All language subtitles for Perry.Mason.S09E11.The.Case.of.the.Silent.Six.DVDRip.x264

Help! Somebody, please, help me!

Help!

Dave, let me go
in. Make it official.

I'll handle it. She's my sister.

That's what I'm afraid of. I
don't want you using your badge.

With me it's impersonal.
We've had a complaint...

I've had a complaint,
and this isn't the first time.

And if Oliver as much as
says good morning to her again,

he's in for trouble.

Dave!

Oh, Dave.

Susan.

Susan.

No. No, don't.

How's about the girl,
lieutenant? She gonna live?

Did, uh, your sister make any
kind of statement, sergeant?

Did any of her boyfriends
ever try to rough her up before?

Did you know your sister
was playing patty-cake

- with a married man?
- Why, you foul-minded...

Come on, will you? Let go.

Come on, Dave.

Guy's off his rocker.

I'm sorry, but I won't agree
to another postponement.

All right, we'll meet you
tomorrow morning at 10.

Look, Herb, this precedent
simply doesn't apply.

But, Mr. Mason, the
plaintiff in our case

suffered psychic damage.

And I can't find
anything later than 1940.

Excuse me, Perry, but, uh, Mrs.
Bronstone is on the phone again.

Ask her to call tomorrow.

Herb, I'm trying to find more
ammunition to establish liability.

Now, let me check this over.

Perry Mason's office.

Just one minute, please. Perry.

Judge Marino, line two.

Yes, judge?

Well, I'm running a little late.

Give me 20 minutes.
They're holding a table for us.

See you, then.

Della.

Herb, there's the case
of Walters v. Smith

where the award was
based on similar negligence.

I'll get right on it. I'll
meet you in court at 2:15.

Thanks, Mr. Mason.

Mr. Mason will call you
first thing in the morning.

Right, thank you.

Perry, I'd like to talk to you
about the Bakersfield case.

Uh, will it hold till after lunch,
Paul? Judge Marino's waiting.

Sure it will.

- Perry, Steve Drumm is here.
- Did he say what he wants?

Oh, excuse me.

Yes, Gertie?

Tell them the papers
went to court this morning.

Right.

He seemed very
upset about something.

I told him to
wait in the library.

I forgot to ask you about the
suggested instructions to the jury

that you're preparing for
submittal to Judge Warner.

Excuse me, Herb, not now.
I'll get to that this evening.

- What about Steve?
- Well, I'll see him now.

That's the one course I
didn't get in law school,

- how to avoid ulcers.
- Ha, ha.

Perry, I can't help Dave Wolfe.

I've been assigned
to investigate.

Well, Steve, why don't
you ask to be relieved?

Well, that would make it a lot
easier for me. Let's see now,

Dave's been with the force
nine years, six with Homicide.

If I were to ask out, then, uh, who
would they stick with the assignment?

So it's your job to
hang your best friend?

My job, I'm not supposed
to have any friends.

Oh, of course not.

Perry, will you defend him?

Steve, I don't see how I can
possibly take on something else

at the present time.

Perry, I've made it a rule
never to ask any favors

nor to give any,

but Dave Wolfe's gonna need
the best defense he can get,

and I'm gonna
see that he gets it.

"As the bullet-torn
body of Joe Oliver

was moved to the ambulance,
Sergeant Wolfe said:

'He had it coming.'

Somebody just
saved me the trouble."

They'll eat him alive, Perry,

and have the rest of
the force for dessert.

Well, it's certainly obvious

that Sergeant Wolfe isn't
making it any easier on himself.

Then talk to him, Perry. Tell
him to keep his mouth shut.

Do you believe
Dave killed that man?

Well, this is what I know.

Dave was overprotective as
far as his sister was concerned.

He raised the roof when she
insisted upon her own apartment.

Now, when I dropped
him off, he was boiling mad

because Oliver had
made a pass at her.

What kind of officer was
he before this happened?

Decorated twice. Straight,
dependable, hot-tempered, but fair.

He just suddenly fell apart.

That's right.

Now, you take the
way he fired that gun.

All men are trained to
fire in series of three shots.

That's drilled in
until it's instinct.

He unloaded all six
chambers at once,

point blank, at an unarmed
man, not to stop but to kill.

Wrong, Perry,
wrong on all counts.

But you think he did it.

It's my job to prove he did.

I'm asking you to
prove I'm wrong.

Why is everybody so
concerned about Oliver?

He beat up my sister.
Did you see her?

Why does he get
all the sympathy?

She's in the hospital, but
nobody wants to talk about that.

Nobody wants to listen to that.

Dave, every word you say
is being used against you.

The newspapers are vehement,
and the public is paying attention.

Naturally. I'm a cop.

Didn't you know, this
is get-a-cop week?

