Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:40,665 --> 00:01:43,569
Under the command
of general Eisenhower,
2
00:01:43,602 --> 00:01:46,606
allied naval forces strongly
supported by the air force
3
00:01:46,638 --> 00:01:48,840
began landing allied armies
this morning
4
00:01:48,873 --> 00:01:51,577
on the northern coast
of France.
5
00:02:14,265 --> 00:02:18,270
Work on the mausoleum which Franco
ordered to be built near Madrid continues.
6
00:02:18,304 --> 00:02:21,674
Our sources inform us that just as has
been done with other public works,
7
00:02:21,706 --> 00:02:25,711
prisoners of war are being employed
to provide the manual labor.
8
00:02:51,870 --> 00:02:54,740
Actress Macarena Granada
and Austrian film director
9
00:02:54,772 --> 00:02:58,276
Otto von Fischer couldn't wait to
conclude their work on The Slave
10
00:02:58,310 --> 00:03:01,546
to make public their romance and
have tied the knot in Palm Springs
11
00:03:01,580 --> 00:03:04,584
during some down-time
in their film shoot.
12
00:03:18,563 --> 00:03:21,400
Macarena Granada and
Hollywood-based
13
00:03:21,432 --> 00:03:23,602
Austrian film director
Otto von Fischer
14
00:03:23,635 --> 00:03:25,770
have announced that they
are filing for divorce
15
00:03:25,804 --> 00:03:28,574
after less than a year
of marriage.
16
00:03:45,991 --> 00:03:47,893
Last Wednesday, in Hollywood,
17
00:03:47,925 --> 00:03:51,730
Spanish star Macarena Granada
won the Oscar for Best Actress
18
00:03:51,764 --> 00:03:53,766
and dedicated the award
to her father,
19
00:03:53,799 --> 00:03:57,469
who died in a Francoist prison
during the Spanish Civil War.
20
00:13:05,450 --> 00:13:07,853
It's very good,
very good, but--
21
00:13:07,885 --> 00:13:09,822
It is almost ready?
22
00:13:11,288 --> 00:13:12,057
It's beautiful.
23
00:13:12,090 --> 00:13:13,993
- Thank you.
- It's a work of art.
24
00:13:14,392 --> 00:13:16,595
Emilio Ruiz, great artist.
25
00:13:16,628 --> 00:13:19,565
Let me present
you a person.
26
00:13:32,878 --> 00:13:33,879
Nice to meet you.
27
00:13:35,080 --> 00:13:36,348
Nice to meet you.
28
00:13:36,380 --> 00:13:40,351
My friend. Jordan,
look to the camera.
29
00:13:40,384 --> 00:13:42,221
Look.
30
00:13:44,456 --> 00:13:45,890
Mm-mm.
31
00:21:51,108 --> 00:21:52,810
Yeah, yeah, of course.
If you want to.
32
00:22:15,665 --> 00:22:17,435
Ah!
33
00:22:49,599 --> 00:22:51,135
You don't
have to thank me at all,
34
00:22:51,169 --> 00:22:54,973
we needed
a real professional--
35
00:22:55,006 --> 00:22:57,609
Here they told me that...
36
00:23:03,047 --> 00:23:03,981
...better than you.
37
00:23:15,559 --> 00:23:16,994
Make a toast with you guys.
38
00:23:42,586 --> 00:23:43,721
Thanks.
39
00:23:43,753 --> 00:23:45,089
You're welcome.
40
00:23:51,127 --> 00:23:52,262
They're talking about
making comedies.
41
00:23:52,296 --> 00:23:55,200
They think that
comedies is the best...
42
00:24:10,681 --> 00:24:14,486
Tell me what in the name
of hell, are we doing here,
43
00:24:14,519 --> 00:24:18,589
a couple of Jews making a movie
about Queen Isabella of Castille?
44
00:24:18,623 --> 00:24:24,729
What I've lost
in this forsaken country?
45
00:24:24,761 --> 00:24:26,798
We haven't lost a damn thing.
46
00:24:26,830 --> 00:24:29,967
What we found are
"Non-transferable funds".
47
00:24:30,999 --> 00:24:31,536
Isn't that what they call it?
