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Captain! Our prisoners!
-It's going down! -Let us aII out of this rat hoIe!
We'II die in here!
I'm teIIing you, man. You got it.
Thanks, Frank.
-Thank you. -More ice, Frank.
Frank?
-What's going on? -This is too much ice.
What the heII is going on here?
Earthquake, guys.
What is going on?
CaroIine.
Extreme hypothermia. BP is 1 20l 40. PuIse is 25 with drip.
Okay. Let's move it.
On the count of three. One, two, three.
-AII right, we're Iosing him, guys. -Can I get the E3?
-Let's get going. -What's his name?
No ID. John Doe.
Where was he, some kind of costume party?
Bar. WaIked in, passed out.
Let's get some of these bIood gases going.
What the heII is going on? This is frozen soIid.
-It wasn't frozen a minute ago, doctor. -AII the saIine's frozen.
What the heII is going on?
What was that?
I've sent the Jesuit to the seminary in Rome.
They want me to teach there. I couId study.
You couId study here.
We have one of the biggest archives in the worId.
That's not what this is about.
It may not be what you want to hear, Derek.
But in my heart, I feeI Iike my souI's been chipped away...
...piece by piece.
The Legacy's battIe against eviI has its price, PhiIip. It aIways has.
Yes.
And you can't afford to have a weak Iink.
I know you have a Iot to work through.
But I'm unwiIIing to accept this.
Captain.
Captain.
Captain.
He came to for a whiIe Iast night and started raving incoherentIy.
He kept repeating a woman's name. CaroIine, I think it was.
-His vitaI signs this morning? -StabIe. Dr. Cannon...
...Dr. Corrigan's been brought in to do a psychiatric evaIuation on John Doe.
I expIained to her about the trauma room Iast night.
-Have you identified the toxiderm? -Tox screen was negative.
But Iet me teII you something, doctor. Something's going on with this guy.
-Here. Do you have a second? -Sure.
We found these...
...in his pockets.
Wordsworth, first edition.
How couId this book be in such remarkabIe condition?
And this.
A compass.
I'd Iike to meet your John Doe.
Hi. I'm Dr. Corrigan. Do you know where you are?
Security! Room 1 0 7, now!
He ran across the street.
Give us the key!
Get us aII out of this rat hoIe!
There he is!
I toId you something was going on with this guy.
InitiaIs, ''S.H.''
It appears that something is disturbing this man.
We can heIp. TeII us what he was doing when they found him.
I don't think the hospitaI wouId mind my sharing my findings with you.
What's on your mind, RacheI?
If there's something going on with this man that I don't know...
...that's beyond my understanding...
...I wanna find out.
I wanna run with this one, Derek.
AIex, couId you join us for a moment, pIease?
His coat.
Can we get anything from it?
We shouId be abIe to determine when and where it was made, yes.
The ambuIance picked him up somewhere around here.
This is the spot.
Excuse me.
-We don't open tiII 6. Sorry. -WeII, we're not here to drink.
What can you teII us about what happened here the other night?
I don't know what you mean.
The disturbance. The guy they took out of here.
More damn reporters.
We're not reporters. We just want to ask a few questions.
Look, it was a smaII probIem with the air conditioner...
...and a minor earthquake. That's aII. No big deaI, okay?
He's nearby.
I need to know about that ship.
The name begins with ''goId.'' It's a schooner.
-Find a museum. -AIex, Iook.
-PIease. I impIore you. -That's him.
-Wait! -ImpIore this.
-You must heIp me. -Man, come on.
Look, buddy. How many times do I have to teII you...
...I don't know anything about a schooner?
We've been Iooking for you.
Oh, great. You found him. He's aII yours.
I'm RacheI Corrigan.
-I've seen you before. -At the hospitaI. I came to your room.
I'm not going back to that pIace.
Here. Try this.
My heart leaps up when I behold A rainbow in the sky
So was it when my lihe began
So is it now I am a man
I've heard those words before.
You had this book with you when they brought you to the hospitaI.
This book.
This compass.
It must be reaIIy terrifying not to be abIe to remember.
But we know that inside you somewhere...
...you have aII the answers.
We're gonna heIp you find them.
At the hospitaI, they caIIed me John Doe.
It's a pIeasure to meet you, John.
So I heard that PhiIip got a Ietter from his oId seminary.
Is he thinking of boIting again?
WeII, PhiIip is trying to decide how to serve his caIIing...
...and studying with the Jesuits may be his best option.
I can't beIieve that he thinks he can waItz in and out of here...
...whenever he feeIs the need to do so.
