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1
00:00:07,167 --> 00:00:10,267
CAPTIONING MADE POSSIBLE BY
U.S. DEPARTMENT OF EDUCATION
AND FOX BROADCASTING COMPANY
2
00:00:19,100 --> 00:00:20,467
FLAMEEL!
3
00:00:23,434 --> 00:00:26,968
* IT'S TIME FOR ANIMANIACS *
4
00:00:26,968 --> 00:00:29,567
* AND WE'RE ZANY
TO THE MAX *
5
00:00:29,567 --> 00:00:31,400
* SO JUST SIT BACK
AND RELAX *
6
00:00:31,400 --> 00:00:33,234
* YOU'LL LAUGH
TILL YOU COLLAPSE *
7
00:00:33,234 --> 00:00:35,601
* WE'RE ANIMANIACS *
8
00:00:35,601 --> 00:00:37,200
* COME JOIN
THE WARNER BROTHERS *
9
00:00:37,200 --> 00:00:38,734
* AND THE WARNER
SISTER DOT *
10
00:00:38,734 --> 00:00:40,267
* JUST FOR FUN
WE RUN AROUND *
11
00:00:40,267 --> 00:00:41,801
* THE WARNER MOVIE LOT
12
00:00:41,801 --> 00:00:43,100
* THEY LOCK US
IN THE TOWER *
13
00:00:43,100 --> 00:00:44,467
* WHENEVER WE GET CAUGHT
14
00:00:44,467 --> 00:00:46,167
* BUT WE BREAK LOOSE
AND THEN VAMOOSE *
15
00:00:46,167 --> 00:00:47,567
* AND NOW YOU KNOW
THE PLOT *
16
00:00:47,567 --> 00:00:49,767
* WE'RE ANIMANIACS *
17
00:00:49,767 --> 00:00:50,767
* DOT IS CUTE
18
00:00:50,767 --> 00:00:52,834
* AND YAKKO YAKS
19
00:00:52,834 --> 00:00:54,434
* WAKKO PACKS AWAY
THE SNACKS *
20
00:00:54,434 --> 00:00:56,334
* WHILE BILL CLINTON
PLAYS THE SAX *
21
00:00:56,334 --> 00:00:58,100
* WE'RE ANIMANIACS *
22
00:00:59,133 --> 00:01:00,300
* MEET PINKY AND THE BRAIN
23
00:01:00,300 --> 00:01:01,901
* WHO WANT TO RULE
THE UNIVERSE *
24
00:01:01,901 --> 00:01:03,200
* GOODFEATHERS
FLOCK TOGETHER *
25
00:01:03,200 --> 00:01:04,667
* SLAPPY WHACKS 'EM
WITH HER PURSE *
26
00:01:04,667 --> 00:01:06,300
* BUTTONS CHASES MINDY
27
00:01:06,300 --> 00:01:07,567
* WHILE RITA SINGS A VERSE
28
00:01:07,567 --> 00:01:09,367
* THE WRITERS FLIPPED,
WE HAVE NO SCRIPT *
29
00:01:09,367 --> 00:01:10,767
* WHY BOTHER TO REHEARSE?
30
00:01:10,767 --> 00:01:13,067
* WE'RE ANIMANIACS *
31
00:01:13,067 --> 00:01:16,133
* WE HAVE PAY-OR-PLAY
CONTRACTS *
32
00:01:16,133 --> 00:01:17,601
* WE'RE ZANY TO THE MAX *
33
00:01:17,601 --> 00:01:19,234
* THERE'S BALONEY
IN OUR SLACKS *
34
00:01:19,234 --> 00:01:20,834
* WE'RE ANIMANEE *
35
00:01:20,834 --> 00:01:22,167
* TOTALLY INSANE-Y
36
00:01:22,167 --> 00:01:23,634
* CITIZEN KANEY
37
00:01:23,634 --> 00:01:26,100
* ANIMANIACS
38
00:01:26,100 --> 00:01:27,634
* THOSE ARE THE FACTS *
39
00:01:40,434 --> 00:01:43,234
* THIS IS THE BEGINNING
40
00:01:43,234 --> 00:01:46,267
* THE BEGINNING OF
OUR STORY *
41
00:01:46,267 --> 00:01:47,901
* THE BEGINNING *
42
00:01:49,100 --> 00:01:51,868
THAT MANIAC DIRECTOR IS
MILLIONS OVER BUDGET.
43
00:01:51,868 --> 00:01:54,267
I TOLD YOU
TO STOP HIM.
44
00:01:54,267 --> 00:01:55,767
WE'VE TRIED
EVERYTHING, T.P.,
45
00:01:55,767 --> 00:01:57,234
HE'S LOCKED US OUT.
46
00:01:57,234 --> 00:02:00,467
WE SENT OUR
BEST ACCOUNTANTS
TO PULL THE PLUG,
47
00:02:00,467 --> 00:02:01,934
BUT THEY NEVER
CAME BACK.
48
00:02:01,934 --> 00:02:03,400
ISN'T THAT SCARY?