You're a what?

A cop.

Then use your head
and start acting like one.

- Well, what's that supposed to mean?
- You haven't used your head

since you rushed into that
room and got hit from behind.

The greenest rookie
on the force knows better

than to enter a room that way.

- Well, Susan was screaming.
- All right, that's past.

Now start putting nine years of
training and experience to work.

What is it you wanna know?

You want me to enter a
plea of justifiable homicide?

Justifiable homicide?

Or involuntary manslaughter?

A police officer
in the line of duty

killing a man who
was beating a woman?

I didn't kill him. How many
times do I have to say it?

I never fired that gun.

Then who did?

Heh. I don't know, I told you.

If you want me to help you,

you're gonna have
to do better than that.

Very slowly, Dave,
start reconstructing.

I want you to remember

every movement, every
word, every sound and smell

from the time you entered that
building until you were arrested.

Make it the best job of police
reporting you've ever done.

How soon can I see my sister?

We've checked with
the hospital an hour ago.

Susan's still unconscious.

You know what really gets me?

There were four people at
home in their apartments,

and not one of them
lifted a finger to help her.

Well, perhaps the man
or woman who shot Oliver

was trying to help Susan.

Maybe they had a better
reason to kill Joe Oliver.

So far, Dave,

the only one I know who
had a reason was you.

Ah, Steve.

Hi, Susan.

They're pretty.

This is a friend of
mine, Perry Mason.

Hello, Susan.

Where's Dave?

He'll be here as soon as he can.

Tell him I'm sorry.

I should have told him
about the phone calls.

Phone calls?

I didn't want him to worry.

I should have told him.

What phone calls, Susan?

Monk said he was dangerous.

Warned me for my own good.

Well, that's all right, Susan.

He won't bother you anymore.

Where is he?

He's, uh, dead.

Hamp Fisher is dead?

No, Susan.

Joe Oliver is dead.

No. No, not Joe Oliver.

Who was it then?

I can't tell.

Swore to Hamp,

I wouldn't.

Dave lied to you and to me.

- Who's Hamp Fisher?
- I don't know yet.

But if Susan's rational
and if I understand her,

he's the one that
gave her that beating,

and that pretty well explains
why Dave made up that story.

I don't follow.

Dave went up to that
apartment steaming mad,

determined to get Oliver.

It was Oliver's bad
luck to be on the scene.

Dave saw red, fired,
and then he realized

he'd killed the wrong
man. And that, my friend,

is what the newspapers
call a trigger-happy cop,

and the DA calls
second degree murder.

We have at least
three stories now, Paul.

Steve Drumm's, Susan
Wolfe's and Dave's.

Make that four stories.

There's also Hamp Fisher's.
The police have him on the griddle,

and his lawyer's down
there screaming cover up

and, uh, broadsiding
the papers with a story

about how the cops
protect their own.

Della, would you
please call Homicide?

Ask them if they'll let
me see Hamp Fisher?

Will do.

You know, Dave is sticking to
his story. He saw no one else.

He was hit, and when he came to,

Oliver was dead.

But Perry, suppose
Susan's telling the truth.

Then your client was trigger-happy
and knocked off the wrong man.

Well, Hamp Fisher might
save us a lot of trouble.

By admitting he beat up a girl,

struck an officer and
killed a bystander? Uh-uh.

And besides,

if Oliver wasn't
attacking Susan,

what was he doing there,
and why was he killed?

I wonder what version we'll get

from the witnesses at
the apartment house.

Well, the police
are still stymied.

The witnesses are all but mute.

The girl was screaming,
they heard shots,

and Oliver was dead.

Did they say why they
just sat there doing nothing

while that girl
screamed for help?

They all had the same answer.

They didn't want
to get involved.

Perry, the police just released
Hampton Fisher on bail.

Look,

I'll tell you the same
thing I told them downtown.

I was, like, 20 miles away
from the chick's pad last night.

And you, of course, have
the witnesses to prove it.

Me and Monk Coleman
were riding around the strip,

catching a few combos.

Do I look like the kind of guy
that would con you, friend?

You're not gonna pin this on
me to get that cop off the hook.

Mr. Fisher, I'm gonna presume
that you're telling us the truth

and that you told
the police the truth.

But that means,
Susan Wolfe is lying.

Now, why would she do that?

Beats me.

Maybe she's trying
to protect some guy.

Maybe, uh, she has it in for me.
I can't figure the kooky chick out.

You do know Susan
Wolfe, don't you?

Like I know ten
dozen other birds.

But not well enough
to slap her around.

How well do you have
to know them for that?

Has, uh, Susan ever been here?

Yeah, a few times.

Not in, maybe, the last
couple of weeks, though.

The manager told her to
cool it the last time she was in.