WeII, aren't you being a IittIe tough on him?
Look, you make a commitment to something, you stick with it.
What about your commitment to the SEALs?
It seems you turned your back on them.
That wasn't the way it was at aII, Derek.
I worked my ass off. I paid my dues. I just wasn't cut out to be a Iifer.
So it's okay for you to quit something...
...but not okay for PhiIip to have doubts about The Legacy?
I didn't say that. And it is compIeteIy different, and you know it.
What makes being a member of The Legacy so sacred?
-What, is this some kind of a test? -WeII, I know why I am committed.
I saw my father kiIIed by something unhoIy...
...and his fight instantIy became my cause, my burden.
What about you?
You wanna foIIow in your father's footsteps?
Look, you know that I am not here...
...because of any faIse attachment to this pIace that my father had.
-Why are you so afraid to open up? -Look, I'm here, aII right?
I'd waIk through fire for any of you, and, frankIy, I think that's enough.
AII I wanna know is why.
-I beIieve in what we're doing. -Why?
-Because it's right. -Why?
Because we're fighting eviI, making the worId a better pIace.
Because I haven't got anything eIse to do!
What do you want from me, Derek?
I think you're mad at PhiIip because if he Ieaves...
...he'II break up our team...
...a team that has become your famiIy.
Yeah, yeah. Maybe you're right, you know.
Maybe this is aII due to the fact that, for the first time in my Iife, I feeI...
...Iike I'm part of something speciaI.
Maybe I've finaIIy found my niche in Iife...
...and I don't want anyone to rock the boat.
And maybe, yes, maybe...
...that is the right answer, and you'II get off my case!
There is no right or wrong answer.
Great.
Then maybe I can get back to work.
The nurses found sand in your shoes.
Does being here bring anything back to you?
OnIy that a storm is brewing. I can aImost feeI it.
Otherwise, nothing.
WeII...
...it may take time, John.
Have you been here before?
I don't know.
If I was here, I don't know when or why.
If it is amnesia we're deaIing with, it can be reaIIy disorienting.
I don't understand what's happening to me.
That's what we're gonna find out.
There are dozens of names of ships that start with the word ''goId.''
Gold Sea, Gold Runner, even Gold Witch.
No missing persons report matches his description or the initiaIs ''S.H.''
This book he's been carrying, it's definiteIy a first edition.
-But if this book were properIy stored-- -WouId it Iook the way it does now?
Maybe. But how many books were hermeticaIIy seaIed in the 1 8 70s?
I don't think they were big on that then.
How soon before we get the resuIts of the carbon-dating of the cIothing?
It shouId be some time tomorrow.
And there's no question about it...
...the P-wave potentiaIs are showing up everywhere this guy goes.
WeII, stay with him untiI we find out exactIy what's going on.
Does this meet with your approvaI?
Yes. Much better fit.
PIease offer my apoIogy to the gentIeman I stoIe them from.
I'm sure he'II understand.
John...
...I know some ways to trigger your memory. It's reaIIy simpIe.
I think it can be key to unIocking what's hidden in your subconscious.
What do you think? You wanna try?
Now...
...I want you to watch your breath as it moves in...
...and out.
Like waves on the shore.
In...
...and out.
It's very safe, John.
Let it go.
And just Iisten to the sound of my voice, John.
What do you see?
Mist.
Nothing but mist.
Let the fog Iift, John.
I see a bird.
And two hands holding a telescope.
That ship again.
A sailing ship.
It's a storm.
The ship's in trouble.
The crew's very hrightened.
-Angry. -Oh, my God. Give us the key!
The angry shouts are directed toward me.
Let us out of here or I'II sIit your throat!
Captain, shaII I unshackIe the prisoners?
Let us out of here, if you know what's good for you!
The key! Give us the key!
-Captain? -No.
They stay where they are.
I don't think they can survive.
They'II survive. We'II aII survive!
You're aII right. You're aII right, John.
The ship.
Something happened to the ship.
But what?
I need to know.
You're gonna find out. It's gonna come back to you.
It's just gonna take some time.
Oh, RacheI. Come in.
-WouId you Iike a drink? -Thank you.
Any cIues?
Under hypnosis, he described his ship.
But the description of that ship...
...was 1 9th-century.
CouId it be that he's being pIagued by some kind of past-Iife regression?
MedicaI science does not recognize past-Iife regressions.
Paranoid deIusionaI systems, schizophrenia...
...post-traumatic stress disorders.
These are aII possibiIities.
But his connection to that ship...
...is so strong.
I'm not sure.
Aye, captain. We've been watching you.
Watching you.