48
00:24:32,269 --> 00:24:35,639
Plus there's Generalissimo
Franco's protection.
49
00:24:35,673 --> 00:24:38,675
- Where are your scruples?
- Scruples?
50
00:24:38,709 --> 00:24:41,212
I'm a movie producer,
I go where the money is.
51
00:26:46,770 --> 00:26:48,673
Ay-ay-ay-ay-ay.
52
00:29:15,085 --> 00:29:17,521
Congratulations.
53
00:29:17,555 --> 00:29:18,523
Wonderful work.
54
00:29:18,556 --> 00:29:20,324
- He liked it.
- Fantastic.
55
00:29:20,356 --> 00:29:22,460
We are very lucky
to have you.
56
00:29:41,478 --> 00:29:43,214
Sir--
57
00:29:44,582 --> 00:29:47,385
Who-who are these people?
58
00:29:47,417 --> 00:29:51,121
I think they are
the secret police--
59
00:32:20,104 --> 00:32:21,338
Get back!
60
00:32:25,476 --> 00:32:27,044
Bravo!
61
00:32:31,615 --> 00:32:33,183
Thanks.
62
00:33:28,739 --> 00:33:32,410
Mr. Jones. What you
like the most about Spain?
63
00:33:32,442 --> 00:33:36,113
Oh, well, evidently,
Spanish women.
64
00:33:36,145 --> 00:33:39,349
There's nothing more beautiful
than a Spanish woman.
65
00:34:30,534 --> 00:34:33,336
When will we able
to speak to Mr. Scott?
66
00:34:33,369 --> 00:34:37,141
Mr. Scott is recovering
from a long long trip.
67
00:34:38,342 --> 00:34:42,246
This will be his 192nd movie.
68
00:34:43,746 --> 00:34:50,454
In all these years, he's never,
ever granted an interview.
69
00:35:09,172 --> 00:35:09,873
Sir?
70
00:35:09,907 --> 00:35:11,242
Sorry to interrupt you--
71
00:35:11,275 --> 00:35:14,244
We need you to check
Fernando's costume.
72
00:35:14,610 --> 00:35:15,612
Well--
73
00:35:16,280 --> 00:35:17,615
How do I look?
74
00:35:21,652 --> 00:35:23,854
The prettiest king
I've ever seen.
75
00:35:23,887 --> 00:35:27,592
Do you think its catholic enough or
do I need a crucifix or something?
76
00:35:32,929 --> 00:35:35,432
He should know. He is Irish.
77
00:35:45,641 --> 00:35:47,577
First positions.
78
00:36:16,572 --> 00:36:17,574
Places everyone!
79
00:36:26,983 --> 00:36:28,652
Sir, we are ready!
80
00:36:37,360 --> 00:36:38,695
Now, we are ready!
81
00:36:38,929 --> 00:36:41,331
Mr. Jones, please.
A photo for the paper.
82
00:36:41,364 --> 00:36:43,500
- What?
- A photo for the paper.
83
00:36:43,532 --> 00:36:45,302
Ah.
84
00:36:48,804 --> 00:36:50,507
OK.
Be quiet, please!
85
00:36:52,742 --> 00:36:53,844
Places everyone!
86
00:36:53,876 --> 00:36:54,811
Motor!
87
00:36:56,480 --> 00:36:57,481
Rolling!
88
00:36:58,447 --> 00:37:01,219
Three hundred fourteen,
take one.
89
00:37:06,989 --> 00:37:09,559
- Sir?
- Action.
90
00:37:11,327 --> 00:37:11,996
Action!
91
00:37:12,028 --> 00:37:14,465
Isabella!
92
00:37:15,565 --> 00:37:17,034
Fernando!
93
00:38:28,871 --> 00:38:31,908
That's a good thing to have
the biographer on the set.
94
00:38:31,942 --> 00:38:34,445
It's usually the screenwriter
who's thrown off.
95
00:38:42,119 --> 00:38:44,088
What the heck is going on?
Are we shooting the scene or what?
96
00:38:44,121 --> 00:38:46,090
- Sorry, Mr. Jones.