Why? Did she give him
reason to ask her to leave?

She made the scene with some creep
from that apartment joint she lives in.

The creep made trouble

when one of the boys in
the band asked her to dance.

I mean, the creep was green
jealous. I don't know why.

I mean, you dance the Watusi,
nobody touches nobody, right?

- Do you know this, uh...
- Creep.

Who objected to her dancing?

I don't know his name.
I've seen him around.

How about the man he
had the argument with?

He's in the lot polishing
the car, Monk Coleman.

- He's your friend?
- Alibi.

Thank you, Mr. Fisher.

If you don't mind, I'll
talk to Mr. Coleman.

Say, I'm not the kind of guy
that jumps to conclusions,

but, uh, I get the
feeling you don't like me.

No, I'm not the kind of guy
that passes out compliments.

But you've really
got me figured.

Well, there was an argument,
all right, but don't get the idea

I was teed off with Susan.

It was that character she
was with, Ron, what's his name.

It wasn't the first
time I tangled with him

or the first time he
embarrassed Susan.

You had met him before, then?

I used to. I used to have a
place in the same building

where he and Susan
have apartments.

- Oh, I'm sorry.
- Heh, that's all right.

Paul Drake, this is Mr. Coleman.

- Hi.
- Hi. Just call me Monk.

What about the first
time you and this Ron

had an argument, Monk?

When I was living over there.

He made a big thing
over protecting her

from crummy musicians.

Sounded off one time when a
couple of us were having dinner.

I let it go. Another time,
he brought the manager.

Joe Oliver? MONK: Yes, sir.

Now, this Ron brought
him over to my apartment

and broke up the party
because Susan was there.

Well, I lost my temper
and I flattened him.

When was the last time you
dropped by Susan's apartment?

Now, look, Mr. Mason,

I know what you're
getting at, but you're wrong.

Last night I was with Hamp.

We were just driving around.

You're willing to swear in court

that you and Hamp Fisher
spent the whole night together?

If they call me,
I'll tell the truth, sir.

Mr. Mason,

Susan's a sweet kid, decent.

I'm just as sick about her
being beat up as you are.

- Is she hurt bad?
- Very bad.

I wish I could help.

You have helped, Monk.

You've helped a lot.

If that Ron character
was so jealous

he objected to somebody
dancing with Susan,

why was he sitting on his
hands when somebody beat her?

Suppose we ask him.

Well, what kept you?

Oh, we just didn't
wanna get in your way.

That'll be the day.

Any objection to our
looking at murder room?

- Help yourself.
- Your cooperation is overwhelming.

Perry, I'll lay it on the line,

Hamp Fisher's alibi checks out.

But even if Susan was
making sense, Dave's boxed in.

Hamp Fisher didn't kill Oliver

because no one left the
scene after Dave entered.

Now, I've checked the
room with the lab people,

I've made time checks.

I've talked to
everybody in the place,

and I still come up with the same
picture I gave you this morning

Dave killed Oliver
and that's that.

I'll see you upstairs.

You're making me nervous, Ron.

I... I've gotta talk to
that lieutenant today.

Last night all he
asked me was my name

and what I did and if I
saw anything and like that.

What did he ask you when
he talked to you this morning?

Oh, come on, I told
you three times already.

What was I doing,
what did I hear,

did I leave the
apartment, was I alone,

did I know anybody
who'd wanna kill Joe?

Well, let's see, I was studying.

I heard the screams.

I was alone. I didn't
leave my apartment.

And I know lots of people that
are glad that Joe Oliver's dead.

Don't tell me, tell the police.

You're gonna have
to sooner or later, hon.

Don't call me hon.
You call everybody hon.

Me, Joe Oliver, the pool
man, those funky musicians...

Now listen, you wanna
stay here, you talk nice.

- I'm sorry.
- All right.

- You're not worried, are you?
- Why should I be worried?

What happens on the 10th,

when Joe Oliver's not
around to pay your rent?

Now, you shut up,
you and your dirty mind.

I pay my rent like
everybody else.

Sure. Well, if the police
are looking for someone

that wanted to see Joe
Oliver dead, you're safe.

But about beating up Susan,
I wouldn't put it past you.

I thought you'd flip the second time
your meal ticket made a pass at her.

Well, you just be sure
to tell the police that.

Or are you going
into hiding, hon?

I didn't do anything.

No, that's right,
you didn't, did you?

And that's what's been
eating on your male ego.

You were so crazy for her,

but while she was screaming
for help, what were you doing?

Hiding your head in a pillow?

That big slob friend of
yours, he was beating her.

Well, I'm glad he's dead.

Joe wasn't a slob,
and he didn't hit her.

He was probably
afraid she'd tell his wife

that he made a pass at her.

