Original subtitles

Previously on 90210...

HARRY: Come on, Beverly Hills is

gonna be great for our family.

We got the weather, we got the palm trees

with the...

more palm trees. More palm trees.

You had, like, a million friends.

Back home, and they all knew about the whole adoption story.

So when you gonna ask me out?

Maybe I don't want to ask you out.

I bet you that you do. How would you like

to put down the paintbrush and join the chorus?

I would so love to.

Thank you. MAN: You owe $200.

ADRIANNA: Well, I don't have that,

but I'll get it.

RYAN: Adrianna, what's up with you?

You okay?

Yeah. I'm just distracted.

NAOMI: I went to Dad's office last night,

and I saw him there kissing another woman.

I'm gonna take you home, okay?

(sniffing): Okay.

ANNIE: This night is

nothing like I thought it would be.

Is that a good thing? (chuckles)

It's a great thing.

ETHAN: So... you like him?

At the very least, we'll be friends.

Are we friends?

Hey, I-I spent the whole night

making you these cookies, so eat a snickerdoodle.

(chuckles): That's way better than cookies.

♪ ♪

Don't be scared. Just...

No.

Please.

Don't. Just...

What?

(sighs)

BRENDA: Stop! You two,

hold on a sec.

Silver, what are you doing?

Nothing.

Paying attention.

Sorry.

Checking my blog.

Big in Bolivia. Who knew?

All right, well, Ty and Annie

are about to have sex on stage.

Yeah, right.

I know, this is, like, a high school play.

How far you planning on taking this thing?

What happened to my light, Silver?

Ask J-Rod.

He's the one running the control board.

Okay, you're the stage manager.

It's your job to tell Jared when the lights go up

and when the lights go down.

This would be when you bring the lights down.

Yo, J-Rod.

Lose the horny couple center stage.

(sighs)

Okay, thanks, everybody.

Right after dinner, we're going to dive into the second act,

but before you all run off, I just want to say

how glad I am

that I came back for this.

Some of you just put the pros to shame.

And if the audience is not standing

on their feet at the end of tomorrow night,

I will personally kick their asses.

(laughter, applause)

Hey, Annie, thanks for stepping

out of the chorus to understudy for Adrianna.

With her gone so much, it's been a huge help.

I know it can be a little nerve-wracking.

More than happy to do it, Ms. Walsh.

Thanks.

Hey, you going to dinner break?

Know what?

I'm not hungry.

Oh, me neither.

(chuckles)

Jared, what is your problem?

I'm sorry.

It's a lot of pressure up here, okay?

How hard can it be?

Look, lights on, lights off, done.

Great, fine, you do it.

Oh, no, no.

Where are you going?

Somewhere I'm appreciated.

I quit.

Ooh.

Looks like someone needs to work on their people skills.

Yeah, no kidding.

What kind of jackass quits during dress rehearsal?

This whole stage manager thing is making me mental.

Have you ever run a light board before?

Uh, no.

Want me to do it?

I did all of Annie's old shows

back in Kansas and everything, so, you know...

You're a little lifesaver, you know that?

(both chuckle)

Yeah.

I know.

Mom.

Mother, why are you still in bed?

Why aren't you at school?

Because school let out.

It's been, oh, nine hours since I said "I love you" and "Bye."

I was standing here in the doorway.

Remember?

You were laying in bed, being pathetic.

(clears throat)

Get... up.

(sighs)

We're going to get groceries.

Okay, send Penelope with a list, Naomi.

Penelope is at home feeding her family.

(sighs)

Okay, then order takeout.

No, it's been a week of takeout, Mom, it's been a week of this.

I'm sick of it.

Oh, God, Naomi.

(sighs)

I'm calling Dad.

No, don't do that.

You know, your father has Gail and the beach house and...

I just really don't want him seeing me like this.

Maybe that's what he needs.

It's his fault, and he needs to be the one to fix it.

I'm gonna tell him what a mess you are.

He really needs to be here.

HARRY: There's nobody here.

"Invited dress"-- what does that mean?

No audience.

