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Help! Somebody, please, help me!
Help!
Dave, let me go in. Make it official.
I'll handle it. She's my sister.
That's what I'm afraid of. I don't want you using your badge.
With me it's impersonal. We've had a complaint...
I've had a complaint, and this isn't the first time.
And if Oliver as much as says good morning to her again,
he's in for trouble.
Dave!
Oh, Dave.
Susan.
Susan.
No. No, don't.
How's about the girl, lieutenant? She gonna live?
Did, uh, your sister make any kind of statement, sergeant?
Did any of her boyfriends ever try to rough her up before?
Did you know your sister was playing patty-cake
- with a married man? - Why, you foul-minded...
Come on, will you? Let go.
Come on, Dave.
Guy's off his rocker.
I'm sorry, but I won't agree to another postponement.
All right, we'll meet you tomorrow morning at 10.
Look, Herb, this precedent simply doesn't apply.
But, Mr. Mason, the plaintiff in our case
suffered psychic damage.
And I can't find anything later than 1940.
Excuse me, Perry, but, uh, Mrs. Bronstone is on the phone again.
Ask her to call tomorrow.
Herb, I'm trying to find more ammunition to establish liability.
Now, let me check this over.
Perry Mason's office.
Just one minute, please. Perry.
Judge Marino, line two.
Yes, judge?
Well, I'm running a little late.
Give me 20 minutes. They're holding a table for us.
See you, then.
Della.
Herb, there's the case of Walters v. Smith
where the award was based on similar negligence.
I'll get right on it. I'll meet you in court at 2:15.
Thanks, Mr. Mason.
Mr. Mason will call you first thing in the morning.
Right, thank you.
Perry, I'd like to talk to you about the Bakersfield case.
Uh, will it hold till after lunch, Paul? Judge Marino's waiting.
Sure it will.
- Perry, Steve Drumm is here. - Did he say what he wants?
Oh, excuse me.
Yes, Gertie?
Tell them the papers went to court this morning.
Right.
He seemed very upset about something.
I told him to wait in the library.
I forgot to ask you about the suggested instructions to the jury
that you're preparing for submittal to Judge Warner.
Excuse me, Herb, not now. I'll get to that this evening.
- What about Steve? - Well, I'll see him now.
That's the one course I didn't get in law school,
- how to avoid ulcers. - Ha, ha.
Perry, I can't help Dave Wolfe.
I've been assigned to investigate.
Well, Steve, why don't you ask to be relieved?
Well, that would make it a lot easier for me. Let's see now,
Dave's been with the force nine years, six with Homicide.
If I were to ask out, then, uh, who would they stick with the assignment?
So it's your job to hang your best friend?
My job, I'm not supposed to have any friends.
Oh, of course not.
Perry, will you defend him?
Steve, I don't see how I can possibly take on something else
at the present time.
Perry, I've made it a rule never to ask any favors
nor to give any,
but Dave Wolfe's gonna need the best defense he can get,
and I'm gonna see that he gets it.
"As the bullet-torn body of Joe Oliver
was moved to the ambulance, Sergeant Wolfe said:
'He had it coming.'
Somebody just saved me the trouble."
They'll eat him alive, Perry,
and have the rest of the force for dessert.
Well, it's certainly obvious
that Sergeant Wolfe isn't making it any easier on himself.
Then talk to him, Perry. Tell him to keep his mouth shut.
Do you believe Dave killed that man?
Well, this is what I know.
Dave was overprotective as far as his sister was concerned.
He raised the roof when she insisted upon her own apartment.
Now, when I dropped him off, he was boiling mad
because Oliver had made a pass at her.
What kind of officer was he before this happened?
Decorated twice. Straight, dependable, hot-tempered, but fair.
He just suddenly fell apart.
That's right.
Now, you take the way he fired that gun.
All men are trained to fire in series of three shots.
That's drilled in until it's instinct.
He unloaded all six chambers at once,
point blank, at an unarmed man, not to stop but to kill.
Wrong, Perry, wrong on all counts.
But you think he did it.
It's my job to prove he did.
I'm asking you to prove I'm wrong.
Why is everybody so concerned about Oliver?
He beat up my sister. Did you see her?
Why does he get all the sympathy?
She's in the hospital, but nobody wants to talk about that.
Nobody wants to listen to that.
Dave, every word you say is being used against you.
The newspapers are vehement, and the public is paying attention.
Naturally. I'm a cop.
Didn't you know, this is get-a-cop week?
You're a what?
A cop.
Then use your head and start acting like one.
