Original subtitles

FIRST EPISODE

FROM LILI TO THOMAS

APRIL 13, 1970

Tell me about, Mr. Etéocles!

That, I think, is the explorer army, and there is the king, the son of Oedipus himself ...

If we do that, it's perfect.

- That'll do. - What thing?

- The entrance! - Eteocles, the messenger?

Breathing, flute ...

- List? - Lets go.

That, I think, is the explorer army, and ...

that is the king ... Oedipus ...

Not that way!

Must, it was your idea, what you did recently when they played.

What they did was just fantastic.

So, it was terrific, really.

- Do you really think? - Yes ...!

Yes, I repeat it. Marie, repeat your input.

Would you cry?

The Scream...

Say your foot entrance, but say it well.

- Stop weaving. - With the cry?

Obviously, everything that you do. We'll see how it goes.

Dale.

That, I think, is the explorer army, and ...

You're a danger, mate.

Then ask forgiveness!

- Come here, I need pampering. - No, listen to me.

They have to do what they did recently when they played.

- They had done it, almost causality. - Look, I start there.

Think about it! They are 15 m. To cover.

Control yourself and see.

Better say your lines instead of ...

Yes, let's go for it!

I can do it now.

Discipline yourselves, stop properly. Get rid of this issue!

- But they are together again. - Do you think a rope to stop them?

That, I think, is the explorer army ...

and there is the king, the son of Oedipus himself.

Strong, serious, slowly!

- Faster! - Courageous King ...

- Decrescendo! - ... of Cadmeans, I came ...

- High! - from there, and I bring accurate news ...

for I have seen such things with my own eyes ...

Vivacious seven captains killed a bull on black shield.

- Slower! - And they wet your hands with blood ...

of the victims.

You must find a position of arrival, and work on the voice at the same time.

In other words, Quentin should ...

- What is your position arrival? - Moment, we did it in two stages. Come on.

You must be above you see?

So slow downs, while reciting your line ...

You have to be more precise.

You have to be higher.

Put yourself nose to nose.

- But I'm shorter than him. - And me?

Stay well, you're divine.

Then you slowly bend over ...

- Faster. - And without getting caught ...

by the speed of your words, are we?

- But she had her hand on his shoulder. - Yes, but everything changes.

- Faster. - Valiant king of the Cadmeans ...

- Slower. - I bring accurate news.

- Faster. - I bring accurate news ...

for I have seen such things with my own eyes ...

- Higher. - Seven vivacious captains ...

- Fast ... - they killed a bull.

- Faster. - they dipped their hands in the blood ...

I forgot my lines.

That is, if you do not lose strength.

- It's just like that! - It's fast, fast ...

It lacks strength is normal.

Be careful when you scream suddenly, do not change the note.

You're serious, piano, you should not change the note that says "strong".

I can not think of everything at once! Let's stop for a while.

Where are you going, Lili?

Over intense, well!

You are very fast, Quentin.

- Elaine, my Elaine! - Max will pick me for the theater tonight.

I left a message.

We must work fast, we were invited to Julien

- Ah, Julien! - I will go, because ...

- First I have to see Max. - Then wait...

We return in a minute, but Marie is the messenger.

- The messenger? - Show her.

- I Did not do the same? - No. Displays position here.

We said face to face.

You're obviously lower.

- We said that almost nose to nose. - Not so close, Arsenal ...

If not, I can not see.

No, húndete.

¡Húndete, húndete!

- That does not look very good! - sink yourself!

What madness.

It is Greek.

Lili prefer on tiptoes.

Greek is really more ...

but not what I want.

- A) Yes? - As is!

Quentin, text.

Stay down.

- Are you sure it is not Greek? - Faster.

If it is okay!

Maybe you should stay away a little.

With your hair in the wind and ...

- If puso serious. - ¡Marie! Marie.

You have to understand ... well.

We can make the background noise.

I'm DEAF

And I offer the "message DESTINY" THANK YOU

Do not believe...

Do not believe...

Do not think ...

Do not think I'm quiet ...

pride ...

or obstinacy.

Do not think that ...

Do not think I'm quiet ...

Do not believe...

I am silent.

Do not believe ... do not think ... not think ... do not think ...

I'm quiet ... I'm quiet ...

Do not think I'm quiet for pride or stubbornness!

Fire ... Fire ... Fire ...

Fire ... is hot!

All good?

You're gonna drown. I also cried a little, but ...

Do you want to say something?

I think it's there ... I do not know.

Yes, let's start.

- come much? - Yeah, yeah, we're here.

Would you like a cigarette?

- With or without filter? - Unfiltered.