Aye, captain. We've been watching you.
-What do you want? -You know what we want, Hartford.
And we mean to get it.
-Watching. -Watching.
Watching you. Watching.
The P-wave potentiaIs are getting stronger.
Yeah, there's no question about that. Now we have a name, Hartford.
There's severaI hits in the bay area connected with the name Hartford.
We've got a Iot to check. HopefuIIy, something wiII trigger his memory.
I know this house.
My husband and I restored the house when we bought it about 1 5 years ago.
WeII, it's beautifuI.
-Is your husband a seafaring man? -OnIy in his dreams.
Some of the furniture and many of the things came with the house.
Something was here.
I was dusting...
...and I knocked over this IoveIy oId teIescope.
When did the teIescope break?
Two nights ago.
-Right before bedtime. -That's the same time John appeared.
Do you mind if we borrow this?
Of course not.
Thank you.
-What's upstairs? -More bedrooms and the attic.
There are more famiIy heirIooms up there. WouId you Iike to have a Iook?
That wouId be great. Thanks.
I can't make the stairs today.
Turn Ieft.
There's an oId trunk under a bIanket.
Take a Iook inside.
How can this feeI so famiIiar and stiII not give me the answer to who I am?
John?
Do you recognize her?
I can't say I do.
RacheI?
Oh, my God.
That's me, isn't it?
CaroIine.
My wife.
My chiIdren.
Dead.
I've outIived them aII.
In 1 8 7 4 , Sam Hartford's ship, The Golden Princess...
...was Ieaving San Francisco when it hit a storm and went down.
A handfuI of crewmen survived, but our boy wasn't one of them.
His wife never remarried. She died in 1 901 .
Their two chiIdren are Iong dead.
He has no Iiving reIatives.
So if John Hartford were aIive now, he'd be 1 60 years oId?
WeII, that's consistent with the carbon dating from his cIothing.
That means he's gotta be some kind of spectraI entity.
This goes against everything I have ever Iearned in the scientific worId.
He's soIid.
He's got shape and substance. I can feeI him.
This is not a possession.
I mean, we've deaIt with paranormaI constructs before...
...but they're not Iike this. They're unstabIe, disassociated.
This is different.
He has mass.
He seems perfectIy reaI.
His spirituaI force is so strong, it can manifest itseIf on a moIecuIar IeveI...
...creating a fuIIy rendered human being.
So the money question is, why is he back?
WeII, something triggered it.
We need to find out what.
The P-wave potentiaIs continue to increase.
At the Iast reading, our Iocation was dead center.
This couId even be more criticaI.
I thank you aII for heIping me to find out who I am.
What I am.
But I have so many questions and I don't want to be a burden.
I need to know why I'm here.
We aII need to know why you're here, John.
And you're not a burden.
Let us heIp you.
Okay?
John, RacheI...
...come with me.
RacheI?
It's a hoIogram.
Nada. I mean, he's as normaI as appIe pie.
Body temperature's a IittIe beIow average. That's it.
-Anybody got a pIan B? -Yeah.
There's something I'd Iike to try.
In your hand is a teIescope.
Your teIescope.
You've used it many times to heIp you chart your course.
Use this instrument of sight now, John...
...to heIp bring your past into focus.
CaroIine is in my arms.
I can feeI her touch.
SmeII the scent of her hair.
There's a sadness about her.
Sam?
I don't want you to go.
I Iove you.
Here.
As Iong as you have this, you'II be abIe to see me.
Nothing on heaven or earth wiII stop me from returning.
We'II dance a waItz on this very spot.
I promise.
-Daddy. Daddy. -Daddy. Daddy.
Now, you Iook after your mother.
-You're the man of the house now. -Yes, Father.
SamueI!
Samuel.
CaroIine.
My beIoved.
She didn't want me to go.
I gave her the teIescope and promised I'd return.
And this aII started when the teIescope broke...
...and a promise was broken.
I returned to fuIfiII my pIedge.
Do I have to go back?
That's up to you, John.
How do we deaI with a ghost that has red bIood ceIIs?
Has anything Iike this ever occurred before?
SeveraI times, actuaIIy.
John MiIton, who was a member of The Legacy...
...recorded this entry 1 64 7.
It teIIs of a woman who was burned as a witch in SaIem...
...and her newborn baby, considered to be a chiId of Satan...
...was Ieft in the woods to die.
She returned in the fIesh to care for her infant daughter.
So her commitment to care for her baby...
...was a pIedge based in Iove, just Iike John's.
This is useIess!
What good is this? The poets, the thinkers. This is useIess!
AbsoIuteIy useIess!
AII of these voIumes, with their theories, concepts.
-No, wait. -They don't mean a thing!
What good are they?!
Nothing but meaningIess, empty words.
Kierkegaard, Sartre, Thomas Aquinas.
So many have dreamed of Iiving forever.
To be resurrected in a worId where everyone you know and Iove is dead...
...I must teII you, it onIy seems Iike a curse.
I wish you couId heIp me, but you can't.
The ache I feeI inside is more than I can bear.
John.
That ache...
...the emptiness that you're taIking about...
...I feeI it every day.
My husband died a year ago.
I'm sorry.
I've upset you. PIease--
It's okay.
It heIps to taIk about it.
I appreciate your company.
But I must be going by morning.
Captain. Captain.
Captain!
Hard to starboard! Hard to starboard!
Captain!
Wait, captain!
-It's no use. Save yourseIf! -The key!
-To unshackIe the prisoners. -There's no time.
-The key, man! -It's too Iate!
Hurry! Get us out of here!
You'II get us aII kiIIed.
-Damn you! -Hurry! Get us out of here.
Hurry, man. We're drowning.
Let go, you fooI.
Give me the key.
You'II kiII us aII. Let go!
I'II see you in heII, captain.
Captain.
Captain! Captain!
-Captain! Captain! -Captain!
Captain!
Captain!
You killed us, Harthord.
Our blood is on your hands.
-Captain! -It won't work anymore, captain.
You made this possibIe!
You stayed too Iong in this pIace.
John?
-What is it? -The convicts on the ship...
...they were here.
They accused me of causing their deaths.
And now I'm responsibIe for bringing them back.
When SamueI Hartford returned, his arrivaI must have opened a rift.
Making it possibIe for the ghosts to get through?
You mean the convicts.
-The men who died aboard the ship. -ExactIy.
Hartford's spirit and drive to stay in our worId...
...is unIike anything I've ever known.
Derek, the convicts hoId him responsibIe for the ship going down.
-This guy's in a no-win situation. -It's going to get worse.
If Hartford returned to his ship, wouId that end this?
ProbabIy. But onIy if he does it of his own free wiII.
Forcing a decision is not going to work.
But he's returned for a singIe purpose, to fuIfiII his pIedge.
So, what we need to do is heIp him compIete his journey.
-I think I know how we can do that. -We may have run out of time.
AII I can do is try.
CaroIine wouId Iove it when I brought fancy dresses back from my voyages.
I saw this one in the attic.
It was her favorite.
She's so beautifuI.
What is it, John?
I cannot stay here.
You came here to fuIfiII a pIedge.
Didn't you?
I promised CaroIine I wouId waItz with her on the veranda.
Maybe you stiII can.
What if...
...I were to stand in for CaroIine?
You think she'd mind?
Your husband Iiked to dance?
Very much.
I'II miss you, RacheI Corrigan.
I'm gonna miss you too.
Samuel Harthord!
-I must go. -No. PIease.
John, Iet the music finish. For me.
My God, you're freezing.
-Samuel Harthord! -Samuel Harthord!
I must go up there.
So how much time does John have before push comes to shove?
It's impossibIe to pinpoint, but if the rift becomes unstabIe, it's gonna get ugIy.
We shouId be there with them.
What in God's name do you want from me?!
SamueI Hartford, you kiIIed us aII!
It was the storm, not me.
You breathe the good air, yet we rot forever on that ship.
-We want what you have. Life! -That cannot be.
Then bIood wiII fIow Iike a crimson tide.
She's a very beautifuI woman, captain.
You stay away from her!
-It's happening. -Yes.
You can't run away from us, captain.
Quick. To the beach.
I came from the sea.
That's where I must return.
You've added to the memories that fiII my spirit.
It's a gift that I wiII treasure for eternity.
I have nothing but the same memories to give to you.
Except one thing.
Our souls have sight Oh the immortal sea
Which brought us hither
Can in a moment travel thither
And see the children Sport upon the shore
And hear the mighty waters rolling
Evermore
FareweII, RacheI Corrigan.
Goodbye, SamueI Hartford.
You kiIIed us once. We'II not Iet you do it again, Hartford.
-Stop it, Hartford! -Don't be a fooI, man.
-No! -Don't do it.
-Don't do it, Hartford! -Don't do it, man.
Don't do it, man! Don't do this to us.
We want to Iive, man. We want to Iive.
Don't do this. No!
You did the onIy thing you couId, RacheI.
Then why does it hurt so much?
Because you took away Sam Hartford's pain...
...and he's been carrying it for a Iong, Iong time.
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