- Well, what's that supposed to mean? - You haven't used your head
since you rushed into that room and got hit from behind.
The greenest rookie on the force knows better
than to enter a room that way.
- Well, Susan was screaming. - All right, that's past.
Now start putting nine years of training and experience to work.
What is it you wanna know?
You want me to enter a plea of justifiable homicide?
Justifiable homicide?
Or involuntary manslaughter?
A police officer in the line of duty
killing a man who was beating a woman?
I didn't kill him. How many times do I have to say it?
I never fired that gun.
Then who did?
Heh. I don't know, I told you.
If you want me to help you,
you're gonna have to do better than that.
Very slowly, Dave, start reconstructing.
I want you to remember
every movement, every word, every sound and smell
from the time you entered that building until you were arrested.
Make it the best job of police reporting you've ever done.
How soon can I see my sister?
We've checked with the hospital an hour ago.
Susan's still unconscious.
You know what really gets me?
There were four people at home in their apartments,
and not one of them lifted a finger to help her.
Well, perhaps the man or woman who shot Oliver
was trying to help Susan.
Maybe they had a better reason to kill Joe Oliver.
So far, Dave,
the only one I know who had a reason was you.
Ah, Steve.
Hi, Susan.
They're pretty.
This is a friend of mine, Perry Mason.
Hello, Susan.
Where's Dave?
He'll be here as soon as he can.
Tell him I'm sorry.
I should have told him about the phone calls.
Phone calls?
I didn't want him to worry.
I should have told him.
What phone calls, Susan?
Monk said he was dangerous.
Warned me for my own good.
Well, that's all right, Susan.
He won't bother you anymore.
Where is he?
He's, uh, dead.
Hamp Fisher is dead?
No, Susan.
Joe Oliver is dead.
No. No, not Joe Oliver.
Who was it then?
I can't tell.
Swore to Hamp,
I wouldn't.
Dave lied to you and to me.
- Who's Hamp Fisher? - I don't know yet.
But if Susan's rational and if I understand her,
he's the one that gave her that beating,
and that pretty well explains why Dave made up that story.
I don't follow.
Dave went up to that apartment steaming mad,
determined to get Oliver.
It was Oliver's bad luck to be on the scene.
Dave saw red, fired, and then he realized
he'd killed the wrong man. And that, my friend,
is what the newspapers call a trigger-happy cop,
and the DA calls second degree murder.
We have at least three stories now, Paul.
Steve Drumm's, Susan Wolfe's and Dave's.
Make that four stories.
There's also Hamp Fisher's. The police have him on the griddle,
and his lawyer's down there screaming cover up
and, uh, broadsiding the papers with a story
about how the cops protect their own.
Della, would you please call Homicide?
Ask them if they'll let me see Hamp Fisher?
Will do.
You know, Dave is sticking to his story. He saw no one else.
He was hit, and when he came to,
Oliver was dead.
But Perry, suppose Susan's telling the truth.
Then your client was trigger-happy and knocked off the wrong man.
Well, Hamp Fisher might save us a lot of trouble.
By admitting he beat up a girl,
struck an officer and killed a bystander? Uh-uh.
And besides,
if Oliver wasn't attacking Susan,
what was he doing there, and why was he killed?
I wonder what version we'll get
from the witnesses at the apartment house.
Well, the police are still stymied.
The witnesses are all but mute.
The girl was screaming, they heard shots,
and Oliver was dead.
Did they say why they just sat there doing nothing
while that girl screamed for help?
They all had the same answer.
They didn't want to get involved.
Perry, the police just released Hampton Fisher on bail.
Look,
I'll tell you the same thing I told them downtown.
I was, like, 20 miles away from the chick's pad last night.
And you, of course, have the witnesses to prove it.
Me and Monk Coleman were riding around the strip,
catching a few combos.
Do I look like the kind of guy that would con you, friend?
You're not gonna pin this on me to get that cop off the hook.
Mr. Fisher, I'm gonna presume that you're telling us the truth
and that you told the police the truth.
But that means, Susan Wolfe is lying.
Now, why would she do that?
Beats me.
Maybe she's trying to protect some guy.
Maybe, uh, she has it in for me. I can't figure the kooky chick out.
You do know Susan Wolfe, don't you?
Like I know ten dozen other birds.
But not well enough to slap her around.
How well do you have to know them for that?
Has, uh, Susan ever been here?
Yeah, a few times.
Not in, maybe, the last couple of weeks, though.
The manager told her to cool it the last time she was in.
Why? Did she give him reason to ask her to leave?
