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(SYSTEM BEEPS)

(SYSTEM BEEPS)

(SOFT TWINKLING)

(MUFFLED CONVERSATION)

Oh, there it is.

(CREATURE GROWLS)

(OMINOUS STING)

Who closes the door,
keeps the door.

No, you can't do this.

No!

(TWINKLE)

(CURIOUS, PLAYFUL MUSIC)

(MUSIC FADES, ENDS)

(DISTANT BELLS CHIME)

No, no, no, no, no, no.

Oh, bloody alarm.

(PLAYFUL, URGENT MUSIC)

(SIGHS)

No.
(MUSIC CONTINUES)

Neville.

Kidding me.

(SPARKING)

(MUSIC CONTINUES)

Thank you.

(MUSIC STOPS)
(SQUELCH)

What the…

(GROANS)

(MUSIC CONTINUES)

Excuse me. Sorry.

Sorry.

Sorry.

Sorry guys, excuse me.

Sorry.

Hi. Is this the line for applicants?
—Join the queue.

Oh. Thank you.

Excuse me. Sorry, are you here for
the barista job?

Paul! Paul Carpenter?

It is you!

Thought it wasn't you for a minute.

Here's me calling out to a stranger!

Monty Smith—Gregg! Don't you dare
tell me you don't remember me!

Um…
—You don't! Or you do?

I can't tell with that
funny face of yours.

You always had that look in class.

I taught 18th Century Ethics
and History of Music.

At Kings.
—Oh, I didn't go to Kings.

And other campuses.

I had long hair and a beard.

You used to sit next to Neville.

Yes.
Funny Neville with his weak knees.

Plus I coached you in football,
Mr Forgetty!

This is such a coincidence.

You still got that shirt?

The one with the—
Oh, what did it say?

I should go. How's your brother?

I don't have a brother.

Anyway, must dash.
I have an interview, just like you.

Another coincidence!

Bye!
—Bye.

Monty?

Great.

(DOG BARKS)
Hey!

Wait!
(CHAOTIC ORCHESTRAL MUSIC)

Stop! Grab that dog!

Hey!

(MUSIC ENDS)

(LIGHT, PLAYFUL MUSIC)

Hello?

(LOW, CURIOUS MUSIC)

Excuse me, but are you here
for the job interview?

It says 'applicants' on the door,

but this is an odd place for
a job interview.

I was actually supposed
to have an interview at a cafe,

which is interesting. Mildly.

Do you know what they do here?

Or what position—
—I'm sorry.

Is there something I'm doing to make
you want to talk to me?

Pardon?
—I really need to focus. Sorry.

No, of course.
Yeah, you should focus.

Oh you're watching…

Maybe I should just watch too.

TV: We've always been there…

… and always will.

Life at JW Wells as
a new recruit is never dull.

On the contrary,

the job can be demanding,
and often confronting.

We may not advertise our services
and shout our name from the rooftops

but that is
because we do not need to.

Our reputation is already
well established

which is why
we can hide in the shadows,

waiting for people to come to us.

Now you know a bit about what
we do here at JW Wells and Company

we hope you will join our team.

(LAUGHTER)

No, you were—
You were outstanding, my dear.

Mr Wells was very impressed.
We all were.

That's a relief. He's a personal
hero of mine, you know.

Yes.
—Oh good luck! Just have fun with it.

These other interviews
are just formalities.

The job is all but yours.

Paul Carpenter.

What? Me?

How does he know my name?

Chop—chop!

(LIGHT, CURIOUS MUSIC)

So what is it you do here?

We do what we can.

Right.

(DOOR CLOSES)

(MUSIC ENDS)

Mr Wells.

Ladies and gentlemen of the board,
this is Paul Carpenter.

Glad you found us.

The side entrance is a bit tricky.

Apologies about the lobby
being renovated.

It's all to align with
the new dawn of our great company.

You will be part of that
new dawn too.

I will be?
—Well you could be.

It all rather depends on the next
two minutes, wouldn't you say?

Right.

Why don't you tell us
something about yourself, Paul?

Ah, there's not much to tell,
really.

I've got four GCSEs
and two A—Levels.

I'm currently between employment.

Single.

I live with a friend, Neville,

who hasn't paid his half
of the rent for two months

but let's not hold that against him
even though it does mean

we'll probably be evicted,
unless I get this job. Well, a job.

Highly unlikely that I get this job.

Especially if I keep talking.
But I'd like it.

You know, whatever it is,
it seems…

… interesting.

Anyway, yeah. That's… me.

And what makes you think that you'd
be suited to this position?

I don't know.
—Well what made you apply?

Ah, coincidence really.

Go on.

Well, my alarm didn't go off.

My trousers had a stain.
My shoelace broke. Twice.

A dog stole my scarf.
The toaster blew up.

I ran into someone who used to
teach me at university

although I don't remember him
at all,

and then I chased the dog,
and here I am.

Any hobbies?
—Pardon?

What do you do in your spare time?

Well, all my time is spare really.
—Oh.

But I used to paint model soldiers.
—Which period?

Ah, medieval.
I also do those fantasy ones.

Trolls and goblins.
—Goblins.

I tried Napoleonic,
but they were too fiddly.

I see.

I don't do that so much now.

And what do you most
admire about the works of Chekhov?

Ah, I don't know.

The way he says 'Course laid in,
Captain' is pretty cool.

But mostly he doesn't get
to do much.

Chekhov the playwright.

Star Trek?

Any languages?

French and German at school,

but I can't really remember
any of it now…

(SPEAKS IN GERMAN)
—Sorry?

Casimir is asking you
about your social life, pumpkin.

Pardon?

What are you looking at
Mr Carpenter?

Oh sorry. It's nothing.

It's…

You seem distracted.

It's just the wallpaper.

The cracks are a map of London.

The Tube.

And there's the M25.

There's Hyde Park.

As soon as you see it,
you can't unsee it.

It's like one of those
magic eye things.

Well this has been
a truly forgettable experience.

Shall I see you out, Mr Carpenter?
—Oh that's OK.

Yes I shall. Come on!
—Sorry.

Well, thanks for meeting you all.
Good to…

I mean to meet you.

We heard it. Thank you.

(DOOR CLOSES)

Oh… you.

(SOFTLY) Stay. Stay.

(CURIOUS MUSIC)
(WHOOSHING)

Alright?

Oh dear.

How is anyone supposed to get
a job in this town?