She did tell her brother,
and so he beat her.

And heaven help me,

I didn't budge.

The, uh, blood stains
start there at the doorway

and go on out to the balcony.

So at the time he was shot,

he could have been somewhere
inside then staggered back.

Steve, where was Dave Wolfe
when he was knocked down?

- If he was knocked down.
- All right, if.

He says he was right there.
Sergeant Brice, will you show him?

Let's forget the question

of whether or not
Oliver beat Susan.

We know when he was
shot, he was facing the gun.

So the killer was
somewhere inside.

All six shots struck Oliver,

so apparently, the killer was fairly
close or a remarkably good shot.

Dave is one of the best
marksmen on the force.

So the killer had to
leave by the back.

Unless he remained here and
swore that he was knocked out.

You're presuming Dave's guilty,
I'm presuming he's innocent.

Witnesses must know
more than they're telling.

I haven't talked to Ron
Peters or Mrs. Oliver yet,

but the rest are no help.

Now, will you close the door
when you're through, Mr. Mason?

Right.

Paul, I want you to take
pictures of all that can be seen

from every back window

and a composite of this
balcony all the way around.

All right.

Post a guard here, Brice.

- Let me know when Peters gets in.
- Yes, sir.

Yes?

I hate to bother
you, Mrs. Oliver.

- Police?
- No.

Newspapers?

I'm an attorney, Mrs. Oliver.

I've already got an attorney, and he
doesn't want me talking to anybody.

Mrs. Oliver, I have some news
for you I think you'll welcome.

What kind of news?

May I come in?

Hey there, what are you doing?

Taking a picture.

Well, I don't want my
picture in any newspaper.

When my book is published, you
can come out and take my picture.

- Not until.
- It's not for a newspaper.

Well, put that thing away.

Quite a lot of excitement
last night, wasn't there?

Yes. Too bad.

Nice girl.

I had some good talks with
her, sitting around the pool.

- Uh, you mind if I sit down?
- No, I'll get you a glass.

Mr. Jefferson,

since you were apparently
so fond of Susan...

Why didn't I do something?

I feel bad about that,

but at my age, you
sleep pretty soundly.

When I did awaken,
I was on my way out

when I heard my phone ring.

And by the time I'd answered it,

I heard the shots, and
the police were here.

You know, it's
hard to understand

how a man like Joe Oliver
could beat that girl as he did.

When you get a little older,
study a little psychology.

You won't be surprised
by human behavior.

Joe Oliver had problems,

guilt over what
he did to his wife,

guilt because he was
carrying on behind her back,

the pressure of
debts, five vacancies.

Uh, Mr. Jefferson or
should I call you professor?

Just mister. Professor
is all behind me. Ha, ha.

Well, Mr. Jefferson, you
mentioned Joe Oliver's guilt

at what he had done to his wife.

What did he do to her?

Five years ago, Joe
put me in this wheelchair

with his drunken driving.

I've been alone ever since.

Were you alone last night?

Mr. Mason, you said yourself

you didn't think Joe
was beating that girl.

And you said you couldn't get out
of bed when you heard her scream,

that you couldn't even
reach the telephone.

That sounds to me
as if you were alone.

Now, if your husband wasn't here

and he wasn't in Susan
Wolfe's apartment,

where was he?

I don't know.

You don't know, Mrs.
Oliver, or you won't say?

He never told me
where he was going.

Mrs. Oliver, your husband
was killed for one of two reasons.

Either he was mistaken
for the girl's assailant or...

Or somebody wanted him dead.

Is that what you think?

It doesn't matter what I think.

It might matter to Dave Wolfe.

I can't tell you everybody
who didn't like Joe.

He had a terrible temper. He was
always cracking down on people.

Like the pool man and his creditors
and tenants who didn't pay their rent...

Do you remember a tenant
named Monk Coleman?

Nice young fellow, musician?

Nice young fellow, huh?

Well, he might have been,
but he sure kept it a secret.

Him and his noisy parties.

And Joe caught him and some
of his musician friends one night

full of goofballs.

At least one of them was.

What did your husband
do, report it to the police?

No.

He didn't get involved with
the police. He threw him out.

And I mean threw him.

Then he changed the lock
so he couldn't get to his clothes

until he'd paid up his rent.

May I get it for you?

Perry, I just talked to my office.
Della's been trying to reach you.

Police called several times.

Dave Wolfe wants to see
you. Apparently it's urgent.

I've gotta get out of here.

That's all I want from you, no
promises, no sympathy, no lies.

I want out.

Well, say something.

Are you through?

I'm through expecting miracles.

I'm through sticking to some story
that's gonna bring nothing but grief.

I told you they took
me to see Susan.

She's like out of her head. I talked
to the doctor. She's gonna need care.