Brenda wants us here for encouragement for the kids.

You know, Annie used to get us

to take her to the theater all the time.

We saw every musical that came through Kansas.

Please tell me this is nothing like Mamma Mia.

Oh, I loved Mamma Mia.

I saw it twice on Broadway.

Broadway, Topeka Playhouse-- big difference.

Yeah, this one's not quite Mamma Mia, trust me.

Well, good news.

Spring Awakening is about kids

discovering their sexuality and, you know,

fighting the oppressive morals of society in 1891,

but, you know, with rock music.

I take that back.

Should be a real eye-opener.

Annie!

Oh... Dad.

(chuckles)

Hi.

(coughs)

You're overreacting.

You didn't see the kiss.

It was...

You know, and the boys here are different

than the boys back in Kansas.

I know; I used to be one.

Oh, and look how terrible you ended up.

You know, Annie could do a whole lot worse

than a guy like you.

(gasps)

Sometimes I ask the Lord to take my sight away.

(sighs)

Harry caught Annie making out with a boy backstage.

That ought to buy

the poor girl a few weeks in therapy.

Why are you two so calm about this?

Men of the theater are bons vivants, dear.

One day, they're fumbling with your bra in the back

of a '52 Chevy, and the next, they're off to Mykonos

to set up house with a stagehand named Phillip.

I think what your mother is trying to say

is that Annie's little romance

might not be that serious.

HARRY: Well, I am,

I'm going to have a talk

with her when she comes home. And I'll have

the psychiatrist standing by.

Harry, you are a wonderful father,

but there are some things

that are just strictly mother-daughter.

So let me talk to Annie, okay?

Mm.

(knocking on door)

NAOMI: Mom, I'm coming in.

TRACY: Forget buying groceries, Naomi.

I'm not cooking.

How about we eat out instead?

I'm feeling

like Italian.

Oh, hello, Charles.

Will you be joining us?

Tracy. You look great.

I thought you said

she couldn't get out of bed.

Well, I mean, clearly you've inspired her.

You're already helping out, Daddy.

TRACY: Could you give us a second,

sweetheart?

Oh, sure, yeah, of course.

I'll just go make reservations at Modaio.

For three?

What's going on, Tracy?

Well, let's...

see.

Last time I checked,

you left your wife and daughter

for a life at the beach house with your longtime whore.

Did I leave anything out?

I know you're hurting.

You don't have to put on an act, not for me.

(groans)

Okay.

That make you feel better?

Mm-hmm.

Hey, honey.

Hey. There's a plate

in the fridge for you; I'll warm it up.

Oh, thanks.

So, Dad tell you what happened today?

(laughing): Oh, yeah.

I got all the gory details.

You want to talk about it? (chuckles)

No, I, uh, would rather hit myself

repeatedly with a hammer.

I notice you've been spending a lot of time with Ty.

Yeah, but it's not just a play thing, Mom.

I like Ty. A lot.

You said the same thing about Jason in The King and I.

Yeah, well, Jason was big

and sweet and Kansas.

Ty is tall and skinny

and cool, and he's got these ears

that stick out like little elves'.

(chuckles)

Can I be your mom for a second?

Oh, no, no, no.

Mom, Mom, please do not turn this into a sex talk.

Okay, today has been humiliating enough.

But if you are thinking

about it, or if he's pressuring you

or you're confused,

you know it's okay to wait, right?

Yeah, I-I know the consequences, Mom.

(chuckles)

The emotional consequences, too?

Like what if he doesn't call or he doesn't say hi

to you at school,

or worse, he tells

all of his friends?

Ty is nothing like that.

Okay.

(microwave beeps)

I trust your judgment.

So...

Dad's going to forget

what he saw today, right?

(chuckles): Oh, no.

That's never going to happen.

♪ ♪

You're late, Adrianna.

Again.

By the looks of things, so is everyone else.

Actually, everyone else is backstage

getting fitted for the show.

Look, I get it.

I've been distracted lately,

maybe I've missed a couple of rehearsals,

but let's just be honest.

This is just a high school play.