You should just go abroad.
You know, be a man of letters.

Paul Carpenter, Renaissance man.

Renaissance men usually have
more than £5 to their name.

Any ladies there?
—No.

Liar. Spill.

Neville.

Hmm?
What's going on?

Yeah, the couch is gone.

Yes, I noticed that.

I'm moving home.
—What?

Like right now?
—I'm sorry. I just—

Do you ever feel like you're not
meant for this kind of you know,

work, rent, bills, bus.

Tube, bills, work,
rent kind of life?

Yes. Of course we all do—

Well I had this amazing epiphany
last night, and I thought Neville,

why are you being
a slave to the system?

You know, go home.
Go back to university.

Just never leave again.

Right—

And do you know what?
As soon as I said it,

I just felt… free.

Wow, I'm really happy for you,
but where does that leave me?

We're all individuals, Paul.

You are free to make your own
choices, mate.

Ignoring the fact that
I don't have a job,

and my parents have
moved to Florida.

Yeah, ignoring that.
—I can't believe this, Neville.

I know. I'm gonna miss you too.

No, I mean how am I meant to find
someone with zero notice?

I'll pay for next week.
—You're already two months behind.

Alright, well maybe you'll get—
(WHOOSH)

JW Wells & Co.

That's where my interview was.

But I didn't give them this address.

"Dear Mr Carpenter.

Thank you for your smashing
interview at 9:43am today.

It was a real highlight,
and we were unanimously impressed.

We are therefore thrilled to offer
you the position of paid intern.

It would be most agreeable,

if you could make yourself available
for work from tomorrow, 9am sharp.

Please enter through the main
entrance at 70 Saint Mary's…"

Bloody hell.

I got a job.
—You see?

It all works out in the end.

I got a job!
(ALARM BEEPING)

(UPBEAT CHORAL MUSIC)

(MUSIC CONTINUES)

Thank you.

(MUSIC FADES, ENDS)

(SOFT MUSIC)

Mr Roden.

Referral please.

Eww.

Suite 1409.

(BUZZING)

What's the matter?

Need help sitting?

Oh I'm not—
(DOOR OPENS)

Ah!

Well, Rosie,
what do we think of the new lobby?

Oh, Mr Wells!

I was expecting to be pleased,

but this morning
when I saw it for the first time

my heart burst with
a new passion for my work.

Can't tell if you're being serious.

I couldn't be more serious
about the new lobby.

Carpenter!
—Hi.

Wearing a suit, I see.

Very nice. Making an effort. Tick.

Try to be yourself, bigger tick.

We're all a big happy family here,
aren't we, Rosie?

Yes?
—One big happy family.

We're going to tear
through mountains together, Paul?

Paul. OK.

I love to tear… mountains.

Paul Carpenter.

Last chance to change your mind.

(TELECOMM BEEPS)

Mr Tanner?

The new intern's here.

Oh no, she's here already, Mum.
Ah, I mean Rosie.

Well they're coming in
thick and fast

because there's another one here
with a clueless look on his face.

I don't suppose you could fill me in
on what this company actually does?

(PLAYFUL, MYSTERIOUS MUSIC)

Carpenter.

I was hoping you'd died.

Follow me. Chop—chop.

Dennis!

Shirt.
—Oh. Yeah.

Come on. Pleb!

Come on!

For God's sake.

No, not that way.

Why is the—

All this was meant to be
done by Christmas.

By Christmas!

Now.

Interns report to me and me only,
is that clear?

OK. Yes.

Yes, Mr Tanner.

Now, JW Wells is
a highly respected firm.

(CRASH)
Oops!

And we expect nothing less
than excellence from our employees.

That clear?
—Of course.

Of course Mr Tanner!

Now in return,

you will be working for the most
innovative company in history.

(GRUNTS)

Don't panic.

All clear. No harm done.

With me, boy.

(PHONES RINGING)

Now listen very carefully.
This is really all you need to know.

For centuries, our distinguished
firm JW— Oh, thank you.

Our distinguished firm, JW Wells,
has performed a plethora

of invaluable services
for our clients.

Including love repentance—
—I didn't quite hear all that.

Personal determining.
Temporal causation on advancement

and of course our signature dish,
which is coincidensation.

Now, we have never had
an unhappy client.

And we trust it
will remain that way.

If you decide to stay,
you arrive at 0900

lunch is at 1300, tea 1500

and pens down at 5 o'clock.

And I don't care how
much of a suckhole you are.

You never, ever stay after hours.
Is that clear?

Yes.

Mr Tanner.
—Thank you.

(SUCKING)

You look like the sort of chap
who owns a computer.

Do not bring it to work.

Funny you ask!

They do not function within these
four walls,

and what is more, they're common.

Any questions?

I just didn't quite hear—
—No questions. Good.

You may be excited
about working here.

That would be a mistake.

You are the lowest of the low,
Mr Carpenter.

Can't think of anything lower.

Even the tiniest mites that inhabit
this grotty carpet

upon which we walk
are more important than you.

And, like the mites,
the less you are seen,

the longer you will last.
—Right.

Right Mr Tanner!
—Mr Tanner.

Now…

… you'll be sharing with the other
new blob of insignificance

that arrived today.
—Oh, what other blob?

This one.

This is Sophie Pettingel.
She managed to get here on time.

Well, wait here. Maybe someone will
find you something to do.

Oh!

Maybe you should tell
Sophie about your last girlfriend.

Oh that's right,
you've never had one.

(LAUGHS)

That's not true by the way.

I have had—

I mean we never actually called each
other boyfriend and girlfriend—

The smell of coffee makes me sick.

What? Oh!

Sorry.

(GULPING)

Ah, that's hot. Very.

Ahh.

Oh, looks like we were
up for the same job.

Mm.

Yeah, and I'm pretty sure
they made a mistake, actually.

All depends on what
they were looking for.

Well if it was inarticulate nervous
gits with very little talent

or initiative
then they've struck gold.

With me, I mean. Not you.

You're obviously talented,
and not a git.

Do you have any idea
what they do here?

With all those typists
and that big map with the…

There's a nice pub
across the street, which is good.

It's important isn't it,
to have after work drinks.

Or hitting target drinks.
Or sales drinks.

Or like… drink drinks.

My dad used to go to the pub
after work every day.

So did my mum, actually.

Debeef drinks. Debrief dinks.

Drinks! Debrief drinks.

Did you work
anywhere before this job?