Where's she gonna go
if I'm not waiting for her

- when she gets out of there?
- It will be least two months

before she's out
of the hospital.

By then, if things go
right, well, maybe...

If. Maybe.

Answer me, are you gonna
get me out of here now?

I wouldn't get you out
your way even if I could.

My way?

Just a few hours ago you told me I
could plead guilty to a lesser charge,

involuntary manslaughter,
justifiable homicide,

an officer in
performance of his duty.

That was this morning.

Then it appeared that
you might have shot Oliver

while he was
beating your sister.

That's no longer the case.

According to Susan,

if she was understood correctly,
Oliver wasn't beating her.

What difference does it make?

Say I shot him by
mistake, I don't care.

Plead guilty and waive a jury
trial. Judge will give me a year,

the board will give
me my walking papers.

If you plead guilty to firing
six shots into an unarmed man,

you're not gonna walk
away with just a reprimand.

Well, I'll take that chance.

If you do, it'll be
with another lawyer.

You told me this morning
you didn't kill Oliver.

I took your word for it.

Now, did you or didn't you?

I didn't, but what difference
does that make now?

All the difference in the world.

If you're not guilty,
I'll fight for you

with whatever time and
money and effort it takes.

But, Dave, I will not be
party to a false confession.

I will not let you play
tricks with the law.

I will not watch you throw
away nine years of your life

and crucify yourself and the
police force in the process.

If that's what
you want, go to it.

But don't ask me to help you.

Guard.

Wait a minute.

Can't you at least
waive a jury trial?

No.

You think you can work
something out with the DA?

I won't try.

All right.

What are you gonna do?

If we're together on this,
we're gonna plead not guilty.

We're gonna waive preliminary
and ask for an early trial date.

We're gonna do our homework,

and then we're gonna
put your case before a jury.

I Felt a blow at the
back of my neck.

It's fuzzy from
here on, but I...

I seem to remember sounds.

A man's voice, then
shots being fired.

And the sound of something
hitting the floor next to me

the gun, probably,

only it seemed heavier then.

And then the sound
of a door slamming

and then a crash.

Must have been Oliver
hitting the balcony rail.

And I got up, I was dizzy.

I nearly fell on
the candlestick.

Only it seemed heavier then.

And then the sound
of a door slamming

and then a crash.

Must have been Oliver
hitting the balcony rail.

And I got up, I was dizzy.

I nearly fell on
the candlestick.

Well, it's the only
report we have.

Not one of the witnesses will admit
to hearing anything but the screams.

Of course Dave's had a chance
to think about it for two weeks.

But if the door slammed
shut, it does support our theory.

Well, it had to be the back door

because Oliver staggered
out the front door when he fell.

Young lady, you get
an A-plus in deduction.

Thank you, professor.

Speaking of professor,
I've got a laugh for you,

maybe even a little more.

Remember Craig Jefferson,

the, uh, Mr. Chips of
the apartment building?

The one who had the
racing form in his newspaper?

That's the one. Well, he's been
on my mind for a couple of weeks.

Something kept nagging at me, so
on a hunch, I made a check on him.

And he bets his social
security on the ponies.

Better than that, he makes book.

He has three phones
in his apartment

and does a thriving business.

That's why he's
stuck by his phone.

That's why he didn't
wanna get involved.

- Paul, I think we'd better...
- Pay him a visit?

I already have with
the following results:

One, Oliver owed him $2,000,

two, Linda Blakely had
a battle royal with Oliver

the day before he was killed,

three, Ron Peters had been
working around the apartment house

to pay part of his rent,

but Oliver fired him when he
caught him in Linda's apartment.

Not a bad payoff for one visit.

What else do you plan?

Well, I've got a hunch we
ought to go see this Ron Peters,

even though Drumm got nothing.

And maybe Linda Blakely
would be worth a visit.

Hi, Arch, how's it going?

Another day, another
commercial, grind them out.

What can I do for you?

I'm looking for an
actress, Linda Blakely.

Yeah, she's doing a bit on this.

Say, what's a clean-cut
American boy like you doing

with a Linda Blakely?

Believe it or not it's business.
I don't even know her.

- Which one is she?
- Over there.

The cookie in the apron.

- You won't mind if I talk to her?
- After this shot.

- Thanks, Arch.
- All ready?

Roll them.

Aunt Margaret,
you saved my life.

Cut.

Some darned fool
loused up the meringue.

Props, get with it or
we'll be here till midnight.

If Ron Peters told
you that, he's a liar.

A couple of times between jobs
when I was on unemployment,

Joe laid out the rent for me.

He was a good guy that way.

I didn't say Ron told me.

Well, it sounds like Ron.

He was sore at Joe

because Joe made a pass
at Susan Wolfe one night

in the garage. And another...