I was on television.

I was in movies.

Yeah, well, that's all great stuff for the program,

but I'm worried about you right now.

Don't be. I'm fine.

I'm on your side; you can talk to me.

And tell you what?

That I woke up at 5:00 this morning,

all so I could meet a trainer that my mom can't afford.

That the reason I'm late is 'cause I went

to a commercial audition that I'm not gonna get

because I'm too fat, too brunette or too old.

And then there's this.

And there's you, and there's the voices

in my head that keep telling me

that I'm not trying hard enough.

Okay.

I cannot change what happens out there,

but we can change what happens here.

I care about you,

I care about this play,

and I think you can be good.

I am good.

(chuckles)

And I love a girl with confidence.

(sniffles)

Take it from the top?

You got it.

♪ Mama who bore me ♪

♪ Mama who gave me ♪

♪ No way to handle things ♪

♪ Who made me so sad ♪

♪ Mama, the weeping ♪

♪ Mama, the angels ♪

♪ No sleep in heaven ♪

♪ Or Bethlehem. ♪

Your dad caught you and Ty...?

And told my mom, who then turned it

into an after school special sex talk.

What's an after school special?

(laughs): Google it.

Oh, hello, Annie.

Silver.

Your Highness.

What are we chatting about today, ladies?

Well, if you must know,

Annie's dad caught her and Ty Collins

in a backstage lip-lock.

Nice work, new girl.

Haven't you only been here, like, a month?

You're already bagging

one of the hottest guys at school?

No one is bagging anyone.

It was just a kiss.

Oh, whatever. With a guy like Ty,

it's only a matter of time.

He's had everybody, and it looks like you're next.

I am not having sex with Ty Collins.

Why not? You're friends, right?

You should explore the benefits.

(laughs)

Uh, yeah, it's just that

not everybody's a ho-bot like you, Naomi.

(laughter)

Very good, Silver.

What is this, the last virgin wins?

If Annie wants to wait

for the right guy, I think she should.

Thank you. Whatever. Everyone makes sex

a big humongous deal.

Ethan and I didn't wait.

I mean, we practically did it instantly.

Doesn't everyone want what Ethan and I have?

(laughs)

Oh, hi, baby.

We were just talking about you.

(kisses): Mm!

Hey, Annie, good luck in

the show tonight; we'll be watching.

You guys are actually coming tonight?

Oh, yeah.

Well, maybe to the after party.

Break a leg. Thanks.

So, you're going to give me a piggyback ride to class.

Again? Mm-hmm.

(giggles)

(both giggling)

They do seem happy, don't they?

Yeah, you are not ready for sex.

See you later.

(sighs)

Hello, ladies.

Hey, you have a minute?

I have exactly a minute before the students descend.

What's up?

Uh, Brenda is worried about Adrianna.

With reason, probably.

She's been distant, distracted in class.

What's she like in rehearsal?

She's amazing.

Uh, incredible instincts, fantastic voice.

But?

But, like you said, a little...

a little distant and distracted.

Though, in her defense,

she's under intense pressure

from pretty much every angle in her life.

You think she's using?

I don't know. I don't think so.

It's a possibility, though.

We should pull her from the play.

No, Kelly.

You just said she's under intense pressure...

Yeah, and the play, I think, is the only thing

keeping her off the ledge.

Look, I can handle this, all right?

She trusts me.

I just don't know if this play

is the best thing for her right now.

The tricky part of teaching is being friendly

without becoming their friend.

I got this. Please?

TY: Forgive me.

It was me, all me.

I can hear your heart beat, Wendla.

Oh, Melchi.

Uh, I, um...

I suddenly feel-- ugh.

Let's take a break, okay?

Are you okay?

Yeah, yeah. No.

(laughs)

No! I don't know.

I barely got any sleep last night.

You know, pre-show jitters, I think.

Yeah.

And now, I suddenly feel nauseous, and...

(groans) Don't you?

I mean, you're the lead.

I'm just in the chorus.

Well, you also understudy Adrianna.

(sighs) You know all her lines.