What kind of question is that?

Oh, I was just wondering if
all office jobs are like this?

You know, you sort of sit
and wait to be told.

Or maybe you could fill me
in on some work practices.

You know, like when to—

Go to the pub?

What? No. Unless you want to.

But not in an inappropriate
way of course.

But if there's a way to do it.

Because I mean I can't,
and don't want to, by the way, ask

and neither do you want to be asked,
or ask me, which is good.

We've got apps for that.

And I'm certainly not
going to look for you on my app.

I think you should stop now.
—Yeah, I think you're right.

(SCREAMS)
What?

Shh. There.

(LOW, CURIOUS MUSIC)

Did she try and kiss you?
—No.

No.
—Oh, shame.

Did you see a baby dragon?

Job for you.

You are to go through these maps and
circle any sites containing bauxite.

Got it?
—And what about me?

You help him.

Oh!

Look at you.

You're all red in the face.

First days are always hard.

But I'm here.

If you need a true friend.

(SNIFFS)

Anyway… good luck.

So bauxite is…

It's a mineral.
They make aluminium out of it.

Listen, Peter…
Paul.

… don't take this the wrong way,

but I'm not really interested in
beers after work or

'Hi everyone, this is my new
mate Peter, from work.'

Paul.

I'm part of a fast track programme
to upper level management

so we won't be sharing
this pokey little hole for long,

but while we are, do you mind
if we just…

(TAPS)

Yep. Sure.

I was just checking about
the bauxite.

(LIGHT, PLAYFUL MUSIC)

(MUSIC ENDS)

(SOFT CHIMES)

Well that was rewarding.

Didn't spot any bauxite did you?

Coming?

What we thinking for lunch?
—I could murder a pie.

I'm a bit of a pie murderer myself.
—Actually I might just grab a coffee.

Thought you didn't like coffee.

Why did I say that? I hate coffee.

Sophie Pettingel.

I have a quick job for you.

You can come too if you like,
but don't do anything.

I don't suppose you could fill us in
on what this company actually does?

This should be very simple. Ah!

That woman is Delia Bryson.
She happens to be sitting—

Spelling is awful.

Right, well this seems to be
a little more complicated.

Delia is reading
Atonement by Ian McEwan.

Sophie, I'll need you to watch her.

Signal me when she gets to the part
where Cecilia jumps into

the fountain.
—The what?

I'll be on the other side.
—Wait.

You want me to read over
her shoulder?

Of course not! That would be rude.

Just watch her from in there.

(LIGHT, PLAYFUL MUSIC)

(WIND BLOWS)

How are we supposed to know
what she's reading?

This is ridiculous.

(SOFT, MYSTERIOUS MUSIC)

(MUSIC SWELLS)

(ROCK CRUMBLES)
Oh!

Oh my goodness!

Here…
—Oh.

Very well done, Sophie.

His parents paid a fortune for that.

Those two will think it
was meant to be,

and hopefully tell
the story to their grandchildren.

But— So Sophie read her mind?

Sophie is a seer. A very rare breed.

That's why she's in our fast track
programme, and you, Paul…

are not.

I suppose you'd call us
practical metaphysicians,

or paranatural engineers.

In my department we hijack
a client's instincts,

or gut feeling just long enough
to influence a correct decision.

Sophie, I have more clients for you.
Paul…

You can go back to
whatever it was you were doing.

Maps.

Fast track.

(SOFT, SOMBRE MUSIC)

Bauxite.

Brilliant.

(SOFT HUMMING)

(SOFT HUMMING)

Carpenter!

Focus your eyes on a point
in the distance.

Like you're looking at the horizon.

Yeah.

Now… lift your hand
just off the map,

so that you can still feel it,
but you're not actually touching it.

Yeah.

(LOW HUMMING BUILDS)

Yeah, it's building.

(ZAP)

That's a quiver point.

Come with me.

Countess took you on a mission?

Yes, well I didn't really do
anything, but…

… is that what you do here?
Make people fall in love?

Yeah fall in love, divorce,
discover gravity, move cities,

invent combustion engines,
try a new cafe.

Careful with those!

We control their gut instincts,
if only for a few seconds.

But why?
—Yes, exactly!

No credit, not nearly enough money,
never any gratitude.

Why waste our precious time
helping ungrateful sods

who are just going to die anyway?

(SOFT, MYSTERIOUS MUSIC)

We're on the brink, Paul.

On the edge of history.

We were just about to launch
Operation Fine Print

the most audacious influence
campaign ever undertaken,

when we hit a bit of a snag.

And now, only you, Paul,
can put us back on track.

Me?
—(CHUCKLES) Yeah. I know.

But you have a unique talent.

And you're more than just a diviner.

I'm a diviner?

Your parents must be
so proud of you.

His parents, they're barely
even aware he's alive.

When he was six,
his father lost him at a fun fair.

Took him 22 minutes to realise.

Their house was hardly ever clean

because his mother spent most of her
time having three affairs.

Dad had no idea.

Who was the third affair?

Well we don't
get to choose our parents.

Dennis's father
looked like a squashed toad.

My father was
a controlling egomaniac.

You know he presented as
a warm and gentle leader,

but behind the scenes he was evil.

When I was 12, he sat me down,
put a pen in my hand,

and made me write a contract.

"I, Humphrey Wells promise very hard

never to betray my father.

And if I do, my soul will be his."

He kept that contract.
Never let it out of sight.

It imprisoned me. Kept me silent.

Forced me to be the obedient,
dutiful son.

It was his insurance policy
against me.

What kind of father needs
an insurance against his own son!

We're very similar you and I.

You think?

Undervalued. Underestimated.

(BLOWS NOSE)

I suppose, maybe, in that way.

Can I trust you, Paul Carpenter

of 57 Wrigglesworth Street, Nunhead?

Um…

I mean, I'm number 59, but yes.
I think you can trust me. Yes.

I've lost something.

Something not only dear to me,
but immeasurably valuable.

Oh. That's no good.
Where did you last see it?

Well, that's irrelevant.

It's not a watch or a wallet.

It's one of the most powerful
and coveted items ever to exist.

Oh. Right. Gosh.

The trouble is, it has the ability
to disguise itself.

Like an octopus?

It is not like an octopus.

Do you think
we have the right man here?

Nah.

I need you to find it, Paul.

It's somewhere in this building,
I know that.

But it will refuse to be found,

so you will have to pretend that
you're not looking for it.