49
00:02:03,400 --> 00:02:05,467
GET OUT OF MY BUBBLE!
50
00:02:05,467 --> 00:02:06,968
WE NEED SOMEONE CUNNING
51
00:02:06,968 --> 00:02:08,968
TO GET INSIDE
THAT SOUNDSTAGE
52
00:02:08,968 --> 00:02:10,534
AND STOP THAT DIRECTOR.
53
00:02:10,534 --> 00:02:11,968
SOMEONE WHO'S
BRAVE, DARING,
54
00:02:11,968 --> 00:02:15,300
AND STUPID ENOUGH TO
GO ON THIS MISSION.
55
00:02:15,300 --> 00:02:17,400
GENTLEMEN, WE NEED...
56
00:02:17,400 --> 00:02:19,701
THE WARNERS!
57
00:02:19,701 --> 00:02:20,901
YOU RANG?
58
00:02:20,901 --> 00:02:22,434
AAH!
59
00:02:25,234 --> 00:02:28,934
THEY REALLY SHOULD
SWITCH TO DECAF.
60
00:02:28,934 --> 00:02:30,434
[YAKKO]
THAT'S HOW IT BEGAN.
61
00:02:31,868 --> 00:02:34,934
WE LISTENED INTENTLY AS
THEY EXPLAINED OUR MISSION.
62
00:02:34,934 --> 00:02:36,868
WE HAD EACH
BEEN SELECTED
63
00:02:36,868 --> 00:02:38,334
FOR OUR
UNIQUE ABILITIES.
64
00:02:38,334 --> 00:02:39,868
THAT'S DOT.
HER SPECIALTY--
65
00:02:39,868 --> 00:02:41,501
CUTENESS.
66
00:02:41,501 --> 00:02:42,934
THAT'S WAKKO.
HIS SPECIALTY--
67
00:02:42,934 --> 00:02:44,467
THE MALLET.
68
00:02:47,400 --> 00:02:49,767
THAT'S ME.
MY SPECIALTY--
69
00:02:49,767 --> 00:02:51,601
TWO PADDLEBALLS
AT ONCE!
70
00:02:51,601 --> 00:02:55,267
YOUR JOB IS TO GET
FROM THIS OFFICE HERE
71
00:02:55,267 --> 00:02:57,434
TO SOUNDSTAGE 64 HERE
72
00:02:57,434 --> 00:02:59,367
AND STOP THAT DIRECTOR!
73
00:02:59,367 --> 00:03:01,334
ANY QUESTIONS?
74
00:03:01,334 --> 00:03:04,033
WOULD I LOOK CUTE
AS A BLONDE?
75
00:03:04,033 --> 00:03:05,234
WHY DO CATS PURR?
76
00:03:05,234 --> 00:03:06,300
WHO'S CHUBBIER--
77
00:03:06,300 --> 00:03:09,334
PERRY MASON OR
SCOTTY ON STAR TREK?
78
00:03:13,200 --> 00:03:14,968
GOOD LUCK, WARNERS.
79
00:03:14,968 --> 00:03:16,601
THANK YOU, SIR.
80
00:03:16,601 --> 00:03:18,868
ALL RIGHT, WAKKO,
LET'S ROLL!
81
00:03:24,400 --> 00:03:25,400
OOPS. SORRY.
82
00:03:25,400 --> 00:03:26,934
HA HA HA!
83
00:03:28,400 --> 00:03:31,400
WE BEGAN OUR JOURNEY
TO SOUND STAGE 64.
84
00:03:31,400 --> 00:03:32,934
WAKKO DROVE.
85
00:03:34,400 --> 00:03:36,434
THEN I DECIDED TO DRIVE.
86
00:03:40,834 --> 00:03:43,367
* THIS IS THE MIDDLE
87
00:03:43,367 --> 00:03:47,367
* THE MIDDLE OF OUR STORY
88
00:03:47,367 --> 00:03:48,968
* THE MIDDLE *
89
00:03:52,467 --> 00:03:58,601
WE PUSHED OUR WAY INTO
THE VERY HEART THE STUDIO.
90
00:03:58,601 --> 00:04:00,367
THE SIGHTS WE SAW...
91
00:04:00,367 --> 00:04:02,400
AAH!
AAH!
92
00:04:04,934 --> 00:04:06,400
THE CARNAGE...
93
00:04:09,534 --> 00:04:11,434
THE DESTRUCTION...
94
00:04:14,400 --> 00:04:16,934
THE SENSELESS VIOLENCE...
95
00:04:18,901 --> 00:04:19,834
THE HORROR...
96
00:04:19,834 --> 00:04:24,734
AAH!
AAH!
AAH!
97
00:04:24,734 --> 00:04:26,434
THE HORROR.
98
00:04:27,834 --> 00:04:30,434
FINALLY,
OUR JOURNEY WAS OVER.
99
00:04:32,334 --> 00:04:36,167
THERE IT WAS--
SOUND STAGE 64.
100
00:04:36,167 --> 00:04:37,033
CAREFUL, SIBS.