She made the scene with some creep from that apartment joint she lives in.
The creep made trouble
when one of the boys in the band asked her to dance.
I mean, the creep was green jealous. I don't know why.
I mean, you dance the Watusi, nobody touches nobody, right?
- Do you know this, uh... - Creep.
Who objected to her dancing?
I don't know his name. I've seen him around.
How about the man he had the argument with?
He's in the lot polishing the car, Monk Coleman.
- He's your friend? - Alibi.
Thank you, Mr. Fisher.
If you don't mind, I'll talk to Mr. Coleman.
Say, I'm not the kind of guy that jumps to conclusions,
but, uh, I get the feeling you don't like me.
No, I'm not the kind of guy that passes out compliments.
But you've really got me figured.
Well, there was an argument, all right, but don't get the idea
I was teed off with Susan.
It was that character she was with, Ron, what's his name.
It wasn't the first time I tangled with him
or the first time he embarrassed Susan.
You had met him before, then?
I used to. I used to have a place in the same building
where he and Susan have apartments.
- Oh, I'm sorry. - Heh, that's all right.
Paul Drake, this is Mr. Coleman.
- Hi. - Hi. Just call me Monk.
What about the first time you and this Ron
had an argument, Monk?
When I was living over there.
He made a big thing over protecting her
from crummy musicians.
Sounded off one time when a couple of us were having dinner.
I let it go. Another time, he brought the manager.
Joe Oliver? MONK: Yes, sir.
Now, this Ron brought him over to my apartment
and broke up the party because Susan was there.
Well, I lost my temper and I flattened him.
When was the last time you dropped by Susan's apartment?
Now, look, Mr. Mason,
I know what you're getting at, but you're wrong.
Last night I was with Hamp.
We were just driving around.
You're willing to swear in court
that you and Hamp Fisher spent the whole night together?
If they call me, I'll tell the truth, sir.
Mr. Mason,
Susan's a sweet kid, decent.
I'm just as sick about her being beat up as you are.
- Is she hurt bad? - Very bad.
I wish I could help.
You have helped, Monk.
You've helped a lot.
If that Ron character was so jealous
he objected to somebody dancing with Susan,
why was he sitting on his hands when somebody beat her?
Suppose we ask him.
Well, what kept you?
Oh, we just didn't wanna get in your way.
That'll be the day.
Any objection to our looking at murder room?
- Help yourself. - Your cooperation is overwhelming.
Perry, I'll lay it on the line,
Hamp Fisher's alibi checks out.
But even if Susan was making sense, Dave's boxed in.
Hamp Fisher didn't kill Oliver
because no one left the scene after Dave entered.
Now, I've checked the room with the lab people,
I've made time checks.
I've talked to everybody in the place,
and I still come up with the same picture I gave you this morning
Dave killed Oliver and that's that.
I'll see you upstairs.
You're making me nervous, Ron.
I... I've gotta talk to that lieutenant today.
Last night all he asked me was my name
and what I did and if I saw anything and like that.
What did he ask you when he talked to you this morning?
Oh, come on, I told you three times already.
What was I doing, what did I hear,
did I leave the apartment, was I alone,
did I know anybody who'd wanna kill Joe?
Well, let's see, I was studying.
I heard the screams.
I was alone. I didn't leave my apartment.
And I know lots of people that are glad that Joe Oliver's dead.
Don't tell me, tell the police.
You're gonna have to sooner or later, hon.
Don't call me hon. You call everybody hon.
Me, Joe Oliver, the pool man, those funky musicians...
Now listen, you wanna stay here, you talk nice.
- I'm sorry. - All right.
- You're not worried, are you? - Why should I be worried?
What happens on the 10th,
when Joe Oliver's not around to pay your rent?
Now, you shut up, you and your dirty mind.
I pay my rent like everybody else.
Sure. Well, if the police are looking for someone
that wanted to see Joe Oliver dead, you're safe.
But about beating up Susan, I wouldn't put it past you.
I thought you'd flip the second time your meal ticket made a pass at her.
Well, you just be sure to tell the police that.
Or are you going into hiding, hon?
I didn't do anything.
No, that's right, you didn't, did you?
And that's what's been eating on your male ego.
You were so crazy for her,
but while she was screaming for help, what were you doing?
Hiding your head in a pillow?
That big slob friend of yours, he was beating her.
Well, I'm glad he's dead.
Joe wasn't a slob, and he didn't hit her.
He was probably afraid she'd tell his wife
that he made a pass at her.
She did tell her brother, and so he beat her.
And heaven help me,
I didn't budge.