Another, uh, time
in her apartment.

And that's why you had a
battle with Joe Oliver, right?

What Joe did was
his own business.

Did you have a
fight with Joe Oliver?

It was over in a minute.

He didn't stay mad.

What happened?

Did his wife get you
two to kiss and make up?

Come on, Mr. Drake.
You're a big boy now.

Flo Oliver's
enjoying poor health.

She needs that
wheelchair like I need a...

A closing notice.

Joe was lonesome,
and he was a good egg.

And if that violates some kind of
a purity code, well, that's tough.

Miss Blakely, would
you mind telling me

why you didn't do anything when
Susan Wolfe was screaming for help?

I stay out of other
people's troubles.

I got enough of my own.

Susan Wolfe's neighbors sat
through at least ten minutes

of anguished cries
for help that night.

Her life was in the balance.

Yet no one made
a move to help her.

Today in this courtroom,

David Wolfe's life
hangs in the balance.

Now, his is no
urgent plea for help,

it's a plea for judgment

based on what you see and hear

and perceive as
this trial unfolds.

The prosecution has said
it will produce witnesses

who saw the defendant
standing over the body

with the murder
weapon in his hand

less than a minute after
the shooting occurred.

But you, ladies and
gentlemen of the jury,

must ask yourselves

what happened in that minute.

The prosecution has said
it will produce witnesses

who saw what happened

after Susan Wolfe's
screams ceased.

But you must ask yourselves

what happened during
those awful ten minutes

when her agony was ignored
by those very witnesses.

Susan Wolfe called for
help and no one answered.

You, the jury,

must be aware of this
conspiracy of silence.

David Wolfe asks not
for help but for justice.

Is the prosecution ready
to call its first witness?

Prosecution is
ready, Your Honor.

You may proceed, Mr. Burger.

Yes, sir.

He said if Oliver so much as
says "Good morning" to her again,

he's in for trouble.

Now, since you tried to
restrain the defendant, lieutenant,

I assume that you
didn't just sit there.

Would you please tell us
what you did and what you saw?

Well, I was in my car when
I heard the shots, I ran in.

The defendant was standing on
the balcony directly over the body,

and there was a gun in his hand.
- Your witness.

Lieutenant, how long a time
would you estimate elapsed

between the last shot

and the appearance of the
defendant on the balcony?

Well, I'd say... Well,
less than a minute.

What did you do
during that time?

I heard the shots,
got out of the car

and ran to the
apartment courtyard.

It's conceivable, then, that
someone escaping from the scene

could have covered an equal
amount of ground during that time?

I saw no one escaping.

You had no trouble remembering

what the defendant said to
you before he went into court.

Now, can you recall
what he said to you

when you next saw him?

He said, "I didn't do it, Steve.

I don't know what
happened, but I didn't do it."

Susan's phone was out of order,
so she asked if she could use mine.

She called the police department
and asked for her brother.

And did you hear what
she said to her brother?

No, I went to the mailbox then.

When I came back,
I heard her say,

"Dave, I don't want
you to come out here

until you've cooled off.

I know you and your temper."

Take the witness, Mr. Mason.

Which phone did
Susan use, Mr. Jefferson.

I said mine.

But you have three phones.

Specifically, which one?

Objection.
Immaterial, irrelevant.

I withdraw the question.

Mr. Jefferson, in previous
testimony, you've told the court

that you were on good
terms with the decedent.

Now, is that absolutely correct?

Well, we got along.

Tell me, Mr. Jefferson,

did you ever threaten
Mr. Oliver with a pistol?

Yes, I... I did that.

But it was really
just a jest, a joke.

So you weren't really serious

about the $2,000
Mr. Oliver owed you.

You didn't demand payment?

Yes, I did. He owed it to me.

But he refused to pay.

And the gun didn't scare him?

Well, he was a big man.

He took it away from me.

Did you ever see that gun again?

Yes, I did.

Speak up. Now, I, uh...

I want the jury to hear this.

Monk Coleman gave a
party, and I was invited.

They were kidding me
because I like serious music.

Who else was at that
party, Mr. Jefferson?

Oh, there was Hampton Fisher

and Susan Wolfe
and Linda Blakely

and another girl.

- From Milwaukee, I think.
- Now, tell us about the gun.

Joe Oliver came in and waved
it at us and said to break it up.

Then he told Ron he was
going to change the locks.

Oh, Ron Peters
was at that party?

Ron was the one who
told him what was going on.

He brought him over.

Mr. Jefferson, why
was Oliver so angry?

They were hopped
up on goofballs.

Who is they?

Uh, Hamp Fisher and
the girl from Milwaukee.

Well, uh, Susan said that Mr. Oliver
had made a pass at her in the garage.