101
00:04:37,033 --> 00:04:40,167
THERE COULD BE
A TRAP AROUND HERE.
102
00:04:40,167 --> 00:04:42,767
THANK YOU,
AMAZING KRESKIN.
103
00:04:44,267 --> 00:04:47,133
WE HAD BEEN CAPTURED
BY THE MISSING ACCOUNTANTS,
104
00:04:47,133 --> 00:04:49,367
NOW DISCIPLES
OF THE DIRECTOR.
105
00:04:49,367 --> 00:04:50,367
FROYNLAVEN.
106
00:04:50,367 --> 00:04:51,701
FROYNLAVEN.
107
00:04:51,701 --> 00:04:52,701
FROYNLAVEN.
108
00:04:52,701 --> 00:04:54,200
FROYNLAVEN.
109
00:04:54,200 --> 00:04:56,367
STOP WITH THE CHANTING!
110
00:04:56,367 --> 00:04:57,367
BRAVO!
111
00:04:57,367 --> 00:04:58,367
ENCORE!
112
00:04:58,367 --> 00:04:59,367
FABU!
113
00:04:59,367 --> 00:05:00,868
DID YOU
CHOREOGRAPH THAT?
114
00:05:00,868 --> 00:05:02,701
YOU SHOULD BE
VERY PROUD.
115
00:05:02,701 --> 00:05:05,701
WHO ARE YOU
THAT HAVE COME HERE, MAN?
116
00:05:05,701 --> 00:05:08,801
WE'RE HERE
TO STOP THE DIRECTOR.
117
00:05:08,801 --> 00:05:11,300
HA HA HA!
STOP HIM, MAN?
118
00:05:11,300 --> 00:05:13,200
WHOA! WRONG! WRONG!
119
00:05:13,200 --> 00:05:15,267
YOU KNOW WHAT HE IS?
120
00:05:15,267 --> 00:05:18,934
HE'S THE THINKER, TINKER,
PLOTTER, PLANNER, THE GENIUS!
121
00:05:18,934 --> 00:05:21,467
IN FRANCE,
HE'S KING THERE, MAN.
122
00:05:21,467 --> 00:05:22,901
COMEDY'S HIS CROWN.
123
00:05:22,901 --> 00:05:24,901
HE RULES
WITH FUNNY WORDS.
124
00:05:24,901 --> 00:05:27,400
FUNNY WORDS
LIKE FROYNLAVEN!
125
00:05:27,400 --> 00:05:29,200
AAH!
126
00:05:29,200 --> 00:05:31,200
HE DOESN'T HAVE
HIS ENDING.
127
00:05:31,200 --> 00:05:33,667
YOU'RE STAYING THERE
TILL HE DOES.
128
00:05:33,667 --> 00:05:35,367
LET ME HANDLE THIS.
129
00:05:35,367 --> 00:05:38,234
OH, MR. CRAZY PERSON?
130
00:05:38,234 --> 00:05:40,200
ALL WE WANT TO DO IS
131
00:05:40,200 --> 00:05:44,434
GIVE THE DIRECTOR
A BIG SMOOSHY KISS
AND SAY HI.
132
00:05:46,601 --> 00:05:48,000
WHOA. YOU'RE CUTE, MAN.
133
00:05:48,000 --> 00:05:52,400
YOU GOT THIS CUTE
"DON'T MAKE ME STAY HERE"
THING HAPPENING.
134
00:05:52,400 --> 00:05:56,200
PLEASE LET US OUT
OF THE CAGEY-WAGEY.
135
00:05:56,200 --> 00:05:58,934
YOU'RE WORKING
YOUR WEIRDNESS ON ME, MAN,
136
00:05:58,934 --> 00:06:00,934
YOUR CUTE WEIRDNESS.
137
00:06:00,934 --> 00:06:02,434
O.K.
138
00:06:02,434 --> 00:06:04,000
I'LL LET YOU OUT.
139
00:06:04,000 --> 00:06:06,834
SOME GIRLS GOT IT,
SOME GIRLS DON'T.
140
00:06:06,834 --> 00:06:09,367
FIRST YOU GOT TO SAY
THE PASSWORD.
141
00:06:09,367 --> 00:06:10,868
NOBODY SEES THE DIRECTOR
142
00:06:10,868 --> 00:06:12,868
UNLESS THEY KNOW
THE PASSWORD.
143
00:06:12,868 --> 00:06:13,868
FROYNLAVEN.
144
00:06:13,868 --> 00:06:14,868
FROYNLAVEN.
145
00:06:14,868 --> 00:06:16,200
FROYNLAVEN.
146
00:06:16,200 --> 00:06:17,267
FROYNLAVEN.
147
00:06:17,267 --> 00:06:19,601
WOULD IT BE...FROYNLAVEN?
148
00:06:19,601 --> 00:06:21,367
WHOA.
149
00:06:21,367 --> 00:06:22,868
THEY HAVE SPOKEN
FROYNLAVEN!
150
00:06:22,868 --> 00:06:25,634
GO IN,
WE SHOULD LET THEM.