- We've been standing around here for a--
97
00:38:46,123 --> 00:38:48,458
Hey--you must be--
98
00:38:48,492 --> 00:38:54,631
Oh! Julián Torralba, Gary Jones.
King Boabdil, King Fernando.
99
00:38:54,664 --> 00:38:56,633
- Call me Gary.
- Nice to meet you.
100
00:38:56,666 --> 00:38:58,669
Nice to meet you.
Welcome to the madhouse.
101
00:39:02,806 --> 00:39:05,141
I am studying English.
102
00:39:05,175 --> 00:39:07,577
Oh, good, good, you should.
103
00:39:07,610 --> 00:39:09,512
- Yeah.
- Let me fill you in.
104
00:39:09,545 --> 00:39:12,715
The director is a bit
of a lush-- Know what I mean?
105
00:39:12,748 --> 00:39:14,817
- Yes--
- Been in Hollywood too long.
106
00:39:14,851 --> 00:39:16,987
Hollywood! Hollywood.
My dream--
107
00:39:17,019 --> 00:39:17,688
- Hmm.
- Movies--
108
00:39:17,721 --> 00:39:20,657
- Oh.
- In Spain--poor--money--
109
00:39:20,690 --> 00:39:23,092
- Oh--that's too bad.
- Mmm.
110
00:39:23,126 --> 00:39:25,863
You should meet my agent.
Hey, Bill!
111
00:39:27,030 --> 00:39:29,133
Mr. Larsen,
from the William Morris Agency.
112
00:39:29,166 --> 00:39:30,834
This is Julián--
113
00:39:30,867 --> 00:39:32,769
- Torralba.
- Torralba.
114
00:39:36,440 --> 00:39:39,476
Mr. Jones, we are ready to shoot!
Ready to shoot!
115
00:39:39,509 --> 00:39:42,045
Duty calls.
I'll see you later.
116
00:39:42,077 --> 00:39:44,748
Yes. Yes, yes.
117
00:39:46,715 --> 00:39:49,052
Three hundred fifteen, take one.
118
00:39:54,190 --> 00:39:55,692
Action.
119
00:39:56,193 --> 00:39:58,095
Action!
120
00:40:01,030 --> 00:40:04,601
- Isabella!
- Fernando!
121
00:40:14,210 --> 00:40:17,547
Boabdil accepts capitulation.
122
00:40:17,581 --> 00:40:20,684
Granada surrenders
at your feet.
123
00:40:21,217 --> 00:40:24,922
Spain is yours.
124
00:40:24,954 --> 00:40:26,590
No, Fernando.
125
00:40:27,224 --> 00:40:29,593
Spain is ours.
126
00:40:30,693 --> 00:40:32,163
Ours.
127
00:40:40,135 --> 00:40:41,672
Cut.
128
00:40:47,844 --> 00:40:48,912
That felt good, right?
129
00:40:48,945 --> 00:40:50,514
Yes.
130
00:47:15,431 --> 00:47:17,201
Look out!
131
00:48:08,684 --> 00:48:10,387
Mr. Scott--
132
00:48:11,688 --> 00:48:12,489
Hi.
133
00:48:15,324 --> 00:48:17,626
We need to speak about
the character
134
00:48:17,659 --> 00:48:21,130
because I don't think
I understand her--
135
00:48:21,164 --> 00:48:23,400
I'm listening to you, dear--
136
00:48:23,432 --> 00:48:27,003
Well, I'm reading the biography
on this woman
137
00:48:27,036 --> 00:48:30,440
and I'm finding out things--
incredible things
138
00:48:30,472 --> 00:48:32,574
that nobody had told me.
139
00:48:32,608 --> 00:48:35,946
I mean, I had the idea
that this woman was a saint!
140
00:48:35,978 --> 00:48:37,480
She was anything but.
141
00:48:37,512 --> 00:48:39,615
She through
the Jews out of Spain.
142
00:48:39,648 --> 00:48:41,984
She did the same thing
with the Muslims.
143
00:48:42,018 --> 00:48:43,954
She organized the Inquisition
144
00:48:43,987 --> 00:48:47,057
and on top of that,
she was a pig,
145
00:48:47,090 --> 00:48:51,128
who swore never to wash
until she won Granada back.
