. 635 00:35:04,800 --> 00:35:09,900 THIS CREATED AN UPWARDS CURRENT THAT PUSHES SMOKE UP 636 00:35:09,933 --> 00:35:13,067 AND OUT OF THE GIGANTIC SPIRE THROUGH 16 HOLES 637 00:35:13,100 --> 00:35:17,200 SPREAD ACROSS THE TOWER AND 32 OPEN WINDOWS. 638 00:35:20,367 --> 00:35:22,467 THIS HIDDEN VENTILATION SYSTEM 639 00:35:22,500 --> 00:35:25,633 WAS THE FIRST OF ITS KIND ANYWHERE IN THE WORLD. 640 00:35:25,667 --> 00:35:28,700 * 641 00:35:34,067 --> 00:35:36,067 TODAY, THIS CHIMNEY IS LOCKED UP 642 00:35:36,067 --> 00:35:39,167 AND KEPT SECRET FROM MOST VISITORS TO PARLIAMENT. 643 00:35:39,200 --> 00:35:42,233 * 644 00:35:48,900 --> 00:35:52,067 ARCHITECT ADAM WATROBSKI INVESTIGATES IF IT 645 00:35:52,067 --> 00:35:54,833 COULD REALLY HAVE WORKED AS THE DESIGNERS HOPED. 646 00:35:54,867 --> 00:35:56,900 WE'RE DIRECTLY OVER CENTRAL LOBBY, 647 00:35:56,933 --> 00:36:00,300 WHICH IS THE CROSSROADS OF THE PALACE OF WESTMINSTER. 648 00:36:00,333 --> 00:36:04,433 Narrator: THIS LOCATION IS CRUCIAL TO THE VICTORIAN CHIMNEY DESIGN. 649 00:36:04,467 --> 00:36:06,767 ADAM WANTS TO TEST JUST HOW EFFICIENT 650 00:36:06,800 --> 00:36:09,467 THE VENTILATION SYSTEM WAS. 651 00:36:09,500 --> 00:36:12,200 YOU CAN FEEL REALLY QUITE A STRONG UPDRAFT 652 00:36:12,233 --> 00:36:15,400 COMING FROM CENTRAL LOBBY BELOW ME HERE. 653 00:36:15,433 --> 00:36:17,100 I'VE GOT THIS PIECE OF KIT HERE, 654 00:36:17,133 --> 00:36:20,733 WHICH, AS I STEP BACK, WILL MEASURE THE AIR SPEED. 655 00:36:20,767 --> 00:36:22,867 IT'S VERY RAPIDLY RISING HERE. 656 00:36:22,900 --> 00:36:24,567 QUITE A HIGH SPEED. 657 00:36:24,600 --> 00:36:26,767 Narrator: THIS AIR CURRENT IS STRONG ENOUGH 658 00:36:26,800 --> 00:36:29,267 TO PUSH SMOKE UP AND OUT OF THE SPIRE. 659 00:36:29,300 --> 00:36:32,667 IT'S EVEN FASTER THAN MODERN AIR-CONDITIONING SYSTEMS. 660 00:36:32,700 --> 00:36:35,467 THIS PART OF THE HISTORICAL VENTILATION SYSTEM 661 00:36:35,500 --> 00:36:39,200 WOULD'VE REALLY WORKED QUITE WELL. 662 00:36:39,233 --> 00:36:41,533 Narrator: CLEAN AIR FLOWED IN THROUGH THE TOPS 663 00:36:41,567 --> 00:36:45,867 OF THE TALLEST TOWERS TO AVOID THE POLLUTION OF THE CITY. 664 00:36:45,900 --> 00:36:50,200 GIANT, 10-FOOT FANS DREW FRESH AIR THROUGH HUGE TUNNELS 665 00:36:50,233 --> 00:36:52,933 IN THE BASEMENT AND PUMPED IT 666 00:36:52,967 --> 00:36:56,400 TO HUNDREDS OF ROOMS ACROSS THE PALACE. 667 00:36:56,433 --> 00:37:00,700 BELOW THE HOUSE OF COMMONS, A GAUZE FILTER PURIFIED THE AIR, 668 00:37:00,733 --> 00:37:04,867 A WATER SPRAY MOISTENED IT, AND HOT COILS MADE IT WARM 669 00:37:04,900 --> 00:37:07,933 BEFORE RELEASING IT INTO THE CHAMBER. 