151
00:06:28,701 --> 00:06:29,701
FROYNLAVEN.
152
00:06:29,701 --> 00:06:30,834
FROYNLAVEN.
153
00:06:30,834 --> 00:06:32,467
FROYNLAVEN.
154
00:06:32,467 --> 00:06:33,901
HOW'D YOU KNOW?
155
00:06:33,901 --> 00:06:35,501
IT CAME TO ME.
156
00:06:35,501 --> 00:06:37,133
FROYNLAVEN.
FROYNLAVEN.
157
00:06:46,100 --> 00:06:48,000
WHAT'LL YOU DO
WITH THOSE?
158
00:06:48,000 --> 00:06:49,400
NOTHING.
IT'S JUST FUN.
159
00:06:49,400 --> 00:06:51,434
I SEE HIM.
COME ON.
160
00:07:05,801 --> 00:07:08,234
THE WRETCHED CLOWN,
THE ENDING SCENE.
161
00:07:09,868 --> 00:07:12,367
TAKE 6,437.
162
00:07:12,367 --> 00:07:13,300
AND...
163
00:07:13,300 --> 00:07:14,868
ACTION.
164
00:07:14,868 --> 00:07:16,868
I SAW A SNAIL
165
00:07:16,868 --> 00:07:19,400
SLITHERING ACROSS
A RAILROAD TRACK.
166
00:07:21,634 --> 00:07:24,200
OOEY GOOEY WAS HIS NAME.
167
00:07:24,200 --> 00:07:25,200
[GULP]
168
00:07:25,200 --> 00:07:27,033
OHH! I ATE A BUG!
169
00:07:27,033 --> 00:07:28,000
CUT! CUT!
170
00:07:28,000 --> 00:07:32,167
A BUG, I ATE,
WITH LITTLE WINGS.
171
00:07:32,167 --> 00:07:33,267
BLEAH!
172
00:07:34,801 --> 00:07:37,901
EVERYBODY TAKE FIVE.
I NEED TO BE ALONE.
173
00:07:37,901 --> 00:07:41,634
GET OUT! I GOT TO
POSTULATE A NEW ENDING.
174
00:07:45,334 --> 00:07:46,334
ENDING.
175
00:07:46,334 --> 00:07:48,501
ENDING.
176
00:07:48,501 --> 00:07:49,501
HI THERE.
177
00:07:49,501 --> 00:07:51,133
AAH!
178
00:07:51,133 --> 00:07:52,667
DON'T WITH
THE SCARING!
179
00:07:52,667 --> 00:07:54,234
IT'S NOT GOOD.
180
00:07:54,234 --> 00:07:56,567
ARE YOU GOING
TO EAT THAT?
181
00:07:56,567 --> 00:07:59,000
WHO ARE YOU?
I WANT ANSWERS.
182
00:07:59,000 --> 00:08:00,901
WE'RE THE WARNER BROTHERS.
183
00:08:00,901 --> 00:08:02,567
AND THE WARNER
SISTER.
184
00:08:02,567 --> 00:08:05,300
HEADS WILL ROLL
FOR THIS INFRINGEMENT.
185
00:08:05,300 --> 00:08:07,133
THIS I PROMISE.
186
00:08:07,133 --> 00:08:08,934
HMM.
HMM.
HMM.
187
00:08:08,934 --> 00:08:10,868
I DON'T SIGN AUTOGRAPHS.
188
00:08:10,868 --> 00:08:12,234
IT CHEAPENS US BOTH--
189
00:08:12,234 --> 00:08:14,868
ME, THE ARTIST,
YOU THE...WHATEVER.
190
00:08:14,868 --> 00:08:15,901
NOW SCOOT.
191
00:08:17,367 --> 00:08:18,434
AAH!
192
00:08:18,434 --> 00:08:20,367
HOW'D YOU,
WITH THE GOING--
193
00:08:20,367 --> 00:08:22,801
YOU WERE THERE,
BUT HERE NOW.
194
00:08:22,801 --> 00:08:24,167
HOW'D YOU DO?
195
00:08:24,167 --> 00:08:26,167
YOU UNDERSTAND
ANY OF THAT?
196
00:08:26,167 --> 00:08:27,234
HE SAID...
197
00:08:27,234 --> 00:08:29,167
HOW'D YOU,
WITH THE GOING--
198
00:08:29,167 --> 00:08:31,734
YOU WERE THERE,
BUT HERE NOW.
199
00:08:31,734 --> 00:08:33,167
HOW'D YOU DO?
200
00:08:33,167 --> 00:08:34,934
THANKS FOR CLEARING THAT.
201
00:08:34,934 --> 00:08:37,300
FROM THE BOTTOM
OF MY HEART,
202
00:08:37,300 --> 00:08:38,667
I SAY THIS--
203
00:08:38,667 --> 00:08:40,300
LEAVE ALREADY!
204
00:08:42,400 --> 00:08:45,400
OHH! AGAIN WITH
THE POPPING AND SCARING.
205
00:08:45,400 --> 00:08:47,100
WHY WON'T YOU LEAVE?