Does anyone want to say something?

What do you think about it?

I saw it very difficult ...

get into it, long time.

I also found it difficult.

I think we started very suddenly.

I do not mean the mirror ...

I was surprised ...

how quickly we started.

He did not bother me.

Start with the mirror that seemed ...

very good because we had to resume contact with us.

Breath we got the murmur gave us some preparation.

And then I moved easily from one phase to the other.

- The mirror was a good thing. - What you started?

At first, I found it difficult ...

recognize what part of my body was incapacitated.

Then I started breathing ...

I felt like coughing, really.

And I thought that was, it could be a disease ...

tose someone who all his life and ...

And then I started coughing.

And then, when ... I did not finish.

He had lost an arm and walked her knees ...

- And they coughed. - And I coughed.

- And you? - Well, at first I had no idea ...

I started with a kind of kink.

I also felt we were so, we writhed on the floor ...

and suddenly I came out this movement in the arm ...

and then he ended.

I stared, something like a convulsive movement, yes, well.

And then he came the voice at the same time as a cry ...

He came with it.

It spread through my body and then I was just on my arm ...

That's right, at some point you were like moaning ...

rhythmically, in a way that is out of line with me and started fighting.

And you, Rose?

After the mirror, I felt relaxed.

And I felt it all started frighteningly fast, was not ready ...

And then someone bit my foot ...

I really terribly abused and ...

and then she cuts that foot.

He had the leg to the ankle, but not the foot.

Because they had bitten me, I closed my eyes ...

I was blind ...

and of course a little flat ...

Stupid.

And during improvisation ...

Bergamotte restored my sight ...

breathing down over his eyes.

I was also a pretty silly girl and ...

Was it you who bit me go?

I've bitten off a lot of people.

He had two bad feet, two legs bad.

I could not reach out.

I could not move...

I could not retrieve any foot, and suddenly he was hungry.

He grabbed everything I could find ...

I began to devour someone ... It was Bergamotte.

It was delicious.

Then you threw me ...

Gotcha pot with soup and began to gobble the soup.

And he was hungry, hungry, hungry ...

and then I ate everything I found.

And you?

I had many problems to start because ...

someone near me began much earlier.

- Surely it was me. - I do not know.

And he was not ready. But I think it was you.

And you've started ...

tran strong, so violently, as I forced ...

thereto.

And I closed one eye and then was a one-eyed.

did not have vocal cords.

For starters, because then not kept, because I planted ...

during construction had paralyzed legs ...

- and he walked on his knees. - Like me.

And not me had been cut, dragged them ...

and could not use them, there was no way to stop me.

That was mainly for the sick person.

For me, once I had a child maimed ...

Muñoncitos about, desperately trying to grab something.

He tried, quarreled, clawing ...

It was impossible.

I did all that with my muñoncitos ...

without arms, they had not grown.

What else?

I was fascinated by what you could do with objects ...

find a hat that made a sound ...

and it became...

the only thing that he could speak.

And it was there that bit me right?

I think. At one point I bit my ankle a white, very soft ...

Aggression?

Yes? Well, somebody wanted to take away the ball.

I liked yours much.

And for me it was not a ball.

- It was a navel. - It was my bowl of soup.

I was very hard to have fun ...

in the history of the work.

Every time we encountered ...

what we find is always an artificial farewell.

Because we get into ...

words more or less articulated ...

and it is hard to get there ...

Yes, because we are not in a "verbal" state.

It seems to invent words and every time you think ...

"I have to say something" there is ... for me, at least ...

A memory of a certain reality in which I say "what is this?"

We did not say the words that would come from Prometheus ...

a mannequin, and try them out.

Yes, that's theater ...

At least for me...

we must bear in mind ...

that at some point we have to say something.

It is very hard to forget ...

but everything is in your head ...

in particular that monument that awaits us just around corner somewhere.

Before that, everything we tried dark with improvisation ...

It will be resolved.

The words we always difficult.

I think everything invented speech is real.

And as we return to work becomes a duty.

In addition, I can only do if ...

surrounded him with words fuck all ...

or I notice the word "hope" ...

without giving any significance, for example ...

and gradually she came but said the word ...

as if it belonged to me, as if the thought of an external voice ...

as if aimless repetition.

And slowly he tried to make sense ...

diciéndosela others.

And then I realized that you were saying ...

letters of the alphabet.

He tried a little education, to understand the alphabet and numbers ...

but when I had to say them could not.

Even if we start with a word, with the alphabet ...

You can not go immediately into the work.

Even if we learn to say improvisation by one or two words ...

or even ten, does not mean you can say lines Prometheus.

