Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:07,641 --> 00:00:14,146
[TRAIN WHISTLE BLOWS]
2
00:00:22,656 --> 00:00:24,656
[CLACKETY-CLACK]
3
00:00:57,391 --> 00:01:01,025
♪ THOSE PRETTY PICTURES ♪
4
00:01:01,094 --> 00:01:02,794
♪ OF A FUTURE ♪
5
00:01:05,632 --> 00:01:06,698
♪ WE WOULD SHARE ♪
6
00:01:11,238 --> 00:01:15,440
♪ SEEMED TO VANISH ♪
7
00:01:15,509 --> 00:01:19,077
♪ JUST LIKE SMOKE RINGS ♪
8
00:01:19,145 --> 00:01:20,312
♪ IN THE AIR ♪
9
00:01:25,852 --> 00:01:31,489
♪ AND THE WORLD
KEEPS RIGHT ON TURNING ♪
10
00:01:35,262 --> 00:01:38,396
♪ TURNING ENDLESSLY ♪
11
00:01:40,200 --> 00:01:42,834
♪ I'VE GOT YOUR PROMISE ♪
12
00:01:45,706 --> 00:01:49,173
♪ AND YOU'VE GOT ME ♪
13
00:01:54,214 --> 00:01:58,316
♪ YOU KEEP ME HANGIN' ♪
14
00:01:58,385 --> 00:01:59,684
♪ LIKE A MIRROR ♪
15
00:02:02,155 --> 00:02:03,121
♪ ON THE WALL ♪
16
00:02:08,328 --> 00:02:11,329
♪ YOU ALWAYS ASK ME ♪
17
00:02:11,398 --> 00:02:13,965
♪ WHO'S THE FAIREST ♪
18
00:02:16,436 --> 00:02:18,136
♪ OF THEM ALL ♪
19
00:02:21,642 --> 00:02:28,146
♪ AND THEN YOU WAIT THERE
FOR MY ANSWER ♪
20
00:02:29,483 --> 00:02:34,653
♪ THEN YOU SMILE SO GRACIOUSLY ♪
21
00:02:37,524 --> 00:02:39,658
♪ I'VE GOT YOUR THANK YOU ♪
22
00:02:42,862 --> 00:02:46,164
♪ AND YOU'VE GOT ME ♪♪
23
00:02:55,676 --> 00:02:58,142
IT'S 8:19 A.M.IN FORT WORTH,
24
00:02:58,211 --> 00:03:00,111
AND I'MOL' JEEMY WILLIAMS
25
00:03:00,180 --> 00:03:02,146
COMIN' AT YAFROM KOXX,
26
00:03:02,215 --> 00:03:06,083
817 IN YOUR AREA CODE,NUMBER 1 IN YOUR HEART.
27
00:03:06,152 --> 00:03:09,053
AND THAT WASFORT WORTH'S OWN LONNY SLOCUM
28
00:03:09,122 --> 00:03:11,122
AND DOGTRACK GRAVY--
29
00:03:12,626 --> 00:03:14,125
OOH...
30
00:03:23,637 --> 00:03:25,136
MMM...
31
00:03:30,644 --> 00:03:32,143
CHUCK?
32
00:03:37,651 --> 00:03:39,150
CHUCK?
33
00:03:52,699 --> 00:03:55,633
WELL, I THOUGHT
MAYBE CHUCK WAS DIFFERENT.
34
00:03:55,702 --> 00:03:58,603
WELL, YOU'RE NOT
VERY GOOD AT PICKIN' MEN.
35
00:03:58,672 --> 00:04:00,638
OH. LOOK WHO'S
TALKIN'.
36
00:04:00,707 --> 00:04:04,075
WELL, AT LEAST DOVE
WANTS TO MARRY ME.
37
00:04:04,143 --> 00:04:06,110
YOUR DADDY
MARRIED ME.
38
00:04:08,615 --> 00:04:11,048
YOU HAVEN'T TALKED
ABOUT MY DADDY
39
00:04:11,117 --> 00:04:13,084
IN 10 YEARS.
40
00:04:13,152 --> 00:04:16,254
MARRIAGE HAD
A PECULIAR EFFECT
ON WELDON BAYLOR.
41
00:04:16,322 --> 00:04:18,289
HE SUFFERED
MEMORY LAPSES--
42
00:04:18,358 --> 00:04:21,693
COULDN'T REMEMBER
WHERE HE LIVED,
WHAT TIME IT WAS,
43
00:04:21,762 --> 00:04:24,095
OR THAT HE
WAS EVEN MARRIED.
44
00:04:24,163 --> 00:04:28,099
ONE NIGHT WHEN I
WAS CARRYIN' YOU,
HE DIDN'T COME HOME.
45
00:04:28,167 --> 00:04:30,602
I WENT TO
THE COWTOWN DRIVE-IN
46
00:04:30,670 --> 00:04:32,604
WITH OUR NEIGHBOR
PATSY WAGE.
47
00:04:32,672 --> 00:04:35,106
THEY WERE RUNNIN'
ALL ABOUT EVE.
48
00:04:35,174 --> 00:04:37,876
I'D SEEN IT
ABOUT FIVE TIMES.
49
00:04:37,944 --> 00:04:40,845
I WAS COMIN' BACK
FROM THE CONCESSION STAND
50
00:04:40,914 --> 00:04:45,116
WITH A BOX OF POPCORN,
MILK DUDS, AND A COKE,
51
00:04:45,184 --> 00:04:48,119
WHEN I SAW
YOUR DADDY'S TRUCK.
52
00:04:48,187 --> 00:04:49,621
LOOKED EMPTY...
53
00:04:49,689 --> 00:04:51,756
OH, BABY!
54
00:04:51,825 --> 00:04:53,758
BUT AS I GOT CLOSER,
55
00:04:53,827 --> 00:04:57,295
I HEARD THE UNMISTAKABLE GASPS
OF TWO PEOPLE DYIN',
56
00:04:57,363 --> 00:05:00,331
WHICH IS WHY
I YANKED THE DOOR OPEN.
57
00:05:06,606 --> 00:05:08,105
WELL, JUANITA...
58
00:05:10,644 --> 00:05:13,578
YOU GONNA BELIEVE MEOR YOUR OWN EYES?
59
00:05:13,647 --> 00:05:16,080
THREE HOURS LATER,
HE CAME HOME,
60
00:05:16,149 --> 00:05:19,083
STUFFED SOME THINGS
INTO A DUFFEL BAG,
61
00:05:19,152 --> 00:05:22,587
GRABBED A SIX-PACK OF PEARL
FROM THE REFRIGERATOR,
62
00:05:22,656 --> 00:05:25,156
AND LEFT
WITHOUT A WORD.
63
00:05:25,224 --> 00:05:27,191
YOU TELLIN' ME
SOMETHIN'?
64
00:05:27,260 --> 00:05:28,626
NO. NOT REALLY.
65
00:05:28,695 --> 00:05:30,328
IT'S ABOUT DOVE.
66
00:05:30,396 --> 00:05:32,597
CANDY, I LIKE
DOVE CHRISTIAN,
67
00:05:32,666 --> 00:05:36,067
BUT I FANTASIZE
ABOUT YOU FALLIN' IN LOVE
68
00:05:36,135 --> 00:05:38,369
WITH A COMPUTER ANALYST,
69
00:05:38,438 --> 00:05:40,237
GETTIN' MARRIED,
HAVIN' BABIES,
70
00:05:40,306 --> 00:05:42,239
INVITIN' ME OVER
ON SUNDAYS
71
00:05:42,308 --> 00:05:45,510
TO WATCH EVERYBODY PLAY
WITH A LABRADOR RETRIEVER.
72
00:05:45,579 --> 00:05:47,745
MAMA, DOVE IS
AN ENTREPRENEUR.
73
00:05:47,814 --> 00:05:49,781
DOVE IS A DRUG DEALER.
74
00:05:49,850 --> 00:05:51,248
MAMA.
75
00:05:51,317 --> 00:05:54,652
CANDY. I JUST WANT YOU
TO BE HAPPY, BABY.
76
00:05:54,721 --> 00:05:56,521
HAVEN'T YOU
BEEN HAPPY, MAMA?
77
00:05:56,590 --> 00:05:59,056
YOU'VE MADE ME HAPPY.
78
00:06:00,627 --> 00:06:03,361
PROMISE YOU'LL GET
A GOOD IUD.
79
00:06:03,429 --> 00:06:05,597
OK.
80
00:06:05,665 --> 00:06:09,868
I WANT IT TO TRIP
THE SECURITY BUZZER
AT THE AIRPORT.
81
00:06:09,936 --> 00:06:14,606
I WANT IT TO PICK UP
THE COWBOY GAME
FROM GREEN BAY.
82
00:06:26,152 --> 00:06:29,554
YOU WORKIN'
ON A NEW SONG?
83
00:06:29,623 --> 00:06:31,589
THE TITLE.
84
00:06:31,658 --> 00:06:34,726
WELL,
LET'S HEAR IT.
85
00:06:34,794 --> 00:06:38,262
GOD DON'T CAREABOUT THE RED LIGHTSIN LIFE.
86
00:06:38,331 --> 00:06:39,731
HA HA HA HA--
87
00:06:39,799 --> 00:06:41,232
[COUGHS]
88
00:06:49,175 --> 00:06:50,441
HI, DOVE.
89
00:06:50,510 --> 00:06:51,576
HEY, JUANITA!
90
00:06:51,645 --> 00:06:54,612
GREAT NEWS. TELL CANDY
I GOT THE HOUSE.
91
00:06:54,681 --> 00:06:57,081
HE GOT
THE HOUSE.
WHAT HOUSE?
92
00:06:57,150 --> 00:06:58,883
HAH!
ALL RIGHT!
93
00:06:58,952 --> 00:07:00,384
WHAT HOUSE?
94
00:07:00,453 --> 00:07:02,787
IN ASPEN.
I LOVE YOUR DAUGHTER.
95
00:07:02,856 --> 00:07:05,023
I'LL BE GOOD TO HER.
96
00:07:05,091 --> 00:07:06,490
ASPEN?
97
00:07:06,560 --> 00:07:11,062
303 IN YOUR AREA CODE,
BUT NUMBER 1 IN YOUR HEART.
98
00:07:11,130 --> 00:07:12,764
CIAO!
99
00:07:14,634 --> 00:07:17,068
IS HE TALKIN'
ABOUT ASPEN, COLORADO?
100
00:07:17,136 --> 00:07:19,037
THAT'S WHERE
THE HOUSE IS.
101
00:07:19,105 --> 00:07:21,072
BUT THAT'S COLORADO.
102
00:07:21,140 --> 00:07:23,074
YOU'RE NOT GOING
TO COLORADO
103
00:07:23,142 --> 00:07:25,109
WITH DOVE, CANDY.
104
00:07:31,150 --> 00:07:32,584
MAMA.
105
00:07:32,652 --> 00:07:35,053
REMEMBER, YOU
HAD A NEW BABY
106
00:07:35,121 --> 00:07:37,121
WHEN YOU
WERE MY AGE.
107
00:07:40,126 --> 00:07:41,626
THANKS, DARLIN'.
108
00:07:42,963 --> 00:07:45,863
COMIN' TO CY'S FUNERAL
TOMORROW, TOMMY EARL?
109
00:07:45,932 --> 00:07:48,866
NO, I'M NOT.
CAN'T TAKE
NO FUNERAL HOME.
110
00:07:48,935 --> 00:07:51,368
DON'T YOU WANT
TO SAY GOOD-BYE?
111
00:07:51,437 --> 00:07:53,905
I DID IN MY OWN WAY.
112
00:07:53,974 --> 00:07:55,840
I BET A&M THIS WEEKEND.
113
00:07:55,909 --> 00:07:57,842
CY ALWAYS LOVED
THAT TEAM.
114
00:07:57,911 --> 00:07:59,376
THAT'S VERY MOVIN'.
115
00:07:59,445 --> 00:08:01,079
HERE'S TO CY.
116
00:08:01,147 --> 00:08:03,547
OH, BEAT ME,
FUCK ME,
117
00:08:03,617 --> 00:08:05,549
MAKE ME WRITE
BAD CHECKS.
118
00:08:05,619 --> 00:08:09,020
ISN'T LONNY
SUPPOSED TO WORK
AT EL COYOTE TONIGHT?
119
00:08:09,089 --> 00:08:12,056
TOMORROW. BAND'S
PICKIN' HIM UP
ANY DAY NOW.
120
00:08:12,125 --> 00:08:16,560
LET'S HAVE A REAL
GRAND OLE OPRY WELCOME
FOR LONNY SLOCUM
121
00:08:16,630 --> 00:08:18,529
AND DOGTRACK GRAVY!
122
00:08:18,598 --> 00:08:20,297
LIMO HERE?
123
00:08:20,366 --> 00:08:21,499
NOT YET.
124
00:08:21,567 --> 00:08:24,435
THAT'S WHAT YOU GET
WHEN THE RHYTHM PLAYER
125
00:08:24,504 --> 00:08:26,838
RUNS OFF
WITH YOUR LIMOUSINE.
126
00:08:26,906 --> 00:08:30,675
DON'T YOU WORRY.
THEY'LL BE HERE.
YOU'RE THEIR LEADER.
127
00:08:33,647 --> 00:08:36,014
WHO OWNS
A '49 CHERRY MERC'?
128
00:08:37,450 --> 00:08:39,350
WELL, I'LL BE
GOD DAMNED.
129
00:08:39,418 --> 00:08:42,086
IT'S SOMEONE
WHO USED TO BE
130
00:08:42,155 --> 00:08:45,056
MORE THAN A CASUAL INTEREST
TO JUANITA.
131
00:08:45,125 --> 00:08:46,557
WHO?
132
00:08:48,028 --> 00:08:50,662
COULD BE
THE MOST PROSPEROUS MAN
133
00:08:50,730 --> 00:08:52,563
EVER TO LEAVE
FORT WORTH--
134
00:08:52,632 --> 00:08:54,098
SLICK HENDERSON,
135
00:08:54,167 --> 00:08:57,434
FORMER STAR
PASCAL HIGH HALFBACK.
136
00:08:57,503 --> 00:08:59,103
OIL ENTREPRENEUR.
137
00:08:59,172 --> 00:09:01,739
COME BACK TO BURY
HIS DADDY.
138
00:09:01,808 --> 00:09:04,676
YOU TWO NEARLY
GOT MARRIED, DIDN'T YOU?
139
00:09:07,613 --> 00:09:10,548
MY GOD, DORIS,
WHERE DID YOU
GET THAT?
140
00:09:10,616 --> 00:09:13,517
YOU EVER SEE
ANYTHING SO PRETTY?
141
00:09:13,586 --> 00:09:17,555
DID LEE MAKE
A HUGE CARPET SALE
IN SAUDI ARABIA?
142
00:09:17,623 --> 00:09:20,058
LEE WOULDN'T BUY ME
A MINK
143
00:09:20,126 --> 00:09:22,560
IF I WORE A GARTER BELT
144
00:09:22,628 --> 00:09:24,562
AND A SAILOR HAT.
145
00:09:24,630 --> 00:09:26,064
ROY HERE...
146
00:09:26,132 --> 00:09:27,065
HOWDY, Y'ALL.
147
00:09:27,133 --> 00:09:29,533
ROY MADE THIS HAUL
TO HOUSTON.
148
00:09:29,602 --> 00:09:32,070
THEY UNLOADED EVERYTHING
BUT THIS COAT.
149
00:09:32,138 --> 00:09:34,038
IT WAS UNDER SOMETHIN'.
150
00:09:34,107 --> 00:09:35,573
A PACKIN' QUILT.
151
00:09:35,641 --> 00:09:38,076
THEY SIGNED THE INVOICE
AND EVERYTHING.
152
00:09:38,144 --> 00:09:40,078
THEY'RE OUT
ONE MINK COAT.
153
00:09:40,146 --> 00:09:42,580
IT'S RIGHT HERE
ON MY BACK.
154
00:09:42,648 --> 00:09:44,582
WHERE WILL YOU WEAR IT?
155
00:09:44,650 --> 00:09:47,551
CERTAIN SOCIAL OCCASIONS
DO ARISE.
156
00:09:47,620 --> 00:09:51,589
WHAT WOULD MRS. NEIMAN
AND MR. MARCUS
CARE TO DRINK?
157
00:09:51,657 --> 00:09:55,093
ROY, LADY IN A COAT
LIKE THAT SHOULD HAVE
158
00:09:55,161 --> 00:09:57,095
A LONG-NECK
DOM PERIGNON.
159
00:09:57,163 --> 00:09:59,097
RUSTY NAIL.
160
00:09:59,165 --> 00:10:02,166
WHATEVER YOU GOT
ON TAP.
161
00:10:02,235 --> 00:10:04,168
HEY, YOU, RIGHT HERE.
162
00:10:04,237 --> 00:10:07,205
HEY. IS THAT YOUR
BIG TRUCK OUTSIDE?
163
00:10:07,273 --> 00:10:10,108
BACK OFF IF YOU VALUE
THOSE LITTLE TITS.
164
00:10:10,176 --> 00:10:14,612
COME HERE, HONEY,
AND LET ME BUY YOU
A SHIRLEY TEMPLE.
165
00:10:14,680 --> 00:10:16,114
AHEM...
166
00:10:16,182 --> 00:10:18,616
YOU HEAR WHAT
THAT TRAMP SAID?
167
00:10:18,684 --> 00:10:20,118
[SIGHS]
168
00:10:20,186 --> 00:10:21,585
WHAT'S WRONG?
169
00:10:21,654 --> 00:10:24,889
WHAT ARE YOU
TALKIN' ABOUT?
170
00:10:24,958 --> 00:10:27,725
YOU ALWAYS SLICE LIMES
WHEN SOMETHIN'S WRONG.
171
00:10:27,794 --> 00:10:29,560
CHUCK LEFT.
172
00:10:29,629 --> 00:10:32,396
WELL, YOU'RE
TOO GOOD FOR HIM.
173
00:10:32,465 --> 00:10:35,633
NEXT ONE
WILL BE BETTER.
174
00:10:35,701 --> 00:10:37,368
I'M THROUGH WITH 'EM.
175
00:10:37,436 --> 00:10:38,602
WHO?
176
00:10:38,671 --> 00:10:40,138
MEN.
177
00:10:40,206 --> 00:10:43,808
ALL THEY LEAVE YOU
ARE FINGERPRINTS
AND A BABY.
178
00:10:43,877 --> 00:10:47,645
THAT'S THE KIND OF SONGS
YOU NEED TO WRITE--
179
00:10:47,713 --> 00:10:49,613
THINGS ABOUT HURT
AND PAIN.
180
00:10:49,682 --> 00:10:52,650
I'LL KNOCK OFF
A QUICK BALLAD
ABOUT HEPATITIS.
181
00:10:52,718 --> 00:10:56,154
MAYBE YOU AND ME
OUGHT TO GET MARRIED.
182
00:10:56,222 --> 00:10:58,156
THANK YOU, LONNY,
183
00:10:58,224 --> 00:11:01,458
BUT I'VE BEEN
ENTERTAINED ENOUGH
BY MARRIAGE.
184
00:11:02,628 --> 00:11:04,095
[SNICKERING]
185
00:11:04,164 --> 00:11:06,164
OH, MY GOD.
DORIS.
186
00:11:06,232 --> 00:11:08,399
HONEY.
187
00:11:08,467 --> 00:11:09,433
UH-OH.
188
00:11:09,502 --> 00:11:10,367
WHAT?
189
00:11:10,436 --> 00:11:12,003
WHO'S THAT?
190
00:11:12,071 --> 00:11:14,071
ONLY LEE,
MY HUSBAND.
191
00:11:14,140 --> 00:11:15,639
HOLY SHIT!
192
00:11:18,144 --> 00:11:21,112
I GOT $20 SAYS LEE
CATCHES HIS ASS!
193
00:11:21,181 --> 00:11:23,114
I'LL TAKE
SOME OF THAT.
194
00:11:23,183 --> 00:11:24,515
YOU ON.
195
00:11:27,153 --> 00:11:29,086
GO GET 'IM, LEE!
196
00:11:29,155 --> 00:11:31,122
THIS IS YOURS,
JUANITA.
197
00:11:31,191 --> 00:11:33,624
WHAT WILL I
DO WITH THIS?
198
00:11:33,693 --> 00:11:36,627
YOUR AUNT IN BROWNSVILLE
WILLED IT TO YOU.
199
00:11:36,696 --> 00:11:38,996
I WAS TRYIN' IT ON.
200
00:11:40,166 --> 00:11:42,166
[HONKS HORN]
201
00:11:45,805 --> 00:11:47,671
IT GETS HOT
IN BROWNSVILLE.