The, uh, blood stains start there at the doorway
and go on out to the balcony.
So at the time he was shot,
he could have been somewhere inside then staggered back.
Steve, where was Dave Wolfe when he was knocked down?
- If he was knocked down. - All right, if.
He says he was right there. Sergeant Brice, will you show him?
Let's forget the question
of whether or not Oliver beat Susan.
We know when he was shot, he was facing the gun.
So the killer was somewhere inside.
All six shots struck Oliver,
so apparently, the killer was fairly close or a remarkably good shot.
Dave is one of the best marksmen on the force.
So the killer had to leave by the back.
Unless he remained here and swore that he was knocked out.
You're presuming Dave's guilty, I'm presuming he's innocent.
Witnesses must know more than they're telling.
I haven't talked to Ron Peters or Mrs. Oliver yet,
but the rest are no help.
Now, will you close the door when you're through, Mr. Mason?
Right.
Paul, I want you to take pictures of all that can be seen
from every back window
and a composite of this balcony all the way around.
All right.
Post a guard here, Brice.
- Let me know when Peters gets in. - Yes, sir.
Yes?
I hate to bother you, Mrs. Oliver.
- Police? - No.
Newspapers?
I'm an attorney, Mrs. Oliver.
I've already got an attorney, and he doesn't want me talking to anybody.
Mrs. Oliver, I have some news for you I think you'll welcome.
What kind of news?
May I come in?
Hey there, what are you doing?
Taking a picture.
Well, I don't want my picture in any newspaper.
When my book is published, you can come out and take my picture.
- Not until. - It's not for a newspaper.
Well, put that thing away.
Quite a lot of excitement last night, wasn't there?
Yes. Too bad.
Nice girl.
I had some good talks with her, sitting around the pool.
- Uh, you mind if I sit down? - No, I'll get you a glass.
Mr. Jefferson,
since you were apparently so fond of Susan...
Why didn't I do something?
I feel bad about that,
but at my age, you sleep pretty soundly.
When I did awaken, I was on my way out
when I heard my phone ring.
And by the time I'd answered it,
I heard the shots, and the police were here.
You know, it's hard to understand
how a man like Joe Oliver could beat that girl as he did.
When you get a little older, study a little psychology.
You won't be surprised by human behavior.
Joe Oliver had problems,
guilt over what he did to his wife,
guilt because he was carrying on behind her back,
the pressure of debts, five vacancies.
Uh, Mr. Jefferson or should I call you professor?
Just mister. Professor is all behind me. Ha, ha.
Well, Mr. Jefferson, you mentioned Joe Oliver's guilt
at what he had done to his wife.
What did he do to her?
Five years ago, Joe put me in this wheelchair
with his drunken driving.
I've been alone ever since.
Were you alone last night?
Mr. Mason, you said yourself
you didn't think Joe was beating that girl.
And you said you couldn't get out of bed when you heard her scream,
that you couldn't even reach the telephone.
That sounds to me as if you were alone.
Now, if your husband wasn't here
and he wasn't in Susan Wolfe's apartment,
where was he?
I don't know.
You don't know, Mrs. Oliver, or you won't say?
He never told me where he was going.
Mrs. Oliver, your husband was killed for one of two reasons.
Either he was mistaken for the girl's assailant or...
Or somebody wanted him dead.
Is that what you think?
It doesn't matter what I think.
It might matter to Dave Wolfe.
I can't tell you everybody who didn't like Joe.
He had a terrible temper. He was always cracking down on people.
Like the pool man and his creditors and tenants who didn't pay their rent...
Do you remember a tenant named Monk Coleman?
Nice young fellow, musician?
Nice young fellow, huh?
Well, he might have been, but he sure kept it a secret.
Him and his noisy parties.
And Joe caught him and some of his musician friends one night
full of goofballs.
At least one of them was.
What did your husband do, report it to the police?
No.
He didn't get involved with the police. He threw him out.
And I mean threw him.
Then he changed the lock so he couldn't get to his clothes
until he'd paid up his rent.
May I get it for you?
Perry, I just talked to my office. Della's been trying to reach you.
Police called several times.
Dave Wolfe wants to see you. Apparently it's urgent.
I've gotta get out of here.
That's all I want from you, no promises, no sympathy, no lies.
I want out.
Well, say something.
Are you through?
I'm through expecting miracles.
I'm through sticking to some story that's gonna bring nothing but grief.
I told you they took me to see Susan.
She's like out of her head. I talked to the doctor. She's gonna need care.