Pretend I'm not looking for it—
—I put all my trust in you.

Because the thing…

The thing that I want you to find…

That thing—
—It's a door.

Yes, thank you, Dennis.

It's a door.
A Portable Door, to be specific.

Portable?
—You're not to share this with anyone.

Even your blossoming romance.

Oh no, we're definitely not—
—But you must find it.

It's crucial for
Operation Fine Print,

and the new dawn of the company.

Would you say everything
hinges on his success?

Yes I would say
everything hinges on…

his success.

Find my door.

OK.
—Good man.

How?

You have the gift.

Fate has brought us together.

This is your time to shine.

So, go shine!

And Paul?

BOTH: Shh.
(MYSTERIOUS MUSIC)

Just find the door.

Easy.

Here, door.

Come on, door.

(KNOCKING)

Are you looking for something?
—No.

You look like you're looking
for something.

Don't think so. No.

Not very sure of yourself are you?

Do you remember who I am?

Blank.

I'm Nienke Van Spee, ASTP, KMCC.

Paul.

ASTP stands for
Associate of the Society

of Thaumaturgical Practitioners.

Right.
—Say that with a lisp.

(LAUGHS)

And KMCC stands for Keeper
of the Magician's Code of Conduct.

Which means you come to me if you
hear of any illegal use of magic.

Have you? Heard of any?

How are you enjoying the new job?

Oh, Sophie's a delight.

If you were to buy her a present,

I would suggest a small woollen
scarf or a good quality torch

and under no circumstances should
you kiss her after eating liquorice.

Ah, we're not—
—She hates the stuff.

How are you finding Mr Wells?

He's a wonderful boss.

Honest.
Eyes down here, pumpkin.

What you see is what you get
with Mr Wells.

No there's— There's not a thing
I worry about

with Humphrey at the helm.

What are you looking at,
potato face?

Sorry.
—Are you working with him closely?

Not really. No.

Well I hope you get that chance.

He seems to really like you,
which is bewildering to us all.

Bit of a turnip aren't you?

You certainly didn't get my vote.
Anyhoo must toot.

Maybe you'll prove me wrong.

(BELLS CHIME SOFTLY)
It's five o'clock.

Go home, Paul.

(SOFT, CURIOUS MUSIC)

(DOOR CREAKS)

(DOOR SLAMS)

(MUSIC FADES, ENDS)

(CREAKING FOOTSTEPS)

(OMINOUS STING)
(GASPS)

Don't panic. It's just a dream.
What? Who are you?

I'm Casimir Suslowicz—
—What are you doing in my bedroom?

It's not your bedroom,
this is a dream of your bedroom…

Why?
—… that I am in.

How?
—It's what I do.

I find it's the best way
to get to the truth.

Truth?

Because we've all been wondering
why Mr Wells hired you.

I can find bauxite on a map.

Are you—
—Waiting for the truth, yes.

This company got
out of bauxite 107 years ago.

Why did he hire you?

Don't know what to tell you.

Honestly, I think he just saw some
real potential in me and he—

(TWINKLE)

(GASPS)
—What's wrong, Paul?

Foot hurting?
(SCREAMING)

Why were you hired, Paul?
(TWINKLE)

Not sure you can hear me.

Can you hear me now?

Why did he hire you?

I can't say!
—I can do worse, Paul.

I can do a lot worse
now that I'm in here.

But it's just a dream, right?
—Oh yes, it's just a dream.

But things have real world
consequences, Paul.

I could make you strip off.
Go for a little sleepwalk outside.

You wouldn't.

I could make a little
bit of wee come out.

Quite a bit, actually.
—OK, alright!

He wants me
to find the Portable Door.

(WHOOSH)

So… Humphrey has lost
his Portable Door.

I don't know what it does.

Why does he want it so badly?

You know the saying, 'There is only
one way to the Bank of the Dead?'

No actually. What's the one way
to the Bank of the Dead—

Dying!

Well turns out,
that's not entirely true.

There is another way.
(WHOOSH)

Bank of the what?
(PHONE PINGS)

You're still dreaming.
(YELPS)

(SINISTER STING)

(SOFT, CURIOUS MUSIC)

(LAUGHS) I could just eat you up.

(CLEARS THROAT)

I love office supplies.

I always wanted to be a coincidator.

Is that what I am?
—Is that what I am?

(INTERCOM BEEPS)
She's here.

Right, just pretend you're
not looking for it.

(SCRATCHING)

(LOW, MYSTERIOUS MUSIC)

(LOW HUM)

(MUSIC CONTINUES)

"Goblins only."

(GATE CLATTERS)
(MUSIC ENDS)

(SOFT, CURIOUS MUSIC)

(DOOR OPENS)

DENNIS: Did I give you
permission to be down here?

Let me think.

Did I give you
permission to be down here?

No, I did not!
—Sorry, Mr Tanner.

I thought it might be a good
place to look for the… you know.

The what?
—Portable Door.

The Portable Door.

Rather a big project for an intern.

How's it going, by the way?
—Um…

I think I'll be OK.

If I were you, Carpenter,
I would just give up now.

Because when you fail,
and undoubtedly you will,

there are no words to describe
what Mr Wells will do to you.

Oh, here's one.

Gut.

Another, impale.

Marinate. Oh, they're coming now.

Yes. Fry, poach, peel—

OK, thanks.
—Roast.

I think I get the—
—Disembowel!

(GATE RUMBLES)

(CLATTERING)
Shit.

(LOW, MYSTERIOUS MUSIC)

I know this is probably a stupid
question, but who's down there?

Goblins.

We've worked with them
for centuries.

They follow humans.
They watch you at night.

Steal from you. Sabotage your day.

They're basically obsessed,

and we use that obsession
to arrange coincidences.

Ask the dry cleaner if you can stick
this poster on their wall.

Her long—lost cousin will
come by in a few days.

Excuse me. Hi.

Would I be able to put
this poster up?

My friend has lost her dog.

Thank you so much.
It's really appreciated.

Alright, you have a lovely day, yeah?
—You too.

Bye!

(MUSIC CONTINUES)

I'm sure you've noticed
this company is at war with itself.

Ever since John Wells mysteriously,
suspiciously disappeared

things have changed.

It was the same day Dennis's father,
Arthur, disappeared.

Those two sons are up to something

and it's not just renovations.

We're not sure what, or when.

We're not even sure why
he hired your scruffy friend

but it's connected somehow.