And the week before,

he tried to get fresh
with her in her apartment.

Well, she told her
brother about it,

and the next day he came out,
and I heard him say to Mr. Oliver,

"If this badge bothers you, I'll
take it off and beat your brains in."

Cross-examine.

Mr. Peters, you have
such an excellent memory.

Could you tell me
what you said and did

during that ten minutes when
Susan Wolfe was screaming.

- Objection.
- Withdraw the question.

Now, Mr. Peters,

your apartment abuts the apartment
where the decedent was killed.

Were you in your apartment

- at the time the shots were fired?
- Yes.

What did you hear? - Screams.

Anything else?

Well, I had the
music up pretty loud.

And when furniture was
smashed, you couldn't hear?

Yes.

Yes, you could or,
yes, you couldn't?

Yes, I heard it.

- Did you hear the shots fired?
- Yes.

Did you hear a door slam?

Look, if you're trying to
make me feel like a louse,

okay, you've succeeded.

I'd give anything in the world to
live that night over again, anything.

But I didn't budge
from my apartment

because I was afraid.

"And the sound of something
hitting the floor next to me,

the gun probably.

Only it seemed heavier then.

And then the sound
of the door slamming

and then a crash.

Must have been Oliver
hitting the balcony rail.

And I got up, I was dizzy, and
I nearly fell on the candlestick."

That's the end of the tape.

Paul, I want pictures of the interior
of every one of the apartments

- before court tomorrow.
- All right.

Della, I sense a little
break in the wall of silence.

I'm taking you at
your word, Ron.

You said in court that
you'd give anything

to live that night over again.

Well, it's impossible,

but you can redeem it.

You said you were afraid.

And although I don't know
why, you're apparently still afraid.

Now you have a chance
to overcome that fear.

Mrs. Oliver, I show
you defense exhibit B,

a series of photographs
of the interiors

of the occupied apartments
which you manage.

Now, will you
identify this item?

It's a candlestick.

Can you identify
whose apartment it's in?

No, I'm not sure.

You see, those candlesticks
are in all the apartments.

Do you see any difference
between the candlestick

in the first picture and
those in the others?

There are three
in this, that's odd.

All the others have two in them.

Except that there's only
one in this first picture.

Mrs. Oliver,

will you note on the back of the
picture with the three candlesticks

that it has been attested to

as a photograph of
Susan Wolfe's apartment?

The picture with the one
candlestick is attested to

as from Miss Linda
Blakely's apartment.

Uh, well, in the last inventory,

and that was...

Just before Joe, um, was killed,

there were two candlesticks

to each apartment. That's
how they're furnished.

Thank you.

Now, Mrs. Oliver, I was very
pleased to see you walk to the stand.

I thought you were
confined to a wheelchair.

Uh, well, I never told Joe
when I started to walk again.

Why?

I thought that was the only thing
that kept him from leaving me,

but there's no point
in that anymore.

But you as much as told me
he left you alone constantly.

Oh, I meant leaving.

Leaving for good.

Then on the night in question,
you were able to walk?

Did you leave your apartment?

No... Well, yes, I walked
from... Out to the front.

Why? FLO: The girl's screaming

was driving me out of my mind,

and I knew Joe was
up there with her,

and I had to stop him.

Then, um, when I heard that it
was from the wrong apartment,

then I know that...

I knew that Joe wasn't there.

Wrong apartment?

You mean, you didn't
think your husband

was in Susan Wolfe's apartment?

No. MASON: Where
did you think he was?

He was the same
place he was every night,

with her.

Miss Blakely, I ask
you to again tell the jury

what happened to
that second candlestick

missing from your room.

I don't remember.

Miss Blakely,

the candlestick has been
identified by the inventory number.

It is now in Susan
Wolfe's apartment.

Does that refresh your memory?

Maybe she borrowed it.

Miss Blakely,

did you hear Susan
Wolfe's screams?

Sure we heard her. Who didn't?

But you didn't even
pick up a phone.

I was, uh, busy.

What about your friend?

What friend?

You just testified
that, "We heard her."

We, that's two of you.

Do you want me to have the
court reporter read it back?

All right, so Joe was with me.
Look, I know what you're trying to do.

You're trying to make me look
like I'm a tramp or something.

Well, there was nothing wrong.

He just came by to fix the sink.

Order.

Now, there'll be none of that.

Miss Blakely, we've
already heard testimony

that you fought with
Mr. Oliver earlier that day.

Now, isn't it true that you were
angry about his second attempt to...?

He didn't care about Susan.

It was just his way, that's all.

Miss Blakely, when
he saw you that night,

he told you that was
the end of it, didn't he?

He didn't mean it.

That we'll never know,

but you can tell us one thing.