146
00:48:52,427 --> 00:48:53,563
I mean--
147
00:48:55,164 --> 00:48:55,965
Anyway--
148
00:48:55,998 --> 00:48:57,601
None of this
appears in the script.
149
00:49:04,273 --> 00:49:06,175
Mr. Scott?
150
00:49:23,760 --> 00:49:26,964
Jordan, help me here--
151
00:49:28,297 --> 00:49:30,266
Who is this woman?
152
00:49:30,298 --> 00:49:32,601
Is she a saint or a swine?
153
00:49:32,635 --> 00:49:35,438
Even if she is one thing
and portray as another,
154
00:49:35,471 --> 00:49:36,472
I have to know.
155
00:49:38,440 --> 00:49:40,143
I don't like it much either.
156
00:49:40,175 --> 00:49:41,744
What do you want me to say?
157
00:49:41,777 --> 00:49:43,545
I don't know.
You are the writer
158
00:49:43,579 --> 00:49:46,716
Theoretically.
159
00:49:46,748 --> 00:49:48,751
What do you mean
theoretically?
160
00:49:48,784 --> 00:49:50,286
Well, my name doesn't appear
in the credits.
161
00:49:50,318 --> 00:49:52,255
That's something
I'm grateful for.
162
00:49:52,288 --> 00:49:55,025
- See the Last days of Pompey?
- Yes. Wonderful.
163
00:49:55,057 --> 00:49:57,226
Oh, sorry, wish you hadn't.
164
00:49:57,260 --> 00:50:00,030
My name doesn't appear
in those credits either.
165
00:50:00,063 --> 00:50:01,731
I can't sign my name to it.
166
00:50:03,532 --> 00:50:06,769
I had to come here because
of the McCarthy witch hunts.
167
00:50:06,802 --> 00:50:08,771
I was black-listed.
168
00:50:08,804 --> 00:50:10,539
That's terrible--
169
00:50:12,507 --> 00:50:15,144
But someone is gonna have to
explain to me what I'm doing.
170
00:50:15,177 --> 00:50:18,580
Look. I wrote this script
about Columbus,
171
00:50:18,614 --> 00:50:22,485
but Mr. Franco decided that he'd help us if
we made something about Queen Isabella.
172
00:50:22,518 --> 00:50:24,153
So I had to re-write it.
173
00:50:24,186 --> 00:50:26,155
It took me three days,
six bottles of whiskey.
174
00:50:26,188 --> 00:50:30,125
We worked under the watchful eyes of Franco's people.
175
00:50:30,159 --> 00:50:33,829
So, what is both
of our best interest
176
00:50:33,862 --> 00:50:37,500
is for us to keep our noses
clean and our mouths shut.
177
00:50:37,532 --> 00:50:39,502
It's a word of advice.
178
00:50:42,237 --> 00:50:43,672
Let me tell you something else,
179
00:50:43,706 --> 00:50:46,410
it will help
with your relations with Scott.
180
00:50:46,842 --> 00:50:48,045
What relations?
181
00:50:49,179 --> 00:50:51,815
I heard you were with Strasberg
at the Actors' Studio.
182
00:50:51,847 --> 00:50:53,682
Yes.
183
00:50:53,715 --> 00:50:55,418
Make sure he doesn't find out.
184
00:52:25,307 --> 00:52:26,309
Oh, my God.
185
01:02:49,331 --> 01:02:51,166
Granada.