202
00:11:47,740 --> 00:11:50,641
RICH WOMEN
IN BROWNSVILLE
NEED MINK COATS
203
00:11:50,710 --> 00:11:52,609
'CAUSE OF
THE AIR CONDITIONIN'.
204
00:11:52,678 --> 00:11:55,246
YOU BETTER
BACK ME UP, JUANITA.
205
00:11:55,315 --> 00:11:57,215
FORGET IT, LEE!
FORGET IT!
206
00:11:57,283 --> 00:11:59,150
HE'S GONNA
TEACH HIM.
207
00:11:59,219 --> 00:12:02,019
HA HA!
AIN'T GOT NO KEY.
208
00:12:02,088 --> 00:12:04,188
WHAT'LL I
DO WITH THIS?
209
00:12:04,257 --> 00:12:06,224
HANG IT
IN YOUR CLOSET.
210
00:12:09,462 --> 00:12:11,462
GET MOVIN', LEE!
211
00:12:15,835 --> 00:12:18,236
SON OF A BITCH.
212
00:12:20,173 --> 00:12:23,640
LOOKS LIKE YOU OWE ME,
TOMMY EARL.
213
00:12:25,011 --> 00:12:29,313
I'M ON MY WAY HOME
TO FIX DINNER
FOR MY HUSBAND.
214
00:12:29,382 --> 00:12:31,315
SKIPPY REGULAR
OR CRUNCHY?
215
00:12:31,384 --> 00:12:33,251
HA HA HA!
216
00:12:34,653 --> 00:12:36,087
DON'T WORRY, HON'.
217
00:12:36,155 --> 00:12:39,123
IT'S ONLY A MATTER
OF CLEARIN' UP
218
00:12:39,192 --> 00:12:41,125
SOME OF LEE'S
WRONG IMPRESSIONS.
219
00:12:41,194 --> 00:12:43,160
LOOK AFTER MY COAT.
220
00:13:10,156 --> 00:13:13,124
DID YOU EVER HEAR
OF OIL, JUANITA?
221
00:13:17,663 --> 00:13:18,930
HI.
222
00:13:18,998 --> 00:13:20,631
HI.
223
00:13:26,872 --> 00:13:29,540
I THOUGHT CY
MIGHT HAVE FINISHED--
224
00:13:29,608 --> 00:13:34,611
NO. THIS IS THE BABY
HE WAS WORKIN' ON
WHEN HE WENT.
225
00:13:34,680 --> 00:13:37,248
I CAN HAVE IT FOR YOU
226
00:13:37,317 --> 00:13:39,516
IN A COUPLE DAYS.
227
00:13:42,188 --> 00:13:44,621
I'M REAL SORRY
ABOUT YOUR DADDY.
228
00:13:44,690 --> 00:13:47,791
I KNOW YOU AND HE
WERE...CLOSE.
229
00:13:47,860 --> 00:13:50,094
WELL, NOT REALLY.
230
00:13:50,163 --> 00:13:52,629
BUT...
231
00:13:52,698 --> 00:13:55,099
HE WAS MY FATHER,
AND...
232
00:13:55,168 --> 00:13:57,034
I LOVED HIM.
233
00:13:59,205 --> 00:14:01,372
WELL,
234
00:14:01,441 --> 00:14:03,774
JUST CALL ME
WHEN IT'S FINISHED.
235
00:14:03,843 --> 00:14:05,809
YOU'LL FIND ME
AT HERB'S.
236
00:14:05,878 --> 00:14:08,446
I'LL GIVE YOU
A RIDE HOME.
237
00:14:08,514 --> 00:14:10,547
OH, NO, THAT'S OK.
238
00:14:10,616 --> 00:14:12,616
JUANITA,
IT'S GETTIN' DARK.
239
00:14:36,175 --> 00:14:39,143
I CAN MANAGE.
THANKS FOR THE RIDE.
240
00:14:48,388 --> 00:14:49,620
TONIGHT?
241
00:14:49,688 --> 00:14:52,490
PLEASE DON'T
BE MAD, MAMA.
242
00:14:52,558 --> 00:14:56,627
I SEE YOU IN 15 YEARS
TENDIN' BAR AT HERB'S.
243
00:14:56,695 --> 00:14:59,130
THAT'S YOU.
THAT'S NOT ME.
244
00:14:59,198 --> 00:15:02,033
NOT EVERY MAN
IS LIKE MY DADDY.
245
00:15:02,101 --> 00:15:05,036
WHAT DO YOU KNOW
ABOUT MEN?
246
00:15:05,104 --> 00:15:06,570
DOVE LOVES ME,
247
00:15:06,639 --> 00:15:08,539
AND I LOVE HIM.
248
00:15:08,607 --> 00:15:10,074
AND THAT'S ENOUGH?
249
00:15:10,143 --> 00:15:12,443
I LOVE HER,
JUANITA.
250
00:15:12,512 --> 00:15:14,578
SHE'LL CALL
ALL THE TIME
251
00:15:14,647 --> 00:15:17,314
SO YOU KNOW
SHE'S OK.
252
00:15:54,187 --> 00:15:56,120
YOU BE CAREFUL.
253
00:15:56,189 --> 00:16:00,124
AND YOU CALL ME
THE MINUTE YOU
GET TO ASPEN
254
00:16:00,193 --> 00:16:04,595
SO I KNOW YOU
DIDN'T WIND UP
IN A DITCH, OK?
255
00:16:27,120 --> 00:16:28,586
JUST GO.
256
00:16:28,654 --> 00:16:30,621
OK?
257
00:16:41,134 --> 00:16:43,134
HOW YOU GUYS
DOIN'?
258
00:16:46,639 --> 00:16:48,972
THAT IDIOT
LOCKED ME OUT.
259
00:16:49,041 --> 00:16:52,109
I NEVER CARRY KEYS,
AND HE KNOWS IT.
260
00:16:52,178 --> 00:16:54,612
I LOOKED AT SHIRLEY'S
TOPLESS STAMPEDE.
261
00:16:54,680 --> 00:16:57,581
I SEEN EVERY HUSBAND
I KNOW BUT LEE.
262
00:16:57,650 --> 00:16:59,617
WANT TO STAY OVER?
263
00:16:59,685 --> 00:17:01,619
HATE SPENDIN'
ALL DAMN NIGHT
264
00:17:01,687 --> 00:17:03,687
AT THE DOUGHNUT SHOP.
265
00:17:03,756 --> 00:17:05,022
WHERE'S CANDY?
266
00:17:05,090 --> 00:17:07,891
SHE WENT TO COLORADO
WITH DOVE.
267
00:17:07,960 --> 00:17:09,393
GOOD!
268
00:17:09,462 --> 00:17:12,396
LET HIM SUPPORT HER
FOR A CHANGE.
269
00:17:12,465 --> 00:17:14,898
SHE'LL COME CRAWLIN'
BACK TO MAMA.
270
00:17:14,967 --> 00:17:19,403
IF IT WAS ME,
I'D HAVE PUT HER
IN A CONVENT
271
00:17:19,472 --> 00:17:21,905
FIRST TIME
I SAW PUBIC HAIR.
272
00:17:21,974 --> 00:17:23,974
WHO ATE
THE DRUMSTICK?
CHUCK?
273
00:17:28,147 --> 00:17:30,113
HE WAS NO GOOD.
274
00:17:31,551 --> 00:17:33,517
YOU WANT TO TALK
ABOUT IT?
275
00:17:35,354 --> 00:17:36,587
NO?
276
00:17:36,656 --> 00:17:37,988
NO.
277
00:17:39,158 --> 00:17:41,058
WELL, GOOD NIGHT,
HONEY.
278
00:17:41,126 --> 00:17:42,626
NIGHT.
279
00:17:43,629 --> 00:17:45,563
TELL LEE I'M TOO UPSET
280
00:17:45,631 --> 00:17:48,065
TO TALK IF HE CALLS.
281
00:17:54,507 --> 00:18:00,344
♪ AS I LOOKAT THE LETTERS ♪
282
00:18:00,413 --> 00:18:01,645
♪ THAT YOU... ♪
283
00:18:01,714 --> 00:18:05,015
I THOUGHT YOU'DAT LEAST TRY TO KISS ME.
284
00:18:05,084 --> 00:18:07,017
DO YOU WANT ME TO?
285
00:18:07,086 --> 00:18:08,519
♪ IT'S YOU ♪
286
00:18:08,588 --> 00:18:15,025
♪ THAT I AMTHINKING OF ♪
287
00:18:15,094 --> 00:18:20,030
♪ AS I READ THE LINES... ♪
288
00:18:20,099 --> 00:18:23,066
WELL, AREN'T YOUTHE GENTLEMAN?
289
00:18:23,135 --> 00:18:26,103
WHEN I CAREABOUT SOMEONE.
290
00:18:29,642 --> 00:18:32,042
I CAN'T BELIEVEI'M HERE WITH YOU.
291
00:18:32,111 --> 00:18:34,111
WHY?
292
00:18:36,148 --> 00:18:41,051
EVERYBODY SAYS THAT YOUAND JANET JONES ARE...
293
00:18:41,120 --> 00:18:43,053
OH! I'M SO DUMB.
294
00:18:43,122 --> 00:18:45,055
I'M SORRY.
295
00:18:45,124 --> 00:18:47,090
HEY.
296
00:18:47,159 --> 00:18:57,401
♪ AS HEAVEN WOULD MISSTHE STARS ABOVE ♪
297
00:18:57,470 --> 00:19:02,539
♪ WITH EVERY HEARTBEAT ♪
298
00:19:02,608 --> 00:19:07,511
♪ I STILL THINK OF YOU... ♪
299
00:19:07,580 --> 00:19:09,045
YOU'RE SURE?
300
00:19:09,114 --> 00:19:16,019
♪ AND REMEMBEROUR FADED LOVE ♪♪
301
00:19:16,088 --> 00:19:17,521
[DOORBELL RINGS]
302
00:19:17,590 --> 00:19:19,022
HELLO?
303
00:19:19,091 --> 00:19:20,591
OH, GOD.
304
00:19:22,127 --> 00:19:24,027
[ROOSTER CROWS]
305
00:19:24,096 --> 00:19:26,062
[DOORBELL RINGS]
306
00:19:26,131 --> 00:19:27,598
I'M COMIN'!
307
00:19:28,601 --> 00:19:30,401
[RINGS DOORBELL]
308
00:19:30,469 --> 00:19:32,102
THIS IS RIDICULOUS.
309
00:19:33,138 --> 00:19:35,071
YES, IT IS.
310
00:19:35,140 --> 00:19:36,607
I'M COMIN'.
311
00:19:39,645 --> 00:19:41,578
OH.
312
00:19:41,647 --> 00:19:43,079
HI.
313
00:19:43,148 --> 00:19:44,581
HI.
314
00:19:44,650 --> 00:19:46,550
NOBODY SMILES
THIS EARLY.
315
00:19:46,619 --> 00:19:48,619
COME ON IN, LEE.
316
00:19:51,657 --> 00:19:54,625
GUESS I WAS
A LITTLE ANGRY
LAST NIGHT.
317
00:19:59,665 --> 00:20:01,598
WANT SOME COFFEE?
318
00:20:01,667 --> 00:20:03,467
UH, NO, THANKS.
319
00:20:03,536 --> 00:20:06,470
I ATE
FOUR BONUS JACKS
BEFORE I REALIZED
320
00:20:06,539 --> 00:20:10,641
DORIS MUST HAVE BEEN
DEPICTIN' A SCENE
FROM A MOVIE.
321
00:20:10,710 --> 00:20:16,079
WHY ELSE WOULD SHE
HUG A STRANGER
IN A FUR COAT?
322
00:20:16,148 --> 00:20:18,114
THAT WAS
MY COUSIN ROY.
323
00:20:18,183 --> 00:20:21,117
HE WAS BRINGIN'
A COAT LEFT TO ME
324
00:20:21,186 --> 00:20:24,921
BY MY AUNT BERNICE
IN BROWNSVILLE WHEN SHE DIED.
325
00:20:24,990 --> 00:20:28,692
AND DORIS WAS TRYIN' ON
THE COAT, NOT ROY,
326
00:20:28,761 --> 00:20:30,594
AND THEY WEREN'T HUGGIN'.
327
00:20:30,663 --> 00:20:33,731
DORIS DROPPED HER DUNHILL.
SHE WAS SO UPSET
328
00:20:33,799 --> 00:20:35,265
IT MIGHT GET BROKEN,
329
00:20:35,334 --> 00:20:37,334
THEY WERE BOTH BENDIN' DOWN--
330
00:20:37,403 --> 00:20:40,337
WHAT WERE YOU DOIN'
IN THERE, ANYWAY, LEE?
331
00:20:40,406 --> 00:20:43,640
I WAS
MEASURIN' TUCKERS
FOR SOME GREEN SHAG.
332
00:20:43,709 --> 00:20:45,743
IS DORIS MAD AT ME?
333
00:20:45,811 --> 00:20:49,145
HAVE YOU LOST
YOUR STUPID MIND?
334
00:20:49,214 --> 00:20:51,882
I'M SORRY
ABOUT LAST NIGHT.
335
00:20:51,950 --> 00:20:54,818
YOU DAMN WELL SHOULD BE.
336
00:20:54,887 --> 00:20:57,855
I WAS JUST TELLIN' LEE
HOW YOU, UM...
337
00:20:57,923 --> 00:21:01,057
HAD DROPPED YOUR LIGHTER
THE INSTANT HE LOOKED
338
00:21:01,126 --> 00:21:03,093
IN THE CAFE.
339
00:21:03,161 --> 00:21:05,095
I ACCIDENTALLY
DROPPED MY LIGHTER,
340
00:21:05,163 --> 00:21:09,232
AND THANK GOD
FOR SMALL FAVORS,
IT DIDN'T BREAK.
341
00:21:09,301 --> 00:21:11,602
OH, I BROUGHT
YOUR CLOTHES.
342
00:21:11,670 --> 00:21:13,637
WELL, YOU DID
SOMETHIN' RIGHT.
343
00:21:17,309 --> 00:21:19,476
I HAVEN'T BRUSHED MY TEETH.
344
00:21:19,545 --> 00:21:21,678
I'M SORRY.
345
00:21:21,747 --> 00:21:25,883
I'M GOIN'
TO THE PARRISH CAFE.
WANT TO HAVE LUNCH?
346
00:21:25,951 --> 00:21:29,085
DON'T GO
JUMPIN' THE GUN.
347
00:21:29,154 --> 00:21:31,221
YOU PHONE FIRST.
348
00:21:31,290 --> 00:21:35,526
WE'LL SEE IF YOU'RE
BACK IN MY GOOD GRACES.
349
00:21:36,862 --> 00:21:39,930
WELL, THEN, UH...
BYE-BYE.
350
00:21:39,998 --> 00:21:40,997
BYE.
351
00:21:46,171 --> 00:21:49,640
YOU GOT MORE NERVE
THAN DEL MONTE HAS
PICKLES.
352
00:21:49,708 --> 00:21:52,142
I DO MORE
THAN LEE STEADMAN
353
00:21:52,210 --> 00:21:54,144
TO HOLD THIS MARRIAGE
TOGETHER.
354
00:21:54,212 --> 00:21:55,646
OH, WHAT?
355
00:21:55,714 --> 00:21:58,649
HOW GOOD A WIFE
WOULD I BE
356
00:21:58,717 --> 00:22:01,819
IF I DIDN'T HAVE
ADVENTURE IN MY LIFE?
357
00:22:01,887 --> 00:22:04,755
I'D BE DULL.
I WOULDN'T HAVE
ANY ZEST.
358
00:22:04,824 --> 00:22:06,590
THINK ABOUT IT.
359
00:22:06,659 --> 00:22:12,496
HOW DO YOU FIGURE
ALL THOSE GUYS YOU
GET INVOLVED WITH?
360
00:22:12,565 --> 00:22:16,066
I DON'T GET INVOLVED.
I GET LAID.
361
00:22:16,134 --> 00:22:18,068
IT'S FUN, DAMN IT.
362
00:22:18,136 --> 00:22:21,271
ANYBODY WHO SAYS
IT'S NOT
363
00:22:21,340 --> 00:22:24,240
IS EITHER A LIAR
OR DOIN' IT WRONG.
364
00:22:26,178 --> 00:22:28,244
DO YOU LOVE LEE
ANYMORE?
365
00:22:28,313 --> 00:22:30,714
OF COURSE I LOVE HIM.
366
00:22:30,783 --> 00:22:31,982
YOU DO?
367
00:22:33,686 --> 00:22:36,252
LEE STEADMAN
IS A GOOD PERSON.
368
00:22:36,321 --> 00:22:38,789
HE'S SWEET AND GENTLE
AND THOUGHTFUL.
369
00:22:38,858 --> 00:22:42,092
I COULDN'T ASK
ANY MORE IN THE WAY
370
00:22:42,160 --> 00:22:44,127
OF SECURITY AND COMFORT.
371
00:22:44,196 --> 00:22:48,131
HE'S A FINE, HONEST,
GENEROUS MAN.
372
00:22:48,200 --> 00:22:51,167
BUT THAT DON'T MAKE HIM
NO TIFFANY DIAMOND.
373
00:22:53,706 --> 00:22:56,673
WHAT IF LEE WENT
WITH ANOTHER WOMAN?
374
00:22:58,210 --> 00:23:01,111
IN CASE YOU DON'T
KNOW IT, JUANITA,
375
00:23:01,179 --> 00:23:03,547
LEE STEADMAN HAS
TOO MUCH CHARACTER
376
00:23:03,616 --> 00:23:06,750
TO DO A SORDID THING
LIKE THAT.
377
00:23:06,819 --> 00:23:09,753
SO, AS A PARTING GESTURE
TO CYRUS HENDERSON,
378
00:23:09,822 --> 00:23:12,222
WHO DID SUCH A FINE JOB
379
00:23:12,290 --> 00:23:14,224
OF KEEPING
OUR AUTOMOBILES RUNNIN',
380
00:23:14,292 --> 00:23:16,226
I'D LIKE TO RECITE
381
00:23:16,294 --> 00:23:19,229
WHAT I BELIEVE WAS
HIS FAVORITE PSALM--
382
00:23:19,297 --> 00:23:21,097
NUMBER 23.
383
00:23:21,166 --> 00:23:23,567
"THE LORD IS MY SHEPHERD.
384
00:23:23,636 --> 00:23:25,769
"I SHALL NOT WANT.
385
00:23:25,838 --> 00:23:28,238
HE MAKETH ME
TO LIE DOWN..."
386
00:23:28,306 --> 00:23:30,273
THAT SKIRT'S
NOT APPROPRIATE,
JUANITA.
387
00:23:30,342 --> 00:23:32,609
CY HENDERSON
LOVED THIS SKIRT.
388
00:23:32,678 --> 00:23:36,079
I'M WEARIN' IT
IN HIS HONOR.
389
00:23:36,148 --> 00:23:39,115
"HE LEADETH ME
IN THE PATHS
OF RIGHTEOUSNESS
390
00:23:39,184 --> 00:23:40,717
FOR HIS NAME'S SAKE."
391
00:23:40,786 --> 00:23:42,586
WHO'S THAT?
392
00:23:42,655 --> 00:23:45,589
SLICK HENDERSON,
SON OF THE DECEASED.
393
00:23:45,658 --> 00:23:48,124
SO THAT'S SLICK.
394
00:23:48,193 --> 00:23:50,694
WHOO!
395
00:23:50,763 --> 00:23:52,095
HE'S GORGEOUS!
396
00:23:52,164 --> 00:23:54,731
"MY CUP RUNNETH OVER..."
397
00:23:54,800 --> 00:23:56,733
HE FANCIES YOU,
JUANITA.
398
00:23:56,802 --> 00:24:00,336
AND EVERY OTHER SKIRT
IN TEXAS.
399
00:24:00,405 --> 00:24:05,275
"I SHALL
DWELL IN THE HOUSE
OF THE LORD FOREVER.
400
00:24:05,343 --> 00:24:06,577
AMEN."
401
00:24:06,645 --> 00:24:08,045
AMEN. AMEN.
402
00:24:08,113 --> 00:24:10,180
COME ON, HON'.
403
00:24:10,248 --> 00:24:13,584
DON'T YOU EVEN WANT
TO SHAKE HIS HAND?
404
00:24:13,652 --> 00:24:16,553
BEEN ABOUT AS ENTERTAINED
BY SLICK HENDERSON'S HANDS
405
00:24:16,622 --> 00:24:18,589
AS I CARE TO BE.