670 00:37:07,967 --> 00:37:10,400 OLD AIR RUSHED OUT THROUGH THE CEILINGS 671 00:37:10,433 --> 00:37:12,400 AND FUNNELED THROUGH THE SPIRE. 672 00:37:12,433 --> 00:37:15,067 HERE, THE AIR RISING FROM THE CENTRAL LOBBY 673 00:37:15,067 --> 00:37:17,233 LIFTED IT FROM THE BUILDING. 674 00:37:20,600 --> 00:37:23,900 TODAY, THE HUGE HEATING AND VENTILATION TUNNELS 675 00:37:23,933 --> 00:37:25,800 IN THE BUILDING HAVE BEEN REPURPOSED 676 00:37:25,833 --> 00:37:28,767 AND ARE EQUIPPED WITH MODERN UTILITIES. 677 00:37:28,800 --> 00:37:30,733 BUT ADAM STILL FINDS TRACES 678 00:37:30,767 --> 00:37:33,967 OF THIS PIONEERING SYSTEM THROUGHOUT THE BUILDING. 679 00:37:36,967 --> 00:37:40,067 THIS IS ONE OF THE ORIGINAL VENTILATION HATCHES, 680 00:37:40,067 --> 00:37:42,533 WHICH WERE CONTROLLED BY AN ARMY OF PEOPLE 681 00:37:42,567 --> 00:37:44,200 IN THESE UNDERGROUND TUNNELS. 682 00:37:44,233 --> 00:37:47,933 AND THIS WAS USED TO ALLOW THE FRESH AIR INTO THE TUNNELS 683 00:37:47,967 --> 00:37:49,600 AND TO BE SUBSEQUENTLY WARMED 684 00:37:49,633 --> 00:37:53,400 AND DISTRIBUTED THROUGHOUT THE BUILDING. 685 00:37:53,433 --> 00:37:55,900 Narrator: THIS VENTILATION SYSTEM EVOLVED 686 00:37:55,933 --> 00:37:58,500 AS TIME AND TECHNOLOGY PROGRESSED, 687 00:37:58,533 --> 00:38:02,533 SOMETIMES INVOLVING SOME BIZARRE GADGETS. 688 00:38:02,567 --> 00:38:06,633 WELL, THIS IS THE PERISCOPE, WHICH WAS INCORPORATED 689 00:38:06,667 --> 00:38:10,633 IN THE POST-WAR RECONSTRUCTION OF THE HOUSE OF COMMONS. 690 00:38:10,667 --> 00:38:12,800 Narrator: THIS PIECE OF SUBMARINE TECHNOLOGY 691 00:38:12,833 --> 00:38:14,667 HAD A UNIQUE USE. 692 00:38:14,700 --> 00:38:16,567 Watrobski: AND IF YOU LOOK THROUGH IT, 693 00:38:16,600 --> 00:38:20,167 YOU CAN SEE QUITE CLEARLY WHAT'S HAPPENING IN THERE. 694 00:38:20,200 --> 00:38:22,300 I CAN SEE THE SPEAKER'S CHAIR, 695 00:38:22,333 --> 00:38:25,833 AND I CAN SEE THE BENCHES AT THE SIDE. 696 00:38:25,867 --> 00:38:28,433 Narrator: WHOEVER SAT HERE WOULD BE ABLE TO CONTROL 697 00:38:28,467 --> 00:38:30,533 THE BUILDING'S AIR-CONDITIONING. 698 00:38:30,567 --> 00:38:34,533 Watrobski: THE IDEA OF A PERISCOPE IS A FABULOUS IDEA, 699 00:38:34,567 --> 00:38:37,300 SO THAT WHOEVER WAS CONTROLLING THE AIR-CONDITIONING SYSTEM HERE 700 00:38:37,333 --> 00:38:39,967 COULD ACTUALLY SEE, LIVE, WHAT WAS HAPPENING STRAIGHTAWAY 701 00:38:40,067 --> 00:38:44,067 BEFORE THE ADVENT OF CLOSED-CIRCUIT TELEVISION. 702 00:38:44,067 --> 00:38:48,967 Narrator: TODAY, THE PERISCOPE IS NO LONGER IN USE. 703 00:38:49,067 --> 00:38:52,567 INGENIOUS ENGINEERING ENABLED PARLIAMENT'S RESIDENTS 704 00:38:52,600 --> 00:38:56,833 TO STAY WARM AND PROVIDED THEM WITH FRESH AIR TO BREATHE. 