186
01:02:54,202 --> 01:02:57,139
♪ Granada ♪
187
01:02:58,974 --> 01:03:04,947
♪ I'm falling under
your spell ♪
188
01:03:06,347 --> 01:03:10,451
♪ And if you could speak ♪
189
01:03:10,485 --> 01:03:15,490
♪ What a fascinating tale
you would tell ♪
190
01:03:17,192 --> 01:03:20,295
♪ Of an age the world ♪
191
01:03:20,329 --> 01:03:24,432
♪ Has long forgotten ♪
192
01:03:26,201 --> 01:03:30,039
♪ Of an age that weaves ♪
193
01:03:30,072 --> 01:03:32,307
♪ A silent magic ♪
194
01:03:33,242 --> 01:03:36,579
♪ In Granada ♪
195
01:03:36,612 --> 01:03:41,483
♪ Today ♪
196
01:03:44,952 --> 01:03:49,090
♪ A dawn in the sky
greets the day ♪
197
01:03:49,123 --> 01:03:55,463
♪ With a sigh for Granada ♪
198
01:03:55,496 --> 01:04:01,036
♪ For she can remember
the splendor ♪
199
01:04:01,068 --> 01:04:06,507
♪ That once was Granada ♪
200
01:04:06,541 --> 01:04:10,045
♪ Still can be found ♪
201
01:04:10,077 --> 01:04:17,052
♪ In the hills around me ♪
202
01:04:17,085 --> 01:04:22,958
♪ Entranced by the beauty
before me ♪
203
01:04:25,027 --> 01:04:30,199
♪ Entranced by a land
full of sunshine ♪
204
01:04:30,231 --> 01:04:35,938
♪ And flowers, and song ♪
205
01:04:35,971 --> 01:04:38,173
♪ And when day is done ♪
206
01:04:38,206 --> 01:04:42,211
♪ And the sun starts to set ♪
207
01:04:42,244 --> 01:04:46,282
♪ In Granada ♪
208
01:04:46,315 --> 01:04:52,221
♪ I envy the blush
of the snow clad ♪
209
01:04:52,253 --> 01:04:57,592
♪ Sierra Nevada ♪
210
01:04:57,626 --> 01:05:02,498
♪ For soon it will welcome
the stars ♪
211
01:05:02,530 --> 01:05:06,134
♪ While a thousand guitars ♪
212
01:05:06,168 --> 01:05:11,941
♪ Play a soft tarantella ♪
213
01:05:11,974 --> 01:05:17,680
♪ The moonlit Granada
will live again ♪
214
01:05:17,713 --> 01:05:22,084
♪ The glory of yesterday ♪
215
01:05:23,150 --> 01:05:26,087
♪ Romantic ♪
216
01:05:26,121 --> 01:05:32,260
♪ And gay ♪
217
01:05:35,998 --> 01:05:40,269
And cut.
218
01:07:30,545 --> 01:07:32,715
Two hundred
thirty-seven, take one.
219
01:07:33,380 --> 01:07:34,382
Sir?
220
01:07:39,721 --> 01:07:40,655
Action.
221
01:07:40,856 --> 01:07:42,058
Action!
222
01:08:14,889 --> 01:08:15,824
Cut.
223
01:08:17,391 --> 01:08:19,194
And print it.
224
01:08:20,862 --> 01:08:21,864
Check the gate.
225
01:08:27,601 --> 01:08:29,438
We are moving on.
226
01:10:20,381 --> 01:10:22,350
Yes, yes.
227
01:10:22,384 --> 01:10:24,987
Yes, yes, yes!
228
01:10:25,020 --> 01:10:27,022
Yes.
229
01:10:27,055 --> 01:10:29,324
Yes.
230
01:14:02,936 --> 01:14:06,809
My tailor is rich...
231
01:14:08,542 --> 01:14:11,679
My tailor is rich...
232
01:14:16,618 --> 01:14:17,920
Hey, Julian.
233
01:14:18,987 --> 01:14:20,922
- Still here?
- Yes.
234
01:14:20,954 --> 01:14:24,091
Yes, student.
235
01:14:24,125 --> 01:14:25,760
- Oh, studying!
- Mm-hmm.
236
01:14:25,792 --> 01:14:27,862
Sure... it's good...
237
01:14:27,895 --> 01:14:31,565
Say, you, uh, want to go
have a drink?
238
01:14:31,599 --> 01:14:34,235
We can discuss future plans
for you and me.
239
01:14:34,269 --> 01:14:35,604
In Hollywood, I mean...
240
01:14:35,636 --> 01:14:38,072
Yes, yes... Hollywood.
241
01:14:55,023 --> 01:14:56,858
Oh, Ronnie, yes.
242
01:14:56,890 --> 01:14:59,861
- I know him well. He's an old pal.
- Hmm.