Where's she gonna go if I'm not waiting for her
- when she gets out of there? - It will be least two months
before she's out of the hospital.
By then, if things go right, well, maybe...
If. Maybe.
Answer me, are you gonna get me out of here now?
I wouldn't get you out your way even if I could.
My way?
Just a few hours ago you told me I could plead guilty to a lesser charge,
involuntary manslaughter, justifiable homicide,
an officer in performance of his duty.
That was this morning.
Then it appeared that you might have shot Oliver
while he was beating your sister.
That's no longer the case.
According to Susan,
if she was understood correctly, Oliver wasn't beating her.
What difference does it make?
Say I shot him by mistake, I don't care.
Plead guilty and waive a jury trial. Judge will give me a year,
the board will give me my walking papers.
If you plead guilty to firing six shots into an unarmed man,
you're not gonna walk away with just a reprimand.
Well, I'll take that chance.
If you do, it'll be with another lawyer.
You told me this morning you didn't kill Oliver.
I took your word for it.
Now, did you or didn't you?
I didn't, but what difference does that make now?
All the difference in the world.
If you're not guilty, I'll fight for you
with whatever time and money and effort it takes.
But, Dave, I will not be party to a false confession.
I will not let you play tricks with the law.
I will not watch you throw away nine years of your life
and crucify yourself and the police force in the process.
If that's what you want, go to it.
But don't ask me to help you.
Guard.
Wait a minute.
Can't you at least waive a jury trial?
No.
You think you can work something out with the DA?
I won't try.
All right.
What are you gonna do?
If we're together on this, we're gonna plead not guilty.
We're gonna waive preliminary and ask for an early trial date.
We're gonna do our homework,
and then we're gonna put your case before a jury.
I Felt a blow at the back of my neck.
It's fuzzy from here on, but I...
I seem to remember sounds.
A man's voice, then shots being fired.
And the sound of something hitting the floor next to me
the gun, probably,
only it seemed heavier then.
And then the sound of a door slamming
and then a crash.
Must have been Oliver hitting the balcony rail.
And I got up, I was dizzy.
I nearly fell on the candlestick.
Only it seemed heavier then.
And then the sound of a door slamming
and then a crash.
Must have been Oliver hitting the balcony rail.
And I got up, I was dizzy.
I nearly fell on the candlestick.
Well, it's the only report we have.
Not one of the witnesses will admit to hearing anything but the screams.
Of course Dave's had a chance to think about it for two weeks.
But if the door slammed shut, it does support our theory.
Well, it had to be the back door
because Oliver staggered out the front door when he fell.
Young lady, you get an A-plus in deduction.
Thank you, professor.
Speaking of professor, I've got a laugh for you,
maybe even a little more.
Remember Craig Jefferson,
the, uh, Mr. Chips of the apartment building?
The one who had the racing form in his newspaper?
That's the one. Well, he's been on my mind for a couple of weeks.
Something kept nagging at me, so on a hunch, I made a check on him.
And he bets his social security on the ponies.
Better than that, he makes book.
He has three phones in his apartment
and does a thriving business.
That's why he's stuck by his phone.
That's why he didn't wanna get involved.
- Paul, I think we'd better... - Pay him a visit?
I already have with the following results:
One, Oliver owed him $2,000,
two, Linda Blakely had a battle royal with Oliver
the day before he was killed,
three, Ron Peters had been working around the apartment house
to pay part of his rent,
but Oliver fired him when he caught him in Linda's apartment.
Not a bad payoff for one visit.
What else do you plan?
Well, I've got a hunch we ought to go see this Ron Peters,
even though Drumm got nothing.
And maybe Linda Blakely would be worth a visit.
Hi, Arch, how's it going?
Another day, another commercial, grind them out.
What can I do for you?
I'm looking for an actress, Linda Blakely.
Yeah, she's doing a bit on this.
Say, what's a clean-cut American boy like you doing
with a Linda Blakely?
Believe it or not it's business. I don't even know her.
- Which one is she? - Over there.
The cookie in the apron.
- You won't mind if I talk to her? - After this shot.
- Thanks, Arch. - All ready?
Roll them.
Aunt Margaret, you saved my life.
Cut.
Some darned fool loused up the meringue.
Props, get with it or we'll be here till midnight.
If Ron Peters told you that, he's a liar.
A couple of times between jobs when I was on unemployment,
Joe laid out the rent for me.
He was a good guy that way.
I didn't say Ron told me.
Well, it sounds like Ron.
He was sore at Joe
because Joe made a pass at Susan Wolfe one night
in the garage. And another...
Another, uh, time in her apartment.