No, it is far, what we're doing ...

If indeed we could, it would invent exercises.

Inventing the possibility ...

leaving the exercise.

we should not do our own work, something that worked, we should try ...

It should be very spontaneous, born of a need ...

That is very French ...

Personally, I can not stand what Aeschylus.

I think if that ...

in the same context today ...

would very artificial.

Yes, but we need to create a final text ...

we have to decide to improvise certain topics, words ...

but it has to be recited.

Engrave the words that we put together and see if it works ...

And we will attempt to keep something. I think it would be good.

Write it down and then say it again to see if it comes from us ...

if when we say our words makes sense ...

or if ... as Aeschylus.

We need a system.

- We can do it tomorrow. - Well, we lift up everything.

So let's stop?

- Put them in the ... - Put them in the basket.

Hats I go there.

- Arrange them as we did yesterday. - The hats are there.

- This one too? - No, this here and that there.

- Here are the feathers. - Wait, this goes there.

Tomorrow we take care of the floor.

Want something?

- Want something? - Sorry?

Want something?

Do not look at me like that!

I am not what you think!

It's true, my mother was a white woman ...

Havana. She said, "I Never sell, my child"

And I did not.

Drawing.

- Y? - But I'm not looking for my mother ...

but my brother. Do you know him? my brother...

It is a bit ... like you.

That's why I'm looking at, so you drew.

- Curious is not it? - I am an only child. Single.

That's weird.

Show me your hands.

- It's not true, you have wedding ring. - Y?

I do not believe you.

I had not seen your eyes.

Are you interested in my eyes for your drawing?

I do not believe you. You're not drawing!

What do you really do?

What are you really interested?

You do not believe me?

I almost went to a school.

But I did not go, looking for my brother.

I not think it's bad drawing.

Not bad, but not really a drawing.

It is somewhere between my brother and you.

Anyway why do you do these questions?

What are you thinking?

You do not look well. You look like an ostrich.

Is not true! Do not tell me ostrich!

I do not like ostriches, fleeing from danger.

I'm the opposite.

- I do not know what you mean. - What you're looking for exactly?

Money!

No, that's not true. I want cigarettes, I ran out.

Look, there's my lighter.

Taking...

go buy. After you give me the back.

Do not you looking at me!

I can see you.

The first cry did not work.

Yes, the cry had to be longer and had to wait to make the note.

Before did note ...

That is, they are doing well, but do not go together.

longer cry.

Do not follow?

Do not understand?

When you do that is ...

How they get there, I do not understand.

Do it for me!

When you upload should be less sung.

When baja ... just what you did?

Not just the way it is written, because'm driving.

- Shall we start from the scream or the note? - From the cry.

To scratch.

It has to sound terrible.

- The cry was good? - No, it should be toned.

- Are we sing a lot? - It has to sound terrible.

Something like that.

They sing every time.

- Well what do we do? - The Scream.

They have to shout.

Longer.

That was good!

- you Sounded awful? - No, he lacked duration.

You have to leave a little hoarse.

And when they come up to scratch.

Hazlo, Marie.

You're singing back!

It has to be tighter.

- We need to work more voices. - This time there went wrong.

Lili daily call.

Do you think he is dating?

Yesterday there were many people?

Not bad, almost full.

Elaine, look, I have a surprise.

I thought of you Elaine, I have to fix them, Max ...

- Already? - She has big feet, Max.

Look.

I'll do it for you, Quentin.

Very friendly, but I prefer that you do Elaine. Can?

- Do you have an egg? - I have many things.

I've this.

I ... now, I have many things to you.

I have these needles.

- Taking. - What is that?

- wool, cotton ... - That's to fix?

Use yellow.

One, two, three ... Excuse me, girls.

He? My music!

He likes to make things difficult. Why do not you go out there?

Madness, that is amazing, plain and walking ...

- How many do you have? - Six.

For what?

Tell me, do you see Nicholas followed Mr. Fursenberg when you go to the bookstore?

- Fursenberg? - Yes.

- Do you know him? - Wait...

It is that of the 13 volumes of prose work of Wagner ...

a chubby glasses, right?

- Small and fat? - I always looked at the books.

¡My darling Lili!

- What do we do now? - trembling heart?

If that is.

My text.

What page is it?

And Théo? Is not it done?

- ¡Theo! - ¡Arsenal!

It's time to work.

To work.

- What page? - 89

- Where's my script? - No, 87.

¿Safe?

The tremulous chorus.

The tremulous chorus.

Let's start without him.

- Page 90 - No, 87.

No, 72.