243
01:15:08,836 --> 01:15:11,673
Yeah, you're right.
Great actors.
244
01:15:11,706 --> 01:15:13,742
- I know them all.
- Yes, yes.
245
01:15:25,019 --> 01:15:27,989
You'll forgive me
for saying so, Julian, but...
246
01:15:28,021 --> 01:15:30,091
you seem a little tense.
247
01:15:35,697 --> 01:15:37,998
Is because of
the big scene tomorrow?
248
01:15:41,336 --> 01:15:43,305
Sure, don't sweat it.
249
01:15:43,337 --> 01:15:46,307
You know what I like
to do to relax?
250
01:15:46,341 --> 01:15:47,543
Stretch.
251
01:15:51,679 --> 01:15:54,181
This will work perfectly.
Allow me.
252
01:15:57,150 --> 01:15:59,787
Now, just go with it.
253
01:16:01,355 --> 01:16:03,324
There.
254
01:16:03,358 --> 01:16:04,826
Does not feel great?
255
01:16:12,065 --> 01:16:13,001
What?
256
01:16:14,935 --> 01:16:17,972
You want me to let you go?
Is that it?
257
01:16:18,006 --> 01:16:19,341
Eh?
258
01:16:22,010 --> 01:16:24,713
Well, what do we know?
Stuck.
259
01:16:24,746 --> 01:16:27,882
These are for real!
260
01:16:28,382 --> 01:16:31,219
Crazy Spaniards.
261
01:16:45,099 --> 01:16:46,735
Looks like we are all alone,
262
01:16:46,768 --> 01:16:49,871
just you and me.
263
01:17:02,850 --> 01:17:04,919
Mmm.
264
01:17:04,952 --> 01:17:07,756
You smell so good...
265
01:17:08,922 --> 01:17:10,925
I love people who don't bath...
266
01:17:10,957 --> 01:17:11,893
Yeah.
267
01:17:18,298 --> 01:17:19,301
You're mine now.
268
01:17:20,134 --> 01:17:21,970
My prisoner.
269
01:17:22,002 --> 01:17:22,970
Hmm.
270
01:17:24,137 --> 01:17:25,774
Now how about that kiss?
271
01:17:25,806 --> 01:17:27,841
Huh? Kiss? No, no, no.
272
01:17:27,875 --> 01:17:30,345
No, no, no.
273
01:17:30,377 --> 01:17:32,380
No, no, no.
274
01:17:32,412 --> 01:17:34,148
No.
275
01:17:34,181 --> 01:17:36,050
No, Gary. Kiss no.
276
01:17:48,462 --> 01:17:50,798
Now--
277
01:17:50,832 --> 01:17:54,202
Let's see what little treasure you have down there.
Hmm?
278
01:17:57,838 --> 01:17:59,173
Such a dark face,
279
01:18:00,207 --> 01:18:02,109
such a pale bottom.
280
01:18:03,010 --> 01:18:04,346
What a lovely contrast.
281
01:21:19,039 --> 01:21:20,341
- Cut.
- We've cut!
282
01:21:20,373 --> 01:21:22,010
Get the actors
ready for the close-ups.
283
01:21:22,042 --> 01:21:23,911
Get the other actors
on the horses, please.
284
01:21:29,382 --> 01:21:31,019
You must keep--
285
01:21:32,353 --> 01:21:34,189
Rosales.
286
01:21:56,077 --> 01:21:58,146
Seventy-two, take four.
287
01:22:01,247 --> 01:22:02,182
Action.
288
01:22:12,592 --> 01:22:15,595
You must weep like a woman--
289
01:22:15,628 --> 01:22:20,301
for what you could not defend,
peasant man.
290
01:22:39,353 --> 01:22:42,724
What a fine actor.
I'm impressed.
291
01:22:42,756 --> 01:22:44,625
I told you he was special.
292
01:23:34,140 --> 01:23:35,777
Errol Flynn!
293
01:23:41,815 --> 01:23:43,018
Errol Flynn.
294
01:23:51,425 --> 01:23:52,627
Errol Flynn--
295
01:23:52,659 --> 01:23:54,628
He's so sensitive.