Mine, too, probably.

You're just psyching yourself out.

God, I hope you're right.

Trust me.

So, are you going to The Roosevelt after the show?

Oh, for sure.

Naomi said it's fantastic. Yeah.

You know, a huge pool, swanky deck chairs everywhere.

Celebrities lounging here and there. Ah.

And there and there. I booked us a room.

You booked us a room?

Right.

For us?

Only if you want to. I...

Yeah. Yeah. Sure.

Uh, why wouldn't I?

Relax.

It's gonna be a great night. You'll see.

Yeah.

Annie barely said a word at dinner.

What do you expect? She's nervous. Yeah, well,

she never used to get this way

before shows in Kansas.

Well, that was then, this is California.

You know, hon, don't you feel like

The Roosevelt Hotel is a little fancy

for an after party?

I mean, isn't the whole spirit of theatre about

camaraderie in the face of starvation and poverty?

Harry, we have to let her go.

No, no, we don't have to let her go.

Huh, no-- legally, she has to do what we say

until she is 18.

Right, and then spends the rest of her life resenting us.

It is a hotel. Right?

With rooms and beds and horny teenage boys.

Annie is a smart girl.

She makes intelligent decisions.

Yes, I know that she is a smart girl,

but she is no match for the young male libido.

You can't put your experiences on Annie.

No! No, not my experiences.

My mistakes.

I have a son running around out there somewhere

because of a mistake that I made

when I was a teenager.

That's your regret, Harry.

You can't let that stop Annie from living.

All we can do is

guide her to a path, and then,

whatever path she chooses, that's her decision.

Mom?

Oh. Wow.

Uh, can I get a ride to school?

There's a vocal warm-up at 6:30.

Okay, uh, just, uh, let me get my keys.

(chuckles)

♪ May, mee, mah, mo, moo, ooh... ♪

That's it.

Pitch your voice into your resonators.

Keep it there.

♪ May, mee, mah, mo ♪

♪ Moo, ooh... ♪

WOMAN: Adrianna?!

Where have you been?

I have been texting you all afternoon.

Um, I have been here rehearsing with Brenda.

Hi. I'm Brenda Walsh, the play's director.

Your daughter has an amazing talent.

Yes, I'm very, very proud of her. Sweetheart...

Mom, it was so amazing.

We went over and over everything, the entire play,

and my voice sounds fine.

It's great.

Good, because you have three agents coming.

There's agents? Mm-hmm.

And two producers, and I am seating them stage left,

so if you can remember-- cheat your songs left.

That's great, Mom.

You're going to be amazing.

All you have to do is kill in this performance,

and you'll start working again, and then,

we'll both be fine.

Nice to have met you.

Mm-hmm.

Annie, wait a second.

Dad, I'm really late, and Ms. Walsh is gonna kill me,

and I'm all kinds of nerves, and the more I talk...

We have to talk about what happened

the other day with that boy.

His name is Ty, Dad.

And he's your boyfriend?

It's possible, okay?

I'm really, really late.

It's just, with rehearsal and everything,

you haven't had time to bring him by.

Ty...

Ty... by the house.

You want to spend time with Ty?

Well, yeah.

I got a great idea.

Uh, why don't we all go out after the play?

Like, well, like we did back inn Kansas.

You, me, Ty, Mom, Grandma, the whole family.

Awesome, except you know

I'm going to the party at The Roosevelt.

Well, The Roosevelt has a restaurant, doesn't it?

Oh, Dad, stop, okay?

I know what you're doing.

What am I doing?

You don't trust me.

No, I do, I do trust you.

Then why are we talking?

Because I do not want you to make a mistake.

And when it comes to sex...

No... no, I am not having this conversation.

I'll be inside. No!

Hey-hey, Annie...

Dad, you either trust me, or you don't,

and it's really sounding like you don't.

Nope. No Adrianna.

Where is she? Have you tried her cell?

DIXON: Um, Silver, about the light...

Dixon, not now.

I called her-- it's off.

Texts ignored.

Witness her makeup corner-- untouched.