206
00:08:47,100 --> 00:08:49,601
THE C.E.O.
MR. PLOTZ
SENT US.
207
00:08:49,601 --> 00:08:51,634
WE HAVE TO
STOP YOUR MOVIE.
208
00:08:51,634 --> 00:08:53,067
STOP THE MOV--
209
00:08:53,067 --> 00:08:54,801
THE THING ON FILM?
210
00:08:54,801 --> 00:08:57,467
IT'S NOT FINISHED.
I DON'T HAVE AN ENDING.
211
00:08:57,467 --> 00:08:59,801
I WON'T LET YOU.
212
00:08:59,801 --> 00:09:02,601
DON'T MAKE US
USE THESE.
213
00:09:03,767 --> 00:09:04,767
FROYNLAVEN!
214
00:09:04,767 --> 00:09:05,901
FROYNLAVEN!
215
00:09:05,901 --> 00:09:07,400
YOU'LL NEVER
STOP ME.
216
00:09:07,400 --> 00:09:09,601
NOT UNTIL
THERE'S AN ENDING.
217
00:09:09,601 --> 00:09:10,701
IT'S OVER.
218
00:09:10,701 --> 00:09:11,701
IT'S NOT.
219
00:09:13,434 --> 00:09:15,267
O.K. SO IT'S NOT OVER.
220
00:09:15,267 --> 00:09:18,267
I MIGHT HAVE AN ENDING
FOR YOUR MOVIE.
221
00:09:18,267 --> 00:09:22,634
AN ENDING
THAT A PERSON LIKE ME
COULD HAVE TO DO?
222
00:09:22,634 --> 00:09:25,901
WHAT IS IT, NICE BOY
WITH NO EYEBROWS?
223
00:09:30,300 --> 00:09:32,968
O.K. I'M READY
FOR MY ENDING!
224
00:09:32,968 --> 00:09:34,634
YOU WANT IT?
225
00:09:34,634 --> 00:09:35,868
OOH, YEAH!
226
00:09:35,868 --> 00:09:37,200
YOU REALLY WANT IT?
227
00:09:37,200 --> 00:09:39,033
YEAH. GIVE.
FROYNLAVEN!
228
00:09:39,033 --> 00:09:41,334
AND...ACTION.
229
00:09:44,033 --> 00:09:45,467
UGGGGHHH!
230
00:09:45,467 --> 00:09:47,133
THAT'S AN ENDING?
231
00:09:47,133 --> 00:09:48,968
THE MICROPHONE
WAS IN THE SHOT.
232
00:09:48,968 --> 00:09:51,634
O.K., EVERYBODY,
LET'S DO IT AGAIN!
233
00:09:51,634 --> 00:09:53,400
OH, I DON'T WANT THAT.
234
00:09:53,400 --> 00:09:55,534
AND...ACTION!
235
00:09:58,901 --> 00:10:00,400
THE HURTING...
236
00:10:00,400 --> 00:10:01,901
THE HURTING.
237
00:10:01,901 --> 00:10:03,000
CUT. PRINT.
238
00:10:03,000 --> 00:10:04,701
THAT'S A WRAP.
239
00:10:04,701 --> 00:10:06,434
LET'S GO HOME.
240
00:10:09,467 --> 00:10:11,834
* THAT'S THE ENDING *
241
00:10:11,834 --> 00:10:14,901
* THE ENDING OF OUR STORY
242
00:10:14,901 --> 00:10:16,467
* THE ENDING
243
00:10:16,467 --> 00:10:17,834
* THAT'S THE ENDING *
244
00:10:17,834 --> 00:10:19,934
* THE ENDING OF OUR--
245
00:10:19,934 --> 00:10:21,167
OOF!
246
00:10:21,167 --> 00:10:22,434
* THAT'S THE ENDING *
247
00:10:22,434 --> 00:10:23,934
* THE ENDING
248
00:10:23,934 --> 00:10:25,367
* THE ENDING
249
00:10:25,367 --> 00:10:50,467
* THE ENDING *
250
00:10:51,901 --> 00:10:55,400
AS FAR BACK
AS BOBBY COULD REMEMBER,
251
00:10:55,400 --> 00:10:57,167
HE WANTED
TO BE IN THE MOVIES.
252
00:10:57,167 --> 00:11:00,501
BOBBY SAID WE COULD
GET PARTS IN THE BOIDS.
253
00:11:00,501 --> 00:11:01,434
WHY?
254
00:11:01,434 --> 00:11:03,634
BECAUSE WE WERE BOIDS.
255
00:11:03,634 --> 00:11:05,400
BOTTA-BING.
256
00:11:05,400 --> 00:11:06,934
THIS IS IT.
257
00:11:16,033 --> 00:11:17,400
WE'RE GOING TO BE
STARS.
258
00:11:17,400 --> 00:11:19,467
WE'RE GOING TO BE
SOMEBODIES.
259
00:11:19,467 --> 00:11:22,901
YOU CAN'T WALK ON A SET
WITH NO EXPERIENCE
260
00:11:22,901 --> 00:11:24,968
AND EXPECT TO BE HIRED.
261
00:11:24,968 --> 00:11:27,934
THIS IS HOLLYWOOD--
LAND OF NO REALITY.
262
00:11:27,934 --> 00:11:31,701
KEEP YOUR REALITY CHECKS
TO YOURSELF, DING-DONG.
263
00:11:32,667 --> 00:11:33,701
[SQUISH]
264
00:11:41,934 --> 00:11:43,434
[COO]
265
00:11:43,434 --> 00:11:44,434
SHOW BIZ.
266
00:11:44,434 --> 00:11:47,767
YOU REALLY DO GOT TO
START AT THE BOTTOM.
267
00:11:47,767 --> 00:11:50,767
THE DIRECTOR WAS
SO IMPRESSED WITH US,
268
00:11:50,767 --> 00:11:53,467
HE HIRED US
AS STUNT BIRDS.
269
00:11:59,968 --> 00:12:01,901
DID YOU TAKE MY SEED?
270
00:12:01,901 --> 00:12:03,834
DID YOU TAKE MY SEED?
271
00:12:03,834 --> 00:12:05,901
YEAH, I TOOK YOUR SEED.
272
00:12:05,901 --> 00:12:08,901
I ATE IT,
AND I'M DIGESTING IT.
273
00:12:08,901 --> 00:12:09,901
OH, YEAH?
274
00:12:09,901 --> 00:12:12,100
DIGEST THIS,
YOU FEATHER-FANNY.
275
00:12:12,100 --> 00:12:13,467
TAKE BOBBY'S SEED,
276
00:12:13,467 --> 00:12:15,434
I'LL PECK YOU
TILL TUESDAY.
277
00:12:18,834 --> 00:12:20,634
PLACES!
278
00:12:27,901 --> 00:12:28,934
HMM.
279
00:12:32,300 --> 00:12:33,868
FORGET ABOUT IT.
280
00:12:33,868 --> 00:12:35,734
THAT BIRD'S A NOBODY.
281
00:12:36,767 --> 00:12:37,767
YEAH...
282
00:12:37,767 --> 00:12:39,968
AND WE WERE SOMEBODIES.
283
00:12:41,033 --> 00:12:43,367
I NEED A MANICURE.
284
00:12:43,367 --> 00:12:46,234
GOOD EVENING.
285
00:12:46,234 --> 00:12:48,968
SCENE 50, TAKE 1.
286
00:12:50,734 --> 00:12:51,968
AND...ACTION.
287
00:13:02,734 --> 00:13:04,801
MAKE ROOM
ON THE PERCH.
288
00:13:04,801 --> 00:13:08,100
YOU'RE NOT IN THIS SHOT,
BIRDBRAINS.
289
00:13:08,100 --> 00:13:12,100
WE'RE IN EVERY SHOT,
YOU BEAKY WALNUT EATER.
290
00:13:12,100 --> 00:13:14,400
YOU GOT PROBLEMS
WITH THAT? TOUGH!
291
00:13:15,400 --> 00:13:17,000
[SQUAWK]
292
00:13:17,000 --> 00:13:18,400
CUT.
293
00:13:18,400 --> 00:13:20,400
BAD EVENING.
294
00:13:20,400 --> 00:13:23,901
WHO CUED THE STUNT BIRDS?
295
00:13:23,901 --> 00:13:25,968
WHO CUED
THE STUNT BIRDS?
296
00:13:25,968 --> 00:13:26,901
I DIDN'T.
297
00:13:26,901 --> 00:13:29,367
GET THE DONUTS
TO THE SET.
298
00:13:31,400 --> 00:13:33,200
OHH!
299
00:13:36,868 --> 00:13:39,934
YOU GOODFEATHERS STINK.
300
00:13:39,934 --> 00:13:40,934
WE STINK?
301
00:13:40,934 --> 00:13:41,934
EXCUSE ME.
302
00:13:41,934 --> 00:13:42,801
WE STINK?
303
00:13:42,801 --> 00:13:45,434
WHY NOT TAKE
SOME ACTING LESSONS?
304
00:13:45,434 --> 00:13:48,434
WE DO NOT STINK
IN THIS PICTURE.
305
00:13:48,434 --> 00:13:52,467
O.K., BOYS,
IF YOU SAY SO.
306
00:13:54,434 --> 00:13:57,434
WHY ARE YOU GIVING THEM
GRIEF, CAWCAW?
307
00:13:57,434 --> 00:13:59,534
BECAUSE I ENJOY
BEING RUDE.
308
00:13:59,534 --> 00:14:01,501
IT'S MY JOB.
309
00:14:01,501 --> 00:14:03,400
I'M A STAR, CHARLIE.
310
00:14:06,868 --> 00:14:09,801
AAH!
311
00:14:09,801 --> 00:14:10,801
AAH!
312
00:14:10,801 --> 00:14:12,400
CUT.
313
00:14:12,400 --> 00:14:14,934
BRING IN
THE STUNT BIRD.
314
00:14:27,400 --> 00:14:28,400
AND...
315
00:14:28,400 --> 00:14:29,667
ACTION!
316
00:14:29,667 --> 00:14:32,467
AAH!
317
00:14:32,467 --> 00:14:35,434
AAH!
318
00:14:43,734 --> 00:14:45,501
BOTTA BING.
319
00:14:45,501 --> 00:14:49,400
YOU'RE LOOKING AT
THE NEW KING OF SHOW BIZ.
320
00:14:50,934 --> 00:14:52,434
AND...
321
00:14:52,434 --> 00:14:53,601
ACTION!
322
00:14:53,601 --> 00:14:55,501
AAH!
323
00:14:55,501 --> 00:14:57,968
[SCREECHING]
324
00:15:03,300 --> 00:15:05,267
CUT!
325
00:15:08,300 --> 00:15:09,734
NORMAN, ON ACTION,
326
00:15:09,734 --> 00:15:13,968
YOU WILL LAUNCH
THE STUNT BIRDS.
327
00:15:13,968 --> 00:15:15,367
I'M ASKING YOU,
328
00:15:15,367 --> 00:15:17,467
IS THIS THE GOOD LIFE?
329
00:15:17,467 --> 00:15:19,601
ACTION!
330
00:15:19,601 --> 00:15:22,200
WHOA!
WHOA!
WHOA!
331
00:15:23,400 --> 00:15:24,400
CUT!
332
00:15:24,400 --> 00:15:26,467
SOUND PROBLEM.
333
00:15:26,467 --> 00:15:27,901
LET'S DO IT AGAIN.
334
00:15:27,901 --> 00:15:29,934
QUICK! QUICK!
335
00:15:34,000 --> 00:15:36,400
ACTION!
336
00:15:36,400 --> 00:15:38,234
WHOA!
337
00:15:38,234 --> 00:15:39,400
CUT!
338
00:15:39,400 --> 00:15:40,467
GOOD.
339
00:15:40,467 --> 00:15:43,934
BUT LET'S DO IT AGAIN
WITH FEELING.
340
00:15:45,901 --> 00:15:47,000
ACTION!
341
00:15:50,400 --> 00:15:52,434
CUT!
342
00:15:52,434 --> 00:15:53,968
WE GOT IT.
343
00:15:59,234 --> 00:16:01,400
PLACES FOR
THE FIREPLACE SEQUENCE.
344
00:16:03,000 --> 00:16:04,868
YOUR BEAK'S
IN MY EYE!
345
00:16:04,868 --> 00:16:06,868
THAT BETTER BE
YOUR FOOT.
346
00:16:06,868 --> 00:16:09,367
I LIKE YOUR COSTUME,
PESTO.
347
00:16:09,367 --> 00:16:11,534
AND...ACTION!
348
00:16:27,334 --> 00:16:28,400
SORRY!
349
00:16:28,400 --> 00:16:30,400
AH...
350
00:16:30,400 --> 00:16:31,434
CUT.
351
00:16:41,400 --> 00:16:44,501
BEING A BIG-TIME STUNT BIRD
IS PAINFUL.
352
00:16:44,501 --> 00:16:47,467
CAN WE QUIT, GUYS,
WHILE WE'RE STILL ALIVE?
353
00:16:47,467 --> 00:16:49,334
I DON'T MIND THE PAIN.
354
00:16:49,334 --> 00:16:50,901
I LIKE IT.
355
00:16:50,901 --> 00:16:52,400
I'M A SOMEBODY.
356
00:16:52,400 --> 00:16:54,400
AM I TALKIN' TO ME?
357
00:16:54,400 --> 00:16:56,400
AM I TALKIN' TO ME?
358
00:16:56,400 --> 00:16:57,934
UHH...
359
00:17:02,133 --> 00:17:04,968
THOSE PIGEONS
ARE BIG-TIME LOSERS.
360
00:17:04,968 --> 00:17:07,033
US, LOSERS?
361
00:17:07,033 --> 00:17:09,868
AIN'T IT HILARIOUS
WATCHING THEM SUFFER?
362
00:17:09,868 --> 00:17:13,868
THOSE BIRDS WILL QUIT
BEFORE THE DAY IS OVER.
363
00:17:13,868 --> 00:17:15,334
HA HA HA!
364
00:17:22,634 --> 00:17:24,634
ARE YOU LAUGHING AT ME?
365
00:17:24,634 --> 00:17:26,701
ARE YOU LAUGHING AT ME?
366
00:17:26,701 --> 00:17:28,634
YEAH,
I'M LAUGHING AT YOU
367
00:17:28,634 --> 00:17:31,801
BECAUSE YOU'RE
THE VICTIM OF
SELF-DELUSION,
368
00:17:31,801 --> 00:17:33,901
AND I THINK
IT'S FUNNY.
369
00:17:33,901 --> 00:17:36,901
SEE IF YOU THINK
THIS IS FUNNY,
WING-DING.
370
00:17:36,901 --> 00:17:38,267
HERE COMES
JOHNNY!
371
00:17:45,901 --> 00:17:47,901
HA HA HA!
372
00:17:47,901 --> 00:17:50,200
THAT CROW
WAS JUST JEALOUS.
373
00:17:50,200 --> 00:17:54,400
THAT BIG BUZZARD WAS
JUST THREATENED BY
OUR ACTING VERSATILITY.
374
00:17:54,400 --> 00:17:56,400
AND OUR GOOD LOOKS,
RIGHT?
375
00:17:56,400 --> 00:17:58,334
YEAH. GET USED TO IT.
376
00:17:58,334 --> 00:18:02,334
US STARS GOT TO PUT UP
WITH STUFF LIKE THAT.
377
00:18:02,334 --> 00:18:04,367
HEY, BOBBY KNOWS
THIS INDUSTRY.
378
00:18:07,434 --> 00:18:08,868
HEY, WHAT'D I DO?
379
00:18:08,868 --> 00:18:11,901
NOTHING. I JUST FELT
LIKE WHACKING SOMETHING.
380
00:18:15,367 --> 00:18:17,367
GOOD EVENING.
381
00:18:17,367 --> 00:18:18,367
AND...
382
00:18:18,367 --> 00:18:19,400
ACTION.
383
00:18:26,300 --> 00:18:28,234
[SCREECHING]
384
00:18:29,367 --> 00:18:30,400
OW!
385
00:18:31,367 --> 00:18:32,400
UHH!
386
00:18:33,367 --> 00:18:34,400
OW!
387
00:18:35,367 --> 00:18:36,367
OW!
388
00:18:36,367 --> 00:18:37,400
UGH!
389
00:18:38,901 --> 00:18:39,968
OW!
390
00:18:39,968 --> 00:18:42,400
I'VE HIT
THE BIG TIME.
391
00:18:42,400 --> 00:18:43,467
UGH!
392
00:18:43,467 --> 00:18:45,434
I'M A BOX OFFICE
SMASH.
393
00:18:47,334 --> 00:18:50,334
I HAVE NEVER FELT BETTER
IN MY LIFE.
394
00:18:50,334 --> 00:18:53,200
I LOVE BEING A STUNT BIRD.
395
00:18:53,200 --> 00:18:54,901
I'VE HAD ENOUGH.
396
00:18:54,901 --> 00:18:56,868
I QUIT.
397
00:18:56,868 --> 00:18:58,934
I'M WITH YOU.
398
00:19:01,400 --> 00:19:03,467
OH, YOU POOR THINGS.
399
00:19:03,467 --> 00:19:06,334
IF YOU WERE THE STARS
LIKE US,
400
00:19:06,334 --> 00:19:11,334
YOU COULD JUST SIT
AND BE PRETTY AND
NEVER GET HURT.
401
00:19:11,334 --> 00:19:13,834
YOU MUST BE CHIRPIN'
TO ME.
402
00:19:13,834 --> 00:19:16,534
I JUST GOT
A RUSH OF BRAINS
403
00:19:16,534 --> 00:19:17,834
TO THE HEAD.
404
00:19:17,834 --> 00:19:21,367
PLACES FOR SCENE 207,
TAKE 103.
405
00:19:21,367 --> 00:19:23,601
AND ACTION!
406
00:19:23,601 --> 00:19:26,868
WE'RE NOT THE FALL BIRDS
NO MORE, GOODFEATHERS.
407
00:19:26,868 --> 00:19:30,067
WE ARE SAFE
IN A GILDED CAGE.
408
00:19:33,701 --> 00:19:36,901
LET ME HELP YOU
INTO THE CAR, DEAR.
409
00:19:42,667 --> 00:19:43,968
[COO]
410
00:19:43,968 --> 00:19:45,901
WE'RE STARS NOW,
BOBBY.
411
00:19:45,901 --> 00:19:47,434
I GUESS WE ARE.
412
00:19:51,000 --> 00:19:53,501
I HOPE WE DIDN'T
FORGET ANYTHING.
413
00:19:53,501 --> 00:19:54,434
WE'RE OFF.
414
00:19:57,968 --> 00:19:59,934
THAT'S ENTERTAINMENT.
415
00:20:01,767 --> 00:20:05,767
WE HAD A SHORT,
ONE-DAY CAREER
IN THE MOVIES.
416
00:20:05,767 --> 00:20:08,334
BUT, HEY,
AS BOBBY WOULD SAY,
417
00:20:08,334 --> 00:20:11,400
IT'S BETTER TO BE
SOMEBODY FOR A DAY
418
00:20:11,400 --> 00:20:13,934
THAN A NOBODY
FOR A LIFETIME.
419
00:20:29,167 --> 00:20:32,434
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
420
00:20:32,434 --> 00:20:35,467
CAPTIONS COPYRIGHT 1993
WARNER BROS. ANIMATION,
A DIVISION OF TIME-WARNER
ENTERTAINMENT CO., L.P.
421
00:20:48,100 --> 00:20:51,367
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
422
00:20:52,467 --> 00:20:53,834
FLAMMEEL!
26305
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