I don't think
he knows why he's been hired.

I mean…

… he's quite nice, but…

I can't really tell when he…

You're a jumble of a human,
aren't you?

You're very good at reading people.

You could be a great seer.

But you don't seem to make sense,
inside.

It's like you have two instincts
fighting each other.

Is there something I should know?

I am…

I don't think…

I guess I'm just…

… as you say… a jumble.

(MUFFLED) I don't know what's
happening to me.

I'm listening to jazz.

I'm drinking coffee, which I hate.
And I'm suddenly loving balloons.

I just don't know who I am anymore.

Well, that's fascinating.
Am I supposed to care?

No, I want to change my mind.

Well too bad,
because you signed a contract!

Everything OK?
—What?

It's 4:53.

Seven minutes to leave the building!

I'm fine.

Coming?
—Yeah.

Sounded like a heated chat.
With Tanner.

No, it was just a disagreement
about my employment contract.

You're not leaving, are you?
—Starting to think I should.

That'd be awful. And sad.

Why?
Because who'd protect you from…

Exactly.

Just be glad you're not a stapler.

I suddenly, really

in… my… heart…

… need…

… liquorice.

You hate liquorice, don't you?

Yes I did. But now I love it.

Mmm. It's so, um, licoricey.

(CHUCKLES)

(GAGS)

Do you wanna get a drink?
—Yes, please!

(LIGHT MUSIC)

I don't know why I ate that.
How can anyone eat that?

Well, I actually don't mind
liquorice.

Yes, but you dress
like a twelve—year—old accountant.

Brilliant!

Sorry.

Listen.

Is everything OK?

Yep.

Fine.

Guess I just thought…

You'd be CEO by now.
—Ha! Yes.

I don't know,
I'm grateful for the fast track,

and the Countess, but what if
the downside isn't worth it?

Well, what's the downside?

Being miserable all the time?

I'm not miserable, I'm ambitious.

You wouldn't get it, Paul.

You know, you're happy looking at maps
all day and you don't need more.

I just wish I was…

Oh, my God.

You are doing more.
—What?

What you doing?

What? Nothing. I can't say.
It's nothing.

Mr Wells has me on a special task.
But I can't say.

It seems pretty important to him,
though,

because I'm the only one who—

You're the only one who what?
—I can't say.

OK.

Well just so you know…

Be careful.
—Of what?

Of him. Humphrey. He's not normal.

Oh, and Countess is
just your average office manager?

He's not going to want
something for nothing, Paul.

Seriously, what's with all
the hating on Humphrey Wells?

I mean, he doesn't push innocent
people into fountains.

Oh, you're so naive.
I mean, firstly,

we know there's more to this
New Dawn than renovations.

Sorry, who's 'we'?
—Plus, Countess thinks

Humphrey disappeared his own father.

Well where's John Wells?

I don't know. Retired?

Huh.

Just…

… consider yourself warned.

Maybe you're jealous.

Maybe you can't handle the fact
that the CEO loves me and not you.

Have you always been this arrogant?

Maybe I'm on a super—fast track.
—A super—fast track?

And you're on a regular fast track.
—Oh Paul—

The truth is hard to hear.
—Paul, believe me, you are not.

You fell into this job.

You weren't plucked from obscurity
and mentored by the CEO

because they can't find any other

middling—intelligent,
averagely—educated,

slightly good—looking English boys
in the city of London.

If the CEO is asking
you to find something

it's because they don't know
what else to do with you.

OK.

Well, this was fun.
Let's do it again.

Yep.

(LIGHT, PLAYFUL MUSIC)

(CHUCKLES) Here he is.

The date from hell.

What?

Let's go for a drink
and yell at each other.

Whoa, hang on—
—Not cool, Romeo!

Not cool.

Paul! Casimir Suslowicz.

We met at your interview.

Well, hope you're adjusting.

Must dash.

Right.

Today's the day, Paul.
—Today's what day?

I know you.
—I look like a lot of people.

Ah, Monty.

We met before my interview.
—Who knows?

Anyway, turn around and go back up.

I was just gonna have
a look down—

Well you can't.

Why not?
—I don't have those details.

All I've been told is,
don't let anyone in the basement.

But there's just
an old closet down there.

That's what I said. Closet.

You said basement.
—No, no, I said closet.

You definitely said basement.

Please don't tell
Mr Tanner I said that.

Why not?

He's very creative
with his punishment.

You didn't teach me History of Music
or coach football, did you?

No.

You were trying to make me
miss my interview.

Yes. As instructed.

I won't tell Mr Tanner
you said basement.

Oh, that's very decent of you—

If you let me go down there.

(OMINOUS STING)
(MYSTICAL MUSIC)

(MUSIC ENDS)

(LIGHT MYSTERIOUS MUSIC)

(RAT SQUEAKS)

(MUSIC CONTINUES)

(MECHANISM CLICKING)

(METALLIC SCRAPE)

(OMINOUS STING, MUSIC ENDS)

(LOW THRUM)
(YELPS)

(LOW THRUMMING)

(THRUM INTENSIFIES)

(GROWLS)
(YELPS)

(LIGHT, MYSTERIOUS MUSIC)

(THRUMMING)

(GRUNTS)

(GROWLS)

(FAINT THRUM)

(MYSTICAL MUSIC)

(DOOR CLOSES)
(TWINKLING)

Found you.

(DOOR CREAKS)

(MUSIC ENDS)
(FIZZLING)

WELLS: (MUFFLED)
Ladies and gentlemen, my friends

if I may have your attention.
Thank you.

What you're about to see…

… and it's not
exaggerating to say this,

is going to change
the world forever.

You see, for centuries,

we at JW Wells
have been in the business

of changing small lives
in small ways.

Absolutely lovely.

Now this has always struck me
as an odd waste of our talents.

So, when my father disappeared,
presumed dead,

I decided this was our chance.

Opportunity is right here in front
of us, begging to be used.

(DOOR RATTLING)

We've always provided
a service for our customers

but what if we make them serve us?

What if we make them the product?

Mr Tanner,
let's have the guinea pig.

Gather round, please.

I have something to show you.

RECORDING: Sophie, just a few more
quick questions. Any phobias?

Balloons, weirdly.

Do you like coffee?
—Not at all. Sorry.

Favourite music style?
—I like loads of music.

Just not jazz.

What do you think of
when I say the word 'liquorice'?

I actually almost gag.

This is my fast—track interview, right?
—Hold it right there.

After that interview,

we were able to influence
this young consumer.

I don't know what's happening to me.
I'm listening to jazz

drinking coffee, which I hate.
I'm suddenly loving balloons.

I mean, I just don't know
who I am anymore.

Thank you, Dennis.

If we can do this to a
well—educated… (CAMERA BUZZES)

… young, strong—willed individual

imagine what we can do
to the masses?

Your property prices would spike.

Your consumer base will double,
triple, quadruple.

Your Roger will
win his election in a landslide.

How are you doing this?

With a simple and binding contract
they don't even know they've signed.

Door!
—Just like our Sophie did.

I will sell you
the will of the people.

Door!
—I will hand you their desires,

their gut instincts
on a silver platter

because here at JW Wells,
influence is—

Oop.

Thank you, Dennis.

Influence is no coincidence.

(APPLAUSE)

(LOW, TENSE MUSIC)

Knock knock. OK.

Knock knock.
(WOOD GROANS)

Why don't we do it
over some refreshments? Mr Tanner?

Dennis?

Supermarket.

(MUSIC ENDS)

(LOW, MYSTERIOUS MUSIC)

(HIGH—TEMPO, TENSE MUSIC)

(MUSIC PAUSES)

(RESUMES)
Paul.

(MUSIC ENDS)

Are you being chased?
—Ah, no. I'm fine.

You're puffing and you look spooked.

No, I'm just keen to get to work.

So anyway, thanks for—
—Paul…

… if you do find it,

this is who you come to.

Right.

Paul. We need to clear the air.

I'm sorry about what I said
last night,

but I do think we are fundamentally
different people

and some people are just not
meant to spend time together.

Hey, what the hell!

They're filming you. Us.
—What?

You.
They're controlling you, Sophie.

What are you talking about?
—He said something about a contract.

I saw…

I found it.
—Found what?

This.

You found a towel.

Just watch this.

Knock knock.
(WOOD GROANS)

That's a door.

Yep.

Ready?

Supermarket.

This is not…
—Something's gone wrong.

(ECHOING) Hello?
—Who's that?

Wait there. I'm coming!

Please don't close—

Who was the voice?

Announce your destination
before opening.

OK, my bad.

Knock knock.
(WOOD GROANS)

OK. Um…

My flat.

See? Portable Door.

This is your flat?
—Yeah.

You're actually quite neat.

What?

So it goes wherever you want to go?

This has just become
the best job in the world.

Oh before you do that,
can we just—

Knock knock.
(WOOD GROANS)

I have to tell you what I saw.
—Amazing.

It was an interview with you.

There was all these people watching—
—Come on!

# Little Bitty Pretty One —
Thurston Harris #

I need to tell you—
—Paul, come up here!

I have to tell you—

(WOOD GROANS)
Whoa!

Amazing.

We're on top of the world!

Close your eyes. No. Your ears.

(MUSIC CONTINUES)

(CHUCKLING)

Fiji?
—No.

Jamaica?
—Warmer!

(WHOOPS)

Really?

(DOOR OPENS)
I'm busy this week.

You should be able to handle
these clients, yes?

(SONG CONTINUES)

Look at that. Amazing.
—It's so cool.

(MUSIC FADES, ENDS)
It's so beautiful here.

So what's your favourite
place that we've been to?

My favourite place
that we've been to?

Or is that too difficult?
—That is a really hard question.

I don't know.

(CHATTER)

(SOFT MUSIC)

Did I mention
I was the South—East junior ballroom

champion three years running?
—Failed to, actually!

Three years. I'm serious!
—You hide it so well.

Well, don't want to show off, do I?

Don't be like that!
You're actually really good…

(SOFT MUSIC CONTINUES)

Sandra?

Oh my God!

I don't believe it!

(MUSIC CONTINUES)

(MUSIC FADES, ENDS)

Have I told you
I can read minds now, too?

Really?

What am I thinking?

Gosh, Paul is handsome
and interesting.

Maybe we should stay here.

You know,
just eat fresh seafood every day.

Yeah.

Except I hate fish.

But you don't know yourself, do you?

Maybe you love it.

Or we could just take
the Portable Door for lunch

somewhere different every day.

We could build a little house.

Over there.

I like you.

I really do, quite a lot,
which is…

weird because you're such a…

But ever since I signed
that stupid fast—track contract

I feel like they're in control
of that whole part of me.

My instinct.

My heart.

I don't trust my own feelings.

I guess I don't know
if what I'm feeling for you is real.

Well, then we have to find
this thing that you signed.

Why?

We could reverse it somehow.

So then you'd know
who you really are.

And how you really feel about pies,
and jazz.

And especially…

… liquorice.

But how do we reverse it?

Well I don't know.

But we have to try.

Knock knock.
(WOOD GROANS)

We should check Humphrey's
office first. After work.

Interns!

There's a rumour going around,
and I hope it's—

Why are you dressed like that?

We're not.
—Theme party.

Tonight.
—Last night.

Beach theme.

It was a good party, actually.
So much fun.

Do you have any idea what
thin ice you are on?

I'm going to say this once,

and then you're on your own.

Fold it up,
put it outside Mr Wells' door

walk away and never,
never come back.

And if you're lucky…

… he'll be too busy to bother
killing you.

He knows.
But he didn't do anything.

He's right. Is he right?
We should leave.

We have to find your contract.
—And what? Rip it up?

I don't know.
But we have to do something.

We'll come back tonight.

OK.

(BELLS TOLL)

Good evening.
—Goodnight.

(LOW, MYSTERIOUS MUSIC)

(WOOD GROANS)

(DOOR CLOSES, DISAPPEARS)

Didn't you say Humphrey's office?
—I did.

Well this is not Humphrey's office.

Those are a lot of printers.

The door wanted us to come here.

So what? It has a personality now?

(OMINOUS STING)
Oh shit!

What is it?

It's gone.

Just… be careful.

(PRINTER BUZZES)

The last time I was here these
printers were all printing,

but I don't know what.

They're terms and conditions.

Those things you click 'agree'
but never read.

Operation Fine Print.

Humphrey's mentioned that.
(SCREAMING)

Was that a bad scream
or a good scream?

I'm hoping good.

(PRINTER BUZZES)
They're all different.

This one's a gym membership.

This is a train ticket.

A rental agreement.
But why is JW Wells collecting them?

Maybe this is what I signed.

We have to get to Humphrey's office—
(WHOOSHING)

What was that?
—Uh…

I actually don't know.

Sophie!

I'm happy to not find out
what that is and just, you know,

stick to the plan.
(LIGHT BANGING)

We should at least look.

Should we, though?

One, two, three!

(MECHANICAL WHIRRING, CLUNKING)

(LOW, OMINOUS MUSIC)

(GURGLING)

(SINISTER MUSIC BUILDS)

Knock knock.
(WOOD GROANS)

Humphrey's office.

It's not listening to us.

Ripae Mortuorum.

Bank of the Dead.

One way.

That was in my dream.

He said something about that.

I think I saw that.

In the fine print.

Here! Bank of the Dead.

By clicking 'agree'
I consent to signing my soul,

my entire soul, and therefore all
desires and instincts and needs

over to JW Wells and Company,

to be held in the Bank of the Dead
for perpetuity.

Forever and a day,
in all territories and universes.

Operation Fine Print.

Humphrey and Dennis.
—They're stealing souls.

They stole my soul.

And now Humphrey's going to control
the instincts of anyone

who signs this or clicks 'agree.'

I mean, that could be
millions of people.

(FAINT GROWL)

Sophie?

Maybe we should walk over here.

Yeah?

Just walk.

Don't make any sudden moves.

(GROWLING)
Nothing to panic about.

Just over here.

Slowly.

Slowly.

This has to be the way out.

(OMINOUS STING)

(GROWLING)
Paul? (SCREAMS)

(SNARLING)
(YELPS)

Sophie, go!

Through here!
(GROWLING)

Are you OK?
—Yeah.

(BANGING)

Yeah. Are you OK?

Yeah.

Did I give you permission to be
down here? Let me think.

No, I did not.

Mr Tanner,

the whole place is crawling with
the most disgusting, hideous things.

Now that is truly offensive.

These things are the reason
you are forbidden to be down here

after hours!

It's not as if you weren't warned!

You're a goblin?

Ha! How kind of you to note.

You humans are so stupid.

I've looked out for you
your whole life, Carpenter.

If it wasn't for goblins,

you'd still be picking
fleas off each other's backs

and clubbing your food
to death with a jawbone.

And yet you ignored
my simple advice.

Now.

Hand it over!

WELLS: Dennis! Enough!

Mr Wells!

I expected so much more
from you, Paul.

It's after hours, Mr Wells.
I have it under control.

Oh, what would you have done?
Drooled them into submission?

You greasy, thug—nosed parasite.
—Give me your bag.

Call off your toads.
—How dare you!

Call them off.

I'm not afraid of you.
This is my domain down here.

Careful, Dennis.

You ought to think very carefully.

A gutter—living Goblin
challenging a Great Wizard?

Now, Mr Great Wizard…

… you'd be nothing without us.
Who would line up your clients?

Who would do your grunt work, hey?

And what would you do?
No jobs, nowhere to live.

No unlimited supply of
delicious pigeons?

(GROWLS)
(ZAP)

Turn them back!

Turn them back!
—Knock knock.

The Door!
—Say somewhere!

Say nothing!

(TENSE MUSIC)

Who closes the door keeps the door.

I tried to say somewhere,
but Humphrey stopped me.

(DISTANT) Who are you?

Do you have it?

We have to get out of here!
—Stay where you are.

Whoa!
—Careful, Paul!

You can't get anywhere.
Unless you have it, you can't leave.

What's going on, Paul?
(GASP)

Who are you?
—You don't have it, do you?

The Portable Door?

We did, but—
—Ohh.

Wait! How do we get out?

Hey! We have to get out!

Who closes the door keeps the door.

What does that mean?

Who closes the door?

Humphrey closed the door.

So he keeps it?
—But we're surrounded by doors.

So one of these must be a way out.
(SNEEZES)

Bless you.

You're in the Nether.

There are no doors out of
the Nether.

You're John Wells.

You've got Humphrey's soul.

How did you know that?

You made him sign his soul
over to you. That's the contract.

Oh, he was an evil child.
Awful.

I needed insurance.

So you can control him, then?

You can make him let us out.

What, you don't think I would have
thought of that years ago?

I have a contract,

but it's pointless
if I can't get it to the bank.

Bank of the Dead.

No, wait a minute.

You have a contract for
Humphrey Wells' soul

and if we get it to the bank,
he's yours?

You have indeed found
the root to the problem.

So we're here forever?

Yeah.

I can find a way out.

It's what I do.

There are no doors out of
the Nether, only in.

(LOW, OMINOUS MUSIC BUILDS)

TANNER: I don't like this any
more than you do.

But it has to be done.

Rush, rush, you goblins!

Pull your case
you horrid, little corgi!

(MUSIC ENDS)

So Humphrey used the Portable Door
to get my soul

to the Bank of the Dead?

And to trap me.

But then it went missing,
so he needed Paul to find it.

Hello?

How did he trap you here?

He tricked me.

My baby dragon was used
to lure me in.

Very simple trick, really.
I shouldn't have fallen for it.

So cruel.

He left me with my books.
—Why?

Something to read.
—I mean, why here?

It's the only place to hold
a Great Wizard.

I'll be here forever.
It's different for you.

You'll run out of food and water
in a few days and die a messy death.

And I'll be stuck with
a couple of decomposing corpses

and no place to put them.

(YELLING)

(GROANS)

I'm OK!

(LOW, MYSTERIOUS MUSIC)

(LOW THRUMMING)

(POWER BUILDS)

(MUSIC SWELLS)

Found something!

This one actually goes somewhere.

Not possible.

(MUSIC CONTINUES)

(THUDDING)

(GIGGLING)

I'm free!

I'm free! Paul Carpenter,
you may be more than just a diviner.

Maybe you're—
Yeah, let's get on with it.

Maybe I'm a what?

I really wish he finished
that sentence.

(DOOR OPENS)
(GASPS)

Mr Wells!

You're alive!

Yes, very much, Rosie.

Unfortunately,
you might be too late.

Right. Now it's up to you two.

Take this to the Bank of the Dead.

That will give me control
of Humphrey.

Actually, I'll come with you.

Rosie, get your husband.

(TENSE, ACTION MUSIC)

Just follow me.

TANNER: Come on,
you disgusting little trolls!

Those are the contracts.
All those souls.

The door must be nearby.

WELLS: Why do they need
more incentives?

I'm very creative with
incentives.

Now then, come along.
You heard Mr Wells.

You heard Mr—
You! What do you think you're doing?

Tea break is over.

What do you think this is,
Fortnum and bloody Mason?

And you! Get off your lardy arse!

Come along now! Everybody!

Come along, this is not Buckingham
Palace! It's not a garden party!

It's not a garden party!

The bank is open.

Your contract will be inside.

Where's Humphrey?
I'll take care of him.

You just take that
contract into the bank.

Once it's deposited, he's mine.

Well, well, well.

Hurry along! Keep moving!

(EXPLOSION)

Mr Wells!

Hello, Father.

(ZAPPING)

Go!

Don't waste a moment!
Get back to work.

(CLAMOUR)
(GRUNTS)

Keep calm! Carry on!

(TENSE MUSIC)

Keep calm!

Back to work.
Get up! Get up, there! Get up!

(WHOOSHING, EXPLOSION)

(YELPING)

Sophie!
—Paul! Paul, the door.

Get into the bank!
—Catch them!

The door! Paul!
(GROWLING)

Get off!
Oh, get off! It's unseemly!

Get off that man!

(CLATTERING)

(FIZZING)

(TENSE MUSIC)

(GROWLING)
Help!

'Countess, we need you.

Humphrey is stealing
millions of souls

and now he's going to kill
John Wells.'

(GROWLS)
(YELPS)

Eric, are you alright?

(SCREAMS)
Sophie!

Get off!

(GROWLING)

You OK?

Mr Tanner!
—Yes?

Help!

Don't do it, Dennis!

No. No, Sir Humphrey, of course not.
No, no, no.

Sorry about this, Paul.
Just obeying orders.

Comfort stop.

It's Monty, and if I had my way,

I'd shtonk that Humphrey
in the uhab.

What?
—Paul!

Mum!

Mr Wells!

It's Arthur!

(LOW, TENSE MUSIC)
(GROANING)

Arthur!
—Rosie!

My love!

Dad, you're back!

Dennis!

(ZAPPING)

Ooh, have we been weakened by
the Nether?

Paul! Run!

(GRUNTS)

(ZAPPING)

Paul!

Humphrey!

Humphrey, this is completely against
the Magicians' Code of Conduct.

Not one step closer.

Seems my father's not as powerful
as he thought he was.

What are you going to do, Humphrey?
—You'll have to kill us all.

Please, Humphrey, stop this now.

All I ever wanted was to think big.

You weren't brave enough.

This company was behind the moon
landing, the splitting of the atom.

For what?

Are humans still ruining everything?
Of course they are.

Do they realise what we do for them?

Of course they don't.

I will continue my plan alone

now that the traitors have
been smoked out.

Yeah, rebellion's over.
You're all going to the Nether.

But first?

You.

Bring it over.

(ZAPPING)
(GROANS)

No!

Humphrey, enough!

Now, Carpenter.

I want you to bring that damned
contract over to me.

I want you to bring
my soul over to me.

And I will hold it
in front of my Father's fading eyes.

And I want to tear it to shreds.

Because the last thing you will see
is the end of your hold over me.

I…
—What? What?

No, sorry, can't understand.
Did anyone understand what—

No?

Carpenter.

Let's have it.

No, Paul.
—Come on!

Paul, don't do it. Please.

You can't give it to him.
—Get moving!

Don't listen to them.

SOPHIE: 'Paul.'

'Paul.'

'If you can hear me, touch your ear.

In the Nether,
with all those doors.'

Keep on keeping on!

'What if you didn't find
the way out?

What if you created it?

The Bank is right below you.

Make your own door, Paul.'

Keep going! Come on!

(LOW, MYSTERIOUS MUSIC)

(DEEP WHOOSHING)

(MUSIC SWELLS)

(MUSIC FADES, ENDS)

He's vanished.

Where'd he go?

Next, please.

Mr Carpenter…

… you're not due here for 142 years.

Um…

I'd like to make a deposit.

Actually…

… I'd like to make a trade.

(GASPS)

Oh, Mr Wells! He's done it!

You've got his soul.

Quickly!

The door.

The door.
—Sophie, quickly, get the door.

Knock knock.

(SOMBRE MUSIC)

No.

No, please.

(SNIVELLING)

Please. Please!

Dad, please. Please.

John. You must.

Go.

Sophie, will you get the door,
please?

(BRIGHT MUSIC SWELLS)
(CHEERING)

He's gone! It's over!

What are you doing?

This door will never be
opened again.

But what about Paul?

How do we get him back?

Sophie…
(WHOOSHING)

(SOFT MUSIC)

(BRIGHT MUSIC SWELLS)

Oh, um…

I think this belongs to you?

(CHEERING)

Dad!

Mum, no! No, Dad!

We did it, Paul.

Not quite.

Forgot one.

Take a seat.

Dennis!

Don't worry about my turncoat,
backstabbing son.

He won't both you again,
will you, Denn— (SNEEZES)

Sorry about that.

Humphrey had to choose stapler,
didn't he?

Now, first order of business.

What to do with you two.

Paul.

With your… skillset,

we think you're most suited to a
junior position in Lost and Found.

Oh, great.
'You've got to be kidding me.'

The past few years have been
a blight on our great firm.

'Are you listening to my thoughts?'

'Sophie?'

'You have a tiny weird bug
on your forehead.'

Sorry.

Well, all souls have been returned.

'So now you can hear my thoughts?'

'I can't block you out?'

… ever.
—Absolutely.

Good.
—'OK then.

Can I ask, now that you have
full control of your instincts,

your heart

do you still feel that way for me?'

And Sophie.

With your impressive abilities
and your natural talents

you'll be fast—tracked
to the position of VP

in the Department
of Coincidensation.

Do you like the sound of that,
Sophie?

'So do you?

Feel the same?'

Sophie, do you?
—Yes.

I do.

Excellent.

(BRIGHT MUSIC)

(MUSIC CONTINUES)

(MUSIC ENDS)

(HUMMING)

Housekeeping! Knock knock!
(WHOOSH)

(BRIGHT MUSIC)

AccessibleCustomerService@sky.uk

# Little Bitty Pretty One —
Thurston Harris #

(CHAIR CREAKS)

(CHAIR CREAKS)

(CHAIR CREAKS)

(PHONE RINGING)

(PHONE RINGING)

(PHONE RINGING)

(MOBILE BEEPS)
(PHONE RINGING)

Er, lost and found, Paul speaking.