And that's why you had a battle with Joe Oliver, right?
What Joe did was his own business.
Did you have a fight with Joe Oliver?
It was over in a minute.
He didn't stay mad.
What happened?
Did his wife get you two to kiss and make up?
Come on, Mr. Drake. You're a big boy now.
Flo Oliver's enjoying poor health.
She needs that wheelchair like I need a...
A closing notice.
Joe was lonesome, and he was a good egg.
And if that violates some kind of a purity code, well, that's tough.
Miss Blakely, would you mind telling me
why you didn't do anything when Susan Wolfe was screaming for help?
I stay out of other people's troubles.
I got enough of my own.
Susan Wolfe's neighbors sat through at least ten minutes
of anguished cries for help that night.
Her life was in the balance.
Yet no one made a move to help her.
Today in this courtroom,
David Wolfe's life hangs in the balance.
Now, his is no urgent plea for help,
it's a plea for judgment
based on what you see and hear
and perceive as this trial unfolds.
The prosecution has said it will produce witnesses
who saw the defendant standing over the body
with the murder weapon in his hand
less than a minute after the shooting occurred.
But you, ladies and gentlemen of the jury,
must ask yourselves
what happened in that minute.
The prosecution has said it will produce witnesses
who saw what happened
after Susan Wolfe's screams ceased.
But you must ask yourselves
what happened during those awful ten minutes
when her agony was ignored by those very witnesses.
Susan Wolfe called for help and no one answered.
You, the jury,
must be aware of this conspiracy of silence.
David Wolfe asks not for help but for justice.
Is the prosecution ready to call its first witness?
Prosecution is ready, Your Honor.
You may proceed, Mr. Burger.
Yes, sir.
He said if Oliver so much as says "Good morning" to her again,
he's in for trouble.
Now, since you tried to restrain the defendant, lieutenant,
I assume that you didn't just sit there.
Would you please tell us what you did and what you saw?
Well, I was in my car when I heard the shots, I ran in.
The defendant was standing on the balcony directly over the body,
and there was a gun in his hand. - Your witness.
Lieutenant, how long a time would you estimate elapsed
between the last shot
and the appearance of the defendant on the balcony?
Well, I'd say... Well, less than a minute.
What did you do during that time?
I heard the shots, got out of the car
and ran to the apartment courtyard.
It's conceivable, then, that someone escaping from the scene
could have covered an equal amount of ground during that time?
I saw no one escaping.
You had no trouble remembering
what the defendant said to you before he went into court.
Now, can you recall what he said to you
when you next saw him?
He said, "I didn't do it, Steve.
I don't know what happened, but I didn't do it."
Susan's phone was out of order, so she asked if she could use mine.
She called the police department and asked for her brother.
And did you hear what she said to her brother?
No, I went to the mailbox then.
When I came back, I heard her say,
"Dave, I don't want you to come out here
until you've cooled off.
I know you and your temper."
Take the witness, Mr. Mason.
Which phone did Susan use, Mr. Jefferson.
I said mine.
But you have three phones.
Specifically, which one?
Objection. Immaterial, irrelevant.
I withdraw the question.
Mr. Jefferson, in previous testimony, you've told the court
that you were on good terms with the decedent.
Now, is that absolutely correct?
Well, we got along.
Tell me, Mr. Jefferson,
did you ever threaten Mr. Oliver with a pistol?
Yes, I... I did that.
But it was really just a jest, a joke.
So you weren't really serious
about the $2,000 Mr. Oliver owed you.
You didn't demand payment?
Yes, I did. He owed it to me.
But he refused to pay.
And the gun didn't scare him?
Well, he was a big man.
He took it away from me.
Did you ever see that gun again?
Yes, I did.
Speak up. Now, I, uh...
I want the jury to hear this.
Monk Coleman gave a party, and I was invited.
They were kidding me because I like serious music.
Who else was at that party, Mr. Jefferson?
Oh, there was Hampton Fisher
and Susan Wolfe and Linda Blakely
and another girl.
- From Milwaukee, I think. - Now, tell us about the gun.
Joe Oliver came in and waved it at us and said to break it up.
Then he told Ron he was going to change the locks.
Oh, Ron Peters was at that party?
Ron was the one who told him what was going on.
He brought him over.
Mr. Jefferson, why was Oliver so angry?
They were hopped up on goofballs.
Who is they?
Uh, Hamp Fisher and the girl from Milwaukee.
Well, uh, Susan said that Mr. Oliver had made a pass at her in the garage.
And the week before,
he tried to get fresh with her in her apartment.