Look, I scoured the halls.

She's AWOL. Again.

All right, Silver, you're the stage manger.

What are you going to do?

Has anybody seen Adrianna?

ADRIANNA: Ugh, I'm right here,

freak show.

Calm down.

Adrianna...

Mm-hmm?

What's wrong with you?

Oh, um,

I just ran out to get some cough medicine.

Ugh, all this singing, it's just,

like, ripped my throat.

(giggles)

Chill.

I'm here, and I'm ready to rock.

Whoo!

(giggles)

You can't go out there like this.

Of course I can.

Annie, you're up.

You can't do that!

BRENDA: Change out of that costume, put on Adrianna's.

Curtain is in-- Silver?

Frickin'... 15 minutes.

Um... okay.

I know it's just a puny little high school play,

but you're gonna be blown away by Adrianna.

Oh, she'll be so excited you're here.

Thank you so much. Get settled.

I'm gonna check on her backstage.

HARRY: ...but you know.

DEBBIE: I know.

What did you argue with her about?

No, see, it wasn't an argument,

it was a civil conversation.

Yes, until it turned.

Harry, tonight is a big night for Annie.

Yes.

Absolutely right.

And I have to pull back.

And trust that she will do the right thing.

Okay, I'm gonna have my script open

and in front of me during the whole play.

Forget a line, look backstage.

I'll just shoot it to you.

Oh, my God. Oh, my God. Oh, my God.

Just breathe. I am breathing.

Breathe slower.

Romeo to the rescue.

Melchior.

Whatever. Hey.

Uh, can you please just help me deal with this?

I have to go deal with something else backstage. All right.

SILVER: Dixon, I need you-- now. Annie...

(shuddering) Just relax.

You're gonna be great.

Oh, keep doing that. That feels good.

That helps a lot. Okay.

Five minutes!

Five minute to call, people!

Oh. I better go.

Hey, remember,

when you're out there, just look at me.

When we're on stage, there's nobody else.

Just you and me. Okay? Mm-hmm.

All right, you're gonna be great. Okay.

DIXON: Coming through-- looking for Silver.

Hey-- Oh, sorry, man.

You okay?

Define "okay." No time.

Just don't mess this up, all right?

Your sister's counting on you.

ERIN: Four minutes to call, people!

(acoustic guitar playing gentle melody)

♪ Mama who bore me ♪

♪ Mama who gave me ♪

♪ No way to handle things ♪

♪ Who made me so sad... ♪

I don't understand, where's Adrianna?

I don't know.

I'm gonna go find out.

♪ Mama the angels ♪

♪ No sleep in heaven ♪

♪ Or Bethlehem... ♪

Adrianna, you okay?

CONSTANCE: Does she look okay?

There are a half a dozen agents

and producers here

to see her in this show.

Only she's not in the show!

Look at your daughter.

What...?

What? I'm fine!

Who are you?

Kelly Taylor.

I am Adrianna's guidance counselor.

I want to talk to the director.

She's your friend.

Tell her to put me back in the play.

I talked to her.

And she's worried about you.

She thinks you might be using drugs.

Excuse me?!

(chuckles): This, uh, "director,"

did she actually see her take something?

Mom, I didn't take anything.

You know all I see?

I see a little girl

who is tired and upset.

For good reason.

Let's go.

Come on.

Adrianna, we have to talk about this.

Come see me Monday.

(scoffs)

Come on, baby, let's go.

♪ ♪

♪ It's the bitch of living ♪

♪ It's the bitch of living ♪

♪ And living in your head ♪

♪ In your head ♪

♪ It's the bitch ♪

♪ Of a living and sensing God is dead ♪

♪ It's the bitch of living ♪

♪ You watch me, just watch me ♪

♪ And trying to get ahead ♪

♪ I'm calling one day ♪

♪ It's the bitch of living ♪

♪ And knowing this is it... ♪

Annie. Yeah?

Go! Right.

I got to go change.

(holding note)

♪ Oh, God, what a bitch! ♪

Dixon?

Blackout on stage.

Dixon?