705 00:38:56,867 --> 00:38:58,833 THE FINISHING TOUCH WAS 706 00:38:58,867 --> 00:39:01,567 TO MAKE THE HOUSES OF PARLIAMENT BEAUTIFUL. 707 00:39:01,600 --> 00:39:04,100 IT IS BRITAIN'S MOST PRESTIGIOUS BUILDING, 708 00:39:04,133 --> 00:39:09,100 AND THE VICTORIANS INSISTED IT BE SPECTACULAR INSIDE AND OUT. 709 00:39:09,133 --> 00:39:12,167 * 710 00:39:15,700 --> 00:39:18,900 IN THE CENTRAL LOBBY, STONEMASON ANDY MIDWINTER 711 00:39:18,933 --> 00:39:21,867 IS MAKING SURE IT STAYS THAT WAY. 712 00:39:21,900 --> 00:39:25,933 WE'RE DOING EXACTLY THE SAME AS WHAT THE VICTORIANS DID. 713 00:39:27,900 --> 00:39:29,767 Narrator: THE STAINED-GLASS WINDOWS, 714 00:39:29,800 --> 00:39:33,667 WOOD CARVINGS, AND STATUES MUST ALL BE LOOKED AFTER. 715 00:39:33,700 --> 00:39:35,833 BUT WITH OVER 1 MILLION PEOPLE 716 00:39:35,867 --> 00:39:38,100 PASSING THROUGH PARLIAMENT EVERY YEAR, 717 00:39:38,133 --> 00:39:41,667 IT'S THE GOTHIC FLOOR TILES THAT NEED THE MOST ATTENTION. 718 00:39:41,700 --> 00:39:43,767 Midwinter: ORIGINALLY, WHEN THEY WERE FIRST LAID, 719 00:39:43,800 --> 00:39:45,433 THEY'D BE QUITE A VIBRANT COLOR. 720 00:39:45,467 --> 00:39:49,500 OVER THE YEARS, BASICALLY, THE PATTERN STARTS ERASING. 721 00:39:52,633 --> 00:39:54,367 Narrator: ANDY MUST CAREFUL CUT 722 00:39:54,400 --> 00:39:57,167 EVERY SINGLE TILE OUT OF THE FLOOR. 723 00:39:57,200 --> 00:39:59,900 WE USE, LIKE, A LITTLE TILE CUTTER 724 00:40:00,067 --> 00:40:02,867 WITH A NICE, THIN BLADE. 725 00:40:02,900 --> 00:40:06,567 SO, WHAT WE LITERALLY DO, CUT BETWEEN THE TWO TILES 726 00:40:06,600 --> 00:40:11,333 SO WE RELEASE THE PRESSURE AROUND THE SIDES OF THE TILES, 727 00:40:11,367 --> 00:40:14,267 AND THEN WE'LL JUST GET A HAMMER AND A CLAW 728 00:40:14,300 --> 00:40:17,400 AND GENTLY PUT IT UNDERNEATH THE TILE 729 00:40:17,433 --> 00:40:20,267 AND GIVE IT A COUPLE OF TAPS. 730 00:40:20,300 --> 00:40:23,433 AND THE TILE SHOULD GENTLY LIFT WITHOUT DAMAGE. 731 00:40:23,467 --> 00:40:25,300 Narrator: HIS NEXT JOB IS TO REPLACE 732 00:40:25,333 --> 00:40:28,167 EACH ORIGINAL TILE WITH AN EXACT REPLICA. 733 00:40:28,200 --> 00:40:30,133 Midwinter: THIS IS A BRAND-NEW TILE 734 00:40:30,167 --> 00:40:34,200 WHICH HAS BEEN MADE SPECIFICALLY FOR THIS FLOOR. 735 00:40:34,233 --> 00:40:39,533 THE DESIGN IS EXACTLY THE SAME AS THE ORIGINAL PUGIN DESIGN, 736 00:40:39,567 --> 00:40:43,800 RIGHT DOWN TO, LIKE, THE LITTLE DOTS, THE COLORS, EVERYTHING. 