Well, she told her brother about it,
and the next day he came out, and I heard him say to Mr. Oliver,
"If this badge bothers you, I'll take it off and beat your brains in."
Cross-examine.
Mr. Peters, you have such an excellent memory.
Could you tell me what you said and did
during that ten minutes when Susan Wolfe was screaming.
- Objection. - Withdraw the question.
Now, Mr. Peters,
your apartment abuts the apartment where the decedent was killed.
Were you in your apartment
- at the time the shots were fired? - Yes.
What did you hear? - Screams.
Anything else?
Well, I had the music up pretty loud.
And when furniture was smashed, you couldn't hear?
Yes.
Yes, you could or, yes, you couldn't?
Yes, I heard it.
- Did you hear the shots fired? - Yes.
Did you hear a door slam?
Look, if you're trying to make me feel like a louse,
okay, you've succeeded.
I'd give anything in the world to live that night over again, anything.
But I didn't budge from my apartment
because I was afraid.
"And the sound of something hitting the floor next to me,
the gun probably.
Only it seemed heavier then.
And then the sound of the door slamming
and then a crash.
Must have been Oliver hitting the balcony rail.
And I got up, I was dizzy, and I nearly fell on the candlestick."
That's the end of the tape.
Paul, I want pictures of the interior of every one of the apartments
- before court tomorrow. - All right.
Della, I sense a little break in the wall of silence.
I'm taking you at your word, Ron.
You said in court that you'd give anything
to live that night over again.
Well, it's impossible,
but you can redeem it.
You said you were afraid.
And although I don't know why, you're apparently still afraid.
Now you have a chance to overcome that fear.
Mrs. Oliver, I show you defense exhibit B,
a series of photographs of the interiors
of the occupied apartments which you manage.
Now, will you identify this item?
It's a candlestick.
Can you identify whose apartment it's in?
No, I'm not sure.
You see, those candlesticks are in all the apartments.
Do you see any difference between the candlestick
in the first picture and those in the others?
There are three in this, that's odd.
All the others have two in them.
Except that there's only one in this first picture.
Mrs. Oliver,
will you note on the back of the picture with the three candlesticks
that it has been attested to
as a photograph of Susan Wolfe's apartment?
The picture with the one candlestick is attested to
as from Miss Linda Blakely's apartment.
Uh, well, in the last inventory,
and that was...
Just before Joe, um, was killed,
there were two candlesticks
to each apartment. That's how they're furnished.
Thank you.
Now, Mrs. Oliver, I was very pleased to see you walk to the stand.
I thought you were confined to a wheelchair.
Uh, well, I never told Joe when I started to walk again.
Why?
I thought that was the only thing that kept him from leaving me,
but there's no point in that anymore.
But you as much as told me he left you alone constantly.
Oh, I meant leaving.
Leaving for good.
Then on the night in question, you were able to walk?
Did you leave your apartment?
No... Well, yes, I walked from... Out to the front.
Why? FLO: The girl's screaming
was driving me out of my mind,
and I knew Joe was up there with her,
and I had to stop him.
Then, um, when I heard that it was from the wrong apartment,
then I know that...
I knew that Joe wasn't there.
Wrong apartment?
You mean, you didn't think your husband
was in Susan Wolfe's apartment?
No. MASON: Where did you think he was?
He was the same place he was every night,
with her.
Miss Blakely, I ask you to again tell the jury
what happened to that second candlestick
missing from your room.
I don't remember.
Miss Blakely,
the candlestick has been identified by the inventory number.
It is now in Susan Wolfe's apartment.
Does that refresh your memory?
Maybe she borrowed it.
Miss Blakely,
did you hear Susan Wolfe's screams?
Sure we heard her. Who didn't?
But you didn't even pick up a phone.
I was, uh, busy.
What about your friend?
What friend?
You just testified that, "We heard her."
We, that's two of you.
Do you want me to have the court reporter read it back?
All right, so Joe was with me. Look, I know what you're trying to do.
You're trying to make me look like I'm a tramp or something.
Well, there was nothing wrong.
He just came by to fix the sink.
Order.
Now, there'll be none of that.
Miss Blakely, we've already heard testimony
that you fought with Mr. Oliver earlier that day.
Now, isn't it true that you were angry about his second attempt to...?
He didn't care about Susan.
It was just his way, that's all.
Miss Blakely, when he saw you that night,
he told you that was the end of it, didn't he?
He didn't mean it.
That we'll never know,
but you can tell us one thing.
Susan's screams sent him out of that apartment, didn't they?