296
01:24:36,703 --> 01:24:38,739
No.
297
01:24:42,576 --> 01:24:43,677
Shh!
298
01:26:50,703 --> 01:26:52,873
Bravo!
299
01:26:57,578 --> 01:26:58,913
Bravo!
300
01:28:17,457 --> 01:28:19,326
Whoa!
301
01:29:17,850 --> 01:29:18,853
Rolling.
302
01:29:20,020 --> 01:29:21,723
Sir, we're rolling.
303
01:29:24,524 --> 01:29:25,525
Action.
304
01:29:58,792 --> 01:29:59,727
Cut.
305
01:30:04,497 --> 01:30:07,167
Check the gate please!
306
01:30:07,201 --> 01:30:09,703
OK, we're finished.
307
01:30:09,735 --> 01:30:12,706
It's a wrap for main unit.
Only for main unit, please.
308
01:30:12,738 --> 01:30:13,907
Second units, no, no, no--
309
01:30:14,207 --> 01:30:17,110
Thank you.
310
01:30:39,198 --> 01:30:40,500
OK, let's go.
311
01:30:41,601 --> 01:30:43,069
- Sir, I'm sorry.
- Yeah.
312
01:30:43,103 --> 01:30:45,840
Um, this is only
the second unit work.
313
01:30:45,872 --> 01:30:48,542
The horses and--
You can go if you want.
314
01:30:50,777 --> 01:30:52,480
It gets really
uncomfortable for you.
315
01:30:53,747 --> 01:30:55,015
Not necessary.
316
01:30:55,047 --> 01:30:57,018
Second unit.
317
01:31:01,787 --> 01:31:03,723
Communist Party of America.
318
01:31:05,958 --> 01:31:08,595
Sir, uh,
please, put-put it back.
319
01:31:08,628 --> 01:31:11,097
Put it back.
It's very dangerous.
320
01:31:11,131 --> 01:31:12,133
OK, let's go.
321
01:31:17,270 --> 01:31:18,472
See you later.
322
01:31:30,984 --> 01:31:32,687
I was here in '37--
323
01:31:33,720 --> 01:31:35,655
with the Lincoln Brigade.
324
01:31:44,831 --> 01:31:45,833
Come with us.
325
01:32:16,329 --> 01:32:17,532
Look, Julian,
326
01:32:18,698 --> 01:32:21,034
I just wanted to say I'm--
I'm sorry about everything.
327
01:32:26,038 --> 01:32:29,576
Well, I don't understand
what you're saying, but--
328
01:32:29,609 --> 01:32:30,944
I just hope that
we can be friends.
329
01:32:30,978 --> 01:32:33,180
No, no, no. No friends.
No friends! No friends.
330
01:32:33,212 --> 01:32:34,215
No friends!
331
01:32:35,015 --> 01:32:36,884
- No?
- Nothing.
332
01:32:38,985 --> 01:32:39,921
OK.
333
01:34:10,010 --> 01:34:11,646
Rolling!
334
01:34:15,247 --> 01:34:16,983
I love you too.
335
01:34:46,179 --> 01:34:49,716
What the hell is that?
What the hell is he doing there?
336
01:34:59,359 --> 01:35:03,097
♪ There's a valley
in Spain Called Jarama ♪
337
01:35:03,130 --> 01:35:06,365
♪ It's a place that we all know
so well ♪
338
01:35:06,399 --> 01:35:08,001
Everybody!
339
01:35:08,033 --> 01:35:11,037
♪ It was there that we all
Lost our manhood ♪
340
01:35:14,207 --> 01:35:17,244
[laughing
341
01:35:17,277 --> 01:35:18,945
Everybody, wait, everybody!
342
01:35:18,979 --> 01:35:22,949
♪ There's a man ♪
343
01:35:22,983 --> 01:35:24,819
Whoa! Whoa! Whoa!
344
01:46:12,864 --> 01:46:13,867
Oh, my God!
345
01:54:16,649 --> 01:54:17,984
I don't care if we get money.
346
01:54:18,016 --> 01:54:20,318
He can go to hell.
I'm not talking to him.
347
01:54:20,351 --> 01:54:23,021
But, Macarena, you have to--
- You have to!