737 00:40:43,833 --> 00:40:47,733 Narrator: RE-CREATING THESE VICTORIAN TILES HASN'T BEEN EASY. 738 00:40:47,767 --> 00:40:51,167 THE ORIGINAL MANUFACTURERS DON'T EXIST NO MORE. 739 00:40:51,200 --> 00:40:55,333 Narrator: A MODERN MANUFACTURER HAD TO REPRODUCE THESE TILES 740 00:40:55,367 --> 00:40:58,233 ONE BY ONE, MATCHING THE PATTERNS BY EYE. 741 00:40:58,267 --> 00:41:00,467 IT'S BEEN A SLOW PROCESS. 742 00:41:00,500 --> 00:41:03,133 Midwinter: IT HAS BEEN ABOUT SIX YEARS IN THE MAKING. 743 00:41:03,167 --> 00:41:04,900 THEY ARE HANDMADE. 744 00:41:04,933 --> 00:41:09,133 EVEN THE VERY SIMPLE SORT OF TILES, IT STILL TAKES SKILL. 745 00:41:09,167 --> 00:41:11,700 IT'S AN ART FORM IN ITSELF. 746 00:41:11,733 --> 00:41:13,733 Narrator: AND THESE MODERN REPLACEMENTS 747 00:41:13,767 --> 00:41:16,200 EVEN IMPROVE ON THE VICTORIAN MODELS. 748 00:41:16,233 --> 00:41:19,267 THEY ARE FIRED AT A MUCH HIGHER TEMPERATURE 749 00:41:19,300 --> 00:41:21,433 THAN THE ORIGINALS WOULD'VE BEEN. 750 00:41:21,467 --> 00:41:25,067 MAKES THE TILE A MUCH, MUCH HARDER TILE. 751 00:41:25,067 --> 00:41:28,067 Narrator: ALL THAT'S LEFT IS TO LAY THEM IN THE FLOOR. 752 00:41:28,100 --> 00:41:30,267 IT'S A HUGE JOB. 753 00:41:30,300 --> 00:41:34,733 THE TILES COVER AN AREA THE SIZE OF A FOOTBALL FIELD. 754 00:41:34,767 --> 00:41:37,333 ON AVERAGE, ONE PANEL, 755 00:41:37,367 --> 00:41:41,733 I THINK IT'S 714 TILES, 756 00:41:41,767 --> 00:41:45,067 AND WE'VE DONE 10 PANELS, 12 PANELS. 757 00:41:45,100 --> 00:41:49,600 I'VE SET, MYSELF, OVER 5,000 TILES. 758 00:41:49,633 --> 00:41:53,300 AND WE'VE GOT MANY, MANY MORE TO GO. 759 00:41:53,333 --> 00:41:55,533 Narrator: WHEN ANDY IS FINISHED, THE SPLENDOR 760 00:41:55,567 --> 00:41:58,700 OF THE VICTORIANS' VISION WILL SHINE THROUGH AGAIN. 761 00:41:58,733 --> 00:42:01,833 * 762 00:42:04,567 --> 00:42:07,067 THANKS TO A DEDICATED TEAM OF EXPERTS 763 00:42:07,067 --> 00:42:11,100 WORKING ACROSS THE BUILDING, THIS AGING MEGA PALACE 764 00:42:11,133 --> 00:42:13,967 CAN EXPECT TO GROW OLD GRACEFULLY 765 00:42:14,067 --> 00:42:18,367 AND SURVIVE HUNDREDS OF YEARS INTO THE FUTURE. 766 00:42:18,400 --> 00:42:22,500 ITS REMARKABLE ROOF... 767 00:42:22,533 --> 00:42:25,100 HIGH-PRECISION CLOCK, 768 00:42:25,133 --> 00:42:28,067 AND UNIQUE VENTILATION SYSTEM -- 769 00:42:28,100 --> 00:42:32,467 ALL EVIDENCE OF A BUILDING LIGHT-YEARS AHEAD OF ITS TIME... 770 00:42:32,500 --> 00:42:36,900 A TRUE MASTERPIECE OF THE VICTORIAN AGE... 771 00:42:36,933 --> 00:42:40,133 AND ONE OF THE MOST AWE-INSPIRING BUILDINGS 772 00:42:40,167 --> 00:42:41,733 EVER CREATED. 773 00:42:41,767 --> 00:42:44,800 * 61661

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