And he carried one of your candlesticks
to use as a weapon, didn't he?
And you knew where he was going, didn't you?
Yes, yes, yes!
Now, Ron, when Joe Oliver went to Susan's aid,
he had to pass your apartment.
You testified you were awake and listening.
Did you see him go by?
No.
See, I was, uh... I...
I turned the music up and went into the kitchen.
And later, after I heard the shots,
I heard running footsteps, so I looked out.
What did you see?
I saw a man down below
getting into a car, under a street light,
getting into a station wagon.
Can you identify that person?
Yes, sir.
It was Monk Coleman, right over there.
I don't care what he said.
I wasn't there.
The witness described you
as wearing a navy blue jacket with a white collar.
Do you own such a jacket?
Yes, sir.
So do four other guys. It's our band jacket.
Mr. Coleman,
after you attended that party with Susan Wolfe,
did you call her on the telephone?
- Yes, sir. - To threaten her?
No.
Well, what happened was that Hamp...
Hamp Fisher found out that Susan's brother was a cop.
I called her a couple of times just to tell her to keep quiet.
If she told her brother, all of us would be in a jam.
To your knowledge,
did Hamp Fisher ever talk to her?
I wouldn't know about that.
But you would know what perjury was, wouldn't you?
Honest,
Hamp dropped me off on the strip that night.
And he picked me up an hour or so later
and that's all I know.
Okay, okay, so I gave her a going-over.
In case the jury is unaware
of what a going-over entails,
I'm gonna read a few items from Susan Wolfe's medical report.
"Severe contusions,
internal injuries,
fractures of the upper arm."
I won't go on with it.
Only,
what kind of animal are you?
I'm not the kind of guy who looks for trouble.
I just wanted to talk to her, to ask her to keep her mouth shut
about me being hopped up on goofballs at the party.
And she starts arguing, yelling.
I just wanted her to shut up.
- I lost my temper. MASON: And then her brother came in,
and you slugged him.
And then the only man who came to her aid arrived, and you killed him.
Don't try to hang that on me.
Okay, I roughed the kid up,
then when her brother came in waving that gun around, I cooled him.
But then I cut out.
Do you have a band jacket?
Yeah, same as the others.
Except mine's got a crest on it.
But, uh, I don't remember wearing it that night.
Yes, Mr. Mason,
the man I saw running away was wearing that kind of coat.
Now, you've told us that you heard him running
after the shots were fired
and you saw him from your rear window.
- Is that right? - Yes.
Of course I'm not sure that it was Hamp Fisher that I saw,
but whoever it was,
he was standing under a street light and he was getting into a car.
Well, Ron, I think you're mistaken.
This photograph was taken looking down on the street
from your kitchen window.
The protruding wall here and the tree over here
totally obscure the area near that street light.
I saw him.
I swear, I saw him.
Of course you saw him.
But not from your kitchen window.
Here's where you were standing when you saw him,
behind Susan Wolfe's apartment.
Right after you killed Joe Oliver and rushed out the back door.
I couldn't stand the screaming.
I looked all around for something to use as a weapon,
but I couldn't find anything.
So I went in there anyway.
And there was Susan's brother laying on the floor.
And his gun was beside him, and...
And Joe Oliver was bending over her, and she was bleeding,
and I thought that he did it.
I picked up the gun and I...
I fired until there weren't any bullets left.
And then I went outside and I saw this man running away,
and then I realized that I might have made a mistake.
All right, I'm guilty.
I'm guilty.
But what about the rest of you?
You're all guiltier than I am.
Because you did nothing.
Nothing! You di...
Either because you were too scared or you were too busy,
or you didn't care.
Well, I cared.
I cared.
That's more than any of the rest of you can say.
I cared!
I cared.
Paul, I don't mean to criticize,
but you did cut that signal rather close.
Perry, I leave it up to you. Did I run that light?
- There they are. - Hi, Steve. Hello.
Perry. SUSAN: Hi.
- Hi. - Well, we're on our way to Hawaii.
My sister's working the flight, so as her brother, I get a free pass.
I said I wouldn't leave without thanking you personally.
Well, thank you.
Well, I think we'd better roll, sis.
- Thank you very much. - Bye.
Bye. MASON: Have a good trip.
Paul, speaking as a friend,
you cut that signal pretty close about three blocks from here.
- You'd better... - Uh, watch it. I will, Steve.
That's right.
Don't say a word, not one word.
Perry, what's the penalty for committing mayhem
on back seat drivers?
Don't worry, Paul.
No jury in the world would convict you.
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