348
01:54:23,055 --> 01:54:25,024
That son of a bitch
killed my father.
349
01:54:25,056 --> 01:54:28,059
- Macarena, he's your president.
- No, he's not.
350
01:54:28,092 --> 01:54:29,494
I'm not American.
351
01:54:38,436 --> 01:54:41,407
- Mr. Spiegelman...
- But, Pepe, that woman is crazy.
352
01:54:41,439 --> 01:54:44,609
- She's destroying my movie.
- Don't worry. Don't worry.
353
01:54:44,643 --> 01:54:46,945
- Out!
- I'm going to talk to her.
354
01:54:52,051 --> 01:54:55,354
We are going to speak with her.
355
01:54:55,386 --> 01:54:57,222
No, no, sorry, sorry.
356
01:56:12,230 --> 01:56:13,465
Action.
357
01:56:16,068 --> 01:56:18,204
What are we waiting for now?
358
01:56:19,070 --> 01:56:20,271
He's here.
359
01:56:20,305 --> 01:56:22,141
Who?
360
01:56:27,645 --> 01:56:30,082
Il Duce.
361
01:56:30,783 --> 01:56:32,352
All kind of 'em.
362
01:56:33,484 --> 01:56:34,487
My jacket!
363
01:57:11,823 --> 01:57:13,491
Let's--Let's make a line,
please. Let's make a line.
364
01:57:13,524 --> 01:57:16,061
First, Americans. Americans
first. Americans first.
365
01:57:16,095 --> 01:57:17,530
Bonilla!
366
01:57:17,563 --> 01:57:19,699
Mr. And Mrs. Spiegelman.
Mr. Scott, please.
367
01:57:42,220 --> 01:57:44,689
Welcome to our set,
Generalissimo.
368
01:58:18,823 --> 01:58:21,192
Sir, yes,
all these medals--
369
01:58:21,225 --> 01:58:23,496
Did you fight in the First War?
370
01:58:23,529 --> 01:58:26,265
The First, the Second,
371
01:58:26,297 --> 01:58:28,867
and I'll fight in the third
if I have to.
372
01:58:28,900 --> 01:58:32,337
This is for Normandy.
373
01:58:32,371 --> 01:58:33,572
Omaha beach.
374
01:58:33,605 --> 01:58:37,710
And these are for the Pacific.
That's where I lost my eye.
375
01:58:37,743 --> 01:58:40,579
I was fighting against fascism,
376
01:58:40,612 --> 01:58:42,614
on behalf of democracy
and freedom.
377
01:58:52,291 --> 01:58:54,793
Military people are--
All of you are military.
378
01:59:01,567 --> 01:59:03,735
He loves--
He loves all your films, sir.
379
01:59:07,939 --> 01:59:09,307
Nice to meet you.
380
01:59:09,341 --> 01:59:11,777
Great honor, your Excellencior.
381
01:59:11,810 --> 01:59:13,379
An honor, Excellency.
382
01:59:17,315 --> 01:59:20,286
He likes very, very much
your film, The Pirates.
383
01:59:20,319 --> 01:59:22,822
The Prancing Pirate.
Oh, yes, thank you.
384
01:59:37,970 --> 01:59:41,908
He said he has written
a screenplay himself.
385
01:59:43,641 --> 01:59:46,311
- Ever get made?
- Well, are you kidding?
386
01:59:46,345 --> 01:59:48,948
There's no single Spaniard
who has not seen his film.
387
01:59:48,980 --> 01:59:51,849
I can imagine.
Is it any good?
388
01:59:51,882 --> 01:59:56,454
Well, let's just say it's in
a category all on its own.
389
02:01:57,809 --> 02:02:00,579
Places, everyone.
Mr. John, please, sir.
390
02:02:09,954 --> 02:02:10,956
OK.
391
02:02:14,926 --> 02:02:17,530
Nine hundred thirty-six,
take one.
392
02:02:19,930 --> 02:02:20,932
We're rolling.
393
02:02:21,666 --> 02:02:22,802
Action!
394
02:07:22,734 --> 02:07:26,238
And... cut!
24862
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof