All language subtitles for A.Star.is.Born.1937.REMASTERED.1080p.BluRay.x265-RARBG.fr

Well,
home from the movies at last.

- Looks like it, aunt Mattie.
- Huh.

- Hello, dad.
- Hello, son.

Mr. Blodgett: Well, daughter,
how was

the moving picture tonight?

Mm, lovely.

Mush. That's what it was.
Just a lot of mush.

There wasn't anybody killed
in the whole thing.

No? Well, then, I'll stick
to these. These don't talk.

And that big cluck, Norman Maine
was in the picture tonight.

Never does anything,
but kiss a lot of girls.

Norman Maine is one
of the best actors in pictures.

You and your movies.
That's all you think about.

You shouldn't be allowed
to go to 'em at all

if you're asking me.

Too bad I was so busy
in the kitchen.

I didn't hear anybody
asking you.

- Hello, granny.
- Hello, darling.

But, of course,
no one ever listens to me.

They'd do if they're
within ten miles of ya.

Gathering around picture shows.

House all cluttered up
with movie magazines.

And the other day I caught her

talking to a horse,
with a Swedish accent.

0h, sis, we're only
young once, you know?

Ah! Hollywood.

You'd better be getting
yourself a good husband

and stop mooning
about Hollywood.

Do you know
what she wants to do?

She wants to go to Hollywood.

I've known it all along.

I've seen her making faces
in the mirror

and talking to herself.

That's what comes
of your movies.

Why, what would you do
if you did go to Hollywood?

- I'd be an actress.
- Ha-ha-ha!

I would, I tell ya.
I've always known I could.

Guys, wouldn't it be
wonderful to have a

movie star in the family?

0h, Ms. Blodgett,
may I have your autograph?

You may not know it, Alec,

but you're practically
on your way to bed.

0h, Ms. Blodgett,
you're my favorite actress.

Won't you tell me
the secret of your success?

0h, let me alone.

Uh, Esther,
what's come over you?

I'll tell you
what's come over her.

She's just a silly little girl

whose head has been turned
by the movies.

And the sooner
she forgets the whole thing

the better off she'll be.

W... why will I be better off?

What's wrong
with wanting to get out

and make something of myself?

What do you do
that's so much better?

Just because you're satisfied
to sit here all your life

you think you can laugh at me?

Well, someday
you won't laugh at me.

I'm going out
and have a real life.

I'm going to be somebody!

And now if it was spring

I'd say, give her a good dose
of sulfur and molasses.

Hm, I thought I'd find ya up.

0h, stop that. Now, stop crying.

That isn't going to
do you a bit good.

Well, I'm crying
because aunt Mattie

and Alec make me so mad.

0h, Alec and aunt Mattie.
Fiddlesticks.

They're not important.

You're the only one that counts.

Esther, everyone in this world

who has ever dreamed
about better things

has been laughed at,
don't you know that?

Well, I suppose I do, but...

But there's a difference
between dreaming and doing.

The dreamers just sit around
and moon about how wonderful

it would be if only
things were different.

And the years roll on
and they grow old

and by and by
they forget everything

even about their dreams.

Oh, I don't want to be like
that. I want to be somebody.

Oh, yes. Oh, yeah.
You want to be somebody.

But you want it to be easy.

Oh, you modern girls
give me a pain.

When I wanted something better

I came across those plains
in a prairie schooner

with your grandfather.

0h, everyone laughed at us

as they did
at all the other pioneers.

They said this country
would never be anything,

but a wilderness.

We didn't believe that.

We were going to make
a new country.

Besides, we wanted to
see our dreams come true.

0h, granny,
it must have been wonderful.

It was wonderful.

But don't you think
for one single minute

that it was easy,
Esther blodgett.

We burned in summer
and we froze in winter

but we kept right on going
and we didn't complain

because we were doing
what we wanted to do.

Can you understand that?

Yes, I can.

Could you do it?

Could you do it
even if it broke your heart?

Because remember, Esther,
for every dream

of yours you make come true,

you'll pay the price
in heartbreak.

Mm, I know
what I'm talking about.

You may not believe it
but I was a young girl once.

And a very pretty young girl.
A lot prettier than you are.

Well, I was in love
with your grandfather.

And when some Indian devil
put a bullet through him

I felt as if it had come right
straight through my heart, too.

But I remembered
all he taught me.

And I went right armed.

I buried him out there on that
wilderness with my own hands.

And I went right on
that same day.

And I kept right on going
even when your mother was born.

0h, granny,
I want to make it worthwhile.

You know, Esther,

there'll always be
a wilderness to conquer.

Maybe Hollywood's
your wilderness now.

From all I hear,
it sounds like it.

But if you've got one drop
of my blood in your veins

you won't let Mattie or any
of her kind break your heart.

You'll go right out there
and break it yourself.

That's your right!

Here. Oh, here, here.
Stop that nonsense.

Here. Take this
and go to your Hollywood.

- Oh, I can't take your money.
- Well, why not?

It's your savings.

Well, I was only saving up
for my funeral.

Now I don't think
I'm ever going to die.

0h, granny,
how can I ever thank you?

By giving me your word of honor

that you will never tell
a living soul

where you got that money.

Well, I promise.

Remember, if you do

I'll have you arrested
for robbing me.

Whoa, whoa, whoa.

Here we are.

- May I help you, granny?
- Oh, I can make it, dear.

Oh! Oh, my, this is cold. Ooh.

I kissed dad goodbye.

Just a little kiss.
He didn't even wake up.

I bet you didn't try that
on your aunt Mattie.

0h, aunt Mattie. Think
of her face when you tell her.

I am thinking about it.

I've waited for that chance
for 30 years.

- There she is, girl.
- Oh, thank you.

Well, come on, come on.

There it is,
your prairie schooner.

Man 1: All aboard!

0h, granny.

Go on, go on, go on, go on.

- Goodbye, granny.
- Buh-bye.

I'll be waiting for you
in those moving pictures.

Don't tell Mattie.

You know my eyes are not as good
as they used to be

but my ears are alright.

So you remember.
Talk up good and loud!

Huh.

All aboard.

- Goodbye.
- Bye.

Esther: Bye, granny!

Do you want to go home now?

I don't want to... but I will.

Good afternoon.

Day, week or month?

Well, it's a little hard to say.

You see,
I'm going into the movies.

Well, you better take it
for a week.

It'll break yourjump
to Beverly Hills.

Are all the studios
really near here?

All except gaumont British.
Uh...

Isuppose,
the best way to get a job

is to go straight
to the studios, isn't it?

Mm-hmm.

I haven't any illusions,
you know?

I'm perfectly willing
to begin with

oh, a little bit of a part
or even as an extra.

Six dollars, please, in advance.

I... I beg your pardon.

I... I'd like to register
for extra work.

How long have you been
in Hollywood?

Well, it's about a month now.

Secretary: We haven't put anyone
on our books for over two years.

Come here.

I'd like to show you something.

Central casting. Try later.

Central casting. Try later.

Every time you see
one of those little lights flash

it's somebody asking for a job.

Every time you hear them say,
"try later"

it means there isn't any job.

We can't keep the girls
at the switchboard long.

They go crazy.

Everyone of those
little lights thought

it was going to be a star.

You still want to go
in the movies?

You know what your chances are?

One in a hundred thousand.

But maybe... I'm that one.

Any phone calls for me,
Mr. Randall?

Oh, no.

Jesse lasky and Sammy Goldman

must be writing the
letters instead.

- How was the luck today?
- Hm, there wasn't any.

Maybe you don't go at it
in the right way.

Now, take Danny mcgwire here.

He knows the ropes.
Uh, don't you, Danny?

Sure, I've had 'em
around my neck for years.

Huh! What? 0h.

Uh, Ms. Blodgett,
Danny mcguire, our new tenant.

- How do you do?
- Mr. Mcguire is a big director.

0h. Are you, really?

0h, could you possibly use me
in a picture, Mr. Mcguire?

Of course, I haven't had
much experience

but I don't think
that really matters

if you're willing, a... and I...

Now, listen, lady.

In the first place,
I'm not a director.

I'm an assistant director.

In the second place,
if I had any jobs to give away

I'd confer one on myself.

And in the third place,
you should've stayed

back home in the first place.

Oh, now, look what you've done.

Hey, wait a minute.
Hey, don't be that way.

Don't do that.

Gosh, I didn't mean to get tough

but... a guy thinks
he's being kidded

when somebody asks him for a job

when... he hasn't got one
for himself.

After all,
I'm not a big enough shot

to hurt your feelings.

Oh, I'm... I'm sorry.

It wasn't just that,
oh, it was a lot of things.

Looking for a job every day

and never getting
any nearer to it.

I guess I was beginning
to get a little scared.

I know. Lady, do I know.

Well, there's only one thing
to do for that feeling

when you're tired and sunk
and down to your last nickel.

Come on
and I'll buy you a drink.

Oh, it's not as bad
as down to the last nickel.

I've still got $11 left.

Eleven dollars?

You're gonna buy me a drink.
Come on.

Danny: That's right, George.

There's nothing
like a little rum

to take away that milk flavor.

I beg your pardon.

Certainly! Heh-heh.

And when I sign my contract,
the first thing I'm going to do

is see that you direct
every picture I'm in.

That's my pal.

Of course, I'm going to be
perfectly nice about it,

but I'll just insist.

Now that's the way to talk.
Don't let 'em lick you.

Oh, I should say
they can't lick me.

If they try anything
like that, why...

I just won't sign.

Now, that's right.
What have you got to lose?

Another one of these
and we'll open our own studio.

Randall: "Bill rendered, $24.

Past due.
Remit without further delay."

Now the fifth race.

Uh, fifth race. Triken. Triken.
Who's running triken?

Hey, the program's
gonna be swell tonight.

Now, you take this fella
Beethoven.

I'm a pushover for him.

And chopin?
Well, he's not so dusty, either.

But I kinda wish
that once in a while

they'd play something you could

sort of go out whistling,
you know, like...

J“ blood on the saddle
blood on... n

well, there is a tune.

Hey, why don't you
throw your hat

in the air or something,
can't you?

This is a celebration.
My job starts tomorrow.

I know it does.
And I think it's swell, Danny.

Gee, I wish
you were in on it, too.

But, oh, no, it would have to be
a war picture

with those big novelty numbers,
a war picture

without any beautiful women
at the front.

Oh, well,
something will happen soon.

Maybe.

Why don't you go home, kid?

Oh, Danny, I can't do that.

I came here
and I've got to stay.

Well, now, if it's
on account of money, I can...

Oh, well, thank you.
You've given me enough already.

Anyhow, this is no time
to be worrying. This is a party.

Look at all the people.

Everybody in the world.

Look.

That's Norman Maine.

Alright, and he seems to have
had that one extra cocktail.

Oh, thank you.

Sit down, you dope.

That's for the orchestra leader.

- Oh, hello now!
- Hello, Norman.

Oh, Mr. Maine. Mr. Maine.

Put your arm around Ms. Regis.

Otto, this is a Hollywood bowl.

- Oh, afraid of crowds.
- Just go on, go on.

- Get out of here.
- What's the matter?

You're getting too big
to bother with photographers?

I just don't want
any pictures taken now.

Oh, is that so? Well,
supposing I take it anyway?

If you do, I'll shove
that brownie number two

of yours down your throat.

Thank you, Mr. Maine.

Regis: Norman, stop it.
Stop now and let him go.

- Take it easy, mister.
- Come on, take him away.

Normie, come back and sit down.

Everybody's laughing at you.

- Alright, are you?
- Hi, Norman.

Is he always like that?

Well, I suppose
he has to sleep sometime.

Oh, and he's so wonderful
on the screen.

Shh!

Come in.

Hello, Danny.

What's the matter?

Well, believe it or not,
I got a job for you.

Danny, that's wonderful!

When do I go to the studio?

Well, you don't exactly
go to the studio.

Oh, it's on location?

Well, it's not exactly
on location.

But, of course,
I haven't any makeup.

Would you tell me what to get

and sort of help me put it on?

Well, you don't exactly
need any makeup.

You see, it's not really
a picture job, it's... it's...

Well, it's being a waitress.

Well, it's kind of a picture job
if you look at it, right?

You said it was a waitress.

Well, it's waitressing
for Casey Burke

the big director
over at our studio.

He's giving a party tonight
to kind of celebrate

on account
of finishing the picture

and... and he wanted me
to get him an extra waitress

and it's five dollars.

And I thought of you
right away, Esther.

That was awfully sweet
of you, Danny.

Well, well, there's gonna be

a lot of big people
at Burke's house tonight.

And I'll bet you, there's
any number of big directors.

And if you're there,
maybe they'll notice you.

I could make them notice me.

Sure you could, Esther,
it's your chance.

My chance.

Alright, Danny, I'll do it.

Oh. Oh, but I can't.

I haven't got
the right things to wear.

To wear? Oh, oh, yes.

Now, you don't think
the wardrobe department's

right next to my office
for nothing, do you?

A perfect fit.

Did you get to the preview
last night?

I did.

Would you like
a little hors d'oeuvre?

They are very nice.

Well, thanks.

What did you think
of the picture?

Man 2: You should have saved
it for Thanksgiving.

What a Turkey!

Will you have
some hors d'oeuvre?

You do like hors d'oeuvre,
don't you?

I don't think there's anything
so enjoyable

as hors d'oeuvre before supper.

And these are really delightful.

And at the finish,
the kid turns around

and sings a lullaby
to its mother.

Uh, pardon me, big boys

but would you like
a little hors d'oeuvre?

Uh, they say
they're the best in town.

Don't tell me. I know.

Mae west. That's a great twist.

But where are you gonna find a

two-month-old baby
that can sing?

- Huh. Hello, Oliver.
- Oh, hello, Casey.

You want to fire me now or
wait till you see the picture?

I'm not a director anymore,
I'm a male nurse.

What's the matter
with the picture?

A guy by the name
of Norman Maine.

His work is beginning
to interfere with his drinking.

Oliver, don't tell me I'm
to direct his next picture, too.

Mm-hmm.

You were my favorite producer.

Now, wait a minute. You just
go right on with your directing.

I'll take care of these stars.
I know how to handle them.

I had a serious talk with Norman
after that, uh

Hollywood bowl occurrence,
and you don't have to

worry anymore
about his behavior.

Butler: Excuse me, Mr. Niles.

Mr. Libby of your publicity
department is on the telephone.

He says
it's most important, sir.

- It's about Mr. Maine.
- Thank you.

Oh, it's probably
just some little thing.

Mm-hmm. Of course, Oliver.

I'll turn on the radio and see

if they've called out
the national guard yet.

Hello, Libby,
what's the good word?

Mr. Norman Maine,
america's prince charming

was apprehended
driving an ambulance

down Wilshire boulevard
with the siren going full blast.

He explained he was a tree
surgeon on a maternity case.

Well, bu... but will it be
in the papers?

No, it won't be in the papers.

But that's a nice,
expensive hobby of yours

keeping Mr. Maine's
informal entertainments

out of the public press.

Oh, that's fine work, Libby.

Uh, try and see
that no one gets to Norman.

He's probably home
sleeping it off.

- Oliver?
- Yeah.

Why can't you forget those dopes
at the studio for one night?

Business, business all the time.

I don't know
what's gonna become of you.

- Norman.
- Yeah.

Why didn't you call for me?

Oh, I'll bite, darling,
why didn't I call for you?

In case you've forgotten, I was
supposed to come here with you.

Oh, that. Oh, that's alright.
I got here without any trouble.

The only reason
I don't slap your face...

Yes, yes, darling,
I... I know. Heh.

- Hello, John. Hi.
- Oh, hello, man...

Hey, what's the matter
with Oliver?

He looks as
if he'd had bad news.

Hello. Hello, Mary.

What's the matter, old boy?

Maybe I'm wrong. I guess I've
been drinking too much lately.

Oh, you have to cut it down.
It's bad stuff.

Scotch and soda.

Come on, come on, come on.

The word, you know,
is pronounced when.

- Oh, boy.
- Bad dialogue, Oliver.

I'd rather not watch this.

You know best.

Soda.

Thank you.

Go ahead and say it.
I've got it coming to me.

Don't make it tougher
on me, Norman.

I don't want to
stand here and preach.

But take a look
at my side of it.

I'm trying to make
pictures with you.

I know, I know.

Costs are going up
and the grosses are going down.

No, it isn't that. I've made
lots of money with you.

And I can afford to take a loss

but I hate to see you going
the way of so many others.

Why don't you get lloyds
to insure you against me?

You can't get insurance against
a man forgetting who he is.

You're a great star, Norman,
but there's nobody so big

that he can afford to have
people refuse to work with him.

Who doesn't want to
work with me?

Shh! Quiet.

Listen, I know
plenty of people who do.

Yes, and so do I.

But your real friends
can't stand

seeing you start to fall apart.

What do you mean by that?

The first signs
are always the same.

Not being able
to remember your lines.

Camera man struggling
to cover your hangovers.

And all because you
have to have a good time

every day and every night.

Listen, I've warned you
for a long time...

Okay, Oliver,
you're a swell guy.

You won't lose any money on me,
I'll promise you that.

I'll be ready for the curtains
when the time comes.

When it does, here's my epithet.

And now I think I'll, uh,
have a little drink.

Scotch and soda.

Scotch and soda.

Come on, come on, come on, come.

Now a little soda.

- Caviar?
- No, thank you.

Yes, uh-uh, pardon me.

Um, lovely, lovely.

- No, I... I mean the caviar.
- Mm-hmm.

No, don't... don't go away.
I'm... I'm starving.

Mm, really.

Norman:
Which... which would you take?

- Well, I don't know.
- Don't you know?

Oh, I... I don't know, either.
It's hard to choose.

Well, I think I'll take caviar.

Mr. Maine doesn't care
for any more.

- Do you, normie?
- No.

No, normie doesn't care
for any more.

I think I shall get
very drunk, indeed.

Scotch and so...

Sorry, I... I have some here.

- 0h.
- Mind if I help?

- Won't they miss you?
- Oh, no, no.

They'll just
look under the table

and when they see I'm not there,
they'll forget the whole matter.

Hey, what, uh...
Hey, what... what's your name?

- Esther blodgett.
- My name is Maine.

- I know - you do? Oh.

What's... what's so funny?

I was just thinking
about all your fans

and how surprised they'd be
to see you here

helping me put plates away.

Oh, they... they don't know
my finer side.

They'd be pretty envious of me
meeting you this way in person.

Oh. How do you do?

Well, tell me, a... are,
are... are you disappointed?

Yes.

Oh. Now you've done it.

Oh, never mind that.

That makes the room
look lived in.

Tell me, uh, why... why...
Why are you disappointed?

I was sitting behind you
at the Hollywood bowl

the night you didn't want
to be photographed.

I'm told I crept in
to many a heart that night.

Oh, I can never explain this.

You know, you have
very pretty hair.

- You better get out of here.
- And a sensitive mouth.

And a charming little dimple...

Precisely, why are you here

instead of with the
rest of the guests?

Well, I was just trying
to be helpful, like...

I see. Are you sure
there's no other attraction?

Well, it might be
that my old mania

for putting plates away
is coming back on me.

It's rather odd I always know
where I can find you

if there's a pretty girl around.

It's not only odd,
it's embarrassing.

You're being deliberately
insulting, Norman.

- I've put up with this long...
- Now, now, now, dear.

Don't lose your temper.

Remember, one must try
to keep the voice low.

I know you'll excuse us
if we go on with our work.

Now see what you've done.

Come here. Help me up.

- Are you hurt?
- Uh-uh.

No, no more than usual.

Come on, the wolves are on us.
We got to get out of here.

Oh, I can't.
The dishes aren't finished.

- Oh, yes, they are.
- Oh!

I'll bet I know
what you're gonna say now.

- What?
- Goodnight.

Goodnight and thanks.

Hey, wait a minute,
wait a minute.

Hey, uh, you realize that all
I found out about you

is that you are foolish enough
to want to go into pictures?

But why is it foolish?
Look at you.

Yeah. That's what I mean.

No, I'd, uh... I'd rather
like to go into this matter

little more thoroughly.

Oh, that's awfully nice of you.

Ah. Uh, why, uh...

Why don't we, uh,
go on up to my place

and, uh, talk it over?

Oh, no. Thank you very much.

But I really must say goodnight.

Goodnight.

But you're not angry?

No, no, no, no, no.

I'm hungry.

Well, well, why don't you go
and get something to eat?

Goodnight, Ms. Blodgett.

Goodnight, Mr. Maine.

Norman: Wait a minute. Here.

The least I can do
is to see you to your door.

Will I see you again?

I hope so.

Has anyone ever told you
that you're lovely?

Well, now you know it.

Thank you.

It's, uh...

It is hard to say,
but I... I want to say it anyway.

You know,
on a... on a screen, I'm a...

You know...

In private life, I'm a...

Well, you know.

But whatever I do, I... I still
respect lovely things.

And you're lovely.

You understand?

Yes, I... I think I do.

And it... it isn't that bump
on the head that's doing this.

Well, I'm glad.

- Goodnight.
- Goodnight.

Do you mind if I take
just... just one more look?

Go away. Quite impossible.

I wouldn't even consider it.
No, no, no.

Hello?

Who is it?

Who? Norman?

What have you done now?

You're not in jail, are you?

Yes, I see.

Oh, it's that again? I see.

She's beautiful. Yeah, I know.

You want me
to give her a screen test?

Yeah, certainly. She's got
wonderful possibilities.

Ah, you know
she's got something.

Well, you knew all the other
ones had something, too.

Oh, no.

I tell you, Oliver,
she's got that sincerity

and... and honestness and,
uh... uh,

sin, uh, sincerity
and honestness that, uh,

that makes great actresses,
you...

Oliver, I am so sure
of this girl

that I want to take the test
with her myself.

Listen, Oliver, you worked hard,
you're entitled to a break.

You get...

Yes, I heard you.

Anything, anything!

Yes, yes.

Oliver, look.

You... you try to get a little
sleep now, old man, you...

Alright. Alright, boy.
Good... goodnight.

Come, let's go. Now tell me...

Wait a minute now.

Hello, phonebook.

Heho, phonebook!

Where is it?

Where's the telephone book?
You...

There you are,
little telephone book. Oh, yes.

J“ oleander oleander
oleander oleander j“

J“ oleander oleander
oleander oleander j“

J“ o... oleander j'j'

Seven, four...

Telephone.

Esther: For me?

Some drunk trying to be funny,
says he's Norman Maine.

Esther: Oh. Oh... oh, uh, thanks.
I'll be right down.

And, Ms. Blodgett, would you
give him a message from me?

Tell him it's three o'clock
in the morning!

Hello? What?

0h!

Oh. Yes, yes. I'll be there.

Oh, thank you.

- Danny?
- Huh?

- Danny.
- Huh? Huh? Oh!

- Oh!
- Danny, what do you think?

I'm gonna take a test tomorrow

and Norman Maine's
helping me do it.

Um, I'm taking one, too.

Garbo's assisting me.

- 0h.

Oh. Hm, hm...

Haney: Move that gobo in!

- Put a silk on that rod.
- No, the 80.

Is this light
too hot for you, Haley?

Haley: Okay, but cut down
on the back light.

Put a double on that 90!

Haley: Bring it down a little.

That's it.

Haley: Pull down on that 150.

- We're ready to take 'em.
- Okay.

Haley:
Yeah, pull down on that 150.

Okay.

Haley: Bring me an apple-box.

Listen, gentlemen,
please, if you don't mind.

This is... this is just a test.

- Ready, Mr. Burke.
- All ready, Mr. Burke.

- Ready, Mr. Burke.
- Ready now, Mr. Burke.

- All ready, Mr. Burke.
- Ready now, Mr. Burke.

All ready, Mr. Burke.

We're ready, Mr. Burke.

Alright. Let's take it.

Quiet!

- Quiet.
- Quiet!

- Quiet!
- Quiet!

- Quiet!
- Quiet!

You're ready, Norman?

You're ready, miss, uh,
miss what's-your-name?

He'll soon know
your name, Esther.

The whole world's
going to know it.

But I'm so scared.
Maybe I better not try it today.

Oh, oh. Come on,
now don't be foolish.

They all had to go through this.

Harlow, lombard, Myrna loy.

And now, Esther blodgett.

- Alright. I'm ready.
- Ah.

This is a take. Roll 'em.

- Quiet.
- Take.

I may as well tell you that
my whole organization thinks

I've gone a little nuts
to sign you.

Well, maybe they're right.
I've been nuts before.

Oliver: You see, all the experts
seem to think

that your type is a little mild
for present day taste.

But I rather believe
that tastes change like eyebrows

and I think
that also like eyebrows

tastes are going back
to the natural.

You look like a nice girl.

I think I'm going to like you.

That's not important.

I think the public will
like you. That is important.

Yeah. Well, yes.

I see what you mean.
I... I mean, I know it is.

Well, you don't think
it's going to be easy.

Nothing you really want
is ever given away free.

You have to pay for it.
And, usually, with your heart.

Someone else told me that once.

But you still have
to work it out for yourself.

Oh, well, all this
is just a long way of saying

I'm glad you're with us
and good luck to you.

And now I'm going
to turn you over

to our demon press agent, Libby.

Don't let him frighten you.
He has a heart of gold.

Only harder.

And for the love of Pete

learn to close your mouth
and keep it closed.

Even in your love scenes.

Are you a Russian?

No, I was born
in Fillmore, north Dakota.

Oh, no.

First saw light of day

in a mountain cabin,
a trapper's hut

high up in the rockies.

Go on.

Well, I... I always wanted
to be an actress.

Dreamed of footlights
as lonely kitty.

Are you sure there's no Russian
in your family?

- Positive.
- That's a shame.

Well, what does your father do?

- He's a farmer.
- Nah.

Social registered father.

Fed up with hypocrisies
of four hundred

sought wilderness
for consolation.

There amidst
the mountain flowers

he raised another blossom.

His lovely little daughter...

What's your name?

Esther Victoria blodgett.

Greatly appreciating
your attention in this matter.

- Very truly...
- Do you know what her name is?

Esther Victoria blodgett.

Hey, we'll have to do something
about that right away.

Esther Victoria blodgett.

Well,
that blodgett's definitely out.

Let's see, uh, Esther Victoria.

Victoria. Vicki.
How about Vicki?

Oh, I think
that's terribly cute.

- Let's see. Vicki. Vicki what?
- Vicki Vicki.

Pronounced Vicki Vicki.

See Esther, bester, cester,
dester, fester.

Oh, that's very pretty.

Gester, hester, dester, Lester.
Vicki Lester.

- Oh, I like that.
- Say it.

- Vicki Lester.
- Say it again.

- Vicki Lester.
- Say it again.

- Vicki Lester.
- Say it.

- Vicki Lester!
- Say Vicki Lester.

- Vicki Lester.
- Vicki Lester.

- Vicki Lester.
- Vicki Lester.

Vicki Lester.

"Oliver niles studio
discovers new starlet

"a cinderella of the rockies.

"Her name is Vicki Lester.

"Those who had peeked tell me
she couldn't be more divine.

"The face of an angel,
and such natural talents.

"Her voice is a symphony.

Her very walk, they tell me,
is enough to drive men mad."

Not that way.

Get the lead out of your feet.
Lift 'em up.

That's better.
It's terrible, but it's better.

"The quality of mercy
is not strained.

It droppeth
as the gentle rain from heaven."

Cease. Through the mouth,
my child, through the mouth.

The nose is for smelling roses.

Proceed.

Does she have to look surprised
all the time?

Anyway,
it's just a rough sketch.

Pretty small mouth, isn't it?

Oh, well.

- Give her that Crawford smear.
- Hm.

This will give her
that Dietrich mwah.

We're on the wrong track.
She still looks surprised.

Listen, dress people, we're
shooting on the set this morning

not in the commissary!
Now come on, snap into it!

Acme trucking company.

No. Uh, Mr. Smith is not in.

Acme trucking company.

Ah, no. Uh, Mr. Smith is not in.

Good morning.
What can I bring you, Mr. Maine?

That just shows
how long you've been here.

Mabel, bless you.

How soon are you and I
going to be married, huh?

I don't know.
You'll have to ask my mother.

Esther: Acme trucking company.

Ah, no. Uh, Mr. Smith is not in.

Acme trucking company.

No. Uh, Mr. Smith is not in.

Acme? No, Smith ain't in.

Acme trucking company.

I'd like to speak
to Mr. Smith, please.

Mr. Smith is not...

Oh, Norman.

What's all this
between you and Smith?

I've got a part. It's only one
line, but it's in the picture.

So it's ambition
that made you break

that date with me last night?

Well, I... I had to be here
so early this morning...

Ah, so did I.

I had to stay up all night
to make it.

You've started your picture,
haven't you?

No. No, we're still
in the testing stage.

We can't seem to get
the right girl for the lead.

Gee, you'd think with
all the girls there are that...

Yeah, I know, but this one's
got to be different.

She's got to be
little and cute and sweet.

Intelligent...

- Well, blow me down.
- What?

- Well, close my tired old eyes.
- Well, w... what is it?

Hold everything, come on.
Come on.

Well, you've been through
the whole casting directory.

I'll work day and night,
Mr. Niles.

And I'll work with her, Oliver.

And I can be mean or nasty

or anything you want, Mr. Niles.

If she clicks, Oliver,
you've got a star overnight.

Okay.

Wait till you hear them
at the end of the picture.

- Do you think we were noticed?
- By no one.

They're much too busy
playing at croquet.

I've loved you all my life.

But we only met two days ago.

That's when my life began.

Ain't she cute? You know, I
think she's the same type I am.

- Don't you?
- I think she's sweet.

Well, it's Vicki Lester's
picture, alright.

I think she was much better
than he was.

These producers
are so horribly dumb.

They won't know how good she is.

Well, maybe it's because
she's a good girl.

Oh, Maine's not so bad,

but it's Vicki Lester
they will go to see.

I think she's the most precious
little thing I've ever seen.

- Mm-hmm!
- She's a knockout, Libby.

You might mention that
when you write your review.

That Lester kid's a gold mine.

- Didn't you like Norman Maine?
- Was he in it?

Libby, I'm afraid
we have another hit.

It's in the bag. Neatly tied up
with beautiful pink ribbons.

Say, where are Norman and Vicki?

I don't know.
I thought you had 'em.

I wish they'd come. We're having
a party at the trocadero.

Well, isn't it thrilling,
running away from people?

- Norman, it's so exciting. So...
- So new, huh?

A star is born. Come on, run.

It's wonderful, isn't it?
A crazy quilt.

Norman: Well, uh, it's a carpet
that's spread for you.

It's all yours from now on,
you know?

Come, Esther, you're a success.

You have everything in the world
you want.

I hope it'll make you happy.

- Hasn't it you?
- Mnm-mnm.

Then that was one thing
I never had.

Lots of times I told myself
I'd found it,

but I always knew I was lying.

Still I, I never stopped
looking for it.

Maybe it'll come.

Well, I think it has come,
Esther.

I only wish it weren't too late.

Oh, but it's not too late.

Oh, you can't
throw away your life

the way I've thrown away mine

and... have anything left
that's good enough.

- You can.

Norman, you can.

You mustn't tell me that,
Esther.

I'm so afraid
that I'll believe it.

Get up, Garcia.
Shoot your right.

- Swell, isn't this?
- Lovely.

You watch Garcia again.

Can't you hear me, Garcia?
Shoot your right!

He got him! Garcia got him!

- Garcia got him!
- He did, didn't he?

Yeah, but he'll be up, though.

- You like it?
- Sure, I do.

- You like me?
- Sure, I do.

Boom! That reminds me.
Will you marry me?

- No, thank you.
- You...

Come on, Garcia. Finish him!
Why won't you marry me?

- 'Cause you're not dependable...
- Hey, shoot your right!

- Throw away your money...
- Break him up in there.

- Break him up.
- And you drink so much.

- Well, suppose I quit drinking?
- Yes.

Come on, Garcia, shoot the right
in there, the right!

- Suppose I save my money?
- Yes.

There he goes! Let him have it!

Suppose I became absolutely
dependable on all occasions?

Yes.

Hey, Garcia, he got him!
He's got him.

He certainly did.

Gee, that was a beautiful fight.

- Norman.
- What dear?

Would you do all that for me
if I said I'd marry you?

No, certainly not.
I was just supposing.

We're going to be married.

Guess I didn't read that
line right. I'll try it again.

- We are going to be married.
- Both of us.

Yeah, to each other.

- What do you think of that?
- W... when? Where?

Well, we, uh, thought we'd elope
in the conventional manner.

What's the matter?

He's trying to decide whether
it's good for the studio.

- Is it?
- It is.

And bless you, my children.
When's it going to happen?

Oh, we thought
we'd just sneak out sometime.

We're not telling anyone
but you.

Listen to this.

"The screen's ideal romance

"blossomed
into breathtaking reality today

"when Vicki Lester
and Norman Maine

"america's dream lovers

slipped quietly through
the portals of holy matrimony."

- How does it sound?
- Horrible.

But you see,
we are going to elope.

Sure, you are.

It'll be the biggest elopement
this town ever saw.

We'll get a tie-up with the army

have you escorted
all the way down to yuma

by 20 of their
new bombing planes.

- Is he going with us?
- No.

Don't you think we can work
this thing out better alone?

No sense in bothering the happy
couple with all the details.

I'll see to it that you get a
carbon copy of the whole layout.

I can hardly wait.

I'm, uh, sorry, we didn't
realize that we were in the way.

While you're settling
the details

you don't mind if I take this
woman out and buy her a ring?

Sure, go ahead,
we want everything legal.

That's a charming match.

A nice girl like Vicki
and public nuisance number-one.

Now wait a minute, Libby.
Norman's alright.

And if you'll pardon my pointing

Vicki's business is her own.

It doesn't require any comments.

I wasn't making any comments.

I just said
it was a rotten shame.

Yeah, go ahead
and plan the elopement.

Oh, that elopement stuff is out.

You can't get any scope in that.

We're gonna have a wedding.
Where'll we have it?

Customary place, I believe,
is a church.

Nah, it's been done.

This has got to be
something big.

The beach. I can visualize it.

The bridesmaids in bathing suits

20,000 Santa Monica
school children

spelling out the word love.

It's a novelty,
but is it big enough.

Why not the city hall?

A police escort of every
motorcycle cop in town.

Sirens screaming, confetti
pouring out of buildings

like the Lindbergh reception
in New York.

Only on a big scale.

What's the matter?
Isn't it big enough?

Justice of the peace: "And now,
if any man can show just cause

"why these two may not be
lawfully joined together

"let him now speak
or else hereafter

"forever hold his peace.

"Do you, Alfred henkel

"take this woman
as your lawful wedded wife?

"Will you love, comfort, honor

"and keep her
in sickness and health

as long as you both shall live?"

- I will.
- "Do you..."

I beg your pardon.

"Do you, uh, Esther blodgett

"take this man
as your lawful wedded husband?

"Will you obey,
serve, love, honor

"and keep him
in sickness and health

aslong as you both shall live?"

- I will.
- Place the ring on her finger.

- Mm.
- Ah, hurry please.

Alright.

"Now, by virtues
of the power invested in me

"as justice of the peace
of San bado township

"county of Los Angeles

I pronounce you man and wife."

Quiet!

And now I must exercise
my prerogative of office.

I hope you will be very happy,
Mrs. Henkel.

- Thank you.
- Thank you, sir.

- Oh, Danny.
- Thank you very much.

Now if you'll please
sign the license.

Oh, oh, yeah.

You know, uh, Mrs. Henkel,
I can't help but believe

I've seen you somewhere before.

Oh, really?

Well, uh, I believe
this is the first time

I've ever been in San bado.

You know,
your face is familiar, too...

Really? There you are, sir.
Thank you very much.

- Oh, thank you, sir...
- Here's your receipt.

- Good... goodbye.
- Goodbye.

- See you. See you again.
- Yes, goodbye.

No, I'm not coming back,
see. No.

Hey, I think you got by with it.

But it was close,
that jp was just beginning

to remember where he'd seen us.

Well, anyway,
we got away from Libby.

Hello, toots.

If you will be kind enough

to glance
between my shoulder blades

Mr. and Mrs. Henkel

you will find there a knife
buried to the hilt.

On the handle are your initials.

Lovely to have seen you, Libby.

- Hold him, hold him, Danny.
- Hey, wait.

There go a couple of rats
I raised for mice.

Well, they got a right
to get married, haven't they?

They haven't got any right
to double-cross the public.

And they haven't done it yet.

"People versus porky Washington

who is charged
with violating section 600..."

Young man,
you're in contempt of court.

Operator, uh, get me
"the Los Angeles tribune."

I have a good mind
to put you under arrest.

Wait until I make this call.
You wait, too.

"Tribune?"
give me the city desk.

Johnny, this is Matt Libby.
I got a flash for ya.

Norman Maine and Vicki Lester
were married

at 2:30 this afternoon.

Vicki Lester? Court recess.

J“ oh give me a horse
a great big horse I

j“ a great big buckaroo
and let me wahoo j”

j“ wahoo wahoo j'j'

Wahoo!

Hey, wahoo?

I don't, uh,
want to sound immodest,

but I think
I've stripped a gear.

Well, sit down, won't you,
and let's get acquainted.

We'll probably be seeing quite
a bit of each other from now on.

Well, might just as well
break the ice now as later.

Mm. Now we're old friends.

Say, have I, have I got time
for a shower before dinner?

Plenty,
if you can find the shower.

I never can remember
where that thing is.

Does it, uh,
pull out or slide under?

Here, I think I can find it.
Nope, it's the linen closet.

- Here it is.
- Nice work.

Oh, half the time,
those things, they're just luck.

Now I'll see
if I can disinfect this steak.

Norman: Hey, Esther, uh,
there's no soap here.

- Here.
- Thank you.

- Oh, and, Esther?
- Yes, dear?

Norman: I'll... I'll need
a washcloth here.

- Oh.
- How you fixed for cigarettes?

Honey, you know
I never smoke underwater.

Hey, what, what do I do
to make this thing work?

Pull that gadget at the top
and pray for rain.

Well, I, I can't reach it.

I can't, I can't get
my hands up there.

You've gone in there
with your arms down

you'll never get your bath.

Unless you're a contortionist.

Yeah, well,
I... I'm not a contortionist.

And don't throw that
up to me now.

Mm, y... you knew it
when you married me.

Can you close this door, please?

Thank you.

Norman!
Norman, here comes a car.

You... you gotta... huh?

- Here, quick.
- Quick what?

Quick, go out and stop them
and ask for help.

Oh, I'll... I'll...
I'll catch cold.

- Oh, you'll get warm again.
- Yeah, I don't...

Oh, do you think
they'll recognize me...

Not if you keep your face down.
Go on.

There may not be another car
for weeks.

Alright.

- Uh, uh...
- Howdy, partner.

- Howdy. Uh...
- Stuck?

Yeah. How'd you guess it?

- Ah, can you get us some help?
- Ah...

Well, I reckon not, you know?

It's a long way to town, we're
pretty busy down at the place.

Well, I got to get out of here.

I... I've got my wife with me
and...

- Didn't she like the country?
- No, no.

And then we're short of food.

Well, there's a lot of game
in them woods.

Yeah, well, my wife can't shoot.

Well, you're sure up against it.

Sorry, I can't do anything
for you.

Well, uh, wait, listen,
I... I'll be frank with you.

- I'm Norman Maine.
- Who?

- Norman Maine.
- Well, my name is Jeff baker.

Glad to have met you.
Well, so long.

Hey, wait, a, wait a minute.
Listen, you don't...

So you're Norman Maine.

I got my prestige
to look out for.

I'm supposed to be the best
publicity man in the racket

and they laugh themselves sick

when I even try to get
a decent mention of Maine.

Yes, I know how sensitive
you are, Libby

and I don't like to see
your feelings hurt.

Thanks, boss. Now, Vicki.

There's a dish for free space.

But if Maine
swam across the pacific

the papers
would keep it a secret.

Well... the exhibitors
don't like him

the critics don't like him,
the public don't like him

and I don't like him.
Who likes him?

Oh, but, darling, this is
almost too much of a surprise.

And there I was,
in my touching innocence

thinking we were going to live
at the beach house.

Oh, we'll still
keep the place at Malibu.

But this is special,
this is our castle

which used to be in the air,
you know?

Where we never use
any ugly words

like contracts
and pictures and careers.

When we come in those gates

we'll check the studio outside.

Come on, I got another
little surprise for you.

Oh, Norman, it's lovely.

So are you, lovely.

The whole world's lovely.

Hey, hold it!

That's it.

Caption.
Their honeymoon never ends.

Alright,
let's get some pictures.

Now, if the bride will sit here

and the groom
will stand behind her

we'll have something unique.

Now, let's go after
something different.

You sit down
and she'll stand up.

- Pretty radical, isn't it?
- Yeah, but in a nice way.

Libby: Okay, Otto, fire.

Caption.
Their honeymoon begins anew.

Ah, the producer.

Caption.
Their honeymoon ceases abruptly.

Hello, Oliver, glad to see you.

- Norman, I'm glad you're back.
- Thank you.

Vicki, how well you're looking.

Hello, Oliver.

- Am I interrupting?
- Yes, thank you.

Libby: Just want
a couple of more pictures.

That's enough of both of them.

What they're asking for
is exclusives of Ms. Lester.

- Alone.
- Oh, I see.

Well, come on, Oliver,
let you and me get exclusive.

See you later, Vicki.

Oh, don't worry, Otto, my
camera-smashing days are over.

Yeah, they ain't your only days
that are over.

Oh, hold that, Ms. Lester.

Gorgeous.

Well, Oliver...

- How's the dividend situation?
- Very pleasant.

I think we'll show two million
on our next quarter.

Oh-ho, yeah. Smart move of mine
to sell my stock, eh?

Ah, well, when you need money,
you need it.

Well, some people save up
for just such an event.

You know, there's bound to be
a rainy day occasionally.

Yeah, but as a citizen
of California

I've always refused
to admit that.

Yes, I know,
but still it does rain.

Well, anyway, you can thank me

for some of those dividends
of yours.

Oliver: Mm-hmm.

- Well, can't you?
- Oh, sure, sure.

That was a little too quick,
Oliver. What's the matter?

"The enchanted hour"
was a smash hit, wasn't it?

Oliver: Well, it made Vicki
a star overnight.

Well, as it should have.
What about me?

Oh, let's talk about business
at the office, Norman.

Beautiful pool you have here.
Beautiful...

Oh, no, let's talk about it
here. Didn't they like me?

Well, maybe the part
wasn't just right.

That was the best part
of the year.

Look, Oliver.

Do you think I'm slipping?

- Can you take it?
- Yeah, go ahead.

The tense is wrong.

You're not slipping.
You've slipped.

Well, my... my fan mail
is still big.

Norman, Norman, fans will write
to anybody for a photograph.

It only costs three cents
for a stamp

and that makes photographs
cheaper than wallpaper.

But every 25 cents
they pay for a theater ticket

buys them the right
to be a critic.

And your last few performances,
Norman

have not pleased your critics.

You remember
I'd told you, I'd, uh

be ready for the curtains
when the time came?

Here it is.

Let's call off the contract,
no hard feelings.

We're not quitting,
either of us.

There's no explaining
these things.

We've all seen
how the public turns.

Maybe we can turn them back.

I've got a swell script
lined up for you.

About, about Esther, uh...

If you think that
I'm going to get in her way...

Well, as a matter of fact,
as it happens

there's no part
in this story for her.

I'd more or less planned
to star her

in a picture of her own

with, uh, with that
young Pemberton opposite her.

He's coming along nicely.

Good for young Pemberton.

Alright, Oliver,
we'll make a try at it.

Let's hope it's not too late.

No argument. I'll buy those.

"The screen's
most finished actor."

I'll say he's finished.

He keeps 'em away in droves.

Hello?

No. No, Ms. Lester
isn't home as yet.

No, I'm not the Butler.

Well, I can take a message
just as well as he can, honest.

Oh, is that you, Norman? Swell.

Listen, Norman,
this is Artie carver.

Hiya, kid. Swell.

Say, I hear you're through
with Oliver niles.

- Is that on the level?
- Oh, please, Artie.

I'm not news anymore. Forget it.

Say, what kind of a settlement
did you make on your contract?

Give me a figure
so I can do a story on it.

There was no money involved.

- We just called it quits.
- Okay, okay.

I'll fill in my own figure.

Say, by the way,
I've been trying

to get an interview with Vicki
for two weeks

but she's always busy.

How about
you giving an old pal a break

by speaking to her for me?

- Sure, I'll ask her.
- Swell.

So long. Heh-heh.

I didn't mean to be late,
darling, but Casey wanted me...

It's alright. You're here now.

- What's new today?
- Nothing.

I haven't been out of the house.

- Let's go somewhere tonight.
- Oh, no.

You're tired, we'll stay in.

I'm not tired, really.

Oh, yes, you are.

You've got a hard day
ahead of you.

Anyway, I see so little of you,
I'd like to have you to myself.

Oh, but it's the servant's
night out.

- We haven't...
- Yes, we have.

I fixed a little snack
with my own Lily-white hands.

I, uh, I'm learning to cook
in my spare time.

Then I think I'll marry you.

Oh, I get it.

You want to make
an honest cook of me, hm?

Comes in on wheels
in this joint.

Here you are. How does it look?

- Mm, wonderful!
- Huh?

- That's what I thought.
- Mm.

Now, then, don't be formal,
just pitch in.

Here you are.

Uh, I... I'm afraid
my mouth's not quite big enough.

I'll, uh,
I'll measure it next time

and make them to size.

A little hard to lift, too.

Matter of fact, I think
I'll take those measurements

right now.

And that's what
I wait for... all day.

That's why I rush home without
even changing my costume.

Ah, right, we're forgetting
that we're hungry.

- Would you like a sandwich?
- Thank you.

I still have
a little work on this one.

Now...

Oh, thank you.

Norman, will you unhook
my dress? I can't breathe.

Norman: Mm-hmm.

You know, all the time,
I thought it was the kiss

that made you breathless.

- A lot of hooks, huh?
- Uh-huh.

Why don't you have a zipper?

Mm, that's a good idea.

- Feel better?
- Oh, yes.

Don't look now, but, uh...

I think that guy on your left
is in love with you.

I hope so.

It's the doorbell.

Is it? Maybe they'll go away.

No, no, they never do
at a time like this, you know?

Just a minute, dear.
I'll be right back.

- Does Vicki Lester live here?
- Yes.

I got a package for her.

- I'll sign for it.
- Well, who are you?

- I'm her husband.
- Oh, sure.

Sign right here, Mr. Lester.

It's a package for you.

Oh, by the way,
I forgot to tell you, uh...

They want you for a benefit

at shrine auditorium
next Wednesday night.

I told them I'd ask you.
And, uh...

Oh, darling, uh, I don't want to
hear about that now.

Well, you better wait
till I finish

before I forget them all.

Ah, the academy dinner
secretary phoned.

She wants to know if you want
a table reserved for you.

Oh, yes, Artie carver called

and asked if I'd use
my influence with you

to get him an interview.

I told him I'd try.

- Ah, that was all, I think.
- Oh, Norman.

Let's don't talk
about those things now.

Ah, we're forgetting
the wonderful food you prepared.

Well, I'm,
I'm not very hungry now.

I think I'll, uh,
I'll fix me a little drink, hmm?

But, Norman...

Oh, I wish Norman would come.

Oh, stop worrying,
and think how nice

that statue is going to look
on your mantelpiece.

Do you suppose
anything's happened to him?

But, of course not, he's just
been held up in traffic.

You think about that statuette.

Announcer: And now we arrive at
the climax of the annual dinner

of the academy of motion
picture, arts and sciences.

The highest award
within our power to bestow.

We have already applauded with
our hearts as well as our hands

while awards have been given
to those gentlemen

who, during the past year, have
rendered distinguished service

to the motion picture industry.

We now pay honor to the ladies

or rather to one lady.

We offer to her
the academy award

for the finest performance
of the past year.

She has already had
the world's acclaim

but this is the tribute
of our fellow workers

the men and women
of this industry.

It is not only my pleasure
but my privilege

to present this award
to the actress who created

the unforgettable Anna

in "dream without end."

Ms. Vicki Lester!

Yes, go on.

What more can we say,
Ms. Lester?

This says it all for us.

Thank you.

Ladies and gentlemen

when something like this
happens to you

and you try to tell
how you feel about it

you find that out of
all the words in the world

there are only two
that really mean anything.

Thank you.

All I can do is to say them
to you from my heart.

All I can do is to keep on
saying them...

- Hurray! That's fine!
- Oh, Mr. Maine. Please.

That's a pretty speech,
my dear, very pretty.

You said the right thing.

I want to be the very first one
to congratulate you

on that, on that valuable
little piece of bric-a-brac.

Now I want to make a speech.

Gentlemen of the academy
and fellow suckers...

I got one of those once
for a best performance.

They don't mean a thing,
people get them every year.

What I want is a special award.
Something nobody else can get.

I want a statue for the worst
performance of the year.

In fact, I want three statues

for the three worst
performances of the year

because I've earned them.

And every single
one of you that saw

those last masterpieces of mine
knows that I've earned them.

Libby, start the music.

What I'm here to find out is
do I get 'em or do I get 'em?

Now, answer, yes or no?

Norman, darling,
let's go and sit down.

Come on, Norman, sit with us.

- Glad to see you, Norman.
- Hello, Norman.

Mm-hmm.

Oliver:
Well, Norman, how are you?

Hi, Oliver.

My dear, do let me
congratulate you.

You must be terribly proud
and happy tonight.

Thank you.

Somebody give me a drink.

Oliver, nice of you
to come to my dressing room.

- Vicki, how are you?
- I've missed you.

Everyone's missed you.
Have a nice trip?

Well, the three-months tour
of the theater circuits

scarcely comes
under the head of pleasure.

But the way they're screaming
for your pictures

all over the country...

Ms. Lester, if I may talk shop,
you are a knock-out.

Thank you.
It's good to hear that.

You've been crying.

A little.

How's Norman?

Well, he's trying
awfully hard, Oliver.

Letting Norman leave this studio

was the hardest thing
I ever did.

There was nothing else
I could do.

I know.

Has he been...

Is he alright?

He's gone to a sanitarium.

He really wants to
stop drinking.

And I think he could, only...

Well, perhaps if he could
start working again.

It would be some encouragement.

Oliver, could you...
Could you do that?

- Yes.
- Oh, thank you.

But he mustn't ever know
I told you.

He won't know,
and you mustn't worry.

I want you to keep up
your good work in this picture.

I'll try, Oliver.

That's the one thing
I can do for you.

If you'll just sit here,
Mr. Niles

I'll have Mr. Maine
brought down.

Thank you.

"Brought down."

Hello, Oliver!

Welcome to Liberty hall.

- Hello, Norman.
- Well...

No, no, Mr. Niles
isn't slipping me

a case of scotch, cuddles.
This is just a handshake.

This is cuddles, Oliver,
my social secretary.

We... we go everywhere together.

- How are you feeling, Norman?
- Fine.

Getting along remarkably well,
cuddles tells me.

He says you oughta see
some of the boys.

Let's sit down.

Cuddles, we, we really
don't need you here.

Touching, isn't it?

Can't bear to have me
out of his sight.

Are you comfortable here,
Norman?

Comfortable?
It's positively luxurious.

They... they even have
iron bars in the windows

to keep out the draft.

How much longer
are you going to be here?

Oh, well, I'm really cured now.

I'm just... staying on
for an extra week or two

to get in good shape, you know?

After all,
there's no, no particular hurry

to return to the cameras.

That's what I wanted
to talk to you about.

I've got a script
with a fine part for you in it.

Hey, Oliver, that's great.

That's great.

Who, uh, who plays opposite me?

Well, it is not
exactly the lead.

Young Pemberton's doing that.

But I tell you frankly,
I consider your part

better than the lead.

Oh, I see.

Ah, better than... than the lead?

Well, of course,
it isn't terribly long

but it's one of those parts
that makes an impression on you.

They'll be thinking about you
all through the picture.

Mm-hmm.

Well, the thing is, Oliver

I'm, uh, pretty well set
at another studio

and I'm not at Liberty
at the moment

to tell you which one.

You know yourself
how those things are.

- Of course.
- But it... it's a big picture.

It's one of the biggest
of the year.

And the part...

Every actor in Hollywood
would give his teeth to play.

Well, that's fine, Norman.

Naturally, that would
tie you up for a while

but we won't get to this picture
for some time

and perhaps, if you want
to consider it for later on...

Well, I'll tell you, Oliver,
you'd better not count on me.

See, uh, I've got several
pictures lined up after this one

then they're talking to me
about england, and...

You know,
th... they're doing some

very interesting things
over there, you know?

- Mm-hmm.
- Hey.

What is it, cuddles? Speak
right out. We all love you.

- Your dinner.
- Oh, yes!

Yeah, we dine at 5:30 here.
Makes the nights longer.

Well... goodbye, Norman.

I'm glad to see
you're getting along so well.

Be out in no time.

I'll have to introduce myself
all over to a lot of people.

They won't know me
when I'm not drinking.

- Goodbye.
- Goodbye, Norman.

- Thanks for dropping in.
- That's fine.

Now...

Well, cuddles...

Alone at last, eh?

Hello, Bert, Sam.
How are you, Marian?

- Oh, uh, hello.
- Hello.

Hello, normi.

Glad to see you.

How I hate to run
into these has-beens.

- They give me the creeps.
- Me, too.

He was good while he had it

and he had it quite a while.

- Hello.
- Hello, Mr. Maine.

I haven't seen you
in a long time.

Oh, I've been rusting.

Ginger ale, please.

Ginger ale and what?

Ginger ale and, and ginger ale.

- A new leaf?
- A whole new book.

Thank you.

Scotch, straight.

Hello, Libby.

Why, it's Mr. America
of yesteryear.

Do they let you wander about now
without a keeper?

Oh, sure.
I'm... i'm... I'm a trustee now.

Didn't expect to find you
at Santa Anita.

What do they do with the actors
while, while you're away?

Oh, they cut 'em into slices
and fry 'em with eggs.

I suppose you'll be here
all the time

now that you've retired

from the hurly-burly
of the silver screen.

Well, I'm living down
at Malibu now.

Pretty lonesome with... Esther
away working all day.

Oh, I wouldn't squawk about that
if I were you.

It's nice to have somebody
in the family making a living.

Oh, now, wait a minute, Libby.

I don't want to forget
that we're friends.

Friends, my eye! Say, listen...

I got you out ofjams
because I had to.

It was my job,
not because I was your friend.

I don't like you
and I never have liked you.

Nothing made me happier

than to see all those
cute little pranks of yours

finally catch up with you

and land you
on your celebrated face.

Pretty work, Libby.

Always wait till they're down,
then kick 'em.

I don't feel sorry for you.

You fixed yourself
nice and comfortable.

You can live off your wife now.

She'll buy your drinks
and put up with you

even though nobody else will.

Marian: Oh! Burt, no!

Well, he's drunk again.
Come on, punk.

Hey, wait a minute.
Wait a minute! I...

Come on, outside for you,
wise guy...

- I'm Norman Maine.
- Well, that's not my fault.

Oh, don't bother
to toss him out. He's harmless.

Alright, Mr. Libby,
if you say so.

Sure, let him go.
What can he do?

He can't fight any better
than he can act.

- It's Norman Maine.
- Oh, he's drunk again.

Man 3:
Why he's been drunk for years.

Give me a scotch. Double.

Leave the bottle here.

Vicki, you'll be ill.

Why don't you try
to get a little sleep?

But he's been gone four days.
Four days and not a word.

Oliver, I can't. I just can't.

Hello?

No, this is Oliver niles
speaking.

Where?

Thank you.

- What is it?
- Nothing, nothing.

- Oliver, tell me.
- He's in the night court.

He's been arrested
on a drunk charge.

Now, he's alright, he isn't
hurt. I'm going right now.

- I'll get him out.
- I'm going with you.

Vicki, it isn't any place
for you

and if it gets in the papers...

What do I care about the papers?

I'm going with you.

Division 30 municipal court

county Los Angeles,
now in session.

The honorable George j. Parris
presiding.

Be seated, please.

Were you able to do anything?

Judge wouldn't even see me.

Ready, your honor.

I want to advise you
that you're entitled

to be represented by a counsel

to be confronted
by the witnesses

that might testify against you

to compel witnesses
to attend on your behalf

to a public and speedy trial
by the court or by a jury

and the right
to be admitted to bail.

Call the first five.

Bailiff: Gregory, rails, Maine,
Rodriguez, jutts.

Come on, boys. Get in there.

Go ahead. Move along.

- William Gregory.
- Yeah, yeah. Yes, yes.

"Plain drunk, picked up a tiff
in town, asleep in the gutter.

Fourteen similar offenses
in the past six months."

Still at it, Gregory.
How do you plead?

- I... I don't feel so good.
- I didn't ask you how you feel.

- I asked you how you plead?
- Guilty, I guess.

Judge parris: When did you get
out the last time?

Uh, just, just before Christmas.

Well, I'm sorry
you'll have to miss new years.

You'll be out in time
for Washington's birthday.

Sixty days.

Milton rails!

County clerk: "A plain drunk.
Picked up on Brooklyn Avenue.

Given treatment at receiving
hospital then re-moved to jail.

How old are you, rails?

Uh, seventeen, sir.

Judge parris: Did you take a
good look at those men

in the cell with you last night?

Yes, sir.

Judge parris:
And have you taken a good look

at yourself this morning?

Oh, no, sir.

I suggest that you do.

Five dollars and two days.

Sentence suspended.

Oh, judge, I...

"Alfred hinkel"

more commonly known
as Norman Maine.

County clerk:
Uh, drunk and disorderly.

Crashed car into tree
at sunset and coronado.

Evidently been drinking
for days.

Resisted arrest and injured
one of the arresting officers.

How do you plead?

Guilty.

You're Norman Maine the actor,
aren't you?

You've come pretty low,
haven't you?

There isn't a man here who's had
the advantages you've had.

Look what you've done with them.

You're nothing
but an irresponsible drunk

driving about the streets
with the power to inflict death

or injury on innocent people.

I think we better deny you
that power for a while.

Ninety days in the city jail.

Please, wait.

I'm his wife.

Yes, I recognize you,
miss Lester.

Please, judge.

I promise you
this won't happen again.

I'll be responsible for him.

If you just won't
send him there.

You realize that
this man when drunk

is obviously a menace
to public safety?

And do you realize, too,
miss Lester

the responsibility
you'll be assuming

to this court
and to the commonwealth?

I do.

Sentence suspended.

Prisoner remanded
to custody of wife.

Thank you.

You can get him
at the jail entrance, madam.

Judge parris: Jose Rodriguez!

County clerk: Plain drunk.
Picked up at first and main.

Second offence.

Judge parris: How do you plead?

Uh, I think I'm guilty,
your honor.

Judge parris: Sixty days.

Honey, I'm, I'm so tired...

- Hold it, Mr. Maine! A picture!
- Oh, no, please.

What about a statement
for the press?

No, no. Please.

He's still asleep.
He's been asleep all day.

Oliver:
It's the best thing for him.

It's awful to see this happen
to someone you love.

And know in your heart...

That it can't get any better.

I only know that all
I can do now is stay with him

and try to help him.

Oliver: So will I.

And between us,
we'll take care of him.

Vicki: You're very fond of him,
aren't you, Oliver?

Oliver: Well, I'm very fond
of both of you.

Then I know you'll understand
what I have to tell you.

And after what happened
last night

I think you already know
what it is.

I can't do any more pictures.

I'm going away for good
with Norman.

Oliver:
You can't do that, Vicki.

You're at the very peak
of your success

and you've worked so hard
to achieve it.

Vicki: That's what's been
worrying me.

And I've thought it all out.

Maybe if I hadn't been away
from him so much...

Last night and what went before

it wouldn't have happened.

Oh, I know it's too late
to think about that now

but... it may not be too late
to go away with him

and start over somewhere.

Oliver: It's your life
you're giving up, Vicki.

Vicki: So I can try to give
Norman back his.

Can you honestly tell me
I'm wrong to do it?

No, Vicki, I can't honestly
tell you that.

Then there'll be
no more... Vicki Lester.

Come on, walk till the door
with me.

Goodbye, Vicki Lester.

You were a grand girl.

Good luck, Mrs. Norman Maine.

Goodbye, Oliver.

Hey, darling.

This is Maine coming in
to apologize again.

I'm s... sorry, dear,
but... it isn't you.

Well, what other troubles
have you got?

None.

I was just playing a scene
with myself.

Now, look, I'm just coming out
of the jitters

and you're just going into them.

This is a swell household.

Isn't it?

I'll tell you what we'll do.

I'll promise to brace up,
if you'll go on the wagon.

I guess I had been
drinking too much.

You know what I'm gonna do?

I'm going to be an athlete.

You mean, with great big muscles
and everything?

Well, roughly speaking.

Gonna join the ymca?

Nah, it costs too much.

I'm going wading
out in our front yard.

- Now?
- Sure.

Would you like me
to go with you?

Sure, if you'd like to.

Normi, I don't think I will.

It might spoil this beautiful,
natural wave.

Yeah, I guess that's right.

Hey, darling, look, uh,

could you have
a hot toddy ready, uh...

I mean, some hot soup for me
when I come back?

- Some hot soup?
- Yeah.

A... and I'll make some of those
nice sandwiches.

Norman, do you have to?

So long, darling.

Vicki:
Now, don't stay in too long.

You mind if I take
just one more look?

First drink of water
he had in 20 years.

And then he had to get it
by accident.

Pardon.

How do you wire
a congratulations

to the pacific ocean?

- There she is now!
- Oh, you can't see her face!

Woman 1: Hello, Vicki.

Get away, can't you?

Come on, Vicki,
let's see your face.

Vicki, will you sign
my book for me?

Write "Mrs. Norman Maine."

Oliver: Don't you care, Vicki,
you'll get over it.

Stand back, can't you?

Don't you cry, dearie.
He wasn't so much.

Do you mind if I take just...

One more look?

Here are the paychecks
for the servants, graves.

You'll find a very nice bonus
in each one.

Miss Lester asked me
to thank you

for your kindness and service.

If there's anything
I can do for the little lady

I shall be glad to do it.

She would appreciate
your attending

to the closing
of the Beverly Hills house.

Put down those trunks!

Put it down, I say!

Well, where is she?

Woman 2:
I... in the bedroom. Who are you?

Oh, I'm her grandmother.

Get out of the way.

Esther.

- Granny!
- Esther!

Granny, darling.

Oh, I'm so glad to see you.

What made you come?

Oh, I know when I'm needed.

Now, get out of here! Go on,
get out of here, all of you!

I want to talk
to my granddaughter alone.

I came just as quickly
as I could.

But I'm going home.
I sent you a wire yesterday.

Sit down.

Is it true that you're going
to quit the movies?

I never want to hear of them
again.

What are you running away from,
little girl?

I'm not running away.

It's just that I can't go on.
My heart isn't in it any more.

Once I'd told you,
"if you get what you want

you have to give your heart
in exchange."

And you said you were willing.

Remember?

I remember.

Well, it seems to me
that you got

more than you bargained for.

More fame, more success,
even more personal happiness.

Maybe more unhappiness.

But you did make a bargain.

And now you're whining over it.

I don't think I'd feel
so very proud of myself

if I were you, Esther.

I'm not, granny.

My mind's made up.

Well, then, I'm sorry
I gave you the money

to come out here.
It's just waste...

Oh, but, granny.

I was proud of you, Esther.

I was proud to be
the grandmother of Vicki Lester.

It gave me something
to live for.

Now, I haven't anything.

I know.

Oh, I want to be strong,

but I... I can't go on. I can't.

You must.

Tragedy is a test of courage.

If you can meet it bravely

it'll leave you bigger than
it found you.

If not, then you'll have to live
all your life with a coward.

Because no matter
where you may run

you can never run away
from yourself.

I never knew Norman Maine.

He wrote me a very sweet letter

when you were married.

He said you told him
how much I meant to you.

And I know just how much
you must have meant to him.

You know, Esther

I can't believe
that wherever he is

he can be very happy
knowing that his death

broke the spirit
of the little girl

he praised me so highly
for raising.

And I can't believe
that he can be very proud

knowing that all his great love
did for you

was to make you a quitter.

The car is ready, miss Lester.

We'll have to go now,
to make the train.

Put the car back in the garage.

- Granny.
- Esther, my dear.

Radio announcer: The entire picture
industry has come to

the Chinese theatre for this
opening tonight.

It has come to pay tribute
to a great star

on her long awaited return
to the screen

in what has been called
her greatest performance.

It has come to pay tribute
to the girl herself.

The girl who has won
the heart of Hollywood.

The girl who has won
the heart of the world.

Miss Vicki Lester.

And if I'm not mistaken

miss Lester's car
has just driven up.

Yes, it is she.

I hope this doesn't scare you
too much.

I scare very slowly, young man.

Big smile, folks, please.

They'll have your mug...

I mean, your face plastered

across half the papers
in the country tomorrow.

Hmm. How do I look?

Aw, you look swell.

You're a liar, but I like you.

And here's
miss Lester's grandmother.

Won't you say a few words
for the radio audience, please?

Say something, laddie.

You know, we've got a thing
like that back home

where they all listen in on,
but we call it a party line.

Won't you say something, please?
They're listening.

Maybe some of you people
listening in

dream about coming to Hollywood.

Maybe some of you
get pretty discouraged.

Well, when you do,
you just think about me.

It took me over 70...

Sixty years to get here.

But here I am,
and here I mean to stay.

Thank you very much.

Radio announcer: Miss Lester.

This microphone is on
an international hook-up.

Throughout the world,
your fans are hoping

that you'll say
a few words to them.

Hello, everybody.

This is Mrs. Norman Maine.