Susan's screams sent him out
of that apartment, didn't they?

And he carried one
of your candlesticks

to use as a weapon, didn't he?

And you knew where
he was going, didn't you?

Yes, yes, yes!

Now, Ron, when Joe
Oliver went to Susan's aid,

he had to pass your apartment.

You testified you were
awake and listening.

Did you see him go by?

No.

See, I was, uh... I...

I turned the music up
and went into the kitchen.

And later, after I
heard the shots,

I heard running
footsteps, so I looked out.

What did you see?

I saw a man down below

getting into a car,
under a street light,

getting into a station wagon.

Can you identify that person?

Yes, sir.

It was Monk Coleman,
right over there.

I don't care what he said.

I wasn't there.

The witness described you

as wearing a navy blue
jacket with a white collar.

Do you own such a jacket?

Yes, sir.

So do four other guys.
It's our band jacket.

Mr. Coleman,

after you attended that
party with Susan Wolfe,

did you call her
on the telephone?

- Yes, sir.
- To threaten her?

No.

Well, what happened
was that Hamp...

Hamp Fisher found out that
Susan's brother was a cop.

I called her a couple of times
just to tell her to keep quiet.

If she told her brother,
all of us would be in a jam.

To your knowledge,

did Hamp Fisher
ever talk to her?

I wouldn't know about that.

But you would know what
perjury was, wouldn't you?

Honest,

Hamp dropped me off
on the strip that night.

And he picked me
up an hour or so later

and that's all I know.

Okay, okay, so I
gave her a going-over.

In case the jury is unaware

of what a going-over entails,

I'm gonna read a few items
from Susan Wolfe's medical report.

"Severe contusions,

internal injuries,

fractures of the upper arm."

I won't go on with it.

Only,

what kind of animal are you?

I'm not the kind of guy
who looks for trouble.

I just wanted to talk to her, to
ask her to keep her mouth shut

about me being hopped
up on goofballs at the party.

And she starts arguing, yelling.

I just wanted her to shut up.

- I lost my temper. MASON:
And then her brother came in,

and you slugged him.

And then the only man who came
to her aid arrived, and you killed him.

Don't try to hang that on me.

Okay, I roughed the kid up,

then when her brother came in
waving that gun around, I cooled him.

But then I cut out.

Do you have a band jacket?

Yeah, same as the others.

Except mine's got a crest on it.

But, uh, I don't remember
wearing it that night.

Yes, Mr. Mason,

the man I saw running away
was wearing that kind of coat.

Now, you've told us that
you heard him running

after the shots were fired

and you saw him
from your rear window.

- Is that right?
- Yes.

Of course I'm not sure that it
was Hamp Fisher that I saw,

but whoever it was,

he was standing under a street
light and he was getting into a car.

Well, Ron, I think
you're mistaken.

This photograph was taken
looking down on the street

from your kitchen window.

The protruding wall here
and the tree over here

totally obscure the
area near that street light.

I saw him.

I swear, I saw him.

Of course you saw him.

But not from your
kitchen window.

Here's where you were
standing when you saw him,

behind Susan Wolfe's apartment.

Right after you killed Joe Oliver
and rushed out the back door.

I couldn't stand the screaming.

I looked all around for
something to use as a weapon,

but I couldn't find anything.

So I went in there anyway.

And there was Susan's
brother laying on the floor.

And his gun was
beside him, and...

And Joe Oliver was bending
over her, and she was bleeding,

and I thought that he did it.

I picked up the gun and I...

I fired until there
weren't any bullets left.

And then I went outside and
I saw this man running away,

and then I realized that I
might have made a mistake.

All right, I'm guilty.

I'm guilty.

But what about the rest of you?

You're all guiltier than I am.

Because you did nothing.

Nothing! You di...

Either because you were too
scared or you were too busy,

or you didn't care.

Well, I cared.

I cared.

That's more than any of
the rest of you can say.

I cared!

I cared.

Paul, I don't mean to criticize,

but you did cut that
signal rather close.

Perry, I leave it up to
you. Did I run that light?

- There they are.
- Hi, Steve. Hello.

Perry. SUSAN: Hi.

- Hi.
- Well, we're on our way to Hawaii.

My sister's working the flight, so
as her brother, I get a free pass.

I said I wouldn't leave without
thanking you personally.

Well, thank you.

Well, I think we'd
better roll, sis.

- Thank you very much.
- Bye.

Bye. MASON: Have a good trip.

Paul, speaking as a friend,

you cut that signal pretty close
about three blocks from here.

- You'd better...
- Uh, watch it. I will, Steve.

That's right.

Don't say a word, not one word.

Perry, what's the penalty
for committing mayhem

on back seat drivers?

Don't worry, Paul.

No jury in the world
would convict you.