406
00:24:18,657 --> 00:24:20,591
THAT WAS
20 YEARS AGO.
407
00:24:20,659 --> 00:24:23,560
BET HE'S LEARNED
A FEW THINGS
SINCE THEN.
408
00:24:23,629 --> 00:24:25,596
AND SO HAVE I.
409
00:24:25,664 --> 00:24:27,564
WHOOEEE!
JUANITA, SLICK.
410
00:24:27,633 --> 00:24:29,132
DORIS, PLEASE.
411
00:24:32,170 --> 00:24:33,604
DORIS STEADMAN.
412
00:24:33,672 --> 00:24:36,607
I'M REAL SORRY
TO HEAR ABOUT
YOUR DADDY.
413
00:24:36,675 --> 00:24:39,076
THANK YOU.
NICE TO MEET YOU.
414
00:24:39,144 --> 00:24:40,577
EXCUSE ME.
415
00:24:40,646 --> 00:24:42,079
JUANITA?
416
00:24:42,147 --> 00:24:43,580
YES?
417
00:24:43,649 --> 00:24:45,616
COULD I TALK TO YOU?
418
00:24:45,684 --> 00:24:47,618
I'LL WAIT
IN THE CAR.
419
00:24:47,686 --> 00:24:49,119
OK.
420
00:24:49,187 --> 00:24:51,588
UH...WOULD YOU COME
WITH ME?
421
00:24:51,657 --> 00:24:52,923
WHERE?
422
00:24:52,992 --> 00:24:55,926
TO THE HOUSE,
TO PAY LAST RESPECTS.
423
00:24:55,995 --> 00:24:57,995
I GOT A CAKE.
424
00:24:58,063 --> 00:24:59,763
IS THERE A WAKE?
425
00:24:59,832 --> 00:25:01,999
I'M LATE AS IT IS.
426
00:25:02,067 --> 00:25:06,103
I KNOW CY WOULD
WANT YOU TO BE THERE.
427
00:25:07,640 --> 00:25:09,106
OK.
428
00:25:13,646 --> 00:25:15,578
I'LL SEE YOU LATER,
HON'.
429
00:25:15,648 --> 00:25:17,614
NICE TO MEET YOU.
430
00:26:05,130 --> 00:26:06,897
WHERE IS EVERYBODY?
431
00:26:08,100 --> 00:26:09,733
WHO?
432
00:26:09,802 --> 00:26:13,570
YOUR NEIGHBORS,
CY'S DRINKIN' BUDDIES,
433
00:26:13,638 --> 00:26:15,105
YOUR RELATIVES.
434
00:26:19,144 --> 00:26:20,944
WHAT NEIGHBORS?
435
00:26:21,013 --> 00:26:24,181
YOU SAID
THERE WAS A WAKE.
436
00:26:24,249 --> 00:26:26,216
I DID NOT.
437
00:26:26,284 --> 00:26:28,218
YOU LED ME
TO BELIEVE
438
00:26:28,286 --> 00:26:30,253
THERE'D BE
OTHER PEOPLE HERE.
439
00:26:30,322 --> 00:26:33,790
YOU SAID
YOU WERE LATE
AS IT WAS.
440
00:26:40,032 --> 00:26:42,532
I WANTED
TO BE WITH SOMEBODY.
441
00:26:47,172 --> 00:26:50,640
I THINK YOU BETTER
DRIVE ME BACK
TO HERB'S.
442
00:27:02,621 --> 00:27:04,587
WHAT'S YOUR
DAUGHTER'S NAME?
443
00:27:06,591 --> 00:27:08,091
CANDY.
444
00:27:10,129 --> 00:27:12,095
SHE'S THE IMAGE
OF YOU.
445
00:27:16,635 --> 00:27:18,568
HOW OLD IS SHE?
446
00:27:18,637 --> 00:27:20,103
18.
447
00:27:22,641 --> 00:27:25,608
SAME AS YOU
WHEN WE MET.
448
00:27:27,112 --> 00:27:30,113
SAME AS ME
WHEN YOU LEFT.
449
00:27:33,351 --> 00:27:36,552
THIS IS OL' JEEMYCOMIN' AT YA, FRIENDS.
450
00:27:36,621 --> 00:27:41,091
IF I SOUND DIFFERENTIT'S BECAUSE I GOT ME A COLD
451
00:27:41,160 --> 00:27:44,094
THAT'D GIVE A HEADACHETO A COMMUNIST TRACTOR.
452
00:27:44,163 --> 00:27:47,630
HERE'S EMMYLOU HARRIS SINGIN'
IN MY DREAMS.
453
00:27:49,168 --> 00:27:52,602
YOU MIND IF I
COME IN FOR A DRINK?
454
00:27:52,671 --> 00:27:54,637
IT'S A FREE
COUNTRY.
455
00:27:57,176 --> 00:27:59,109
WELL, I'LL BE DAMNED.
456
00:27:59,178 --> 00:28:01,077
SLICK HENDERSON
WITH JUANITA HUTCHINS.
457
00:28:01,146 --> 00:28:04,047
I AIN'T SEEN YOU TWO
TOGETHER IN YEARS.
458
00:28:04,116 --> 00:28:06,016
WE'RE NOT TOGETHER.
459
00:28:06,084 --> 00:28:08,285
GIVE ME A LONG-NECK,
JUANITA.
460
00:28:08,353 --> 00:28:10,253
PUT THAT ON MY TAB.
461
00:28:10,322 --> 00:28:12,355
WHY AREN'T YOU
AT WORK?
462
00:28:12,424 --> 00:28:15,826
WHEN I HAVE
A LEGITIMATE EXCUSE?
463
00:28:15,894 --> 00:28:18,261
NO DISRESPECT
INTENDED, SLICK.
464
00:28:18,330 --> 00:28:21,031
WE'RE GONNA MISS
YOUR DADDY, SLICK.
465
00:28:21,099 --> 00:28:22,565
THANK YOU.
466
00:28:22,634 --> 00:28:24,100
THANK YOU.
467
00:28:31,609 --> 00:28:32,843
HI, SLICK.
468
00:28:32,911 --> 00:28:34,377
HELLO, MARTHA.
469
00:28:34,446 --> 00:28:36,746
YOU GOT MY KEYS?
470
00:28:36,815 --> 00:28:39,249
IT'S IN FRONT
OF THE GARAGE.
471
00:28:39,318 --> 00:28:42,585
THANKS.
MIND IF I HAVE A BEER?
472
00:28:42,654 --> 00:28:44,487
YOU SURE YOU'RE 21?
473
00:28:44,556 --> 00:28:47,757
HA HA! UH-HUH.
474
00:28:47,826 --> 00:28:50,560
I'LL HAVE ONE
OF THESE LONG ONES.
475
00:28:50,628 --> 00:28:54,064
♪ ...IN MY DREAMS AT NIGHT ♪
476
00:28:54,132 --> 00:28:59,002
♪ WHOA-OH, EVERYTHINGWILL WORK OUT RIGHT ♪♪
477
00:28:59,071 --> 00:29:01,071
THAT'LL BE $1.00.
478
00:29:01,139 --> 00:29:02,772
I'LL GET IT.
479
00:29:04,076 --> 00:29:05,575
GREAT.
480
00:29:10,115 --> 00:29:13,549
EVER FEEL LIKE YOU
SHOULD BE SOMEPLACE ELSE?
481
00:29:13,618 --> 00:29:15,718
ALL THE TIME.
482
00:29:15,787 --> 00:29:18,054
COVER FOR ME,
ESTHER?
483
00:29:18,123 --> 00:29:20,456
I GOT TO CHANGE
MY LIFE.
484
00:29:26,631 --> 00:29:28,398
♪ I BEEN UP THE RIVER ♪
485
00:29:28,466 --> 00:29:30,833
♪ BEEN UP AND DOWN
YOUR STREET ♪
486
00:29:30,903 --> 00:29:34,104
♪ I AIN'T FOUND NOBODY KNOWS
EXACTLY WHAT I MEAN... ♪
487
00:29:38,610 --> 00:29:40,110
[WOLF WHISTLE]
488
00:29:42,614 --> 00:29:44,114
THANK YOU.
489
00:29:46,785 --> 00:29:48,952
♪ TELL ME JUST ONE THING ♪
490
00:29:50,155 --> 00:29:52,222
♪ WHY DO WOMEN
PLAY THEM GAMES ♪
491
00:29:52,291 --> 00:29:54,724
♪ OVER A THREE MINUTE THING? ♪
492
00:29:56,128 --> 00:29:58,428
♪ TODAY
I CAME HOME EARLY ♪
493
00:29:58,496 --> 00:30:00,096
♪ THE FRONT DOOR
WAS AJAR ♪
494
00:30:00,165 --> 00:30:02,232
♪ OUTSIDE THERE WAS
A CADILLAC ♪
495
00:30:02,301 --> 00:30:04,167
♪ DIDN'T RECOGNIZE
THE CAR ♪
496
00:30:04,236 --> 00:30:06,469
♪ TIPTOED 'CROSS
THE LIVIN' ROOM ♪
497
00:30:06,538 --> 00:30:09,172
♪ I TIPTOED
DOWN THE HALL ♪
498
00:30:09,241 --> 00:30:10,606
♪ STOPPED OUTSIDE
THE BEDROOM ♪
499
00:30:10,675 --> 00:30:12,775
♪ AND I SCREAMED IT
THROUGH THE WALL ♪
500
00:30:12,844 --> 00:30:16,079
♪ "HONEY, I STILL
LOVE YOU" ♪
501
00:30:16,148 --> 00:30:18,081
♪ "BUT I KNOW
JUST ONE THING" ♪
502
00:30:21,186 --> 00:30:24,087
♪ "IT WAS YOU WHO MADE ME
PLAY THEM GAMES" ♪
503
00:30:24,156 --> 00:30:26,356
♪ "YOU JUST
A THREE MINUTE THING" ♪
504
00:30:29,428 --> 00:30:32,495
♪ "IT WAS YOU WHO MADE ME
PLAY THEM GAMES" ♪
505
00:30:32,564 --> 00:30:36,366
♪ "YOU JUST
A THREE MINUTE THING" ♪♪
506
00:30:45,543 --> 00:30:46,776
[SMASH]
507
00:30:48,546 --> 00:30:51,448
I THINK WE OUGHTA
TAKE A BREAK NOW.
508
00:30:51,516 --> 00:30:53,483
SEE YA IN A WHILE.
509
00:30:53,551 --> 00:30:56,853
IT'S A SONG.
I WANT YOU TO READ IT.
510
00:31:01,726 --> 00:31:04,995
"GOD DON'T CARE ABOUT
THE RED LIGHTS IN LIFE"?
511
00:31:05,063 --> 00:31:09,466
YOU SAID I WAS
A GOOD SONGWRITER.
512
00:31:09,534 --> 00:31:11,601
WERE YOU LYIN'?
513
00:31:11,669 --> 00:31:15,105
THE SONGS ARE GOOD,
BUT THEY'RE IMITATIONS.
514
00:31:15,173 --> 00:31:17,740
THEY'RE SONGS
ABOUT SONGS.
515
00:31:17,809 --> 00:31:21,611
TO GET A SONG
ON SOMEBODY'S ALBUM,
BE ORIGINAL.
516
00:31:21,679 --> 00:31:24,714
YOU'RE GONNA HAVE TO
FIND YOUR OWN VOICE.
517
00:31:28,686 --> 00:31:30,620
I'M SORRY, JUANITA.
518
00:31:30,688 --> 00:31:32,922
YOU SAID YOU
WANTED THE TRUTH.
519
00:31:37,695 --> 00:31:38,661
THANKS.
520
00:31:41,666 --> 00:31:44,167
YOU'RE NOT GONNA
GO AWAY MAD?
521
00:31:45,870 --> 00:31:48,804
IF I WRITE A SONG
WITH MY VOICE,
522
00:31:48,873 --> 00:31:51,908
WILL YOU PUT IT
ON YOUR ALBUM?
523
00:31:54,979 --> 00:31:56,879
WILL YOU?
524
00:31:59,217 --> 00:32:00,183
OK.
525
00:32:03,155 --> 00:32:04,454
THANKS.
526
00:32:04,523 --> 00:32:07,890
♪ ONE THING YOU LEARN
RIGHT FROM THE START ♪
527
00:32:07,959 --> 00:32:11,928
♪ THIS AIN'T NO PLACE
TO HAVE A HEART ♪♪
528
00:32:32,150 --> 00:32:34,150
[DOORBELL RINGS]
529
00:32:37,155 --> 00:32:38,154
SAVED.
530
00:32:49,301 --> 00:32:50,633
YES?
531
00:32:50,702 --> 00:32:52,668
I GOT SOMETHIN'
FOR YA.
532
00:32:55,207 --> 00:32:57,173
WHAT IS IT?
533
00:32:58,676 --> 00:33:00,676
IT BELONGED TO CY.
534
00:33:02,647 --> 00:33:05,115
HE WANTS YOU
TO HAVE IT.
535
00:33:08,953 --> 00:33:10,853
CY'S BUDDHA.
536
00:33:14,159 --> 00:33:16,959
HE REALLY LOVED THIS.
537
00:33:21,166 --> 00:33:24,567
THANK YOU FOR
BRINGIN' IT TO ME.
538
00:33:24,636 --> 00:33:26,569
I'M GOIN' NEXT WEEK.
539
00:33:26,638 --> 00:33:28,571
BACK TO TULSA?
540
00:33:28,640 --> 00:33:30,373
UH-HUH.
541
00:33:32,611 --> 00:33:36,513
WOULD YOU HAVE DINNER
WITH ME BEFORE I WENT?
542
00:33:40,084 --> 00:33:41,217
NO.
543
00:33:41,286 --> 00:33:43,886
NOT A DATE, JUANITA.
I PROMISE.
544
00:33:43,955 --> 00:33:47,890
I WON'T OPEN YOUR DOOR,
LIGHT YOUR CIGARETTES,
NOTHIN'--
545
00:33:47,959 --> 00:33:50,226
LIKE FRIENDS.
546
00:33:59,871 --> 00:34:01,103
DINNER.
547
00:34:01,173 --> 00:34:03,673
WEDNESDAY.
548
00:34:08,313 --> 00:34:09,612
8:00.
549
00:34:20,492 --> 00:34:23,125
SO, WHERE'S
THIS RESTAURANT?
550
00:34:25,063 --> 00:34:26,262
DALLAS.
551
00:34:35,473 --> 00:34:37,340
HOW 'BOUT YOUR WIVES?
552
00:34:37,409 --> 00:34:41,077
MY FIRST ONE WAS
MY HIGH SCHOOL
SWEETHEART.
553
00:34:41,145 --> 00:34:43,646
JANET JONES.
554
00:34:45,717 --> 00:34:48,618
I THINK SHE WAS
SINGLE-HANDEDLY
RESPONSIBLE
555
00:34:48,687 --> 00:34:52,054
FOR POPULARIZING
FAT ARMS AND SCREAMING
OVER THE TABLE.
556
00:34:52,123 --> 00:34:54,390
HOW DID IT END?
557
00:34:54,459 --> 00:34:56,626
I LEFT--SAID TO HER,
558
00:34:56,695 --> 00:35:00,597
"DAMN IF YOU HAVEN'T GOT ME
INTERESTED IN LOUD VOICES.
559
00:35:00,665 --> 00:35:02,398
I'M GOIN' TO THE OPERA."
560
00:35:02,467 --> 00:35:03,899
THEN CAME BONNIE.
561
00:35:03,968 --> 00:35:06,168
IN 12 YEARS OF MARRIAGE,
562
00:35:06,238 --> 00:35:09,239
SHE TRANSFORMED HERSELF
FROM RITA HAYWORTH
INTO STALIN.
563
00:35:09,307 --> 00:35:12,742
OF COURSE, I WAS BAD.
I STAYED OUT ALL NIGHT
564
00:35:12,810 --> 00:35:14,910
WITH SOME PERSUASIVE
HOME-WRECKER,
565
00:35:14,979 --> 00:35:17,980
SAID I WOULDN'T HAVE TO
REMOVE MY SOCKS.
566
00:35:18,049 --> 00:35:21,784
I CAME CRAWLIN' HOME
ABOUT 7:00 IN THE MORNING.
567
00:35:29,160 --> 00:35:31,927
WHERE IN THE HELLYOU BEEN ALL NIGHT?
568
00:35:31,996 --> 00:35:36,098
I WORKED LATEON THE TRANSMISSIONIN MILLER'S CHEVY.
569
00:35:36,167 --> 00:35:38,100
I DIDN'T WANNAWAKE YA'LL,
570
00:35:38,169 --> 00:35:40,536
SO I STAYEDIN THE HAMMOCK.
571
00:35:40,605 --> 00:35:42,672
LYIN' BASTARD.
572
00:35:42,741 --> 00:35:46,242
I TOOK THAT HAMMOCK DOWNTHREE WEEKS AGO.
573
00:35:48,680 --> 00:35:49,912
WELL,
574
00:35:49,981 --> 00:35:53,516
THAT'S MY STORY,AND I'M STICKIN' TO IT.
575
00:35:57,489 --> 00:35:59,555
WHAT ABOUT
YOUR SECOND HUSBAND?
576
00:35:59,624 --> 00:36:01,624
VERN SANDIFER
SOLD MUD.
577
00:36:01,693 --> 00:36:03,159
MUD?
578
00:36:03,227 --> 00:36:06,462
YOU CAN'T DRILL
AN OIL WELL
WITHOUT IT.
579
00:36:06,531 --> 00:36:11,534
I MOVED TO AWAY, TEXAS,
AS MRS. VERN SANDIFER.
580
00:36:11,603 --> 00:36:15,705
VERN LEFT OUT THE BIT
ABOUT THE TRAILER.
581
00:36:15,774 --> 00:36:19,008
IN THE SECOND YEAR
OF OUR MARRIAGE,
582
00:36:19,076 --> 00:36:21,076
WE GOT A BIG BREAK.
583
00:36:21,145 --> 00:36:23,045
VERN GOT TRANSFERRED
SOMEWHERE
584
00:36:23,114 --> 00:36:27,049
BETWEEN THE GULF COAST
AND BIG THICKET.
585
00:36:27,118 --> 00:36:30,553
IT WAS THE HUMIDITY CORE
OF THE UNIVERSE.
586
00:36:30,622 --> 00:36:33,155
VERN STARTED DRINKIN'
IN THE SWAMP.
587
00:36:33,224 --> 00:36:36,225
THAT LED HIM
INTO ESCAPADES
WITH OTHER WOMEN.
588
00:36:38,162 --> 00:36:40,596
I FORGAVE HIM
THE PHONE CALL
589
00:36:40,665 --> 00:36:43,599
FROM THE GIRL
WHO WANTED TO MEET HIM
590
00:36:43,668 --> 00:36:47,002
AT THE SAME MOTEL
AFTER SHE GOT OFF WORK.
591
00:36:47,071 --> 00:36:49,939
I DID NOT FORGIVE HIM
THE POETRY.
592
00:36:50,007 --> 00:36:53,409
I RECOGNIZED
HIS HANDWRITIN'.
593
00:36:55,179 --> 00:36:58,013
"HOW DO I LOVE THEE,
DONNA JEAN?
594
00:36:58,082 --> 00:37:01,116
LET ME COUNT THE WAYS,
YOU LITTLE SPORT-FUCKER."
595
00:37:01,185 --> 00:37:02,985
THAT'S ALL I READ--
596
00:37:03,054 --> 00:37:05,888
GRABBED CANDY
AND I COUNTED
FREEWAY RAMPS
597
00:37:05,957 --> 00:37:07,923
ALL THE WAY
TO HERB'S.
598
00:37:11,128 --> 00:37:13,529
I LOVE TEXAS,
GOD DAMN IT!
599
00:37:13,598 --> 00:37:15,531
ALL OF TEXAS?
600
00:37:15,600 --> 00:37:17,233
ALL OF IT.
601
00:37:17,301 --> 00:37:20,069
TEXAS IS GOD'S OWN
GEOGRAPHY EXPERIMENT.
602
00:37:20,137 --> 00:37:23,038
RIGHT HERE'S WHERE
THE SKY STARTS TOUCHIN'
603
00:37:23,107 --> 00:37:24,674
EVERY PIECE OF GROUND.
604
00:37:24,743 --> 00:37:28,544
DOESN'T DO THAT
IN OTHER PARTS
OF THE STATE.
605
00:37:28,613 --> 00:37:30,580
THEY CALL IT
WEST TEXAS--
606
00:37:30,648 --> 00:37:33,549
STARTS IN FORT WORTH.
DID YOU KNOW THAT?
607
00:37:33,618 --> 00:37:37,520
I'VE BEEN GONE A LONG TIME,
BUT I KNEW THAT.
608
00:37:37,589 --> 00:37:40,089
WELL, NOT EVERYBODY
DOES, YOU KNOW.
609
00:37:40,157 --> 00:37:43,058
DON'T EVER TELL ANYBODY
FROM THE PANHANDLE
610
00:37:43,127 --> 00:37:45,895
THEY COME FROM
SOUTH PLAINS
OR WEST TEXAS.
611
00:37:45,963 --> 00:37:48,598
DO YOU KNOW
HOW MANY REGIONS
612
00:37:48,666 --> 00:37:50,566
THERE REALLY ARE
IN TEXAS?
613
00:37:50,635 --> 00:37:52,769
THERE'S THE GULF COAST,
614
00:37:52,837 --> 00:37:55,438
HOUSTON, WHICH IS
ITS OWN PLACE...
615
00:37:55,507 --> 00:37:58,708
UH...THE KING RANCH,
THE BORDER...
616
00:37:58,777 --> 00:38:01,043
AUSTIN, HILL COUNTRY...
617
00:38:01,112 --> 00:38:04,113
EAST TEXAS, PINEY WOODS
OR WHATEVER IT'S CALLED.
618
00:38:04,181 --> 00:38:06,215
BIG THICKET.
619
00:38:06,284 --> 00:38:08,183
OH! HA HA HA!
620
00:38:08,252 --> 00:38:10,219
IT'S AMAZING--
621
00:38:10,288 --> 00:38:13,489
YOU CAN GO
FROM A DESERT
TO A MOUNTAIN,
622
00:38:13,558 --> 00:38:15,558
ROLLIN' HILLS,
623
00:38:15,627 --> 00:38:18,093
THE OCEAN,
AND NEVER LEAVE TEXAS.
624
00:38:18,162 --> 00:38:20,162
NOW, IF YOU START OUT
625
00:38:20,231 --> 00:38:23,132
ON THE OTHER SIDE
OF THE RED RIVER,
626
00:38:23,200 --> 00:38:25,935
YOU AIN'T GOIN' NO PLACE
BUT TO BAJA, OKLAHOMA.
627
00:38:26,003 --> 00:38:28,938
BAJA, OKLAHOMA, HUH?
628
00:38:29,006 --> 00:38:30,440
MM-HMM.
629
00:38:30,508 --> 00:38:33,576
I SPENT MY WHOLE LIFE
IN TEXAS.
630
00:38:33,645 --> 00:38:36,579
IF YOU DRIVE NORTH
FROM THE RED RIVER,
631
00:38:36,648 --> 00:38:39,949
YOU AIN'T GOIN' NOWHERE
BUT TO YANKEE HELL.
632
00:38:45,790 --> 00:38:47,256
YOU KNOW, JUANITA,
633
00:38:47,325 --> 00:38:49,592
SEVERAL PEOPLE
IN OKLAHOMA
634
00:38:49,661 --> 00:38:52,061
ACTUALLY HAVE
AIR CONDITIONERS NOW.
635
00:38:52,129 --> 00:38:54,630
BAJA, OKLAHOMA, HAH!
636
00:38:59,704 --> 00:39:02,037
WELL...
637
00:39:02,106 --> 00:39:04,073
[TELEPHONE RINGS]
638
00:39:07,111 --> 00:39:08,744
WAIT.
639
00:39:14,085 --> 00:39:16,085
[RING]
640
00:39:19,991 --> 00:39:21,691
[RING]
641
00:39:21,759 --> 00:39:22,725
HELLO.
642
00:39:22,794 --> 00:39:23,793
MAMA?
643
00:39:23,862 --> 00:39:25,194
CANDY, HI!
HOW ARE YOU?
644
00:39:25,897 --> 00:39:26,929
FINE.
645
00:39:38,342 --> 00:39:41,410
I THINK I'M GONNA
WRITE A SONG
646
00:39:41,479 --> 00:39:43,379
ON LONNY SLOCUM'S
NEW ALBUM.
647
00:39:43,447 --> 00:39:45,915
HE'S USING ONE
OF YOUR SONGS?
648
00:39:45,984 --> 00:39:48,083
WELL, HE HASN'T EXACTLY
SAID YES YET.
649
00:39:48,152 --> 00:39:50,887
SO WHAT ELSE
IS HAPPENIN' THERE?
650
00:39:50,955 --> 00:39:54,590
DOVE SAID THEY
SPOTTED A NARC
IN VAIL.
651
00:39:54,659 --> 00:39:57,173
CANDY, PLEASE,
LISTEN TO ME.
652
00:39:57,223 --> 00:39:59,595
I DO NOT LIKE YOU
BEIN' THERE, REALLY.
653
00:39:59,664 --> 00:40:01,330
WE'LL BE CAREFUL.
654
00:40:01,399 --> 00:40:03,065
I LOVE YOU.
655
00:40:03,134 --> 00:40:06,068
I LOVE YOU, TOO.
JUST DON'T GET BUSTED!
656
00:40:06,137 --> 00:40:07,870
DOVE SENDS HIS LOVE.
I GOTTA GO. BYE.
657
00:40:09,140 --> 00:40:10,439
CANDY?
658
00:40:10,508 --> 00:40:11,941
[DIAL TONE]
659
00:40:12,810 --> 00:40:14,010
BYE.
660
00:40:16,180 --> 00:40:17,479
SHIT.
661
00:40:20,184 --> 00:40:21,150
AHEM.
662
00:40:24,856 --> 00:40:27,823
[STAR-SPANGLED BANNER
PLAYS ON TELEVISION]
663
00:40:35,099 --> 00:40:36,933
[SNORING]
664
00:40:53,851 --> 00:40:55,851
[DOOR SLAMS]
665
00:41:13,170 --> 00:41:15,137
BAJA, OKLAHOMA.
666
00:42:02,486 --> 00:42:06,689
♪ IT'S A SKY
THAT'S ALL AROUND YOU ♪
667
00:42:06,758 --> 00:42:11,060
♪ TOUCHIN' EVERY PATCH
OF GROUND ♪
668
00:42:11,129 --> 00:42:15,430
♪ IT'S THE MOON
ABOVE THE PRAIRIE ♪
669
00:42:15,499 --> 00:42:21,737
♪ IN A TINY BORDER TOWN ♪
670
00:42:21,806 --> 00:42:25,841
♪ IT'S THE LAUGHTER
YOU CAN CARRY ♪
671
00:42:25,910 --> 00:42:30,612
♪ THROUGH THE YEARS
THAT TURN YOU OLD ♪
672
00:42:30,682 --> 00:42:34,449
♪ IT'S BAJA, OKLAHOMA ♪
673
00:42:34,518 --> 00:42:40,856
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪
674
00:42:40,925 --> 00:42:44,894
♪ IT'S A DRIVE
ACROSS THE BORDER ♪
675
00:42:44,962 --> 00:42:48,197
♪ TO THE MUSIC
AND THE SIN ♪
676
00:42:48,265 --> 00:42:53,402
♪ IT'S THE BLUE
THAT'S IN A NORTHER ♪
677
00:42:53,470 --> 00:42:56,706
♪ IT'S THE FOOTBALL GAMES
TO WIN ♪
678
00:42:56,774 --> 00:43:00,642
♪ IT'S A ROUNDUP
STIRRING MEMORIES ♪
679
00:43:00,712 --> 00:43:04,413
♪ OF THE
ROUGH-AND-TUMBLE DAYS ♪
680
00:43:04,481 --> 00:43:08,450
♪ IT'S A DETOUR
OFF THE FREEWAY ♪
681
00:43:08,519 --> 00:43:13,555
♪ TO SEE WHERE
YOU WERE RAISED ♪
682
00:43:13,624 --> 00:43:17,727
♪ IT'S THE LAUGHTER
YOU CAN CARRY ♪
683
00:43:17,795 --> 00:43:21,964
♪ THROUGH THE YEARS
THAT TURN YOU OLD ♪
684
00:43:22,033 --> 00:43:25,601
♪ IT'S BAJA, OKLAHOMA ♪
685
00:43:25,669 --> 00:43:31,941
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪
686
00:43:32,009 --> 00:43:36,445
♪ BAJA, OKLAHOMA ♪
687
00:43:36,513 --> 00:43:48,323
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪♪
688
00:43:51,829 --> 00:43:53,629
HMM.
689
00:43:53,697 --> 00:43:56,098
IT ALMOST MAKES ME
LIKE TEXAS.
690
00:43:56,167 --> 00:43:59,201
I KNEW YOU'D LIKE IT.
691
00:43:59,270 --> 00:44:02,238
I DIDN'T SAY
I LIKED IT.
692
00:44:02,306 --> 00:44:05,507
OH, YES, YOU DID.
693
00:44:05,576 --> 00:44:08,410
YOU JUST DIDN'T
SAY IT OUT LOUD.
694
00:44:08,479 --> 00:44:10,846
I NEED A CUP
OF INSTANT.
695
00:44:12,150 --> 00:44:13,115
OK.
696
00:44:19,623 --> 00:44:22,557
THIS IS THE SONG
FOR LONNY'S NEW ALBUM.
697
00:44:22,626 --> 00:44:24,593
I CAN FEEL IT.
698
00:44:24,662 --> 00:44:26,095
LONNY SLOCUM?
699
00:44:26,164 --> 00:44:27,629
THAT'S RIGHT.
700
00:44:29,901 --> 00:44:31,633
LONNY SLOCUM.
701
00:44:34,672 --> 00:44:37,072
WHAT'S THAT
SUPPOSED TO MEAN?
702
00:44:37,141 --> 00:44:40,109
I WOULDN'T COUNT
ON LONNY TOO MUCH.
703
00:44:40,178 --> 00:44:42,577
MOST OF THE TIME
HIS BRAIN'S
704
00:44:42,646 --> 00:44:45,580
DARKER THAN THE INSIDE
OF A WOLF'S MOUTH.
705
00:44:45,649 --> 00:44:47,582
YOU'VE GOT
SOME NERVE--
706
00:44:47,651 --> 00:44:50,619
BREEZIN' INTO TOWN
AFTER 20 YEARS
707
00:44:50,688 --> 00:44:52,654
AND JUDGIN'
LONNY SLOCUM.
708
00:44:57,161 --> 00:44:58,493
CHUCK?
709
00:45:01,665 --> 00:45:02,865
CHUCK.
710
00:45:17,014 --> 00:45:18,647
THANK YOU.
711
00:45:23,187 --> 00:45:25,487
IT'S A FINE SONG,
JUANITA.
712
00:45:33,664 --> 00:45:35,331
THANK YOU.
713
00:45:43,707 --> 00:45:46,976
♪ IT'S A HIGHWAYGOIN' NOWHERE ♪
714
00:45:47,044 --> 00:45:51,146
♪ AS FAR AS YOU CAN SEE ♪
715
00:45:51,215 --> 00:45:55,017
♪ IT'S A COWBOYSINGIN' LOVE SONGS ♪
716
00:45:55,086 --> 00:45:58,888
♪ 'BOUT HIS CRAVIN'TO BE FREE ♪♪
717
00:46:24,648 --> 00:46:27,482
I'M CREATIN' AN AURA
AROUND MYSELF.
718
00:46:27,551 --> 00:46:30,119
PINK GIVES ME
PLEASURE.
719
00:46:30,187 --> 00:46:32,288
PLEASURE ATTRACTS
PLEASURE.
720
00:46:32,356 --> 00:46:34,756
MY COLOR WILL
ATTRACT GOOD THINGS.
721
00:46:34,825 --> 00:46:36,691
IF YOU ELIMINATE
THE COLORS
722
00:46:36,760 --> 00:46:39,295
YOU DON'T LIKE
FROM YOUR LIFE,
723
00:46:39,363 --> 00:46:40,695
YOU ELIMINATE
AGGRESSION.
724
00:46:40,764 --> 00:46:43,132
MY SPIRIT WILL BE
UNLEASHED.
725
00:46:43,200 --> 00:46:46,201
I'LL BECOME WHO
I WAS MEANT TO BE.
726
00:46:46,270 --> 00:46:49,939
SO YOU MEAN YOU'VE
GONE TOTALLY PINK?
727
00:46:50,007 --> 00:46:53,108
IT'S TOO LATE
TO PAINT THE EXTERIOR,
728
00:46:53,177 --> 00:46:56,678
BUT LEE'S HAVING
THE GRANADA PAINTED NOW.
729
00:46:56,747 --> 00:46:59,248
WILL IT IMPROVE
YOUR RELATIONSHIP
WITH LEE?
730
00:46:59,317 --> 00:47:00,482
LEE?
731
00:47:00,551 --> 00:47:04,553
WHY THE HELL
WOULD I DO IT
FOR LEE?
732
00:47:04,621 --> 00:47:07,122
I EVEN DID
MY HAIR.
733
00:47:07,191 --> 00:47:09,925
WHAT DO YOU MEAN?
YOUR HAIR'S THE SAME.
734
00:47:09,994 --> 00:47:13,462
I MEAN...THE OTHER.
735
00:47:15,566 --> 00:47:17,066
WHAT OTHER?
736
00:47:19,270 --> 00:47:20,469
OH!
737
00:47:20,537 --> 00:47:22,771
YOU DID YOUR DEAL?
738
00:47:22,840 --> 00:47:24,606
IT'S PINK.
739
00:47:24,675 --> 00:47:27,076
OH! OH!
740
00:47:27,144 --> 00:47:28,444
HOW?
741
00:47:28,512 --> 00:47:29,744
COMMON SENSE.
742
00:47:29,813 --> 00:47:32,047
FIRST, I BLEACHED IT
WITH PEROXIDE.
743
00:47:32,116 --> 00:47:34,049
THEN I DYED IT.
744
00:47:34,118 --> 00:47:35,317
WITH WHAT?
745
00:47:35,386 --> 00:47:37,619
LEE'S TOOTHBRUSH.
746
00:47:37,688 --> 00:47:39,788
OH, MY GOD!
747
00:47:39,857 --> 00:47:43,459
DID YOU EXPECT ME
TO USE MY OWN?
748
00:47:43,527 --> 00:47:45,827
FLORABELLE PAYNE
MAKES A POINT
749
00:47:45,896 --> 00:47:51,600
OUT OF CREATING
HAPPY SURPRISES
FOR YOUR LOVERS.
750
00:47:59,243 --> 00:48:00,809
QUICK KICK, BILL.
751
00:48:00,878 --> 00:48:02,244
OH, NO!
752
00:48:02,313 --> 00:48:05,580
HE'S RUNNINGOUT OF THE END ZONE.
753
00:48:05,649 --> 00:48:07,049
JIM.
754
00:48:07,118 --> 00:48:08,117
DORIS.
755
00:48:10,121 --> 00:48:13,088
I LIKE THAT SHIRT.
756
00:48:15,393 --> 00:48:16,791
THANK YOU.
757
00:48:18,462 --> 00:48:20,095
OFFSIDES, TEXAS A&M.
758
00:48:20,164 --> 00:48:21,230
WOOH!
759
00:48:21,298 --> 00:48:24,066
YOU EVER HEARD
OF THE MURDERERS?
760
00:48:24,135 --> 00:48:25,434
WHO?
761
00:48:25,503 --> 00:48:27,036
THE MURDERERS--
762
00:48:27,104 --> 00:48:30,939
FOUR BRAIN-DEAD MEN
FROM BLACKPOOL, ENGLAND--
763
00:48:31,008 --> 00:48:34,443
CLAIM THEY MURDERED
THEIR MOTHERS
AND GOT AWAY WITH IT--
764
00:48:34,512 --> 00:48:37,446
LOOK LIKE THEY'VE
BEEN DEAD ABOUT TWO YEARS.
765
00:48:37,515 --> 00:48:40,049
THEY CAN'T SING.
THEY CAN'T PLAY
THEIR INSTRUMENTS.
766
00:48:40,117 --> 00:48:43,618
THEIR LAST ALBUM SOLD
18 MILLION COPIES.
767
00:48:43,687 --> 00:48:46,788
WHEN DID YOU
BECOME INTERESTED
IN RECORD SALES?
768
00:48:46,857 --> 00:48:48,524
RECENTLY.
769
00:48:48,592 --> 00:48:51,493
LOOKS DOWNFIELD.NOW HE DUMPS THE BALL OFF...
770
00:48:51,562 --> 00:48:53,728
HIT HIM RIGHT
IN THE HANDS.
771
00:48:53,797 --> 00:48:55,897
YEAH, I BET THE FROGS.
772
00:48:55,966 --> 00:48:58,567
THE MOTHER FUCKER'S
GONNA CROAK AGAIN.
773
00:48:58,635 --> 00:49:02,404
THE OZARK GAME!
THAT IT, BOYS?
774
00:49:02,473 --> 00:49:06,175
WE LAY IT ALL
IN THEM NUMBERED
SWISS ACCOUNTS.
775
00:49:06,243 --> 00:49:07,809
THE OZARK FLIGHT!
776
00:49:07,878 --> 00:49:11,580
BRING ALONG THE WIVES,
YOUR GIRLFRIENDS!
777
00:49:11,648 --> 00:49:13,582
THAT'S RIGHT!
778
00:49:13,650 --> 00:49:16,585
INCOMPLETE, MOONEY,
YOU COCK-SUCKER!
779
00:49:16,653 --> 00:49:19,588
TOMMY EARL, YOU ARE
THE MOST DISGUSTING,
780
00:49:19,656 --> 00:49:22,991
THE MOST DESPICABLE,
THE MOST OBNOXIOUS,
781
00:49:23,060 --> 00:49:25,094
OBSCENE, SELFISH--
782
00:49:25,162 --> 00:49:26,261
FLAG?
783
00:49:26,330 --> 00:49:28,663
YOU'RE JUST
A DISGRACEFUL IDIOT!
784
00:49:28,732 --> 00:49:32,000
YOU'RE IRREDEEMABLE,
A HUMAN WASTE!
785
00:49:32,069 --> 00:49:34,570
YOU HUMILIATE ME
AND THE CHILDREN!
786
00:49:34,638 --> 00:49:36,105
NO FLAG?
787
00:49:36,173 --> 00:49:39,108
I AM LEAVIN' YOU.
I'M TAKING THE KIDS.
788
00:49:39,176 --> 00:49:42,578
WE WON'T BE HOME
WHEN YOU GET THERE.
789
00:49:42,646 --> 00:49:45,247
I AM SICK. I'M ILL
790
00:49:45,316 --> 00:49:47,416
FROM LIVING
WITH A DEGENERATE!
791
00:49:47,485 --> 00:49:50,452
YOU KNOW WHY
THAT'S A GREAT CALL?
792
00:49:50,521 --> 00:49:52,187
ONLY SECOND DOWN.
793
00:49:52,256 --> 00:49:54,456
IF THE LINEBACKER
MISSED THE INTERCEPTION,
794
00:49:54,525 --> 00:49:57,626
HE COULD JUST THROW
AGAIN IN THE THIRD.
795
00:49:57,694 --> 00:49:59,294
GREAT CALL, BABY!
796
00:49:59,363 --> 00:50:02,431
SET ME UP, JUANITA.
MAKE IT A TRIPLE.
797
00:50:02,500 --> 00:50:04,433
BETTIN'S
A MENTAL EXERCISE.
798
00:50:04,502 --> 00:50:07,169
IT'S YOUR MIND
AGAINST THE BOOKMAKER'S.
799
00:50:07,238 --> 00:50:09,571
TRY TO EXPLAIN THAT
TO SHEILA.
800
00:50:09,640 --> 00:50:11,640
SHE SAYS
IT'S A SICKNESS.
801
00:50:11,708 --> 00:50:13,742
YOU SHOULD CALL
A DOCTOR.
802
00:50:13,810 --> 00:50:15,344
HA HA...
803
00:50:15,412 --> 00:50:18,813
TOMMY, IS THERE
ANY SPORT YOU
DON'T BET ON?
804
00:50:18,882 --> 00:50:20,182
SOCCER.
805
00:50:20,251 --> 00:50:23,385
YOU CAN'T BET
WHEN NOBODY FALLS
ON LOOSE BALLS.
806
00:50:28,859 --> 00:50:30,825
JUANITA, WHAT ABOUT
SATURDAY NIGHT?
807
00:50:32,696 --> 00:50:34,630
WHAT'S SATURDAY NIGHT?
808
00:50:34,698 --> 00:50:36,831
YOU AND ME.
809
00:50:36,900 --> 00:50:40,402
WE HAD US
A GOOD TIME,
DIDN'T WE?
810
00:50:40,471 --> 00:50:43,472
IT WON'T WORK.
811
00:50:43,541 --> 00:50:46,675
HE'S TUCKING THE BALLUNDER HIS ARM.
812
00:50:46,743 --> 00:50:50,412
LOOK OUT!30, 25, 20, 15...
813
00:50:50,481 --> 00:50:53,081
EMMYLOU HARRIS.
814
00:50:53,150 --> 00:50:56,251
YOU KNOW,
JUST LIKE FRIENDS.
815
00:51:00,957 --> 00:51:03,091
[TELEPHONE RINGS]
816
00:51:03,160 --> 00:51:04,092
HELLO.
817
00:51:04,161 --> 00:51:05,093
JUANITA?
818
00:51:05,162 --> 00:51:06,261
CANDY!
819
00:51:06,330 --> 00:51:09,064
MAMA, DON'T GET UPSET.
JUST LISTEN TO ME.
820
00:51:09,132 --> 00:51:10,799
WHY? WHAT'S WRONG?
821
00:51:10,867 --> 00:51:12,201
NOTHIN' YET,
822
00:51:12,269 --> 00:51:14,936
BUT THE NARCS
ARE IN ASPEN.
823
00:51:15,005 --> 00:51:16,238
CANDY!
824
00:51:16,307 --> 00:51:18,807
I KNEW THIS
WOULD HAPPEN!
825
00:51:18,875 --> 00:51:21,776
YOU'LL BE GETTING
A LOT OF MAIL--
826
00:51:21,845 --> 00:51:23,812
GET WELL CARDS
AND STUFF.
827
00:51:23,880 --> 00:51:25,714
JUST IGNORE
THE RETURN ADDRESS,
828
00:51:25,782 --> 00:51:27,649
BUT DON'T THROW
THEM AWAY.
829
00:51:27,718 --> 00:51:30,586
CANDY, YOU ARE NOT
MAILING ME ANY DOPE!
830
00:51:30,654 --> 00:51:33,488
WE TALKED IT OVER.
IT'S THE SAFEST THING.
831
00:51:33,557 --> 00:51:36,725
NO! I WILL FLUSH IT
DOWN THE TOILET!
832
00:51:36,793 --> 00:51:40,095
YOU WON'T FLUSH $200,000
DOWN THE TOILET.
833
00:51:40,163 --> 00:51:43,198
$200,000?
834
00:51:43,267 --> 00:51:45,066
DOVE'S ALREADY
MADE A DEAL.
835
00:51:45,135 --> 00:51:48,136
IF HE DOESN'T DELIVER,
WE'RE IN DEEP SHIT.
836
00:51:48,205 --> 00:51:50,905
I WANT YOU TO COME HOME
THIS INSTANT!
837
00:51:50,974 --> 00:51:52,307
I CAN'T.
838
00:51:52,376 --> 00:51:54,943
YOU'RE STARIN' PRISON
IN THE FACE!
839
00:51:55,011 --> 00:51:58,113
MAMA, I GOTTA RUN.
I LOVE YOU. BYE.
840
00:51:58,181 --> 00:52:00,849
NO, CANDY, WAIT!
841
00:52:00,917 --> 00:52:02,817
[DIAL TONE]
842
00:52:06,357 --> 00:52:07,522
SHIT.
843
00:52:23,774 --> 00:52:29,844
♪ IF THEY'LL PLAY
ANOTHER LOVE SONG ♪
844
00:52:31,682 --> 00:52:37,185
♪ AND IF THAT
MILLER LIFE SIGN
STAYS DIM ♪
845
00:52:39,723 --> 00:52:45,527
♪ AND IF YOU'LL KEEP
MY GLASS FULL OF WHISKEY ♪
846
00:52:47,564 --> 00:52:53,134
♪ I'LL SPILL WORDS
I WISH I'D SAID TO YOU ♪
847
00:52:53,203 --> 00:52:55,837
THAT'S IT,
AIN'T IT, JUANITA?
848
00:52:55,906 --> 00:52:58,239
THAT'S WHAT YOU
WANT, ISN'T IT?
849
00:52:58,309 --> 00:53:01,810
♪ ...ON A SLOW ONE ♪
850
00:53:04,348 --> 00:53:08,684
♪ HOLD ME CLOSE
AND TAKE ME ACROSS THE FLOOR ♪
851
00:53:10,321 --> 00:53:12,487
LET'S DANCE.
852
00:53:12,556 --> 00:53:17,926
♪ I'LL GENTLY LAY MY HEAD
ON YOUR SHOULDER ♪
853
00:53:20,197 --> 00:53:26,000
♪ AND PRETEND
THIS NEVER HAPPENED BEFORE ♪
854
00:53:28,872 --> 00:53:34,676
♪ I DON'T WANT TO HEAR
A SAD STORY ♪
855
00:53:37,113 --> 00:53:42,517
♪ WE BOTH ALREADY KNOW
HOW IT GOES ♪
856
00:53:45,121 --> 00:53:51,860
♪ IF TONIGHT, YOU'LL BE
MY TALL, DARK STRANGER ♪
857
00:53:53,296 --> 00:53:59,200
♪ I'LL BE YOUR
SAN ANTONE ROSE ♪♪
858
00:54:05,676 --> 00:54:10,111
I'D GIVE ANYTHING
TO HAVE HER SING
ONE OF MY SONGS.
859
00:54:10,180 --> 00:54:12,614
KEEP WRITIN' THEM
LIKE BAJA, OKLAHOMA,
860
00:54:12,683 --> 00:54:15,350
YOU WON'T HAVE
LONG TO WAIT.
861
00:54:18,389 --> 00:54:19,454
[SIGH]
862
00:54:19,523 --> 00:54:22,457
I GUESS YOU HAVE
EVERYTHING YOU WANT--
863
00:54:22,526 --> 00:54:24,626
A BIG RANCH IN TULSA,
864
00:54:24,695 --> 00:54:27,629
ALL THEM OIL WELLS.
865
00:54:27,698 --> 00:54:30,465
THERE AIN'T NO RANCH.
866
00:54:30,534 --> 00:54:33,167
THERE AIN'T
NO OIL WELLS.
867
00:54:35,205 --> 00:54:36,805
BUT CY SAID--
868
00:54:36,874 --> 00:54:39,775
CY SAID A LOT
OF THINGS.
869
00:54:39,843 --> 00:54:41,810
WHY?
870
00:54:41,879 --> 00:54:43,645
WELL...
871
00:54:43,714 --> 00:54:47,148
I THINK HE COULD NEVER
CUT HIS DREAMS DOWN
872
00:54:47,217 --> 00:54:49,150
TO MY ACTUAL SIZE--
873
00:54:49,219 --> 00:54:51,185
JUST LIKE MY WIVES.
874
00:54:56,894 --> 00:54:59,160
YOU'RE INTELLIGENT.
875
00:54:59,229 --> 00:55:02,096
YOU DON'T SEEM TO
MIND HARD WORK.
876
00:55:02,165 --> 00:55:05,133
WHAT DID YOU
WANT TO AMOUNT TO?
877
00:55:08,639 --> 00:55:11,606
THE TRUTH BE KNOWN--
878
00:55:11,675 --> 00:55:14,142
I LIKE FIXIN' CARS.
879
00:55:17,448 --> 00:55:21,115
THERE'S NO SHAME
IN BEING A MECHANIC.
880
00:55:34,465 --> 00:55:35,664
WELL...
881
00:55:40,671 --> 00:55:42,537
'NIGHT, JUANITA.
882
00:55:55,686 --> 00:55:57,185
SLICK?
883
00:55:57,253 --> 00:55:58,687
JUANITA.
884
00:56:06,897 --> 00:56:09,130
IT WAS GOOD.
885
00:56:11,167 --> 00:56:14,603
HA HA HA!
886
00:56:14,671 --> 00:56:16,638
YOU'RE SURPRISED?
887
00:56:24,848 --> 00:56:25,814
YEAH.
888
00:56:46,236 --> 00:56:49,337
I BEEN THINKIN'
ABOUT BAJA, OKLAHOMA.
889
00:56:49,406 --> 00:56:53,307
IT WOULDN'T HURT
TO TAKE IT TO JIMMY
AT KOXX.
890
00:56:53,376 --> 00:56:56,912
I ALREADY SHOWED IT
TO LONNY.
891
00:56:58,214 --> 00:57:00,114
YEAH, BUT JIMMY'S
GOT INFLUENCE.
892
00:57:00,183 --> 00:57:03,217
LONNY CAN'T REMEMBER
WHAT YESTERDAY'S LIKE.
893
00:57:06,823 --> 00:57:10,224
I THINK YOU'RE JEALOUS
OF LONNY SLOCUM,
AREN'T YOU?
894
00:57:10,293 --> 00:57:13,061
HA HA HA! HMM.
895
00:57:13,129 --> 00:57:15,730
YOU ARE.
896
00:57:15,799 --> 00:57:18,533
I AM.
897
00:57:21,672 --> 00:57:23,572
WHAT WOULD I DO
898
00:57:23,640 --> 00:57:26,608
IF I WENT TO SEE
OLD JIMMY?
899
00:57:26,677 --> 00:57:29,578
TWICE A DAY
SOMEONE SAYS TO HIM,
900
00:57:29,646 --> 00:57:33,615
"HI. I'VE GOT A SONG
ABOUT MY HUSBAND'S
HEMORRHOID OPERATION
901
00:57:33,684 --> 00:57:35,617
"WHEN HE WAS IN PRISON,
902
00:57:35,686 --> 00:57:37,552
"AND MY MAMA WAS DYIN'.
903
00:57:37,621 --> 00:57:40,121
EVERYBODY SAYS
IT'S REAL GOOD."
904
00:57:40,190 --> 00:57:42,023
THEN THE IDIOT LEAVES,
905
00:57:42,092 --> 00:57:44,826
AND JIMMY THROWS IT
IN THE WASTEBASKET.
906
00:57:44,895 --> 00:57:47,662
HOW WOULD YOU KNOW?
YOU HAVEN'T TRIED.
907
00:57:47,731 --> 00:57:49,664
THAT MIGHT BE
ONE REASON
908
00:57:49,733 --> 00:57:51,633
YOU'RE WORKIN'
IN A BAR.
909
00:57:51,702 --> 00:57:53,802
I'M WORKIN' IN A BAR
910
00:57:53,870 --> 00:57:56,270
BECAUSE PRINCE CHARLES
BROKE THE ENGAGEMENT.
911
00:57:56,339 --> 00:57:57,505
HOLD ON.
912
00:57:57,574 --> 00:58:00,108
I'M TRYIN'
TO BE HELPFUL.
913
00:58:00,176 --> 00:58:03,377
GIVE YOURSELF MORE
THAN ONE CHANCE.
914
00:58:03,446 --> 00:58:07,582
CAN'T YOU SEE
I'M ON YOUR SIDE?
915
00:58:07,651 --> 00:58:08,750
OK.
916
00:58:08,819 --> 00:58:10,952
COME HERE.
917
00:58:21,632 --> 00:58:23,632
I KNEW RIGHT AWAY.
918
00:58:26,003 --> 00:58:27,168
WHAT?
919
00:58:27,237 --> 00:58:30,238
THAT I WANTED TO
BE WITH YOU.
920
00:58:30,306 --> 00:58:33,108
WHEN I SAW YOU
AT CY'S GRAVE,
921
00:58:33,176 --> 00:58:35,409
YOU WERE
SO BEAUTIFUL.
922
00:58:35,478 --> 00:58:37,612
DON'T SAY THAT.
923
00:58:37,681 --> 00:58:41,182
I AIN'T LETTIN' YOU
OFF THE HOOK, JUANITA.
924
00:58:43,486 --> 00:58:47,088
I'LL SEE YA LATER.
925
00:58:47,157 --> 00:58:49,257
I HAD A NICE TIME.
926
00:58:50,761 --> 00:58:52,260
ME, TOO.
927
01:00:24,187 --> 01:00:25,787
[SIGH]
928
01:00:39,569 --> 01:00:42,670
I CAT BELIEVE
I WON'T SEE OLD PINK
929
01:00:42,739 --> 01:00:45,673
UNLESS I USE UP
ONE OF MY HARD-ONS.
930
01:00:45,742 --> 01:00:48,977
TOMMY EARL BELIEVES
THE AVERAGE MAN GETS
931
01:00:49,045 --> 01:00:52,680
ABOUT 14,965 HARD-ONS
IN A LIFETIME,
932
01:00:52,749 --> 01:00:55,683
DEPENDIN' ON THE NUMBER
OF TIMES HE'S MARRIED,
933
01:00:55,752 --> 01:00:58,386
ALCOHOL CONSUMPTION,
RELIGIOUS UPBRINGIN',
934
01:00:58,454 --> 01:01:00,655
AND INTIMATE EXPOSURE
TO TINA BUSHER.
935
01:01:00,723 --> 01:01:03,591
I ONLY GOT 5,453 LEFT.
936
01:01:03,660 --> 01:01:07,628
THAT'S WAY BELOW WHERE
I OUGHT TO BE.
937
01:01:07,697 --> 01:01:10,631
AND YOU WANT ME
TO USE ONE UP
938
01:01:10,700 --> 01:01:12,300
JUST TO SEE OLD PINK.
939
01:01:12,368 --> 01:01:13,802
THAT'S GREED, BABY.
940
01:01:13,870 --> 01:01:17,571
I'M SORRY TO HEAR ABOUT
YOUR CONDITION, TOMMY.
941
01:01:17,640 --> 01:01:20,141
I WON'T DO NOTHIN',
JUST LOOK.
942
01:01:20,210 --> 01:01:22,777
THAT'S REASON
NOT TO SHOW YOU.
943
01:01:22,846 --> 01:01:25,646
YOU'VE NEVER ACTED
VERY INTERESTED BEFORE.
944
01:01:25,715 --> 01:01:28,649
THAT COULD GIVE
A GIRL A COMPLEX.
945
01:01:28,718 --> 01:01:30,351
GIRL?
946
01:01:30,420 --> 01:01:33,154
I'M A DEEPLY
RELIGIOUS MAN, DORIS,
947
01:01:33,223 --> 01:01:35,156
TOTALLY DEDICATED
TO MY FAMILY.
948
01:01:35,225 --> 01:01:37,158
I DON'T
FOOL AROUND NONE.
949
01:01:37,227 --> 01:01:40,261
I'LL SQUAT ON THAT
TILL IT GROWS FUNGUS.
950
01:01:40,330 --> 01:01:43,231
TEMPERATURE'S
RISIN' FASTER THAN
951
01:01:43,300 --> 01:01:45,666
A SHRINER'S DICK
AT A STRIP SHOW.
952
01:01:45,735 --> 01:01:48,903
HOTTER OUTSIDE
THAN BEN-GAY
IN A JOCKSTRAP!
953
01:01:48,972 --> 01:01:51,572
WHERE'S MY BUDDY?
954
01:01:51,641 --> 01:01:53,174
HMM? HMM?
955
01:01:53,243 --> 01:01:55,509
LET ME TAKE OFF
MY RINGS
956
01:01:55,578 --> 01:01:58,179
SO I CAN SHAKE HANDS
WITH HIM.
957
01:01:58,248 --> 01:02:00,181
WHAT ARE
YOU DRINKIN'?
958
01:02:00,250 --> 01:02:05,220
I GUESS I COULD HOLD ME
A LITTLE COGNAC IN ABEYANCE.
959
01:02:05,288 --> 01:02:07,621
UH-OH.
THERE SHE IS.
960
01:02:07,690 --> 01:02:11,259
MISS JUANITA HUTCHINS,
HER OWN SELF.
961
01:02:11,328 --> 01:02:16,130
I COULD'VE PICKED YOU OUT
OF A BOX OF CHOCOLATE ECLAIRS.
962
01:02:16,199 --> 01:02:18,032
I'M OL' JEEMY WILLIAMS.
963
01:02:18,101 --> 01:02:19,234
FROM THE RADIO?
964
01:02:19,302 --> 01:02:23,104
NUMBER 817
IN YOUR AREA CODE,
965
01:02:23,173 --> 01:02:25,606
NUMBER ONE
IN YOUR HEART.
966
01:02:25,675 --> 01:02:28,642
YOU'RE A CORNY SHIT-ASS,
YOU KNOW THAT?
967
01:02:28,711 --> 01:02:31,645
DON'T PAY ANY ATTENTION
TO MY WIFE, MISTER.
968
01:02:31,714 --> 01:02:34,615
SHE'S BEEN REAL UPSET
SINCE MY PROSTRATE TROUBLES.
969
01:02:34,684 --> 01:02:36,684
IF YOU'LL EXCUSE US.
970
01:02:36,753 --> 01:02:38,452
COME ON, BABY.
971
01:02:41,224 --> 01:02:44,658
WHEN DID YOU TWO
BECOME SUCH GREAT PALS?
972
01:02:44,727 --> 01:02:47,161
OH, A COUPLE
DAYS AGO.
973
01:02:47,230 --> 01:02:50,164
SLICK HANDED ME
A COPY OF YOUR SONG,
974
01:02:50,233 --> 01:02:52,133
SAID YOU WAS
PRETTY ENOUGH
975
01:02:52,202 --> 01:02:54,168
TO TIE UP TRAFFIC.
976
01:02:54,237 --> 01:02:56,170
HE'S SURE RIGHT
ABOUT THAT.
977
01:02:56,239 --> 01:02:58,172
HERE'S TO BAJA, OKLAHOMA,
978
01:02:58,241 --> 01:03:01,675
AND ALL THE OTHER SONGS
I HEAR YOU GOT.
979
01:03:01,744 --> 01:03:04,279
WHAT IF
HE HADN'T LIKED IT?
980
01:03:04,347 --> 01:03:07,848
WOULD YOU HAVE
MENTIONED IT...EVER?
981
01:03:09,485 --> 01:03:10,919
PROBABLY NOT.
982
01:03:10,987 --> 01:03:13,888
DARLIN', YOU HIT ME
RIGHT IN THE HEART!
983
01:03:13,957 --> 01:03:17,125
I AIN'T SAYIN'
IT DON'T NEED SOME WORK.
984
01:03:17,193 --> 01:03:21,862
WE'LL STRAP SOME COSMETICS ON
HERE AND THERE, NO PROBLEM.
985
01:03:21,932 --> 01:03:24,132
BUT I'M HERE TO TELL YOU
986
01:03:24,200 --> 01:03:28,136
BAJA, OKLAHOMA'S GONNA KNOCK
SOME DICKS IN THE DIRT.
987
01:03:28,204 --> 01:03:32,106
I WANNA HEAR ALL THE REST
OF YOUR MATERIAL, DARLIN'.
988
01:03:32,175 --> 01:03:35,776
I ASKED IF HE KNEW
HOW TO PUBLISH SONGS.
989
01:03:35,845 --> 01:03:38,112
THE BIGGEST KICK I GET
990
01:03:38,181 --> 01:03:40,648
IS HELPIN'
A NEW TALENT EMERGE.
991
01:03:40,716 --> 01:03:44,152
TO TRACK A STAR
ACROSS THE SKY
992
01:03:44,220 --> 01:03:48,423
AND KNOW THAT
I WAS A LAUNCHIN' PAD.
993
01:03:48,491 --> 01:03:50,524
IT ALL STARTS
WITH A SONGWRITER.
994
01:03:50,593 --> 01:03:53,161
WHAT DO YOU WANT
HER TO DO?
995
01:03:53,229 --> 01:03:56,164
IF I WAS A FAST TALKER
FROM NASHVILLE,
996
01:03:56,232 --> 01:03:59,968
I'D BUY YOUR SONG NOW
FOR $500
997
01:04:00,036 --> 01:04:02,303
AND THAT WOULD BE THAT,
998
01:04:02,372 --> 01:04:04,772
BUT I THINK
BIGGER THAN THAT.
999
01:04:04,841 --> 01:04:07,108
COME ON DOWN
TO THE STUDIO.
1000
01:04:07,177 --> 01:04:11,112
WE'LL GO IN A SOUNDPROOF ROOM
AND YOU'LL PLAY.
1001
01:04:11,181 --> 01:04:13,114
I GOT AN EAR.
1002
01:04:13,183 --> 01:04:14,582
I GOT
INTUITION.
1003
01:04:14,650 --> 01:04:16,617
I'LL BE HONEST WITH YOU.
1004
01:04:16,686 --> 01:04:18,686
IF I LIKE
YOUR MATERIAL,
1005
01:04:18,754 --> 01:04:22,590
I'D LIKE TO
BE INVOLVED WITH
THE MAKIN' OF A STAR.
1006
01:04:24,194 --> 01:04:26,627
LOOK, I APPRECIATE
YOUR INTEREST--
1007
01:04:26,696 --> 01:04:29,097
DON'T WORRY NONE
ABOUT YOUR VOICE.
1008
01:04:29,165 --> 01:04:31,132
THAT EQUIPMENT
DOWN THERE
1009
01:04:31,201 --> 01:04:34,102
WILL MAKE A FART
SOUND LIKE A CHOIR.
1010
01:04:34,170 --> 01:04:36,604
I NEVER SUNG FOR
A STRANGER BEFORE.
1011
01:04:36,672 --> 01:04:39,273
DON'T THINK OF ME
AS A STRANGER.
1012
01:04:39,342 --> 01:04:44,012
THINK OF ME...
AS YOUR PARTNER.
1013
01:04:44,080 --> 01:04:47,115
I'VE BEEN WORKIN'
ON SOMETHING NEW,
1014
01:04:47,183 --> 01:04:48,616
BUT, UH...
1015
01:04:48,684 --> 01:04:50,385
I'M NOT READY.
1016
01:04:50,453 --> 01:04:53,321
GOOD!
THAT'S WHAT
I WANT TO HEAR.
1017
01:04:53,390 --> 01:04:55,323
LAY IT ON US,
JUANITA!
1018
01:05:05,168 --> 01:05:07,635
[PLAYS PIANO]
1019
01:05:13,009 --> 01:05:15,543
♪ SOME PEOPLE SPEND ♪
1020
01:05:15,611 --> 01:05:20,614
♪ THEIR WHOLE LIVES
IN A DREAM ♪
1021
01:05:20,683 --> 01:05:24,085
♪ WAITIN' FOR SOMETHIN' ♪
1022
01:05:24,154 --> 01:05:27,755
♪ THEY MAY NEVER SEE ♪
1023
01:05:27,823 --> 01:05:31,526
♪ THEY MISS
ALL THE SUNSETS ♪
1024
01:05:31,594 --> 01:05:35,463
♪ AND THE MOON
ON THE RISE ♪
1025
01:05:35,532 --> 01:05:37,298
♪ BLINDED ♪
1026
01:05:37,367 --> 01:05:41,702
♪ BY ALL THOSE
BRIGHT LIGHTS ♪
1027
01:05:43,005 --> 01:05:46,640
♪ BUT HE KNOWS ♪
1028
01:05:46,709 --> 01:05:50,311
♪ WHAT HE KNOWS ♪
1029
01:05:50,380 --> 01:05:54,148
♪ AND NEVER EXPECTIN' ♪
1030
01:05:54,217 --> 01:05:56,184
♪ NOTHIN' BIG ♪
1031
01:05:57,887 --> 01:06:01,055
♪ AND HE SEES ♪
1032
01:06:01,124 --> 01:06:05,059
♪ WHAT NO ONE ELSE
CAN SEE ♪
1033
01:06:05,128 --> 01:06:07,428
♪ IT'S JUST LIVIN' ♪
1034
01:06:07,497 --> 01:06:11,299
♪ THAT MAKES
THIS LIFE GOOD ♪
1035
01:06:13,269 --> 01:06:16,404
♪ HE COMES AND HE GOES ♪
1036
01:06:16,473 --> 01:06:20,108
♪ LIKE THE WIND
AND THE RAIN ♪
1037
01:06:20,176 --> 01:06:23,010
♪ AND YOU'LL NEVER KNOW ♪
1038
01:06:23,079 --> 01:06:27,615
♪ WHEN YOU'LL
SEE HIM AGAIN ♪
1039
01:06:27,683 --> 01:06:30,784
♪ SOMETIMES HE'S GENTLE ♪
1040
01:06:30,853 --> 01:06:34,622
♪ AND SOMETIMES HE'S COLD ♪
1041
01:06:34,690 --> 01:06:42,096
♪ BUT HE'S GOT YOU
DEEP IN YOUR SOUL ♪
1042
01:06:42,165 --> 01:06:45,133
♪ AND HE KNOWS ♪
1043
01:06:45,201 --> 01:06:49,470
♪ WHAT HE KNOWS ♪
1044
01:06:49,539 --> 01:06:52,640
♪ HE NEVER EXPECTED ♪
1045
01:06:52,708 --> 01:06:56,544
♪ NOTHIN' BIG ♪
1046
01:06:56,613 --> 01:06:59,813
♪ AND HE SEES ♪
1047
01:06:59,882 --> 01:07:03,384
♪ WHAT NO ONE ELSE
CAN SEE ♪
1048
01:07:03,453 --> 01:07:05,653
♪ IT'S JUST LIVIN' ♪
1049
01:07:05,721 --> 01:07:10,724
♪ THAT MAKES
THIS LIFE GOOD ♪
1050
01:07:10,793 --> 01:07:13,761
♪ IT'S JUST LIVIN' ♪
1051
01:07:13,829 --> 01:07:18,166
♪ THAT MAKES HIS LIFE ♪
1052
01:07:18,234 --> 01:07:23,804
♪ GOOD ♪♪
1053
01:07:29,145 --> 01:07:32,112
DARLIN', I DON'T
MEAN TO SCARE YOU,
1054
01:07:32,182 --> 01:07:34,114
BUT YOU COULD ENTERTAIN
1055
01:07:34,184 --> 01:07:37,718
AND THERE WOULDN'T
BE NO FLIES TO SWAT
1056
01:07:37,787 --> 01:07:39,119
ANYWHERE AROUND YOU.
1057
01:07:39,189 --> 01:07:43,123
I JUST WANT TO
WRITE A GOOD SONG
AND GET PAID.
1058
01:07:43,193 --> 01:07:47,127
DARLIN', THAT'S EXACTLY
WHAT I'M GONNA DO.
1059
01:07:47,197 --> 01:07:49,597
I'LL GET A LETTER TYPED UP,
1060
01:07:49,666 --> 01:07:51,599
STANDARD AGENT GOBBLEDYGOOK,
1061
01:07:51,668 --> 01:07:54,134
THEN I'LL TAKE YOU
TO DINNER.
1062
01:07:54,204 --> 01:07:57,137
YOU CAN BRING
OLD SLICK, IF YOU WANT.
1063
01:07:57,207 --> 01:07:59,139
NO, Y'ALL CAN GO.
1064
01:07:59,209 --> 01:08:01,108
WHEN WE HIT OUR HOME RUN,
1065
01:08:01,177 --> 01:08:04,078
YOU'LL BE SAILIN' GREENBACKS
OUT THE WINDOW
1066
01:08:04,146 --> 01:08:07,114
LIKE THEY WAS
PAPER AIRPLANES.
1067
01:08:08,618 --> 01:08:10,084
THANK YOU.
1068
01:08:10,152 --> 01:08:12,119
I'LL BE IN TOUCH.
1069
01:08:37,179 --> 01:08:39,647
WHY ARE YOU
DOIN' ALL THIS?
1070
01:08:42,151 --> 01:08:44,385
'CAUSE I'M
IN LOVE WITH YOU.
1071
01:08:48,691 --> 01:08:52,092
LOOK, I'VE BEEN ABOUT
AS ENTERTAINED BY LOVE
1072
01:08:52,161 --> 01:08:54,262
AS I CARE TO BE.
1073
01:08:54,330 --> 01:08:58,165
WHAT IN HELL
IS THAT SUPPOSED
TO MEAN, JUANITA?
1074
01:09:02,171 --> 01:09:05,105
MAYBE I MADE A MISTAKE
THE OTHER NIGHT.
1075
01:09:12,815 --> 01:09:15,283
YOU'RE MAKIN'
A MISTAKE NOW.
1076
01:09:21,157 --> 01:09:23,123
I GOTTA GO.
1077
01:09:28,164 --> 01:09:30,631
[TRAIN WHISTLE BLOWS]
1078
01:09:34,136 --> 01:09:35,603
LONNY!
1079
01:09:35,672 --> 01:09:37,070
HI!
1080
01:09:37,139 --> 01:09:39,106
THIS IS JUANITA!
1081
01:09:39,175 --> 01:09:43,143
I'VE BEEN TRYIN' TO
REACH YOU FOR WEEKS.
1082
01:09:45,682 --> 01:09:47,114
WELL...
1083
01:09:47,183 --> 01:09:49,116
WHAT ABOUT MY CASSETTE?
1084
01:09:49,185 --> 01:09:52,085
I HAVEN'T
LISTENED TO IT YET.
1085
01:09:52,154 --> 01:09:55,122
YOU'VE HAD THAT CASSETTE
FOR THREE WEEKS.
1086
01:09:55,191 --> 01:09:57,425
I'VE BEEN
EXPECTIN' A CALL.
1087
01:09:57,493 --> 01:10:00,928
WE'RE COMIN' TO FORT WORTH
TO OPEN FOR WILLIE.
1088
01:10:00,996 --> 01:10:02,630
I HEARD.
1089
01:10:02,699 --> 01:10:04,097
SO?
1090
01:10:04,166 --> 01:10:06,634
THAT'S WHY
I'VE BEEN SO BUSY.
1091
01:10:06,703 --> 01:10:09,102
I'M TRYIN' TO
FINISH THIS ALBUM
1092
01:10:09,171 --> 01:10:11,138
BEFORE WE COME DOWN THERE.
1093
01:10:11,207 --> 01:10:13,641
I'M MEANT
TO HAVE A SONG
1094
01:10:13,710 --> 01:10:15,676
ON THAT GOD DAMN ALBUM.
1095
01:10:17,480 --> 01:10:19,413
YOU KNOW WHAT, LONNY?
1096
01:10:19,482 --> 01:10:22,616
YOU GOT PERMANENT
BRAIN DAMAGE.
1097
01:10:22,685 --> 01:10:25,619
I WILL NOT QUARREL
WITH THAT DIAGNOSIS,
1098
01:10:25,688 --> 01:10:29,089
BUT I WILL
LISTEN TO YOUR TAPE.
1099
01:10:29,158 --> 01:10:32,125
BEFORE OR AFTER
YOU FINISH THAT ALBUM?
1100
01:10:32,194 --> 01:10:33,694
PRETTY SOON.
1101
01:10:35,197 --> 01:10:38,165
DID YOU ENCOURAGE ME
TO WRITE A SONG,
1102
01:10:38,234 --> 01:10:41,168
OR DID I JUST
DREAM THAT UP?
1103
01:10:41,237 --> 01:10:46,173
JUANITA,
YOU DO NOT UNDERSTAND
ABOUT A MAN AND HIS ART.
1104
01:10:46,242 --> 01:10:48,876
ONE MORE SLOT'S
OPEN ON THE ALBUM.
1105
01:10:48,944 --> 01:10:51,679
DID YOU WRITE ME
A GOOD SONG?
1106
01:10:51,748 --> 01:10:53,714
GO FUCK YOURSELF!
1107
01:10:58,220 --> 01:11:00,220
WHAT'S SO FUNNY?
1108
01:11:02,157 --> 01:11:04,157
LIFE ITSELF.
1109
01:11:07,430 --> 01:11:09,229
WHAT ARE YOU
LOOKING AT?
1110
01:11:09,298 --> 01:11:12,500
MAYBE YOU OUGHT TO
LAY OFF A LITTLE.
1111
01:11:12,568 --> 01:11:13,634
HA!
1112
01:11:13,703 --> 01:11:16,103
DON'T WORRY
ABOUT ME, OK?
1113
01:11:16,171 --> 01:11:19,607
I DON'T NEED YOU
TO WORRY ABOUT ME.
1114
01:11:19,675 --> 01:11:23,110
I DON'T WANT YOU
TO WORRY ABOUT ME.
1115
01:11:23,178 --> 01:11:24,244
WHY?
1116
01:11:24,313 --> 01:11:26,380
'CAUSE YOU'RE
NOT MY HUSBAND
1117
01:11:26,449 --> 01:11:28,883
OR ANYBODY ELSE
THAT'S GOT A RIGHT
1118
01:11:28,951 --> 01:11:31,118
TO TELL ME
WHAT TO DO.
1119
01:11:31,186 --> 01:11:33,487
WHO THE HELL
AM I, JUANITA?
1120
01:11:33,556 --> 01:11:37,190
YOU'RE THE GUY
THAT FIXES
MY GOD DAMN CAR.
1121
01:11:39,695 --> 01:11:42,162
AND YOU'RE SLOW AT THAT!
1122
01:11:42,231 --> 01:11:44,364
EVEN YOUR NAME!
1123
01:11:44,434 --> 01:11:45,900
SLICK!
1124
01:11:45,968 --> 01:11:47,200
HA!
1125
01:11:48,404 --> 01:11:50,771
I THINK
YOU'RE DRUNK, JUANITA.
1126
01:11:50,840 --> 01:11:52,673
MAYBE I AM,
1127
01:11:52,742 --> 01:11:54,809
BUT I'M NOT PINK.
1128
01:11:54,877 --> 01:11:56,176
HERE WE GO.
1129
01:11:56,245 --> 01:11:59,146
MMM...THESE LIGHTS...
BRIGHT IN MY EYES.
1130
01:11:59,214 --> 01:12:00,681
ALL RIGHT.
1131
01:12:00,750 --> 01:12:02,616
ALMOST THERE.
1132
01:12:02,685 --> 01:12:04,117
OH!
1133
01:12:04,186 --> 01:12:05,619
OK. GOOD.
1134
01:12:05,688 --> 01:12:07,154
GOT IT.
1135
01:12:10,192 --> 01:12:12,793
THEY'RE LIKE SNAKES, DORIS.
1136
01:12:12,862 --> 01:12:16,497
THEY'RE ALL SWEET
AND THEN...
1137
01:12:16,566 --> 01:12:18,632
HAAAHHH!
1138
01:12:18,701 --> 01:12:20,935
THAT'S WHEN
THEY'RE MOST DANGEROUS--
1139
01:12:21,003 --> 01:12:22,970
WHEN THEY'RE BEIN' GOOD.
1140
01:12:23,038 --> 01:12:26,106
I DON'T THINK
SNAKES ARE LIKE THAT.
1141
01:12:26,175 --> 01:12:28,141
LET ME
GET YOU UNLEASHED.
1142
01:12:28,210 --> 01:12:30,143
ALL RIGHT,
HERE WE GO!
1143
01:12:30,212 --> 01:12:32,145
OK, CAN I HELP YOU?
1144
01:12:32,214 --> 01:12:33,614
HERE WE GO.
1145
01:12:33,683 --> 01:12:35,616
OK, HERE IT COMES!
1146
01:12:35,685 --> 01:12:37,117
REAL EASY.
1147
01:12:37,186 --> 01:12:38,652
OK, IT'S COMIN'!
1148
01:12:38,721 --> 01:12:40,788
WHOOP!
ROLL OVER, HONEY.
1149
01:12:40,857 --> 01:12:45,258
I'LL GO GET YOU
A NICE CRANBERRY
JUICE COCKTAIL.
1150
01:12:45,327 --> 01:12:47,795
MMM, OK.
1151
01:12:51,133 --> 01:12:52,533
OOO-EEE.
1152
01:13:06,649 --> 01:13:08,181
JUANITA...
1153
01:13:08,250 --> 01:13:11,151
I THINK YOU'VE
FALLEN IN LOVE.
1154
01:13:55,064 --> 01:13:57,998
IS THERE SOMETHIN'
I CAN DO FOR YOU?
1155
01:13:58,067 --> 01:14:01,201
DO YOU KNOW
WHERE SLICK IS?
1156
01:14:01,270 --> 01:14:03,403
WELL, DARLIN',
HE LEFT TOWN.
1157
01:14:05,140 --> 01:14:07,041
FIGURES.
1158
01:14:12,081 --> 01:14:15,115
♪ IT'S AN EMBARRASSIN'
SITUATION ♪
1159
01:14:15,184 --> 01:14:18,452
♪ FOR ME TO BE
INVOLVED IN ♪
1160
01:14:18,520 --> 01:14:21,622
♪ AN EMBARRASSIN' SITUATION ♪
1161
01:14:21,691 --> 01:14:24,692
♪ FOR ME TO BE
INVOLVED IN ♪
1162
01:14:24,760 --> 01:14:26,193
♪ I CALLED YOUR FRIEND ♪
1163
01:14:26,261 --> 01:14:28,662
♪ SHE SAID YOU WASN'T IN-- ♪♪
1164
01:14:30,399 --> 01:14:31,398
LONNY?
1165
01:14:31,467 --> 01:14:32,900
YOU THE MEDIC?
1166
01:14:32,969 --> 01:14:34,334
NO, I'M SLICK.
1167
01:14:34,403 --> 01:14:36,103
SLICK?
1168
01:14:36,171 --> 01:14:37,605
HENDERSON!
1169
01:14:37,673 --> 01:14:39,139
SLICK HENDERSON!
1170
01:14:39,208 --> 01:14:42,275
ALL YOU GOT TO DO
IS LISTEN TO IT.
1171
01:14:42,344 --> 01:14:44,144
THAT'S JUANITA'S SONG.
1172
01:14:44,213 --> 01:14:45,613
MM-HMM.
1173
01:14:45,681 --> 01:14:48,148
I BEEN MEANIN'
TO HEAR THIS.
1174
01:14:48,217 --> 01:14:53,120
I THINK NOW'S A GOOD
A TIME AS ANY, DON'T YOU?
1175
01:14:53,188 --> 01:14:54,855
WELL...OK.
1176
01:14:54,924 --> 01:14:58,191
LOOK,
I AIN'T PROMISIN'
ANYTHING NOW.
1177
01:15:01,931 --> 01:15:03,563
JUANITA!
1178
01:15:03,633 --> 01:15:04,999
JUANITA!
1179
01:15:05,067 --> 01:15:07,001
LONG DISTANCE CALL!
URGENT!
1180
01:15:07,069 --> 01:15:08,602
OH, MY GOD!
1181
01:15:08,671 --> 01:15:10,104
IT'S CANDY.
1182
01:15:10,172 --> 01:15:12,072
SHE'S ARRESTED.
I KNOW IT.
1183
01:15:12,141 --> 01:15:14,074
IS SHE IN NASHVILLE?
1184
01:15:14,143 --> 01:15:15,643
HELLO?
1185
01:15:18,514 --> 01:15:20,413
UH, YEAH, A TAPE?
1186
01:15:20,482 --> 01:15:23,150
I SENT YOU
A TAPE, LONNY...
1187
01:15:23,218 --> 01:15:27,655
SOMEWHERE RIGHT
AFTER THE BIRTH
OF CHRIST, I THINK.
1188
01:15:27,723 --> 01:15:29,723
WHAT ABOUT IT?
1189
01:15:34,163 --> 01:15:36,664
DON'T FUCK WITH ME, LONNY.
1190
01:15:45,207 --> 01:15:47,107
I CAN'T BELIEVE THIS!
1191
01:15:47,176 --> 01:15:49,176
THIS IS GREAT!
1192
01:15:52,715 --> 01:15:56,183
NO, BUT I MIGHT
GO DOWN ON YOU!
1193
01:15:57,586 --> 01:15:59,619
GREAT! THAT'S GREAT!
1194
01:15:59,689 --> 01:16:01,188
BYE!
1195
01:16:05,661 --> 01:16:07,627
I'M A SONGWRITER.
1196
01:16:08,898 --> 01:16:10,597
I'M A SONGWRITER!
1197
01:16:10,666 --> 01:16:12,132
AAAH!
1198
01:16:15,104 --> 01:16:17,604
OH, MY GOD,
I'M A SONGWRITER!
1199
01:16:17,673 --> 01:16:19,106
WHAT?
1200
01:16:19,175 --> 01:16:20,607
TCU! TCU!
TCU! TCU!
1201
01:16:20,676 --> 01:16:22,142
TCU! TCU!
TCU! TCU!
1202
01:16:45,201 --> 01:16:48,635
TCU! TCU!
TCU! TCU!
1203
01:16:48,704 --> 01:16:50,403
TCU! TCU!
TCU! TCU!
1204
01:16:58,214 --> 01:17:00,647
I THOUGHT YOU LEFT.
1205
01:17:00,716 --> 01:17:02,116
I'M BACK.
1206
01:17:03,652 --> 01:17:06,120
YOU WERE WRONG
ABOUT LONNY SLOCUM.
1207
01:17:07,656 --> 01:17:10,690
HE'S PUTTIN' MY SONG
ON HIS NEW ALBUM.
1208
01:17:10,760 --> 01:17:13,060
HMM. IS THAT RIGHT?
1209
01:17:13,129 --> 01:17:15,562
WELL, I'M HAPPY FOR YOU.
1210
01:17:21,070 --> 01:17:22,502
YOU LEAVIN'?
1211
01:17:22,571 --> 01:17:24,638
GETTIN' READY.
1212
01:17:27,810 --> 01:17:29,243
WHERE YOU GOIN'?
1213
01:17:29,311 --> 01:17:31,145
BACK TO TULSA.
1214
01:17:38,154 --> 01:17:39,753
JUST LEAVIN', HUH?
1215
01:17:39,822 --> 01:17:42,589
WEREN'T YOU EVEN
GONNA SAY GOOD-BYE?
1216
01:17:42,658 --> 01:17:46,026
I DIDN'T THINK
YOU MUCH CARED, JUANITA.
1217
01:17:48,164 --> 01:17:49,663
I'M SORRY.
1218
01:17:56,438 --> 01:17:59,907
YOU'RE NOT GONNA LET ME
OFF THE HOOK, ARE YOU?
1219
01:18:01,777 --> 01:18:03,510
YOU'RE OFF THE HOOK.
1220
01:18:03,578 --> 01:18:05,979
YOU HURT ME!
1221
01:18:06,048 --> 01:18:08,415
WHAT DID I DO?
1222
01:18:08,483 --> 01:18:10,650
YOU BROKE MY HEART!
1223
01:18:10,719 --> 01:18:12,152
I TRUSTED YOU!
1224
01:18:12,221 --> 01:18:14,154
YOU SAID
YOU LOVED ME
1225
01:18:14,223 --> 01:18:18,325
AND THEN YOU MARRIED
JANET JONES!
1226
01:18:18,393 --> 01:18:21,028
THAT WAS
20 YEARS AGO, JUANITA.
1227
01:18:21,096 --> 01:18:22,196
I KNOW!
1228
01:18:22,264 --> 01:18:23,697
JESUS CHRIST!
1229
01:18:23,765 --> 01:18:26,499
YOU LIED ABOUT
YOUR FEELINGS AND LEFT,
1230
01:18:26,568 --> 01:18:28,568
JUST LIKE
YOU'RE LEAVIN' NOW!
1231
01:18:28,637 --> 01:18:29,736
JUANITA!
1232
01:18:29,805 --> 01:18:31,771
I AM NOT THAT GUY!
1233
01:18:31,841 --> 01:18:34,607
I WAS,
BUT I AM NOT NOW.
1234
01:18:34,676 --> 01:18:37,110
THIS TIME,
YOU PUSHED ME AWAY.
1235
01:18:37,179 --> 01:18:39,612
IS THAT HOW
YOU WANT IT?
1236
01:18:39,681 --> 01:18:43,116
RIGHT!
I WANT A WHOLE PARADE
OF COWBOYS LEAVIN'!
1237
01:18:43,185 --> 01:18:46,386
ALL YOUR FEARS ABOUT MEN
YOU MAKE COME TRUE!
1238
01:18:46,455 --> 01:18:48,388
WHY DID YOU COME HERE?
1239
01:18:48,457 --> 01:18:51,658
JUST ANOTHER
IN A LONG LINE
OF MISTAKES!
1240
01:19:07,109 --> 01:19:08,575
HELLO?
1241
01:19:08,643 --> 01:19:09,576
MAMA?
1242
01:19:09,644 --> 01:19:10,744
AAAH!
1243
01:19:10,812 --> 01:19:12,079
CANDY!
1244
01:19:12,147 --> 01:19:13,613
MAMA!
1245
01:19:15,150 --> 01:19:17,084
WHAT ARE YOU
DOIN' HERE?
1246
01:19:17,152 --> 01:19:19,586
I'M SO GLAD
TO SEE YOU!
1247
01:19:19,654 --> 01:19:22,555
ONE DAY I'M WORRIED
ABOUT PLEA BARGAINING
1248
01:19:22,624 --> 01:19:24,824
AND THE NEXT DAY
YOU'RE HERE.
1249
01:19:24,894 --> 01:19:27,361
THERE WERE
NO NARCS IN ASPEN.
1250
01:19:27,429 --> 01:19:29,363
THEY WERE ALL
SHOE SALESMEN.
1251
01:19:29,431 --> 01:19:30,563
WHAT?
1252
01:19:30,632 --> 01:19:32,099
WAIT A MINUTE.
1253
01:19:32,167 --> 01:19:36,103
WHAT ABOUT THE DEAL
DOVE MADE FOR THE DOPE?
1254
01:19:36,171 --> 01:19:39,072
THE ONE YOU'D GET
IN DEEP SHIT FOR
1255
01:19:39,141 --> 01:19:41,008
IF I DIDN'T COOPERATE.
1256
01:19:42,677 --> 01:19:45,578
WELL, DOVE MADE
THAT UP, MAMA.
1257
01:19:45,647 --> 01:19:47,614
HE DIDN'T WANT YOU
1258
01:19:47,682 --> 01:19:50,650
TO FLUSH IT
DOWN THE TOILET.
1259
01:19:55,690 --> 01:19:58,625
AND YOU JUST LET ME
SWEAT OVER IT?
1260
01:19:58,693 --> 01:20:00,027
NO.
1261
01:20:00,095 --> 01:20:03,163
I DIDN'T
KNOW ABOUT IT
UNTIL TODAY.
1262
01:20:05,700 --> 01:20:10,503
CANDY,
DOVE IS PUTTIN' US
IN REAL DANGER.
1263
01:20:10,572 --> 01:20:12,639
WELL, MOMMA,
DOVE'S A VERY
GENEROUS PERSON.
1264
01:20:12,707 --> 01:20:15,108
IF HE THOUGHT
ANYTHING WOULD
HAPPEN,
1265
01:20:15,177 --> 01:20:17,610
HE NEVER WOULD
HAVE SUGGESTED IT.
1266
01:20:17,679 --> 01:20:19,112
HE LOVES ME.
1267
01:20:19,181 --> 01:20:22,149
HE LOVES
TOOTH POWDER MORE.
1268
01:20:22,217 --> 01:20:23,450
BULLSHIT!
1269
01:20:23,518 --> 01:20:25,685
YOU'RE JUST JEALOUS.
1270
01:20:31,193 --> 01:20:33,327
I'M SORRY.
1271
01:20:35,230 --> 01:20:38,165
YOU UNLOADED
DOW CHEMICAL
IN MY MAILBOX
1272
01:20:38,233 --> 01:20:40,167
WITHOUT BATTIN' AN EYE?
1273
01:20:40,235 --> 01:20:42,669
WE WERE PROTECTIN'
OUR INVESTMENT.
1274
01:20:42,737 --> 01:20:45,638
YOU GOT AN ANSWER
FOR EVERYTHING!
1275
01:20:45,707 --> 01:20:48,141
WELL, YOU DON'T KNOW
EVERYTHING, CANDY!
1276
01:20:48,210 --> 01:20:51,311
WHY DIDN'T HE SEND
HIS SISTER THE DOPE?
1277
01:20:51,380 --> 01:20:52,912
SHE'D KILL HIM!
1278
01:20:52,982 --> 01:20:55,215
BRAVO!
A DECISIVE WOMAN!
1279
01:20:57,252 --> 01:20:59,719
HEY, MOM.
HOW GOES IT?
1280
01:21:01,256 --> 01:21:03,623
TOLD YOU
I'D BRING HER BACK.
1281
01:21:03,692 --> 01:21:07,127
ARE BULLHORNS GONNA WARN ME
THE PLACE IS SURROUNDED?
1282
01:21:07,196 --> 01:21:10,130
I'M SORRY
I DID IT THAT WAY.
1283
01:21:10,199 --> 01:21:12,632
SMART MONEY DON'T
TRAVEL WITH IT.
1284
01:21:12,701 --> 01:21:16,669
I FIGURED I'D LET
THE POST OFFICE
BE THE MULE.
1285
01:21:17,706 --> 01:21:19,606
SO...
1286
01:21:19,674 --> 01:21:22,142
WHERE'S THE BLOW, JUANITA?
1287
01:21:22,211 --> 01:21:24,978
I GOTTA
DELIVER ON MY DEAL.
1288
01:21:26,515 --> 01:21:28,148
I TOLD HER.
1289
01:21:28,217 --> 01:21:31,151
YOU DON'T MIND,
DO YOU, JUANITA?
1290
01:21:31,220 --> 01:21:32,619
MIND? HELL, NO.
1291
01:21:32,687 --> 01:21:36,156
I JUST GOT
A QUADRUPLE BYPASS
AND A HYSTERECTOMY
1292
01:21:36,225 --> 01:21:38,825
WORRYIN' ABOUT
THAT STUFF.
1293
01:21:40,195 --> 01:21:42,129
I TELL YOU WHAT.
1294
01:21:42,197 --> 01:21:45,165
THE BLOW IS IN
THE HOUSE SOMEWHERE.
1295
01:21:45,234 --> 01:21:48,201
I HID IT.
YOU FIND IT.
1296
01:21:55,710 --> 01:21:57,210
MORNIN'.
1297
01:22:19,168 --> 01:22:21,834
WELL, HOW DO I LOOK?
1298
01:22:21,903 --> 01:22:24,804
OH, YOU LOOK
GREAT, MAMA!
1299
01:22:26,708 --> 01:22:29,609
SUPPOSE I TOLD YOU
WE'RE GETTIN' MARRIED
1300
01:22:29,678 --> 01:22:32,645
AND THIS WAS
MY LAST BIG SCORE.
1301
01:22:32,714 --> 01:22:35,282
I WOULDN'T BELIEVE YOU.
1302
01:22:35,350 --> 01:22:38,151
I DIDN'T
THINK YOU WOULD.
1303
01:22:38,220 --> 01:22:40,153
HI, KIDS.
1304
01:22:40,222 --> 01:22:41,154
HI.
1305
01:22:41,223 --> 01:22:42,689
WHEW!
1306
01:22:42,757 --> 01:22:45,192
DO YOU
LOOK STUNNIN'!
1307
01:22:45,260 --> 01:22:49,129
I HATE TO
SEE IT WASTED
ON OL' JEEMY.
1308
01:22:49,198 --> 01:22:50,897
STRICTLY BUSINESS.
1309
01:22:53,569 --> 01:22:56,169
OH, DORIS,
THAT'S BEAUTIFUL!
1310
01:22:56,238 --> 01:22:59,239
I WAS PAINTIN'--
MY AUNT BERNICE--
1311
01:22:59,308 --> 01:23:02,041
IT'S A LONG STORY.
1312
01:23:02,111 --> 01:23:05,112
WHY DON'T YOU KIDS
TAKE A BREAK?
1313
01:23:05,180 --> 01:23:07,581
WE'LL BE BACK
AFTER DINNER.
1314
01:23:07,649 --> 01:23:08,648
BYE.
1315
01:23:25,601 --> 01:23:27,167
[FAKE THUNDER]
1316
01:23:49,691 --> 01:23:52,659
I'M REAL HAPPY
YOU COULD MAKE IT.
1317
01:23:52,727 --> 01:23:56,296
TRUTH IS, I HAVEN'T
GOTTEN OUT MUCH.
1318
01:23:56,365 --> 01:23:57,830
MY WIFE, KATHY...
1319
01:23:57,899 --> 01:24:00,133
SHE PASSED AWAY
TWO YEARS AGO.
1320
01:24:00,202 --> 01:24:01,635
GOD BLESS HER.
1321
01:24:01,703 --> 01:24:03,303
I'M SORRY.
1322
01:24:03,372 --> 01:24:04,837
THANKS, DARLIN'.
1323
01:24:04,906 --> 01:24:06,839
SHE WAS
A WONDERFUL PERSON.
1324
01:24:06,908 --> 01:24:09,643
I'LL NEVER FIND
ANOTHER LIKE HER.
1325
01:24:11,680 --> 01:24:13,980
BUT...LIFE GOES ON.
1326
01:24:15,184 --> 01:24:17,417
DON'T IT?
1327
01:24:18,654 --> 01:24:20,086
WHAT A SURPRISE!
1328
01:24:20,155 --> 01:24:22,121
HOW Y'ALL DOIN'?
1329
01:24:22,191 --> 01:24:24,791
HOW MANY HARD-ONS
YOU GOT LEFT?
1330
01:24:26,695 --> 01:24:29,596
SO I CAN
SCHEDULE YOU
FOR BANQUETS,
1331
01:24:29,665 --> 01:24:31,130
SALES CONVENTIONS,
1332
01:24:31,200 --> 01:24:32,632
SHOPPING CENTER
OPENINGS...
1333
01:24:32,701 --> 01:24:35,835
YOU SING AND PICK
FOR 30 MINUTES,
1334
01:24:35,904 --> 01:24:38,104
WE SCOOP UP
A FEW THOUSAND.
1335
01:24:38,173 --> 01:24:40,607
OH, I'M NOT A PERFORMER.
1336
01:24:40,676 --> 01:24:44,444
I'LL PLUG THE SHIT
OUT OF YOUR SONG
1337
01:24:44,513 --> 01:24:47,146
AND GET MY BUDDIES
TO PLUG IT.
1338
01:24:47,216 --> 01:24:49,649
THEY CAN RETURN
A FEW FAVORS.
1339
01:24:49,718 --> 01:24:52,452
IS THAT HOW
IT ALWAYS WORKS?
1340
01:24:52,521 --> 01:24:55,955
OCCASIONALLY,
SOMEBODY MAKES
A GOOD RECORD.
1341
01:24:57,826 --> 01:25:00,793
[PLAYING THE YELLOW ROSEOF TEXAS]
1342
01:25:00,862 --> 01:25:04,063
OH, I WANT TO DANCE.
1343
01:25:04,132 --> 01:25:05,599
STICK AROUND, JEEMY.
1344
01:25:05,667 --> 01:25:08,134
WE'RE ALL GONNA BOOGIE.
1345
01:25:16,778 --> 01:25:20,247
WHAT IS THIS
"NORMAL 50-50 SPLIT?"
1346
01:25:20,315 --> 01:25:23,015
PAID QUARTERLY
AND PROMPTLY.
1347
01:25:23,084 --> 01:25:27,120
"AFTER DEDUCTING EXPENSES
DEEMED NECESSARY BY THE AGENT."
1348
01:25:27,188 --> 01:25:30,624
DARLIN', THE AGENT
PUTS OUT A TON OF MONEY
1349
01:25:30,692 --> 01:25:33,025
TO TAKE ADVANTAGE
OF THE BIG BREAK.
1350
01:25:33,094 --> 01:25:35,629
DARLIN', IF I WANTED
A HEMORRHOIDECTOMY,
1351
01:25:35,697 --> 01:25:37,864
I'D GO TO A HOSPITAL.
1352
01:25:39,901 --> 01:25:42,135
HA HA HA HA!
1353
01:25:42,203 --> 01:25:44,137
IT'S JUST
THE FIRST DRAFT.
1354
01:25:44,205 --> 01:25:46,139
WE'LL GET IT RIGHT.
1355
01:25:46,207 --> 01:25:48,408
HELL, LIFE'S
NEGOTIABLE,
AIN'T IT?
1356
01:25:59,388 --> 01:26:04,023
EXACTLY WHAT DOES
OUR PARTNER SLICK
WANT FOR HIS TROUBLE?
1357
01:26:05,627 --> 01:26:08,194
ALL HE DID
WAS INTRODUCE US--
1358
01:26:08,263 --> 01:26:10,530
FOR LIGHTIN' A FIRE
UNDER LONNY.
1359
01:26:10,599 --> 01:26:13,566
WHAT YOU TALKIN' ABOUT?
1360
01:26:13,635 --> 01:26:16,135
LONNY SAYS
SLICK FLEW
TO NASHVILLE
1361
01:26:16,204 --> 01:26:19,439
TO PERSUADE HIM
TO LISTEN
TO YOUR SONG.
1362
01:26:19,508 --> 01:26:21,641
HE MUST
WANT SOMETHIN'.
1363
01:26:24,680 --> 01:26:27,614
I GOTTA PEE QUICK.
WHICH WAY DO WE GO?
1364
01:26:27,683 --> 01:26:29,115
[THUNDER]
1365
01:26:29,184 --> 01:26:31,217
AAAH!
1366
01:26:31,286 --> 01:26:32,519
WHOA!
1367
01:26:32,587 --> 01:26:34,587
HANG IN THERE, BABY!
1368
01:26:34,656 --> 01:26:36,055
I'M COMIN', HONEY!
1369
01:26:36,124 --> 01:26:38,291
DORIS, I'M COMIN', HONEY!
1370
01:26:38,360 --> 01:26:40,427
KEEP YOUR MOUTH SHUT, BABY.
1371
01:26:40,495 --> 01:26:41,928
I'M COMIN', HONEY!
1372
01:26:41,996 --> 01:26:43,996
HERE I COME, BABY!
1373
01:26:47,602 --> 01:26:49,068
WHAT'S HAPPENIN'?
1374
01:26:52,207 --> 01:26:55,442
THAT LOOKS
LIKE MY WIFE.
1375
01:26:55,510 --> 01:26:57,510
OH! DORIS!
1376
01:26:58,714 --> 01:27:00,947
OH, I'M COLD!
1377
01:27:01,015 --> 01:27:03,082
THAT IS MY WIFE!
1378
01:27:03,151 --> 01:27:06,085
WHAT THE HELL
ARE YOU DOIN' HERE?
1379
01:27:06,154 --> 01:27:08,588
I CAME HOME FROM
DENVER TONIGHT!
1380
01:27:08,657 --> 01:27:10,189
I SEE THAT!
1381
01:27:10,258 --> 01:27:12,392
NOBODY WAS
AT THE HOUSE.
1382
01:27:12,461 --> 01:27:14,427
THAT'S BECAUSE
I WAS HERE
1383
01:27:14,496 --> 01:27:17,564
HAVIN' DINNER
WITH JUANITA AND HER AGENT,
1384
01:27:17,632 --> 01:27:19,866
HELPIN' HER MAKE
A BUSINESS DECISION.
1385
01:27:19,934 --> 01:27:23,703
WHY ARE YOU IN
THIS PLACE TONIGHT?
1386
01:27:23,772 --> 01:27:26,639
WELL, THERE WAS
NOTHIN' ON TV.
1387
01:27:26,708 --> 01:27:28,641
SOME FELLAS FROM
THE CONVENTION--
1388
01:27:28,710 --> 01:27:31,611
SO YOU THOUGHT YOU'D
GAWK AT THESE SARONGS.
1389
01:27:31,680 --> 01:27:33,613
IS THAT WHAT YOU THOUGHT?
1390
01:27:33,682 --> 01:27:35,081
YOU'RE SOAKIN' WET.
1391
01:27:35,149 --> 01:27:37,083
DORIS IS
SOAKIN' WET.
1392
01:27:37,151 --> 01:27:38,985
YOU'RE WET, TOO.
1393
01:27:39,053 --> 01:27:42,589
HE JUMPED IN THE WATER
TO SAVE ME FROM DROWNIN'.
1394
01:27:42,657 --> 01:27:44,591
AN ACT OF HEROICS.
1395
01:27:44,659 --> 01:27:46,626
I WAS ENTERTAININ'
MY CUSTOMERS
1396
01:27:46,695 --> 01:27:48,961
AND SEEN HER FALL IN.
1397
01:27:49,030 --> 01:27:51,598
YOU'D HAVE DONE
THE SAME THING YOURSELF.
1398
01:27:51,666 --> 01:27:53,099
Y'ALL EXCUSE ME.
1399
01:27:53,167 --> 01:27:55,802
HELL OF A NIGHT.
1400
01:27:55,871 --> 01:27:59,639
HOW IN THE DICKENS
DID YOU FALL
IN THE WATER?
1401
01:27:59,708 --> 01:28:01,908
DID THE BRIDGE BREAK?
1402
01:28:01,976 --> 01:28:05,077
WHAT I WAS
DOIN' IN THE WATER
1403
01:28:05,146 --> 01:28:08,581
IS WHAT ANY WIFE WOULD DO
1404
01:28:08,650 --> 01:28:11,584
IF SHE CARED ABOUT
HER WEDDIN' RING.
1405
01:28:11,653 --> 01:28:14,086
MY RING SLIPPED
OFF MY FINGER.
1406
01:28:14,155 --> 01:28:16,589
I WENT RIGHT IN AFTER IT.
1407
01:28:16,658 --> 01:28:19,592
THAT RING NEVER
HAS FIT RIGHT.
1408
01:28:19,661 --> 01:28:22,562
ISN'T THAT RIGHT,
JUANITA?
1409
01:28:28,637 --> 01:28:30,737
DON'T YOU BELIEVE ME, LEE?
1410
01:28:32,674 --> 01:28:33,640
NO.
1411
01:28:34,676 --> 01:28:35,942
WHAT?
1412
01:28:36,010 --> 01:28:37,644
YOU DON'T?
1413
01:28:40,181 --> 01:28:42,615
JUANITA,
YOU GOTTA
UNDERSTAND...
1414
01:28:42,684 --> 01:28:45,284
DORIS CAN'T
HELP HERSELF.
1415
01:28:45,353 --> 01:28:48,020
IT'S LIKE
AN ADDICTION.
1416
01:28:48,089 --> 01:28:50,156
WHEN YOU'RE IN LOVE,
1417
01:28:50,224 --> 01:28:53,960
YOU GOTTA
TAKE THE BITTER
WITH THE SWEET.
1418
01:28:56,197 --> 01:29:00,066
COME ON, SUGAR,
BEFORE YOU CATCH
BRONCHITIS.
1419
01:29:03,104 --> 01:29:05,438
UH, I'LL TAKE THE GRANADA.
1420
01:29:18,152 --> 01:29:21,921
DID HE TELL YOU
I WAS DEAD OR INCURABLY ILL?
1421
01:29:21,990 --> 01:29:23,556
WHOA, PARTNER!
1422
01:29:23,625 --> 01:29:26,058
WHAT A SURPRISE!
1423
01:29:26,127 --> 01:29:27,560
YOU STUPID FOOL!
1424
01:29:27,629 --> 01:29:29,696
ARE YOU KATHY?
1425
01:29:29,764 --> 01:29:31,998
NO, HONEY,
I AM NANCY DREW.
1426
01:29:32,066 --> 01:29:34,567
SWEETHEART,
THIS IS JUANITA HUTCHINS,
1427
01:29:34,636 --> 01:29:36,636
MY NEW CLIENT.
1428
01:29:36,705 --> 01:29:38,204
AREN'T THEY ALL?
1429
01:29:38,272 --> 01:29:43,409
DARLIN'--PARTNER,
TRY TO MAKE MY OLD
PARTNER HERE UNDERSTAND.
1430
01:29:43,478 --> 01:29:45,678
SHE GOT IT ALL WRONG.
1431
01:29:45,747 --> 01:29:49,115
I'M TRYIN' TO THINK
OF SOMETHIN' TO SAY,
1432
01:29:49,183 --> 01:29:52,652
BUT I'M SO GLAD
TO SEE KATHY ALIVE.
1433
01:30:27,722 --> 01:30:30,690
WHY ARE YOU SITTIN'
IN THE DARK?
1434
01:30:41,069 --> 01:30:42,334
DOVE?
1435
01:30:42,403 --> 01:30:45,471
IT WAS AN ACCIDENT.
1436
01:30:45,540 --> 01:30:48,174
MOM, PLEASE,
IT WAS MY FAULT.
1437
01:30:48,242 --> 01:30:50,176
YOU SON OF A BITCH!
1438
01:30:50,244 --> 01:30:53,212
JUANITA, I'M TIRED
OF PLAYIN' GAMES.
1439
01:30:55,650 --> 01:30:56,883
AH!
1440
01:30:56,952 --> 01:30:58,851
STOP IT!
1441
01:30:58,920 --> 01:31:01,153
YOU STAY OUT OF THIS!
1442
01:31:04,192 --> 01:31:06,125
YOU THINK
I'M FOOLIN'?
1443
01:31:06,194 --> 01:31:08,661
YOUR DOPE IS GONE--
1444
01:31:08,730 --> 01:31:10,362
DESTROYED.
1445
01:31:10,431 --> 01:31:13,365
IT WAS AN ACCIDENT,
BUT I'M GLAD.
1446
01:31:13,434 --> 01:31:16,903
OH!
1447
01:31:23,612 --> 01:31:24,711
UH!
1448
01:31:24,779 --> 01:31:27,146
UNH!
1449
01:31:27,215 --> 01:31:29,115
OH!
1450
01:31:29,183 --> 01:31:31,618
YOU WANT MORE?
1451
01:31:31,686 --> 01:31:32,986
NO, JESUS, NO.
1452
01:31:33,054 --> 01:31:35,121
OH!
1453
01:31:35,189 --> 01:31:37,023
WE'RE GOIN'.
1454
01:31:50,238 --> 01:31:52,204
FUCK YOU ALL.
1455
01:32:08,356 --> 01:32:12,825
FEELS LIKE THAT
LITTLE SON OF A BITCH
BROKE MY HAND.
1456
01:32:14,362 --> 01:32:16,829
WHA--WHAT ARE YOU
DOIN' HERE?
1457
01:32:18,332 --> 01:32:20,299
THE CAR WAS READY.
1458
01:32:20,368 --> 01:32:22,001
HA HA HA!
1459
01:32:22,070 --> 01:32:25,171
YOU WANT TO GO
FOR A TEST DRIVE?
1460
01:32:26,641 --> 01:32:28,107
GO AHEAD, MAMA.
1461
01:32:29,544 --> 01:32:31,844
DOVE WON'T BE BACK.
1462
01:33:22,197 --> 01:33:25,131
THERE'S NOTHIN' MUCH
LEFT NOW.
1463
01:33:25,200 --> 01:33:28,167
THIS IS WHERE
IT ALL STARTED.
1464
01:33:30,705 --> 01:33:32,638
COUNTRY MUSIC
WAS AROUND,
1465
01:33:32,707 --> 01:33:35,641
BUT THIS IS WHERE
BOB WILLS
1466
01:33:35,710 --> 01:33:40,146
INVENTED WESTERN SWING
BACK IN '31, '32.
1467
01:33:40,215 --> 01:33:42,148
RIGHT HERE?
1468
01:33:42,217 --> 01:33:45,351
RIGHT WHERE
YOU'RE STANDIN'.
1469
01:33:48,189 --> 01:33:50,156
THEY ALL PLAYED HERE--
1470
01:33:50,225 --> 01:33:55,694
HANK, WAYLON, WILLIE.
1471
01:33:58,733 --> 01:34:01,167
SOMETIMES
I COME OUT HERE
1472
01:34:01,236 --> 01:34:04,137
LATE AT NIGHT
ALL BY MYSELF.
1473
01:34:06,174 --> 01:34:09,142
I CAN STILL HEAR 'EM.
1474
01:34:19,087 --> 01:34:24,590
♪ AS I LOOK AT THE LETTERS ♪
1475
01:34:24,659 --> 01:34:30,129
♪ THAT YOU WROTE TO ME ♪
1476
01:34:30,198 --> 01:34:39,806
♪ IT'S YOU
THAT I AM THINKING OF ♪
1477
01:34:39,874 --> 01:34:45,812
♪ AS I READ THE LINES ♪
1478
01:34:45,880 --> 01:34:50,149
♪ THAT TO ME WERE SO DEAR ♪
1479
01:34:50,218 --> 01:35:01,160
♪ I REMEMBER
OUR FADED LOVE ♪
1480
01:35:01,229 --> 01:35:06,065
♪ I MISS YOU, DARLIN' ♪
1481
01:35:06,134 --> 01:35:11,704
♪ MORE AND MORE
EVERY DAY ♪
1482
01:35:11,772 --> 01:35:22,014
♪ AS HEAVEN WOULD MISS
THE STARS ABOVE ♪
1483
01:35:22,083 --> 01:35:27,019
♪ WITH EVERY HEARTBEAT ♪
1484
01:35:27,088 --> 01:35:31,958
♪ I STILL THINK OF YOU ♪
1485
01:35:32,026 --> 01:35:41,700
♪ AND REMEMBER
OUR FADED LOVE ♪
1486
01:35:41,769 --> 01:35:46,138
♪ AND REMEMBER ♪
1487
01:35:46,207 --> 01:35:51,110
♪ OUR FADED ♪
1488
01:35:51,179 --> 01:35:59,785
♪ LOVE ♪♪
1489
01:36:26,847 --> 01:36:29,615
♪ IF YOU LEFT ME
QUIETLY ♪
1490
01:36:29,683 --> 01:36:32,952
♪ I WOULDN'T FEEL
THIS BAD ♪
1491
01:36:33,021 --> 01:36:34,520
♪ BUT EVERYBODY KNOWS ♪
1492
01:36:34,588 --> 01:36:38,757
♪ AND THAT'S SURE
MAKIN' ME MAD ♪
1493
01:36:38,826 --> 01:36:42,128
♪ IT'S A HECK OF A SITUATION ♪
1494
01:36:42,196 --> 01:36:44,096
♪ FOR ME TO BE
INVOLVED IN ♪
1495
01:36:44,165 --> 01:36:48,134
♪ IT'S A HELL OF A SITUATION ♪
1496
01:36:48,202 --> 01:36:50,937
♪ FOR ME TO BE
INVOLVED IN ♪
1497
01:36:51,005 --> 01:36:52,771
♪ I'M GONNA GET MY GUN ♪
1498
01:36:52,840 --> 01:36:54,340
♪ I THINK YOU'D BETTER RUN ♪
1499
01:36:54,409 --> 01:36:55,874
♪ I'M STARTIN' IN
TO WONDER ♪
1500
01:36:55,944 --> 01:36:57,310
♪ IF I'M THE DADDY
OF MY SON ♪
1501
01:36:57,378 --> 01:37:00,646
♪ IT'S AN EMBARRASSIN'
SITUATION ♪
1502
01:37:00,714 --> 01:37:03,382
♪ FOR ME TO BE
INVOLVED IN ♪
1503
01:37:03,451 --> 01:37:06,919
♪ IT'S A HECK OF A SITUATION ♪
1504
01:37:06,988 --> 01:37:09,822
♪ FOR ME TO BE
INVOLVED IN ♪
1505
01:37:09,890 --> 01:37:12,925
♪ ONE EMBARRASSIN'
SITUATION ♪
1506
01:37:12,994 --> 01:37:15,627
♪ FOR ME TO BE
INVOLVED IN ♪♪
1507
01:37:25,974 --> 01:37:27,906
APPRECIATE IT.
1508
01:37:27,976 --> 01:37:29,442
THANK YOU.
1509
01:37:29,510 --> 01:37:32,445
I'D LIKE TO THANK
THE DRUMMER'S RELATIVES
1510
01:37:32,513 --> 01:37:34,246
FOR COMIN' OUT TONIGHT.
1511
01:37:34,315 --> 01:37:36,282
I APPRECIATE
THE SUPPORT WE GOT
1512
01:37:36,351 --> 01:37:39,651
FROM THE FEDERAL BUREAU
OF INVESTIGATION HERE, TOO.
1513
01:37:42,756 --> 01:37:45,557
WE'RE GONNA BRING OUT
OLD WHAT'S-HIS-NAME.
1514
01:37:51,299 --> 01:37:55,634
BUT FIRST WE'LL DO A SONG
ON OUR BRAND-NEW ALBUM--
1515
01:37:55,703 --> 01:37:57,136
BAJA, OKLAHOMA.
1516
01:37:57,205 --> 01:37:59,105
I CAN'T BELIEVE IT!
1517
01:37:59,173 --> 01:38:01,874
IT'S BY A VERY PRETTY LADY
1518
01:38:01,942 --> 01:38:04,676
WHO'S A DEAR FRIEND
OF MINE.
1519
01:38:04,745 --> 01:38:08,180
GONNA SEE IF WE CAN
BRING HER OUT HERE.
1520
01:38:08,249 --> 01:38:09,382
NO.
1521
01:38:13,154 --> 01:38:15,554
ARE YOU KIDDIN' ME? NO.
1522
01:38:15,623 --> 01:38:17,123
COME ON, MAMA!
1523
01:38:23,664 --> 01:38:25,597
LADIES AND GENTLEMEN,
JUANITA HUTCHINS,
1524
01:38:25,666 --> 01:38:27,566
THE MOTHER
OF OUR COUNTRY.
1525
01:38:38,612 --> 01:38:40,946
♪ IT'S A HIGHWAY
GOIN' NOWHERE ♪
1526
01:38:41,015 --> 01:38:44,616
♪ AS FAR AS YOU CAN SEE ♪
1527
01:38:44,685 --> 01:38:46,852
♪ IT'S A COWBOY
SINGIN' LOVE SONGS ♪
1528
01:38:46,921 --> 01:38:50,956
♪ 'BOUT HIS CRAVIN'
TO BE FREE ♪
1529
01:38:51,025 --> 01:38:53,459
♪ IT'S A SKY
THAT'S ALL AROUND YOU ♪
1530
01:38:53,528 --> 01:38:56,662
♪ TOUCHIN' EVERY
PATCH OF GROUND ♪
1531
01:38:56,730 --> 01:38:59,932
♪ IT'S THE MOON
ABOVE THE PRAIRIE ♪
1532
01:39:00,000 --> 01:39:03,402
♪ IN A TINY
BORDER TOWN ♪
1533
01:39:03,471 --> 01:39:06,038
♪ IT'S THE LAUGHTER
THAT YOU CARRY ♪
1534
01:39:06,107 --> 01:39:09,908
♪ THROUGH THE YEARS
THAT TURN YOU OLD ♪
1535
01:39:09,977 --> 01:39:12,578
♪ IT'S BAJA, OKLAHOMA ♪
1536
01:39:12,646 --> 01:39:15,614
♪ BUT TEXAS
IN YOUR SOUL ♪
1537
01:39:22,590 --> 01:39:25,091
♪ IT'S A DRIVE
ACROSS THE BORDER ♪
1538
01:39:25,159 --> 01:39:28,561
♪ TO THE MUSIC
AND THE SIN ♪
1539
01:39:28,629 --> 01:39:31,430
♪ IT'S THE BLUE
THAT'S IN THE NORTHER ♪
1540
01:39:31,499 --> 01:39:35,101
♪ IT'S THE FOOTBALL GAMES
TO WIN ♪
1541
01:39:35,169 --> 01:39:37,470
♪ IT'S A ROUNDUP
STIRRING MEMORIES ♪
1542
01:39:37,538 --> 01:39:41,407
♪ OF THE ROUGH-AND-TUMBLE DAYS ♪
1543
01:39:41,476 --> 01:39:44,110
♪ IT'S A DETOUR
OFF THE FREEWAY ♪
1544
01:39:44,178 --> 01:39:47,446
♪ TO SEE WHERE
YOU WERE RAISED ♪
1545
01:39:47,515 --> 01:39:50,082
♪ IT'S THE LAUGHTER
THAT YOU CARRY ♪
1546
01:39:50,151 --> 01:39:54,052
♪ THROUGH THE YEARS
THAT TURN YOU OLD ♪
1547
01:39:54,122 --> 01:39:56,622
♪ IT'S BAJA, OKLAHOMA ♪
1548
01:39:56,690 --> 01:40:00,126
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪
1549
01:40:00,194 --> 01:40:02,794
♪ IT'S BAJA, OKLAHOMA ♪
1550
01:40:02,863 --> 01:40:06,398
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪
1551
01:40:16,844 --> 01:40:18,844
WOO-HAH! YEAH!
1552
01:40:31,892 --> 01:40:34,493
♪ IT'S A HIGHWAY
GOIN' NOWHERE ♪
1553
01:40:34,562 --> 01:40:38,164
♪ AS FAR
AS YOU CAN SEE ♪
1554
01:40:38,232 --> 01:40:40,666
♪ IT'S A COWBOY
SINGIN' LOVE SONGS ♪
1555
01:40:40,734 --> 01:40:44,170
♪ ABOUT HIS CRAVIN'
TO BE FREE ♪
1556
01:40:44,238 --> 01:40:46,672
♪ IT'S A SKY
THAT'S ALL AROUND YOU ♪
1557
01:40:46,740 --> 01:40:50,309
♪ TOUCHIN' EVERY
PATCH OF GROUND ♪
1558
01:40:50,378 --> 01:40:53,145
♪ IT'S THE MOON
ABOVE THE PRAIRIE ♪
1559
01:40:53,214 --> 01:40:56,515
♪ IN A TINY
BORDER TOWN ♪
1560
01:40:56,584 --> 01:40:59,318
♪ IT'S THE LAUGHTER
THAT YOU CARRY ♪
1561
01:40:59,387 --> 01:41:02,288
♪ THROUGH THE YEARS
THAT TURN YOU OLD ♪
1562
01:41:02,356 --> 01:41:05,624
♪ IT'S BAJA, OKLAHOMA ♪
1563
01:41:05,693 --> 01:41:09,461
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪
1564
01:41:09,530 --> 01:41:11,797
♪ IT'S BAJA, OKLAHOMA ♪
1565
01:41:11,865 --> 01:41:15,167
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪♪
1566
01:41:55,710 --> 01:41:59,345
♪ BUT HE KNOWS ♪
1567
01:41:59,413 --> 01:42:03,115
♪ WHAT HE KNOWS ♪
1568
01:42:03,183 --> 01:42:10,623
♪ AND NEVER EXPECTED
NOTHIN' BIG ♪
1569
01:42:10,691 --> 01:42:14,126
♪ AND HE SEES ♪
1570
01:42:14,194 --> 01:42:17,763
♪ WHAT NO ONE ELSE
CAN SEE ♪
1571
01:42:17,831 --> 01:42:20,132
♪ IT'S JUST LIVIN' ♪
1572
01:42:20,200 --> 01:42:24,169
♪ THAT MAKES
THIS LIFE GOOD ♪♪
1573
01:42:26,206 --> 01:42:28,274
♪ TIPTOED 'CROSS
THE LIVIN' ROOM ♪
1574
01:42:28,376 --> 01:42:30,276
♪ I TIPTOED
DOWN THE HALL ♪
1575
01:42:30,344 --> 01:42:32,144
♪ STOPPED OUTSIDE
THE BEDROOM ♪
1576
01:42:32,212 --> 01:42:34,112
♪ AND I SCREAMED IT
THROUGH THE WALL ♪
1577
01:42:34,181 --> 01:42:36,181
♪ HONEY, IF YOU
STILL LOVE ME ♪
1578
01:42:37,885 --> 01:42:39,851
♪ TELL ME
JUST ONE THING ♪
1579
01:42:41,054 --> 01:42:43,455
♪ WHY DO WOMEN
PLAY THEM GAMES ♪
1580
01:42:43,524 --> 01:42:46,191
♪ OVER A THREE MINUTE THING? ♪♪
1581
01:42:50,230 --> 01:42:58,170
♪ I DON'T WANT TO HEAR
A SAD STORY ♪
1582
01:42:58,238 --> 01:43:06,612
♪ WE BOTH ALREADY KNOW
HOW IT GOES ♪
1583
01:43:06,681 --> 01:43:15,120
♪ IF TONIGHT YOU'LL BE
MY TALL, DARK STRANGER ♪
1584
01:43:15,189 --> 01:43:21,159
♪ I'LL BE
YOUR SAN ANTONE ROSE ♪♪
1585
01:43:24,031 --> 01:43:27,466
♪ AND THEN YOU WAIT THERE ♪
1586
01:43:27,535 --> 01:43:31,637
♪ FOR MY ANSWER ♪
1587
01:43:31,706 --> 01:43:36,675
♪ THEN YOU SMILE
SO GRACIOUSLY ♪
1588
01:43:39,213 --> 01:43:42,013
♪ I'VE GOT YOUR THANK YOU ♪
1589
01:43:45,052 --> 01:43:48,186
♪ AND YOU'VE GOT ME ♪♪
1590
01:43:51,892 --> 01:43:54,660
♪ IT'S A HIGHWAY
GOIN' NOWHERE ♪
1591
01:43:54,729 --> 01:43:58,096
♪ AS FAR AS YOU CAN SEE ♪
1592
01:43:58,165 --> 01:44:00,666
♪ IT'S A COWBOY
SINGIN' LOVE SONGS ♪
1593
01:44:00,735 --> 01:44:04,436
♪ ABOUT HIS CRAVIN'
TO BE FREE ♪
1594
01:44:04,505 --> 01:44:06,772
♪ IT'S A SKY
THAT'S ALL AROUND YOU ♪
1595
01:44:06,841 --> 01:44:10,576
♪ TOUCHIN' EVERY
PATCH OF GROUND ♪
1596
01:44:10,644 --> 01:44:13,245
♪ IT'S THE MOON
ABOVE THE PRAIRIE ♪
1597
01:44:13,313 --> 01:44:16,615
♪ IN A TINY
BORDER TOWN ♪
1598
01:44:16,684 --> 01:44:19,518
♪ IT'S THE LAUGHTER
THAT YOU CARRY ♪
1599
01:44:19,587 --> 01:44:23,355
♪ THROUGH THE YEARS
THAT TURN YOU OLD ♪
1600
01:44:23,424 --> 01:44:25,791
♪ IT'S BAJA, OKLAHOMA ♪
1601
01:44:25,860 --> 01:44:29,628
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪
1602
01:44:29,697 --> 01:44:31,963
♪ IT'S BAJA, OKLAHOMA ♪
1603
01:44:32,032 --> 01:44:35,534
♪ BUT IT'S TEXAS
IN YOUR SOUL ♪♪
108702
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