(cheering and applause)

(sighs)

Hey, Silver.

Hey, what?

Kind of like it when you're bossy like that.

(music intro begins)

Okay, lights back up.

(cell phone vibrates)

(scoffs)

This is all Dad's stuff.

You bet it is.

What are you doing with it?

Giving it to the Malibu Mission.

So, one day soon,

your father will step out of his beach house

and see a homeless man wearing his tailor-fit Armani,

and he will think of me.

I thought you guys were getting back together.

Back together?

Naomi, your father and I are divorcing.

ANNIE: I was lying by the stream,

and then I saw you here.

TY: Yes.

So...

So...

The stream.

Dreaming again?

I was, I guess.

TY: Tell me.

It's silly.

And I can't remember the last time

your father and I could talk without fighting.

So I asked him to make a choice.

Me or Gail.

And what did he say?

Well, he said that he couldn't decide.

So, I'm making the decision for him.

And... this is supposed to get him to come home?

I have to respect myself.

And more importantly, I need you to respect me.

And please...

don't tell me you do.

So, this is it.

Yeah.

This is it.

But...

we're gonna be okay.

How?

I was kind of hoping

you would have an answer for that one.

Normally would.

Come here.

I love you.

(applause and cheering)

Whoo!

(whistling and applause)

Somebody call Brenda out!

Brenda!

(cheering and applause continues)

Bravo!

Bravo! Whoo!

(excited, indistinct conversation and laughter)

So, you think more about the party after?

In your hotel room?

Go. Go.

Let me say bye to my family.

And I will be right behind you. Great.

Dixon!

Annie, oh, man!

You were on tonight!

Yo, the audience ate up everything you gave 'em.

Thanks.

And Silver, you know,

she's a big pot of mean.

Just big... seething, hot pot of mean.

Yeah, can I see your wallet?

Uh... yeah.

I mean I only got, like, $11 or whatever,

so if you need money...

No, I need your condom.

Whoa, uh, run that by me again.

The condom you've been saving in your wallet for five years,

I need it. Whoa, whoa.

Four years. What do you need it for?

(clears throat)

Oh!

With-with Ty?

He got us a room.

What about Ethan?

Ethan and I are never gonna happen.

Besides, I... I like Ty.

A lot.

Are you sure you want to do this?

I don't know.

I think so. Maybe.

Uh, look, I just-- I want to be prepared.

Ah.

Um...

Okay.

Uh...

(clears throat)

Well, uh...

this is a...

pretty disturbing moment between us, isn't it?

Uh, let's never speak of it. Yeah.

(sighs)

Oh! Ethan.

Uh... Hey, uh, I brought you flowers.

Great, okay.

Um...

Ethan, stop, wait--

just give it back. No.

You cannot have sex with Ty Collins.

Why not?

What do you even know about him?

The guy is a total player.

(chuckles)

This coming from you,

the guy who cheated on his girlfriend.

I saw you in front of school

in your car getting... I know.

I know.

By some girl.

Some girl who was not Naomi.

And I'm reminded of it every day, all the time.

But... Ty Collins?

Wouldn't you rather save yourself

for someone who cares about you?

I tried that.

Didn't work out.

Annie, where are you going?

To find my parents.

To get to my party.

This is gonna be a great night for me.

Ooh, I didn't want to do it.

I know, but you had to.

And you were right to.

Adrianna needs help.

I forgot what it was like to be in high school.

You know, the pressure on these kids...

and you should have seen Adrianna's mom.

How do you do this every single day?

Oh, it's not easy, but it's not always

quite so High School Musical.

I mean, I try to help them as much as I can,

but sometimes I have to remind myself it's okay

for these kids to make mistakes.

I mean, we did.

Oh, I'm aware.

I didn't forget everything about high school.

Yeah, but sometimes, don't you wish you could?

Hey, what's up, y'all? (indistinct chatter, laughter)

♪ ♪

(knocking)

Hey. Hi, superstar.

What are you doing up here

lurking on your balcony?

Ooh, can I have a peek inside?

Very nice.

So I watched some of your show.

You and Annie were all sparks and electricity.

I'd give you an A in both theater and chemistry.

Thanks.

I'm kind of waiting for her, actually.

You are?

That's weird.

Why is that weird?

Well, because she left the play with Ethan.

He's probably just giving her a ride.

It didn't look like that to me,

not from the make-out session that I saw.

♪ ♪

You know, you actually

did a pretty good job tonight, Dixon.

(chuckles)

Well, thank you, thank you.

Well, back at you.

Whatever.

(laughs)

Is there anything in this whole world

that you actually do care about?

I care that your sister got through her performance

without knocking over any set pieces.

Okay.

Or sounding like an amnesiac.

And that I didn't get blamed

for ruining the show.

Want to know what I think?

Do I have a choice?

No... uh...

I think that you want to do a good job.

But if you did,

then that would mean that you actually care,

and if you cared, then that would mean that you...

♪ You were the one ♪

♪ I'd do or die, the perfect one ♪

♪ My alibi ♪

What was that for?

You ask way too many questions.

You know that, right?

Uh-huh.

Come on.

♪ You were the one caught in my eye ♪

♪ You were the one to make me cry ♪

♪ You were the one I'd do or die ♪

♪ The perfect one, my lullaby ♪

♪ You were the one. ♪

♪ What I'm searching for ♪

♪ To tell it straight, I'm trying to build a wall ♪

(knocks)

♪ Walking by myself down avenues... ♪

Annie, hi.

Oh, I'm... I'm sorry.

I-I guess I must have the wrong room.

I was just looking for Ty.

No, you have the right room.

Come in.

♪ Stop trying to catch my eye ♪

♪ I see you good, you forced faker ♪

♪ You make it easy, you're my enemy... ♪

You did a really great job in my part tonight.

You really brought down the house.

(shower running)

Uh...

Adrianna, I never thought

that I would go on in your place.

It was as big a surprise to me as it was to you.

Right.

Ty's in the shower.

Do you want me to go get him?

In the shower?

Rinsing off.

He didn't tell you

to meet him here, too, did he?

Um...

(laughs)

Boy really knows how to celebrate, doesn't he?

Well, I'll go tell him his next appointment is here.

No, um...

No.

You-you two just-- yeah, uh,

don't tell him anything, okay?

♪ For the things that I believe ♪

(giggles)

♪ I can say I hope it will be worth ♪

♪ What I give up ♪

♪ If I could stand up mean... ♪

(laughing)

Annie?

What, are you following me?

No, uh, I'm just waiting for Naomi.

I have to get out of here. Wait, wait.

What's wrong? Did Ty do something to you?

(laughs)

Ty did not do anything to me.

Whatever Ty is doing,

he is doing up there with Adrianna

and whoever else he invited here tonight.

NAOMI: Annie.

Hey, what's going on?

What's going on is I came here tonight,

fully prepared to have sex for the first time.

Here I am

at The Roosevelt in Hollywood

about to give it up for the first time

to some guy that I barely know.

God, this whole world

that you guys live in might be fine for the two of you

and all of your friends with all of their benefits,

but it is definitely not fine with me.

What's the matter?

I don't have one.

One what?

A condom.

Four years, I kept that thing in my wallet,

and tonight I give it to my sister.

(chuckles)

Okay, first... creepy.

And second... wow.

Luck really takes its time with you, huh? Yeah.

And, uh, finally... (clears throat)

what'd you think was gonna happen here, huh?

Did you think we were gonna get a room

or just go at it right here on the lounger?

You mean...

No, no.

No, we're taking this slow.

(sighs)

Silver...

What?

You're being bossy again.

But I like it.

Come here.

(both laughing)

All right. Oh, I wouldn't move that one.

Oh, I think that...

DEBBIE: Annie, you're home early.

Yeah, the party was really loud,

and I didn't realize how tired I was

after the play and everything,

so I... I just want to go to bed.

Welcome home.

You... you were really great tonight.

Thanks.

We're proud of you.

Good night.

Good night.

♪ ♪

(sobbing)